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Giada De Laurentiis Covers Redbook February 2011
Opening up about a number of topics, Giada De Laurentiis heats things up in the February 2011 issue of Redbook magazine.
The sexy culinary show host opened up about issues including the John Mayer cheating rumors, her marriage and motherhood while also dishing on her cooking secrets.
Highlights from the Redbook interview are as follows:
On cheating rumors: "The John Mayer incident was completely unexpected. I was shocked. And not so much for me, but for my husband and family. . . Todd was embarassed that his family in Michigan would see it and think, What is going on over there in Hollywood?... What made it all even more surprising is that I haven't had any contact with John Mayer in three years. You know how you'll briefly get introduced to somebody? Maybe we chatted for five minutes, but I wouldn't consider that intimate.... I think the only things that could have possibly have tied us together is that we were at the same hotel that weekend in question--which, by the way, my husband was with me there as well.
On balancing career, marriage and motherhood: "I think it can be hard for any man to sometimes be upstaged by his wife. So when I'm home, I work very hard to be Todd's wife and Jade's mother. I have no problem going back to those traditional roles. I try to be Giada, the young girl that he met 20 years ago and fell in love with. All men want to be treated like kings in a relationship, and I think if women don't indulge that sometimes, their men are likely to stray and look for someone who can give that to them."
On cooking: "There's nothing like a home-cooked meal--nothing! When people ask me what the best restaurant in L.A. is, I say, "Uh, my house." It's more intimate. Food can connect people in a forever sort of way. . . I went into this field to cook for people and see their smiles on their faces when they eat the food I prepared."
Photo: Redbook


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Take the Guess Work out of Which Home Wireless Router to Buy
We at Linksys understand that picking out the right router can be a challenge. Do you buy the cheapest, most expensive or right in middle? Or is it not about price and all about function such as performance, dual band, features, or range? Or do you not really know?
60% of households are not wireless yet and we understand there are new users to wireless networking everyday and don't really understand all the specs about a wireless router — only that they need one because they want to walk around their house with their laptop while still being connected to the internet or want to connect their new tablet to the internet wirelessly or maybe, just want to start a wireless home network.
All these reasons are good reasons to invest in a wireless router. The things you should look for are Wireless-N, which gives you the latest standard-based wireless technology with speeds up to 900 mbps (depending on the router), and Dual-Band which you should decide if you want or need this. If you have multiple users in your home, have a tablet or connect an internet enabled TV or game console you should look for a Dual Band routers, but if it's just a few computers that want to connect to the internet wirelessly, a standard Wireless-N Router like the Linksys E1200 or E1500 will work just fine.
And lastly you should also look for features such as simple set up software, guest access, parental controls, automatic channel locator, Ethernet or Gigabit ports and USB ports that can connect printers and storage:
- Simple Setup Software – Like Cisco Connect software, the software enables users to setup all their wireless devices with ease
- Guest Access – Give your friends and family and kids friends their own connection to the internet without the worry of them connecting to your network and accessing your computer
- Parental Controls – basic parental controls for managing your kids use and the sites they visit
- Automatic channel locator – this is a feature that helps identify the best wireless channel to get the best performance possible automatically
- Ethernet or Gigabit ports – these ports provide you wired connectivity. Devices that are close to the router are ideal devices to connect to the ports.
- USB Ports- a USB port that provides connectivity of a printer, scanner or storage device. Connecting these devices to the router will enable everyone on the network to access and use.
- Single Band/ Dual Band: 2.4 GHz or 5.0 GHz- Look for frequency bands to know if you are buying a router that supports 2.4 GHz which is a single band router or 2.4 GHz and 5.0 GHz which identifies that it is Dual Band router.
- WPS – Wireless Protection Setup. This is a feature that helps configure and set up other devices to the wireless router if they also have the WPS feature.
- Speeds – 300Mpbs, 350Mbps, 400Mbps, 750Mpbs, 900Mbps. Looks for speeds of 300 Mpbs or more. This will also help ensure you are purchasing a Wireless-N router. The higher speeds helps to also determine which bands and how many spacial streams are used. The higher the speeds typically means that both the 2.4 and 5.0 GHz bands are being used and more spacial streams have been added to give you better overall performance.
- Range- Looks for Routers that provide good reliable range. If you live in an apartment or small condo the entry level Wireless-N routers should be good for you. If you live in a larger home and plan to do video streaming as well as have multiple devices connected to your home network – the Dual Band high performance routers like the Linksys E4200 are ideal for you.
- Security – Most Wireless-N routers now come with WPA/WPA 2 encryption which is the highest level of security you can get on your home network today.
- Also look for warranty and 24/7 support information. You never know when you'll need it.
So that's just a few pointers on getting you started when looking for a wireless router. If you have other pointers that helped you in your shopping experience – let me know, I'd love to share them with other readers!Tags:
In an effort to keep conversations fresh, Cisco Blogs closes comments after 60 days. Please visit the Cisco Blogs hub page for the latest content.
4 Comments
jeremy white
For those of us more concerned about tec specs then product features, can Cisco linksys start putting more info on the box? One can always hunt online to find them, but one huge advantage netgear has is the put a good amount of info on their packaging. Even the router CPU speed, flash size and amount of RAM. I feel insulted as a customer that linksys feels I'm to dumb to understand that stuff, at least that's the way I see it. Thanks a ton!
I've been spending some 'intimate' time with our dual band router and network setup lately, mainly because our Internet Service Provider didn't... provide a service that is. Our access to the Internet kept failing because of issues on their network. Which forced me to look at the Cellular 3G / 4G networks as a backup. At this moment we're using our (newly purchased for this purpose) Smart Phones to provide us with Wi-Fi Hotspot capabilities, but I've searched for (and found) some routers that have 3G / 4G as a backup (or even main port with the landline WAN as a backup) all built in. Cisco makes (at least) one (881G/W), so does Netgear (MBR1210 Turbo Hub) or Ericsson (W35 Turbo Hub). It would be GREAT to see such a product under the Linksys range aimed at the home user or the cottage user and slightly more affordable than the Cisco Business Product. Secondly, I think ALL Routers need at least 2 extra features – a physical 'undo / back / Crtl-Z' button as well as a 'click here to accept changes' software button just after configuration changes have been saved, to make sure I haven't tweaked myself right off the network :) That way, if I don't click on the button, the unit reverts back to its previous settings in say 60 seconds, with me back on the network. Don't laugh, our Linksys Router has a few traps built in to catch the unwary and force me to walk up 2 flights of stairs with my laptop in hand to physically connect (via Ethernet cable) to 'undo' what I've just changed – sometimes inadvertently. For instance, I use the MAC Address Filter in the Wireless settings to 'permit' only the MAC Addresses in our household. But whenever I need to add a new unit (e.g. a smart phone or tablet), I have to undo this feature so the unit can access the network and so I can see its MAC Address and add it to the list… no problem so far. Then, enabling the MAC Filter Feature again, our Linksys (WRT610N) secretly changes the 'permit' button (previously ticked) to the 'prevent' button, which of course then throws off exactly everyone in our own home network the minute I hit the save key – not funny… just ask my wife.
Good set of instructions for new comers for the wireless networking world....!!!! worth...

subset: commoncrawl


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Gluten Free Foodies
Celebrate the foods that you can eat!
Giddy for NW Cherry Season … Naturally Gluten FreeJune 23rd, 2010 at 7:23 pm by Lisa - Gluten Free Foodie
Just a few things to think about while enjoying this season's best of the NW ...
- Store unwashed cherries in a plastic bag in the refrigerator and wash just before eating.
- Keep the stems on the cherries to increase shelf life.
- Bing, Tieton and Chelan Cherries are all available right now. Bing should be available until mid August.
- Rainier Cherries are a cross between Bing and Van - sweet and tart yet creamy with a golden and blush hue. The Rainier Cherry was named after our Mt. Rainier. 20 brix (sweetness level) or more and no less than 17 these are the best naturally sweet Gluten Free candy you can find this summer. Make sure you get some for outdoor concerts, movies and a day at the beach!
- Did you know that cherries are naturally low fat, low carb, and are a high fiber super food? They taste so sweet while providing vitamin c, antioxidants (from the dark color) and micro nutrients. Cherries also provide an excellent source of melatonin which is a hormone to help us sleep. One cup of cherries is only 90 calories!
- Cherries have been proven to fight inflammation and help ease the pain of arthritis, gout and headaches from the abundance of antioxidants, isoqueritrin, queritrin and other compounds. In addition they help fight cancer and heart disease.
- NW Cherries account for two thirds of the nation's crop and ship to 62 countries which brings $600 million into the Northwest annually. Northwest Cherries are from WA, ID, UT, OR, MT.
What are you waiting for?
Go get your cherries .... and I will show you how to make some fun things to last all season long ...
Yakima Cherry Almond WafflesJune 20th, 2010 at 9:05 am by Lisa - Gluten Free Foodie
I spent an amazing day yesterday with some fellow foodies in Yakima learning all about one of my absolute favorite foods - cherries!
So in honor of my mom and Yakima Cherries I made Gluten Free waffles with almonds and perfectly ripe Bing Cherries ... just a little bit of syrup and non-dairy earth balance butter ...
This is a first, albeit short posting, in a series all about the "Life of a Cherry" from Yakima, WA.
Happy Father's Day! and thanks Mom!
Gluten Free Custom Choice CerealJune 15th, 2010 at 7:01 am by Lisa - Gluten Free Foodie
Favorite Creamy & Crunchy Blueberry BreakfastJune 5th, 2010 at 7:31 am by Lisa - Gluten Free Foodie
Wow! I think it is a better combo than what I remember and longed for ... little crunchy round pieces that keep their crunch until the very last bite. They have a very similar flavor to grape nuts, but no nuts. Perky's Crunchy Flax is made with sorghum, ground flax seed and sweetened with fruit juice and honey! I have tried it with various non-dairy alternatives like coconut milk, hemp milk and chocolate hazelnut milk - all very good ... but the combo with the yogurt is the perfect blend of creamy and crunchy!
So Delicious Yogurt is available in a variety of flavors including blueberry, my favorite, raspberry, vanilla and more. Look at the website for more info Turtle Mountain So Delicious.
Look for both products at your favorite Gluten Free Market or grocery store.
Light, fast and easy ... now I am ready for this sunny day but just had to quickly share this with you!
Happy National Gluten Free Donut Day!June 4th, 2010 at 8:03 am by Lisa - Gluten Free Foodie
Gluten Free Pizza Delivery by Jet CityMay 28th, 2010 at 1:52 pm by Lisa - Gluten Free Foodie
It is what I like to call "SoakFest" aka Folklife Festival in downtown Seattle. Nothing like being in a mosh pit in the rain for 3 days!
Look at it this way ... when the sun finally comes out and warms up it will be so worth it! Right?
Well, in the meantime I have an idea that will help ease the cold winter blues at the end of May ...
Gluten Free Pizza delivered to your door from Jet City Pizza.
I went to the newest location in Bremerton and picked up my own. I didn't realize that it is not a dine in location, so please plan to pick it up and eat elsewhere if you are like me and not in the delivery area. The delivery area is within 15 minutes of their 6 locations including Bremerton, Wedgewood, Newcastle, Meadowdale, Kenmore and Everett.
The pizza was actually really good! The crust is thin and crispy with a buttery herb flavor. The sauce is real Italian marinara. I usually get Italian Sausage and red onion on all of my pizzas to do a fair comparison. I must say that they do not put a ton of toppings on, so if you like a lot ask for double! (Not that light toppings is a bad thing, but it is good to know.) I went back a second time to see if there was a difference of my overall experience.
Hey ... I am so there for you and want to make sure I give you good info!
Guess what? the pizza was exactly the same! I think that is so great - every time you know what to expect ... right?
When you call in be sure to say Gluten Free Pizza first and then they will explain which toppings are good for GFF. The range is $15 -$25 for a medium to large pizza.
I think the price is reasonable, I spent around $17 for a 2 topping medium pizza.
Call 360 377 4488 for the Bremerton location.
1554 NE Fairgrounds Road, Suite 1B
Better yet tell them that
Lisa - Gluten Free Foodie sent you and get
$3 off your pizza!
Gluten Free Ginger Lemon Grass Fish TacosMay 22nd, 2010 at 6:15 pm by Lisa - Gluten Free Foodie
Real Chocolate Hazelnut Beverage – Gluten and Soy FreeMay 10th, 2010 at 6:39 am by Lisa - Gluten Free Foodie
Gluten Free Menu at Anthony's RestaurantsApril 25th, 2010 at 6:22 am by Lisa - Gluten Free Foodie
I had the pleasure to meet with Anthony's Restaurants this weekend, to sample their new Gluten Free menu. Anthony's has been serving the freshest seafood from the Pacific Northwest for 25 years. Anthony's offers a variety of "to go" eateries, casual dining and relaxed dinner houses with 19 locations throughout the Pacific Northwest. I have enjoyed many celebrations and lunches out with friends on the deck at Bell Street in the summer. Every meal was always the best ... meals pre-Gluten Free days and I was thrilled to go back.
It was like meeting an old friend again that you haven't seen in years. I really love the space at Bell Street because every table has a great view. Just walking in the doors, being greeted by all the staff, seeing the new Gluten Free menu made me feel welcome. I wanted to give everyone a big hug! I met with Assistant Dining Room Manager - Jake Wheeler to ask him about the menu. My first question was - What made Anthony's decide to offer a Gluten Free menu? The answer surprised me ... the tourists asked! I had to laugh because it really struck me that Anthony's is such an icon for dining in the Seattle area and yet the tourists asked. I am just happy that someone asked and that Anthony's responded. It is really nice to see a dedicated Gluten Free menu, that is colorful and includes Seafood Snacks, Sides, Entrees and Desserts. (It even looks like the other menus and it is laminated so it even feels real!)
The Entrees include - Barbecued Garlic Prawns with Cajun Spices, Bun Free Snake River Kobe Beef Burger, Wild Alaskan Silver Salmon with Yukon Mashed Potatoes and a Chop Chop Salad with Dungeness Crab, Bay Shrimp and Basil Vinaigrette. The perfect sweet finish - Anthony's Burnt Cream with a Crisp Caramel Top or Olympic Mountain Ice Cream or Sorbet in seasonal flavors.
The Bell Street Diner offers a lunch and dinner menu that is the same but with different portions. The upper Anthony's offers a Gluten Free Dinner menu that includes ... Australian Lobster Tail served with Butter, Garlic Mashed Potatoes and Seasonal Vegetables ...
I should have gone for dinner ... next time!
Anthony's Gluten Free menu was created by their Executive Chef and they consulted with a nutritionist to select Gluten Free ingredients. Jake did say that they use various techniques like grilling the fish on a separate skillet that is away from other foods that may contain Gluten. Substitutions to the Gluten Free menu are not guaranteed. The Gluten Free menu has been offered for about 2 weeks and may not be available at all locations just yet. If you have a special occasion it is best to contact the location directly and ask them if they offer the Gluten Free menu. Menu selections may slightly vary according to locations and to seasons as well.
Go Gluten Free Foodies ... dine out at a real restaurant ...
Gluten Free at Anthony's Restaurants!
P.S. Kudos to the Staff at Anthony's Pier 66 & Bell Street Diner!
Gluten Free Food Label Study by the FDAApril 14th, 2010 at 12:34 pm by Lisa - Gluten Free Foodie
The U.S. Food and Drug Administration (FDA) is seeking adults diagnosed with celiac disease or gluten-intolerance or caregivers to such individuals to participate in a research study on their grocery shopping habits. Participants will be asked to take an Internet survey, which will take approximately 10 minutes to complete.
The survey is available at www.synovate.net/forgluten
Please contact Katherine Kosa at email@example.com or 1-800-334-8571, extension 23901, if you have any questions about the study. To request a paper copy of the survey,
please call 1-877-4GLUTN1.


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Hello all,
I just upgraded to a new Milestone 3 that's similar to the Droid 3. Its fairly new and from what I've searched up there is hardly little to no support for my device. I unlocked my device and rooted it in order to install Beats Audio from the market (unofficial release). I installed the apk and rebooted my device. After testing, the apk was a total failure as videos no longer played, music no longer played but the seek bar would jump around to random sections in the song.
I uninstalled this software from my phone only to realize I granted root permission and the software overwrote some driver files. So now I'm stuck with a new phone with no sound, because; 1. I can not find the correct CDMA_solana stock rom for my device, 2. I did not back up my rom so that's out the question.
I just want to get my sound working again, to my knowledge I can't even flash much roms either because my device is CDMA and pretty new.


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Italy and its new Spanish nemesis – adaptability is the key
Two finals, two teams, two consecutive years. But for Spain and Italy, it is the same story.
For the second time in two years Italy made it to an international final – a feat worth celebrating – but for for the second time in two years they were blown out by international football's undisputed kings, Spain.
In Euro 2012, the seniors were not billed as favorites, but beat England and Germany on the way to meeting Vicente Del Bosque's team in the final, but Cesare Prandelli's valiant effort to try and play Spain at their own game resulted in a catastrophic loss as the World Cup holders found holes in Italy's defence, took the lead after 6 minutes and never looked back.
A year later, Devis Mangia took his side to the last game of the U-21 equivalent, beating the much fancied Holland in the semi finals to meet the holders but a decision to stick with the 4-4-2 proved fatal, as the five man Spanish midfield dominated proceedings and once again, took the lead after 6 minutes and never looked back.
Italy's return to prominence in international competition following the decadence that was the 2010 FIFA World Cup, is a huge positive, especially considering the comparably poor Serie A in continental tournaments but unless Italy learn to swallow their pride then perpetual silver medals await.
With the likes of Mario Balotelli, Stephan El Shaarawy, Andrea Pirlo and Daniele De Rossi in the senior team mixing with future stars Lorenzo Insigne and Marco Verratti Italy look to have one of the strongest and deepest talent pools in the world to pick from, and will no doubt be a competitor in Brazil in 2014. However, like with Bayern Munich against Barcelona, you have to learn to change your game when playing against the Spaniards.
As ironic as it is to criticize an Italian side for not being defensive enough – that's exactly what is needed. An abundance of attacking talent in the peninsula mixed with the evolution of the game away from dour international fixtures means that defensive control is not how the Azzurri win games anymore. But against a side like Spain, it becomes a necessary tactic.
Whenever Spain or Barcelona have slipped, it has not been to a side that has tried to match them pass for pass. When Bayern Munich put four past Barcelona in the first leg of the Champions semi-final at home, they did it with just 34% possession and five men in midfield, hounding the Catalan's every move. Hell, even Arjen Robben was a defensive asset over the two legs. Jupp Heynckes recognized that possession of the ball is battle that is lost to Barca the moment the draw is announced, and created a plan that didn't centre around territorial control.
Before completely fluffing his lines in the second leg, Massimiliano Allegri managed to beat Barca with a Milan team that is dwarfed in quality by Tito Vilanova's side, as well as Bayern Munich and the Italian national side. The key to the victory was not possession, it was where Barcelona's inevitable passing triangles took place. If they were at the half way line – great. If they were a the 18 yard box, we've got a problem. The Rossoneri remained disciplined, clinical and won 2-0. It can be done.
Spain are no different. Made up of between five or seven Barcelona players, the Spanish system is widely regarded as tiki-taka without Lionel Messi. The 4-2-3-1 covers more ground than the La Masia's 4-3-3, but stylistically is very similar. You cannot attack Barcelona from the 1st whistle or else they'll pick you off on the counter, and you can't play 2 centre midfielders against a team that playing five.
Italy has much to be proud of over the last two or three years. Thanks to Cesare Prandelli's forward thinking, youth-centered mentality Italy has turned into a vibrant, exciting side that is far removed from the aged embarrassment that was the Andrea Pirlo-less 2010 outing, with a foundation of young talent just waiting to break through. It is a side that deserves a trophy to reward the transformation. However, unless stubborn Italian minds adapt to their rivals, the closest the Azzurri will get is second.


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TriHealth offers a wide variety of maternity education courses for expectant families across the region, from childbirth education to big brother/big sister and breastfeeding courses at multiple locations.
Contact the Women's HealthLine at 513 475 4500 for more information or to register. You may register for a class online. Please register in advance to assure your preferred session. Some classes fill quickly.
Your most powerful time of influence on your child's life is in-utero!
Discover the new, cutting edge psychological and holistic guide for nurturing your baby before birth. In this two-session class, learn about:
Over 70 years of research indicates babies are much more conscious and aware from the beginning of life than has been thought traditionally. A mother shares her emotions with her unborn child through messenger molecules that are carried across the placenta impacting her baby's brain development and allowing her to communicate with her baby in the most intimate way. You are literally the world in which your baby will be formed. This is an enormous responsibility, but also a once-in-a-lifetime opportunity!
*This is a great addition to any childbirth class (the earlier the better)! Fee: $40/couple for the 2-week series. (Couples who register for this class receive $10 off enrollment in the Hypnobirthing class.) Register Online.
Combining positive imagery, hypnosis, affirmations and relaxed breathing, you'll learn how to eliminate the fear, tension, and pain of labor, replacing them with confidence, calm and comfort. Using hypnosis for childbirth is an increasingly popular and effective evidence-based approach to having a baby due to its high rate of quick, comfortable, complication-free births. It has been rated the "#1 childbirth class in the city" by CityBeat Magazine! If you have any questions, please call Sharon at 513 683 6990 or visit www.HypnobirthingCincinnati.com.
8-week series of 2 1/2 hour classes (9th week optional post partum class)
This class is offered bi-monthly in a one-day intensive format for families absolutely unable to attend the full series. If you have any questions, please call Sharon at 513 683 6990 or visit www.HypnobirthingCincinnati.com. Register online.
*If you have been labeled as "high-risk", ask your doctor if this class is appropriate for you.
This is a two-hour class to help prepare you for either a scheduled or unplanned Caesarean birth. It is suitable for all expectant parents. For scheduling, call the Childbirth Education Association at 513 661 5655. Fee: $25 per two-person birthing team. Free to Childbirth Education and One-Day Condensed Childbirth Class participants.
Preparation for your birth experience will include discussion of exercises, nutrition, hospital procedures, relaxation, breathing techniques and ways to promote labor progress. Natural and medicated labor support measures will be presented. Classes meet once a week for five weeks. Please bring two pillows and a blanket to class with you. Co-sponsored by the Childbirth Education Association. Fee: $95 per two-person birthing team. Register online.
Mothers who have a medical condition that prevents them from attending a regularly scheduled class can schedule one-on-one childbirth classes through the Childbirth Education Association. Please call 513 661 5655 weekdays between 10 a.m. and 3 p.m. for details.
This class is designed to meet the special needs of parents who are having twins or more. Topics covered include bedrest, testing, medications, delivery, breastfeeding and providing breastmilk, Newborn Intensive Care Unit/ Special Care Nursery, and coping with preemies. Fee: $25.00. Register online.
This-one day interactive class will include discussion of: exercises, anatomy and physiology of labor, signs and symptoms of labor, hospital procedures, coping skills and comfort measures for medicated and unmedicated labor, relaxation and breathing techniques, positions to promote labor progress and the importance of the partner's role. Videos are used to help present the information. Lunch is not included. Please bring 2 pillows and a blanket to class. Fee: $95 per two-person birthing team. This class is cosponsored by Childbirth Education Association. The CEA book, "A Guide to Childbirth" is included in the fee. The Cesarean Delivery class and Breastfeeding class are also included in the fee and require a separate registration. Register online.
The content of this one-day class is designed to prepare you for your labor and delivery. Topics that are covered include anatomy and physiology of labor, signs and symptoms of labor, coping and comfort measures for natural and medicated labor, hospital procedures, vaginal and cesarean delivery, newborn characteristics, and the initial post-delivery care you will receive. The importance of your partner's role will be reviewed. A labor and delivery video will be shown and you will receive a maternity tour. Lunch is not included. Fee: $70 per two-person birthing team. Nutrition and Breastfeeding are not covered in this class. Register online.
This six-week series is specifically designed to help couples achieve an unmedicated birth through extensive practice of relaxation, breathing techniques, position changes and the use of drug-free pain management. Please bring two pillows and a blanket to class with you. Co-sponsored by the Childbirth Education Association. Fee: $100 per two-person birthing team. Register online.
This class explains the benefits of VBAC and encourages women who are fitting candidates to consider this option. This two-hour session will include a film, teaching and question and answer period. Fee: $25 per two-person birthing team. Register online.
This class covers all aspects of beginning breastfeeding. The cost of the breastfeeding class is included in the fee of the five-week Childbirth Education Class and the Unmedicated Birth Class. However, you need to register for the class separately. If you are not taking one of these childbirth classes, you may register for the breastfeeding class alone for $25 per two-person birthing team. Register online.
This informal three and a half hour class will provide expectant parents with practical, hands-on information about how to care for mom and infant, and safety topics. The first two hours will be spent covering what moms should expect after delivery and the care infants will need once at home. Expectant parents will learn hands-on how to bathe, diaper, dress, hold, comfort, and feed an infant. A pediatrician will also be covering medical concerns and answering questions. The last hour will be devoted to safety where expectant parents will learn hands-on about car seat safety and home safety. Parents will go home with a new newborn swaddler/sleep sac to use once their infant has arrived. Fee: $36 per person/two-person birthing team. Register online.
This program teaches cardiopulmonary resuscitation (CPR) techniques from the American Heart Association (AHA). It is designed to teach you how to recognize medical emergencies, seek emergency assistance for your infant and child, and how to perform CPR. A CPR manual is included. Follows AHA guidelines. Fee: $25 per person. If you have more than one person attending this class, each participant must be registered due to manikin availability. Those arriving for class who are not registered may not be able to attend. Register online.
This class is designed to cover the concerns a dad might have when adjusting to fatherhood. The open forum allows new and expectant dads to bring up any topic from health care concerns of the newborn, to coping with the stress of change, and much more. The light-humored atmosphere blended with great information will leave you feeling better about the wonderful challenge ahead. Sorry moms, this is just for the dads, so no girls allowed. Fee: $20 per person. Register online. Please note: This class is designed for first time dads. It does not satisfy requirements of a class for legal purpose.
Come discuss current trends in childbirth, infant care and home safety. Class also includes a tour of our birthing facility. Fee: $25 per two grandparents. Register online.
This class is designed to help children ages 3 to 8 years old prepare for family changes as they become big brothers or sisters. It includes a tour of the birthing center and plenty of time for questions and answers. During the flu season, which occurs from December to March, children must bring proof to class that they recently have had a flu shot and they must be free from illness and fever or they will not be able to tour the birthing center. Fee: $18 per child (includes a T-shirt). Register online.
New babies are such a blessing, but they can also bring sleepless nights, crying and sometimes quite a bit of stress. In this innovative workshop you will be taught step-by-step how to help your newborn sleep better and how to soothe even the fussiest baby in minutes. Is it magic? A miracle? No, it's a reflex! Learn how to turn on your newborn's calming reflex – the extraordinary "off-switch" for crying that all babies are born with. It is best to attend during the last two months of pregnancy since the information is meant for the first three months of a baby's life. Fee: $50 per single or two-person birthing team (includes a parent kit containing the HBOB video and "Soothing Sounds" CD). Register online.
In this interactive parenting workshop learn how to "talk" to your hearing baby with American Sign Language, and how musical play lays the groundwork for speech - rhythm being the basis to language. Singing, rhythmical music games and finger-play engage both hemispheres of the brain, enhancing the development of your child's cognitive, motor, and memory skills. And research has proven conclusively that once hearing babies are taught to sign, their brains actually become more developed! Benefits include preverbal communication, earlier speech development, enhanced intellectual development, earlier toilet training, and less frustration(less crying, fewer tantrums!). Fee: $50 per single or couple (includes "Teach Your Child to Sign" DVD). Register online.
Learn to navigate the challenging waters of infancy by exploring first year developmental milestones. Topics include head control, reach and grasp of objects, positions to enhance muscle development and ways to encourage receptive and expressive language through the use of baby sign language. Techniques for calming a fussy baby will focus on reading cues to determine signs of stress or signs of readiness to interact, and incorporate various methods of consoling a crying baby. Please bring a doll and a receiving blanket to the class. Fee: $35 per single or two-person birthing team. Register online.
Monthly group water classes are available in the main 25 meter lap pool at the award-winning TriHealth Fitness & Health Pavilion located at I-71 and Pfeiffer Road in Montgomery. Classes are taught by certified instructors. Participants need a physician consent form in order to participate. Classes are free for members and guests are welcome to purchase guest passes as follows: $20 per day, $50 for one-week pass or any 10 nonconsecutive classes/visits for $140.
Interested in membership? Memberships are offered with no contracts and a Temporary Maternity Membership Leave of absence is available at no cost. Request a Quote today. Stop by any time or call 513 985 0900 for additional information. TriHealth.com/FitnessPavilion
Massage is a safe, natural method of easing the discomforts of pregnancy – before, during and after delivery. Research shows that pregnant women who receive massage therapy have fewer obstetric and postnatal complications. Our massage therapists are licensed by the Ohio Medical Board with certification in prenatal and postpartum massage. Services are offered at the TriHealth Fitness & Health Pavilion. The Benefits of massage include:
At TriHealth, massage therapists from the TriHealth Fitness & Health Pavilion provide prenatal massage to women who are hospitalized prior to delivery, including prenatal moms experiencing high-risk pregnancies, or women admitted for induction of labor. Massage therapists will come to your hospital room by scheduled appointment.
Prior to massage, it is important that you speak with your health care provider to ensure that massage is appropriate for you and your pregnancy.
Postpartum massage has a variety of benefits, including:
Massage sessions cost $70 for 60 minutes and $94 for 90 minutes. Payment by credit card is required at the time of scheduling for in-hospital services. You may cancel your appointment at no charge with 12-hour notice. To schedule an appointment, call the TriHealth Fitness & Health Pavilion at 513 246 2633.
During our Newborn Massage Class a licensed therapist teaches massage techniques. Massaging your newborn helps build a foundation for a lifetime of positive communication with your child. Other benefits to your baby include:
The cost of the Newborn Massage class is $25 for one adult and baby, or $40 for two adults and baby. You must bring your newborn to the class so correct technique can be taught. This class is most beneficial during your baby's first month. Call 513 246 2636 to register.
During these group sessions, you will be introduced to the maternity services available at Bethesda North Hospital or Good Samaritan Hospital and discuss what to expect during your stay. The tour includes the areas of Labor and Delivery and Postpartum of each hospital. It does not include a visit to the Newborn Intensive Care Unit at Good Samaritan or the Harold and Margret Thomas Special Care Nursery at Bethesda North. This tour is appropriate for adults; tours for children are given with the Big Brother/Big Sister class.
Maternity orientation and tour group sessions are offered weekday evenings and weekends for new parents and parents new to TriHealth. To register for a group session, call 513 475 4500 or register online. If you plan to bring more than one significant other to the tour with you, then you cannot register online. You will instead need to call 513 475 4500 to register. It is very important that our maternity tours start on time. If you find that you are going to be more than 15 minutes late, please plan on rescheduling your tour time. Please call 475-4500 on the next business day to reschedule your tour.
Private sessions are available for parents with special needs. For example: need for an interpreter or difficulty with English; expecting a baby with health issues; or special circumstances such as surrogate/adoption/teen mothers. To schedule a private session with a nurse care coordinator, please call 513 865 1526.
For all orientation sessions, please bring the completed hospital information received in the packet from your doctor/midwife's office or you may mail it in to us. If you have not received a packet, please ask your doctor/midwife for one at your next appointment. No fee.
We are physicians, hospitals and communities working together to help you live better.


text:
I'm not sure how many people would complain about the two guys singing to each other over PSN+, but besides that the Sony commercial for Playstation 4's upcoming November 15th launch date is pretty cool. Showing a medival battle mixed with some DriveClub and Killzone goodness, I can't wait for the launch to be here. Check it out!
- Developers: Sony Computer Entertainment Inc.
- Publishers: Sony Computer Entertainment


text:
While most of my time is spent working on the MapBox iOS SDK and helping developers make great native apps, I am constantly on the lookout for new ways to integrate MapBox technologies into mobile devices. One thing that I came across recently was Apple's iBooks Author app, which allows even non-developers to create multitouch-capable textbooks for the iPad. There are a number of templates and drop-in widgets like popups, embedded video, and sidebars, but through the use of regular HTML – the same simple, copy-and-paste-capable tool that's used to build web pages – you can build your own widgets for other content.
Using Apple's custom widgets guide, I was able to craft a small map-embedding widget so that anyone can use their own MapBox maps and easily get them into their own custom content for the iPad. This could be used in iPad-equipped classrooms to more directly engage with a unit on explorers and geography, or it could be used in a training session for employees to discuss global reach and marketshare. In any case, allowing a person to explore the content at their own pace right in their own hands has much more impact than a static presentation on a big screen.
If you would like to experiment with this technology yourself, you can download the following tools that I've put together:
- Example textbook (open with iTunes to sync to an iPad)
- Sample widget for embedding into your own textbooks (unzip, then right-click in Finder and Show Package Contents)
- Example iBooks Author document (open in iBooks Author)
- Complete example on GitHub (for everything in one place and for tracking future updates)
As always, feel free to contact me on Twitter or open a support ticket if you have any ideas of your own for better integrating MapBox tools into mobile environments.


text:
Deck Care
The home we just bought has a deck off the kitchen that is covered in carpeting. I'd like to have the deck replaced next year but for this summer I was thinking about getting rid of the carpet. I want to pull it up and pressure wash the wood but then I was wondering what I should do?
Should I paint it or just treat it with some kind of Thompson's product to get through the season?
It probably would be easier to rip off the old wood steps, and replace with new units. At the worst, you may end up having to replace the whole deck, depending on the age.
I heard that Thompsons water seal is mostly wax. seems a lot of people agree that it gets worn off too quick because it sits on top. Maybe an oil stain would be better. It soaks into the wood.
clean and stain
I would clean it...then protect with a semi-transparent stain. If the wood is in really bad condition, you may even want to use a solid or opaque stain. I like Cabot's stains ...but there are other good ones out there.
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text:
Altec 1570B amps
Vacuum Tube Valley did a article regarding the Altec 1570B. Does anyone have any info or copy of the article?
This is the circuit diagram:
Thanks, fdegrove.
I wonder if anyone have info on the mods Vacuum Tube Valley did?
I had a pair of these and modified them quite a bit. I changed the rectifiers to solid state, used 812's 572-30's, 572-10's, changed the input tube to a 5687, changed the output tranny to $440 custom made ones, changed the 6sn7 values, replaced the 6w6 with 5881's and finally realized that the weak point wth these amps is the mystical swinging choke used with the 6w6's to drive the outputs. SO after much ado here is the best thing to do. Make sure that you bypass the 70 Hz filter in the input circuit and connect the input directly to the 12AX7 grid. Use 812's with an appropriate change in the cathode bias resistor, I'll come up with a value if you are interested. That's all you can do to improve the sound to a certain point. Great mids and highs but mushy Bass. Then experiment with a way to eliminate the swinging choke drive, probably by substituting a Mosfet in the circuit and eliminating the 6W6, 6SN7, and 12AX7 stages. More if interested.
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text: I moved back to Albuquerque from Arkansas two years ago and haven't done any duck hunting here yet. Anyone have any advice on getting started again fairly close to Albuquerque? I've read some of the other posts about Bernardo (what about La Joya?) and was just wondering if much of anything is flying at the beginning of the season around there? Anything you can tell me would help. I just want to get the gun, calls, and dekes out and hit the water.


text:
Juelz Santana - Shake Dat
By Burmy | 8 years ago
Artist: Juelz Santana
Track: Shake Dat
Producer: Head Bangaz
Album: Built to Lose, Born to Win
In anticipation of the summer release of his junior album, Born To Lose, Built To Win, Skull Gang head honcho Juelz Santana is dropping his official Reagan Era mixtape (the self-proclaimed 'human crack's homage to the time when that product first hit the streets). Set for inclusion on both projects is club banger Shake Dat, which finds Santana asking all the ladies to show off what their mamma gave them over a high-energy beat by Head Bangaz. Don't be surprised if Shake Dat doesn't sound natural through computer speakers—when the club DJ starts spinning it, on the other hand, you'd better believe all the fellas in the building will enjoy the scene that follows.
Sample Text - Sample Link
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No matter what you're using to shoot video these days—a mirrorless hybrid, a DSLR, or a more traditional palm- or shoulder-mount camera—you are capturing both moving images and sound. Although more emphasis is placed on the visuals, the importance of sound should never be overlooked. There are a great number of things you can do to improve the audio quality of your video productions, and using a good on-camera shotgun microphone is one of them.
In this article, we'll take a look at several shotgun microphones that can be mounted on your camera and connected to its 1/8" (3.5mm) mic jack, or its XLR input (depending on which one is available on your camera of choice). Along the way, you'll learn some important tips about using shotguns properly, such as how to avoid unwanted wind and handling noise.
It needs to be noted that shotguns aren't the best choice for every situation. For example, if you're shooting a musical performance with a stationary camera, you can usually get better-sounding results using a non-directional stereo microphone, like the Senal SCS-98. More often than not, though, shotgun microphones prove to be one of the most effective on-camera tools for sound capture, which is due to their ability to reject sound to the sides and rear, and to prioritize the sound in front of the mic.
The Senal SCS-98 DSLR/Video Stereo Microphone is a non-directional, non-shotgun mic, but is best used for recording live music.
A key thing to understand about upgrading your on-camera microphone is that it isn't a complete, all-in-one solution for better audio. Getting great sound in video productions usually involves the use of lavalier microphones, wireless systems, external audio recorders, boompoles, and scores of other tools and techniques. However, a better on-camera mic will improve the overall sonic performance of your camera, which is why most experienced production people use them.
If your main camera is compact, it's a good idea to pair it with a proportionally sized on-camera microphone. One of the most basic yet effective shotguns that fit this bill is the RØDE VideoMic GO. What's great about this microphone is that it doesn't have any controls, knobs, or buttons. There isn't even an On/Off switch. One caveat is that it needs to be supplied with "Plug-in Power" from your camera's mic input in order to operate, and not all cameras provide this (but the vast majority do). The GO has an integrated Rycote shockmount (a good shockmount is essential—it reduces unwanted vibration and handling noise), and a shoe mount to affix it to your camera. A short, coiled mini-plug output cable is included, as well as a foam windscreen but, as with any shotgun, it's strongly advisable to purchase additional wind protection, such as the RØDE DeadCat GO or an Auray WSW-VMG Windbuster, both of which were specifically designed to fit this mic. Without the additional wind protection, any footage you shoot outdoors will likely be plagued by the winds of distraction blowing through your audio.
RØDE VideoMic GO Lightweight On-Camera Microphone
Another compact microphone that's just the right size for use with smaller cameras is the RØDE VideoMic Pro. Like the majority of mics covered in this article, the VideoMic Pro requires a battery for operation. Battery-powered shotgun microphones typically provide greater sonic performance and extended sensitivity. The VideoMic Pro has an interesting feature that enables you to boost its output level by +20dB. Why would you do this? The audio signal from this mic is likely cleaner sounding than the preamps built into your camera, so, by lowering your camera's input level and boosting the mic's output level, you can achieve better-quality audio.
RØDE VideoMic Pro Compact Directional On-Camera Microphone
The VideoMic Pro also features a High Pass Filter that you can turn on or off. What this does is cut out low, bass-frequency sounds below 80Hz. This is such a low frequency that you typically won't hear any difference in the sound of dialog with it turned on or off. However, when you turn it on, it will avoid picking up super-low sounds that a subwoofer on a home entertainment system will reproduce. If these sounds originate from footsteps, bumps, or handling the camera, you won't want to hear them in your finished product. This switch enables you to eliminate recording these sounds in the first place (which is why many shotgun mics have this feature). As always, don't forget additional wind protection. A good option is to get the RØDE Deadcat VMP, or you can buy the mic and a Windbuster windscreen together in a kit.
RØDE VideoMic Pro Shotgun Microphone and Windbuster Kit
There are several more good choices available, in regard to compact mics for smaller cameras. The Sennheiser MKE 400 is ultra compact, ultra lightweight, and it delivers an impressively large sound, considering its small footprint. The shockmount and shoe mount are both integrated into the mic, and it runs for 300 hours on a single AAA battery. A foam windscreen is included, but you really need to invest in the MZW400 Wind Muff accessory from Sennheiser. This is a kit that includes a mini-plug-to-XLR adapter, and a critically important fluffy windscreen.
Sennheiser MKE 400 Compact Video Camera Shotgun Microphone
Another option that offers similar ultra-compact size and performance, yet features a more budget-friendly price, is the Polsen VM-150. Like the MKE 400, the VM-150 runs on a single AAA battery, and like the VideoMic Pro, it features a Low Cut switch that filters out sounds below 80Hz. The VM-150 also has a switch that activates a -10dB pad. This lowers the sensitivity of the mic, so when you're shooting in a loud environment, such as in a factory or on a construction site, it will help to keep the loud noises from overloading the mic. The recommended additional windscreen for the Polsen VM-150 is the Auray WSW-CMS.
Polsen VM-150 DSLR/Video Microphone
As mentioned earlier, portable digital recorders are often used to improve the audio quality of video productions, because they give you the ability to make recordings at higher resolutions and bit-rates than your camera is capable of doing. This brings us to a unique option in the market: the Shure VP83F LensHopper—a compact on-camera shotgun microphone that features an integrated audio recorder. An included mini-plug output cable can be detached, so you can use the VP83F on your camera, but you can also record with it independently. Files are saved to MicroSDHC, and it's compatible with cards up to 32GB. It runs on two AA batteries for up to 10 hours. A headphone output is integrated into its base, as is a Rycote Lyre shockmount. For the all-important wind protection, you need to pick up the Shure Fur Windjammer.
Shure VP83F LensHopper Shotgun Microphone with Integrated Flash Recorder
If you've ever looked at a full-sized professional shotgun microphone and wondered if anyone ever took its basic design and shrunk it down to so it could be used on a camera, this is the idea behind the Senal MS-77 and MS-66. Their miniature shockmounts, output connectors, tiny windscreens and pen-sized bodies offer impressive performance and sound quality. Both microphones get 100 hours of use from small, button-style SR626SW batteries (they're included with the MS-66, but need to be purchased separately with the MS-77). Two output cables are included with the MS-77, one is short for on-camera work, and the other is 10 feet long, for boompole work. Both mics feature the ability to boost their output level by 10 or 20 dB, so you don't have to taint your sound with the noisy preamps in your camera, as you would with the VideoMic Pro.
Senal MS-77 DSLR/Video Mini Shotgun Microphone Kit
Stereo Shotgun Mics
As was stated earlier, some applications are better suited for stereo microphones as opposed to shotguns. But what if you were shooting footage of a bird singing in a tree, and you wanted to partially isolate the sound of the bird, while maintaining the essence of the natural left/right soundscape of the scene? This scenario calls for a stereo shotgun microphone. Audio-Technica offers just such a mic: the AT8024. It features the ability to switch between stereo and mono operation, depending on your needs. Another nice plus is that a fuzzy windscreen is included.
Audio-Technica AT8024 Stereo/Mono Camera-Mount Microphone
If you shoot with a camera that's slightly larger than an average DSLR, it may make sense to go with a proportionally larger on-camera microphone. A useful option for cameras that feature mini-plug microphone inputs is the RØDE VideoMic with Rycote Lyre Suspension System. This mic gets up to 100 hours of life from a single 9-volt battery. The integrated Rycote Lyre shockmount may seem like a minor aside, but any mic that features this suspension system boasts a substantial benefit. These shockmounts are durable and offer excellent isolation from vibration. A recommended windscreen for this mic is the WSW-007MKII Custom Windbuster.
RØDE VideoMic with Rycote Lyre Suspension System
A similarly-sized microphone with a more attractive price is the Senal CS-88. It runs on a single AA battery, and offers a -10dB pad for shooting in loud environments, and a +10dB boost—giving you the ability to avoid the noisy preamps inside of your camera. A switchable High Pass filter enables you to avoid unwanted low-frequency sounds, and a built-in coiled mini-plug cable takes care of the connection to the camera. Protect your audio from distracting wind noise with the separately available Auray WSW-CS88.
Senal CS-88 DSLR-Video Shotgun Microphone
All of the mics we've covered thus far have featured 1/8" (3.5mm) outputs that are compatible with the mic inputs found on DSLRs, mirrorless, and smaller prosumer video cameras. Next, we'll check out shotguns that feature 3-pin XLR outputs. But, no matter what kind of gear you're using, we encourage you to get your mic off of the camera and closer to the sound source whenever possible. One of the best ways to accomplish this is to use a boompole and a longer mic cable.
Using an on-camera microphone will greatly improve the sound your camera captures but, the thing is, your camera is usually somewhat far away from the sounds it needs to record. If your camera is 10 feet away from the sound you're recording, it's going to sound like it's that far away—even with a good on-camera shotgun mic. This is why it's almost always worth it to position microphones as close as possible to the sound source, whether they're wireless lavalier mics, a shotgun on a boompole, or some other solution.
All of the microphones covered so far feature shockmounts that include a female 3/8" thread at their base. This thread enables you to connect the microphone to the top of a boompole. With the use of a simple mini-plug extension cable, such as the RØDE VC1, you can easily adapt your on-camera mic to be used on a boompole. It's also worth noting that the majority of these mini-plug shotgun microphones can be used with cameras that feature XLR inputs. You just need to outfit them with an adapter, such as the Kopul XLR to Mini Adapter.
If your camera has XLR inputs, there are advantages to using microphones with XLR outputs, as opposed to mini-plugs. An XLR connection uses a balanced signal, which lends itself to lower noise for longer cable runs. Another perk is that XLR connectors often feature locks, which reduce the likelihood that your mic will become disconnected when you're rolling.
Some XLR microphones aren't more expensive than their mini-plug counterparts. The Audio-Technica AT875R, for example, offers excellent sound quality in a compact body that's only seven inches long. Phantom power is required for operation. While the AT875 maintains a budget-friendly price, you are going to need to purchase a shockmount and an output cable to use it on a camera. And, once again, don't forget about wind protection. A good shockmount to go with is the Auray DUSM-1, which features a shoe mount for your camera and a 3/8-inch thread for a boompole. To connect the mic's output to your camera's input, a good option is this 1.5 foot Kopul cable, which features a right-angled XLR connector that attaches to the back of the mic. For additional wind protection, go with an Auray WSS-2012, which is a step above just a fuzzy covering, with its open-cell foam matrix and tapered-rubber base.
Audio-Technica AT875R Line and Gradient Condenser Microphone
If you're interested in XLR-based microphones like the AT875R, but you're using a DSLR or a mirrorless camera that doesn't feature XLR inputs or phantom power, you're not out of luck. You can adapt any of the professional shotguns covered in this article to your mini-plug-based camera by using a product called a "Camcorder XLR Adapter." These are compact boxes that attach to the base of your camera (or elsewhere on your camera rig). Their basic function is to connect to your camera's mini-plug mic input via a short cable, enabling you to attach multiple XLR-based microphones to their integrated XLR inputs. Some of the more advanced Camcorder XLR Adapters, such as the Beachtek DXA-SLR ULTRA and the juicedLink RM222 Riggy-Micro, are powered by batteries, and can supply phantom power to mics that need it.
juicedLink RM222 Riggy-Micro Dual-XLR Preamplifier with Phantom Power
Of course, there are some XLR-based shotgun microphones that can be used on a camera without phantom power. The RØDE NTG-2 features the ability to be powered by either an internal AA battery or by phantom power. It features a selectable 80Hz High Pass filter and durable metal construction. Its pleasing sound quality, versatility, and affordable price tag help to make the NTG-2 a popular choice for video production. Again, you're going to need a shockmount and a short output cable, and the same Auray DUSM-1 and 1.5 foot Kopul cable are a good way to go. Additional wind protection can be provided by the RØDE WS6, or you can pull the Auray WSW-007MKII Custom Windbuster over the included foam windscreen.
RØDE NTG2 Battery or Phantom Powered Condenser Shotgun Microphone
The next step up from there, as far as sound quality is concerned, is the Sennheiser MKE 600. Like the NTG-2, the MKE 600 can be powered by an internal AA battery or by phantom power. A useful touch is that the MKE 600 features a low-battery warning light. Another handy feature is the shockmount, with an integrated camera-shoe mount, which is included. This microphone also features a switchable low-cut filter and all-metal construction. Wind protection can be provided by the separately available Sennheiser MZH 600 or the Auray WSS-2014.
Sennheiser MKE 600 Shotgun Microphone
If you're the type of person who goes to great lengths to get the best-looking images you can, it's probably a good idea to go the extra mile for your sound quality, as well. A popular choice for those who want the next plateau of sonic performance is the RØDE NTG-3 shotgun. There is no battery option for this mic; it requires phantom power for operation. This microphone was designed to reject radio-frequency interference and can withstand exposure to the elements, but the thing to get excited about is how good your video is going to sound. Once again, the Auray DUSM-1 and 1.5 foot Kopul cable cover your mounting and cable needs, and the Auray WSS-2018 will provide ample wind protection.
RØDE NTG3 Precision RF-Biased Shotgun Microphone
If you're looking for professional quality but can't shell out the dough for the NTG-3, take a look at the RØDE NTG4 and the NTG4+. These newer, more affordable options from RØDE build upon the success of the company's NTG1 and NTG2 microphones, but feature an updated capsule to deliver broadcast-quality sound and digital switching options for versatile field operation. Designed to be mounted on a boom, a handheld pistol grip, or atop a compact camera, these microphones feature a directional super-cardioid pickup pattern, ideal for run-and-gun-style ENG. Both mics can be phantom powered, but the NTG4+ also comes with an internal battery that can be recharged via USB.
RØDE NTG4+ Shotgun Microphone with Digital Switches and Built-In Rechargeable Battery
Of all of the microphones covered in this article, none of them has as legendary a reputation as the Sennhesier MKH 416. Known for its highly directive pick-up pattern and its tank-like rugged construction, the MKH 416 has been a "go-to" shotgun microphone for industry professionals for decades, and it continues to be a favorite today. This microphone also needs phantom power to operate, as there is no battery option. Mounting, output cable, and wind protection needs are covered by the Auray DUSM-1, 1.5 foot Kopul cable and Auray WSS-2018.
Sennheiser MKH-416 Short Shotgun Interference Tube Microphone
Hopefully, this article has given you a pretty good idea of some of the options available for improving your on-camera audio. If you have any questions about the products or techniques we covered, you can always reach out to a helpful B&H sales professional by calling 1-800-831-2434, having a Live Chat, or stopping by the SuperStore, in New York City.
Hi there!
I am looking for a shotgun mic that I can put on my Sony 6300 and Glidecam hd2000 to film commercials. And can be attached to a boom pole to record scenes between actors. Is there a shotgun mic that could do both? What would you reccomend?
Thank you,
Hi Vernon -
This Rode NTG2 shotgun microphone kit is available exclusively through B&H. The kit consists of the Rode NTG2 shotgun microphone, shockmount and XLR to 1/8" mini cable/transformer for connecting to mini inputs on consumer video gear, portable recorders, etc.
The Rode NTG2 is a condenser shotgun microphone designed for professional audio capturing in the field or indoors. With a history of manufacturing quality studio microphones, Rode has implemented low noise output electronics and wide bandwidth, both of which attribute to the NTG2's broadcast sound quality.
The super-cardioid polar pattern and line plus gradient acoustic principle effectively minimize audio and noise at the off-axis (sides) of the microphone, while the front of the capsule accurately reproduces incoming audio signal. The result is greater intelligibility and signal-to-noise ratio when using the NTG2 in noisy environments. The NTG2 is powered with an internal 1.5V AA size battery or an external +48 Volt phantom power source, the output is a standard 3-pin XLR male connector. The microphone features a rugged, all metal, lightweight enclosure that is ideal for camera mounting yet durable enough to withstand the rigors of heavy road use. The Rode NTG2 is packaged with a microphone stand mount and windscreen.
Rode NTG2 Battery or Phantom Powered Condenser Shotgun Microphone:
The Rode NTG2 is a condenser shotgun microphone designed for professional audio capturing in the field or indoors. With a history of manufacturing quality studio microphones, Rode has implemented low noise output electronics and wide bandwidth, both of which attribute to the NTG2's broadcast sound quality.
The super-cardioid polar pattern and line plus gradient acoustic principle effectively minimize audio and noise at the off-axis (sides) of the microphone, while the front of the capsule accurately reproduces incoming audio signal. The result is greater intelligibility and signal-to-noise ratio when using the NTG2 in noisy environments.
The NTG2 is powered with an internal 1.5V AA size battery or an external +48 Volt phantom power source. The output is a standard 3-pin XLR male connector.
The microphone features a rugged, all metal, lightweight enclosure that is ideal for camera mounting yet durable enough to withstand the rigors of heavy road use. The Rode NTG2 is packaged with a microphone stand mount and windscreen.
Battery Or Phantom Powered
The Rode NTG2 can be powered with an internal 1.5V AA battery or external +48V phantom power source.
Super-Cardioid Polar Pattern
The super-cardioid polar pattern and line gradient acoustic principle allow for a narrow pick up pattern at the front of the capsule while minimizing noise at the off-axis sections.
Lightweight Durable Construction
The NTG2 features a lightweight metal housing that is ideal for camera mounting.
Low Handling Noise
Low noise output electronics provide high signal-to-noise ratio. The NTG2 is designed to also reduce noise caused by handling, rigid mounting hardware, loose cabling etc.
Auray DUSM-1 Universal Shock Mount for Camera Shoes and Boompoles
The Auray DUSM-1 Universal Shockmount features a four-point suspension to accommodate shotgun and other cylindrical microphones measuring 0.74-0.98" (19-25mm) in diameter. The shockmount is easily angled with its rubberized adjustment knob. There is a built-in shoe for camera mounting, and a 3/8"-16 thread connection at the base mounts the shockmount to boompoles and universal hand-grips.
Hi There,
I am looking for a mic to do interviews at loud car shows indoors/outdoors between two people, but then also in a quiet room where the speaker uses the mic on a mount like a reporter. Which option do you recommend?
Hi Tyoung -
Every day, for local, national and international news reports, the Electro-Voice RE50N/D-L with Long Handle and Neodymium Capsule gathers the audio for news interviews. Designed specifically as an ENG/EFP interview microphone, the RE50N/D-L's custom Dyna-Damp "mic-within-a-mic" shockmount provides extremely low handling noise for clear sound. A large, built-in Acoustifoam filter keeps wind and P-pop noise to an absolute minimum, indoors or out. Frequency response is 80 Hz to 13 kHz.
Measuring 9.5" in total length, this extended handle length version delivers all of the sonic performance of the RE50B, adding the virtues of a longer body length for ease-of-use, helping keep the reporter's hand out of the shot.
Neodymium capsule for additional gain, well-suited for particular camera and recording device inputs
Industry standard news interview microphone
Features EV Dyna-Damp shockmount
Extremely low handling noise for clear sound
"Mic-within-a-mic" concept reduces wind and vocal plosive sounds
For outdoor use add:
The K-Tek KR-50-70 Fur Windsock is designed by Reinhardt and is intended to be used as an extra layer of wind protection; fitting over existing foam windscreens and plastic windshields. This Windsock is made of top-grade synthetic fur and measures 1.96 x 2.75" (50 x 70mm), which allows it to fit snugly over ball-type handheld microphones.
The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and non-slip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.
Hi There,
I'm looking for suggestions for a microphone in a classroom situation. We video the class and have the teacher mic'd with a lav or wireless handheld, oftentimes there are questions at the end of class that the onboard mic doesnt capture. We're using a SONY XDCam which has 2 XLR inputs with mic, line and mic+phantom power level inputs. The camera is operated and is adjusted to point at those in the audience speaking. Also the rooms vary in size and will need to pick up audio from students anywere for 10' to 30' away from the camera. Thanks in advance!
Hi George -
You may want to consider using a wireless handheld that would be passed to audience members for the best audio results:
The 638 to 698 MHz version of the Sony UWP-D12 Integrated Digital Wireless Handheld Microphone ENG System features all-metal construction, easy to read LCD displays, a wide switching RF bandwidth, USB power and charging, automatic channel scanning, infrared synchronization between the transmitter and receiver, a true diversity receiver, a headphone output on the receiver, output gain control on the receiver for optimizing input level to a camera, and digital companding circuitry to improve the transient response of received audio. The package is suitable for a wide range of wireless applications such as ENG, talk shows, lectures, and more.
I would like to get a microphone for use with a Fuji X-T20 (coming tomorrow) to record my sons high school band and orchestra performances.
Will the Rode VideoMic Pro be suitable for that? Would that be an overkill huge contraption on the X-T20 and should I opt for a smaller model?
If you had a photo of one mounted on an X-T10 or X-T20 that would be great.
The Rode VideoMic Pro will be compatible with the Fujifilm X-T20. Unfortunately, we don't have any photos of the Rode VideoMic on an X-T20 or X-T10, though the mic will be an average size for a DSLR mic. It would be a solid option for recording your son's school band and orchestra performances.
I am looking for a on camera Mic in the range of $150-200 mainly for use in the forest to record sound into the camera while shooting birds and animals at a distance of 20-30 meters.
To be mounted on a Nikon D4s or Nikon D5.
Thanks & Regards,
You may use the Rode Videomic with suspension mount to fit onto your shoe mount and this will greatly improve the audio recording. This is an omnidirectional shotgun mic which will record audio of everything in front of the microphone. It will not record clearly for sounds behind it though.
I have a Panasonic consumer camcorder that I use to record high school marching band performances. It has a coldshoe and a mic input. I'm usually at the back of the stands or on top of the press box. I often get chatter of people sitting nearby or below me who are not respectful enough to refrain from shouting and laughing during the performances. Is there a microphone that would be good for my use that would have a directional "zoom" to be good for this situation?
Also, I'm considering a Sony 4K camcorder (A55) that has a hot shoe to accept Sony accessories and I wonder if something like the Sony ECM-GZ1M Zoom Microphone would be the best choice. I see that this will zoom as the camera zooms, but often my recording is wide-angle to be able to get the entire band, so I'm not sure if that will help.
Hi Jarrett -
The Sony ECM-GZ1M Zoom Microphone for Cameras with Multi-Interface Shoe is a decent choice for the SONY HDSLR.
For the Panasonic camcorder consider the VP83 LensHopper Shotgun Microphone from Shure. It's a compact camera-mount condenser that provides detailed, high-definition audio with DSLR cameras and camcorders. An integrated Rycote Lyre shock mounting system provides isolation from vibration and mechanical noise.
The VP83 LensHopper features an easily accessible three-position gain adjustment and low-cut filter, allowing it to adapt for different recording environments. Its lightweight, yet durable, metal construction provides dependability and long-life. The VP83 easily mounts to a standard-size camera shoe or a 1/4" threaded stand. The convenient, attached 3.5mm cable connects to your camera's audio input. Its efficient operation boasts 130 hours of battery life on just one AA alkaline battery. A foam windscreen is included to
The Sony mic would be a great choice for my budget, being under $100 and I could probably live with mono instead of stereo, but I ended up getting a 4K Panasonic instead and went with the HC-WXF991. So that rules out a hotshoe mic. The Shure looks great, but it's out of my budget range. I was looking for something around $100, but stretch to $150 if necessary. Anything you can recommend for the Panasonic in that range? Again, stereo would be nice, but not required
Hi Jarrett -
The MS-66-K DSLR/Video Mini Shotgun Microphone Kit from Senal is a complete solution for recording audio directly to your DSLR or camcorder. With several qualities of a professional shotgun mic packed into a pen-sized lightweight design, it allows for clear dialog capture without compromising your compact setup or getting in the way of your shot.
The microphone itself has a hypercardioid polar pattern that allows it to clearly pick up subjects directly in front of it while strongly rejecting unwanted off-axis sound. Designed for the clear capture of dialog, the MS-66-K is optimized for applications such as capturing interviews both in and outdoors. Its small, 6-inch frame stays out of frame when mounted to your DSLR, assuring your mic will never be in your shot, even with most wide-angle lenses.
The MS-66-K has an SPL handling of up to 124dB, allowing it be used with ease on louder sources. For quieter or more subtle subjects, the mic has a 3-stage gain control, allowing you to select between 0, 10, or 20dB of additional gain, therefore bypassing the notoriously noisy preamps aboard many cameras and camcorders. The mic has a partially coiled 7-inch cable that terminates in a stereo 3.5mm connector. Thanks to the included shockmount, you can attach the MS-66-K to a boompole as well as a camera. The rugged shockmount slides effortlessly onto the base of the microphone for a sturdy hold. Its slim profile allows fast and easy access to all controls and foam windscreen, and can be tilted, allowing you to adjust the angle of the mic as needed. The included windscreen helps reduce wind noise while in use. The kit includes a limited 10-year warranty
Hi Jarrett -
The Sony ECM-GZ1M Zoom Microphone for Cameras with Multi-Interface Shoe is a decent choice for the SONY HDSLR.
For the Panasonic camcorder consider the VP83 LensHopper Shotgun Microphone from Shure. It's a compact camera-mount condenser that provides detailed, high-definition audio with DSLR cameras and camcorders. An integrated Rycote Lyre shock mounting system provides isolation from vibration and mechanical noise.
The VP83 LensHopper features an easily accessible three-position gain adjustment and low-cut filter, allowing it to adapt for different recording environments. Its lightweight, yet durable, metal construction provides dependability and long-life. The VP83 easily mounts to a standard-size camera shoe or a 1/4" threaded stand. The convenient, attached 3.5mm cable connects to your camera's audio input. Its efficient operation boasts 130 hours of battery life on just one AA alkaline battery. A foam windscreen is included.
Great article. I have a zoom H4N and I'm thinking about using that to record because the sound quality will be better then going straight into my 700D DSLR. If I get a Rode VideoMic Go will I be able to use that with the recorder? And will I really benefit from the suspension system?
Hey. I have a Zoom H1 mic that I am planning to connect to my Nikon DSLR. Just wanted to understand if there is a special cable that i need to use for doing the same or any regular 3.5mm to 3.5mm will do.
Hi Adit -
You will need a special attenuating cable:
The LN2MIC-ZOOMH4N from Sescom is a problem solving cable for users of HDSLRs who are using a Zoom H4N or Zoom H1 as a secondary audio recording source. Many professional DSLR cameras have unbalanced stereo microphone level audio inputs on a mini TRS 3.5mm jack. The Samson Zoom H4N or H1 output line level audio signals. This cable provides the proper microphone levels and preserves the delicate connector contacts inside the camera, allowing users to go directly from the audio recorder into the camera.
I have a Sony HDRPJ-540 video camera that I use to shoot marching band video from the top of a high school stadium (about 60 feet from the band). What shotgun microphone or other application do you recommend for about $200 to improve the audio shot by the camera?
Hi Bob -
One of my favorites under $200 is the Shure VP83 LensHopper Shotgun Microphone, a compact camera-mount condenser that provides detailed, high-definition audio with DSLR cameras and camcorders. An integrated Rycote Lyre shock mounting system provides isolation from vibration and mechanical noise.
The VP83 LensHopper features an easily accessible three-position gain adjustment and low-cut filter, allowing it to adapt for different recording environments. Its lightweight, yet durable, metal construction provides dependability and long-life. The VP83 easily mounts to a standard-size camera shoe or a 1/4" threaded stand. The convenient, attached 3.5mm cable connects to your camera's audio input. Its efficient operation boasts 130 hours of battery life on just one AA alkaline battery. A foam windscreen is included to guard against wind and environmental noise.
Capture Detailed, Accurate Audio
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Hi Mark,
Thanks for the answer. Since the camera has stereo sound, do you think the Audio-Technica AT8024 would be a worthwhile upgrade for a bit more money?
Hi Bob -
Nice pick, Bob! This new mic from Audio-Technica is a great choice for just a few bucks more.
For capturing audio, the AT8024 Stereo/Mono Camera-Mount Microphone by Audio Technica can be used in several environments, on DSLR and video cameras, for applications such as weddings, conferences, sports events, and more. It features a selectable line-cardioid mono, and internally matrixed mid-side stereo mode and provides the flexibility to focus the recording on a single sound source, or to widen the field for more sonic realism. The AT8024 can deliver much improved audio than the supplied camera's internal microphone.
The AT8024 is built with a three-position adjustable input pad (-20 dB, -10 dB, 0 dB) to capture soft and very loud sound passages without distortion. A switchable low-frequency roll-off reduces pickup of undesired ambient noise, room reverberation, and mechanically coupled vibrations. The microphone is powered by a single AA battery for optimal performance with high max SPL, and features an integral camera shoe mount that attaches to DSLRs and shoe-equipped camcorders. A 39" coiled cable with a 1/8" mini-jack, AA battery, windshield, fuzzy windscreen are included.
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Can any of these work with any of the canon DSLR, for example, EOS Rebel T6i EF-S 18-55mm IS STM Lens Kit. I'm new to all of this so I'm not sure what I should be looking for in terms of getting a shotgun microphone. I also wouldn't have anyone physically being able to hold the shotgun mic, so can any of these attach to the camera or is there a boom pole stand so it can stand by itself without anyone? Any suggestions on which shotgun mic is best and any accessories needed? thank you!
Most of Canon Prosumer to Professional Line of DSLR's will offer a mic imput allowing for use with the shotgun mic mentioned, including the T6i. The very entry level may not so its would be wise to check. Most of the mic will either come with or offer an additonal hot shoe mount accessory to allow the mic to mounted to the camera itself. The Rode VideoMic Pro Compact Directional On-Camera Microphone would be recommend for use with your camera, the microphone has a broadcast-quality condenser capsule with a supercardioid pickup pattern to capture audio from the front, while minimizing pickup from the sides and rear. An integrated shockmount and foam windscreen minimize handling and wind noise to keep your recordings crystal clear.
This article has got too much info to the point it's unhelpful. Bottom line for me as a vlogger? What is the best mic for indoors for a DSLR camera? I have tried many and can't find one with a decent result.
Hi Jeff -
If you are working close to the camera,one of my favorites under $200 is the Shure VP83 LensHopper Shotgun Microphone, a compact camera-mount condenser that provides detailed, high-definition audio with DSLR cameras and camcorders. An integrated Rycote Lyre shock mounting system provides isolation from vibration and mechanical noise.
The VP83 LensHopper features an easily accessible three-position gain adjustment and low-cut filter, allowing it to adapt for different recording environments. Its lightweight, yet durable, metal construction provides dependability and long-life. The VP83 easily mounts to a standard-size camera shoe or a 1/4" threaded stand. The convenient, attached 3.5mm cable connects to your camera's audio input. Its efficient operation boasts 130 hours of battery life on just one AA alkaline battery. A foam windscreen is included to guard against wind and environmental noise.
Capture Detailed, Accurate Audio
Please contact us via e-mail if you have additional questions: firstname.lastname@example.com
Hi folks,
Great article - certainly got me thinking
I will be using my Nikon D800 to film an amatuer theatre production from the back of the room (small room probably about 10-15M) - what's the best mic for this application? I was looking at the RODE videomic pro or even the Nikon ME-1, not sure if I need stereo or not - what's your advice?
Hi Mark -
The best performer overall is the Rode VideoMic Pro. Two key features, the 3-Position Level Control and the 2-Step High Pass Filter help make it so. It also includes a 10 year RODE warranty. That said, an on-camera shotgun mic is not an ideal solution at this distance, but it is far better than the in-camera mic at any rate.
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Hi there!
I'd love to get some advice on which mic to use for my full frame DSLR?
I will be using it for a range of sounds. Primarily for interviews and music performances, all in medium to close proximity.
Having come across this page looking at the 'RØDE VideoMic Pro Compact Directional', I am also looking at the aforementioned Senal MS-77 and MS-66. It says that the latter are for professional DSLR's, so I would think that they are better quality than the 'RØDE VideoMic Pro Compact'?... But as the price suggests, the Rode mic should be better, sitting at $214 instead of $99?...
Which would be the more appropriate mic for my needs and my body?
Thanks in advance for your help!
Hi Dave -
The best performer overall is the Rode VideoMic Pro. Two key features, the 3-Position Level Control and the 2-Step High Pass Filter help make it so.
It also includes a 10 year RODE warranty.
Please contact us via e-mail if you have additional questions: firstname.lastname@example.com
Thank you for the clarification!
I guess it was the larger size that got me questioning... Usually it is the bigger the better, but being the cheaper one, I thought that it may not be the best.
I will order the Pro then!
Thanks again.
I have a Canon 5d Mark III that I will use for interviews. I'm considering the Senal CS-88 and the Rode Videomic with rycote lyre suspension system. I like the suspension of the Rode, but I also like the +10dB of the Senal, allowing me to turn down the gain on the camera's preamp.
Any suggestions?
Between those mics, I would lean towards the Senal CS-88 DSLR-Video Shotgun Microphone as it has more control over the mic's gain which will help in real world recording scenarios. The suspension system is nice but you can use a shock mount to keep the mic from picking up any movement audio. The Rode SM3 - On-Camera Shock Mount for Shotgun Microphones would be a good option for a shock mount.
I have cameras that have a shotgun mic holder built in, like the Sony EX3, but the shotgun microphone is too small for the holder. I've seen them held in place with a rubber sleeve. Is this something I can buy?
Hi Jon -
Create a more snug fit and vibration isolation for a shotgun mic when it is mounted in the camcorder's mic clip. Sanken ROCS Rubber O-Rings for CS-1 (10) ROCS B&H Photo Video B&H # SAROCS.
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Hi! I would like to use my canon vixia camcorder (with external mic plug in) to record individual vocal video auditions for musical theatre students in an indoor studio setting. Students will be singing either with a piano accompanist or a karaoke music track. I would like to have higher quality sound than the camera itself can provide. Which external mic would be appropriate and what set-up (boom pole vs. on camera)? Also can a boom pole be mounted on a stand? If so, what type of stand?
Hi Linda -
Respond via the e-mail listed below with your Canon camcorder model number and your approximate budget range and we will be happy to offer you recommendations for a microphone, boom pole and stand, along with any accessories you may require to make it all work. together.
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very usefull thanks alot i want to ask you about TM-X2 is it ok? does it work with canon 600d
Hi Anas -
The Tascam TM-X is a compatible with the Canon 600D and does a great job recording ambient and musical performances.
The TM-2X Stereo XY Condenser DSLR Microphone from Tascam is designed to record stereo audio directly to your DSLR camera's microphone input. It can be mounted directly on your camera's hot shoe mount and is capable of being swiveled 180-degrees. The TM-2X has two switchable sensitivities, allowing it to work with a range of cameras. As it is powered by plug-in power from your camera, it requires no external batteries for operation.
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+1 Great article, thank you.
I'm looking for better audio for videos shot with my Canon 60D. I make videos indoors and outdoors, both of people sitting 6-10 feet away talking directly to the camera, and of wildlife 100's of feet away in windy open places.
What one microphone (and windscreen) would you suggest for such a mixed workload for around $500?
What two solutions would you suggest if I spent twice as much for a lavalier microphone for the former and a hotshoe microphone for the latter?
Hi Sylvia -
Just like in carpentry or plumbing there is no ideal, single tool suitable for all projects.
The VP83F LensHopper Shotgun Microphone with Integrated Flash Recorder from Shure is a compact camera-mount condenser that provides detailed, high-definition audio with DSLR cameras and camcorders. It records 24-bit/48kHz WAV audio files to MicroSDHC cards, supporting capacities up to 32GB. The VP83F also features one-button recording and an intuitive operating menu, making it easy to use. Additionally, an integrated Rycote Lyre shock mounting system provides isolation from vibration and mechanical noise.
The VP83F LensHopper features a 60dB gain range, adjustable in 1dB increments, as well as a low-cut filter for adapting to different recording environments. Its lightweight, yet durable, metal construction provides dependability and long-life. The VP83F easily mounts to a standard-size camera shoe or a 1/4" threaded stand. The detachable 3.5mm cable connects to your camera's audio input, while the stereo headphone output allows you to monitor incoming audio. Despite its extensive functionality, the VP83F offers 10 hours of battery life on two AA alkaline batteries. A foam windscreen is included to guard against wind and environmental noise.
Pair this with the the Shure Fur Windjammer for VP83 and VP83F LensHopper Microphones.
It is designed to fit snugly over the foam windscreen of the VP83 or VP83F LensHopper shotgun mics. It is made of synthetic fur and provides up to 25dB of additional wind noise reduction. The Fur Windjammer was developed by Shure with Rycote.
For work from hundreds of feet away, much would depend upon the intensity of the sounds you want to record and the ambient environmental sound levels.
The Audio-Technica AT8015 (AT815B) is a wide-range condenser microphone with a line + gradient polar pattern specifically designed to provide the narrow acceptance angle desirable for long distance sound pickup. It was created for use in professional recording, broadcasting, film/ TV/video production, high-quality sound reinforcement and other demanding applications requiring excellent sound rejection from the sides and rear. This microphone would require a shock mount and adapters and a cable to
The Audio Technica AT899 is a sub-miniature condenser lavalier microphone designed to deliver high sonic performance in a low-profile, easily concealable package. Intended for interviews, documentary, film, theater, and stage applications, the AT899's omnidirectional pick-up pattern captures evenly around the perimeter of the capsule as well as directly in-line. The microphones 5mm size is ideal in applications requiring minimal visibility. The microphones 9.8' (3 meter) cable is terminated with a 3-pin TA3F output connector, suitable for use with the AT-8537 power module (included). The capsule features a smooth flat 20Hz to 20,000Hz frequency response, capturing a wide range of frequencies and making the microphone versatile.
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Hi, this is really awsome and helping tutorial about mics. But I have one concrete question. I have Canon 600D and I would like to buy Sennheiser MKE 600 and sometimes (in run and go situations) plug directly into DSLR (with XLR to mini-jack adapter) and sometimes (for interview) to ZOOM H4N. It is possible to do that? It is Canon 600D capable of handle this mic? I'm recording documentaries in the field and there is often no time to prepare boom pole and so on.
Hi Ondřej -
With the proper adapter you shoul;d have no problem connecting the Sennheiser MKE 600.
Kopul LMT100 - Low to High Impedance Matching Transformer (1.5')
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I am ignorant relative to street/video mikes. I have always done studio stuff. I'm interested in long range sound recordings. What is the distance that good sound can be acquired from? Such as 50 feet or 100 feet? Is there any such thing?
Hi Richard -
You will need a parabolic setup along with a quality shotgun microphone. For example:
The JonyShot 24" Parabolic Microphone Dishfrom Jony is highly directional and handheld or tripod mounted. It has 2 comfortable grips on either side of the dish making it easy to hand hold and aim. The bottom of the unit has a mounting plate with 1/4" threads for mating to a tripod for fixed or aimed shots.
The isolated microphone mount accepts most handheld or shotgun microphones (available separately), giving you complete control over the audio you are expecting. It will even accept a different mount if you prefer. The microphone is aimed to the rear center of the dish where the audio is concentrated and directed into the microphone's element. Audio can be picked up from as little as 3.0' (0.9m) or as much as 500.0' (152.4m) depending on wind and weather conditions.
The optional microphone feeds into an optional preamp that outputs the audio to optional headphones for optimal aiming by the operator. The audio is also output to feed a cable or an optional wireless transmitter.
The Sanken CS-1e Short Shotgun Microphone is a professional microphone specifically designed for boompole and video camera mounted applications alike. The CS-1e features a short, lightweight design that remains hidden from video camera frames, yet comfortable to operate while mounted onto a boompole. In addition to its convenient size, the CS-1e's DC biased condenser capsule and output electronics yield uncanny directivity and long range, greatly minimizing off-axis noise and feedback. Its extended reach and improved low-frequency response deliver the range, noise rejection and sound quality ideal for professional broadcast applications, video audio capturing, film and more.
Unique long reach and sharp directivity
Ideal for mounting on HD camcorders
Suitable for ENG applications
Short 7" length, light weight (less than 3oz) for easy operation
Sanken's original square-type DC-biased condenser capsule
Improved sensitivity via redesigned capsule and circuitry
Improved S/N ratio through advanced capsule sensitivity
Extended low frequency response
Quick response after power on
Advanced RFI rejection
Wide 50Hz - 20kHz frequency range
Accepts high sound pressure levels without distortion
Rugged and dependable design
Awesome article!! I am working on a voice recognition system where users stand about 5-6 feet away from a display and deliver voice commands to control other devices connected to the video system.
Today we have users wear headsets in order to perform effectively with others in the room talking, etc.
Do you think a shotgun mic would work well instead? There's often ambient alarms, music, ventilation as well.
I would love your input. The monitor has the mounting threads on top of it, and the device where it will input is right below the monitor. There is power available there as well, and the input is a standard headphone jack.
Thank you so much!
Hi Jacob -
it "sounds" like a small form-factor shotgun would be just the ticket. Consider the MyMyk SmartMyk Directional Microphone for DSLR & Video Cameras, an external HD camera microphone designed with a hypercardioid, highly-directional condenser microphone capsule. The mic is made from durable polycarbon ABS material and it features an integrated shock mount that's made from synthetic TPE material. Synthetic TPE is weather-resistant and supports use even in extreme cold. The SmartMyk also features a detachable reticulated polyurethane foam windshield and a flexible, coiled connection cable with a 3.5 mm gold stereo mini-jack plug for use with most DSLRs and several video cameras. It's also equipped with a stainless steel shoe mount.
The SmartMyk works by localizing the sound to the image, rejecting background noise, and concentrating on the sound from the subject of the camera's focus. Plus, it easily attaches to most DSLR or video cameras via the integrated shoe mount. This makes it an ideal choice for professional recording, home videos, Internet broadcasting, sporting events and more. The mic is powered by a 3V 2032 button cell battery (not included), which supports over 200 hours of continuous use.
HD (Highly Defined) Quality Audio
The SmartMyk delivers HD (Highly Defined) transparent and clear recorded sound, which is an authentic replication of the original source. The result is vivid, rich sound that complements your HD video
Directional Condenser Microphone
Background noise is a common problem with in-built microphones, which tend to pick up everything around them. The SmartMyk uses a highly directional electret condenser microphone and rejection tube to minimize background noise and localize the sound to the focused image, ensuring you get more of the sound you want - and less of what you don't
Integrated Shock Mount
The red shock mount built into the SmartMyk is made of TPE soft synthetic rubber, ensuring any noise created through camera handling vibrations are reduced to a minimum. The TPE material is also extremely resistant to cold temperatures, which prevent it from freezing and therefore losing its flexible shock mount properties
3.5 mm Gold Stereo Mini-Jack Plug
The SmartMyk uses a 3.5 mm jack, complete with a 5.9" (150 mm) coiled cable, which plugs into any camera with a 3.5 mm microphone input. The signal to the camera is dual mono, delivering an identical signal to both the left and right audio track. With the aid of a readily available adapter, it can also be used with cameras or other equipment that require an alternative input configuration (for example XLR inputs)
Lightweight 2.1 oz Design
The SmartMyk weighs only 2.1 oz (60 g) and the body, tube and housing of the microphone are made of polycarbonate ABS material which is lightweight, while also strong and robust
200+ Hours Continuous Recording
The SmartMyk is powered by a reliable and widely-used CR 2032 button cell battery, which provides an impressive battery life of approximately 200 hours of continuous usage (depending on the climatic conditions under which it is used)
Camera Bag Friendly
No need to detach the microphone before packing it away. The profile of the SmartMyk is so small that it comfortably fits into most camera bags while still affixed to the camera
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