text: Good Morning! Welcome Applicants! November 3, 2011 Patient's Audiogram Normal Audiogram Classification *Conductive→ involving any cause that in some way limits the amount of external sound that gains access to the inner ear (usually temporary) • More common in children Sensorineural→ involving the inner ear, cochlea, or the auditory nerve (more likely permanent) Mixed→ which is a combination of conductive and sensorineural hearing loss. Central→ involving higher brain centers. Differential of Hearing Loss Conductive (outer and middle ear) Sensorineural (inner ear) Congenital microtia/atresia Genetic disorders External otitis In utero infection (CMV, measles, mumps, rubella, varicella, syphilis) Otitis media +/- effusion Anatomic abnormality of cochlea or temporal bone Trauma Ototoxic drugs Foreign Body (cerumen) Hyperbilirubinemia *Ossicular disruption (usually after trauma) Infection (meningitis, Lyme, Fifth dz, syphilis) Cholesteatoma Noise exposure TM perforation Radiation Temporal bone trauma Ischemia Introduction Hearing loss in the first years of life can cause delays in speech, language, and cognitive development 1 to 6 per 1,000 newborns and 2 per 1,000 young children With early intervention, hearing-impaired can reach same skill level of hearing peers Question 3-day-old infant failed otoacoustic emission testing (OAE). Prenatal and family histories are negative. Physical exam is normal. The next most appropriate step is: • A. Confirm the hearing loss with an auditory brainstem response test • B. Perform renal ultrasound • C. Refer to audiology at 1 year of age • D. Repeat OAE in 6 months • E. Treat with oral abx for possible middle ear effusion Screening AAP recommends congenital hearing loss be detected by 1 month, diagnosed by 3 months, and intervention started by 6 months Every state has universal newborn hearing screening • Otoacoustic emission testing (OAE) – detects evoked sound from the cochlea in response to clicks and tones • Auditory brainstem response (ABR) – measures the electroencephalographic waveform response from the vestibulocochlear nerve All Used to confirm abnormal OAE children ages 4 years and older should be screened regularly for hearing loss Acquired Hearing Loss History • Onset • Drainage • Tinnitus, vertigo, disequilibrium • Kidney or cardiac disease • Congenital infection, recurrent OM, meningitis • Trauma – noise exposure • Prematurity, hyperbilirubinemia • Family hx of hearing problems Acquired Hearing Loss Physical exam • Good head and neck exam • Ear exam Pneumatic otoscopy is performed with positive and negative pressure to evaluate mobility of the tympanic membrane Diminished or absent tympanic membrane mobility can be caused by fluid, mass in the middle ear cavity, perforation, pressure equalization tube, or sclerosis of the tympanic membrane. Increased mobility of the tympanic membrane can indicate ossicular chain disruption. Question Which of the following statements regarding hearing loss in infants and children is TRUE? • A. Chidren with external ear anomalies have sensorineural hearing loss more than conductive hearing loss • B. Cholesteatoma is the most common cause of conductive hearing loss • C. Language delay does not occur unless hearing loss is severe or profound • D. Newborn hearing screens should be performed only on premature infants or those with family hx • E. Parental concern for language delay is sufficient cause for auditory testing Office Hearing Tests 256 Hz and 512 Hz tuning forks • Hearing loss at 256 Hz is equivalent to approximately 10 to 15 decibels (dB), and hearing loss at 512 Hz is equivalent to 20 to 30 dB Office Hearing Tests Pure tone audiometry • Softest decibel threshold at which the child can hear a sound 50 percent of the time for each tested frequency • Normal hearing threshold is between 0 to 20 dB • Accurate results are dependent upon cooperation from the child • Any threshold >20 dB suggests a hearing loss (conductive, sensorineural, or mixed). Office Hearing Tests OAE Tympanometry • Valuable in conjunction with pneumatic otoscopy • *Flat tympanograms (type B tympanograms) and/or abnormal OAE testing may indicate conductive hearing loss, usually due to middle ear effusion Referral Any abnormal hearing screenings in the office should be followed by formal audiology Lab work-up Lab work-up Etiologies of Acquired Conductive Hearing Loss *Otitis media with effusion • Fluid filling the middle ear space prevents the tympanic membrane from vibrating adequately • Persistence of asymptomatic effusion following an episode of acute otitis media: 40% at 1 month 20% at 2 months 10% at 3 months • These pts. may benefit from tympanostomy tubes Etiologies of Acquired Conductive Hearing Loss TM Perforation Foreign Body Etiologies of Acquired Hearing Loss Cholesteatoma • Benign growth of stratified, squamous epithelium filled with desquamated cells and keratin • Erodes ossicular chain • Results from poor eustachian tube function Question A newborn who failed hearing screen, also has microcephaly, enlarged liver, and weight at 5th percentile. Pregnancy was uneventful, with normal prenatal labs, and there is no family history of hearing impairment. Most likely cause of hearing impairment is: • A. Alport syndrome • B. Congenital CMV • C. Middle ear effusion • D. Prenatal measles exposure • E. Waardenburg syndrome Etiologies of Hereditary Sensorineural Hearing Loss Usher syndrome Pendred syndrome Waardenburg *Alport syndrome → syndrome • Glomerular disease, ocular abnormalites, SNHL (progressive), family hx of hematuria, renal failure and deafness Mitochondrial disorders Etiologies of Acquired Sensorineural Hearing Loss Bacterial meningitis • *Most common cause of acquired deafness in childhood • 2.5 to 18% • Occurs early in the course (within first 48 hours) • *Prompt and complete hearing evalutaion initially and regular follow-up Etiologies of Acquired Sensorineural Hearing Loss *Ototoxic drugs Aminoglycosides (gent, tobra, amikacin, neomycin) Erythromycin Vancomycin Tetracycline Chemotherapy (cisplatin) Salicylates (reversible) Antimalarials Etiologies of Acquired Sensorineural Hearing Loss Noise exposure (acoustic trauma) • *High frequency hearing loss • Constant exposure to loud noises (personal listening devices, power tools, firearms) greater than 85 dB Or sudden noise (firecracker) greater than 140 dB • 12.5% of kids (age 6 to 19) have hearing loss in one or both ears Etiologies of Acquired Sensorineural Hearing Loss Trauma • Temporal bone fracture Bleeding from ear or hemotympanum Treatment Multidisiplinary approach • Audiology • ENT • Speech • Genetics Optho referral • Patients rely on sight for communication and learning Treatment Hearing based on etiology aids Cochlear implant Noon conference Toddler Behavior, Dr. Nass ROLL TIDE!


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Positive Feedback ISSUE13
may/june 2004
Grande Ceramique loudspeakers
as reviewed by David W. Robinson
The Kharma Grande Ceramique paired with a Manley Snapper monoblock
Photographs and image processing by David W. Robinson
2003 Brutus Award Winner
Fine Audio and the Ava Raris
This is one of the easiest reviews to write that I've ever written, and I've written a few. (Pace, Clark!)
Contrary to conventional wisdom and the reams of hype that is all too common in audiopressdom, truly exceptional designs arrive only every now and then in fine audio. As I think back over the very best of what I've heard over the past 15 years, some really delightful work comes immediately to mind: Scott Frankland's MFA MC Reference preamp and Wavestream triode monoblock amps, Ed Meitner's EMM Labs DAC6 (still the best ever, both for SACD and for CD) and Switchman-3 preamp (reviewing forthcoming), the Linn CD-12, the WAVAC HE-833 SET monoblocks (wondrous!), Jud Barber's 100 Watt Marquis Mk. III OTL's (the best OTL sound that I've had in my listening room... so far), Paul Weitzel's colossal Tube Research 800 Watt triode monomonsters flogging the heck out of a pair of Avalon Eidolons (the best that I've ever heard Avalon speakers sound, by the way), George Cardas' custom work on Maggie 3's and 20's, Jennifer Crock's JENA Labs reference grade interconnects and speaker cables, the Sony/Phillips SACD surround system demo room at CES 2001, Alan Yun's vast Silverline Audio Grandeurs (gone from the listening room all too soon!)...the list, incomplete as it is, goes on... .
Don't get me wrong: there are many good audio designs, and some that are really good. Over the years at PF and PFO, I've gotten to hear some audio components that were a real treat to listen to. Of course, I've also heard some kit that made me sorry that I unboxed it—no local magic, no in loco mojo, no simpatico, no juice at all.
But not this time. Read on...
It was all Jennifer and Jonathan's fault...
...really it was. I was looking for a new PFO speaker review project in late 2002, when audiobud Jennifer Crock of JENA Labs mentioned that she had just heard a pair of speakers from Kharma over at Jonathan Tinn's Chambers Audio that had blown her mind, and that I should really give them a try. Now you have to understand that Jennifer is one of my trusty references for the truly righteous audio stuff. When she's impressed by something—which is pretty rare—I pay attention.
So I got in touch with Jonathan to see if a review of the Kharma Grande Ceramique (KGC) could be arranged. After making a call to Bill Parrish of GTT Audio, the USA/Canada distributor (who is, by the way, a very fine fellow), Jonathan confirmed that we had a go. Shortly thereafter, the Kharmas arrived in flawless shape.
Rear view of the Kharma stand and tiptoes in the PFO equipment staging room…don't drop these on your foot!
It took some real caution and elbow grease to get them out of their crates…the Kharmas are no lightweights, and the high-gloss finish on the speakers means that you'll handle them the same way that you'd work with fine furniture. With the help of son John, we soon got the KGC's carried into the listening room. Within a short time, I had the heavy-duty Kharma SDSS speaker stand plates attached to the bottom. Into these I screwed the hefty matching tiptoes, four per speaker. Then we were ready to put the Grande Ceramiques into the listening room.
Placement wasn't too hard to do. Over the years, I've gotten to know my listening room pretty well, having had everything from mini-monitors all the way to large floor-standing transducers in residence. After some experimentation, I found a position approximately 30" from the rear walls and about 16"-18" from the side walls, with a very light (perhaps 5 degrees) toe-in. At that point I the supplied metal pucks under the tiptoes, and all was set.
Description & Specifications
Sometimes specifications tell you a lot; sometimes you can't map what you read to what you hear. In this case, the Kharma Grande Ceramique embodies some numbers that impress in print, and do match the sort of experience that I've been having with them.
The Kharma Grande Ceramiques with the Joule Electra Marquis Mk. III OTLs
The GC's are a four-way ported design in a fabulous polished black carbon fiber cabinet of flawless Steinway-like finish. The size is 46" high x 16" wide x 22" deep, with each unit weighing in at a hefty 240 pounds. The driver array includes two 11" Nomex Kevlar woofs, one 7" concave ceramic midrange (thus the name), and one 1" concave titanium dome tweet. (There is an available diamond tweet, but the current cost of that upgrade, about $20,000, made it prohibitive for this review.) The crossover is listed as making transitions at 80Hz, 150Hz, and 2kHz, but no other details are given as to which configuration is being used. Kharma offers the "Enigma" option to wire the KGC with cryo'ed silver/gold cabling in the crossover network, but that was also not used in this review... these Kharma's are stock "entry level."
The nominal impedance of the KGC is 4 Ohms, which sounds about right. I don't have the equipment to measure impedance over frequency range, but the Kharmas never caused any of several associated amplifiers to breath hard, regardless of the volume that I used. (Not true of all speakers, by the way; the nominal 4 Ohm Linn Komris were quite capable of pushing the Linn Klimax monos into thermal interrupt... not too surprising at 87dB/W/M, when driven by very deep bass.)
The stated frequency response is 25Hz – 25kHz (the upper end is 100kHz with the diamond tweet), though Kharma supplies no -dB down points for this range. I assume that we're dealing with -3dB here, but can't say for sure. The spec sheet says that the GC has an efficiency of 93dB/1 Watt/1 Meter, which again sounds about right subjectively, given the level of output that I heard in comparison with three or four other speakers over the past year and a half or so. One doesn't have to push a preamp through the roof to get very satisfying levels of sound with the Kharmas.
In the PFO equipment staging room: the connectors for the KGC, located just below the port.
The Kharmas have a bi-wire connect system with high quality posts that allow for easy connection of either strapped single pair, or bi-wiring. Unlike some speakers with hard-to-access cable posts, the Kharmas didn't force me to become a contortionist or damage my fingers when connecting cables. (Speaker designers: take note!) The JENA Labs Pathfinder bi-wired speaker cables slipped into place without a problem.
Review system components used with the Kharma Grande Ceramique
I have evaluated the KGC's with a number of different system configurations over the past year and a half. These have included:
Sources: the EMM Labs DAC6/Philips SACD 1000, the Linn Unidisk 1.1, a highly modded Sony SCD-1 (Richard Kern mods), the Linn CD-12, the Linn LP-12/Ekos/Arkiv II and Akiva reference cartridges/Lingo II/Cirkus.
Preamps: the BAT VK-51SE, the Manley Shrimp, the Linn Klimax Kontrol, deHavilland's UltraVerve, and the EMM Labs Switchman-3.
Phono amps: the Linn Linto, the Manley Steelhead, the Aesthetix Rhea.
Amplifiers: the Manley Snapper monos, the Joule Electra Marquis Mk. III OTL monos, the WAVAC HE-833 SET monos, the Linn Klimax monos.
Cables: interconnects, speaker cables and power cables from JENA Labs, Cardas, Empirical Audio, Kimber, FIM.
The Grande Ceramiques with the awesome WAVAC HE-833 SET monoblocks.
The Sound
The diverse component combos that I have used with the KGC's have given me an excellent opportunity to critique this speaker under a broad array of conditions: push-pull, OTL and SET tubed (all at a constant 100 WPC), and solid-state at 500 WPC. I was curious to see how well the Grande Ceramiques would perform as time... and configurations... went by.
The first system that I heard the Kharmas with was the BAT VK-51SE and Manley Shrimp preamps driving the punchy Manley Snapper monos at 100 WPC of push-pull. I had been using the Nova Rendition II's, a Scanspeak design, with roughly equivalent frequency response, and a very smooth and musical sound. Keeping everything else constant, the substitution of the KGC's, cold, and right out of the box, was a pretty serious revelation of what had knocked Jennifer out when she had heard them.
Break-in? Well, the Kharmas did get somewhat better over the first several days, but frankly, these are the best speakers out of the crates that I've ever heard. The drive and detail of the Manley amps were revealed with a seamless elegance that I've never heard in my listening room. There were two rather large and imposing speakers…and they simply weren't there. The Snappers were able to strut their stuff without ever having to push the KGC's out of the way.
Things were even better with the Joule Electra Marquis Mk. III OTL monos. The main sonic advantage of well-done OTL designs is the inherent quickness and clarity that the lack of a transformer imparts to their presentation. It's very tough to get OTL right; Jud is one of the very few who's managed to do this well. His Marquis Mk. III's were an absolute joy to listen to via the Kharmas. The crisp clarity of the midrange and high frequencies were made immediately obvious, and yet there was a seamlessness to the Kharma sound that beggared me to find any parallel in my fine audio experience. Where were the drivers?! You couldn't find them! Furthermore, the wonderful richness of the OTL bass of the Joule Electras was presented exceptionally, without any flaw that I could hear. No tubbiness, no lard... just a precisely controller foundation that brought joy to the heart of this "full frequency range" lover.
The Kharmas with the Linn Klimax monoblocks on their Sistrum SP-101 stands.
I also have run the Kharmas with a very fine solid-state design, the Linn Klimax monoblocks. With 500 WPC at this impedance, the Linn are no power slouches, and avoid the sort of harsh, brittle nastiness that solid-state amps can be subject to. No problem here: the Kharmas remained transparent, and chameleon-like, simply let the character of the Klimax... a touch leaner and less warm than the Joule Electras... come right through.
The top of the heap, however, came when I placed the WAVAC HE-833 SET monoblocks (the best amps I have ever heard... another rave!) into place with the Linn Kontrol preamp, sourced with the EMM Labs DAC6,line conditioned with the JENA Labs Fundamental Power 6.1, cabled with Empirical Audio from DAC to preamp, and with JENA Labs all the rest of the way. (My listening experience since then indicates that the EMM Labs Switchman-3 2/6 channel preamp would also qualify as an equivalent preamp for this tandem.)
Holy guacamole!! Roll me up and ship me to the heavenly places!! This was simply the very finest sound that I've ever heard in 15 years in my listening room. No exceptions.
Please re-read those last three sentences, amigos. Those who know me and know my reviews over the years also know that I do not have a membership card in the "Oh wow, that's absolutely the best [fill in the blank] that I've heard this whole month or until our next issue!!!!!" review club. As a matter of fact, there is only one "best I've heard" in any category, and if you've got some serious experience under your belt, it shouldn't change very often. It sure doesn't for me.
Where to begin? The Kharmas Grande Ceramiques have a top-to-bottom coherence in phase and time presentation. There's no narrow sweet spot, no laser-beaming from its driver array. Instead, there's an almost "point-source" quality to the seamlessness of the Kharma sound. If you close your eyes, you can't point directly to a driver with any confidence. Given the fact that I'm listening in a moderately near-field configuration, this is quite an accomplishment. Clearly the drivers are of superior quality, and the crossover is very fine, but the cabinet design also seems to be assisting by avoiding hard edges and the "boxy" sorts of errors that can lead to poorly integrated acoustical presentation.
I've had some bum experiences with metal tweets in the past, and so I'm relieved to report that the inverted titanium driver doesn't drive nails through your tympanics, or get harsh or brittle. The Nova Rendition II's use a Scanspeak soft dome tweet, and over time I've really grown quite fond of soft domes, but I'll admit that the Kharmas have pulled me back to admitting that there are metal domes that are excellent. One caveat: I'd be interested in hearing the diamond tweets, since I listen to so many SACDs and LPs... 100kHz extension is essential for the rendition of space and atmosphere, in my experience.
The midrange of the Kharmas is very special. This is my first work with ceramic drivers. If the Grande Ceramique is any indication of what they can do, then sign me up! To have such a combination of midrange detail and neutrality, and spot-on musicality, was a distinct pleasure. This concave midrange ceramic driver is both quick on its feet and supple in its delivery, without a single trace of the kind of forwardness that leads to midrange "honkiness." A number of visitors to my listening room commented on the quality of the midrange... its trueness, its fundamental rightness... and I would agree wholeheartedly. Regardless of source, the 7" ceramic driver delivered nicely integrated mids that were never nasal, phasey, or out of touch with the other drivers. (That must some fine crossover network that Kharma is using!) And given the number of quality SACDs and LPs that flow continuously through my system, I'd have to say that this is a categorical assessment... no qualifications here at all.
In tandem with the amps that I used, the 2 x 11" Kevlar driver-based bass of the Grande Ceramiques is focused, controlled, and well-extended. Note that we used only amplifiers of superior quality with the KGC's, and I would recommend that you do the same. (Of course, this would be rational, anyway; given the cost of the Kharmas, you wouldn't want to skimp on the associated electronics.) Overall, I found the best bass response to be with the WAVAC HE-833's, but that would be true in all other categories anyway. The WAVAC's muscular 100 Watts, plus all the glorious virtues of directly-heated single-ended triodes (especially the ability of the WAVAC to deliver incredibly three dimensional signal), made it the clear premier choice for the Kharma out of all the amplifiers tried. With the 833's in place, the bass of the KGC's was at its best, being effortless, rich, detailed and deep. It wasn't absolutely the deepest bass that I've heard in my room... the Linn Komris or the Silverline Grandeurs would take that honor... but it wasn't far off, either.
The soundstage presentation of the Kharmas was exemplary. Despite being placed fairly close to the sidewalls, the KGC's were able to vanish completely into a remarkably wide presentation of the music. Sound height was as good as anything I've had in my room, but the depth was better than anything else I've known, bettering both the Linn Komris and the Silverline Grandeurs.
Reference SACDs can project an incredible soundstage depth—indeed, this is one of the very first things I noticed about SACDs back in the summer of 1999, when we first got the Sony SCD-1 in for review. The right combination of gear, through good speakers, show us that you don't have to go multi-channel for an exceptionally enveloping musical experience... great stereo recordings are DEEP and WIDE! And the Kharmas handled soundstage depth with an aplomb that was almost casual: you played the music, and the speakers just disappeared, leaving only music that extended well beyond the back walls in my listening room. (This is an effect in SACD sound reproduction that Alan Yun of Silverline noticed immediately when we set up his Grandeurs. "The sound is so deep! It's like the walls have gone away!" Amen!) The Kharmas are that rare thing: speakers that aren't there.
Way scary good
Because of the phase and time correctness of the Kharma design, I adjudged the imaging of the Grande Ceramiques to be the finest that I've heard. While some reviewers and editors discount the importance of imaging, claiming that its nothing more than an anomaly of stereo recordings... well gents, that's exactly what the recording is, no? What the heck else would I expect in stereo, but stereo? The ability to locate players and layers in space is part of the delight of stereo, and the Kharmas do this exceptionally well.
The tonal rightness and PRAT (thanks, Art!) of the KGC's is world-class. In my opinion, it flows from the neutrality, driver quickness, and excellent cabinet and crossover design. This has produced a speaker that is colorless and truly neutral, able to shape-shift across the entire array of musical categories, from country-western to rock to classical, without skipping a beat. You'll often read speaker reviews where a commentator will say that Speaker X would be best for lovers of chamber orchestras, or that Speaker Y is a real rock 'n roller, while yon Speaker Z is perfect for jazz.
Not in this case. The Kharmas handled everything from alternative rock on SACD to massed orchestra on LP without blinking, and without me thinking, "Gee, I wish I had Speaker Z for this recording... it would be perfect!" Get it? Everything. Without exception. No lie, and no fooling. This is a bloody awesome accomplishment, and rare as hens with dentures.
A footnote or three
There are only a few areas where the Grande Ceramiques in the configuration that I reviewed them might be bettered, though this is only in a relative way, and is speculative on my part. First, I would want to hear the "Enigma" configuration to see what effect the internal wiring and cryo upgrade would have on the KGC's. It's hard to believe that there could be even more transparency possible, but I'd be willing to be amazed once more!
Second, while the KGC's reach very low in the bass, I have heard other speakers (e.g., the TDL Reference Transmission Lines, the Silverline Grandeurs, and the Linn Komris) that reach down as low as 16-18Hz, compared with the KGC's still very respectable 25Hz. Those 'philes wanting that last bit of subterranean bass will need to keep this in mind, though if you have a very serious budget (!) you can look at the Kharma Grande Exquisite Reference 1A's. The Silverline Grandeurs were the closest in providing the overall experience that I had with the Kharmas, though I would give the nod to the Kharmas in every category except absolute bass extension in my listening room.
Third, I am quite sure that the diamond tweet upgrade would enhance the ability of the Kharmas to present spatiality and that sense of "air" and "presence" when reproducing SACD, open reel tape or LP playback. (The less said of CDs, the better!) The last figure that I was given for this upgrade was $20,000; if Kharma can lower this number substantially, then perhaps we'd be able to re-visit the issue and confirm my speculative certainty on the subject.
Apart from these nits, I am at a loss to fault the Kharma Grande Ceramiques in any other way. They are that good.
Let's make this short and sweet: the Kharma Grande Ceramiques are the finest loudspeakers that I've ever heard in my listening room. In the year and a half that I've worked with them, using a wide variety of associated components and combinations, I have found nothing but musical delight. In every category of fine loudspeaker performance, the Grande Ceramiques proved to be exceptional transducers, presenting reference-grade sound without ever drawing attention to themselves (other than their stunning visual appearance, of course).
Of no other loudspeaker have I ever been able to offer such unqualified praise in all my years of reviewing. Brilliant right out of the box; superbly transparent; absolutely seamless in all frequency ranges; having no phasiness or beaminess, and thus embodying complete coherence; presenting soundstaging and imaging of true world-class, reference quality... deep, wide, and precise; and working effortlessly with all major tube categories and solid-state designs. The Kharma Grande Ceramiques have demonstrated over time their ability to produce that rarest thing of all audio experiences in my heart: consistent musical ecstasy.
If you are looking for loudspeakers that you could live the rest of your 'phile life with, I can recommend the Grande Ceramiques without any reservations whatsoever. My confidence in their excellence is that strong, my friends.
This is why I awarded the Kharma Grande Ceramiques the PFO Brutus Award winner for loudspeakers in 2003.
Enough said!
Grande Ceramique loudspeakers (as reviewed)
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Building up a 2.7. and I think I have a set of 11.1 eta pistons. 85 stamped on block and pistons have raised crown -are they?
Will this work with a "731" head OK?
Also got hold of 325i injection system pretty sure it is motronic ECU 1.3.
The guy got it of reckons there were no plugs in the gearbox for timing sensors.
The 325 block has one sensor on the front and the damper is different to other 325s I have seen where it has the teeth around the edge - is this a different version?
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|This is a discussion on How to play AA or KK - Limping from early position good or not? within the online poker forums, in the Learning Poker section; How do you play AA when you get it under the gun? I have seen two distinct styles of play on this. One is to
How do you play AA in early position?
How do you play AA when you get it under the gun? I have seen two distinct styles of play on this. One is to do a big bet (5x BB or greater) and hope that you get only one caller. The other is to simply call, hope somebody else raises before the round is done, and then you shove all-in on top of the raiser. If you don't get an opportunity to shove before the flop, then you're in trouble and should probably just try to get out of the hand for as cheaply as possible (unless you hit a set on the flop).
Raise 2.5 to 3 times BB, just like I do any other time I am first to enter a pot. Limping in can get you into an unwanted family pot.
If there are players that are routinely raising from late position, then limping in might pay-off. Of course, if you have been raising pre-flop then suddenly limp in, astute players will get suspicious.
you have to consider many factors such as
your table image
dymamics of the table
other players stacks
how deep your stack is
for example if you're raising a lot there's no point of not raising a similar amount wiht aces.
also don't forget by isolating, you reduce the chances of you getting beat.
Like torosanti said it all depends man. all those factors definently. for me it depends on my table image am i the aggresor at the table raising frequently and reraising alot not getting called. Ill play it the same as anything else, 3-4 times BB. But if someone else at the table is the aggressor and i know there is a good chance he will bet from late or even middle, ill just call and trap. you need to mix up your play constantly and keep your opponents guessing. its a feel for the table, i just know what to do after years of experience, there is no right answer.
As for getting it all preflop, yea if you can thats optimal, but not nessesary at all. I don't consider myself in "trouble" playing AA after the flop. Im very comfortable doing it. you need to pay attention to what your opponents have been turning over, and youll be able to better read them. knowing when to let it go ect. it does take experience tho. for a beginner i would suggest always raising preflop from early with a good hand, as you get more expereince you'll be able to better mix things up. good luck!
I will usually raise it slightly more (because more players to get through) and maybe limpity limp limp if I feel like it. You need to not marry them though. If you get called out of the big blind and the flop comes 789 two of a suit, what are the chances that you will be infront? And even then, your opponent can hit their straight or flush.
Once, I had an image of limping in with hands like JTs, QJs, Ax suited etc (I was playing cash) and when I limped with my aces, the guy in the small blind raised me and the big blind three bet. This was live, and I had a read that my opponent had QQ (maybe KK or JJ) and the three better had JJ-99 trying to see whether they were good or not. I decided after about a minute to flat because I knew I was being raised to about half my stack and I was acting as if I had a decision. I got raised and the guy with JJ shoved (he thought the guy infront was just raising light). I called and the guy couldn't get away from the QQ and had to call. Anyway, the board turned out rags and I won a huge pot.
re: Poker & How to play AA or KK - Limping from early position good or not?
It depends what play you adopt. There is no standard style to it. As mention above, it depends on your table image and the nature of the table. Whats important is to extract maximum value to it and just face one opponent at the very least.
As mentioned above, many things need to be considered.
But some things I think about, FWIW......
Raising your normal amount is always a good default. (Also as mentioned). But if you have a table with a lot of stations, and an agro player to follow who likes to squeeze, then a small raise could be worth considering. If you have been caught raising big on a bluff, raise a bit bigger. If you have stations who call any size, raise bigger. One thing I would almost never do is limp, unless you really believe you will get a lot of limpers behind, and an agro player will try to steal, but then again, also a resson to bet smallish.
But stacks, table dynamics, blind level, bubble, etc all should help you decide what the right move is.
I raise more UTG and EP because there are more potential callers. But that is regardless of the cards I have. If you vary your opening bet by the cards you have, it gives away too much information.
If I'm min raising from the button and cutoff, 3x in middle positions and 4x early.
Limping with aces under the gun can be effective if you set it up by limping with other small pairs or the odd JT and have shown the hand down. People know that you limp with a wider range and you are then much more likely to be raised. Lets face it I certainly treat every utg limp as potential AA. It works much better in late tourney play where people are shoving light. In a cash game I wouldn't try it unless the table was very loose with an aggro player around.
Playing Pocket Rockets from any early position is quite simple.....use your standard raise and after all calls or any re-raise just shove AI ... 70% of them fold and if some extremely loose player calls you gonna win in 86% and those 14% when some Calling station hits set or straight ...so be it ...that happens. You can be scared and giving anyone any free cards .
It really depends on your stack size. If im sitting with 50+ BBs then ill just raise a normal amount. Maybe towards the higher end of my standard raise. So maybe 3 - 3.5 BB. Thenhope that a caller might induce a squeeze from LP and then you´re golden lol.
The limp move can be profitable if your less than 25BB or so. i see a lot of people doing it and it does shout "monster" when you limp EP and then shove. So doing it with a decent stack might scream strength and lose you value. Ive also done it and been called by 6 other players and was then was suprised when i was outdrawn by TJ! As OP says, if you limp and get called by numerous players, you might just have to give up for as cheap as you can
re: Poker & How to play AA or KK - Limping from early position good or not?
Depends of your opponent´s at the table. If you have a guy who always re-raise if somebody limps, well then limping paying just the value of the big blind would be a very good option. I do that a lot of time and it works against super aggressive players, increasing a lot the pot size pre-flop. If you are at a tight table then you should make a raise, 2,5 BB´s should be enough.
raise normal amount 3- 4 times the big blind , you get a villian to 3 bet you perfect ,then you can isolate . Limping Premiums is worst thing to do, it allows villians to limp in with marginal hands and makes for tough decisions for you after the flop .
If everyone has been folding to a large raise (5x bb) then I would try a smaller raise to try and get the call. If it seems that every hand, some else is raising...I would just call and then reraise or shove if it came back to you. All in pre flop is always a roll of the dice since an easy 2 pair would take the pot. Hard to fold aces tho.
re: Poker & How to play AA or KK - Limping from early position good or not?
Like has been already said, it depends..how have your cards been running, what kind of action have you been throwing out on the table, your opponets, your stack size, what you want it to portray. If I'm in a run of cards and been in a few pots I find I'm more apt to get called down by a bunch if I raise too big. There just isn't a standard answer without knowing what has been going on on the table and who it has been going on with.
Good advice all. I usually do a 3-4 BB raise, and if somebody re-raises me it is AI shove time. If not and I perceive the board comes up dry for my opponent, I usually shove after the flop. If it's a scary board (7-8-9 or 3 suited cards), I might alter my plan and see what the other dude does.
I never limp with AA because I want to avoid tricky situations. How big I raise depends on blinds and stack sizes. If it's early in the game I'll raise 4-5x bb to try and keep speculative hands out. Once the blinds go up I'll go with 2.5-3x which is my standard raise. If blinds are really high and we're short stacked, I may go ahead and just make a min raise to lure in a semi-decent hand or the blinds.
It's not what you do, it's what you aim to do. How you do it will vary on the board. The goal is to get the least number of players in with the most amount of money. Even against three other players AA has pretty solid equity when the flop comes around. Not so much when you hit the turn or the river though. So on the flop its usually best to make the stakes high, particularly if there's a draw of any sort on the board.
9-handed, lead out strong. Usually you will get a call, and most often by Ace-Paint or a smaller pocket pair like 10s or under. Might get 3-bet by AK, AQ, KK, QQ, JJ. Leading out strong just means the people who want to play have to commit more, and the people who want to stuff the pot will have to inflate it a lot more. Most of the time that's going to be best. 4x/5xBB depending on the table, maybe more if the table is aggressive.
6-handed your standard raise is probably fine. Short stacks will enough folding-chips will often shove on the light side. Sometimes leading out with a smaller bet will prompt a light 3-bet. And anyone who does that will think you're not ultra strong because that's what they're repping. So you can usually get them to continue and commit chips that way. But 6-handed or less is going to be vastly more situational. Just keep the goals in mind: get money into the pot, keep the players in the hand to a minimum.
And remember, it's better to get folds all around than to go into the flop with four other people.
online I usually make it 3and1/2 BB just cause I'm in a more vulnerable position and will get less info postflop before its my turn and then I play cautiously on certain boards that might hit my opponents ranges'. In a live game lets say 200NL I will usually see what the normal raise is Usually 10-12 dollars and add a few more to that usually between 14-16 dollars and then play postflop similar to online
At the beginning of each round I pick an open raise amount. It is usually somewhere between 2.2-3.0 bbs. Anytime I am first to enter a pot I open with a raise. I never open limp. Whether it's AA, 33, KTo, or 46s. Always the same opening raise


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31 Mar
Yesterday we announced our two new Principal Guest Conductors: Jakub Hrůša and Santtu-Matias Rouvali. Here is some of the reaction we received from across the music world:
Very happy & excited about this! https://t.co/JfPBRw6EIw— Esa-Pekka Salonen (@esapekkasalonen) March 30, 2017
Good news from @philharmonia, who've appointed Jakub Hrusa and Santtu-Matias Rouvali as principal guest conductors— Neil Fisher (@nfmusic) March 30, 2017
The Philharmonia has TWO new principal guest conductors!https://t.co/4Wpx5QFQZD— Jessica Duchen (@jessicaduchen) March 30, 2017
@philharmonia Very cool!! As if it were possible to make you guys even cooler— Nat Gorohova (@NatGorohova) March 30, 2017
.@philharmonia has appointed Jakub Hrůša and Santtu-Matias Rouvali as principal guest conductors https://t.co/FK7nfFRm07— Classical Music (@ClassicalMusic_) March 31, 2017
Classic FM kindly made a splash, featuring Hrusa and Rouvali in last night's #FullWorksConcert:
In tonight's #FullWorksConcert we'll feature the @philharmonia 's two new Principal Guest Conductors, Jakub Hrůša & Santtu-Matias Rouvali! pic.twitter.com/vS9ytONKJH— Classic FM (@ClassicFM) March 30, 2017
Finnish publications picked up the news, and Finnish Music Quarterly published a feature on Santtu-Matias Rouvali:
Congrats to @philharmonia and their new principal guest conductors! More on Rouvali soon here (auf Deutsch): https://t.co/IDLYl2WMkk https://t.co/EkBpA5x9fe— Vesa Sirén (@VesaSiren) March 30, 2017
Congratulations to Santtu-Matias Rouvali, new Principal Guest Conductor of the @philharmonia! Our new article on SMR https://t.co/5EyrepVOli pic.twitter.com/MQPA5qqONB— FMQ magazine (@FMQmusicmedia) March 30, 2017


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Documentos Récentes
- Corredor Seco - Informe de situación Junio 201629/06/2016
- Evaluaciones de la seguridad de semillas17/06/2016
- Increasing the Resilience of Agricultural Livelihoods17/05/2016
- FAO Position Paper - The World Humanitarian Summit16/05/2016
- Social protection in protracted crises, humanitarian and fragile contexts14/05/2016
Síguenos en
Food security and humanitarian implications in West Africa and the Sahel - January 2012
Jan 2012
Elevated risk of food and nutrition insecurity in large areas of the Sahel
In Niger, the preliminary estimated results of the 'rural and ur-ban household food insecurity and vulnerability' survey were published January 13. The results show that, as of December 2011, over 5.4m persons (34,9 % of the population) were food insecure, of which 1.3m were severely food insecure. The child malnutrition rate is above the warning threshold in Niger. For instance, in the Western drought-affected region of Tillabéry, the global acute malnutrition rate is over 13% according to the preliminary results of the October 2011 nutrition survey, ap-proaching the 15% emergency threshold.


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Team Record: 15-23 (3-4 on the week)
Standing: Sixth in the Northern Division
To start, the Defenders have a pitcher who is leading their team in strikeouts, with all but three of his innings coming out of the bullpen. This pitcher is Alex Hinshaw, and his new role could be starting pitcher. Hinshaw started in Saturday's game against New Britain, used up all of the 65 pitches he was allotted, going three innings, allowing one hit and striking out six. Hinshaw was used as a starter throughout and college, and most of last year in San Jose.
Whether or not manager Dave Machemer was using him as a starter to give Geno Espinelli a break after his seven-inning performance, or if he plans to replace the struggling Darren Sack with Hinshaw remains to be seen. Hinshaw has shown he can dominate Double-A hitters and his value may be best as a starting pitcher.
Sack, on the other hand, pitches well in spurts, and was originally a reliever in college. He has been tried as a starter in Augusta and Salem, but struggled during both seasons. It was not until being placed back in the 'pen in San Jose that he posted a full-season ERA under 5.00 at the pro-level.
To stick with the rotation, Nick Pereira has struggled mightily since being hailed as the suitor to the thrown of ace of the Connecticut staff -- by this column, at least. He has lost his last two starts since Chris Begg's promotion to Fresno. He has pitched 11 2/3 innings, given up 10 runs, and has walked nine.
According the coach Machemer, Pereira has been aiming the ball, which has cost him much of his control, leading to the high walk totals. His stuff is still there because he's not giving up a lot of hits, but the walks are always coming back to haunt him. The pressure of being the go-to guy may be weighing on him a bit. With Broshuis now pitching well, and with Hinshaw possibly in the rotation, the staff will be a force to be reckoned with if Pereira can get his act together.
As always, the offense for this team could always use some help. Travis Ishikawa has kept his hot hitting up, going 9-for-29 this week at the plate, but he was the only consistent hitter for the Defenders last week.
One hole in the lineup this year for Defenders has been second base -- at least until Wald moved over. Joining the team this week was Eugenio Velez, last season's MiLB.com Class-A Offensive Player of the Year. Velez had 29 doubles, 20 triples, and 14 homeruns last year for Augusta, and should provide some much needed pop to a lineup that currently has only one player slugging over .400. He assumes the roster spot vacated by Brian Horwitz, who was recently promoted to Triple-A Fresno.
Player of the Week: Gino Espinelli
Junk Ball Gino has been amazing in the rotation ever since taking over Chris Begg's spot in the rotation. This week he pitched a season-high seven innings while giving up three hits, zero runs and striking out seven. He faced only four batters over the minimum. He uses a nasty change-up to keep hitters off balance, which is effective considering: out of the 21 outs recorded by Espinelli, only two made it to the outfield.
Stat of the Week: 11
This represents the number of points Eddy Martinez-Esteve's slugging percentage is below his on-base percentage. As of this week, his OBP sat at .325, while his slugging sits at .314. Eddy is a hitter who has slugged well over .500 wherever he has played, yet currently sports only one homerun and four extra base hits.


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Art Collecting 101 tonight
For the 10th year in a row, the Milwaukee Art Museum hosts "Art Collecting 101" as a way to prepare for and preview the Lakefront Festival of the Arts (June 16-18).
Tonight, Barbara Brown Lee, chief educator at MAM, will share ideas on what to look for in art and artists and when to buy. The event will include a slideshow sneak preview of the Lakefront Festival.
The reception is at 5:30 and the lecture at 6:15 p.m. The cost is $15 for non-members and $10 for members. Seats are limited. Call (414) 224-3855 to save your spot.
Examples of local collectors, Mike and Donna Flanagan, who collect art by self-taught artists. Photo/Peter Zuzga
Latest Art City Posts
- On Tap Today: Saving St. Josaphat
- Milwaukee galleries do well at Art Basel Miami
- Dirk Skreber's exhibit at Milwaukee Art Museum captivates with catastrophe
- Too much testosterone at the Business Journal?
- Finalists named for public art project on W. Wisconsin Ave.
- Ten art books for art lovers this holiday season
- Art-inspired alternatives to Black Friday
- Art City Radio: Nicolas Lampert and Black Friday
- Art City Radio: Tag Milwaukee
- Nohl exhibit a mismatch for some fellowship winners' art
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Obviously, you bought your LTD because you wanted to buy horsepower and unique style both rolled up into one car, truck, or SUV. The vehicle in your driveway symbolizes the best in class compared to all the other cars, trucks, and SUVs in today's marketplace. You bought your LTD because its dependability and long-lasting quality appealed to your senses; so why would you settle for second rate when it comes to superior quality auto parts? Ford automobile enthusiasts have become used to a certain level of dependability when driving their LTD around town.
An important factor in fuel efficiency is the appropriate mix of air and fuel. Your Ford LTD uses a paper or cloth air filter to remove dust and debris from the air stream before it enters the intake manifold, mixes with your fuel, and gets detonated. Without an air filter or air cleaner in your engine, your fuel would be filled with particulates from outside. This will plug up your injectors and rob your engine of fuel; making it difficult for your engine to generate power. And unless your Ford LTD air filter is replaced regularly it will fill up with dust and dirt, reduce the amount of air entering the intake, and create poor gas mileage. Clearly, replacement air filters are a necessity for everyone.
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text: have recently been having problem with battery going flat. battery itself is only 8 months old but found out it was undersized. have fitted correct battery on now. when i was fitting battery i could here the sat nav disc drive working it was powered without ignition on. is this normal or could this be what causing the battery to go flat.


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Tamagotchi Pet
by: Games For Kids • 1.2K
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by: Games For Kids • 1.2K
Tamagotchi Pet is the perfect kids game for those who always dream of a sweet house pet to take care.
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Linus Sofa
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That's Not My Name
By The Ting Tings
"That's Not My Name" is a punchy shot of girly spazz-pop, caterwauling its way through three and three quarter minutes of sparklingly riotous perfection. It'll have you clapping away like a latter-day "Hey Mickey", without leaving you embarrassed for so doing. It's a simply structured song but, boy, it works!
The promo blurb is keen to draw comparisons with the Pipettes and the Gossip. Frankly, there's too much attitude here for the former (although we'll keep those handclaps, thanks), and whilst we've got a sharp danceable riff here, you aren't going to find any of the latter's politicization in these lyrics. Even seeing them written out, I'm left without a clear idea of why people have taken to calling Katie (Vocals) by the wide array of incorrect monikers she references here (although it's safe to say that we're left in no doubt that she's less than chuffed about it.)
Jules, the only other member of the band, chips in with some dynamic counterpoint harmony during the genius of a crescendo that sees the song through to its conclusion. And when they're joined by Katie's overdubbed self once again we've got another example to cite when making the (fairly obvious) point that headcount is not directly proportionate to noise output.
Flip-side "Great DJ" has a slower pace, and is less about clatter than grooved musical precision. Still, it suggests that these new kids aren't the kind of one-trick ponies who are about to serve up one killer gem and then disappear off the face of planet music. Still, it's the A-side that you ought to be hearing more of this summer. "They call me quiet / But I'm a riot!" Anyone who calls it otherwise is supremely misguided.
Related Bands
Other bands you might like.


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"Guardians of the Galaxy" actress Zoe Saldana covered the July issue of InStyle magazine, but she wasn't the only Saldana people have been buzzing about.
In the issue's interview, she reveals that when she married her husband Marco two years ago, he decided to break tradition in a big way and take her last name.
It's still "tradition" for a woman to take the man's last name — in a 2011 survey by wedding website The Knot, 86 percent of women took their husband's last name — though more women have decided to keep their own or hyphenate. Still, there's a stigma when it comes to men taking their wife's last name.
Saldana actually told "InStyle" in her interview that she tried to talk the father of her twins out of it.
'I tried to talk him out of it,' she tells InStyle. I told him, 'If you use my last name, you're going to be emasculated by your community of artists, by your Latin community of men, by the world.''
But Marco was having none of it:
"Marco looks up at me and says [she puts on a cute Italian accent], 'Ah, Zoë, I don't give a sheet.'"
It seems that Saldana herself has had a change of heart because two years later, the two are enjoying each other and their newly formed family.
The couple even responded to haters in a Facebook post last night.
They want the world to know that men taking a woman's last name has nothing to do with their "manliness."
"Men, you will not cease to exist by taking your partner's surname. On the contrary — you'll be remembered as a man who stood by change. I know our sons will respect and admire their father more because their father lead by example," they wrote.
"Gentlemen, I implore you to think outside the box — remove the box altogether. Let's redefine masculinity."


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If there's a predominant theme in Cole's book on the history of gay fashion in the twentieth century, it's that gay fashion is always imperfectly mimetic, a tangled mix of "passing, minstrelization and capitulation", to quote sociologist Martin P. Levine (pg. 3)
Even before the trial of Oscar Wilde, there was the trial and acquittal of Ernest Boulton (aka "Fanny") and Frederick Payne (aka "Stella") in 1871, two homosexual men who were also crossdressers and sex workers (Pg. 15-16). Ever since, those three categories have been conflated in the public mind (sometimes with justification). Gay men have overlapped with and been in fashion dialectic with other marginal groups (sex workers, soldiers, sailors, aristocrats, police, punks, bikers, artists, etc) for a variety of reasons: camouflage, recognition both covert and overt, political statements, defensive intimidation, generational differentiation, heightening male beauty, conspicuous consumption, personal fetishes or parody.
Via Peter Tupper, Gracie Passette


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Looking out across the glittering clear waters of the Bay, stretching from the Needles on the Isle of Wight to the east across to the giant chalk cliffs of Old Harry Rocks to the west and the Purbeck Hills of Hardy's Wessex beyond, Hotel Miramar occupies one of the most spectacular vantage poin...
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Thomas/TUGS Parodies-Featuring Thomas and Lady 3
< Thomas
229,504pages onAdd New Page
this wiki
this wiki
- Thomas as Ten Cents
- Lady as Sunshine (I know Lady is female)
- Henry as Big Mac
- Toby as OJ
- Edward as Top Hat (Diesel 10 can't be Top Hat, Diesel 10 is bad, Top Hat is good)
- Gordon as Warrior
- Sir Handel as Hercules
- The Fat Controller as Captain Star
- Diesel as Zorran (I'm sticking with Diesel as Zorran)
- George as Zebedee
- Bulgy as Zak
- Arry as Zug (Stepney can't be Zug, Stepney is good, Zug is bad)
- Bert as Zip (Fergus can't be Zip, Fergus is good, Zip is bad)
- Captain Zero as Captain Zero (Not Henry! Henry is good, Captain Zero is bad!)
- Rusty as Grampus
- Dennis as Izzy Gomez
- Mavis as Lillie Lightship (Not Daisy!)
- Duck as Sea Rogue
- Duke as Sea Rogue's Uncle (D261 can't be Sea Rogue's Uncle, D261 is bad, Sea Rogue's Uncle is good)
- Spencer as Bluenose
- Green Arrow as Fire Tug
- James as Boomer
- Duncan as Billy Shoepack
- Max as Burke (Oliver can't be Burke, Oliver is good, Burke is evil)
- Monty as Blair (Percy can't be Blair, Percy is good, Blair is evil)
- Troublesome Trucks as The Pirates
- The Chinese Dragon as The White Fleet
- Bertie, Trevor, Jemerey and Lorry as The Shimpers (I know Bertie, Trevor, Jemerey and Lorry are all good)
- Donald as Coast Guard
- Douglas as Coast Guard's Messenger
- The Picnic Train as The Fultan Ferry
- Diesel 10 as Johnny Cuba (Edward can't be Johnny Cuba, Edward is good, Johnny Cuba is bad)
- Godred as Nantucket (Gordon can't be Nantucket, Gordon is good, Nantucket is bad)
- Salty as Old Rusty (Godred can't be Old Rusty, Godred is bad, Old Rusty is good)
- Cranky as Big Mickey
- Kevin as Little Dicther
- Rocky as Mighty Moe
- Butch as ScuttleButt Pete
- George as Jack the Grappler
- Toad as Lord Stinker
- Bill as Frank (Not Splatter, Splatter is bad, Frank is good)
- Ben as Eddie (Not Dodge, Dodge is bad, Eddie is good)
- Molly as Pearl
- Daisy as Sally Seaplane
- Percy as Puffa (Arry can't be Puffa, Arry is bad, Puffa is good)
- Oliver as The Goods Train (Bert can't be The Goods Train, Bert is bad, The Goods Train is good)
- Spamcan as Zurg (If Zurg was a Real TUGS Character)
- Old Stuck Up as Zugr (If Zugr was a Real TUGS Character)
- and more


text:
Having problems with your Shark ?
How do I put the belt back on my hand held shark
Sopped working took off the rotator attachment
Answers :
Repair Help & Product Troubleshooting for Shark
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I have a Bissell 1623-1 Steam Cleaner. It will work good for about 2 minutes and then after that it will not dispense cleaning solution on floor or through the hand held wand.I have replaced both drive belts with no improvement. I have cleaned it and found no obstructions in hoses and spray nozzles, put back together and it still will not dispense. Is it possible the pump or solenoid is no working? Aaron
... Bissell 1623 Steam Cleaner
Just got secound hand ....hand held shampooer where to put water and how to put back on machine for use
... Dirt Devil Vacuums
I have the same rproblem with my little Shark V15Z hand held vacuum. the belt broke,there's no instruction on how to replace (and apparenlty it was not designed to be replaced (at least with out a lot of research). I see BElectric describes how to find the hidden path, but now where can we buy the correct belts??
... Euro-Pro HEPA Shark EP035 Bagless Handheld Vacuum
How to put belt back on a dirt devit hand vac 08100red
... Dirt Devil Easy Lite Quick Vacuum
The belt broke, and I can't find out how to get a replacement (Shark Hand Held Euro-Pro Model V15Z. Help!
... Euro-Pro Cordless Bagless Upright Sweeper - Blue/Gray
I have a kirby sentria. vacuumed up my son's headphones and immediately shut if off. took brush off, unwound headphones, put it back together. when i turned it back on, the belt snapped. so i went to vacuum place, got new belt, but when i put it on, with the green arrows lined up, it doesn't have much suction. with the red arrows lined up, it just smells like its burning and i don't want to break another belt! HELP!!
Take the front off the vacuum and check inside both the front portion and the canister for additonal clogs. Sometimes something will get caught in the impellor, causing the motor to overheat. Since there's little suction and the smell, I'd guess th ... Kirby Generation 3 Bagged Upright Vacuum
I have two old identical 5842's that I use in the garage and around the house. The belt broke on one so I bought a bag of 2 genuine Eurika "U" belts, which is the correct belt for this vacuum. They were obviously smaller than the original belt because they were not stretched out. When I put the new belt on it lasted about 20 minutes and then came off. I put it back on and ran the vacuum with the cover off to see what was wrong. Everything looked fine except the belt rides to the outside edge of
Not 100% sure this is the remedy for that particular problem, but I would take the time to clean both of the brushes that the belts operate, one on each machine.\015\012Remove the brushes and clean as best you can. At the end of each brush there sho ... Eureka Whirlwind Litespeed 5840 Bagless Upright Cyclonic Vacuum
Replaces the belt on dirt devil dynamite pluse model put everything back together started it and it burt the new belt up that fast. I put it around the beater brush and the metal bar I thought it should go around, yet it seemed like there should be something else there to put the belt on. What do you suggest? Do you have picture I could go by?
The metal bar you put it around if the bar itself does not spin it is going to burn the belt up. Every thing that the belt is supposed to go around has to turn or the belt will rub on the piece not moving and brake. ... Vacuums
I am trying to replace my vacuum belt and can not get the roller brush to fit back into the slot after I put the belt back onto one end of the roller brush. Am I reassembling the belt and roller brush the right way?
If its a hoover or bissell, one side of the brushroll is slotted and slides. if its a eureka the hexagon end caps must be properly aligned, they go in at an angle. if its none of these provide me with the make and model # and i will give you a detail ... Vacuums
We had to take the machine apart just to see that the belt had broken after only 5 use's . We can not see how we are ever going to put the new belt back on. do you have instructions on how to take the belt off and how to put a new one on? Please send me one.
I have a Panasonic MC-V5746 upright vacuum. According to the booklet, \015\012MAKE SURE UNIT IS UNPLUGGED.\015\0121. Place carpet-bare floor selector in "carpet" position.\015\0122. Remove lower plate (there are two screws in the m ... Vacuums
We have had three belts break on your hoover vaccum cleaner u5472-940. It is easy to replace, you just remove the plastic part over it, put belt on wheel and then put it back on. Any idea on why the belt keeps breaking?
Sometimes when you buy belts from the walmart or target, they are not at the correct specification and they brake as soon as you turn on the machine. i would suggest that you buy these belts from the company. ... Hoover F6021-900 Steam Vacuum
I have a Kenmore quick clean model 116.36724500 and the belt popped off so we took the bottom off and put the belt back on, but now cannot get the bottom floor plate back on! Please help! :( I have no
... Vacuums
Windtunnel belt I have a new Hoover Windtunnel canister. The belt keeps coming off. It happened a couple weeks ago (several times after putting the belt back on) so I assumed I might need a new belt as it might have dried out at the store. I ordered new belts and today I used it for about an hour and the belt came off again, twice. There doesn't seem to be anything to hold the belt on the stem as it seems to slip off. I have tried it centered, to the left and to the right....can you help. I am v
I've successfully used a compatible belt - Royal 104425001 .It's still new, but for the time being at least - it works. ... Hoover S3765-040 WindTunnel Bagless Canister Vacuum
I have a windsor vsp 14, it is making a bad grinding noise, when I take the top blue piece off it stops, the brush works fine and when I put the top back on it grinds really loud and gets hot. it still vacuums and the belt and brush are working fine, can't figure it out. and when the lid is on I cant see what its grinding on. It only makes a grinding noise when you pull handle back and engade to vacuum flor and stops when you put it upright.
... Windsor VS14 Versamatic Bagged Upright Vacuum
How to put the brush back in to the turquoise dyson dc07 and put the belt back on
... Dyson DC07 Allergy Blue/Turquoise Bagless Upright Cyclonic Vacuum
Is there a diagram/picture to help me visualize how to put cleaner belt back in vacuum? I was taking base of vacuum apart so I could get rid of hair that were wrapped on the roller. The cleaner belt came to loose and I could not figure how to fix it back. the model is eureka upright bagless series 430
Hi,Sorry to hear your belt fell out. Not good if you've never replaced a belt before...Here is a website where you can read a detailed description of how to change a belt: http://www.ehow.com/how_8034505_eureka-belt-replacemen ... Eureka 431A Optima Bagless Upright Vacuum
Kirby sentria My roller brush won't spin belt is not broken I cleaned the Roller brush and put it back it. It put it back but it looks like the sensor balls aren't touching the plastic part underneath. The green light Doesn't turn on either. It was just working and it stop picking up out of nowhere this
... Vacuums
Can not put back the red clip to my pro hea t deep cleaner i replaced belt cannot put back red clip retainer
... Bissell ProHeat Deep Cleaner Upright Vacuum
How do I get the beater brush off of the vacumm to replace the belt? The vacumm is a Shark roadstar . I can get the belt on the one end but I cannot get the brush up to put it on that end. Judy It is a Shark Roadstar EURO-PRO Model No. UV208C
... Vacuums
I have a Hoover Slider, Model #S2105, Serial #050500084989, and I need instructions on putting it back together; with parts and assembly of parts. I took it apart because it was making a noise, and I believe one of the belts had come off. However, when I took the screws out of the bottom to check the belts, the whole thing fell apart. Now I can't get back together properly. It will not come on, and I believe it is because the switch that makes it come on when you lower the handle is not posi
Greetings from GoVacuum,\015\012\015\012Please see the link below for a parts schematic to your Hoover Slider, hopefully this will help you put the machine back together. If you find a part that is missing, and would like to order one, j ... Vacuums
My Bissell Model 3760-4 is not working properly. The belt has been replaced (and checked 3 times), but the brush bar does not move when the brush motor button is on. The little metal turning piece that turns the belt is turnable with one's finger when the belt is off, but when we put it all back together and turn on the vacuum, the brush bar does not go around and the burning belt smell returns. The portable part of the machine works properly. It's the brush bar. It has been cleared of hair, etc
... Bissell Lift-Off(R) Revolution(R) Turbo Upright Vacuum
Belts I have a Hoover self-propelled windtunnel, purchased 6-04. It gets light use. I have replaced the v belt 3 times, once under warranty, and it must be replaced again. It appears to be in very good condition, but is stretched too big. When I purchased 2 v belts a year ago, one was already too stretched,but when my Dad took it back, the salesman put it on another model and said it was fine (Dad never mentioned this to me). Is there a way to adjust the vacuum to hold the belt tighter? Do t
It is the flat belt that gets stretched and should be replaced at least every 6 months. The V belt wears down so it won't it right in the brush roll V. Maybe the belt tensioner wheel has a problem, sometimes they get hook up and won't engage the V ... Vacuums
How do i put the dust cup collector back in on shark v15z
... Euro-Pro Vacuums
I have a Hoover self-propelled windtunnel, purchased 6-04. It gets light use. I have replaced the v belt 3 times, once under warranty, and it must be replaced again. It appears to be in very good condition, but is stretched too big. When I purchased 2 v belts a year ago, one was already too stretched,but when my Dad took it back, the salesman put it on another model and said it was fine (Dad never mentioned this to me). Is there a way to adjust the vacuum to hold the belt tighter? Do they re
Http://geeksquad.fixya.com/ThreadView.aspx?prdid=0&thid=675093\015\012Generic problem for all Vacuums\015\012I have a Hoover self-propelled\015\012Posted by kl ... Vacuums
I have a Eureka 4800 series the Boss upright with a bag and Hepa filter. I love it! I was just vacuuming with the hose part and all was well and then suddenly the lower brush came on and a "burning" smell followed. Thought it was the belt so my husband was going to put on the new belt which I had on hand! When he turned it over, the "bar" that holds the belt looks as though it "shot through" the plastic side of the housing on the vacuum. There is melted plastic on the outside of the vacuum and o
I had the same problem. Take out the old belt if possible. Remove the 4 screws inside the filter and the 3 on the front of that housing. pull out the foam around the motor. carefully pull out the suction tube that is press fit against the motor. ... Eureka 4874 Bagged Upright Vacuum


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Seminole County announces areas for protestors during Zimmerman trial
SANFORD, Fla. - Seminole County courts have set up rules for those outside the courthouse during the upcoming George Zimmerman trial.
Seminole County Chief Judge Alan Dickey released guidelines that set aside areas for various groups.
Protestors who are on the courthouse grounds will be restricted to two areas on the lawn in front of the building.
Areas for protestors are also laid out near the Juvenile Justice Center, adjacent to the courthouse, and in downtown Sanford outside the civil courthouse.
READ: Court guidelines and designated areas for public assembly during Zimmerman trial


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Me and the husband were watching X-Men: First Class this past weekend, one of my top 3 favorite movies. As I sat there drooling over James McAvoy and Michael Fassbender (Professor X and Magneto at their absolute PRIME) I noticed something from the corner of my eye. Jennifer Lawrence from the hunger games was young Mystique! Now I think I have a pretty good eye considering her hair was long and blonde in this movie. I got all excited because I can't wait to see the Hunger Games (in theaters March 23rd!!). For those of you who have no idea what the Hunger Games is, it's a book turned movie that takes place in the future where 12 boys and girls are chosen from their districts to fight for their lives on live TV. Jennifer is transformed into a brunette fighter, taking the place of her sisters spot in the games to ensure her safety. I'm getting excited just writing about it!
Will you guys check out the hunger games? Have you read the book?
-Patti, Contributing Elfette


text: A Bronx Tale is a one-man show written and performed by Chazz Palminteri. The play is set in The Bronx section of New York City in the 1960s. A Bronx Tale tells the story of Calogero Anello, a young boy from a working class family who gets involved in the world of organized crime. Calogero's father is a bus driver who tries to instill working class family values in his son. As Calogero gets older, the aura and mystique of the Mafia, and the charms of Sonny, the local mob boss who befriends Calogero (and ends up becoming a father figure to him), become difficult to resist. As Calogero comes of age, he must struggle with the choice of following his beloved father's values or submitting to the temptations of the life of organized crime.


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- Phone: 8775547836
- Visit Website
172 ratings.based on
What our customers think of us!
The following comments were submitted by our customers when asked to provide feedback on our service. In the interest of transparency, we present these comments as provided except that personally identifiable information has been hidden unless the reviewer has requested their full name be included with the review. No unfavorable comments have been removed.
Very friendly and helpful!
It's just that it was my first time having to get an inspection done and did really know what to expect. He was beyond nice.
On time and professional!
Steve gave me complete information in a timely manner.
Very professional and easy to work with.
Name removed
Steve was very flexible with our inspection day/time.
Final report was done really well. Walk through following inspection was good.
Inspector Steve Burt was great.
We were pleased with the great customer service and thorough inspection that was provided. We also liked the detailed explanation given to us at the end of our inspection.
You didn't disappoint me and all things are good...First name removed
Steve was very informative and didn't have a problem answering all of our questions.
Steve was absolutely fabulous! He was extremely thorough and had great suggestions on small repairs.
My home inspection was very in-depth and handled very professionally - especially for a first time home buyer
very thorough. very nice and easy to understand
The professional approach that our inspector took with the both of us. I really liked the binder we were given and how he explained every detail and made some very good sugestions to us. The best thing was how he could work with us on the time we asked for and was willing to work well past normal business hours. Great job all around!
Very friendly and accommodating. We were looking for someone that had fair prices and needed someone to look at a property quickly. Was very thorough and we had results the same evening. Would definitely recommend them for a home inspection.
Very thorough and inspector was courteous and friendly.
The inspector was very thorough and explained things to me along the way. He didn't make me feel bad about asking questions.
Steve was great! He walked us through step by step of the inspection to help us get to know our home. He provided us with a binder detailing all of the findings and resources to home repair and maintenance specialist. I would highly recommend Steve and Pillar to Post.
Communication was strong before, during, and after inspection. Lot of information was provided and we felt comfortable asking questions.
Vary thural on the inspection
Thorough inspection and detailed review. Binder we received is useful and organized.


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Match Report
Posted Thu 21 Jun 12 at 20:03 PM
Peterborough 0-1 Forest
Forest secured their first win since September 1 with a 1-0 win at Peterborough this afternoon.
Sean O'Driscoll made one change to the side which drew 0-0 with Blackburn on Wednesday, with Simon Cox returning from suspension to replace Henri Lansbury. Adelene Guedioura took his place on the bench.
An assured first half performance began with Lewis McGugan bursting from midfield after 50 seconds, but he miscued his shot high and wide.
The midfielder went much closer four minutes later. Cox held the ball up on the edge of the area before laying it off to McGugan, whose superb effort curled just wide from 30 yards.
And it was McGugan again on eight minutes. This time he dispossessed Michael Bostwick and bore down on goal. Cox and Billy Sharp made runs either side of the covering defender, but he opted to shoot and his effort was straight at Olejnik.
With twelve minutes gone, Greg Halford's long throw caused havoc in the box. The ball eventually fell to Cox in the area but his shot was blocked.
Peterborough responded with two corners in as many minutes which, although dealt with unconvincingly by Forest, amounted to nothing.
McGugan had another great chance on 27 minutes. Patient build up by Forest resulted in Sharp holding it up in the box. He layed it off to McGugan, but his left-footed effort went wide.
McGugan was involved yet again on 31 minutes. He exchanged passes with Cox before his cross was met by the head of Sharp. The striker, who was closely pursued by two Posh defenders, saw his effort loop wide.
Forest went close again seven minutes later. Reid did well to play in Cox, but his effort on the bounce was diverted just wide of the far post. From the resultant corner, McGugan worked himself into an excellent position but his progress was blocked at the near post.
Forest made one change at half-time with Daniel Ayala coming off for Brendan Moloney. Greg Halford took the Spaniard's place alongside Danny Collins and Moloney slotted in at right back.
Peterborough had their best chance of the game on 49 minutes. Andy Reid's flick in midfield evaded McGugan and Bostwick charged into the Reds' box, only for his shot to be well-saved by Camp.
The resultant corner saw Tyrone Barnett's header saved brilliantly by Camp, before the referee spotted a foul on a Forest defender. Just as Posh might have felt they were getting a foothold in the game, The Reds found the elusive breakthrough in stunning style. Andy Reid carried the ball at least 50 yards down the left before unleashing an incredible left-footed shot which flew across Olejnik and into the top corner.
Tyrone Barnett should have equalised three minutes later when he drifted away from Harding at the back post, but he could only fire straight at Camp.
Harding was then nutmegged by Mark Little as the wing back raced towards the byline. He pulled it back for ex-Red Emile Sinclair, but he fired over.
Shortly afterwards, Jermaine Jenas replaced McGugan. On 65 minutes, Sharp peeled away at the back post to control Chris Cohen's cross, but Olejnik was equal to his effort.
Five minutes later, substitute Danny Swanson's long range effort stung the hands of Camp and went out for a corner. Boyd's cross was dangerous but the Forest 'keeper did well to catch it.
On 72 minutes, The Reds twice went agonisingly close. Jenas' effort was saved brilliantly by Olejnik, and the 'keeper reacted well to deny Cox's header on the rebound.
Reid's corner minutes later was flicked on at the near post by Halford, and the defender was furious no one was on-hand to turn it home.
On 77 minutes, Cox ran clear in the right channel but could only fire across goal from a tight angle.
Five minutes later, Radoslaw Majewski replaced Cox.
On 84 minutes, Halford felled Barnett as the striker chased a lofted ball into the right channel. Lee Tomlin took a short free kick but Boyd blasted over from 20 yards.
Four minutes later and it was so nearly 2-0. Reid's skill got him to the byline and he picked-out Majewski, but the Pole's instinctive header cannoned off the post.
Sharp should have wrapped up the game in the first of four added minutes. Jenas broke after dispossessing Bostwick. He played in Sharp, who escaped the attentions of a defender to set himself up for a one-on-one with Olejnik, but the 'keeper saved well with his feet.
Peterborough went down the other end and a won a free kick on the edge of the Forest box. Bostwick's effort was straight into the wall and Collins cleared the rebound for a corner.
Olejnik went up for it but, despite a number of crosses and scrambles, Posh couldn't turn it home and it finished 1-0.
Camp; Halford, Ayala (Moloney 46'), Collins(c), Harding; Gillett, Cohen, McGugan (Jenas 61'), Reid; Cox (Majewski 82'), Sharp.
Subs not used: Evtimov (GK), Moussi, Guedioura, Coppinger.
Scorer: Reid 51'
Booking: Halford 84'
Olejnik, Alcock, Brisley, Bostwick, Barnett, Boyd, Sinclair (Berahino 63'), Rowe(c) (Tomlin 68'), Ferdinand, Little (Swanson 63'), Knight-Percival.
Subs not used: Day(GK), Zakuani, McCann, Nthle.
Referee: M Haywood
Attendance: 10,469 (Away: 3,262)
Latest Match Reports
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Need a Dairy Allergy Test in Plant City, FL? Simply order online 24/7 and get a fast, affordable Dairy Allergy Test at a lab near you (Find More Locations):
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AP70 Control unit, MFG# 000-10182-001, with user manual, 6m cable with connectors in
both ends, T-connector, 2m power cable with connector in one end, protective cover,
gasket for panel mounting, and mounting screws. Supply 12-24 VDC.
The AP70 is a reliable and user-friendly heading control system for yachts and powerboats of any size, from 20ft to 100ft+ super yachts and mega yachts. The AP70 is a state-of-the-art commercial grade autopilot which benefits from an unrivalled adaptive auto-steering system that has been designed for navigators who demand precision steering in all conditions.
The new color AP70 provides an extremely flexible interface to a variety of steering systems including solenoid, pumps, analog interfaces or proportional systems, jets and thrusters.
Unlike many other autopilots, the AP70 can provide up to 6 individual scenario profiles and is compatible with an extensive range of remote controls and components; all controlled with an easy-to-use interface displayed on a vivid, 5-inch color screen.
The AP70 is made from ruggedized aluminum, has a 5-inch bonded high sunlight viewable screen, and can be panel (flush) or bracket mounted. You wonât find another pilot on the market that boasts the same performance, durability and versatility without the high cost.


text:
CANADA STOCKS-TSX ekes out gain, banks offset resources
TORONTO, April 15 (Reuters) - Toronto's main stock index finished slightly higher on Wednesday as financials made a late push to offset weak resource issues.
The S&P/TSX composite index .GSPTSE unofficially closed up 14.59 points, or 0.16 percent, at 9,246.21. (Reporting by Ka Yan Ng; editing by Rob Wilson)
© Thomson Reuters 2017 All rights reserved.


text:
I'm trying to dissolve a limited company. Before I do, I've been told by an accountant friend that I should liquidate all of my company assets. Ideally, I'd just like to dissolve the company now, and worry about assets later. Do you know whether I can dissolve a company before I liquidate?
Browse other questions tagged Ask a new questionor


text: Known to be the pioneers of the latest ingredients in skincare, you'll often find starfish extract, snail secretion filtrate, and egg white along with other super-scientific sounding compounds in Mizon's products. This brand is known for their innovative and proven exotic ingredients. Don't be worried about the disconcerting contents – once you try it, you'll love it.


text: Plot: May Oster, played by Athena Lebessis, is a beautiful, pensive, somber woman in her mid twenties; a beautiful woman that discovers her boyfriend's bloody scarf in her apartment following a black-out episode. This unearthed white scarf covered in crimson drives May to attempt suicide. May is taken to a psychiatric ward under the care and influence of Dr. Ballard, a fifty-eight year old psychiatrist/acclaimed author, played by Eric Roberts. May is immediately thrown into seclusion. Detective James Harding, played by Jake Busey, appears to question May about a horrific murder. This questioning thrusts May into narrating an in-depth story about an unnamed woman's involvement with unsavory characters leading to multiple murders. Will May regain her sanity, restore her normal life and unravel the mystery of her true love? Only time will tell. Genre: Drama, Horror, Thriller IMDB Rating: 5,0/10 from 29 users Directed by: Lance Kawas Starring: Eric Roberts, Jake Busey, Jordan Trovillion Release Name: Fractured.2015.720p.WEB-DL.DD5.1.H.264-PLAYNOW Size: 2.73 GB Video: MKV | 1280 × 714 | 3919 Kbps Audio: English | AC3 | 384 Kbps Runtime: 89 mins Information: Code: http://www.imdb.com/title/tt2375844/ Download: Code: Download from REDBUNKER http://www.redbunker.net/vlrug8o7gqvh/Fractured.2015.720p.WEB-DL.DD5.1.H.264-PLAYNOW.mkv.html Screens:


text:
It's a dose of the "white stuff" for Whistler Blackcomb.
On Wednesday, snow started falling at the top of Whistler Peak.
Global Meteorologist Mark Madryga:
"That just shows how cool the air mass is. It's at about 1500 metres and above."
PR Coordinator Sarah Morden says it's a good sign for those who enjoy the mountain during the winter season.
"We're very excited. You know, we had a very busy summer in the mountain bike park, and so we're looking forward to translating that into the winter season."
Morden says the forecast this winter is expected to be good for those who ski and snowboard.
"If you look at the Farmers' Almanac, it's looking pretty positive for us, even though we had some challenging conditions at the lower elevations last year, our alpine was fantastic throughout most of the season."
Morden says there isn't enough snow to warrant any safety concerns or add any kind of 'caution signs' where the snow has stuck.


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A Red Letter Evening // Claire & JaiMature
If Jai hadn't know any better, he could have sworn she was blushing. It added to her beauty and he was tempted to run his palm along her cheek, but resisted, at least for now. Truth be told, his cheeks were warm as well. Luckily it wasn't as noticeable on his dark skin tone. The hand at her waist fought to stay respectful and protective, but she was making it tough for him. Was that on purpose? Probably so. Good game. Good game, Claire.
Hearing her quiet comment, Jai gave the tiniest of smirks, not being able to remember the last time he'd had this much fun on a mission. As an added bonus, it sounded as though the place was locked up tighter than Fort Knox, so at least that part of his job was taken care of this evening. "Agreed. Not everyone has a careful, gentle touch when handling such beautiful yet dangerous creatures." At that, fingers traced invisible shapes along her waist. Although focusing on her, he couldn't help at the same time noticing that her dress was made of the highest quality fabric, just as he would have expected.
"As for a taster, please, allow me. My discriminating pallet is at your service throughout the night." She could make of that what she wanted, because yes, the way his tongue slowly moistened his lips and the immediate smirk afterwards told that he'd meant it in any and every way she could imagine. But seriously, he'd taken a good look over the food choices on his way inside earlier, and it all appeared delicious. Not as delicious as her, of course.
Just as he was about to continue their serious security discussion, the sound of falling metal could be heard crashing down in the room next to them. That just figured. Instinctively, Jai's hands went into action, one drawing his gun while the other ensured Claire was behind him, shielded from whatever they were about to face. After a moment, there was nothing but silence, causing him to walk up to the doorway and listen carefully. Still nothing.
Another beat passed before his hand went for the door handle. Slowly, he peeked inside, gun still drawn and safety off. Eyes scanned the room, instantly noticing the source of the noise - a fallen suit of armor. The window was secure as far as Jai could tell and no one else was present in the room. Still, he attempted to keep Claire behind him. "Hidden passageways - are there any leading to and from this room?" After opening the closet, still no threat was detected.
Perhaps the armor had fell down on its own? Collapsing to one knee, he inspected the pile of metal. The chestpiece began to wobble on its own, causing Jai to flinch and begin to reach for his weapon again. Before he could though, he was being assaulted by a small furry beast. "Mew?" the cat questioned as it attempted to jump onto Jai's leg.
Still not expecting any of this, Jai fell backwards onto his rear, allowing the cat to do as it pleased, kneading dough and shedding all over the expensive Armani suit. "Seriously?" was asked with a very unamused tone. Of course, he couldn't remain serious for long as the Persian cat began demanding cuddling from him. "Is this…" Fingers scratched behind its ears and that's when the purring began. "yours? I've never seen it before; I'd never forget such a fine pussy… cat."