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UFC 162: Frankie Edgar vs Charles Oliveira
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post #9
Thread Starter
Gabba Gabba Hey
Join Date: Sep 2008
Location: Pensacola, FL
Posts: 20,445
Round 1 - Referee Yves Lavigne oversees the night's co-feature. Oliveira takes the center and kicks the body. He wants to use his length early. Edgar lands a crisp right that catches Oliveira's attention. Oliveira moves inside, and they hit the deck. Oliveira tries to grab a leg, but Edgar pulls free, and they reset. Oliveira using his length, but Edgar is very aggressive and off to the quick start he wanted. The clinch up, and Oliveira falls to guard. Brazil chats fill the air, and Oliveira misses as he goes for an arm. Edgar pulls back, and they reset on the feet. Oliveira pumping a long jab. Edgar lands to the body. Right hand for Oliveira. Edgar pushes Oliveira to the floor, but he pops right back up. Crisp left for Edgar. Uppercut scores. Another trip for Edgar, and they back away. Edgar flurries and touches the chin again. Oliveira answers by pointing at his jaw and landing a long jab. Back to the floor, and Edgar is on top. Round ends there, and MMAjunkie.com gives it to Edgar, 10-9.
Round 2 - Edgar again quick to start. Oliveira giving chase, but Edgar moving in and out of range. Slapping low kick for Oliveira. He's jabbing, as well. Edgar pushes him back to the floor and kicks the legs before Oliveira rises. They clinch up again, and Edgar scores another takedown. Oliveira turns for an arm. It's not there, but Oliveira adjusts and locks the body triangle from underneath. Edgar with a few short punches. Elbows come in, as well. Oliveira breaks the grip and scrambles up. Oliveira's nose bloodied. Edgar punching and moving well. Oliveira scores two straights. Oliveira just short on a front kick, and Edgar lands a left hand counter. His nose is bloodied, too. Edgar catches a kick and lands a counter. Oliveira misses a flying knee. He's chasing. He lands a left hand. They trade in the pocket. Edgar scores a big takedown late and survives a choke attempt at the bell. MMAjunkie.com sees the second for Edgar, 10-9.
Round 3 - Edgar still moving well. Brazilian chants pick up to open the third. Stiff right scores for Edgar. He follows up, but Oliveira covers and shakes it off. Edgar picks the leg and pushes Oliveira to the floor but refuses to engage on the ground. Lavigne calls for Oliveira to stand. Oliveira takes the center. He lans a jab and a left hand that sees Edgar sagger. Knee scores, as do a few punches. Oliveira finally scoring. Edgar shakes it off. Edgar pushes Oliveira down again, but they return quickly to the feet. Edgar attacks, and Oliveira scores with a counter. Spinning kick misses for Oliveira. He pushes Edgar down but can't get the position. Edgar land again, and Oliveira is wobbled. Edgar moves in. He's bloodied, and the two are going toe to toe. Flying knee for Edgar. Right hand scores. Crowd is on their feet. Oliveira wants a takedown, but Edgar pushes him off and takes top position. Final minute. Oliveira going to need something special from the bottom. He drives in an elbow, but he's not looking for a submission. Edgar backs away and drives in with a crushing right hand. More strikes to finish, and MMajunkie.com sees the final round for Edgar, 10-9, and awards him the fight 30-27. RECAP: Frankie Edgar def. Charles Oliveira via unanimous decision (30-27, 29-28, 30-27).
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ANDY MURRAY smashed his racket in frustration as he was sent crashing out of
the Japan Open yesterday.
The US Open champion and Olympic gold medallist suffered a shock semi-final
defeat at the hands of Milos Raonic.
Reigning champion Murray blew his top after Raonic went 3-2 up in the second
set and the Scot had an outburst when he surrendered a 4-1 lead in the
Big-hitting Canadian Raonic eventually won 6-3 6-7 7-6.
Murray said: "I was so obsessed with winning a Grand Slam, sometimes in
certain matches I haven't done myself justice.
"Now I feel like I can concentrate better, take more responsibility for my
performances in every tournament."
Murray insisted he would quickly put things right in Shanghai.
He world No 3 added: "I need to focus on Shanghai — it's a really big

subset: commoncrawl


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Most Popular
The joy was palpable, and the mood as cheerful as the colorful dresses straight from the Caribbean. It's no wonder why. The small islands stretched out between the Americas mainland have, not one, but two new cardinals.
Bishop of Les Cayes (Haiti)
"It brings good joy for the people, because a long time they would like to have one. It wasn't possible, so now it's possible. It's a joy of all the people in Haiti."
Card. Chibly Langlois is now of the youngest cardinals, at 55 years old, and the very first from poverty-stricken Haiti. Likewise, Dominican-born Kevin Felix becomes the first cardinal from St. Lucia, though at 81, he is no longer eligible to take part in conclaves. Not that it matters much to his congregation.
Pilgrim for St. Lucia
"It was awesome. It was just joy beyond compare. We were just elated and overjoyed because we have never had a cardinal before and it was the very first. So we were extremely happy, words cannot express. To God be the glory."
Former President, Commonwealth of Dominica
"One thing I'm hoping he might be able to do is to draw some more Catholics that are not going to church now to come back to the Church. I think that would a good thing, and he's capable of doing it, he has the ability to do it."
For the newest members of the College of Cardinals, their appointment alone will make a difference. The larger, Spanish-speaking islands of the Antilles have always had a voice at the Vatican. But for the first time, both the French-speaking and the English-speaking Catholics will have a say.
Archbishop emeritus of Castries
"We're hardly represented here in Rome so on an occasion like this, it speaks a lot volumes. Because you see that the Pope has not forgotten the small islands. But he has incorporated it into his Church."
Bishop of Les Cayes (Haiti)
"That means also that they are very close of the Pope, that means also that the Pope opened his eyes on Haiti, on the problem of Haiti, and they are not forgetting."
The two prelates met for the first time during the Consistory in Rome. But they expect to work closely to tackle common challenges for the Church in the Caribbean.
The vast majority of Haiti's 10-million people describe themselves as Catholic. Meanwhile, the Catholic population in the Lesser Antilles is just under two million people.


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Intelligent Insurer travels back to a time when reinsurers could still achieve triple-A ratings and asks why this is no longer the case.
Triple-A ratings are big news at the moment. In the arena of country credit ratings, the loss of, or even just the threat of losing, the highest of all ratings can be enough to instigate a state of national panic in major economies.
Once upon a time, it was the same for reinsurers. In the past, a number of the biggest reinsurers boasted triple-A status. Over the past 10 years, however, these have been steadily eroded, the last being lost in January 2012 when Standard & Poor's downgraded the rating of French government-backed reinsurer CCR to AA+ from AAA.
Stuart Shipperlee, partner at Litmus Analysis, argues that one of the primary drivers of this decline was a change in the dynamic between the levels of capital held by reinsurers, and their operating performance, compared with what the rating agencies required.
To continue reading, you need a subscription to Intelligent Insurer. Start a subscription today for £655.
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Rating agency, Litmus Analysis, Standard & Poor's


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Style #:
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Product weights and dimensions are approximate.
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The NYT aka Cancer Times tells us that coffee is good: for staving off dementia *and* breast cancer recurrence.
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One Feminist's Report on Her Breast Cancer, Beginning with Semi-diagnosis and Continuing Beyond Chemo, w/ a side of Polycythemia Vera thrown in for good measure, thus the subsidiary Bloody, Bloody Cancer Bitch***You don't have to be Jewish to love Levy's rye bread, and you don't have to have cancer to read Cancer Bitch *** Cancer Bitch comes to you from S.L. (Sandi) Wisenberg in Chicago, who is the Cancer Bitch as well as Menopause Woman


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Salt and Pepper
This 1968 film is just one in an ignoble line of un-hip hipster comedies of the late 60's and early 70's that included such clueless farragoes as Otto Preminger's Skidoo and Lee Katzin's The Phynx. Past-their-prime lotharios Sammy Davis Jr. and Peter Lawford star as club owners who back into a murder mystery and set to work solving the case. The movie is notable as director Richard Donner's sophomore effort though it would be almost a decade before his career took off with The Omen. There was a sequel directed by Jerry Lewis (!). The saving grace of both films is that they featured poster art from Jack Davis.
About Larry Karaszewski
Larry Karaszewski with his writing/directing/producing partner Scott Alexander won the Best Screenplay Golden Globe for The People vs. Larry Flynt and was nominated by the Writers Guild of America for the cult favorite Ed Wood. Other credits include writing the Milos Forman film Man on the Moon, adapting the Stephen King story 1408, producing Paul Schrader's Auto Focus, and writing/producing the upcoming Tim Burton feature Big Eyes. Larry is an active Los Angeles cineaste serving on the board of advisors for the Cinefamily and hosting a long running film series for the American Cinematheque.


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Hotel Burg Landshut is a name that blends together with the town of Bernkastel to form a single unit. The house – an old house with a wealth of tradition, oozing the charm of bygone days yet alive with the freshness of modern times – has been standing on the Moselle promenade since 1883...
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Adhering to a comparable statement in the WSJ earlier this summer, a brand new statement from Bloomberg nowadays shortly describes the iPhone launched in 2017 won't function the legendary House switch that's been current from the beginning. The Bloomberg item concentrated more extensively on an iPhone for Asia with assistance for FeliCa funds.
Apple has already been at focus on a significant overhaul of the iPhone for 2017 that stresses more seriously about the display by eliminating the House switch, based on an individual acquainted with the problem.
A WSJ item earlier this season went into additional information in regards to the 2017 iPhone, observing that Apple really wants to produce a device that's a complete single-piece of glass-on the leading. Clearly, the House switch might avoid Apple from shifting towards that objective. Earlier this month, a set of reviews stated that Foxconn is creating all-glass housing for an upcoming iPhone. KGI has additionally documented on Apple's 2017 iPhone ideas, observing the organization is working towards an all-glass style much like that of the iPhone 4.
It's still uncertain regarding how Apple can make up for that insufficient a House switch, however the performance will probably be applied in to the house display in one single way or another.
The iPhone 7 launched later this season is believed to have a style much like that of the iPhone 6 and iPhone 6s, but may dump the 3.5mm headset port, overhaul the aerial outlines, and incorporate a number of camera changes.
The iPhone 7 launched later this season can also be believed to fall the conventional shifting House switch in support of a Pressure Contact-like switch. Basically, which means that the switch gained't really transfer. Alternatively, a taptic suggestions is likely to be supplied to provide the sensation of a real contact, much like the trackpad on current MacBooks.
What do you consider of the chance of the 2017 iPhone offering no bodily house switch? Let's know within the remarks.
You can follow iPhoneFirmware.com on Twitter or join our Facebook page to keep yourself updated on all the latest from Apple and the Web.


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text: Que Pasa is worth a visit. The decor is modern, clean, and comfortable with both a dining room and tables in the bar area. The bar has large screens and functions as a sports bar. We had fish tacos which were tasty and a molcajete mixto which was excellent. If you have not had a molcajete (served in a stone... 更多


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Italian slang for 'the evil eye.' Basically it has similar meaning to the stink eye, but is scarier because it is given by evil little Italian women who then damn you for eternity for doing them harm, doing their family harm, or going against their will.
by oboemastah July 14, 2008
The vengeful act of crapping on a lover's chest while they sleep.Buy the plush


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You are here: Term Regulations > Reminders for the Beginning of Term
Reminders for the Beginning of Term
- Copyright Permissions for Course Readers
- Student Absence for Religious Observances
- Disabilities Services Office for Students
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- Academic Honesty
- Prerequisite Subjects
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- Fall 2017 Online Subject Listings
Undergraduate Subjects
- Class Times
- First and Third Weeks of the Term
- Tests and Academic Exercises Outside Scheduled Class Times
- Incompletes Checklist for Undergraduate Subjects
Graduate Subjects
Copyright Permissions for Course Readers
In accordance with Federal copyright laws, MIT requires individual faculty to obtain all required copyright permissions for material contained in their course readers (Policies and Procedures Section 13.0). To encourage compliance with these regulations, the Copy Technology Centers have established a Copyright Service to assist faculty and staff in obtaining proper copyright permissions. When given 6 to 8 weeks lead time, the Service will forward copyright request forms to publishers, track responses, and process royalty fees.
Student Absence for Religious Observances
Students unable to attend classes or participate in any exam, study, or work requirement on a particular day because of their religious beliefs are excused from such activities. These students are to be given the opportunity to make up the work missed, provided that this does not create an unreasonable burden on MIT. In addition, no adverse or prejudicial effects will result because students have made use of these provisions, see Policies and Procedures, Section 9.7.3.
Disabilities Services Offices for Students
As required under the Americans with Disabilities Act (ADA) of 1990 and Section 504 of the Rehabilitation Act of 1973, faculty share in the Institute's responsibility to make a reasonable effort in providing effective alternative means for qualified students with disabilities to fulfill course requirements. Specifically, faculty are responsible for working with the student and Disabilities Services staff to identify and provide reasonable accommodation for academic access and assessment. As members of the Institute community, faculty must maintain confidentiality on a need-to-know basis with regard to disclosure of information related to students with disabilities. For more information, please contact Kathleen Monagle, Assistant Dean, Disabilities Services Office for Students (x3-1674, email@example.com).
Privacy and Student Information
MITs policy on the Privacy of Student Records sets out the responsibilities of all MIT community members relating to the release of and access to student records under FERPA. Faculty members should be mindful that students privacy can be violated inadvertently and give careful thought to how information regarding grades and performance is conveyed and secured. Full information about the policy is available here.
Academic Honesty
Because instructors' attitudes toward collaboration vary widely, students are often confused about expectations regarding permissible academic conduct. Different cultural values and priorities regarding academic honesty increase the need for clearly stated expectations. Failure to clarify expectations often contributes to cases of academic dishonesty brought before the Committee on Discipline.
Early in the term, faculty members should clarify in writing expectations regarding permissible academic conduct. While some expectations are obvious, gray areas exist where standards vary across subjects and departments. MIT Academic Integrity provides guidance for ensuring responsible academic behavior.
For some students, a particularly troublesome area is the question of working together on problem sets and other homework assignments. The use of old solution sets or lab reports presents a similar problem. Because homework assignments have two roles — helping students learn the material and helping instructors evaluate academic performance — it is not always obvious how much assistance from old materials, if any, the instructor finds acceptable. Course syllabi should explain precisely the faculty member's expectations about the nature and extent of any collaboration or assistance from old materials they permit or encourage. If assistance from old materials is permitted, the instructor should be certain that the materials are available to all students equally.
If a faculty member believes that a student has violated expected standards of academic honesty, s/he has several available courses of action. For more detailed guidelines, see the Academic Honesty sections of Policies and Procedures.
Faculty should report actionable cases of academic dishonesty to the Office of Student Citizenship at x3-7848. Within each department, a senior member of the Faculty, such as the department head, should be available to provide guidance to faculty members and students in cases of academic dishonesty. In addition, assistant and associate deans in the Office of the Dean for Undergraduate Education, the Office of the Dean for Student Life, and the Office of the Dean for Graduate Education, as well as the Ombuds Office, are available for consultation with students, faculty, and department heads.
Prerequisite Subjects
Prerequisites are used to indicate the sequence in which subjects are to be taken and the base of knowledge on which a particular subject will build. Before taking a subject, a student should complete any prerequisite(s) listed in the catalogue description for that subject. (Co-requisites, which are listed in the catalogue in italics, are to be taken concurrently.)
Once prerequisites and co-requisites are included in a subject listing, it is the responsibility of the instructor to insure that the subject is taught at that level. At the first class, instructors should reiterate the prerequisites and co-requisites, and describe acceptable substitutions.
Students who do not have the stated prerequisites should obtain the permission of the instructor. Instructors may request that the Registrar's Office identify students without prerequisites, and in some cases, screen them from the subjects. If the instructor allows a student to waive or make a substitution for a prerequisite, it is then the student's responsibility to master any missing background material in a timely fashion so that the content of the subject does not change for other students in the subject.
The instructor may determine that a student does not have the required preparation and knowledge to take a subject and may, with the help of the Registrar's Office, exclude the student from the subject.
Some departments require students with a D-level performance in certain prerequisite subjects within the departmental program to do additional work or to retake the prerequisite before proceeding with the follow-on subject.
Guidelines for letter grades are defined in Section 2.62.1 of the Rules and Regulations of the Faculty.
The factors which determine the award of grades in any particular subject will necessarily be affected by the scope and level of that subject. In relatively elementary subjects, the mastery of particular skills will often be of primary importance, whereas in more advanced subjects, more complex considerations may enter into the evaluation.
The Faculty wishes to make it clear that in determining a student's grade consideration will be given for elegance of presentation, creativity, imagination, and originality, where these may appropriately be called for.
Modifiers of + and - shall be allowed on the grades of A, B, and C. These modifiers are only for internal grade reports. Term and cumulative averages (internal and external) shall be calculated without modifiers.
Spring 2017 Online Subject Listings
The class schedule is available online and can be searched by topic, requirement, or class time.
Undergraduate Subjects
Class Times
Exercises shall, in general, be held between 9 A.M. and 5 P.M. Monday through Friday.
Exercises begin five minutes after and end five minutes before the scheduled hour or half-hour; this gives students time to get to their next class and allows the faculty member coming into the classroom adequate time to set up. Instructors should make their teaching assistants who conduct recitations or tutorial sessions aware of this rule.
For undergraduate subjects taught on campus during the instructional period of the fall and spring terms, there cannot be any required academic exercises between 5 P.M. and 7 P.M. Monday through Thursday, and between 5 P.M. Friday and 8 A.M. Monday. This same restriction also applies to undergraduate subjects taught during the Independent Activities Period.
Monday evening class times are reserved for regularly scheduled classes; therefore, tests and required reviews are prohibited on Monday evening. When an optional review session is scheduled for a Monday evening (including a session that introduces new material or discusses upcoming test content), students must have an alternative way of obtaining comparable help within the normal instructional periods, e.g., faculty office hours.
First and Third Weeks of the Term
By the end of the first week of classes, the faculty member must provide:
- a clear and complete description of the required work, including the number and kinds of assignments;
- the approximate schedule of tests and due dates for major projects;
- an indication of whether or not there will be a final exam; and
- the grading criteria and procedures to be used.
By the end of the third week, the faculty member must provide the precise schedule of tests and major assignments.
Tests and Academic Exercises Outside Scheduled Class Times
Tests, required reviews, and other academic exercises outside scheduled class times shall not be held on Monday evenings. This regulation is intended to reduce conflicts with evening classes and first-year advising seminars and also to invigorate student activities and programs in the living groups. In addition, tests held outside scheduled class times shall:
- not exceed two hours in length;
- be scheduled through the Schedules Office; and
- begin no earlier than 7:30 P.M. when held in the evening.
A student who is unable to take the test owing to a conflict with a scheduled academic exercise or extracurricular activity shall be allowed to do so at another time.
When a test is held outside scheduled class time, either:
- a regularly scheduled class session (lecture or recitation) must be cancelled during the same calendar week OR
- no assignment shall fall due during the same calendar week.
The grade of I indicates that a minor part of the subject requirements have not been fulfilled and that a passing grade is to be expected when the work is completed. When a grade of I is reported, the instructor must also provide additional information including the anticipated completion date, grade to date, and what the default final grade would be if no other work were to be done in the subject. By the last day of the regular term during which the work was to have been completed, instructors must submit final grades based on the work completed. If no final grade is submitted, the default final grade indicated when the I was initially assigned will be entered on the students record as the final grade. No grade of incomplete may be assigned to any undergraduate in the semester in which he or she graduates and all grades of Incomplete must be resolved prior to graduation.
The UA Student Committee on Education has developed a checklist, which many students and faculty members find useful.
Graduate Subjects
Class Times
In accordance with the Rules and Regulations of the Faculty Section 2.10, exercises shall, in general, be held between 9 A.M. and 5 P.M. Monday through Friday. Exercises begin five minutes after and end five minutes before the scheduled hour or half-hour; this gives students time to get to their next class and allows the faculty member coming into the classroom adequate time to set up.
Third Week
By the end of the third week, the faculty member must provide:
- a clear and complete description of the required work, including the number and kinds of assignments;
- the schedule for tests and due dates for major projects;
- whether or not there will be a final exam; and
- the grading criteria and procedures to be used.
Major assignments should be assigned early enough to allow students the opportunity to manage their time effectively throughout the term.
Tests and Academic Exercises Outside Scheduled Class Times
When a student is unable to take the test that is held outside of scheduled class time owing to a conflict with another scheduled academic exercise or extracurricular activity, the student must be allowed to take the test at another time.


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Download document:
Class actions and the Australian Consumer Law - .PDF file.
By Stephen Ridgeway and Kylie Sturtz
The Australian Consumer Law, introduced as a part of the Australian Competition and Consumer Act 2010 (Cth) in 2011, now provides for the imposition of civil pecuniary penalties for contraventions of certain provisions of that law. The Australian Competition and Consumer Commission (ACCC) is clearly focusing on these penalties as its principal remedy in consumer matters and appears to be showing less interest in administrative settlements and seeking restitution for consumers affected by breaches. This article examines how these developments may increase the likelihood of follow-on representative actions in consumer matters.
The ACCC has a history of vigorous and successful enforcement of consumer protection laws in Australia. Since the introduction of the Australian Consumer Law (ACL) in 2011, a number of legislative changes have further enhanced the ACCC's consumer protection armoury by expanding the range of enforcement options available to it. In particular, substantial civil pecuniary penalties can now be ordered by the Federal Court for certain contraventions of the ACL.
The ACCC has made extensive use of the new civil penalty regime. In August 2013, the ACCC reported that total penalties of AUD24.4m (£14.3m) had been ordered, in 37 consumer protection and fair-trading proceedings, since the inception of the ACL. These orders include orders for payment of substantial penalties by Optus (AUD3.61m), Hewlett Packard (AUD3m), Apple (AUD2.25m) and Harvey Norman (AUD1.25m)…
If you are registered and logged in to the site, click on the link below to read the rest of the King & Wood Mallesons briefing. If not, please register or sign in with your details below.


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We've always subscribed to the "Fake it 'til you make it" philosophy. Thankfully, on those all-to-common bleary-eyed mornings, we can turn to this brand new hydrating concealer to pretend as if we've had eight hours of shuteye. The sleek silver tube twists like a lipstick to reveal a two-in-one combo of undereye concealer and featherweight moisturizer. The crease-proof, easy-to-blend formula effortlessly masks dark circles and keeps skin hydrated for up to six hours. The creamy product provides heavy-duty coverage and instantly brightens tired-looking eyes with light-reflecting pigments. Moisturizing vitamin E and apple seed extract give the concealer its silky-smooth texture and soften fine lines. Consider us hooked.
I have tried concealer and frankly, never use it because I don't have a huge need and feel like I do more damage trying to apply it to the thin skinned, under eye area. However, this concealer in the middle of a moisture stick goes on smoothly without pulling and is a subtle concealer. If you need a strong concealer, might not work for you but as someone who shrugs at concealer this is the only one I use because it actually leaves my skin healthier if I use it.5


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Organizations are increasingly aware of the impact of insider cyber threats, but most are more prepared to respond to external cyber threats. One survey in 2015 found that on average, just 3.6% of the total IT budget for the previous year was spent on addressing internal security. Yet, Intel Security's 2016 Report states that among companies experiencing data breaches over the past few years, insiders were responsible for 43% of data loss, half of which was intentional and malicious. Another recent survey showed that while 74% of organizations feel vulnerable to insider threats, leaders report they have a harder time detecting and preventing an insider attack versus an external cyber attack.
The detrimental impact of an internal breach can extend far beyond the significant financial costs, to damage the integrity of the company's brand, and even affect the physical safety of employees. Yet, most organizations do not have a formal insider threat program; and those that do are typically reactive. They're designed to gain visibility into aspects of employee behavior that have already happened, such as unauthorized downloads and server log-ins, and seek to identify insiders who are breaking rules about data access and use. Most programs do not proactively mitigate against this threat before action occurs – they just notify you when something has already gone wrong.
The key to identifying and addressing at-risk employees before a breach or incident occurs is to focus as much on understanding and anticipating human behavior as on shoring up technological defenses. The best way to do this systematically is by analyzing employees' language continuously and in real time, in a way that still respects privacy. And, the data is readily available to do so because email, chat, and texts are now one the most common methods of communication in business.
In behavioral science research, certain negative emotions, stressors, and conflicts have long been associated with incidents of workplace aggression, employee turnover, absenteeism, accidents, fraud, sabotage, and espionage. Examining language as an indicator of behavior began decades ago and was first used extensively in the political sphere, supported by the seminal work of Margaret G. Hermann, which explained foreign policy behavior by analyzing the personal characteristics of leaders. This practice of political psychology, known as psychological content analysis or remote assessment, has its roots in psychological coding of leaders.
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Worst Case Scenario
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The crew of Voyager sample Lt. Tuvok's holodeck training simulation, Insurrection Alpha, pertaining to the events leading upto a possible Maquis rebellion aboard the starship, but fail to take into account Seska's manipulation of the scenario.
|This article is a stub relating to a canon episode. You can help our database by expanding on it.
- Kathryn Janeway (Kate Mulgrew)
- Chakotay (Robert Beltran)
- B'Elanna Torres (Roxann Dawson)
- Kes (Jennifer Lien)
- Tom Paris (Robert Duncan McNeill)
- Neelix (Ethan Phillips)
- The Doctor (Robert Picardo)
- Kes (Jennifer Lien)
- Harry Kim (Garrett Wang)
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August 31, 1971
Orlando, FL US
Sports Stadium
Immigrant Song, Heartbreaker, Since I've Been Loving You, Dazed and Confused, Black Dog, Stairway to Heaven, Celebration Day, That's the Way, Going to California, What Is and What Should Never Be, Moby Dick, Whole Lotta Love (medley incl. Let That Boy Boogie, My Baby Left Me, Mess of Blues), Organ solo / Thank You.
Press Review: The Sights & Sounds of Led Zeppelin In Concert – Heavy
Led Zeppelin has come and gone at the Orlando Sports Stadium, and like the lead man blurted over the din of thousands of wildly cheering voices and clapping hands, 'Man, I don't believe this place.'
It was, in a word, unbelievable. And in another, perhaps more acceptable word, heavy – very heavy.
The youths – universally and collectively long-haired, bell-bottomed, braless hot panted, haltered and Hang Ten – began arriving with blanket rolls and seat cushions as early as five o'clock to find choice sears for a show still three hours away.
Then at 8 p.m., or close to starting time as any rock group ever has gotten, the house lights went out and Zeppelin exploded into life in a pink, purple and yellow electric haze and magnetized the audience.
There was no second group on the billing to fill the gaps, because there were no gaps. Zeppelin and Zeppelin alone gave their audience two and a half solid hours of unremitting rock in one of the most professional rock shows we've seen. No light show, very little talk – just music.
And good music. Too often, audiences are disappointed with their favorite performers when they hear them live. Some groups just can't cut it in a live performance, depending on complicated electronic studio mixing to make tapes and records sound good. No so with Zeppelin. They are good by themselves and powerful. They ripped through their greatest hits, including Whole Lotta Love and Living Loving Maid (??), and the moving drum solo on Moby Dick went on for at least 15 minutes.
Zeppelin gave a well-timed presentation, leveling off around 9pm from their initial burst of energy, then coming back for a long and strong finale of selections that recaptured the crowd immediately and held them to the end. [Orlando Today, 9-71]
Submit your personal review of a particular show you attended, updates, corrections, etc., which will be considered for addition to the official online archive.
You may also contact the webmaster at: firstname.lastname@example.com
Submit your personal review of a particular show you attended, updates, corrections, etc., which will be considered for addition to the official online archive.You may also contact the webmaster at: firstname.lastname@example.com
My 1st Live Zep show
Boyfriend and I drove from Tampa to see them. In those days security was not as tight, so just before the show we wandered up to the stage and told a roadie we were with the lighting crew..he believed us, so we drifted to other side of the stage and sat on the edge of the stage. Nobody bothered us and we stayed there during their first song and then left for seats to the left of the arena. The floor was packed with people and approx. midway thru the show a fight broke out between two guys..people parted around them like the Red Sea. Otherwise very peaceful and a thrill for me.


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EUR/USD: daily update
EUR/USD reached $1.3450 yesterday, then consolidated above June high at $1.3415 and slid below this level to $1.3380. The single currency closed on Tuesday at the highest level since Feb.
Credit Agricole expects euro to test $1.3450 today. Bank of Tokyo Mitsubishi UFJ warn that "the greater risk tonight appears to be a conclusion that tapering might come a little later than September, which leaves the dollar vulnerable to some further near-term selling versus the majors." Danske Bank points out that potential downside for the pair is limited as QE tapering in itself is not enough to start a bigger dollar appreciation which will require support from relative rates.
Resistance is at $1.3415, $1.3450, $1.3500 and $1.3520. Support is at $1.3380, $1.3345, $1.3310.
Chart. Daily EUR/USD


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The Pro-Life Cultural Ethos, Rendered in Sculptural What-The-FUCKness.
As many of you might know, I've been aiding and abetting the uncanny Rachel Sklar in "the cause"--her attempt to bring the world the news of how South Dakota State Senator Bill Napoli, a leading mind behind the South Dakota abortion ban, is, as I termed it, "all twisted up and dead inside," owing to his insane-in-the-membrane "sodomized as bad as you can possibly make it" rape fantasies. Sick, sick, sick, is all we can say about Mr. Napoli.
As if we needed another example of anti-choice insanity, The Superficial reports today on a statue, pictured above, that is called "Monument To Pro-Life: The Birth of Sean Preston." That's right. Someone actually thinks that there is no more fitting monument to the pro-life cause than a sculptural depiction of white-trash pop tartlet Britney Spears, on all fours, back bent under the sheer weight of being shot through with Kevin Federline's rampaging, inplacable sperm, ass spread as wide as you could possibly make it, wearing her patented expression of "Red Bull and GHB face." There is so much about this statue that I don't think I could ever possibly understand that right now I'm clinging to the BEAR'S HEAD as my anchor to the world I have come to know. And, no: I have no evidence that this is some sort of satire. Oh, God. I wish I could.


text:
ED Magedson – Founder
Ripoff Report
Allen Mello Chrysler Doge13 Marmon Dr. Nashua, New Hampshire USA
Allen Mello Chrysler Doge Can't trust Allen Mello Nashua New Hampshire
Does your business have a bad reputation?
Fix it the right way.
Corporate Advocacy Program™
My primary complaint with Allen Mello is that they sold me a used vehicle with undisclosed damage and refused to repair it. They gave me the run around and had me get a quote from a body shop, just to tell me that I would have to pay the entire amount of about $750. What a waste of time and lack of respect from the dealership. I also don't trust their service dept. as I'm on my third torque converter and willl need another soon. They also charged me $100 to change a fuse before.
I will never buy from them again and I recommend you stay away.
This report was posted on Ripoff Report on 10/07/2013 06:33 PM and is a permanent record located here: http://www.ripoffreport.com/reports/allen-mello-chrysler-doge/nashua-new-hampshire-03103/allen-mello-chrysler-doge-cant-trust-allen-mello-nashua-new-hampshire-1090228. The posting time indicated is Arizona local time. Arizona does not observe daylight savings so the post time may be Mountain or Pacific depending on the time of year.
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"Participate in huge street battles."
After the collapse of the global economy in the XXI century, urban warfare occurs between law enforcement agents and street gangs who don't conform to the situation they're living in. This is how District 187: Sin Streets begins.
As you may or may not already know, District 187: Sin Streets is an exciting on-line multiplayer game, which gives you the opportunity to be part of one of the groups that are in this conflict, to participate in intense street battles. The final goal of the game is to take control of the streets.
The highlight of the District 187: Sin Streets game is that you can join thousands of players on-line, with the need to implement the best tactics and achieve your goal before the opposite team do. The team that eliminates the most enemies wins in District 187. Are you ready to walk the streets of sin?


text:
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After soaking for a period of time, the infused spirit is pumped into our 400 gallon stainless steel still where steam jackets heat the fluid up to nearly 173 °F , at which point the gin begins to evaporate, separating itself from all other fluid components.
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Philosophy Lexicon of Arguments
|Explanation: making a statement in relation to an event, a state, a change or an action that was described before by a deviating statement. The statement will often try to involve circumstances, history, logical premises, causes and causality. See also description, statements, theories, understanding, literal truth, best explanation, causality, cause, completeness.
|Meta data
Books on Amazon
|Perler/Wild I 16
Interpretation/explanation/Science/Animal/Behavior/C.Lloyd-Morgan: maxim: in no case we should regard an action as a result of higher capability, although it can be explained as a result of a simpler capability. ("Morgan's canon") -
|Link to abbreviations/authors


text:
I think I ended this chapter pretty well. The song I am using is called "Smother Me" by the Used. I don't own it too. ;) I was originally going to end the story here, but I decided against that. I want to continue with some of their life together and I know where to end it now. :) I hate short fanfictions that end it at sweet spots. They bother me.
If you read this, I demand you review it. Pweeze. :)
Christine's POV:
Madame Giry was quick to get me medical assistance. I had never really broken a bone before and I hoped to never break one again. I had sprung my ankle pretty badly during one rehearsal many years ago, but it didn't even compete with this. Nadir spoke with Erik mostly in another room, leaving Madame Giry and I alone.
"I'm so very sorry about this, Christine. Today was supposed to be your's and Erik's day," she said sadly. This made me feel guilty.
"It's my fault for his anger, Madame. I deserved it. I ruined his moment to shine. Everyone saw how absolutley wonderful he is! But, I had to do the most stupid thing ever and betray him again," I responded. She snorted and rolled her eyes.
"Is that what Erik told you? That you betrayed him?" she asked, making me nod. "You did not ruin his opera. He cut his character and sang to you, not Amnita, but you. You wouldn't have done anything at all if he hadn't begun to sing to you."
"But he was being sweet to me, Madame. He was singing how he loves me, yet, I had to show him to all of Paris," I told her.
"Christine, don't you think you had a reason for taking his mask off deep down?" Madame Giry asked me while continuing to bandage hand and wrist. Oh, it hurt so bad...
The pain from my wrist was even more intense because of the pain in my heart. Why would I do such an evil thing to Erik? Was it out of revenge for ignoring me for so long and not letting me know that he was still alive...or was it something different? My mind couldn't find an answer for the longest time. Madame Giry would look at me every once in a while as I thought. Finally, it dawned on me.
"Madame Giry, is it because I wanted to talk to him personally?"
"I don't know, child. I cannot answer that for you. Surely you would be able to wait til you were offstage to speak to him privately," Madame Giry suggested.
That was food for thought.
"I needed...and I wanted to grab his attention. I wanted to get him to realize that I am here. Of course--Madame...when I tell him that normally, he doesn't listen..." Saying this outloud actually made me angry to think about.
"Basically, Erik is a man of extremes, and you realized that you needed to take one to make him realize that you are not his imagination. You are right, Christine. Completley correct. I am proud of you for realizing this," she told me and finished up my wrist. Madame Giry completley read my mind. "I know it is infuriating to deal with, Christine. But you must realize that this is Erik, he has been shunned from love for so long and he doesn't know how to deal with it. You must be patient with him. I feel that you two are truly meant for each other.''
"I hope you're right...I really hope you're right," I prayed.
"You know, Christine, the audience absolutley loved Don Juan. They were raving about it as they left, I heard them. When you two disappeared, they were just...amazed the whole production. It was different. Paris has never seen something like Don Juan. Congratulations."
I needed to talk to Erik. Nadir came out of his room and sighed.
"Give him just one minute, Miss Daae," he suggested with a small smile. "We had a very deep talk. I feel that it is time for you two to talk as well. You need it."
I nodded and took in huge breathe. I knew Nadir was right, but I also feared that our deep talk would lead to something that I would dread.
Madame Giry seemed to notice that I was distressed, "It's okay. We'll still be out here if you need us."
I offered her a slight smile and began to head towards Erik's room. He was lying on a small bed, with his face hid behind his knees and arms. I could also see his messy head of hair. My heart broke at this image. This was not the horrid Phantom people were so terrified of, not at all. He looked more like a small boy that just needed a hug.
He heard me close the door and looked up quickly. I stood right by the exit, afraid to move. His eyes were red and streaks covered his cheeks. I was willing to give him the biggest hug he'd ever receive right now. I would squeeze the life out of him, even if it would make my arm hurt.
"I apologize for what I did to your wrist...p-please forgive me, C-Christine. Sometimes my...t-temper gets the better of m-me," he stuttered, sounding very uncomfortable and nervous. "It just...it reminded me of how I am a m-m-monster..."
"You are not a monster, Erik. No matter how hard you try, you will never be a monster," I assured him quietly. He frowned and buried his head once more. I took this as a sign to comfort him. I sat down in front of him and rubbed his arm with the hand that wasn't wrapped up. This made him sob more.
"Erik, I don't want to have to hide my feelings anymore," I began. He misunderstood this and began to cry even harder, becoming almost hysterical.
Before I could protest, Erik said "I un-derstand, C-Christine! I...I l-love you. With every fiber in my b-body, I absolutley l-love you. I l-love you so much that I'll let you g-g-go...."
I gasped at this and began to say, "No, no, no, no! Never, Erik!" I kissed everything I could: his full head of hair, his arms, even his shins. "Erik, I am not going to leave you. I wouldn't even be able to force myself away from you. Never. What I was going to say is that--I love you too and I'm tired of hiding that. I know, I did a terrible thing to you tonight and you shouldn't ever forgive me for that. But, I realized Erik that I needed to grab your attention and let you know that I am real. I am here, Erik. You are the only person I want to be with till the day I die, whether you like it or not."
He kissed me passionately on the mouth. Oh, it felt like heaven! I responded instantly and began to kiss him back. Erik wrapped his arms around me carefully.
He pulled back (making me pout) and said, "If I hurt your wrist, tell me as soon as it hurts. I am tired of putting you in pain. No more."
I nodded and grinned, then automatically locked lips with him again. At last, we were finally together. I prayed to the Lord that we would never be seperated again.
This time, I pulled away and looked at him. He was still unmasked, but his eyes sparkled. I could drown in his eyes.
Suddenly, a song came to mind.
me be the one who calls you baby
All the time
Surely you can take some comfort
Knowing that you're mine
Just hold me tight, lay by my side
and let me be the one who calls you
Baby all the time
"Oh, Christine..."
found my place in the world
Could stare at your face for the rest of
my days
Now I can breathe, turn my insides out
and Smother me
Warm and alive I'm all over you
would you smother me?
Then Erik begin to respond to my song.
me be the one who never leaves
You all alone
I hold my breath and lose the feeling
That I'm on my own
Hold me too tight stay by my side
and let me be the one who calls you
Baby all the time
Now we began to sing together.
found my place in the world
Could stare at your face for the rest of
my days
Now I can breathe, turn my insides out
and Smother me
Warm and alive I'm all over you
would you smother me?
Erik sang again now.
I'm alone time goes so slow
I need you here with me
and how my mistakes have made
Your heart break
Still I need you here with me
Of course, I had to answer him.
Baby, I'm here.
We sang in unison once more. Our voices blended together.
I can breathe, turn my insides out Now I can
breathe, turn my insides out
and Smother me
Warm and alive I'm all over you
would you smother me?
and Smother me
Warm and alive I'm all over you
would you smother me?
Now I can
breathe, turn my insides out
We laid down together on Erik's bed. I snuggled into his side while his arm held me carefully. He made sure not to touch my broken wrist.
me be the one who calls you baby
All the time
me be the one who calls you baby
All the time
me be the one who calls you baby
All the time
I finished the song as we both began to close our eyes.
me be the one who calls you baby
All the time


text:
- From: 20/06/2016
- To: 14/07/2016
From: 20/06/2016 - To: 14/07/2016sedi varie / different venues - Comuni del Distretto culturale Pianura Est di Bologna
Phone +39 051 18899687 – 328 2389373 (Bottega Bologna) / +39 051 8904824/825 – 331 1081173 (Servizi Eventi culturali Unione Reno Galliera)
Date of last update: 21/06/2016, 18:34
Borghi e Frazioni in Musica is the summer festival that takes place in the areas of Bologna East-Valley Cultural District. At its 17th edition this year, Borghi e Frazioni in Musica is welcomed with a smile and some propitiatory ritual, joking about an edition that the superstitious may deem unfortunate, whereas it will be reserving great surprises. The first one is Borghi LAB, free afternoon workshops open to students, fans and curious, and conducted by the guest musicians.
Borghi e Frazioni in Musica features 12 concerts, hosted in villas and private residences, squares, parks and gardens, from 20 June to 14 July. Art direction is by the cultural association Bottega Bologna. Coordinated and organized by Articolture.
Here is the programme of this edition:
20 June – CLASSIC/JAZZ
Villa Salina – Castel Maggiore
TRIO ECCENTRICO feat MARCO ZANOTTI
Three musicians from different artistic experiences gave life to this unusual project. A trio not strictly "classic" which has started an exciting collaboration with the percussionist Marco Zanotti.
22 June - TRADITIONAL
Maccaretolo, San Pietro in Casale - Scuola Elementare, via Sant'Agnese 25
The Group was founded with the aim of making the Italian popular music of the early decades of the twentieth century live again. L'Osteria del Mandolino has revived this music and made people dance it.
27 June - FOLK
Castagnolino, Bentivoglio - Cortile dell'ex-Asilo, via Castagnolino 23,
Guido Sodo gave life to the group in Naples in the 1980s. He moved to Emilia bringing his band with him. The group was, and still is, interested in the possible communication between different cultures: a journey starting from the Mediterranean, touching the Atlantic and Latin America, Cuba, Brazil and Capo Verde.
28 June - SWING
Gherghenzano, San Giorgio di Piano - Corte dell'Opera, Via Bassa 2
Born in 2013 in the circles, squares, and underground clubs of Florence, Piaceri Proletari play an Italian swing, influenced by American folk.
29 June - FOLK
Castenaso - Villa Capriata, via Marano 19
Vanessa Peters is a Texan singer-songwriter internationally renowned, active since 2003. She has received numerous awards abroad and in her hometown. She presents a rich repertoire of songs speaking of pain and joy.
4 July - JAZZ
Trebbo di Reno, Castel Maggiore - Parco Camillo Torres
A jazz trio, led by Paul Wertico - the rhythm section of Pat Metheni Group from the '80s to 2000's. The meeting with Mocata and Scaglia was possible through the music producers that artists had in common. The result of this union is a strong synergy, engendering the project "Free the Opera", a review of major classical authors like Verdi and Puccini in a jazz version.
5 July - JAZZ
Budrio - Villa San Marco, via Vigorso 29
The Dutch tenor saxophonist lived in the United States and in France. In Italy from 2003, he shows a bass/drums/tenor-trio featuring a flexible "swing", where there's always space for new inputs and where it is possible to communicate through the sound, both original compositions and standards international jazz.
6 July - INDIE
San Pietro in Casale - Casa della Musica, via Genova 26
The solo project of Orelle - aka Elisabetta Pasquale, was born in May 2012 and has already achieved interesting goals, as the first self-produced Ep "Primulae Radix", released in 2015. Italian and English lyrics, for delicate sensations.
8 July - SONGWRITING
Argelato - Piazza Caduti della Libertà
The Duo Bucolico was founded in 2005 during a country fair, from the collaboration between two guys from Romagna. Their shows are a kind of musical farces, a mixture of song-writing, cabaret, recital and burlesque popular song. They create grotesque and surreal songs using a deforming language, with Dadaist aftertaste.
12 July - BLUES
Stiatico, San Giorgio di Piano - Parco Pubblico, via Alessandrini
After playing concerts for the Consulate of Italy in Casablanca and Marrakech in Morocco, the African trio club adopted his name in order to represent the love of African culture, shared by all group members.
13 July - JAZZ
Pieve di Cento - Terrazza Museo Magi 900, via Rusticana 1
"Top Jazz 2013" award - established by the magazine "Jazz music" for the best new talent of the year, places Alessandro Lanzoni amongst the major Italian jazz artists. 24 years old, Lanzoni already has a career of excellence, achieving an international acknowledgement of absolute prestige.
14 July - ROCK/BLUES
Argelato - Frazione di Malacappa
How could one person create a similar musical impact? Only the "one man band" Gianluca Fasteni - aka G-Fast, knows how. He arrives on the stage with foot-operated kick and snare drum, small guitar, banjo, his 3-stringed guitar, megaphones, guitar toys and so on, creating a show full of energy and nuances.
Further information and updates www.borghiefrazioniinmusica.it
concerts start at 9.30pm
concerts are all free


text:
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text:
Wolfson Audio Card for Raspberry Pi
The Wolfson Audio Card greatly enhances the Raspberry Pi's audio features providing onboard HD Audio at 24-bit 192KHz.
- HD Audio up to 24-bit 192kHz
- 3.5mm 4-pole jack ideal for a VOIP headset
- Two onboard DMIC microphones
- 3.5 mm jack Stereo Line Input and Output
- S/PDIF input and output
Product Description
The Wolfson Audio Card extends and enhances the Raspberry Pi audio features beyond its native HDMI output with onboard HD Audio at 24-bit 192KHz.
It offers Raspberry Pi users similar flexibility to a PC soundcard letting them capture audio alongside their camera and experiment with stereo digital capture and playback.
Raspberry Pi provides good quality audio across the HDMI link and lower quality stereo audio by way of its 3.5 mm stereo jack but no capability to connect microphones or other external audio sources such as attaching directly to loudspeakers. The Wolfson Audio Card solves this by providing similar audio flexibility to that provided by a PC soundcard.
The Wolfson Audio Card is based on Wolfson WM5102 audio hub codes. The WM5102 is a highly-integrated low-power audio system for smartphones tablets and other portable audio devices.
Two stereo headphone drivers each provide stereo ground-referenced or mono BTL outputs with noise levels as low as 2.3μVRMS for hi-fi quality line or headphone output.
A signal generator for controlling haptics devices is included; vibe actuators can connect directly to the Class-D speaker output or via an external driver on the PDM output interface. All inputs outputs and system interfaces can function concurrently.
Audio quality
Extends the Raspberry Pi's capabilities to HD Audio up to 24-bit 192kHz.
Built-in amplifier
An onboard Class D power amplifier is provided.
Inputs and outputs
S/PDIF input and output Two DMIC microphones onboard for stereo recording 3.5mm 4-pole jack ideal for a VOIP headset.
Showing 1–1 of 1
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|Order Code
|Manufacturer / Description
Plastic Enclosure, Raspberry Pi / Wolfson Audio Card, Wolfson Box, ABS
ENCLOSURE, BOX, ABS, CARBON FIBRE; Enclosure Type:Wolfson Box; Enclosure Material:ABS; IP Rating:-; NEMA Rating:-; External Height - Metric:-; External Width - Metric:-; External Depth - Metric:-; Body Colour:Carbon; External Height - Imperial:-; Externa
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Price for: Each
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34 Liege Stock: Order before 20:00(mainland UK) & 18.00(NI) (for re-reeled items 16:30 – mainland UK & NI) Mon-Fri (excluding National Holidays)
86 UK Stock: Order before 20:00(mainland UK) & 18.00(NI) (for re-reeled items 16:30 – mainland UK & NI) Mon-Fri (excluding National Holidays)
Showing 1–1 of 1


text:
Stylish Mother of the Bride Dresses Fall 2012
Fall weddings have a special kind of romantic air about them which no other season has. If you are a fall bride you will surely want a romantic wedding in a romantic venue and even more you would want to have your mother beside you in the most important moment of your life.
Every mother wants to stand by her daughter's side and even more every mother wants to look her best without outshining her daughter. In such occasions it is natural for the brides and their mothers to think about mother of the bride dresses.
Fall 2012 brings for a plethora of trends and fashionable lines any mother of the bride would be enchanted to try so she will look both trendy and fabulous while celebrating the greatest event in the life of her daughter.
Choosing the right style
Fall wedding are all about color and personality. It is expected for the guests to consider the venue and the weather so when looking for mother of the bride dresses, one should take under consideration more than just color, fabric and design.
Classy look
For the mother of the bride who is looking for a classy, more conservative look, a two-piece silk jacket with a rugged texture and three quarter sleeves combined with an A-line skirt from the same fabric is the perfect choice. A blonde can choose light blue or soft grey while a brunette can always go for cherry red or velvety purple.
Siren shape and lace details
The mothers of the bride that are proud of their body, the 2012 fall brings forth the siren shaped taffeta gowns with lace garnishes. The neckline in this case can be a bit higher helping the silhouette of the one wearing it look thinner and sexier.
Daring lines and universal black
If your daughter wants you to look fabulous so she can be proud to have a sexy diva for a mother, you should consider the mother of the bride dresses with a more daring line. Fit and flare designs with embroidered bodices, v-line cleavages on A line black silk dresses or black dresses of rich fabrics with precious lace overlay are perfect for such a purpose. Peplum is still in style so don't be afraid to choose it as an option.
Offbeat designs
If you have a daughter who decided to have an offbeat fall wedding, be sure to look for mother of the bride dress designs able to fit the profile. This fall you can choose sassy halter strap taffeta dresses in vivid orange or green or even a sequined mini dress with cap sleeves if you are not afraid to show off your legs.
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text:
The car scrappage scheme is a load of old iron – and as the proud owner of a 15-year-old Volvo estate I feel well qualified to say that. The much-heralded scheme offers people like me two grand off a new car. But I can't make sense of it either economically or environmentally.
The idea is that motorists who can show they've owned a car first registered before 1 August, 1999, can apply for a £1,000 government money-off coupon redeemable against a new car. The motor industry comes up with the other £1,000, making £2,000 off the price of a shiny new vehicle.
The car has to have a current MOT, so you can't trade in an abandoned old banger, and you have to prove one year's ownership.
In all the government is chipping in £300m so there will be vouchers for the first 300,000 to apply. The scheme will end next March at the latest.
My old Volvo meets all the rules, but I won't be among that 300,000, despite enthusiasm from the usual suspects – motor manufacturers and importers, dealerships, finance houses, and insurers (who charge more for a new car than an older one). I can't think of many qualifying vehicle owners who will.
Trashing my 940 estate and taking the scrappage incentive simply doesn't add up. I'd have to buy a new car and it would have to be big enough to cart at least 20 bags of peat-free compost from the local B&Q or a load of camping gear and a few bikes. About the cheapest cars you can buy on the £2,000 voucher are the Hyundai i10 at £7,000 and the £6,195 Kia Picanto. But they're out of the question – too small and lacking the tank-like build of my Volvo.
A new Volvo equivalent to mine has a sticker price of £25,400. The scrappage scheme rules say you have to buy a new car, not "nearly new" or with "delivery mileage", so the usual discounts for canny buyers are not available. Even one reduced to £23,400 after the scrappage deal would clean out my bank balance many times over.
I could go for a cheaper make but I'm still looking at big money. In any case, my colleague Miles Brignall tells me car makers have been quietly pushing up prices by between £750 and £1,500 in expectation of the scheme. So the trade's £1,000 is covered by higher prices, while the government will get its £1,000 back (and more) in VAT on the new car. It's a fair bet dealers will see me coming with my voucher. So I won't get a bargain.
Then there's the question of insurance premiums. If I buy a new car, they will inevitably shoot up. No one is likely to cover a new car for the £240 I pay now. What about the environment? I don't know my car's CO2 emissions – it was constructed before emission numbers, and it only does 25 miles to a gallon.
But I don't feel guilty. For its age, it is a low-mileage car – less than 85,000 miles on the clock – and I only do 4,000 miles a year.
In any case, the energy involved in scrapping my car and buying another one is huge. That said, the government doesn't even pretend the scheme is designed to do more than "boost the whole motor trade".
But to end on a positive note, I know one potential scrappage customer. My neighbours bought their teenager a £50 car which is proving too expensive to insure. They could trade that in against a shiny new one for themselves.


text:
Urban Decline in Early Modern Germany: Schwabisch Hall and Its Region, 1650-1750
€ 75,49
Besorgung - Lieferbarkeit unbestimmt
März 1997
BeschreibungDuring the Middle Ages, southwest Germany was one of the most prosperous areas of central Europe, but the Thirty Years' War brought devastating social and economic dislocation to the region. Focusing on the town of Schwabisch Hall, Terence McIntosh explores the causes and consequences of the sluggish recovery of the region's urban communities in the century after the signing of the Treaty of Westphalia in 1648. He argues that changing relations between town and countryside contributed significantly to the weakening of urban craft production and, therefore, to the region's urban stagnation. In his economic and structural analysis of Schwabisch Hall, McIntosh explores the significance and changes over time of wealth inequalities, marriage and migration patterns, and class formation. He demonstrates that the rapid proliferation of the rural craft industry within the region eroded and ability of small-scale urban artisans to keep pace. This process in turn profoundly affected the structure of urban society and economy. McIntosh's analysis constitutes significant reinterpretation of the process of urban class formation and economic transformation in early modern Germany.
Untertitel: 'James Sprunt Studies in Histor'. Sprache: Englisch.
Verlag: UNIV OF NORTH CAROLINA PR
Erscheinungsdatum: März 1997
Seitenanzahl: 344 Seiten
Format: kartoniert


text:
PURPOSE: Hyperglycemia among inpatients, irrespective of cause, is associated with adverse outcomes. It is recommended that most critically ill patients be managed on long-acting insulin (preferably intravenous infusion), with a target blood glucose range of 140-180mg/dL for patients in the medical intensive care unit (MICU). We aimed to improve the rates of adherence to these guidelines and thereby the overall glycemic control in our MICU.
METHODS: An electronic medical tool was developed and validated for extraction of unit-level glycemic control data. Using fishbone analysis, interviews of health care personnel and index case reviews, suitable tests of change (TOCs) were chosen.
RESULTS: In the first TOC, a poster was displayed in the unit that reminded health care personnel about the implications of inpatient hyperglycemia and current recommendations regarding glycemic control in the MICU. One month later, a second TOC was employed: an article on the same topic in the monthly "MICU newsletter" for nurses. The unit's average blood glucose during the one month immediately prior to the first TOC was 145mg/dL and the percentage of patients on any anti-hyperglycemic regimen (including oral hypoglycemic agents or sliding scale insulin) that were on long-acting insulin (subcutaneous or intravenous) was 51%. The corresponding numbers during the month after the first TOC were 137mg/dL and 62%, respectively. During the month after the second TOC, they were 138mg/dL and 63%, respectively.
CONCLUSIONS: Using group educational interventions (poster and newsletter), we were able to improve the rates of long-acting insulin administration when indicated and also the unit's overall glycemic control. Our findings are significant even though our unit-level analysis did not exclude normoglycemic patients or those receiving "de-escalated/comfort care."
CLINICAL IMPLICATIONS: Lack of awareness on part of resident physicians and/or nurses can be a major impediment to guidelines-based management of hyperglycemia in the MICU. Simple and cost-effective educational interventions can be employed to successfully overcome the same.
DISCLOSURE: The following authors have nothing to disclose: Majid Shafiq, Muhammad Khan, Sheila Bharmal, Justin Rykowski, Carolyn Holder, Ray Snider, Jason Stein, Micah Fisher
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Open House
You have to wonder what's going on at Fort Worth's Yellow House Gallery, a recently expanded art space tucked into the light industrial no-man's-land between West Lancaster Avenue and West 7th Street. Michaele Ann Harper opened Yellow House in 1996, but before the expansion it was hard to believe she was very serious about art. Sure, she named her space after Van Gogh's famous abode and refers to the art legend simply as "Vincent," but the gallery and studios where Harper teaches used to be a study in clutter. Every wall, pedestal, and corner, plus much of the floor space, is covered with all kinds of art.
Yellow House is a far cry from the pristine white spaces with carefully configured exhibitions that local gallerygoers are used to. It's a big mess, but it's more approachable and less intimidating than more well-known Dallas or Fort Worth galleries, and so is its owner. She's chosen to be serious about art in her own way, and her unique venue welcomes browsers, collectors, and people walking the streets of the cultural district. She showcases artists of all levels--untried wannabes, her own painting and drawing students, and established professionals alike--and she sells work at very reasonable prices. There's absolutely no telling what you'll find here. Appearances can be deceiving.
Yellow House has been closed for a couple of months while Harper added a new classroom, where a new slate of art classes for every level of student begins in February. On view during the upcoming reopening are paintings and photographs by artists from Texas, Louisiana, Tennessee, Kentucky, and Maryland, and Harper's highlighted artist for the event is George Greeves, a British photographer who is showing images of the fishing fleet based in his native Hastings, England. If it's too tidy, which we doubt, ask Harper to mess it up again real soon. Tell her you appreciate what she's trying to do for local art lovers.
The Yellow House Gallery, 1112 Norwood St., Fort Worth, reopens with a party from 2 p.m. to 5 p.m. Saturday to debut its new classroom space. Call (817) 332-2885.
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text:
In this tutorial you'll learn how to create a simple game using the Cocos2d-x framework, version 3.0 or later, in a Windows* development environment and how to compile it to run on Windows and Android*.
What is Cocos2d-x?
Cocos2d-x is a cross-platform framework for games (and other graphical apps, like interactive books) based on the cocos2d for iOS*, but using C++, JavaScript*, or Lua* instead of Objective-C*.
One of the advantages of this framework is to create games that can be deployed on different platforms (Android, iOS, Win32, Windows* Phone, Mac*, Linux*, etc.), keeping the same code base with a few platform-specific adaptations for each one.
Cocos2d-x Console
The cocos2d-console was introduced in the 3.0 version. It is a command line tool that provides some functionality to manage Cocos2d-x or Cocos2d-JS projects like: creation, execution, building, debug, etc.
Creating your first game
1 - Download the latest version of the framework and unzip it in your development environment. In this tutorial the 3.3rc0 version was used, and the framework was unzipped to the desktop (C:\Users\intel-user\Desktop\cocos2d-x-3.3rc0).
Figure 1. Cocos2d-x version 3.3 RC0 directory structure
2 – To create a new project in cocos2d-x, use setup.py (a Python* script) located in the framework folder to configure all the environment variables to build for Win32 and Android platforms. You will need to download, install and configure the items below before executing setup.py:
If you haven't installed Python Runtime, download the 2.7.6 version from here: http://www.python.org/download/
Figure 2. setup.py location
3 - Open the command prompt (cmd.exe) and execute the following commands:
- Navigate to the script folder (framework folder):
cd C:\Users\intel-user\Desktop\cocos2d-x-3.3rc0
- Run the script setup.py :
python setup.py (or setup.py only)
Note: To run the Python command from the command prompt, add the folder where Python was installed to the environment variable path .
- The script will request the installation path of Android SDK, Android NDK, and ANT.
- Android NDK folder path:
Figure 3. Cocos2d-console requesting NDK folder path
- Android SDK folder path:
Figure 4. Cocos2d-console requesting SDK folder path
- Apache ANT bin folder path:
Figure 5. Cocos2d-console requesting ANT bin folder path
After including the requested paths, reopen the command prompt (cmd.exe). This action is necessary to use cocos2d-console commands .
4 – Type cmd.exe to go to the command prompt (cocos2d-console commands can only be issued from here) and open the framework folder again:
cd C:\Users\intel-user\Desktop\cocos2d-x-3.3rc0
In the step below we will create a new Cocos2d-x project:
cocos new MyGame –p com.Project.MyGame –l cpp –d Project
Figure 6. Created Cocos2d-x project
Here are quick explanations of the parameters:
- new: creates a new project and must be followed by the name of the project (in the example, MyGame)
- -p: defines package name
- -l: select programming language. The value can be cpp or lua
- -d: directory where the framework will create the project structure
If everything went all right, your project will be created in the Project folder, in the directory where framework was extracted.
Figure 7. MyGame directory structure
The created project contains the base code of the game (Classes), the resources (images, audio, etc.), and one project for each framework-supported platform.
Building Android* Apps
Requirements :
- You need to configure all the environment variables for building Android app games (Android SDK, Android NDK, and ANT). If you have not done this step yet, please see the "Creating your first game" section of this article.
- Java Development Kit (JDK) installed
Note: Cocos2d-console uses the javac command to build for Android, because of this is necessary add JAVA_HOME environment variable (JDK path).
1 – We are going to compile our game for more than one architecture, since the framework doesn't compile for x86 and armeabi-v7a by default. Edit the Application.mk file located in:
Figure 8. Application.mk location
2 – Add the following line to the file:
APP_ABI := armeabi armeabi-v7a x86
Figure 9. Application.mk after APP_ABI line added
Now that we added our targeted architectures, let's compile our game!
3 – Using the command prompt, go to the framework folder:
cd C:\Users\intel-user\Desktop\cocos2d-x-3.3rc0
4 – Execute the command below to compile and run the game for Android.
cocos run –s Project\MyGame –p android
Figure 10. Executing command to compile and run the game on Android*
- run: compile and run the project
- -s: path to project folder
- -p: selected platform
Note: To compile only, enter: cocos compile –s Project\MyGame –p android
If everything worked properly, the cocos2d-console command will use adb (if configured in environment variables) to install the APK file in a connected device or initialized emulator. If they aren't available, the command will wait for a device or an emulator to become available, like the picture below:
Figure 11. Command waiting for device or initialized emulator
If you have initialized an emulator or connected a device, this screen will appear:
Figure 12. Game screen on Android* platform
Building Win32 Apps (for Windows* 7 or Windows* 8 desktop mode)
You will need Visual Studio* 2012 or later to build.
1 – Using the command prompt (cmd.exe), go to the folder where framework was extracted:
cd C:\Users\intel-user\Desktop\cocos2d-x-3.3rc0
2 – Execute the following command to compile and run the game on Windows:
cocos run –s Project\MyGame –p win32
Figure 13. Executing command to compile and run the game on Windows*
Here are quick explanations of the parameters:
- run: compile and run the selected project
- -s: path to project folder
- -p: selected platform
Note: To compile only, use "compile" instead of "run", as follows:
cocos compile –s Project\MyGame –p win32
After executing the run command, you will see the following screen if everything worked ok:
Figure 14. Game screen in Windows* platform
It's possible to use Visual Studio to compile and run the game project:
1 – Inside the Project directory, open with Visual Studio MyGame.sln file in the "proj.win32" folder.
Figure 15. Win32 project directory structure
2 – To compile the project, press F6 (or Build menu -> Build Solution) and press F5 to execute it (or Debug menu -> Start Debugging). After building and executing, you should see the same screen presented after the console steps.
Figure 16. Win32 project opened in Visual Studio*
Ok, now you know how to create your game and compile it for Android (x86 and ARM*), Windows 7, and Windows 8 (desktop mode)!
The source code of Cocos2d-x framework is granted under the MIT License , and it be can be found here .
Cocos2d-x and its documentation: http://www.cocos2d-x.org/
cocos2d-console: http://www.cocos2d-x.org/wiki/Cocos2d-console
At this time, the release version of Cocos2d-x 3.3 has an issue during project creation which doesn't allow users to create projects (details by clicking here ). The problem has been fixed in the latest pre-release, but is not available on the Cocos2d-x latest release yet.