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Home › Forums › Gear Forums › Gear (General) › What pack features do you like?
Nov 20, 2011 at 2:58 pm #1282213
Chris MuthigSpectator
@cmuthigLocale: Georgia
I made a SUL pack very similar to the Murmur about five months ago. Because of some design flaws and rough use, it is time for a new pack. I have some ideas on how I want to make it, but I feel like I can get a bit close minded on what works best and miss over great features. So what features does everyone like the best in their UL packs? Which closure, pocket, compression, shoulder straps, belts, or other assorted doodad do you think works best for you? I know each person has their own thoughts on this, and I'm really curious to hear what everyone else thinks.
As far as the use for the pack I plan to make, if it matters at all to anyone: mostly shorter trips, 3 days tops, able to use it even for short winter trips, so about 35 liters probably. I'm not thinking this one necessarily needs to be SUL but definitely UL and work as a good all around go to bag.Nov 20, 2011 at 3:29 pm #1803749
drowning in spamMember
@leaftyeLocale: SoCal
I like big side pockets for ~2 liter gatorade bottles. I don't really care for the compression webbing that most UL packs have across the front pocket. I'd rather that they use the same type of criss-cross webbing on the side panels, but in such a way that the side pockets aren't hindered.Nov 20, 2011 at 3:32 pm #1803752
Pete WilsonMember
@muddy-peteLocale: east coast
Organizer pockets inside for smaller items.Nov 20, 2011 at 3:35 pm #1803756
Dan DurstonBPL Member
@dandydanLocale: Cascadia
I like:
– Roll top
– Waterproof fabric (ie. 1.5oz cuben or that 2.9oz nylon/cuben hybrid fabric)
– Sternum strap
– No waist belt, compression system, haul loop, hipbelt pkts
– Pocket: two side pockets and a rear mesh center pocketNov 20, 2011 at 3:37 pm #1803757
HkNewmanBPL Member
@hknewmanLocale: Western US
First a front scoop pocket for sandals if I'm visiting a hot spring or lake. Second, a daisy chain on top to lash a shelter, for extra capacity (like packs but trying to get away from the "arsenal") and if raining, I'm not exposed the inside of my pack to rain while taking out the shelter, stakes, etc… Third a lid with a pocket somewhere easy to get to for allergy meds.
Winter? Still lightweight, but maybe add a large pocket for more shell layers,big gaiters, maybe some other pockets for gear to deal with sudden wind-blown snow. It all needs to be secured in case I biff it on a snow-covered hill, that way equipment is not rolling downhill. Now, stop this thread: I don't want to add more packs — honestly, really, no lie…
(ed: add)Nov 20, 2011 at 3:56 pm #1803768
Jerry AdamsBPL Member
@retiredjerryLocale: Oregon and Washington
No pockets – extra weight, complexity, path for water to enter, weakens pack, not needed
Hip belt – currently I've been using a hip belt that weighs a couple ounces that I think I like
Waterproof – it just seems like a pack cover or internal plastic bag is just a kludge to make up for a deficient pack – I use silnylon and coat it inside-out with mineral spirits/silicone, but I think Cuben would be better.Nov 20, 2011 at 4:45 pm #1803786
Dale WambaughBPL Member
@dwambaughLocale: Pacific Northwest
For SUL? I want it wider than is typical, so the center of gravity is closer to my body, a mesh pocket on each side that will handle one liter bottles, and a back pocket for a pad. A roll top would go with the wider pack body.
For heavier loads, all the above and add a frame or stays for true weigh transfer, a hip belt with large pockets, and a "stuff it" panel on the front to carry rain gear or extras.Nov 20, 2011 at 5:16 pm #1803795
Chris MuthigSpectator
@cmuthigLocale: Georgia
Sorry about that. This hypothetical pack DOESN'T need to be SUL. I'm sure some of that info I posted seemed a bit contradictory to saying it should be SUL.
Yeah, I am trying to get away from having an arsenal of packs as well. My girlfriend has limited me to having 6 at any given time. So with the retirement of my SUL pack, I have space for one new one and want to make it good for most situations. I have a few others I should probably sell to lessen the clutter as well. Sorry HK for adding the pressure.
Does anyone make a waterproof pack? With taped seams or sealed seams like Jerry's? Besides dry bag haulers of course.
So many different thoughts. I love how many different ways there are to pack gear. Keep'em coming.Nov 20, 2011 at 5:25 pm #1803798
Brian CampriniBPL Member
@bcampriniLocale: Southern Appalachians
Something that Dan McHale does that is applicable to SUL…and it's just fantastic to me…he uses a piece of webbing between the top of the should strap and the pack body. It lets the straps twist and pivot to conform to your shoulder angle. For extra magic, use slippery fabric on the shoulder straps like he does.Nov 20, 2011 at 8:24 pm #1803893
Dean F.BPL Member
@acrosomeLocale: Back in the Front Range
Despite what our Commonwealth friends will say I like side pockets for holding water bottles. Stopping all the time to drop your pack and open it to get your water is a PITA, and I have a general dislike of hydration bladders since it is hard to track your water consumption. (thus a hydration pocket is useless to me, as well.) Side pockets just seem like a useful common-sense thing to me and I don't understand my some people (ahem) get so religious about not wanting them- kinda like the trek pole debate. HYOH, people. Alternatively, I guess you could carry bottles on your shoulder straps.
I like roll closure- simple, rugged.
I used to think that waist-belt pockets were a waste, but I have since changed my mind. Carrying little things in your pockets is annoying and at times uncomfortable, and I hate to get several miles into a hike and find my chapstick eroding a hole in my thigh. So a waist-belt or shoulder strap pouch to hold snacks and the little knicknacks that you need through the day is nice. But if the side-pockets are easily accessible without taking the pack off they would work for this function. Oddly, I find that the Osprey Exos side pockets are excellent. But, again, this is an issue that some people will get religious about.
I'm not one of those fanatics who cuts off the waist belt, obviously. If you are then that would of course disqualify the waist-belt pockets.
I can't say I've ever had a vital use for a front pocket, though. If it's mesh sometimes they are nice for drying off a tent or clothes while you hike, but that's about it. And if there is not front pocket that leaves space to easily place a couple of daisy-chains, which are probably more useful.
I have enough packs of differing sizes that compression systems are kinda pointless.
Whatever the denier of Dyneema X that MLD uses for their packs seems a useful tradeoff of weight and durability.Nov 20, 2011 at 9:40 pm #1803915
Daryl and DarylBPL Member
@lyrad1Locale: Pacific Northwest, USA, Earth
At least 50 liters volume.
Weight less than 1 pound.
Front bag for balance.
Comfortable waist belt.
Non-waterproof washable fabric.
Frame that transfers all of the weight to my waist.
Bag height is adjustable on frame.
Quick release buckles everywhere.
Bags easily removable from frame.
Can be used to carry as little as 5 lbs without things jiggling around.
Can carry up to 40 pounds comfortably.
No pockets.
Easy open and close
Opening holds open for ease of throwing items into pack.Nov 20, 2011 at 9:43 pm #1803916
Joslyn BloodworthMember
@joslynbLocale: Southwest
I love hip belt pockets. I gotta have a hip belt and I like eating my lunch while walking and I like keeping my food in the hip pockets so I don't have to put up my trekking poles. I also like a sternum strap because I can never seem to keep my shoulder straps in place.
The one thing I really hate is side pockets, I always feel off balance no matter what I do.Nov 20, 2011 at 9:54 pm #1803920
Dan DurstonBPL Member
@dandydanLocale: Cascadia
"Something that Dan McHale does that is applicable to SUL…and it's just fantastic to me…he uses a piece of webbing between the top of the should strap and the pack body. "
Zpacks is now doing this with their Zero packs (and maybe others?). I have one and I think it's good. The downside is that the shoulder strap can easily twist as you put the pack on, so you often need to flip it. But on the upside it seems to carry well and it saves a it of weight since the padded portion of the shoulder strap is shorter.Nov 20, 2011 at 9:58 pm #1803921
drowning in spamMember
@leaftyeLocale: SoCal
I love hip belt pockets. I gotta have a hip belt and I like eating my lunch while walking and I like keeping my food in the hip pockets so I don't have to put up my trekking poles.
Yeah, I like that when a pack has a full hipbelt. The only thing is that I wish the pockets were bigger than any integrated hip belt pocket I've come across. I'd like to be able to fit a full quart size freezer bag in there.Nov 21, 2011 at 5:16 am #1803950
sandy boydSpectator
@sandylwesLocale: eastern washington
I just had Chris Zimmer make me some BIG hipbelt pockets! Havent tried them on a hike yet, but they look like they will be great, they are at least twice the size of MLD"s hip pockets!
sandy boydNov 21, 2011 at 5:30 am #1803952
Ismail FaruqiMember
I like suspension like Aarn auto mould frame. It is pretty simple and lightweight, does a very good job transferring load to my hip, and best of all: my body is free to move while the pack sticking into my back.Nov 21, 2011 at 6:36 am #1803969
James MarcoBPL Member
@jamesdmarcoLocale: Finger Lakes
Like Daryl, I prefer a pack around 2800-3000ci (45L-50L.)
This is about where we start differing, though.
It should be frameless for UL packing, but also have the ability for stiffening of some sort for long trips with a lot of food, water and fuel. Since, I have been out for up to two weeks with less than 30lb (and more than two thirds of that in food for the 14 days,) It should carry comfortably at 30lb. Or on UL trips with 11 pounds including food, fuel and water. Sleeves for your pad will help, also, maybe a couple arrow shafts. GG's older Miniposa used to build them into the pack, although removable for short trips.
Side pockets are a must. one for the stove/fuel/kitchen stuff, one on the other side for water bottles (2-gatoraid bottles.) Over the course of a 20mi day, the balance will change a bit, but not too bad if the center and front pouch are well loaded. I notice it more with light loads than 20lb loads. The compass and map go in my pocket or are around my neck. There is really no need for a third pouch, though it comes in handy to collect trail garbage.
A "hydration" sleeve is nice for flat stuff: spoon, tarp stakes, aluminum foil lids, etc… I never use a bladder, though. After all the pipes & valves, they are no lighter, and they require more fussing. Anyway, over the years, I have decided that I actually like the sleeves, though not for the intended purpose.
I prefer an external pad sleeve, like GG packs have, letting the pad do double duty as a frame for the pack.
A mesh front pouch for holding rain gear, a removable fleece jacket and tarp pretty much rounds out the pack, itself.
Hip belt pockets are handy, but, not necessary. Again, a couple bars can be put in a pocket for the day's hike. They are also handy for a camera, should I bring one.
Shoulder pouches and bottle holders don't work for me. I have problems with a vertibra/disks in my lower neck and anything that puts a lot of strain on my shoulders can be painfull, especially at night. I made a couple smaller ones but quickly found they didn't work for me.
As you can see, weight transfer to my hips, and, weight off my shoulders are important. Soo, a GOOD hip belt is needed. ~5-9lb is about all I can do for any length of time on my shoulders. Short periods of a lot more weight are OK, though. So, padding becomes important with a full pack. A wider belt helps too.
Compression is not that important, but makes it easy with small loads. A couple loops of elastic is all it takes, though one of my packs uses straps…it works, though because it is a solid pull it bent the Caldera cone, one time.
The weight of a pack is quite important. It needs to be less than 1 pound. I think the older Miniposa said 14oz, but mine currently weighs 16-1/4oz with two additional belt pouches and several patches. The G5 was patched to beat hell, but was retired this season after it slid down some rocks (me with it. Hmmm…they call them slides for a reason, right?)
Anyway, I am starting to keep track again, looking for a sub 8oz pack with all of the above… Oh yeah… It *must* fit. And be a bit more durable than the venerable G5-Spinnaker I used for so many years. Oh, yeah…it must fit a bear ball…
Reading carefully . . .Nov 21, 2011 at 7:45 am #1803985
Jerry AdamsBPL Member
@retiredjerryLocale: Oregon and Washington
"Despite what our Commonwealth friends will say I like side pockets for holding water bottles."
I realize I'm a "Don Quixote tilting at windmills" but there's no reason to constantly drink water. Once an hour stop and take a bite of food and a drink of water is fine. It takes a few seconds to remove pack and get to water. It stays cooler in your pack.
If you have a pocket, it's difficult to reach the water and food without removing your pack. And if you can, they'll probably fall out when you don't want them too. I prefer pack to be one solid package. With pockets, the stuff flaps around as you walk.
I'm into simplicity. Remove anything that's not necesary.
Okay, get off soap box now…Nov 21, 2011 at 7:57 am #1803991
Kyle MeyerBPL Member
@kylemeyerLocale: Portland, OR
If you have a pocket, it's difficult to reach the water and food without removing your pack. And if you can, they'll probably fall out when you don't want them too. I prefer pack to be one solid package. With pockets, the stuff flaps around as you walk.
I don't find that to be the case at all. With my Ohm, I can easily grab a water bottle from my side pockets, take a drink while walking, and put it back with ease. And when I stop and stretch or bend over to tie my shoe or get water, I've honestly never had anything fall out of a side pocket.
Maybe you've just had crappy side pockets on backpacks before. They add maybe an ounce to a pack and allow you to keep moving while hydrating.Nov 21, 2011 at 8:05 am #1803993
Rusty BeaverBPL Member
@rustybLocale: Idaho
"I can't say I've ever had a vital use for a front pocket, though."
I like to carry my lunch in the front pocket so I don't have to dig into the main bag. I also like carrying my wind jacket and poncho there for the same reasons. Quick and easy to get to.
Re side pockets, I'm with you there. I carry a water bottle on one side and my Steripen, stove fuel and toilet tissue in the other. Things could be disastrous for me having to dig through my main pack fumbling for toilet tissue!Nov 21, 2011 at 8:06 am #1803996
Katharina LångstrumpBPL Member
@kat_pLocale: Pacific Coast
I also disagree that pockets are a problem. I can reach my water bottle with one hand in the side pocket of the Hornet. It is actually one if the features that I like best in a pack . I don't like the loose external pockets , but the snug ones are an essential feature to me.Nov 21, 2011 at 9:09 am #1804016
John VanceBPL Member
@servingkoLocale: Intermountain West
I like one large main bag with a rolltop closure, side pockets that fit 1 liter bottles, a hipbelt with pockets, and a large back pocket for stuffing things on the go.
I am currently a one backpack and one lumbar pack guy. My go to pack is an '10 Swift that has been about perfect. If I could change it I would make the side pockets just a bit bigger and add a bit more depth to the hipbelt.
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Jorge Ferreira Chaves
This article may be expanded with text translated from the corresponding article in Portuguese. (March 2016) Click [show] for important translation instructions.
Jorge Ferreira Chaves, (22 February 1920 – 22 August 1981) was a Portuguese architect.
Some authors may refer to him as "Jorge Chaves" or simply "Chaves".
He was one of the architects responsible, in the latter part of the 1940s, for the establishment of the Modern Movement in Portugal.[1]
Professionally active between 1941 and 1981, he is considered one of the most perfectionist Portuguese architects.[2] From 1946, in his office, he developed several dozens of projects for continental Portugal, the island of Madeira, Portuguese Guinea and Angola.[3][4]
He also collaborated with some of Lisbon's most important architectural offices of the first half of the 20th century:[3] those of Joaquim Ferreira, Miguel Jacobetty Rosa and Porfírio Pardal Monteiro.
- 1 Biography
- 2 Buildings and projects
- 3 See also
- 4 Notes and references
- 5 Bibliography
- 6 External links
Jorge Ribeiro Ferreira Chaves was born on 22 February 1920, in Ponta do Sol, municipal seat of Ribeira Grande, on the island of Santo Antão in Portuguese Cape Verde.
He was the son of Portuguese civil engineer and inventor Raul Pires Ferreira Chaves.
From 1931 he lived in Lisbon.
He studied architecture at the Escola de Belas Artes de Lisboa (English: Lisbon School of Fine Arts), having entered in 1935.[5]
In 1941, his degree program was interrupted because of military service during World War II,[5] stationed with Portuguese expeditionary forces on the island of São Miguel in the Azores. He remained on the island until 1944.
He rejoined the School of Fine Arts in 1944 to finish the architecture degree and was awarded the 1946 José Luis Monteiro Prize,[5] which included a monetary stipend for students achieving academic excellence. The prize was significant, since it had not been awarded the previous years, and had accumulated. Simultaneously, in 1946-1947, he attended the Sculpture degree.[5] In 1948, he graduated in architecture.
In his diploma application exam (Portuguese: Concurso para a Obtenção do Diploma de Arquitecto - CODA), in 1953, Jorge Chaves obtained a significant passing grade: 19 out of 20.[5]
His professional career started during the period of 1943-1956; a period which Nuno Portas[6] has designated as the stage of "resistance" in Portuguese architecture and art. From 1944 to 1946, in the final years at university, he collaborated with architect Joaquim Ferreira. During this period, he also collaborated, occasionally, with architects Filipe Nobre de Figueiredo and Alberto Soeiro.
In 1946 he set up his first office together with his graduation classmate Luís Coelho Borges.
He was a member of ICAT - Iniciativas Culturais Arte e Técnica (English: Culture, Arts and Techniques Initiatives) and also of the Sociedade Nacional de Belas-Artes (English: National Society of Fine Arts). He participated in four sessions of the EGAP Exposições Gerais de Artes Plásticas (English: General Exhibitions of Visual Arts) by presenting architectural projects. In 1948, he participated in the 1º Congresso Nacional de Arquitectura (English: 1st National Congress of Architecture ).
- One of his "post - 48 Congress" projects was the Laboratorios Cannobio building, designed in 1948 and built in 1949. This was one of the first buildings to emerge in the Centre of Lisbon displaying an architectural language clearly engaged with the Modern Movement.
- His project for the street corner of Rua Braancamp 7 with Rua Mouzinho da Silveira would also have been so, had it not been rejected for "aesthetic reasons", by the conservative Municipality of Lisbon.
In parallel with project activity in his own office, he collaborated with the office of architect Miguel Jacobetty Rosa, between 1948 and 1952, and did an internship under the direction of architect Hernâni Gandra during 1951.[5]
In 1952 he was invited to the office of the architect Porfírio Pardal Monteiro, with whom he worked in designing the Palácio da Rotunda[7] and Sorel buildings,[8] but especially the Hotel Ritz in Lisbon, "a remarkable work, for its aesthetic wisdom and excellence of material execution ".[9] During architect Porfírio Pardal Monteiro illness and after his death in 1957, he ensured the continuity of the project of the hotel, by giving assistance to the construction and by heading the phase of execution in a special office built in the site,[10] until its inauguration in 1959.[2][9]
Although the design of Hotel Ritz was his core activity from 1952 to 1959, he kept his own office to which he was exclusively dedicated after 1959.
- His most significant architectural production took place during a period characterized as "of a relative opening of the (dictatorial) regime to accept modern architecture".[11] During the 1960s, he developed a specific trait, recognizable in such works as the "Pastelaria Mexicana" in Lisbon or the "Hotel Garbe" and the "Hotel Baleeira" in the Algarve and also in housing in Olivais Sul, Rua da Penha de França and Rua da Ilha do Príncipe[3] in Lisbon. This latter case has been referred to as "perhaps the best urban intervention for housing in Lisbon in that decade".[3][9]
- The "Chamber of Commerce of Bissau" (Portuguese: Câmara de Comércio de Bissau), the headquarters of the Guinea's Trade, Industry and Agriculture Association (Portuguese: Associação Comercial, Industrial e Agrícola da Guiné), is considered the most qualified architectural achievement in Bissau during the colonial period.[12]
- At the end of the 1950s he produced the "remarkable work of Caixa Geral de Depósitos bank in São Pedro do Sul, clearly influenced by the survey on vernacular architecture in Portugal (Portuguese: Inquérito à Arquitectura Popular em Portugal) that was carried out in the late 1950s.[9]
- "The Pastelaria Mexicana (a Lisbon cafe and snack-bar) is a highly remarkable example that led to the limits, in that period and in Portugal, the expressionist trends created inside the Modern Movement since the early 20th century" and that "developed a phenomenological sense of architectural vision that reached a climax, deemed even exceptional, in the history of architecture in Portugal."[1]
- "Broken line profiles and non-straight angles, key elements of an international lineage organicism rediscovered in the 1960s", are " brilliantly integrated in this perfect example of "total design"."[3] The process of its classification as a monument of public interest has been ongoing in IGESPAR since 1996, after an intervention, in that same year, that changed significantly some parts of its architecture. It retains, however, part of the elements that motivated, in 1993, such a proposed classification.
Several of his major works, such as the "Pastelaria Mexicana" (cafe), the "Palissi Galvani" shop and the Hotel Florida in Lisbon, the Hotel Garbe, the Hotel da Baleeira and the Hotel Globo in the Algarve or the Chamber of Commerce of Bissau in Guinea-Bissau include conceptually integrated visual arts interventions, some created by himself.
The visual artists Jorge Vieira, José Escada, Martins Correia, Paulo Guilherme d'Eça Leal, Sena da Silva, Hein Semke, Querubim Lapa, Mario Costa, António Alfredo and João Câmara Leme were invited to intervene in his works.
In his career, he was accompanied in some of the listed projects, by the associated architects Luís Coelho Borges, Álvaro Valladas Petersen, Anselmo Fernandez Rodriguez, Eduardo Goulard Medeiros, Artur Pires Martins, Cândido Palma de Melo and also by Mario Xavier Antunes, Jorge Herédia, Frederico Sant'Ana and Vítor Sousa Figueiredo, who were internship members of his office and carried on collaborating with him.
His work also developed on the wide urban scale and he had an important role in the development of Industrial Design in Portugal. For the equipment of his buildings and interior designs, Jorge Ferreira Chaves always designed original furniture or chose mainly Portuguese designed and manufactured fixtures and objects.
From 1978 to 1981, he designed interventions in public buildings, as an Architect of the Ministry of Public Works (Portuguese: Direcção-Geral dos Edifícios e Monumentos Nacionais - DGEMN do Ministério das Obras Públicas).[4]
He died in Lisbon on August 22, 1981.
Buildings and projects[edit]
Please see PROJECTOS E OBRAS of Chaves.
Please see PROJECTOS E OBRAS of Chaves.
See also[edit]
Notes and references[edit]
- ^ a b (Portuguese) TOUSSAINT, Michel - "A Mexicana" in "Jornal Arquitectos" nº 132, Fevereiro 1993 (p. 20 / 29)
- ^ a b (Portuguese) LAMEIRO, Carlos - "Histórias que tenho para contar - A importância do turismo na minha vida"; Peregrinação publications USA Inc. (p. 22)
- ^ a b c d e (Portuguese) AGAREZ, Ricardo - "De regra, renda e desenho: arquitectura para a Misericórdia de Lisboa c. 1960" in AA.VV. - Património Arquitectónico da Santa Casa da Misericórdia de Lisboa, Vol. 2. Lisboa: Santa Casa da Misericórdia; 2010. Tomo I (pp. 83-95)
- ^ a b (Portuguese) CHAVES, Manuel Ferreira; SILVA, Nuno da – "Projectos de autoria e colaboração do arquitecto Jorge Ferreira Chaves" in "Jornal Arquitectos" nº 132, Fevereiro 1993 (p. 30 / 31)
- ^ a b c d e f (Portuguese) Arquivo da Faculdade de Arquitectura da Universidade Técnica de Lisboa
- ^ (Portuguese) PORTAS, Nuno - "A evolução da Arquitectura Moderna" in ZEVI, Bruno "História da Arquitectura Moderna"; Editora Arcádia (p. 729)
- ^ (Portuguese) AGAREZ, Ricardo Costa - "O Moderno revisitado" - Habitação multifamiliar em Lisboa nos anos de 1950"; edição da C.M.L.; 2009 (p. 279)
- ^ (Portuguese)CALDAS, João Vieira, 1997. Porfírio Pardal Monteiro: Arquitecto, Lisboa: Associação dos Arquitectos Portugueses. (p. 91)
- ^ a b c d (Portuguese) FERNANDES, José Manuel – "Que viva a Mexicana! (ou a batalha da Mexicana)" in "Lisboa em obras"; 1997; Livros horizonte. (pp. 205 a 208 )
- ^ (Portuguese) CALDAS, João Vieira, 1997. Porfírio Pardal Monteiro: Arquitecto, Lisboa: Associação dos Arquitectos Portugueses. (p. 94)
- ^ (Portuguese) PORTAS, Nuno - "A evolução da Arquitectura Moderna" in ZEVI, Bruno "História da Arquitectura Moderna"; Editora Arcádia (pp. 738-739)
- ^ (Portuguese) MILHEIRO, Ana Vaz; DIAS, Eduardo Costa. "Arquitectura em Bissau e os Gabinetes de Urbanização colonial (1944-1974)(pp. 106, 107)" (PDF). PDF. Retrieved Template:DataExt. Check date values in:
- (Portuguese) AGAREZ, Ricardo - "O Moderno revisitado - Habitação multifamiliar em Lisboa nos anos de 1950"; edição da C.M.L.; 2009. (p. 279)
- (Portuguese) AGAREZ, Ricardo - "De regra, renda e desenho: arquitectura para a Misericórdia de Lisboa c. 1960" in AA.VV. - Património Arquitectónico da Santa Casa da Misericórdia de Lisboa, Vol. 2. Lisboa: Santa Casa da Misericórdia; 2010. Tomo I. (pp. 83–95 and 256-265)
- (Portuguese) AGUIAR, Armando de - "Guiné Minha Terra", Lisboa: Agência Geral do Ultramar; 1964. (p. 80)
- (Portuguese) ALMEIDA, Álvaro Duarte de; BELO, Duarte – "Portugal património: Lisboa"; 2008. (p. 155)
- (Portuguese) CALDAS, João Vieira. "Porfírio Pardal Monteiro: Arquitecto"; Lisboa: Associação dos Arquitectos Portugueses; 1997. (pp. 91, 94 and 117)
- (Portuguese) FERNANDES, José Manuel – "Que viva a Mexicana! (ou A batalha da Mexicana)" in "Lisboa em obras"; 1997; Livros horizonte. (pp. 205 and 208)
- (Portuguese) FERNANDES, José Manuel - "Geração africana: arquitectura e cidades em Angola e Moçambique, 1925-1975"; 2002. (p. 33)
- (Portuguese) FERNANDES, José Manuel - "A Mexicana" in "Arquitectura do Movimento Moderno: inventário Docomomo ibérico: 1925 / 1965"; Associação dos Arquitectos Portugueses: Fundação Mies van der Rohe: Docomomo Ibérico; 1997. (p. 287)
- (Portuguese) LAMEIRO, Carlos - "Os meus cadernos 5 - Hotel Ritz Lisboa 1959 / 1999 - Na comemoração do seu Quadragésimo aniversário"; Centro editorial da FAUTL. (p. 11 and 15)
- (Portuguese) NEVES, José Manuel das - "Cadeiras Portuguesas Contemporâneas"; Edições Asa; 2003. (pp. 62–63 and 162-163)
- (Portuguese) MILHEIRO, Ana Vaz; DIAS, Eduardo Costa - "Arquitectura em Bissau e os Gabinetes de Urbanização colonial (1944–1974)";PDF; usjt.br/arq.urb/numero 02. (pp. 106–107)
- (Portuguese) PORTAS, Nuno - "A evolução da Arquitectura Moderna" in ZEVI, Bruno "História da Arquitectura Moderna"; Editora Arcádia. (p. 739)
- (Portuguese) "RITZ - quatro décadas de Lisboa"; Edição Hotel Ritz, SA. (pp. 40-42, 104 and 205)
- (Portuguese) "Habitação social na cidade de Lisboa 1959-1966"; Gabinete Técnico de Habitação; edição da C.M.L.; Outubro 1967.
Catalogs and guides[edit]
- (Portuguese) Catálogo da "X Exposição Geral de Artes Plásticas 1956 – Dez anos de Exposição Geral de Artes Plásticas 1945-1956"; -"Projecto para a nova sede da Associação Comercial, Industrial e Agrícola da Guiné, a construir em Bissau" - Arquitecto Jorge Ferreira Chaves e Álvaro Valladas Peterson - obra 124; Sociedade Nacional de Belas-Artes
- (Portuguese) "Guia de Arquitectura Lisboa 94" ; Edição A.A.P. (1994)
- (Portuguese) TOUSSAINT, Michel - "Texto de fundamentação para o pedido de Classificação da Pastelaria Mexicana"; 1993.
- (Portuguese) TOUSSAINT, Michel - "Texto do abaixo-assinado em defesa da Pastelaria Mexicana entregue ao IPPAR"; 1994.
- (Portuguese) MATOS, Madalena Cunha - "Coluna Polar - projecto de estudo e publicação da obra lisboeta de Jorge Ferreira Chaves". Candidatura nº PP07–279 ao programa de apoio a projectos pontuais para 2007, do Instituto das Artes.
- (Portuguese) "BINÁRIO" nº 13 (Out. 1959) (separata)
- (Portuguese) "ARQUITECTURA" nº 23/24, Maio/Junho 1948 (p. 16)
- "ARQUITECTURA" nº 35, (p. 20)
- "ARQUITECTURA" nº 83, Setembro 1964 (p. 100 / 112)
- (Portuguese) "NOTÍCIAS MAGAZINE"- 27/3/2005
- (Portuguese) "EXPRESSO REVISTA" - 5/2/1994 - 11/5/2002
- (Portuguese) "REVISTA ARQUITECTOS" nº 2, Maio /Junho 1989 (foto p. 74)
- (Portuguese) "JORNAL ARQUITECTOS" nº 196, Maio/Junho 2000 (p. 13)
- "JORNAL ARQUITECTOS" nº 197, Setembro e Outubro 2000 (p. 63)
- "JORNAL ARQUITECTOS" nº 227, Abril/Junho 2007 (p. 23)
- "JORNAL ARQUITECTOS" nº 132, Fevereiro 1993 (p. 20 / 31)
- (Portuguese) "K" nº32, Maio 1993 (p. 52)
- (Portuguese) "INFORMAÇÃO ARQUITECTOS" nº17, Agosto 1994
- (Portuguese) "BOLETIM DO G.T.H. LISBOA" nº 30/33 (Vol. 5) 1976 / 1977 (p. 212 / 215 and 230 / 237)
- "BOLETIM DO G.T.H. LISBOA" nº 50/51 (Vol. 7) 1986 (p. 232)
- (Portuguese) "PANORAMA", Volume 3, Edições 1-4; 1956
- (Portuguese) "BROTÉRIA", Volume 61; 1955 (p. 91)
- (Portuguese) "CAMÕES: revista de letras e culturas lusófonas", Edições 15-16 - Instituto Camões; 2003 (p. 205)
|This section is empty. You can help by adding to it. (January 2011)
- "O Hotel Ritz"; Documentary by Manuel Graça Dias; RTP 2
Buildings designed by Jorge Ferreira Chaves used for "Decor" in Portuguese motion pictures[edit]
- Edifício de habitação na Rua da Ilha do Príncipe nº 7 in Lisbon, appears in:
- "Filha da Mãe" a film by João Canijo; Atalanta filmes; color; 1987
- "Fragmentos de um Filme Esmola, a Sagrada Família" a film by João César Monteiro; Madragoa filmes; b/w; 1972
- "Duas Histórias de Prisão" a film by Ginette Lavigne; Artline, Citizen TV and LX Fimes; color; 2001
- "Nós" a film by Cláudia Tomaz; Madragoa filmes; color; 2002
- Pastelaria Mexicana in Lisbon, appears in:
- "Corte de Cabelo" a film by Joaquim Sapinho; Rosa filmes; color; 1994
- Hotel Florida in Lisbon, appears in:
- "Tony" a film by Bruno Lourenço; O som e a fúria; color; 2010
- Galerias do Hotel Florida in Lisbon, appears in:
- "Rapazes de Táxis" a film by Constantino Esteves; Cinedex; b/w; 1965
- "Senhor X" a film by Gonçalo Galvão Teles; Fado Filme; color; 2010
External links[edit]
- Jorge Ferreira Chaves at the archINFORM database.
- (Portuguese) http://docbweb.cm-lisboa.pt/plinkres.asp?base=isbd&form=comp&startrec=0&recpag=5&newsearch=1&searchtxt=%22de%20chaves,%20jorge%20ferreira%22[permanent dead link]
- (Portuguese) http://aps-ruasdelisboacomhistria.blogspot.com/2008/03/avenida-guerra-junqueiro.html
- (Portuguese) http://diasquevoam.blogspot.com/2009/01/outro-interior.html
- (Portuguese) http://www.igespar.pt/pt/patrimonio/pesquisa/geral/patrimonioimovel/detail/72827/
- (Portuguese) Blogue Turismo do Algarve "O Hotel Garbe foi um dos primeiros pilares do Turismo Algarvio"
- (Portuguese) Barlavento "Hotel Garbe"
- (Portuguese) MATOS, Madalena Cunha ; 2003 Face ao oceano. Arquitectura portuguesa nos hotéis atlânticos dos anos 50 e 60.|
- (Portuguese) MATOS, Madalena Cunha - Arqa, May 2012 Portugal Turístico: Perspetivas Críticas
- (Portuguese) Público - Life&StyleFotogalerias 29.11.2012 MILHEIRO, Ana Vaz - "A arquitectura do Estado Novo na Guiné-Bissau"
- (Portuguese) A nave do bom gosto "Hotel Ritz...."
- (Portuguese) A nave do bom gosto "Pastelaria Mexicana...."
- (Portuguese) CHAVES, Manuel Pedro Ferreira - Fevereiro, 2012 Vida e Obra do Arquitecto Jorge Ferreira Chaves (1920-1981)(Abstract)


text:
Posted May 23, 2013 by Unique in New Artist Spot Light
New Artist Spot Light: Kid Named Breezy 'Happy Birthday K!D' [Audio]
Welcome to the stage a Kid Named Breezy, a young VA native with a fun vintage flow. Kid recently dropped this early 90's influenced track entitled "Happy Birthday K!D" in honor of his 21st, using sound bites from Eddie Murphy's 'Coming to America' as a intro to the song. Check out the fun track and let us know what you think.


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Hotel Laasby Kro
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- Restaurant
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JIPTRIP Copenhgan 2015
... hammocks hiding in the corner of the room where we spent the rest of the time just being lazy and sleeping!
In the centre of the vibrant city lies the Christianborg Palace the former home to the Danish Royal family. Residents until 1794 when they moved to Amalienborg Palace where Queen Margrethe II and her family lives. The architecture of not only this building but most of the structures in the city centre are picturesque and nice to look at.
Irene Wong
... the size of mine. And she is a great chef. I made breakfast once or twice, but I always woke up before her. I got very lost one day and walking around the outside Aarhus one morning and then I couldn't get ahold of her it was interesting. Haha we ended up finding each other and enjoying some bubble tea (without tapioca). Aarhus went by very fast with some amazing company and amazing food. ...
Last look at the ancestors
... Sea on the east coast. It was the first day back at the books for all education levels today, but there were still people making the most of the sun and mid 20s temperatures which was a little nullified by the strong wind.
The driving was more interesting with more hills and bends in the road so every corner brings a new view.
Then it was into Arhus and the Den Gamble By - a model village of sorts with buildings ...
So you think Denmark is quite similar to NZ?
... bag the groceries so didn't know that you had to buy the plastic bags (if you didn't bring one from home). I only had my handbag and it was my weekly shop, so there was a fair bit of groceries! I attempted to walk the 25 minute journey home balancing all the items in my arms (rather precariously) but it was failing miserably. Luckily, an lady took pity on me on my journey home, waved me over and gave me a supermarket bag to put ...
Scandinavian Deer Park
Today we went to a Scandinavian deer park with Ida and her boyfriend, Mathias. Mathias was able to borrow his mother's car, so he picked us up from Ida's place and we travelled to the zoo. We weren't sure exactly where to go, but after a few wrong turns, we made it.
The zoo is more of an open-range style, with the Scandinavian animals. It covers 450,000 square meters, so there was certainly lots of walking. They ...


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how/when does the instant game collection change?
how does it work? does the roster change every month? do they tell you in advance which games are leaving the collection? say, a game exits while I'm downloading it. do i still get it? do you have to have finishe downloading the game for it to count? or once you've "purchased" the game, it's yours?
Re: how/when does the instant game collection change?
The Instant Game Collection roster changes mostly weekly now. At least that's been the tempo for the program as of late. The games that are excused from the lineup will appear in the expiration folder on the store, while new games are announced every Monday on the PlayStation Blog to appear before the Tuesday update.
If you've happened to download a game at the last minute before it gets cancelled, then it still counts. All you'd need to do is download a game and have it on file in your download list for it to be yours through what you've acquired through Plus. "Purchasing" a game is when you buy it. When a game is free, like the ones in the Instant Game Collection, then all you'd need to do is just add them to your cart and hit the download button to begin.
Re: how/when does the instant game collection change?
As for as the "finish downloading" part goes, your best best is to "purchase" all of the free items each week. As long as you "purchase" them (i.e. complete the check out process for $0.00 spent) the games will be available for you to download at a later date, as long as your PS+ subscription is active.
I don't think Sony (US PS+ program) does enough to give us advance notice of what is coming and what is leaving. For example, we all know something new is coming for Vita next week, however without knowing what the title will be (retail Vita, PSN Vita, retail PSP, PSN PSP, PSOne) I'm holding off on any purchases until an announcement is made. Disadvantage Sony; I have plenty in my backlog to hold me over.


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did it say it was a simi?? You could shoot yourself with a snub nose pulling the pin to open hand in front finger in the guard to grip single action bang
This is a discussion on Man cleaning gun NDs through hand, kills wife within the General Firearm Discussion forums, part of the Related Topics category; Have to follow the rules!...
Have to follow the rules!
You can educate ignorance, you can't fix stupid
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did it say it was a simi?? You could shoot yourself with a snub nose pulling the pin to open hand in front finger in the guard to grip single action bang
Better 12 judging than 6 carrying
Here is a much better article:
Winnabow woman killed by gunshot | BrunswickBeacon.com
A 20-year-old woman was killed Sunday in what investigators say appears to be an accidental shooting.
Brunswick County Sheriff's Office spokesman Sgt. Del Routh said Samantha Reynolds, of 9 Paradise Drive, Winnabow, was killed Sunday afternoon when she was shot in the abdomen.
A second subject was also shot in the hand.
Brunswick County Sheriff's Office Chief Deputy Charlie Miller said George Woods, 35, of 8229 King Road, Fayetteville, was attempting to put a gun away after target shooting with Reynolds near her home.
The gun fired a single shot, striking Woods in the hand, then striking Reynolds in the abdomen, killing her, Miller said.
Initial information released about the shooting indicated Woods was cleaning the gun when it went off, but Miller said that no longer appears to be the case. Investigators still believe the shooting was accidental.
Miller said investigators have discussed the shooting with District Attorney Jon David and it did not appear that any charges would be filed.
At press time Tuesday, no charges were filed.
The shooter was not the decedents husband, the other new source retracted the relationship.
Prayers go out to the family of the deceased.
Yoda, I am, yes.
You plug 'em, I plant 'em
...kid can't read at 17 (Garcia/Hunter 1985)
Lack of preparation on your part does not necessarily constitute an emergency on mine
Freedom comes with consequences. You can't have without being had by the thing you want.
"The only thing I'm an expert about is my experience."
I don't think toorop communicated well, hopefully he was trying to say that all gun owners need to be responsible and educated for gun safety. Of that I think we would all agree.
Sent from my iPhone using Tapatalk
Yoda, I am, yes.
It only reinforces the idea that if a gunowner cannot be safe in their home, what makes me think they will be safe in public? As a business owner I wouldn't want these unsafe people coming into my store armed. This article just reinforces my idea that the general gun owning public cannot be trusted to safely do things.[/QUOTE]
By this logic ,people should not have cars,hammers ,axes,band saws,motorcycles, children (women die in child birth every day!)
Get a grip. More people are killed with blunt interments and cars than guns.
What we need is comprehensive safety course in school, how to handle guns,chain saws, axes, bow and arrow,matches----------------
Oh wait parents are supposed to do this.
Better 12 judging than 6 carrying
The gun fired a single shot, striking Woods in the hand, then striking Reynolds in the abdomen, killing her, Miller said
Winnabow woman killed by gunshot | BrunswickBeacon.com
I think they should arrest the writers,there are a lot of things you can say but the gun did not fire a single shot. The gun discharged , how or why to be determined.
Better 12 judging than 6 carrying
Gotta keep that muzzle in a safe direction. Why was his hand in front of the muzzle?
you are correct guns dont just go off, just like nothing thats not supposed to happen never occures.............(murphy's law maybe?) while he was trying to clear the weapon it jammed and went off WHILE THE GUN WAS POINTING AWAY FROM EVERYONE!!!!!!!!!!!!!!!! Anyone who feels the need to dispute my eyewitness account feel free but you are doing nothing but wasting your time! I guess everyone else one this forum leads perfect lives where random things that are never supposed to happen never do...oh yeah the Titanic never sank its still afloat in charleston harbor
1) It is easy to agree on that fact.
2) That is your experience. However people have improperly handled guns numerous times. And it causes accidents.
Link 1.
Link 2.
Link 3.
I can find more. But all of these instances are a drop in the bucket and reinforce my point that people are not always safe. I feel that with this knowledge, that people are sometimes unsafe, a business should have the ability to post a sign making it a criminal offense to prohibit people from legally carrying in their stores. Nothing is forcing us and it is only granting storekeepers and business owners more freedom. Property rights should be very important and I think that states should take this into account. Many times people on this forum and others openly boast and gloat about ignoring signs since they carry no weight of law, and this is a slap in the face to property owners across our nation who are having their rights disrespected and their wishes ignored on their own property.
3 & 4) We both agree there.
5) I agree with you. We take risks when we drive. However we all pay for the roads so we should have the right to use it. Not all of us pay the rent on private property, so not everyone should have the right to use it as they wish.
I will start another thread and post a link.
Get a grip. More people are killed with blunt interments and cars than guns.
What we need is comprehensive safety course in school, how to handle guns,chain saws, axes, bow and arrow,matches----------------
Oh wait parents are supposed to do this.[/QUOTE] I agree. But you don't understand my logic since I seem to have been unclear. I think that the general public is unsafe but they have the right to carry firearms on public property. However if I was a business owner I would not want people carrying on my property except for myself and a few people whom I know to be safe.
So there are at least 20 million gun owners, and less than 1000 (more like 700) accidental shootings each year, which means that less than 0.0005% of the gun owning population accidentally hurt people with their firearms each year... THIS is hardly evidence that "the general gun owning population cannot be trusted to safely do things."
"... advice is a dangerous gift, even from the wise to the wise, and all courses may run ill." -J.R.R. Tolkien


text:
Ready access to ubiquitous communications services is starting to have a major impact on the way small- to medium-sized businesses operate.
These organizations have always prized flexibility and agility to compete with rivals that generally have more resources available to them. As such, small to medium businesses (SMBs) are often among the first to embrace any new technology that can give them a competitive edge provided that it is reasonably accessible to them. Unfortunately, until recently they generally had limited access to communications services beyond what they could get from telecommunications carriers that sold them the latest smartphone gadget.
But with the rise of cloud computing, we're now seeing more providers of communications services that are specifically being designed for SMB customers. These services are basically taking enterprise-class communications technologies, including a range of new video technologies, and making them available as a service to SMB customers. Case in point is Intermedia, a provider of a broad range of managed communications services aimed primarily at SMB customers. According to Intermedia Chief Operating Officer John McCormick, SMB customers don't have the time or expertise to master every nuance of unified communications. Instead, they prefer to take advantage of these technologies as a service that mirrors much the same way they consume software these days.
While the benefits of these communications services can be profound, they also have significant cultural implications for many of these organizations. Business leaders in these companies are generally working one way or another most of the waking day. Easy access to communications services means they can get a lot more done in a day, but also increases the potential for burnout because the sheer volume of issues that can be attended to will increase dramatically. And communications services don't distinguish between the time of day or night they are being accessed. As a result, business managers need to care about how obsessive they can become about the business when the business is literally the touch of a smartphone away.
There's no doubt that a new generation of communications services is about to transform the way business is conducted. The challenge is going to be making sure that it's the business that consumes these services rather than the other way around.
Market Update: Arrow Electronics Acquires Cross Telecom
Market Update: Azaleos Survey Not Good News for Cloud-based Unified Communications
Market Update: Forrester Says Bias and Rivalries Harm Unified Communications Deployments
Are We Paying Enough Attention to Unified Communications Security?
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text:
Almost There
You know, we're almost there.
Talking to you isn't a chore.
It's almost fun again.
Just like it was before.
You know, things feel good.
Like I've learnt to be your friend,
and you be mine.
Our feelings are on the mend.
You know, this isn't so bad.
I thought you'd hurt me again.
But it hasn't come.
I don't feel any pain.
You know, I understand.
I realised your importance to me,
and mine to you.
Before I couldn't see.
You know, I think we'll make it.
Just give it patience and time.
Watch days pass.
Again, we will be alive.


text:
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Blades Machinery Co Inc.
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text:
Our Mission
To enable all young people, especially those who need us most, to reach their full potential as productive, caring, responsible citizens.
Our Vision
Boys & Girls Clubs of Philadelphia will become one of the premier Boys & Girls Club organizations in the country, solidifying its position as the leading youth guidance and development agency in the community through quality staffing, facilities, and programs supported by financial stability and clearly defined standards.
We are proud to present our 5th annual Philly Showcase of Wine & Cheese on May 19, 2017! This year, we are excited to be honoring Major League Champion David Montgomery & our beloved Philadelphia Phillies! Tickets are now available for purchase - please click HERE!
The Lincoln Financial Foundation presents "We Stood Up," an audio anthology of conversations, stories, and songs teaching children about the Civil Rights Movement.
All proceeds from this album benefit the Boys & Girls Clubs of Philadelphia! "We Stood Up" can be purchased on iTunes here.


text:
History of the United States, Volume 5
Elisha Benjamin Andrews
This book is available for download with iBooks on your Mac or iOS device, and with iTunes on your computer. Books can be read with iBooks on your Mac or iOS device.
The authors… assume enough maturity in high school students to justify a topical rather than a chronological treatment. They have dealt with movements, have sketched large backgrounds, have traced causes, and have discussed the interrelation of social and economic forces and politics. All this has been directed to the large purpose of helping the student to understand American today in all its national characteristics and as part of world civilization as well…The literary style is exceptionally clear and crisp, and the whole approach…is thought producing.
Customers Also Bought
- Free
- Category: United States
- Published: 01 January 1917
- Publisher: Public Domain
- Print Length: 190 Pages
- Language: English


text:
Deceptette--Cluing into the terror edition.
- Reporter returns from Los Angeles to DC for the first time in years, is shocked--SHOCKED, I say!--to discover that, in the offing, we've built ourselves a little fort to play in. Needless to say, the poor doe-eyed innocent doesn't take it at all well. (USA Today)
- Meanwhile, patrons of DC National Airport will be treated to the latest in anti-terror technology. Pre-selected flyers, along with those who look like they might be carrying prayer rugs, presumably, will get their boarding pass scanned for "explosive residue." So please people, stop using your travel documents as rolling papers. We cannot stress this enough. (DCist)
- The Wife of Deceiver is an absolute obsessive freak about the weather. Do not get between her and her meteorology--you have all been warned. Well wait until she checks out Capital Weather dot com. Exacting, informative, current, dare we say--entertaining as hell? Yes we dare. Jason Samenow hews to a high standard on what can only be called a super-blog. Get into it. (Capitol Weather)


text:
We have no old photos of Birley Stone, The available currently. However you can browse old photos of these nearby places:
Historic maps of Birley Stone, The and the local area, hand-drawn by Ordnance Survey cartographers and Samuel Lewis.
Browse 20 photo books on Birley Stone, The and the surrounding area.


text:
All reader reviews by Meer
Mon Plaisir
This has been the third time in the last year have been to this restaurant. The quality of the food is superb French and the service is friendly and timely. One of the best French restaurants in the price bracket.
Wednesday, August 25, 2010
Overall rating
Food 9 | Service 10 | Atmosphere 9 | Value for money 8
I have been here each year when visiting London for the last ten years. I always enjoyed this restaurant very much though the service in the past could be a little on the down side. The latter has improved consideraby. My dinner on sunday the 19th was really good fine same as starter and an excellent grouse for my main course. Absoulutely wonderful!
Tuesday, August 21, 2007
Overall rating
Food 10 | Service 8 | Atmosphere 10 | Value for money 8
Le Gavroche
I have been here on the 15th of August and it has been an wonderfull experience. We have had the menu exceptionelle and it was excellent. All the courses were superbly executed which might be excepted given the rather high price setting. I took the wine arrangement which was really up to standard (the Meursaull, the Maury 1928 etc) annd surpring but rewarding the Belgian Kriek Lambic (a cherry beer). The service was really attentive but not obtrusive and contraryy what Kim has been saying filling the glass a couple of minutes before the next plate was served. Compared to other restaurants in this range an absolute top spot fortunatly traditional contrary to some would be high tech cuisine that ooperate on a techique pour technique basis. At the same time it is a 'single' restaaurant meriting its individuality and not a member of a chain (see for instance the Ramsay group)
Friday, August 17, 2007
Overall rating
Food 10 | Service 9 | Atmosphere 10 | Value for money 9


text:
Decision makers
- Duluth MN City Council
Keep the Park Point Fire Station #5 open
The Park Point Fire Station # 5 is being scheduled to be closed on June 1, 2012. Fire Station #5 provides the only access Park Point residents and visitors have to potential life saving personal and equipment while the bridge has been raised for shipping traffic. Bridge lifts can take as many as 30 minutes to complete with potential additional wait time while traffic begins to move.
We would like to express to the Duluth City Council Members our opposition to the closing of this potential life saving resource. Keep Fire Station #5 open.
Thank you.
- Duluth MN City Council
I just signed the following petition addressed to: Duluth MN City Council.
Keep the Park Point Fire Station #5 open
To protect the lives of the residents and visitors to the unique place known as Park Point.
Heidi Harrison started this petition with a single signature, and now has 148 supporters. Start a petition today to change something you care about.
Report abuse
Please report any content that may violate Change.org's Terms of Service or Community Guidelines.
Thank you for taking the time to report content. Our team will review your claim and contact you if we need more information.


text:
Margus Tsahkna is the Minister of Defence of the Republic of Estonia since November 23, 2016. He has been the Chairman of Pro Patria and Res Publica Union since June 6, 2015.
From 2015–2016, Margus Tsahkna served as the Minister of Social Protection of the Republic of Estonia.
In 2007–2015, Margus Tsahkna was a member of the XI and XII Riigikogu. In the same parliament, he was a member of the Monetary and Social Affairs Committee. In 2011–2014, he was Chairman of the Social Affairs Committee.
In 2011–2014, Tsahkna was the Vice Chairman of the Board of the Estonian Health Insurance Fund.
In 2007–2011, he was a member of the Board of the Estonian Environmental Investment Centre.
In 2003–2007, Tsahkna was a member of Tartu City Council.
Margus Tsahkna has been a member of Pro Patria and Res Publica Union (IRL) since 2000 and has held the roles of Chairman of Noor-Isamaa, Political Secretary, Secretary General and Vice Chairman.
Born in Tartu on April 13, 1977, Margus Tsahkna graduated from Tartu Secondary School No. 7. He studied in the faculty of theology and the faculty of law in the University of Tartu, and studied international law in the University of Toronto.
Responsibilities of the Minister of Defence
The Minister is appointed and released from office by the President of the Republic.
The Minister of Defence is responsible for the organisation of national defence in the Republic of Estonia.
The Minister of Defence leads the Ministry of Defence and decides on the matters within its area of government. Additionally, the Minister reports on the activities of the Ministry of Defence to the Government of the Republic and submits proposals on deciding over issues related to the Ministry's area of government.
The Minister of Defence appoints service commanders and makes a proposal to the Government to appoint the Commander of the Defence Forces and the Chief of the General Staff of the Defence Forces and release them from office.
The Minister of Defence appoints the heads of state authorities belonging to the Ministry's area of government as well as the deputy secretary generals and the heads of departments of the Ministry.
The Minister of Defence makes proposals to the Government on the Ministry's budget and supplementary budget, if appropriate. At the same time, he decides on the use of budget resources and monitors the implementation of the budget. The Minister also approves the budgets of the state authorities belonging to the Ministry's area of government on the basis of the state budget.
The Minister of Defence decides on the establishment of the state authorities belonging to the Ministry's area of administration and approves their statutes, structure, and work organisation.


text:
ED Magedson – Founder
Ripoff Report
DJO GLOBAL1430 Decision St. Vista, California United States of America
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text:
Separate names with a comma.
Discussion in 'Lawn Mowing' started by bababooie, Jan 31, 2001.
does anyone like or dislike the toro's front mounted riders,and why?
The outfront zmasters you are referring to are the 300 series mowers. Almost everyone you talk to hates them. They are a Walker wanna be, but are not close in comparison. They don't work at all in moistwet weather and even in dry, I was not impressed at all. I demoed one for a day and hated it. Could have gotten a great deal on it, now I know why. I know of several others who have purchased them and have gone to Toro for help in reinbursement due to the dealer not taking them back. I think eric or lazer said they based on the old wheel horse design which might explain something. It's too bad because we are a loyal Toro purchasers of midmount z masters and would like a collection system in the next coming year but will probably have to go the walker way.
The toro 300 series looks like the exmark explorer to me. i think toro should do the same thing that exmark did, and stop making them. its kinda cool that they grind up the grass before putting it in the bagger though.
Mt dealer carries Toro, eX-mark, and Walker. He told me that if you want a mid-mount go for a Lazer, if you want a dedicated bagger go for the Walker. He only sells you a Toro if you are a dedicated Toro owner. He also told me that Toro has issued a recall for the 300 series bagging mower. Apparently their gearbox has had some major problems.
I have never heard a good thing about them. Way to many problems!
thanks bros! thats all i need to know.
If you're looking for a bagger why don't you just purchase the bluebird or easy rake attachment for the z-masters that you own?
I have one and it works great.
It would save you the money you'd spend on a new machine.
That way you can use the machine for numerous tasks such as side discharging, mulching or bagging.
Just an idea.
I own one of these units and I have found that it does have some problems. I think that in one or two years Toro should have them tweaked to were they are a great mower. As of yet they are not quite there. I have had one for 2 seasons now I sold the one I had last season to get the new and improved version at the end of the season and even this year they have improved that model. I have liked it and have not really had problems with either if them that I owned and as far as a recall because of a bad gear box this is a rumor. I work in a Toro dealership and Toro has sent out service bulletins on every thing that they have found to be a problem and are more than willing to fix at their expense. On the first one that I owned I was able to do every upgrade that they made available to fix problems that had occurred. On that machine alone I'll bet Toro paid out about $2500.00 for me to fix problems. That price included the gearbox that I replaced even though it had not gone out but because I sold it I wanted to get it replaced so the new owner didn't have trouble with it. So even though they have had their problems with this machine Toro stands behind it 100% and I think that they will have a great machine soon.
Hey DanG: What is a "bluebird" and the easy rake attachment? I'm fixing to buy a Toro Zmaster 100 series. Will those attachments work on that mower? Is this something that my Toro dealer offers? Thanks...
Just a note for clarification, are you referring to the z-turn front mount? If not, are you referring to the front mount traction unit types? Because these are very good mowers compared to that z-300. Just was wondering.


text: Hey guys I hope someone can shed some light on this for me as I am at a complete loss. I have a HP pavilion dv6-1129tx laptop it still has the genuine battery in it which is about 4yrs old but I assume it is still alright as it holds charge for over an hour running in battery alone. OS is vista Home Premium 32bit, the issue I'm having is with power management. When I start the laptop with battery and ac plugged in screen is at max brightness when I remove the ac cord display and the rest of the laptop goes into power saving mode. When I replug the ac adapter the battery light comes on as if it is charging but the battery icon in windows does not indicate that it's charging and does not show the ac adapter plugged in, on top of that the laptop continues to stay in power saving mode. Yet as mentioned above if I start the laptop on with battery inserted and ac plugged in it shows that it's charging the battery and power saving mode is off with full brightness and performance. I have restored the OS from recovery partition, this does not fix it. I have tried a brand new battery with higher capacity, original is 4200mah higher capacity is 5200mah but when I attempt to recover OS it tells me to plug in AC even though it is plugged in, yet when I put the old battery in the 4200mah with ac plugged in it allows recovery as it has detected that ac cable is plugged in. The only thing I did notice is that the ac adapter rating for the laptop is 19v @ 4.74a but the targus one I got with this secondhand laptop had a 19.5v ac adapter with it. I am tearing my hair out, could someone please help out, is it possibly the ac adapter being the incorrect voltage causing this problem for me?? Your advice would be gratefully appreciated and I thank anyone that could please help in advance. Cheers


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All Music Guide - Thom JurekIf you didn't know better, the blasting guitar riff on "Sweet," the opener from Trace Adkins'X (Ten), might be mistaken for one off a .38 Special cut from the late '70s. The track has the single potential of one of Adkins' many hits. The song has an infectious hook in its refrain -- and yes, it rocks. But by the time the set's second number, "Happy to Be Here," commences with a similar big guitar entrance -- albeit on a midtempo ballad -- "Sweet" isn't even a memory. And the same happens for the latter when "All I Ask for Anymore" arrives with strings, an acoustic guitar, and a pedal steel whispering in that big gritty baritone of Adkins. It's a ballad drenched in personal truth, and gratitude that is profound. Adkins is actually trying to get across something of a "message" here, albeit one that is humble in scope. The funky B-3 and snare WHOMP that introduces "Let's Do That Again" is a nice curve ball, even if it sounds like an outtake from a Josh Turner record. The wide-open slide and pedal steel guitars ride the shuffling rhythm; the singer's delivery has that balance of swagger and warmth that makes it soulful. The acoustic country blues (à la John Hurt style) on "Marry for Money" is deceptive in that it is merely the intro to a modern honky tonk tune that is the lyrical Nash Vegas equivalent of bling rap -- and is every bit as sexist. The album's best track is easily "Til the Last Shot's Fired," written by Rob Crosby and Doug Johnson. It's an antiwar song from the point of view of the ghosts of soldiers who served in the Confederacy, on Omaha Beach during WWII, in Vietnam, and in Afghanistan. Its dobro, acoustic guitars, brushed snare, and gorgeous choral arrangement at the end make it stand out from the pack, not just on this set, but from contemporary country in general. It's followed by the stellar "I Can't Outrun You," a broken love song about a different kind of ghost. And like its immediate predecessor, it sounds like Adkins means it. The façade of the good-time shaggy-dog honky tonk boy is ripped away, and what remains is a man with some regrets, some baggage, and some hard-won, hard-lived truth, helping him move through the world. With every '70s rock and funky-lite cliché in the book tossed in the mix, it's debatable. If you need further proof of the dilemma, check the straight-ahead melody, whining steel, and shimmering drums on the honky tonk ballad "Sometimes a Man Takes a Drink," a paean to alcoholism. It's a country song that isn't a bevy of ridiculous lyrics celebrating the "good" life, but a story that points to something more poignant, larger, and embedded in the bone of the singer. It isn't even the singer's fault that half of this -- no doubt the more commercially successful half -- will continue to perpetuate Nash Vegas' identity crisis that walks between '70s radio rock and its own tradition. If one wants to really hear the gifts that Adkins is endowed with as a vocalist, one that can reach people in the marrow of where they live, toss away the hits and listen to the rest.
Xby Trace Adkins
Trace Adkins puts a cherry on top of a career-making year with X. He finished as a runner-up on TV's Celebrity Apprentice, flogged a well-received book (A Personal Stand: Observations and Opinions of a Freethinking Roughneck), landed a featured role in the right-wing comedy An American Carol, and scored a No. 1 Country record, "You're/i>/i>/i>/i>
Trace Adkins puts a cherry on top of a career-making year with X. He finished as a runner-up on TV's Celebrity Apprentice, flogged a well-received book (A Personal Stand: Observations and Opinions of a Freethinking Roughneck), landed a featured role in the right-wing comedy An American Carol, and scored a No. 1 Country record, "You're Gonna Miss This," from his greatest hits collection.
Editorial Reviews
Rolling Stone
Product Details
- Release Date:
- 11/24/2008
- Label:
- Liberty
- 5099952028120
- catalogNumber:
- 20281
Album Credits
Performance CreditsTrace Adkins Primary Artist
Eric Darken Percussion
Mike Brignardello Bass
Pat Buchanan Electric Guitar,Harp,Guitar (Baritone)
John Catchings Cello
J.T. Corenflos Electric Guitar,Guitar (Baritone)
Shannon Forrest Drums
Paul Franklin Steel Guitar
Kenny Greenberg Electric Guitar,Guitar (Baritone)
John Hobbs Conductor
Dann Huff Electric Guitar
B. James Lowry Acoustic Guitar
Greg Morrow Drums
Gordon Mote Piano,Hammond Organ,Hammond B3
Aubrey Haynie Fiddle,Mandolin,Electric Guitar
Pat Bergeson Acoustic Guitar
Ben Isaacs Background Vocals
Sonya Isaacs Background Vocals
Bryan Sutton Acoustic Guitar,Banjo,national steel guitar
Love Sponge String Quartet Strings
Wes Hightower Background Vocals
Frank Rogers Banjo,Electric Guitar
Michael "Mike Dee" Johnson Dobro,Steel Guitar
Ilya Toshinsky Banjo
Jim "Moose" Brown Piano,Keyboards,Hammond Organ,Clavinet,Hammond B3
West Point Cadet Glee Club Vocals
Love Sponge Strings
Michael Johnson Dobro,Steel Guitar
Technical CreditsRob Crosby Composer
Tim Owens Composer
Tim Mensy Composer
Larry Cordle Composer
Kelly Garrett Composer
Neal Cappellino Engineer
John Hobbs Arranger,String Conductor
David Huntsinger Arranger
Kristin Wilkinson Arranger
Chris Latham Engineer
Jim Beavers Composer
Casey Beathard Composer
Monty Criswell Composer
David Frasier Composer
Richard Barrow Engineer
Doug Johnson Composer
Jay Knowles Composer
Rick Huckaby Composer
Tim James Composer
Frank Rogers Producer,Audio Production
Joanna Carter Art Direction
Jason Matthews Composer
Christophe Dubois Composer
Ben Glover Composer
Dave Turnbull Composer
Johnny Parks Composer
Jim McCormick Composer
Jimmy Melton Composer
Chris Stapleton Composer
Amanda Martin Composer
Lee Wright Graphic Design
Kyle Jacobs Composer
Joe Leathers Composer
Kendall Marvel Composer
Mike Mobley Composer
David Lee Composer
Customer Reviews
Average Review:
Most Helpful Customer Reviews
See all customer reviews
X based on 0 ratings. 5 reviews.


text:
Goodbye with my ass!
Was already evident that this bastard just could not go away from me. After he was gone for about 2 weeks like disapeared from earth, he returned bit I had already packed all his clothes and wanted to throw them away, the lost Casanova suddenly was again standing in front of my door and pretended that nothing had ever happened. No explanation, no apology, Nada, anyway he began to fumble around on my ass. Exactly, the only thing he have been missing was my dirty crap hole .... and what about me? I was once again properly fucked by him! Of corseanyway ...Price: $6.00


text:
The Weird Work of the Sorcerer Phantops
This is a sword and sorcery flash fiction I wrote to take a break from writing my novel, the Hour of the Red Queen, another sword and sorcery tale, which is very different.
In the town of Hemsol, there is a Spiral Tower. It has thirteen stories and raises itself over the thatch-roof cottages that constitute the village. Of all the stories of this tower, only the topmost three are used.
The eleventh floor is a pantry filled with foodstuffs and preserved foods--dried herbs, onions, potatoes, grains, aromatic flowers for cooking, tea, spices, blackroot--and it is maintained by the grocer of Hemsol.
The twelth floor is a library. Bookshelves filled with dusty tomes, grimoires, and papyrus scrolls criss-cross this floor, and implements of writing are there: ink, goose feather quills, wax, and penknives. It is maintained by the scribe of Hemsol.
The third floor serves many functions: dormitory, scriptorium, laboratory, brewery. This third floor is the private chamber of the sorcerer, Phantops, who built this tower.
In the chamber of Phantops, however, there is ladder reaching up to the flat roof of the tower, which is a platform. Along the edge of this roof-platform are set balustrades of dark metal, ornamented with sculptures of evil, crouching things and black triangles. And in the center of this uppermost platform stands an obelisk of pure silver, its surfaces unmarred and glimmering as mirrors or stars.
It is known that when it is storming, when the lightning flashes as swords of light, when the great black clouds roll in, that Phantops, robed in crimson, wearing a long conical hat, works magic with his hands and the obelisk.
Of late, the grocer and the scribe have grown worried. They are the only folk of Hemsol who discourse with Phantops. They report at town conventions that Phantops has been... changing.
"His eyes are hallow," says the grocer.
"His fingers are longer than usual. I have spotted knuckles where none should be!" says the scribe.
"His teeth--by the gods, they are becoming fangs," says the grocer.
"His shadow! I saw it! It writhed as a monster bound, of its own accord, irrespective of Phantops position!" says the scribe.
"His shadow--by the gods, it tried to strangle me as I hefted a barrel of pickles into the pantry, and Phantops called it to desist as a hunter calls to an over-excited dog," the grocer says.
"His voice echoes as many voices," the grocery and scribe said in unison.
There was silence. The villagers did not speak.
"How does a shadow strangle?" the villagers asked.
Meanwhile, the storms continue to rage, and the scribe and the grocer hew to their duties, and Phantops continues his weird work, whatever that work may be.


text:
Is wesker dead?
1,074,560questions onAdd New Page
technequely wesker is dead since he died in the mansion incident and was killed by the T-002 aka the 2nd created tyrant. At the last few miutes of the mansion about to blow up wesker wakes up only to be infected by an unknown virus the residentevil umbrella chronicles explains it he then dies in re5 when chris and sheva shoot him with a rocket


text:
I know stuff about him, more than anyone else at home. Not because we talked, just because things get around in high school. I know about his friends. I know they aren't the greatest. They skip class, drink, and will never have glaucoma. But the tests the medical examiner did don't lie. His friend's weren't influencing him that day.
I know he was still smart because our teachers always compared us. They said they didn't, but they did. I could see they were disappointed when they got me after having him.
Lots of girls at school liked him. They used to ask me about him until they realized that wouldn't help their chances. He had a girlfriend, I think, but it wasn't serious. I had heard about her before but I never saw her after.
I know these things about him, but they don't help the situation.
The days after, it was all about speed. They are all obsessed with his speed. Sixty-five miles per hour. On a cliff-lined road. After we had been called about the accident, the police officer began to talk a lot about how fast the car had been going.
"Forty-five will kill ya on that road," he told me.
"I don't drive on that road," I told him.
That officer thought Milo did it. Most people do.
At the funeral, the minister kept things as vague as possible. Wouldn't want to piss off God in case Milo really did kill himself. That's unholy.
"Brooklyn, did you speak to your brother the day that he died?"
I frown at Dr. Camry because she has asked that question already. She holds her ground.
No, I did not talk to Milo that day. He didn't come up to me in the quad between classes and say, "Hey, sis. Been thinking about offing myself. Thought I might try after school." I don't know why everyone thinks suicides come with warnings like that.
If I was planning to kill myself, I wouldn't tell anyone. They might try to stop me. It might be morbid, but that's not what I would want.
Milo never said, insinuated, or alluded to wanting to killing himself. Not to me, at least. I don't know what I would have done if he had either. Even if we weren't friends, he was still my brother. I would have had an obligation to my family to stop him. And, if I am being honest, an obligation to the force that linked us together, even when we tried to ignore it.
I did see him that day. In the quad, between classes. He was sitting on a picnic table talking to his friends. He smiled at me for moment. I remember thinking that we did look quite a bit alike and that maybe all those people who had asked if we were identical weren't as dumb as we had accused them of being. They were still dumb, just not as dumb.
Maybe I should have seen something in that smile. A secret message only I could understand. Maybe it was a plea for help, and I ignored it. I should have seen overwhelming sadness where I only saw happiness.
But I really don't think anything was there. It was just a smile. Rare, but simple.
Perhaps it was his form of a goodbye. One last smile for what we used to be and, at the same time, still were, only in a different way. A smile because you have to smile at your twin, even when you have outgrown liking them.
He smiled because he didn't want me to know what he was planning, if he was planning anything. Because if he did intend to drive off that cliff or if he really was just distracted looking for music, he wouldn't want me to know beforehand.
The pact was clear. It was cut and dry. There was no personal safety clause. I couldn't report it just because he intended to hurt himself. And what was I going to do, alone, to stop a car at sixty five miles per hour?
He was protecting me. If he meant to do it, to drive off a cliff intentionally, then he was protecting me. And he was protecting our pact.
I'm learning it's harder to keep the pact now that I am alone. All these people have questions and I can't give them answers.
I want to ask them why they care. He's dead. Does it matter how he got there?
They won't understand. They never will. Years from now, when I should have healed, and I still haven't told them anything, they will not understand. But I do. I once agreed to not be friends with my twin anymore. This isn't crazier than that. And if they are content to keep asking questions, I will be content not to answer them. Milo may be dead, but he is still my brother.
I wonder what he would make of all the couches in this room.
The pact stands. I've spent an hour silent in this room, and many rooms before here, still deciding. Now, I have made up my mind. I am leaving Dr. Camry's office without having uttered a word. My mother can make me come back here every week and I will never say a thing.
We made a promise: one can never rat out the other. We had no idea what we were initiating then, and, yet, somehow we did. Because here I am and it still matters to me. It's all very simple. We may have been young, we may have grown apart, but a pact is a pact.


text:
- Product Information
Product DescriptionThe Man, The Myth, The Legend! Celebrate the most interesting man in your life with our Vintage Dude Paper Goods. This classically cool style is sure to represent any dapper dude celebrating a 50th milestone birthday or even retirement! Give "The Dude" in your life the perfect party when you mix and match our Vintage Dude Paper Goods with your 50th birthday color scheme. Our Vintage Dude Lunch 50th Napkins come 16 per pack. Please order in increments of 1 pack.
- Questions & Answers
- Reviews
Party Ideas for a Memorial Day BBQ
With Memorial Day around the corner, you can quickly and successfully pull together a fabulous Memorial Day BBQ with these decorating tips and party ideas!
Throw A Luau Party Like a Pro - Guest Blogger
Marina Luri Events Share Their Tips for Throwing an Amazing Luau Party!
Make Your Own Menorah for Hanukkah This Year
Add some festive flair this Hanukkah season by ditching the traditional menorah and making a DIY menorah that captures the beauty of the Festival of Lights.


text: Heya! I'm fairly new to this site but I'm sure I'll be here for a while :) You can call me Effy (or anything you like, really)! I identify as agender but you can use any pronouns for me, I don't mind. I'm panromantic and asexual, and I am Very Sad All The Time (that title is self-proclaimed), which means I will probably write about being Very Sad All The Time while I am Very Sad. All The Time. I try to be funny, like I really do. Anyways... I digress. At the moment I don't have anything up writing-wise but I'll do so when the feeling strikes me!Which uh... I hope is soon. Anyway, later! -Effy ^-^


text:
[...] if you go to the NEA Web site, you will find vocal appeals for such educationally related issues as gay rights, abortion, gun control, the environment and against such issues as missile defense and Social Security reform.
Copyright © 2016 archive.indystar.com. All rights reserved.
Users of this site agree to the Terms of Service, Privacy Notice, and Ad Choices


text:
Chris Martin blames Olympics for fluffing lines
Coldplay frontman Chris Martin has jokingly accused the Olympics of causing his mistakes during the band's performance in Detroit.
The Paradise singer had just begun singing the Warning Sign when he abruptly stopped to tell the crowd he had made a mistake.
'I was thinking about the Olympics,' Chris joked. 'I was distracted. I was not in the breakup frame of mind and I should have been.
'I'm going to get back into it,' joked the star. 'I'm going to stop thinking about pole vault, things like that, and I'm going to focus back in on the song. So is everybody else.'
Chris, who lives in London with his wife Gwyneth Paltrow, called the Olympics a 'big deal' for the British capital city.
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Blue Chambray Kutchi Ajrakh Regular Fit Cotton Shirt
Rs. 999.00 Rs. 1,499.00
Blue Chambray Kutchi Ajrakh Print Regular Fit Full Sleeves Cotton Shirt
A very stylish yet subtle Blue chambray cotton shirt with indigo based Ajrakh geometric print inlays. Thoughtfully placed on inner cuff, collar band and placket. Made of traditional malkha handloom fabric, the Ajrakh print is famously Kutchi. The name Ajrkakh is given to a unique form of block printing, most popular colour being indigo. A shirt suitable for a day out, paired with denims. Slightly roll up the sleeve and confidently show off the ajrakh trim. English styling with an ethnic touch. Also availble in plus sizes.
Do handle with care. Wash carefully.
Fit : Regular
Color: Blue
Weave : Chambray
Fabric: 100% Cotton
Collar: Cutaway
Cuffs: Double Button Convertible for cuff link
Placket: Exposed Front
Bottom: Rounded Long Tail
Yoke: Split
Butterfly Gussets: Yes
Pocket: Yes
Pleats: Side
Buttons: Mother of Pearl Finish
Extra Buttons Sewn On Inner Placket


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Encouraging participation in science, technology, education and mathematics (STEM)
Chevron Australia partners with organisations that strive to achieve equitable access to quality education and enhance future employment opportunities through developing local talent and skills.
We invest in primary, secondary and tertiary education programs designed to encourage participation in science, technology, engineering and mathematics (STEM) related areas of study, which could foster a future interest in the energy industry.
We also support programs with a focus on encouraging and supporting women to enter the industry.
A science education program inspiring students to consider a career in the energy industry and supporting teachers in the Pilbara to deliver engaging science-based programs.
Supporting children from disadvantaged backgrounds develop vital life skills and stay engaged in their education, helping them to reach their full potential, building a pathway to future employment.
The Chevron-operated Wheatstone Project has partnered with Onslow Primary School to enhance the delivery of the school's education programs.
The Onslow Kids Kitchen Garden program enhances learning experiences at the school through tactile experiences and provides local kids with a chance to connect with and learn about nature.
Sport is being used as an effective tool in improving health, education and social outcomes for Onslow's young people. The year-round program delivers community activities in the town through a locally based team.
Developed in consultation with the Western Australian School Curriculum and Standards Authority, this program aims to increase energy literacy in schools, improve students' skills and training outcomes and helps develop the future energy industry.
The Chevron-supported, Women in Engineering program equips women with the foundation skills and confidence to gain employment in the resources industry or pursue higher level engineering qualifications.
We partner with universities around the globe to foster academic excellence, grow research capability, build relationships and provide scholarships. Our aim is to strengthen Perth as an energy industry centre of excellence in the region.


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We are pleased to announce that a new version of forestry.com is under construction. Our goal is to make forestry.com the new digital home for foresters, loggers and
all you people with interests in forest, forestry and machinery. If you have any questions you can reach us by email above. In may 2017 the new forestry.com will be born.
Be sure to bookmark this page and welcome back!