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Landscape Photography Primer
1 Landscape Photography Primer
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|A successful landscape photograph conveys an emotional sense of place to the viewer.
Landscape photography is among the more enticing genres among enthusiasts. Many draw inspiration from twentieth century giants like Ansel Adams and Edward Weston, American photogaphers who saw the continent's vast spaces as opportunities for artistic expression. Yet the roots of their work go back even further to those who took on the decidedly unglamorous and backbreaking survey work of the American West. This was performed by unsung heroes like William Henry Jackson and Timothy H. O'Sulllivan, who were skilled in wilderness survival and able to endure the hardship required to map and photograph the new frontier.
Being a landscape photographer today no longer means trekking through unmapped terrain with pack mules hauling 50 pounds of camera gear and darkroom equipment. Yet there remain both technical and logistical hurdles in photographing the great outdoors. In this article, we'll explore equipment options for the landscape specialist, discuss the logistics involved in planning a shooting trip and look at techniques that allow you to capture the essence of the scene unfolding in front of your camera.
Superb image quality and the ability to record as much detail as possible are hallmarks of landscape photography. For this reason the view camera has long been, and still is, the tool of choice for many serious landscape photographers.
Back in the days of film, resolution was mainly determined by film size. The bigger the film, the greater the resolution and hence the more detail could be recorded. The most common film sizes for view cameras are 4 x 5 inches and 8 x 10 inches (though much larger formats exist). These represent significantly more film area than the more common 24 x 36 mm full frame format. And they are not obsolete in the digital age, as digital backs can be adapted to fit on them in place of a film holder.
View cameras also allow for significant tilt, shift, rise and fall movements of the front standard (where the lens sits) that are independent of the rear standard (where the film or sensor sits). This allows for a control of perspective and depth of field that is simply not possible with standard lenses on 35mm systems.
Obvious downsides of view cameras are their hefty size and bulk. It also takes significantly longer to frame, focus and expose an image and you'll most certainly be setting up and using a tripod as well. Given all this, the likelihood of missing spur of the moment photo opportunities like a short-lived rainbow or the quickly fading evening light are quite high.
Digital camera systems
Film was still king when I started to take photography seriously, and the format choices were pretty straightforward: 35mm format for wildlife and other 'fast' photography, medium format (6 x 4.5 cm, 6 x 6 cm, 6 x 7 cm) for macro/close up photography, and large format view cameras for landscape and architectural work.
The rise of enthusiast and professional digital cameras, however, made these decisions much less straightforward. Today, full frame DSLRs can have equal or even better resolution than medium format film.
Even APS-C format DSLRs and mirrorless interchangeable lens cameras offer resolution sufficient to produce well-detailed landscape images. The medium format DSLR market is also seeing a bit of a renaissance, with bodies now available in the $10k price range and resolutions exceeding 40MP. And at the very high end there are digital single shot and scanning backs that are compatible with view cameras and offer resolution as high as 80MP.
Click here to continue reading our Landscape Photography primer...
Jul 14, 2014
Jan 17, 2015
Nov 15, 2014
Jul 27, 2014
Thanks Carsten. I would like to see a series of articles on landscapes...each one discussing on various aspects or challenges of landscape photography.
Awesome lenses
nice photo
While a good article, I am surprised that you say a 24 - 200 or 300mm set of lenses would be great for landscape.
In my experience it is not!
1. Back in the days of film - film is not dead. I shoot 4x5 95% of the time. I can get 4x5 film all over the place and developing B&W is cheap. Lenses are plentiful both new and used (ebay). Cameras are cheap to expensive. You can get a used 4x5 for $200 or spend thousands. You do NOT need to spend thousands on a 4x5 camera. Or on a medium format camera. You can get a fantastic 645 medium format camera with a few lenses that shoots 120 film for less than $1000 total. Films and ISO's are plentifull, just check Adorama or B&H or Freestyle.
2. Todays dslr's at the same resolution as medium format - in what world is resolution everything?
3. You bring a dslr, SD cards, 3/4 lenses(primes and teles), tripod, extra batteries into the field and you're probably very close to the weight of my 4x5 kit.
4. With large format film photography, you do everything. There is no autofocus. There is no in-camera metering. You carry a hand held spot meter and do it all yourself. You learn photography.
Nice and all sage advice but what about the Fuji S5 Pro?
One important thing you seem to have overlooked is that a successful landscape photograph should have a straight horizon. ;)
Has a film-based 35mm camera ever had a digital back? Is there one in the making?
Carsten, I really enjoyed your article, especially preparing for a location shot. The only thing I wish you would have touched on was focus points. Trying to keep things in focus, front and back, can, sometimes, be a challenge. Thanks again for your article.
Hummm, Dvlee. Astute observation, indeed. Personally, I see something else with that same set of 'eyes/nose' ;-))
While quickly scrolling through the DP main page, as I scrolled past the entry for this article I noticed how in the image of the rocks in the water, the rocks look like a pair of eyes peering out of the water and a big bulbous nose. Now I cannot look at the photo without seeing that. LOL
Many thanks for this great primer! I'm more into wildlife tele and macro shooting (+ portrait) but more and more interested in landscape. So this is a great help for me, your pictures are so inspiring! Can't wait for a planned trip to Norway this summer and think already about getting me a set of Cokin filters - so your primer came just in time.
I love the work you produce. The article is great and very useful for my level of experience, I admire professionals who are prepared to share their knowledge.
Thank You
Hi Carsten,
Thanks for the primer; hopefully there will be a followup article to build on this. I was wondering are there any books in particular you would recommend to a novice?
I was never big into technical books, the only book of that kind I ever owned (some 25 years ago...) was by the late German nature photographer Fritz Poelking.
What helped me a lot however was looking at the work of other photographers, especially Jim Brandenburg and Joe Cornish have been very influential to me.
Joe Cornish's "First Light" is a collection of images with the story behind each image, not very technical though it focuses more on the creative thought process. David Ward has also published two books ("Landscape Within" and "Landscape Beyond") that explore the philosophical side of landscape photography. A very interesting read.
Another favorite of mine is Daryl Benson's book "Canada".
While a good article, I am surprised that you say a 24 - 200 or 300mm set of lenses would be great for landscape.
In my experience it is not!
Landscape has often to do with wide angles. I much more use a 16 mm (full frame equ.) than any kind of tele....
You can make striking landscape images with any kind of lens from a fisheye up to a tele. It's up to you if you prefer one or the other.
However what I often encounter during workshops is that the use of wide angle lenses is tempting the photographer to let the impact of the wide view dominate the image instead on focusing on a proper composition.
I like the way a long lens compresses the elements of the scene making them look like they are much closer...orif one backs up and uses a long lens the more disatant objects are larger in proportion to objects in between. This is a good way to make a far away object more proanant in the image.
A panoramic shoot comprised of a series on vertical images shot with a long lens will make the stant object fill more verticle space instead of a pencil thin line with too much foreground or sky as one would get from a full frame wide angle shot.
There are many ways to use long lenses for landscape shots!
Carsten mentioned the importance of UV filter. I thought modern digital sensor is less susceptible to UV light and does not benefit much from UV filter. Any comment on this?
1. To decrease the extra blue cast: while being invisible, UV contributes to the blue channel.
2. Protect your lens.
1.1. If modern digital sensors are less susceptible to UV light, are they not less sensitive to contribution to the blue channel?
2.1. That's the photographer's job.
1.2 True, but the important word here is "less". So especially at high altitudes and by the sea an UV filter is helpful. On the other hand if you are shooting RAW it is relatively easy to remove any colour cast.
2.2. It is - that's why I leave a filter (UV or clear) in front of the lens. It's much cheaper to replace a broken filter than the front element of a lens.
Regarding the ongoing debate about using a UV filter to protect the lens, no one ever seems to mention that you can have it both ways:
* Use it as a see-through lens cap: keep it on if the camera is out of its bag, to keep dust, grit, and moisture off the lens when tramping the outdoors. Easier to give a quick swipe to a cheap filter than careful cleanings, more often, to a delicate lens. (And you're not fumbling with a lens cap, should Bigfoot or a Leprechaun suddenly pop into view.)
* Take it off when you get serious about shooting a frame: removing any chance that an extra piece of glass is going to degrade your image through quality, reflection, or that aforementioned dust and poor cleaning.
If you are expecting to drop your camera and have a UV lens protect it, good luck. A rock can go through more than a single filter.
Thanks for the article, Carsten. I hope the edited content will show up in further installments.
I suppose I assume that anyone shooting landscapes at a level (double entendre intended) where the UV that is not already filtered has an impact is also shooting raw (why to people treat this as an acroynm?). Am I giving too much credit?
... That is why the view cameras and panoramic stitching are and will long be available...
Very nice article and nice, well composed photos with interesting lighting! For those who are concerned if MP count matters: sure you can do good photos with low MP count... but please go to a library (or a bookstore), pick a few landscape photography books and try to notice how much the high level of detail matters along with other picture parameters!
Interesting use of tilt-shift lenses.
Thanks, Carsten, for your excellent primer; hope you will keep going.
I'm curious if you actually pack all your listed cameras, lenses and tripod when you hike? I've been using a Nikon D700 with 24-70mm lens--that plus a carbon fiber tripod is as much weight as I want to carry.
Very much depends where I am going and what I have planned to shoot. My "problem" is that I also shoot wildlife and macro.
I always bring a tripod and the 24mm/45mm/90mm are my standard lenses for landscapes (but I just got 2 Voigtlander pancake lenses, a 20mm and a 40mm, very small and very light, if they live up to their reputation they might replace the TSE lenses on long hikes). I rarely bring the 2.8/70-200 on longer hikes because it's awfully heavy. If there is a chance for wildlife I also bring a 4/300mm and 1.4x converter (if I only shoot wildlife the tripod stays at home).
When I know I will be shooting close to the car (less than 1 hour hike) I usually bring the lot. It's good exercise :-)
Thanks for this article, these articles are a great addition to the site.
While I am likely to get shot down for this, I would like to mention the enjoyment one can get from using good compact cameras for landscapes. While I would dearly love to buy better gear, the realities of having a large family on a modest income means I simply can't justify the expense.
I live in NZ on the West Coast of the South Island, (a landscape photographers paradise) and as a keen amateur 'landscaper' I make do with a Panasonic LX5 (multi aspect sensor, 24mm wide equivalent) and a Fuji superzoom (22.5-660mm equivalent). I know these small sensor cams can't deliver the results of larger sensor cameras, but if you don't pixel peep or print huge they can still deliver surprisingly good results. I find landscape photography a very therapeutic and enriching experience, thanks for writing this article.
I am an amateur and I like scouting locations around my hometown, snapping planning photos in less than ideal conditions. Sometimes I happen on a great scene at a great time, but need a "re-do" due to lack of tripod.
One piece of kit that I find handy, surprisingly not mentioned in the article, is the lowly L - bracket.
Thanks for this very interesting article. However, I can't agree with your assertion that a FF DSLR produces better resolution photos than a MF film camera. Do you have any data or references to back this up? High resolution scans made from film are arguably superior to images from DSLRs, especially when the scan is made from a larger negative than the DSLR sensor. DSLRs are great, but film still rules for the ultimate landscape photos.
Thank's Mike. Film vs digital is an ongoing discussion among landscape photographers. I have been working with medium format (4.5x6) and large format (4x5) before I switched over to digital and in my experience a high end digital SLR produces "better" (in absence of a more suitable adjective) images than medium format slide film, even when this film is scanned properly at the highest possible resolution. I won't go into pixel peeping here (I leave this to others) but prints from DSLR files look crisper and cleaner and show a greater amount of detail than the same done from medium format slide scans .
Large format film however is a totally different story and here film indeed still rules over DSLR. But then you can bring in digital backs with a resolution of 60 or so megapixels and you can start the argument all over again.
In the end a good image is a good image, no matter if it is shot on film or sensor.
Thanks - good reply. I like 'em both myself. It may just be my nostalgia for film, but I find that Fuji Velvia 50 slide film is pretty hard to beat for outstanding landscape scenes. Once again, thanks for a great article.
6x7, 6x9 and 6x6 also falls in the medium format category but as I have never used them I can't really comment. However the sizes are so similar the resolution of these films should be almost identical.
For your pixel-peeping satisfaction:
It clearly shows that the resolution of film is extremely high, and that medium format film _can_ beat a full frame DSLR. It just depends on many factors like the film, the scanner etc.
Nevertheless, digital sensors have come a long way.
Digital projectors haven't though--"HD" means 2 megapixels. For me landscape photography is just a hobby, I don't sell prints or even print much for myself. I prefer watching slides on a 8x8 foot screen... without the 2 megapixel limit...
That was really good - especially the emphasis on scouting out the area beforehand. I used to think that it was silly going back to a location, because I'd "done that", but light and climate have infinite variations, and no location remains the same.
Also, a helicopter is very useful.
Great article. I hope to see more like this from dpreview. I have to agree with the authors emphasis on patience. I live in the Andes mountains of Ecuador, and some of my shots were literally years in the making waiting for that perfect combination of weather and lighting. My best advice is to always be alert of the weather if you are taking landscapes near your home. Sometimes you can get a sense that it's going to be a great sunset by the look of the clouds in the afternoon. That's the time to start getting your gear ready to head out. Same thing goes for watching the cycles of the moon for night shots.
One last comment. Before your history there were some painters that did an excellent job of capturing the landscape. In particular, Albert Bierstadt documented the American west. His goal was to accurately produce images of the landscape. In other words, photography before the camera. His paining of the Mount of the Holy Cross in Colorado, showing the snow cross in the mountain crevasses, created such a stir in the east that many people came out west to see the "miracle" in the mountains.
Again, great article. Thanks.
Nice article Carsten, not overly complicated as a lot of people do, simple and elegant. I really like that first image (page 3),long exposure tele, would like more details on it if you could.
Keep up the nice work.
Made with a 70-200mm @ 85mm, f22, 10sec.
Exposure time was the tricky part here. I wanted to slightly blur the fog flowing over the cliffs so I experimented with solid ND filters and different ISO settings to get various exposure times. 10 seconds (ISO100, 1stop ND) produced the best result in the end. A 2/3 stop ND grad was also used to balance sky and foreground.
The other technique I use is HDR. The range of light, from brightest to darkest, that a camera sensor can capture is far more limited than the human eye. HDR, or high dynamic range, overcomes this limitation. Multiple shots are taken of the same frame, some over exposed and some underexposed. the shots are then combined in the computer later into an image that can more accurately reflect the scene observed by the photographer. I say "can" in the previous sentence because HDR can easily be over done, resulting in artificial looking images. For this reason, many photographers shy away from HDR calling it "artificial". Yet these same photographers are often willing to make black and white photos. Because history favors B&W, thanks to Ansel Adams and Edward Weston, etc., that technique is more acceptable to many.
Today is not the mid-1900s and the tools at our disposal are not the same. Panorama stitching and HDR are modern techniques that greatly expand what we can do with a camera.
I do both panoramic stitching and HDR but to include these techniques would have been way beyond a primer.
The limitations of both techniques unfortunately are when you are working with long exposure times or when there are moving subjects in the frame. Producing a convincing final image then is very difficult.
I am still hoping for a digital XPAN sometime... :-)
Great overview. You hit many of the suggestions that I give on my site:
I just say things a little differently.
Two areas I would add are the use of panorama and HDR techniques. I have a 12mg pixel camera which offers a lot less large printing ability than I am used to from my 4x5 days. To make up for this limitation I use multi-frame panoramas. The idea is to take multiple shots in multiple rows and then stitch them together into a much larger image.
> recreate a three-dimensional world without borders inside a one-dimensional rectangular frame
That's poetic but inaccurate. A rectangle is two-dimensional, not one-dimensional.
Great article, though.
Ups, you're right of course. Bad mistake.
Fixed. Thanks.
I must agree with other contributors that the article covers a number of pertinent topics for a reader that may be new to this area of photography.
However, all but one of the sample landscape photos completely failed to "convey an emotional sense of place" to this viewer. In particular the first photo which was underscored by the statement "A successful landscape photograph conveys an emotional sense of place to the viewer." Surely a professional landscape photographer based on one of the most photogenic islands in north western Europe would be capable of producing a selection of breathtaking shots to illustrate this statement in action.
A number of strong photos would also have added a degree of authority to this article.
Far too subjective there Bossons - much is right in the photographs used to illustrate the article - light, compostion, technical approach are all strong. The salient qualities of British Isle landscapes are subtle, and this is conveyed well (the first one is less compelling, I agree).
I'd be interested to know what one you did 'like' though.
thanks for a very interesting article is the lighthouse in the picture hook head in wexford ireland
Great article, Carsten! I did not find DoF technique discussion (hyper focal distance and etc), in my mind it is also essential in landscape photography.
Again the whole topic of focusing, which would have involved hyper focal distance, lens tilt, MF vs AF, etc.) became a victim of the limited space for the article.
However I have to admit I rarely bother too much when it comes to focusing: f22 as standard and focus point about 1/3 into the frame or work with lens tilt and check DOF on the live view - that's how I work.
What is an L-plate?
Thank's for all your comments.
@ oldfox1: yes it is :-) Headlands protruding from the edges of the frame however can lead to the illusion that the horizon isn't level.
@ GregVdB: I basically agree with you, the kind of equipment you use is secondary to the skill and imagination of the photographer. But you have to start somewhere and it seems common practice to start with the gear...
@ luben solev: there is always a space limit to articles like this (the original version was almost three times as long as the one published) so some things have to give. On the heads, yes geared heads are more accurate but with enough practice you can get equally good results with ball heads. And a big 'yes' to L-plates, they should be part of every landscape photographer's outfit.
Yes it is level :-) Headlands protruding from the edges of the frame however can lead to the illusion that the horizon isn't level. And if it wouldn't be level it would be a 0.3 degree Canon slope...
Personally, I find the sentence "Light plays an essential role in conveying emotion in a landscape picture" the most important one in this article, and would have put it right at the beginning.
In fact, I would have put the entire last page of the article before the equipment part. Established landscape photographers can take stunning pictures with P&S cameras, whereas having all the most expensive gear does not make one a great landscape photographer. But this is DPR of course, so I can understand that most of the attention in this article went to the gear used...
Now don't get me wrong, I think this is an interesting article, I just don't like how it could lead beginners to think that the gear is the most important prerequisit to landscape (or any type of) photography. For them it is much more important to go out shooting with whatever gear they have than to sit at home counting coins until they can afford all the equipment listed in this article!
I definitely agree. You can have a medium format SLR and shoot crap. And another thing is the intro emphasizing expensive equipment may be discouraging to some amateur photographers, making them think they can never shoot a nice landscape with their amateur APCS camera.
I agree SORT OF. You don't want to give the impression that you have to use a 24mp Nikon D3x or 40mp medium-format digital camera backs to do landscapes. Once we started hitting 10-12mp in d-SLRs (some might even argue 6mp) and the dynamic range became good, then even cameras like the Nikon D3000 or D5000 that I own (to say nothing of a D7000) can definitely make great landscapes even at the 20x30 size.
That said, there is something to be said for having at least something like that as equipment, as opposed to a smartphone or a Coolplix. By all means, use what you have, even if just for PRACTICE, but if you want good landscapes "on the regular" you at least need to get in APS-C d-SLR or mirrorless territory.
I would have thought that any serious article about landscape photography that mentions tripods would mention geared heads, as they are the only way to accurately frame a photo and get a level horizon. The ball head (although the most popular due to its size and weight) is actually the least accurate for both framing and horizon leveling.
Also there is no mention of LPlates from the likes if RRS, which help keep the centre of gravity in the middle of a tripod. Yes, they are more specialised, but then I bet that many more landscape photographers employ LPlates than use LF cameras, which this article spends a lot of time on.
Ball heads are favored in nature photography (all kinds, not just landscapes) for being fast and brain-dead simple to use.
I find that accurately level horizons, even with ultrawide lenses, may be achieved easily with a hot shoe spirit level that can be purchased for $1.50 from eBay. Assuming your hotshoe is level relative to the sensor and the bubble level is also level with respect to the hotshoe, of course.
Alternatively you can eyeball the level by using live view and a grid on the screen, or a gridded focusing screen if available for your camera.
Now THIS is an article I can relate to. It is amazing the leg-work and "grunt work" one has to do (researching & scouting the area) in order to be consistently excellent in this field. I can't help but laugh when I see people show up using snapshot cameras with the BUILT-IN FLASH TURNED ON for huge landscapes. Yet, at the same time, I'm nowhere near as serious or accomplished as some of the people described in this article sound.
What I like about landscape shots--you aren't dealing with fickle people. I get impatient photographing kids when they won't smile or look at the camera, or their faces are dirty YET AGAIN. It's all I can do to not yell "would you stay the [blank] still & stop squirming?!" Landscapes don't move, they're MUCH more cooperative subjects in my view.
That's pretty funny. LOL
Yes (photo nuts), that's me. As I said in another reply, the non-photography aspects of photography don't interest me. To me, where it regards photographing children, if it comes a point that they have to be persuaded to cooperate, my motto: "that's not my job." My "job" is to know f-stops, ISO, that a 50mm 1.8 lens makes a great lens, composition, lighting, etc. Having to be a child psychologist, a salesperson, client brown-noser, hours in meetings--no thank you. I'm interested in taking & showing off the photos I've taken. That is IT. I've been known to get good photos of kids, in fact, but they are kids I KNOW & they LOVE to have their photo taken. Show me some uncooperative bratty kids, and I'm gone. That's why I've never seriously tried to earn money from this, even though people say I could. I have to ENJOY it or I want no part of it.
|Waffles with fruits by Coolinarka
from Food photography (desserts)
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The 6m beacon GB3LER (Lerwick / SHETLAND ISLANDS)
is back on-air as of 11.30UTC, 26. April 2009
QRG 50.064 MHz .... Locator IP90jd
Photo shows building activities at the beacon QTH
in July 2008
The meal after hard work ...
Lerwick (Shetland) Radio Club in the Westings Hotel
At the QTH of GB3LER
GB3LER Has been off air since February 2014 due to an antenna fault and also the unit itself has had major problems internally.
It will remain off air for the immediate future while a decision is made with regard to replacing the Transmitter and Antenna; since they are both in need of extensive work and we are short of funding at the moment.
Due to the future realignment of the 6M beacon network: we feel that any work undertaken should be in accord with the new beacon plan; and the existing unit is not easily convertable due to its construction.
GB3LER will eventually be returned to service once these issues have been addressed.
GM0CXQ on behalf of Lerwick Radio Club GM3ZET
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The Maitland International Salon of Photography has been in existence for 80 years and has operated as an international salon for 58 years.It has built up a strong reputation and now attracts around 4500 entries from 55 countries. Typically around 5000 visitors will view the salon at its two exhibition locations.
The 2017 salon has now been judged and the acceptances and award winners are on display at Maitland Showground (13 to 19 February) and then the award Winners at Maitland Regional Art Gallery (24 February to 2 April 2017).
The 2017 Maitland International Salon has patronage from the Fédération Internationale de l'Art Photographique (FIAP), recognition from the Photographic Society of America (PSA), patronage from the Royal Photographic Society (RPS) and approval from the Australian Photographic Society (APS).


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The Augsburg Jazz program, directed by Dave Mantini, offers a complete curriculum that includes a big band, combos, and a vocal jazz group, each of which is directed by a faculty member. These ensembles are open to all Augsburg students through auditions each fall. Augsburg Jazz also features many guest artists and composers. Music students rehearse and perform side-by-side with some of the best jazz and gospel musicians in the Midwest, many of whom are Augsburg alumni. In recent years, the Augsburg Jazz Ensemble has performed with Bria Skonberg, trumpet; Delfeayo Marsalis, trombone; Swedish jazz artist Nils Lindberg, trombone & piano; and performed works by Dr. William C. Banfield, artist in residence.
The Augsburg Jazz ensemble also provides an opportunity to create a unique union of big band and vocal jazz that performs for conventions, churches and schools (formerly known as Gospel Praise). They have appeared at three ELCA National Youth Conventions in Atlanta, New Orleans and St. Louis as well as The Dakota Jazz Club in Minneapolis, Famous Dave's Blues Club in Uptown, and the Nobel Peace Prize Forum. In 1995, they presented a command performance for the King of Norway, and in recent years have performed for nearly 20,000 including Sheila Raye Charles, Jane Fonda, and Hillary Clinton.
2016-2017 Performance & Events:
Homecoming Awards Convocation
Hoversten Chapel, Augsburg College
October 15-17, 2016 – Augsburg Jazz Tour
Saturday, October 15 – 6 p.m. Worship
Bethel Lutheran Church
810 3rd Avenue SE, Rochester, Minnesota
Church Phone: 507-288-6430
Sunday, October 16 – 9 & 10:30 a.m. Worship
Bethel Lutheran Church
810 3rd Avenue SE, Rochester, Minnesota
Church Phone: 507-288-6430
Sunday, October 16 – 4 p.m.
Sateren Auditorium
Music Hall, Augsburg College
(Campus Parking Permit)
Monday, October 17 – 7:30 a.m.
Minnehaha Academy, Minneapolis
Monday, October 17 – 1:30 p.m
South St. Paul High School, St. Paul
Friday, November 4, 2016
Swing Dance, 7 p.m. – Midnight
Joint event with St. Thomas, $5 tickets (includes shuttle to St. Thomas)
Tuesday, December 8, 2016
11:30 a.m., Morning Chapel Service
Hoversten Chapel, Augsburg College
December 8, 2016 – 7:30 p.m.
Fall Jazz Concert
Hoversten Chapel, Augsburg College
(Campus Parking Permit)
Friday, January 2013, 2017
Maple Grove Senior High Swing Dance
9800 Fernbrook Lane N, Maple Grove MN 55369
Cost: $5, Enter front doors on Upper Level
>> Band Line up: 7 p.m. (Elk River HS), 7:30 (Blaine HS), 8 p.m. (West Metro Big Band), 8:45 (Augsburg Jazz), 9:30 (Maple Grove HS)
Friday, February 24, 2017
10:40 a.m. – Augsburg Jazz in Chapel
Hoversten Chapel, Augsburg College
11:30 a.m. – 4 p.m., Augsburg JazzFest
For information, contact Dave Mantini, email@example.com
7:30 p.m. – Augsburg Jazz in Concert with Steve Wiest, trombone
Hoversten Chapel, Augsburg College
Tickets: Available Now!
Spring Break Tour
March 10-14, 2017
Sunday, March 26, 2017 – 3:30 p.m.
Crooner's Lounge and Supper club
6161 Highway 65 North, Fridley, MN 55432
Doors open at 3 p.m. – Seating is first-come, first-served
Augsburg Jazz will also be performing at this year's Commencement Ceremonies!


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- Alamat Kantor
- #85 Timog Avenue, South Triangle
- Industri
- Civil Engineering
Phone: (632) 920-1045/920-1203 Fax: (632) 413-9898
E-mail: email@example.com
Stonerich is an ISO 9001:2008 certified, service company specializing in engineering, construction and project
Website: www.metrostonerich.com
The Company is committed to the total satisfaction of its customers through premium quality, on-time delivery and cost-efficient services. Behind this commitment is a solid and exacting professional experience and expertise with a tradition of integrity and excellence. It is a commitment founded on trust.
Stonerich was incorporated in November 1999 by a team of seasoned professionals with over 30 years of career work and involvement in construction and project development. Since its inception, the Company has completed over 100 general construction, interior fit-out, renovation and civil works projects nationwide ranging from super malls, office buildings and store outlets to residential units. It has on-going projects requiring civil, structural and architectural works. Among its significant projects are Texas Instruments Sub-Structure and Super Structure (Test and Assembly Building) in Clark Pampanga; Lyceum of the Philippines University in Gen. Trias Cavite; Grand Quartier 1 and One Tagaytay Place in Tagaytay City; Frontera Verde – SM Hypermart; DLSU-CSB School for the Design and the Arts; KCC mall in General
Santos; South Seas Shopping Complex in Cotabato City; Galleria de Zamboanga Shopping Mall; Mindanao International Container Port in Misamis Oriental; SM Megamall Renovation; Robinsons Galleria Renovation;
Digitel's Sun Cellular Shops and office buildings; Robinsons Land residential condominium units; Citibank building in Greenhills and Emmanuel Church in Makati. These projects showcase the Company's standard of quality, excellence and professionalism. The Company is
among the Top 5,000 Corporations of the Philippines.
Stonerich carries a Category "AAA" license from the Philippine Contractors Accreditation Board (PCAB). It is a regular member of the Philippine Contractors Association and the Construction Safety Foundation, Inc. Stonerich is a member of the Philippine Business for Social Progress, reflective of its social commitment to help in the betterment of the economically-challenged sectors of society.


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The Laughing Loon's Lode
I thought I was being noble, but alas, I was merely being brash.
In the distance, a loon laughed. And then came the chattersome bark of a merfox in reply.
A young man walked alone beneath the tarps of the Slough Inlet. However, he was alone in an emotional and spiritual sense. For he wove his way between the people that busied about, below the broadly bright summer sky that peeked between the emptied clouds.
She was the most beautiful creature I've ever seen.
He passed a shabby old house near the edge of town. There was an old man in a broken rocking chair upon the porch. And from the upper floor, he heard the singing of a eunuch. Rage welled up in him, and he clenched his folded, hairy arms together tighter.
The loon began to shriek, and splash.
Looking out across the wide river, he saw the creature. Beyond the edge of a shabby old pier, the white-speckled black bird was flapping its wings in the water, trying to intimidate a brightly-blubbered merfox that had swam too close. And beyond, the young man noticed a gray loon chick.
A fish jumped, in the water.
Footsteps treaded through the sand, behind him.
She got in the way, he realized, of a family. Just like that merfox. I must get her away from that man, lest she break apart some poor woman's betrothal.
"Are you Rossel, of Gabe Enterprises?" a woman's voice, calm and inquiring.
He turned to see them, and wiped an unfrequent tear from his eye.
A tanned, tall boy, with a childlike face, stood behind her in an elaborate robe. The boy spoke, with budding charisma, "He fits the bill, Naieyle. The alemaster said he'd have hairy arms, a decent build, average height... and a scar notching across the bridge of his nose."
Silently, he eyed the woman. She had light armour and a lithe build. And there was a slim blade sheathed upon her belt of many pockets. A short cape trailed behind her. Its edges were frilled with purple thread, like a doily.
"Well, are you tradesman Rossel?"
"I am," the young man answered. "As is my father before me. I am Rossel Windsmire the Third. And who might you be? Did you come about the job I posted at the tavern?"
"Aye, though we'd like more information." She paused, "I am Naieyle von Haeville, daughter of Haeville's blacksmith and niece of Baron Armâtre." Once more, she paused, "And this is my traveling companion, Allerk ibn Gerauhd of... Kaldeiyeep, was it?"
"Pwonteiyeep," the boy corrected, "Not quite that far south." He spoke in a surprisingly mild accent. It reminded Rossel of a great mercenary who'd once served his father.
"Great," Rossel pronounced, drawing a grin that almost met his wide cheekbones. Two silver earrings dangled from his ears, with tiny black gemstones, and they were the only hint at his wealth. His tunic remained nondescript. And nobody would know that it was dragon-tendon that bound his sandals. "Have you eaten?"
"No," she told him.
And as if on cue, the boy's stomach rumbled. He grinned awkwardly.
"Then we shall eat at the The Laughing Loon's Lode, beside the inn, and we shall discuss our business there." Rossel proposed, as he nervously tugged upon one of his earrings.
"You said you are a Windsmire. Do you know one Sir Brutan Windsmire?"
Rossel frowned, as he followed them towards the tavern, "I can't say that I do. But the reaches of House Windsmire extend far. Some to business I dare not think of. Where does he hail from?"
"Crownlake Castle," she told him, "our destination."
"Well, then I might meet him there," Rossel mused, "once we've shipped the egg."
Allerk laughed nervously, "Oh, I think we'll be seeing him before we get that egg over to Crownlake."
"Oh?" Rossel asked, as he watched Naieyle playfully hit the boy, as if what he'd said had damaged her pride.
The tavern loomed before them, next to the harbour's boathouses. A sign loomed overhead, brightly painted. It swung in the wind, and dripped overhead. Below the letters was the painted and carved form of a loon splashing its wings just as Rossel had seen earlier. And below that, was a lodestone tied to the sign. It seemed to be pointing them inside.
"If your paddling's as pride worthy as your cynicism is, then we won't be seeing him until we get there," she said, as she pushed open the door of the tavern.
Rossel followed them in with a quizzical look on his face, and realized that he had completely forgotten about getting Marlew away from the bards. Even if I cannot court her, I will be content to save a stranger's marriage.


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The Homero Center is located right in the central area of Mexico City, in an individually designed, dark gray building with bold rectangular detailing on its external faces, and with columns adding interest both at ground floor and at higher levels. The center is on the ninth and 10th floors, high above the surrounding landscaped area. This is a prominent financial and commercial district, with many huge high-rise office buildings housing banks, financial institutions, and global consulting businesses. There are also several large electronics companies, and large concerns involved in the import and export of consumer goods. With its high-end shops and cutting-edge architecture the district is also a magnet for tourists, and there is a good selection of luxury hotels and restaurants.
Flexible workspace for an hour, day, week, month, or years.
Prices are per person per day on a 24-month agreement, subject to availability.
To arrange a visit, speak to our team on 1-855-400-3575
Whatever your business, whatever your budget we'll help find the right workspace.
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Most persons will make their password as easy as "1,2,3" or "A,B,C" and therefore, make it easy for almost anyone to guess it. Most hackers gain access to password protected accounts simply by guessing the password or use a technique called "Brute-force Attack". This is why it is important not to use weak passwords.
Please continue reading below.
The "Brute-force Attack" technique is the most-used method of cracking passwords. This technique uses all the possible permutations of letters and numbers until the correct password is found.
Looking at the statistics above, you will realize that if you use a combination of lowercase, uppercase letters and numbers, it makes your password harder to crack or guess.
The longer your password is, the harder it is for a "Brute-force Attack" to successfully guess your password.
To make your password even harder to crack or guess, you can add special characters (none numeric and alphabetic characters) like *, @, #, $, %, +, !, ? and others.
Although the amount of attempts above seems very large, it will actually take between a few seconds to a day for a typical home computer to perform these operations.
If you want to know how many attempts it will take to crack or guess your password, use the formula below (^ = Exponent):
Please avoid using these passwords because these are the first passwords a hacker will try to use to gain access to your account.
Please remember to change your password every three months or less and do not share it with anyone, even if a technical or customer service representative asks you for it.
In today's world, there are millions of persons online who use the internet daily to do business, and this number continues to grow daily. Hackers and scammers have a new territory where they can carry out their illegal activities and the only thing that stands between these internet users and cybercriminals, is a password.
Please share with us what you know or ask a question about this article by leaving a comment below. Also, check the comment section below for additional information, if there is any. And, forward malicious email messages to us using the following email address: firstname.lastname@example.com .
Tell us if you LIKE this article by clicking the following thumbs-up, or click the thumbs-down if you dislike it:
Submit your comment or question in the box below to share what you know or to get answers about this article.
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Download our Information Standard accredited publications and information, offering expert advice, practical information and emotional support. You can order copies to be sent to you via our online form or by calling us on 020 7923 5475
Our guide for women with a recent diagnosis of ovarian cancer
Our guide for women if their ovarian cancer has returned
Our guide is for women if they have been told that their ovarian cancer is terminal
Our guide for women with ovarian cancer and their families.
Our joint guide for younger women with ovarian cancer
Our guide to ovarian cancer symptoms


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Reviewed By Stephen C (Ridgefield, CT) Reviewed for a 2011 Buick Enclave —12/9/2010 6:02 AM
The rack is built like a tank and nicely finished. Time will tell how well it lasts. Installation was a breeze and they include a hitch lock which is a nice touch. Autoanything even had a special for a free ski rack when I purchased it - can't beat that. Switching between the ski and bike racks takes only a minute.


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How To Use A Continuity Tester
Before removing any device from a circuit and before accessing the internal workings of any device you MUST make certain that you have removed ALL electrical power from the unit you intend to repair.
Continuity testers are simple devices designed to verify a complete electrical path through an object or circuit. They are especially useful for checking fuses of all types, light-bulbs, and wire paths.
While there are a variety of devices that include the ability to test for continuity, a home owner can easily get by with the simple single purpose continuity tester.
This tester is usually comprised of:
- Two leads
- A small body where the leads meet and contains...
- Some form of indicator
To test a fuse of any type, remove the fuse from the de-energized circuit either by pulling it completely out or, if this is not possible, removing the lead from one side or the other of the fuse. NEVER ATTEMPT TO TEST A FUSE WHILE IT IS STILL FULLY IN THE CIRCUIT. Sometimes, the signal will backtrack through another path and give you a false reading if you leave the fuse within the circuit.
With the fuse separated from it's circuit, simply touch the two leads of the tester, one to each side, to the two contacts/metal caps/sides of the fuse. If the fuse is good, the indicator on the tester will indicate this fact. If the fuse is not good, the tester's indicator will remain stagnant.
For a standard incandescent light-bulb, simply touch the two leads, one to the tip of the base of the screw portion, and one to the side of the screw portion of the removed light bulb. If you are dealing with a cylindrical bulb (such as an overhead lamp in a car) then test it as you would a fuse. THIS TYPE OF TESTER WILL NOT WORK WITH FLOURESCENT BULBS.
You may also use this tester to verify that there is no break in a wire run. This ability is limited, of course, by the reach of the tester's leads but can be useful before making the final trims on audio wiring. Touch one of the leads to the starting point of the unenergized wire and touch the other lead to the ending point of the unenergized wire. If there are no breaks in the wiring, the tester will indicate continuity.
LED's require a certain level of voltage, usually just over 1 volt, to force their internal circuit into continuity. Make sure your continuity tester is designed to test LED's if this is your need.
When testing a wire run, it is allowable to temporarily tie in a jumper wire to one end in order to get your wiring to reach the leads of the continuity tester.
Be aware that longer wire runs may fail a continuity test with your small tester simply due to the length of the run and not because of any break in the line. For longer runs it is recommended you use a more expensive, better designed tester to over come this limitation.
Hope to see more of these type articles!
i have an amana dryer only 4 years old its heats at the beginning then cools down i see the flame light up but after 2 minutes it goes out...i replaced and cleaned my vents. pleas help
ok ok I wanted a quik answer so I called home depot and they told me the breaker in the "house" cause dryers don't have breakers that out of the way can you tell me what to do cause the the br3eaker box has only those off and on clikky thingies up and down so I don't know what to do about that please im lost
That is not a continuity tester!!


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Kyle: Beyond ExhaustedMature
We stayed there for long enough that Damien curled up beside me and fell asleep. I couldn't fall asleep, no matter how much I tried. I was beyond exhausted but some part of my brain was refusing to let me get the sleep I desperately needed. So I scratched at my arm instead. I scratched more as Damien started mumbling in his sleep about how much he loved me. I couldn't take it. Each time he said it, it hurt more. Why did he have to keep leading me on like that? Couldn't he tell it was tearing me apart? I silently begged for him to shut up but it didn't work. I felt like crying when he tried to cuddle up to me. I shuffled a little further back but he just shuffled after me. Please, Damien, stop fucking with me like this. Just go. You'd be better off with someone else. Go find Phil and be happy with him.
I was staring at nothing particular when Damien half woke up. He cuddled up to me but I didn't cuddle back. I couldn't shuffle away from him, either, since I'd cornered myself against the wall. His face when he woke up fully was a picture. It said exactly what he was thinking; oh fuck, I fell asleep. I just kept staring at nothing. I didn't feel like talking anymore. Who cared what I had to say, anyway? I was just another useless waste of space.
"Kyle?" Damien asked.
I kept staring.
He bit his lip. "Sorry. I didn't mean to fall asleep on you"
Why should he feel sorry about that?
Stop saying sorry. It's me that should be saying that but I guess I can't make up for being disgusting.
"Can I get you anything?"
I shook my head slightly, not taking my eyes off the blank space I was staring at. Damien lay there, a guilty look on his face. What did he have to be guilty about? He was fucking perfect. No matter how convinced he was that he was a fuck up, he was the perfect one. He looked at the floor and I kept staring.
"Y'know I forgive you, right?" he asked, glancing at me.
I didn't do anything. I didn't nod or shake my head. I didn't even show any emotion. How could he forgive me? I'd always be disgusting. Always be worthless. And as long as he was with me, I'd drag him down. People would laugh at him for being with someone like me.
"Why?" I whispered quietly, breaking my silence momentarily.
"I love you. I hate seeing you like this"
I went back to my silence, a lump forming in my throat. Why did he keep saying that? Why did he want to hurt me so much? He pulled a kind of sad face and I felt my hand snake up to my arm, scratching slightly at the torn skin. He looked vaguely horrified but I kept doing it. Tears welled up in his eyes and I glanced at him, scratching slightly more. Please, Damien, don't waste your tears. More tears and more scratching. Please, gorgeous, just go. He stopped me.
"Get off me" I said, my voice devoid of emotion.
"Sorry" he mumbled, letting go of me. "I'll just go"
I sniffled a little. I wanted him to go. But why did the thought of him leaving hurt so much more than him being there? He glanced at me and carried me to bed.
"Get some sleep, gorgeous"
"I can't" I whispered.
"Why not?"
I stared at the wall.
"Please, just try" he sniffled.
I kept staring. Even the wall hated me or it wouldn't be so ugly. Heh, who was I to talk?
"I'll be around til eight, when I need to go to work, okay?" Damien said, his hand in my hair.
I just kept staring at the wall. He hesitated before heading for the couch. I lay there, not making any noise and Damien stayed out of sight til it was time for him to go to work.
"I have to go. I'll be back as soon as I can, 'kay?"
I didn't say anything.
He kissed my forehead. "Love you"
And with that, he was gone.
I let out a sob and curled in on myself, scratching at my arm again. I needed something to take the pain away. Something to distract me from how much I hated myself. Fuck it, I needed drugs.


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What Makes Exari the Leader
Exari was founded by lawyers who recognized that the process of contract drafting and negotiation was broken. Since our pioneering years 15 years ago, our team has expanded to include experts with strong legal backgrounds and a unique combination of business savvy and technological prowess that enables us to not only truly understand your business and your pain points, but also transform your contract problems into visibility and risk solutions.
By revolutionizing the way businesses manage and utilize their contracts – turning them into vehicles for visibility into business processes and risk – Exari stays true to its mission to be the world's contract management leader by helping organizations achieve 100% Contract Certainty™.
Exari Points of Difference
Exari's Contract Lifecycle Management (CLM) solutions are simply the most intuitive, powerful and flexible enterprise contract management technologies on the market. At Exari, we know how important contract management is to your company and we've built our software to give you the tools you need to manage the entire contract lifecycle—from contract creation and capture to approval and monitoring.
Process matters when it comes to regulation, risk and complexity
Our deep expertise in complex and highly regulated industries enables customers to comply with standards, controls, and audits. Compliance failure can result in significant business impact. Together we set the standard for business process control and audibility. Our solutions deliver significant benefits, including:
Enterprise Collaboration: Eliminate the uncertainty of rogue contracting, undocumented email exchanges and, poorly documented commitments and ad hoc requirements.
Process Automation: Our unique drafting wizards, workflows, and alerts provide high quality documentation and consistency without the cost and risk of manual processes.
Audibility: Fine grain change control and audit trails provide the process assurance of the most demanding sourcing organizations.
Relationship Risk: Knowing every external relationship and how changes to these relationships affect the bottom line;
Revenue Risk: Understanding early termination or other surprise events that could force a company to restate revenue;
Supply Chain Risk: Understanding all the players in your supply chain and whether their commitments match those made to your customers. Would a supplier failure leave your business exposed?
Although there are plenty of contract management technologies to choose from, we also know that not all solutions are created equal. In addition to an unparalleled list of benefits and features, Exari solutions offer several key points of difference that separate us from the rest of the pack:
- Open Systems – From the beginning, Exari technology was built on XML to allow for open standards, providing increased visibility into data to help you better manage compliance, mitigate risk exposure and act on contractual revenue opportunities.
- Powerful Document Assembly Engine–Developed in Java, our proprietary document assembly engine accepts input from many systems (including MS Word) and provides output in various formats including RTF, DOCX, HTML, PDF, Postscript and XML. Exari is not dependent on Word and is not affected by intellectual property decisions that have negatively impacted other document assembly vendors.
- Ease of Integration – Opens systems and standards enable Exari's powerful API and workflow to easily integrate with other critical systems including CRM (Salesforce.com), ERP (SQL databases), Sharepoint and DMS. Exari also participates in various standards efforts and hosts an open source XML editor project called Xerlin.
- Global Presence – Unlike most of our competitors, Exari is a true global contract management and document automation company. Our offices in Boston, London, Munich and Melbourne allow us to provide 24/7 remote and in-person support to customers around the world.


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ShaiM Model
Scott B. QuammenPhotographer Male Knoxville, Tennessee, US
My Website: my personal photography site.My MM URL: http://www.modelmayhem.com/scottquammen
Mayhem # 7269
About Me
**If you are a "Photoshop Wizard, forget about sending me a friend request. The idea that you would think my work is not up to your standards, and needs your help, is insulting to me.**
Basically, I'm just a photographer, and have been all my life (really... it's true.) I literally grew up in a darkroom, as my father was a professional before I was even born. So I've got more than just a few years of experience. I took a break from shooting models for a while, but I'm back. I've made some changes in the way I do things... offering very limited tf* work. And I will no longer shoot nudes, even with models I have shot with previously and fully trust. If you like what you see here and you are interested in shooting with me, please let me know.
Have you worked with Scott B. Quammen? Add Credits for Scott B. Quammen! >>
Credit Notes
ShaiM Model
heather osha Model
Tressa Marie Model
The Real Eminence Model
Brian Edward Laferriere Model
Anna Burns Model
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Transatlantic Rebels: Agrarian Radicalism in Comparative Context
€ 29,49
Besorgung - Lieferbarkeit unbestimmt
November 2004
BeschreibungThis collection by an international array of historians examines agrarian radicalism in comparative context from 1500 to the present. What unifies the studies presented here is a shared interest in the ways in which agrarian people in the Atlantic world interacted with each other, transmitted and translated ideas, developed new crops or methods, or formulated critiques of the existing social, economic, and political order. All agree, to varying extents, that the Atlantic world is best conceptualized not as a rigid barrier between nations, peoples, and cultures, but rather a frontier, a permeable space with eddies and currents of ideas, cultivars, and human beings, And, as these essays indicate. "radicalism" can be found not only in the political realm, but also in the rate and extent of social, economic, and environmental change.
InhaltsverzeichnisAgricultural Dynamics of the Columbian Exchange, Susan Sleeper-Smith; Rural Protest on Prince Edward Island in Transatlantic Context: From the Aftermath of the Seven 'Years' War to the 1840s, Rusty Bitterman; The U.S. as a Postcolonial State, 1789-1865, Thomas Summerhill; 'The Yoke of Improvement': Sir John Sinclair, John Young and the Improvement of Scotland's, New and Old, Daniel Samson; Threatening Pardos: Pardo Republicanism in Colombia, 1811-1830, Marixa Lasso; Crossings: Thomas Devyr and the American Fate of British Agrarianisms, John Reeve Huston; "Primitive Christianity" and "Modern Socialism": Thomas W. Woodrow and Agrarian Socialism, David A. Y. O. Chang; Radical Rhetoric, Repressive Rule: Sindicato Power in the Atlixco (Mexico) Countryside in the Early Twentieth Century, Gregory Crider; Seeds of Subversion?: A New World Plant and Agrarian Change in Two Peasant-based Empires, 1500-1999, James McCann; Transatlantic Travails: German Experiment Stations and the Transformation of American Agriculture, Louis Ferieger; Drylands, Dust Bowl, and Agro-Technical Internationalism in Southern Africa, Sarah T. Phillips
PortraitThomas Summerhill is Assistant Professor of History at Michigan State University; his latest work, Harvest of Dissent: Agrarianism and Capitalism in Nineteenth-Century New York, is forthcoming in 2004. James C. Scott is the Sterling Professor of Political Science and Professor of Anthropology and Director of Agrarian Studies at Yale University. His most recent book is Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed.
Untertitel: New. Sprache: Englisch.
Verlag: MICHIGAN STATE UNIV PR
Erscheinungsdatum: November 2004
Seitenanzahl: 288 Seiten
Format: kartoniert


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Odavad lennud alates Rouyn (Kanada)Kas Te pidasite silmas Lennud sihtkohta Rouyn ?
Odavad lennud Rouyn -sse ainult läbi Bookinghouse.ee! Our sophisticated search system will find the best flight deals from dozens of different airlines, such as Ryanair, WizzAir and many others. Bookinghouse.ee is fast and easy to use. But most importantly, it's completely free!
Below you can see not only the best flight deals from Rouyn , but also the most popular flights from Rouyn and flights from surrounding cities and countries. Kui Te ei leia sobivaid pakkumisi, kasutage meie otsingusüsteemi (üleval).


text:
Radiation Electrification of Spacecraft Leeward Surfaces by Auroral Electrons in the Ionosphere
- Cite this article as:
- Shuvalov, V.A., Kochubei, G.S., Priimak, A.I. et al. Cosmic Research (2003) 41: 413. doi:10.1023/A:1025018029138
- Citations
- 28 Downloads
A methodology of the physical modeling of radiation electrification of the leeward surfaces of the materials used to construct space vehicles by auroral electrons, when the vehicles are flown supersonically around by the ionospheric plasma at low and middle heights, is developed. Based on laboratory modeling, numerical experiments, and in situ observations, the dependencies of charging levels and equilibrium potentials on the ratio of the auroral electron density to the positive ions in the near wake behind the body and in the undisturbed plasma are determined.
Copyright information
© MAIK "Nauka/Interperiodica" 2003


text:
Ponte Midi Dress Black
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Casual dress by ASOS Collection, Stretch jersey fabric, V-neckline, Fitted waist, Regular fit - true to size, Machine wash, 87% Polyester, 13% Elastane, Our model wears a UK 8/EU 36/US 4 and is 175 cm/5'9� tall. ABOUT ASOS COLLECTION Directional, exciting and diverse, the ASOS Collection makes and breaks the fashion rules. Scouring the globe for inspiration, our London based Design Team is inspired by fashion�s most covetable trends; providing you with a cutting edge wardrobe season upon season.


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- Main article: Calendar
Chil'a is a Redguard holiday. Chil'a is held on the 24th of Evening Star and is a New Year festival. Its original date was moved to the 18th of Evening Star to correspond with the system of dates and years in Tamriel. [source?]


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Oh, Jerry... - Ellie
I was starting to get overly worried. Too worried, over nothing. Absolutely ziltch. It was just a dream right? Only a dream?
Just a dream about Jerry killing someone.
Morning finally rose, after lying in bed for several hours completely awake and terrified. I stumbled down my stairs and into the kitchen, making some toast and jam and switching on the television.
The words came up at the bottom of the screen in big, bold print.
Teenage girl murdered and gagged by mysterious killer.
I dropped my plate on the floor, listening to the smash but ignoring it. A picture showed of the girl in my nightmare last night, tall, but with pixie-like hair. She looked a few years younger than me, and looked quite cute looking. A video of her parents showed up on the screen, both of them being interviewed in tears.
The woman was crying and sobbing as she answered questions about her daughter. Her husband sat there motionless with his arms around her, no expression on his face, just staring emptily into the screen.
"Whoever did this to our daughter is a sick, sick person. When I find out who it is, i'll gag and murder them too." The woman hissed through her teeth, glaring at the screen.
I looked at her in shock.
Oh, Jerry...


text:
Shawn Maffenbeier
, Canada
- Observations: Pre-des-Vations September 23, 2016 Matthes gives his thoughts and predictions before the big race.
- Observations: Canadian Nationals June 25, 2014 Matthes goes up North. Controversy ensues.
- Unsung Hero: Interviews from Canada June 24, 2014 Kiniry, Facciotti, Chisholm, Jeremy Medaglia, Maffenbeier talk Regina.


text:
ED Magedson – Founder
Ripoff Report
Wyndham ResortsInternet United States of America
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This report was posted on Ripoff Report on 08/26/2011 05:53 AM and is a permanent record located here: http://www.ripoffreport.com/reports/wyndham-resorts/internet/wyndham-resorts-held-me-in-breech-of-contract-and-cancelled-ownership-of-fully-owned-time-769470. The posting time indicated is Arizona local time. Arizona does not observe daylight savings so the post time may be Mountain or Pacific depending on the time of year.
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text:
Chapter Two (Part 6)
"Prove what?"
"That I'm 'easy to read'," I snapped, making fake air quotes with my fingers. "Give me your final conclusion, Doctor Sterling."
Jensen smirked. Sitting back, he folded his arms across his chest, watching me coolly. "I'm not sure you'll like it."
"Try me."
He pressed his lips together for a moment, as if he was trying to hold back his laughter. Jensen was so completely amused by this but I, on the other hand, was taking every bit seriously. If I really was so 'easy to read', then he would've made it a point to show that he knew who I am. But he hadn't, so he didn't know…did he?
"Well…for starters," he cleared his throat dramatically and I urged him on, keeping my eyes fixed onto his. "The moment you saw me, you tensed up. Body language, eye contact and the tone of voice all hinted that you were on edge, like you just wanted to get up and bolt. So I naturally assumed you didn't like me-"
You got that right.
"-until I came to realize that you were just trying to act like someone you're not."
"How did y-"
"You were trying to avoid my eyes, not necessarily because you didn't like me but because you didn't want to like me. And then I reflected back to the moment you'd introduced yourself, how hesitation had flown across your face before you'd said your name."
I was gaping at him, but he didn't stop. His grin grew wider as he rambled on. "That led me onto the possibility that this whole time you've been lying about who you are because you recognized me from the moment you laid eyes on me. You're scared to tell me the truth that's looking both of us right in the eye."
Was he majoring in Psychology or Criminal Law? I felt my face heat up, my grip on the fork tightening unnaturally to the point that my knuckles went white.
"You got all that from me dropping a fork?" I asked, my voice barely containing my fury.
"To be honest, no." His lips curved upwards, and he gave me that crooked grin, like he knew something I didn't. "That was just me trying to sound like a smart bum in front of you."
"What do you mean?"
"Did you really think I'd be stupid enough to go on this date without asking the name of the girl I'd be meeting?"
My eyes widened. Why hadn't I even considered that? Leering at me, Jensen said in that low rumble of his, "Did you…Roxie?"


text:
So You Really Want to Learn Latin Book I Answer Book
Written by N. R. R. Oulton
Illustrated by
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So You Really Want to Learn Latin Book I Answer Book by N. R. R. OultonThis book provides a complete set of answers to the exercises in So You Really Want To Learn Latin Book I. - Features the complete set of answers to the exercises in So You Really Want To Learn Latin Book I to save you time marking work - Helps to identify areas of weakness that require further revision and practice
About the Author
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44 pages
N. R. R. Oulton
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10th June 2000
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Japan beats injury-plagued Canada 4-1 at Davis Cup
Credit: The Associated Press
TOKYO — Japan won its Davis Cup World Group tie on Sunday, clinching a quarterfinal berth when Frank Dancevic of Canada was forced to retire in the second set of his reverse singles match with Kei Nishikori.
With Nishikori leading 6-2, 1-0, Dancevic withdrew with a stomach injury giving Japan an insurmountable 3-1 lead.
"I pulled a stomach muscle," Dancevic said. "I hurt it in a serve in the second set and there was no way I could continue against a player like Kei."
|The article you requested is no longer available on BostonHerald.com.


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No offence, but why do so many British people have bad (buck) teeth?
coz the dentist is so expensive
Why do so many British people seem to have such bad teeth It's true about a British Smile, but why?
Ok - honestly, from someone who has immigrated from North America to live in England: Yes and no. I would propopse that the percentage of British people who have bad teeth is greater than the perce...
Read More »
British people how do you clean your teeth?
with a tooth brush and tooth paste ( brush brush brush ) then i listerene ( swill swill gargle spiiiiitttt )
Do you actually know any British people with green teeth?
she should sue the dentist, as his shoddy treatment was what caused the problem in the first place.
Do Teeth Gap Teeth Effect Bands really work even for really big gaps and will the gap return if you have a piece of skin between your teeth that people usually have cut in surgery?
I am going to try teeth band effect but I just left my dentist yesterday and she informed me my only way to close my gap is through an orthodontist to get braces or invisalign. I had braces because...
Read More »


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ED Magedson – Founder
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DJ DragerInternet USA
DJ Drager Phil Haberman Fraud Alert - Uses stolen 501c3 for rescue dogs Internet
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DJ Drager has been caught red handed!
He recently fraudulently used a 501c3 to rescue dogs and to get discounted veterinary bills for his own dogs... scammed hundreds of dollars from the public with his CHip-in for Snowflake - his own dog - for surgery...
He sued a vet for not returning Snowflake because he didn't pay the bill! He owes over $12,000 for 6 of HIS personally owned dogs that he claims are rescues.
This report was posted on Ripoff Report on 07/09/2013 04:38 AM and is a permanent record located here: http://www.ripoffreport.com/reports/dj-drager/internet/dj-drager-phil-haberman-fraud-alert-uses-stolen-501c3-for-rescue-dogs-internet-1065452. The posting time indicated is Arizona local time. Arizona does not observe daylight savings so the post time may be Mountain or Pacific depending on the time of year.
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text:
Title: the color of love
Fandom: Naruto
Genre: Oneshot.
Category: General // Romance // Drama // Humor // everything
Pairing: Shikamaru x Sakura, past Sakura x Sasuke, and very slight, onesided Naruto x Sakura. Negligible amounts of Shikamaru x Ino.
Rating: T
Prompt: colors (I might do another one, simply because this one wasn't very focused D:)
Notes: Wherein I prove that I cannot write Sakura with any other character...unless I write Sasuke-kun out of it. XD.
This was interesting to write. This is seriously something like SOC. It all just came out, and there are little to no transitions and nyeh. D:
Also, I have yet to get a handle on Shikamaru.
Dedication: For Epiff Annie, because she's awesome and she deserves this and so much better. ♥
By all rights, they shouldn't have happened.
Naruto knew this. He had read the stories, the fairytales, as a child (because even a prankster needed a way to unwind, to relax, to power down - and storybooks had been a lot cheaper than the comic books that no one ever bought him, anyway). There was an established narrative, an accepted plot, and all the characters had been assigned their roles before they'd even realized there had been a story to tell.
There was, of course, the King, the ruler, the Royal Guard. Baachan fit that role well enough, Naruto thought. If anyone had thought to ask him, he might have even gone as far as to say that she'd filled the old man's shoes admirably.
(Of course, no one did, because he was the Village Idiot, and really what did he think he knew?)
He, Naruto, was the Prince(-in-Training). This wasn't arrogance, or misplaced idealism. He'd heard the rumors. Tsunade would be stepping down soon, and she would name Kakashi (Secretary of Porn) as her successor. He would manage until the last of the Council passed on, and then, Naruto would feel the weight of the world on his shoulders
(and revel in it).
Sasuke was the tragic hero, the shattered Princeling with too much pride
(and not enough sense, Naruto thought viciously, beating another wooden dummy into the coldhard earth),
too much sadness, too much hate
(no matter what Itachi said, but then, Naruto had always loathed him just a little bit less than his "foolish little brother")
too much red in his eyes to see the light in hers.
Sakura wasn't a damsel-in-distress; she'd outgrown that years ago, in the same way she'd quietly packed away her blood-red shirtdress,
(and vowed never to wear it again, because that was for Sasuke-kun, a memory she could keep, but never hold and she loved him still even if it wasn't, would never be, the same)
and donned her black, fingerless, fighter-gloves. No, his Sakura-chan was stronger than that.
But still, she was the Princess.
She was beautiful in that effortless way that girls like Ino (a Lady-in-Waiting if he ever saw one) would never understand. Sweat-streaked, and grim-faced, with a smile like death, and her fists like steel, Haruno Sakura
is Grace
(because she is sinuous, like water, like air in a labyrinth)
is Mercy
(because she's quick with the kill, and when she can, she buries the bodies)
but most of all
("That won't work. Not again, and not on me.")
she's Brilliance.
(Sometimes, he thinks he might still love her.)
That might be the only thing she has in common with the man who completes her idea of together. Nara Shikamaru doesn't figure in Naruto's version of The Fairytale. He's too drab, too colorless, too dull. He's intelligent, and sure, quietly confident, and coolly calculating -
But he's drab.
(And lazy.)
Tsunade looks out of ocher eyes, and Kakashi sits on a silver throne. He, Naruto, (thinksfancieshopeshe) burns with the intensity of blue fire, and Sasuke's vengeance lies rotting under gray soil.
Sakura is green, is bright, is effervescent, is life reborn, is
(beautiful, but not for him)
so vibrant that it's almost painful.
Shikamaru's utilitarian brown cannot compete.
But then, he sees (hears) them.
"Geez, Shikamaru! It's just one bite! Live a little. You're so boring."
"And yet, here you stand, having an inane argument with me over the merits of strawberry-peppermint ice cream. Which by the way, looks absolutely disgusting."
"Watch it, buster. Take a good look at me, and then tell me it looks absolutely disgusting."
"...you're more trouble than you're worth. You realize that, don't you?"
"Yeah, yeah, and if you wanted perfection, you could have stayed with Ino."
"Please. She's louder than you are."
"AHA! So that's why you stay with me. For the sake of your precious eardrums."
"Of course, of course. And the sex."
"Of course, cannot forget the sex."
"Certainly not. And stop preening. You look stupid."
"I look satisfied. And if you'd bothered to look at me more than once a day, you'd know the difference."
"I know the distance between your collarbone and the small of your back . I've mapped the length of your arm with my lips and my teeth, and my ears have memorized, and catalogued, the sound you make when I kiss your neck. I've timed the seconds it takes for you to come back to yourself after you've screamed yourself hoarse, and my hands have memorized the way you feel after you've fallen asleep in my arms."
"...aside from making me...well, you know, gooey, and whatever...what was the point of all that?"
"I don't need to look at you to know anything. Everything we've done has been imprinted into my mind as surely as if I'd had it engraved."
"...you closet sap."
"Shut up. You're troublesome."
"And I love you a little."
"For not calling me annoying."
"And the sex."
"...and the sex."
And so he sits, and he writes, corrects, revises the fairytale -
(and brown burns gold, and green darkens into the color of shadows)
and calls it a love story.
This is not my usual fare, but I enjoyed writing it, nonetheless.
Please tell me what you think.


text: FANCAM: Bossing Vic on Eat Bulaga by ndtuazon posted on April 23, 2013 Sa "Super Pinoy Henyo" segment ng Eat Bulaga kahapon, April 22, nahuli ng camera si Bossing Vic Sotto na puma-party sa background.video uploaded on Youtube by eatbulaga1979 RELATED VIDEOS Alam mo na ba ang latest? Get your weekly roundup of all things showbiz! Please wait... Follow Us Facebook Twitter Instagram YouTube Viber COMMENTS Loading comments LATEST links LOAD MORE WE RECOMMEND FROM THE SUMMIT MEDIA NETWORK SPONSORED CONTENT SOCIAL STREAM


text:
The Vancouver Canucks managed a win Wednesday night, beating the Arizona Coyotes 4-1 while on the road.
Sven Baertschi, Loui Eriksson, Bo Horvat, and Alexandre Burrows all scored for the Canucks, while Christian Dvorak managed the nights only goal for the Coyotes.
Vancouver next plays the Dallas Stars, on Friday.


text:
Hyper-V Performance, Scale & Architecture Changes
Download this episode
You've probably heard that Hyper-V has changed in Windows Server 2012 – a lot. We can't tell you a lot about what we're going to talk about but we can tell you that you'll leave excited. At level 400 and not for the virtually faint-hearted, Ben Armstrong from the Microsoft engineering team walks you through how to get performance and scale out of Hyper-V and helps you understand the architecture changes we've made in the product to make it so.
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You won't regret it


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As the Northern Hemisphere season reaches its climax, the RBN network has three superb May
England and Lions legend Peter Winterbottom will again be leading his band of merry men (a
Our local RBN committees around the world have been working hard over the last few
With the Six Nations dominating the months of February and March in the rugby union calend
Wednesday 1st February saw RBN Edinburgh host a sold-out event at The Big Partnership's
There are few more thankless tasks in sport than that of attempting to fill the boots of a
We caught up with Ex-Bath and England prop David Flatman while he was, in his own words, �
Jason Leonard OBE, World Cup-winning prop and President of the RFU, has extended an exclus
The November tests have certainly held their share of upsets, surprises and instant classi
RBN sponsors easycopiers are offering members the chance to bump into Northampton Saints,
Our events are the lifeblood of the organisation and, if you live anywhere near one of our 60+ host cities around the world, they will offer your best opportunities to benefit through contributing. They are attended by strategic-level business people, many of whom would prove to be resourceful friends. Go along, have a drink, listen to rugby and business speakers of the very highest caliber and see what happens. It's that simple.
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text:
kameda seika co ltd
(2220:Tokyo Stock Exchange)
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Andrew Flintoff has accused the England and Wales Cricket Board of greed in its decision to award Sophia Gardens, rather than Old Trafford, an Ashes Test in 2009. The Lancashire all-rounder is upset that he may never again play an Ashes Test in Manchester because of the selection of the Cardiff ground, which has yet to host a full England international.
"I was gutted when I found out," he said. "Old Trafford is a venue which, in the last [Ashes series], had full houses for five days, 20,000 people being locked out, one of the best Test matches ever seen. It went down to the wire and the venue was fantastic, but I don't think it's for cricketing reasons - it's more for commercial reasons. Of course I am very, very disappointed that we have not got one."
He added of last summer's Old Trafford Test: "I was staying at home and I didn't realize there were that many people going. I was driving in and the traffic was about a mile back. I ended up driving down the wrong side of the road to get to Old Trafford and I was about 10 minutes late but there were a few behind me so I got away with it. I've never seen Old Trafford like that. I've played in front of biggish crowds at Old Trafford but to play in front of a full house for five days and then to see people being locked out was amazing. They usually lock them in at our place."
This winter's Ashes series has been on Australians' minds since their defeat last summer. Their captain Ricky Ponting talked about it during their win over South Africa, and this week Adam Gilchrist said he feared burnout before the series and the former captain Steve Waugh advised players to be less sociable with the England team. Flintoff is taking no notice.
"I detach myself from that," said the 28-year-old all-rounder. "I've been in Pakistan, I've been in India playing cricket, so what's been said I've not really seen."
One comment that does rankle is Matthew Hayden's assertion that England are a one-man team, reliant on Flintoff. "Within the England side I play my role and so does everybody else," said Flintoff, who will be appearing on Sky Sports' Cricket AM from next month. "We all know it's a team effort."