text:
In the ever-lovin' zone
Had to start somewhere…
Had to start somewhere…
Richie Hayward, the drummer and one of the co-founders of little feat, passed away from complications of pneumonia on August 12, 2010. He was 64. He was influential, underrated and too young to go.
During my early teen years I was exposed to this remarkable band, first on the floor of the family summer house on Great Cranberry Island, Maine; some older cousins had left both �Time Loves a Hero� and Robert Palmer�s �Sneaking Sally Through the Alley� in the pile next to the KLH turntable, �TLAH� with its Neon Park cover, some foreign landscape magical and warm, the music so clear (some might say slick) and yet so funky.
In high school �Waiting For Columbus� spent YEARS on the record player, the songs and energy taken to such a high level through the performance. I spent a week in my parent�s barn with my drum kit, trying to get the feel, the syncopation and the mechanical coordination together just to play Richie�s intro to �Time Love A Hero�. It seems to drop in already in progress, backwards and off beat, the transition to the head natural in its inversion. Hard thing for a young musician to feel, let alone diagnose. The earlier albums were heard in the back of a bosses Honda Accord, loaded on vodka and pot, his high end listening of feat and Steely Dan highlights of an education of quality rather than the median FM fare that polluted my peers 8-tracks.
As much as I wanted to be able to play like Richie it didn�t seem to matter as no one around me could play like the rest of the band in my age group (Steve Ide could but I was just a young pup�) By the time I was at Berklee, I had even a harder time finding those who wanted to play feat-style music, the confusion of fusion and the half hearted wave of �New Wave� conspired to push me in different directions. As I was not the type to wack the hard pads of a Simmons kit, I sided with John Bonham and Stewart Copeland, who also hit hard, turned it around and was accessible to me and those I was playing with.
Strangely, there were always those with a musical vocabulary like mine who would listen to feat for pleasure but never attempt to walk in that direction in a band setting. I ended up accessing the Delta and older Blues through them, not the Stones or the others who dragged young Americans back into the history of their own countries musical history. Paul and Lowell�s slides seemed better connected than the English knock offs or the poppier acts from the USA. They made traveling back not a history lesson but a quest for an essence that might not even connect with a middle class white kid (when there was a middle class). Their explorations into jazz seemed natural; it was still feat music.
Well, Lowell left early and it seemed like there was nothing else to learn. Abandoned and left with great albums, it sadly felt like another snapshot of a time that I�d never have a connection to except through my ears.
I stopped playing music regularly in the mid-80�s when my addictions became more time and spirit consuming. I began helping others with their gear while living in Boston, my connection to live music now supportive rather than direct. I moved to Southern California in 1985 and fell into touring work by mid-1986. Somehow I survived until late 1989 when I began to clean up my act. I spent the next few years spanning the globe with Paul Simon, wrapping up in early 1992. There�s a funny thing about having a good long-term job; you get out of the loop. People forget about you; it�s hard to find work sometimes after one of those. When I got the call in June of 1992 for a job with little feat, I jumped not because of the fear of never working again (a common roadie phobia) but because, in whatever form they were currently in, it was the FEAT!
Working for your heroes can be a dicey thing sometimes, your expectations and the reality can cause serious problems. I was invited to the Power Plant rehearsal studios to meet the guys and figure out their gear. Unfortunately the previous guitar tech refused to show me the ropes; Much of it I had to figure out for myself. There was a bit of pressure on but little of it was from the band. I had the job of caring for 4 people on the tour: Paul, Fred, Kenny and Craig Fuller. Things were casual when I arrived, most of the band settled in and getting ready for another turn through the states.
I did my best to pay attention to the guys I was responsible for but there was Richie, right there, surrounded by cymbals. I think the puns began at once with us, from the intro on. The thing about people who try to be funny (I am one), we can spot others who really are. I don�t think there were many times when a turn of phrase, a pun or a double meaning or arcane reference didn�t enter our interaction. I think it gave us both pleasure when we realized that we were the only two who understood what was being said.
My first gig was not so great as I packed up a needed acoustic guitar before the encore was completed� after a short delay, the crowd got �Willin�� and we were off to the next town, my job still there. The first weeks of hearing the band only feet away were amazing; the level of communication and experience are pretty much untouched by any other band I�ve ever worked for. There are opportunities to see remarkable performers but to see a band that really operates together as a single organism, stronger for it�s many parts not weaker, that is becoming more rare. This is/was not a perfect band; some of their flaws actually became part of their style. I�ve had a theory for years which some have agreed with; I�ve witnessed it so I feel confident that it has some merit.
Richie had a habit of rushing his tempos a bit; early in the band�s history Lowell was rather harsh about tempo and some of the live recordings from the mid-70�s are slow, funky, laid waaaaay back. When Richie rushed, one of the people who would get annoyed was Sam Clayton, the percussionist in the band. He would intestinally drag/�lay back� to pull him back in, which, wasn�t always successful. Kenny Gradney, the bass player would sit right there in the middle, a strange flamming triplet of groove that often felt like a single great big note, fat and funky. To me it was one of the secrets to feat�s sound, a rhythmic chorusing effect that made them nearly impossible to imitate.
There was one show that year in Portland, OR at the Washington Park Rose Garden Amphitheatre when John Hammond Jr. opened for them, acoustic solo. We did the set change and put the band on stage. The opening number that night was �Hate To Lose� which opens with a guitar figure and then the band comes in. When that moment came, Richie did his flourish, struck his snare drum like a cannon shot and all the power in the venue went off.� Turns out the electrician had tied all the food tents with their espresso machines and woks into the same circuit as the sound power; once the peak of Richie�s drums pushed the PA�s speakers to regular operating volume, it tripped all the breakers. Sad part is during the wait for the repair to the circuit we couldn�t even go get a coffee as they were dead in the water too!
The music of feat between �88 and now has been slighted by some, due to ghosts, alleged intrusions into the �boy�s club�, the general malaise and toppling of the recorded music business and the fact that corporations only seem to know how to sell new things or things that never change. A lot of songs and performances through the Fuller and Murphy years are great, they stand alone without Shakespearian trips to the battlement walls.� Paul and Billy still write songs that will open your head, your eyes and your heart. Richie propelled so many of them to the next level, just by being there.
We shared laughs, hot nights, cold mornings, strengths, weaknesses� The last 10 years we were not very close but like good friends and friendly family, time can pass and everything is the same, for better or worse. I was never Richie�s drum tech; I started as a guitar tech, took on being production manager for a time, drove the truck� when you are welcomed into a family you take the job that�s open and do your best to help the band in and out of each show. Not being his tech make our friendship safe as sometimes in any working relationship the job and the friendship can clash a bit. I would have loved to do the job, but I never did.
Plenty of other people can and will write better obits but I�m doing this because I was lucky enough to work with him and his band on and off for 10 years. Unlike some of the people who I�ve worked for, there was plenty of personal interaction and time spent off of the stage with feat; in the later years band and crew traveled on the same bus, which meant we were in close quarters.
Richie was a remarkable drummer, his high harmonies were a secret weapon for the band and as a man, he was so nice, too nice in some cases. You wanted to defend him but he took his own path. I have been so blessed to find these things out,� I hope he felt the love and appreciation for him in the end; he was a fan of good drummers and they were all fans of him. I extend my love to the band, their families, the family of feat fans and all those who feel this loss. We are so lucky that he left so much amazing music in the world for us to share, then, now and forever.
As there seems that so many people are formed with or without the sensitivity for music or the arts, there are those too who cause the entire playing field to change shape or double in size. They sometimes are the odd birds who approach an instrument in a new way that defies what has gone before; sometimes they are just people who are in the right place at the right time, physically and emotionally, whose honesty captures a moment.
A lot of those people end up on most everyone�s list, revolutionaries who sponsor and promote the next generation of seekers and dreamers, often broken and abandoned by the fact that they exist in the present and the future at the same time. So a list of examples from my angle would include players like Charlie Parker, John Coltrane, Miles Davis, Hendrix and Jeff Beck, bands like the Beatles, XTC, Little Feat and NRBQ, and guys you may have never heard of like Jaco Pastorius , Steve Gadd, Vinnie Colaiuta, Jerry Douglas and Michael Landau. This is a fast and extremely limited list for me but the fact that you recognize or don�t recognize these names is not really the point of this post.
When I was growing up in Western Mass in the late 70�s I took a job as a bar back at a local pub that featured live music. Most were local and regional bands who played covers and originals and there were even a few you may have heard of (David Bromberg, Arlo Guthrie�s backup band Shenandoah), but one stuck out for me; The Incredible Casuals from Cape Cod.
In looking at reviews over the years, the descriptions of the band come close but never really nailed it; �the Who meets the Ventures� is a half hearted attempt to sound bite a band that both over and under achieved a heavy pop/ beach groove. �Replacements romping through Beatles VI�? Two dimensional. They were �Live, Loud, Drunk and Out of Tune� some of the time but my memories of the tiny green sparkle Rogers drum kit, the yellow duct tape wrapped Fender Jag and a ska version of ? and the Mysterians �96 Tears� just open the door to the universe they created.
Chandler Travis and Steve Shook had a musical/comedy (comic musical?) act that spawned a single album and a bunch of opening slots in the mid �70�s called Travis Shook and the Club Wow. They supported some big acts of the day and began their relationship with George Carlin while opening for him. Enter drummer Richard Bates (AKA Vince Valium), a rail thin, tall monster of a drummer who was more than partially responsible for their amps being turned up so high. By the time I first saw them in the late 70�s, Johnny Spampinato was also playing guitar, his lefty Fender turned away from Steve�s hollow Gibson and Chandler�s J bass in the middle, some kind of reckless precision coming out of it seemingly by mistake. Vince played ferociously, kit low, his body draped over it, arms flailing until the punky Bunken 7A drumsticks would splinter, he releasing the remains towards the bar, bottles crashing and breaking, a small pile of kindling after each show in various corners.
Now, lest you get some vision of a punk band in this time frame, know that they never limited themselves to any genre or treatment. I had the pleasure of seeing them about 2 dozen times in this short period and was subscribed to their �Inedible Casseroles� cassette series, which were like early podcasts that included demos, live takes and life on the road vignettes. They might take one of their beach rave ups and do it Bossa Nova; their humor and depth mashed up seemingly inappropriate things, making them truly their own. I�ve always been drawn to bands like this, even before I knew they were doing it; perhaps the confusion/fusion/mutancy of bands and artists who didn�t/couldn�t play it straight just confirmed what I was learning about music, which was knowing the history and rules so you could throw them out.
I suppose there are better historical articles about the people I�m mentioning here but this is in relation to my musical upbringing and the fact that close contact or years distant can still influence and comfort a listener. They were a few years ahead of me and I can easily admit how they did burn a blistering scar into my brain, that Vince�s grooves were liberally borrowed but never mastered and that digitization and the internet has renewed a love affair I�ve had with their music for over 30 years. Without sounding too much like a rock critic or a reporter for Circus Magazine (gasp!) I�ll fill in some blanks and perhaps get to a point�
Surviving as artists while posing as a bar band has always been a tricky thing. You have to give the drinking crowd what they want and keep them coming back for more. Heck, even Terry McGovern fired Springsteen from his club for capturing the audience�s attention and keeping them from the beer tap! Salting a steady stream of covers with originals or re-arranging popular numbers can be dicey. You either have to be calculated or completely turn your back on who�s there until your crowd finds you; takes a great deal of courage or apathy.
OK, so the Casuals knew an incredible cross section of rock tunes, surf hits, obscure oldies and standards. What they didn�t know, they faked without apologizing; their trainwrecks were ten times more interesting than a pitch perfect recreation. Their originals could be complete nonsense, frat house sing-a-longs, punchy, hooky pop nuggets or simply beautiful love songs. They always have had the luxury of 3 different people to sing leads which also changed the complexion from song to song.
I first got to see the band when Steve Shook was still there, his quiet solid presence counteracting the careening energy of the rhythm section and Johnny�s Fender assault. He had his hand in the cacophony but when things lightened up his delicate playing and vocals gave the band a different dimension. While I was living in Boston a few years later I saw the band with Aaron Spade in his place and, like most people who have a certain snapshot of a classic line-up, it didn�t immediately work for me. A different person brings different influences and energy for better or worse. It took me a while to warm to him as I�m sure it took for him to find his place in this unique crew. In reviewing the songs recorded during his tenure his ear for the Stones, the Beatles (and if I�m not mistaken Oasis) sneaks in, adding more edgy craft into a band rife with it.
Johnny went to work with his brother in NRBQ when Al Anderson moved to Nashville and that�s about the time I kinda went on living with memories and audio cassettes of earlier times, as we all do with those bands that capture a time for us. I no longer lived on the east coast and had no idea what the guys were up to.
OK, here�s the remarkable thing; for 29 straight years the band has held down the summertime Sunday afternoon slot at the Wellfleet Beachcomer from 4 to 8, basically from Memorial Day to Labor Day for 30 years. There has been formal (maybe the wrong word) and informal line up changes along the way; Vince is now Rikki, Johnny is back on the left and Chandler is still there in the middle. They all have other projects they participate in; they are known from Cape Cod to Tokyo but I�m not sure about in between.
I haven�t really focused on Chandler Travis quite yet because I think in the end this post has been prompted by him. He has been the not-so-quiet lynchpin of the group, a remarkable songwriter with a un-duplicatable style and the ringmaster of many an almost forgotten night. Some might look at his humorous and cynical turns in his love songs as just jaded or grouchy; to me they�ve always been an example of how humor gets used to soften the hurt and reality of life. Songs like �Fade Away�(arg,"The Giraffe Suite", forgot the actual name and missed filling in the name when editing…), �Merry Christmas Anyway� and �This World� all show their heart by the end of the last chorus; vulnerable, imperfect (the character not the song) and so hooky you swear you�ve heard them for a lifetime.
The Casuals are not Chandler but they are not the Casuals without him�well, proving me wrong I see a posting saying that Joey S. was sitting in for him one night this year, which makes it a heck of cool band.
In 1996 Chandler sat in with the house band at the Lizard Lounge in Cambridge, MA, who was being led by Dinty Child, a multi-instumentalist and musicial troublemaker. This spawned a 9 piece unit that became known as the Chandler Travis Philharmonic, a riot of horns and possibility. With Rikki Bates at the drum chair, here was a band to do some serious mayhem. Described as�probably the world�s only alternative dixieland / omnipop band,� they are fun explorers of the familiar and unfamiliar that need to be heard to help a listener find their own descriptive metaphor, just like the Casuals. Sun Ra, Gil Evans, The Meters, The Seeger Sessions Band on Mescaline, Michael Buble with 50 years out in the sun� well, you can�t really keep a thumb on them for very long. They are funny, irreverent, deep, over qualified and a wonderful powerful engine to drive his songs around the bend. I keep something on in the background while writing this and here�s a song that is part �Iko-Iko�, quotes Irving Berlin and makes enough sound effects for Esquivel, Ambitious Lovers and Spike Jones all happy. Nope, I can�t do them justice even in this run on paragraph.
OK, so not all of us can make it to the Cape to see for ourselves and YouTube is so very, very small� luckily we have a good deal of recordings to listen to for both bands. The official and unofficial stuff all has nuggets of pure joy all over them. Here are some suggestions for first time listeners or re-discoverers�
Let's Go- The Incredible Casuals A nugget. I enjoy the vinyl scratches on the digital version. Summer surf fun and still strong 30 years later.
That's That- The Incredible Casuals Most of what the band has recorded has been repackaged and now digitized, at least the studio stuff. They were amazing for sharing/selling their "field" recordings, imperfect and magical. "That's That" is a good compilation, with some classic songs, from both the Shook and Spade eras. So is World Championship Songs 1980-2007.
Yearbook '04 Live at da Coma!- The Incredible Casuals Being that the Casseroles are not digitized (yet), this is a good quality live recording of the current line up with some guests. Interesting covers and a sense of the energy.
If you dive deeper into their sites, You Tube, emusic, Amazon, etc, there is plenty of stuff to find of varying quality.
Let's Have a Pancake!- The Chandler Travis Philharmonic The first of the official albums of the band, great songs and amazing performances. This is linked to Amazon for a simple stable permalink but most of� CTP/TIC world is available through Sonic Trout and their own websites, including their many less official recordings, including 22 Radio Ball CDR's in "Horrend-o-phonic" sound. I'd start with the main stuff but there are treasures everywhere.
Llama Rhymes- The Chandler Travis Philharmonic Further out but still in the neighborhood…
Tarnation and Alastair Sim- The Chandler Travis Philharmonic 48 tracks of glorious carnage. George Carlin leaves a few phone messages before passing away. Masterful, in pieces.
I am glad that through the internet I have rediscovered this music and know that more is being released and created all the time; a new Casuals and TCP release are on their way here now and I'll update you when I digest them. I have had the great honor of working for some amazing artists over the years that the world knows; there are so many that we have to depend on each other to find out about. After such a long time in not posting, I had to make it a goodie. Check out Chandler, Rikki, Johnny and Aaron, together and apart. You deserve it.
It doesn't seem right to have the purchase of a new device be the reason for me to return to a long form blog post here on PIBC. I'd hoped it would be a return to art, music or poetry; still, an opportunity to share my thoughts about this needs to go beyond the restraints of micro blogging and, though long dormant, I still pay for this space.
Right before Christmas, my long suffering Blackberry Pearl 8120 went on a trip around the inside of an HE washer. Saturated and well spun, it took a few days for the moisture and confusion to begin departing the chassis. Like an elderly man, it recognized the media card, then didn't, then did. It froze like a potted plant in Calgary. When it began to work again it would reboot in the middle of calls, the middle of words.
I spent more than a few years traveling the world with the spartan operating system, yanking out the battery on crashes and freezes, using other peoples workarounds in order to attempt to be real time with those on laptops and other devices. I can't begin to tell you how amazed I was with the Blackberry push technology, the speed and reliability it had for email. I once found myself within a Roman Coliseum in Pula, Croatia in 2007, sending an email from my laptop and hearing the whoosh of the Apple Mail notification followed in one second by the vibration of my Blackberry. Think about the routing for a second; My laptop to the production office wifi to the local Croatian telco to the internet to Google in the states to Blackberry in Canada to Tmo to the cell provider in Pula to my Pearl in about one second. That's insane.
The sad part began as the real time revolution began, some of us using Google Talk to follow our Twitter stream through a mysterious and legendary myth called "Track". This would be May 2008 and I stood in Dublin, Ireland at the RDS Arena, an equestrian center used for concerts for many years. I put a few keywords into Track that day and watched in amazement as realtime tweets came out of the 20,000 people in front of me and into my phone. In experimenting with certain keywords in certain newscycles, I was able to crash my phone in some spectacular ways.
Well, now Track is just a story early adopters tell their grandchildren when they want them to fall asleep but it was a clear sign to me of how underpowered handheld devices were for the oncoming data stream. The Blackberry became clearly web challenged as the first iterations of the iPhone showed that the phone was (clearly) the least of its features. I, like many felt attached to the microscopic keyboard, the ability to have multiple conversations going on, IM, Text, Email, photos going out and coming in. I got to a point when I knew a crash was coming, a flash site locking the hourglass in an endless topple, the battery removal and reinsertion just another keystroke, doing it all without looking, the reboot period just a commercial break of sorts.
As contrarian as I was about the iPhone not being what I needed or wanted and ATT being what it is, I bought an iPod Touch last year for a two fold reason. First, I was going to use it as a Skype phone around the Pacific Rim (I did and it was quite able) and also so that I wouldn't be totally ignorant of the OS experience. It's a great media player, logical, small and reliable. The App aspect was slow to become as important but it was rather remarkable to have the mobile experience of getting the software you need when you needed it.
Oddly, I ended up using the Blackberry on my Pacific trip for 2 things and one was remarkable and the other, expensive. The Wifi/UMA section of the Pearl made it possible to turn off the cell broadcast antenna, hit free wifi on the streets in Australia and Japan and make all the free international calls I wanted. Find a McDonalds, stand outside, join the hotspot, wait for the red UMA indicator and dial away. The other was the casual data access I made in Australia over the cell system, which for YEARS in Europe never got metered or billed and created a wallet breaking roaming charge I'd never incurred before. Expensive lesson.
So here I am a week into my Android experience, comparing it to my BB experience (the Jensen Interceptor of the internet, minus the speed) and to my Apple knowledge (not a deity, not a demon, just a really well crafted only show in town). In my industry, we deal with multiple operating systems from many vendors. We have some standards like MIDI and some formats that became prevalent so that the competition would include it just in order to be used. The real parallel is to the digital rack gear of the 80's and 90's, when companies like Roland, Yamaha, Korg and Lexicon had very clear ideas of how you were to navigate through the endless pages of parameters with a 2 line LED screen and a scroll wheel and "enter" button.
It wasn't unusual to work for people who stayed with one kind of gear because trying to figure out the OS was just such a waste of time. The use of the Atari ST computer along with the early Macs began to bring a more uniform GUI experience to musical gear. As music software for sequencing, programming and recording evolved, the Mac desktop became the palette that many techs and musicians became comfortable with (to be fair, some of the best keyboard techs I know were multi-platform and did a great deal of work on Windows, due to the huge market share they held in those days).
I mention this because there were moments back then when you had a moment of� "oh, so THAT was what the programmer was thinking when he did it this way" when you went from a Yamaha piece to a Roland piece. I've had a few of those with the Nexus One and the Android platform.
There were early moments when the lack of uniformity and shortcuts built into the desktop, the browser and a few of the apps began to sour me from the N1 as I compared it to the soft key dance of the iPhone/iPod.
"Why move the clutch and the brake? I've always driven this way…"
In Formula One auto racing, the controlling of gear shifts have gone from the old school 3 pedal manual H pattern experience, to semi-automatic, sequential shifting to hand controller, computer clutching gear selection. The steering wheels on these cars are more like high end game controllers…
(take a look at this explanation…)
than what they were before…
A back button that can get you out of any path a step at a time is not a bad thing. You want to bail out, the home window button is always there. Having a dedicated� menu button work on all areas is helpful and educational too. The trackball, though I've been using them for 20 years, is a little bit lost on this device but provides a 3D message indicator to see across the room.
I was really bugged by some of Google's lack of widgets for the services I use. Then I realized that they use the browser as the engine for many things. Bookmark the mobile version of Google Reader for instance, put a shortcut on the desktop and you're golden. No memory for a widget, nothing to load. It already lives on the cloud.
Google Voice has been mentioned as being the big draw here and I will not be a detractor. Being able to funnel your voicemail, texts and numbers into the Google eco-system for someone who travels as much as I do is a big winner. I've gone weeks without checking my voicemail overseas because I was afraid I'd lose my house for roaming charges. It's a non-issue now as long as I have an internet connection at work or the hotel. Also in the very loud environment I exist in, seeing Google's best guess at the transcription of the voicemail is very handy; you could put my phone through a Marshall amp an I'd still not get the message. Now I can…and the spamku errors of the lightly grayed guesses are very entertaining.
It's interesting to see how Google's apps differ from Loic's or Amazons, let alone the developers who are giving it their best shot. There are those that are missing entirely at this point, Buddyfeed, Kindle, Tweetie and the like. With an increased user pool, developers will make it happen and Google will tweak more sugar in and out of their pastry named systems.
A few apps have been crashy like Ustream but for a person who carried a Crashberry for many years, it's unreal to have gone a week without pulling the battery… though I could if I wanted to or needed to. I can also carry a second one for heavy data flow days…sorry.
I am a little disappointed that no accessories were ready when they released it; skins, spare batteries, chargers, cradles, etc.
I am enjoying having a high powered mobile device that does nearly everything I need it to. I'm about to give it a partial test by leaving the country and shifting to primarily wifi� for a few weeks. I'll let you know how that goes.
I have read many accounts of musicians and non-musicians over the years of the moment when their paradigm was shifted, their mind blown, the door opened by hear a particular song or artist. Some of these are typical while others are more obscure. The Beatles, Coltrane, Hank Williams, Miles Davis, Hendrix� they all end up being mentioned a lot. I was raised in a drummer�s home and actually went to school to be a drummer; you�d think that the person who did it for me would be one.
Actually, I have to admit the person who did it for me was Jeff Beck.
In 1976 I was listening to either WCCC or WHCN out of Hartford, CT, the two rock stations we could pick up in Western Mass. They played classic rock and as it was in those days, the formats were a lot looser�as were the DJ�s and the program directors. They would on Sunday mornings play 4 blocks of a half hour between 10am and noon of an artist, uninterrupted. Sure, it might be Lynyrd Skynrd or Led Zep but sometimes it was something new, different and really good. I was exposed to NRBQ, Nils Lofgren, Chick Corea (with Steve Gadd no less!) and other acts you will never hear on American commercial terrestrial radio again.
I can�t remember the song that was first but I would have to bet it was �Blue Wind�, the duel between Jeff Beck and Jan Hammer. These guys were fierce, loud and apparently from another planet. It was actually in rotation, a guitar instrumental with trading solos, Jan�s jagged yet perfect drumming, outer space synths and that guitar, that guitar that didn�t sound like any other. I bought �Wired� probably at White Knight Records in Great Barrington and brought it home.
The songs and performances of that album are part of my DNA. The liner notes, the photos, the Epic logo� they all are as fresh now as they were then, my comprehension a little better now of the technical aspect of it but the visceral, emotional, primal connection was there from the get go. This guy had attitude, attack, delicacy and recklessness in spades. The album �Jeff Beck Live with the Jan Hammer Group� came next and might have come off my turntable once or twice in the next 2 years. I actually wore that one out and bought a second. His breaking into �Train Kept a Rollin�� in �Blue Wind� was so fucking gnarly I want to play it for every young guitar player who thinks he�s a bad ass to show him what a Strat can do.
I was lucky enough to see him the first time on the �There and Back� tour in 1980 at the Curry-Hicks Cage/ University of Mass in Amherst. That album and particular quartet was a pretty serious extension of the direction that �Wired� and �Blow by Blow� started, maybe a bit more slick but still a sight to see. The Cage was an old hockey rink which the local fire marshals didn�t allow smoking in probably due to its flammable appearance. They had college ushers running around with little sand buckets grabbing cigarettes and joints away from the crowd. The thoroughly mundane Michael Stanley Band opened and then there was a lengthy delay until Beck hit the stage. I know it was long because they played 3 entire albums before the lights went down and, despite my ingestion of pollutants, I remember all of them: Little Feat �Down on the Farm�, UK�s debut album and their second, �Danger Money� (funny what we remember and forget, isn�t it?)
The lights went down and out they came. I was already a huge fan of the drummer Simon Phillips and have continued to be intrigued by Beck�s relationship to drummers. They seem to fuel his fire and the good ones send him into the upper atmosphere.� It was loud. Anyone who has seen Jeff play know that his presence is a combination of limitless swagger and indifference, so many of the licks and moves he created, if not modified for his generation and beyond. The term �Reckless Precision� I first heard as an album title for Tuck Andress but it sums up Jeff�s approach sometimes. He�s not infallible or perfect, he reaches, he pushes his guitar to the limit and coaxes and thrashes the most delicate notes and the most obscene wails and crashes out of it.
What would be considered a show off move ends up being the perfect punctuation for a phrase, like finishing the line on� �Freeway Jam� by bouncing the butt of his Strat off the floor for a tone like a 4 car pileup. He also knows as many ways to bend a note as anyone I�ve ever seen, between his mastery of the whammy bar, using his palm to move the floating bridge, his able fingers, the slide or inverting the guitar, sticking the headstock into the floor and leaning into it (don�t try this at home!!!).
In the hour and a half he played that night he did it all. But the funny thing is this memory from 29 years ago was nearly 20 years into his career and kids, he ain�t done yet.
As the music business began to bloat and then whither, Epic would release a record every now and then, a strange anomaly akin to the old roster at Warner Brothers, when Mo Ostin and Lenny Waronker kept prestige creative acts on their roster despite their limited sales. Jeff�s album �Flash� was an attempt to commercialize him in an era of MTV, while he made appearances with Tina Turner and Rod Stewart, produced by Arthur Baker. It didn�t really appeal to either side of the fans, the fusion nuts or the music video pariahs. It still had glimmers of his fire, though heavily coated in 80�s dreck.
When �Jeff Beck�s Guitar Shop� came out, all was then well with the world. A trio album with drummer Terry Bozzio and keyboard player Tony Hymas, it left the space that his guitar needed to breathe, twist and burn. The monster riffs of �Big Block� still kick the ass of anyone in its way. The real find was a track called �Where Were You�,� his take on a melody he became infatuated with after hearing the Bulgarian Woman�s Choir Le Mystere des voix Bulgares. The most vocal of his performances, the trem bar that is so overused and dive bombed by others becomes the breath and pain of his ethereal voice. For guitar players, it�s a master lesson in the virtually impossible. He was still showing the youngins who was boss if they had the brains or the balls to listen. The tour with the bass-less trio was a double bill with Stevie Ray Vaughan, a classic pairing that I sadly missed in LA as it was the only day in 3 months I had a gig.
They say if you want to get Jeff to walk away from a conversation, start talking about guitars. If you want to get his attention, bring him a part from a 1932 Ford. He loves cars, old hot rods, working on them and getting his hands dirty. He has nearly damaged those amazing hands doing it and to me, it would be a tragedy except he would have been doing what he truly loves when he�s not onstage.
He has taken his interest in electronica and made some records which sound modern and purely Jeff at the same time. He has been touring a bit more often and has had some rather amazing band line ups from a musician standpoint, people like Jennifer Batten, Pino Palladino and Vinnie Colaiuta have had the chance to tour with him. His current band is remarkable, with Vinnie, the young Australian female bassist Tal Wilkenfeld and Jason Rebello. A recording taken from a week of shows in London has been released called �performing this week…live at Ronnie Scott's�� which shows he has just gotten better and better. There is now also a DVD from the same club run which includes some guests like Eric Clapton, Joss Stone and Imogen Heap. The real attraction here is getting to see what Jeff can do with the guitar, stuff that mere mortals can attempt to do but never will flow like the beautiful liquid fire that seems to emit from his fingertips.
I highly recommend either or both of these documents to musician or just plain listener alike. If you don�t like instrumental music or �jazz-rock fusion�, don�t let it stop you. There is something for everyone� unless you don�t like electric guitar. And in that case� there�s nothing I can do for you.
On the weekend of April 4th, he was inducted into the Rock and Roll Hall of Fame in Cleveland, OH. A ceremony of presentations and performances occurred that night and was broadcast live on Fuse TV. I was fortunate enough to be there for the rehearsals and the event. It was amazing to see my employers inducted and to be a part of the show, but to me, being able to watch and listen to Jeff that close was one of the highlights of my career. If any guitar player besides Hendrix ever deserved to be in the Hall of Fame, it would be Jeff Beck. And now it�s official.
But we already knew that.
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Description: today is some kind of lucky day as one naughty babe lilith shayton is here to show the viewers how she gets an item from the pawn shop by simply engaging in his special services. she is there in his office to suck his mean stiff dick and gets penetrated afterwards.
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I am interested in everything from conversation, to coffee, even to dates and sex. I like women...no, scratch that. I love women, and yes all women, (I'm only sexually attracted to most though). If you wear a dress you are most likely on my radar. I live for women that wear dresses.
I'm the kind of guy that assumes every match I get on here, or OkCupid or wherever, is clearly a spambot phishing scam. So, maybe keep that in mind if you're actually interested.
I will steal all of your time if you let me. I have been called a time thief. If we're talking or hanging out I will keep you there for hours, or if we're lying in bed alternating between sex and sleep I will most assuredly steal that day from you.
I am very shy, until you get to know me then I usually do a 180. I can be awkward as well.
On "Which Star Trek character are you?" Quizzes I always get Worf.
IG: DamianDimock
Twitter: @DamianDimock
Just in case you're into astrology:
Sun - Scorpio
Moon - Aries
Mercury – Sagittarius
Venus - Libra
Mars - Virgo
Jupiter - Sagittarius
Saturn - Scorpio
Uranus -Sagittarius
Neptune - Sagittarius
Pluto - Scorpio
Ascendant - Pisces
Midheaven – Sagittarius
Occasionally attending Soccer games.
Want to get into all facets of writing:
video game writing, screen writing, stage-plays, poetry, novel writing, writing articles, and graphic novels.
My focus really is on poetry,
(I have had poems published in Thread, Vol.9; Thread, Vol.10; Mangrove Review, Vol.13; and Slipstream issue number 35.)
I don't know, I'm not "people."
Graphic Novels: I am heavily influenced by Grant Morrison.
The Maxx is my favorite graphic novel series.
I also love Transmetropolitan (Warren Ellis,) We3 (Grant Morrison,) Pride of Baghdad (Brian K. Vaughan,) Animal Man (Grant Morrison & Jeff Lemire,) Swamp Thing (Alan Moore & Scott Synder,) All-Star Superman (Morrison,) Seven Soldiers of Victory (Morrison,) Sandman (Gaiman,) Safe Area Goražde (Joe Sacco,) Fun Home (Alison bechdel,) Maus (Art Spiegelman,) Britten and Brülightly (Hannah Berry,) and A Contract With God (Will Eisner.)
Poetry: Li-Young Lee, Charles Wright, Alexis Orgera, John A. Nieves, Pablo Neruda, Wallace Stevens, Adrienne Rich, Michael Hettich, Kim Addonizio, louise Glück, Robert Hass, John Donne, Meg Day, Sandra Beasley, Charles Simic, Robert Lowell, some Allen Ginsberg, and some William Burroughs, some Gary Snyder. I pick up The Poetry Foundation's Poetry Magazine and Poetry East's magazine regularly.
Movies: Solaris (1972), Alien, Terminator & Terminator 2, The Saltin Sea, Hamlet ( Ethan Hawke), Closer, Gattaca, Escape from New York, Planet of the Apes (original 5), Metropolis, Citizen Kane, M, The fountain, Cool hand Luke, Children of men, Captain America, Chinatown, Day of the Dead (but only because I like seeing my hometown in the opening sences. Looks great covered in waste and crawling with zombies,) and more.
TV shows: 1st season of The Walking Dead, The first 4 seasons of Lost, Adventure Time, Regular Show, The venture bros, Ren & Stimpy, Ghost in the Shell, Blood+, Code Geass, Terminator: the Sarah Conor chronicles, the original twilight zone, Jerhico, Frisky Dingo, Aqua Teen Hunger Force, Community, X-Files, Star Trek (TnG, DS9, Voyager), Daredevil, Chowder, and more.
Music: ...And You Will Know Us By The Trail Of Dead, Andrew Jackson Jihad, Squarepusher, XXYYXX, Iggy Pop, Blue Sky Black Death, Cursive, Circle Takes The Square, Atari Teenage Riot, Saul Williams, Sage Francis, Evol Intent, Father John Misty, Black Rebel Motorcycle Club, The Deftones, Leonard Cohen, Straylight Run, Hank Mobley, Miles Davis, John Zorn, Marc Ribot, Tool, Kraftwerk, Gary Numan, Bloody beetroots, The Black Keys, And so much more.
Food: VEGAN PIZZA!!
1.) potable water
2.) a knife
3.) comfortable shoes
4.) paper and pencils (does that count as two?)
5.) firestarter (like flint)
6.) company, (a girlfriend, or a friend, or just someone I like, or a dog, or maybe a god of some kind. I don't know.)
Bettering the world. Designing an ideal world. I've been called a techno-utopianist. I've also been compared to just as many supervillians as superheroes.
Art, film, poetry, architecture, design, nature, books, industry, economics, biology, psychology, exercise, cooking, etc.
Marx, Kurzweil, Kant, Aristotle, Matthew Arnold, Sam Harris, Malcolm Gladwell, W.E.B. DuBois, Nietzsche, etc. Sometimes I hate that I find myself thinking about some of these guys.
Occasionally I think about my future...the void it seems to be, could be. Then again maybe the lights are burned out and it is really a tiny 8x10 room ::shrug:: Overall, those kinds of thughts.
Message me if you're not a robot and I actually interest you.
Too often "online dating" feels like reading a bunch of Terms Of Service agreements,
and it makes me realize there's no point because on paper I'm
You want to go with me to shows. Still annoyed I had to go see Cursive alone, (and basically threw away my extra ticket.)
In this section on your page you didn't list traits that a person has no control over: height, body type/shape, eye color, skin color, level of masculinity, etc. It doesn't make people feel good about themselves, (no matter how "honest" it is,) and I don't know that I want to spend time with someone that is okay with this behavior, (does that make sense?)
You know something that I forgot to add here.


text:
Return to Currituck Co.
[Deed Book 13; pg. 8-9] Jan. 29, 1814 - Patent #554 to Thomas DOUGLASS, for 50 shillings per every 100 acres, a certain tract of land containing 100 acres it being a Marsh and Shoal on Bodes Island near New Inlet, beginning at the South West point of Pea Island various courses to the first station. Witnessed by William HAWKINS Esquire our Governor Captain General and Commander in Chief at Raleigh the 28th day of November 1814. The foregoing Pattent registered March 4, 1815.
[Deed Book 13; pg. 9-10] Jan. 6, 1807 - Patent #539 to Thomas TILLETT, hath given and granted a tract of land containing 120y Acres lying in the North Banks near Hogs Head beginning at a small hickory in Daniell WILLIAMS line several courses along WILLIAMS line to Laben & Spence ROGERS line binding on said line to first station. Witnessed by Benj. SMITH Esquire our governor Captain General and Commander in Chief at Raleigh the 4th day of December1811. Patent Registered June 13, 1815.
[Deed Book 13; pg. 11] Feb. 14, 1814 - Patent # 555 to James HARVEY, for 50 shillings per every 100 acres, a certain tract of land containing 42 1/2 acres lying on Currituck Shore beginning at the water Thomas MERCERs line running various courses to first station.
[Deed Book 13; pg. 13-14] November 28, 1814 - I Richard HUTCHINS JUN. for and in consideration of the sum of $100.00 paid to me by Peter CHITTEM for a track of my land with Willoughby ETHERIDGE & Ephriam JARVIS my Securitys dated July 25, 1814 two thirds being my Brother Tuckers third and my own third in 50 acres of land and swamp left by Thomas HUTCHINS SEN. dec'd in his will to his Son James and at his death fell amongst his Sons which said land is bounded as follows beginning at a marked pine sapling Caleb GREGORIEs corner various courses to Phillip DAUGEs then with his line South to first station containing two thirds of the above bounded 50 acres. Witness: Jacob PERKINS, J. CHITTUM. Registered July 15, 1815
[Deed Book 13; pg. 14-15] December 27, 1813 - I Samuel ETHERIDGE for and in consideration of the sum of $1600.00 paid to me by Tully DAUGE for a parcel of land on Indian Ridge beginning at the turn of the road at the trap then along main road Northerly to Jacob PERKINS line to a ditch Westerly to a corner maple then along the swamp so fir as to make 166 acres then across to the line of Phillip DAUGE JUN. thence along his line to Hog Bridge Road to first station. Witness: Dennis DOZIER, SEN., Will. DOZIER, Jacob PERKINS. Registered July 17, 1815
[Deed Book 13; pg. 21] Nov. 29, 1814 - Thomas POYNER Exor. of Spence HALL, decd. sells to Spence HALL the younger the wind mill and little granary that stands nearby for $234. Registered: July 18, 1815.
[Deed Book 13; pg. 21-22] Nov. 29, 1814 - John HALL sold to Spence HALL, for $75, my half of a wind mill and the little granary that stands near said mill . . when the said mill is in order to grind is to give the said John HALL grain . . set my hand 14 Aug 1806. /s/ John HALL. Registered: Nov. 29, 1814.
[Deed Book 13; pg. 24] Nov. 15, 1814 - Richard HALSTEAD to William DOXEY. Richard HALSTEAD of Norfolk Borough, State of Virginia. DOXEY of Currituck. Seven hundred dollars. Land in Currituck bounded by Hance(?) BRIGHT, near land bought of Caleb SEARS; Eighty-five acres. /s/ Richard HALSTED. Witnesses, Joseph ROLPH, William BRAY, JUN. November Term, 1814. Registered 19 Jul 1815.
[Deed Book 13; pg. 34-35] Oct. 29, 1814 - Jesse COFFEE [CAFFEE] and Mary his wife to Francis LITCHFIELD. . Thirty dollars. Land Situated on Knots Island begining at Sedar Poaste that Stands at the main Road at the Corner line between the Said Jesse CAFFEE and Samuel BEAZLE Joining the line of Hilery WHITEs and with the Said WHITEs line So fare that a West Corse to the Devision Line between Samuel BEASLEY and the Said Jesse CAFFEE and with the Said line to the begining Containing one Acre. /s/ Jesse CAFFEE, Mary (her x mark) CAFFEE. Witnesses: Major WHITEHURST, [Jacob CAFFEE]. Mary CAFFEE examined [Month omittted] 29, 1814 by John SHIPP J. P. Acknowledged Nov. Term 1814. Registered June 11, 1815.
[Deed Book 13; pg. 55-57] Aug. 30, 1814 - Grace CREEF, widow of John CREEF, sold to Henry McCLANNING for $45, 30 acres of land in Currituck Co. it being my right of dower in the land my husband John CREEF bought of Solomon BRIGHT. /s/ Grace CREEF. Witness: Samuel ETHERIDGE. Registered: June 15, 1815.
[Deed Book 13; pg. 61] Jan 13, 1815 - Sally and her husband Michael O'NEAL sold land in Currituck Co. to Daniel LINDSEY...that Sally inherited from her brother, Lamuel SANDERSON, decd. Witness: Jasper PICKETT
[Deed Book 13; pg. 71] Feb. 23, 1815 - Deed of gift from Lovey BRIGHT to her son, Richard BRIGHT,...all the right of dower . . by the death of my son David BRIGHT and give the above Legacy to my son Richard BRIGHT. /s/ Lovey [x] BRIGHT. Witnesses: Polley [x] ETHHERIDGE, John [x] GLASGOW, Josiah JOLLIFF. Registered: June 18, 1815.
[Deed Book 13; pg. 83] July 18, 1814 - Thomas BEST, SR. sold to Mathias BEST, both of Currituck Co., for $50, land on the North Banks near Kitty Hawk bounded by Zachariah BEST; swamp; & John PERRY, containing 50 acres. /s/ Thomas [x] BEST. Witnesses: Caleb TOLER, Mathias TOLER. Registered: June 9, 1815.
[Deed Book 13; pg. 84] July 15, 1814 - Thomas BEST, SR. sold to Zachariah BEST, for $100, land on the North Banks on the north end of Kitty Hawk Bay containing 100 acres. /s/ Thomas [x] BEST. Witnesses: Caleb TOLER, Mathias TOLER. Registered: June 17, 1815.
[Deed Book 13; pg. 88] Feb. 23, 1813 - Solomon CHAPLIN to Daniel LINDSAY. Two hundred dollars. Land in Currituck beginning at LINDSAY's northwest corner, sixty acres twenty acres of marsh; thirteen and a half acres of swamp land all the part that was laid off by the commissioners to Benjamin TAYLOR, JUN. in light of his deceased father Benj. TAYLOR and bound on back side by the aforesaid LINDSAY. /s/ Solomon CHAPLIN. Witness, Caleb ETHERIDGE. February Court, 1815. Registered 19 Jun 1815.
[Deed Book 13; pg. 89] Nov. 29, 1814. William FORBES to Sandford DOXEY. Both of Currituck. Four hundred fifty dollars. Beginning at land in swamp adjoining the lands where Jesse PERRY now lives; Thomas ADAMS, Thomas SANDERSON; Samuel SALYEAR, SEN., Nathan TATUM; fifty acres. /s/ W. FORBES. Witnesses, Ivah SAWYER, CONTIN G.(?) SAWYER. February Term 1815. Registered 19 Jun 1815.
[Deed Book 13; pgs. 91-92] May 8, 1813 - Dorcas LUTTS sold to Nathan SHANNON, both of Currituck Co., for 80 silver dollars, a parcel of land in Currituck Co. situated on Powells Point containing 25 acres being the one half of a tract of land Caleb DOWDY conveyed to my father Jacob LUTTS . . 50 acres of land . . which at his death fell to his son William LUTTS and myself . . now divided. /s/ Dorcas [x] LUTTS; Witnesses: Laban THOMAS, Levi W. HALL. Proved: Feb. Term 1815. Registered: June 19, 1815.
[Deed Book 13; pg. 104] Jan, 7, 1815. Thomas SIMMONS to George HOWARD. Both of Currituck. Fifteen dollars. Twenty-five acres of swampland in Cowinjock. "Beginning at a gum at the NW corner of Edward TAYLOR's New Patent". No other name mentioned as owner of adjoining land. /s/ Thomas SIMMONS Witness, George COOK. February Term 1815. Registered 20 Jun 1815.
[Deed Book 13; pg. 130] May 13, 1801. John WHITE to Robert POYNER. Both of Currituck. Two hundred thirty dollars. One negro woman named Pleasant. /s/ John WHITE. Witness, William DOXEY, Thomas GREEN. May Term 1815(?). Bill of Sale proved in open court by the oath of William DOXEY. Registered 24 June 1815.
[Deed Book 13; pg. 136-137] Oct. 4, 1812 - Avery TILLETT and Abigail TILLETT sold to Asa ETHERIDGE, all of Currituck Co., for 66 silver dollars, parcel of land on the North Banks in the tract that Avery TILLETT, SR. bought of Samuel DOUGH . . Marsh & Swamp containing 311/2 acres. /s/ Avery TILLETT, Abigail [x] TILLETT; Witnesses: Bowen GREEN, William [x] SIMPSON. Registered: June 25, 1815.
[Deed Book 13; pg. 137-138] April 4, 1814 - We Christopher FLOWER & Christian FLOWER for and in consideration of the sum of Ten Pounds paid to us by Pharoah FARROW for 20 acres of land being on Hatterass Banks beginning at the sound at Jacob FARROW JUN. corner along his line to the sea with the sea Southerly to Silas FARROWs line along his line a West course to the sound then with the sound to the first station. Witneses: Enoch MILLER, JUNIOR, Abraham F____?. Registered June 25, 1815.
[Deed Book 13; pg. 139-140] Aug. 9, 1814 - Joshua O'NEAL and wife Bethany of Currituck sold to John MIDGETTE of Terral (sic) County, for $25.00, land on Body Island in county of Currituck on the south side of the first deep creek on the north side of Potucks hammock adjoining the said creek of Joseph DANIELS line. /s/ Joshua O'NEAL, Bethany O'NEAL; Witnesses: ??? PUGH, ??? MIDGETTE; Registered June 25, 1815.
[Deed Book 13; pg. 140-142] Mar. 20, 1815. James WHITEHALL & Keziah WHITEHALL his wife to William COFFEE. One hundred Dollars. "...Begining at Michael O NEALSs South East Corner Runing with his line a Westerly course to the Ridge Road thence a Southerly with the Road to the Land belonging to the heirs of Jacob LEETCHFIELD thence an Easterly course with Said line to the Eastward End of it and thence Various Courses to the first Station Containing forty acres more or less being the Land that fell to me and my wife Keziah WHITEHALL by the death of her Brother Lemuel SANDERSON...Estate of Inheritance in fee Simple..." /s/ James WHITEHALL, Keziah (her x mark) WHITEHALL. Witnesses: Samuel SALYEAR JUN., Caleb IVES. Proved May Term 1815 by oath of Samuel SALYEAR, JUN.. Keziah WHITEHALL, feme covert, examined by Thomas SANDERSON, Esqr. May 30, 1815. Registered June 25, 1815.
[Deed Book 13; pg. 143-144] May 25, 1815. William CAFFEE & wife Amey CAFFEE to Thomas WHITEHALL. Three hundred Dollars. "...Being all of these parts of a piece of Land formerly belonging to Robert WHITEHALL Decd. and Laid of to him by the Commissioners appointed for the purpose of Divideing the Reale Estate of Allex L. WHITEHALL Decd. Containing Fifty Seven acres..." /s/ Wm. CAFFEE, Amey (x) CAFFEE. Witnesses: Thomas SANDERSON, Elijah HUNNING. Amey CAFFEE, feme Covert, examined by Thomas SANDERSON J. P. on May 30, 1815. Acknowledged May Term 1815. Registered June 26, 1815.
[Deed Book 13; pg. 144-146] May 25, 1815. William CAFFEE & Wife Amey CAFFEE and Thomas WHITEHALL to William HUNNINS [HUNNINGS]. Two hundred and Twenty five Dollars. "...Begining at a pine Standing on the Main Road Thomas WHITEHALLs Corner thence Runing an Easterly course by a line of Marked trees binding on Thomas WHITEHALLs Land and line to the Sound Side thence a Southerly Course along the Sound to the aforesaid William HUNNINGS Land thence a Westerly Course binding on the afsaid HUNNINGS Land and line to the Main Road thence a Northwardly course with the Main Road to the first Station Containing Fifty Seven acres...free and clear from the Lawful Claim or demands of any person or persons whatsoever excepting a widow Dower that the Late Wife of James WALL Decd perhaps mite Claim." /s/ Wm. CAFFEE, Amey (her x mark) CAFFEE, Thos. WHITEHALL. Witnesses: Thomas SANDERSON [wit. for Thos. WHITEHALL], Elijah HUNNINGS. Amey CAFFEE, feme covert, examined by Thomas SANDERSON, J. P., May 30, 1815. Acknowledged May Term 1815 "the hand wright of Thomas WHITEHALL was proved by the oath of Thomas SANDERSON" Registered June 27, 1815.
[Deed Book 13; pg. 153-155] June 19, 1813 - I Thomas GARRETT Exec. to the estate of John McCOY for the sum of $1233.80 Spanish paid to me by John MURRELL for a tract of land beginning at the corner of Benjamin GUINs line to Zorobable HARRISON line to MURRELLs line with his line to the Sound thence the Sound to the first containing 62 acres. Witness: Cart. BELL; Registered: June 27, 1815
[Deed Book 13; pg. 155-156] April 28, 1813 - Archibald ETHERIDGE sold to Simeon SAWYER, for $95, 80 acres of land bounded by Laben THOMAS. Witnesses: William OWENS, Holloway [x] WALKER. Registered: June 27, 1815.
[Deed Book 13; pg.194] May 29, 1815. Jonathan TAYLOR to Robert WHITE. Both of Currituck. Five hundred dollars. Land in Currituck bounded by Willoughby TAYLOR, Ann GRAY, Zachariah TAYLOR, Benjamin TYALOR. One hundred acres./s/ Jonathan TAYLOR Witnesses, John T. HAMPTON and Thomas WHITE. May Term 1815. Registered 7 Jul 1815.
[Deed Book 13; pg.196] May 29, 1815. Jonathan TAYLOR to Robert WHITE. Both of Currituck. Ten dollars. Land and marsh in Currituck being one half of land and marsh that James WHITE sold to Jonathan TAYLOR as an executor of the last will and testament of John MACKKONEY containing by estimation fifty acres. /s/ Jonathan TAYLOR. Witness, John T. HAMPTON, Thomas WHITE. May Term 1815. Registered 8 Jul 1815.
[Deed Book 13; pg.198] May 29, 1815. Robert WHITE to Jonathan TAYLOR. Both of Currituck. Five hundred dollars. Land lying on Churches Island by Thomas GRAY. Forty acres. /s/ Robert WHITE. Witnesses, Thomas WHITE John T. HAMPTON. May Term 1815. Registered 8 Jul 1815.
[Deed Book 13; pg. 200-201] Apr. 1, 1815. William CAFFEE to James WHITEHALL. One hundred Dollars. Land Situate or Lying in Currituck County begining at Michael O NEALs South East Corner Running with his line a Westerly Course to the Ridge Road thence Southerly with the Road to the Land belonging to the heirs of Jacob LEITCHFIELD thence an Easterly Course with Said line to the Eastward End of it and thence Various Courses to the first Station containing forty acres more or less being the Land that I Bought of Said James WHITEHALL & Kesiah WHITEHALL his wife. /s/ Wm. CAFFEE. Witnesses: Samuel SALYEAR, JUN., Caleb IVES. Proved by oath of Samuel SALYEAR May Term 1815. Registered July 5, 1816 [1815?]
[Deed Book 13; pg. 202] Richard WALL of Richmond, Va. and heirs at law of James WALL, dec'd, to Jonathan LINDSEY. North Banks land beginning at the Sound at Isaac TILLETT, dec'd, line then east to Avery TILLETT line to corner and thence northerly binding Joshua GAMEWELL line to James BEST line then West to the Sound along Sound Southeast to the first station, it being the same land that James WALL bought of Thomas ALLEN and William BEST.
[Deed Book 13; pg. 204-205] May 30, 1815. Richard WALL of Richmond Co., Va., Power of Attorney for the heirs of James WALL, dec'd., sold to Thomas SANDERSON, Esq. of Currituck Co., for $15, 150 acres of land on the North Banks bounded by or near Caffee Inlet and at W. DUNSTONs line then to the sea shore thence as far as shall include all the pieces or parcel of land that Samuel JARVIS the son of Col Thomas JARVIS, Dec'd., sold to James WALL . . . rights and pattens formerly held by aforesaid Col. Thomas JARVIS. /s/ Richd. WALL. Witnesses: Jonathan LINDSEY, Jasper PICKETT. Registered: July 9, 1815.
[Deed Book 13; pg. 216-217] Mar. 7, 1814 - Jasper PICKETT sold to Salley SANDERSON, for $900, land that Jasper PICKETT purchased of Thomas and Caleb SANDERSON that fell to them by the death of their brother Lemuel SANDERSON beginning at Daniel LINDSEY's line on west side of Grandy Island . . land of Kezia WHITEHALL to Grandy Island Creek . . Also Thomas SANDERSONs & Caleb SANDERSONs part of Grandy Island, containing 270 acres. /s/ Jasper PICKETT. Witness: Thomas POYNER. Registered: July 17, 1815.
[Deed Book 13; pg. 220-221] Mar. 5, 1814 - Thomas DOWDY sold to James DOWDY, both of Currituck Co., for $300, a parcel of land in Currituck Co. containing 30 acres bounded by Thomas SANDERSON's land to John DOWDY's land to Sa___en (?) DOWDY land. /s/ Thomas [x] DOWDY. Witnesses: William WOOTEN, SR.& William WOOTEN, JR. Registered: Oct. 18, 1815
[Deed Book 13; pg. 230] John WILKES to Polly TAYLOR. Three hundred fifty dollars. Two negroes one named Isabel aged about thirty-six years and the other named Hannah aged about eighteen months. 25 Jul 1815. /s/ John WILKES. Witness, Lamuel TAYLOR. August Term 1815. Registered 21 Oct 1815.
[Deed Book 13; pg. 239] August 29, 1815. Charles HENDLEY to Willougby WHITE. WHITE of Currituck and HENDLEY of the State of Virginia. Seven hundred dollars. Land in Currituck bordering John BRABBEL JUN., Nathan ROBINSON. One hundred acres. /s/ Charles HENLEY, Executor. Witnesses: Jas. NICHOLSON, Josias NICHOLSON. August Term 1815. Registered, 23 Oct 1815. Does not state for whom Charles HENLEY was executor.
[Deed Book 13; pg. 246] Aug. 13, 1812. Daniel LINDSEY to Benjamin TAYLOR. Both of Currituck. Four hundred Forty(?) dollars. Land in Currituck bounded by Giden (sic) GIBSON; Malachi MERCER, dec., Eighty four acres. /s/ Daniel LINDSAY. Witnesses, Thomas POYNER, Thomas HEATH. August Term 1815. Registered 24 Oct 1815.
No part of these deed abstracts may be used for any commercial purposes. However, please feel free to copy any of this material for your own personal use and family research. If you find anything in these deeds that pertains to your families, I would strongly suggest that you either order a copy of the deed from the county or look at a copy of the microfilm on your own to check for errors or possibly other additional and helpful information.
© 2010


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- Doctors
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- Dr. Michael B. Van Scoy-Mosher
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Ratings for Dr. Michael B. Van Scoy-Mosher
Dr Vanscoy was the leader of my friend's medical team while she navigated her experience with breast cancer in 2009. He was...and remains...congenial, professional, collaborative, empathetic, precise, compassionate, experienced and profoundly intuitive. I describe him as the leader of our medial team because that is exactly the role he adopted. He was not an administrator of treatment...not the director of events. He invited and coached us through the process and...while he might have known our decisions in advance...he allowed us the opportunity to reach them together. Please accept the confidence he radiates and take comfort with the knowledge that he will explore and advocate options most consistent with your aspiration.
When my Mother had a mastectomy, several years ago, he did not send her for chemo or radiation. The issue never even came up. She now has metastized cancer in her bones. I was told by other doctors that that would have been standard pracatice.
Dr. Van Scoy Mosher answered all of my questions and made me feel comfortable in dealing with a challenging situation. He was supportive and concerned throughout the process.
Dr. Michael Vanscoy-Mosher SAVED MY LIFE - He is an extraordinary, caring doctor who NEVER looks at the clock, nor leaves me until any and all concerns have been addressed. I am now an 11 year survivor of breast cancer, and my gratitude knows no bounds.
i found this doctor disinterested in client concerns. He gave me the impression that his time is valuable and mine was not. The time he spent with me, including examination was so rapid that when my husband came into the office to discuss my health issues five minuites later, i had had blood drawn, been seen and examined by the doctor and was standing by the elevator -in shock! This happened multiple times untill we decided to look elsewhere.
Van Scoy-Mosher cost me my life as I am as good as dead. He is not careful.
Dr. Michael B. Van Scoy-Mosher's Credentials
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- Albert Einstein College Of Medicine Of Yeshiva University (Grad. 1966)
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This is a pack of ten replacement Serpent 3x8mm Cap Head Screws, and are intended for use with the Serpent S411 1/10 touring car and S811-E Cobra 1/8 electric buggy.
This product was added to our catalog on December 8, 2011.


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This is the question asked most frequently by Israelis and Zionists. We will answer the question indirectly by asking the question below:
Are you aware that Israeli Zionists, during the 1948 war, pushed over tens of thousands of Palestinian refugees into the sea?
For a long time, Zionists have been propagating fear based propaganda to their followers, probably this picture can tell you a bit of the real story, click here for more details. It's misleading and unfair to focus on what Palestinians might allegedly do in the future, while the past and present of Palestinians are filled with Israeli war crimes. These types of accusations are meant to deflect and confuse the core issues of the Palestinian-Israeli conflict. The core issues of the conflict are the collective DISPOSSESSION and ETHNIC CLEANSING (compulsory population transfer) of the Palestinian people for the past five dec
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Andrew Andrews and Shawn Kemp Jr. after UW's 86-62 loss
Here's a transcript of the post-game interview with Andrew Andrews and Shawn Kemp Jr. following Washington's 86-62 loss to No. 7 Arizona. Just you general thoughts on the game. You stuck with them early and then after their run, you just couldn't catch up. (Andrews) With any team like Arizona, it is one of those games…More
Comments | More in Postgame quotes | Topics: Andrew Andrews, Arizona, Shawn Kemp Jr.


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text: DUBLIN, Ireland, March 26, 2013 /PRNewswire/ -- Research and Markets announces the addition of " China Solid Waste Disposal Industry Report, 2012" to its catalogue. (Logo: http://photos.prnewswire.com/prnh/20130307/600769 ) With the fast growing economic progression, the solid waste disposal market of China has expanded quickly. In 2011, 131 million tons of urban waste was processed with harmless means (mainly landfill, composting and incineration), with a year-on-year growth rate of 6.27%; the harmless disposal rate of household garbage hit 79.7%. In the same year, the comprehensive utilization volume of industrial solid waste in China amounted to 1.952 billion tons, up 20.67% year-on-year. Key Topics Covered By China Solid Waste Disposal Industry Report, 2012 Preface 1. Development Environment of China Solid Waste Disposal Industry 1.1 Background 1.2 Policy 2. Status Quo of Urban Household Garbage Disposal in China 2.1 Overview 2.2 Disposal Technology and Development 2.3 Regional Analysis 3. Status Quo of Industrial Solid Waste Disposal in China 3.1 Overview 3.2 Regional Analysis 3.3 Downstream Industries 3.4 Generation and Disposal of Hazardous Waste 4. Key Segments of China Solid Waste Disposal Industry 4.1 Disposal Equipment Industry 4.2 Waste Incineration Power Generation Industry 5. Key Enterprises 6 Forecasted Development Trends of China Solid Waste Disposal Industry 6.1 Household Garbage Incineration Power Generation will Become a Priority 6.1.1 Construction Cost 6.1.2 Operation Cost 6.2 Household Garbage Disposal Industry will Develop Rapidly in 2011-2015 Selected Charts Companies Mentioned - Anhui Shengyun Machinery - China Everbright International Limited - Chongqing Sanfeng Environmental Industry Group - Dynagreen Environmental Protection Group - Golden State Environment Group Corporation - Hangzhou Jinjiang Group - Nanhai Development - Shanghai Chengtou Holding - Shenzhen Energy Environment - Sound Environmental Resources - Tianjin Economic-technological Development Area - Zhejiang Weiming Environmental Protection


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A player's health or HP is a numerical value representing the amount of damage he may sustain before he is KO'd. Health for each combatant is depicted by a green bar next to his Soul Gauge. As a player's health depletes, the green bar recedes.


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The 48-year-old man, from Leighton Buzzard, collapsed on his way up Ditchling Beacon, the final climb before the finish. He was resuscitated by St John Ambulance staff and paramedics but died later in the Royal Sussex County Hospital.
The ride, for which more than 27,000 participants leave Clapham Common at dawn, was halted for about half an hour yesterday.
The man's identity has not been released. Chief Inspector Lawrence Taylor said: "This was a tragic incident, and our sympathies to go the man's family."
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- Clapham Common
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text: Hey there! I'm Rhys (dubbed Royston by my friends) I'm from south Wales, not too far off Cardiff. A little bit about me first right? Well that seems fair enough. I'm currently coming to the end of my university days having studied environmental science which has impacted my writing, what i believe and how i think - hopefully for the best. I've just finished my dissertation, which i think has crippled the creative soul inside me so I'm trying to get back into the spirit to finish my main story for a contractor (touch wood it all goes well) : ) What else to say? Well about the writing, I've done it for about four years now and I focus mainly on fantasy and sci-fi anything that doesn't rely too strongly on facts (they're not a strength of mine) My main story thread I'm still working on but its split into several bits, some feeder material I'll publish on here to see what people think and of course for you all to play with to your hearts content though I'll probably be filling in my original idea is I go along. Another reason I'm here is to get feed back, so if you read my stories please tell me what you think!? I'll really appreciate it and I'd love some more friends in the community. This of course means I'd prefer CONSTRUCTIVE criticism; I don't take well to anything malicious as I'm sure you all agree – it's just tacky and disrespectful. I think major influences for my writing have come from mythology, especially Greek myths, parts of Christianity (though I'm a spiritualist) and of course music - feeder and sustainer of the soul! Currently I'm going for anything either atmospheric or orchestral like bits of Juno Reactor and Hybrid. John Williams is my favourite composer mind. Movies too play an important part, i love Danny Boyle as a director, and my favourite movie at the moment is sunshine - if anyone else has seen it. Anyways, I'll leave you get back to whatever you were doing - sorry this whole things more like incoherent waffle (my nature I guess) feel free to send comments or messages. Take care and good luck!!


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If we look at the clothes boys and girls, we will know if the type and the type of clothes girls more than boys. Likewise with the school uniforms, items more women than men items. This is because women have skirts and skorts. The appearance of women would be more interesting if they used the skirt of the pants like a man. They are also pleased to combine a shirt with a skirt and blazer. This is a common setting for students in the United States. If parents want to add fashion item for girls they could use a jacket or hoodie. Generally, women are pleased with the bright colors and cheerful, and therefore more widely available uniform woman with red or pink. Besides skirts and skorts, students also have a gym wearing different with boys. Student would be more suitable to wear sweatpants because it is elastic and does not injure the skin. For girls who frequently exercise or have a hobby sport, they may be more likely to wear athletic shorts because it was short and comfortable.
Ties are worn by women is also different because of the size of a tie for men is longer. Sometimes, some schools do not provide a tie to their students because women would be better off with their blazer. All schools if students wish they could look appropriate and not excessive. If there is a girl immodestly dressed like wearing a short skirt to school, teacher or principal should reprimand a student because this is still the area of the school. Schools also should prohibit their students who do not wear a shirt or dress properly. With an attitude that is polite, counseling teachers can know the nature and character of the students. If a student can not be told, calling parents will do. Being troubled students is not the expectations of parents, therefore children should also be able to avoid the wrong crowd and use their time for better things such as attending extracurricular classes or practicing the lessons work on the problems that have not been conveyed by the teacher.


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|"Sanjay Radia (JIRA)" <j...@apache.org>
|[jira] Commented: (HADOOP-4044) Create symbolic links in HDFS
|Mon, 06 Oct 2008 17:09:44 GMT
[ https://issues.apache.org/jira/browse/HADOOP-4044?page=com.atlassian.jira.plugin.system.issuetabpanels:comment-tabpanel&focusedCommentId=12637140#action_12637140 ] Sanjay Radia commented on HADOOP-4044: -------------------------------------- Some minor comments on FileSystem side of the patch. - I prefer the name symlink instead of link. Unix terminology uses link for hard link and symlink for symbolic link. I think we should stick to it regardless of whether or not we plan to add hard links in the future. - Dhruba you left some of the implementation methods public, they should be protected. - minor -- the method next() suggests that one follows the path to the next symbolic link. It does not strictly. I suggest calling it doOperation() (this is style issue and so merely a soft suggestion). > Create symbolic links in HDFS > ----------------------------- > > Key: HADOOP-4044 > URL: https://issues.apache.org/jira/browse/HADOOP-4044 > Project: Hadoop Core > Issue Type: New Feature > Components: dfs > Reporter: dhruba borthakur > Assignee: dhruba borthakur > Attachments: symLink1.patch, symLink1.patch, symLink4.patch, symLink5.patch, symLink6.patch, symLink8.patch, symLink9.patch > > > HDFS should support symbolic links. A symbolic link is a special type of file that contains a reference to another file or directory in the form of an absolute or relative path and that affects pathname resolution. Programs which read or write to files named by a symbolic link will behave as if operating directly on the target file. However, archiving utilities can handle symbolic links specially and manipulate them directly. -- This message is automatically generated by JIRA. - You can reply to this email to add a comment to the issue online.
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text: Next Story > Speakeasy Tweeting? Watch Out: The Government is Watching By WSJ Staff Mar 13, 2013 6:00 pm ET The FTC is cracking down on paid Tweets that do not meet standards of specifically alerting users that they are reading an advertisement. Tom Gara explains. Watch the video. To Read the Full Story, Subscribe or Sign In Previous How to Take Better Photos: Pro Tips Next 'American Idol': Nicki Minaj Gets Stuck in Traffic


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In August 2006, David Grossman signed, along with fellow writers Amos Oz and AB Yehoshua, a statement calling for a ceasefire in Israel's summer campaign in southern Lebanon.
Two days later, his 20-year-old son Uri, a tank sergeant in the Israel Defence Force, died in that conflict. Consistent in their blazing integrity and compassion, these essays on the human and cultural cost to Israelis and their neighbours of living in "an almost-eternal disaster zone" were written between 1998 and November 2006. After his personal loss, Grossman's voice remains unwavering in clarity and courage.
As much a believer as ever in the "miracle" of Israel's existence, although one who now thinks that miracle deeply tarnished, he still begs its leaders to look at the Palestinian people "not only through the crosshairs of a rifle or a roadblock. You will see a nation no less tortured than we. A nation occupied and hopeless". The author of such landmark novels such as See Under: Love and Be My Knife also shows how his vocation as a novelist and his duty as a citizen converge. In both, he aims to demolish "the usually invisible barrier that separates me from any other person". Although the themes and moods of these exemplary pieces stay inevitably sombre, what uplifts is their unvanquished humanity. In the face of endless grief and fear, Grossman asks all parties to "pull ourselves back, snap out of the paralysis, and demand for ourselves, finally, the life that we deserve to live".
- More about:
- Israel
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Home > Healthy Holiday Recipe > Cinnamon Pumpkin Torte
Cinnamon Pumpkin Torte
Happy Healthy Holidays!
Break away from traditional pumpkin pie for a change of pace with this wonderful Cinnamon Pumpkin Torte. It uses yellow cake mix and pre-spiced canned pumpkin to bring it together in a snap.
Recipe Ingredients
Non-stick cooking spray
1 package (18.25 oz) yellow cake mix
1/4 cup butter, melted
1 egg, slightly beaten (or 1/4 cup egg substitute)
1 can (30 ounce) pumpkin pie mix (the kind with spices already added to pumpkin)
2 eggs, beaten (or 1/2 cup egg substitute)
2/3 cup canned, evaporated skim milk
2 tablespoons sugar
1 teaspoon cinnamon
Recipe Directions
Preheat oven to 350 degrees. Coat a 9 x 13-inch cake pan with cooking spray. Set aside 1 cup of yellow cake mix.
Mix butter and one egg and add to remaining cake mix. Press slightly dry mixture into bottom of pan to form a crust.
Combine pumpkin pie mix, two remaining eggs, and evaporated skim milk. Pour over prepared bottom crust.
Mix the 1/8 cup reserved cake mix, sugar and cinnamon and sprinkle over pumpkin filling. Bake 45 to 55 minutes, or until filling is set.
Recipe makes one Cinnamon Pumpkin Torte.
Nutrition Information
Nutrition information per serving:
Yield: 12 servings
Calories: 163; Sodium: 256mg; Cholesterol: 27mg; Fat: 3g; Carbohydrates: 31g
Exchanges: 1-1/2 Bread/Starch; 1 Vegetable
You may also like...
Thanksgiving Fact
In 1863 President Lincoln declared Thanksgiving a national holiday. Benjamin Franklin wanted the turkey to be the national bird of the United States.


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Jul 19, 2011 - 10:53 pm
Hi everyone! I know it's been a while but I've been recovering. I was released to leave Pittsburgh today. Figured we'd just wait and get an early start tomorrow so we're spending one last night here. They took my JP drain this afternoon. Said the drainage was good and clear. Since I will be having chemo when I get home, they left the j-tube in for feeding if I needed it. I still have a bit of pain but it is easily controlled with meds. I was moved off of full liquids today and onto soft food. Once we got back to Family House, we went to the little dinner out back and I had an egg and piece of toast. Arguably the best I have ever had. ;)
While I was at Presby, I stopped in and saw HAM6789. Randy was in good spirits and was doing great. He is expecting to be released to Family House tomorrow. We enjoyed getting to know Randy, his sister and his son. Super nice folks!
Score two more for the MIE at Pittsburgh. I interacted with Dr. Levy more than Dr. Luketich and I can tell you, no matter who you see up here, they treat you so good!
I'll return to being a little more active in a few days.
All my best!
Jul 20, 2011 - 10:28 am
Glad to hear that you are going home! Best of luck as you continue to recover. We liked Dr. Levy, also. He seems to be Dr. Luketich's right hand man. He is no longer a Fellow, but a full time surgeon at UPMC. He is a very caring doctor as are all the doctors that we had contact with there.
I hope you'll keep posting as you recover. I've been following your story. So glad that everything worked out for you in Pittsburgh.
Jul 20, 2011 - 10:30 am
Glad to hear! Wonderful news that everything worked out in Pittsburgh.
Jul 20, 2011 - 3:18 pm
Thanks for all of your posts. I have been following them. We arrived in Pittsburgh on Monday and MIE is planned for Friday with Dr. Luketich. They squeezed him in so that he could be operated on within that crucial 4-6 weeks after chemo/radiation. Thanks for all of your post op posts they were wonderful to read. Happy for your quick recovery. God Bless.
Jul 20, 2011 - 4:39 pm
So glad to hear that you are doing well. You sure came out like a champ! Way to show us how it's done.
Jul 20, 2011 - 6:26 pm
Great to hear that you are doing so well!!! It sounds like you got great treatment there but there is nothing like being home and sleeping in your own bed. I hope things continue to improve and you are back to eating regular food quickly.
Best Regards,
Paul Adams
DX 10/22/2009 T2N1M0 Stage IIB
Jul 20, 2011 - 7:03 pm
Dear Jimbo,
It is so good to hear that you are doing so well. I have been following your story from the beginning and pray daily for you and your family.
Jul 21, 2011 - 11:55 pm
Wishing you continued success on your recovery!
Jul 21, 2011 - 11:59 pm
Wishing you continued success on your recovery!
Jul 22, 2011 - 3:47 am
It is so good to hear a success story, I have been following you for a while my thoughts and prayers are with you.
Jul 23, 2011 - 3:04 am
I have only posted a couple of times but have been reading here since my husband Alan had the Ivor Lewis op and thankfully is doing very well. He has had his first post scan and we eagerly await the results. I have been following your story and prayed that you would make a good recovery. So very, very pleased you are. All the people on here doing battle with "this beast" are always in my prayers and thoughts.
Jul 25, 2011 - 9:11 am
I am glad the surgery worked out for you. You are one of the lucky ones.
Aug 09, 2011 - 8:03 pm
Hello Susie,
Jul 25, 2011 - 9:45 am
Hey Jimbo
Jul 28, 2011 - 2:45 pm
my surgery was 7/15. discharged to the family house on 7/23. my recovery is on schedule and I am doing great. not bad for a 68 year old soon to be 79. I can't, say anything but good about the great surgeons and nurses at Presbe. all eight of my incisions are healing well. I expect that I will be released to go home after my 8/04 doctors appointment. I am sure glad that I got the M.I.E. Procedure.
Jul 28, 2011 - 8:15 pm
This comment has been removed by the Moderator
Jul 28, 2011 - 8:06 pm
Great news Jimbo, wishing you continued success at home. Good to hear from Susie again, hope all is going well with her and her family. My 18 month scan in two weeks. Scanxiety is beginning to set in.


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