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- Casting Materials
- Mold Making Materials
- Studio Accessories
- Ceramics
- Art Supplies
- Instruction
- Videos & More
An interview with Ed McCormick, managing director of the Association of Life Casters International on this historic and unique art form. Become an ALI Member at http://www.lifecasting.org.
How to Cast Perfect Ears for Special Effects and Life Casting
Ears are the most delicate body parts due to their intricacy and thinness. This video shows you to methods for casting perfect ears - the special effects method and the life casting method
FiberGel Special E/FX Tear Resistant Alginate
FiberGel alginate impression material is formulated for professional high-production, high-end detailed E F/X work. FiberGel is independently tested 40% stronger than the leading brand because it contains a patented duo fiber matrix system. Set Time - 5-6 minutes.
Hand Casting Holding an Object
This video demonstrates how to cast a hand while holding an object. This gives special relevance to the sculpture and to the owner of the hand, especially if their interest is to the object they are holding.
LifeRite - The Skin-Safe Silicone for Life Casting
LIFERITE is a skin-safe, two-component, platinum-cured, room temperature cure silicone rubber. It is designed as an 30 Shore A, thixotropic rubber providing excellent physical properties for the use in life and body casting due to its forensic detail and long mold life. LIFERITE is our most popular mold making RTV rubber for use against skin.
SILFREE High Yield Silica-Free Alginate Impression Material
SILFREE Brand aliginate is the healthiest alginate you can use. Developed for our customers by popular request from our ArtMolds' dealers. Environmentally green with all food grade ingredients Highest Yielding Formula – greatest value ounce-for-ounce. Delayed Shrinkage – extends casting time requirements up 24-hrs. Ultra Smooth and Creamy – reduces mold voids due to air bubbles Stays In Place – improved surface tension reduces runs Gradual Set Time – eliminates a setting surprise Surface Enhanced – improved gypsum and fast resin compatibility Approved for ASTM D-4236 Labeling – independently tested It is the healthiest, earth friendliest, most shrink resistant hydrocolloid impression material of its kind to date and . . . and provides 30-percent greater yields over traditional blends. Available in 3 set times, 3, 5 and 7 minutes.
Video demonstration on life casting a nude model
A ring of hands is a casting of three or more hands clasping each others wrist. The group of hands can be as large as there is room to hold each other's wrist.
ArtMolds offers the widest selection of life casting and body casting kits available anywhere.
Face Casting at the ArtMolds Workshop
This video taken during an ArtMolds Face Casting Workshop, demonstrates the proper way to take a mold of the face using MoldEZ Hair Release, FiberGel alginate, Algislo bonding agent, cotton and Instant Mold Plaster Bandages
Sample clips from the DVD Casting Hands and Feet featuring life casting instructor David Parvin demonstrating body casting sculpture of baby hands, adult hands and a ballerina's foot. Complete DVD available for $29.95 at https://www.artmolds.com/hands-and-feet-casting-dvd.html
How To Create an Artistic Face Casting
Sample clips of a DVD showing the method of life casting an artistic piece from the face castings of two 9-year old twins. Full video available for $29.95 at https://www.artmolds.com/artistic-face-casting-dvd.html.
Video clips from the DVD Casting the Female Torso. Artist and sculptor Dave Parvin, teaches how create an artistic casting from a nude model and a young clothed ballerina. Complete video available for $29.95 from https://www.artmolds.com/casting-the-female-torso-dvd.html
Body Casting Using LifeRite Silicone
A nude model is used to demonstrate how to use LifeRite the skin safe easy to use body casting silicone. LifeRite is available from dickblick.com and artmolds.com..
Full Body Casting Demonstration
Eco-sculptor Jason deCaires Taylor demonstrates his method of creating a full body mold in hix Mexican studio. Later he will cast his mold in concrete and add it to his 400plus life casts he has sunk to the bottom of the Gulf of Mexico as a sculpture park and artifical reef. Read about his work in the ArtMolds Journal, Jun-July isuue. http://www.artmoldsjournal.com..


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Unfinished Business
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|This article is about a/an episode in Power Rangers Wild Force.
Unfinished Business is the twenty-seventh episode of Power Rangers Wild Force and the first episode of Power Rangers to air on ABC Kids. The episode marks the reappearance of Zen-Aku.
Zen-Aku returns to rejoin with Merrick, and only by learning to accept help from his friends does Merrick defeat this evil from his past.
to be added
- Ricardo Medina, Jr. as Cole Evans (Red Wild Force Ranger)
- Alyson Kiperman as Taylor Earhardt (Yellow Wild Force Ranger)
- Phillip Jeanmarie as Max Cooper (Blue Wild Force Ranger)
- Jessica Rey as Alyssa Enrilé (White Wild Force Ranger)
- Jack Guzman as Danny Delgado (Black Wild Force Ranger)
- Phillip Andrew as Merrick Baliton (Lunar Wolf Wild Force Ranger)
- Ann Marie Crouch as Princess Shayla
- Ilia Volok as Master Org (credit only)
- Sin Wong as Toxica (credit only)
- Lex Lang as Zen-Aku (voice)
- J.D. Hall as Willie
- Zen Aku was the only villain appear in this episode.
- Jindrax didn't appear in this episode.
See Also
- Quest 26: Loki, Again - Super Sentai counterpart in Gaoranger. See comparison page. (fight footage and story)

subset: commoncrawl


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Jobs for medical and health services administrators and managers are projected to grow 17% from 2014 to 2024.* With our fully online, competency-based Master of Healthcare Administration (MHA) program, you can prepare to meet the demand for effective, visionary healthcare leaders—and develop skills and knowledge you can apply immediately to advance your career in this rapidly changing field.
Delivered through Tempo Learning™ by Walden, this custom-paced online program for working professionals allows you to move through your studies by completing a series of competencies on your own schedule. Competencies touch on all facets of healthcare administration, from laws and ethics, to operations management and human resources, to financial management and strategic planning.
Accomplish your academic goals at your pace, with individualized help from faculty and academic coaches when you need it. Plus, your prior experience may help you earn your degree more quickly as you demonstrate what you already know through competency assessments—which can save you time and money.
As a graduate of this program, you will be prepared to:
Find detailed information for this program, including possible occupations, completion rate, program costs, and median student loan debt.
With Tempo Learning™ by Walden, you can earn your degree on your own schedule, at your own pace, building on your existing skills, knowledge, and experience. In addition to the competency-based Master of Healthcare Administration, we offer a course-based option.
Preset course start and end dates help you manage your schedule over time. Knowing these dates makes it easier to plan ahead in completing your program.
The course-based approach exposes you to new material as well as reinforces and updates your knowledge in areas you've already mastered.
Your fellow students will be learning the same material at the same time, so if you find yourself struggling, you can connect with them for additional support.
Complete competencies at your own pace, based on your ability to demonstrate understanding of their content. At the beginning of each term, you will map out your learning goals in partnership with your Academic Coach.
You can use what you already know to accelerate your progress, potentially saving you time and money.
If you find materials challenging, you can slow down and spend additional time with them. You can also raise your hand to get support directly from our Faculty Subject Matter Experts.
Compare highlights of the Tempo Learning™ and course-based formats to decide which best suits your career goals and learning style.
*Cost and time to completion varies by student, depending on individual progress. For information on estimating your time to degree completion with Tempo Learning, call an enrollment advisor at 1-866-492-5336.*Bureau of Labor Statistics, U.S. Department of Labor, "Occupational Outlook Handbook, Medical and Health Services Managers," on the Internet at http://www.bls.gov/ooh/management/medical-and-health-services-managers.htm.
You can try it before you apply!
I chose Walden University because many of my colleagues were alumni. They highly recommended Walden for the working professional who seeks outstanding professor engagement throughout all courses.
Being a student at Walden University is one of the best things that has happened to me in my life. As a father, husband, and worker, I was able to navigate this triangular responsibility alongside my academic challenges.
Pursuing a degree from Walden is a commitment to efficiency and quality in healthcare.


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Inequality and Progressiveness in the Distribution of Revenues of the States in Federal Countries: A Comparitive Study
In federal countries it is common to debate the distributive effects of the regional financing system. This paper applies the traditional measurement tools of inequality and progressiveness to the financing systems in the States in federal countries with the aim of making an international comparison. In the first part we describe the financing systems of five federal countries: Germany , Australia , Canada , Spain and Switzerland . In the second part we estimate inequality in the distribution of resources before and after transfers, noting the equalizing effect of the transfers. In the third part the same exercises are carried out to assess progressiveness, also noting the progressive impact of the aforementioned transfers.
If you experience problems downloading a file, check if you have the proper application to view it first. In case of further problems read the IDEAS help page. Note that these files are not on the IDEAS site. Please be patient as the files may be large.
|42 pages
|Date of creation:
|01 Mar 2007
|Contact details of provider:
| Phone: 404-413-0235
Fax: 404-413-0244
Web page: http://aysps.gsu.edu/isp/index.html
References listed on IDEAS
Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
- Shorrocks, A F, 1980. "The Class of Additively Decomposable Inequality Measures," Econometrica, Econometric Society, vol. 48(3), pages 613-625, April.
- Richard M Bird & Andrey V Tarasov, 2004.
"Closing the Gap: Fiscal Imbalances and Intergovernmental Transfers in Developed Federations,"
Environment and Planning C,
, vol. 22(1), pages 77-102, February.
- Richard M Bird & Andrey V Tarasov, 2004. "Closing the gap: fiscal imbalances and intergovernmental transfers in developed federations," Environment and Planning C: Government and Policy, Pion Ltd, London, vol. 22(1), pages 77-102, February.
- Richard Bird & Andrey Tarasov, 2002. "Closing the Gap: Fiscal Imbalaces and Intergovernmental Transfers in Developed Federations," International Center for Public Policy Working Paper Series, at AYSPS, GSU paper0202, International Center for Public Policy, Andrew Young School of Policy Studies, Georgia State University.
- Ladd, Helen F. & Yinger, John, 1994. "The Case for Equalizing Aid," National Tax Journal, National Tax Association, vol. 47(1), pages 211-24, March.
- Robin Boadway, 2004. "The Theory and Practice of Equalization," CESifo Economic Studies, CESifo, vol. 50(1), pages 211-254.
- Robin Boadway, 2003. "The Theory and Practice of Equalization," Working Papers 1016, Queen's University, Department of Economics.
- Suits, Daniel B, 1977. "Measurement of Tax Progressivity," American Economic Review, American Economic Association, vol. 67(4), pages 747-752, September.
- Mieszkowski, Peter & Musgrave, Richard A., 1999. "Federalism, Grants, and Fiscal Equalization," National Tax Journal, National Tax Association, vol. 52(2), pages 239-260, June.
- Ladd, Helen F. & Yinger, John, 1994. "The Case for Equalizing Aid," National Tax Journal, National Tax Association, vol. 47(1), pages 211-224, March.
- Plotnick, Robert, 1981. "A Measure of Horizontal Inequity," The Review of Economics and Statistics, MIT Press, vol. 63(2), pages 283-288, May.
- Shorrocks, Anthony F, 1984. "Inequality Decomposition by Population Subgroups," Econometrica, Econometric Society, vol. 52(6), pages 1369-1385, November.
- Atkinson, Anthony B., 1970. "On the measurement of inequality," Journal of Economic Theory, Elsevier, vol. 2(3), pages 244-263, September.
- Flatters, Frank & Henderson, Vernon & Mieszkowski, Peter, 1974. "Public goods, efficiency, and regional fiscal equalization," Journal of Public Economics, Elsevier, vol. 3(2), pages 99-112, May.
- Buchanan, James M. & Goetz, Charles J., 1972. "Efficiency limits of fiscal mobility: An assessment of the tiebout model," Journal of Public Economics, Elsevier, vol. 1(1), pages 25-43, April.
- Mieszkowski, Peter & Musgrave, Richard A., 1999. "Federalism, Grants, and Fiscal Equalization," National Tax Journal, National Tax Association, vol. 52(n. 2), pages 239-60, June.
- Shorrocks, A F, 1982. "Inequality Decomposition by Factor Components," Econometrica, Econometric Society, vol. 50(1), pages 193-211, January. Full references (including those not matched with items on IDEAS)
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Pousada Blue Moon
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TripAdvisor Reviews Pousada Blue Moon Buzios
Travel Blogs from Buzios
And so on to Buzios...
... so you pace yourself. The restaurant itself was quite quirky, difficult to describe, so I won't!
From here Pedro and Carlos took us on to the evening's entertainment. It was a show showcasing a number of typical Brazilian entertainments including a nod to Carnival, acrobatics, samba dancing, all good fun. Embarrassing moment for me came when unbeknown Pedro had told them it was my ...
Last days in Brazil...
... Ipanema beach, and later met up with Mark and Kelly for our last supper together.
Brazil is beautiful, and has so much to offer from the white sand beaches to the bustling cities, and I am even getting used to the crazy fast (OMG, I am gonna die) taxi drivers! We would stay longer, but time is now going by, as is the money...so we have decided we will head to the other side of the continent and on to the next adventure - Ecuador and the Galapagos Islands!
The greatest day of my life - I eat cereal
... They live in Cabo Frio which is about 30k away and they have to catch a bus. And yes, they totally walked the wrong way because now they have to backtrack to catch their bus. I should have gotten the girl�s phone number but didn�t think about it. They say that they will go to the same beach tomorrow. Cool. I want to go to the grocery store again because I am determined to find milk and eat some ******* cereal for once, if for no ...
Day 5 (Sambadrome)
... school parade, and were now watching... The waiter came back, and they got the full story in portugese, the box next door was on an unlimited package, so the waiter was filtering off their stock and sending it our way, he was the waiter for both boxes so no-one realised or complained, the end result...every time we looked his way we got a beer, for the next 10 hours, for Sylvia and I, for only a london tenner, good deal This was the first night of carnival,and ...
Life is beautiful
... is where all the surfistas chill. sunday is the city~s beach day, i swear every last carioca must be out there, the place is straight BODIES!!! all you have to do is get your guardasol (umbrella), lay out your sanga (sarong) take off your kanga (piece of cloth around your waist) slap on your solara (sun lotion) adjust your tanga (teeny bikini) & you~re all set for a day in the sun. you don~t have to do anything cos men ...
Other places to stay in Buzios
Armacao dos Buzios Pousada DesignRua Caicara 10, Buzios | 3 star hotelfrom $124
Barra da Lagoa HotelEstrada da Usina Velha 175, Buzios | 3 star hotelfrom $43
Pontal da FerraduraRua Miriam Gomes 11, Buzios | 3 star hotelfrom $88
Bon Bini PousadaAvenida Vieira Camara, Buzios | Hotelfrom $72
Meu SonhoAv. Jose Bento Ribeiro Dantas, 1289, Buzios | 1 star hotelfrom $63
Ferradura ResortRua D, Lote 4, Quadra O-Cond. Do Atlantico, Buzios | 3 star hotelfrom $180
Aquabarra Boutique Hotel & SpaRua da Colina de Geriba 16, Buzios | 4 star hotelfrom $151
Pousada do Centro LesteRua Luiz Joaquim Pereira 171, Buzios | 3 star hotelfrom $46
Ilanga Pousada BuziosRua da Tartaruga 17n, Buzios | Hotelfrom $85
Kybalion Pousada HotelAvenida Jose Bento Ribeiro Dantas 1200, Buzios | Hotelfrom $45
Rio Buzios Boutique HotelPraia Joao Fernandes s/n, Buzios | 4 star hotelfrom $263
Pousada MiratlanticoRua GII, Lote 12, Buzios | 3 star hotelfrom $71
Hotel Ferradura PrivateRua E - Lt. 09 - Cond. Atlantico, Buzios | Hotelfrom $305
Colonna Galapagos GardenRua Praia de Joao Fernandes, Buzios | 4 star hotelfrom $114
Villa Baob�Rua G IV - Lote 20, Buzios | Hotelfrom $77
Pousada Baia BonitaAvenida Jose Bento Ribeiro Dantas 1238, Buzios | 3 star hotelfrom $76
Pousada CasacolinaAvenida Geriba 14, Buzios | Hotelfrom $75
Pousada AquariumRua Vieira Camara 5, Buzios | 3 star hotelfrom $78


text: " there's nothing to fear but fear it's self" yo! im a girl from whiyby ontairio.i luv chickens they rok!:) my dream is to write a bestselling book and then my life will be complete! sort of. list of things i have to do befor i die: 1. go sky diving with a chiken 2. own a chiken breeding farm 3.make a new breed of animal-plachicow(platipus/chiken/cow)!:) 4.write a beselling novel 5.meet the chiken of my life you guys might be able to help me with one part.(the book part):)


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Chris Davis' momentous Iron Bowl return recreated in Super Tecmo Bowl
Chris Davis' 100-yard touchdown return off a missed Alabama field goal as time expired lifted No. 4 Auburn over the No. 1 Crimson Tide in an epic Iron Bowl last Saturday. By now Davis' run -- which immediately became the most memorable play of the college football season in part because it ended Alabama's hopes of a national title three-peat -- has been seen from every possible angle. Well, except one.
This week Tecmo Super Bowl recreated the Tigers' miracle finish in video-game form, cued with the audio from the Auburn radio broadcast. The play is just as memorable in digital form.


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Wow. On record, the slender Canadian comes across as a fairly conventional country singer, lamenting her achy breaky heart ("Dying of Another Broken Heart") and her own dirty deception ("Little Lie"). It's not material designed – unlike Bonnie Prince Billy and Jim White – to scare the horses.
However, in the flesh Lindi Ortega is electrifying. Armed with a burgundy-coloured guitar and fetching cherry-red cowboy boots, she sounds like a giddy mix of Dolly Parton, Linda Ronstadt and a more upbeat Chris Isaak. Her supremely assured performance is anything but conventional, embracing as it does her "dubious" drug-taking pals, a sublime Band of Skulls cover and some endearing non sequiters: "I feel like Elaine in Seinfeld." And, most crucially of all, her voice is a truly magnificent instrument.
The Johnny Cash-loving Ortega had been kicking around Toronto's independent music scene for over a decade before releasing her first studio album, the acclaimed Little Red Boots, last year. It quickly earned her slots on Jay Leno and Jools Holland's shows as backing for Brandon flowers, plus a world tour.
"Unfortunately, I've had a lot of broken hearts in my life, so after this touring's over hopefully I'll find a nice man," she teases the intimate audience before tearing into "Dying of Another Broken Heart", and you don't imagine Ortega, the daughter of a Mexican father and a mother from Northern Ireland, lacks for suitors. She's occasionally hokey – "not every painter can be a Picasso, but it doesn't mean they're not good!" she informs us at one point – but then she hits us with her alternative leanings with an ode to drug-taking, "Little Bit High". She follows this up with her "public service announcement" song "Use Me", on which she exhorts "Don't use marijuana, don't use heroin… darlin use me... I'll get you high in all the right ways." Yowzer.
Her perky four-piece band, The Wild Wranglers, are outstanding, but it's Ortega's solo efforts that are the most pulsating, showing off her vibrato voice on the aforementioned "Use Me" and performing a gorgeous rendition of Johnny Cash's "Delia".
This is a simply barnstorming performance with zero slack and plenty of highlights: the audience participation - throwing back Alan Partridge-style "a-has" - on Ortega's signature tune "Little Red Boots"; a witty "I'm No Elvis Presley"; and, best and most surprising of all, a sensational cover of Band of Skulls' "Fires", on which Ortega spine-tinglingly implores that "we are just fire in the night".
Before departing Ortega offers "a free hug, maybe two" for anyone who buys her CD later. A queue quickly forms…
- More about:
- Blues
- Boots (pharmacist)
- Drugs
- Elvis Presley
- Garage Rock
- Johnny Cash
- Morrisey
- Pablo Picasso
- Rockabilly
- Visual Arts


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Samantha Swift and the hidden roses of Athena
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On a quest to recover the Scepter of Zeus for The Museum of Lost Secrets, archeologist and adventurer Samantha Swift stumbles upon one of the greatest archeological finds of all time! Unfortunately, she also runs into greedy treasure hunter Ravena Stryker.
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Paiste Formula 602 Modern Essentials 20" Crash
- Product code: Crash
- Diameter: 20" (50,80 cm)
- Alloy: special CuSn20 Bronze
- Finish: Regular
- Thickness: medium
- Sound: Sensitive Crash Cymbals with a warm base sound and lower overtones
- Production: Hand chased
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Paiste Formula 602 Modern Essentials 20" Crash · Crash-Cymbal
Based on the legendary Paiste "602 Bronze" series (CuSn20 alloy), the Modern 602 Essentials series offers completely new sound dimensions and dynamics. The series was developed in close co-operation with Vinnie Colaiuta and is fully crafted by hand and hammered from the beginning to the end of the production process from the very best Swiss specialists . The elaborate production corresponds to Vinnie's complex sound concept for allround drumming in all musical genres. The cymbals of the 602 Modern Essentials combine the basic sound of classical 602er models in transparency and have perfect stick definition with rich harmonics and the warm dark sound of the complex Signature Traditionals series.
Crash-Cymbal · Paiste Formula 602 Modern Essentials 20" Crash
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Anna Sereno Model
PhotoLoversPhotographer Male Camas, Washington, US
My Website: PhotoLovers.comMy MM URL: http://www.modelmayhem.com/JWILEY
Mayhem # 236650
About Me
Portland Oregon area photographer specializing in artistic and erotic nudes, and swimwear and fitness photos.
In the summer, I'm looking for models that can travel to scenic areas, maybe an hour or two out of Portland. I have a home studio for foul weather shooting and usually book 2-3 hour segments.
Of course, TFP will always immediately get my attention and has worked well for many of my models. I try to keep the shoots fun and the hope is that we collaborate well to create some great art.
Have you worked with PhotoLovers? Add Credits for PhotoLovers! >>
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I have to admit guys, I like many of you was very skeptical of Arnie playing the role of the Terminator again. But, if this is the shape he's in than maybe he will be able to pull it off!
We all know they're making an all female expendables movie called the Expendabelles, but we're not going to see it for awhile. In the meantime you can check out this flick to get all your female-kicking ass action needs and it's rated R, thankfully.
"In Mercenaries, a diplomatic official is captured and imprisoned while touring a war zone, so a team of elite female commandoes is assembled to infiltrate a women's prison for a daring rescue.
Mercenaries stars Kristanna Loken (Terminator 3: Rise of the Machine), Vivica A. Fox (Kill Bill Vol. 1), Zoë Bell (Death Proof), Nicole Bilderback (Sideliners), Brigitte Nielsen (Red Sonja) and Cynthia Rothrock (Raging Thunder).
Mercenaries has a DVD and Blu-ray release date set for August 5, 2014, so a trailer should be hitting soon. Until then, here's a couple of production photos from the film. Judging from that photo alone, looks like it's riding off the success of Kill Bill. Stay tuned! - Thanks to AlbertV from kungufcinema.com for additional information."
from craveonline.ca;
"One of the most acclaimed action movies in years hits home video – again and again and again – on July 8, 2014. The Raid 2 will premiere on DVD, Blu-ray and Digital HD with over 90 minutes of behind the scenes featurettes, a deleted scene and a director's commentary track from Gareth Huw Evans.
"We're proud to present this CraveOnline Exclusive announcement that a film we ourselves declared "has escalated action filmmaking the same way that the gun fu classics The Killer and Hard Boiled did back at the turn of the 1990s" will come to home video with the following cover art and special features
The Blu-ray and DVD each come loaded with extra content, allowing fans to immerse themselves in the making of the film, including more than 90 minutes of behind-the-scenes featurettes, as well as a deleted scene and filmmaker commentary. Gareth Huw Evans' process of transitioning the story from the first film to the sequel is explored in the "The Next Chapter: Shooting a Sequel" featurette. In the "Cinefamily Foundation Q&A" featurette, Gareth Huw Evans, Iko Uwais and Joe Trapanese discuss the making the film. Exclusive to the Blu-ray is the "Gang War" deleted scene and two additional featurettes. Fans can take an inside look at the elaborate fight choreography in "Violent Ballet: Behind the Choreography," and "Ready for a Fight: On Location" features the cast and crew on the challenges of filming in Indonesia.
Blu-ray Exclusive Bonus Features Include:
- "Gang War" Deleted Scene
- Featurettes: "Ready for a Fight: On Location," "Violent Ballet: Behind the Choreography"
- English Dub in addition to the original language version of the film
- Director Commentary with Gareth Huw Evans
- Featurettes: "The Next Chapter: Shooting a Sequel," "Cinefamily Foundation Q&A with Gareth Huw Evans, Iko Uwais & Joe Trapanese"


text:
Here we go again
Just then their was a nock on the door. Frozen in fear I walk over and open the door. Its my Mother with Cinna. "I thought you would want him with you"She says "Mom do you wanna stay here for the night." I ask. I would be glad to" She says "So anyway Prim what happend". "I was learing how to count money then all the sudden a blond hair boy trew a spear in the chalkboard and yelled "WHERE IS THE LITTLE GIRL THE CALL PRIM". The window was open and I jumped out and ran up that tree so they wouldn't see me a dark haired girl told me to stay their until my mom came. And the rest you know. I bent down to the dark haired girl and asked "Whats your name sweetie." She repiled in a shy voice "Lenna." "And how old are you" I asked "I'm five" she repiled "Well I'm going to let you stay here and I'll go find your mom." I said I walked out to the town with Peeta by my side. "Clove" I yelled. She ran right at me and Peeta and pulled us behind the dumpster "What are you doing here, Never mind is Lenna ok." Yeah she's fine I just want to know why you gave her to me." "Katniss I gave her to you because you where brave and right now I can't be their for her. I'll be back to pick her up in three days. On the second day meet me here again at 6:00 am!"She cried. "Now scram!" Me and Peeta ran as fast as we could home.


text:
News By Tag
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Industry News
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Industry News
Electronic Medical Billing Services and Billing Claims
The presence of third party insurance medical billing claims is a huge relief to the healthcare fraternity. But data security issues are a gnawing problem and here are rew reasons why outsourcing has become much safer and trustworthy over the years.
The healthcare industry is going to have a very busy year ahead! The year is still young but sweeping changes have been made and there is still a lot more in the anvil. The presence of third party medical billing providers is a huge relief to the healthcare fraternity. But data security issues are a gnawing problem and here are three reasons why outsourcing has become much safer and trustworthy over the years.
• The presence and access to cutting edge technology
The awareness and need, for data security measures has ensured technological advances and platforms, to prevent and control data leakage. Most business associates implement advanced data security techniques to retain their clients and credibility.
Secure FTP access, VPN platforms, integrating their services with the emr of the client and providing encrypted passwords and usernames, are just some of the common security measures taken. There is an added emphasis on the security of the medical data because as opposed to an in house billing team, a minor leak or mishandling of medical data can impact an entire organization instead of just an individual.
• More manpower can reduce human error risks
As research has consistently shown and proved, data leakage is more often than not caused by human error rather than technological slipups. It can be expensive to hire additional manpower and to support a large team. Outsourcing ensures added manpower as there is an entire concern working on the medical data.
The increased manpower, translates, not just into better quality work but higher level of data security as well.
• 24X7 services means your data is protected 24x7
Third party Medical Billing and Services associates offer 24x7 services. Strict round the clock surveillance, and the presence and availability of employees at any given time, ensures a quicker and safer medical billing process.
A healthier healthcare industry!
Healthcare providers needn't worry themselves sick about whether outsourcing augers well for their organization. Going by the level of data security offered and strict regulations being adhered to, it certainly does!
With hospitals struggling to come to terms with the major upheavals in the way their medical billing system functions, the constantly changing protocols for Electronic Claims Processing and a million other pressures and bottlenecks faced everyday, outsourcing does come as a welcome relief. And more often than not, a much safer and accountable option for Online Medical Billing and Services needs.
Visit- http://www.billingparadise.com/
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|Reviews for Picking up the Pieces
| Whirlwind421 chapter 1 . 10/8/2008
I think it was good!
| Uh.yeah chapter 1 . 8/30/2006
I liked this. Your description was rather stunning. And you really managed to capture the essence of all the adventures Nine and Rose had together. I think it also showed just how hard it would be for Rose to leave all that behind.
And, ok, so maybe the ending might have been a little clichéd. But I for one, am very glad you did it. I don't like feeling sad. :D
| eeveekitty85 chapter 1 . 10/19/2005
Yes, cliched, but all the description, all the detail you've put into this fic makes it worth it. I sure as heck enjoyed it...bet I'm not the only one! -~
| SmallInsect chapter 1 . 9/15/2005
I like it. true it's a cliché idea (most fic ideas ARE clichés when you think about it – they say there are only 37 plots in the world altogether), but you've handled it very well – and unlike a lot of the fics round here you haven't gone for the mushy happy ending – yours was more realistic – Jackie crying as she watches her daughter being taken away just when she thought she'd got her back. It was well done.
"Not even Mickey could entice her with his dazzling smile; that only made her think of Jack" - I don't think Mickey has or was ever supposed to have a dazzling smile – it's not within his personality. Mickey is supposed to be the "normal one in the normal world" it was never too obvious that there was ever anything special about him other than his ability to let Rose go time and again (poor Mickey :( can't he ever catch a break) and I don't see how it could remind her of Jack's – I could see it reminding her because it's so DIFFERENT from Jack's, but a Jack-Mickey comparison is one I would not want to draw.
"The blazing sunsets, the frozen slushies, the evil dictator scenarios, the lets-go-save-the-world adventures." – for some reason I really liked that line _
Your Rose is very IC.
The ending was.. sad. But realistic and in tune with the series – nice job. _ not your best but most certainly not terrible. It was an enjoyable read.
| markus-writer chapter 1 . 9/8/2005
Good story with a good ending, even though I don't normally like short stories or sad, soppy stuff, it was good. One thing I don't get though, why did you name the Doctor "Jack"?
| asimus chapter 1 . 9/8/2005
that was nice. well done!
| Sheila51 chapter 1 . 9/8/2005
Okay Constructive Crit comin your way! I loved the opening, it was great angsty stuff. The Pluto part was great - and very in-character, I could hear Rose thinking those thoughts exactly.
So here is the crit. This fic would have been SO much better if you had just gotten rid of the 'happy ending' inclination, I know we all re-read our angsty fics and think they need to be happier, or the idea is this is the worst possible situation but it has to have a good ending.
I think this fic would have been emotionally much more powerful without the Docs return, but that is just my opinion and I'm a sucker for a sad Rose story.
Still a pretty good fic over all just not quite what I love.


text: Copyright in the digital world VITTA Presentation 1 June 2011 Sylvie Saab National Copyright Officer National Copyright Unit Smartcopying website www.smartcopying.edu.au • • • • National Copyright Guidelines for Schools and TAFEs. Practical and simple information sheets and FAQs. Interactive teaching resources on copyright. Search the site for answers to your copyright questions. 2 New technologies Teachers are using a variety of new technologies in the classroom. This includes: • interactive whiteboards • wikis and blogs • YouTube and iTunes • mobile devices including iPods, MP3 players and mobile phones. 3 Digital content repositories Many schools and jurisidictions are also creating content repositories. In most cases, access to these repositories is password protected. A content repository is a digital space where content can be stored, accessed and shared amongst a group of people. This includes learning management systems such as Moodle, BlackBoard and ClickView, intranets, portals, interactive whiteboard galleries and media libraries. 4 What can teachers copy and communicate on these technologies? There is a lot that teachers can do on these technologies! There are: A. Statutory Licences B. Free Use Exceptions which allow schools to use copyright materials without the permission of the copyright owner. 5 Part VB: Statutory Text and Artistic Licence • • Under this licence, a teacher can copy and communicate literary, dramatic, artistic and musical works subject to copying limits. This licence covers textbooks, newspaper articles, journal articles, paintings, diagrams, photographs, animations, song lyrics, plays, poems and maps in hard copy and electronic form including free and publicly available internet sites. 6 Statutory Text and Artistic Licence Has two schemes: 1. Hard Copying: photocopying hard copy print and artistic material. 2. Electronic Use Scheme (EUS): copying and communicating electronic print and artistic material. 7 Statutory Text and Artistic Licence Common activities covered by the EUS include: 1. Scanning a hard copy book. 2. Printing, saving and downloading material from the internet (e.g. online articles and images) and electronic resources such as CD-ROMs and E-books. 3. Uploading material onto a digital repository, school intranet, learning management system (LMS), class wiki or blog, or interactive whiteboard. 4. Copying material on to potable devices including iPods, MP3 players, mobile phones and a USB. 8 Statutory Text and Artistic Licence: Copying from websites • • • • Some teachers mistakenly believe that material available on the internet is free of copyright. This is not true. Internet material is protected by copyright! Some websites are 'free for education' – this means that material on the website can be copied for educational purposes. Website terms and conditions will determine whether a website is 'free for education'. For further information on website terms and conditions, see information sheet 'Understanding Website Terms and Conditions' on the Smartcopying website: http://www.smartcopying.edu.au/scw/go/pid/999 9 Website terms and conditions • Schools pay to copy and communicate material where the website: • • Contains no terms or conditions of use (or no terms and conditions but a 'standard' © notice). Contains the following in its terms of use: • personal use permitted (including personal, noncommercial use); • copying not permitted; • any reference to copyright protection such as '©'. 10 Website terms and conditions Terms and conditions Not free Free Personal use Personal, non commercial Personal and non commercial Non-commercial use Personal or non commercial Use in your organisation Free copying Free for education © name and/or year and no terms of use No copyright © name and/ or year or no terms and conditions Copying not permitted All Rights Reserved 11 Statutory Text and Artistic Licence: Copying limits Limits on copying: • 10% of a literary work or one chapter of a book, 10% of words on a website or CD-ROM. • One article from a journal, more than one article if on the same subject matter. • Can copy the whole work if: • • it has not been separately published or is not commercially available within a reasonable time at an ordinary commercial price. For more information, see the "Education Licence B" in the "National Copyright Guidelines" at: http://www.smartcopying.edu.au/scw/go/pid/700 12 Statutory Text and Artistic Licence: Simultaneous Storage Rule The Statutory Text and Artistic Licence does not allow for two parts of a work, e.g. two 10% excerpts of a text book, to be online at the same time. To minimise risk of infringement, measures must be taken to restrict access to this material to relevant classes only. 13 Statutory Text and Artistic Licence: Mandatory notice You must attach a mandatory notice to all copies made available on an interactive whiteboard, LMS, wiki, blog or school intranet. This noticed is required by the Copyright Act. A copy of this is available on the Smartcopying website at: www.smartcopying.edu.au/scw/go/pid/705 14 Statutory Text and Artistic Licence: Remuneration agreement • • • • This year, schools entered into a commercial agreement ('Remuneration Agreement') with the Copyright Agency Limited (CAL) for rates paid under the Statutory Text and Artistic Licence. A single rate of $16.00 per FTE is paid for both hardcopy and electronic copying. Each year, the rate will increase by CPI. The Remuneration Agreement will expire in 2012. Prior to the Remuneration Agreement, Schools paid an interim FTE rate of 93.5 cents under the EUS. 15 Statutory Text and Artistic Licence: Photocopy rates Prior to the Remuneration Agreement, photocopy rates were based on volume copying captured through the sample survey done in selected schools each year. Rate Activity Work 6c Photocopy Literary work (inc. timetables) 11c Photocopy Artistic work (inc. graphs and tables) 11c Photocopy Poem 8c Photocopy Short story or play 55c Photocopy Overhead or transparency 16 Hardcopy costs on the rise Costs under Part VB Hard Copy Scheme Australian Schools 2001 - 2008 School CAL Photocopying Licence Fees $60,000,000 $50,000,000 $40,000,000 $30,000,000 $20,000,000 $10,000,000 $2001 2002 2003 2004 2005 2006 2007 2008 17 Part VA Statutory Broadcast Licence Covers the copying and communication of: • Off-air television and radio broadcasts • Podcasts and webcasts which have originated as free-to-air broadcasts and are available on the broadcaster's website Doesn't cover podcasts/webcasts: • from Pay TV sources • which have not been broadcast For more information see: "Education Licence A" in the "National Copyright Guidelines": http://www.smartcopying.edu.au/scw/go/pid/699 18 Part VA Statutory Broadcast Licence • • • • No limit on how much you can copy. Format shifting is permitted. If you want to put a copy on an interactive whiteboard, LMS, wiki, blog or school intranet, you must attach a notice. This notice is required by the Copyright Act. A copy of this notice is available at: www.smartcopying.edu.au/scw/go/pid/704 19 Agreement with Screenrights In 2010, schools began negotiations with Screenrights for a new FTE rate. Prior to finalising the new rate, Screenrights provided copying data for the years 2007, 2008 and 2009. This data was compiled from copying data collected from schools during survey periods as well as copying data provided to Screenrights from Resource Centres. 20 Screenrights data The data demonstrated some alarming trends: • • Schools copying increased 45% from 2007 – 2009 The copying from Resource Centres on behalf of Schools increased 214%. The above equates to an average of 181% increase in the copying and communication of broadcasts under the Part VA Statutory Licence. 21 New rates Set out below are the rates under the Screenrights licence: • 2010/11 - $4.77 per FTE (inclusive of CPI) • 2011/12 - 5% increase: $5.01 per FTE (plus CPI) • 2012/13 - 5% increase: $5.26 per FTE (plus CPI) • 2013/14 - 5% increase: $5.52 per FTE (plus CPI) • 2014/15 - $5.52 per FTE (plus CPI) 22 s28 Performing or Communicating Material to a Classroom • Does not apply to 'copying' material. • Allows schools to perform and • communicate material in class, or otherwise in the presence of audience. It is a free use exception – no fees are paid. See information sheet: "Performance and Communication of works and audio-visual material – What am I allowed to do?" : http://www.smartcopying.edu.au/scw/go/pid/544 23 s.200AB: Flexible dealing • • • • Rely on flexible dealing when no statutory licence or free use exception applies to your use. Teachers may copy videos (e.g. YouTube) and sound recordings (e.g. podcasts, music) under flexible dealing subject to certain requirements. Flexible dealing will not apply where it is possible to purchase a similar teaching resource. Flexible dealing is a free use exception – no fees are paid. See information sheet: "The New Flexible Dealing Exception – What am I allowed to do?": http://www.smartcopying.edu.au/scw/go/pid/542 25 Flexible dealing requirements 1. Is my use covered by a statutory licence or exception? - Is my use covered by Part VB of the Act (the Statutory Text and Artistic Licence)? - Is my use covered by Part VA of the Act (the Statutory Broadcast Licence)? - Is my use covered by another exception? No 2. Am I using this for giving educational instruction? Am I teaching in a classroom or remotely, preparing to teach, compiling resources for student homework or research or doing something for the purpose of teaching? Yes 3. Is my use non-commercial? Am I, my students, or the school making a profit or getting commercial advantage from this? (Cost recovery is OK) Yes 4. Is my use a special case? - Is my use narrow in a qualitative and quantitative sense? - Is my use only what I need for my teaching purpose? Yes 5. Does my use conflict with normal exploitation? No 6. Would I unreasonably prejudice the copyright owner? No Covered by 200AB - Can I buy or get a licence for this use? - Is this use a way the copyright owner usually makes money from their work? - Will I deprive the copyright owner of significant revenue now or in the near future? - Am I taking more than I need? Am I exposing the material to a risk of piracy? Am I interfering with the quality of the material? If I answer yes to any of these questions, is there something I can do to minimise any prejudice? 26 Flexible dealing uses 1. Make captioned versions of films for hearing impaired students when it is not possible to buy the captioned version. 2. Compile short extracts of audio-visual material for use in class (e.g. making DVD of short extracts of several films for a Film Studies or English class) when it is not possible to purchase similar teaching resources. 3. Convert a film or sound recording on VHS/CD to a digital file format when it is not possible to buy a digital version of the film or sound recording. 4. Include short extracts of music in PowerPoint teaching aids. See information sheet: "Flexible Dealing and the Copyright Amendment Act 2006 – What am I allowed to do?" http://www.smartcopying.edu.au/scw/go/pid/542 27 Flexible dealing and ATPMs • • Anecdotal evidence suggests that teachers are copying extracts of DVDs or making digital copies of DVDs to produce educational resources. In doing so, they are inadvertently circumventing Access Technological Protection Measures (ATPMs). ATPMs are technologies which restrict access to copyright material. Most commercial DVDs are protected by an ATPM known as 'region coding'. It is illegal to remove/disable an ATPM in order to copy extracts of a DVD or format shift the DVD into digital format. Note: Most VHS tapes are not protected by ATPMs. See information sheets: "Format Shifting and the Copyright Amendment Act 2006 : What am I allowed to do?" http://www.smartcopying.edu.au/scw/go/pid/529 "Technological Protection Measures and the Copyright Amendment Act 2006" http://www.smartcopying.edu.au/scw/go/pid/522 28 Flexible dealing dos and don'ts • • Do not use pirated material. 'Just in case' format shifting is not permitted: • • Schools cannot make 'back up' copies of resources 'in case' the original is destroyed. Schools are not allowed to format shift their whole library or collection (e.g. from video tape to DVD or a content management system) 'just in case' it will be useful later on. Any format shifting needs to be done for the purpose of giving educational instruction in the near future. See information sheets: "Flexible Dealing and the Copyright Amendment Act 2006 – What am I allowed to do?" http://www.smartcopying.edu.au/scw/go/pid/542 "Format Shifting and the Copyright Amendment Act 2006: what am I allowed to do?": http://www.smartcopying.edu.au/scw/go/pid/529 29 Flexible dealing dos and don'ts • • • • Try not to copy more than you need. If you copy too large an amount, it might not be covered by this exception. Access to s 200AB copies must be limited to those students who need to use the material for a class exercise, homework or research task Remove the s 200AB copy from the learning management system, school intranet, class blog/wiki, portal or interactive whiteboard gallery as soon as practical once it is no longer required for the class, homework or research task. Label s 200AB copies with words similar to: 'Copied under s200AB of the Copyright Act 1968' See information sheet: "Flexible Dealing and the Copyright Amendment Act 2006 – What am I allowed to do?" http://www.smartcopying.edu.au/scw/go/pid/542 30 Snapshot summary Copied and Communicated Under Part VB Type of Material Copying limits: 10% or 1 chapter of book, 10% of words on a website or CDRom. Attach notice when communicate. Part VA No copying limits. Can format shift. Attach notice when communicate. s.200AB Limited format shifting rights. cannot buy it. Only copy what you need. You Images or Print Off air television and radio broadcasts Podcasts of free-to-air broadcasts (available on the broadcaster's website) YouTube videos DVDs and videos Note: Most commercial DVDs are protected by ATPMs and cannot be copied because it illegal to circumvent an ATPM. Cassette tapes and CDs 31 Smartcopying tips… Link to material whenever possible. • Providing a link to material is not a copyright activity. This is because you are not actually copying the content, but rather providing a pathway to its location on another site. Embed material whenever possible. • Embedding is another type of linking. It involves copying the HTML code of the film, which is often displayed in a box near the film, and pasting it onto your website. The result of this is, rather than displaying the link, it will show a small screen of the film on your website. 32 Smartcopying tips… All material must be attributed. • • • • It is important that all material created and used by the school for educational purposes is properly attributed. This includes material that is photocopied and material that is copied digitally. Attribution information needs to include details of the copyright owner and author (if different), where the material was sourced from and when. Attributing material is important to ensure that original material created by a student, teacher or jurisdiction or that has been licensed is removed from survey data and therefore is not paid for. See schools labelling information sheet at: "Labelling School Material": http://www.smartcopying.edu.au/scw/go/pid/530 33 Smartcopying tips… Access to material is limited to relevant students only Once material is communicated to an entire school or jurisdiction, the risk of copyright infringement increases dramatically. Further, limiting access to material is an important cost management practice. CAL and Screenrights believe that the value of content increases with the number of people who can access and view it. 34 Smartcopying tips… Material is flushed from the system regularly Material copied and communicated under the Statutory Licences is paid for again every 12 months. This is because another 'communication' of the material is deemed to have occurred. Flushing material from a repository that is no longer required for educational purposes is one practical way of managing the copyright costs. 35 Smartcopying tips… Use Open Education, Free for Education and Creative Commons material possible. • • • The copyright owner of this material has already given permission for the material to be used for educational purposes. As a result, this material is available for free! Depending on the terms of the licence, this material can also be modified and shared by teachers and students. 36 Smartcopying tips… In summary, it is best practice to: • Link to material whenever possible • Limit what is copied to what is needed for educational purposes • Ensure that the mandatory notice requirements have been complied with • Ensure that all material is attributed. 37 Some copyright challenges While there is a lot that teachers can copy, the licence schemes and free use exceptions are restrictive and complicated: • • • Teachers are burdened with complex copying limits. Teachers cannot modify, share or remix material except in limited circumstances. The material can only be made available to parents and the community in limited circumstances. Open education and creative commons material is a great alternative! 38 OER - Definition Open Educational Resources ('OER') is a growing trend towards openness of teaching and learning materials. OER are teaching and learning materials that are freely available online for everyone to use, whether you are a teacher, student or self learner. OER include: worksheets, curriculum materials, lectures, homework assignments, quizzes, class activities, pedagogical materials, games and many more resources from around the world. See: www.oercommons.org 39 OER: Fundamental values OER share some fundamental values: • Resources are free for any individual to use • Are licensed for unrestricted distribution • Possibility of adaptation, translation, re-mix, and improvement. 40 Open Education Resources Some good OER sites include: - Curriki: http://www.curriki.org/ - OER Commons: www.oercommons.org/ - Encyclopaedia of Life: www.eol.org/ - Comprehensive Knowledge Archive Network: www.ckan.net/ - Connexions: www.cnx.org/ - Teaching Ideas: www.teachingideas.co.uk/ - Smart History: http://smarthistory.org/ The Smartcopying website lists OER: http://www.smartcopying.edu.au/scw/go/pid/936 41 CC Learn: A way to find OER CC learn is a division of Creative Commons dedicated to providing an up to date list of OER resources. http://learn.creativecommons.org 42 OER and FFE • • • 'Free for education' (FFE) material is similar to OER material in that the copyright owner has given permission for the material to be used for educational purposes. However, FFE material may not permit a teacher to communicate, modify or share the material. This will depend on the terms and conditions of use of the material. Many websites are FFE because their terms and conditions allow copying for educational purposes. The Smartcopying website lists FFE: www.smartcopying.edu.au/scw/go/pid/936 43 Example 'You may download, display, print and copy any material at this website, in unaltered form only, for you personal use, educational use or for noncommercial use within your organisation' www.reconciliation.org.au 44 Other Free for Education initiatives A number of organisations have agreed to make their online material free for education: • Enhance TV Website http://www.enhancetv.com.au • Museum Victoria http://museumvictoria.com.au • Cancer Council http://www.cancer.org.au/Home.htm • World Vision http://www.worldvision.com.au Material available on these websites can be copied for 'educational purposes'. The Smartcopying website lists FFE websites: http://www.smartcopying.edu.au/scw/go/pid/936 45 Free for Education: The Learning Federation The Learning Federation (TLF) delivers high quality digital resources to schools through education department intranets. In NSW, access is through TaLe. TLF material can also be accessed through Scootle using a password (www.scootle.edu.au/ec/p/home). TLF resources will be aligned with the Australian Curriculum as it develops and includes cultural material from various museums and organisations, including: • • • • Museum Australia National Sound and Film Archive Australian Children's Television Foundation National Library of Australia 46 OER and Creative Commons Most OER resources use Creative Commons (CC) licences. This is because CC are well known, free, easy to use and no lawyers are needed. CC licences come expressed in three different formats: • • • Commons Deed (human-readable code), Legal Code (lawyer-readable code); Metadata (machine-readable code). A creator needs only to do one thing - select the type of licence they want from the CC website! 47 OER sites and Creative Commons… OER SITE CC LICENCE OER Commons http://www.oercommons.org Curriki http://www.curriki.org Openlearn http://www.open.ac.uk/openlear n/home.php Teaching Ideas http://www.teachingideas.co.uk 48 CC makes copyright easy... Using Creative Commons (CC) material enables the education sector to overcome copyright barriers. CC material is freely available for teachers and students to copy, modify and reuse. This is important in the digital era where content can be created, accessed and shared in new and exciting ways globally. The National Copyright Unit and CC Australia have developed an information pack for teachers and students on finding, using and attributing CC material. This pack can be found on the Smartcopying website at: http://www.smartcopying.edu.au/scw/go/pid/956 49 What is CC? CC creates a "some rights reserved" model. This means that the copyright owner retains copyright ownership in their work while inviting certain uses of their work by the public. CC licences create choice and options for the copyright owner. 50 CC Primary Licence elements There are 4 primary licence elements which are mixed to create a licence: Attribution – attribute the author Non-commercial – no commercial use No Derivative Works – no remixing ShareAlike – remix only if you let others remix See the CC information pack at: http://www.smartcopying.edu.au/scw/go/pid/956 51 Six standard CC licences Attribution Attribution – share alike Attribution - non-commercial Attribution – non-commercial – share alike Attribution - no derivatives Attribution – non-commercial – no derivatives 52 Australian cultural institutes and CC Many Australian institutes are using CC: • National Library of Australia and Picture Australia • • • • http://www.flickr.com/groups/PictureAustralia_pp e/ http://www.flickr.com/groups/pa_ourtown/ State Library NSW http://www.flickr.com/photos/statelibraryofnsw/ Powerhouse Museum http://www.flickr.com/photos/powerhouse_muse um/ Australian War Memorial http://www.flickr.com/photos/australian-warmemorial/ ABC through Pool http://www.pool.org.au 53 Public sector information and CC Last year, the Australian government agreed in principle to recommendations that PSI should, by default, be released to the public free of charge under a creative commons attribution licence. In light of this, the Attorney General's Department is in the process of drafting guidelines to assist Government agencies in adopting creative commons or other open licences when releasing their PSI, including legacy material. For further information, including a link to the draft guidelines, see: http://agimo.govspace.gov.au/2011/02/01/guestpost-comment-sought-on-draft-public-sector-information-licensingguidelines/ 54 CC and the Australian Bureau of Statistics ABS website material is licensed under a CC Attribution Licence: "Unless otherwise noted, all material on this website – except the ABS logo, the Commonwealth Coat of Arms, and any material protected by a trade mark – is licensed under a Creative Commons Attribution 2.5 Australia licence" 55 Flickr and international institutes The following museums and institutes have photostreams of CC licensed images on Flickr: • Smithsonian Institute • Imperial War Museum • Library of Congress • National Maritime Museum http://www.flickr.com/photos/nationalmaritimemuseum/ • George Eastman House http://www.flickr.com/photos/george_eastman_house/ • National Media Museum http://www.flickr.com/photos/smithsonian/ http://www.flickr.com/photos/imperialwarmuseum/ http://www.flickr.com/photos/library_of_congress/ http://www.flickr.com/photos/nationalmediamuseum/ 56 Attributing CC material In addition to providing details of author and copyright owner, title of work and source, CC licences require that you state the type of CC licence the work is available under along with a link to the licence terms. It is important to always check whether the creator has specified a particular attribution. Open Attribute (http://openattribute.com) is a tool recently developed by Mozilla Drumbeat to assist users of CC material properly attribute the CC material. Open Attribute is a simple tool that makes it easy for users to copy and paste the correct attribution for any CC licensed work. For further information on attributing CC material, see: http://www.smartcopying.edu.au/scw/go/pid/956 57 Where should I place the attribution? For text resources (e.g. books, worksheets, PowerPoint slides etc), include the attribution details next to CC work or as the footer along the bottom of the page on which the CC work appears. For video works, include the attribution information near the work as it appears on screen during the video. For sound recordings (e.g. podcasts), mention the name of the artist during the recording (like a radio announcement) and provide full attribution details in text near the podcast where it is being stored (e.g. blog, school intranet, learning management system etc). For further information on attributing CC material, see: http://www.smartcopying.edu.au/scw/go/pid/956 58 Example: Image licensed under CC Attribution licence Eid Mubarak by Hamed Saber available at http://www.flickr.com/photos/44124425616@N01/1552383685 59 Smartcopying resources Information sheets/guides Using Digital Content Repositories: • • Copyright Compliance Manual for Schools: www.smartcopying.edu.au/scw/go/pid/1020 Copyright Compliance Manual for TAFE: www.smartcopying.edu.au/scw/go/pid/1050 Understanding Website Terms and Conditions: www.smartcopying.edu.au/scw/go/pid/999 Creative Commons information pack: www.smartcopying.edu.au/scw/go/pid/953 Using Wikis and Blogs: www.smartcopying.edu.au/scw/go/pid/944 Using YouTube: www.smartcopying.edu.au/scw/go/pid/855 Using iTunes: www.smartcopying.edu.au/scw/go/pid/1049 Mandatory statutory notice for: • • Part VA: Part VB: www.smartcopying.edu.au/scw/go/pid/704 www.smartcopying.edu.au/scw/go/pid/705 60 For more information Sylvie Saab firstname.lastname@example.com (02) 9561 8730 Alison Davis email@example.com (08) 9319 5549 Delia Browne firstname.lastname@example.com (02) 9561 8876 Smartcopying Website www.smartcopying.edu.au 61


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This is the full research report for 184.108.40.206, which is an IP address.
Internap Network Services Corporation
250 Williams Street
Suite E100
Atlanta, GA 30303
Internap Abuse Contact
Telephone: 12062569500
InterNap Network Operations Center
Telephone: 14044750520
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Videos of lines of bison and other animals 'fleeing' Yellowstone National Park in the US have raised fears that the supervolcano underneath the park is preparing to erupt, but how much truth –if any – is there to this claim?
The clip in question was uploaded to YouTube with the title "ALERT! Yellowstone Buffalo Running for Their Lives!" and quickly circulated around online blogs with one commentator, a survivalist named Tom Lupshu, offering a typical assessment that the animals had detected "something vast and deadly."
"The Yellowstone supervolcano is the only thing there that would fit the bill," says Lupshu.
But is the supervolcano really that scary? Well, in theory, yes. After asteroid strikes, supervolcanoes are the "second most globally cataclysmic event" that can affect the Earth, and in the past they've been responsible for mass extinctions and 'volcanic winters' lasting for year.
In pictures: Yellowstone National Park
In pictures: Yellowstone National Park
1/10 'Sunset Lake' hot spring in Yellowstone National Park
'Sunset Lake' hot spring with it's unique colors in the Yellowstone National Park
2/10 Supervolcano in Yellowstone National Park
View of the 'Sunset Lake' hot spring with it's unique colors caused by brown, orange and yellow algae-like bacteria called Thermophiles, that thrive in the cooling water turning the vivid aqua-blues to a murkier greenish brown, in the Yellowstone National Park, Wyoming in 2011
3/10 Supervolcano in Yellowstone National Park
View of the 'Crested Pool' hot spring with it's unique colors caused by brown, orange and yellow algae-like bacteria that thrive in the cooling water, turning the vivid aqua-blue to a murkier greenish brown, in the Yellowstone National Park
4/10 Supervolcano in Yellowstone National Park
Cliff Geyser along Iron Creek in the Black Sand Basin in Yellowstone National Park in Wyoming
5/10 'Grand Prismatic' hot spring in Yellowstone National Park
View of the 'Grand Prismatic' hot spring with it's unique colors caused by brown, orange and yellow algae-like bacteria called Thermophiles, that thrive in the cooling water turning the vivid aqua-blue to a murkier greenish brown in the Yellowstone National Park
6/10 A geothermal pool in Yellowstone National Park
Yellowstone protects 10,000 or so geysers, mudpots, steamvents, and hot springs
7/10 Yellowstone Lake in Yellowstone National Park
Tourists walk beside a hot spring and the partially frozen Yellowstone Lake at the West Thumb Geyser Basin in the Yellowstone National Park
8/10 Midway Geyser Basin in Yellowstone National Park
Tourists stroll on a steamy boardwalk at Midway Geyser Basin in Yellowstone National Park in Wyoming
9/10 'Old Faithful' geyser in Yellowstone National Park
'Old Faithful' geyser erupts on average every 90 minutes in the Yellowstone National Park
10/10 Lower Falls in Yellowstone National Park
Lower Falls at the Yellowstone Grand Canyon in the Yellowstone National Park
The Yellowstone supervolcano itself is an active hotspot, it has a massive magma chamber (scientists estimated last December that it was 2.5 times bigger than previously thought) and given what we know about its history, it erupts on a roughly 700,000 year cycle – with the last major eruption occurring some 640,000 years ago.
A cataclysmic eruption from the supervolcano some 2.1 million years ago is thought to have killed off thousands of prehistoric animals and covered nearly half of North America with ash and dust. In a nut-shell, the fear is that Yellowstone is overdue - and that the bison (below) are the first to figure it out.
However, Yellowstone Park authorities have stepped into the breach to clear up the muddle, with Public Affairs chief Al Nash calmly pointing out that the video of the bison 'fleeing' actually shows normal migration patterns.
"We do have bison, elk and other animals that have moved outside the park recently," explains Nash in a video on YouTube, "but they're doing that because it's the depth of winter. Food is a little hard to find in places inside Yellowstone and they tend to migrate at this time of the winter outside of the park to lower elevations where they think there might be something to eat that's easier to get at."
"When the snow melts off and things start to green those very same animals will walk straight back into the park," says Nash, who also points out that although the park has been hit by some large earthquakes in recent weeks, none of these are beyond the bounds of normal seismic activity.
For online rumour-mongers though, the fact that the bisons' 'flight' occurred at the same time as the earthquake is extra evidence that Yellowstone is about to blow. However, this just raises another question: do animals really have a sixth sense that can detect this sort of cataclysmic event?
The answer is not as clear cut as you might think. Although there's a wealth of anecdotal evidence describing animals behaving bizarrely in the hours or minutes leading up to an earthquake, there's no scientific agreement as to what forces might actually be in play.
The most widely-accepted theory is that the movement of underground rocks prior to an earthquake generates some sort of electrical signal that is only perceptible to animals, but reports of which animals are affected and in what circumstances are so varied that it's impossible to offer a single, conclusive explanation.
One case-study from Italy in 2009 suggested that toads that fled an area prior to an earthquake had done so because of changes to the chemical composition of the groundwater, while a recent project linking the movement of bats and birds with earthquakes suggests that it's the animals' ability to detect magnetic fields that gives them advanced warning.
Most of these explanations are linked to the generation of some sort of electrical signal underground, but exactly how and why this ends up tipping off the animals is still not fully understood. We may know what's causing the Yellowstone bisons to move but there's still a lot about this phenomenon we don't understand.Reuse content


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Undo the damage
To nullify a night of iniquity in 10 minutes flat, Selfridges' beauty buyer Emily Saunders advises using the winningly named Mega-Mushroom Skin Relief Cream from Dr Andrew Weil for Origins. Not only does it rapidly rehydrate parched skin, but it will also help to reduce the blotchy red signs of a whisky sour too many the night before.
Cool your boots
Going from squat rack to bubble bath accelerates muscle damage, says Dr Ken van Someren, head of research and development at the GSK Human Performance Lab. Instead, spend 10min in 14°C water (the temperature of your cold tap) to put your DOMS firmly on ice.
(Related: How to stop sweating after your gym session)
Get good vibrations
Sometimes it pays to call in the professionals. For the ultimate facelift, pair Foreo's Luna for Men sonic pulser with some Clinique for Men Charcoal Face Wash and run it over your face for about one minute, says Saunders. This works to shift deep-set grime and reduce razor burn when you tackle your five o'clock shadow first thing.
Back to the future
No remedial bath session is complete without a double threat of Kiehl's Ultra-Facial Oil Free Toner to keep blemishes at bay and a healthy slather of Dr Sebagh Serum Repair Moisturising Treatment. "This combo yields hardcore results," says Saunders. "It tightens skin and erases age." Your bath will feel like a time machine.
A head of steam
For a DIY facial to repair ravaged skin, run your taps at 35oC (that means heavy on the hot tap), shut all your doors and windows, keeping extractor fans off. "Creating a makeshift steam room like this opens pores and deeply cleanses your skin," says Saunders. Now you're ready to face the week at work.


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It only takes a minute to get started. Fill out our simple sign up form and login to the site.
This step is up to you but will seriously increase your chances of having members look at your profile. Introduce yourself, your pasttimes and upload a nice photograph of yourself.
Utilise our website's cutting-edge search to pinpoint members who match your desired requirements. Or just leaf through listings and pinpoint daters that attract you.
Found someone who tickles your fancy? Drop them a line or just a wink and wait for their response. With a little luck you'll be on your way to a once in a lifetime experience.
It doesn't take long


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Welcome to Mt. Vernon Middle School! Our faculty and staff are very excited and happy to work with the students of the Mt. Vernon community. The middle school years are a very crucial time in a student's life. These students are in a constant state of change--physically, socially, emotionally, and educationally. These are the years in which young people formulate many of the ideas, attitudes, goals that will be the foundation of their future. We are here to lead and guide them throughout this fun, exciting and critical time. I am confident that your student will get the finest education and care possible.
-Bob Senninger
If you drop off and pick up your student for school, please do so at our front door on Landrum Street. The North parking lot is reserved for bus use only. Thanks for your attention to this matter. Have a great year!


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It only takes a minute to get started. Fill out our uncomplicated sign up form and login to the website.
This step is optional but will dramatically enhance your chances of getting interest from other over 50s members on the site. Write a little about yourself, your pasttimes and upload a nice photo of yourself.
Utilise our website's sophisticated search to find over 50s members who satisfy your needs. Or just scan through listings and find people that attract you.
Discovered someone who ticks all the boxes? Send them a few words or just a wink and find out if they're interested in you. With a little luck you'll be on your way to an amazing adventure.
It only takes a few clicks


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Zimbabwean leaders have clinched a historic power-sharing deal that will end five months of political stalemate between President Robert Mugabe and the opposition leader who defeated him in the first round of the presidential election.
The South African president, Thabo Mbeki, who has mediated during months of on-again off-again fraught negotiations, made the official announcement last night after four days of talks in Harare. "It's made in Zimbabwe, it's made by Zimbabweans, the rest of the world needs to respect that the people of Zimbabwe have taken a decision about their own country," he said.
Mr Mbeki said the deal would be signed at a formal ceremony in the Zimbabwe capital on Monday morning, to be attended by African leaders.
However, he did not give details of the accord, saying this would be done on Monday and critical questions remained as of last night. The mediation had recently stalled over disputes about how to share power between Mr Mugabe, who is to remain as President, and Mr Tsvangirai, who becomes Prime Minister.
The Zimbabwean leaders are to spend the next few days putting together the "inclusive government" to be announced then, Mr Mbeki added.
Mr Mbeki had faced international criticism because of his reluctance to take on Mr Mugabe during his seemingly futile mediation efforts aimed at putting an end to Zimbabwe's long-running crisis which has sent the economy of the country which was once Africa's breadbasket into a tailspin.
"I am absolutely certain that the leadership of Zimbabwe is committed to implementing these agreements... this is an outcome that comes out of decisions arrived at by the leadership of Zimbabwe," Mr Mbeki said.
The main opposition leader, Morgan Tsvangirai, was the first to announce the deal between Mr Mugabe's Zanu-PF party and his own Movement for Democratic Change as he left the talks in Harare. However there was no immediate comment from Mr Mugabe or Zanu-PF spokesmen.
Mr Mbeki said that "the leaders will work very hard to mobilise support for the people to recover. We hope the world will assist so that this political agreement succeeds."
If accepted by the key donor Western nations, the power sharing agreement will pave the way for Zimbabwe's reconstruction. The southern African nation's economy has been in free fall since February 2000 when Mr Mugabe, in his desperate bid to cling to power, unleashed his supporters on a campaign to seize white farms.
The campaign effectively destroyed Zimbabwe's agro-based economy and saw inflation spiralling to a record high of 50 million percent.
The deal will also bring relief to Mr Mbeki, who had received mounting condemnation over his softly-softly approach towards Mr Mugabe which many had blamed on his nearly two year official mediation failure.
Analysts remained cautious last night following the announcement. "There appears now to be a reluctance to come out from ZANU-PF, which means there have been major concessions from the government side in my view - not only agreeing an executive prime minister's role for Morgan Tsvangirai but maybe a sharing of security posts," said Martin Rupiyah, the director of Africa research at Cranfield university.
"I don't think we are out of the woods yet in terms of the Zimbabwe crisis. There are a number of pieces that still have to fall into place. One is the role of the military. That still has to be addressed directly. Also in the recent weeks or days there has been an upsurge in violence. The infrastructure for state-sponsored violence is still in place. I still have my doubts as to how this deal will impact the structures on the ground."
- More about:
- Africa
- Harare
- Robert Mugabe
- Zimbabwe


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- Convenient - small, capless and pocket-sized for easy transportability
- Durable - metal casing with sturdy ring
- Supports Windows 7, Vista, XP and Mac
- $6.79 –
- $0.49 Shipping (restrictions apply)
Extremely great USB drive 01/10/2014
This review is from: Kingston 16GB DataTraveler SE9 USB 2.0 Flash Drive (DTSE9H/16GBZ)
Love them so much I bough three of the 8GB version on Black Friday. All are great, fast, and dont cause any issues like some of the cheapo flash drives will. Works great on XP, 7, and Ubuntu.
So small you might lose it!
Other Thoughts:
Great drive for a great price.
Did you find this review helpful? Yes / No Thanks for the valuable feedback you provided!


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Wrestlemania 28
Release Date: 30 July 2012 | Certificate: Exempt
£26.49 includes FREE UK Postage (other delivery options available)
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UK - Shipping Included
United Kingdom
Europe Zone 1 - £2.19
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Falkland Islands
Sorry, this product is currently unavailable.
Full coverage of WRESTLEMANIA 28 held in the Sun Life Stadium in Miami Gardens, Florida with all eight matches covered on this release.
The Rock-Great One's DVD Extra
Release Date: 30 July 2012
Certificate: E - Exempt from Certification
Region 2
Sound: Dolby Digital
Running Time: 200 minutes
Main Language: English
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Catalogue No: WWE1358


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Links 2
2 thoughts on "Links"
Mar 20,2017 12:57 pm
Hi Jessica!
I am not sure if anyone has gotten back to you. If not, all apologies for the delay.
I will certainly bring the April 9th event up to our members at next Monday's club meeting.
If you have any more running/fitness related events, please reach out to me at firstname.lastname@example.com. I'd love to partner with you in the future!
Kelly Fox
GLRR Social Director
Feb 25,2017 4:16 pm
Good afternoon,
My name is Jessica and I am contacting you from the Chelmsford Library to let you know about a few great running and fitness related programs coming soon to our library. All programs are free and located at the library at 25 Boston Road in Chelmsford. Follow the links to our website for more information on each:
March 9, at 7PM: Defining Moments, with David McGillivray, Race Director of the BAA Boston Marathon
March 19, at 2PM: Get back on the road to fitness, with Mark Coddaire
Sunday April 9 at 2PM: Marathoner Roseanne Sdoia will come and speak about her struggle returning to running after surviving the Boston Marathon bombing.
Please share with anyone that would be interested. Hope you can join us!
Jessica FitzHanso


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Khloe Kardashian Breaks Down Discussing End of Marriage on KUWTK – VIDEO
Truth rating: 10
Khloe Kardashian and Lamar Odom's "love story comes to an end" on Sunday's mid-season finale of "Keeping Up with the Kardashians."
The teasers for the emotional episode shows Kardashian breaking down as she talks with her family about the demise of her marriage.
Kim and Kourtney tear up, too.
As Gossip Cop reported at the time, Kardashian filed for divorce in December, but Odom recently said she will "always be my wife."
Check out the videos below.


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Forecast showing showers? Don't let that stop you! Keep yourself clean and visible with the Rainy Day Ride Pack! Featuring reflective mini-fenders to keep the road off your clothes and increase your visibility, the ICNY cycling cap to keep the rain out of your eyes and turn your reflectability up to "11", a pair of Pure nightlights for some extra illumination, and Finish Line lube to give your chain some love after a long day in the wet! It's everything you need to ride year-round, whatever the weather.
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A statement silver plated necklace from our beautiful Anatolian collection, with hook and ring closure. Handcrafted in Istanbul by local artisans. Pair with our matching Alucra bracelet.
Measurements: Total length 50cm (adjustable), length 14cm.
Materials: Silver plated zinc alloy
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We had a bit of time to look at various leaks and rumors over the past few weeks and months. Their big flagship devices, like the Padfone were unveiled at Computex. The innovations like the Transformer Book Trio were from Computex shows. Their 3D MeMO tablet was a Computex unveil. We could go on and on, but what we care about it the here and now. So what might Asus unveil?
We expect a MeMO Pad series replacement series, named ZenPad 7 / 8 / 10. We haven't seen any real evidence of a 10-inch model yet so it's unclear whether that comes after Computex 2015.
We expect the Transformer Pad series to be replaced by the ZenPad S. At this point, the Transformers were 10-inch, but now it appears Asus is settling in on a 8-inch model. Will they also unveil a 10-inch ZenPad S? We have no evidence to suggest that's happening. We hope there is a classic 10-inch size because that has been one of the flagship devices of the Asus line-up.
We expect something called the ZenPad C, which for us is the most intriguing device. We've settled on our prediction of this being a Note style tablet. In a sense it will be the new Fonepad. There has been very little information on the "C" tablet, so this is going to be special we hope.
With Asus already clearly on record saying that there will be fewer tablets than before, we are suggesting these may be the extent of the unveils. One thing is certain, Asus doesn't play it safe and they could come out with something unique or completely revolutionary. Just expect some surprises!