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How To Get A Crackhead Off Your Front Porch
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chapter xivMature
Her name was Naomi and she was an enchantress, he was almost certain of it.
At least, that was the closest name for what she was that he could come up with without further information. He wondered how accurate he was, but focused on observing her with an almost obsessive attention to detail. Whatever she was, he was determined to learn as much about her as he could without letting things get hostile. Graeme knew so little about the world he lived in; the absence of his knowledge was astounding, even devastating; he felt at a loss for everything, and he struggled to keep his brain from short-circuiting as he processed it all.
"There is a limit to how many half-truths I will accept, Naomi, and you're rapidly reaching it. Maybe it's time you start telling me the whole truth."
Naomi pursed her plum lips at him and rolled her eyes. There was something so enticing about the way her lips moved around her voice. He enjoyed watching her eyes study him, watching the way her thoughts ticked quietly away behind the curtains of her tepid eyes. He wanted to read her thoughts, to dive into the pool of her mind and swim until he found the secret hidden at the bottom. Graeme wondered what she was. Wondered how dangerous it would be to kiss her.
It did not strike him that it was the fifth or sixth time he'd thought of kissing her. Somewhere in his head he was filing away all the small things she was doing to draw him in, but on the surface of his thoughts he was enjoying the sight of her sitting so close to him. Now and then her finger would twist a lock of her sunshine blond hair and he wanted to pin her to the mattress.
"I can't tell you everything, Graeme. You have to trust me, you have to take some of this on faith." There was a specificity to her tone, something he was supposed to pick up on. Some hidden clue. He filed it away for later and leaned back against the headboard, ignoring the twitching pain in his stomach.
"You can start with what you put in that tea." Every move he made hurt, but he was grateful for the pain. It reminded him that he was alone in his body. He didn't think he'd ever look at his physical discomfort the same way again.
She crossed her arms. The dull light caught something on her wrist, his eyes were barely fast enough to catch it.
A small cross was branded into her skin, it glistened like a scar when the light hit it exactly the right way, but it was so small and discrete that he wasn't certain he'd seen it at all. It was possible his eyes were playing tricks on him.
"It's an herb, all right? It would have helped with the pain, but you chose not to trust me so I hope it hurts."
He made a disbelieving face and shook his head. "Be snarky all you like, Naomi, but you can't fault me for being distrustful. At least, you wouldn't if you'd had the same few days I've had."
"Why don't you tell me about it?" She leaned over his legs, propping her head up with her palm against her temple and her elbow digging into his bed. The warmth of her body touched his legs through the blankets.
"Why don't you tell me why you have the lights so dim, or why there's something about you that makes me feel like I'm losing my mind for you? I might just be a man but I'm not an idiot." His distrust flickered, waned, and sprung back to life. It seemed every time he blinked he gained some semblance of intelligence back, of logical skepticism, but when he opened his eyes again it vanished when she came into view.
"What's that supposed to mean? That you're just a man? What else would you be, Graeme?"
"If you're going to act like you don't know anything, you should leave. I told you already I don't have time for this shit." He straightened his posture, one palm pressed firmly against the bandaging, keeping pressure on the wound even though he knew it had long ago stopped bleeding. He didn't even feel the bed shift when she did.
Her fingers pushed into his shoulder, a mild force that implied she was not afraid to shove but wanted to spare him. For a long, pregnant moment, they both simply stayed there – connected, barely separated by a foot of breathing space, her scent invading his senses and her mouth rapidly becoming the target of his attention. Despite his self-reminders that she was dangerous, he wanted her. He didn't care that his stomach would tear itself open if he acted on it, he didn't care that he couldn't trust her as far as he could throw her, he didn't care that he hardly knew her and he'd just gotten through the hardest week of his life.
None of it weighed nearly as heavily on him as her presence. Her touch was magma pouring into his body, incinerating every other past version of himself he had ever known, waking him up, making him feel like he was alive for the first time in his entire life. She was a fire he'd never known he wanted to burn him up.
Where the fu*k had she come from?

subset: commoncrawl


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Distill Productions
In 2012 the video department at MercuryCSC split off to form Distill Productions. As an internal project we created a portfolio site for them to promote themselves. In a brainstorming session we wireframed out the content. The resulting single page site is built responsively to scale across mobile devices.
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Chapter 9Mature
"Right," she said, standing and patting Adam's shoulder, "come with me."
She was already out of the study door and waiting to lock it as Adam looked up, dazed. He snatched up his blazer and followed, tears still wetting his cheeks.
"Where are we going?" he asked as they proceeded through the corridor.
"To see Leicester and sort this out."
Amanda turned to the boy, who had stopped abruptly and was looking at her with anxiety in his eyes.
"Adam, we're going to tell Leicester about what Mr. Marcel and the others are doing to you and he's going to put a stop to it" she continued to speak over the child's protests, "look, you can't allow people to get away with things like this. Now come along or I'm going without you," she resumed her hasty march along the corridor, relieved to hear Adam's quickened footsteps echoing around her as he jogged to catch up.
Upon reaching their destination Amanda did not pause. Her manners were not important to her in her fury and she twisted the antique bronze handle of the oak door and threw it open without bothering to knock.
A tinny voice reached her ears as she tramped into Leicester's office, coming to a halt behind its occupant, who was standing before his desk. The tinny voice was perplexed: "What is this, Doctor?"
Leicester's demeanour remained perfectly composed despite the interruption. He only turned his head to survey Amanda momentarily before speaking once again to the computer screen on his desk, upon which a man's face was displayed, eyebrows raised - the source of the tinny voice.
"Nothing urgent, Prime Minister, I am sure," Leicester drawled, "Dr. Bell will return at a more appropriate time."
"Actually, my business is urgent," Amanda growled at the back of Leicester's head as she pulled Adam from where he cowered behind her, placing her hands on his shoulders.
"Ah! Is this our clone?" the voice from the screen asked with no effort to hide his fascination.
This time Leicester whipped his head around to glance behind him with such speed that his neck made a clicking noise. First he frowned at the child's frightened features, taking in the puffy lids around the eyes - the hallmark of recent tears - but he soon rolled his own eyes and returned his attention to the screen before him.
"Yes, Prime Minister, this is Adam, though I'd have preferred to unveil him in a more ceremonial manner. Nevertheless, here he is. I would offer you the opportunity to speak with him, but I fear he appears to be afflicted."
Adam squirmed in his teacher's grasp, uncomfortable at being spoken about in such a depersonalised way.
The Prime Minister continued to stare eagerly from the screen, but eventually shook his head.
"No, no, that's quite alright. I'll leave you to attend to your business - I think we had almost finished anyway? I'd love to have the opportunity to speak with it another time though, Dr. Niels."
"I am sure that could be arranged."
"Excellent! Yes, well goodbye, Dr Niels," with a final murmur of "fascinating," the Prime Minister closed the communication channel, leaving the screen blank aside from the Genero Facility's logo in the centre.
"You are lucky you caught the Prime Minister off-guard," Leicester said, turning to face his visitors, "that was a very important conversation. Adam, why aren't you wearing your blazer? You look scruffy."
"This is why" Amanda pulled up the unbuttoned sleeve of Adam's shirt, revealing the bruises he had shown her earlier.
"Right," she said, standing and patting Adam's shoulder, "come with me."


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Byetta (exenatide) is the first incretin mimetic or Glucagon Like Peptid-1 (GLP-1) analogue approved as odd-on to metformin and/or sulfonylurea (SU) for treatment of type 2-diabetes. The recommended dose is 10 micrograms injected subcutaneously twice daily.
After 16 30 weeks of treatment as add-on to metformin, SU, glitazones or combinations of these, Byetta proved superior to placebo with regards to HbA1c reduction. After 52 weeks of treatment Byetta was found to be non-inferior to basal and biphasic insulinanalogues. In all studies a reduction of approximately 1 percentage point on HbA1c was seen. Statistically significant weight reductions compared with the insulinanalogues were also observed. As yet there is no documented effect on diabetic complications or mortality.
Gastrointestinal adverse effects as nausea and vomiting was seen in about half of the exposed. However, the intensity and frequency did decline with time.
The price for treatment in one month is 970 DKr, which is more expensive than most other medicines with the same indication. The status of reimbursement is per 27 April 2007 unresolved.
Byetta could be a possibility for overweight patients with type 2-diabetes whose blood glucose cannot be controlled by life style changes, metformin and/or SU, and who are ready for subcutaneous therapy.
Byetta was marketed 23 April 2007.
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Dispiriting as yet another defeat may have been for Blackburn Rovers' followers at Southampton last weekend, the sight and sound of their manager coming over all excitable in the tunnel afterwards offered a curious kind of reassurance: Graeme Souness still cares. Heart surgery, the arrival of a young son and a 50th birthday may have caused a minor reassessment of priorities in his life, but football can still cause those piercing blue eyes to gleam, and the nostrils to flare.
In 30-odd years as player and manager (briefly both at Rangers), Souness has never experienced a run of results as bad as Blackburn's current trot of six defeats out of seven, and one victory since the the middle of August. A 5-1 romp against Wolverhampton Wanderers on the opening day offered what proved to be false promise that Damien Duff and David Dunn would not be missed from the Rovers midfield, and that Souness had found the right seven men over the summer to consolidate, if not actually build on, last season's highly commendable sixth place in the Premiership.
Since then, the team have slid towards the bottom of the table and will be in the relegation places if they fail to end the run of losses at Leicester City this afternoon. In front of vast banks of empty seats at Ewood Park, they have been dumped out of the Uefa Cup by an unpronounceable team from Turkey and out of the Carling Cup by Liverpool, the club Souness led with such distinction as captain and such difficulty as manager - a job which he admits it would have been better not to have taken on.
"Souness, Souness, what's the score?" cackled 7,000 visiting supporters in a crowd of under 17,000 last Wednesday night. It was 4-1 to Liverpool at the time, which would have been 5-1 had Emile Heskey not fluffed a penalty. Yet his 10 men still managed to emerge with a more respectable 4-3 defeat from that one, and as Barry Ferguson and Dwight Yorke, two of the most criticised players, stuck in well-crafted late goals, it was possible to see something of the manager's own spirit of defiance reasserting itself.
"That game summed our season up," Souness reflected on Friday. "We were a goal up and cruising, then went to sleep once, which cost us a goal and a red card [for Lucas Neill, his second against Liverpool in six weeks]. We didn't perform at Southampton, in the first half against Bolton [a 2-2 draw] or Fulham [0-2], but other than that our football has been good enough to have got us points in all the games we've lost. We've made individual mistakes and some people haven't done their job properly, but overall our football at times has been very, very good."
Clearly, there are deficiencies in the team, notably in a back-four who have yet to keep a clean sheet in 13 attempts. Furthermore, trying to make up for the loss of Dunn (who fell out with the manager) and Duff, who fell prey to the Chelsea millions, by integrating half-a-dozen new players at the same time may have been a little too ambitious, Souness reluctantly admits. "I don't think good players need a great deal of time to settle in. But maybe I'm learning something about that."
On most other issues, he will back the breadth and depth of his own experience, beginning way back in the hotheaded days as a junior at Tottenham, when questions were asked in Parliament after he was threatened with a roll-over suspension for running home to Edinburgh in frustration at a lack of first-team opportunities.
The absence of Dunn, who is now helping Birmingham City to great heights, might even have encouraged a more conciliatory attitude to Yorke, who had been equally out of favour but looked a force again against Liverpool and has been promised that if he maintains that level of quality and commitment he will remain in the side.
"Dwight has had a fair bit going on in his life that's caused him to be less confident than he would want," says Souness. "But his work on Wednesday was quality of the highest level, and he'll start again on Sunday. As for Barry, if I know a little bit about one area, it's central midfield, and he is a top player. I don't think he's had a bad game for us. It's a fact that he's been the biggest signing we've made in terms of cost [£7.5m], and so people obviously pick him out."
It is easily forgotten that at the time Blackburn won the Worthington Cup in 2002, a year after Souness had earned them promotion back to the Premiership in his first full season, they were in an equally parlous position among the back markers. He had confidence then in their ability to thrive, not merely survive, and he retains it now. "We were in the bottom three, but kept our nerve, played our way out of trouble and finished 10th. The spirit was there against Liverpool, and this group of players have not given me any sign of throwing the towel in. We just have to keep believing. Then we'll look back on all this in a few months' time and ask what all the fuss was about.
"I honestly believe this is the strongest group of players I have had at this club, and we feel that it is a matter of time before we turn the corner. We are not going to win the League, or qualify for the Champions' League. We finished sixth last season and I said before a ball was kicked that it would be very hard to get anywhere near that. But I'm 100 per cent confident that come the middle of May we will be more than comfortable. As a manager, if you are getting the right response from a group of players, you're happy with that. Your position only becomes a problem if you're getting short-changed."
Apart from any mention of the vacant manager's position at Tottenham, one of the few questions he avoids is about the long-term future of a club many believe to be operating at close to maximum potential as representatives of what is essentially a small Lancashire town. A recent Premiership attendance of less than 20,000 (albeit for a televised Monday-night match against Charlton Athletic) might have sounded alarm bells, and even before that Souness had taken part in an advertising campaign at bus shelters around the town, in which his voice was heard encouraging passengers to support their local club.
There is spare capacity at Ewood, though also pride in the fact that the normal 26,000 average represents something close to a quarter of the town's population, at a time when the expanding motorway network has brought Manchester and Merseyside closer than ever. Money does not flow like it did in Jack Walker's championship heyday, though the Walker Trust continues to contribute an annual sum, and the level of debt would be cause for ordering champagne and goldfish at Leeds or Manchester City.
Having made a profit of £7.7m on his summer deals, thanks to the huge fee for Duff, Souness has done his bit. Like any manager, he is understandably more concerned with the immediate future, starting at the Walkers Stadium this afternoon. "The concern at present is to try to get a few wins, and a bit of confidence, and get into a nice place by Christmas," he says. "Micky Adams [the manager of Leicester City] has done remarkably well there, coping with difficulty in more ways than one, and kept focused and got them promoted. They're a battling team. We've got to go there and get something from the game."
Whether or not the players' self-belief slips, his own will not. Nor will his responsibility for leadership: "I'm the captain of the ship. I've been a captain on the field and it's never been a problem for me when the going gets tough, so it won't be one now.
"I'm not 21. I'll get on with it and take what comes my way. Professionally and personally, I've gone through a great deal and know what I'm made of. I've not experienced a run like this, it's a new experience for me, but I won't show any weakness, it's not in me. Part of my job is to look for the positives."
That applies to his personal life as well. Should he occasionally dwell on the negatives during the drive home through the picturesque Ribble Valley to a lovely house and family, there is always a swift reminder of reasons to be grateful: "I sometimes feel sorry for myself when I leave the stadium. Then my wife will smack me round the head and say, 'We want none of that in this house', and that's an end of it.
"We are in a very public business, and when you are having a bad time in the Premier League, the whole world knows about it, that's the price of the ticket. Feeling sorry for yourself is for people who don't achieve much in life. I still regard myself as very privileged to have this job and be in football. I'm 50 years old and still involved with a job I love. And I'm 50 years old and have a four-year-old son - he quickly makes me realise what's important in the world."
But going soft? Ask the stewards in the Southampton tunnel.
Biography: Graeme Souness
Born: 6 May 1953 in Edinburgh.
As a player: apprentice with Tottenham (1968). Short spell with Middlesbrough. Joined Liverpool in 1978 for £350,000. Won three European Cups and five League titles. Named player-manager of Rangers in 1984. Also represented Scotland.
As a manager: Rangers (April 1984 to April 1991); Liverpool (April 1991 to January 1994); Southampton (July 1996 to June 1997); Blackburn Rovers (March 2000 to present). Also spells at Galatasaray, Torino and Benfica.
Managerial honours: 2002 Worthington Cup (Blackburn); 1992 FA Cup (Liverpool).
Also: a heart condition required emergency bypass surgery in 1992.Reuse content


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Dealer's Choice (game show)
|This article needs additional citations for verification. (December 2011) (Learn how and when to remove this template message)
|Dealer's Choice
|Created by
|Ed Fishman
Randall Freer
|Presented by
|Bob Hastings
Jack Clark
with Jane Nelson
|Narrated by
|Jim Thompson
|Country of origin
|United States
|No. of episodes
|Running time
|24 mins.
|Production company(s)
|Odyssey Productions (season 1)
Fishman-Freer Productions (Season 2)
|Les Wallwork and Associates (Season 1)
Columbia Pictures Television (Season 2)
|Original network
|Syndicated (daily)
|Original release
|January 21, 1974– December 12, 1975
Dealer' s Choice is an American game show that aired from January 21, 1974 to December 12, 1975 in syndication for a total of 210 episodes.[1] Bob Hastings was the host for the first few weeks; afterwards, Jack Clark, better known at the time as an announcer for other game shows, took over at the helm. Hastings and Clark were assisted by hostess Jane Nelson and by announcer Jim Thompson. The show was taped at the Tropicana Hotel in Las Vegas, but later moved to Los Angeles after its first season. Local stations normally aired the program in daytime slots which the networks did not feed; relatively few aired the show during the coveted Prime Time Access early evening slots before network prime time programming. As such, Dealer was not among the most popular off-network games of its time due to comparatively low audiences, but managed to survive over parts of three seasons nonetheless. The very next Monday after the show was removed from circulation, Clark moved over to a new game, The Cross-Wits, also a syndicated entry (but from a different packager).
Three contestants, chosen from the studio audience, competed in games of chance, all related to gambling. Three audience members' names were each hidden behind one of nine slot machine symbols on a gameboard. An audience member was selected and chose four symbols from the board. For each symbol that hid a contestant's name, the audience member received $25. If the audience member uncovered all three contestants' names, the audience member won a bonus prize.
After being seated behind one of three podiums onstage, each contestant was given 100 chips to wager in various casino-type games. Multiple games used playing cards, including "Blackjack", "Any Pair Loses", "In-Between", etc. Other games included using a "Wheel of Chance" or a hopper filled with colored ping-pong balls. In some games contestants made a single bet which was then paid out at specific odds or subtracted from the contestant's chips depending upon the outcome of the game. Other games featured a compounded betting format in which the contestants made an initial bet, and the payout was doubled or tripled multiple times as the game progressed.
The first three games featured limits for the number of chips allowed to be wagered. The first game usually featured a five- or ten-chip limit, and the second had a 25-chip maximum. Blackjack was always featured as the third game and had a 50-chip maximum. The third game also featured an audience member acting as the "house". The audience member won $1 for each chip lost to the house in the game, and also won a bonus prize if the house's hand beat all three contestants' hands. The fourth game featured no limit on betting, and each contestant's wager was made in secret at the start of the game.
After the fourth game, contestants chose one of three prizes from three different categories (1−100 chips, 101−300 chips and 301 chips or more) based upon the final number of chips they held. If two or more contestants finished in the same level, the contestant finishing with the higher total received first choice of the prizes. in later episodes, a contestant who finished with 500 or more chips won a car. Additionally, the person with the highest chip total overall played a bonus game for an additional prize.
Bonus Dice[edit]
The winning player rolled special dice whose faces represented sums of money from $50–$200. One face on one of the dice had a spade on it, and if the contestant rolled the spade all bonus round winnings were lost. The contestant continued to roll until they hit the spade, quit with the money already won or reached $1,000, in which case they also won a bonus prize such as a car or trip.
Home game[edit]
A home edition of the game was produced by Gamut Of Games under the name Place Your Bets!.[2] Jack Clark and Jane Nelson were pictured on the cover, and it featured many of the same games from the series. The name Place Your Bets! was used instead of Dealer's Choice because Parker Brothers manufactured an unrelated board game on the market under the Dealer's Choice name, which was first launched in 1972.[3]
- ^ The Complete Directory to Prime Time Network and Cable TV Shows 1946-Present. Ballantine Books. 2003. p. 290. ISBN 0-345-45542-8.
- ^ Board Game Geek: "Place Your Bets!"
- ^ Board Game Geek: "Dealer's Choice" (Parker Brothers game)
External links[edit]
- American game shows
- First-run syndicated television programs in the United States
- 1970s American television series
- 1974 American television series debuts
- 1975 American television series endings
- Television series by Sony Pictures Television
- English-language television programming
- Gambling television programs


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Patna, Oct 31 (UNI) The city and its adjoining areas today continued to witness fall in the minimum temperature, leading to chilly nights and mist in the morning and heralding the onset of winter.
The local Met office recorded the maximum temparature at 30 degrees Celsius while the minimum was pegged at 20.4 degrees Celsius with the maximum relative humidity being recorded at 80 per cent.
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HARTFORD — When Aetna learned two company employees were killed in the Orlando massacre and a third was wounded, the corporation was quick to respond.
Chairman and CEO Mark Bertolini offered words of support to the families of the victims, counseling was made available for employees and others, and the rainbow flag flying over Hartford headquarters for Pride Month was lowered to half-staff.
"Aetna stands with Orlando and the LGBT community in the face of the tragic events on June 12," Aetna said in a statement on its website. "We will lower our flags, including the Pride flag, to half-staff in recognition of the many lives affected by this.


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Build It! Miami Beach Resort
Reviewed by Yuri Storchak
Genre and what to do:Building simulation game. Build It! Miami Beach Resort is a great sequel to the original game, which introduces lots of nice new twists. The game features two exciting game modes; each suggests great variety of tasks and missions to fulfill. According to the storyline, you will learn that Claire Parker has inherited a big amount of money and a land from her uncle. The only condition for the inheritance is to enter the hotel business and Claire accepts the task. The campaign features 60 challenging levels to go through. The game gives you a possibility to play all the game on the same map, using all the buildings and money from the previous level to the next. It is really great to see your resort growing over the time. In each level you should finish a growing number of construction tasks along with three goals. To complete any level in expert time, you should fulfill all the goals and tasks before July 2d. You will use three different groups of buildings: lodgings, leisure facilities and recreational facilities.
Style and atmosphere inside the game:Build It! Miami Beach Resort is a great game designed with nice graphics and suitable audio. Everything is easy on the eye, though looks to be a bit lifeless. The gameplay is fast-paced and requires constant attention, so the players will not have much time to analyze the graphics. The sound system suggests varied sound effects and relevant background music. All in all, it is a really nice game of the genre, due to the new twists which add lots of challenges to the gameplay.
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Getting a job was never this hard. I've found work in before, but for the past few years, I've been struggling to find anything at all. It would be easier if I was only providing for myself, but I have my son as well. I'm a single father of a three year old, and I want my son to get enough to eat. I first visited a food pantry a year ago, and I've been using it on and off since then. I receive food stamps, but not enough to feed us both for a month, so this helps supplement what we have. The food pantries are a tremendous help. If I didn't have places like these to help me — to give me food — I honestly don't know where I would be. I'm afraid I wouldn't be able to take care of my son, to feed him. I am so grateful I don't have to worry about that though; grateful that food pantries exist to help me ensure that my son has enough to eat. My son is all I have. I don't worry about my needs, just his. As long as he has everything he needs, I'll be fine too.
You can make a difference. Give today.


text: Next Story > Washington Wire Biden Joined by Obama for First Instagram Selfie Apr 16, 2014 10:13 pm ET Joe Biden made a splash earlier Wednesday with the launch of his new Instagram account, @vp, featuring a photo of his aviator sunglasses. But later in the day, the account got a boost from a powerful friend: President Barack Obama. To Read the Full Story, Subscribe or Sign In Previous Obama and Cantor Spar Over Immigration Next GOP Feud on Full Display in New Idaho Ad


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Best Of :: Food & Drink
The Old Fashioned has held down this corner of West Littleton Boulevard through two generations, beginning with Tom Panzarella and continuing today with Tom and his boy Dave working the counter side by side. When you step inside, every day of those two decades folds around you like a blanket of history. The place does not hide its years, but that patina of age and hard use comes from long service to the community. The Panzarellas have made a lot of pizzas, a lot of daily specials, but the best thing they offer are honest-to-God, authentic, Buffalo-style Sahlen's hot dogs with shaved onions, Weber mustard and a spicy, relish-spiked, red-pepper hot-dog sauce that Tom cooks himself, one pot at a time, in imitation of the sauce used at Ted's Jumbo Red Hots back home in Buffalo, where he grew up.
The very name "Chocolove" sounds like the title of a bad '70s blaxploitation flick. This chocolate is embarrassing to buy, tough to develop a taste for, and every bar comes wrapped with a love poem that's almost unforgivably cheesy. But still, we've got nothing but love for what's coming off the small-batch production line at this Boulder-based company, which reflects founder Tom Moley's dedication to sourcing the best international cocoa and combining it in surprising ways. It may not have been love at first bite, but it was close -- and now we're committed to Chocolove's dark chocolate and candied ginger bar.
Big John doesn't cook at Elway's. Although this Cherry Creek steakhouse boasts Elway's larger-than-life name over its larger-than-life doors, John isn't flipping your burgers, grilling your steaks, assembling your s'mores or bringing your order to the table. Those tasks fall to the excellent kitchen crew and floor staff overseen by manager extraordinaire Tom Moxcey, who works hard to translate Elway's vision for the masses. And while Elway may sign a few autographs when he stops in for a drink, the real draw here is the food: In a city constantly struggling to slough off its meat-and-potatoes reputation, Elway's has not only returned some value to our classic cowtown image, but it's also made the steakhouse model fun again. Score!
There was a time when the West was a new frontier where anything was possible and everything was for sale. It was a time of risk-taking and big gambles, of catastrophe and payoff. And though venture capitalists have taken the place of cowboys, and captains of industry now live where cattle barons once kept their herds, that Wild West spirit is still alive at Vesta Dipping Grill, where chef Matt Selby keeps showing that any damn fool idea can work, and that sometimes, any damn fool idea will. The "dipping grill" concept (prepared meats and seafoods, served with a choice of thirty or more sauces) was both innovative and brilliant when he and Josh Wolkon launched Vesta a decade ago, and both descriptions still apply. The concept (often copied, almost never well) has been kept fresh by constant tinkering with both menu and preparation, and rewarded by a posse of wildly loyal fans.
Over the past seventy-odd years, few modern influences have slipped into Bonnie Brae Tavern to mess up the place. Since they opened the onetime roadhouse right across the street from the headquarters of the Denver Temperance League in 1934, members of the Dire family may have slapped on a few coats of paint and changed some menu items, but otherwise they've left well enough alone. And so today the restaurant is like a culinary time capsule under the submarine glow of lights that have been shining down on the same tables and turquoise vinyl booths, the same beer signs and aging regulars, for generations. The food is American Classic -- pot roasts and T-bones, mac-and-cheese and burgers and fries -- but with a twist: Bonnie Brae was one of the first spots in town to offer pizza, back when the dish was still an exotic novelty rather than a trite American mainstay. Don't mess with success.
"New American" has come to mean many things. The words are applied to cuisines as varied as the obsessive food geekery of Thomas Keller at the French Laundry, the chem-lab weirdness of molecular gastronomy, and the burgers-and-beer rosters of a thousand neighborhood taverns daring enough to use leaf lettuce rather than iceberg. But what New American really means is a menu written by a chef informed by all of this but not constrained by it; a chef who understands the influences of French and Asian and Mexican and Italian immigrant flavors on American cookery, but is not limited by canonical recitation. New American means America as it is today, not yesterday, not tomorrow. And in Denver, the best definition of New American is offered by Tyler Wiard at Mel's. His ever-changing menu is a season-by-season accounting of what America tastes like and America's tastes.


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The mechanic discover that my timing cover seal is leaking. I will like to know how long can I wait to replace it and how much will it cost me including pars and labor?
I went have my car inspected and during the inspection, timing cover seal. on 2004 Toyota Camry
(1) Answer
| |
the cost is approx 700.00 and you can repl after you see the leak getting worse. its really your call on when to repll now that u know its an issue


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I hear good things. Hope they're right, I have one on order which should be ready Jan.
This is a discussion on High Noon Holsters within the Defensive Carry Holsters & Carry Options forums, part of the Defensive Carry Discussions category; For those of you that have had experiences with them, how did it go? Customer Service? Turn around? Quality?...
For those of you that have had experiences with them, how did it go? Customer Service? Turn around? Quality?
I hear good things. Hope they're right, I have one on order which should be ready Jan.
Show me a young Conservative and I'll show you someone with no heart. Show me an old Liberal and I'll show you someone with no brains. Winston Churchill
Good holsters, good people.
And the only place you can order a custom holster by Red Nichols.
Certified Infidel
High Noon holsters offer excellent products and are backed by fantastic people...you WILL be happy with High Noon holsters.
Proverbs 27:12 says: The prudent see danger and take refuge, but the simple keep going and suffer for it.
Certified Glock Armorer
NRA Life Member
Have one for my Glock G30sf .45. Great quality, price and good service to get it in 2012 when I ordered. Took me about 3-5 days (iirc) to get the holster. I like it and easy to deal with. Also got a belt from High Noon.
-- Robert
NRA Patron Member
They are excellent. I have 2 of them. The belts are very good as well
Go Seahawks!
I concur with above posts
"Just blame Sixto"
I reserve the right to make fun, point and laugh etc.
Just got one after 3 month wait and ready to sell it. Just not for me.
Their quality is top notch. The wait time depends on the "level" of quality you order. Some are ready and you probably can get them in a week or two. If you get one of the hand boned I think the wait time is about 2-3 months but you can check their website. I got mine right about when they said I would. Unfortunately the holster didn't work for me but I can't imagine better quality.
You must have liked the style if you ordered and were prepared to wait 3 months. What exactly did you find that you didnt like once you received it ? I was about to order one but would like to hear what you were dissatisfied with. Not knocking you for your decision or Highnoon , I know its all a personal comfort level, just curious.
I have 5 holsters from them. I ordered one of their closeouts and they processed the order. They evidently sold it before I placed my order, they proceeded to call me and apologized for this and allowed me to order a different holster for the same price. I will be ordering a few more in the near future.
Sent from my ME172V using Tapatalk
I have a High Noon Down Under I've been trying to sell since I sold the pistol that went with it.
Superb quality, my only issue was the standard 15 degree cant wasn't enough for where I carry and I believe they're not really in a position to custom rake them per order.
I'm pretty psyched about Red's new line through them though.
//' British Agent
"Happiness is a warm Gun."
I placed a fairly large order for holsters and belt in Oct. still have not gotten it . So i don't know how the product is first hand . I hate waiting for something i want to use the holsters bad .
Christian Family Man


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Samsung Galaxy S7: what we want to see
It's a long way off though
The Samsung Galaxy S6 and the Galaxy S6 Edge released at the start of 2015 proved to be two of the most exciting handsets on the market right now and we gave them both near on perfect reviews with only a few little problems on each letting them down.
Those problems need to be ironed out by the next time around and it's exciting to think what Samsung will be able to pull off with its new found lease of design changes and true innovation.
So what will the Galaxy S7 bring to the table? The rumours are already coming in, so here's everything in one easy place for you to see.
News and rumors
So what exactly do we know so far about the Samsung Galaxy S7? The real answer is not all that much, it's only a few months since the Galaxy S6 hit the market so real, worthwhile details are a little hard to come by.
One rumour does seem to have a little weight thrown behind it though as sources believe the Galaxy S7 and Galaxy Note 5 may be coming with curved screens.
According to supply chain sources both phones will be launching with flexible displays after Samsung put in some big orders with Taiwanese manufacturers. It may end up being a separate version of the Galaxy S7 much like with the Galaxy S6 Edge but it's interesting all the same.
What we want to see
1. Better battery life
Our biggest gripe with the Galaxy S6 was the battery – we found with moderate usage you could get between 17 and 18 hours. That is the average day if you're on a normal sleep pattern but do you really want to be walking that tight rope thinking if I watch a film my phone it's not going to last the whole day?
Samsung need to do better than this with the Galaxy S7; even sacrificing a little of its new found design credentials to thicken up the handset and stick in a bigger cell would have been worth the extra life. Next time let's hope it understands functionality takes precedence over design.
2. Bring us to the Edge
We loved the Samsung Galaxy S6 Edge – in fact we think everyone did – it just did something entirely different to the rest of the competition.
We want the same again, but maybe something completely off the bat. If the rumours of the flexible display handset turn out to be true we could end seeing something similar to the S6 Edge come Q1 2016.


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Shane Buschini: I thought I was on a roll. I was finally starting to see good pitches. I almost hit another one out in that game too. I was starting to see the ball well and then they sent me down here.
I don't think I took it the right way, but I have a whole new attitude this year. I am just happy to be out here. Every day is a new day and I am happy to be a part of the Padres organization.
The last two weeks of the season you really started to come around – what changed for you?
Shane Buschini: I was starting to see the ball well and am still seeing the ball well now.
I have had a lot of help from coach (Shane) Spencer and coach (Bob) Skube. They helped me stay back and stay easy to the ball, use the legs and swing easy.
It seemed like last year I tried to power the ball out but I just have to make contact with it. I am trying to work on that this year.
How disappointing was it for the season to end just as you were getting on a roll?
Shane Buschini: I know. I did have a bad start there also. I think I was 0-for-15 and then picked it up at the end.
I am just glad to be out here and am extremely happy and healthy.
You got to play left and right field – and now you have seen some time at first base in spring?
Shane Buschini: It was a little bit of adjustment between left and right but not too bad. Moving to first was a little different. I played first for a few games in college and more in high school. Guys are hitting it a little bit harder. At first you have to be on your toes a little more. It is a challenge.
The mentality in the outfield is to simply catch and throw and you have some time to make a decision or two.
Shane Buschini: Exactly. At first, you have to be on the ball. You can't take half a pitch off. You have to be in the play. I am getting signs from the coaches, relaying them to the pitcher – but it is fun.
Picking the ball, footwork, getting a good jump – and I am still playing the outfield. They wanted to get me a little bit more skill at first. I think it is going to help me. I am left-handed and restricted to about five positions on the field. I want to play as many of those as I can.
Last year you mentioned taking it the wrong way when you were sent down and putting too much pressure on yourself as a result. This year, what will make for a successful season for Shane Buschini?
Shane Buschini: Every day coming in with the same mentality of just squaring up the ball. It does not matter if I am 0-for-4 or 4-for-4. Just going about it the same way every day and not letting anything get to me – playing baseball and having fun.
You have seen PETCO Park firsthand...
Shane Buschini: I actually hit one out of PETCO versus Oklahoma but they didn't count it. It hit the cement and came back and Oklahoma threw it back and I got a double. They looked at it in the replay and it went over the little ledge. I am still bitter about that one.
The goal is to obviously make it to San Diego and the big leagues. Is it a little more special to you, being part of the Padres organization after living there?
Shane Buschini: It is special. The Padres are a great team. I loved San Diego. A great city and great community. It is somewhere I would love to get back to one day. But, I have to focus on tomorrow first. I can't get too far along the line.
Do you consider yourself to be a player who still has a lot to learn?
Shane Buschini: I am learning every day. I learned from coach Spencer and Skube. Coach Spencer said, 'Man, I wish I had as much power as you.' I am thinking, 'What is this guy talking about. He was amazing.' They are teaching me things and I am learning. I am a student of the game.
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ED Magedson – Founder
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DSSINCONLINE I got suckered Internet Indiana
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× View Today's Deals
You missed it This great deal for ND Hair Designs is over. But don't despair, we've got more great deals every day.
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Update your 'do for the spring season with a salon package from ND Hair Designs, located in the heart of Brownsburg:
• $30 ($65 value) for a haircut, conditioning treatment, blow dry, and style
• $45 ($95 value) for a haircut, partial highlights, blow dry, and style
• Make your appointment Tuesday-Saturday with Brittany Viles or Natalie Beeson
ND Hair Designs on Facebook
PAID VALUE EXPIRES ON May 29, 2022
PROMOTIONAL VALUE EXPIRES ON October 30, 2014


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|Standards & Guidelines Library
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SFPE Standards & Guidelines Library
SFPE's Technical Committees and Task Groups work to oversee the development of engineering guides, standards, and other technical initiatives of the Society. For information about the various Technical Committes and Task Groups, including information on current projects and how to get involved, visit the Technical Committee page.
Technical Documentation
SFPE Standards
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Official Position Statements
The following position statements have been adopted by the SFPE Board of Directors:
6/4/2017 » 6/7/2017
NFPA Conference & Expo


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"I loved these invites for my son's 4th birthday. The quality was excellent and everyone commented on how adorable the invitation was."
"Perfect card for my daughter's Rockin' Sleepover. We opted for the shiny paper and they look awesome. It was great to be able to personalize all the wording to describe the party details!"
"The quality of paper used, the colors, and the style helped make this invite for my little guys 4th birthday party too perfect. It captures his sweet and funny personality to a T. You always deliver perfection tiny prints, thanks!"
"Got the invitations for my daughter's birthday party. They are very elegant and sophisticated. Love the quality of the print and paper too!"
"These cards are lovely. The paper is thick and nice to the touch. We personalized the back with a picture and a personal message, and they are just charming. Will definitely order again."
Copyright © 2004-2017 Shutterfly, Inc | Tiny Prints | Terms of Use. Designated trademarks and brands are the property of their respective owners.


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Victoria Henn Model
Steven KumpfPhotographer Male Idaho Falls, Idaho, US
My Website: MY SPACEMy MM URL: http://www.modelmayhem.com/stevenkumpf
Mayhem # 524477
About Me
Give me something different. Beauty is in the eye of the beholder. I love color the more the better.
Wanting to expand the use of my camera. Trying new things and sticking with the old. I am a shutterbug and love taking my camera everywhere.
Have you worked with Steven Kumpf? Add Credits for Steven Kumpf! >>
Credit Notes
Tara my wife
Debi... Tara's friend
Great work http://www.jpgmag.com/people/bitchinblack
Victoria Henn Model
Fine China Model
Punky J. Model
Model S Model
Viva Van Story Photographer
_Becca_ Model
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Decision makers
- all the news channels,media persons,T.V reporters, parents,students and alumni of Bits Pilani
My brother lost his life due to the negligence and irresponsibility on the part of such reputed and prestigious institution - Bits Pilani !!
I want to bring to the notice of all news channels, media persons,T.V reporters,parents , students and alumni of Bits Pilani, so that they can
broadcast it and such mishaps which happened with my brother can be
avoided. My cousin brother,Shaurya Agarwal was the only child and his
Father died when he was just four years old. His mother, a very brave
and courageous lady, is a teacher and brought him up. He was a
brilliant student and got selected in Bits Pilani last year. He was
just 19 years old!! He was a good swimmer, but on 15th October, 2013
he drowned in the swimming pool in Bits Pilani Campus.I still DO NOT
UNDERSTAND THIS, how a good swimmer got drowned in the Campus swimming pool?? Due to the negligence and irresponsibility of the Campus people and the instructor, no help was provided on time. All that was done,
was to take him to the nearest hospital, that took more than half an
hour.....by that time it was too late. Yes, a call did come from the institute, to his mother telling her to take her son back. If that is not RUDE and INHUMAN then I need to understand the "new definition " of being human!! He was a very good son, a very sweet brother and above all a very good human being!! I just want to bring this incident to everyone's notice, so that such negligence and irresponsibility on the part of such reputed and prestigious institutions is not repeated and they take care and responsibility for the children who go there. We are still in a state of shock !! Today, 25th October is his birthday!! Please, I request you all,please bring this serious matter to everyone's notice, as for some it may be just another accident or
death, but ask a woman , who has lost her husband when her son was
only 4 years old and now her son at the age of 19 !! Please I request you all, please let's bring this negligence on the part of this institute to public notice, so that such cases do not happen ever again.Please sign this petition and forward it also. Keeping my fingers crossed and hoping some action will be taken, "You have not lived today until you have done something for someone who can never repay you." ― John Bunyan
Thank you everyone in advance and God bless you all.
- all the news channels,media persons,T.V reporters, parents,students and alumni of Bits Pilani
This petition is of utmost importance, as it will bring to the public
notice the negligence and irresponsibility on the part of such reputed and prestigious institution - Bits Pilani!!
Pallavi Agarwal started this petition with a single signature, and now has 1,236 supporters. Start a petition today to change something you care about.
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Glee returns to the airwaves 13 April and Fox released this latest promo that showcases star Lea Michelle's take on Madonna's "Like a Prayer". While Glee has plenty to offer to those who aren't into musical theater, it's hard to blame those who knock the show right off the bat. You may want to give it a shot, even if it's not your thing. It's a cheeky high school satire in the vein of Election, it just happens to heavily feature its cast singing pop songs a cappella. It's understandable, however, if outsiders can't help but Fox's continued insistence that the show is a "phenomenon" a bit grating.
Latest Blog Posts
In the beginning of this week's episode, Sarah met one of her daughter's teachers, Mr. Cyr (Joan of Arcadia's Jason Ritter). After borrowing some nicotine gum, he mentioned Amber was one of his best students and raved about a book report she wrote. Later on, she discovered that Amber plagiarized the report that she wrote on the same book when she was in high school. Furiously declaring that she "ran out of punishments in Fresno", Sarah then went to tell Mr. Cyr what happened. After she heard him speak so admirably about a report that her own teacher once lambasted and offer Amber a letter of recommendation for college, however, Sarah changed her mind. She did demand that Amber rewrite her report and "not let us down", though.
Meanwhile, Julia dealt with a different problem with her daughter. Sydney has been playing with Racquel's equally obnoxious daughter, Harmony, who won't let her be the princess. Instead, she's always picked to play the servant, the maid, or the cook. (I, for one, dealt with a similar problem when I was her age. Being of an independent spirit, I solved that by hanging out with the boys instead.) Anyways, Julia's plan to get Sydney to stand up for herself backfired. Does this mean they will address Racquel and Harmony's snobbishness in another episode?
With April Fool's Day arriving Thursday, it's only right that we take a look at the five most foolish things we've seen on TV this season.
The Jay Leno Show (and NBC's decision to eliminate 10 p.m. ET dramas) — No need to elaborate — this may actually go down as the most foolish decision in network-TV history.
Is there anything the internet can't do? It'll take something that no one asked for, give it to them, and then make you realize you wanted it. It will take two elements of the universe that have never been mentioned in the same sentence, breed them, and make a beautiful offspring.
Case in point: Lil' Wayne meets the theme from The Office. If you're anything like me, you've gotten to the point where you've heard the latter so much, you use your DVR to fast forward through The Office's opening credits. After hearing this, that should no longer be the case.
At one point in the last episode, Joel mockingly told Julia that "Only a Braverman can criticize another Braverman", but anyone could criticize this episode, which saw most of the characters acting irrational and silly for no apparent reason.
It all started when Sarah illogically pressured Julia and Joel to hire Amber as their babysitter for "date night". Later on, when they politely canceled, Sarah guilted her sister into changing her mind by telling her that Amber was sad about it and the "go-to girl of babysitting" in their old neighborhood. This was all a lie, because Sarah herself doubted her daughter. Despite the fact that she made vulgar accusations about her brother in front of the rest of the family and smoked a cigarette as she told Haddie to lie to her parents because "they're like termites", Amber did turn out to be a good babysitter. While making "paper turtles" with Sydney, she even noticed that her mother was sneaking around outside, trying to check up on them.
Perfume Genius "Die 4 You" (Singles Going Steady) // Music
Katy Perry "Bon Appétit" ft. Migos (Singles Going Steady) // Music
Fleet Foxes "Fool's Errand" (Singles Going Steady) // Music
Vince Staples "Big Fish" (Singles Going Steady) // Music
'Full Throttle: Remastered' Is Both Updated and Dated
// Moving Pixels
"Full Throttle: Remastered is a game made for people who don't mind pixel hunting -- like we used to play.READ the article


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|Muddy Waters
|Birth Name:
|McKinley Morganfield
|Birth Date:
|4 April 1913
|Birth Place:
|Issaquena County, Mississippi, United States
|Death Place:
|Westmont, Illinois, United States
|Vocals, guitar, harmonica
|Blues, Chicago blues, Delta blues
|Singer, songwriter, guitarist, bandleader
|Years Active:
|Aristocrat, Chess, Testament
McKinley Morganfield (April 4, 1913[1] April 30, 1983), known by his stage name Muddy Waters, was an American blues musician who is often cited as the "father of modern Chicago blues".[2]
Muddy Waters grew up on Stovall Plantation, near Clarksdale, Mississippi, and by age seventeen was playing the guitar at parties, emulating local blues artists Son House and Robert Johnson.[3] He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941.[4] [5] In 1943, he moved to Chicago with the hope of becoming a full-time professional musician, eventually recording, in 1946, first for Columbia Records and then for Aristocrat Records, a newly formed label run by the brothers Leonard and Phil Chess.
In the early 1950s, Muddy Waters and his band—Little Walter Jacobs on harmonica, Jimmy Rogers on guitar, Elgin Evans on drums and Otis Spann on piano—recorded several blues classics, some with bassist and songwriter Willie Dixon, including "Hoochie Coochie Man", "I Just Want to Make Love to You" and "I'm Ready". In 1958, he traveled to England, helping to lay the foundations of the subsequent blues boom there. His performance at the Newport Jazz Festival in 1960 was recorded and released as his first live album, At Newport 1960.
Muddy Waters' influence is tremendous, not just on blues and rhythm and blues but on rock and roll, hard rock, folk music, jazz, and country music. His use of amplification is often cited as the link between Delta blues and rock and roll.[6] [7]
Although in his later years he usually said that he was born in Rolling Fork, Mississippi, in 1915, he was most likely born in Jug's Corner, in neighboring Issaquena County in 1913.[8] Recent research has uncovered documentation showing that in the 1930s and 1940s, before his rise to fame, he reported his birth year as 1913 on his marriage license, recording notes and musicians' union card. A 1955 interview in the Chicago Defender is the earliest claim of 1915 as his year of birth, which he continued to use in interviews from that point onward. The 1920 census lists him as five years old as of March 6, 1920, suggesting that his birth year may have been 1914. The Social Security Death Index, relying on the Social Security card application submitted after his move to Chicago in the mid-1940s, lists him as being born April 4, 1913. His gravestone gives his birth year as 1915.
His grandmother, Della Grant, raised him after his mother died shortly following his birth. Grant gave the boy the nickname "Muddy" at an early age, because he loved to play in the muddy water of nearby Deer Creek.[9] He later changed it to "Muddy Water" and finally "Muddy Waters".
The shack on Stovall Plantation where Muddy Waters lived in his youth is now at the Delta Blues Museum in Clarksdale, Mississippi. He started playing the harmonica, but by age seventeen he was playing the guitar at parties, emulating two blues artists in particular, Son House and Robert Johnson.[3]
On November 20, 1932, Muddy married Mabel Berry. Guitarist Robert Nighthawk played at the wedding, and the party reportedly got so wild the floor fell in.[10] Mabel left Muddy three years later when Muddy's first child was born; the child's mother was Leola Spain, 16 years old (Leola later used her maiden name, Brown), "married to a man named Steven" and "going with a guy named Tucker". Leola was the only one of his girlfriends with whom Muddy would stay in touch throughout his life; they never married. By the time he left for Chicago in 1943, he had another wife, Sallie Ann, whom he left behind.[11]
In August[5] 1941, Alan Lomax went to Stovall, Mississippi, on behalf of the Library of Congress to record various country blues musicians. "He brought his stuff down and recorded me right in my house," Muddy recalled in Rolling Stone, "and when he played back the first song I sounded just like anybody's records. Man, you don't know how I felt that Saturday afternoon when I heard that voice and it was my own voice. Later on he sent me two copies of the pressing and a check for twenty bucks, and I carried that record up to the corner and put it on the jukebox. Just played it and played it and said, 'I can do it, I can do it.'"[4] Lomax came back in July 1942 to record Muddy again. Both sessions were eventually released as Down on Stovall's Plantation by Testament Records.[12] The complete recordings were reissued on CD as Muddy Waters: The Complete Plantation Recordings. The Historic 1941–42 Library of Congress Field Recordings by Chess Records in 1993 and remastered in 1997.[13]
In 1943, Muddy headed to Chicago with the hope of becoming a full-time professional musician. He lived with a relative for a short period while driving a truck and working in a factory by day and performing at night. Big Bill Broonzy, then one of the leading bluesmen in Chicago, helped Muddy break into the competitive market by allowing him to open for his shows in the rowdy clubs.[14] In 1945, Muddy's uncle, Joe Grant, gave him his first electric guitar, which enabled him to be heard above the noisy crowds.[15]
In 1946, he recorded some songs for Mayo Williams at Columbia Records, but they were not released at the time. Later that year he began recording for Aristocrat Records, a newly formed label run by the brothers Leonard and Phil Chess. In 1947, he played guitar with Sunnyland Slim on piano on the cuts "Gypsy Woman" and "Little Anna Mae." These were also shelved, but in 1948, "I Can't Be Satisfied" and "I Feel Like Going Home" became big hits, and his popularity in clubs began to take off. Soon after, Aristocrat changed its name to Chess Records, and Muddy's signature tune "Rollin' Stone" also became a hit.
Initially, the Chess brothers would not allow Muddy to use his working band in the recording studio; instead he was provided with a backing bass by Ernest "Big" Crawford or by musicians assembled specifically for the recording session, including "Baby Face" Leroy Foster and Johnny Jones. Gradually Chess relented, and by September 1953 he was recording with one of the most acclaimed blues groups in history: Little Walter Jacobs on harmonica, Jimmy Rogers on guitar, Elga Edmonds (also known as Elgin Evans) on drums and Otis Spann on piano. The band recorded a series of blues classics during the early 1950s, some with the help of bassist and songwriter Willie Dixon, including "Hoochie Coochie Man" (number 8 on the R&B charts), "I Just Want to Make Love to You" (number 4), and "I'm Ready". These three were "the most macho songs in his repertoire," wrote Robert Palmer in Rolling Stone. "Muddy would never have composed anything so unsubtle. But they gave him a succession of showstoppers and an image, which were important for a bluesman trying to break out of the grind of local gigs into national prominence."
Along with his former harmonica player Little Walter Jacobs and recent southern transplant Howlin' Wolf, Muddy reigned over the early 1950s Chicago blues scene, his band becoming a proving ground for some of the city's best blues talent. While Little Walter continued a collaborative relationship long after he left Muddy's band in 1952, appearing on most of Muddy's classic recordings in the 1950s, Muddy developed a long-running, generally good-natured rivalry with Wolf. The success of Muddy's ensemble paved the way for others in his group to break away and make their own solo careers. In 1952 Little Walter left when his single "Juke" became a hit, and in 1955 Rogers quit to work exclusively with his own band, which had been a sideline until that time. Although he continued working with Muddy's band, Otis Spann enjoyed a solo career and many releases under his own name beginning in the mid-1950s. Around that time, Muddy Waters scored hits with songs "Mannish Boy" and "Sugar Sweet" in 1955, followed by the R&B hits "Trouble No More," "Forty Days & Forty Nights" and "Don't Go No Farther" in 1956.[16]
Muddy toured England in 1958 and shocked audiences (whose only previous exposure to blues had come via the acoustic folk blues sounds of acts such as Sonny Terry and Brownie McGhee and Big Bill Broonzy) with his loud, amplified electric guitar and thunderous beat. His performance at the 1960 Newport Jazz Festival, recorded and released as his first live album, At Newport 1960, introduced a new generation to Muddy's sound.
However, for the better part of twenty years (following his last big hit, "I'm Ready", in 1956) Muddy was put on the back shelf by Chess and recorded albums with various "popular" themes, such as Brass and the Blues and Electric Mud. In 1967, he joined forces with Bo Diddley, Little Walter and Howlin' Wolf to record the albums Super Blues and The Super Super Blues Band, containing Chess blues standards. In 1972 he went back to England to record The London Muddy Waters Sessions with Rory Gallagher, Steve Winwood, Rick Grech and Mitch Mitchell, but their playing was not up to his standards. "These boys are top musicians, they can play with me, put the book before 'em and play it, you know," he told Guralnick. "But that ain't what I need to sell my people, it ain't the Muddy Waters sound. An' if you change my sound, then you gonna change the whole man."
Muddy's sound was basically Delta blues electrified, but his use of microtones, in both his vocals and slide playing, made it difficult to duplicate and follow correctly. "When I play on the stage with my band, I have to get in there with my guitar and try to bring the sound down to me. But no sooner than I quit playing, it goes back to another, different sound. My blues look so simple, so easy to do, but it's not. They say my blues is the hardest blues in the world to play."[17]
Muddy's longtime wife, Geneva, died of cancer on March 15, 1973. A devastated Muddy was taken to a doctor and told to quit smoking, which he did. Gaining custody of some of his "outside kids", he moved them into his home, eventually buying a new house in Westmont, Illinois. His firstborn, Larry Williams (né Mud Morganfield), stayed with his mother, Mildred McGhee. Another teenage daughter turned up while Muddy was on tour in New Orleans. Big Bill Morganfield was introduced to his father after a gig in Florida. Florida was also where Muddy met his future wife, the 19-year-old Marva Jean Brooks, whom he nicknamed "Sunshine".[18] Eric Clapton served as best man at their wedding in 1979.[19]
In 1981, Muddy Waters was invited to perform at ChicagoFest, the city's top outdoor music festival. He was joined onstage by Johnny Winter, who had produced Muddy's most recent albums, and played classics like "Mannish Boy," "Trouble No More" and "Mojo Working" to a new generation of fans. This historic performance was made available on DVD in 2009 by Shout! Factory. Later that year, he performed live with the Rolling Stones at the Checkerboard Lounge; a DVD version of the performance was released in 2012.[20]
In 1982, declining health dramatically curtailed Muddy's performance schedule. His last public performance took place when he sat in with Eric Clapton's band at a concert in Florida in the summer of 1982.[21]
Muddy Waters died in his sleep from heart failure, at his home in Westmont, Illinois, on April 30, 1983. Throngs of blues musicians and fans attended his funeral at Restvale Cemetery, in Alsip, Illinois, to pay tribute to one of the true originals of the art form. "Muddy was a master of just the right notes," John P. Hammond told Guitar World magazine. "It was profound guitar playing, deep and simple... more country blues transposed to the electric guitar, the kind of playing that enhanced the lyrics, gave profundity to the words themselves."
Two years after his death, Chicago honored him by designating the one-block section between 900 and 1000 E. 43rd Street near his former home on the south side "Honorary Muddy Waters Drive".[22] The Chicago suburb of Westmont, where Muddy lived the last decade of his life, named a section of Cass Avenue near his home "Honorary Muddy Waters Way".[23] Following his death, fellow blues musician B.B. King told Guitar World, "It's going to be years and years before most people realize how greatly he contributed to American music".A Mississippi Blues Trail marker has been placed in Clarksdale, Mississippi, by the Mississippi Blues Commission designating the site of Muddy Waters' cabin.[24]
His influence is tremendous, over a range of music genres: blues, rhythm and blues, rock and roll, hard rock, folk music, jazz, and country music. He also helped Chuck Berry get his first record contract.
His 1958 tour of England marked possibly the first time amplified, modern urban blues was heard there, although on this tour he was the only one amplified. His backing was provided by the trad jazz group of the Englishman Chris Barber.
His use of amplification has been cited as "the technological missing link between Delta Blues and Rock 'N' Roll."[6] This is underlined in a 1968 article in Rolling Stone magazine: "There was a difference between Muddy's instrumental work and that of House and Johnson, however, and the crucial difference was the result of Waters' use of the electric guitar on his Aristocrat sides; he had taken up the instrument shortly after moving to Chicago in 1943."[7]
The Rolling Stones named themselves after his 1950 song "Rollin' Stone" (also known as "Catfish Blues", which was covered by Jimi Hendrix). Rolling Stone magazine took its name from the same song. Hendrix recalled that "the first guitar player I was aware of was Muddy Waters. I first heard him as a little boy and it scared me to death". The band Cream covered "Rollin' and Tumblin'" on their 1966 debut album, Fresh Cream, as Eric Clapton was a big fan of Muddy Waters when he was growing up, and his music influenced Clapton's music career. The song was also covered by Canned Heat at the Monterey Pop Festival and later adapted by Bob Dylan on his album Modern Times. One of Led Zeppelin's biggest hits, "Whole Lotta Love", is lyrically based on the Muddy Waters hit "You Need Love", written by Willie Dixon. Dixon wrote some of Muddy Waters' most famous songs, including "I Just Want to Make Love to You" (a big radio hit for Etta James, as well as the 1970s rock band Foghat), "Hoochie Coochie Man", which the Allman Brothers Band famously covered (the song was also covered by Humble Pie and Steppenwolf), "Trouble No More" and "I'm Ready". In 1993, Paul Rodgers released the album Muddy Water Blues: A Tribute to Muddy Waters, on which he covered a number of Muddy Waters songs, including "Louisiana Blues", "Rollin' Stone", "Hoochie Coochie Man" and "I'm Ready" in collaboration with a number of famous guitarists, including Gary Moore, Brian May and Jeff Beck.
Angus Young, of the rock group AC/DC, has cited Muddy Waters as one of his influences. The AC/DC song title "You Shook Me All Night Long" came from lyrics of the Muddy Waters song "You Shook Me", written by Willie Dixon and J. B. Lenoir. Earl Hooker first recorded it as an instrumental, which was then overdubbed with vocals by Muddy Waters in 1962. Led Zeppelin also covered it on their debut album.
Muddy Waters' songs have been featured in long-time fan Martin Scorsese's movies, including The Color of Money, Goodfellas and Casino. Muddy Waters' 1970s recording of his mid-'50s hit "Mannish Boy" (also known as "I'm a Man") was used in the films Goodfellas, Better Off Dead, Risky Business, and the rockumentary The Last Waltz.
The song "Come Together" by the Beatles mentions Muddy Waters: "He roller coaster/he got Muddy Waters."
Van Morrison's song "Cleaning Windows", on hs album Beautiful Vision (1982), includes the lyric "Muddy Waters singin', "I'm a Rolling Stone".
The American stoner metal band Bongzilla covered Muddy Waters' song Champagne and Reefer on their album Amerijuanican.
In 2008, the actor Jeffrey Wright portrayed Waters in the film Cadillac Records, about Chess Records and its recording artists. Another 2008 film about Leonard Chess and Chess Records, Who Do You Love, also covers Muddy's time at Chess Records.
In the 2009 film The Boat That Rocked (retitled Pirate Radio in the U.S) about pirate radio in the UK, the cryptic message that late-night DJ Bob gives to Carl to give to Carl's mother is "Muddy Waters rocks."
In 1990, the television series Doogie Howser, M.D. featured an episode called "Doogie Sings the Blues" with the main character, Blind Otis Lemon, based on Muddy Waters, with references to his influence on the Rolling Stones and Led Zeppelin, along with the performance of "Got My Mojo Working" by Blind Otis Lemon. He is also referred to as the original "Hoochie Coochie Man".
Muddy's son Larry "Mud" Morganfield is a professional blues singer and musician.
|Muddy Waters Grammy Award History[25]
|Best Ethnic or Traditional Folk Recording
|They Call Me Muddy Waters
|Best Ethnic or Traditional Folk Recording
|The London Muddy Waters Session
|Best Ethnic or Traditional Folk Recording
|The Muddy Waters Woodstock Album
|Best Ethnic or Traditional Folk Recording
|Hard Again
|Blue Sky
|Best Ethnic or Traditional Folk Recording
|I'm Ready
|Blue Sky
|Best Ethnic or Traditional Folk Recording
|Muddy "Mississippi" Waters Live
|Blue Sky
The Rock and Roll Hall of Fame listed four songs of Muddy Waters among the 500 Songs That Shaped Rock and Roll.[26]
|Year Recorded
|Rollin' Stone
|Hoochie Coochie Man
|Mannish Boy
|Got My Mojo Working
|Muddy Waters: Blues Music Awards[27]
|Reissue Album of the Year
|The Complete Plantation Recordings
|Reissue Album of the Year
|One More Mile
|Traditional Blues Album of the Year
|The Lost Tapes of Muddy Waters
|Historical Blues Album of the Year
|Fathers and Sons
|Historical Album of the Year
|Hoochie Coochie Man: Complete Chess Recordings, Volume 2, 1952–1958
|Year Inducted
|Blues Foundation Hall of Fame
|Rock and Roll Hall of Fame
|Grammy Lifetime Achievement Award
U.S. Postage Stamp
See main article: Muddy Waters discography.
Web site: Mississippi Blues Commission — Blues Trail. Msbluestrail.org. 2008-05-28.


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TripAdvisor Reviews Monte Pio Hotel and Conference Centre Maitland
Travel Blogs from Darwin
... point the siren goes off "as in air raid siren" and the doors close on a display room. The lights dim and this large wall becomes a screen. How do I describe it? We were suddenly living that day that Darwin was raided and bombed with vivid scenes of planes, explosion, death and destruction! I could hardly breath watching and had to hold myself from sobbing out loud! What a terrible thing war is. it ended as quickly as it started. Dead silence ...
Darwin=bain à vapeur/steambath
... que notre avion fera un arrêt à Gove avant d'arriver à Darwin. Gove est une ville minière située sur un territoire aborigène. On nous a informés sur l'avion que les personnes qui veulent y consommer de l'alcool doivent se munir d'un permis. Enfin nous sommes arrivés à Darwin. En sortant de l'avion, j'ai immédiatement senti la chaleur humide, et je me suis dit que notre séjour à Dili, qui ...
Finals Loss to Queensland 1-3
... day which meant they had to go back to Darwin to find some accommodation.
Anyway, drama aside, it all ended well. I got home and the girls flew onto Brisbane begin Jenny's study tour of Eastern States Universities. I reckon you could find all that information online!
Thats all for now. Check out the Photos. They'll be hockey shots.
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On-the-Go Pack
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this wiki
On-the-Go Pack is a DVD boxset which includes three previously released US DVDs. It also comes with a CD/DVD holder.
- Trust Thomas and Other Stories
- Thomas, Percy and the Dragon and Other Stories
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Disclaimer: I do not own POT.
I know I shouldn't write yaoi anymore. I am not going to update any of my stories until this issue of deleting stories are done. So sorry for people who wait for another updates.
Please enjoy this little fic that was created out of boredom.
The moment Akaya stepped his foot into the courts, he knew something was up. The amused, encouraged and even pity stares that he got were enough to give it all away. Throughout the practice, he was being extremely careful and always looked out for any potential threat. Alas, nothing happens until Yukimura called them all to end the practice for the day.
But of course, lady luck was not always with everyone.
And that explained why at this moment, he was being cornered by none other than the resident trickster of the team, Niou Masaharu who was smirking like a wolf, in the clubroom, with no one to boot. Yippy-fucking-doo…..
The little demon sighed, "Niou-senpai, I need to get home before seven. Nobody's at home and my mom asked our neighbour to call her when do I get home. She'll get piss if I pass my curfew." Little did he knew, all the other six regulars were pressing their ears to the club's door, with major difficulty.
Niou smirked a little wider that it literally made the younger boy took a step back, "Who cares, brat? I need to ask you something and you will answer honestly. Are we understood?"
Akaya rolled his green eyes, "Whatever, senpai. Just get on with it already."
A few thumps were heard from the outside while Niou chuckled darkly. Akaya furrowed his eyebrows and stared between the door and Niou suspiciously.
"That brat doesn't know how that sounds to others." Marui stated exasperatedly. Yukimura and Yanagi chuckled softly.
"Will you go out with me?" Niou stated proudly like he already had the answer he wanted in hand. Akaya did a double take before stammered out.
"E-excuse me?"
Niou sighed and tried again, "I said; will you go out with me?"
The little demon narrowed his eyes dangerously and stated with a flat tone, "No."
The silver haired boy smirked, "Brat, did you even know what I just asked?"
Akaya blinked before narrowing his eyes again, "Of course."
"What was it?" at this moment, Niou was positively grinning like a maniac.
Akaya was getting tired of these seemingly pointless questions, "'Will you go out with me?'" a few seconds silent passed before Akaya widened his eyes as the realizations sunk in.
"Fucking yes, brat!"
Yippy-fucking-doo indeed…..
Outside, Yukimura smirked and turned off the video recorder.
"This baby will be Niou's alibi if someone asks why Akaya disagrees to say he's going out with Niou." the chuckles that followed made some passers-by looked at the school like it was hunted.
Jackal wondered why he hadn't go to Fudoumine instead and enjoy his youth in some normal way…


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Another packed house in Edmonton at the Mayfield. First fight Rama just too strong and gets Mein down, finishes with some good ground and pound. Smealinho Rama defeats Lee Mein via 1st round TKO (2:49)
2nd fight between Parker and Grandbois, both guys landing some heavy leather but Parker seems to be landing more powerful shots. Drops Grandbois with a straight right, finishes with a rear naked choke in 3:24 of the 1st.
Derek Boyle starts of the next fight with 5 or 6 hard blows! He drops Ring twice, then seemed to rock him and have him out on his feet, hit him again to wake him up, then again to finish as the ref stops it in 20 seconds of the first round.
In the 4th fight Cody Krahn comes out throwing some bombs that landed solid on Jason Zentgraf! Krahn recognizes that Zentgraf is hurt and gets caught on the way in, Krahn gets dropped, a little ground and pound, then gets caught in a rear naked choke and forced to tap.
Dhiego Lima and Nick Hinchliffe start out their first round feeling each other out with back and forth punches, Lima lands a few solid leg kicks to the lead leg. Round 2 Lima begins to pick Hinchliffe apart with a nice mixture of punches, as well as some good leg kicks and a few head kicks. Final round a bit of the same as both eyes, nose, and mouth of Hinchliffe are bleeding, but he is still coming forward throwing punches. Lima gets a unanimous decision after going the distance.
Elvis Mutapcic and Jacen Flynn both appear to be in phenomenal shape before the bout begins. Mutapcic's stand up looks very solid, landing combinations and a few nice head kicks. Flynn gets rocked as the ref stops it TKO at 1:39 of the 1st.
Mike "The Honey Badger" Hackert comes out with some good boxing skills, catches Hague with a few body shots, a few knees to the body. Hague either got poked or punched in the eye and was obviously in pain although no time out was called and Hackert finishes Hague via TKO at 2:27 in the first round.
Fight #8 Luke Harris gets taken down but manages to lock in a guillotine. Henle escapes gets back to the feet and catches Harris with some hard jabs and drops Harris. Immediately takes his back and ground and pounds Harris, TKO 1:57 of the first round.
The main event supposed to be a title fight was not because Lynn did not make weight. Maromo starts the fight with 3 very hard leg kicks, then gets dropped trying to kick again with a straight right. Not too much damage on the ground done by Lynn, Maromo gets a sweep and back to the feet they go. Maromo lands a few more leg kicks and a really nice combination of elbows, knees, and puches then Lynn gets a take down just before the end of the first round. Second round Maromo left off were he did in the first continuing to land some nice combinations. Lynn gets rocked and stumbles back against the ropes, when he does Maromo is on him with elbow after elbow to the head and knee after knee to finish the fight in tremendous fashion with head kicks and flying knees at 1:26 of the second round. WOW!!!!
MFC 34 Recap
By Jason Gemmer


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When you end a story, is the ending tragic, happy, or one of those types that leaves you hanging there? I'd love to hear what you all think makes a good ending(:
hmm...i agree with you, but i have to say my favorite is bittersweet...sweet, so that it's somewhat satisfying, but still somehow tragic so that it sticks with the reader...if that makes any sense!!!
I always feel guilty if I have a tragic ending to a story. I usually end up fixing all the problems so everyone's happy! Ugh. I'm such a pushover.
I like bittersweet too, but sometimes I just like to make readers miserable. Or at least horrified.
I love a good murder-suicide ending that shocks me so badly that I feel sick.