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I live in a place that takes the Fourth of July very seriously. It's a celebration here of Olympic proportions, as 800,000 or so of your closest friends all get together on the banks of the Charles River in Boston and wait for the sky to erupt in one of the most dazzling fireworks displays anywhere. You can hear the Boston Pops orchestra and everyone just waits for them to strike up Tchaikovsky's 1812 Overture. The church bells ring, cannons fire, and the fireworks begin.
But what many people don't know is that Tchaikovsky is a Johnny-come-lately. First of all, the Russian composer wrote the overture as part of a much longer piece that dramatized in music the siege of Moscow by Napoleon in 1812. It has nothing to do with the US-British War of 1812. Tchaikovsky didn't even write it until the 1880s and he never heard it performed with cannons and church bells, you can be sure of that.
No, that was Boston's idea. Back in the 1980s, they needed an idea to boost the outdoor concert and a grand finale seemed appropriate. The 1812 filled the bill, since there were churches nearby to help out. It worked so well that other cities and orchestras followed suit and now everyone connects that piece of music with fireworks and the US celebration of the Fourth of July. The Russians must be puzzled.
So what did they play for a grand finale back in the old days? Chances are, they played the Anvil Chorus. And they played it very loud. With anvils.
Like most Americans of a certain age, I grew up with the Anvil Chorus built into my consciousness because it was also built into the soundtracks of the cartoons I watched. It usually signaled something and you looked up when you heard it. Usually it was Roadrunner under a pile of rocks.
Only today I learned that the Anvil Chorus is in almost every one of the movies ever made by the Marx Brothers, in part as their way of pandering to the public's affection for the piece. And at sporting events, when an opposing player made a foul or error, the home team's band would strike up the Anvil Chorus as a way of embarrassing him.
Verdi's opera Il Trovatore, which contains the Anvil Chorus, premiered in 1853, leaving me to wonder what music they played for the Fourth of July before then!
But orchestras didn't use just any anvils; there actually was an anvil maker that made anvils not for the horn shape or the heel width or the hardy hole, but for the tone, and the anvils were sold by that tone. Sadly, that company is now out of business, presumably because the sound of an anvil can be created and manipulated electronically.
Doc Cudd is the blacksmith at the Biltmore Estate in North Carolina. He takes pride in demonstrating to the public how complex the sounds of an anvil can be. He takes it beyond percussion!
But consider this: when the city of Boston was ready to celebrate the end of the Civil War, the party planners went all out. They needed the perfect song for the grand finale and what could be better than Verdi's Anvil Chorus?
The planners put a call out to the city's horseshoers, who donated a whopping 1000 anvils for the performance. The city's firemen were dressed up in finery to play the anvils, which presumably were tested for tones. In an age with no microphones, no sound systems, no speakers, you can be sure that the people in the back row over by the river heard the chorus. That concert, by the way, was the largest attendance at a musical event in history, until Woodstock came along 100 years later.
Were there anvils on stage at Woodstock? I wouldn't be surprised. The Anvil Chorus has always had a way of making anvils heard.
Happy Birthday, America!
4 July 2010 | Fran Jurga's Hoof Blog at Hoofcare.com
© Fran Jurga and Hoofcare Publishing.
Fran Jurga's Hoof Blog is a between-issues news service for subscribers to Hoofcare and Lameness Journal. Please, no use without permission. You only need to ask. This blog may be read online at the blog page, checked via RSS feed, or received via a digest-type email (requires signup in box at top right of blog page). To subscribe to Hoofcare and Lameness (the journal), please visit the main site, www.hoofcare.com, where many educational products and media related to equine lameness and hoof science can be found. Questions or problems with this blog? Send email to firstname.lastname@example.com


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As I lowered myself into the warm soapy water, I remembered how his hands travelled down my body.
How long ago was it? Six - seven years? I can never remember exactly. My mind plays tricks on me like it doesn't want to remember; because that would be too painful.
Remembering and memory. Words that reverberate softly on the lips; but can initiate so much anguish and pain. Like his touch soft and pleading as he stroked my body - feel how much I love you as I caress your skin. Softly stroking my skin until each nerve ending was sensitized to his touch.
I'd never known what it was like to be desired until i met him. How alive my body had felt - like a light had been switched on inside. He told me I was beautiful - me the original ugly duckling! I told him he was drunk, but thanks anyway. He loved to breathe in the smell of my hair and nuzzle into my neck - all the time touching me with his hands. Stroking my back, arms and thighs until I was trembling and begging him to go further.
Then suddenly things changed.
I keep trying to pinpoint the exact time but my mind won't let me. I keep on digging around in it's darkest corners and just when I think i've found someting it slips, silently secretly further away.
I can remember the first time it happened - they say you always remember the first time!.
We were kissing and his hands were working their magic. Feel how much I love you. I was begging him to go further and suddenly a blinding pain in my left eye. I hadn't even realized he'd pulled away from me, because sometimes he would stop kissing me until I begged for more.
This time I was laughing and begging him not to stop, when I heard it. like a wooden meat hammer hitting raw steak. And I felt it, oh boy did I feel it! I was screaming and asking him to stop what he was doing with those beautiful hands, those lovely hands. He told me to stop screaming or it would get worse.
I shut out the sound and closed my eyes to shut out the sight - and just let him do it. It was easier to pretend it wasn't happening to me; I simply shut down. And those hands kept on hurting me over and over again. Inside I was crying because he'd ruined everything, those hands that had made me feel so beautiful, so alive and so desirable, now made me feel worthless and ugly , so ugly.
I tried to find a reason why he'd turned something so beautiful into something so ugly; and all the time the sound of those hands hitting flesh, skin, my skin. My skin that he'd loved and caressed and kissed, he'd now blackened with bruises and reddened with blood. He'd made my skin look so ugly, I looked ugly. Swollen, mishaped, bloodied and raw.
And he covered his face with those hands and he cried.
Those beautiful hands - now bloodied and ugly, shut out the sight of the thing he'd made ugly. Then I cried too because remembering and the memories of those hands was too painful.

subset: commoncrawl


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ADAC 308301 Intermediate Accounting I
Prerequisite: ADAC1081 Financial Accounting, ADAC3082 Managerial Accounting or equivalent.
Financial accounting and reporting standards are applied to accounting theory in the development of general purpose financial statements. Explores asset valuation and income measurement statements.
Thurs 6:15–9:15, Jan 19–May 11, Kevin Ainsworth
ADAC 308501 Managerial Cost Analysis
Prerequisite: ADAC1081 Financial Accounting, ADAC3082 Managerial Accounting or equivalent.
Course examines the quantitative aspects of managerial and control systems within material, labor and overhead, and its limitation with respect to global competition. Explores the ethical dimensions of decision making.
Wed 6:15–9:15, Jan 18–May 10, John Glynn
ADAC 312501 Financial Statement Analysis
Prerequisite: Familiarity with Financial Accounting, Finance, Excel and accessing data on the Web.
Introduces how financial information impacts organizational decision making. Examines accounting theory and practice, information presentation, market valuations of companies, investment decisions relative to debt, budgeting and forecasting. Topics include financial statements, financial condition analysis, present value, time value of money, budgeting, long-term asset and liability decision making as well as the influence of the Financial Accounting Standards Board (FASB). Case studies expand discussions.
Mon 6:15–9:15, Jan 23–May 15, Kevin Ainsworth
ADAC 408501 Intermediate Accounting III
Pre-requisite: Financial Accounting (ADAC1081) and Intermediate Accounting II (ADAC3084).
This course will cover advanced topics for accounting for complex transactions and special situations. The course will follow the requirements for the CPA exam. The topics to be covered are financial accounting standards, information systems, balance sheet and cash flows, inventories, accounting for assets and liabilities, stockholders' equity, taxes and benefits accounting.Tues 6:15–9:15, Jan 17–May 9, David Madigan
ADAC 500001 Accounting and Financial Analysis I
Financial statements, fundamental accounting concepts, procedures, terminology and contemporary financial reporting are introduced using state-of-the-art business software. The course also develops a user perspective to accounting to better understand what the numbers say. It explores the accounting cycle, the various statements that are the product of the process and the implications that data carry. It reviews areas where alternative methods of reporting are allowed. This course is designed for those using, not preparing data. Little or no formal accounting background is needed.
Thurs 6:15–9:15, Jan 19–May 11, Jason Williams
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6. The DenMature
I woke up to silence. My shoulder was bandaged and healing. All around me my pack was sleeping peacefully. All except Willow. She was in the little hospital wing a little ways away.
Quietly I slipped away. I wanted to see Willow. The halls were quiet and dimly lit by the lamps that lit every other hall. I just hoped I wouldn't get lost.
It seemed as it the entire bunker was deserted, I didn't see another Shifter as I the wandered halls. Occasionally, soft snores reached my ears when I passed a closed door, or a set of shuffling steps from down a hall, but no living thing crossed my path.
I found myself wondering about Bear. I hadn't even thanked him for saving me from my own brother.
My heart sunk. Dominic had tried to kill me. It's true, as a Hunter he had never been close to his family, but we still has our moments. Even though he always seemed to have a touch of bad blood when it came to how different I was.
My parents had lied for me. They kept me hidden from my own blood. They had helped me escape and I hadn't even known.
I felt so alone knowing how my family had turned out. My parents protecting me, my brother hunting me. Why did I have to be so different? Why couldn't I be a normal human like my family? I wrapped my hand around the gold locket, closing my eyes, my heart aching. i just wanted my life back.
I ran into something solid, falling back to land on my butt.
Grumbling, I got to my feet, looking up to see what I ran into. I felt my face flush.
Bear was looking at me, his green eyes slightly amused. "What are you doing up? I figured you would be sleeping after all of the excitement."
"I came looking for Willow." I explained. "I wanted to see if she was ok. What about you?"
"Guard duty." He said simply.
I nodded. "Uh... Thank you... by the way." I looked at my feet. "For saving me and all."
"Just doing my job." He said, his voice ringing with no-big-deal attitude.
"He said the same thing before you showed up..." My voice cracked. "I can't believe he's the same person I once knew..." I shut my eyes against the tears, forcing back the feeling of betrayal.
"Who is he? Some one from your past I take it?"
"He's my older brother." I looked up at him, trying to smile. I didn't want to cave with only a complete stranger.
Something flickered in those pale eyes, what it was, though, I wasn't sure. I felt my heart beat stutter and my face grow hot. I didn't know anything deeper than a name and here I was ready to spill my guts to him.
"So... Where am I?" I asked him, looking around.
"You almost left the Den. Your almost to the front entrance." He smiled. "How about I take you to where Willow is?"
I blushed. "But you're on duty..."
He shrugged. "I'm sure Luka won't mind if I show you around?" He looked at the scrawny blonde Shifter, who shrugged and mumbled something that sounded something like 'go ahead'. He smiled. "Come on."
He headed down one of the the halls at an easy walk, his hands in his pockets. "So where are you from, if I may ask?"
"How did you end up out here?"
"When I was discovered, I ran to protect my family. And to hide from Dominic."
"Your brother?"
I nodded. "Yeah..."
I followed him through the halls, listening to the day begin around us. It felt strange to know that day was here, but the sun remained unseen. I missed the feel of the sun on my skin.
Bear kept walking until we reached the end of one of the halls, opening the last door to our left.
Inside a great room sprawled out, with beds and tables and curtains. It strongly reminded me of one of those military hospitals that are set up for temporary use near war zones. most of the beds were empty save two or three. And there was Willow, fifth bed on the right, glowering at a nurse as she checked her stitches.
"Willow!" I breathed, rushing to her side. "How are you feeling, are you ok?"
She nodded despite the nurse's order to stay still. "Sore and slightly confused, but not too bad."
I turned to introduce her to Bear, but he was already leaving, pulling the door shut behind him.
Did I say something?


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gb6711 necessitava di un nuovo design di logo e ha lanciato un contest su 99designs.
È stato scelto un vincitore tra 60 design presentati da 23 designer.
Baumgartner Law Firm
Texas Law Firm
people looking for a successful attorney
I would like to keep a Texas star in design if possible. I am want a professional looking logo-that is defines a prestigious Texas law firm
you can see logo at the top of the home page of web site- http://www.texastriallawyers.com (or see file attached for old design)


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Residents of Querencia at Barton Creek Participate in Walk to End Alzheimer's Raising Over $19,055
The fundraising efforts resulted in a total donation by Querencia at Barton Creek of more than $19,055.
"The Walk to End Alzheimer's is an event that our residents and staff look forward to each year," said Leslie Dominguez, director of sales and marketing at Querencia. "2012 proved to be another great year, as our residents and staff worked really hard during our various fundraising events. We are honored to be associated with such a worthy cause, and will continue our support of the Alzheimer's Association until a cure is found."
In the months leading up to the walk, Querencia hosted a series of events to raise funds and awareness for the cause. The community held a "2012 Querencia Pet Mascot" contest in which residents and staff made donations to vote on their favorite community pet.
To prepare for the walk, Querencia residents met every Saturday six weeks prior to the event to train. The "team in training" would gather to walk the 2 mile walking trail that surrounds the community.
Querencia's sister communities, Edgemere in Dallas, The Buckingham in Houston, and The Stayton at Museum Way in Fort Worth also participated in their respective cities Walk to End Alzheimer's events. With all four communities fundraising efforts and the match from the SQLC Charitable Foundation, SQLC will have raised more than $73,104 for the Alzheimer's Association this year.
In 2008, SQLC founded the SQLC Charitable Foundation, a nonprofit foundation that operates to make grants to and support programs and services that advance the interests of seniors, from Alzheimer's research to education.
Querencia at Barton Creek is a premier life care senior living resort located at Barton Creek Boulevard and Chalk Knoll Drive in Austin, Texas, less than a mile from Barton Creek Resort & Club. The 400,000 square-foot senior living resort features 167 independent living residences, including 10 villas, on 38 acres. Residences are available in one-, two- and three-bedroom floor plans ranging in size from 830 square feet to more than 2,200 square feet. The Plaza at Querencia features assisted living apartment homes in one- and two-bedroom designs, memory support suites, private nursing rooms for long-term care, and Medicare-certified private suites for short-term rehabilitation.
Querencia at Barton Creek is 501(c)3 not-for-profit senior living community sponsored by Senior Quality Lifestyles Corporation (SQLC), a Texas-based nonprofit organization that sponsors sister communities Edgemere in Dallas, The Buckingham in Houston, Mirador in Corpus Christi, and The Stayton at Museum Way in Fort Worth. For information, visit www.QuerenciaBartonCreek.com, or call (512) 610-9401.
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Vehicle Storage Gilman Historic Ranch and Wagon Museum Close Map
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'Migrations: New Directions in Native American Printmaking' to be displayed in Janalyn Hanson White Gallery
Janalyn Hanson White Gallery will feature the works of Steven Deo, Tom Jones, Larry McNeil, Ryan Lee Smith, Star Wallowing Bull and Marie Watt in the exhibit "Migrations: New Directions in Native American Printmaking" January 7 – February 1. The gallery is open Monday through Friday from 4:00 – 6:00 p.m. Viewings can be arranged outside or regular hours by checking out a key from the University Center Information Desk. A closing reception will be held on Friday, February 1, from 5:00 – 7:00 p.m. in the gallery.
Deo, born in Oklahoma, is the descendant of the Euchee and Creek Nations, and shares his culture through his artwork, which includes painting, sculpture and mixed media. With a passion for nature, Jones specializes in watercolor landscapes. His paintings can be seen in the Florida State Capitol Building, Walt Disney World Corporation, in addition to museums and corporate buildings.
An artist and scholar, McNeil uses humor and satire to contest stereotypes associated with Natives. He describes his work as a "potent emotional charge" for him, recalling his family history throughout the last hundred years. Smith is a painter of Cherokee and Choctaw decent, who describes himself as an artist representing "the collective pride of Native people." He works to capture images that are pure and innate pride for the Native American culture.
Wallowing Bull received the prestigious 2010 Bush Artist Fellowship and in 2001 received the Smithsonian National Museum of the American Indian Native Artist Fellowship. His artwork has been displayed in the Smithsonian National Museum of the American Indian, Washington, D.C., and British Museum of Art in London, England, among others.
Watt's work is a mix of indigenous design principles, oral tradition, personal experiences and Western art history. Her approach is shaped by the proto-feminism of Iroquois matrilineal custom, political work by Native artists in the 60s, a discourse on multiculturalism, as well as abstract expressionism and pop art.For more information on this exhibit or Janalyn Hanson White Gallery, contact Assistant Professor of Art Andrew Casto at 319-363-1323 extension 1377 or email firstname.lastname@example.com.
|Cedar Rapids OKs fireworks use around Fo ...
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Brit Hotel Orléans St Jean de Braye - L'Antarès
Select your stay dates to check availability at Brit Hotel Orléans St Jean de Braye - L'Antarès
Brit Hotel Orléans St Jean de Braye - L'Antarès
About the Hotel
Property Location
With a stay at Brit Hotel Orléans St Jean de Braye - L'Antarès, you'll be centrally located in Saint-Jean-de-Braye, convenient to Sports Hall of Orleans and Musee des Beaux-Arts. This hotel is within close proximity of FRAC Centre and St. Pierre-le-Puellier.
Stay in one of 62 guestrooms featuring flat-screen televisions. Complimentary wireless Internet access keeps you connected, and cable programming is available for your entertainment. Bathrooms have bathtubs and hair dryers. Conveniences include phones, as well as desks and complimentary bottled water.
Enjoy a satisfying meal at a restaurant serving guests of Brit Hotel Orléans St Jean de Braye - L'Antarès. Quench your thirst with your favorite drink at a bar/lounge. Buffet breakfasts are available daily for a fee.
Business, Other Amenities
Featured amenities include express check-in, express check-out, and complimentary newspapers in the lobby. This hotel has 2 meeting rooms available for events. Free self parking is available onsite.
Hotel Facilities
- Elevator/lift
- Restaurant
- Free self parking
- Accessible bathroom
- Smoke-free property
- Free newspapers in lobby
- Number of floors - 4
- Year Built 1990
- Breakfast available (surcharge)
- Number of meeting rooms - 2
- One meeting room
- 24-hour front desk
- Express check-in
- Number of buildings/towers - 1
- Roll-in shower
- Express check-out
- In-room accessibility
- Total number of rooms - 62
- Free WiFi
- Bar/lounge
- Coffee/tea in common areas
- Multilingual staff
Room Facilities
- Flat-panel TV
- Free bottled water
- Desk
- Phone
- Private bathroom
- Soundproofed rooms
- Free cribs/infant beds
- Cable TV service
- Daily housekeeping
- Bathtub only
- Free WiFi
- Connecting/adjoining rooms available
- Blackout drapes/curtains
- Iron/ironing board (on request)
- Hair dryer
- Premium TV channels
Hotel Policy
National Rating
This property has received its official star rating from the French Tourism Development Agency, ATOUT France.
Know Before You Go
- The property has connecting/adjoining rooms, which are subject to availability and can be requested by contacting the property using the number on the booking confirmation.
The following fees and deposits are charged by the property at time of service, check-in, or check-out.
- Fee for buffet breakfast: EUR 12 per person (approximately)
- Pet fee: EUR 10.00 per pet, per night
The above list may not be comprehensive. Fees and deposits may not include tax and are subject to change.
Mandatory Fees and Taxes
You'll be asked to pay the following charges at the property:
- A tax is imposed by the city: EUR 1.50 per person, per night
We have included all charges provided to us by the property. However, charges can vary, for example, based on length of stay or the room you book.Show all hotel policy Show less hotel policy


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BBQ For The Homeless
Description:"The summer is a time for friends and family to get together and relax while the BBQ cooks up some burgers and dogs. Sadly, for the less fortunate, BBQ's are not an option. So the good folks at Give Back Films decided to hold a BBQ for the homeless."
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|This is a discussion on Practical use of Combinatorics within the online poker forums, in the Learning Poker section; For anyone not familiar with this, combinatorics is a big word for a very simple concept in poker. If we can put someone on a
Practical use of Combinatorics
For anyone not familiar with this, combinatorics is a big word for a very simple concept in poker. If we can put someone on a range of say AA, KK, QQ, AK then it looks like 75% of the time they're going to have a made hand where in actual fact only slightly more than half of the time are they going to have better than A high if no A or K hits on the flop.
We work this out by realising that there are 16 ways we can make up AK: AcKc, AcKd, AcKh, AcKs, AdKc....etc
AA has 6 combinations: AcAd, AcAh, AcAs, AdAh, AdAs, AhAs
KK and QQ also have 6 combinations.
So instead of 3 out of 4 hands being big pocket pairs (75%), it's actually 18 out of 34 which means they're about 53% to have a pocket pair.
We can do the same thing with the benefit of card removal post-flop, let's say a villain raised pre-flop and the flop hit ATT, especially the ace hits the pre-flop raiser's range really hard. Well, how hard does it really hit?
If we assume that from whatever position it was he raised in whatever table dynamics, that his range is something like AT+, KJ+, 22+, 56s-JTs. The A's in his range are greatly reduced by the board, AK-AJ only have 12 combinations each and AT only has 8 due to card removal (the quick calculation for this is say for AK, you multiply the number of unseen A's by the number of unseen K's, 3x4, even I can do those heavy calculations pretty quick).
22 6
33 6
44 6
55 6
66 6
77 6
88 6
99 6
56s 4
67s 4
78s 4
89s 4
9Ts 2
JTs 2
Pair of aces or better: 52 combinations
KK or less: 110 combinations
What does this mean?
It means that if he cbets 100% of the time that if you're not floating 100% of the time, you must not like money very much.
If he cbets 50% of the time... well, I have no idea how you should proceed based on combinatorics, that's kind of the reason for this thread to hopefully create some discussion about this stuff to hopefully make this more clear.
Keep in mind that as soon as he takes an action that he wouldn't make with 100% of his range his range has to change after that action. The actual hands in his range don't change, just the frequency that they will show up. For example the tens in his range include only 13 combinations out of 162 but if he bets into us all the way to the river and shoves those 13 combinations become a very significant portion of his range. However we never completely lose even 56s from his range but its value reduces to almost nothing, it will show up at showdown occasionally but the frequency that he decides to bluff three streets with it is presumably low.
The nearest I can come to a conclusion about combinatorics is that it's incredibly useful but the more actions that take place, the lower its accuracy becomes and the harder it becomes to calculate in real time. The best method seems to be estimation, in the above ATT board example, assume TT not to exist until given significant evidence that he has it, the same to a lesser degree with various other Ts. By the time you get to the river, well, I've made enough dumb decisions based on this stuff that to be honest I think the most you should usually apply it is to consider that unpaired pocket cards are much more likely than paired and otherwise ignore combinatorics and focus instead on the rest of your poker decision making considerations like board texture and player tendencies.
Any thoughts?
Just to add to the above because obviously things are easier to figure out AFTER you've made all of your statements/questions/whatever.
In the 50% cbet example, he's cbetting half of the time and has a real hand roughly 33% of the time so yeah floating with any two cards is fine but you have to watch out for the top of the air portion of his range having decent equity.
That's what I meant.
vn post!
I only use combinatorics and card removal when faced w a close decision and Villain is repping a narrow range - I'm sure there are more uses for it than that. Applying it to cbetting ranges isn't something I'd considered - I pretty much look at cbet stats and board texture to determine whether I want to continue - looking forward to the discussion.
With that being said, I only very recently started relying on it more on early streets and less on later streets so could really easily be wrong.
It's 65 quality posts.
Good luck with the freerolls though.
re: Poker & Practical use of Combinatorics
Hmm, hand from a session yesterday - kinda thinking through practical applications, does it make sense?
Poker Stars $0.50/$1 No Limit Hold'em - 6 players
The Official 2+2 Hand Converter Powered By DeucesCracked.com (http://www.deucescracked.com/)
Hero (UTG): $129.95
Pre Flop: ($1.50) Hero is UTG with Q♥ K♥
Hero raises to $3.50, 4 folds, BB calls $2.50
Flop: ($7.50) 6♣ K♦ Q♠ (2 players)
BB checks, Hero bets $5, BB raises to $10, Hero raises to $28.25, BB raises to $46.50
Villain is 26/18/2, 4.2% 3bet, over 150 hands, and I've suspected him of playing back at me light (not on this table, on other tables).
OK, so Villain's repping a strong hand obv. Card removal and pf suggest he should never have KK or QQ here. Very few combinations of 66's. No flush draw, so the only other holdings would be straight draws, Kx hands, and air.
While I suspect him of playing back at me light, this isn't a spot where that makes a ton of sense (oop, I'm utg opener, KQ hits my range very hard - I don't think he's an idiot).
What do you think?
66/JT (3 compared to 16 combinations) and expect to see KQ more often than either KK or QQ (KQ is more likely to just call pre-flop than KK/QQ).
Except if he's semi-competent then he'd know his raise sizing is terrible for JT and only make sense for 66/KQ/KK/QQ or something like AJ that he plans to dump if raised. So I fall back on how good I think he is, if he knows what he's doing I fold and if he doesn't I shove. I shove almost always.
There's 2 K's and Q's.
His range pre-flop against an UTG raiser would usually be around AK/AQ, KQ, 22+ and the occasional SCer (since he's playing back at you a bit) isn't a terribly inaccurate range, and for the purposes of an example, it will do.
Before any action on the flop, that's 64 combos that you beat and 5 that beat you and 4 that you tie with.
By the time he 4bets the flop, AK/AQ will show up occasionally as bluffs, 22-JJ will individually show up almost never but combined I guess he'll bluff a little with them. The hands that you beat now make up a smaller part of his range. Like I said in the original post, I don't think hand ranges ever change it's just the frequency that hands will show up that changes so his range is still 64 hands that you beat and 5 that you don't, but the 64 is worth a lot less now.
They just wont show up as often so treating every unit of 64 the same as you would treat each unit of the 5 (which always take this line) doesn't make sense.
This is why I don't like relying on combinatorics after many actions post-flop.
More actions = more opportunities for villain to play hands different ways.
Which makes any statistical analysis way too complicated to do in real time.
I think I may be butchering the subject of "Practical use of combinatorics", but whatever.
Before any action is taken every hand has an equal chance of showing up, the more action that gets taken the further each combination is from it's initial value.
If anyone wants to add to this thread (or just explain how I've got it all wrong, if you'd like) before I over-complicate combinatorics further, please do.
I'm a little late to this thread, and I actually don't have time to post too much right now, but a few things that I think everyone should be able to answer immediately upon being woken up in the night are things like these:
1. How many overpair combos on a 9-high board?
2. How many combos of sets on a X-Y-Z board?
3. How many combos of sets on said board if I have two pair?
4. How many percent of someone's opening range consists of pocket pairs (assuming they open all pocket pairs in this position)?
I'm game
I think for question 3, there should only be 5, (3 for the one with no two pair and 1 for the two pair. If I have XsYc and a XhYhZh board, the combinations of sets my opponent could have must be XcXd, YsYd, ZcZd, ZcZs, ZsZd). Im not sure how we get answer four.
Im still not understanding the practicality of this since it seems to work only if we are able to put villains on accurate ranges. I think this can help us predict whether we a really beat or not, that given our hand and the range of our villain, of the hands villain would probably limp in vs raise in this situation, we can assume villain has one of x hands and in that range, villain could have these hands which beat us while he could have these hands which dont. Although this is helpful to know since I currently use worst case scenario probably give too much credit to my villains, I feel that this is only useful once we set an accurate range on our villain which I find nearly impossible to do in a tournament due to the changing blind structure forcing people to open.


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Daniel Blackman, a layman and theology graduate, has started a blog called Apostolate of the Laity. The blog takes its impetus from the Vatican II Decree on the Lay Apostolate Apostolicam Actuositatem.
I believe that this important teaching has been neglected in favour of a strong, and in some cases exclusive focus on "lay ministry" in the Church associated with the Liturgy. The Lay Apostolate has a relation with the hierarchy, of course, but it is a specifically lay enterprise in which clerics might offer spiritual support but do not appropriately engage in as lay people do. It would be wrong, for example, for a priest to become active in a political party or a trade union; but it is vital that good Catholic laity do become involved in these areas of life. On this subject, it is always worth re-visiting Christifideles Laici.
Congratulations to Daniel on this new blog and I wish it every success.


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Claire Smith talks to the Canary Wharf Group's legal counsel about what he wants from his external legal advisers.
As group legal counsel at the second largest property company in Europe, Michael Ashley-Brown of the Canary Wharf Group demands a lot from his external legal advisers.
His pride at what has already been achieved on the 4.7 million sq ft site in East London is obvious, and he wants his lawyers to feel that same kind of personal involvement.
He says: "We are like no other property company because what you see is what you get. We are the second largest in Europe and yet you can see everything we own just by standing in the middle of the estate.
"You have to understand the estate and keep a working knowledge of every single transaction."
With only nine lawyers in the department – four specialising in construction, four in property, and a company secretary – Ashley-Brown says they do very little work in-house.
The Canary Wharf Group uses Clifford Chance and Ashurst Morris Crisp as external legal advisers, and has done for the last 10 years – apart from a year when the company went into administration in 1992 and was advised by Allen & Overy.
Ashley-Brown says: "I like to have two firms of solicitors who I know are competent enough to do any of our work. It is not the practice but the individual and his team I am interested in.
"I think Robert MacGregor [at Clifford Chance] has an outstanding property team and some very good young lawyers coming up in that. But if Robert were not available I am not sure someone else would know the way we work."
At Ashursts, Ashley-Brown picks out property partner Martin Wright as "a pleasure to work with". But he also has his eye on the other top firms should he ever need a change.
He says: "The most enjoyable deals that I do involve Freshfields on the other side – we did a letting recently when it acted for Credit Suisse First Boston.
"The firm knows exactly what it wants, and it is tough on getting what it wants. It never asks for anything that is not actually perfectly reasonable for it to ask.
"I have sat through deals with some solicitors debating what would happen if the martians landed. If deals are done quickly, then costs are kept down and everybody gets where they want to be."
Ashley-Brown wants the lawyers he instructs to understand and be entirely committed to the Canary Wharf philosophy.
"If you think that your team is losing enthusiasm for the product it always crosses your mind whether they are the right team. We are reviewing all the time – trying to keep them sharp," he says.
And when he says he wants real involvement he is not exaggerating. He says: "In February last year we did a letting for 600,000 sq ft, with Freshfields on the other side for Citicorp – it was probably the largest deal in the UK last year. That was done in 10 days, and between the Tuesday and the Saturday of the last week I got six hours sleep.
"Clifford Chance put their absolute creme de la creme team on it, it was staffed with partners on every section. It wouldn't have been achievable if we had allowed our solicitors to slip off the boil."
Ashley-Brown is adamant that beauty parades are not the way he likes to choose his external legal advisers, and says he keeps a close eye on the market by observing those on the other side of his deals.
In the case of Freshfields, he would love to work with the firm, but it is conflicted out because it acts for so many of his tenants.
He says: "I am not much impressed by the manner in which many public companies buy their legal services. I can only imagine they use beauty parades because they don't have a strong enough in-house legal presence to know what is and what is not good, in terms of what is available in the City.
"They do too many things on the basis of hourly rates. The skill is not in negotiating the lowest hourly rate, it's finding the solicitors who can do the work quickest. If you know what cases they have been on you should have a pretty good idea how they work."
Just as he keeps his law firms under constant review, so the in-house team is always changing. Ashley-Brown expects a busy few years at the ever-developing site, which will ultimately comprise 13.5 million sq ft of office and retail space.
"We are already nearly 5 million sq ft, and in the next four or five years that's going to double.
"As the estate builds up, there will be a need for lawyers whose experience leads more towards management. That kind of work can only be done by people who understand the product on a daily basis," he says.
Ashley-Brown may be at one of the biggest property companies in the world, but what he really wants from a lawyer is that personal touch.
Canary Wharf Group
Total employees: 700
Market capitalisation: £2.63bn
FTSE ranking: 10Group legal counsel: Michael Ashley-Brown
Legal team: nine lawyers (four specialising in construction, four in property, and a company secretary)
External legal advisers: Clifford Chance, Ashurst Morris Crisp
The last year at Canary Wharf
February 1999 – Citicorp announces that it is to lease a further 600,000 sq ft of office space on the site, to house its corporate and investment banking businesses Salomon Smith Barney and Citibank. Freshfields acts for Citicorp on the deal, while Clifford Chance advises the Canary Wharf Group.
March 1999 – Allen & Overy and Clifford Chance act on the £2.6bn flotation of the Canary Wharf Group – a deal described by Martin Richards of Clifford Chance as 'unique'.
Allen & Overy acts for the sponsor Morgan Stanley through a team led by David Wooton, while Clifford Chance advises Canary Wharf.
September 1999 – Canary Wharf Group purchases Texaco's headquarters on a sale and leaseback basis for £82.5m. The building of 217,000 sq ft on Canary Wharf's site is financed from existing cash balances. Clifford Chance advises the Canary Wharf Group, while Lovell White Durrant acts for Texaco.
September 1999 – Credit Suisse First Boston agreed to let 70,000 square feet of office space in One Westferry Circus, the area made available by the acquisition of the building from Texaco. Freshfields acts for CSFB, with Ashurst Morris Crisp advising the Canary Wharf Group.
December 1999 – Canary Wharf Group is advised by Clifford Chance on the sale and leaseback of 560,000 sq ft of office space at 33 Canada Square, previously owned by Citibank. Citibank is advised by Freshfields and will continue to occupy the building.


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Bangalore, Sep 4 (ANI): Bharatiya Janata Party MLAs and a large number of party supporters in Karnataka staged a demonstration here on Saturday to demand the Governor's endorsement to Cow slaughter ban Bill passed by them for their State.
Intensifying the political deadlock over the Bill to enact ban on cow slaughter, the protesting legislators appealed to the Governor of Karnataka, H R Bharadwaj to endorse the Bill and allow for its smooth passage.
The demonstrators raised slogans and paraded across the city to evoke religious sentiments and garner support over the issue from the State's majority Hindu community.
"This is not correct. If the Governor and other Congress leaders want to stay here, they must pass the Bill. If they do not approve the Bill, they are not welcome here and can pack their bags and return to Delhi to play their political game. Cow is sacred to the Hindu tradition and it must not be slaughtered. The Bill should be passed," said Shiv Kumar, a BJP leader.
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When I click on Inventory/Devices and find the device I'm looking at, the timeline is old (a few weeks). How do I refresh the timeline of just that device? I see how I can rescan but that could take hours. Is this possible?
1 Reply
· · ·
May 5, 2012 at 1:13 UTC
akp982 is an IT service provider.
If you rescan just the one device it should only take minutes. The timeline is up to date based on when it was last scaned or the last acitvity in spiceworks linked to that device


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Elastic City 2015 Benefit on Thursday, July 30, 2015
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Hors d'oeuvre: Butterfield Catering
Champagne cocktails: Tim Miner (Magic Touch Cocktails)
Dessert: Erica's Rugelach & Baking Company
Beer: Lagunitas Brewing Company
Champagne: Roederer Estate
Wine: Urban Wines
Sparkling Water: Perrier
Raffle to include prizes from: Beggars Group, The Bluestone Bed & Basecamp, eNe Salon, HERE Arts Center, Iron & Silk Personal Fitness, Joe's Pub, Kings County Distillery, Landmark Sunshine Cinema, Magic Touch Cocktails, The New Victory Theater, Shakespeare in the Park, Peter Shankman, St. Marks Bookshop, and more!
Raffle tickets $3/ticket or $20 for 10 tickets. You can purchase the raffle tickets with your benefit ticket.
Host Committee: John DeCicco, Nicolette Dixon, Nora Hennessy, Heather Janoff Johnson, Carla Kasumi, Sonya Kolowrat, Nancy Nowacek, Ben Pryor, Barbara Rogers, Todd Shalom, Peter Shankman, Niegel Smith, Ryan Tracy and Ben Weber
Festival partners: deCordova Sculpture Park & Museum, The Flea Theater, Gibney Dance, The Invisible Dog Art Center, JACK, Jack Geary Contemporary, The Library at the Public, The Poetry Project, Pratt Institute MFA in Writing, Sunview Luncheonette, and The Wild Project
Foundation support: The Lily Auchincloss Foundation, Inc.
Publicity: Blake Zidell & Associates
Festival Media Partner: Hyperallergic
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Seannie Cameras Photographer
FeffiModel Female Clermont, Florida, US
My Website: Myspace ... of course! :)
Mayhem # 763802
About Me
Not new to MM but I've been gone for about two years.
I'm back hopefully for a while - can't wait to shoot again.
Shoot me a message please. I need to update my port ASAP
Would love to shoot - I do have a full time job & am a full time student though.
So it'll take me time to reply to messages and to schedule anything.
BUT as Tim Gunn would say, "Let's make this work"
I have a pretty great personality (if i do say so myself) I'm fun, quick to please, I do have my limits & I'm clear on what I will and will not shoot.
I'm reliable and punctual - and I would love to try something, at least once.
Have you worked with Feffi? Add Credits for Feffi ! >>
Seannie Cameras Photographer
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Question: What has teeth but can't bite?
Answer: Comb. Get it?
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Answer: A tongue.
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Question: What goes in the water black and comes out red?
Answer: A lobster.
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Question: What flies when it's born, lies when it's alive, and runs when it's dead?
Answer: A snowflake.
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Question: What asks but never answers?
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By Drewcifur78
Question: What goes back and forth constantly, but never in a straight line?
Answer: A pendulum.


text:
A Bomb Under New YorkMature
Dent frowned, her eyes darting back and forth as she read the screen before her huddled within the cramped cabin of the boat. "I seem to be picking up something here." She said as she pushed the controls to the left guiding the RUGRAT further below the freighter.
"Whatever it is, you need to find it fast gal." Walters quipped as he stood in the doorway his hands sitting motionless at the controls. "I'm not sure how long we've got before those spooks up there on the deck tell us to buzz the hell off."
They were drifting through the rain churned harbor in a space of open water midway between the barge and the Chinese freighter. Already Walters could see army personnel onboard taking notice of his craft. Two guards stood seeming to discuss what to do about his presence along the railway towards the back of the ship closest to his boat.
"It's faint." Dent said as she wormed the craft along the harbor floor. "It's not like what I saw two days ago, that's for sure."
"Faint like how?" Walters asked stooping down to get a look at what she was seeing.
"Faint like some sort of residual radiation." She answered. "It's almost lost in the normal background noise that we pick up on our scans everyday."
Walters rubbed his chin thoughtfully as he reviewed the graph. "It's not like CT cargo or any other sort of medical equipment, that's for damned sure." He muttered.
"No." Dent replied. "If they had a consignment of CTA machines in their hold as Homeland Security thought they did then we'd have picked up a signal a long time ago. I'm trying to locate the spike I'm picking up right now."
With a groan Walters stood rubbing his back as he did. "Well, I figure we've got about five minutes max before they run us out of here so look quickly. I'm not in the mood to get my ass fired or written up for pissing off the federal government at this particular point in my career."
Dent didn't answer. Instead she continued to drive the robot along the base of the hull looking for any anomalies as the signal grew stronger. Suddenly, she saw something. "There!" She said tapping the screen with her finger.
"What?" Walters asked still rubbing his back as he looked down into the cabin.
"I don't know." Dent replied shaking her head. "It's some kind of protrusion on the hull."
Walters stopped massaging his spine for a moment and cocked his head in confusion. "Is it natural or unnatural kiddo?"
"Unnatural." Dent shot back watching the picture on the monitor before her and trying to figure out what it was that she was looking at.
Walters ducked into the cabin again to get a look at the screen.
The image beamed back to their boat from the RUGRAT's onboard camera seemed to show some kind of cage welded onto the bottom of the Chinese vessel. Long supporting beams painted bright yellow clung to the ship's underbelly surrounded by metal grating. The enclosure currently sat vacant but whatever was once inside had left enough residual radiation to be picked up by the robots instruments.
"Well I'll be damned!" The older man exclaimed thumping Dent on the shoulder. "You've done gone and found yourself a smuggling compartment kiddo. I saw plenty of these when I was working dock security out in the Gulf. The Mexican drug cartels would use these suckers to sneak drugs into the country all the time!"
Dent's brow creased. "I don't think this one was being used for drugs." She said seriously.
* * * * *
Wahab rushed down the concrete platform as he watched Nizar disappear down a side tunnel to the right. Having spent as much time as he had exploring these sewers he knew that it was bad. The pipe that carried his commander away slopped downward at a 25 degree angle diverting rainwater rapidly into a confusing array of chambers and tubes far beneath the city.
If the man were driven by the currents into the labyrinth that he was now headed towards Wahab knew that there would be no finding him. The only hope then would be to somehow follow the radioactive signal of the bomb and hope that neither had fallen down one of the great shafts which dumped runoff deeper into the earth. There were over 11,000 miles of pipe running beneath this city at countless different levels.
Rather than follow directly, Wahab leapt across the tunnel where Nizar had been swept choosing instead to go back in the direction from which they'd come. As he did he barely caught the edge of the opposing catwalk. Struggling to pull himself up he heard the rest of the men shouting as they disappeared around the corner behind him still in pursuit of their leader.
They were fools he thought as he rushed towards the jet skis. Jumping off the ledge and straddling one, he cut where it was tied off and fired up the engine. Wahab was a tiny little resourceful man with a tangled mass of brown hair atop his high forehead and he knew that if he was to have any hope of catching Nizar he would need the speed of its motor to get to him.
Opening the throttle as far as it would go Wahab sped through the length of the sewer turning hard down where he'd seen his commander carried. As he rounded the corner his wake cast a huge plume of water up onto the wall with the force of the maneuver. The depth was shallower here as it spread itself thin in the decent through the tube. The bottom of his craft skidded along the bottom occasionally as he rocketed down its sloping expanse.
Soon he could once again see the head mounted light of Nizar bobbing along wildly before him. As he closed the distance between himself and the man Wahab noticed a point far ahead where the water seemed to drop out of sight. He knew he didn't have much time to act. Wahab maneuvered the craft pulling up as close as he could get in the roaring unpredictable currents and motioned for Nizar to grab a hold of his outstretched hand.
Nizar tried to latch on but with his other hand he held fast to the rope that was attached to the bomb. Without a free arm to steady himself his grasp flayed violently as his body was churned in the waters. "Damn!" He spat as the jet ski suddenly veered away from him bumping into the wall and giving off a shower of sparks.
Wahab called down to him as he repositioned the craft "You must let go of the rope!" He said nodding forward as he motioned towards the drop off they were coming up on. "Hurry!"
Nizar saw it. The pit was dangerously close now. Too close to stop on time. Reflexively he let go just as the device tumbled over the edge grabbing onto Wahab's outstretched hand using both of his own.
Is one fluid motion Wahab pulled his commander out of the current banking the craft hard into the wall to avoid falling over the looming precipice. The Jet Ski collided with a heavy thump throwing him into the handrails of the catwalk. Wahab grabbed on using all his might to hold Nizar above the lip of the crater as best he could. The vehicle tumbled wildly away beneath them giving off a fiery explosion as the fuel tank ruptured on something far below.
Lifting Nizar up onto the edge of the catwalk they both stood looking down into the hole before them. Somewhere down there, the bomb was lost.
* * * * *
Hearing the distant explosion Karam dropped into the darkness of the sewers running below the UN building and crept forward cautiously, his gun drawn. Above him, the Israeli was ordering the members of his team to stand up their threat awareness levels and notify their commander of the escalated situation. Once again, he felt pleased with himself for ordering his own men to follow the Jews. If they saw the Israeli's scrambling then they would respond likewise without his direction. The Arab didn't have time right now for official communications.
His boots crunching over the spent shells littering the catwalk, Karam stalked down its length moving closer towards the injured man. He could see him lying inert several feet away, his crumpled body cast in the glow from his own head mounted lamp. It didn't appear to Karam that he was armed but still the Palestinian kept the barrel of his weapon pointed at the figure, his trigger cocked.
"If you have a weapon then I order you to throw it over the side." Karam said sternly. "I will still be able to kill you before you can kill me."
With a low groan the man rolled over onto his side revealing the butt of a rifle protruding from a harness around his back. Seeing the weapon the Palestinian quickly rushed forward covering the distance between them before he'd had a chance to draw it. His knee came down hard on the man's back as Karam knelt and ripped the AK-47 out of its holster throwing it over the edge of the walkway into the water's below.
"What are you doing here?" He snarled, jamming his gun into the back of the man's head.
"Please!" The man shouted trying to grab a hold of the spot where he'd been shot to stop the bleeding.
The Jew's bullet had hit him in the lower back tearing out a huge chunk of flesh near the spot where Karam's knee kept him pinned to the floor. It would be a fatal wound if the man didn't get immediate medical attention Karam thought to himself pressing down harder. There wasn't much time to ask questions if they were to take this infiltrator alive.
"Tell me why you are here?" Karam growled letting up the pressure just long enough to flip his body over and wave the gun in his face. "If you don't you'll die!"
Wincing in pain the man looked up at him through eyes that were filling with tears. "Kill me." He rasped.
The Palestinian turned the gun around, cracking the heavy butt of the pistol across the man's mouth. "Why are you here?" He repeated.
The man choked on his own blood grinning up a Karam. "We are all dead." He wheezed. "It doesn't matter anyway. Everything you see will be engulfed in fire soon."
"What does that mean you son of a bitch?" Karam spat giving the man's mouth another blow.
The man simply laughed.
Karam was about to strike him again when Tabor called down to him from the top of the hole. "Is everything under control or do you need me to help beat the living shit out of him?" He asked preparing to come down.
"Stay up there." The Palestinian answered grabbing the man by the collar and lifting him onto his back. "I need you to help me get this bastard up the ladder so we can take him to a medical facility."
"Oh." Tabor said scrambling back up the steps. "Did you already have all the fun?"
"No." Karam replied. "He's dying. I want him alive to help us find the men who are trying to destroy our peace."


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I'm looking for a: Woman
Nothing. Just want to sleep with every girl and make her satisfied with intercourse..
Purpose of Travel: Beach break, Road trip, Sightseeing
Finances: I would like someone to pay for me
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Cerebellar Purkinje cells (PCs) are primarily affected in many spinocerebellar ataxias (SCA). In this study we investigated functional activity of PCs in transgenic mouse model of SCA2, a polyglutamine neurodegenerative hereditary disorder. In our studies we used extracellular single-unit recording method to compare spontaneous activity of PCs in age-matched wild-type mice and SCA2-58Q transgenic mice. We discovered that the fraction of PCs with bursting and an irregular pattern of spontaneous activity dramatically increases in aged SCA2-58Q mice compared with wild-type littermates. Small-conductance calcium-activated potassium (SK) channels play an important role in determining firing rate of PCs. Indeed, we demonstrated that intraperitoneal (IP) injection of SK channel inhibitor NS8593 induces an irregular pattern of PC activity in wild-type mice. Furthermore, we demonstrated that IP injection of SK channel-positive modulator chlorzoxazone (CHZ) decreases spontaneous firing rate of cerebellar PCs. Finally, we have shown that IP injections with CHZ normalize firing activity of cerebellar PCs from aging SCA2-58Q mice. We propose that alterations in PC firing patterns is one of potential causes of ataxic symptoms in SCA2 and in other SCAs and that positive modulators of SK channels can be used to normalize activity of PCs and alleviate ataxic phenotype in patients with SCA.
- Purkinje cells
- electrophysiology
- SK channels
- chlorzoxazone
- transgenic mice
- ataxia
- Copyright © 2016 the American Physiological Society
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Rodgers: Chelsea way is not for me
Liverpool manager Brendan Rodgers said that grinding out a title like Chelsea is a strategy the club will never employ under his leadership, following their thrilling 4-3 victory over Swansea at Anfield. Rodgers added: "I worry always to play good football." MORE
Lawes: Line-outs vital against Wales
Courtney Lawes believes England's strong line-out will count in their favour against Wales. "Certainly, ours and Ireland's are the top line-outs and we need to use that going into the Wales game," said the 25-year-old lock. MORE
Sprinter Sacre to miss Cheltenham
Sprinter Sacre, the two-mile champion chaser, was last night ruled out of the defence of his crown at next month's Cheltenham Festival, less than 48 hours after the most recent favourable update from his stable. MORE
Joy for Pardew as Rémy hits winner
Newcastle manager Alan Pardew praised the St James' Park support after Loic Remy scored an injury time goal to seal a 1-0 win over Aston Villa. "This stadium is like a breathing, living animal," said Pardew. "We needed it to come alive to help us." MORE
Dunbar: Scotland must improve
Alex Dunbar feels Scotland need to improve despite their last-kick win over Italy. "Now it is about finding consistency in other areas," Dunbar said after the 21-20 win in Rome. "There were things against Italy that didn't work well." MORE
Snodgrass strike lifts Hughton spirit
Robert Snodgrass scored the only goal as Norwich earned a crucial 1-0 home victory over Tottenham to ease the pressure on manager Chris Hughton. Snodgrass's curled effort two minutes into the second half lifted Norwich to 14th in the table. MORE
Zubkov completes Russia's gold rush
Alexander Zubkov added the four-man bobsleigh crown to his two-man title he won last week to collect Russia's 13th gold medal on the final day of the Sochi Winter Games, ensuring the host nation topped the medals table. MORE
Opinion: Sam Wallace
Is Rooney worth his salary? He has been accused of failing to deliver on his early promise. Back he comes, time and again. And he may break Bobby Charlton's scoring records for club and country. MORE
Hodgson pleased with route to Euros
England were handed a straightforward task in qualifying for the 2016 European Championship, being drawn with Switzerland, Slovenia, Estonia, Lithuania and San Marino in Group E. "I'm very satisfied, in particular for the fans," said England manager Roy Hodgson. MORE
Jackson's crew falls short in bobsleigh
John Jackson fell 0.11sec short of snatching the medal that would have made these Britain's most successful Winter Olympics. Jackson's four-man bobsleigh crew failed to add a fifth medal, finishing fifth at the Sanki Sliding Centre yesterday. MOREReuse content


text:
Carolina Sepulveda contentVisited: 1284
3 vids / nude
Visited: 4203
Gorgeous celebrity Carolina Sepulveda is playing in a very hot erotic movie Sex Lies and Death. Cut into three episodes, the scene in the pool exposes her topless, swimming in azure water and playing with her girlfriend. They kiss; Carolina pulls her into the water and takes her clothes off the seductive body. Carolina Sepulveda / nude.
Carolina Sepulveda
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System rating: 3.65
Content: 1 pictures and 3 videos
What do you think about her?
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Our busy small animal veterinary practice located near Pismo Beach is seeking an experienced veterinary technician with management experience to serve as the Lead Veterinary Technician/Assistant Manager of our growing team of veterinary professionals. We are a close-knit practice and we treat our employees like family. We pride ourselves on our excellent customer care. If you love to work with clients and provide excellent customer service, we might be a perfect fit for you. We offer competitive compensation, as well as health insurance, paid holidays and vacation. To apply, please respond to this ad with your resume and cover letter and include the subject line: Pismo Beach HM Opportunity. We look forward to hearing from you!
Career Center
Welcome to UWSVM Career Center
Lead Veterinary Technician / Assistant Manager
Confidential Employer
Internal Number: Pismo Beach
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Your domain name is the centre of your Internet identity. Choosing your domain name(s) should be one of the first things you do and the right domain name can be critical to the success of your website.
Most Internet users remember websites by their domain names. Plus your domain name can also affect the anchor text of inbound links; and therefore your ranking in search engines.
So what does GTP take into consideration when choosing the name that will represent you on the web?
Putting your most popular keywords in your domain name can give you a real boost. Google tends to favour domain names that have the search keywords people use in it. If your customers commonly search for "widgets australia" then having the domain name www.widgetsaustralia.com.au is not a bad idea.
Searchers tend to commonly place the location they are looking for a service in. By having the city name, or town name where you provide your service in the domain name, it clearly communicates your geographic advantage.On the other hand, don't include a specific location, unless you serve predominantly that location. Even if you do ship nationwide, you may never get the chance to let the consumer know that. Consumers from other areas are not likely to click through from search engines if your domain includes a location they are not in. Location is important where you provide an onsite service as opposed to a product, e.g. a plumber.
To identify your best general keywords to target for your industry, try
You can register a name with up to 63 characters in it, but you have to keep in mind that people need to be able to easily remember your domain name. Also, they need to be able to easily type it. Try to register the shortest name that your customers and visitors will associate with your business containing your business name or the most important keywords.
There are many different extensions available right now but there are only two to really consider. For Australian businesses whose customers are mostly Australian, we recommend firstly to register with a .com.au suffix. We also recommend registering the .com suffix as well as a backup. These two extensions are the ones that we Aussies will try when typing directly into the address bar.
If you are an organisation, by all means register the .org domain but also register the .com.au and .com options as well.
We now routinely get asked to register several domain extensions to protect our clients from competitors coming in and leveraging off their marketing.
In Australia, the company that owns a trademark name has legal superiority in the claim for that domain. Save yourself the grief and avoid trademarks or better still, register the domain name and trademark the name to protect yourself.
Good .com and .com.au domain names generally don't last long. Registration is cheap so register any names you are seriously considering now rather than later. If you need someone to bounce your ideas off then give us a call. We can register your key domain ideas for you and secure them from your competitors. We just require an ABN number for .com.au domains.
Sometimes, it isn't a bad idea to register several similar domain names. If you have "yourname.com.au", register "yourname.com" and "yourname.net.au" so no one else takes it. You can register your full company name and a keyword rich domain. You also don't need a separate web page for each. We can point several domains to the same website or specific pages in your website.
Just a reminder - domain names can only use letters, numbers, and dashes. Spaces and symbols are not allowed. Also, domain names are not case sensitive.
When you have settled on several available name choices, see what your friends and clients have to say. A name that may make perfect sense to you may be too hard for other people to remember. Is your domain easy to say? Is it hard to spell? Do you have to explain why you chose the name?
Don't pay more than $99 for two years for a .com.au domain name or $66 for a .com domain name. By doing it yourself you can get them a little cheaper. But for expediency we can register your domains quickly and set up your email addresses quickly.
Remember, if you think that you have found the right domain name, but you're not quite sure that it's the one... call us and we can help you decide either way.
If you are about to embark on building a new or upgraded web site for your business, why not ask GTP Internet Commerce on 1300 856 533 to develop for you a Full Internet Marketing Action Plan. There is no obligation and you will have a comprehensive plan with which to develop your internet presence.


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An Ocean's Stillness (Temporary)
A disturbing, twisted prologue-esque encounter of a deranged man and a young boy he meets. My first serious attempt at creative writing. Please be brutally honest. If this is ^#%$ I want to know it. Any feedback encouraged.
"Where are you headed, young sir?"
Timidly, the boy admitted the smallest movement of his head in acknowledgment, as if unsure whether the question assumed any response.
"A boy as young as you shouldn't be walking alone." Spoken quietly, hardly audible, yet claiming a certain unmistakable boldness, a ring of authority resonating while the initial calm of the sound moved passed. With utmost care, he began to approach, stopped halfway as if to turn back, and then continued. The boy's face lay motionless, devoid of anything readable were it not for his eyes. The boy's body fidgeted with anxiety, whispering its uncertainty, while his eyes remained still—too still—filled with a certain dreadful knowing; as if without the boy's noticing, his eyes were carefully watching some imperceptible threat, waiting for it to attack. There were many signs to be noticed. The disgruntled clothes. The flash of metal under the man's coat when the air blew the right way. The tightly-controlled expression that quivered if one was looking at the right moment. But his eyes were seeing none of these. Something much less obvious was accounting for the defensive gleam in the boy's eyes; something difficult to identify. After some moments the boy accepted the outdrawn hand.
As easy as that? Such a strange thing to see so much and so little fight both at once; such strong resistance and such unwavering passivity existing in the same movement. A cruel laugh escaped the man's lips. The pitiful irony of children: they have the naivety to trust their instincts but are so easily swayed by the fear and subordination driven into them, the lack of confidence, and the brittle uncertainty that comes of constantly being reminded of your inferiority. And so it was that the boy, despite the warnings of some better, more cautious part of him, walked hand-in-hand with this stranger.
Slowly, the two of them made their way down the length of the terminal, past several groups of people who were talking loudly and waiting impatiently. The man then began to quicken his pace, the boy dragging slightly behind. After several moments the man darted to the left against the wall forcing the boy with him, and then drew out a ring of keys. He fumbled for a short time before slamming a key into the keyhole, cursing under his breath, and then trying another. This time there was a click and a satisfied sigh. He took the briefest of glances over his shoulder before opening the door casually, ushering himself and the boy through and then closing it shut with the delicate force of someone who is completely at ease.
The room was small and dimly lit, there were several doors and a slab of machinery that appeared to be a control console of some sort. Pages of unrecognizable notes were spread in disarray across the floor. The man's hand rested firmly over the boy's mouth, startling him into bewilderment until he surveyed the rest of the room and his eyes fell upon an unconscious man sprawled across the floor. The boy remained infallibly silent, though there was a noise caught in his throat—not quite a scream, maybe a gasp if it had surfaced. The man shrugged indifferently and released the boy, both of their expressions unearthly similar—a landscape of emptiness, a calm placidity of composure, an ocean's stillness. For the one, it was a mask sewn from the threads of fear, shock, and an unrealized understanding and acceptance. For the other, it was a very thin mask or perhaps no true mask at all.
Without showing the boy any further attention, the man turned towards the corner of the room, not far from the motionless body, where the boy's gaze was exhibiting cycles of attention and aversion. A familiar uniform was worn on the unconscious man's body, though the boy's thoughts were more focussed on the small trickle of blood gleaming in the poor light on the man's forehead as he lay. The man picked up a small paper bag in the corner and then returned to where the boy was standing and shoved him rather roughly towards the other end of the room, where on the floor lay a rusted trap door. After a great deal of effort the man pried it open, sounding a harsh cry as the metal scraped. The boy gasped as the man pushed him down the opening and a then released a shrill, quiet cry of pain when he hit the bottom, several feet down. They walked endlessly through a labyrinth of small, dark passageways, the man beckoning the boy to follow and pulling him by the wrist whenever he hesitated.
The boy was hardly aware of how he came to lay on the tracks, his skin torn from squirming against the sharp metal, his fingers raw from furiously scratching at the thick, coarse rope tied around him. He tried to open his mouth to scream but the skin on his face resisted, held still by a thick slab of tape, forcing his mouth into a tight, expressionless line. His mind wandered frantically as he tried to remember. The man. The room with the trap door. The overwhelming darkness. He felt the thoughts drift in and out of his mind, and as he tried to make sense of them, he didn't even notice his eyelids slowing closing for the darkness behind them was of little difference to that which surrounded him.
A loud shaking vibrated through the man's chest as the subway train approached. People around him shifted impatiently as its doors slowly slid open. The man walked through the door with a brightness in his eyes that was not previously there, though no one present would have noticed such things. As he began to feel his body pulling backwards, his hand gripping the wall for support, a curious smile formed on his face.