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Interview: Suzanne TreisterPosted: September 26, 2016 Filed under: contemporary art | Tags: algorithms, drawing, drugs, high frequency trading, Liverpool Biennial, narrative art, outsider art, Suzanne Treister, the holographic universe, video art Leave a comment
The time tested way of introducing a story ("Once upon a time…") is little help when writing a blog about art. And so faced with the most narrative-driven work in this year's Liverpool Biennial, I don't know where to begin.
HFT The Gardener is a multi-faceted piece display which comprises of some 174 works on paper and a (roughly) 10-minute film. There's a fiction in the film, made concrete by the drawings. So the drawings, although quite loopy, fall into a non-fiction category; it's complex.
In short, Treister tells the story of a high frequency trader who undergoes a breakdown and looks to psycho-active plants to generate algorithms to plug into the banking system. He is fired, as you might expect. But then he becomes an outsider artist and the drawings in this show are his colourful plant diagrams, which he sells to rich bankers.
The artist was good enough to speak with me at the launch of this show and I asked her how it came about. "I was interested in high frequency trading. I was interested in these ideas of the holographic universe. I was interested in psycho-active drugs," she tells me.
Following that, "through thinking about them all and wondering where it might go," Treister made the connections which rounded out her show. As for the film script, it remains a trip to compare with one of the hallucinogenic plants which star here.
It took a lot of "fine-tuning" says the visionary artist. "The plot expanded, contracted, then needed to come back around and reference itself in certain ways. So I was constantly working on it, to form it."
But however much Treister worked on this voiceover, it pales beside the maniacal energy which must have been needed to research more than 90 narcotic plants and translate their biological and chemical properties into intense and detail rich diagrams.
"Work ethic," says the artist in response to this. "But you know novelists are the same. They have an idea. They gradually develop the plot. Then they've got to spend about two years sitting there every morning. They've got to get up and get a certain amount done".
But if the show really is a novel, it is Moby Dick rather than Pride and Prejudice, the sort of novel which freights in a wealth of technical detail. Each plant has its Latin name, its medical effect, its equivalent as abstract pattern and its correspondence to a stock on the FTSE index.
HFT The Gardener is not, however, an instruction manual for drug use. "I'm not suggesting a mass free for all," says Treister of her 92 psychoactive plants. "These are plants that have been carefully used for centuries in many parts of the world for ritual purposes. They need to be taken seriously and there could be an enormous amount to learn from them if research was able to continue unrestricted."
Unlike South America, we don't have a culture which facilitates drug-induced vision quests. We do, however, have a crazy financial system where a dose of peyote could hardly make things any worse; you could happily leave reality behind for an hour spent at this show.
For more information about this work, head to the artist's website. The show runs until October 16 2016 as part of Liverpool Biennial, and can be found in the Exhibition Research Lab at The John Lennon Art & Design Building, Liverpool John Moores University.
Interview: Sahej RahalPosted: July 30, 2016 Filed under: contemporary art | Tags: archaeology, Brexit, clay, Donald Trump, earthenware, film, Liverpool Biennial, performance, politics, rise of the right, Sahej Rahal, sculpture, Star Wars Leave a comment
The artist appears to have a simple and urgent proposition: to render the past absurd is to neutralise the rhetoric of the political right.
Without a golden age to hark about, no one can promise to make America, the UK, or India 'great again'. And we can instead progress to a state of internationalism, equal rights, economic parity and perpetual peace.
Rahal lives in Mumbai, but he points out that the whole planet is "kind of a scary place to be working, globally". He is, however, welcome in the North West, where for the duration of the 2016 Liverpool Biennial, his sculpture and film is being shown across three sites.
We met at Cains Brewery, a cavernous space for art enjoying a good year. It is however scruffy, and Rahal's work looks in keeping with the general state of repair. It is the first thing a visitor sees: nuggets of clay arranged on trestle-like tables; bits of scaffold, locally sourced, covered in clay; and black-box monitors which appear to emerge from the mess on which figurines breathe or practice with lightsabers.
"I'm a huge nerd and I obviously have all these Star Wars references", the artist cheerfully informs me. But like many contemporary sculptors, he aims both high and low, looking to Jorge Luis Borges for "vast metaphysical narratives", and for that writer's concern with "creating this itinerary of our culture".
In short, this itinerary is dystopian. The artefacts presented appear fresh from some archaeological dig. But what kind of half-formed world do they conjure up? A: it is a world run by idiots in which technology has failed us and we have forgotten basic craft skills. And that seems to me the worst of all possible worlds.
"I like the fact that these characters, or these objects of clay could somehow become like harbingers of something, you know?" Rahul tells me as we contemplate his pottery-based triage stations which all appear to somehow breathe in the light of the moving image work.
He also says: "I'm more interested in putting them together to form meaning… from these absurd things, which are beyond reason in a certain way. In that meaning-making ritual that people perform, how do we create allegiances? How do we create bonds across space-time?"
An interest in travel and time travel chimes in well with the 2016 Biennial, which is a nebulous animal in which Monuments from the Future is one of six official themes. You may find, as I did, that as you come across Rahal's work more than once, you build a picture of what might be becoming.
It is a picture of a primitive time around the corner. Rahal expresses concern about right wing governments that have followed the Arab Spring, the rise of presidential candidate Donald Trump, and the hate-filled effect of Brexit here in the UK.
If politics is performative, the artist has another highly political aspect to his practice. Rahul stages improvised, ritualistic performances which offer only "fleeting, fragmented glimpses" of a narrative, and which change gear according to pop cultural requests from his viewers.
"Even I don't have a bead on [these]," he tells me. "Essentially, what's interesting for me is that I'm also a viewer as well." One supposes that in these powerless times, we are all to a degree little more than viewers, even as we march, occupy, tweet or blog.
But perhaps in the light of our political horizons, we'll do well to maintain any civilisation at all.
Despite everything, Rahal is making the most of circumstances: "Earthenware has so much meaning to our origins so I'm drawn to that, but saying that it's also so much fun to just dive into clay and get mud all over me."
As well he might, since in Summer 2016 we are all up to the neck in it.
Liverpool Biennial runs until October 16 2016. I reviewed it for Culture24 here. See artist's website for more images.
Bob and Roberta Smith, Letter to George Osborne (2015)Posted: November 26, 2015 Filed under: contemporary art | Tags: ACE, activism, Arts Council, Autumn Statement, Bob and Roberta Smith, George Osborne, humanity, open letters, sculpture, signwriting Leave a comment
You cannot help but wonder: did a 50-line letter painted onto the front and rear of a pair of white radiator units have any incidental effect on government policy? Did it really spark a heated debate?
Beyond the headlines about tax credits, the Autumn Statement revealed that the Arts Council can also breathe a sigh of relief and consider its budget protected for five more years.
This is not the beef raised by Smith, who talks tuition fees, the threat to art schools from property developers, and the culture of consumerism which now extends to the student experience.
None of this has changed. But the artist signs off with a message which may just be getting through: "I THINK THE ARTS ARE REALLY ABOUT SAVING HUMANITY". What did Osborne think of that?
Certainly the arts are a cheap way to save humanity. Arts Council England cost £349 million in 2014; to save humanity with a replacement for Trident will cost, according to CND, some £100 billion.
There are dangers in cynicism, however. A positive and polite reaction to this news about the Arts Council could be more likely to encourage the Conservative government in this cultural direction.
But giving credit is not abject gratitude. As Smith says, in another set of emphatic capitals: "ART IS YOUR HUMAN RIGHT". Just as education is a right, welfare is a right, and healthcare remains so.
As inhumane as austerity is proving to be, the left should remember we don't have a monopoly on humanity. Again, appeals to this quality may prove more tractable than immediate class war.
That could be why Smith's naivety, both in tone and execution of this open letter, strikes an effective chord. It treats the Chancellor as a reasonable human. It invites him to enjoy contemporary art.
But this is also is a bit of a joke. Smith is only an artist; he is not the head of a bank. The banker uses headed notepaper, and not beat-up used radiators. So to who does the future belong?
Morley Threads @ BacklitPosted: November 19, 2015 Filed under: contemporary art | Tags: Backlit, capitalism, indsutrial revolution, liberalism, Nottingham, philanthropy, psychogeography, Samuel Morley, textiles, wool Leave a comment
In the late 19th century, a wool factory in Alfred House, Nottingham, became an asset of the largest wool manufacturing company in the world. Now the premises are an artist-led studio space.
On the face of it, artists have plenty in common with textile workers. Low pay, hazardous conditions (albeit psychologically speaking) and, in the case of Backlit, here in Nottingham, a union.
The Morley Union is comprised of photographers, writers and historians who have gathered in retrospective support of one of the better employers these shores have ever seen: Samuel Morley.
It was Morley who owned the factory in Alfred House. And now Alfred House is set to be the venue for Backlit's exhibition, and a programme of talks which seeks to celebrate the former boss.
It has really come to something, that we might hero a 19th century capitalist. Morley was also a media tycoon. He cut the cover price of the liberal Daily News and turned round its fortunes.
Backlit promises the chance to relive the noise and sweat of the industrial plant, which must still haunt their white-walled exhibition space and paint-splattered workshops.
The Union have pulled together an archive of artefacts, oral histories and even video interviews which will recall experience of workers from a time when Nottingham was a textiles capital.
But if you're still wondering what conditions were like, if mere words won't do, local digital design studio Hot Knife has developed a playable VR tour of the former factory.
Meanwhile a photographic exhibition will gather images from buildings and monuments related to Morley. And a youth oriented fashion show may inspire you about the future of textiles in Nottingham.
Morley was a genuine philanthropist: a decent, responsible boss, rather than a glittering habitué of the fundraising gala. He was also an abolitionist at a time when this was to stick your neck out.
In 1999 the UK saw an introduction of the minimum wage: £3.60 an hour. The current rate is £6.70. Small wonder there are campaigns for the living wage of £8.25 for 60 minutes of menial pain.
No matter how philanthropic company chairmen might feel themselves to be, most are answerable to a board of shareholders. Dutifully, they overlook their workers' needs, in the name of profit.
But this is not a lesson in capitalism, but a postscript to the life of a man who combined his wealth with a healthy set of ideals. Any plutocrats reading criticismism, please take note.
Morley Threads runs weekends only (between 21st and 29th November) at Backlit Gallery, Nottingham. For directions, opening times, and a full programme of events see their site.
Carsten Höller, Karussell (1999)Posted: October 18, 2015 Filed under: contemporary art | Tags: Carsten Holler, Charleroi, folk art, found objects, Karussell, nostalgia, theme parks Leave a comment
It's just a working carousel in an art gallery, no big deal. We are not only used to such wholesale borrowings from the real world, we might expect as much from Carsten Hölller.
This Belgian, after all, is the artist responsible for turning Tate Modern and Hayward Gallery into theme parks (as if they weren't already), with adrenalin-pumping slides up to 58 metres long.
But Karussell won't increase your heartbeat. It moves slower than the second hand of a clock. And you can look, but for once I don't think you can touch this piece or ride one of the tiny chairs.
What you get instead is a mental journey, from the post industrial city in which this piece is now on show, to perhaps a village green in some low country at the time of a summer fayre.
Duck ponds, picturesque copses, and church spires are painted all around the crown, while the central column of this aging machine features folksy still life arrangements of flowers.
Also, it should be mentioned that Karussell revolves in silence, bringing a pastoral mood of peace and quiet into what is an otherwise loud show at BPS22, visually and otherwise.
So, once you've dispensed with music and thrills, what does a carousel offer you? My guess is that were you to climb on board you'd feel safe, bored, and conspicuous.
You'd feel especially foolish if you tried to fit into one of the gold hovercars. Headlights blazing, these chariots of the air are completely at odds with their tame, nostalgic context.
The utopia from which they come is already out of date. It is so out of date, their quotation here, in a show about folk culture, is laughable. Are we to laugh at the rustic families who once enjoyed these?
Or is the joke on us, as we imagine ourselves boarding a round trip to a more idyllic time, when the local coal mines were still open and painting a church was a simple act of faith?
Karussell can be seen until 31 January 2016 in Les Mondes Inversés: Contemporary Art and Popular Cultures at BPS22: Musée d'Art de la Province de Hainault, Charleroi, Belgium.
Bonnie Camplin, Patterns (2015)Posted: October 6, 2015 Filed under: contemporary art | Tags: archives, Bonnie Camplin, consensus reality, conspiracy theories, found objects, madness, Michel Foucault, Turner Prize 2015 Leave a comment
There are certain areas of human experience which don't get on the news, don't get written into soap opera plotlines and evade the attention of reality TV. They are pretty much off the menu.
But testimony does survive around, say, mind control, belief in ESP, perception of extra-dimensional beings, witchcraft, fringe religious beliefs and a general susceptibility to the occult.
Books have been written. And many of them comprise Bonnie Camplin's display for the Turner Prize 2015. Wikipedia pages have been compiled, and these too have their place in her show.
The archive is laid out on tables all around the gallery walls. Chairs invite you to sit down and read; a photocopier lets you copy what you need. The artist intends her work is a "research tool".
Meanwhile, a cluster of five monitors invite you to watch documentary films with a quite different tone to that of BBC4. Taken from YouTube, these deal with secret military programmes, and so on.
Yet all of this information is suppressed or presented with a heavy pinch of salt in favour of a governable consensus. You won't get on Question Time with a question about SS-controlled UFOs.
It is not even as if Camplin's authors and witnesses are mad. Madness, according to Foucault, is the absence of a work. But these people are minor video stars and scholars.
But what the French philosopher also tells us is that, "Madness is the punishment of a disorderly and useless science". Spend too much time with this work, you'll deserve a sense of derangement.
"Learning becomes madness through the very excess of false learning,"* he also says. And so Patterns, and the SLG show from which it has evolved, can be seen as schizogenic machines.
It's hard to recall a more dangerous exhibition. Perhaps a monumental installation by Richard Serra could fall on you, but Camplin threatens you with psychological collapse.
That's not her plan. It appears she prefers, by giving exposure to hidden bodies of knowledge, to expand our bounds of reality. Nevertheless, this piece should have a health warning.
Bonnie Camplin is one of four shortlisted artists in a show for the Turner Prize 2015 at Tramway in Glasgow. This can be seen until 17 January 2016.
*p.25, Madness and Civilisation, Routledge, 1997.
Ai Weiwei, Straight (2008-12)Posted: October 1, 2015 Filed under: contemporary art, installation | Tags: Ai Weiwei, bureaucracy, China, Franz Kafka, memorials, politics, power, protest art, Sechuan earthquake Leave a comment
There are two epicentres under consideration in this monumental installation at the Royal Academy right now. One was in Wenchuan County in Sechuan; the other is the government in Beijing.
The first meant a quake that destroyed 20 schools. The second has monitored the ongoing work of China's best known artist and kept him at arm's length with bureaucracy and doublespeak.
Ai contends that given their location on a seismic faultline, the schools should have been better built. This piece is a memorial, which lays square blame with corrupt officials and construction firms.
There is even something unpatriotic about substandard architecture. This, after all, is a nation most famed for a wall stretching more than 20,000km. It inspires a memorable short story by Kafka.
For the Great Wall, says the Czech writer (although how would he know?): "An unremitting sense of personal responsibility in the builders were indispensable prerequisites for the work".
But you can see, from 200 tonnes of straightened rebar, the materials in Sechuan were not equal to the task. And as you can see from the accompanying film, the steel bars failed as a structure.
Now another wall was put up to protect the guilty. Ai's team struggled to get information on the missing and the dead. "What if you're an American spy?" asks a drudge on the end of the phone.
Until the major earthquake, Ai appears to have been something of a favoured son and a successful architect in his own right. As you know, he collaborated on the main stadium for the Beijing Olympics.
But it's commonly thought that it is his unambiguous art of protest, and not his tax affairs, which led to his detention without trial for 80 days in 2011. The authorities have said little.
Kafka again, in character as a native of the old empire, "We Chinese possess certain folk and political institutions that are unique in their clarity, others again unique in their obscurity."
Clarity: Ai has crossed the line. Obscurity: we cannot tell you what line or where. Both qualities pursued the artist even to the point of his visa complications in getting to London for his show.
It is of course counterproductive. The repression gives additional power to the work. As if the walls filled with a list of 5,000 victims' names, a list of serene despair, were not power enough.
Ai Weiwei at the Royal Academy can be seen until 13 December 2015. You can find my review for Culture24 here. The Kafka story mentioned is of course The Great Wall of China, to be found in the Complete Short Stories of Franz Kafka, Vintage, 1999.
Franz West, 6 Adaptives for Rolls Royce Silver Shadow (2007)Posted: June 28, 2015 Filed under: contemporary art, sculpture | Tags: adaptives, Astrup Fearnley, Erling Kagge, Franz West, luxury cars, Passstucke, Rolls Royce Silver Shadow, The Spirit of Ecstasy Leave a comment
On some level you may already be offended. You don't need to be a total petrolhead to find the addition to this prestigious bonnet to be something of a defacement.
Let's be honest, it lacks the easy romance of the flying woman usually found on the prow of a Rolls: The Spirit of Ecstasy by Charles Robinson Sykes.
Sometimes called Emily, this stainless steel form (with 24-carat gold plating optional) has a really great backstory: a clandestine love affair and a disaster at sea are both involved.
Austrian sculptor West has pretty much dumped on that. He made six of these turd-like accessories for the luxury car market: one for every day of the working week.
Irony alert: if you are a Rolls Royce customer you probably don't need to pull a full week's shift. And yet, this work feels only indirectly political. It is too playful for that.
What's more, given that it is one of the Austrian artist's adaptive pieces, we can perhaps only grasp the work by getting behind the wheel joining in with the consumption of luxury.
But it should be noted the car belongs to Norwegian collector Erling Kagge; it is unlikely he lets just anyone test drive one of the jewels of his personal collection.
In his book about buying art, Kagge relates how, when he bought this piece, he was surprised to find the car thrown in with the deal. It was itemised merely as a plinth.
But a weird thing happens when the three dimensional graffiti above the grille throws the viewer's attention back onto the aesthetics of said plinth, four wheels and all.
Good taste can take a holiday. West once called his adaptives, "a potential attempt to give form to neurotic symptoms (according to Freud the foundation of culture)".
We think we know what neurosis leads to the acquisition of a big, powerful car. Let's just say that the pictured adaptive is the least phallic in the range.
The rest come in a range of colours, including flesh, and cruising round town with your insecurities in full view, rather than simply your wealth, must be quite therapeutic.
West's piece can be seen in Love Story: Works from Erling Kagge's Collection, at the Astrup Fearnley Museum for Modern Art in Olso, until 27 September 2015.
Wael Shawky, Cabaret Crusades (2010-2015)Posted: March 16, 2015 Filed under: contemporary art | Tags: animation, Doha, Mathaf, performance, puppetry, the Crusades, Wael Shawky Leave a comment
4000 years after their first use in Egypt, Wael Shawky has made marionettes a central part of his art practice, spooking the viewer with what some say is the oldest form of theatre.
These puppets are not found objects. The artist has them made using glass and ceramic to render a cast of plenty, in period dress, who range from ethnic caricature to alien xenomorph.
As destructible as a truce, these include more than 100 hand-blown glass marionettes made by the maestros in Venice, a city with its own minor role in the crusades.
Shawky's theme here is the millennium-old strife between Christianity and Islam or, more accurately, between Islam and Christianity. After all, those of Islamic faith were on home turf.
But the drama is inspired by Arab accounts of the 11th and 12th centuries, when invading knights from Northern Europe waged a war – of varying degrees of holiness – in the Levant.
Take for instance this account by Ralph of Caen: "In Ma'arra [today in Syria], our troops boiled pagan adults in cooking pots; they impaled children on spits and devoured them grilled."
Whether or not this grim moment appears in Cabaret Crusades, I can't say. The new show in Doha is beyond my usual patch. But even on film, you sense these puppets are capable of anything.
And this. As the 9th century rolled around, Baghdad was the most powerful and civilised place on earth with 1,000 physicians, free healthcare, regular post, working sewers and good water supply.
The early Iraqis even had global banking, with several overseas bank branches in China. That's kind of mindblowing, whereas what the invaders had was apparently chainmail and brutality.
Such factoids are on almost every page of the book mentioned by Shawky in generous interviews: The Crusades Through Arab Eyes by Amin Maalouf. It's highly recommended.
Art also figures in this reprehensible past. Upon witnessing the siege of Acre in 1189, historian Ibn al-Athir reports the use of a painting of Muhammad beating Jesus: "to incite people to vengeance".
Cabaret Crusades is unlikely to inspire fanaticism on either side. But what the puppets may well tell you clearly that history is full of treachery, intrigue and reversals of fate.
So if in recent years you've been surprised or indeed exasperated by inconsistencies in US and UK foreign policy, look upon these fragile, mutually dependent figures and realise it was every thus.
Wael Shawky: Cabaret Crusades and Other Stories can be seen at Mathaf: Arab Museum of Modern Art, Doha, until 16 August.
This interview with Shawky and clips of the action is well worth a look.
UK Exhibitions: March 2015Posted: March 1, 2015 Filed under: aggregation, contemporary art | Tags: FACT, Gerald Scarfe, Leonora Carrington, Matt Stokes, Matt's Gallery, Richard Diebenkorn, Tate Liverpool, The Bowes Museum, The Royal Academy 2 Comments
I've been picking a monthly round up of art for a few years now, first on Culture24 and now on criticismism. If it's not my imagination, this is getting more difficult. Cuts coming home to roost?
It's my unscientific impression galleries have got less likely to list forthcoming shows. It could be a sign they're having trouble planning, or that they're at least lacking web resource.
That's to say nothing of the quality of what's on offer. But fortunately, it remains a tricky operation to choose a shortlist from the wealth of UK exhibitions. Anyhow, FWIW, as ever, here goes:
Group Therapy: Mental Distress in a Digital Age, FACT, Liverpool, 5 Mar – 17 May. New group show connects the technology which structures our lives with the mental illness which sometimes blights them. 15 artists provide a chance to reflect on the new psychological landscape.
Leonora Carrington, Tate Liverpool, 6 Mar – 31 May. Too much to say about Carrington in this narrow window, but unfamiliar visitors may thrill to her surreal work, her remarkable life story, and her diversification into poetry, scultpure, tapestry and theatre design.
Gerald Scarfe: Milk Snatcher, The Thatcher Drawings, The Bowes Museum, Co. Durham, 14 Mar – 31 May. With a general election on May 7, this is a brave moment for a museum to remind us of the evils of Thatcherism. And, with recent events in Paris, the power of political cartoons.
Richard Diebenkorn, The Royal Academy, London, 14 Mar – 7 Jun 2015. Heralded by US papers as a painter of superlative gifts, the forthcoming show – Dieberkorn's first in the UK for 20 years – is an opportunity to be seized. The RA promises a career long survey.
Matt Stokes: Cantata Profana, Dilston Grove, Southwark Park, London 27 Mar – 26 Apr. Grindcore metal meets choral composition in an offsite six-channel installation for Matt's Gallery. Find yourself immersed as the volume goes up to (a no doubt cathartic) eleven.


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Inside our Schools: CV plans 'Connections'
Sat., Oct. 26, 2013, midnight
Central Valley School District will present three Community Connections events to highlight school programs and strategies. Teachers and students will participate in discussions with a focus on career and college readiness.
Each meeting will be held from 7:30 to 9 a.m.
• McDonald Elementary School, 1512 S. McDonald Road, Tuesday, "Impact of Smaller First Grade Class Size and Full-Day Kindergarten on Student Learning," plus, musical performances.
• Bowdish Middle School, 2109 S. Skipworth Road, Nov. 6, "Safety and School Culture;" common core state standards and sample lessons.
• Summit School, 612 S. McDonald Road, Nov. 8, "Expeditionary Learning"
Each event will include a short overview of the 2013 District Report Card.
Space is limited and reservations are recommended.
For more information, call (509) 228-5400.
Panda Pals
Opportunity Elementary School, 1109 S. Wilbur Road, is in need of volunteers for Panda Pals.
The mentoring program aims to pair adults with students who could benefit from a positive and consistent adult interaction. Mentors will be asked to spend one hour a week with a student during recess and lunch.
All volunteers will be asked to complete the Central Valley School District volunteer application and a background check.
For more information, call Annie Heacock at (509) 228-4550 or email firstname.lastname@example.com.
Veterans Day celebration
Valley Christian School will present two Veterans Day performances Nov. 8.
The 25th annual program will feature patriotic music performed by the elementary choir and the high school drama team.
The first performance will be at 10:30 a.m. at New Life Assembly of God Church, 10920 E. Sprague Ave. The second will be at 1 p.m. at Union Gospel Mission, 1224 E. Trent Ave.
The public is invited to attend.
For more information, call the school at (509) 924-9131.


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Hondas small sports bike expansion
Could this be the revival of mental hightech 250cc bikes
IT'S all too easy to question the recent spate of 250cc sports bikes when looking at new models from a purely European perspective but Honda's latest expansion plan puts the worldwide size of that market into sharp perspective.
The firm has announced that it's going to make an extra 500,000 bikes per year at its Karawang plant in Indonesia thanks to the addition of an extra production line. That line will be purely dedicated to sports bikes, and because it's in Indonesia, the chances are they'll be 250s.
Why? Because Indonesia – which is one of the biggest bike markets in the world – charges a 60% tax on bikes over 250cc (rising to 75% over 500cc), as well as a 60% import duty. So a £5,000, 600cc commuter bike imported from abroad would cost the equivalent of £14,000. So you can probably understand why virtually every bike sold in Indonesia (and there are around 8 million of them every year) is under 250cc and built locally.
To add to that perspective, the new half-million-bike-per-year production line at Karawang is added to the plant's existing 1.1 million unit capacity. And it's Honda's fourth Indonesian factory; in total, the firm currently makes 5.3 million bikes per annum in Indonesia alone via its 'Astra Honda Motor' joint venture in the country.
Why should we care? Because 25 years ago, all of the Japanese 'big four' manufacturers were engaged in a fierce battle for supremacy in the 250cc market, all building beautiful, crazy, 250cc four-cylinder machines that revved to close to 20,000rpm. And that was simply for the Japanese market, which is tiny in comparison to the Indonesian one, because local licence laws encouraged 250cc bikes (and 400cc bikes, which explains the creation of wonders like the NC30, which cost more when new than a contemporary CBR600F.)
Now, Indonesia's growing prosperity means there are riders who want performance and technology, and can afford to pay for it, but they understandably baulk at the mad taxes on larger, imported bikes. The time is ripe for a new generation of mental, high-tech 250s. Kawasaki is already rumoured to be working on a 250cc four-cylinder sportsbike, to add to its existing single-cylinder and twin-cylinder offerings (the Ninja 300 is still around as a 250 in certain markets, and has been joined by the Ninja 250SL single.) Surely, with such a huge investment in the Indonesian market, Honda must have ideas of following suit.
Whether Europeans could be tempted by expensive, high-performance 250s is questionable, and whether manufacturers will bother to homologate them and import them to such a comparatively small market adds even more doubt.
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This is a discussion on The BIG BRZ Bickering Brief! within the New Cars/Prototypes Forums forums, part of the Community - Meet other Enthusiasts category; Originally Posted by Weasel 555 Subaru debuts production BRZ sport coupe Attachment 100704 Replace that ugly front bumper with a ...
Mixed feelings, now that we're seeing production models. It's light, meaning that the 200'ish hp is really more like 245hp in our standard, 3300lb-ish cars. Hopefully it handles like a monster, and is priced right.
It looks a little pedestrian, in the way that a 6th generation Celica looked pedestrian to me. Hopefully I'll like it in person!
edit:I'm also wondering if it's the silver BRZ in the video that's giving me the impression. It doesn't do much to show off the lines of the car.
Last edited by RayfieldsWRX; 11-30-2011 at 06:10 AM.
Grandfather of the Bugeye Mafia
2013 Subaru BRZ Limited
2002 Subaru WRX Bugeyebrid Wagon -- SOLD
2002 Subaru WRX Sedan -- SOLD
I for one really like it. The styling isn't the best but it isn't "ugly". Really interested what the pricing will be though. I have a feeling it's gonna start in the 30k range.
My "Build" Thread!
Hawk-Eye Alliance #1856...ssshhh don't tell anyone!
The production versions look weak. The wheels don't seem wide enough and don't fill out the fenders enough IMO. I hope the STI version is really in the works.
The Hawk-Eye Alliance #90|The Blobeye Syndicate #0|The Stink-Eye Mob #0|N.E.R.D. Founding Member & #3
2012 Ford Mustang GT Premium|Kona Blue|5.0L Coyote V8|6spd Manual|Corsa Catback Exhaust
The Big 2011/2012 Mod Thread
Ooh,hang on. That is the throb of a turbocharged flat four engine. A sound which,all over the world,heralds the imminent arrival of a moron - JC.
OBP 2010 5dr *traded*
My name is Shawn, I'm a Devout Practicalist and I'm addicted to flat4's
This page has had 1,666 visits
The Big 2011/2012 Mod Thread
Ooh,hang on. That is the throb of a turbocharged flat four engine. A sound which,all over the world,heralds the imminent arrival of a moron - JC.
2004 WRB WRX Cobb Stage II - Sold...2004 PSM STi Cobb Stage II - Sold...2011 WRB WRX Torqued Performance Stage I - Daily Driven
My current average MPG
Price they are quoting for the Premium version of the BRZ is about the same as the Base price for the WRX so around that 26k number. Initially there will only be a Premium and Limited Trim version of the WRX. At least if you believe Motor Trend.
Subaru BRZ - 2011 Tokyo Motor Show - Motor Trend
Toyota 86 First Drive - Motor Trend
Some interesting reads.
All I can say is I should have kept the Civic a couple of more years. Looks like it could be one heck of a fun little car. Of course, I might not even fit in it but a guy can dream.
My "Build" Thread!
Hawk-Eye Alliance #1856...ssshhh don't tell anyone!
The reason is looks 'pedestrian' (kind of agree on the Celica comparison) is the lack of character on the hood (ala where's the hood scoop). If they couldn't add a turbo, they could have still had a small vent or air scoop for character. Nothing says 'muscle' like a scoop. At least they didn't automatically junk them all up with those obnoxious rear spoilers prototypes had. The fog lights look useless. The digital speedometer readout looks a bit 'cheap' for lack of a better word. I like the DRLs. By comparison, it's a shame they only used the brights on the recent WRX (that looks kind of cheap-o re-using existing lights instead of dedicated ones when the existing projectors scream for a halo or...something). The biggest problem is that nothing will make this car a good year-round car in a Northern climate and if I was going to have a car for 3-seasons only, I'd personally want a bit more power (i.e. the turbo thing again). Otherwise, it's not bad looking, certainly better than the average Subaru for the past oh say...forever.
2011 WRX Limited DGM Sedan - SPT Catback - SPT STS + Kartboy Bushings - 3M Clear Bra
I disagree (respectfully) with almost everything just said. I think the hood looks very clean and am extremely glad they didn't put a scoop on a NA car. I also think the digital speedometer is an awesome edition. When really getting on it and checking gauges it is nice to have everything within 1" of each other (Speedo, tach, shift light). I seriously believe pending a test drive that this will be the car I purchase in the next 2 years
The video was pretty awesome...I do think if its dropped just under an inch, and slap on some 235s...perhaps some thicker sidewalls (is it me or do the rear tires look very rounded, almost stretched???)...and you have a winner.
The Hawk-Eye Alliance #90|The Blobeye Syndicate #0|The Stink-Eye Mob #0|N.E.R.D. Founding Member & #3
2012 Ford Mustang GT Premium|Kona Blue|5.0L Coyote V8|6spd Manual|Corsa Catback Exhaust


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WED 14 - SAT 17 JUN, 8pmTickets: £15.50 / £13.50
Jim Cartwright Theatre CompanyStand Up, Stand Up is a dark comedy, hilarious and heartbreaking in turns. A struggling comedian meets a frustrated bailiff with secret show-business dreams, forming an unlikely alliance that leads them on a life changing roller-coaster of an adventure neither was quite prepared for. It's as if 'Cant Pay? We'll Take It Away' met with 'Live at the Apollo' and spontaneously combusted.Post show discussion: 14 JunRunning time TBCRecommended age 12+
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Weekly Overview: New Research to Improve Farmed Aquatic Species Health12 January 2016
ANALYSIS - The UK's University of Exeter and the Centre for the Environment, Fisheries and Aquaculture Sciences (Cefas) are leading a £1.97 million BBSRC-Newton Fund project to develop and apply new molecular biology techniques to reduce the impact of major diseases in aquaculture.
This research will especially benefit the livelihoods of small-scale farmers in India, Bangladesh and Malawi.
In this project environmental DNA (eDNA) methods will be applied to help understand the microbiome (assemblages of microbes and pathogens) in fish and shellfish culture ponds, and within the organisms themselves for developing early warning of diseases and for avoiding disease outbreaks in low income countries where food is scarce.
Professor Charles Tyler, of the University of Exeter, who will lead the work, said: "This grant provides a wonderful opportunity for us to combine our molecular skills in Biosciences at Exeter, with the expertise in disease diagnosis, pathology, and eDNA at Cefas, to better understand how the microbiology within culture ponds relates to health status and disease outbreaks in key crop species (shrimp and finfish) in India, Bangladesh and Malawi.
"We will use the data to develop models for predicting the drivers of disease outbreaks that can be applied to allow for measures to reduce or prevent crop losses for farmers."
New research funding was also announced this week for salmon farming in Arctic regions.
The Research Council of Norway's regional fund Northern Norway awarded NOK 3 million to research the benefits of health feed for salmon farmed in Arctic regions.
"Salmon farming in Finnmark has fish health challenges that are specific to this northernmost region in Norway. Our project will study health feed and its effects on fish health, performance and filet quality on salmon farmed in Finnmark," said project leader Ragna Heggebø, researcher at EWOS Innovation.
In other news, Norwegian seafood export values continued to soar in 2015. The country recorded a new record of NOK 74.5 billion worth of seafood exports in 2015, eight per cent more than recorded in 2014.
"In a year with trade restrictions in several markets and an import embargo in Russia, the result was better than expected. A weak Norwegian krone, combined with good demand for fresh products in particular, contributed to a new export record for Norwegian seafood," commented Terje E. Martinussen, Managing Director of the Norwegian Seafood Council.
Lucy Towers
News Team - Editor
After graduating from The University of Sheffield, Lucy joined 5M in 2011 as part of the News Desk team. In 2012, she was promoted to editor of TheFishSite. With previous farming experience and a love for the great outdoors, Lucy has a passion for wildlife and the environment.


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Nina Blake (Novel Series)
6,563pages onAdd New Page
this wiki
this wiki
Nina Blake is the aunt of Penny Blake and sister of Philip and Brian Blake.
Location Unknown
Nothing is known about her life, except that Penny used to visit her a lot before the apocalypse.
After the outbreak, Nina's fate is unknown.


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Alley Cat Allies confronts cruelty against cats and believes that every instance of cruelty should be prosecuted to the fullest extent of the law. Anti-cruelty laws protect every cat in the United States, regardless of whether the cat is a pet, stray, or community cat. Alley Cat Allies seeks justice for cats harmed in cruelty cases, informs prosecutors and lawmakers, and supports caregivers whose cats have been threatened or intentionally harmed.
Anti-Cruelty Laws Protect All Cats
Intentionally killing an owned cat is prohibited in all 50 states and the District of Columbia. Anti-cruelty laws must protect every cat. It doesn't matter whether the cat is a pet, a stray, or a community cat.
Cruelty Must Be Taken Seriously
Cruelty should always be investigated and prosecuted to the fullest extent of the law. Animal cruelty laws were developed not only to protect animals themselves, but also to protect society. It's long been understood that there is a link between violence against animals and violence against people. Extensive research shows that a person who intentionally harms an animal is a threat to society, whether the victim is a spouse, a child, or an animal. For the sake of both people and animals, it's critical to take animal cruelty seriously.
Fighting Against Cruelty
You can help us fight against cruelty and make the world a better place for cats. Visit our Action Center to get involved right now.
If your cats or cats you care for have been injured or threatened and you suspect animal cruelty, we have all the information you need about what to do next.
- Conflict Resolution—How to Organize Quickly to Protect Community Cats
- Violence Has Many Victims
- Anti-Cruelty Laws Protect all Cats
- Trap-Neuter-Return is Not Abandonment
- Audio Files: Trial for Galveston Cat Killing
- Alley Cat Allies Condemns Wisconsin Cat Hunter's Boasts
- Kristen Lindsey's Veterinary License Suspended, Not Revoked
- Punishment for Cat-Killing Veterinarian in Texas Too Lenient, Says Alley Cat Allies
- Alley Cat Allies Against Proposed Punishment For Cat-Killing Veterinarian That Would Fail To Revoke Her License
- When It Comes to Declawing, Reality Bites


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A New Companion to Homer:
€ 349,99
Besorgung - Lieferbarkeit unbestimmt
Februar 1997
BeschreibungThis volume is the first English-language survey of Homeric studies to appear for more than a generation, and the first such work to attempt to cover all fields comprehensively. Thirty leading scholars from Europe and America provide short, authoritative overviews of the state of knowledge and current controversies in the many specialist divisions in Homeric studies. The chapters pay equal attention to literary, mythological, linguistic, historical, and archaeological topics, ranging from such long-established problems as the "Homeric Question" to newer issues like the relevance of narratology and computer-assisted quantification. The collection, the third publication in Brill's handbook series, "The Classical Tradition," will be valuable at every level of study - from the general student of literature to the Homeric specialist seeking a general understanding of the latest developments across the whole range of Homeric scholarship.
PortraitBarry B. Powell, Halls-Bascom Professor at the University of Wisconsin-Madison, is best known for his books Homer and the Origin of the Greek Alphabet (Cambridge, 1991) and Classical Myth (Prentice-Hall, 1995; 2nd edition, 1997). He has also published articles on Greek poetry, especially Homer, the history of writing, and the origins of Greek myth, as well as doing research in Egyptian philology. Ian Morris is Professor of Classics at Stanford University. His research focuses on social and cultural history, and archaeological evidence. He has excavated extensively in Greece, and is the author of Burial and Ancient Society (1987) and Death-Ritual and Social Structure in Classical Antiquity (1992).
Pressestimmen'"...die Qualitat der einzelnen Beitrage ist auf durchgehend hohem, fallweise hochstem Forschungsniveau...fur Einsteiger wie Fortgeschrittene gleicherweise hilfreich und instruktiv." Stefan Hiller, "Anzeiger fur die Altertumswissenschaft", 2002. '"This volume will certainly be useful, and in some areas indispensable."' R.B. Rutherford, "The Classical Review", 1999.
Untertitel: 'Mnemosyne, Bibliotheca Classic'. Sprache: Englisch.
Verlag: BRILL ACADEMIC PUB
Erscheinungsdatum: Februar 1997
Seitenanzahl: 756 Seiten
Format: gebunden


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Donavan Hall
Among other things, Donavan posts stories about life in Long Neck (mainly about reading, soccer, and craft beer) on Medium. He writes "A Text Adventure", a blog about the unfolding text of Doctor Who. He's also working on a memoir called Lost Time.
Questions, comments, or tips?
Send me a message on Twitter, or (if that's not your bag) then you may send me an email.


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A merry-go-round or whatever you call it kept the kids entertained in the Peace Park last night as Santa visited courtesy of 96FM.
Even the Lord Mayor of Cork turned up. He had no problems finding parking. I saw his car parked up on the broad new pavement outside the park. The "07 C 1" number plate is very distinctive.
Flowers in the Peace Park in Cork flourish in the early April sunlight last year. Does anyone recognise this one?
Good luck to everyone competing at the Blog Awards tonight and have a great night regardless!
What the hell! Flickr gave me a dud URL again. That's three in a row. Time to complain.
Kristy asked for a desktop sized version so here's a 1024×768 version that is the proper dimensions for a standard desktop. Most of my photos have a 1.5 ratio between sides so I had to crop this to 1.33. Please if you use it, leave in my name and URL at bottom of the image. Thanks!
|Canon EOS 20D
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25 cu. ft. Counter Depth Side-by-Side Refrigerator with MicroEtch™ Shelves
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Dimensions are for planning purposes only.
For complete information, visit service and support.


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Women's Pac's: Abortion and Elections
€ 55,99
Lieferbar innert 2 Wochen
August 2004
BeschreibungFilling the gap in knowledge about women's political action committees (PACs), this useful book examines the attitudes, priorities, and motivations of individuals who contribute significant amounts of money to the political scene. This book sheds new light on gender, feminism, partisan politics, and campaign finance in an easily absorbed manner. Based on survey data as well as face-to-face interviews, this book shows how PACs have narrowed the gender gap in U.S. electoral politics. The three PACs examined are EMILY's List (supporting Democratic pro-choice women candidates); the WISH List (supporting Republican pro-choice women candidates); and the Susan B. Anthony List (supporting pro-life women candidates and pro-life men opposing pro-choice women candidates). For those in political professions, especially those interested in Women and Politics.
Untertitel: 'Real Politics in America'. New. Sprache: Englisch.
Verlag: ROUTLEDGE CHAPMAN HALL
Erscheinungsdatum: August 2004
Seitenanzahl: 128 Seiten
Format: kartoniert


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News By Tag
Industry News
News By Location
Industry News
Phase 2 opens medical device contract manufacturing facility in Tijuana
While Costa Rica is well known for its medical technology industry, Phase 2 felt that they could not manage costs as well for their customers because of increased real estate prices and scarcity of skilled labor.
"Our medical device clients told us off-shore or near-shore, lower-cost labor would be important when it came to medical product outsourcing in the future," said Adam Prime, CEO of Phase 2 Medical Manufacturing. Add higher shipping costs and 18-day shipping times, and Phase 2 Medical began to look elsewhere to complete their medical assembly and medical packaging businesses. After hearing good things about cost, an abundance of skilled labor and the willingness of the economic development agency to work with new companies, Prime and his team began to seriously consider Tijuana, Mexico.
When it comes to medical product outsourcing and medical device manufacturing, lower cost and close proximity to the U.S. are big deals for us," Prime said. "Tijuana meets both those criteria."
By the end of the year, the company expects to employ 20 people in its Tijuana plant. It has a staff of 170 in New Hampshire.
To learn more about Phase 2 Medical and medical device development and medical device manufacturing, visit www.phase2medical.com.
About Phase 2 Medical Device Contract Manufacturer
Phase 2 completes medical device contract manufacturing to the medical device industry. Phase 2 Medical specializes in medical device development, medical device engineering and medical device assembly including medical packaging for companies seeking medical product outsourcing. Phase 2 is a metrics driven company utilizing sophisticated processes, including lean manufacturing, to build single-use medical devices and provide medical device manufacturing solutions to its client partners. For more information, visit http://www.phase2medical.com.
Mark Hefford
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Welcome to the Center for Refugee Health
Created in 2009, the Office of Community Medicine has remained on the cutting edge of patient care and public health. By building connections between medical providers and refugee communities, we work on projects that address the needs of the refugee patient population. Our mission is to improve the quality of life in our diverse community! Check out our current programs and learn how you can get involved. We are also active on Facebook, so be sure to "like" the Rochester Regional Refugee Healthcare Program page to stay on top of relevant updates:
6th Annual North American Refugee Health Conference
The North American Refugee Health Conference is recognized as the preeminent conference destination for professionals working with refugee populations. This event took place in Niagara Falls, New York on June 12-14, 2016. Visit the conference page to learn more.
Click here to see our 2016 presentations


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Definition of humdrum
: monotonous, dull
Examples of humdrum in a Sentence
She liked the movie, but I thought it was humdrum.
another humdrum day at the office
Origin and Etymology of humdrum
reduplication of hum
First Known Use: 1553
HUMDRUM Defined for English Language Learners
Definition of humdrum for English Language Learners
: not interesting : dull, boring, and ordinary
HUMDRUM Defined for Kids
Definition of humdrum for Students
: not interesting a humdrum day
Learn More about humdrum
See words that rhyme with humdrum Thesaurus: All synonyms and antonyms for humdrum Spanish Central: Translation of humdrum Nglish: Translation of humdrum for Spanish speakers
Seen and Heard
What made you want to look up humdrum? Please tell us where you read or heard it (including the quote, if possible).


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DJ SqueekyView in iTunes
To preview a song, mouse over the title and click Play. Open iTunes to buy and download music.
For his debut LP, Memphis-based rapper Tom Skeemask teamed with producer DJ Squeeky, whose previous projects included the underground hit Young Southern Playaz compilation series as well as DJ Squeeky and the Family on a Mission. After signing with the Relativity label, the duo issued DJ Squeeky Presents: Tom Skeemask, 2 Wild for the World in 1998; During the Mission was issued two years later. ~ Jason Ankeny
Top Albums
Top Songs
Memphis, TN
Years Active:
'90s, '00s


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Belts, any advice?
I have to replace the serpentine belt. It's ugly. Splitting.. making ungodly sounds.. it's just plain embarrassing. So, any tips or anything I should know before I get started?
BTW, sorry I've been away for a while. School gets in the way of my forum life. I'm happy to update on my stereo situation if anyone still remembers. For my birthday, my jeep was stolen (by my fiance) and replaced with a functional stereo in it. Turns out, I blew the stereo, not a relay.
replacing the belt is really straight-forward. all you gots to do is loosen the idler pulley bolt and that will drop the idler pulley to give slack in the belt. pull the belt off. put new belt on. tighten idler pulley back. drink a beer and relax cause that was hard work!
Glad you made it back to WF! We missed you.
Might think about replacing that idler pully also
After reading all of your struggles with diagnosing your stereo, it did sound like it was blown. Missed you around here. Glad you found your way back, to the only sane place on the net......little snicker here. As stated above, it is a pretty simple task, and do check the idler pulley. Sometimes the bearings go out in them.
Belts, any advice?
Awwww.. I missed you guys too! Glad to know it's an easy fix.. Next to fix is the steering dampner. I have a bad habit of plowing over speedbumps. lol. :D
That's cool. I was just wondering why you would think that. I'll go along with that reasoning.
I think I'm starting with the belt.. and seeing from there. lol
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text: 2*3m Uv Flatbed Printer - Shanghai Huidi Digital Technology Co Ltd Toggle navigation TRADE DEALS Products Companies Product Company Search LOGIN E-mail Password Remember me Join Free JOIN FREE HomePackaging & Paper Other Packagings 2*3m Uv Flatbed Printer PRICE: contract price Product Description 2*3m Large format UV Glass MDF Packing Paper PrinterModel: TC-F2030Color: CMYK LcLm W,VarnishPrint Head: Ricoh G5-7plHead Quantity: 2~8 optionalInk type: UV Ink Ink Curing Lamp: Mercury; LED(optional)RIP: Photoprint, Caldera(optional)Printing Size:2000*3000mmMax Media Thickness: 120mmPower: 8KWVoltage:220V/240V, single phaseFrequency: 50/60HzDimensions: 3820*3950*1500mmN.Weight: 1290kgPacking: wooden boxLead time: 2 weeks Port: ShanghaiCertification: CEMin.Order Quantity: 1 setSupply Ability: 30sets/monthPayment Terms: T/T,West Union, etcCurrency: USDIntroductionTC-F2030 UV Flatbed Printer is a high speed printer with big printing size(2*3m). Like other models, TC-F2030 flatbed printer can be installed with 8 pcs printheads max. Which means, it has different configurations of colors(cmyklclmwv) and printheads(Ricoh G5).With the specs of CMYK*2 with 8 heads this printer can provide fast industrial speed production and various white color applications.As a 2*3m large sized UV flatbed printer, it can be used to print on all kinds of materials no matter it is small size of big size. This machine can print on glass & ceramic, acrylic and metal sheet like aluminum plasterboard. It is also used on stainless steel, raw wood, MDF printing . With stable working performance and nice output of printing, F2030 model helps customer to add the value of their products and helps them to get orders in high-end market.Parameter DataModelTruecolor TC-F2030ColorC M Y K, Lc Lm White and Varnish are optionalPrintheadPiezoelectric Printhead RICOH GEN 5 7PL / Konica Head (Option)Top Resolution600,900,1200,1800,2400dpiSpeedUp to 40 ㎡/h double CMYKMediaWood panel, Aluminum panel, door plank, paperboard, PVC expansion sheet, ceiling panel, glass, ceramics, acrylic, PVC, etc.Media SizeMaximum Printing Area: Panel:2*3mThickness of MaterialPanel:≤ 120mmWeight of MaterialPanel:≤ 45 kg/m2Image formatTiff,Jpeg,Postscript3,EPS,PDF,AI and so onInkEnvironmental protective UV inkInk Capacity2.5L drums, automatic ink control, non-stop and inkPower SupplyAC,50HZ/60HZ , 220v(±;10%)>15A ;6.5kwPrinting softwarePhotoprint Dx12 plus/ Caldera(Option)Dimensions (L*W*H)4020*3950*1430mmNet & Gross1290KGS & 1920KGSPackage dimensions (L*W*H)4130*2220*1180Operation environmentTemperature: 15-30℃(59-86℉) Humidity: 40-80% RH (non-condensing) Operating Noise ≤80dBSafety CertificationCE CertificationInstallation & TrainingEnglish speaking engineers can fly abroad for installation and trainingAfter-sale Service24/7 can be touchable on whatsapp, wechat, email and team viewer. WarrantyOne year warranty for whole machine Except consuming spares such as printhead, ink supply system and mercury lamp.Color Option Head Pcs Head Roughly Speed (sqm/hr) Print Resolution Remark CM YK White31H2color18600*900dpi; 600*1800; 600*1200; 600*2400; @ 6/8/12 PassLow cost, full applicationsC M Y K W51H1color30Middle cost, fast speedC M Y K W Varnish61H1color20Full applications, Middle costCM YK LcLm W41H2color15Full colors, Low costC M Y K Lc Lm W71H1color27Higher cost, Full functionsC M Y K * 281H1color40High Speed, high cost Other products Single epson dx7 head eco solvent printer Price: contract price Konica 512i 1024i head printer Price: contract price Konica 512 1024 head printer Price: contract price Single epson dx5 head eco solvent printer Price: contract price Company Info Shanghai Huidi Digital Technology Co Ltd Contact Person: Daniel Wu Phone: 86-21-58226625 Contact now × Contact form Your name: Your E-mail: Your Phone: Subject: Enter a message: Close


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Ms. Katsuko Tsuji
Piano, Suzuki in the Schools Teacher
Kay was born to musical family and started her early musical training at age 3 at Yamaha and Suzuki music school. Her musical passion extended not only classic music but also Jazz and Latin.
She earned BA from Osaka College of Music, MM from Mannes College of Music, Juilliard school, and additional studied at Aspen Music School, Yamaha Music school, Suzuki talent education in Japan. As Suzuki teacher, she studied with Cathy Hagrave, Jane Reede, Fey Adams, Joan Krzywicki and was Inspired by Nancy Model's Suzuki/Taubmann approach. She is studying Taubmann approach with Sondra Tanman and continue taking Suzuki training at School for Strings under tultigate Marina Obukvsky.
She is active member of ASCAP,MTNA, NGPT,MEANJ, and PMTGNJ. She especially loves to working with special needs students. Her students are age 2-99. She got numerous teacher's Awards, including National Honor Award, Piano teacher Hall of Fame from American college of musicians, and The highest Score award form ABRSM( Associate Board of Royal School of Music).
Beside teaching, Kay Is working an organist/keyboardist at Paramus Congregational Church, Mission Church and a music therapist at Bergen Rigional Hospital. Her hobby include painting, playing golf and traveling.


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x Click Here to subscribe to free job alerts! Join our BBM Channel on C00299C49. Follow us on Instagram @jobzillanigeria
18 Oct 2016
PwC Job for a Financial Risk Management - Manager
by Jobzilla Nigeria at 10/18/2016 01:05:00 pm Tags: Business and Finance Jobs , Business-and-Finance-Jobs , Lagos Jobs , PriceWaterHouseCooper
PwC is recruiting to fill the job position below:
Job Title: Financial Risk Management - Manager
Reference Number: 125-NIG00111
Location: Lagos
Department: Assurance
Job type: Permanent
Roles & Responsibilities
- Selling, developing and leading consulting projects for clients in Financial Risk Management.
- Building and maintaining value-adding client relationships.
- Act as a subject matter expert (SME), advising and supporting our financial services clients with regard to risk management and regulatory compliance.
- Participating actively in conferences and other events to support business development initiatives and meet prospective clients.
- Managing/overseeing project teams, identifying development needs within the teams, and building competence through mentoring, coaching and knowledge transfer.
- Contributing to knowledge sharing and development within the Risk consulting team.
- Provide inputs and drive initiatives for the development of thought leadership in financial risk and regulations.
- Ensuring effective monitoring of multiple risk management projects with tight reporting deadlines.
- Advising our financial services clients on their financial risk models, policies and governance.
- Supporting clients in the implementation of their Enterprise-wide Risk Management Frameworks.
- Identifying business opportunities for within existing and/or potential clients.
- Participating in business development and contributing to harness the business opportunities into successful wins.
- Developing and validating models to meet clients' objectives and expectations.
- Delivering projects in various risk management areas and adding value to new and existing clients.
- A good University degree with a minimum of second class upper division.
- Completed Master's degree, preferably in Econometrics, Mathematics or other quantitative areas of study.
- 5 to 7 years relevant work experience in the field of financial risk management in a banking industry or risk consulting environment.
- You should have an appreciable content knowledge of ALM, market, credit and liquidity risk management.
- A recognised professional certification such as FRM/PRM/CFA will be an added advantage.
- Good knowledge of Basel II/III & Solvency II derived principally from Basel II/Solvency II implementation project experience.
- Ability to build strong, long-term relationships with key client contacts across lines of service and leverage the PwC network.
- Ability to develop people through effective mentoring and coaching of team members.
- A good team player
- A good working knowledge of Microsoft Office tools.
- Excellent verbal and written communication skills in English.
- Pro-active and entrepreneurial spirit, in combination with strong team work ethics.
How to Apply
Interested and qualified candidates should:
Click here to apply
Application Deadline 8th November, 2016.
Follow @jobzillanigeria
You can also join our interactive and interesting JobZilla BBM Channel by clicking C00299C49.
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To be considered for The Harrisburg Summer Semester Internship program, please complete the application below fully and accurately.
You may want to consult your Career Services Counselors to assure you have a well-structured and well-written resume appropriate for sharing with prospective internship sponsors.
Note: If you are not able to provide any of the above in a format that is uploadable, these items may be mailed to:
Harrisburg Semester Application
School of Public Affairs
Penn State Harrisburg
777 West Harrisburg Pike
Middletown, PA 17057
Please provide the names and email addresses of two academic references. At least one of these must be a professor who has direct experience with your academic work. They will be contacted directly via the email addresses you provide here, so please be accurate with this information.


text: To get from Cisterna di Latina to Trezzano sul Naviglio by train you can catch one of the 36 trains that everyday travel between these two cities. The first train to Trezzano sul Naviglio leaves from Cisterna di Latina at 05:18 and the last train departs at 23:43. The trip by train from Cisterna di Latina to Trezzano sul Naviglio last on average 03:04 travelling with high-speed trains (Frecciarossa or Italotreno) If you choose a local train the trip lasts on average 05:21 hours. For your trip from Cisterna di Latina to Trezzano sul Naviglio by train you can choose to leave from one of Cisterna di Latina main stations: Cisterna di Latina, Roma Tiburtina Tickets price depend on the departure time and train type, the most economic train ticket available this week is from € 53 to € 53. The most economic train is InterCityNotte () that departs at 06:39 and arrives in Trezzano sul Naviglio at 14:41 at € 53. On Wanderio you can compare all schedules, fares and railway companies to Trezzano sul Naviglio and book the best itinerary starting from Cisterna di Latina.


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Hotel Europa
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TripAdvisor Reviews Hotel Europa Rho
Travel Blogs from Rho
Visiting a friend in Milano
... lives in Milano. Una visita molto piacevole!
With perfect weather(warmer than usual temperatures) the Piazza del Duomo is filled with people, kids, and pigeons fluttering by. Even with the piazza brimming with people, the Cathedral is center ...
First Day @ Milano
... was "Hotel Bernina"
This is a simple hotel, with simple rooms, with a simple breakfast, that will do job.
If you want a pool, a breakfast with 3 miles and a runaway to put the car...this is not what you are looking for.
to be continued...
Milan Day 2: Mostly not Milan.
... with your hand on Juliet's breast (the statue, that is). We did photograph the balcony, for later photoshop purposes. And we wrote our names on the wall. After Juliet's house we walked to the highlight of the trip – the Roman Arena. It's not as big as the Colosseum but the interior is in very good condition. We were able to walk right to the top tier of seats and peer over the top to look down on the piazza below. They still use the arena for operas which is pretty ...
La Scala
... before going to La Scala. What an experience, the building is quite plain on the outside, but once inside it is just what you would imagine, red velvet and gold everywhere and loads of ushers and usherettes to help. We saw an English tenor, Ian Bostridge, accompanied by a Pianist. He sang Schubert's poems, Liszt and Schumann, all in German and some quite pained. It wasn't to my taste but I enjoyed the experience, Laurie enjoyed it more than me, must be his German ...
Day 16 - To Italy!
... old churches we've had a look at. It seems the Italians know how to do churches, particularly of the Catholic variety.
After our little tip toe through the Duomo di Milano we popped across the street to browse all the big names in fashion in a massive grand plaza. Not being able to afford looking at the shops, we popped to the train station to sort out some upcoming train tickets. This took about an hour as the queue was substantial. We are getting good at* queues. I am ...


text: 000 FXUS63 KBIS 210533 AFDBIS Area Forecast Discussion National Weather Service Bismarck ND 1233 AM CDT Sun May 21 2017 .UPDATE... Issued at 1229 AM CDT Sun May 21 2017 No significant issues for the going forecast. Did lower mins just a bit in the southwest where skies have cleared. Updated text products will be sent shortly. UPDATE Issued at 929 PM CDT Sat May 20 2017 Quick update for observed trends through 02 UTC. Again, no change to the Frost Advisory for tonight through Sunday morning, as areas already in the Advisory based on satellite trends are most likely to have the most efficient radiational cooling with the thinnest cloud cover. UPDATE Issued at 649 PM CDT Sat May 20 2017 Little change other than to blend to observed trends through 23 UTC. No change to the Frost Advisory area is warranted at this time based on cloud cover/satellite trends as the deep low across northern Iowa will propagate into southern Minnesota tonight. && .SHORT TERM...(This evening through Sunday) Issued at 328 PM CDT Sat May 20 2017 A few highlights in the short term period: A frost advisory for portions of southwest and south central ND tonight into early Sunday morning; rainshowers continuing over the James River Valley tonight into Sunday morning; then isolated to scattered thunderstorms mainly across the west Sunday afternoon and evening. Thunderstorm parameters suggest nothing severe at this time. Per water vapor imagery, the forecast in the short term and into the early portion of the extended will be dominated by the slow movement of a closed mid/upper level low circulating over central Nebraska this afternoon. In the near term, rain has begun in Ellendale as a shortwave per NAM/GFS pivots around the upper low and into the James River Valley. Large scale ascent increases this evening per NAM/GFS and have likely (60 to 70) pops developing from Carrington to Ashley, with categorical pops (90 to 100) in LaMoure and Dickey counties. The precipitation shield does show signs of edging back into far eastern Wells/Burleigh/Emmons counties. Have isolated showers mentioned here through Saturday evening. The upper low is forecast to move into central Minnesota Sunday morning, then into southern Ontario Sunday evening. This keeps chances for rain showers within the James River Valley Sunday morning before exiting by early afternoon. Another shortwave this afternoon seen circulating just south of Yellowknife/Northwest Territories of Canada, becomes entrained within the aforementioned larger mid/upper low circulation Sunday through Monday. In doing so, the shortwave and an accompanied weak surface cold front dive into eastern Montana and the western Dakotas Sunday night through Monday. Enough instability with this feature to produce isolated to scattered showers and thunderstorms primarily in the west Sunday afternoon and evening. Highs Sunday in the 60s across western/central ND. .LONG TERM...(Sunday night through Saturday) Issued at 328 PM CDT Sat May 20 2017 Unsettled at the beginning and at the end of the long term, with a brief dry and warm period in the middle. Chances for rainshowers and thunderstorms continue Sunday night and Monday, with thunderstorm chances greatest in the southwest and into south central. Showers dwindle and end Monday night with a transitory ridge Tuesday/Wednesday. Southerly winds increase Wednesday ahead of our next shortwave trough and associated surface cold front. Highs Wednesday rise well into the 70s. The cold front slides through Wednesday night and Thursday with a slight chance of showers. Thereafter, models agree that in some form, a trough will reside over the northern high plains Thursday through Saturday with a chance of showers and thunderstorms continuing through the period. && .AVIATION...(For the 06Z TAFS through 06Z Sunday night) Issued at 1229 AM CDT Sun May 21 2017 MVFR and Occasional IFR ceilings in rain at KJMS. Rain should taper early Sunday morning with MVFR ceilings remaining through 18 UTC. Otherwise VFR conditions expected through the forecast period. Variable winds will become northwest to north Sunday afternoon. Isolated thunderstorms possible west late afternoon through early evening. Added a VCTS at KISN for this period. Otherwise confidence not high enough to include at any other site. && .BIS WATCHES/WARNINGS/ADVISORIES... Frost Advisory until 8 AM CDT /7 AM MDT/ this morning for NDZ018>020-033-034-040>044. && $$ UPDATE...TWH SHORT TERM...KS LONG TERM...KS AVIATION...TWH


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Ashell Burndtree waited near the alien box that the Zirkonians had provided him. He was awaiting his next communication. Burndtree had tried to contact the Zirkonians but he had learned that the Zirkonians would not talk unless they wanted. And then, without much forewarning, it sparked and fizzled like it had done many times before.
" Rak, I've been waiting. When will I get my end of the bargain? "
" We're not humans, Burndtree. We know to keep our word. When Admiral Xa's soldiers recover the God-seed, then your package will be delivered. But not a second before. And for your sake, and for the sake of whoever you wish to save, pray that we find the God-seed soon. " The fiery voice crackled and died out.
Ashell Burndtree let his head collapse into his hands. He wasn't even sure he had done the right thing. But atleast he had done something.
He got up wearily, and made his way into the lower levels of his residence. He was headed to the secret chamber in the basement. Deep inside the basement, he went, bypassing corridors and metal doors until he eventually stood in front of a large containment chamber. The containment chamber had a glass viewing screen and was filled with a mixture of nitrous coolant and hypothermic freezing liquids. At the very centre of this chamber, suspended by a few cords, lay a woman. She seemed to be in some kind of stasis. However her body kept jerking, bubbling and frothing in the blue liquid. Only someone who knew what was happening could tell that her body was spontaneously exploding, small bursts of energy breaking out like rashes all over parts of her body, and the liquid was what kept her body cool and unharmed. It kept her alive.
But Ashell knew that Lana Burndtree would not live very long if the deadly disease that affected her could not be cured soon. Her body would eventually disintegrate due to the repeated impacts of the explosions. The pyrorexia virus that afflicted her could only be cured by something the Zirkonians possessed. And Ashell Burndtree was willing to sign over the universe to save his daughter's life.
Franklin Delaney had not killed all the survivors of the Mellinks incident. There was one who he actually saved. One whom he loved. Lana Burndtree had been in the Mellinks Metrorail when the off-course Zirkonian ship had crashed into the area. It was later learned that the Zirkonian pilots had all been affected by the pyrorexia virus and they had been unable to control the ship. They passed on the dreaded disease to all the people in the vicinity. Although native to Zirkonians, the disease could easily take hold of any race with an organic composition. It soon spread by way of random explosions all over the area. Franklin and a disease containment team was sent in to neutralize the threat. It had been Franklin's decision to destroy everyone in the area. However, he couldn't bring himself to kill Lana. He saved her and took her to her father. They had been working together to save her ever since, till a strange twist of fate brought them into the case of the God-seed.
" Madam Convenor, the Menovians and Zambarians have agreed to send us peacekeeping forces to ward off the Zirkonian attack. However, clearly they wont step in until Zirkonian forces attack civil or residential areas."
" Understandable, Commander. We'll just have to hope that we do not need their support. "
" And Madam….the Chancellor of Luna wishes to speak with you."
Finalta knew this had been coming.
" Patch him through. "
A second later, the hawk-nosed pudgy face of the Chancellor of Luna came into view before Finalta.
" Finalta, dear. Greetings and good health." He intoned in his unctuous voice.
" Chancellor …" She emphasized on the word, "…Maldoran, I know you probably need something. Just tell me now instead of wasting my time with pleasantries."
But Maldoran was clearly enjoying himself. " I am hurt that you would feel that way. It so happens I was just informing you of… a change of plans."
" What do you mean ?"
" There was a transport you'd asked for. Leya, I believe the name was. It was supposed to be docked back on Farside soon enough. However, it seems that the Leya is taking a detour. We wouldn't want it hijacked or something now, would we ?"
Finalta was shocked. She had no idea of Gunnar's plans, and she tried to show no surprise on her face.
" I'm sure its headed where its supposed to be."
" Would those travel plans include being blown up by rebel factions ? I hope not. I've been led to believe that you have some….precious cargo aboard." Maldoran grinned wickedly.
Finalta wasn't sure how to deal with Maldoran, but she knew she had to do something quick.
" What are you getting at, Maldoran ?"
" I've always told you, I never wanted this Chancellorship. Give Luna planet status, Convenor. Make me a member of the Planetary Council. Then, maybe, I'd have the military powers to deal with this kind of a situation, and bring back the Leya safely."
" Maldoran, this is exactly the kind of talk that'll take you further from a seat on the Council. As for Luna becoming a planet, that's for the Council to decide, not me."
" I'm sorry you see it that way." Chancellor Maldoran's voice turned ice-cold. " You see, the separatists here have an agenda which involves planet status for Luna. If they take it upon themselves to destroy a few transports to get what they want….I can't really stop them with the meager powers I have. Even as we speak, they could be firing heavy artillery at Leya. I hope you understand my position." Maldoran sneered.
Finalta had heard threats like this before. Any other time, she would have called Maldoran's bluff. But not this once, not with the God-seed at stake. She had to do something.
" Chancellor, rest assured, I will convene an emergency meeting as soon as possible to discuss the possibility of according Luna planet status. I hope we have reached an agreement then."
" By agreement, if you mean that the Leya remains unharmed, I hope so too." Maldoran's sneering face disappeared.
Finalta couldn't help but exhale deeply. She needed to contact Gunnar soon, but she also knew that it would be dangerous if the Zirkonians or the Amenorites were to track her communications. She had to wait for Gunnar to call.
And all the while, somewhere inside the Leya, an entity was lurking. Its last attempt at possession had failed, and it was looking for a new host, a better one. It already had one in mind. And the time was just right. For as the ancient force in Cargo Hold 8 craved, the entity craved to possess it, to use it to finish what had been started. It could feel the gravity waves tugging and pulling at everything in the ship, almost as strong as the God-seed pulling at it.


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Jet.com is a new online shopping experience that promises to rival Amazon -- both in terms of price and breadth of selection. (Is such a thing possible? I don't know, but I'm happy to get in on the ground floor!) It's being launched next month, … [Read more...]
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Running Times Magazine – $4.99/Year (Today Only)
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Any other runners (or runner wannabes, like me) out there? I like running because it's the quickest way to burn maximum calories. I don't have an hour to work out; I barely have 25 minutes. But running let's me get my heart rate up and burn a few … [Read more...]
This Week's Best Deals & Freebies – 8/12/12
Posted on August 12, 2012 by
In case you missed any of these, here are this week's best freebies and online deals, which are still available. Online Deals 6-inch Kindle for As Low As $47.40 (thru 8/15) The Pioneer Woman Kindle Cookbook for $3.99 (this would be perfect for … [Read more...]