text:
The Foresight
A vast fantasy story about prophecy, corruption, leadership and nature. The story is a work in progress, as is the name.
The tides were high, the rolls of white headed inward seen visibly from far out. The waves just kept rolling up along a seemingly endless arrangements of vines, pine and moss. Many of the roots spread outward from the bank, growing above and below the lapping water. The moon was waning, shooting its vague light through the ripples, echoing the infinite sky to the unknown sea, a reflection of the same, a mirror. The whole area was almost like a marsh, spreading out like an empty hand, the empty parts filling slowly with pooled water. Small ponds remained here for the entirety of the year, but were now engulfed by the high tide. Only a small plateau like hill remained, vacant of trees. It rose up a couple feet higher than most of the shrub-like canopies, which remained the only part of the trees not underwater. The clouds came quick and stole the moon, but light was still seen from the top of the hill.
A well built fireplace. Anchored on all sides by rocks no human could lift. The flames jumped upward in great distances towards the sky. The tips of the flame leaving stars of flames, headed up, red hot, turned to white, then drifting down. Around the rocks were woven strings and symbols, entwined together to create rudimentary animal figures and sea creatures. Bloody handprints scattered across the rocks around the fire. Along with other brown and red pigmented designs. It seemed like each time a flame rose out of the orange inferno heart it was born from, it popped, sending out embers the size of fists.
The flames were not there to celebrate alone, though. A cacophony of ancient drum beats and low pitched grunts echoed across the night. The beings wore strange furs draping off of their faces, shoulders and hips. A few circled the fire with skulls over their heads, hopping in an off rhythm with the drums. They were also shaped very strangely as well. All of them were broad shouldered, with limbs stretching down to the ground when they stood straight, about 6ft up. Their legs remained bent at the knees most of the time, creating for a swaggered walk and dance. Long necks stretched up into vicious, tiny faces. Black, bead like eyes peeked out as a mouth took up most of the face. The nostrils were almost none existent. Snarled, hung teeth spewed out each and every direction, ending in sharp or broken points. They were roaring, chanting, pacing and dancing. They spoke a rustic language that was somewhere between animal noises and throat talking. One of the larger ones was slapping his extremely large palms against the ground in anger, each time harder than the last. As they all circled the flames what could be seen of their eyes vibrated with the life blood of the sea and the fire. Inside each of their tiny pupils reflected a flame, and they each tried to match its flowing, mortal, dying dance. Yet still beating down to the endless and forever water. Their arms flailed above them each time they stepped, the palms extending high above the fire. A rumbling, overbearing roar was heard from deep within the crowd. Everybody except the drum beaters deserted the fire and what they were doing and ran to the shoreline. Along the shore line was a leaning wood built shed, barely the size to fit one of these creatures in. It was very poorly made, almost falling over. Inside of it was a very large amount of dried wood pieces, each piece reaching up to the chest of the beings. Surprisingly they were all able to carry it, and each took one of the blocks only to return to the fire, throwing it all on. Embers scattered everywhere, the bravest of the creatures grabbed the exiled red hot embers, rubbing them on their bodies, or crushing them in their fists. The flame rose higher than any before it. The moon crept out from behind a cloud to catch a glimpse of the ritual. But its light shone elsewhere, on the bank opposite of the small, isolated hill. The moonlight finally stopped on a large natural rock, arch rising high above the land. Here it rested, in the middle of the arch, and here the light stayed. Here it remained stationary.
"So we've all read it, I sat down last night and finally finished it." The man was small, round, and breathed very heavily before every noun. "Although, I just happened to be disappointed, he wrote nothing on how to take it, how to interpret what he saw. What good is foresight and vision if he doesn't even tell us what it means." There was a small round table in a small basement or bar. Around it sat a few men, each stern and attentive to the task at hand. In one corner sat a small counter, but no one was behind it, just rows and rows of liquor.
"I believe he doesn't even realize what this means, you don't have to be a genius Humphrey to realize that it all points precisely at the Neglected Isles, and how their time is coming to attack us." The man that spoke was obviously worn by age and in each sentence took the time to pause briefly after each word. He had blue eyes hidden behind a gray face that held a large, gray beard. Over his scalp was a small piece of cloth, a small anemone like design on the top. The one he called Humphrey rustled awkwardly in his chair, he ran his calloused hands through greasy hair that fell back over his eyes each time he spoke. He too sported a beard, but it was much smaller than the other man's and much less gray. He leaned his body as far over the table as he could and look around the table.
"No. Just no." He shook his head, as if to settle his answer in the cracks of his brain so it would stick. "Years, years and years and years. Generations has pasted without conflict or sight of anyone from up there. Almost everybody believe they've been invaded by the Puls or lost to that raging volcano that they're dumb enough to stay by." His voice got softer as his spoke, almost ending without noise at all. The old man gazed him directly in the eye, but Humphrey shuffled his vision to the floor and continued to talk. "If he had this dream only recently, maybe he doesn't know where it's from. There are still scrolls that remain from the last times we've been to the Isles and they don't talk about a 'natural arch.' It says that very clear in ink, 'natural arch.' He probably is just figuring out as we speak."
"Or he already knows and is afraid to tell us," The last of the men spoke, and he was the oldest of the three, almost crippled. Ancient, yet breathing. His hair resembled thin spider's silk, only attached on one end. It ended everywhere, spreading out straight up and sideways. "He speaks only when he prefers to speak, he opened it up to us only because he wants to warn us of what is to come. To tempt us with his word loving trickery and vague descriptions of future events that just happen to come true. The Isles will remain far away from us, as we should keep from them. It ended in chaos and destruction last time, what makes you think it will be any different?" The man was spitting he was so visibly worked up, "Well, we'll know in a couple days when he leaves that shack he stays in and actually gives us some damned facts." The three nodded in unison.
"Anyway," Humphrey got up and waddled slowly across the marble floor, "I better get ready to open the bar, the first ranchers and smiths'll be in fairly soon. You two are welcome to stay." He finally made it to the far side of the bar, and took his place on a chair behind the counter.
"No thanks Humphrey, I have to deal with more important issues at hand." The oldest man, supported by a cane, trembled as he got up. The other man helped him the rest of the way and he exited the bar.
"I'm not sure Humphrey, but I'm really worried now that Loncovitz is really hiding something from us, and not just leaving this dream open ended." The other man stepped across the floor, his wooden shoes clanking on the marble as he treaded, finally coming to a stop when he took his place across from Humphrey. "I'm just not sure."


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May 01, 2017
Marsden Hartley at The Met Breuer
On "Marsden Hartley's Maine" at The Met Breuer, New York.
Copyright © 1982-2017
All rights reserved
On "Marsden Hartley's Maine" at The Met Breuer, New York.
On "Della Robbia: Sculpting with Color in Renaissance Florence" at the National Gallery of Art.
On the recent exhibition at the Vanderborght and Cinéma Galeries.
On "Medardo Rosso: Experiments in Light and Form" at the Pulitzer Arts Foundation.
On the first retrospective exhibition of the Chicago painter.
On the merits of simple museum displays.
On the exhibition of the movement at the Royal Academy of Arts.
On "Alma Thomas," a retrospective at the Studio Museum in Harlem.
On "Splendor, Myth, and Vision: Nudes from the Prado" at the Sterling and Francine Clark Art Institute..
On "The Douanier Rousseau. Archaic Candour" at the Musée d'Orsay.
On William Agee's Modern Art in America: 1908–1968.
On "Unfinished" at Met Breuer.
On "In Light of Venice: Venetian Paintings in honor of late Columbia Professor David Rosand" at the Otto Naumann Gallery.
On "Alex Katz at the Met" at the Metropolitan Museum of Art & "Brand-New & Terrific: Alex Katz in the 1950s" at the Colby College Museum of Art.
On the new Musée Picasso Paris.
"Frank Stella: A Retrospective" at the Whitney Museum of American Art.
On "Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer" at the Museum of Fine Arts, Boston.
On "Caro in Yorkshire" at The Hepworth Wakefield and Yorkshire Sculpture Park.
On "Discovering the Impressionists: Paul Durand-Ruel and the New Painting" at the Philadelphia Museum of Art.
On "One-Way Ticket: Jacob Lawrence's Migration Series and Other Visions of the Great Movement North" at MOMA and "Struggle . . . From The History of the American People" at the Phillips Collection.
"Diego Velázquez" at the Grand Palais, Paris.
On "The Plains Indians: Artists of Earth and Sky" at the Metropolitan Museum of Art, New York.
A look back on John Quinn's life and work.
On "V. S. Gaitonde: Painting as Process, Painting as Life" at the Solomon R. Guggenheim Museum.
Reviews of "El Greco in New York" at The Metropolitan Museum of Art, New York, "El Greco at the National Gallery and Washington-Area Collections: A 400th Anniversary Celebration," and "El Greco at The Frick Collection."
Review of "Henri Matisse: The Cut-Outs" opened at the Museum of Modern Art, New York
On "Goya: Order and Disorder," at the Museum of Fine Arts, Boston.
On "Titian's Danaë from the Capodimonte Museum, Naples," at the National Gallery Washington, D.C.
On the renovated Sterling and Francine Clark Art Institute and its two inaugural exhibitions, "Cast for Eternity: Ancient Ritual Bronzes" and "Raw Color: The Circles of David Smith."
On "Degenerate Art: The Attack on Modern Art in Nazi Germany, 1937" at the Neue Galerie, New York.
On the legacy of sculptor Anthony Caro and the work of Willard Boepple, Catherine Burgess, and Clay Ellis.
On "Italian Futurism, 1909–1944: Reconstructing the Universe" at the Guggenheim, New York
Visiting the town Donal Judd transformed in Marfa, Texas
On the newly opened Renzo Piano addition to the Kimbell Art Museum in Fort Worth, Texas.
Review of "The Armory Show at 100: Modern Art and Revolution" at The New-York Historical Society
Review of "Robert Motherwell: Early Collages" at the Solomon R. Guggenheim Museum, New York
Review of "Tell It With Pride: the 54th Massachusetts Regiment and Augustus Saint-Gaudens's Shaw Memorial" at the National Gallery of Art, Washington D.C.
On "In the Tower: Kerry James Marshall" at the National Gallery of Art, Washington, D.C.
On the fifty-fifth Biennale di Venezia, "Manet: Return to Venice" presented by the Fondazione Musei Civici di Venezia at the Doge's Palace, and "Robert Motherwell: Early Collages" at the Peggy Guggenheim Collection.
On the refurbished Rijksmuseum, Amsterdam and "The Société Anonyme: Modernism for America" at the newly renovated Yale University Art Gallery, New Haven.
On "Impressionism, Fashion, and Modernity" at the Metropolitan Museum of Art, New York.
On "Pre-Raphaelites: Victorian Art and Design, 1848–1900" at the National Gallery, Washington, D.C.
On "Lois Dodd: Catching the Light" at the Portland Museum of Art, Portland, Maine.
On "Inventing Abstraction, 1910–1925" at the Museum of Modern Art, New York.
On "Matisse: In Search of True Painting" at the Metropolitan Musum of Art, New York.
On "Caro: Close Up," at the Yale Center for British Art.
On "Mark Rothko: The Decisive Decade, 1940–1950," which opened at the Columbia Museum of Art, South Carolina, on September 14, 2012 and remains on view through January 6, 2013.
On "Edvard Munch: The Modern Eye," which opened at Tate Modern, London, on June 28 and remains on view through October 13, 2012.
On "Gauguin, Cézanne, Matisse: Visions of Arcadia" at the Philadelphia Museum of Art.
On "Joan Miró: The Ladder of Escape" at the National Gallery of Art, Washington, D.C.
On "Van Gogh Up Close" at The Philadelphia Museum of Art.
From "Remembering Hilton Kramer."
On "Renoir, Impressionism, and Full-Length Painting" at The Frick Collection, New York.
On "Touch and the Enjoyment of Sculpture" at The Walters Art Museum, Baltimore, MD.
On "Rembrandt and Degas: Two Young Artists" at the Sterling and Francine Clark Art Institute, Williamstown, MA.
On "Stieglitz & His Artists" at the Metropolitan Museum of Art, New York.
On "Eye to Eye: Joseph Marioni at the Phillips" at the Phillips Collection, Washington, DC.
On "De Kooning: A Retrospective" at the Museum of Modern Art, New York.
On "Lyonel Feininger: At the Edge of the World."
On "The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde" & "Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore."
On "Manet, Inventor of the Modern" at the Musée D'Orsay, Paris.
On "Gauguin: Maker of Myth" at the National Gallery, Washington, DC.
On "Picasso's Guitars 1912–1914" & "Picasso: Masterpieces from the Musée National Picasso."
On "John Marin's Watercolors: A Medium for Modernism" at the Art Institute of Chicago.
On "Abstract Expressionist New York" at the Museum of Modern Art, New York.
On "Chaos and Classicism: Art in France, Italy, and Germany, 1918–1936," at the Solomon R. Guggenheim Museum, New York.
On Titian's legacy.
On "Miró: The Dutch Interiors" at the Metropolitan Museum of Art.
On "Picasso looks at Degas" at the Sterling and Francine Clark Art Institure, Williamstown, M.A.
On "Renoir in the 20th Century" at the Philadelphia Museum of Art.
On "Matisse: Radical Invention 1913–1917" at the Art Institute of Chicago.
On "The Art of Illumination: The Limbourg Brothers and the Belles Heures of Jean de France, Duc de Berry" & "The Mourners: Tomb Sculptures from the Court of Burgundy" at the Metropolitan Museum of Art & "Demons and Devotion: The Hours of Catherine of Cleves" at the Morgan Library Musuem, New York.
On "Hendrick Avercamp: Master of the Ice Scene" at the Rijkmuseum, Amsterdam & "Hendrick Avercamp: The Little Ice Age" at the National Gallery of Art, Washington, D.C.
On "Matisse and Rodin" at the Musée Rodin, Paris.
On "Cézanne, Picasso, Mondriaan" at the Geementsmuseum, The Hague, The Netherlands.
On "Leonardo da Vinci: Hand of the Genius" at the High Museum of Art, Atlanta.
On "Arshile Gorky: A Retrospective," at the Philadelphia Museum of Art.
On "Watteau, Music, and Theater" at the Metropolitan Museum of Art, New York.
On "Vermeer's Masterpiece: The Milkmaid" at the Metropolitan Museum of Art, New York & "Monet's Water Lilies" at the Museum of Modern Art, New York.
On "James Ensor" at the Museum of Modern Art, New York.
On "Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection" at the Musuem of Modern Art, New York.
On "Titian, Tintoretto, Veronese: Rivals in Renaissance Venice," at the Boston Museum of Fine Arts, on view through August 16, 2009.
On "Cézanne and Beyond" at the Philadelphia Museum of Art.
On "Pierre Bonnard: The Late Still Lifes and Interiors" at the Metropolitan Museum of Art, New York, January 27–April 19, 2009.
On "Pride of Place: Dutch Cityscapes in the Golden Age" at the National Gallery of Art, Washington, D.C.
On "The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions" at the Metropolitan Museum of Art, New York.
On "Giorgio Morandi, 1890–1964" at the Metropolitan Museum of Art.
On "Take Your TIme: Olafur Eliasson" at the Museum of Modern Art and P.S. 1 Contemporary Art Center, "The New York City Waterfalls" along the East River, and other public art in the city.
On "Van Gogh and the Colors of the Night" at the Museum of Modern Art, New York.
On "Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976" at the Jewish Museum, New York.
On "Gustave Courbet" at the Metropolitan Museum of Art, New York.
On "Poussin and Nature: Arcadian Visions" at the Metropolitan Museum of Art, New York.
On "The Late Titian and the Sensuality of Painting" at the Kunsthistorisches Museum, Vienna.
On "Camille Pissarro: Impressions of City and Country" at the Jewish Museum, New York.
On "Martin Puryear" at the Museum of Modern Art, New York.
On the drawings of Georges Seurat at the Museum of Modern Art.
On A Life of Picasso, Volume III: The Triumphant Years, 1917-1932 by John Richardson.
On the legacy of post-painterly abstraction, occasioned by the exhibition and catalogue for Color as Field: American Painting 19501975.
On "The Unknown Monet: Pastels and Drawings" at the Clark Art Institute in Williamstown, Massachusetts.
On the artist's works at Paul Kasmin Gallery and the Metropolitan Museum of Art.
On "Venice and the Islamic World, 828-1797" at the Metropolitan Museum of Art, New York.
On "High Times/Hard Times: New York Painting 1967-1975" at the National Academy, New York.
On "Matisse: Painter as Sculptor" at the Dallas Museum of Art and the Nasher Sculpture Center, Dallas.
On "Morris Louis Now: An American Master Revisited" at the Museum of Contemporary Art, San Diego.
On "Spanish Painting from El Greco to Picasso," and "Picasso and American Art."
The death of abstract art has been greatly exaggerated.
A review of "Cézzane to Picasso: Ambroisse Vollard, Patron of the Avant-Garde" opened at the Metropolitan Museum of Art, New York, on September 14, 2006 and remains on view through January 7, 2007.
On the National Academy Museum's exhibition "Italia! Muse to American Artists, 1830-2005."
Examining the unexamined in modern American art.
On "The Renoir Returns" at the Phillips Collection, Washington, D.C. and "Master Drawings from the Woodner Collection", at the National Gallery, Washington, D.C.
On "Personage" at Gagosian Gallery and "Seeing David Smith" at Knoedler & Company.
On "Goya's Last Works" at the Frick Collection.
On "Cézanne in Provence" at the National Gallery of Art, Washington, D.C.
On "Antonello da Messina," which opened at The Metropolitan Museum of Art, New York, on December 13, 2005 and remains on view through March 5, 2006.
On David Milne Watercolors: Painting Toward the Light, which opened at The Metropolitan Museum of Art, New York, on November 8, 2005 and remains on view through January 9, 2006.
On Vincent van Gogh's drawings at the Met.
On "The Legacy of Homer: Four Centuries of Art from the Ecole Nationale Superieure des Beaux-Arts, Paris," at the Dahesh Museum of Art, New York & the Princeton University Art Museum, Princeton.
On "Looking at Atget," which opened at the Philadelphia Museum of Art on September 10 and remains on view through November 27, 2005.
Karen Wilkin on "Pioneering Modern Painting: Cezanne & Pissarro 185-1885," which opened at the Museum of Modern Art, New York, on June 26 and remains on view through September 12, 2005.
On "Matisse, His Art and His Textiles: The Fabric of Dreams" at The Royal Academy of Arts, London.
On "Greater New York 2005" at P.S. 1, Queens, New York.
On "Stuart Davis and American Abstraction: A Masterpiece in Focus " at the Philadelphia Museum of Art.
On "Peter Paul Rubens (1577-1640): The Drawings" at The Metropolitan Museum of Art.
A review of De Kooning: An American Master, by Mark Stevens & Annalyn Swan.
On "The Figure and the Forest: Nineteenth-Century French Photographs and Drawings" at Kate Ganz Gallery, New York.
On "Aristide Maillol: Maillol and America" at the Marlborough Gallery.
On "In the Realm of Gods and Kings: Arts of India: Selections from the Polsky Collections and Metropolitan Museum of Art" at the New York Asia Society.
On "'Bonjour, Monsieur Courbet!': The Bruyas Collection from the Musée Fabre, Montpellier" at the Sterling and Francine Clark Art Institute.
On "Byzantium: Faith and Power, 1261-1557," a complicated yet illuminating exhibition at the Metropolitan Musem of Art that "demands time and concentration of the visitor."
On "Gauguin Tahiti" at the Museum of Fine Arts, Boston, & its successful attempt to dismiss many of the myths concerning Gaugins's travels to the South Pacific.
On "Manet and the Sea" at the Philadelphia Museum of Art, which successfully brings together a widely separated collection of Manet paintings with a common theme.
Pablo Picasso turns heads in Washington with "The Cubist Portraits of Fernande Olivier" at the National Gallery in Washington D.C.
On the opening of the Nasher Sculpture Center in Dallas and its opening exhibition "From Rodin to Calder: Masterworks of Modern Sculpture from the Nasher Collection."
On "Crossing the Channel: British and French Painting in the Age of Romanticism."
On "El Greco" at the Metroplitan Museum of Art.
Fresh from a press preview of the Max Beckmann retrospective at MOMA, Queens,[1] I was extolling the virtues of the show to a friend I am very fond of, someone whose fierce intelligence and astonishingly well-furnished mind always delight me. Our tastes often overlap, so I was startled when my enthusiasm was met by a laconic "I don't like Beckmann.
On Thomas Nozkowski at the New York Studio School Gallery, Pat Lipsky at Elizabeth Harris at L.I.C.K., and John Walker and Helen Frankenthaler at Knoedler and Company.
Was it happenstance, luck, or careful planning that brought two exhibitions linking French and Spanish masters to New York at just about the same time this winter. Whether it was by chance or design that "Matisse Picasso" at MOMA QNS was scheduled to coincide with "Manet/Velázquez: The French Taste for Spanish Painting" at the Metropolitan,[1] we must be grateful.
When the great Matisse retrospective at the Museum of Modern Art ended, in January 1993, it was followed for one amazing week by an unpublicized epilogue—a small show that could only be described as modernist heaven. Improvised at the last minute by the retrospective's curator, John Elderfield, the two-room installation set a nearly ideal selection of iconic Matisses among equally iconic Picassos.
On "Voyage into Myth: French Paintings from Gauguin to Matisse from the Hermitage Museum" at the Montreal Museum of Fine Arts.
"Late style" is what is supposed to happen to gifted, long-lived artists. At best, it manifests itself as a bold expansion of ideas implicit in earlier work or as a reckless exploration of new possibilities.
For years a wonderful little etching has hung near my desk. It commemorates an evening in 1933 when a group of young artists in Brooklyn Heights, three men and three women, celebrated their friendship, ambition, and dedication to modernism by making portraits of one another on a single etching plate.
Anyone who thought that the Metropolitan Museums tandem summer offerings, Gauguin In New York Collections: The Lure of the Exotic and The Age of Impressionism: European Painting from the Ordrupgaard Collection, Copenhagen,[1] would be crowd-pleasing confections for the vacation season had, as they say, another think coming. Both shows could be enjoyed simply as slightly random accumulations of sometimes wonderful, sometimes familiar works, but both turned out to include some real surprises, to raise interesting questions about the nature of collecting, the difference between American and European taste, and even, in a couple of instances, to make you reconsider your preconceptions about a couple of artists.
A review of Impressionist Still Life at the Museum of Fine Arts.
On "Gerhard Richter: Forty Years of Painting."
A review of "Orazio and Artemisia Gentilischi: Father and Daughter painters in Baroque Italy."
Giorgio Morandi at the Musée D'Art Moderne de la Ville de Paris.
More than thirty years ago, when I was a graduate student, a college classmate and her husband took me to meet a friend of theirs. I remember almost nothing about the evening except entering the apartment and being stunned by the sight of two walls double-hung with first-rate Egon Schiele drawings.
These days, Alberto Giacometti is seen as the paradigm of his generation of Europeansborn in 1901, he died in 1966. He is regarded as the artist whose work best sums up the mood of the ravaged, postwar world and the tense decades of the nuclear age that followed.
A review of "Louis M. Eilshemius: An Independent Spirit," at the National Academy of Design & "Louis Eilshemius . . . Imagine That!," at Gallery Gertrude Stein.
On Beyond the Easel: Decorative Painting by Bonnard, Vuillard, Denis, and Roussel, 1890-1930, at The Metropolitan Museum of Art, New York.
On "Vermeer & the Delft School" at the Metropolitan Museum of Art, New York.
On "Van Gogh's 'Postman': the portraits of Joseph Roulin," at the Musuem of Modern Art, New York & "Vincent Van Gogh and the Painters of the Petit Boulevard," at the Saint Louis Museum of Art.
On "The Genius of Rome" show at the Royal Academy, London.
A review of "Manet: The Still-Life Paintings," at the Walters Art Gallery, Baltimore.
On "Reconfiguring the New York School," at the Center for Figurative Painting, New York.
On "The Still Lifes of Evaristo Baschenis: The Music of Silence," at the Metropolitan Museam of Art.
On "Lee Krasner," at the Brooklyn Museam of Art.
On "Rembrandt and the Venetian Influence",; at the Salander-O'Reilly Galleries.
A memorial for the photographer, filmmaker & painter.
On Chardin at The Metropolitan Museum of Art, New York.
British art invaded New York this spring. The three-pronged attack was mounted not by the YBAs responsible for the adolescent tantrums in Brooklyn last year, but by a group of seasoned painters, all over seventy, all with distinguished track records: Lucian Freud, Leon Kossoff, and Craigie Aitchison, in order of their familiarity to audiences on this side of the Atlantic.
On The Splendor of 18th-Century Rome at the Met
On Tilman Riemenschneider: Master Sculptor of the Late Middle Ages, at the Metropolitan Museum of Art.
Its difficult to believe, given the current high reputation of Michelangelo Merisi da Caravaggio (15711610), that he was ever considered to be anything but one of the great figures of Italian painting. To his contemporaries, his horrifying, voluptuous religious dramascinematic stagings of crucial instants in the lives of saints and martyrs, briefly illuminated for a rapt audience by shafts of dazzling lightseemed the most exciting work of the time; witness the numbers of painters who assiduously followed his lead.
On Modernstarts: People, Places, Things, at the Museum of Modern Art, New York
On Renaissance Venice and the North: Crosscurrents in the Time of Bellini, Dürer, Titian, at Palazzo Grassi, Venice
Like that other virtuoso of the rich and famous and their clothes, John Singer Sargent, Jean-Auguste-Dominique Ingres hated painting portraits. Its difficult, of course, to imagine two painters more different: the prodigiously facile, seductive Sargent, who could suggest the gleam of satin and pearls with slapdash, wristy flicks of the brush, and the severe, reserved Ingres, no less adept at conjuring up the trappings of luxury, but whose tense, evocative line and polished surfaces seem to materialize without any evidence of the hand.
On the sculpture installation in the Tuileries
Review of Goya: Another Look, at the Philadelphia Museum of Art
Floodsongs, at the Museum of Modern Art, New York
Review of Beckmann and Paris, at the Saint Louis Art Museum
Review of Baule: African Art/Western Eyes, at The Museum for African Art, New York
On Bob Thompson, at the Whitney Museum of American Art, New York
Monet in the 20th Century, at the Museum of Fine Arts in Boston
Review of From Van Eyck to Brueghel: Early Netherlandish Painting in the Metropolitan Museum of Art
Borduas and the Automatist Epic at the Musée dart contemporain de Montréal &Peinture, Peinture at the Belgo Building, Montreal
Reviews of Degas and the Little Dancer at the Sterling and Francine Clark Art Institute, Williamstown, Mass. & Degas at the Races at the National Gallery of Art, Washington
Review of Clement Greenberg: A Life by Florence Rubenfeld
On Pierre-Paul Prudhon at the Metropolitan Museum of Art, New York
On Manet, Monet & the Gare Saint-Lazare at the Musée d'Orsay, Paris
On After Mountains & Sea: Frankenthaler 1956-1959 at the Solomon R. Guggenheim Museum, New York
On Lorenzo Lotto: Rediscovered Master of the Renaissance at the National Gallery of Art, Washington
On Ten Paintings by Paul Cézanne Formerly in the Auguste Pellerine Collection at Sothebys, New York
Someones bound to make a movie about Egon Schiele. Im surprised that none of the current crop of young actors with surly expressions and aspirations to be taken seriously as artists has staked a claim to the Austrian painters life, the way Madonna has with Frida Kahlo.
On The Private Collection of Edgar Degas at the Metropolitan Museum of Art, New York
On Sculpture of Angkor & Ancient Cambodia: Millennium of Glory at the National Gallery of Art, Washington, D.C.
On the first installment of The Fields of David Smith at the Storm King Art Center, Mountainville, New York
On the exhibition at the Saint Louis Art Museum
Byzantium. A name that glitters.
Lets get this part over with. No, you dont have any real idea of what the brilliant Venetian painter Giambattista Tiepolo is capable of if you havent seen his great decorative schemes in situ.
On A Life of Picasso. Volume II: 1907–1917, The Painter of Modern Life by John Richardson with Marilyn McCully
On Henri Matisse: A Survey of Drawings at C&M Arts, New York
My teenage years can be evoked, as I think they can for a few of my former classmates at the High School of Music and Art, not by pop music, but by the street-smart dissonances and raunchy lyrics of The Three-Penny Opera. My closest friends and I went more than once to see the Brecht-Weill classic performed in the Village.
On an exhibition of the artist's work at the National Gallery of Art, Washington
On an exhibition of the artist's work at the Sterling & Francine Clark Art Institute, Williamstown
On a retrospective of the artist's work at the Yale Center for British Art
On Jan Steen: Painter & Storyteller at the National Gallery of Art, Washington
Among the most memorable paintings in the Museum of Modern Art's great Matisse retrospective in 1992, an exhibition full of memorable paintings, was a solemn frontal image of a bearded man seated tensely erect, hands clasped in front of him. Painted in 1916 to 1917, the period of some of Matisse's most compelling portraits, it was striking even in the company of the Beaubourg's fetching vision of the actress Greta Prozor, seated in an armchair, and the Guggenheim's stiffly upright Italian Woman, that strange picture in which the swooping plane of the background threatens to engulf the figure.
The International Art Critics Association, an organization most valuable for its widely accepted press pass, annually asks its members to choose the past years best exhibitions. Nineteen ninety-five had many contenders in the category of painting or sculpture exhibit in a museum: the retrospectives of Cézanne, Mondrian, Brancusi, and Monet, in this country and in Europe, for starters; Goya at the Met or the Anthony Caro retrospective at the new Museum of Modern Art in Tokyo.
On Diderot on Art translated by John Goodman.
On "Cézanne" at the Grand Palais, Paris.
On "Claude Monet: 1840-1926" at the Art Institute of Chicago.
On Constantin Brancusi" on view at the Centre Georges Pompidou, Paris, from April 14 through August 21, 1995. It will be seen, in a slightly different version, at the Philadelphia Museum of Art from October 8 through December 31, 1995.
On "The Pictographs of Adolph Gottlieb" opened at the Brooklyn Museum, New York, on April 21, 1995, and remains on view through August 26
On Gustave Caillebotte: Urban Impressionist at the Art Institute of Chicago.
A review of Antonioni by William Arrowsmith.
On I Tell My Heart, the Pippin retrospective at the Metropolitan Museum of Art & Jacob Lawrence: The Migration Series at the Museum of Modern Art.
On Italian Renaissance Architecture: Brunelleschi, Sangallo, Michelangelo at the National Gallery, Washington, D.C.
On the Poussin retrospective at the Louvre.
On The Italian Metamorphosis, 1943–1968 at the Guggenheim Museum, New York.
More often than not, the history of art is presented in shapely chunks, each "ism" nicely circumscribed and clearly defined, in a neat ideological and chronological progression. But reality is far messier than this orderly structure suggests, the phenomena of period and national style, not to mention the Zeitgeist, notwithstanding.
On the exhibition of Goya sketches at the Art Institute of Chicago.
On Il Disegno del Nostro Secolo at the Fondazione Antonio Mazzotta.
On Louise Bourgeois: The Locus of Memory at the Brooklyn Museum.
On The Age of Rubens at the Museum of Fine Arts, Boston.
On Degas Landscapes at the Metropolitan Museum of Art.
During the past few months, some of the most provocative, difficult, and rewarding art in New York was to be seen in a pair of concurrent exhibitions by a British figurative painter. No, I don't mean the Lucian Freud shows at Robert Miller Gallery and the Metropolitan, but rather the Euan Uglow exhibitions at Salander–O'Reilly Galleries and the New York Studio School.
On the new Museo Morandi in Bologna.
On Baudelaire's Voyages: The Poet & His Painters at the Heckshire Museum.
I first became aware of Rebecca Horn through a German-born painter friend. I can't remember just how long ago it was— ten years.
On Daumier Drawings at the Metropolitan Museum of Art.
On El Taller Torres-García: The School of the South & Its Legacy at the Bronx Museum of the Arts.
On Frédéric Bazille: Prophet of Impressionism at the Brooklyn Museum.
On Masterworks from the Musée des Beaux-Arts, Lille at the Metropolitan Museum of Art.
On Suzy Frelinghuysen and George L.K. Morris.
A review of Beyond the Brillo Box by Arthur C. Danto.
It seems only yesterday that Lionel Trilling reported that he had created a sensation—in the cafeterias at Columbia University—by assigning to his students the work of William Dean Howells. What could Professor Trilling have conceivably found of interest—his students wanted to know—in this Victorian purveyor of old-fashioned realism in American fiction.
A review of Eugène Delacroix by Nina Maria Athanassoglou-Kallmyer.
When Gaston Lachaise died, in 1935 at the age of fifty-three, he was something of a cult figure among a small circle of forward-looking New Yorkers. The French-born sculptor was championed by some of his adopted country's most progressive artists and supporters of the arts, including the poet e.
Alexander Calder (1898-1976) is the Aaron Copland of the art world. Like Copland's, Calder's work is a baffling combination of rousing all-Americanness and predictable pastiche, of genuine invention and self-indulgent repetition, of unarguable significance and mind-numbing triviality.
Everyone knows about Géricault: the quintessential Romantic painter, le peintre maudit, the misunderstood rebel with the intense personal vision. Everyone knows about his brief, turbulent life: rejected by officialdom, admired by his colleagues, dead at thirty-three and instantly mythologized.
Those cultural dinosaurs among us who persist in believing that paintings and sculptures have something to offer other than politics, sociology, anthropology, or even sex, tend to be skeptical about revisionist enterprises. Nothing is more exciting than having one's old habits of thought jolted loose by new observations and new information, but, all too often, self-proclaimed new approaches turn out to be predictable attempts to redeem the reputations of second- or third-rate figures, "marginalized," we are told, because of race, sex, country of origin, class, and all the rest of it.
Ishould say right at the beginning that I was less than enraptured by the prospect of a major Ad Reinhardt show, even by the prospect of the first retrospective of his work to be organized by an important American museum. [1] Reinhardt is one of those painters I've never been passionate about.
In 1963, traveling as students used to during the summer vacation, I found myself in Paris in time for the large exhibition organized by the Louvre to commemorate the centennial of the death of Eugène Delacroix (1798-1863). I am sorry to report that this can be described only as a Significant Waste.
Not long ago, I paid my first visit to the Los Angeles-based Eli Broad Family Foundation collection, which, according to its handsome brochure, aims "to serve as a resource to foster the serious study and public understanding of contemporary art. " Begun about a decade ago, the still-growing collection now numbers some three hundred works by more than seventy-five artists; about 20 percent of it is on view at any given time, in a wonderful, most un-California-like building—a former telephone switching station—a block from the ocean in Santa Monica.
On recent exhibitions of paintings by Willem de Kooning, Clyfford Still & Adolph Gottlieb.
Any book announced as "an entirely new vision of modern art's origins and its subsequent meanings" is bound to raise expectations, even hopes, all the more so when the author is the new director of the Department of Painting and Sculpture of the Museum of Modern Art. I confess I was doubly curious about Kirk Varnedoe's A Fine Disregard because, despite the author's considerable reputation, it has been difficult to assess his abilities from his track record of exhibitions and catalogue contributions so far.
A review of A Fine Disregard: What Makes Modern Art Modern by Kirk Varnedoe
I've heard Hans Hofmann spoken of with awe for almost as long as I can remember. A teacher at my high school had studied with him, a fact often repeated to account for her unorthodox methods—even in New York, in those days.
About five years ago, I was in London while a curious exhibition called "The Orientalists" was on at the Royal Academy. There were a few rather fine Delacroixs at the start, and then room upon room of veiled women, fierce warriors, picturesque streetscapes, and naughty glimpses—certainly imaginary— into the seraglio.
The sculptor David Smith (1906-1965) always insisted that he "belonged with painters. " He probably meant it quite literally.
On the Paris art scene circa Summer 1989.
On Pioneering Cubism at MOMA.
"Helen Frankenthaler: A Paintings Retrospective,"[1] at the Museum of Modern Art this summer, was an event, heralded by ample color spreads in the glossy magazines and a cover story in The New York Times Magazine. There were interviews in Lear's, in New York Woman, on the Today show, and in the new British art magazine Modern Painters.
The not quite wholly satisfying major exhibition is, alas, becoming a New York standard. Long awaited shows such as last year's Braque retrospective at the Guggenheim, "Courbet Revisited" at the Brooklyn Museum, or this summer's survey of Helen Frankenthaler's paintings at the Museum of Modern Art have turned out to be slightly less marvelous than hoped.
On Refigured Painting: The German Image 1960–1988.
A review of Impressionism: Art, Leisure & Parisian Society by Robert L. Herbert.
What a good idea the Umberto Boccioni retrospective was. Most of us know very little about this founding member of the vociferous Italian avant-garde movement known as Futurism.
I owe Georges Braque a lot. When I was a child, a reproduction of a Braque hung opposite my place at the dining-room table.
Marsden Hartley is one of our best painters, but not long ago he could have been described as an enigmatic presence in the history of this country's art. Not that he was unrecognized.
Stuart Davis has a sure claim to a place in the history of American art. As early as 1932, he was hailed as "the ace of American modernists" and there is scarcely a museum in the United States that doesn't boast of at least one of his works.


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Offering indoor swimming pool and a restaurant, Hotel Galeria's Beach is located 5 minutes' walk from the seafront and from Dolphin Park. Free Wi-Fi access is available. The rooms here will provide you with a TV and air conditioning. Private bathrooms also come with a shower. Extras include a fan. Guests at this property can find a variety of restaurants within 2,625 feet. At Hotel Galeria's Beach you will find a 24-hour front desk. Other facilities offered include a games room and laundry service. An array of activities can be enjoyed on site or in the surroundings, including billiards and table tennis. This hotel is 1.6 miles from Playa Chipipe Beach and 5 minutes' drive from General Ulpiano Páez Airport.


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Irren: the rightful heir.
I watched out of the palace as the portal rippled and a small girl stepped through.
Human. She must be dispatched of, otherwise the dimwits of The Dimension will realise that the Prophecy is more than a mere bedtime story. I sent out two of my guards and turned away, my gown sweeping the floor as I glid across the room. I snapped my fingers and another two guards hauled a young man, struggling and pouring a stream of profanities, up to my presence. He immediately stopped and I saw with satisfaction the colour drain from his cheeks. This is a true ruler, one who can strike fear into the hearts of all who stand before her. The young man- a demon child, I noted with a disapproving air- now started to beg for mercy.
He had not meant to....he was taken in....a mob mentality...I had heard it all before. His eyes gleamed red with revolution: I could tell that he was no innocent. This demon was a full-blown dissident. My lip curled at such a worthless, lowlife creaure. I could not bear to let him talk on and on incessantly. With one swift look I felt his throat close up, my mind's grip on him. Ah, the wonders of mental manipulation. He struggled more, his hands grasping at his throat, which to the naked eye appeared be of perfect health. I spoke calmly. 'I think you know what happens to revolutionaries.' My mind shifted his collarbone.
He snapped like a twig. 'Take him away. That should teach him who the rightful heir is.'


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Adventura Hostel features a winery and puts you within a 15-minute walk of National Stadium. Guests will have free perks like WiFi and self parking. A terrace and a garden are offered, and rooms get the details right with Egyptian cotton sheets and pillow menus.


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… for the perpetual upgrades, United, one day I will miss the half-hellish limbo that is Global Services status) and perused the movie options. I tend to catch up on at least one movie each return trip, as a kind of reward for work done while traveling, and you can't really work during meal service anyway, can you? It was then I noticed that Spike Jonez Her…


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BeschreibungPractical Sports Coaching is a thorough and engaging guide for all sports coaching students and practitioners. Drawing on real-life case studies and examples, the book is designed to develop practical coaching skills and provides readers with the methods and tools they need to become an expert coach. Structured around all facets of the coaching process, the text comprehensively covers topics such as:preparation for coachingmentoringthe philosophy of coachingdirect interventioncoaching methodsthe use of modern technology.The book's practical approach allows the reader to consider common challenges faced by coaches, suggesting solutions to performance concerns and preparing students for the realities of professional sports coaching. A companion website containing presentation slides and useful weblinks makes the book a complete resource for students and lecturers alike.Practical Sports Coaching helps to bridge the gap between theory and practical coaching skills, and is an essential text for coaching students looking to deepen their understanding of sports coaching and experienced coaches developing their own practical skills.
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Erscheinungsdatum: November 2014
Seitenanzahl: 358 Seiten
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Triangle Motor Inn
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Semper Fi
... them leaving town along with more condo's and hotels.
There aren't many campgrounds and we wanted to see the lower barrier islands so we decided to stay at one that is east of Jacksonville (North Carolina that is). When we were in our western trip last year we visited Jacksonville, Oregon so this year...North Carolina. This campground was a pleasant surprise. It is a large piece of property on ...
2nd overnight
... up closing the place down. When we were getting ready to leave, it was pouring down the rain. We talked about a cab but figured by the time the cab got there, if one came, we could already be at the hotel so we headed out. By the time we got there, we were all soaked, rain dripping off our heads wet. We all were laughing pretty hard by the time we got to the hotel. Thank goodness it was a long overnight so I could hang my clothes up to dry ...
Another day of travel
... situations. There was no way Rhiannon could pass this guy so I told him we would follow at a distance and he wouldn't have to be concerned that we would do anything stupid.
The tug opened the Surf City bridge and squeezed the heavy barge through with a couple of feet to spare on either side. We tucked in close astern after clearing this move with the bridge tender and saw a long procession of southbound snow birders waiting ...
Harbor Village Marina
... mean a day to lay over but this coincides with a serious cold front passage that would make life on anchor down the line a seriously uncomfortable experience. Instead, we,ll tie up at a marina, do some of the minor repairs that we were saving until later, and relax from the ICW grind. Tonight we enjoyed wine, cheese and crackers in the cockpit and are cooking a nice dinner. More to come ...
Veterans Day 2014...
Relax, nothing in control! Raining. Captain in cockpit, v berth is warm and dry. Beautiful coastal Carolina's. Who needs yoga when you are sailing. I do take helm in the 1-100 breaks. 8 hrs in the rain & pulling into Casper marina for nice hot shower. Finally sun shining. ...
Other places to stay in Jacksonville
Holiday Inn Express Jacksonville2115 Hwy 17 North, Jacksonville | 2 star motelfrom $90
Days Inn Jacksonville NC505 N Marine Blvd, Jacksonville | 2 star motelfrom $57
Rodeway Inn and Suites2149 N Marine Blvd, Jacksonville | 1 star motelfrom $70


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This is the full research report for 22.214.171.124, which is an IP address.
Wisper ISP, Inc.
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General Evening Post (Newspaper) - December 4, 1790, London, Middlesex "0. N p O R j Pace JFour ^Pence J From Saturday; Dec. 4>; to t ues d ay, b ec. M O NDAY, Dec. 6. From the London Ga2*tte. * Whitehall, Dec. 4. #C5^v^'ub-Lieutenant, by purchafe, vice Henry" Biundel Atherten, -who retires. foai regiment^of (light) dragoonf, Lieutenant Charles Maddi- "fon, from the 32^ regiment of Foot, to be Cornet, by pur-� chafe, vioe Walter Monteath, promoted, tft regimehi of" foot guards, Honourable Captain George J. Ludtow to be Captain of a ' Beans - Malt - Oats - Peafe - kye - Rape Seed Wheat - a 90 1006 1966 43*7 527 1 o 4663 1. 2718 3475 2305 823 1 e 10803 cl. j6 "A 7 . o 9 o o s. 4 7 '5 19 11 6 o 6 d. 8 8 4 ? 2 o o 4 BANKRUPTS. 1, of Ckatbam,'K.ej)t, chinaman ; Dividends adjourned. Richard JBrown the elder, late of Fluflnng'sralley, Mid-fliefex, carpemtt-; Dec. n, at ten, at Guildhall, London. Firft and final dividend.' George Wood, Gregory Grant, and Charlotte Wood?-of Chandps-ftreet, Cpvent garden, Middlefex, filk-weavers arid co-partners; Jan. 8, at-ten, at Guildhall, London, VFmal dividend. Certificate, to be granted. Jofeph Bttgljy, of Alfesford, HanipllrfTe, facking-noan*-faclurer ; dn or befotje Dec. 25. Bankruptcy enlarged. , John Richardfon and Sifveftsr Hill, of the Strand, in the parifh of St. Martin in the Fields, Middlefex, linendrapers 5 to furrender Feb. 12, at ten> at Guildhall, London. I R E LAN D. D#blinK Nov. 27. Early yefterday morning the poftboy from Trim to Dubliu'was ftopped near Summer-hill, county of Meath, and robbed of the mails from Gfianard, Edgwprthftown, Caftle-Delvin, Caftle-Pollard, and Trim. �� - ,. , , , .,...... ..._& C O U N TRY -N E W - �� Oxford, D\c. \. Yefterday John L�igh, Efq.. of Bcazen Nofe College, was admitted to the degree of Bachelor of Arts, for which.he went out Grand Compounder. And, on Thurfday, fonr gentlemen were? admitted to the degree of Mafter of Arts, one to the d?^ree of Bachelor of Law, and four to the degree of Bachelor of Arts. ... On-Wednefday evening died, the Rev. Samuel Fonter, A, B. fcholar of Wadham College,, and eldeftfon of the Rev-* Dr. Forfter, Regiftrar of this Univerfity. � Early On Saturday iflorning taft, Mr. William Davenport, taylor, one of the Common- Council of this city, had the misfortune to fall down $t kitchen ftairsj by which accident his fkull was fo dreadfully fra&ured, that every chirurgical affiit-ance prbved ineffectual, and-he died yefterday morning. Plymomtb, Dec. 2. Yefterday it blew the mod tremetfdous gale from S. S. E. that has been experienced for feveral years paft. The fea raa moan-tains, high, and the frigates lying in the Sound pitdted and rolled iri a very dreadful manner. During the ftorm, feveral trawl'boats came from fea into "Catwater, under' clofe-reefed main-fails, all fafe, except the lofs of one trawl. ' Laft night, at twelve o'clock, during, a' yiblent gale^W. and S. ty- the Hope, of TeignmOiith, Captain Brooks, lying in Cat water, parted'both her cables, and was driven on fhore "near the Bear's Head; and, it is feared, will not.be got olf, as the' rocks are through her bottom 4rr ie- __it �.� _------" ---- - ^ I790. or Drawing-room uatil Thurfday the ' 16th inftai;t, which will be the only "one before the Chriftmas holidays. , The Duke of Clarence, ^jjte are informed, ha^, at length, received the.:f;^ard he juftly merited ~a�d-is nbw appointed an Admiral of G'feit-BritainT . ' . - ' ' J'rirtce William of Gloucefter, the King's liephew, will compleat ^iis education at the Uni-^ verfity of - Gottingen, in jthe ^ledorateT3f~Ha-nover, wh,ere his .Majefty's three fons have now\ finiihftd their UadTes. His Highnefs i� to be' there two years, and will then make a tour on the Continent. The Duke of Bedford fell from his h'orfe, in a .late hunt near Wooburri, and received a fevere contufkm in his knee and ancle. We are happy to add that no ill confequence is likely to enfue. , Yefte�day arrived at the General Poft-Office 4 one New-York and one Halifax mail, by the Portland packet, Capt. Rogers. The'following Numbers were'drawn Prizes "aljove 15I. on the fixteentb-day.-^'No. 20,326,' '2,000!.'--Nos.; 4*,gij, 3^057, iool.-and Nos. 16,924, 25,296, 50I. -' And on the feventeenth day the following Numbers were drawn Prizes above 15I.-No. -7,918, a blank, but as firft drawn entitled to 500!.--No. 26,845, 2,oool.-and Nos. 6,276, 8,75c, 38,111, 50I. The 2c,oool. which wa� drawn on the 13 th day, was fold in Ireland. SQjliady is the climate of this country, that the thermometer varied fifteen degrees in 48 hours laft week. The inference is in favonrcf a cau� tion to perfons who are liable to fufF.r by colds, and pulmonic complaints. The faftiionable game in all the great carJ parties at the prefent period is four-handed crib-bage. Whill, as it declines in the Vi eft, rifts with encfeafe of fplendour in the Eaft. We are told of a city club where thjf parties play for ten pounds a game, and bet guineas on the odd trick. We have alio been'informed of-another chefen few on tht city fids of Temple Bar, who lately played at Whift from \�ed�efday afternoon till F&day night* and only left oft* then becaufe two of the party "were unforv^ately:.jeu^- j Thetiyer Seine atRoijen is-keptfo deep at the_j Quays that the lhipsare moored with their Aeaasi to the more. This gives infinit�'�^ommodatjon iff^t. immenfe number of ^r^g-^^Vl1^ , fcotld be imitated at London. The ^lay laftvti at Tunbridge Welffr,. J$t$i Plumptrfj widow the late FrwJc� �JWo*iptfe, Efq.- Saturda^^orfriTigiiWUlkia Barnard, Efq; of Great It has long icen the Wifii of the Community at large, and morecfpacially tlie religious Part of it, to. be accommodated widv a^BJBLE of a c'onyeifient Pocllbt-Siss 3. � all former EcJtians of thatKindhad been long out of Print, and the fe\� �faL Copies.ttat .remain in +K� ttjmii c/f die Tiadc, bc-lug charged at fo eaormfeus a 'Pricey -tSat they preclude every common Puichafer j neither is there a Supply even of thofe to fiSsry the 'Demands of the Public. �. Thefc ConSderations have induced SCATCH1RD and V/HITAKJ?a. to engago in - printing one wim NOT�S� of a. ftnaltei Sbse, ar.i more elegant, in Type aod Paper, than former Edition : And they cannot but flatter themfelyes, thatj when die Merit of die Work is kaywn,' the Sale *ill anAyer their moft fan* goine Expedtatiops, and reward them fe-thsextreme Anxiety) as well as very greatEicpeace,' they have Encountered, tn this arduous Undertaking. . ' t2945 �.....riL^i �����hi M R. SMITH refoedWallj That the LEASEHOLD Ithe Public, iciverBlad fcf _ _ ____.-------- - -v.t.wi.mruuin it sSAtEonOifionday nexr, at .tXAY-Hlt�i nearBEdKEN-HAM,. KENT, is unavoidably POSTplfiNEtJ till Mondaf the 20th Initant. v C*957 .......- , THE Creditor^ of the Reverend THOMAS COOKE, of CHELSWORTHY, ia Sufiblfc, a� requcfted to fend an Account of their Demands upa* himj � with the Nature of their Securities, to tvfci&s. W.'ind Ji Lyon, Gray's-Inn ; or. to Mr.'Squire, of Ipfwich. [2910 LONDON ANNUITY SOCIETY. fT^HE Members "are defired to attend a General A Meeting of the faid Society, at their Hoisfe ih Ol4 Jilh-ftreet, near St. Paul's, on Friday the Tenth Inibnt* at Four o'Clock in the Afternoon, on fpecial Afiairsi 2951]- By Ordert>f the Direflbrs, Dec; i� T7-0. THOTMlAS BEEBLE* Seo of which Ihe had unladen), it is hoped, will bs | commercia! purpofes , thofe at London, where faved. John Baker, of Chatham, Kent, chinaman j to furrendcr Eec. II, 18, and Jan. 15, at ten, at Guildhall, L&fidon. Attorney, Mr. Cooae, Gray'sjiiin-lqwarfi. ; William BurgeJ^, of the Borough, Southwark, Surrey, holier; to i'urrender Dec. 14, 2.8, and Jan. 15, at eleven, at Guildhall, London. Attorney, Mr. D&wes, Angel-court, 'rtrogmorton-ftreet, .London. . Thomas Pittaid, of Sherborne, Dorfetm*re, carrier; to furrender Dec. 7, at eleven, Dec. 18, a-id Jan. 15, at ten, ac Guildhall, London. Attorney, Mefl". B. and W. llernc, Paternoftet-row, London. �Dividends to be made. John Hughes and Daniel Taylor, of New London-ftreet, ii the city of London, grocers; Dec. 2S, at twelve, at Cuildhall, London. Final Dividend. Samuel Harvey, Iaje of Wkkfbrd, ElTex, but now a pri-f>ner in the King's Bench Prlfon, drapery Dec. 2S, at eleven, at Guildhall, London. Jarats Saunters, of Kighwortb, Wilr.TiVr, chcefcfaftcr; Ja�. 8, at ten, at Guildhall, London, f trwi Divid;nJ. Richard 'Herbert, late of the tov.-ji of Lnncafter, Lar.ca-' ftire, fail-maker ; Dec, 30, at eltven, at the lign of the Grapes, in Lincafter. Firft and final Div.dend. Thomas Kinlyfide, of F.'.iaion-ftrcet, Spiialfields, Middlesex, carpenter j Jan 5, at eleven, at Gu.Liba'l, London. -John G,impin, of Bilhop Startfjtd, Hiir�,rdihore, malt-ftsr; Ja.i. 5, at ten, at GuildlialP, London. NuchanieJ CI flbld the elder, of Read.ng, Beik/hire, oier-wrj Jan. 18, at tec, at Goidholl, LjudiSii. - The brig, John and Mary, from Honduras, with mahogany, laft from Ireland, was obliged to 1>ring up, in Two Brothers Cove, on a lee fiiore, with two anchors a-head out, and a lafgeXcope of cable. From nine to twelve A. M- the gale in-creafed fo much, that a number of fpeftators' from under th'* Hawe imagined fhe would go to pieces, the fea making a fair breacb over her ; bat, providentially, when the tide turned, the wind fhifted to the wcltv/ard, and the fea calmed. At noon ftie got up her anchors, and is now fafe in Catwater. s'hYp NEWS. Dt(0f Du. 3. Arrived, and failed for the -.River, the Maria, Wllkirifon, and Brothers, Brown, from Oporto. Rem-'in iri the D.~wns his Majefty's fliips Dictator and Soudiai.tpton, and Mrerwyk, Van Graoninger, for Bauv'u. Wind at S. W. blows hard. _ _ . '" Deal, Dec. 4. Arrived, and failed for the River, the Lord Hawkeibury, Coffin, from the South Sea, ao4 Draper, Walker, from Dublin. Remain in the Downs the fhips as per laft, ajid Auguftus Caefar, Fowler; Reward, Leech j Lord Sheffield, Sinclair ; Fortitude, Warden ; Diann> Steward; and jane, Rufl'ef, for Jamaica; and Coftle Doug* las, Cooper, ffir Charles-Town. Wind at W. s. W. Crd-oejcnd, Due. 3. Pafled by the Calais Packet, Gilling-him, frsm Boulogne; Plympton, Price^ from Cdrk J and Rip Burgen, Malama, from Amfterdam. L O N D O N. ' " HOUSE of COMMONS. Sat'urday, Dec. 4, Mr. Gilbert brought up the report, and moved, that the Houfe do refolve itfelf into a Committee of the whole Houfe on Monday (this day), jm order to grant certain fupplies to his Majefly. ' Agreed to. The Handing orders of feve.ral Petitions- were difcharged, and motions were made that they be taken into coniideration on remoter days. Mr. Steele prefented an account of money ilTued from the Treafury, for purchafmg provifibns for the troops belonging to the Eaft and Weft-Indies, amounting to 81,999!. Ordered to lie on the table. Robert Jennings, Efq. Clerk of the Regifters and Iffues, appeared at the bar, and prefented an account of money raifed on Exchequer bills. Ordered to lie on the table. One or two private bDls were read a, firft time. And the Houfe then adjourn�d.to Monday (this day). ^ .' - . The Royal Family, .with their ufual retinae, attended divine iervice yefterday at noon, at St. I George's chapel, Windfor Caftle, where they heard a fermon preached by nd-Sae�st. By Order ot the Committee; - GRANVILLE- &HAHP, Chairman. Nov. 23, i?9�* CORNWALL GENERAL INFIRMARY*. Under the Patron-age of his Ron! HTghneCi the PRINCE of - WALES and DUKE of CORNWALL. SUBSCRIPTIONS to the BUILDING; &c. 1. s. 1� s� - Annua! - - - 38* �7 His Koyal Highoefs the Prntce of Wides, Patron to fhe Inftitution, 50b o Other Subfcrjptioas xn tlfis Date, a>97' i(? Subfcrlptions continue to be received by Mefl". Glynn anl Co. Bankers, Bkchin-lane ; Melt Forfter and Co. Bankers-, Manfion-houfe-ftreetj SirJ.Duntae, Bart, and Co. Bankers* Exeter. "____0,04 _ This Day was fublijhed* Elegantly printed in One Volume^ Odhvo, Price 6j. in Boards, " Illuftrated with a Plan of the Baftilej HpHE HISTORY of the BASTILE, With JL a concife ACCOUNT of the late REVOLUTION i* FRANCE. ' To which is added an Appendix; conaining, among other Particulars, an Enquiry into the Hiftory of the Prifoner wifr the Maik. ' iz9i9 Printed for T. Cadelt, in the Strand. BRUCE's TRAVELS, with Copper-Plates. This Day were publijhed, Price $s./ewed, (Embellimed with the following Copper-Places, vi?; 1. A Portrait of Mr. Bruca. 2. Mr. Bruce's Introduction to th� King at Gondir. 3. His Iuterview with SEum, Prieft of the Nile. 4. His Vifit to the King's Ladies at Sennaar� 5. A Reprefentation pf a bloody Banquet in Abyfiima. And 6." An Abylfinian Church), AN intending NARRATIVE of the TRAVELS of JAMES BRUCE, Efq; into ABVSSINIA, to difcover the SOURCE of the NILE. Abridged from the original Work, By SAMUEL SHAW, Efq. The THIRD EDITION, with CoPPer=-Platej. Printed for H. D. Symondj, No. 20-, Paternbfter-Row. N. B. The great Quantity of unneceffiry Matter" rt>n-taintdih Mr. Bruce's rive Volumes, rendered an Abridgment highiydefirable ; a�4 it muft be confefledYnat Mr. Shav^has Very ably extraifled die Eflence of this very expeniive Publication. [29IS See the different MonthlyReviews. a New Volume of Dr. BLAIR's- SERMONS. This Day uat p*blifitd. In Octavo, Price 6s. in Boards, Dedicated, by Permillun, to HER MaTSSTV, The 5QURTH EDITION of the THZRD VOLUME of SERMONS. By HUQH BLAIR, D. D. One of the Mip''fters of the High.Church, And Profeffor of Rhetoric and BellesLettre*-in cHe Unlvcrlit/ -of.JEdinburgh. Printed for A. Strahan; and T. Cadell; in the Strand; and W. Cresgh, at Edinburgh* Of wham miy be had, lately publi/hed, 1. A new Edition, being the 16th, of th; Firft and Se"* cond Arolumc� of Dr.. Blair's 3;rmons; ios. Boaidi. 2. Ljdlures on Rhetoric ajid Belles L.-taei, by the lame Author; 4thEdit. 3Vols. 185. bound. - 3. The Four Gofpels, trar.lkted from the Creek, wit* preliminary Differtaoons, and Not\;s cvidcjl arJ-explariitarY ; "by George Campbell, D. D. F. R. & E'd: Prircipal of Marilchal College", Aberdeen j a Vols.- 4�i. 2l.~ is. in Boards. .... 4. Srrrnons bysWilliam Li?ch:-nan,'D. D. late Frinch.tl 6f th; College oi Gia.^ow^ 2 V0I5.. j^s, bj�ad. ;
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Johannesburg Sandton Nelson Mandela Square centre is a five-star business centre in the heart of the central business district of Sandton, north of Johannesburg. It's located in the landmark Nelson Mandela Square complex, fronted by a 6m tall bronze statue of the famous political leader. The centre is ideally placed in Maude Street (Sandton's Wall Street) in the heart of the financial district and Africa's richest square mile - home to the Johannesburg Stock Exchange and many financial organisations. It's also in the middle of Sandton City's shopping mall. Among its neighbours is the Sandton Convention Centre, which has a distinctive glass-design skybridge that allows people to walk from it through Nelson Mandela Square.
Flexible workspace for an hour, day, week, month, or years.
Prices are per person per day on a 24-month agreement, subject to availability.
To arrange a visit, speak to our team on 1-855-400-3575
Whatever your business, whatever your budget we'll help find the right workspace.
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I want to add more users to Help Desk. I also wanted to know how i can email the work orders (tickets) to the technicians.
4 Replies
Apr 24, 2007 at 11:10 UTC
Please review the following link:
If your question(s) are not answered in the above link and is related help files, please post a more detailed set of questions into this thread.
Apr 26, 2010 at 10:01 UTC
Niagara Technology Group (NTG) is an IT service provider.
Users are not added to the helpdesk. They log in using either AD credentials or they simply enter an email address and do not authenticate at all. Never do you "add users" unless you consider entering them in AD to be adding them.
Oct 13, 2010 at 9:53 UTC
1st Post
Hi everybody, I'm new to spiceworks and I will like to know if in order to have users to which I can assign tickets to, they have to be administrators?
Oct 13, 2010 at 10:18 UTC
Niagara Technology Group (NTG) is an IT service provider.
Yes, end users are not able to have tickets assigned to them. Only the admin users (those entered into SpiceWorks) can be assigned tickets.
This thread is three years dead now... for any questions be sure to post a new question and not hop onto someone else's thread. Only current questions will be seen by the community.


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Ravens Gifts
Ravens Gifts feature a selection of flags, banners, pennants, and tailgating gifts! Each item page offers the recommended accessory which combined with the item results in a unique gift idea for the sports fan! These Ravens Gifts are team and league Officially Licensed which ensures top quality, authentic logos and insignia, and genuine colors.
Baltimore Ravens 2 Sided Team Flag$42.95
American 3x5 Flag - Embroidered$28.95
Baltimore Ravens 3x5 Flag$29.95
Ravens Football Flag$32.95
NFL Ravens 3x5 Flag$32.95
Baltimore Ravens Team Flag$32.95
NFL Baltimore Ravens Star Wars Logo Flag$32.95
Man Cave Banner for Ravens$32.95
Ravens Flag Pole Bracket Kit$54.95
Large Ravens 4'x6' Flag$57.95
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Baltimore Ravens Super Bowl Champions Banner$69.95
Baltimore Ravens Wall Hanging$18.95
Baltimore Ravens Wall Hanging$18.95
Baltimore Ravens Team Logo Bunting$32.95


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Taste of the Nation
24th Annual Taste of the Nation Orlando
A Night to Remember:
Share Our Strength's Taste of the Nation® Orlando returns Aug. 10 showcasing the talent and creativity of Central Florida's leading chefs and restaurants in a culinary fundraising event to end childhood hunger. Orlando World Center Marriott will host the 24th annual Taste of the Nation, an evening of exquisite appetizers, entrees and desserts from more than 30 of Central Florida's finest chefs and restaurants complemented by silent and live auctions and live entertainment.
Some of this year's participating chefs and restaurants include: • Cress Restaurant, Chef Hari Pulapaka • K Restaurant & Wine Bar, Chef Kevin Fonzo • Journey's Catering, Chef Bram Fowler • Orlando World Center Marriott, Chef Greg Picard • Christner's Del Frisco's Prime Steak & Lobster
Tickets to the event are $150 per person, and all proceeds from sales support Share Our Strength's efforts to eradicate childhood hunger in Central Florida by funding two local charities, Coalition for the Homeless of Central Florida and Second Harvest Food Bank of Central Florida. "I am extremely grateful for the continued support of Taste of the Nation," said Brent A. Trotter, president and CEO of Coalition for the Homeless of Central Florida. "The monies raised help us supply food, shelter and services to nearly 200 children and their families each night and serve over 300,000 nutritious meals every year.Buying a ticket to the event makes quite an impact, as just $50 provides a week of nutritious meals to 32 homeless children."
Last year's Taste of the Nation event drew more than 2,200 attendees and raised $249,000 for Coalition for the Homeless of Central Florida and Second Harvest Food Bank of Central Florida. "Not only is Share Our Strength's Taste of the Nation Orlando the premier event of its kind in Central Florida, but it's helping to transform the lives of our most vulnerable kids as well," said Dave Krepcho, president and CEO of Second Harvest Food Bank. "The funds help to ensure that more kids in need than ever before have healthy, nutritious food available to them."
Lucille O'Neal, mother of NBA superstar Shaquille O'Neal, will serve as honorary chair of this year's Taste of the Nation Orlando. The longtime philanthropist, celebrated author and motivational speaker has a long history of addressing and supporting childhood nutrition and hunger relief effort . "As a mother of four adult children and 14 grandchildren, I have seen firsthand over the years the difference proper nutrition makes in the lives of our children," O'Neal said. "Eating the right foods on a daily basis and receiving proper nourishment really helps to provide a foundation on which children can thrive physically and mentally. It is our obligation to ensure that we provide necessary essentials that ultimately will help their minds and bodies grow and reach their full potential."
This year's silent auction, presented by Neiman Marcus, invites guests to bid on luxury apparel and accessories, stays at upscale hotels, gift cards to the area's top restaurants, rounds of golf on award-winning golf courses, and tickets to coveted sporting events. Featured auction items include: • Neiman Marcus Selection of Jewelry, Timepieces and Handbags ($10,000 value) • JW Marriott Orlando Grande Lakes – Dinner for 6 with Wine Pairings ($2,000 value) • Hilton Grand Vacations Orlando – 4-Night Stay in a 2-Bedroom Suite ($1,676 value) • Seasons 52 Chef's Table Experience for up to 6 Guest ($1,000 value) • Howl at the Moon Orlando Happy Hour Party for 100 – WOW ($1,000 value) • Golf for 4 on Lake Nona Golf & Country Club's Championship Golf Course ($900 value)
WHEN: Saturday, August 10, 2013 6:45 p.m. - 10:00 p.m.
WHERE: Orlando World Center Marriott 8701 World Center Dr., Orlando
TICKETS: $150 each
ATTIRE: Cocktail / Semi-Formal
For more information: Facebook: www.facebook.com/OrlandoTaste Twitter: @OrlandoTaste
LIKE us on facebook and receive exclusive restaurant, auction and event updates: http://www.facebook.com/OrlandoTaste


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Mirik – A Hot Tourist Destination In The Himalayan Hills
Places To Visit In Mirik
The Mirik Lake: This manmade lake, which also known by the name of Samendu Lake, is undoubtedly the most popular tourist hot spot of Mirik. Located nearly 2 kms away from Mirik, the lake is constructed on an area which was previously a thick marshland having an abundant growth of sweet flag. The lake has a beautiful garden on one end and beautiful pine trees on the other end, in addition to the chestnut, oak and maple trees scattered around the bank. There is also a 24m long arching foot bridge built over the lake, which is also popular by the name of Indreni pull or Rainbow Bridge. Visitors can also enjoy a walk along the 3.5 km long road, which winds along the lake banks and provides an enchanting view of Mount Kanchenjunga. There are also facilities for visitors to enjoy a pony ride or boating in the lake.
The Bokar Ngedon Chokhor Ling Monastery: The monastery, which is the most important Buddhist meditation center in the region, is the home of nearly 500 monks. The monastery, which was established in 1984 by Kyabje Bokar Rinpoche, was initially intended to be a retreat centre. However, later Rinpoche started training monks here, on the request of his disciples and the local people, turning the retreat into a monastery. Today the monastery is operated by Kyabje Bokar Khenchen Donyo Rinpoche and is renowned as a school where the principles of Buddhism are taught to young disciples, who also participate eagerly in not only practicing but carrying forward the wisdom of Shakyamuni Buddha.
Devi-Sthan: This Hindu temple, dedicated to Goddedd Singha Devi, is situated on the banks of Mirik Lake in the thickly wooded section of Dhupi Forest. There are other temples dedicated to Lord Hanuman, Lord Shiva and Godess kali in the vicinity of this temple. Visitors throng these temples in large numbers to get the blessings of the deities and also to enjoy the beautiful surroundings and the quite ambience of these holy places.
Things To Shop For In Mirik: Mirik is famous for its aromatic tea, some of which many visitors like to take back home with them. Visitors also like to purchase the famous oranges of Mirik, which are renowned for their taste. In addition, people are also fascinated by the Cymbidium orchids, the costliest orchids in the global flower market, which are found in abundance in Mirik. The best places to buy these things are the Mirik Bazaar Shopping Centre or the Pasupati Market.
Travel Mode:
Planning to go this place via Indian Rail?
Visit www.indianrail.gov.in. / for knowing specific trains going to this place. You may book your train tickets at www.irctc.co.in/
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Visit https://www.sbstc.co.in/about_us.php
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BEST WESTERN Inn of Chandler
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Superbowl, Family, and the Desert
This year we decided to start our trip in Arizona to spend time with friends and family before heading out on another adventure. We arrived just in time for the Superbowl in Phoenix, and though we didn�t have tickets, we still got to partake in some of the party. We spent a few nights with Chris� dad and Cheryl, then drove the ...
Leaving Arizona behind
... to the everyday chores of running a household. I have to get serious about finding more kids to babysit. Over the next few days I'll also be adding to this blog. I have lots more photos to add from Greg's and my Mom-in-law's cameras. I also have more writing to ...
This part of the desert beautiful
... Saguaro pronounced (Sagwero), and a rather amazing plant but apparently rather tenacious if rubbed against, this one called Cholla. I find it fascinating that nothing is phonetic and it's pronounced Choya.
This one looks like it's got cobwebs dangled on it, but we were told that it has nasty barbs that need pliers to remove rather than fingers. They didn't sting our narrator, rather it was pesky!
The heat just about knocked ...
4444 miles
... about illnesses and cannot abide and foul, dirty or cuss works. John said the way to get her to go home is to put on a movie with 'words' she does not like. One of us said something about someone being '****** off' and that is when she got up and left! Here apt is austere- not one thing in the living room and only a mattress and a box for clothing in bedroom – that is all I saw of her place. She had lived there about 4 months now. We ...
Number 99 Car Carl Edwards Wins PIR NASCAR Race
... Found a Subway Stand and got lunch… Subway was the sponsor of the race… and the 99 car driven by Carl Edwards (WINNER) was a Subway sponsored car…
Had lunch and found our seats just for the start of the introduction on the field…
We had just enough rain to wet the track and so the start was rain delayed while the track is dried off… Service Master sponsors (3) 1 ton pickups with a unit mounted on the ...


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For parents, superhero films can be a source of apprehension. Unlike the Batman of 1989, today's Dark Knight films journey through the deeply disturbed minds of people who become mass murderers and vigilantes. In Iron Man, Tony Stark is imprisoned in a post 9/11 torture chamber in Afghanistan and emerges a superhero. The reflections of reality are what can turn an action film into a horror film for a child.
Not so with The Avengers, which is the ultimate superhero movie – a film fanboys, moviegoers, kids and parents can all love without reservation. Director Joss Whedon manages the impossible: he puts all of these unbelievable characters of lore into our modern-day world in a way that's believable, but not realistic – an important distinction to parents.
Kids love action, and action and violence tend to be an inseparable combo. In The Avengers, the violence is smartly of the over-the-top comic book variety: superhero versus superhero or superhero versus alien army. The weaponry and accessories, like Loki's scepter and the alien battleship, look like they might've been created by a 3rd grader on the corner of his homework – that's a real credit to the designer. In fact, it's easy to watch the action sequences as if the actors were actually action figures. The Avengers will stir up imaginations and provide material for the superhero battles that will play out with 4-inch dolls in playrooms across the globe.
Here are three other films in theaters that may appeal to kids:
The Pirates! Band of Misfits. This sharp, silly comedy is a perfect for young children. An inept pirate captain and his crew set out to win the Pirate of the Year Award but become the Band of Scientists instead after meeting up with Charles Darwin.
Chimpanzee. The film about baby chimp Oscar trying to find his place in his tribe should be the new standard to which all nature films aspire. Kids and parents will be riveted by the astonishing cinematography, Tim Allen's witty narration and, most importantly, the moving story which is funny, emotional, dramatic, action-packed and so incredible it might not be believable if it wasn't true.
LOL. If Hannah Montana fans want to see this comedy, the joke is on them. Much like the actress's own reputation, Miley Cyrus plays a teen who pushes the boundaries of sex, drugs and drinking in a way that may make parents uncomfortable.
To find out what kids think about The Avengers and other films, go to www.KidsPickFlicks.com, where all kids are movie critics.


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Bass Boat Saver
In one easy application, Bass Boat Saver cleans, preserves, and UV protects your boat, in addition to leaving a nice, waxed look. Fast-acting ingredients deliver a long-lasting and durable finish. After coming off of the water, apply Bass Boat Saver to a damp cloth and wipe the boat, motor, and trailer, as well as the seats, console, and trailer tires. We have all watched boaters at the ramp use glass cleaner or some other harsh chemical to clean their boat after a day on the water. These products break down the gel coat and clear coat. UV rays from the sun will damage these finishes also. With continued use of Bass Boat Saver, your boat, motor, trailer, and all accessories will retain a deep, rich color and will be protected from the elements. Bass Boat Saver is completely biodegradable and is no danger to our fisheries.
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System is developed internally
Control over the direction of the development of the IS
If a large project, new IT staff may be required
Systems may be available elsewhere
Staff may be inexperienced in developing this style of application
May be too technically challenging
Project may be too technically challenging
Systems may not be delivered on time
Project may incur unexpected costs
Outsourcing software
Using contractors
End User Computing
Software is proprietary
IS can be acquired quickly
Many alternatives are available
Limited scope to make adjustments
Unable to direct the direction that software develops (new features etc)
Open Source Software, About, Applications in which the underlying code of an application is released to the IT community, Benefits, Source code is made available, making it easier to make changes to software, Less risk if the organisation goes bust- community may continue to support the software longer., Drawbacks, Performance may not be as high as proprietary, Examples, MySQL Database, Mozilla Firefox, GIMP, Linux OS, Licenses, GPL, Others, Benefits, The Conservatives have estimated that £600million could be saved from government adopting OSS
The use of an external organisation to develop bespoke software
A field of management services
IT Management contract out IT Services, May involve, Specific Application, Oursourcing whole IT department, Offshoring IT
IT may not be seen as a core activity
Gain the experience of the knowledge held by the service provider, Hardware, Software, Available IT within a particular sector such as IT
Be able to have IT services at a lower cost that currently
Communication channels may be longer.
Cost savings may not be realised
Company knowledge transferred outside the organisation
Changes to agreed contacts may be expensive.
Application Service Providers
IBM Global Services, HP, Xansa, Accenture
People, Experience in the IT department, Skills of the IT staff, Size of the IT staff
Is are the major concerns for IT operations?, Maintaining Systems?, Server power, space, upgrade requirements
Is the project technically challenging?
How urgent is the Information System required?
Is the IS expected to play a strategic role in the organisation?
Is it cheaper to develop the system outside of the country (Offshoring)?
What is the determining factor for the organisation?
How soon does the organisation require the system?
Is the business likely to grow in the future? How does this change the system choice
What is the degree of risk associated with the options?
Which option has the least risk?
How much does the IT department know about each of the options?
Has the department had previous experience which was positive?
How flexible are the options?
Which method is likely to most improve the efficiency / effectiveness of the organisation?
What are the terms of the lisencing for the application?
Employees develop software for the benefits of one user
Self Generated Reports from corporate databases
Spreadsheet Simulations of Financial Projections
Also known as End User Computing
Cheap - no cost of experienced development staff
Better user satisfaction
See risks
Little testing if any is carried out for software
Errors may be in formulas created
Application Service Providers
No need to develop software
Other organisations have used and tested software
No need to purchase application servers, or maintain application internally, reduction in direct staff costs, reduction in power consumption
No direct costs including IT staff or maintainance contracts associated with maintaining systems
Flexibility, Little customisation may be available for the application., Unable to state how the application develops in the future
IT Network, Increase in load of data entering corporate network, Users can't work offline
May need to change business processes to fit in with software
May not be able to integrate software with other applications
Company may go under
Risk of others getting access to Internal data
Data not being backed up by the ASP
Google Docs


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Chicosa Canyon Bed and Breakfast
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Travel Blogs from Trinidad
Trinidad Lake, Colorado
... was instantly mountains with snow caps. Breath taking view. It is a bit cooler and I noticed when leaving the motel yesterday that the air was cooler - even more so here I guess as we're up high. Talking of high - Trinidad is just past the border, and already we have seen stores that sell marajuana. Legal here. And the campsite smells of it with wafts coming from neighboring tents. When we checked-in with the park ranger, Jonathan asked about bears and that ...
Colorado is still my favorite
... same task in perfect harmony.
After 2 � hours and a few blips from the lady in the box, we arrived at the park and it was not quite as we had expected. As we approached we stopped to take photos of this massive sand dune adorning a mountain which stood tall behind it, and I thought, that is what we will see a lot of today. And I imagined that it would be petrified sand dunes, like the ones we saw in Utah last summer. Well, all of ...
The four states day - Tex, NM, Okla and CO.
... there was 17 miles of dirt road - we could see why the Ranger was a bit worried! Right near the end of the dirt, a car came towards us - he waited for us to negotiate our way through. We wondered why he was so polite - then realised why. The last km was a real mess - the old red clay road near Yarwun mixed in with deep ruts!
This was fabulous scenery on this route. It followed the Dry Cimarron River - so we were in a valley. In a way ...
Happy Birthday Bill
... seen these parts of the country from a perspective that I suspect few Americans do, I get a feeling for the area.
For hundreds and hundreds of miles across the majority of central USA life is tough, outside of the big cities.
Making a living is hard and due to that there is not much thought to building a future because so much of making a life in these areas is transient. You could spend a generation building a farm to have one summer ...
#2 So where is Delagua, Co? Well lets take a look.
... the rail road was built linking New Mexico to Denver tying into rail lines that ran east of the town opened the front range for immigrants seeking a better life and the business owners seeking new opportunities.In 1892 the Colorado & Southern Railway built a branch line into the Aguilar town limits. This was ...
Other places to stay in Trinidad
Tarabino Inn310 E Second St, Trinidad | B&Bfrom $76
The Walper Hotel20 Queen St S, Kitchener | 3 star hotelfrom $90


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The top competition in European basketball, EuroBasket 2015, will select the teams to compete in Disneyland Paris on December 8.
The participating 24 teams, including Turkey, will be separated into four groups, according to the statement made by the International Basketball Federation, the governing body for basketball in Europe, on its website, .
"Disneyland Paris will set a magical stage for the EuroBasket Draw, announcing the spectacle that will await us next year" remarked Federation Europe President Turgay Demirel.
The European Basketball Championship, to be held from 5 to 20 September, will also serve as a qualification round for 2016 Olympics to be held in Brazilian city Rio de Janeiro.
The tournament will be held in four different countries for the first time. So EuroBasket 2015's group competitions will be held in Germany's capital city Berlin, French city Montpellier, Latvian capital city Riga and Croatia's Zagreb, and the finals will be played in French city Lille.
After the crisis in Ukraine, the Federation announced that different countries from those initially planned will be hosting the tournament for security reasons.


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Little Creations Day Care and Rock Christian Academy Graduation. from The Rock Christian Fellowship on Vimeo.
RCF Church is a partner of International School of Ministry®! Good Shepherd Ministries International (GSMI) has created this Bible College curriculum with one main objective: to train laborers for the end-time harvest. We believe that God works through the local church, with God's shepherds being the key to a massive mobilization. Currently over 15,000 ISOM training schools can be found in 142 nations and in over 65 languages.
The Adullam Project Men's Home
Since the inception of (The Rock Christian Fellowship) RCF Church has provided a discipleship center and a spiritual recovery home for both men and women. Our homes have been home and place of refuge to hundreds of men and women from all walks of life, ethnic backgrounds and cities throughout the country. Our homes provide essential life skills development, teaches men and women to live disciplined lives, set goals and life priorities. RCF Church homes are committed to helping those who are willing to learn a new way of life and discover a renewed identity found in the person of Jesus Christ. Thankful to those who believe in our work, our partners, our homes have never shut its doors, turned any one soul away for lack of space, funding, or services. For more information email: email@example.com
At The Rock Christian Fellowship….
Our Vision
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A strawberry marshmallow vape juice bottled into 180ml of can't put down satisfaction. Rich strawberry extract that powers this marshmallow goodness and creates a candy like experience you'll be hard pressed to match with anything else.
Primary Flavors, Strawberry, Marshmallow


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When I look in the mirror, I often see someone with very wet hair who looks tired, and I think, "Here we go again." I'm 21, so I don't have to worry about wrinkles, but I do think my bum looks big. I'm naturally big – both my parents are, too.
I have very broad shoulders – we swimmers develop large pecs and particularly that bit under your arm that hangs over your bra straps. That's the area we work all the time, which isn't flattering, but I guess it gives me the power to do what I do.
I don't feel old, but I'm aware that even now my body can't recover like it used to when I was 16. I accept that there's nothing I can do about it, and I do feel good knowing that I'm healthy and not doing anything to damage my body.
I like getting a bit older and coming into my own style, controlling how I look. When I'm not swimming, I love shopping: clothes, accessories, anything.
I do love being blond – I have highlights. Everyone always says, "Doesn't the chlorine turn your hair green?" but, no, it never does.
I like my appearance, but I do wish I didn't have cellulite. I have it on the back of my legs and it's a nightmare. Being in a swimming costume so much doesn't help – it feels like you're hardly wearing anything. When I was younger, I didn't mind, but sometimes you can get a little self-conscious. But you do get to feel pretty comfortable after a while. As long as I try to make sure I haven't got a wedgie when the press are about, I feel fine.