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2017 Film Festival Flix Mountain and Adventure Film Festival
Mountain And Adventure – Film Submission Agreement – Terms and Conditions
By completion of this agreement and submission of the Picture to MouseTrap Films, LLC dba FILM FESTIVAL FLIX ("MouseTrap") the above referenced Licensor agrees as follows:
Licensor hereby grants to MouseTrap the right to exhibit the Picture, and promotional material related thereto, in connection with its streaming MOUNTAIN & ADVENTURE FILM FESTIVAL (the "Festival"), throughout the world, via online streaming on the FFF websites, Smart TV and Mobile Apps, and FFF branded channels, for the duration of the Festival period.
This license includes the perpetual, worldwide, royalty free, right to use promotional material (including artwork and trailers) related to the Picture, the title thereof, and clips therefrom, in any and all media, now known or hereinafter devised, in connection with the advertisement and promotion of the Festival, and perpetually in connection with the advertisement and promotion of MouseTrap, Film Festival Flix, and the MOUNTAIN & ADVENTURE FILM FESTIVAL.
Licensor acknowledges that Licensor is not entitled to any compensation for exhibition of the Picture via the Festival or for any of the rights granted, unless otherwise stated, pursuant to Section 1 or 3 of this Agreement, or any share of any revenue generated to MouseTrap from the Festival or the exhibition, unless otherwise stated, pursuant to Section 3. The Picture will be exhibited as part of the Festival and compete for prizes (if any), as defined on the Festival's Categories and Prizes page, which will be determined solely by viewer votes (see below for an explanation of the voting system). The films that capture the largest percentage of the voter block per category, (or as otherwise defined on the Categories and Prizes page), multiplied by the average viewer rating for the film, based upon a 5 star rating system, will be deemed the winner and will be awarded the applicable prize. The top three films by audience vote will be submitted to our festival jury who will rank, critique, and award the Grand Prize. Unless otherwise agreed upon in writing by MouseTrap, awards will be given to the winning film Licensor and will be fulfilled within approximately 12 weeks after the announcement of the winning films. The Winners, 1st Runners Up, and 2nd Runners Up from each category will participate in a designated revenue sharing pool, if any, as defined on the Categories and Prizes page. The revenue received by each qualified participant will be determined by the percentage of viewership captured by the film among the finalists. The revenue share for each film will be paid out to the Licensor of each film. All Official Finalists of the Festival will receive an equal share of a designated revenue sharing pool, if any, as defined on the Categories and Prizes page.
If the Picture wins one of the foregoing categories, the license granted to MouseTrap shall automatically be extended to include the right of MouseTrap to screen the Picture at live theatrical events anywhere in the world for an extended 12 month period following the last day of the primary festival period in which the film was in competition and online via a Winner's Showcase. 50% of the Adjusted Gross Proceeds (Gross proceeds minus a percentage of sales for: Digital – bandwidth fees, merchant fees, digital storage fees, onboarding fees, and marketing fees; Theatrical – P&A costs) from the Winners Showcase will be distributed to the Licensor's of the winning films based upon the viewer percentage captured within the Winners Showcase by each individual film. 70% of the Adjusted Gross Proceeds (Gross proceeds minus a percentage of sales for: Sales commissions, marketing fees, theatrical print and exhibition costs, and print delivery) from licensed film series screenings will be paid to the Licensor.
MouseTrap may elect to offer the Licensor an agreement to distribute the Picture through the Film Festival Flix website, Smart TV and Mobile Apps, Branded Channels, and 3rd party platforms, such as Cable VOD, Cable Broadcast, Internet VOD, SVOD, FVOD, etc. Any such offers are pursuant to the terms and conditions of the standard MouseTrap distribution agreement. MouseTrap is not bound to distribute any motion picture submitted to the Festival unless either:
- a) MouseTrap reviews the Picture (which will take place within ninety (90) days of Licensor's submission of the Picture and election to have MouseTrap distribute the Picture), and MouseTrap submits an offer to distribute the Picture via DocuSign, or
b) If the Picture wins any award at the Festival, the Picture will be automatically approved by MouseTrap for distribution, in which event, within thirty (30) days of the conclusion of the Festival, MouseTrap will offer a signed distribution agreement to the Licensor. The Licensor may choose to accept or reject this offer.
For avoidance of doubt, except for pictures which win awards at the Festival, the failure of MouseTrap to respond in writing to an election to distribute a Picture within ninety (90) days of such election shall be deemed rejection.
Licensor shall deliver to MouseTrap the following materials for use in connection with the exhibition of the Picture pursuant to this Agreement:
- a) All required materials as stated in the online submission process.
b) MouseTrap may require additional materials or documentation for inclusion of the Picture in theatrical events and other Film Festival Flix branded channels.
Licensor will be notified of additional material needs via e-mail and must deliver additionally requested materials within 15 days of notice. Failure to deliver the further required materials within the 15 day period may result in the Picture being rejected for distribution at MouseTrap's sole discretion.
By entering the Festival and submitting the Picture. Licensor acknowledges and agrees to all entry rules and regulations of the Festival, including the Rules, Terms and Conditions , which Rules, Terms and Conditions are incorporated herein by reference and made a part of this Agreement. By its signature below, Licensor acknowledges having read and reviewed the Rules, Terms and Conditions and accept them. Notwithstanding the foregoing, MouseTrap reserves the right to change any of the Rules, Terms and Conditions at any time and without prior notice. It is the obligation of Licensor to monitor the Festival website for any changes in the foregoing Rules, Terms and Conditions. If within thirty (30) days for any change in the Rules, Terms and Conditions, but no later than one (1) week prior to the start of the Festival, if Licensor no longer wishes to be part of the Festival by reason of such changes, Licensor may provide MouseTrap with written notice of its termination of this Agreement, which termination will be effective five (5) business days after MouseTrap's receipt of such notice.
The following Rules, Terms, and Conditions form a part of the FILM FESTIVAL LICENSE for the motion picture ("Picture") submitted to the MOUNTAIN AND ADVENTURE FILM FESTIVAL (the "Festival") by the submitter ("Licensor") to MouseTrap Films, LLC ("MouseTrap").
- a) The submission of the Film to the Festival constitutes acceptance of these Rules, Terms and Conditions of the FILM FESTIVAL LICENSE (the "License").
b) All motion pictures submitted to the Festival are, subject to receipt of the signed License by MouseTrap, selected at MouseTrap's sole discretion, to be exhibited as part of the Festival and eligible, subject to these Rules, Terms and Conditions, to receive an award.
c) Entries can be of any duration, in either narrative, story, documentary, animated or experimental-art form, and can be submitted by professional or amateur filmmakers.
d) Entries with soundtracks in any language other than English MUST have English subtitles, or be dubbed in English.
e) Entries may only be submitted digitally online through the festival submission form.
- 1) The Picture must be uploaded in an H.264 file (.mov or .mp4) format with a target data rate of 4Mbps
2) The size of the image should be 1920×1080 or 1280×720
3) Audio should be encoded as AAC at about 160kbps if possible
4) The submitted Picture file must be no larger than 15MB per min of run time. i.e. a 90 min film may be up to 1.35 GB
f) Entries MUST be accompanied by a one sheet (artwork – both portrait and landscape versions) and at least three (3) publicity images to be reproduced, published and/or exhibited for promotional purposes by the Festival and/or MouseTrap. Files shall be uploaded in the following preferred format:
- 1) Preferred format : 300 dpi JPEG, PNG, or TIFF format
2) Preferred size is 1200 pixels wide or less
3) All images must be accompanied by film title, location and photographer credit.
4) Please include a press kit and director's CV, if available.
g) It is the sole responsibility of the Licensor to ensure that all submitted materials are successfully received by MouseTrap. MouseTrap may attempt, but is under no obligation, to contact the Licensor using the contact information provided on the submission form in an effort to obtain any missing or unusable materials. MouseTrap reserves the right to disqualify any picture that does not provide the necessary elements, in the required formats, and usable by MouseTrap as contemplated by this agreement, within the required deadlines.
h) All submissions (including the Picture and all promotional material ) will be retained by the Festival for adjudication, on-demand and archival purposes, and will not be returned. MouseTrap may discard or destroy any or all submitted materials at any time, without notice.
i) A viewing charge will be made to the public to access the Festival and view the Picture. MouseTrap may also have Festival sponsors. Licensor is not entitled to any share of the revenue or profits derived by MouseTrap from the Festival, sponsorships or exhibition of the Picture, except as defined in the Basic Terms, section 2, The Festival.
- 1) The categories and applicable awards, if any, are defined on the Categories and Prizes page of the festival website.
2) Entries are limited to one award.
3) Awards are presented to the Licensor of the film, unless a written authorization signed by the Licensor is received by MouseTrap prior to award of the prize.
4) Winners for each category are determined by the number of audience votes and the average voter rating for the film in each category. The Picture that receives the largest percentage of the voter pool, for the specific category, multiplied by the average viewer rating for the picture, based upon a 5 star rating system, shall be deemed to be the winning film for each category. The top three films by audience vote and average rating will be submitted to our film jury who will rank, critique, and award the Grand Prize. Unless otherwise agreed in writing by MouseTrap, awards will be given to the winning film Licensor and will be fulfilled approximately 12 weeks after the announcement of the winning films. The Winners, 1st Runners Up, and 2nd Runners Up from each category will participate in a designated revenue sharing pool, if any, as defined on the Categories and Prizes page of the festival website. The revenue received by each qualified participant will be determined by the percentage of viewership captured by the film among the finalists. The revenue share for each film will be paid out to the Licensor of each film. All Official Finalists of the Festival will receive an equal share of a designated revenue sharing pool, if any, as defined on the Categories and Prizes page of the festival website. In the event of a tie, the award money will be split evenly between the tied motion pictures. In the event any winner is later declared ineligible to receive the applicable prize, the motion picture with the next highest votes will receive the applicable award. In the event of any dispute concerning the awarding of prizes, or the determination of the winning picture, or any discrepancies or voting irregularities, MouseTrap will determine the winning pictures (or not to make any award for a category or categories) in its sole discretion. The decision of MouseTrap in respect of the award of prizes and winning motion pictures is final.
5) Upon completion of the Festival and if the Picture is an award winner, MouseTrap will attempt to contact the Licensor using the contact information provided on the submission form to notify the Licensor of the award. MouseTrap disavows any responsibility for, and will not be held responsible for, any failure to contact the Licensor using the contact information provided on the submission form. It is the sole responsibility of the Licensor to ensure that the contact information provided on the submission form is correct throughout the entirety of the Festival.
j) All awards are subject to applicable withholding and other taxes.
k) The Festival reserves the right to remove any Picture from the Festival if a claim against the Picture or threat of litigation is received by MouseTrap, or if MouseTrap otherwise determines in its sole discretion that exhibition or continuation of the exhibition of the Picture may be detrimental (financially or otherwise) to the Festival and/or MouseTrap or its businesses, or if the Picture contains any unauthorized inclusion of copyrighted, trademarked or other protected content or materials.
l) MouseTrap reserves the right to disqualify, without refund of any or all submission fees previously collected from the Applicant, any Film
m) MouseTrap disavows any responsibility for, and will not be held responsible or liable for, the contents of any internal comments or feedback regarding any picture, including the Picture, that are or may be obtained by Licensor or any other representative of the Picture or any communications by any representative of MouseTrap or the Festival relating to the Picture or the Festival.
- a) Any picture that wins an award at the Festival will automatically qualify for and is required to be licensed to MouseTrap, for non-exclusive distribution pursuant to MouseTrap's Film Festival Flix distribution system.
b) At the time of completing the submission forms, Licensor may elect to have MouseTrap evaluate the Picture for distribution pursuant to MouseTrap's Film Festival Flix distribution system.
c) In addition, at any time up until thirty (30) days after the conclusion of the Festival, Licensor may elect, by written notice to MouseTrap, to have MouseTrap evaluate the Picture for distribution pursuant to MouseTrap's all media distribution system.
d) In the event that Licensor elects to have the Picture distributed by MouseTrap, MouseTrap will, within ninety (90) days of MouseTrap's receipt of such election, review the Picture to determine if the Picture meets MouseTrap's requirements for distribution. MouseTrap will provide written notice to the Licensor or MouseTrap's decision; provided however, a failure of MouseTrap to respond within said ninety (90) days shall be deemed a rejection by MouseTrap. All decisions by MouseTrap shall be final. MouseTrap is under no obligation to provide to Licensor or any other representative of the Picture any comments or feedback regarding the submitted Picture, any information relating to the manner in which the Picture is, will be, or was reviewed; any views that MouseTrap or any reviewers of the Picture may hold concerning the Picture; any reasons why the Picture, should it not be accepted for distribution, was not accepted; or any other information relating to MouseTrap's review, consideration and/or selection process regarding the Picture specifically or submissions generally beyond the information set forth in these Rules, Terms and Conditions; the manner in which the Picture shall be, is or was considered and reviewed; the identity or identities of any specific reviewers of the Picture; and/or any failure on the part of MouseTrap or the Festival to provide Licensor or any other representative(s) of the Picture with information concerning MouseTrap's consideration and/or review of the Picture.
e) Any motion picture which is a winning picture at the Festival and any motion picture to which MouseTrap has reviewed and accepted for distribution as provided above, will automatically be bound to MouseTrap's standard online rights distribution agreement.
- a) Licensor grants to MouseTrap and its successors, licensees and assigns a limited, non-exclusive right and license to exhibit, promote, and distribute the Picture as part of the Festival, on a worldwide basis, via such media as the Festival is exploited, from the date of submission of the Picture to MouseTrap through thirty (30) days after the conclusion of the Festival.
b) If the Picture wins an award at the Festival, Licensor grants to MouseTrap and its successors, licensees and assigns a limited, non-exclusive right and license to exhibit, promote, and distribute the Picture at live theatrical events and as part of the online Winners Showcase anywhere in the world for an extended period of 12 months following the last day of the primary festival period in which the film was in competition.
c) The above granted rights includes a limited, non-exclusive right and license to copy, install, compress, uncompress, encode, decode, encrypt, decrypt display, use, cache, store, transmit, host, serve, stream, distribute, transmit, facilitate the distribution, transmission and/or other exploitation of, the distribution, promotion, and marketing of the Picture.
d) Licensor grants MouseTrap and its successors, licensees and assigns the right to use footage, stills and/or titles, and information from or relating to the Picture for promotional purposes of MouseTrap, the Festival and their activities in or through any and all media formats now known or hereafter devised, throughout the universe, in perpetuity.
e) Licensor also grants MouseTrap the following incidental rights, which rights shall extend throughout the term to which MouseTrap has any rights pursuant to this Agreement:
- i) the right to use;
ii) the right to issue and authorize publicity concerning the filmmakers and the Picture and to use all associated names, likenesses and biographical information;
iii) the right to dub the Picture in any authorized language necessary to allow MouseTrap to exploit the Licensed Rights in the Territory;
iv) the right to sub-title the Picture in any authorized language necessary to allow MouseTrap to exploit the Licensed Rights in the Territory;
v) the right to make such changes, additions, (including, but not limited to, narration), alterations, cuts, interpolations and eliminations as MouseTrap may require in order to adapt and make the Picture suitable for exhibition, to meet the time segment requirements of television stations, to comply with the censorship requirements of any governmental body or to comply with any legal impediments to the exhibition of the Picture;
vi) the right to advertise, publicize and promote the Picture, in any and all media and by any and all means, including but not limited to making excerpts of the Picture or any parts or portions thereof, and any literary, dramatic or (subject to its payment of any royalties or use fees) musical material contained therein;
vii) the right to include in all such advertising and promotional publicity the name, voice and likeness of any person who has rendered services in connection with the Picture, but not as an endorsement for any product or service other than the Picture;
viii) the right to to use the title or titles by which the Picture is or may be known or identified and to change the titles of the Picture;
ix) the right to permit, authorize and license others to exercise and to sub license all or any of MouseTrap's rights and licenses hereunder and to distribute, exhibit, advertise, publicize and exploit the Picture under any term or terms and in such manner as MouseTrap may deem proper or expedient;
x) the right to permit commercial messages to be broadcast or telecast before, during and after the exhibition of the Picture;
xi) the right to order and procure such number of release prints, sound recordings, video or digital masters or dubs, pre-print material and any part or parts of any thereof, as MouseTrap may, from time to time, require, in any and all sizes and gauges, for the exercise of its rights hereunder, and to cause the performances of such laboratory or other work (including but not limited to the manufacture of dubbed, re dubbed, titled, sub titled, narrated and any and all authorized languages of the Picture used in the Territory); and
xii) the right to include at the beginning and the end of the Picture, and on all advertisements and promotion for the Picture, MouseTrap or any of its Affiliate's or sublicensee's credit (including presentation and/or releasing), trademark, servicemark and/or logo, in such position and placement as MouseTrap or such affiliate or sublicensee determines.
It is the sole responsibility of Licensor to clear all content from any and all actual or potential legal claims and issues, including, without limitation, claims based upon theories of libel, defamation, invasion of privacy, violation of rights of publicity, theft of trade secrets, breach of confidence, breach of confidential relationship, breach of express or implied contract, copyright and trademark ("Third Party Claim(s)") and secure all necessary authorizations and permissions for the Picture and any other materials submitted to MouseTrap. MouseTrap expressly disavows any responsibility for, and will not be held responsible for, any unauthorized inclusion of any copyrighted, trademarked or other protected content or materials within or relating to the Picture, including any content or materials that are or may become the basis for any third party claims for infringement.
To this end, and in order to induce MouseTrap to include the Picture in the Festival, Licensor represents and warrants as follows:
- a) Licensor has full authority to enter into and completely perform this Agreement and to license the rights granted hereunder on the terms set forth herein ("Licensed Rights") to MouseTrap;
b) There are no existing or, to the best of Licensor's knowledge, threatened claims or litigation which would adversely affect or impair the Licensed Rights;
c) Licensor has not sold, assigned, transferred or conveyed and will not sell, assign, transfer or convey, to any party, any right, title or interest in and to the Picture or any part thereof which are inconsistent with the rights granted to MouseTrap, and Licensor has not and will not authorize any other party during the Term hereof to exercise any right or to take any action, which will derogate from the rights herein licensed or purported to be licensed to MouseTrap during the Term and for the Territory;
d) To the best of Licensor's knowledge, neither the Picture, nor any part thereof, nor any materials contained therein or synchronized therewith, nor the titles thereof, nor the exercise by MouseTrap of any right, license or privilege respecting the Picture, violates or will violate, or infringes or will infringe, any trademark, trade name, contract, agreement, copyright (whether common law or statutory), patent, literary, artistic, dramatic, personal, private, civil or property right or right of privacy or "moral rights of authors" or any other right whatsoever of, or slanders or libels, any person, firm, corporation or association whatsoever;
e) Licensor shall promptly discharge, when due, all supplemental market, royalty or other residual payments and third party participations which MouseTrap has not expressly agreed to pay;
f) There are, and will be, no claims, liens, encumbrances, limitations, restrictions or rights of any nature (including, without limitation, any liens or security interests in favor of any bank or other third party which may provide production financing for the Picture or may have otherwise loaned money to Licensor or any other producer of the Picture) in or to the rights in the Picture licensed, excluding only any liens which as a standard practice in the industry are required to be entered into in favor of any collective bargaining entity (e.g. SAG, DGA, WGA) in connection with the Picture, which will adversely affect or interfere with any of the Licensed Rights as granted to MouseTrap hereunder; or those liens which will not derogate from or compete with the rights herein licensed or purported to be licensed to MouseTrap during the Term and for the Territory;
g) as between MouseTrap and Licensor, to Licensor's knowledge, Licensor or its assignor has, or will have fully paid, satisfied, cured or discharged at the time due or required all costs of producing and completing the Picture and all claims and rights with respect to the use, distribution, performance, exhibition and exploitation of the Picture, and any music contained therein and any other payments of any kind required to be made in respect, or as a result, of any use of the Picture (such as so called "step payments", but excluding public performance royalties to performing rights societies);
h) Licensor owns and controls, without any limitations or restrictions whatsoever, all motion picture performance, synchronization, mechanical license and all other rights licensed hereunder in and to the Picture in the territory and all subsidiary rights embodied therein and has obtained all necessary licenses required for the exhibition, performance, duplication, distribution, marketing and exploitation of the Picture hereunder (including the music contained therein) throughout the Territory and during the Term, for any and all purposes licensed hereunder and by every means, method and device now or hereafter known or required for the full, complete and unlimited exercise and enjoyment by MouseTrap of each and all of the rights herein licensed to it;
i) The main and end titles of the negative and preprint materials of the Picture contain all necessary and proper credits for the actors, directors, writers and all other persons appearing in or connected with the production of the Picture who are entitled to receive the same;
j) To the best of Licensor's knowledge, there are no restrictions which would or could prevent MouseTrap from distributing the Picture by any of the media or means for which rights are licensed to MouseTrap hereunder and there are not and will not be any payments (out of any part of any revenues from the distribution or exploitation of the Picture or otherwise, other than residuals and performing rights society royalties) which must be made by Licensor or MouseTrap to any actors, musicians, directors, writers or to other persons or entities for any right to exhibit the Picture or as compensation in connection with such exhibition or for any other use of the Picture or any of the rights therein and thereto licensed hereunder;
k) Licensor is at least 18 years of age or older; and
l) Licensor agrees that it shall, upon request, furnish MouseTrap with copies of all agreements and documents upon which any of the warranties and representations referred to herein are based or which are otherwise reasonably requested by MouseTrap in connection with the exploitation of the Licensed Rights. MouseTrap shall treat such agreements as confidential.
In the event that any claim, dispute, action or proceeding shall be brought or asserted by any person or entity that alleges that the Picture makes unauthorized or unlawful use of any copyrighted, trademarked or other protected content or material, or in the event of any breach of any representation, warranty or agreement of Licensor hereunder, and with respect to any Claim (defined below) Licensor shall fully indemnify and defend MouseTrap, the Festival, and each of their representatives and affiliates from any and all claims, liability, losses, damages, costs, expenses (including reasonable legal fees) and penalties arising out of, resulting from, based upon or incurred in connection therewith.
- a) Licensor agrees that MouseTrap's exhibition or presentation of the Picture at the Festival does not and will not create any confidential or fiduciary relationship between MouseTrap on the one hand and Licensor and/or the Picture's owners on the other.
b) Licensor agrees that no obligation of any kind is assumed by, or may be implied against, MouseTrap or the Festival in the event of, by virtue of, or as a result of the Picture being in the Festival.
c) Licensor understands and acknowledges that the inclusion of the Picture in the Festival does not and will not in any way constitute an express or implied endorsement or approval by MouseTrap or the Festival of the content of the Picture or any opinion expressed therein.
d) Licensor agrees that MouseTrap is not liable for and has no responsibility should the Picture not be exhibited at the Festival, in whole or in part, whether by reason of technical difficulty or otherwise.
e) Licensor agrees that the Picture is being submitted to MouseTrap voluntarily and without promise or inducement, and that the submission of the Picture neither imposes nor creates any obligation or responsibility on the part of MouseTrap or the Festival, to Licensor or anyone related to the Picture.
f) Licensor agrees that in submitting the Picture to the Festival, Licensor waives, forfeits, foregoes and relinquishes any right that it might otherwise have to assert any claim or commence any proceeding in any forum or tribunal against MouseTrap, the Festival, or any affiliate thereof, based upon, arising out of or otherwise relating to the submission, exhibition or failure to exhibit the Picture (including, without limitation, claims relating to any failure or refusal to exhibit the Picture at the Festival, the exhibition or marketing of the Picture at or in connection with the Festival, alleged oral or written representations by the Festival or its representatives relating to the submission or exhibition of the Picture, and any other matters arising from or relating to the submission of the Picture), whether such claims may be based on theories of contract, implied contract, tort, statute, or other legal theory (hereinafter, "Claim").
g) Under no circumstances shall any other remedy, including without limitation actual, expectancy, reliance, consequential, special, punitive or exemplary damages, or any other damages, or injunctive, declaratory, provisional or other relief, be available to Licensor or any other person or entity representing or affiliated with the Picture.
h) Without in any way limiting the provisions or scope of the agreements set forth above, Licensor further agrees that any claim, dispute or controversy arising out of, in connection with, or otherwise related to the Picture, the Festival, the License, or these Rules, Terms and Conditions, including, without limitation, any Claim (as this term is defined above) and any other claim or cause of action of any nature arising from the actual or alleged breach, termination, enforcement, interpretation or validity of the License or these Rules, Terms and Conditions, as well as the determination of the scope or applicability of this agreement to arbitrate, will be governed by the internal, substantive laws of the State of California and will be subject to and submitted to exclusive, binding arbitration before a single arbitrator in Los Angeles, California, which shall be the sole and exclusion forum for determination of such claim, dispute or controversy. Such arbitration will be administered by the Independent Film and Television Alliance ("IFTA") pursuant to its Arbitration Rules and Procedures then in effect. The arbitrator shall have the right to award monetary relief only.
Licensor specifically agrees and acknowledges, however, that neither the arbitrator nor any court shall have the power to award punitive or exemplary damages, nor shall the arbitrator or any court have the power to order MouseTrap to include the Picture in the Festival or to award other injunctive or non-monetary relief. The arbitrator shall have the power to award, and shall be required to award, to the substantially prevailing party in any such arbitration, its reasonable attorneys' fees, costs and expenses incurred in connection with the arbitration (including, without limitation, reimbursement of that party's share of the arbitrator's fees and IFTA administrative charges). The arbitrator's award shall be final, binding and non-appealable. Judgment on the arbitrator's award may be entered in any federal or state court of competent jurisdiction in the United States. In agreeing to this exclusive arbitration provision,
Licensor hereby waives, forfeits and relinquishes any right or entitlement that it might otherwise have had to bring or litigate any claim or claims encompassed by this agreement in any federal or state court against MouseTrap, the Festival, or any affiliate, and further waive, forfeit and relinquish any right to a trial by jury with respect to such claim or claims.
i) Licensor hereby acknowledges that it has the right to consult with an attorney of its own choosing with respect to the License and these Rules, Terms and Conditions and have done so or freely or voluntarily elected not to do so without coercion or duress.
j) The License together with these Rules, Terms and Conditions shall supersede any information obtained elsewhere, including, but not limited to, information contained in any Frequently Asked Questions (FAQ) documents and/or rules and regulations documents from prior years.
k) Licensor further acknowledges that no oral representations, inducements, promises or assurances of any kind, and no representations, inducements, promises or assurances not set forth in the License or these Rules, Terms and Conditions, have been made to Licensor or anyone associated with the Picture by the Festival, MouseTrap, or any MouseTrap Related Parties.


text:
I just started to use the Helpdesk feature. I have it setup so emails can send emails to Helpdesk which creates a ticket for them. Works great. However, I noticed if an attachment is sent its not be captured. The Helpdesk doesn't allow attachments? I don't seem able to add this myself. Is there a way or a limit for Spiceworks?
2 Replies
· · ·
Jun 21, 2007 at 2:55 UTC
Attachments aren't available in the current version (1.5), but keep an eye out for that capability after the upcoming upgrade.
· · ·
May 25, 2010 at 3:48 UTC
Niagara Technology Group (NTG) is an IT service provider.
Attachments are now available.

subset: commoncrawl


text:
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text:
Service Pack (SP)
Definition - What does Service Pack (SP) mean?
A service pack (SP) is a patch and upgrade suite that complements an established operating system (OS) and its software programs.
An SP is a small set of applications with software patches or security loops removing errors and bugs, modifying components or adding new features. Its purpose is to improve user productivity from earlier versions. Most major software vendors release application service packs annually or as required.
Techopedia explains Service Pack (SP)
Software applications, such as Microsoft Windows, are built on millions of source code lines and thousands of files, processes and components. Various distinct software applications provide multiple utilities and functionalities via built-in processes, which are vulnerable to errors, bugs and/or other performance-inhibiting factors.
After a software application is released, SPs incorporate and maintain components, solutions and services within comprehensive sets containing updates, patches and added functionalities. SPs can be either incremental or cumulative. An incremental SP contains new updates and fixes for an application. A cumulative SP is a comprehensive collection of previous SPs.
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text:
View your Favorites X
Odon Reclina-Rocker® Recliner
Style Number: 010710
Well, well, well, would you look at this? Odon certainly is a sight to behold with its strong and lean frame. Plus, not only does it rock, it also reclines. You go, Odon.
Body Depth: 37.5
Body Height: 42.0
Body Width: 33.0
Seat Depth: 21.0
Seat Height: 19.0
Seat Width: 21.5
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Popular property highlights
Located in Luogang within a 15-minute walk of Guangzhou Science City, Landmark International Hotel Science City is within a few miles (5 km) of Lingnan College. This 228-room, 4-star hotel has conveniences like free in-room WiFi, a fitness center, and a rooftop terrace. It's also near Grand World Scenic Park and Guangdong Olympic Stadium.
Enjoy the garden views at Western Restaurant, one of 5 onsite restaurants. Entertain your taste buds with a beverage at the bar/lounge or coffee shop/café. For your convenience, a buffet breakfast is served each morning for a fee.
The 228 soundproofed rooms feature 2 bathrooms. Guests can expect 37-inch LCD TVs with digital channels and DVD players, along with free WiFi and wired Internet. Bathrooms offer rainfall showers, hair dryers, and free toiletries, and pillowtop beds with premium bedding ensure a restful night. Refrigerators, minibars, and coffee makers are also standard.
At Landmark International Hotel Science City, guests have access to a fitness center, a sauna, and a rooftop terrace. For transportation, you can make use of an airport shuttle (available on request) for CNY 600 per vehicle one way, as well as limo/town car service. Multilingual staff at the front desk are standing by 24/7 to help with dry cleaning/laundry, concierge services, and luggage storage. Additional amenities include free WiFi in public areas, 4 meeting rooms, and a conference center.
Property features
- Free WiFi and wired Internet in rooms and public areas
- Onsite dining
- Fitness center
- Rooftop terrace
Landmark International Hotel Science City
Hotel Amenities
Hotel Amenities
In addition to a sauna, Landmark International Hotel Science City features a fitness center and complimentary bicycles. Dining is available at one of the hotel's 5 restaurants and guests can grab coffee at the coffee shop/café. The property also has a snack bar/deli. A bar/lounge is on site where guests can unwind with a drink. Wired and wireless Internet access is complimentary.
This 4-star property offers access to a business center, limo/town car service, and meeting rooms. Event facilities measuring 5382 square feet (500 square meters) include a conference center. This business-friendly hotel also offers a rooftop terrace, spa services, and tour/ticket assistance. An area shuttle within 10 mi, a shopping center shuttle, and a train station pick-up service are complimentary for guests.
Landmark International Hotel Science City has designated areas for smoking.
- 24-hour front desk
- Business center
- Conference space
- Airport transportation (surcharge)
- Free wired high-speed Internet
- Snack bar/deli
- Luggage storage
- Rooftop terrace
- Laundry facilities
- Hair salon
- Total number of rooms - 228
- Number of floors - 7
- ATM/banking
- Spa treatment room(s)
- Meeting rooms 4
- Conference space size (feet) - 5382
- Shopping on site
- Spa services on site
- Bar/lounge
- Breakfast available (surcharge)
- Coffee/tea in common areas
- Coffee shop or café
- Free newspapers in lobby
- Concierge services
- Dry cleaning/laundry service
- Elevator/lift
- Express check-in
- Express check-out
- Fitness facilities
- Free shopping center shuttle
- Gift shops or newsstand
- Designated smoking areas (fines apply)
- Designated smoking areas
- Billiards or pool table
- Grocery/convenience store
- Tours/ticket assistance
- Free WiFi
- Limo or Town Car service available
- Multilingual staff
- Garden
- Porter/bellhop
- Safe-deposit box at front desk
- Free train station pickup
- Year Built 2009
- Free area shuttle
- Number of restaurants - 5
- Conference center
- Conference space size (meters) - 500
- Number of meeting rooms - 5
- Sauna
- Number of buildings/towers - 1
- Steam room
- Television in common areas
- Wedding services
Family Friendly Amenities
- Family Hotel
- Free Wi-Fi
- Soundproofed rooms
- Area shuttle (complimentary)
- Grocery/convenience store
- Snack bar/deli
- Laundry facilities
- Refrigerator
- Microwave (on request)
- DVD player
Available in all rooms: Free WiFi , Free wired high-speed Internet
Available in some public areas: Free WiFi , Free wired high-speed Internet
Room Amenities
Landmark International Hotel Science City offers 228 air-conditioned accommodations with DVD players and minibars. Pillowtop beds feature premium bedding. 37-inch LCD televisions come with digital channels and pay movies. Guests can make use of the in-room refrigerators and coffee/tea makers. Bathrooms include showers with rainfall showerheads, bathrobes, slippers, and complimentary toiletries.
Guests can surf the web using the complimentary wired and wireless Internet access. Business-friendly amenities include desks, complimentary newspapers, and phones. Additionally, rooms include safes and complimentary bottled water. Microwaves, in-room massages, and irons/ironing boards can be requested. A nightly turndown service is provided and housekeeping is offered daily.
- Pay movies
- Air conditioning
- DVD player
- Private bathroom
- Premium bedding
- In-room climate control (air conditioning)
- Soundproofed rooms
- Free newspaper
- Phone
- Refrigerator
- Minibar
- Coffee/tea maker
- Microwave (on request)
- Free bottled water
- In-room massage available
- Daily housekeeping
- Turndown service
- Second bathroom
- Slippers
- Shower only
- Bathrobes
- Free toiletries
- Hair dryer
- Rainfall showerhead
- Rollaway/extra beds (surcharge)
- In-room safe
- Desk
- Iron/ironing board (on request)
- Digital TV service
- Free WiFi
- Free wired high-speed Internet
- Blackout drapes/curtains
- Pillowtop mattress
Where to Eat
Japanese Restaurant - This theme restaurant serves breakfast, lunch, and dinner. Guests can enjoy drinks at the bar.
Hunan Restaurant - Overlooking the garden, this diner serves lunch and dinner.
Korean Restaurant - This theme restaurant serves lunch and dinner.
Chinese Restaurant - Overlooking the pool and garden, this fine-dining restaurant serves lunch and dinner. Reservations are required.
Buffet breakfasts are available for a surcharge and are served each morning.
Western Restaurant - This restaurant overlooks the garden. Guests can enjoy drinks at the bar. Reservations are required.
Nearby Things to Do
Recreational amenities at the hotel include a sauna, a fitness center, and complimentary bicycles.
The recreational activities listed below are available either on site or nearby; fees may apply.
- Hiking/biking trails nearby
- Free bicycles on site
- Segway rental/tour on site
- Ecotours nearby
- Golf lessons available nearby
Spa Services
- Number of treatment rooms 10
- Manicures and pedicures
- Aromatherapy treatments
- Hydrotherapy treatments
- Massages
- Body treatments
If you have requests for specific accessibility needs, please note them at check-out when you book your room.
- In-room accessibility
Hotel Policies
Special check-in instructions:
Check-out time is noon
Payment types
Children and extra beds
- Children are welcome.
- Kids stay free! Children 18 years old and younger stay free when using existing bedding. Children may not be eligible for complimentary breakfast.
- Rollaway/extra beds are available for CNY 120 per stay.
- No pets or service animals allowed
You need to know
Extra-person charges may apply and vary depending on property policy.
Government-issued photo identification and a credit card or cash deposit are required at check-in for incidental charges.
Special requests are subject to availability upon check-in and may incur additional charges. Special requests cannot be guaranteed.
- The name on the credit card used at check-in to pay for incidentals must be the primary name on the guestroom reservation.
24-hour check-in
No pets or service animals allowed
No cribs (infant beds) available
- Resort fee
- Deposit: CNY 300 per day
Optional extras
- Fee for buffet breakfast: CNY 78 per person (approximately)
- Airport shuttle fee: CNY 600 per vehicle (one way)
- Rollaway bed fee: CNY 120 per stay
Hotel Name
- Landmark International Hotel Science City
- Landmark International Hotel Science City Guangzhou
- Landmark International Science City
- Landmark International Science City Guangzhou
We should mention
This property offers transfers from the airport and train station (surcharges may apply). Guests must contact the property with arrival details before travel, using the contact information on the booking confirmation. Reservations are required for massage services and spa treatments. Reservations can be made by contacting the hotel prior to arrival, using the contact information on the booking confirmation. A resort fee is included in the total price displayed. Children 18 years old and younger stay free when occupying the parent or guardian's room, using existing bedding. Children may not be eligible for complimentary breakfast. Only registered guests are allowed in the guestrooms. Some facilities may have restricted access. Guests can contact the property for details using the contact information on the booking confirmation. No pets and no service animals are allowed at this property.
National Rating
For the benefit of our customers, we have provided a rating based on our rating system.


text:
ED Magedson – Founder
Ripoff Report
AL'S HANDYMAN SERVICE - AL'S SERVICES - ALTAIR CONINCK1656 BRYNNE LN. POTTSTOWN, Pennsylvania U.S.A.
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This report was posted on Ripoff Report on 01/20/2008 07:47 PM and is a permanent record located here: http://www.ripoffreport.com/reports/als-handyman-service-als-services-altair-coninck/pottstown-pennsylvania-19464/als-handyman-service-altair-coninck-did-not-honor-contract-lied-about-expertise-of-hi-301908. The posting time indicated is Arizona local time. Arizona does not observe daylight savings so the post time may be Mountain or Pacific depending on the time of year.
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text: Our Thomas Sabo Bangles are the perfect choice for those who are searching for a new piece of jewellery to add to their collection. Our latest range features a number of stunning designs that we know you are going to love. With a selection of gold plated, silver and rose gold styles on offer at Joshua James, you will find the perfect Thomas Sabo bangles for you on our store. Make sure you browse our beautiful bangles from Thomas Sabo for simple and chic jewellery options for you or a loved one.


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4 Keys to Igniting Your Sales
One of the biggest challenges facing most MSPs is finding time to focus on sales efforts when existing resources are already allocated elsewhere. If you're facing a similar struggle, hope is not lost! No matter how big or small, your company can capitalize on sales efforts by embracing these key aspects of the sales process.
The truth is that outbound and inbound sales are niche skillsets that require a pretty narrow focus, but that doesn't have to mean hiring new employees. No matter what their current role, every employee has a particular set of strengths, and you might be surprised to find out what they are. Maybe your quietest engineer excels at finding new business, or your help desk manager loves navigating potential clients through your products and services.
Take stock of what lights your team up, and where skill gaps appear. Once you've got a good idea of what you're working with, you can use these focus areas to see significant sales growth
Career Pathing
Growth depends on having the right people in the right roles. You don't want to overload your team by doubling or tripling their responsibilities as you grow, so start by understanding where each team member fits best. Ask them where they see themselves down the road and develop a plan to help them get there. Knowing they'll be able to move into satisfying roles as the company grows will keep them motivated to see that growth through.
Lead Generation
Anyone responsible for outbound sales needs to be actively collecting leads. Motivate your team by providing clear metrics that measure their results, and accompany those metrics with a rewards system. Virtual and hands-on rewards help keep your team excited about their work and can inspire some healthy competition once your sales team starts to grow.
When someone calls an IT services company, they're looking for an immediate response. Making sure someone picks up the phone every time a call comes in means you won't miss out on a new business opportunity. If you can't hire someone dedicated to inbound sales, consider assigning incoming calls to an existing receptionist or forwarding them to a cell phone.
Takes One to Know One
When it comes time to hire new people, you're faced with the challenge of finding the right fit, often without expertise in the skillset you're looking for. Even someone who aces the interview might not be the right fit for your team. Count on your existing employees, who you already know and trust, to refer the best talent to you, and reward them with referral bonuses for new hires that stay.
Navigating the shift toward a sales-oriented business focus doesn't have to be difficult. By proactively taking stock of existing strengths and gaps in your team, and by understanding the right fit for new talent, you'll be prepared motivate your sales team and see them through to significant success.


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Desi sex story : Night with my sexy hot mom
I had decided to go out Friday night with my mates from work. I was 22 and had not been out for a while so I was a bit wary of the outside world. The night out at the club was quickly turning into a disaster. I was buying girls drinks but they still didn't see interested in me. I remember counting five girls accepting a drink and then leaving me a few minutes later, was I that bad??? Anyway I decided to get a taxi and head home.
I wasn't drunk; I only had a couple so I knew where I was and what I was doing. When I eventually got home after the taxi got home, I wanted to put the key in the door quietly as it was 3am and I didn't want to wake my parents. I was living with my parents because I had just finished University and had no where to stay.
As I went quietly through the door, I preceded to climb up the stairs, but I noticed the kitchen light on. I went to investigate, thinking it could be burglars at this time, but it turned out to be my mum. She was sitting at the breakfast bar with her knee length gown on, with probably an even shorter nightie on underneath.
"What are you doing up so late?" I asked.
"I couldn't sleep because of your fathers snoring" She said.
My mum was sitting there eating a yoghurt and was constantly licking the spoon for every last bit, this was turning me on a bit, I have to admit.
"Come here and sit next to me" Mum said
"Have you had a fun night?" she said.
"It was ok, I guess. I put on some pretty neat moves on the dance floor."
"Really," she said enthusiastically, "Me and father are going dancing tomorrow night, I need some practice will you help me?"
"Yeah sure why not? Tomorrow morning, perhaps."
"Why not now? Your father won't hear us, he is fast asleep."
"Okay then," I said hesitantly.
Mum quickly ran upstairs. Seeing mum in what she was dressed gave me a raging hard on. I hadn't had sex in a while but I couldn't do mum could I? I put on some slow music to dance to, quietly of course, it is 3am.
Suddenly I heard the quiet footsteps of my mum coming down the stairs. She stood there all 5 foot six of her with the same clothes on, but now with dancing shoes on, she looked really sexy!!! I had not noticed my mother before but she really was a beautiful woman. 47 years of age with blonde hair, blue eyes and a pair of good breasts for her age.
We started dancing and just holding her felt good. We danced so close that she must have felt my hard on. I now started wanting mum as I never did before. I slipped her gown off and she started to move around, obviously not wanting this.
"No, David come on don't be silly."
"Come on mum, you want it as much as me."
I then started to move my hands all over her body, like massaging her. She relaxed more when I did this and started to fall into my hands. I then decided to go for it. I started to kiss her neck; this caused uncertainty on her part.
"David, come on. You will wake your father."
"No we wont he's fast asleep. You know you want this."
"Please David I love you, but not this way."
"I love you too mum. You are very sexy lady; you should be with a man who appreciates you."
With this I planted my tongue into her mouth. She resisted at first but eventually gave in and stared to kiss me too. When we parted she must have felt something because what happened next was out of this world for me.
My mum stepped back and switched the music off. She then slowly took off her satin nightie. She was standing there naked. The bulge in my pants suddenly got larger. It hadn't been this long for ages. I quickly whipped off my pants and shirt and I started to fuck my mum!!!
First off I licked her nipples and slowly moved down her body towards her pussy. I buried my face in it. The orgasms coming from my mum were almost making my dick explode. I realized then that my dick had to go in. It went in smoothly considering her age. I then kissed her and fucked her at the same time
"Oh baby, keeping doing that to mummy, ooooooohhhhhh."
It was amazing how dad didn't hear us!!!
"Yes mummy I will doing anything for you"
My load was about to shoot and mum could sense it. Her screams were getting longer and louder and eventually! kaboom! My load shot in to mum like bullets. A few moments later I fell to sleep with exhaustion. I woke up a while later to find mum gone, I decided to got to bed in case dad came down.
To this day me mum still have that wonderful relationship. We moved out from the house and lived as a couple far away from our old town. Mum divorced dad and to this day none of our new neighbors know that we are mother and son


text:
The biggest game of the Baywide Cup season is to take place at Blake Park, Mount Maunganui on Saturday when the top two teams in the standings square off.
Defending Baywide champions and 2013 competition leaders Mount Maunganui will face the challenge from long time rivals Element IMF Cadets. With just three rounds before the Baywide Cup final, the winner from the weekend encounter will take a big step towards securing a berth in the title decider, with the loser left to fight for a place in the final stanza.
Mount Maunganui batsman Peter Drysdale will be one of the keys to a Mount victory. Sitting in third place on the season tally with 224 runs, the Mount skipper's innings will be crucial to the home side posting a competitive total against their arch rivals. Two Mount bowlers are at the top of the wicket taking list with Dale Swan on 13 wickets chased by Tony Goodin who is just two behind.
Cadet's master blaster Joe Carter, who posted two solid turns at bat in his debut game for the Northern Knights last weekend, is capable of blasting the opposition out of the game.
Over a thousand runs for the Bay of Plenty senior rep team (in 24 games) testify to Carter's ability with the bat. James Birchall is turning into a game-winner with a six wicket bag earlier in the season, followed by a hard hit 38 not out against Te Puke last Saturday.
The big mover on the standings is Central, who moved into the top four after defeating East Bay United last weekend. The arrival of the Vaughan and Kyle Blanchard from Counties Manukau has strengthened the Rotorua contenders. However they have a battle on their hands this week against Eves Realty Greerton at Smallbone Park.
In other Baywide Cup encounters, City Sports Bar Te Puke should move back into the top four if they beat East Bay United at the Te Puke Domain, with BOP Indians meeting Tauranga Boys' College at Boord Park in Rotorua.


text:
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5.0 stars 14 reviews
Avvo Rating: 9.5
Joseph P. Marasco earned his undergraduate degree from the University of Rhode Island in 1986, and went on to earn his Juris Doctor from Suffolk University School of Law in 1991. A lifelong resident of Rhode Island, personal injury attorney Jo...
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Avvo Rating: 6.5
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A personal injury lawyer or law firm works with clients who have suffered a physical or emotional injury, usually by accident or mistake. They cover cases such as burn injuries, botched surgeries, and harassment. Personal injury attorneys know how the insurance claim process works, they know what evidence to gather, and they know how to calculate and present a claim for damages. Many personal injury attorneys take cases on a contingency basis, which means they receive an agreed-upon percentage of the payment you receive, also called the personal injury settlement. If you don't recover any money, they don't get paid their fee. Personal injury lawyers also know how to defend you if someone thinks an injury is your fault.


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text:
Episode 17
"Foxtrot 1-1 to all flights, you have all impressed me in the training flights, but now we go into the real thing. I know some of you have seen combat before and dealt with the bitterness and emptiness of death and destruction. There is no glory in the work we are setting out to do, but it must be done, billions of lives hang in the balance. The freedom of your worlds, your homes, your families will either be lost or secured by our actions here. This my friends is a cause worth fighting for, this is a cause worth dying for. We will try until the very last possible moment to resolve this without bloodshed, without the carnage and devastation, but if we must attend to the grim and cruel work of a warrior then so be it, because it is like a great revolutionary from the ancient days of Earth once said 'Give me liberty or give me death!'. All flights, execute orders now." Fisher smiled as she closed the communication channel. She didn't expect to give a speech, but as the words appearing on the secure text based ship to ship communication panel indicated, it was well received.
Fisher's own flight plan was to link up with the Helios and dock and meet with O'Brian, Franklin, and Malachi. They need to get everyone coordinating. The Admiral felt that Fisher was the best one to carry this out and flying a heavily armed Hornet fighter would allow her to help with combat operations. The M50 flight remained with the fleet to act as point defense, the Avengers moved to a forward escort position, and the 325's went ahead as an advance screen. The two gladiators were to link up with the Helios to give some standoff torpedo capabilities to the Helios strike force. The Admiral was working on establishing narrowband cross system communications with the Imperial fleet also advancing on Elysium III hoping to convince them that the Outer Worlds fleet was not hostile.
***Meanwhile on the UEES Artemis's emergency bridge***
"Sir, the Centurion is reporting a large number of contacts from the Halcyon jump point heading in our direction! They also report that multiple contacts have emerged from the asteroid belt. No response from the recon flight, we believe they are destroyed. Our reinforcement fleet took a long time to get organized, but they are now en-route, we expect them to arrive at roughly the same time as both groups of contacts. Things are going to get really crowded above Elysium III". The communications officer's nervous excitement was not well hidden. He was afraid of what was coming, but he wanted to see a battle so that those who killed many of his friends in what he believed to be an act of terrorism could find their just and swift ends in a searing hot laser blast.
"So, the battle will soon be joined. We have much work to attend to. We still have a good number of fighters and a few bombers that are operation. Have the bombers and two flights of escorts fly at max thrust towards the largest body of incoming and launch a full salvo of torpedoes at the largest contact. It will probably be their command ship, if we can gut them of their leadership early it might just disorient them enough to give us an advantage. I have a special broadcast that I plan on making soon, standby for a directional broadcast from my quarters." Shaw, rubbed his palms together and smiled. This upcoming fight will make for some great propaganda and since only those who are about to die will see his own moving of sacrificial pawns, he had little to worry about. Yes, his plans will come together and the Empire will all but beg for him to be given high rank and eradicate the rebellion and give him free will to execute his other plans. It was once said to never let a good crisis go to waste, and in this case Shaw was creating a crisis just for that purpose. He smiled inwardly, full of pride and arrogance as he walked from the emergency bridge to his quarters.
In the vast openness of space, combat pilots started to receive their orders and the Artemis's attack force broke off on an intercept course for the fleet headed by the OWAS Vanguard. Their first contact will be in about two hours. Just before they make contact Shaw planned on broadcasting his message to the attacking fleets. Simultaneously he would broadcast a completely different message to the Imperial fleet, disguised as a system-wide broadcast. He was going to ensure that the two fleets had completely different sets of perspectives on the current situation. He reflected back on the teachings of Sun-Tzu in the Naval Academy. A commander who wins will secure his victory before he even enters battle. And how much easier is it to secure victory when you set others forward to die in battle against each other leaving you mere scattered resistance to clean up. As Shaw reached his quarter's door, he paused, smiled and nodded approvingly to the thoughts spinning in his head.


text:
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text: Grading the 2010 NFL Draft: San Francisco 49ers 8 Jun The 49ers appear to be a team on the rise despite losing their general manager six weeks before the draft. For the first time since the team fired Steve Mariucci following the 2002 season the 49ers finished their season without a losing record. The Mike Singletary era looks to be off to a good start and the team is beginning to reap the rewards of a near decade picking in the early part of the draft. Continuity has been the catch phrase of the new regime and the 49ers stayed true to that mantra on draft day eschewing big name players at quarterback, a team need in the eyes of many. Instead they added players at less glamorous positions that will help the team become more physical. Brent Foshee grades out the 49ers draft. The teams first selection, Rutgers tackle Anthony Davis, was not a surprise to folks who follow the team. The 49ers seemed to be beguiled by Davis's physicality, athleticism, and overall upside potential as the draft neared. Indeed Mike Singletary himself spent a great deal of time making sure that Davis would be able to buy into the teams no nonsense approach. Why the 49ers felt the need to give up a 4th round choice to move up two spots to select him is anyone's guess. Davis will be expected to solidify the right tackle position which has seen inconsistent play in recent years. The 49ers went for another helping of offensive linemen in round one when they later selected Mike Iupati. Easily the best guard in this year's class, Iupati is a mauler that excels run blocking. Equally adept in pass protection, Iupati's biggest hurdle will be adjusting to the talent level in the NFL, no small feat for a guy who played collegiately at Idaho. This pick sent a clear message to the league that the team believes in Alex Smith and that the 49ers are committed to giving him the tools he needs to succeed. Taylor Mays was arguably the most physically gifted player in this year's draft. Considered by many to be a first round choice on measureables alone, Mays never made enough plays at USC to be considered in the same class as Eric Berry or Earl Thomas. When lower ranked safeties like TJ Ward and Nate Allen went off the board before him, one wondered how far Mays would fall. Enter San Francisco who was all too happy to select this athlete with amazing upside and a chip on his shoulder. Known as a big hitter who struggles in pass coverage, Mays will have to learn to play the ball better and further develop his route recognition. Fortunately the team is not counting on him to play much this season, if at all, so Mays will have time to learn rather than being forced into the starting lineup. San Francisco traded down in round three, following their recent trend, then came up with a great value pick in Navarro Bowman. Bowman had off-field baggage but has the skill set and athleticism needed to play inside linebacker in the 49ers scheme. Another rookie not expected to start immediately, Bowman has time to watch Patrick Willis and Takeo Spikes handle themselves. Bowman might not be the best fit to play inside yet offers the tenacity and speed to defend the run sideline to sideline and his skill in coverage will make the transition easier for him. If there were any questions remaining about whether or not the 49ers intend to run the ball on offense they were likely answered when the team took Anthony Dixon in the 5th round. Dixon is a giant at tailback and pounds the ball in between the tackles. While he lacks the ideal speed needed to be a breakaway back, he'll be brought in to give Frank Gore a few plays off each week. Nate Byham was among the best blocking tight ends in this year's draft but dropped after an injury riddled senior season. With Vernon Davis finally meeting expectations and Delanie Walker filling in nicely as a receiving tight end/H-bac,k Byham will have an opportunity to get on the field in short yardage situations with instructions to open up holes for Frank Gore and company. The 49ers continued their run of value by selecting Kyle Williams in the 6th round. Williams offer potential as a slot receiver and a return specialist at the next level and his presence on the roster could spell the end of Brandon Jones, last year's free agent bust. Williams looked like he finally put everything together as a senior and the team hopes that he will continue to develop. Like several of the players selected ahead of him, Williams has time to develop. The 49ers ended their 2010 draft by selecting cornerback Phillip Adams of South Carolina State. Adams is a better than average athlete that will likely find a home on the team's practice squad for a year or two while he adjusts to the speed of the NFL game. Grade: (B+) It's difficult not to like this draft. Clearly the 49ers had a plan to get better on the offensive line while adding developmental depth at other key areas. Both Davis and Iupati should start this season with Mays, Bowman, Dixon, and Byham contributing in certain situations. Should Bowman and Mays take over starting jobs in 2011 or before, this will be a top rated draft. If even one of the two develops into competent starters the team will still be ahead of the curve. Giving up a 4th round pick unnecessarily is enough to keep them from getting a grade of A but they did find value with their first 7 selections and appear to be in the driver's seat in the NFC West in 2010.


text:
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text:
Chapter One: Ahlex
Chapter One: Ahlex
"You filthy vermin! Refuse to show up at my banquet, why don't you! You ruined my entire appearance by being an obstinate wife! Now everyone will think I don't know how to control my wife - if I can even call you that anymore!"
I'd never really known how to control my anger.
Ashley held her head high. "I know what you'd have wanted me to do if I'd have shown up," she said, voice strong and clear - unlike mine, which was still tainted by the effects of strong wine. "You would have wanted me to flirt and charm all the men in the room. That's always what you want me to do! Well, do you know what? I've had enough!"
"I never asked you to flirt with other men," I replied, irritated that Ashley was right.
Hands on her hips, Ashley rolled her eyes. "You've said yourself that an endearing - if not seductive - hostess makes politicians far more willing to negotiate with you."
"So you're using my own words against me? Is it too much to ask you to show up to eat a meal with - "
"To eat a meal, Ahlex? Is that really all you wanted me to do?"
Without taking a moment to condition my tone of voice, I yelled, "I will not have my pathetic excuse of a wife stand up to me! Everyone was there when your lady-in-waiting arrived to deliver the message that you'd not be coming for the banquet! Do you realize what kind of an impression that left on those around me?"
"I thought you'd be too drunk to care," Ashley shot back, and to my own chagrin, I was ashamed at her words. Was I really an animal in her eyes?
Shrugging away my guilt, I met Ashley's eyes. "I don't know what to do with you," I growled. "This isn't the first time you've defied me, and if I don't do something about it, I'm sure it won't be the last."
I realized that Ashley had begun to cry. She'd turned her back to me, and there she sat in front of the mini fireplace in our bedroom. Her back was rigid, and her hands were folded in her lap. I could hear her sniffles, and I felt a touch of guilt again. How long had it been since I'd done anything but harp at her about what she was doing wrong? How long had it been since I'd held her and promised her I loved her?
Come to think of it...had I ever told Ashley I'd loved her after we got married?
Ah, I'd had too much wine. Why else would I be harboring such guilt? There was nothing wrong with my actions; I was the Prime Minister, for crying out loud! The entire nation was at my fingertips!...or so to speak.
And yet, I couldn't even control my own wife?
I turned from the scene and stalked away. I'd talk to Haman. He was my most favored adviser; he'd know what to do about the situation with Ashley.


text:
- 250mm
- <25 dBA
Some manufacturers place restrictions on how details of their products may be communicated.
Works well 09/15/2009
This review is from: Rexus Rexflo250mm Green 250mm Green LED Silent LED FAN
As with most large fans it is very quiet. The grill and fan lined up well. It came with all the screws I needed.
Also as with all large fans. It moves a lot of air and DUST. Make a note to clean the fan and the hardware about every 3-6 months depending on the environment. Granted, you should be doing that to your computer anyway.
Other Thoughts:
You are going to laugh, but we actually use this fan at work on an old rackmount switch. We were running out of jacks in our office and decided to use the rackmount switch which ended up under my desk. Those fans are super LOUD. I cut a whole in the top of the switch, disconnected the screaming fans, did a little wiring to get this 250 to use one of the old fan plugs, and plugged her in. Whisper quiet. The switch never over heats. I wasn't able to get the fan mounted flush, so I doesn't look pretty, but it works great.
6 people found this review helpful. Did you? Yes / No Thanks for the valuable feedback you provided!


text:
Reverse wobble?
i was leaving wawa, and as i was backing up, i had the wheel cut all the way to the right, and as i was going i felt a wobble from the front left tire, i thought it was flat, but a quick check showed all my tires were fine. what could it be? :confused:
Couple things... Were you in 4wheel drive? If so, could have been the driveline loading and unloading through the wheel with least resistance. If you have an automatic front locker, that could be doing it, locking and unlocking through the turn. If your tire is severely out of balace, that could be the issue, when was the last time you had them balanced? Could just be the ujoint is running at too great an angle when you are at full lock and it is binding, you can adjust your steering stops to remedy that. These are the cheap problem/solutions... If you have a bad hub/unit bearing in the front, that could cause it, jack that corner up, grab the wheel at 12 o'clock and 6 o'clock and wiggle it. If you get any movement you will need to replace the bearing. Start with these, and I am sure you will get a few other different ones as well. Without more information on your Jeep and the exact circumstances, we will just be guessing though... Good luck!
its a bone stock 98 wrangler, 4.0 5spd...
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text:
Last Minute Mothers' Day Gift Ideas
Mother's Day is, of course, this Sunday. But if you don't have a gift yet, don't worry, we've got some good news for you:
A new poll by retailmenot.com says most of us think our moms might return the gift we pick out for them. The truth is, however, only about 30% of moms say they've ever returned a gift at some point.
Trae Bodge, the lifestyle editor at retailmenot, says there are three gifts that American moms seem to prefer.
"They would love a trip to the spa, a nice meal out, or a gift card or gift certificate to her favorite store so she can do some shopping herself," she said.
Bodge says the average amount spent on a Mother's Day gift is $68:
"Our poll always show that people tend to spend more on their moms for Mothers' Day than they do on Fathers' Day, in fact, we've found that about 30%, in fact, are spending more on mom this year," she explained.
Also, men are outspending women $83 to $53.


text:
The busiest team thus far is Kansas City. The Chiefs spoke to no fewer than half a dozen players after practice ended. They focused on offensive linemen, defensive backs, and linebackers. Kansas City did meet with Pete McMahon and Adam Bergen. One of their scouts commented that he was mostly interested in the running backs and tight ends at this point in time.
Houston also had several scouts gather around Adam Bergen.
Cleveland had the most scouts present but only spoke with one player after practice was over, offensive lineman Claude Terrell.
Jay Ratliff was the most popular player after East practice. Scouts from several teams stood in line waiting to speak with him.
The most popular quarterback was Derek Anderson who spoke with the 49ers and the Cardinals.
Atlanta and Carolina both showed an interest in Dustin Fox.
Baltimore is watching the receivers closely and both Florida State prospects caught their eye. They also spoke with Stefan LeFors, Josh Davis, and Eddie Brown.
One general manager spoke at length with a scout about the bright future that Mike Heimerdinger has as a head coach. His name came up with relation to the opening in San Francisco. Speaking of the Niners, San Francisco spoke with Albert Means and was very interested in J.R. Russell, spending several minutes with him after practice.
Jacksonville grabbed Nick Kaczur as soon as practice ended Tuesday. They also seemed interested in Ryan Moats.
A scout from Arizona paid very close attention to everything Jay Ratliff did in practice on Tuesday.
Arnold Harrison spoke with the Tampa Bay Buccaneers.
Patriots spoke with Jonathan Colon and Sydney Haugabrook.


text:
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text:
Oh, God, don't get me started about D.C., stupidity and irony.
End of problem.
This is a discussion on DC: 14 dead in 13 days! within the Concealed Carry Issues & Discussions forums, part of the Defensive Carry Discussions category; Gun control's finest hour. Will anyone get the message from this quote from D.C. police Lt. Robert Glover of the violent crimes unit? "...the city's ...
Gun control's finest hour. Will anyone get the message from this quote from D.C. police Lt. Robert Glover of the violent crimes unit?
"...the city's killers are using more guns, firing more rounds and leaving behind crime scenes that often stretch for blocks."
Oh, God, don't get me started about D.C., stupidity and irony.
End of problem.
unfortunately the powers that be will most likely not be persuaded to get rid of the insane gun restrictions there
Last edited by 64zebra; July 14th, 2006 at 08:18 PM.
Certified Glock Armorer
NRA RSO, Instructor
Independence is declared; it must be maintained. Sam Houston-3/2/1836
If loose gun laws are good for criminals why do criminals support gun control?
Thank goodness for Gun Control in DC...Seems to be working*
(* Sarcasm to the point of nausea)
It's very hard to darn near impossible for me to feel sorry for the people of D.C. They have elected their officials and in some cases re-elected the real bad ones.
The citizens have been lead like sheep to the slaughter.
I would like to go back to The Wall again but sadly.........will not. -------
Wow, the wonderous utopia of gun control.............
Fear No Evil.
It's been said that the only people who suffer are the people that should be able to defend themselves. One day, before every law abiding citizen is forced into being a recluse the idiots in the D.istrict of C.riminals will get a clue.
It comes a time in your life when you run across someone you should have never @#$$% with. Allow me to introduce myself!
Last edited by JD; July 14th, 2006 at 10:00 PM.
Don't even get me started.
So do the math....1 per day...assuming a 30% attrition rate due to natural causes, and a birth rate of zero (net of growth) that means in 1,000 years WDC will be empty. (Al Gore style math.....) So.....
Does anyone really care?
Excuse me....you've mistakenly confused me with someone that gives a damn.....
As of the 2000 census, there were 572,059 people, 248,338 households, and 114,235 families residing in the city. The population density was 9,316.4 per square mile (3,597.3/km²). There were 274,845 housing units at an average density of 1,728.3/km² (4,476.1/mi²). The racial makeup of the city was 60.01% Black or African American, 32.78% White, 2.66% Asian, 0.30% Native American, 0.06% Pacific Islander, 3.84% from other races, and 2.35% from two or more races. About 7.86% of the population were Hispanic or Latino of any race, with Salvadoran being the largest Hispanic group. A plurality of whites are of British ancestry. (Wikipwedia: http://en.wikipedia.org/wiki/Washing....#Demographics)
ΜΟΛΩΝ ΛΑΒΕ: Buy These Stickers Here
"A man without ethics is a wild beast loosed upon the world" Albert Camus
I was offered a position within my company to go to Beltsville, MD to work in relation with our federal customers, turned it down raise and all. Too much traffic, too much crime, and WAY TOO MANY POLITICIANS. The wife and I are thinking of trying to relocate to Wisconsin (her home) and I don't think I'll do it untill they finally get the darn bill passed by that anti governor.
There is actually a decent article in the current edition of Gun List covering the 2 latest state to adopt CCW, Nebraska, and Oklahoma, and made refrences to the "may issue" states and the fact that Wisconsin and Illinois are now the only 2 states that have no CCW.
HI. might as well it's "may issue" but might as well be listed as forbidden.
I could rant but won't, not enough energy! - but see this from NRA today -Call To Arms
Washington Times
When it comes to combating our crime epidemic, the nation`s capital might learn something from the state of Florida, where it`s just been reported that the crime rate has dropped for the 14th straight year, to its lowest mark since 1971.
Chris - P95
NRA Certified Instructor & NRA Life Member.
"To own a gun and assume that you are armed
is like owning a piano and assuming that you are a musician!."
http://www.rkba-2a.com/ - a portal for 2A links, articles and some videos.
Gun control is working just fine. None of the victims have GUNS, fine for the Criminals!
gunfighter 48
A 45 may not expand but it will never be smaller than .45!!!
NRA Life Member
Probably the majority of it. But to publicize that fact would probably impede D.C. from getting more federal dollars to rein in the "shooting spree"Originally Posted by CraigJS


text:
Drivetime Tuesday 25 June 2013
Mary Wilson presents an information packed evening news magazine with all the stories of the day
In her political column this week, Olivia O'Leary asks: who'd be a bank public relations officer today?
Drivetime's Fergal Keane and Tony McGillicuddy Barrister at law
Dr. Harry Clark is director of the New Zealand Agricultural Greenhouse Gas Research Centre.
Exclusive reports from Drivetime's John Cooke who to some of the 160 Syrian Refugees adjusting to life in County Roscommon.
Graham Clifford reports on the plight of the population there.
Presenter: Mary Wilson