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Chapter Eight, Part Three
"The emperor needs to know."
"Thousands, you say?"
"A black sea. I wouldn't dare fly closer."
"I suppose they wish to use surprise to their advantage."
"From the mountains? They must be mad if they think they will cross them at this time of year. The cold has settled early this year."
"No ships, aye?"
"None. Perhaps they'll be arriving at a later time. If they have any at all."
"The Sarrphin Kingdom's military is meager. Phaethon's wages are pitiful, his greed is notorious. Half of them may turn back before they've even crossed the first ridge."
Jacques shrugged. "Fathentis still needs to know."
His companion, a tall man, equally well-groomed though of wider girth, wearing something more subtle and elegant than Jacques, shook his head back and forth in weighted thought. "The masons have already been notified. Rangers are being sent out as we speak. The Sarrphins are not familiar with this land, and our mountains are as foreign to them as the nectars of Gravua. No, many will convince themselves out of this foolish plot. They are desert people. Nomadic blood runs deep and overpowers. When they are within three days reach, I will inform Fathentis of their numbers. Our ships would throw them all into the Abyss before they would even catch a glimpse of the city."
"Quite an admirable soliloquy." Jacques' eyes wandered across the dark landscape that lay below him. The moon was reaching its peak, the night air was cold and at their backs. The two men stood side by side atop the highest point of the city, overlooking the southern valley. Tiny dots of light still flickered in the fields, farmers and their livelihood finally settling down for the night only to wake at the first ray of sunlight. A thick wall divided Morra from its green and fertile outskirts. Those who wished for a more quiet life but could not part from the riches to be had from the city lived outside. Those who wished to safe harbor their children from the perversions and vulgarities of the city lived outside. Those who had gathered all their riches from the city and chose to live the remainder of their days with a grassy lawn and some fruit trees lived outside. But for a man like Jacques, the outside was harder than inside. Inside, the walls of the city protected. Outside, the mountain peaks protected, but the southern landscape was open. Exposed. Anyone who wished to besiege Morra would come from the south. It didn't make sense that the Sarrphin Kingdom would decide to cross the mountains from the north. It was suicide. If King Phaethon was with those men, then he was suicidal, too.
"Louvaix has Cengar."
"Cengar?" Jacques raised an eyebrow and turned to his companion. A smile of disbelief crept onto his face. "Well I suppose Fathentis will never see his Ursmades Line."
"He'll have me next, aye."
"You'll snitch on me."
He exploded into laughter, his belly more distended than ever.
Jacques rolled his eyes.
"Come, come, I'll offer to cut my own head off; we'll see what Louvaix has to say about that!"
"You'll be hogtied and tickled till you suffocated."
Again, the man laughed heartily, though not as loudly. "Jacques, would they come to my door, I would first cuttheirheads off, then mine!"
"You're a coward."
"The princess is fine?" He changed the subject quickly, and Jacques was glad for it. Louvaix's schemes always left a bad taste in his mouth, and while he considered himself quite attuned with the twisted mind of the ruthless executioner, Louvaix alluded him time and time again.
"She is being brought to the Baird's District. She is in safe hands."
"Is she fine?"
"I wouldn't know."
"Pah!" The man spat. "You underestimate her. I've seen her before with my own eyes, she's a feisty one. And most striking, I might add."
Jacques frowned. "She has courage, but she's deceived herself. A walking contradiction. That is all."
"Jacques," the man gripped his shoulder tightly with a meaty hand, fingernails manicured and reflecting the moonlight. "Are you familiar with a good man?"
Jacques looked at him. "I'm surrounded by thieves, Ovado, what is a good man?" He glanced down at the polished nails. "You're as filthy as any of the sods who creep around in dark corners."
Ovado hummed, his eyes glittering. "Find one. You may need him."
"I need no one."
Ovado nodded absently, his hand sliding off Jacques' shoulder. "If I go, Jacques," his voice trailed off.
He frowned. "My mind has not changed, and it will not."
"Louvaix is a crafty one, aye?"
"Indeed." His eyes turned back to the dark landscape, but he did not look at it. The subject of the Holy Vicar disturbed him more than he liked to admit. Any of his men uprooted by the Inquisition and discovered to belong to his guild was immediately taken to the guillotine. His men were rotten, true, and that was hardly acceptable. No, the choice in victims were random, too varied, impossible to tell the true reason behind his agenda. Cengar, the Builder's guildmaster. It was no doubt that Louvaix did that to spite Fathentis. Louvaix wanted to keep them in a sightless black hole, though his lips said different. Often, he wondered if Louvaix wished to remove Fathentis himself, but that notion was preposterous. As much as the two bickered and disagreed with each other, they always stood side by side. Not that he couldn't imagine the both holding a knife behind their backs while they smiled for the delusional citizens.
"He would rather have your head than mine, though, that is true."
"Hm." Jacques shrugged half-heartedly. "He won't always get what he wants."
"Are you certain the princess is fine?"
He rolled his eyes. "And why not?"
"She is not hurt? We'd really lose our heads if she's found hurt."
"She's most certainly tired, and unharmed. For whatever reason, she hasn't been her wild self with that monk around."
"What monk?" Ovado's face tightened.
"A monk she was bringing back to the city."
"Why did she go to Mono Luthor, anyway?"
"I think she wished to use Father Gensia as a voice. No one would listen to her otherwise."
"She really thinks that she could use that old man to start a movement against Louvaix?"
"They are sworn enemies. Besides, she'd never express herself in front of her brother. Amphrice hasn't searched for her yet, has he?"
"No, no," Ovado trailed off.
"Don't be a fool, Jacques, it's most obvious that she cares more for him that he does her!"
"A pity," Jacques looked back again to the distance.
"If Louvaix found her schemes out, he would have her head!"
"I doubt that."
"She would never."
"Speak against her brother? No."
"The anticipations of a child are sweet as honey. But that honey goes sour, and it leaves a stinging taste in the mouth. I do pity her."
"Always. Are you hungry, Ovado?"
"No. You know, I've fancied the thought that Louvaix is fancying Amphrice."
"I supposed it were the other way around."
"I wonder. Amphrice is more bloodthirsty than that dying old man."
"Louvaix is old, but he is not near dying. Gensia is."
"Gensia is a different man entirely."
"A dying breed."
"These are bad times, Jacques, I don't like it. Aye, I don't like it."
Jacques clasped his hands behind his back, twisting the rings on his fingers. The jade on his left index finger was his favorite, and this one always received the most attention. A cool breeze brushed past him and he decided it would be time to pull out his neckerchief for the oncoming season. The winters were not as biting as those on the northern continent, but nonetheless, his midplane blood was not particularly fond of the icy wind that sliced through his fancy clothes. Appearances before comfort.
A light.
A light at the foot of that cliff. Many lights. He gripped his hands behind him and lowered his brow, squinting at the darkness. The lights moved outwards from the mountain. A gathering of lights.
"Aye!" The older man absently barked, lost in his own thoughts as he gazed at the horizon.
"Look, before my eyes deceive me. About three miles out at the foot of the East Mountains."
"Heh?" He gyrated forward, peering at the direction where Jacques stared.
"What is that." It was more a statement than a question. He wanted proof. Guarantee.
The lights were fingering out now into straight lines. Even from this distance, they almost looked like flanks of an orderly battalion. And there were still more lights streaming out of the mountain.
"What cave...?"
"There is no cave there."
For the first time in a very, very long time, his heart skipped a beat.
"What could..." Ovado's face fell. He put his hand over his mouth but it did not cover the disbelief and alarm in his expression. Neither of their eyes moved from that place. The lights continued to accumulate, the formation of it stretching longer. "Jacques, those are torches."
He could not reply.
"Aye, there --" Ovado's throat tightened.
They stood silent for more than the passing of a few minutes. More tiny points of lights emerged, their numbers did not stop.
"Thousands, Jacques." He whispered. "These are very bad times."
Jacques started. "I'm taking the princess to Pabula." He turned and broke out into a run across the city's outer wall. His ship was silent and cold in the courtyard below. Ovado's ship was beside his and would no doubt be flying straight away to the palace.


text:
Parker Kross
+ F u l l - N a m e; Parker Kross
+ F C; James Wolk
+ A g e; 30
+ B i r t h d a y; September 25th
+ S t a t u s; Straight, single
+ N i c k n a m e s; Friends sometimes call him Park but mostly Parker
+ L i k e s;
- Women
- Music
- The piano
- Art galleries
- Coffee
- History
+ D i s l i k e s;
- Walking in pubic
- Having people stare at him
- People seeing him as weak or pitying him
- Having Parkinson's
- Hats
- Rap music
- Not being able to drive
+ B i o;
Parkinson's is usually considered an old person's disease. But for Parker, it started his senior year of high school. Up until then he had been a talented piano player who was going to be going to California University of Fine Arts on a piano scholarship where he would've performed for their school in their symphony. That was how he started to notice something was wrong with him. He'd sit down to play the piano and his hands would have a small tremor and as the days progressed, his arm muscles grew stiff and he couldn't lift them as easily.
By the time he was diagnosed his balance was being affected as was his posture, he now stood with a slight stoop of his right shoulder – as if he was leaning in to tell someone a secret. When he stood, he wobbled just a bit as he struggled to keep and find his balance. Putting clothes on became difficult and he stopped wearing hats because he'd reach up to put it on and it'd never sit properly.
Kids at school started calling him Parkinson's Parker. Some would even slap him on the back from behind, just to see if he'd lose balance and fall onto his face – which he would. They also got a kick out of asking him if he was drunk when they'd see him walking with his new slow walk with one shoulder slumped and his arm swinging awkwardly.
After losing his scholarship and starting on some medications that should help with the symptoms but came with horrible side effects – he wasn't in a good place. His graduation night, he opted not to walk for his diploma – not wanting to hear the snickers and laughs from his classmates. Parker took a year off before deciding to go to community college, he needed to get himself prepared to go back into an environment where people would stare at him, point and maybe even laugh.
While taking that year off, Parker tried to find a new dream and goal in life. He had wanted to be a composer for musicals on Broadway. But with his Parkinson's that dream was gone. After struggling to find a new goal and career choice he soon discovered that he found American History and World History to be quite fascinating. So he decided to go to school to get his masters in American and World History and then a teaching degree as well. Although he vows to never be a high school teacher. Kids of that age were too cruel and vicious. College though, people seemed to be less judgmental. Now at age 30, he is teaching at UCLA and loving it. The students all seem to be very understanding of his condition. It took him several years to find a school that would let him teach for them, people were worried the students would be too distracted by his awkward stance or the weird way he moved. But he was lucky that UCLA took a chance on him – and for that he will always be grateful for.
+ J o b; Professor at UCLA

subset: commoncrawl


text:
Striped Pillow Sham
Crafting Time:
- 1-2 Hours
Skill Level:
- Advanced
Project Courtesy of: Jo-Ann Fabric & Craft Stores
Additional Information
- Quilting fabric cotton prints:
- Eleven assorted 2-1/2"x16-1/2 strips
- 1/3 yd for outside borders
- 1/4 yd for inside borders
- 2/3 yd for back
- Basic sewing supplies
- Sewing machine
- With right sides together stitch eleven strips together with 1/4" seam allowance.
- From inner border fabric, cut three 1" strips crosswise across fabric. Cut two 16-1/2" pieces from one strip. Stitch to ends of strip set. From remaining strips, cut two 23-3/4" strips. Stitch to top and bottom of strip set.
- From outer border fabric, cut three 2-3/4" strips. From one strip, cut two 17-1/2" pieces. Stitch to sides of strip set. From remaining strips, cut two 28-1/2" strips. Stitch to top and bottom of strip set.
- From backing fabric, cut two 17"x22" rectangles. On each rectangle, fold 1/2" to inside along one 17" side. Press. Opening up pressed edge, slip raw edge in toward pressed line. Fold and stitch to encase raw edge.
- With right sides together and raw edges even, stitch back rectangles to pieced top, using a 1/2" seam allowance. Finished edges will overlap in center of pillow sham.


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Pet Sitter in Amherst
Hi there. I have recently started working on my Masters in Public Health at UMass Amherst and I am looking to continue pet sitting around Amherst and/or Hampshire county. I have my CDL (commercial driver's license) with a perfectly clean driving record, as well as numerous references regarding my Dog Walking and pet sitting experience. I have an adorable 1 year old whippet/terrier mix that I rescued from the MSPCA Angell in Boston last summer. We spend countless hours outside exploring in between classes and we would love to have your dog join us when you are out and/or need a sitter! Please do not hesitate to contact me with any questions or concerns. I look forward to hearing from you and meeting your furry friends!
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Enjoy hunting with a buddy in a sturdy stand that is made of strong steel construction that ensures many seasons of use. The Big Game Big Buddy Two Person Ladderstand has a padded shooting rail that flips up and out of the way, a handy feature for bowhunters. The large, bench-style seat has two individual seat cushions and a removable backrest. Three single-rail ladder sections make for easy transport. Two 1 inch ratchet straps and two 1 inch stabilizer straps team with an adjustable support bar to secure the stand. Stand is tested to TMA standards and includes two full-body safety harnesses with Suspension Relief System (SRS).
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Copyright © 2017 - Mack's Sport Shop LLLP - All rights reserved. Site Developed and Maintained by Ability Commerce
Copyright © 2004-2017 - Mack's Prairie Wings, Inc. - All rights reserved. Site Developed and Maintained by Ability Commerce


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Shek Kip Mei
Wedged between the sprawl of Kowloon Tong and the markets of Sham Shui Po, Shek Kip Mei has been a poorer district of Hong Kong ever since it was settled. In the 1950s it was a shantytown for Mainland Chinese immigrants, until a Christmas Day fire in 1953 devastated the area and left some 53,000 homeless. The government introduced Hong Kong's first public housing scheme to rehouse the immigrants, and the district grew from there. Nowadays Shek Kip Mei still has plenty of public housing, but it's also home to a treasure trove of lesserknown restaurants and shops, many owned by the locals of the district.


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SET domain-containing proteins, such as SMYD2, catalyze lysine methylation (Brown et al., 2006. Additionally we are shipping SET and MYND Domain Containing 2 Antibodies (68) and SET and MYND Domain Containing 2 Proteins (12) and many more products for this protein.
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High expression of SMYD2 is associated with chronic lymphocytic leukemia.
Study reveals a collection of 10 enriched sequence motifs in Kme1 sites that were identified upon SMYD2 overexpression which were also downregulated in response to SMYD2 knockdown. These findings suggest that these motifs reflect the substrate specificity of SMYD2 in esophageal squamous cell carcinoma cell line.
Results show that high expression levels of SMYD2, SETD3 (show SETD3 ELISA Kits), and NO66 (show C14orf169 ELISA Kits) in renal cell tumors. Their low expression levels were significantly associated with shorter disease-specific and disease-free survival.
Suggest that SMYD2 plays a role in tumor progression and might be a useful prognosticator in HPV-unrelated, nonmultiple head and neck squamous cell carcinomas.
SMYD2-mediated methylation negatively regulates PTEN tumor suppressor activity and results in activation of the phosphatidylinositol 3-kinase-AKT (show AKT1 ELISA Kits) pathway.
Comprehensive motif-based searches and mutational analysis further established four additional substrates of SMYD2.
in addition to esophageal squamous cell carcinoma, SMYD2 is also amplified and/or overexpressed in breast and liver primary tumors
a novel mechanism of PARP1 (show PARP1 ELISA Kits) in human cancer through its methylation by SMYD2
SMYD2 has a crucial role in tumor cell proliferation by its overexpression and highlight its usefulness as a prognostic factor and potential therapeutic target in gastric cancer.
Data indicate that irect estrogen receptor alpha (ERalpha (show ESR1 ELISA Kits)) methylation by histone methyltransferase SMYD2 regulates estrogen signaling.
a pivotal role for SMYD2 in promoting pancreatic cancer.
Data show that histone methyltransferase Smyd2 inhibits macrophage interleukin 6 (IL-6 (show IL6 ELISA Kits)) and tumor necrosis factor alpha (TNF-alpha (show TNF ELISA Kits)) production. production.
Smyd2 is a lysine methyltransferase which has, next to its nuclear activity, specific regulatory functions in the cytoplasm of heart and skeletal muscle cells.
Smyd2, similar to Smyd3 (show SMYD3 ELISA Kits), interacts with RNA Polymerase II as well as to the RNA helicase, HELZ (show HELZ ELISA Kits)
Sin3A-mediated deacetylation within the coding regions of active genes is directly linked to the histone methyltransferase activity of Smyd2 [Symd2]
results show that Smyd2 negatively regulates p53 (show TP53 ELISA Kits)-responsive genes in a p53 (show TP53 ELISA Kits)-dependent manner
Findings suggest that SMYD2 (SET and MYND domain containing protein 2), a histone lysine methyltransferase, plays a critical role at early stages of development.
SET domain-containing proteins, such as SMYD2, catalyze lysine methylation (Brown et al., 2006
SET and MYND domain containing 2
, SET and MYND domain-containing protein 2-like
, N-lysine methyltransferase SMYD2
, SET and MYND domain-containing protein 2
, histone methyltransferase SMYD2
, lysine N-methyltransferase 3C
, zinc finger, MYND domain containing 14
, Histone methyltransferase SMYD2
, SET and MYND domain-containing 2
, HSKM-B protein
, Histone methyltransferase SMYD2-A
, N-lysine methyltransferase SMYD2-A
, SET and MYND domain-containing protein 2A
, histone methyltransferase SMYD2-A


text:
Title: Fickle Winds of Fortune
Event: Hurricane
I take solace in my last words to him,
Though his life had just begun.
Although life without him's so very dim,
There is naught that can be done.
When swirling winds and blackened clouds run,
And all grows so very dark,
And rent from our arms is the small sun,
Your life begins to feel stark.
I would at night sing to him like a lark,
And his frail body cover.
How with irony this dark heart will bark;
I'm a motherless mother.
I wish he were here for me to smother,
To feel that heavenly joy.
But god has snatched him and left no other,
Oh such a treacherous ploy.
The lives which tempestuous winds destroy,
crying hearts will never shun.
What last words did I lend my dead boy?
"I'll see you soon my son."


text:
|Price incl. VAT
|£430.08 £366.90
|Price excl. VAT
|Extended warranty + 1 year £29.35 Extended warranty + 1 year
|Return products within two months £18.35 Possibility to return products within two months
IPS monitor Asus PB278QR will surprise you with a unique depth of colors and great detail in super fine image. IPS panel has a matrix that makes it stand out from competitors after the first start-up. With a resolution of 2560 x 1440 dots, and fast 5ms GTG response will not be a problem for playing games or watching action movies scenes. With IPS technology easily differentiate the various colors and smooth gradations and enjoy constant color when viewed from almost any angle. Color saturation achieves 100% sRGB, which is ideal for working with photos and video, but also comfortable watching movies in which you can focus solely on content viewing.
Exclusive ASUS QuickFit provides the ability to view real-size documents and photos on the overlap of the working windows. The function can be activated using a button and use it as a template for accurate viewing and editing photos. It is also essential support SPLENDID Video Intelligence and a variety of preset modes. Analyzes currently being performed and adjusts the displays' parameters, thus ensuring that the truest color rendition and image overall. ASUS VividPixel emphasizes image contours and reduces the amount of interfering lines.
Of course there is the most energy efficient operation, which saves not only your wallet, but also our planet. The monitor offers HDMI and DisplayPort interfaces through which it integrates seamlessly with computers besides also various game consoles or Blu-ray player, and you can start to enjoy the fullest. Among other advantages can certainly mention the wide positionability. Stand panel supports height adjustment, tilt and shoot. Alternatively, you can mount on brackets VESA-compatible 100 x 100 mm.
ASUS is a symbol of the growth of Taiwan's economy. The firm's beginnings date back to April 2, 1989, when as a small manufacturer of motherboards began his work with a few employees. Today, Asus employs more than 12,500 employees worldwide.
ASUS products can be found in almost every category of the information technology marketplace. ASUS is focused on desktops, laptops, phones, optical drives and components. In the manufacture of motherboards, the company is now the dominant player with a staggering 40% market share.
Note: The package includes a power supply and display cable unless otherwise stated.
Specifications can be changed without notice. Images are for illustrative purposes only. Retail Price (MSRP) means the manufacturer's/supplier's suggested retail price.
Link to Manufacturer's Website: Enter link to the external review


text:
Integrated Land-Use and Transportation Models: Behavioural Foundations
€ 145,99
Bisher € 146,99
Besorgung - Lieferbarkeit unbestimmt
Juli 2005
BeschreibungExamines the behavioural foundations, often simplistic, that have limited land-use and transportation models in the past, and recommends alternative assumptions, frameworks and methods. This work includes the ways to measure and represent the processes of decision-making that lead to the organisation of human activities in time and space.
InhaltsverzeichnisIntroduction. (M.E.H. Lee-Gosselin, S.T. Doherty). Section I: Conceptual Issues and Approaches. A Dynamic Understanding of Travel Demand: A Sketch. (K.W. Axhausen). Propositions for Modelling Household Decision-Making. (E.J. Miller). Operationalising Household Activity Scheduling Models: Addressing Assumptions and the Use of New Sources of Behavioural Data. (M.J. Roorda, S.T. Doherty, E.J. Miller). Conceptual Perspectives for Explaining Spatio-Temporal Behaviour in Urban Areas. (T. Ramadier, M.E.H. Lee-Gosselin, A. Frenette). Section II: Key Behavioural Components and Related Data Needs. Measuring Activity and Action Space/Time: Are Our Methods Keeping Pace with Evolving Behaviour Patterns? (T.M. McCray, M.E.H. Lee-Gosselin, Mei-Po Kwan). Modelling Learning and Adaptation in Route and Departure Time Choice Behaviour: Achievements and Prospects. (A. Jotisankasa, J.W. Polak). The Influence of Mobile and Immobile Communications on Activity and Travel Scheduling. (A.J. Richardson, R.K. Seethaler). The Creation of Simulated Household Travel Survey Data Based on Available Demographic Data from Households. (P. Stopher, J. Rose, P. Bullock). Section III: Operational Modelling Issues and Advances. GIS, Objects and Integrated Urban Models. (R.N. Buliung, P.S. Kanaroglou, H. Maoh). A Distributed Computing Approach for Transportation Modelling and Simulation: Application to an Airport System. (C. Ray, C. Claramunt). Design and Implementation of PECAS: a Generalised System for Allocating Economic Production, Exchange and Consumption Quantities (J.D. Hunt, J.E. Abraham). Hybrid Choice Models with Logit Kernel: Applicability to Large Scale Models. (D. Bolduc, M. Ben-Akiva, J. Walker, A. Michaud).
Pressestimmen"...will serve as a cornerstone in the field of land use transportation modeling for years to come." -Venky Shankar, TRANSPORTATION JOURNAL (Apr-Jun 2006)
Untertitel: '0'. New. Sprache: Englisch.
Verlag: EMERALD GROUP PUB
Erscheinungsdatum: Juli 2005
Seitenanzahl: 306 Seiten
Format: gebunden


text:
Your kit:
- Patent-pending inkbox
- Black tattoo glove
- Pre moistened cloth
- Ethyl alcohol wipe
Tattoo Dimensions: 4.0 inches
"Life is a series of experiences, each one of which makes us bigger, even though sometimes it is hard to realize this. For the world was built to develop character, and we must learn that the setbacks and grieves which we endure help us in our marching onward." - Henry Ford


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I am a senior citizen with taxable income of Rs 2.75 lakh per annum, mainly from interest income. I have also substantial holding of company shares and earn non taxable dividend income of about Rs 1.25 lakh per annum. I will be 80 years of age in the next financial year 2013-14 and will not have taxable income from that year. My queries are:
a) Do I need to submit income tax return from the financial year 2013-14, still having the tax free dividend income of 1.25 lakh per annum?
b) If I sell shares and earn long term capital gains, whether I will need to file return to show the sale of shares and earning of non taxable capital gains even though taxable income remains below the limit for financial year 2013-14
Asish Choudhuri, Calcutta
As you will be attaining the age of 80 in financial year 2013-14 with a taxable income from interest of Rs 2.25 lakh per annum and tax free dividend income of Rs 1.25 lakh per annum, under section 10(34) of the Income Tax Act, you are not required to file return of income as your gross total income before claiming deductions under section 10A, 10B, 10BA, 80C to 80U does not exceed the exempted amount of Rs 5 lakh applicable for super senior citizen.
As your long-term capital gains from the sale of company shares is exempt under section 10(38), and taking into consideration your income from interest, you will not have to file return of income under section 139(1) for 2013-14.
I am a very senior citizen. I hold three mutual fund schemes which I am planning to sell. As all three holdings are tax exempt from capital gains do I have to report them to tax authorities using return forms other than ITR 1?
K K Datta, Calcutta
As you are a very senior citizen having a total income from pension, interest on savings bank account and long term capital gain on sale of mutual fund, you are required to file return of income using form ITR-2 which is meant for individuals not having business/professional income. Filling of return of income, if your taxable income is above the exemption limit of Rs 5 lakh using ITR-2 is very simple and is similar to ITR-1 except one has to report under exempt income particulars, the amount of long-term capital gains on sale of mutual funds under section 10(38) of the Income Tax Act.
If you have any queries about investing or taxes or a high-cost purchase you are planning, mail to: firstname.lastname@example.com, or write to: Business Telegraph, 6 Prafulla Sarkar Street, Calcutta 700 001.


text:
Work, Classroom and Activity Impairment Instruments
- First Online:
- Cite this article as:
- Reilly, M.C., Tanner, A. & Meltzer, E.O. Clin. Drug Invest. (1996) 11: 278. doi:10.2165/00044011-199611050-00004
- Citations
- 52 Downloads
The validity and responsiveness of allergy-specific questions in the format of the Work Productivity and Activity Impairment (WPAI) questionnaire were tested, and the work, activity and classroom impairment of allergic rhinitis patients with moderate to severe allergy symptoms were described. Allergy-specific WPAI (WPAI-AS) instruments were completed at baseline and at week 1 and week 2 by patients in 2 multicentre, double-blind, randomised placebo-controlled clinical trials of antihistamines: terfenadine (work/activity impairment; n = 422) or fexofenadine (MDL 16,455A) [classroom impairment; n = 241]. The validity, responsiveness to clinical change, and reproducibility in the absence of clinical change of the WPAI-AS were measured independently by symptom severity scores. Allergy symptoms were associated with impairment at work, at other regular activities, and in the classroom. The studies established the discriminative and evaluative validity, reproducibility and responsiveness of WPAI-AS measures of work impairment, overall work impairment, activity impairment and classroom impairment secondary to allergy symptoms, but not of work or classroom time missed. To detect a 5% difference in impairment, with 80% power and 5% type I error for a 2-sided hypothesis test (change from baseline to weeks 1 and 2 combined) would require 201 patients/treatment group (overall work impairment), and 192 patients/treatment group (overall classroom impairment).
These results validate the WPAI-AS as tools in quality-of-life analysis of allergic rhinitis and provide data for selecting an adequate sample size to differentiate interventions in controlled studies measuring changes in work, activity and classroom impairment secondary to allergic rhinitis symptoms.


text:
- Living
- Dining
- Bedroom
- Outdoor
- Office
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- Lighting
A beautiful and sturdy footrest that's a perfect match for FH419, the Heritage Chair.
With its sturdy solid wooden legs and upholstered detailing this stool is a beautiful and simple addition yet works equally well on its own. Available in fabric or leather with legs in solid oak or walnut.
|Carl Hansen & Son
|Frits Henningsen
|Country of Origin
You can send us a message to request more information about this product. Just fill in the form below.


text:
Asked by Truelove77 at 10:28 AM on Sep. 8, 2010 in Crazy for CreditsLevel 49 (341,585 Credits)
Answer by andrea96 at 10:41 AM on Sep. 8, 2010
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text:
La Arrolladora Banda El Limón Heridas que se curan
Description:Musica muy genial disfrutenla y manita arriba y si no te gusta la rola mejor ni la veas mejor evitate darle manita abajo
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text:
CV Axle removal question
View Single Post
Dodge Ram Forum Newcomer
Join Date: Nov 2012
Location: Westfield
Posts: 3
Gender: Male
Vehicle: 2007 Dodge Ram 1500 SLT
Trim Level: SLT
Color: Silver
Engine: 2003-2008 345ci (5.7L) Hemi V8 345hp 375lb/ft
Rep Power:
Ok so my sypmtoms were a shaking steering wheel at around 30mph and again around 60mph. Also when I turned a corner I would hear a catching or popping sound. All these pointed to a bad cv axle. The first one came off after a small fight, but the driverside did not have the clearance to remove it. Here ar the steps i took to removing it.
1. jack up the vehicle and support it on stands. I left the jack under the lower arm to support the tension of the spring.
2. Remove tire to remove the center cap so I could access the hub nut.
3.Re-install tire.
4.I did not have an impact gun so I have to loosen the hub with the truck on the ground. It took a 35mm socket, 18" 1/2" breaker bar with a long piece of rigid tubing over the handle for leverage. This worked well!
5. Took a prybar and used it to pop the cv axle off of the differential. there is a c ring that holds it from sliding off.
6. Jacked it back up after removing the hub nut and resupported it.
7.Removed the brake caliper and tied it out of the way and removed the abs sensor cable by removing the clips holding it. You must undo the connector clip as well which is plastic riveted into the inside of the wheel well.
8. I used a pitman arm puller to pop the upper ball joint. This worked really well. It was a $15 Harbour freight puller but worked fine. This gave me the room to slide out the old cv axle.
9.Repeat steps in reverse order.
So after 2 new cv axles installed I jump in the truck and give it a test run. Clunk, cluck, bang. Same popping and catching sounds when I turn or go in reverse. I didn't check to see if the steering wheel was still shaking because I did not want to drive it down the road and risk anymore damage. So I now have new cv axles but the same problems.
Does anyone have any idea what would cause a metal rattling sound, the steering wheel to shake and some popping noises when turning or backing up? I'm stuck!
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text:
Celilo Inn
No prices found through our partners. Please contact the business directly or check some of our recommended alternatives.
How has this motel rated in the past?
- Continental Breakfast
- Free High-Speed Internet
- Swimming pool
- Business Services
- Fitness/Health center
- Wheelchair accessibility
Photos of Celilo Inn
- Swimming pool
- Fitness/Health center
- Free High-Speed Internet
- Wheelchair accessibility
- Free parking
- Pets allowed
- Continental Breakfast
- Business Services
TripAdvisor Reviews Celilo Inn The Dalles
Travel Blogs from The Dalles
Last night
... and downstream. They called the place Rock Fort and the kept a vigilant guard here because their Nez Perce guides would not travel any further downriver and they warned the Corps that some tribes were planning to kill them downstream.
After the walk it was time for a second shower and then a short 1 block walk to the Clock Tower Ales pub. Great food , great beer and a great cute bartender. It was
Day 48 - Seven Waterfalls & a Log Jam
... from the workout and were glad we packed the cooler.
After Oneonta Gorge, we got back on the bike and headed for the major attraction of the highway, Multnomah Falls. This one is really tall, and has a bridge across the creek about a third of the way up for viewing. We took a bunch of pictures from the bottom, but had to do the hike to the bridge to see it a little more close up. This waterfall also had a snack bar and actually ...
Day 47 - Motorcycle Service & Discovery Center
... all around up at the ceiling. Just a little western charm. But the food was good, salon for Jody and meatloaf for me. Nothing fancy.
Tomorrow we are heading down Historic Route 30 to checkout the waterfalls and gorges. It should be fun, and better than hanging out in a motorcycle dealership all day. At least they had free coffee.
25.4 miles today
9474.1 miles total
0.0 gallons today
228.742 gallons total
Day 46 - Who Goes To the Beach at 61 Degrees?
... section. And of course, the flagman has to hold us right near the top, waiting for the single line of what seemed like it but a hundred cars to pass from the other way. All this time, I am holding up a 900 lb motorcycle, loaded with luggage and 2 riders, using the front brake to keep the motorcycle from rolling back down a very steep incline, all the while being buffeted by a 20 knot wind. Usually, I would lower the kickstand to help, but the slope was just ...
In the Beginning; There was Love
... who weren't good enough to make Varsity or JV team….) Well you
guessed it, it was McKenzie's sophomore year and she got on the same
team too. Since that season on JV2 we have been good friends. And here
is the really crazy part, once again ten years later, McKenzie and I are
planning this bicycle trip across the country (we didn't even know it
was our ten year anniversary as friends until recently). Call it fate, ...


text:
Who are all the characters in Star Wars The Phantom Menace?
1,075,111questions onAdd New Page
- Liam Neeson as Qui-Gon Jinn: A Jedi Master and mentor to Obi-Wan.
- Ewan McGregor as Obi-Wan Kenobi: Qui-Gon's young Jedi apprentice.
- Natalie Portman as Queen Padmé Amidala: The young queen of Naboo at 14 years of age
- Jake Lloyd as Anakin Skywalker
- Ian McDiarmid as Senator Palpatine / Darth Sidious
- Ahmed Best as Jar Jar Binks
- Pernilla August as Shmi Skywalker: Anakin's mother.
- Anthony Daniels voices C-3PO
- Kenny Baker as R2-D2
- Ray Park as Darth Maul
- Silas Carson as Nute Gunray
- Hugh Quarshie as Captain Panaka: a bodyguard of Queen Amidala
- Andy Secombe voices Watto: A junk dealer on Tatooine who owns Anakin and his mother as slaves.
- Lewis MacLeod voices Sebulba: An aggressive, scheming Podracer and rival of Anakin.
- Frank Oz voices Yoda:
- Samuel L. Jackson as Mace Windu: A member of the Jedi Council
- Brian Blessed voices Boss Nass: The leader of the Gungan tribe who allies with the Naboo
- Greg Proops and Scott Capurro voice Fode and Beed, the two headed announcer of the Boonta's Eve Race.
- Keira Knightley as Sabe: Queen Amidala's body double and decoy.


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Used your recipe to make my Red Currant Jelly this year. Total Success!!! In the past I tried the Gel Set Method but could never get it just right. With the thermometer at 220F, it was fool proof. I have a huge red currant bush in my yard. Your recipe will be the one I use from now on. Thanks.
Red Currant JellyA community recipe by The White Rabbit
Not tested or verified by Nigella.com
I wanted to make this because I've never made a jelly before (been a jammer for about 15 years). It was interesting, different from jam but still has all those wonderful elements to it, like burning your tongue on the leftovers in the pan. Red currants are high pectin so you don't need to add any lemon juice. I only did a small amount, this makes it quite quick but you have to stand over it.
Serves: 4
- redcurrants (fresh, well washed)
- water
- sugar
Red Currant Jelly is a community recipe submitted by The White Rabbit and has not been tested by Nigella.com so we are not able to answer questions regarding this recipe.
BetterLate's notes from when I asked about this on the forum: This general method should work, but as the quantities jammers/preservers usually work with are much larger than you have, you'll need to bear in mind that smaller amounts of water will evaporate more quickly so you may need to watch it and add more water in the initial cooking stage. Make sure your pan for the second stage is big enough to cope with the fast boiling, when it will bubbble up a lot, but of course don't try to use a proper preserving/jam pan for such a tiny amount. Wash fruit and place in a pan with sufficient water just to cover. Place pan on heat and simmer till fruit is tender. Pour into a jelly bag (you don't need a "proper" one for such a small quantity - improvise with one made from a piece of cheesecloth/muslin, either inside a sieve, or knotted to form a bag) over a clean pan. Don't squeeze the bag, unless you don't mind your jelly being cloudy: just allow it to drip until it has finished. Measure the juice, and add 450g of sugar per 600 ml of juice. (You'll need to do some maths at this point for your small quantity !) Return pan to heat and boil rapidly till setting point is reached: if you don't have a jam/sugar thermometer, do the saucer test*, removing the pan from the heat while you do it. When ready, skim off any scum and pour into clean hot jars. Cover immediately. *Saucer test - have a saucer cooling in the fridge while you cook the preserve. Drop a small teaspoonful of jelly onto the saucer and return to the fridge for one minute. Push your finger through, and if the jelly wrinkles, it has reached setting point.
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text:
Programming On a Dedicated Server or A VPS
Before we answer that question, let us answer first what is a VPS and what is a dedicated server. This is very important for us to know exactly where we are going to program.
Let's first tackle VPS. VPS is the acronym for virtual private server. They are virtual because they are not actually a physical machine, but one of many virtual instances of a machine inside a single server. Private because, like shared hosting services, you are sharing one server hardware to other users, but here, you have your own fixed amount of storage space, processing power, resources and bandwidth separate from others. You can compare owning a VPS service to owning a condo unit. You are sharing one building with others, but you have your own private space where you can do almost anything you want.
Now, we're going to tackle a dedicated server. As the name implies, a dedicated server is dedicated, only one user is using it at a given time. Naturally, a dedicated server will use a server's full capacity giving the user more power and bandwidth allocation and speed. Performance can be multifold more powerful than a mid-range VPS. Dedicated servers, in addition, allows you to do everything on it, except for illegal activities. You can set up your own file hosting server, streaming website, large forum and many other performance and bandwidth-intensive projects in a dedicated server, whereas in a VPS, you can't do that.
VPS vs Dedicated
With the brief information we presented earlier, you already know that the cheapest dedicated server is still more powerful than the highest class VPS server. However, real world things should be considered when choosing whether to program on a dedicated server or a VPS.
Although dedicated servers offer more performance, the price is one thing you will have to consider. Programming on a dedicated server may cost you more than programming on a VPS server. One of the reasons behind this is the amount of time you may have to spend in order to flesh out your web app or website, which, of course, will require you a possible of several months of renting a dedicated server for ~$200 a month. The price and the resources are just wasted during programming and development phase in a dedicated server.
Therefore, your best choice is to program on a VPS – it has a dedicated-server-like environment at a fraction of the cost. For a high-end development needs, $30 a month for a VPS is enough, heck there are even cheap VPS costing only $5-15 a month and can meet the needs of a solo developer. You should only consider using dedicated server near the launch phase in order to actually test your website or web app for performance, functions and more.


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Friday, May 12, 2017
Peter Shire's Cotton
Posted by discotheque confusion at 12:25 pm 0 comments
Tuesday, April 25, 2017
Vaguely Similar Images
Two innovations I'm truly grateful to live with: the first, Shazam! I'm pretty sentimental, so I appreciate this app which puts to bed the fear of losing a song forever. I once stopped dead on the pavement right next to a man parking his car, to catch the music loud enough to seep out onto the street through his closed windows. The song, E Jibon Choribe Na by Shamim Ahmod, I discovered, had only been matched on Shazam three times before, and it's impossible to find online. No searches result in concise wisdom about who exactly Shamim Ahmod is, and yet Shazam was able to give me the answer, standing on a curb in the dark on Broadway Market. Even though I've never been able to listen to this song, which was my original worry, I am reassured that I have as much as I need to find it, if I really wanted to. How many nuggets of information like this, do we leave by the wayside, when the reassurance of not losing what might have been is enough to sate? To stop the exploration continuing further? Maybe it's the difference between an academic and myself, somebody who could while hours away on Instagram.
The other glad invention, is that Google Image search function that helps to identify an image. It's like having access to your own steely-eyed curator, only without a vast table full of transparents and a handsome little viewer (tools I imagine, archaically and incorrectly, all curators own). The Prada collections I was able to identify, finally! when I was a hungry fashion blogger and Google first launched this miraculous innovation, instant dot-connecting gratification for a niggling itch.
What's wonderful, is that once your mystery image has been identified, you're presented with this lush long page of 'Visually Similar Images', arranged according to the shades of marigold yellows they share, or because they contain a sheepish cloud, or a dog in a corner. There's always an accidental beauty to the algorithm at hand, whatever it is. At first, I thought this collecrion was called 'Vaguely Similar Images', a name I much prefer.
Today, I learned that it was Salvador Dali who painted this wonderful loaf of bread, used on the Penguin Modern Classics cover of Plain Pleasures by Jane Bowles, and I am glad to know, to feel that I alone have drawn a thread through something, even if I was just making a use of a seamless design for curious people. I do wonder sometimes why I/we are so hungry for information. I think it makes us feel important, of use, absorbing as much as we can to keep us further away from death, or at least "full of something" when it comes!
Posted by discotheque confusion at 12:53 pm 0 comments
Thursday, March 23, 2017
Practical tips from friends
We're an amalgamation of all sorts of habits and off-cuts picked up from others, so there's usually a story behind everything we do, even if we don't know it.
A cool thing about being a human is that memories become tied up in smells, tastes or routine tasks, so you can be washing your hands with a particular soap, or clipping the hedge in a certain way and quickly be transported to another time or place. There are certain tasks we do, that halfway through make us think vividly of those who showed us how to do it in the first place.
Maybe you know somebody who receives practical tips they didn't ask for un-begrudgingly, and you could be the person they think of as they approach small daily tasks with a new confidence!
When you rinse an empty jar of mayonnaise there's inevitably one stubborn blob at the bottom, just beyond reach. If your tap is strong enough you might make it budge, but either way, it's good to have autonomy in these moments. My friend Rose taught me that popping a sponge inside the jar, filling it with water before screwing on the lid and giving it a good shake does just the trick. Think of all the uses for a squeaky clean old mayo jar! Or the deep sense of citizenship you'll feel to recycle well-rinsed vessels only.
My Granny was a marvellous present-wrapper, and she had a few tricks up her sleeve which are perfectly attainable and really down to organisation rather than skill. Her wrapping was neat rather than meticulous, and it looked fun - clashing colours and ribbons curled with a scissor blade. First, there's the matter of owning a wrapping box. You just make one and fill it with whatever you find - that fun pink tissue paper than comes with orders from Zara, silly fruit stickers, bubblewrap offcuts or ribbons from cakes or Lindt bunnies at Easter. Recently my favourite bakery started selling goods in these little bags with line drawings of people having all sorts of fun so I shook out the crumbs and put that in my box too. The other thing: tape. Treat yourself to a proper heavy dispenser. Life is too short to be chasing the end with one hand or hanging it off a table edge while you hold a fold.
To make a fire, start with a bed of paper 'doughnuts'. My Dad showed me how to pull a double page from a newspaper, roll lengthways and fashion into a double knot. Tuck it in on itself nice and tight. For a smaller domestic fire (like in a woodburner for a fireplace) 4 or 5 should be enough. Build a pyramid of kindling on top, and with a match, light the doughnuts, and blow. Place two logs on top. You just completed one of the oldest rituals known to man!
After my last break-up Simran lent me her Nars lip pen in 'Dragon Girl', because it's good to wear punchy red when your heart hurts. I was struck by how generous this was, to just hand over a fabulous lip pen like that. (I'm not really in the habit of lending anything other than books, and even then...) This pen, I learned, is so much better than lipstick because it clings to your lips through meals and drinks, so you can look good without constantly checking whether you still look good. Another thing I learned is that you don't always have to buy something new for your friends, sometimes you just give them a thing that'll tide them over.
I'm sad I spent so many years cooking carrots with such a lack of inspiration! I make a great salad with grated carrot. And of course, there's roasting. But any attempt at boiling spawned these joyless orange things of the school dinner variety. All of this changed two months ago when I saw Henry cut a load lengthwise and throw them into a small frying pan with olive oil, and just enough water to cover them. Some cumin seeds, salt and pepper and a few minutes of steaming under a lid. What emerged were these beautiful, oily carrots - for once a complement, a pleasure to fill a plate with, rather than an shitty afterthought.
When in a public toilet, never fill your hands with soap before checking the water runs first! We've all been there, but there are only so many times one should endure the humiliating routine of wiping handsoap from your palms with thin toilet tissue on a train that's tossing side-to-side. This one's from me to you. Think of me next time.
Posted by discotheque confusion at 9:11 pm 0 comments
Saturday, March 11, 2017
Spring's sprung
I could practically smell the spring before I'd even yanked the window up. There is was, a low gold over the grass and the banks at the back of my house.
Posted by Stevie Mackenzie-Smith at 4:34 pm 0 comments
Tuesday, February 14, 2017
A bartender's job
The plan was to walk in, pick up the three bottles and get home as quickly as possible. It was one of those days that quickly turns from light to emotionally fraught, but internally so that it's a fight to make sure nobody notices.
At work someone on my team said something like "You can always look at it again tomorrow, don't let it break you," and I could feel myself struggling to pass off an airy smile. That was the context in which I walked to collect the three bottles of Masieri i'd ordered from my housemate at the restaurant.
Of course, I was too far inside myself to remember those are exactly the conditions for which a long counter and a bartender were designed. I had that feeling again, that "who can I call?" feeling, but it turns out ducking in and staying for a drink was the only call I needed to make. One for the road. One for February! Funny February.
My housemate brought me a glass of wine "White, Red or Orange?" and I settled in, watching her walk the room, talking wine with the couples at tables. Every table was couples at tables. It looked a bit weird actually, two by two by two by two. But amidst the self-conscious rituals of St. Valentine's, I felt I had the better deal up at the bar by myself. My housemate looked smart in her apron. Because back at home I sit on the kitchen step and listen as she tells me that 2013 is her favourite year, or gets excited about a new order of White from 2005, I felt excited to watch somebody who fucking loves her job doing it right in front of me.
Behind the bar, the tender did that specific Twenty First Century dance of iPhone disc jockeying while making the barflies feel seen. He reeled off a brewery's backstory when one of the patrons swigged his beer, nodded and said "sublime." I tasted the wine in my mouth, attention switching between the bartender's movements and my magazine, committing to neither. The same dance. He poured wine, and flipped lids off beers for sporadic checks from the floor. Bottles of still and sparkling drinking water refilled, but each activity lasted only as long as a cruelly short song. Two minutes and 40 seconds, say. Then he'd be back, head bowed over the iPhone, fading and lining up. The songs were great. I tapped my foot against my stool. Songs that make you want to come back: familiar-sounding but unknown so patrons are sated while tasting something new. A Hot Chocolate song that wasn't Sexy Thing or Every 1's a Winner. One that was really smoothing over the edges in my mood, and which I was pleased to learn was a Grace Jones song called "Bullshit."
But it's not really stylish, is it, the business of iPhone djing? Even the words iPhone djing lack style. (I wanted to write them differently but there's not really another way.) Too high a value placed on one part of the room's elemental makeup, so conversational back and forth was always curtailed a moment too soon. But the dance was familiar. A year ago I was behind a bar too. Not a bar quite as calming as this but still, I was soundtracking the room, steaming my face off the pot wash's latest litter of hot, clean glasses, trying to recall ingredients for this cocktail, holding forth, holding a poker face with a customer who may or may not press £1 into my palm afterwards.
My housemate laid a thickly folded napkin by my elbow. A free-sized bowl of mussels and a plate of something else small and mashed. Mashed celeriac for the adult babies that need it. My neck relaxed. I felt looked-after, glad. Glad for a city that bestows treats like these beautifully smoky mussels alongside all the barging and dogshit. Glad to have these nice things. It's so easy to slip into feeling stormy. Sometimes food is nurturing enough to calm the seas so you question what on earth got the wind up in the first place. "The harder bits always soften up in time," a septuagenarian acquaintance told me in a Facebook message this week.
"The order is reversed. The mussels are cooked on the grill first, and then in the sauce," the bartender told me when I asked what made them so bonfireish. "But I don't know which they prefer first," He said.
"What the mussels prefer first?" I asked and did an impression of a mussel languishing on a hot grill.
Posted by discotheque confusion at 9:25 pm 1 comments
Wednesday, January 18, 2017
Your Daily Routine
Posted by discotheque confusion at 11:08 pm 0 comments
Friday, January 06, 2017
I think the task is to keep chipping away and finding warmth wherever it can be located
Two head-clearing lunchtime walks to the Barbican this week. It seemed, both times, the thing to do after feeling myself slipping down into a dark one. I think you have to find ways to hang onto the edges before you get sucked under, that you can manage on auto-pilot.
That's usually walking for me. Just getting out into a street and moving forward physically helps to smooth over the edges. No pressures, no need to do anything with your body but put one foot in front of the other. Sometimes a feeling of moving forward mentally follows too.
So on this Dead Eyed Day I bundled up and left the office, and headed quietly to the Barbican, deep in a Thousand Yard Stare. What I really wanted to do was go into the Conservatory and stand amongst warm leaves, burrow into that wet smell of any misty greenhouse. Dip my fingers into a pond, or touch a banana plant, or something. Sadly, the Conservatory is only open on Sundays. I asked one of the security guards, and he said "it's used for private events during the week." I peered inside and saw a small group of women, some moving slowly in twos, the others listening to a person wearing a lanyard, with all that space around them. I walked to the centre of the Estate, and sat on a bench watching the fountains.
The funny thing, and it feels surprisingly hard to type this in a plain way, is that this week i've felt jostled by social media. I've taken visible and even ambiguous signs of other peoples' successes very much to heart, in a way that I didn't used to. And it's left me feeling so glum! That i'm moving so slowly towards to things I want (even if in another week, I may feel differently.) Early January can be so raw! So it makes perfect sense that people want to do things to warm their own hearts a little, to reflect on the tangible successes our society is so obsessed with, and share them online. I do it too. Only standing on the other side it doesn't always feel so good.
There's a line of thinking i've been holding onto. It's this: when you feel things deeply, you get to live the utter euphoria of sheer highs. To experience a sort of giddiness which, for quite a lot of people, gets lost with youth. I felt that a week before Christmas. Listening to this remix of Bamboo Houses by David Sylvian and Ryuichi Sakamoto, and feeling that warmth that comes from deep within when the ride is smooth. I was walking to work, hands shoved deep in pockets, frosty nosed and I had a moment of thinking God, I never want to stop feeling this deeply. I never want to stop feeling like a teenager with a soaring heart when I have music that switches something on coming through my headphones. When you feel things deeply you get to experience all of those layers and that is a fucking gift.
But the point is, with the sheer highs come the utterly glum lows. Of course, how would either one side be sustainable alone. You need to air the whole thing out, to turn between the two. To keep moving, not static. Otherwise you wouldn't recognise soaring, even if it hit you across your frosty nose.
And so it follows. Last week I was building fires in my parents' woodburner on a daily basis, gladly cocooned in Christmas. Back in London, I was giddily sharing gelatinous steamed spring rolls on New Years Day with cute company. It follows that a little wave of grey could come, a sense of battling against a crowd but not being seen. Working in a building with 300 other people who check their phones whilst waiting for the kettle to boil, or the lift to reach the ground. Living in a city of 8.6 million who barge by (like I usually do) on a day when you need to go slow.
I'm writing this to put it somewhere. The fragility of mental health continues to be an absolute revelation to me, with every year that passes. There's still this side of me that thinks Jesus, why didn't my parents warn me? I knew there was something that separated adults and children, I just thought it was something vacuous like paying bills, or occasionally scary like cervical cancer screenings. I didn't realise being an adult involves sometimes turning around to find a fucking large cresting wave coming your way.
Words continue to bring solace, even if it's not always uncomplicated solace. Stringing words together is obviously a labour of it's own, and one that very much takes on the shape of ones mood. It's my day job, and the thing I try to tuck into my other hours too. Not always successfully, sometimes I spend more time admonishing myself for not writing, that my finest moments of eloquence will forever be confined to my Instagram captions. (No wonder Zadie Smith won't buy an iPhone.) But you keep chipping away.
The thing i've been wanting to get to, is swans. This week Helen MacDonald wrote this utterly beautiful piece of writing about swan upping, English national identity and a Stanley Spencer painting. I suppose that reading it was, for me, the equivalent of going to that greenhouse and finding a warm pond to dip a finger into. It is crammed with warmth: of the high July sun on skin, and a tenderness towards complicated feelings. Peppered throughout are dozens of words new to me.
So I think the task is to keep chipping away and finding warmth wherever it can be located, even if it takes a while. The tasks change over time, of course, but this one never feels far from the surface. I'm quite absorbed by the fact that next week marks the two year anniversary of my Granny dying. So my immediate task is wading through that. But this week, reading about the little boy describing the feeling of holding a cygnet threw off some heat of it's own.
Posted by discotheque confusion at 1:45 pm 7 comments
Wednesday, January 04, 2017
Knowing when the thing is done
The Christmas trees are out on the streets again. Some of them lying inches from the front door, so they look as if they've been kicked out arse first like the disgraced cat at the end of every episode of Tom and Jerry.
Knowing when the niggling thought ought to be put to bed. Knowing when the sentence is done, and the words are fit to stand without more fiddling. Writing is different, it's not always like the end of the meal or the end of a relationship when you can feel it coming. You get stronger in your convictions though, year by year, even if you might not realise it at the time.
Posted by discotheque confusion at 8:12 am 0 comments
Saturday, December 03, 2016
We decided we both ought to get Sea Salt Hot Chocolate
This morning, like most Saturday mornings, I walked the few minutes to my favourite cafe. Past the restaurant where the owners and the head chef sit by the window, planning the order of service at a laptop among the empty tables and polished glasses. Past the kitchen door, open ajar, with sound of the radio and frying, empty cardboard boxes that probably held trays of mushrooms or greens stacked on the recycling bin outside.
People keep asking if, after six months, I am happy in London. They ask in a way that makes me feel self-conscious, that they doubt I am. Have I been too forthcoming about my awareness of the bullshit traps it's easy to fall into when you live in the capital city? Have I told the story of my colleague spending £8 on a smoothie with activating charcoal minerals too many times? Have I talked too readily about how much I love Manchester? I do love London. But I do not forget how living here means choosing to tolerate a certain level of comfort. A level that is probably slightly below the level you aspire to, or could have elsewhere. Smaller rooms. Inevitable acquaintance with other people's armpits on public transport. You throw yourself into a cycle of earning money to spend it quickly, and to spend it in a public way. To eat out. Go to markets, go to the theatre. To send the money back out, instead of putting it somewhere to pile up. Everything is transcient, especially the money. What I do love is that every Saturday I wake up and know there is something new for me to do. I meet people I might not meet in another English city. But maybe you can't love a city wholly when you live there? Any city becomes embedded in the ebb and flow of daily life, the fast tides of mood change, when it is home. I don't know if love is the right word for a city. Swells of happiness one moment, and domestic irritations the next: maybe love is entirely the right word after all. I haven't yet loved long enough to weather the highs and lows over a long period of time and see what's left at the end.
But walking to the cafe I felt heady off the low sun filling every corner, and the sight of a tall Christmas tree through my neighbour's window. (A house where children live.) On December 1st I saw the Dad dragging it down our street and felt the inner child, that jumps up and down so much more readily in December, rising inside me. "I'm really happy living here, right here," I think.
I meet Simran at the cafe and we decide we both ought to get Sea Salt Hot Chocolate. The room was filled with other women, all having their Saturday morning catch-ups. It often feels like that. Most mornings I get to listen in because i'm there by myself. A few months ago two friends in their fifties were talking about the break up of a marriage. Overhearing it made me feel claustrophobic because it was the same conversation I was trying to avoid having with myself. "The thing about being an adult," the reassuring one said to the sad, reluctant one, "is that you have to learn to be your own adult."
Posted by discotheque confusion at 3:08 pm 2 comments
Wednesday, November 23, 2016
"It does put a little cushion between you and the abyss."
"Do you ever eat Aligot?" I ask my French housemate after reading about this marvellous, hug of a dish which - because it is French, is clearly so much more than bog-standard cheesy mash.
I'm lying on the sofa with the book I just started resting on my stomach. Probably won't be that committed to it tonight, I concede. Other important matters to put to bed. The 'Year in Cheeses' book is found easily on the shelf and consulted. Made with Tomme de Laguiole, served with a Morteau sausage.
"Morteau…does that mean, like, Sausage of Death?" I ask, imagining something Black Pudding-ish. "No," she shakes her head, " it's a region." We leaf through the book together in silence. There are infinite new foods to eat, and sausages to know the names of. When am I going to learn French? I think to myself. All that, and then the normal things too, like the unread books piled on my bedside table, the e-newsletters to open, films to catch while they're still at the cinema. Vague panic about the small things starts the rise.
"Aligot doesn't fix anything," one Aligot advocate writes in the New York Times, "but it does put a little cushion between you and the abyss."
My broodiness for food is revived after a spell of dormancy. While the interest in food itself didn't fade, the ability to nurture myself with rustled-up meals did. It was dulled by a general weariness, apathy blotting the effort of making a proper meal in favour of something quick and 'enough'.
Looking for that "little cushion"
The instincts for warming ritual, which coincide with early winter have awakened a somewhat primal urge to fill up and build a nest. Looking for that "little cushion" has become a gastronomic endeavour, in much the way that buying three lambswool jumpers is the equivalent sartorial effort. Hot baths, whiskey in drinks, wrapping up wherever possible. Reading hungrily about Aligot, slicing cheese onto toast, my body leans into a natural desire to hibernate.
And so with this stomach-rumbling reawakening, this November could be recorded as a food diary alone. A quick scan of my bank statement would tell the story. On Sunday 6th, I ate herring roe for the first time. Meaty, and curled in on itself in tumbling piles over toast. We ate it before the ceilidh at the Herring Fair in Hastings. And seconds after the dancing, because it was too good not too. In a demonstration for pickling Herring the woman says that Herring can live up to 22 years old, though you wouldn't want to eat them when they're that big, as they tend to have picked up more pollutants over time. I ask her how long other fish usually live for, and she doesn't know, but we agree that 22 years seems surprisingly long.
On Wednesday 9th, I ate a Braeburn whilst listening to Trump's victory speech through headphones, and disbelief allowed my need for sustenance to override the usual appley sweetness as I walked to the Doctors in the rain. The ends of my new trousers sucking moisture from the pavement. My GP didn't know it had happened until I told him.
On Monday 21st, I once again fall into that end-of-the-day Thousand Yard Stare when faced with the boxes of vegetables outside outside the grocers. To pick one of the root vegetables I would never buy, take it home and drive a knife into it or… stick with what I know? Stick with what I know. I carry lychees and plums home in a plastic bag for pudding.
On Wednesday 22nd, which is the day today, I am writing this and drinking one of the bottles of pink Moscato I bought from Australia last year. I bought it back with me, anxiously wrapped alongside a box full of pottery, only to see it casually for sale in a shop in Manchester. It tastes good, because I don't have to share it with anybody else and wonder whether the transit was worth it. If somebody else was to share it with me, they might say "God, that's sweet", and it is. It tastes like those fizzy apricot Haribos you can very occasionally find in a shop. They too, are worth the transit.
My designated fridge shelf is above the shelf where J keeps all of her cheese. The smell hits me each time I open the door. She eats cheese with most of her meals. White, matte bits of goats cheese, like paper clumsily bashed off a wall with a chair leg. Sometimes just chunks of (I don't know the names) cut straight off the block and eaten at the counter. At the market over the weekend I buy two cheeses. One is a truffle pecorino, which I gather is rather trashy because who needs their pecorino infused with truffle oil? Still, it is utter crack and I plough through it in two days. The other is softer, good for melting over a tomato sauce. I take our breadboard, piled with slices of bread, the cheeses in their wax paper, and caramelised onion chutney from Co-op, into the dining room and spread out at the table. Rain thuds down on the plastic roof over the utility room. Storm Angus dutifully arrived. Really no reason at all to sweat the small stuff, the unopened newsletters, the episodes my colleagues have watched and I have not, when you can make a Sunday afternoon taste like this.
Reading and Listening
- Jeanette Winterson on rye bread, carols and Christmas food rituals
- Ruth Rogers on Monocle's The Big Interview podcast
- Cypriot olive oil from Embassy Electrical Supplies
- Double Solitude by Donald Hall and the last Leonard Cohen profile, each purely for their references to eating sandwiches with lovers at lunch.
Posted by Stevie Mackenzie-Smith at 11:26 pm 4 comments


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An artwork with a woman wearing a red coat, in an abandoned empty grey landscape, looking for the right way to go. Mixed media and collage on canvas. It's a combination of an abstract artwork with typography and people.. I'm inspired by weathered walls with posters, peeling paint and all kinds of things in dilapidation. I try to create something new, something beautiful with these elements. This particular artwork is part of the Collages series. These collages are built up with all kinds of pictures, photos and images that I have collected over the years. I start an artwork with creating a surface by splashing or stamping with watercolor or acrylic paint. Some of the works are created by only arranging photographs in a certain way. Other collages are created with transferred images that are pulled loose or torn. Old and torn, outworn and weathered. Layer upon layer. Most of the works are also worked over with ink, pencil, watercolor or ballpoint pen.
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- Description
- Directed by Franklin Adreon
- Starring William Henry, Susan Morrow, Arthur Space, Dale Van Sickel
- Written by Ronald Davidson
Canadian Mounties vs. Atomic Invaders (1953) -- This 1953 serial deals with foreigners who are planning to destroy North America with missiles. Its up to Canadian Mountie, William Henry, to stop them. New comer to serials Susan Morrow does good job as Williams sidekick. Arthur Space is by the far best part of Canadian Mounties fooling the ranger with a dim wit persona named Smokey Joe. Republic / 12 Chapters
Canadian Mounties vs. Atomic Invaders DVD is offered as a compact edition. This transfer is manufactured on demand and is presented on premium DVD-R with thermal disc print in a clear plastic wallet. Important: This title has been manufactured from the best-quality video master (rated 9/10) currently available and has not been remastered or restored.
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The fabrication of quantum well wires (QWWs) by overgrowing submicron gratings is reviewed. The advantages of one-dimensional semiconductor structures have already been understood for some time and are expected to alter laser performances, such as extremely low threshold currents, very high modulation bandwidths, very low temperature dependence. The realization of the nanostructures, however, has set some major demands on crystal growth. The MOVPE growth on submicron gratings (etched in a GaAs substrate) has become one of the most successful techniques and is studied in this paper. Vertical `quantum wells' (VQWs) (formed during growth of bulk Al$_{x}$Ga$_{1-x}$As on gratings) are also studied and a new fabrication technique for QWW lasers is proposed. Finally the application of QWWs and VQWs is discussed for the realization of Fabry-Perot and distributed feedback laser diodes.
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