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|Daniel Fagerstrom <dani...@nada.kth.se>
|Re: [RT] Input Pipelines (long)
|Wed, 18 Dec 2002 23:27:31 GMT
Nicola Ken Barozzi wrote: > > Daniel Fagerstrom wrote: > [...] > > Cocoon is symmetric, if you see it as it really is, a system that > transforms a Request in a Response. > > The problem arises in the way we have defined the request and the > response: The Request is a URL, the response is a Stream. > > So actually Cocoon transforms URIs in a stream. > > The sitemap is the system that demultiplexes URIs by associating them > with actual source of the data. This makes cocoon richer than a system > that just hands an entity to transform: Cocoon uses indirect references > (URLs) instead. > > The Stream as an input is a specialization, so I can say in the request > to get stuff from the stream. > > More on this later. > >> In a sitemap an input pipeline could be used e.g. for implementing a >> web service: >> >> <match pattern="myservice"> >> <generate type="xml"> >> <parameter name="scheme" value="myInputFormat.scm"/> >> </generate> >> <transform type="xsl" src="myInputFormat2MyStorageFormat.xsl"/> >> <serialize type="dom-session" non-terminating="true"> >> <parameter name="dom-name" value="input"/> >> </serialize> >> <select type="pipeline-state"> >> <when test="success"> >> <act type="my-business-logic"/> >> <generate type="xsp" src="collectTheResult.xsp"/> >> <serialize type="xml"/> >> </when> >> <when test="non-valid"> >> <!-- produce an error document --> >> </when> >> </select> >> </match> > > > What you correctly point out, is that the Generation phase not get the > source, but just transform it to SAX. <snip/> > But IMHO this has a deficiency of fixing the source from the input. My intension was that that when not using src attribute, the generator should read the input stream. > Think about having good Source Protocols. > > We could write: > > <match pattern="myservice"> > <generate type="xml" src="inputstream:myInputFormat.scm"/> > ... > </match> > > This can easily make all my Generators able to work with the new system > right away. This seem to be a better solution. Can please expand about why you put the scheme in the inputstream: protocol. > >> Here we have first an input pipeline that reads and validates xml >> input, transforms it to some appropriate format and store the result >> as a dom-tree in a session attribute. A serializer normally means that >> the pipeline should be executed and thereafter an exit from the >> sitemap. I used the attribute non-terminating="true", to mark that >> the input pipeline should be executed but that there is more to do in >> the sitemap afterwards. > > > Pipelines can already call one another. > We add the serializer at the end, but it's basically skipped, thus > making your pipeline example. The idea is using two pipelines, executed in sequence, for processing a post. First the input pipeline that is responsible for reading the input data, trandform it to an appropriate format and store it, after that the stored data can be used for the business logic that can be called from an action, after the action an ordinary output pipeline is executed for publishing the result of the business logic, for sending the next form page etc. In this scenario the serializer in the input pipeline is responsible for storing the input data and can thus not be skipped. Furthermore as we are going to execute two pipelines in sequence, the first serializer must not mean an exit from the sitemap as it normally would do. I think it is better SoC and reuse of components, to let a serializer be responsible for storing input data than to use transformers for that. Write DOM session transformer, source writing transformer, SQLTransformer used for inserting data and the session transformer would IMHO be more natural as serializers. > I would think that with the blocks discussion there has been some > advancement on the definition of pipeline fragments. > I didn't follow it closely though, anyone care to comment? > >> After the input pipeline there is a selector that select the output >> pipeline depending of if the input pipeline succeed or not. This use >> of selection have some relation to the discussion about pipe-aware >> selection (see [3] and the references therein). It would solve at >> least my main use cases for pipe-aware selection, without having its >> drawbacks: Stefano considered pipe-aware selection mix of concern, >> selection should be based on meta data (pipeline state) rather than on >> data (pipeline content). There were also some people who didn't like >> my use of buffering of all input to the pipe-aware selector. IMO the >> use of selectors above solves booth of these issues. > > > I don't see this. Can you please expand here? 1. Selection should be based on pipeline state instead of pipeline data. First the input pipeline is executed and is able to set the state of the pipeline. After that ordinary selects can be used for deciding how to construct the output pipeline. The selectors for the output pipeline has no access some pipeline content and are used in exactly the same way as selector allwys are used. 2. No use of buffering within the pipeline. IIRC some people were concerned with that pipe aware selection based on buffering of the sax events before the selection, could be very inefficient if there is much data in the pipeline. As my main use case for pipe aware selection was to use it after transformers with side effects, and after validation of user submitted input data. I never saw it as problem as the amount of data in the mentioned cases typically is quite small. Anyway, with input pipelines selection is restricted to cases where the input was going to be stored by the system anyhow. > [...] > >> In Flowscripts >> -------------- >> >> IIRC the discussion and examples of input for flowscripts this far has >> mainly dealed with request parameter based input. If we want to use >> flowscripts for describing e.g. web service flow, more advanced input >> handling is needed. IMO it would be an excelent SOC to use output >> pipelines for the presentation of the data used in the system, input >> pipelines for going from input to system data, java objects (or some >> other programming language) for describing business logic working on >> the data within the system, and flowscripts for connecting all this in >> an appropriate temporal order. > > > Hmmm, this seems like a compelling use case. > Could you please add a concrete use-case/example for this? > Thanks :-) One use case, (if combined with persistent storage of continuations), would be a workflow system. Besides that, input pipelines are IMO very usefull for handling request parameters from forms as well. In all webapps that we build at my company, we use absolute xpaths as request parameter names and then use a generator that builds a xml document from the name/value pairs. This xml input is then possibly transformed to another format and therafter stored in a db or as a dom tree in a session attribute. A flowscript that uses input pipelines might look like: handleForm("formPage1.html", "storeData1"); if (objectModel["state"] == "succees") doBusinessLogic1(...); ... Where formPage1.html is an output pipeline that produces a form and storeData handles and store the input. > >> For Reuseability Between Blocks >> ------------------------------- >> >> There have been some discussions about how to reuse functionality >> between blocks in Cocoon (see the threads [1] and [2] for >> background). IMO (cf. my post in the thread [1]), a natural way of >> exporting pipeline functionality is by extending the cocoon pseudo >> protocol, so that it accepts input as well as produces output. The >> protocol should also be extended so that input as well as output can >> be any octet stream, not just xml. >> >> If we extend generators so that their input can be set by the >> environment (as proposed in the discussion about input pipelines), we >> have what is needed for creating a writable cocoon protocol. The web >> service example in the section "In Sitemaps" could also be used as an >> internal service, exported from a block. >> >> Booth input and output for the extended cocoon protocol can be booth >> xml and non-xml, this give us 4 cases: >> >> xml input, xml output: could be used from a "pipeline"-transformer, >> the input to the transformer is redirected to the protocol and the >> output from the protocol is redirected to the output of the >> transformer. >> >> non-xml input, xml output: could be used from a generator. >> >> xml input, non-xml output: could be used from a serializer. >> >> non-xml input, non-xml output: could be used from a reader if the >> input is ignored, from a "writer" if the output is ignored and from a >> "reader-writer", if booth are used. >> >> Generators that accepts xml should of course also accept sax-events >> for efficiency reasons, and serializer that produces xml should of the >> same reason also be able to produce sax-events. > > > Also this seems interesting. > > Please add concrete examples here to, possibly applied to blocks. > I know it's hard, but it would really help. What I tried to describe is just a somewhat different approach to how to describe reusable pipeline fragments between blocks, so for use cases please see Sylvains and Stefanos original posts in the threads [1] and [2]. Lets take a look on an example from Sylvains post (in [1]) to illustrate what I have in mind: <map:match pattern="a_page"> <map:generate src="an_xdoc.xml"/> <map:transform type="pipeline" src="xdoc2skinnedHtml"/> <map:serialize type="html"/> </map:match> <map:match pattern="xdoc2skinnedHtml"> <map:generate type="dont_care"/> <map:transform type="i18n"/> <map:transform type="xdoc2html.xsl"/> <map:transform type="htmlskin.xsl"/> <map:serialize type="dont_care"/> </map:match> Here the idea is that when xdoc2skinnedHtml is used from a pipeline transformer the generator and the serializer is not used and only the sub pipeline consisting of the three transformers in the middle is used. This behaviour is inspired by the cocoon: protocol where the serializer is skipped. Several people thought that the removal of parts of generators and serializer depending on the usage context of the pipeline, confusing. Carsten wrote that: "It is correct, that internally in most cases the serializer of a pipeline is ignored, when the cocoon protocol is used. But this is only because of performance." And that a pipeline used from the cocoon protocol is supose to end with an xml serializer. I agree with this and think that it would be better to express the example above as (cf with my post in [1]): <map:match pattern="a_page"> <map:generate src="an_xdoc.xml"/> <map:transform type="pipeline" src="cocoon:xdoc2skinnedHtml"/> <map:serialize type="html"/> </map:match> <map:match pattern="xdoc2skinnedHtml"> <map:generate src="inputstream:xdoc.scm"/> <map:transform type="i18n"/> <map:transform type="xdoc2html.xsl"/> <map:transform type="htmlskin.xsl"/> <map:serialize type="xml"/> </map:match> Here the cocoon: protocol is suposed to be a writable source. The function of the pipeline transformer is that it serializes its xml input, redirect it to the writable source in the src attribute, parses the xml output stream from the source and output the result from the parser as sax events. Of course the serialize-parse steps should be optimzed away, but this should be considered an implementation detail not part of the semantics. By further generalizing the cocoon: protocol so that it allows non-xml output (and input) it can be used for the pipeline serializer that Sylvain proposed as well. For the pipeline generator the cocoon: protocol can be used as is. > > It seems that what you propose Cocoon already mostly has, but it's more > the use-case and some minor additions that have to be put forward. > >> Conclusion >> ---------- >> >> The ability to handle structured input (e.g. xml) in a convenient way, >> will probably be an important requirement on webapp frameworks in the >> near future. >> >> By removing the asymmetry between generators and serializers, by letting >> the input of a generator be set by the context and the output of a >> serializer be set from the sitemap, Cocoon could IMO be as good in >> handling input as it is today in producing output. > > > Cocoon already does this, no? > Can't we use the cocoon:// protocol to get the results of a pipeline > from another one? What would change? As said above, the cocoon protocol should be writable as well as readable and allow for non xml input and output. The block protocol could use the same ideas and thus give a good way of exporting functionality. To realize the above ideas we would need to implement the inputstream protocol that in turn would require that the Request interface is extended with a getInputStream() method. The cocoon protocol should be extended as described. The proposed extension of the serializer for the use in input pipelines would require serializers to implement SitemapModelComponent. Thank you for your comments. /Daniel Fagerstrom <snip/> >> References >> ---------- >> >> [1] [RT] Using pipeline as sitemap components (long) >> http://marc.theaimsgroup.com/?t=103787330400001&r=1&w=2 >> >> [2] [RT] reconsidering pipeline semantics >> http://marc.theaimsgroup.com/?t=102562575200001&r=2&w=2 >> >> [3] [Contribution] Pipe-aware selection >> http://marc.theaimsgroup.com/?l=xml-cocoon-dev&m=101735848009654&w=2 > > > --------------------------------------------------------------------- To unsubscribe, e-mail: email@example.com For additional commands, email: firstname.lastname@example.com
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subset: commoncrawl


text:
such great heights
is it too early to tell you I miss you?
Tonight my roommate and I did laundry,
a guy came in with a guitar,
and so we sat atop spinning machines
and sang songs for the stars.
"They will see us waving from such great heights..."
used to be you and I.
You're at home now, but of course I can't call,
so instead I called the guitar guy
and we walked down vacant streets,
until we circled back to where we sleep.
We embraced, twice on the doorsteps, but did not kiss.
In the beginning, he held my hand but I pulled free,
and he let me wear his sweater at the end so I wouldn't freeze,
my fingers disappeared into the sleeves.
You were never that big on me.
I just wish I could talk to you, and see how you are,
and ask if you miss me at all so far.
But dreaming of you is like wishing on a satellite and pretending it's a star.
is it too late to say I still love you?
It's too everything for me.


text:
Therefore every scribe who has been trained for the kingdom of heaven is like a householder who brings out of his treasure what is new and what is old.
Saturday, 25 April 2009
Family: school of obedience and environmnent of true freedom
On St George's Day, the Holy Father celebrated Mass in the "Redemptoris Mater" Chapel of the Vatican's Apostolic Palace, with organizers of January's World Meeting of Families, which took place in Mexico City. (Some lucky children made their first Holy Communion at this Mass.)
In his short homily, the Holy Father spoke about the virtue of obedience, saying that it was not a mere subjection or following of commands but the fruit of an intimate communion with God. He said that Christian families that live in the light of faith are schools of obedience and the environment of true freedom.
Original text of homily (Italian)
Summary from Zenit


text:
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text: AEGEAN ART CYCLADIC • Remains left after the volcano of Thera erupted leaving only a ridge • Palace complexes functioned as political, religious and economic hubs • Religion was epiphanic • Abundance of marble for figurines MINOAN CIVILIZATION • • • • • • Crete Minos Legend of minotaur Lacked bronze Peak 1600-1450 BC Little known of daily life • 3 periods of Minoan Art – Old Palace – Second palace – Late Minoan • • • • • • Palace art does not celebrate the kings Mud bricks faced with limestone Focus was inward Walls were plaster coated and painted with murals Plumbing Knossos-labyrinth (house of the double ax-labrys) Minoan Architecture Palace of Knossos Minoan Painting Toreador Fresco, from palace at Knossos La Parisienne Landscape w/ swallows Akrotiri, Thera Young fisherman Minoan Sculpture Snake Goddess Minoan Pottery/Sculpture Harvesters Vase, from Hagia Triada Kamares Ware vessels Rhyton Rhyton bull cup Vaphaio cup: repousse Helladic Period • • • • • Bronze age mainland Greece 3000-1000BC Mycenaean Wealthy, powerful kings Discovered by Schliemann Lioness Gate • Heads were sculpted of bronze or gold • 9 ½ feet tall • Corbel arch relieved the lintel of wall's weight Beehive tombs • • • • • Tholoi, singular tholos Cyclopean construction Entrance façade 18' door faced with bronze plaques Stone surfaces incised with geometric bands=chevrons Mycenaean Sculpture Two Women with a Child, ivory, palace at Mycenae, Greece, 1400-1200 BCE Classical Greece Greece • • • • • • • Heroic Age follows the Dark Age 8th century BC Polis develops-by 6th c Athens is dominant Human forms return to art Polytheistic Oracles Sanctuaries Periods of art • • • • • • • Geometric (900-700 BCE) Orientalizing (700-600 BCE) Archaic (600-480 BCE) Early or Transitional classical (480-450 BCE) High or 5th Century Classical (450-400 BCE) Late or 4th Century Classical (400-320 BCE) Hellenistic (means Greek-like) Greek Pottery • • • • • • Proto-Geometric 1050-900 BCE Geometric 900-700 BCE Orientalzing 700-625 BCE Archaic (Black Figure) 620-480 BCE Classical (Red Figure) 533-500 BCE Late Classical (White Figure phiale) 440-400 BCE Proto-Geometric 1050-900 BCE Proto-Geometric, Centaur, Terracotta, late 10th Cen BCE Geometric 900-700 BCE • Periods classified by pottery • Earliest is Dipylon Vase-narrative of funerary rituals for an important person • Abstract figures Geometric, Dipylon Funerary Vase, terra-cotta, 750 BCE Oritentalizing 700-625 BCE Black figure 620-480 BCE • First paints figures in black • Then incises • Black is engobe: phase one turns both pot and slip red with firing, phase two (reducing) clay and slip turn black due to lack of oxygen, phase three coarser material of the pot reabsorbs oxygen and turns red, slip remains black b/c its smoother and silica-laden Exekias, Ajax and Achilles, 540 BC Andokides Painter Francois vase Amasis Red figure 533-500 BCE • Figures left unpainted and turned black in the firing opposite of black figure painter • Euphronios best known red figure painter; especially known for his study of human anatomy Euphronios, Death of Sarpedon, 515 BCE Niobid Painters Apollo & Artemis slaying the children of Niobe,455 BC Phiale Painters 440-400 BCE Hermes bringing the infant Dionysos to Papposilenos, 440 bc Orientalizing period Eastern influence • Contact with Egypt leads to monumental building Lady of Auxerre: daedalic style Archaic Period: Kore, Greek, young woman th 6 c BC Kouros, young man Archaic statues • • • • • Free standing Archaic smile Nude males = Kouros Clothed Females = Kore Large eyes Peplos kore • Encaustic painting(wax) Chiton vs. himation Moschophoros(calf-bearer) Architecture • Doric • Ionic • Corinthian Earliest Greek Temples • • • • • Rectangular Porch Pitched roof Cella (naos) pronaos Greek Architectural Terms • • • • • • • Peristyle Peripteral Dipteral Stylobate Entablature Cornice pediment Temple plans A. B. C. D. E. F. G. H. Temple in Antis Double Anta Temple Prostyle Amphi-prostyle Peripteral Dipteral Pseudo-dipteral Monopteral / Tholos Prostyle Amphiprostyle Peripteral Peripteral Pathenon & Temple at Paestum Dipteral Doric • Fluted columns • Capital=echinus and abacus • Entabulature=architrave, frieze(metopes and triglyphs), moldings • Columns swell and contract upwardsentasis • Adyton: housed the statue Ionic style • Volute = rams horns; most distinguishable element of the columns corinthian • Acanthus leaves • Undecorated frieze Pediment Relief Temple of Aphaia, Aegina, 480 BCE East Pediment Temple Aphaia, Aegina 480 BCE Siphnian Treasury Early classical period • • • • • Persian wars Delian League 480-450 BC Sought realistic expression Temple of Zeus, Olympia Charioteer, Transitional or Early Classical Period, c.477 BCE Riace Warrior, Transitional or Early Classical Period, c.477 BCE Which of these 3 epitomize "Early & High Classical Greek Sculpture? Riace Warrior, 460BCE Charioteer, 477 BCE Myron, Diskobolos, 450BCE 5th Century Classical, 450-400 BCE Myron, Discus Thrower, c. 450 BCE Canon of Polykleitos • • • • • Body proportions Facial attributes Same ideal sought by Socrates and Plato Canon= Greek rule or measure Basic unit may have been the width of the hand Polykleitos, Spear Bearer (Doryphoros), Roman copy of Greek bronze, c. 450 BCE, 5th cen classical Nike (Victory) Adjusting Her Sandal, Temple of Athena, Nike, Acopolis, Athens late 5th Cen. BCE Praxiteles, Hermes and Infant Dionysos, c. 340 BCE, 4th Century Classical Praxiteles, Aphrodite of Knidos, c. 350 BCE, 4th Century Classical Lysippos, The Scraper (Apoxyomenos), c. 330 BCE, 4th Century Classical Leochares ?, Apollo Belvedere, Roman copy of Greek Bronze c. 330 BCE Alexander the Great Alexander the Great Confronts Darius III at the Battle of Issos, c. 310 BCE, Pompeii Athenian Agora • Agora sat at the foot of the Acropolis (akro=high; polis=city) • Began as an open space for artists and farmers would display their wares; over time public and private structures were erected • Tholos: round building w/ 6 columns supporting a conical roof; meeting place of the 50 member executive committee of the boule (council) Athenian Acropolis • 22,000tons of imported marble • Gate=Propylaia Temple of Nike Kallikrates, Temple of Athena Nike, Acropolis, Athens c. 425 BCE Parthenon • 490BC • Pericles was the ruler during the consruciton of the Parthenon • Kallikrates & Iktinos architects for Parthenon • Pheidias-over saw sculptural decoration, but it was the product of MANY individuals • Finished 438BC • 46 column peristyle(8X17) • Base and entablature curve upward so as not to distort • Entasis-slight bulge into the shaft of a Greek column. Provides the optical illusion that the column appears straight. • Space at corners is less • Themes: triumph over Persia, preeminence of Athens due to favor of Athena, triumph of civilization over barbarism sculpture • West:Contest of Poseidon and Athena • East: Birth of Athena • Doric frieze on exterior: 92 metopes depicts legendary battles-god against giant, Greek against Trojan, Greek against Amazon, lapiths with Centaurs • Short colonnades in front of each entrance support entablature with Ionic Frieze depicting the Great Panathenaia Erechtheion • Mnesikles • 2nd largest structure on acropolis • Contest between Poseidon and Athena supposedly happened there • Mark of Poseidon's trident enclosed there • Spring of Eurytheus-Demeter taught agriculture to Athenians • Also houses memorial to Kekrops-founder of Athens • Judge between Poseidon and Athena • Enter from porches-most famous Porch of Maidens • Hair gives strength to neck of columns Hellenistic Period • Alexander the died in 323 – No admin structure; no direct successor – City states formed new mutual-protection league, but NEVER gained significant protection • 3rd Cen BCE 3 major powers emerged – Antigonus=Macedonia – Ptolemy=Egypt; capitol Alexandria=GREAT Hellenistic center – Seleucus=Asia Minor, Mesopotamia and Persia; Pergamon also Hellenistic capitol Hellenistic period • • • • • More concerned with depicting action and emotion High drama in sculpture and architecture Better awareness of form Willing to show man's imperfections Earlier periods = ideal and general, aloof serenity, heroism of gods and goddesses • Hellenistic = everyday mortals, individual emotion, melodramatic, figures plunge into space, demand an emotional response from the viewer theatre Epigonos, Dying Gaul, c. 220 BCE Gallic Chieftain Killing His Wife & Himself, c. 220 BCE Altar of Zeus / Pergamon Altar of Zeus at Pergamon Gigantomachy Hagesandros, Polydoros, and Athanadoros of Rhodes, Laocoon & His Sons, c. 1st Century CE Nike of Samothrace, c. 190 BCE Statuette of a veiled and masked dancer Greek, 3rd–2nd century B.C. Bronze; height: 8 1/8 in. (20.6 cm) The Metropolitan Museum of Art, New York, Statue of an old woman Roman, Julio-Claudian, A.D. 14–68 Copy of a Greek statue of the late 2nd century B.C. Marble; height: 49 5/8 in. (125.98 cm) The Metropolitan Museum of Art, New York, Aphrodite of Melos (Venus de Milo), c. 150 BCE


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New Braunfels Herald Zeitung (Newspaper) - December 19, 1984, New Braunfels, Texas SAINI ANTONIOSan Antonio falls to lowly Cavaliers, Page 10A By DAVID KING Sports editor Of «U CLARK HERALD ZEITUNG New Braunfels' Victor Sierra takes aim on a free throw during Tuesday's game In a little more than eight minutes Tuesday night, the New Braunfels Unicorns slid from the penthouse suite to out on the street. In that time, the Unicorns went from two points ahead of Westlake, one of the state's best boys' basketball teams, to IO points down. Those eight minutes also happened to come at the end of the game, as the Chaparrals took a 75-67 victory at the New Braunfels gym. 'We'll never be a great ballclub until we can take charge in the fourth quarter," New Braunfels Coach Cliff Wilkins noted after his team was outscored 19-9 in the final period and fell to 6-7 on the season. Tilo Schmidt hit the last of his 15 third-quarter points on an eight-foot jump shot late in the third period to give the Unicorns their last lead at 58-56. New Braunfels won the tip to start the final quarter, but the Chaparrals' Ronny Castillo stole the ball and combined with Rich Dozier for a fast-break layup at the other end. Tie game. New Braunfels went down to the other end — and missed four shots and two free throws. Castillo hit a 16-footer. 60-58. Damon Millett, who had a personal-best 17 points, tied the game w ith two free throws. Then the Chaps rolled off seven straight points as the Unicorns missed four shots and five free Overpowered Bigger, deeper Clemens tops Cougars By ROBERT JOHNSON Editor Facing the Clemens Buffaloes, the toughest team they had played so far thi> year, the Canyon Cougars knew they needed a w tre-to-w ire effort to pull off the upset Instead, their offense went awry in the second and fourth quarters, and the Buffaloes put down a late rally en route to a 7u-51 win at Canyon Tuesday. The taller, deeper Buffaloes broke open a tight game with 12 unanswered points in the second quarter, and then outscored the Cougars 17-4 in the last five minutes of the contest after Canyon had pulled to within six "They were the best team we've played so far,' Canyon coach David Taylor said "They didn't have but tour outside shots in the second half." he added Everything else was in the paint Clemens forwards Gary Inman and Freddy Degollado used their quickness and ball-handling to break down Canyon's man-to-man defense and penetrate to the lane And the Buffaloes applied a second-quarter full-court pres:. which forced one turnover after another and helped them pull away lo a double-digit lead. The Cougars never led, but they trailed on»> ISIG late rn the first quarter. An inside move by 6-6 Baul Hartzog gave Clemens a 20-16 lead at the end Statistics ClEME NS 701 man 7 3 3 17 F»au! H, a </ j 6 2 2 14 Kevin Claik 6 13 11 Ff*ddy t tegollado 8 0 0 16 1 > nrm? Hubbell 2 CANYON 61 Hansen / 0 2 * -tea rtanctej 500 of the quarter, and proved to be the start of a run of 12 unanswered points. The Buffaloes came out pressing in the second quarter, and it was 30-16 before Todd Banks ended the drought w ith a three-point play Their pressure out front hurt us.' Taylor said. ' We had trouble getting into our offense." Canyon could get no closer than nine in the second quarter, and the Buffaloes had pulled out to a 41-27 lead at halftime. Buckets by Hartzog and Degollado w idened the lead to 49-32 midway through the third quarter. Bul Banks hit a follow shot and a three-point play. with a David Hays follow shot sandwiched rn between, and suddenly it was 49-39. A minute later, Danny Hernandez hit a 20-footer at the buzzer to narrow the margin to 53-45. With Hartzog on the bench with four fouls, the Buffaloes went to a slowdow n game in the fourth quarter. Canyon's momentum continued when Troy Moss banked in a five-footer to make it 53-47. The Cougars then missed a chance to cut the lead to four, and Buffalo guard Iamnic Hubbard was fouled w hile converting a fast break layup at the other end His three-point play started Clemens on its 17-4 run to put the game away. Banks led all scorers with 21 points, but Hernandez was the only other Cougar in double figures with IO. Clemens spread its scoring around, led by Inman <17>, Degollado il6) and Hartzog (14i. The Cougars missed point guard Ronnie Rit-timann, Taylor said. Rittimann. still recovering phy sically and mentally from the football season, may be* ready this week, he indicated. Hernandez and Rodney Hansen ta converted forward) both had their troubles at point guard. Hernandez, only 5-6, had trouble getting the ball through the Buffaloes, who had good overall height. But Taylor said the game served its purpose. "We got some good experience against a good team," he said. Clemens had been rated first in 4A Region IV in a preseason coaches' poll. "And I thought we did a good job coming buck in the third quarter," he added. Herald-Zeitung Wednesday, December 19, 1984 9A DfcRVlCLANK HfcHALD ZI 11 UNu Canyon's Troy Moss tries to draw a charge during Tuesday's game Fourth-quarter skid dooms New Braunfels Statistics NEW BRAUNFELS 167) Tilo Schmidt 9 69 24 Victor Sierra 2 02 4 David Caddell 9 2 3 20. Bill Fox 0 0 4 0 Damon Millett 7 3 3 1 7, Alan Walker 1012 Leon Sneed 0 O O 0. Claude Porterie 0 0 10 Totals 28 11 23 67 WESTLAKE (75! Waight 5 3 5 13, Dozier 10 2 2 22 Castillo 11 0 1 22, Barnes 6 0 0 12 Morris 3 0 0 6 Nye 0 0 0 0 Kirtley 0 OO 0 Miller 0 O O 0, Gregory 0 Od) 0. Duff 0 O O 0 Totals 35 5 8 75 Westlake 16 16 24 19 75 New Braunfels 10 25 23 9 67 Fouled out None Total fouls Westlake 18, New Braunfels 9 throws. 67-60 with 3:25 left in the game. David Caddell made it 67-62 with an 18-foot bank shot, but Rob Waight hit a free throw for the Chaps, and after a free throw from Schmidt, Westlake ran off a 5-0 string to put the game out of reach at 73-63 with a minute left. In the gruesome final quarter. New Braunfels hit only three of 21 shots from the field and three of IO free throws. Westlake hit seven of 15 from the field and five of seven from the line. "Our whole key is to get everybody playing consistently," Wilkins said. "We didn't get that tonight." Take, for example. Schmidt's night. The 6-5 junior had six points in the first half. 15 in the third quarter and 24 for the game. Caddell scored IO in the first half but quit shooting in the third quarter. He wound up with 20 points. "When Tilo got wound up, some of the others quit looking for shots," Wilkins noted. While Schmidt was struggling in the first half. Caddell Millett and Victor Sierra were battling to give the Unicorns a 35-32 halftime lead. New Braunfels led 35-28 at one point late in the half, but Waight hit a 16-footer and Castillo got wide-open lonely under the basket for an easy rebound and follow shot to narrow the margin. Sierra, despite scoring only four points, was one of the major reasons for the Unicorns' good showing. The junior operated the fast break almost magically, setting up layups and controlling a transition game that consistently worked against the Chaps But in the fourth quarter, the only transition was on tile scoreboard, as the Chaps took control. "We've got to improve our free throw shooting and play better defense," Wilkins said "We can't rely on staying hot the whole ballgame." New Braunfels allowed 43 points in the second half, with the Chaparrals often working for and getting wideopen shots. "I'm pleased with the effort; they have a top-notch ballclub, and we played right with them," Wilkins added. "But 43 points in the second half is too much, and that fourth quarter was horrendous.'' n e t o r e e d t I ) I I t i i t i Billies shred Rangers, 73-62 By TOM LABINSKI Staff writer A deadly combination took its toll on Smithson Valley Tuesday night as the Rangers lost to Fredericksburg 73-62. "It was just a combination of them being good and us not playing as w ell as we could," said Smithson Valley Coach Roger Kraft. Fredericksburg did a good job against the Rangers under the boards and kept pressure on the Smithson Valley offense, but the real key to the Billies' win was the play of Tim Kaman. The son of the Billies' head coach scored a season-high 40 points against the Rangers, 28 in the first half, as Fredericksburg opened an early lead it never lost. "He just takes the w ind right out of your sails," Kraft said of Kaman. "He was phenomenal.'' Ray Reyes lead the Rangers with 20 points, with Rolando Trevino adding 14. Kraft said the Hangers did not put enough pressure on the Billies. "I just don't know how conisitentlyStatistics SMITHSON VALIEV (62) Mike livme 0 00 0 Rolando Trevino 7 00 14 Ray Reyes IO OO 20. Paul Pliant* 6 0 1 12, Fernando Trevino 0 0 0 0 Chris Lehman 3 0 16 Roy Sanders 2 4 4 8 Tony Rendon 0 0 0 0 Matt Severance 100 2, Mike Eddleton 0 00 0 Totals 29 4 6 62 FREDERICKSBURG (731 Tracy Hermann 0 OO 0 Damn Duecket 6 I 1 13 Randy Glover 4 OO 8 Brian Sikes 0 0 0 0 Tim Kaman 19 24 40, John Valadez 3 OO 6 Todd Enderlin 0 0 2 0, Tommy Feuye 100 2, Kevin Weber 0 OO 0. Lonnie Oavis I OO 2 Wayne Ransleben I OO 2 Total 35 3 7 73 Fredericksburg 22 23 20 18 73 Smithson Valley IO 18 10 24 62 Fooled out none Total fouls Fredericksburg IO. Smithson Valley 9 we played tonight," he said. "They are a very good team, but you have to at least challenge them. You can't lay back and accept it. "I know we are a better team than we showed tonight," he said. Kaman scored the first eight points for the Billies as they took an early 8-4 lead. Reyes countered Kaman early, scoring the first six points for Smithson Valley. But Fredericksburg took the game with a 14-pomt spurt in the final 3^ minutes of the period, as the Billies worked the ball inside on offense and forced several Ranger turnovers. Fredericksburg lead 22-10 at the end of the first quarter with Kaman accounting for 14 of the Billies' points. In the second quarter, Kaman matched his first quarter performance, corning up with 14 points — most from the 15-18 foot range. The Rangers kept within 12 points until the final two minutes of the half when Kaman hit on a 20-foot jumper, then stole a pass and ran it in for a layup. His field goal from the top of the key gave the Billies a 45-28 halftime lead, Smithson Valley didn t score until more than three minutes had elapsed in the third quarter as Fredericksburg extended its lead to 53-28. Kaman finished tile quarter with a flurry of baskets, one on a 25-foot jump shot and another on a steal and las up to give the Billies a 65-38 lead going into the fourth quarter Kaman opened the final quarter with a basket from the free throw line, but it would be his last points of the night, as he finally Int a cold streak He was given a rest with just over four minutes remaining in the game. Smithson Valley outscored Fredericksburg 24-8 in the final quarter, as Keyes and Paul Pharm scored six points apiece to pace the Rangers Kraft said he hopes his team can regain some of the intensity it show ed earlier in the season. "We're struggling to find our roles right now' We need to get our intense back We have to get after people. It doesn't matter if they beat you but you have to at least challenge them," he said. "We've played hard at times, now we just have to learn to do it for 32 minutes," Kraft said } LESLIE KRIEWALDT HERALD ZEITUF Smithson Valley's Tony Rendon shoots as the Billies' Tim Kaman tries to defend ;
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The senior policeman who will oversee tomorrow's Old Firm match at Celtic Park has disputed Uefa's claim that sectarian chanting is tolerated in Scottish society, while insisting that the decision the European governing body handed down on the recent Rangers case will have no bearing on the way Strathclyde Police handle the encounter.
Chief superintendent Kenny Scott, who has acted as match commander for more than 20 Old Firm meetings in the past eight years, will be in that role for tomorrow's game amid a public debate in Scotland over who has the responsibility to eliminate sectarianism at football grounds.
In exonerating Rangers 10 days ago on the charge of sectarian chanting by their supporters in recent Champions League matches against Villarreal, Uefa claimed that bigotry was a Scottish "social and historical problem" and singing of The Billy Boys - a song that glories in the violent death of Catholics - is now "somehow tolerated".
However, Scott said: "I would strongly argue, particularly with reference to the last two years, that Uefa's statement has no validity. Sectarian behaviour is dealt with firmly in Scotland, and that includes at football matches." Revealing that 39 people have been charged after the previous two Old Firm meetings at Celtic Park this season for sectarian-motivated crimes, more than half of the total number of arrests, Scott re-affirmed that fans singing The Billy Boys are liable to be prosecuted.
"Uefa's comments will have no effect at all on my actions as match commander for this match and evidence shows that sectarian offences, including people singing the song in question, have been acted on by the police," he explained. "It is clear that the police and others, including football clubs, have taken massive steps forward against sectarian behaviour."
Amendments to Section 74 the Criminal Justice Act (Scotland) in June 2003 allowed police to treat religious hate crimes as an aggravated breach of the peace. In the first year of that legislation, 450 people were charged with sectarian offences. That figure has now increased to more than 500, with the overwhelming majority of arrests coming at football matches or political marches.
And Scott hopes supporters attending the final Old Firm match of the season will be aware of the potential for action if they fall foul of such laws, particularly with Fifa's new penalties for discriminatory behaviour set to come into force.
"I hope that people have taken notice of what Uefa have been investigating and of the debate that has gone on in recent weeks," he said. "This should act as a wake-up call, and anyone who truly supports their team should know that behaving in an inappropriate manner could have serious consequences for that team in the future."
Alex McLeish will be in charge of Rangers for the 25th and final time in an Old Firm match, and is aware that the home support will be in a party mood with the title secured. However, Rangers are still chasing a Champions League place and McLeish admits they must silence the vast majority of the 60,000 crowd.
"Of course this is what we are trying to do," said McLeish. "Whenever we go to each other's grounds we try to make our own supporters happy and to make it a happy week at work as opposed to a miserable one. We are there to try and help our fans enjoy the next few weeks. It's the last one for me but I am looking forward to it as much as the first one. For atmosphere and passion, a game like this is a phenomenal experience."


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New Year's Eve Begins Early at Mill Town Music Hall with Multi-Act Concert on December 28
Among the acts to perform include Karen Peck and New River, Brian Free & Assurance, The Diplomats, Tony Gore and Majesty and more
Karen Peck and New River have been nominated for three Grammy Awards and won two GMA Dove Awards. The group has been singing together with Karen's flawless soprano voice since 1991. During that time, Karen has garnered an unprecedented 11 Favority Soprano Fan Awards from the readers of The Signing News, Southern Gospel Music's leading fan and trade publication.
In addition to Karen Peck and New River, the other acts taking the stage include:
•Brian Free & Assurance - Recently received a Dove Award for their Southern Gospel song, Long As I Got King Jesus
•The Diplomats – Recently voted as one of the Top 10 Mixed Groups by fans in the Singing News Magazine
•Tony Gore and Majesty – The "Encore Tour" group who produced many top charting songs such as I Know What It's Like
Also scheduled to perform include The Wishons and Josh and Ashley Franks.
Tickets for the Pre-New Year's Eve concert are $20 in advance and $25 at the door, and can be purchased in the following ways:
•Visit Mill Town Music Hall box office: Open Monday - Friday from 10 a.m. - 5:30 p.m.
•Call Mill Town Music Hall box office at 770-537-6455.
•Online tickets can be purchased through the http://www.MillTownMusicHall.com and http://www.TicketAlternative.com websites.
Upcoming performers include Amy Grant on Thursday, January 17; Mill Town Music Hall's One-Year Anniversary Weekend events on Feb. 1-2; and American Idol alumnus Bo Bice on Friday, Feb. 8. For more information about Mill Town Music Hall or for an upcoming calendar of events, please visit us at www.MillTownMusicHall.com;
Mill Town Music Hall can comfortably seat more than 1,000 people and boasts a state-of-the-
About Mill Town Music Hall
Mill Town Music Hall is committed to providing West Georgia with a quality wholesome entertainment venue and opened on February 2, 2012. It is the largest facility of its kind in West Georgia and comfortably seats 1,000 people. Boasting a state-of-the-
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Nikki: Keela
"OK. Now, I hate saying this, but I have to say it. Everyone who comes here has to choose"
"Choose what?" I ask. Everything has been explained to me. I'm dead. But I guess I already knew that. I have powers. I can hold my breath for as long as I want, I can tell when someone is lying - and as far as I was tested - most guys find me attractive. Which is a bonus, that didn't happen to me before.
"Your side"
"My side? I die and then I have to choose a side?"
"Yes. Most people say that. There is the Kingdom, that's what this place was originally. Until... it doesn't matter. You'll probably find out anyway. There is also..."
"Also what?"
"Ahh. I hate saying this. Most people choose it. There is also... the Freedom" she says. I see what she means.
"Who runs the sides?"
"I'm not allowed to say. It would be unfair"
"OK. I choose the Kingdom. I dunno, it just sounds safer"
"Neither of the sides are your version of 'safe'. Here, go through that door, you should come out of the pin tower. There's normally someone there" she says and points to a high silver door. I went through it and it closed like a lift. Then it opened again to a dusty road. There was someone there. She looked round.
"Uhh... hi.I'm Nikki. Where am I?" I say.
"Hi! I'm Keela! Yay! You chose the Kingdom!" she exclaimed happily.
"Oh, sorry. You have been told haven't you?"
"Well, I know that I'm dead, and what my powers are. What's this 'sides' thing all about?"
"Ah. That's a long story that I'm involved in. Hmm... you're older than me aren't you>"
"Yes, you are. You need to go to the creata- I mean, the cathedral." she pointed to a high white building. "I'll wait for you outside."
"Oh, OK" I walked up to the building.
"Please state name and purpose" a voice said.
"Oh... err... Nikki...uhmmm..."
"Commitment" Keela smiled
"Welcome" the voice says and the huge doors open.


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Here in Arizona it is a "dry heat" so of course we never sweat even when it is 120 degrees.
Of course you know that's a bunch of BS but, but honestly even here I don't sweat that much, just get sorta sticky. If I did, I would probably wear Kydex or one of the new carbon fiber holsters. I expect that once sweat has gotten saturated throughout a holster the captive salt might still present a problem to a blued gun. I just absolutely, positively hated Kydex like the plastic it is, I would wear a cheap leather holster and replace it every year after getting one of the new finishes (like Rogard or something similar). Just a thought.


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For over four decades, AC/DC has reigned as one of the most beloved hard-rocking bands in the world. With guitarist Angus Young as their front man, they grew from humble beginnings in Australia to eventually become a venue-packing mega band with legions of fans worldwide. They have never relied on gimmicks or frills, and have always been a straight up rock and roll band. Back in Australia, brothers Angus and Malcolm Young had the idea for a no–nonsense rock band and chose the name AC/DC, which inferred electricity with a hint of danger. They played their first gig on New Year's Eve in 1973 and solidified the rest of the band in 1974 when vocalist Bon Scott, drummer Phil Rudd, and bassist Mark Evans replaced earlier members Peter Clack, Rob Bailey and Dave Evans. AC/DC's first five studio albums, High Voltage(1975), T.N.T(1975), Dirty Deeds Done Dirt Cheap(1976), Let There Be Rock(1977) and Powerage(1978) were produced by George Young and Henry Vanda who captured the band's raw studio energy. In 1976 the band signed a worldwide contract with Atlantic Records and their previous albums were rereleased globally. Subsequently, bassist Mark Evans left the band and was replaced with Cliff Williams before their first live album If You've Want Blood You've Got It was released at the end of 1978. Highway to Hell was released in 1979, after being recorded over a six-month period in London with producer John Robert "Mutt" Lange. AC/DC's first European tour followed and their fame grew. Sadly, their triumphs were followed by tragedy as singer Bon Scott died of asphyxiation in February of 1980. Vowing to keep going, they found new singer Brian Johnson and released Back in Black which became an instant classic and catapulted AC/DC to bona fide rock star status. It is the sixth best-selling rock album of all time selling 19 million copies in the U.S and 41 million globally. For Those About To Rock followed which became their first Number One album in America and they released four more albums that decade.
AC/DC continues to perform to this day and have a new generation of rock and roll fans who are learning about and loving their no-frills rock attitude. They continue to give the fans what they want and have never lost touch with their roots and what they stand for. Be sure to secure your AC/DC tickets now as you will not want to miss this incredibly talented rock band live and in person.


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Meeting James, Kay and Lisa
"Can we sit here?" There's a girl and two buy standing outside the train room. I call it a train room because thats what my dad called them, i don't think it's right. Who cares??
"Yeah sure, come on in." I smile as they pass. There's six seats and only one was taken so i'm quite glad. I don't want to be alone for the whole trip. The girl looks about the same age as me, the boy slightly older but hopefull in the same year. She's tall and slim and very beautifull. Her hair is Chestnut and goes down to her bottom.
The first boy is smaller than the second but there still bigger than me. The first has flat blond hair. His eyes are dark, the light twinkles in them.
The second boy has black, spikey hair complte with red highlights. He looks strong and tough.
"I'm Lisa," she says. First she points at the strong boy. "This is James and he's Kay."Kay is the small blod haired boy.
I introduced myself too. "Hi. I'm Kelly, Kelly Silverstar." I shake there hands and we begin to talk as if we had known each other for years.
Before i know it it's dusk and the train has arrived at the platform. I grabb my little, blue rucsack and run ot the train.
Finaly!!! I'm Here!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!


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How to Pray: Tapping Into the Power of Divine Communication
€ 13,49
Besorgung - Lieferbarkeit unbestimmt
Februar 2001
BeschreibungThe power of prayer is real. It can heal illness, win battles, and move personal mountains. Cultures and religions throughout the world use their own systems of divine communication for comfort, guidance, and more. Unfortunately, too few of us know how to tap into the power of prayer. How to Pray was written for everyone who wants to learn more about this universal practice. How to Pray begins by discussing the many benefits of prayer, including enhanced physical, mental, and spiritual health. You'll find that the power of prayer has not only been enjoyed by individuals and religious communities, but has also been validated in numerous scientific studies. Following this, the author explores the prayer and meditation practices of Judaism, Christianity, Islam, and Buddhism, in each case providing a clear explanation of that religion's or philosophy's approach, as well as true-life stories that show the significance of prayer in the lives of real people. If you want to learn more about the use of prayer all over the world--or if you simply long for the comfort of personal prayer--How to Pray will give you the knowledge, the guidance, and the inspiration that you seek.
Untertitel: Sprache: Englisch.
Verlag: SQUARE ONE PUBL
Erscheinungsdatum: Februar 2001
Seitenanzahl: 264 Seiten
Format: kartoniert


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Looking for Rpg game Freelancers or Jobs?
Need help with Rpg game? Hire a freelancer today! Do you specialise in Rpg game? Use your Rpg game skills and start making money online today! Freelancer is the largest marketplace for jobs in the world. There are currently 17,764 jobs waiting for you to start work on!I Want to Hire I Want to Work
Rpg game Jobs:
|Price (USD)
|Price (USD)
|Male Voice overs for a mobile game (Indian-fantasy theme)
|I am looking for a voice artist to do close to 21 Voice-overs for a combat mobile game (like Clash Royale, Clash of Clans). These will only be generic expressions during character attacks, celebrations & deaths; & not scripts in any language. The genre is Fantasy/RPG/CCG with strong Indian theme (mythological). So the need of Indian flavor to these voices is high. Simple work 21 expres...
|Voice Talent, Voice Artist
|May 26, 2017
|May 26, 20173d 10h
|develop web pages using JavaScript, JQuery, Mustache js, Bootstrap, I Series(AS 400 or RPG )
|Javascript, jQuery / Prototype, Bootstrap
|May 18, 2017
|May 18, 2017Ended
|IBM Rational Developer for i RPG
|We are looking a programmer with RPG knowledge or IBM Rational for i. We are preparing an ERP migration and we need extra hands to do some user interface and/or RPG module programming
|AS400 & iSeries, User Interface Design, Programming
|May 18, 2017
|May 18, 2017Ended
|IBM Rational Developer for i RPG
|We are looking a programmer with RPG knowledge or IBM Rational for i. We are preparing an ERP migration and we need extra hands to do some user interface and/or RPG module programming
|AS400 & iSeries, User Interface Design, Programming
|May 17, 2017
|May 17, 2017Ended
|2D RPG Game Coders
|I have a 2d RPG, overworld scale, game with cities, and rulers that I need a coder/coders for. It will need to include turn based single unit combat, turn based group combat, and turn based siege combat. Time passes quickly, children are had, and upon death, they are taken over, but the game ends when there are n...
|Windows Desktop, C# Programming, Game Development, Coding
|May 14, 2017
|May 14, 2017Ended
|RPG Game - UI, Logo, Backgrounds Designer
|I`m modding RPG game, it allows pretty much a lot of changes, but since graphics design is not one of my best, I need someone to this for me. The project should be simple for the right candidate, I will need someone to work with on a regular basis, and comunication will be a key in this job. A person orientated to game graphics should be perfect. Thanks in advance.
|Graphic Design, Logo Design, User Interface / IA
|May 13, 2017
|May 13, 2017Ended
|Puzzle RPG Game Map Illustration
|We need illustration for 5 different Maps which connects between themselves. For this contest, we will award 1 winner and he will be chosen to do the other 4 maps for U$45 usd. (THIS CONTEST IS ONLY FOR 1 MAP for 15USD) Requirements: -The down part with most yellow sand should be kept (Part from another map) -The color style should be darker as the game will be a RPG puzzle and not very childi...
|Game Design, Illustration, Photoshop
|May 10, 2017
|May 10, 2017Ended
|game programmer and game designer -- 7
|game programmer 1 . I'm looking for a person who could help me with creating my own game. I'm actually looking for a game programmer, designer and developer for a long term relationship . new game , and have many level ... Is not from buy source code n reskin :) thanks.. 2 . develop game something like Candy Crush. game idea is like Candy Crush. But points ...
|PHP, Android, Game Design, Software Architecture, Game Development
|May 10, 2017
|May 10, 2017Ended
|build a RPG game
|The Game will have similar dynamics to RuneScape (graphics, map, characters, bags, ect) But will be a RPG (role playing game) There only has to be eight hours of payable content, but there is no level system. The player is to choose a quest and complete it to their best of their ability. There will be five towns with multiple number of quests in each, all different, all having different time to ...
|Game Design, C++ Programming, Software Development, Game Development, Concept Art
|May 8, 2017
|May 8, 2017Ended
|Looking for a Level Designer/Level Artist
|We are looking for a level designer/level artist to work on our top-down 3D action RPG, comparable to Diablo III or Torchlight II. Your job will be to create dungeon maps in varying sizes using our asset libraries. Level designs are given, but you will have a certain freedom for bringing in your own creativity. The job will also include partial heightmap sculpting and texturing, placement of prop ...
|Game Design, Game Development
|May 8, 2017
|May 8, 2017Ended
|Illustrate a RPG book.
|Hi there, I am going to publish a RPG book, high fantasy related, and I am in need of quite a few illustrations. We are talking about a lot of them, in different sizes and with different complexities, all of them full color and released as WORK FOR HIRE to me, which means I retain all rights to the illustrations at all times and for all purposes. Please quote your prices per: - Small illustr...
|Graphic Design, Illustration
|May 7, 2017
|May 7, 2017Ended
|RPG App Icons
|I am designing an app that requires many fantasy role playing game icon style images. It will require hundreds of images, so the winner may also be hired to create the icons, as long as we can agree on the fee. The icons will feature standard fantasy staples, orcs, wizards, giants, dragons, fantasy monsters, lightning bolts, fireballs, etc. I've included some stock art as an example of the t...
|Graphic Design, Icon Design, Illustration
|May 3, 2017
|May 3, 2017Ended
|Make a FPS Video Game
|We need a game developer who can make a realistic FPS for PC; Must Include: -multiplayer -AI -Beautiful Graphics -NPC -Quests -Skill Tree -RPG Elements
|Unity 3D, Game Development
|May 3, 2017
|May 3, 2017Ended
|Manhattan WMS Programmer Analyst
|Hi, I Hope you are doing great today. Let me know if you are interested in below requirement. Position: Manhattan WMS Programmer Analyst Location: Columbus, Ohio Duration: 12+months Responsibilities: Manhattan WMS Senior Programmer Analyst is responsible for formulating and defining system scope and objective...
|May 3, 2017
|May 3, 2017Ended
|I would like to hire an AS400 & iSeries Developer
|We are looking for assistance with updating some RPG programs that need to be changed in order for us to increase some field lengths. We are also looking for some assistance in identifying and learning the latest best practices to use when it comes to programming the AS400.
|AS400 & iSeries, Software Development, Programming
|Apr 30, 2017
|Apr 30, 2017Ended
|Need 20 Faces For Book Project
|I require 20 different face characters for a project. at 400x400 pixels. Cartoon / RPG style. Link to portfolio / previous work appreciated.
|Illustrator, Illustration
|Apr 30, 2017
|Apr 30, 2017Ended
|2D Tactical RPG game prototype
|We're looking for a game developer in order to develop the prototype of our game. The game is a 2D Tactical RPG. As it is only a prototype, it is a simple, short development, but we need a clean and polished rendering. The prototype will feature simple movements in a tile-based environement, and a tactical turn-based fighting. Features are very limited, no real inventory, no leveling, no ...
|C# Programming, C++ Programming, Unity 3D
|Apr 28, 2017
|Turning my RPG game that I have made into a MMORPG
|I have made a game in RPG Game Maker MV. I now require it to have MMORPG capability. Need also feature that will allow multiple choice/fill in gap questions. Answers will add points to Player Strength/Profile. RPG Game Maker MV can be found here: [url removed, login to view]
|Game Design, Game Development, Programming
|Apr 28, 2017
|Apr 28, 2017Ended
|Game Graphic Designs
|I need some graphic design and animation for my game. It is a vertical 2D shooting game which will see the front of the characters instead of the side. Although it is a 2D shooting game, I want RPG like design which I would want monsters, dragons, goblins etc. and Character like Archers, Magician, Warrior etc. Also, I would want the design of the weapons, background, the effect of the weapons etc....
|Digital Design
|Apr 27, 2017
|Apr 27, 2017Ended
|Build a Game in Unity 3D graphics for PC
|I have the story RPG action game will provide you the assets and the Unity game engine you have to create the models and make the game in Unity.
|Unity 3D
|Apr 27, 2017
|Apr 27, 2017Ended
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Dave Scott Photography Photographer
LaurenNicole95Model Female Palm Beach, Florida, US
My MM URL: http://www.modelmayhem.com/laurennicole95
Mayhem # 2352946
About Me
Hello my name is Lauren. I am an experienced model based primarily in Boston, but I am happy to travel for work. I am a very hard working, professional, creative and love modeling.
I am always ready for a photo shoot!
I have an athletic background having spent most of my life as a competitive ice skater. In addition to enjoying the beauty and competitiveness of skating I have also benefited from the opportunities it has provided me to travel over much of the country for various competitions.
I am interested in glam, portrait, swimwear, fitness etc.
If you are looking for a good model to work with, I'm more than happy to work with you.
Because I travel a lot, I am selective on TF.
NOTE: I do not do anything nude, so please don't ask.
Instagram: LAUREN_LAMPIASI
Twitter: @Laurenlampiasi
Check out my pics and give me a shout!
Have you worked with LaurenNicole95? Add Credits for LaurenNicole95! >>
Credit Notes
789987 Paul Brassard
787794 SCR Photography
1014625 Mont Vert Studio
2655569 Night Out Photo
1416160 Richard Majerski
3209313 Shutter Effects
Dave Scott Photography Photographer
Elena Gr Retoucher
Sean Carter Photography Photographer
Hall of Fame Model
Scott C Harmon Photographer
ANTHONY NESTE Photographer
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The time has come ! Its time to get your green cape on, become a warrior for the environment and help save the Earth !
Are you ready ? There's no better time than now !
All the details about the R3 challenge are spelt out here. So give it a good read and take up the challenge today!
R3 Stands for - Reduce, Reuse and Recycle
Well at its heart, it is the no plastic challenge, but taken many steps ahead. You are not only challenged to stop single use plastics, you are challenged to cut off plastic at its source, refuse it first, reduce it, think of ways to reuse it and finally recycle it.
The previous mails must have given you an idea about how our insatiable appetite for all things plastic and disposable are wrecking our bodies, our environment and our future.
Who wants to lead a life consuming harmful chemicals, breathing toxic fumes and drowning in our own waste?
All it takes is the first step, the birth of an idea, going that quarter mile to avoid disposable wastes. Once you see how easy it is to lead a plastic-less life, you'll never want to go back !
Dates? Duration?
The challenge will be open at all times, take up the challenge for 5 days to start with, and eventually make R3 a lifestyle !
Who can participate?
Anyone can take on the challenge, who on completion of their challenge will nominate 5 of their friends. Anyone who cares for the environment and is interested to spread the awareness among their family, friends, neighbors,
colleagues, anyone can join!
What is in it for me?
Yes, we mean it. 5 selected participants who will feature in #CCC Wall of Honour list will be up for a surprise.
Winners will be selected based on the following
- Adherence to challenge rules
- Innovative ideas
- Roll out invite to maximum friends
How does it work?
- You will be challenged by your friend to reduce garbage creation and share the process in social media for 5 continuous days
- Make the #R3Challenge poster as your FB/Twitter cover page as a sign of acceptance of the challenge (FB/Twitter based on the site which you frequently use)
- Day to day activities by how Garbage can be reduced, recycled or reused are available in this link. This link will be constantly updated through new ideas shared by the participants which can be referred to, if you run out of ideas.
- Now start posting pictures from Day 1 to Day 5 (in case of FB make the post publicly visible), with both the hashtags #R3Challenge & #GarbageOverload
( You can also use any quirky, innovative hashtags you can come up with. Remember that it has to be about the challenge. Go Green and Go crazy ! )
"Day 1: As part of CTC's #R3Challenge, I (Brief description about what did you do for today's challenge)"
Follow the same till Day 5.
- Activity undertaken should be clearly visible in the photograph (for eg. If you are planting a sapling in a broken vessel or pot, it should be clearly visible possibly along with yourself).
- You should post minimum of 1 picture per day for 5 continuous days.
- There is no restriction to the no. of pictures you can post with the challenge hashtag, every additional picture you post increases your chance of featuring in CTC's #CCC Wall of Honours list
- On completion on Day 5, you can invite 5 of your friends to take up #R3Challenge and feel happy for spreading the awareness all around.
- On completing the challenge your FB/Twitter page will be verified by CTC and if you are successful, you will be nominated for the #CCC Wall of Honours list
- It is your responsibility to nominate the right person who will be proud of participating in this challenge and can spread the awareness. It is also your responsibility to monitor and follow up with all your invitees to ensure the #R3Challenge chain is not broken
- Once your invitees (complete set of 5) complete the challenge, you can invite 5 more of your friends
- If your invitee has not accepted your challenge within 48 hours, you can invite someone else in their place.
- We do accept the fact that we will not be in a position to monitor the contestants every activity for the 5 days but we will be able to judge only based on the pictures posted by the contestants themselves.
Hence we request the contestants to take this challenge with 100% commitment to create awareness among their friends, family, colleagues, neighbours and the society!
So now are you game for it?
- Go fill your Twitter/FB walls with the most inspiring pictures and get a chance to feature in CTC's #CCC Wall of Honours list. Feel proud for being committed to a Greener tomorrow!


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Spiritual Meaning of 444
Do you see the repeating number 444? Find out what this angel number means and how you can use it to help you in your day-to-day life. I have written before about other repeating angel numbers like 000, 111, 11:11, 222, 333, 444, 555, 666, 777, 888, and 999 if you see those numbers as well.
The Spiritual Meaning of 444
The spiritual meaning of 444 is one of many repeating numbers designed to get your attention and serve as a wake up call from your spiritual guides.
444 is a very powerful number. It means that your angels are by your side and want the very best for you. They are asking that you pay attention very carefully to the signs that you see around you.
This may come in the form of a music song on the radio, an Earth angel saying a specific phrase to you at just the right moment, or seeing certain numbers or words on a license plate or road sign.
The angels will use whatever way you prefer to get your attention. They ask that you just tell them which manner of communication works better for you. It may also be seeing certain animals such as a rabbit or a bird repeatedly, such as a cardinal to acknowledge that you are indeed heard by the angels and they are giving you guidance in your everyday life through your thoughts and daydreams.
Angel Number 444
444 itself refers to an angelic presence surrounding you and taking comfort in the protection afforded you from the angels. Your angels are always near you, all you have to do is reach out to them with a thought, a thank you, or a wish or a prayer. No message goes unheard. You just may not get the answer in the form you expect.
444 also refers to movement into the 4th dimension. You can read more about that here. (Updated – link no longer exists.)
Each number has its own frequency, and as you understand more about the main numbers, your guides and angels will start to show you other repeating number patterns that have more specific meanings to your day-to-day activities and immediate thoughts.
To me personally when I see 444, it feels like the angels have my back and are there, present, protecting you, either from danger or from your own fearful thoughts. It is quite comforting.
I would love to hear your thoughts! If you keep seeing 444 I invite you to leave a comment below.
Free Numerology Report
Do you want to know what your personal numbers are and what they mean in your life? Find out what makes you tick. Reveal your true nature and character and use it to change your life. Get a free numerology report from a master numerologist by clicking here.
More Resources
Do you have the brain of a millionaire? Take this quiz and receive your personalized report plus video.
60-Second Life Success Quiz – Are you on the path to ultimate life success? Why leave it to chance? I highly recommend that you take this 60 second quiz and then check out your customized report that comes from it. Take the quiz now by clicking here.
Manifesting Through The Akashic Records – Have you ever wondered why some things seem so hard to manifest? Click here to watch this free webinar.


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Jerry Stackhouse's Defense? Dogs.
Two weeks after Washington Redskins safety Sean Taylor was killed in his Miami apartment, pro athletes are getting a little ... paranoid. Some guys are buying dogs; others, guns. And most are just trying to keep their heads down, reports USA Today, which interviewed Dallas Maverick Jerry Stackhouse for its story on "Athletes at Risk."
"We go to practice every day, and people know where we work," says Dallas Mavericks guard Jerry Stackhouse, a 12-year NBA veteran who made $9.2 million last season. "They can follow us from the arena."
Stackhouse says he often has his brother stay with his family when he's on trips and keeps dogs in his yard, "as my first line of defense."
Get the ICYMI: Today's Top Stories Newsletter Our daily newsletter delivers quick clicks to keep you in the know
Catch up on the day's news and stay informed with our daily digest of the most popular news, music, food and arts stories in Dallas, delivered to your inbox Monday through Friday.
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Bristol headquartered firm Burges Salmon has named Chris Jackson as successor to Guy Stobart as managing partner of the firm.
Jackson, a commercial disputes partner, will take over from Stobart in May. Stobart, who has been managing partner since 1995, said he was "assessing his options".
"All good things must come to an end. We have had some amazing things but now the future is different for me," he told the TheLawyer.com.
The firm said Jackson would retain a client-facing role with key clients, but that his overall aim was "evolutionary growth" of Burges Salmon.


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After producing music for so many decades, how difficult was it to compile your best songs into one album?
It was a little tricky to pick and choose the few that would go into the album, because we love all the songs, they are all a big part of our career. We've picked songs that we think our fans will connect with the most and will remember the best.
The band is celebrating its 50th anniversary this year. What were some of the biggest challenges to keep the band together?
There weren't so many challenges. I mean, of course, we've had members leave and new members come in. But everyone will always be a part of the band. And, the important thing is that it was always about the music. That's what kept the stones alive for so long.
Things have changed since the band came into existence; was it easy to adapt to changes — preferences, the emergence of other genres and production technologies?
We were never really making an effort to change, we've grown as individuals in the course of our career, and I think, our music grew naturally too. Technology will keep changing, but people will still listen to great music.
The new album has two new songs as well. Tell us a bit about them?
They're great songs, easily identifiable, I think, as something by the Rolling Stones. These are Doom and Gloom and One More Shot. It's just a little something extra to the album that has some of our best work through the last five decades.
Since many artistes are coming down to India, do you have any plans of doing the same in the near future?
We're planning so many things to mark our fiftieth year that anything is possible. I have visited India on a few occasions before and would love to be back.
Your last full-fledged album containing new songs, was released in 2005, when will we see a new Stones album?
We're always coming up with new stuff, so who knows. We're focused on our tour for now though.
— GRRR! The Rolling Stones, Universal Music, R495. Available at leading music stores.


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Find data on a website and fill in a Spreadsheet (some HTML knowledge required) -- 2
This project was successfully completed by zolayossa for $50 USD in 3 days.Get free quotes for a project like this
Project Budget$30 - $250 USD
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The aim is to collect specific data on a specific website and fill in a spreadsheet. As some of the data contains HTML, some HTML knowledge is required.
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SEO Executive
£18,000 - £22,000
Bullet points
SEO Executive
Digital Focused Business
About Our Client
My client is a city centre digital agency whom offer a really creative, fun working environment. They are known to be a reputable digital agency with a wide portfolio of clients of different sizes. They have decided to offer a unique opportunity to a junior SEO candidate whom they can train up on the more technical side of things to do things in their way. They also have a reputation of being innovative in their work.
Job Description
This SEO Executive role is situated within the search marketing team, with the following main responsibilities:
- Conducting on site SEO audits
- Carrying out backlink reviews
- Keyword analysis
- Assisting in the launch of new websites
- Analysing in data of Google Analytics
- Suggesting potential performance changes to websites
The Successful Applicant
To be successful in an application to this SEO Executive role a candidate must have:
- At least one years experience working with SEO
- A good understanding of technical SEO
- Good numeracy skills
- A strong willingness to develop skills in SEO and UX
- The ability to work both as part of a team on a project, and autonomously
- Good spreadsheet skills
- Experience carrying out backlink reviews and audits
What's on Offer
£22000, 23 days holiday and an added bonus!