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Committees: Library Affairs
Brian Dixon, Chair
This committee shall review and advise the Council on policies and resources of the IUPUI University Library. It shall also consider issues that might affect the quality of the campus libraries. This committee may serve as a forum for the discussion of existing or proposed policies and for the critique of planning and budgetary proposals (Bylaw III.B.9).
Committee Members
Members with Term Expiring June 30, 2017
Dixon, Brian (Public Health) (Chair)
Mahoney, Jennifer (Liberal Arts)
Mohammad, Khalid (Medicine)
Porter, Tamiko (Science)
Members with Term Expiring June 30, 2018
Comer, Amber (SHRS)
Guiliano, Jennifer (Liberal Arts)
Polley, Ted (University Library)
Van Wyke, Ben (Liberal Arts) (On leave FA16)
Liaisons for 2016-2017 (or Ex Officio)
Hassell, John (Business) (Executive Committee Liaison)
Lewis, David (University Library) (Administrative Liaison)
Annual Reports
- Annual Report 2015-2016
- Annual Report 2014-15 and committee minutes [PDF]
- Annual Report 2013-14 [PDF]
Meetings and Minutes
- Minutes - 2013-2014 [PDF]
- Draft Open Access Policy [PDF]
- Report to the IFC - May 7, 2013 [PDF]
- Minutes - April 9, 2008 [PDF]
- Minutes - February 13, 2008 [PDF]
- Minutes - October 30, 2007 [PDF]


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First Phase: TwoMature
He was passing through the park when he first saw her.
It was approaching midnight so his surroundings were pretty much desolate. The abandoned swings creaked with each movement that they made in the cool wind which whistled past him, ruffling his hair slightly. He didn't even know what he was doing there anyway. The others would be wondering by now. There were times when he thought to himself that it would be so much easier to just get away, but then if he really thought about the consequences that would soon follow he knew it wasn't worth it.
Something caught his attention though. A warm, pleasant scent carried along the light summer's breeze. It reminded him of everything sweet: honey coated chocolate, the moment of complete ecstasy as his fangs pierce the fragile skin of a delicate neck and his mouth is filled with the thick heady taste of blood.
His head jerked sharply to the left where he saw a girl walking by herself.
He was over there in a flash, not even bothering to waste any time. All he could think about was the wild, agonizing pain that had suddenly flared within his own throat, despite his recent feed. The girl looked up, startled.
Another pretty one, he mused to himself. She had wide blue eyes that were now frozen in fear and thick light brown hair that fell past her shoulders and down to her waist. Mascara was smeared down pale cheeks and her damp top clung to her skin, quite evidently see-through. He let his eyes linger over her form appreciatively before his mouth tilted into a smile.
'What's a young thing like you doing wandering the park at night?'
'I, um, I'm on my way - on my way home,' the girl stammered, taking a little step backwards.
'Really? You look lost.'
'No, I'm fine... thanks. I should really go now...'
He let the girl pass him before reaching out to grab her. She yelped, but he clamped a hand over her mouth, pinning her arms to her side.
'Sorry about this love, I can't help myself,' he murmured against her neck. He felt the familiar, dull ache of his fangs as they sharpened, and not wanting to waste another precious second, he bit into her.
She tasted just as good as he had imagined and a moan escaped his lips as he pulled away. Blood ran down his mouth, the girl struggled and screamed against his hand, but all he could focus on was how damn good it was. He could never get used to this feeling, it was something that nobody could familiarize themselves with. It always took him by surprise, rendering him amazed by the sheer bliss of it. If he believed in any type of Heaven, this would be it.
Without warning, his mind exploded in a bolt of pain.
His grip on the girl loosened, he barely noticed her escape. All he was aware of were the flames of agony in his mind right now. He doubled over, cursing, clutching his head between his hands. Falling to his knees, he let out a feral snarl. It felt as though a million knives had been plunged repeatedly all over his body, emanated from within his skull.
Then it stopped.
Everything fell silent with a deathly hush. He was left panting for breath on the cold, concrete floor, watching the girl run for her life.
What the Hell had just happened?

subset: commoncrawl


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Sick of the taunts from the inhabitants of her small town, above average weight Jocelyn had endured numerous insults since she was a small child. An ad for mail order brides spurred her to act and she wrote to the company and was matched up with a rancher in California who wanted a wife with a sense of adventure.
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Autumn Love Live Wallpaper
by: Drugc • 11
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by: Drugc • 11
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ED Magedson – Founder
Ripoff Report
Mark Andrew Sibert17446 Farlie Road, , CA 92128-3929 San Diego, California United States of America
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Adult Megastar TERA PATRICK @ Exxxotica Miami 2007
Description:Hot adult film actress Tera Patrick meets her fans @ Exxxotica Miami Beach, 2007. Her rock star/actor husband, Evan Seinfeld helps out also!
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In the tiny, navel-gazing world of media coverage about media, David Carr is a rock star: As the media columnist and culture writer for The New York Times, he was unlikely on-screen catnip for viewers of the 2011 documentary Page One: Inside The New York Times . He now has more than than 380,000 followers on Twitter. When the Canadian Journalism Foundation announced that Carr would appear in Toronto on Thursday evening for a discussion with the CBC's Michael Enright, the event sold out within minutes. He recently spoke with The Globe and Mail. This is a longer version of the Q&A published in the Globe's Thursday print edition.
Is now a good time to talk?
Sure. Could you fix my iTunes while we're at it? I have a magazine story due, and suddenly my iTunes and my lawn – everything needs attention except what I have to do.
When is that due?
It's due on Friday, it's 3,500 words, there's two books involved, a record – and a big long interview and – yeah, I'm a little intimidated, to be honest. I did an Arts & Leisure story this week, so at least I'm into stepping up to it – I get so habituated to Twitter and the column, that thinking a long thought is just very daunting to me. I mean it. Anyways. What are we doing today?
Talking about you.
You know, historically, when I came to the Times, which is 10 years ago, the thing was to blend in, not stick out. I worked really hard on that. Then, probably because I cover the media, I started to stick out, and that's well and good, but it's really important to remember that – whatever minor Web famousity that I have, it's because of this Venn diagram intersect between me and a large institution, and that's where the power comes from. If my name was David Schmeckler and not David "New York Times," I don't think people would care all that much what I had to say.
That depends on whether David Schmeckler would have the same access and do the same work. But you're suggesting it's the platform and not the content that's made you who you are …?
I think when you work for the Times, you should never get confused about why an event sells out, or why people race to pick up your phone calls. Certain people have left that gravitational pull – like Frank Rich is Frank Rich, no matter where he is. But in general – we may have our own lustre, but we get the actual voltage from being attached to The New York Times.
Okay, we'll get to that, but first a non-media question. You tweeted recently about the Canadian singer Kathleen Edwards. When did you become a fan?
Um, I think it leaked into my life through hockey. I don't play hockey, but I covered hockey, I worked for the Minnesota North Stars. I worked for Norm Greene. I did the game program for the Minnesota North Stars and worked for Bob Gainey and Bobby Clarke. I'm absolutely terrified of Bobby Clarke. One time when I screwed something up in the game program, I went in to see him, and he hadn't put his teeth in – it was like – Oh my God, I don't know if I'm leaving this office alive, or not.
I don't think you included that story in your book (Night of the Gun).
Yeah, that was when I was getting back into journalism, that was a really important gig for me, I didn't really know or understand hockey, I thought it was sort of boring. And the guy who hired me took me to the press box, where you're sort of up really high, and explained to me how goals take a long time to score and how if you can notice the rink tilting, much as you do in soccer, that the underlying narrative of the game becomes apparent. I was a skier, not a skater when I grew up, so I didn't know a lot about the game of hockey. But I enjoyed very much my time in hockey, and I was a newly single parent at the time, so work was just super-important to me. I put out their game program, and it was mostly standing elements that I would refresh with new elements for each home game.
And Kathleen Edwards came in – how?
Um – Maybe because he's a fan of Marty McSorley and so am I? There was a song that name-checked Marty McSorley. Upon listening I thought, Who the heck is this? She is amaaaazing. And she is.
So we have to talk about journalism. It occurred to me that when I interviewed you back in '08, you scoffed about Twitter – and so did I. But you've really come around. What changed?
South by Southwest [in 2009] it was the main news platform of SXSW and I felt as if the primary sort of information stream of where I was, was going off without me being able to see into it. So I lurked for a while and then started tweeting and – I do think it's very helpful in terms of having a human RSS – 600 people I follow, at least half of them I have intersecting professional interests, and I do think it puts me on tempo, in narrative, in a really important way. That explains why I'm on Twitter. The fact that I've tweeted or retweeted 20,000 times – that's a source of shame to me. I mean, what did I tweet last night?
Something about the Minnesota state fair.
Oh yea, Melena Ryzik, my colleague, had found some seed art. And I don't know, I think seed art is something people should know about. And I was listening to Gang of Four. Like – blah blah blah. Ha ha ha! I was writing, so it's a way to, like, get away from that. I think the person who actually originally talked me into tweeting was Kurt Andersen, and he said: It's like, you're working on something and you need a break, and wanna' have a cigarette and you do a tweet instead. And given that I have been and for the most part am an avid smoker, I got the metaphor very well.
I try to be equitable and I think at least half of my tweets carry at least some meta data, some kind of link to a story or a picture, something like that, and I think there's gotta be nutrition involved beyond what you're eating, and I try to be equitable – if [Dow Jones reporter] Peter Kafka does something that I think is amazing, or the Guardian breaks news, or whatever – you can't just go on and relentlessly promote the whole music of self. If you look at Martha Stewart's Twitter, she's got a lot of followers but all she does it talk about how great she is. I don't think that works.
I think it's really important in terms of persona that you tweet the good and the bad. It's okay to tweet that you just had a cigarette with Kate Winslet – because that's a moment, that's great, that's cool. But yeah, you should also tweet that you took a bus home to New Jersey after doing that, and you went through a bridge and tunnel, so that people don't get the impression that you think you're All That.
I don't want to be seen as some gossamer creature of Manhattan media life – because I'm not. I'm really worried about my lawn, there's a big weed problem right now. And iTunes is baffling me – that's a big part of my life. And I think, to the extent that people follow you and are interested in you, they want a well-rounded portrait. But it is driven at bottom by narcissism and egoism, and my wife thinks it's completely appalling.
So let's put Twitter aside for a second. You are, as I mentioned, a bit of a rock star. The CJF thing sold out within minutes. In our world, you're like U2.
It's sort of a tallest leprechaun thing.
Okay, but you're well known and followed closely. It seems to me to say something about what's going on in the world, and it's not just uncertainty.
Tell me a little bit about what you're thinking.
It seems that, amid all the noise and the high-velocity change – and it's not just being a media reporter, but someone who works in the business – some days it seems that all you can do is hold on for the ride, for dear life. And once a week we get to check in with you – and if not be told everything's going to be okay, at least there's a very intelligent person figuring it out for all of us.
Oh, I'm completely flattered by that, I like that a lot. Well – a couple of things are going on. The column-left space on the Business pages of the NYT hosts Andrew Ross Sorkin and Gretchen Morgensen, and used to host Joe Nocera.
So there's a conferring of authority that occurs in that space, and I benefit from that, so that's one. Two is, I made a very conscious decision that – Am I an old media grampy pants or a new media avatar? And the answer is: I'm both. Three is, a story that you and I covered for many, many years up until 2005 – 'The sky is falling, the sky is falling' – nothing fundamentally changed. The sort of pie chart that drove the ad business remained the same. And the, right when I started doing the column, everything changed.
And most of the money in media, a lot of the money in print media went first to Craigslist and then to Google. The subtraction of revenues led to deal flow and dynamism and lots pratfalling and lots of scrambling around. And probably news began to occur on the media beat, so it took what had been a very meta, sort of Boswellian – I write about people who write about people who write about people – into something that seemed to have stakes and implications. And in essence we moved into the middle of our own story, so it became interesting.
And the other thing I think that's going on is – This week is a very good example of what i think my job is. Let me back up one second – on Thursday, the Yahoo guy [at the Democratic Convention] gets canned for a hot mic error and so: Is my thing, 'Was that a fire-able offence?' I don't do that, I'm not much of a Church Lady, I don't decide up and down, but I did do a blog post about – 'When it comes to feeding all these platforms, you can fall into these crevasses between them. Who ever thought someone at a website would get canned for a hot mic error?' So that sort of pull-back is important. I'm not very good on the news. I can remember when it became apparent that there's something going on with bin Laden – had bin Laden been captured, or shot? And then I realized it's blowing up on Twitter, and about that time I started to think – God, there's a media component to this story, and I finally get around to opening up our blog, Media Decoder. Well, Brian Stelter already had 900 words – and it's just, I got my nose broken. I had the right impulse but it's like I was moving through Jell-O.
[So this week] the President talks to Reddit and in the context of NYT Monday biz section, even though Reddit is where a lot of the Internet lives, where much of the conversation goes on, there's not a lot of visibility for my audience, so it becomes an opportunity for an explainer why the leader of the free world would deal in a social media platform they hadn't heard of. And then: drop down – by the way, what VC or shiny web kids own this? Condé Nast – Advance Publications, and the intersect between old and new and the fact that Advance Publishing, in this instance had bought something and not engaged in the usual ritual sacrifice of turning it into something unrecognizable from what they bought – that's a good Monday column.
I'm dumb enough to ask the right questions, which is – Why is the President talking to Reddit? Well – 'Everybody knows why he's talking to Reddit.' Mmm, I don't think everybody knows – and then smart enough to go and find the right answer. That's – I don't work from inside some smartypants new media bubble. I'm 55 yrs old, still get the daily paper – all that stuff.
Are you concerned you'll be taken to task by those within the bubble who will say – you idiot, of course everybody knows why he'd talk to Reddit.
Oh yeah, I get a lot of that, I could care less. My main job is to be of service to readers of the NYT, and I don't mean that in some crunchy do-gooder way. That is how I eat. So compared to cred on Twitter – I could care less, that's how I get hamburgers. If I serve as an explainer – I went on Reddit where I'm a reader not a user and said: Explain this to me, explain – I don't care. I think generally our job is to find people smarter than we are and ask them what they think.
I fight with Bruce Headlam, who's my top editor, I'm always dumping quotes into my column and he says, 'People care what you think,' and a lot of times what I think is what they think. I'm not the kind of person who can just watch things going by and put a little extra sauce on it. I mean, I think I'm a good writer and a good thinker but my stuff always gets better with phone calls.
I think everybody's does. Especially in a large and confusing field like this one. So, a few weeks ago, Fareed Zakaria ran into some problems – because, it appeared, he was just too busy, spreading himself too thin, on too many platforms. But you seem to be managing just fine. You've got the Sweet Spot, which probably takes much more time than it appears. You've got the column, you tweet, you've got the occasional hit on the Media Decoder blog.
I'm on the front of Sunday Arts & Leisure, which is very important to me – that I'm seen as someone who can do that. And I'm working on a magazine story that we will only hint is about a famous Canadian.
Okay, so this is going to sound like I'm being a lifestyle reporter but: Is it too much sometimes?
Everything suffers. Everything suffers. My magazine story will not be as good as if it was written by somebody who is only doing magazine stories. The Arts & Leisure story, it involved going to see Errol Morris – could I really afford to go to Boston for the day, or not? I used to be blogging a lot more than I am – now I'm in there, I try to be in there once, sometimes twice a week but have it mean something. But – the Yahoo item. Right when it came down, I walked by [Brian] Stelter and he said, 'Well that's a three-minute post,' and I thought: Not in my hands it's not.
And the intrusiveness of the multiplatform existence, in terms of concentration. I think there's going to be an erosion over time in your ability to think long thoughts.
I'm totally grateful I have a job, but when the way you're judged on your job changes from quality and efficacy to durability and chronicity, I think that that's sort of scary, especially for journalists like me who are sort of on the back nine of their professional life. Even if I've done a good job of adapting. Friends of mine who are not on Twitter, who turn down all manner of public speaking, who don't go video – I never argue against them. I think that's completely understandable, and you could say: Well, they won't last long. But maybe I won't, either.
Sure, but they'll be thinking deeper thoughts than I do. So, when you come up to the CJF, people see you as a real insider. A few months ago there was a blog post which suggested you're the ultimate insider who, as this writer had it, may have lost a sense of true north.
I think it was [Columbia Journalism Review] – 'The two David Carrs'? That thing? Yeah, it was one of those moments: Was it worse that they said it, or worse that part of it was true? The case-building that went with it – the one thing in it that got me going was, the writer said I didn't even try to find out if Huffington Post made money and that's a dead-wrong assumption.
But the other part about knowing people is great for getting your phone calls picked up but when you can picture somebody, when you picture their face and that's a face you've air-kissed or hugged or clinked glasses with, do you swing less hard, do you swing less ferociously? Yeah, I think so.
I can remember, I wrote about Tina Brown in my first column, ever – not a very kind column. And then I wrote about Tina Brown lately, and two things make me less prone to gratuitously or appropriately go after her: One is, I know her as a hard worker, somebody who's, like – she is trying really hard to make it better, that is over and over, and that is an impulse in journalism that I respect and regard – so I've gotten to know her well enough to know that about her – and then the other thing is – she's aggressively moved to continue to produce journalism in sustainable ways, and what would people have her do? Would they have her go away and sit at a table at Michael's and talk about the days back when she ruled the world? No, she's in there and she's working.
Every once in a while I'll read something by Hamilton Nolan in Gawker. Hamilton goes to nothing, or goes to very little – he will just step up and fill somebody with ack ack – and I think to myself: Hmm, whether it was true or not, it was executed with a great deal of vigour, in a way I probably do not do any more. When you work for a big institution and you have the same job for a long time, are you in danger of becoming what you once assailed? Absolutely.
So: The Sweet Spot [this weekly video on the Times website] that you and A.O. Scott are doing. It's confusing me because you seem to be trying to make the point that smart video can make it on the Web, and I almost thought: How dare you? The conventional wisdom is: 1, 2 minutes, say something funny and be gone.
I began [developing the Sweet Spot] with the thought exercise of: What would it take to get me to watch a six- to eight-minute video of two white people at a table talking? The answer is: Nothing, there's nothing in the world that would make me do that. So then I thought about: Okay, what can we do in short format that will be not just interesting to the audience and interesting to me? And the answer to that was: Nothing. Nothing would be interesting.
I put a full day if I count the hours Tony and I trade off production of the show, and the show. And the discussion that would occur in two minutes it's just of no interest to me. So what we're doing instead is we're doing what we want – within reason. I mean there's a lot of oversight on video matters and attention being paid to video matters right now – and then hoping that the spins grow.
I'm gonna predict that if we stick with it, in format, and start to do maybe a little more in the way of packaging in the middle of it, we will eventually get to six figures in terms of the numbers of spins on it, and that we're gonna muscle it through.
What I like about the show and think is working: They had us on a desk – we have this studio in the newsroom, and I fought long and ferociously to get off that desk, and so we moved up to the [Times] lunchroom. You can see New York out the window. Very important – like, Purple Mountain Majesty, there it is, Gotham City, out the window. One.
Two is, you can see people moving around in the background. Three, there's food on the table, I'm often eating it, Tony is not – we have very different dietary choices. And to me, verisimilitude and authenticity are extremely important.
I was impressed by the launch of HuffPo's video – behind that beautifully rendered little studio that they have – they have a camera behind the camera to show you are somewhere. And I think the mistake that a lot of serious video people make is an attempt to ape the templates of television.
I think videos from newspapers should always look like videos from newspapers – and we have this gorgeous set from Renzo Piano, that he built us, so the fact that we roam around and do interviews and always get people in their cubes, that we do it in the lunchroom, that to me is a very important part of the DNA of the show.
If I have any gifts in video – and I'm certainly not one of the first people you'd put on video – I'm very good with other people, whether it's man on the street or Tony, I think he's one of the best working critics in America, and I think the stuff he talks about is interesting. The fact that we genuinely like each other – one thing that does travel across platforms, on Web and television, I think chemistry is really important. And we've had disagreements about this or that, but we like each other and that's visible and palpable. So I think that matters.
Whether it'll continue to be a little curio that we do or will aggregate an audience around that – don't know. But I think the video realms, it's very important – right now the WSJ has a video blog where people are just doing little feeds off their phone, and people are going: What is the purpose of that? And I think, just giving it a whirl over and over again, the endless iteration and trying out stuff – that will be answer in video realms, because nobody has solved the math. I had lunch with Peter Kafka the other day and we talked about: Where is the good video on the web? And the fact that the Journal is trying stuff, you're trying stuff, we're trying stuff – eventually something's gonna work. And I'm very bullish on NYT's video prospects, partly because – if Israel took action against Iran tomorrow, I think you should be able to turn us on. I think we know more than almost anybody and I think you should be able to switch us on, and I can see a time within the next 5 to 6 years when signal events in global or United States culture happen, that you'll switch on your television or whatever it's called, your phone or your tablet – and the New York Times will be there, talking to you. I have every confidence in that.
This interview has been condensed and edited.Report Typo/Error
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The microchip wars and how they affect your pets' safety (Part 2: Microchip technology)
WARNING: This post is a little long, legal, slightly technical and might be hard to follow but once you get through it you'll have bragging rights on basic microchip ins-and-outs. A discussion of microchip readers comes in Part 3 of this series. (I had to split it up, there was just so much to this back-story, so there will be a Part 4 in this series, too).
In the US, there are two different kinds of chips based on the use of radio wave technology. There's the 125 kHz chip (used by AVID and HomeAgain since the mid-nineties) and there's the ISO (international standard) microchip which operates at 134.2 kHz (introduced by Banfield in 2004).
These two different radio wave frequencies represent two distinct technologies. But you can only buy one of these—the 125 kind used by AVID and HomeAgain (and since Feb 2007 by AKC-CAR).
The other, a chip manufactured by Crystal Technologies was introduced by Banfield (and marketed briefly in 2004) but is not available. This is the result of a law suit brought by AVID in 2004. HomeAgain "countersued," citing monopolistic practices but AVID prevailed in early 2006 due to their early patents on their technology and access to the marketplace.
Here's some background on the 125 versus 134.2 thing:
Currently (June, 2007) the so-called "ISO" standard for microchips manufactured for use in identifying animals has been adopted the world around. Only the major US companies (AVID and, almost immediately after, HomeAgain) opted for the 125 kHz technology instead of the ISO system, in spite of broad industry support for this international standard (set by the ISO, a Swiss organization that devises neutral standards—which, for example, make credit cards usable all over the world).
Already in use to identify wildlife in the US, the ISO technology itself enjoys the support of the AVMA, HSUS, AKC and other organizations due to its lower cost and equivalent technology. AVID first marketed its chip in the US with the help of Shering-Plough (now HomeAgain's partner), claiming these chips were easier to read. It gained market dominance by distributing free readers to shelters nationwide and to all vet retailers.
Essentially, the US companies bet on Betamax, already knowing that the rest of the world preferred VHS. But getting in early on the marketing and ditribution of a patented technology was the only way to corner the US market on this promising technology.
You might think that's OK—the rest of the world uses one standard and we use another. No big deal. It happens in other industries. But what happens when pets cross international lines? They need new microchips in the US. And what happens when a company tries to introduce the world's standard in the US? They are legally barred from gaining entry, and not just for patent infringement.
You may have read about this story. Banfield, with its burgeoning chain of thousands of vet practices (and a whopping database to match) introduced the ISO standard microchip to compete with AVID and HomeAgain's. Its stated vision was to bring the US market in line with international standards so that, eventually, all microchipped pets would be equally protected.
Sure, Banfield had money-making designs, too. It was partly trying to segment the US microchip market so it could get in on the action. But it was also acknowledging that VHS had won while we were all still using Betamax in our American bubble, to the eventual detriment of our increasingly globalized pets. (Nowhere, perhaps, is this more apparent than in Miami, though it may sound like hogwash in the heartland.)
AVID's legal grounds for barring Banfield's chip were based on their patents, but they also brought suit on animal safety concerns. They successfully argued that Banfield was doing its patients a disservice by introducing another microchip to the marketplace without the infrastructure in place to detect them.
Though Banfield had distributed 3000 free readers across the US, this was nowhere near the level required to detect these chipped pets. As a result, Banfield got lots of negative press for trying to introduce another standard—to the detriment of its pet patients who would not be protected by a technology most shelters don't support (at least one of which was verifiably euthanized).
All that tough love aside, Banfield might have held the higher moral ground ("Let's go the way of the rest of the world, fellow country-men.") were it not for their way of going about it. They failed to inform their customers of the limitations of their isolated technology. In other words, they sold thousands of microchips without telling their clients that most local shelters and non-Banfield vets wouldn't be able to read them, thereby rendering these chips ineffective. Now that's not so smart, is it?
All Banfield-bashing aside (for there's enough blame to go around) let's talk about microchip reader technology and how that factors into things. See the next installment for more history and technology behind the microchip wars.


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Arcadya Salon & Spa Stylists Receive Training in Japanese Hair Straightening
Manchester, New Hampshire, salon only one in state currently offering this service
The Yuko hair straightening process – also known as Japanese hair straightening – takes three to four hours, depending on hair type and length. The solutions permanently straighten hair by changing the internal structure of the hair. Touch-ups are recommended every four to six months.
Arcadya is currently the only salon in the state of New Hampshire offering the Yuko straightening services.
Arcadya Salon & Day Spa offers its clients hair services, facials and skin care services, massage therapy, body treatments, manicures/pedicures, makeup application and bridal services. It is open Tuesday through Saturday, and weekday evening appointments are available.
Arcadya Salon & Spa is at 989 Cilley Road, Manchester. For more information or to book an appointment, call (603) 644-1355 or visit ArcadyaSalon.com. Arcadya can also be found on Facebook and Twitter.
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hi ive lost my alarm fob and the dealers want a fortune to buy a new key and reprogramme it.
what i was wondering is if i find another module with the fob from a donor car, can i just swap the module to my car and use the already paired fob?
the alarm on mine is a 3T its on a 1995 328i
i know billywhizz said in theory its possible but does aanyone know for defo?


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Chap Olympiad » Events » The Chap Olympiad 2017
The groundsmen are still mopping up gin and Pimm's from the grass after last year's unsporting extravaganza; stray brogues are still being fished out of bushes, ladies' parasols retrieved from trees – yet, even further behind the scenes, preparations are already being made for this year's Chap Olympiad.
The 13th Chap Olympiad will take place on Saturday 15th July in its usual home of Bedford Square Gardens, London. This celebration of British sporting ineptitude will feature the usual programme of ridiculously unchallenging acts of buffoonery that can barely be described as sports: Tea Pursuit, Umbrella Jousting, Butler Baiting and Aunt Avoidance.
New challenges will be presented, to avoid any chance of contestants preparing for the event. Any form of training, working out, gymnasium attendance or the consideration of anything except the cut of one's trousers and the perfect buttonhole is frowned upon by the judges, who simply know when someone is trying too hard.
The only qualities required by contestants are skulduggery, subterfuge, caddishness and guile. The only preparations they need to make are within the confines of their tailor's fitting room. Ladies need not concern themselves with anything but choosing suitable hosiery for the climate and which particular cocktail they might take several of on Saturday 15th July.
Tickets are available from www.designmynight.com
One Response to "The Chap Olympiad 2017"
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6902 East Greenway Parkway Scottsdale 85086 USA
Facilities The hotel offers travellers a total of 732 rooms. A lobby and a reception are available to guests. Wireless internet access is available to travellers. Various gastronomic options are available, including a restaurant, a dining area, a café and a bar. Guests can buy souvenirs at the gift shop. Children can have a great time playing in the playground. Additional facilities at the establishment include a playroom. Those arriving in their own vehicles can leave them in the car park of the accommodation. Available services and facilities include a childcare service, room service and a laundry service. In addition, a shuttle service is offered. Active guests can make use of the bicycle hire service to explore the surrounding area. Rooms Each of the rooms is appointed with air conditioning, a kitchen and a bathroom. Most rooms feature a balcony with a view for guests' enjoyment. The rooms each feature a double bed. Cots are available for younger travellers. A safe, a minibar and a desk are also available. Additional features include a fridge, a mini fridge and a tea/coffee station. An ironing set is also available for guests' convenience. Little extras, including internet access, a telephone, a TV, a radio, an alarm clock and WiFi, contribute to a great stay. The bathrooms are fitted with a shower and a hot tub. A hairdryer and bathrobes are provided for everyday use. The hotel offers family rooms and non-smoking rooms. Sports/Entertainment The establishment features various options for cooling off on hot days, including a pool and an outdoor pool. A waterslide offers fun for all ages. The hot tub is the perfect place to relax. There is also a poolside snack bar. Biking/mountain biking, tennis and golf are available to active guests. Travellers can take advantage of a wide range of indoor sports at the accommodation, including a gym, billiards, yoga and aerobics. The hotel offers various wellness options, including a spa, a sauna and a steam bath, or for a fee, a beauty salon and massage treatments. An entertainment programme is offered for children. Meals Breakfast can be booked. Payment The following credit cards are accepted at the establishment: VISA and MasterCard.


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2607 Regent Street
Claremont Elmwood, Oakland, 94704
Commute to Downtown Berkeley
Daily errands do not require a car.
Many nearby public transportation options.
Mostly flat, excellent bike lanes.
About your score
2607 Regent Street has a Walk Score of 95 out of 100. This location is a Walker's Paradise so daily errands do not require a car.
2607 Regent Street is a 21 minute walk from the Fremont - Richmond Richmond and the Richmond - Daly City/Millbrae Millbrae at the Downtown Berkeley stop.
This location is in the Claremont Elmwood neighborhood in Oakland. Nearby parks include People's Park, Willard Park and Edwards Track Stadium/Goldman Field.
Explore how far you can travel by car, bus, bike and foot from 2607 Regent Street.
2607 Regent Street has good transit which means many nearby public transportation options. Car sharing is available from Zipcar, City CarShare, RelayRides and Getaround.
Rail lines:
Richmond - Daly City/Millbrae Millbrae
0.7 mi
Fremont - Richmond Richmond
0.7 mi
Pittsburg/Bay Point - SFIA/Millbrae San Francisco Int'l Airport
1.4 mi
Bus lines:
1 Bayfair Bart- Dtn. Berkeley
0.1 mi
1R Univ/Calif - BYBA
0.1 mi
51B RockRidge - 3RUN
0.2 mi
0.2 mi
49 Rockridge Bart / Dwight S.P.
0.3 mi
Car shares:
View all Claremont Elmwood apartments on a map.
Popular apartment searches include furnished and hardwood floor.
Search for homes in Oakland or find a Oakland real estate agent who knows walkable neighborhoods. Links will open on our partner site Redfin.com.
2607 Regent Street is in the Claremont Elmwood neighborhood. Claremont Elmwood is the 114th most walkable neighborhood in Oakland with a neighborhood Walk Score of 12.
Moving to Oakland from another city? View our moving to Oakland guide.


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Having problems with your Dell Computer Utilities & Maintenance ?
Required registry information is missing and cannot run. please rerun setup to correct this problem.
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Park's Professional Mechanic's Floor Pump is a joy to use, a powerful inflator and it's durable enough for pro bike mechanics to rely on every day, all day. It pumps like a champ thanks to its aluminum barrel, tough nylon ergonomic handle, composite thumblock head that fits Presta and Schrader valves, sturdy steel base, extra-long high-pressure hose and extra-large, easy-to-read, industrial-quality gauge. Plus, this super pump boasts a large steel base with locking, folding feet, so it's super stable when you're pumping and it folds up easily for portability.
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Hotel AMANO Grand Central
Select your stay dates to check availability
Hotel AMANO Grand Central
About the hotel
Property Location
With a stay at Hotel AMANO Grand Central in Berlin (Mitte), you'll be convenient to Charite and Reichstag Building. This hotel is close to Brandenburg Gate and Checkpoint Charlie Museum.
Make yourself at home in one of the 250 air-conditioned rooms featuring minibars and flat-screen televisions. Complimentary wired and wireless Internet access keeps you connected, and cable programming provides entertainment. Bathrooms have complimentary toiletries and hair dryers. Conveniences include laptop-compatible safes and desks, and housekeeping is provided daily.
Be sure to enjoy recreational amenities including a 24-hour fitness center and bicycles to rent. Additional features at this hotel include complimentary wireless Internet access and concierge services.
Enjoy a satisfying meal at a restaurant serving guests of Hotel AMANO Grand Central. Quench your thirst with your favorite drink at a bar/lounge.
Business, Other Amenities
Featured amenities include complimentary high-speed (wired) Internet access, complimentary newspapers in the lobby, and dry cleaning/laundry services. Self parking (subject to charges) is available onsite.
Hotel Facilities
- Rooftop terrace
- Roll-in shower
- Self parking (surcharge)
- Free WiFi
- In-room accessibility
- Luggage storage
- Number of floors - 6
- Restaurant
- Number of buildings/towers - 1
- Meeting rooms 4
- Dry cleaning/laundry service
- 24-hour fitness facilities
- Garden
- 24-hour front desk
- Bar/lounge
- Year Built 2015
- Concierge services
- Breakfast available (surcharge)
- Free wired high-speed Internet
- Multilingual staff
- Total number of rooms - 250
- Tours/ticket assistance
- Elevator/lift
- Free newspapers in lobby
- Smoke-free property
- Accessible bathroom
Room Facilities
- Iron/ironing board (on request)
- Free wired high-speed Internet
- Cable TV service
- Blackout drapes/curtains
- Daily housekeeping
- Minibar
- Free toiletries
- In-room safe (laptop compatible)
- Hair dryer (on request)
- Free WiFi
- Flat-panel TV
- Air conditioning
- Desk
Hotel Policy
The following fees and deposits are charged by the property at time of service, check-in, or check-out.
- Fee for buffet breakfast: EUR 15.00 per person (approximately)
- Self parking fee: EUR 15.00 per day
- Pet fee: EUR 10 per pet, per night
- Rollaway bed fee: EUR 25 per night
The above list may not be comprehensive. Fees and deposits may not include tax and are subject to change.
Mandatory Fees and Taxes
- A city tax is imposed by the city of Berlin. Business travelers with proof of business-related travel are exempt from this tax. For more details, please contact the property using the information on the reservation confirmation received after booking.
We have included all charges provided to us by the property. However, charges can vary, for example, based on length of stay or the room you book.Show all hotel policy Show less hotel policy


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M300 SMART GLASSESThe Vuzix M3OO is the Next Generation of Smart Glasses for Hands-free Mobile Computing
Perfect for Enterprise, the Vuzix M300 Smart Glasses deliver enhanced functionality for commercial applications varying from field service to logistics to manufacturing and more. The M300 Smart Glasses provide a hands-free platform for access to digital information and collaborative tools. Now you can improve existing workflows and open new opportunities in industrial, medical, retail, supply chain, remote help desk, and other aspects of your business.
M100 SMART GLASSESM100 Smart Glasses Serve Up the Digital World Hands-free
Vuzix M100 Smart Glasses deliver a hands-free digital solution, offering access to 2-way video, information, data collection, training and much more. The M100 Smart Glasses are an Android-based wearable computer, enhanced with a monocular display and onboard processor, recording features and wireless connectivity capabilities designed for a wide variety of enterprise applications.
M3000 SMART GLASSESThe Next Generation of Smart Glasses Featuring Advanced Waveguide Optics
The next generation of Vuzix M3000 Smart Glasses feature advanced 2.1 mm thin waveguide optics and a custom WVGA linear DLP "Cobra" display engine. It delivers the same hands-free digital world as the M300 processor and operates on both Android and iOS platforms, providing unprecedented mobile access to information, data collection and more. COMING SUMMER 2017
IWEAR® VIDEO HEADPHONESThe Perfect Wearable Display for Mobile Entertainment, Gaming, and FPV for Drones
The Vuzix iWear® is a high-end pair of mobile video headphones with an incomparable level of video and audio performance and built with comfort in mind. At the heart of the 2016 CES Award Winning iWear® Video Headphones is a pair of dazzling 16:9 high-definition displays with a large 55° field of view – comparable to watching a 125" home theatre screen from 10 feet away. The iWear® supports HDMI inputs, so users can hook up to their 3D Blu-ray player, tablet, console system, PC, and mobile smartphones.
BLADE 3000 SMART SUNGLASSESWinner of Four International CES Innovation 2017 awards
For work and play – Vuzix Blade 3000 are the first Smart Sunglasses featuring style, performance and advanced waveguide optics for hands-free mobile computing and connectivity. The Blade 3000 delivers a vibrant full color display, with enhanced functionality for your on-the-go, hands-free, mobile computing requirements. Ideal for mobile applications, now you can stay connected and navigate without taking your Smartphone out your pocket.


text:
goalpostnoun [ C ]uk /ˈɡəʊl.pəʊst/ us /ˈɡoʊl.poʊst/ also post, UK also upright
Thesaurus: synonyms and related words
(Definition of "goalpost" from the Cambridge Advanced Learner's Dictionary & Thesaurus © Cambridge University Press)
(Definition of "goalpost" from the Cambridge Academic Content Dictionary © Cambridge University Press)
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Word of the Day
the action of smoking a cigarette, pipe, etc., or the activity of doing this regularly


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Castelli Punto Tre FZ Men's Jersey - $99.95
A notable hallmark of Castelli design is that it's not afraid to follow an idea through till perfection is reached. Such is the case with its new Punto Tre FZ Jersey. With it, you receive the same fabrics and hardware found on the Garmin Barracuda and Free jerseys, only it replaces the Free's aesthetic classicism for that of nouveau. Castelli constructed the Punto Tre from its proprietary Prosecco Strada fabric. This material was selected for three reasons -- its controlled stretch, light, breathable weight, and all-encompassing comfort. Going in order of operations, the controlled stretch of the fabric creates a supportive fit that dampens the effect of road vibration and oscillation in order to minimize muscle fatigue. Additionally, it permits Castelli to maximize the shape of the jersey for the perfect cycling fit. Secondly, Prosecco Strada features a lightweight composition that feels light and airy on the skin, while remaining highly breathable. This has been furthered through the incorporation of subtly placed mesh side panels. So, you don't have to worry about overheating during long, exhaustive efforts in the saddle. However, no matter how good the material, sweat is inevitable. That's why Castelli also gave the jersey its patented Prosecco treatment. This process is a topical, hydrophilic treatment that spreads moisture out over a larger surface area for rapid evaporation. Ultimately, it keeps you cooler and drier over your race or ride. For the fit, the Free jersey has been cut along a race style. In fact, an observant eye can see that the Garmin Barracuda Team jersey features the same cut, fabric, and components as the Punto. But, what makes the fit pro-level' Well, Castelli designed the jersey on a contour -- this is most evident when the jersey is hanging on the rack. So, the seams are shaped to your body while it's in the cycling position. Additionally, the jersey has what Castelli calls, set-in sleeves. - $99.95


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What is JotForm?
JotForm is a free online form builder which helps you create online forms without writing a single line of code. No sign-up required.
At JotForm, we want to make sure that you're getting the online form builder help that you need. Our friendly customer support team is available 24/7.
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Form InformationAsked by Josh on March 15, 2013 at 03:09 PM
I am wanting to build a form mailer emails me all the information inside the form. The form i am needing to make is a catalog that does not request a payment which you seem to be able to comply. The problem that i am running into is The catalog is for large orders. I need to be able to make several different drop down menus with sizes and quanitys together. Like a small with quanity a medium with quanity and so on. I seem to be only able to make one quanity adjustment and several different others. is there a way for me to make it this way.
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Hi Josh,
I think you can do this with our Purchase Order field under Payment Tools from our form builder. Purchase Order will simply calculates data (Quantities, Custom Properties such as Sizes, Colors).
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The previous World Heavyweight Champion Rocky Balboa serves as a coach and guide to Adonis Johnson, the child of his late companion and previous adversary Apollo Creed.
Nov 25,2015
Watch Creed Online Full Movie Download 720p, 1080p Bluray HD.
Adonis Johnson is the son of the famous boxing champion Apollo Creed, who died in a boxing match in Rocky IV (1985). Adonis wasn't born until after his father's death and wants to follow his fathers footsteps in boxing. He seeks a mentor who is the former heavyweight boxing champion and former friend of Apollo Creed, the retired Rocky Balboa. Rocky eventually agrees to mentor Adonis. With Rocky's help they hope to get a title job to face even deadlier opponents than his father. But whether he is a true fighter remains to be seen.
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Philosophy Lexicon of Arguments
|Formal speech: expression of R. Carnap (R. Carnap, Scheinprobleme in der Philosophie und andere metaphysikkritische Schriften, Hamburg, 2005 p. 120). In the formal manner of speech it comes to rules on the use of linguistic expressions and to the question of which inferences are allowed in order to build new statements. For example, it's not about whether two expressions mean the same thing, but whether they are mutually substitutable. See also formal language, Content speech, ideal language, artificial language, everyday language.
|Meta data
Books on Amazon
Vienna Circle/"Formal Speech"/Translation/Feyerabend: Bsp question, is the world finite or infinite? In the "translation", we no longer speak of a property of the world, but of a property of consequences of explanations. So either a single basic explanation, or a never ending sequence of explanations.
FeyerabendVs: If you forget the cosmological background now (and this happens easily with philosophers), the matter is already decided: there are no "fundamental or final" explanations.
Fe I
P. Feyerabend
Wider den Methodenzwang Frankfurt 1997
Fe II
P. Feyerabend
Erkenntnis für freie Menschen Frankfurt 1979


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7 Pet Care Jobs Found
cat care-vist with feeding
Posted by Tom T. on 5/24/2017
- Start date:
- Flexible
- 23 miles away (Biddeford, ME)
- $20/visit
- 1 pet
I have a wonderful and friendly 5 year old tabby who needs feeding when I am away on business trips.
Occasional pet sitter for my kitty while I...
Posted by April M. on 5/20/2017
- 15 miles away (Buxton, ME)
- $10/visit
- 1 pet
Very sweet, loving cat who loves attention No medication or other needs - just attention, love, food, water, and a treat while I am away. Loves "floor time" (when I get down on the floor with him for a little while,) playing with his mouse on a string toy, and having his fur combed.
Occasionally overnight and vacations
Posted by Jess D. on 5/12/2017
- Start date:
- 8 miles away (Gorham, ME)
- $30/night
- 2 pets
Pet sitter while we are away. Feed, walk and companion while we are out of town. Either in our home or take dog to your home. Dog does have anxiety and does not like other dogs., but loves people! Highly energetic.
dog and cat care
Posted by Dennis D. on 5/11/2017
- Start date:
- 5/13
- 8 miles away (Gorham, ME)
- $10/visit
- 4+ pets
Need someone to let the dogs out 3 times daily and to feed them. Also have two cats, one is blind the other is o.k.. They need to be fed also. One dog requires medication. We have a black lab, 12 years old, a mix, 3 years old. and a bijon maltese mix, 12 years old. Thanks, Dennis
take 16 yr old dog out to go potty
Posted by Michael V. on 5/4/2017
- Start date:
- Flexible
- 12 miles away (Steep Falls, ME)
- $15/night
- 1 pet
I work nights. Gone from 9pm till 7am. let out to go potty My schedule may vary Sometimes I am gone from 4pm to 630 am
Feeding, litter box and hanging out with...
Posted by Chris C. on 4/14/2017
- 16 miles away (Scarborough, ME)
- $40/night
- 1 pet
We can't leave food out for our cat because she will gobble it all down and then it, well, won't stay down. We feed her three times a day. Each meal consists of 4-5 smaller servings spaced out over an hour. It takes time, but she keeps down her food and is healthy. She is a sweet, gentle cat. She... More
Home pet sitting
Posted by Jeff G. on 3/23/2017
- 8 miles away (Gorham, ME)
- $50/night
- 3 pets
One dog two cats looking for someone to stay at my house and care for my family of four legs. We are planning a trip in October 2017 for a few days.


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After acquisition by IBM, SoftLayer has announced Jumpgate as an API bridge to OpenStack. This stops short of a full migration to OpenStack, and it is unclear whether IBM will ever go there.
Articles Tagged with API standards
Eucalyptus 2.0, and the stalled debate on Cloud API Standards
We've been following Eucalyptus over a series of posts, and recently seen the company strengthen its management team with the appointment of new CEO Marten Mickos the (only) ex-CEO of MySQL. This week they have released a new version of the Eucalyptus product, Version 2.0. which carries some of his strategy, particularly in putting clear water between the Open Source and the Enterprise version of the product.
It strikes us that the Eucalyptus story of Public/Private cloud interoperability is strongly related to the dynamics around Public Cloud interoperability, and there are lessons to be learned from the momentum that Eucalyptus has gathered, for the wider debate around Infrastructure as a Service (IaaS) API standards.


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Aamir impressed by Quick Gun Murugun!
Written by: By: Subhadeep Bhattacharjee
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Aamir Khan | Quick Gun Murugun | Movie Stills | Rambha | QGM Video
In the latest post the actor said "Just saw Quick Gun Murugun. Really enjoyed it. I think fans of the Channel [V] character Quick Gun Murugan will love it. It's got so many rib-cracking moments. And a very well-pitched performance by lead actor Dr Rajendra Prasad, and all the other cast. It's releasing on 28th so don't miss it if you are a Quick Gun fan.... Mind it!"
Director Shashanka Ghosh and lead actor Dr Rajendra Prasad could not have asked for a better testimonial for the movie just days ahead of its release.
Other articles published on Aug 26, 2009


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"I didn't do reading before, but it's fun and I love it now. Reading aloud is better than in your head. It's like you're on an adventure, you can understand more aloud." - Looked-after child reading in one-to-one session
Our projects with children and young people focus entirely on reading for pleasure. Using experience, patience and enthusiasm, our dedicated team of Readers find the right books to connect with pre-school children and families, young people in primary and secondary schools, looked-after-children and in the community. By sharing stories in an informal and engaging way, our work is improving reading abilities, building bonds, confidence and self-esteem, encouraging future generations to develop a life-long love of reading.
Our shared reading projects in schools are developing a culture of reading for pleasure. Evidence from the Institute of Education (2013) has shown that reading for pleasure significantly narrows gaps in attainment, and is more important for children's cognitive development than their parents' level of education. Over the last 10 years we have developed a range of programmes and courses that have been shown to be successful in turning reluctant readers into lovers of stories, poetry and novels.
We ran weekly shared reading sessions (1 hour) for children aged 9-12 in two primary and one secondary school in a deprived ward of East Glasgow. Using the British Picture Vocabulary scale, all children were initially at least 2 years below their chronological age in vocabulary development and this increased dramatically in all cases after 6 months of attending the reading group. Other changes included improvements to wellbeing, confidence and engagement with reading, with previously very reluctant readers developing into keen readers for pleasure.
Download more information on our work in education settings
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Improving language development in a child's early years is key for ensuring that children have better chances in school and success in later life, including higher education and economic prospects. Our work with pre-school children and their families emphasises reading in a fun and interactive way, encouraging opportunities for bonding and stimulating positive relationships with reading in both children and adults.
We can offer:
PVI Project 2015
The Reader was commissioned in January 2015 for a nine-month project to engage parents of two-year-old children accessing 15 hours per week of free childcare, leading to:
• Improvements in the language development of two-year olds
• Improvements in the responsiveness to books and storytelling
• Improvements in the confidence and skills of parents to share stories with their children
The project sought to support the most disadvantaged parents to become reading role models, ensuring that their children can benefit from all that reading for pleasure bring. Outcomes of the project included increased interaction between children and parents, increased confidence in reading aloud amongst parents and nursery practitioners and increased confidence amongst nursery practitioners in choosing books to read with children.
Download the PVI Project 2015 report
We are delivering with City of Readers to transform Liverpool into the UK's foremost city for reading, developing future generations of readers who will take the power and pleasure of great books into the future. See the City of Readers website for more
For further information and to find out how we can tailor any of our offerings to you, please get in touch and be part of the story: email@example.com
Give back to your community - Could you be a Volunteer in #Bristol? Find out how you could make a difference:… twitter.com/i/web/status/8… - 20h ago
Join us next week for a #SharedReading Information Workshop at @Calderstones bit.ly/2q7BCSU https://t.co/QaxBldRbH1 - 27 May ago
VACANCY: Could you be our new Finance Coordinator? For full details: bit.ly/2r4hBtG https://t.co/yoT6DWpeyg - 26 May ago
Read to Lead is a total immersion in Shared Reading, providing a comprehensive introduction to the e
Email: email@example.com
Registered charity number: 1126806 Registered company number: 0660 7389
If you have any suggestions on how we can enhance The Reader experience for you, please get in touch by filling out our quick form. Thank you.


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Scarpa Spirit Alpine Touring Boot
Designed specifically for the Ski Trab TR2 binding, the Scarpa Spirit Alpine Touring Boot strikes a balance between efficiency on the up, and performance on the down. Being the three buckle option of the Spirit line, this boot is the slightly softer option for those seeking more comfort on the up. Weighing only about three pounds per boot, and with thirty nine degrees of cuff rotation in walk mode, they will definitely increase efficiency on the skin track. But where the Spirit was really meant to shine was on the decent. The initial concept behind the TR2 system was to provide the skier more control over their ski with a softer boot than traditional tech bindings offered. For this reason the Spirit sports a relatively soft 95 flex, but when used in conjunction with the TR2 binding will deliver the power of a stiffer boot. Taking Scarpa's same tried and true technology, the Spirit features two Zeus buckles, as well as the Predator HRS instep strap for maximum heel hold. A Power strap provides further rigidity, and the Axial Alpine closure system wraps the foot in a secure way for confidence on the descent. The forward lean is adjustable between 15 to 19 degrees, and a lugged Vibram sole keeps your footing secure on the final push to the summit.
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