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ANNuAL REPORT
Kris Demeanor, Glenbow artist-in-residence, 2009–2010
Working with the Glenbow satisfied the two goals I most wish to tackle in art – pushing myself creatively through responding musically to [artwork on exhibit], and connecting meaningfully with the public by writing songs with families visiting the Glenbow. The uniqueness of these events has proven memorable. I am reminded of them often by the fans, friends and patrons who attended. I see immense potential in further collaboration with multidisciplinary artists and the Glenbow – it's a rich and inspiring world.
TABLE OF CONTENTS President's & Chair's Message
Eric L. Harvie Glenbow Award Dinner
Glenbow by the Numbers
2009–2010 Exhibitions
Program Highlights
Thanks to our Supporters
New Acquisition Highlights
Glenbow Board of Governors
A Passion for the Art of Asia: Robert Borden and The Bumper Collection
Glenbow Management & Staff Upcoming Exhibitions
On the cover: Kent Monkman, Théâtre de Cristal, 2007, Collection of Glenbow Museum
17 Back Cover
president's & chair's MESSAGE It has been a pivotal year for Glenbow
Our strategic plan will guide us in the next
Museum. We have completed our
stage of our development; however we are
strategic plan and business plan
already making changes and seeing the impact
which map our direction for the next
of the plan. Our strong exhibition program in
five years. These plans reflect our
mid-summer 2009 through early 2010 has
new vision – More people interacting
resulted in both critical and popular appeal. The
with art, culture and ideas more
Glenbow-curated Vistas: Artists on the Canadian
often – and will position Glenbow
Pacific Railway exhibition is now on tour and
as dynamic and relevant, attracting
the accompanying catalogue produced by
new and larger audiences who share
Glenbow won the 2009 Canadian Museums
our passion for arts and culture.
Award for best publication and the Alberta Book
Glenbow's strategic plan has six key priorities that provide a clear direction for Glenbow's future: develop a vision for programs, exhibitions and art and culture education and appreciation initiatives that respond to the
Awards best trade non-fiction book. Real Life: Ron Mueck and Guy Ben-Ner, travelling from the National Gallery of Canada, attracted national media attention from the transit marketing campaign Glenbow launched featuring Mueck's larger-than-life and startlingly realistic sculptures
needs of the community; clearly articulate
of newborn babies. Bev Tosh's exhibition,
our brand and align it with our key audiences;
War Brides: One Way Passage, was seen by
develop a business model that ensures shortterm and long-term sustainability; foster an invigorated workforce; optimize our existing facilities and infrastructure; and develop a vision and plan for a new facility that meets the needs of our visual arts program.
thousands of visitors with special significance to war brides, veterans and their families. Kent Monkman: The Triumph of Mischief featured the evocative work of this Canadian artist who creates new interpretations of the "Old West" as a land of cross-dressing, role-swapping play between "cowboys and Indians." This exhibition was overwhelmingly met with positive visitor
Kent Monkman, artist
My experience at the Glenbow exceeded my expectations. Aside from the rewarding experience of having my work resonate with the permanent collection, I found the staff to be professional, warm and meticulous about all aspects of my show, especially their efforts toward great publicity and getting the huge audience out for the opening. Many thanks!
| Glenbow President and CEO, Kirstin Evenden (left), with Board Chair George E. Bezaire.
Takao Tanabe, Southern Alberta Foothills, 1982, Collection of Glenbow Museum
feedback and media interest – a testament that
A key learning from our work on the strategic
Calgary is excited by and interested in work that
plan and stakeholder sessions found that
challenges perceptions and overturns accepted
many Calgarians and Albertans are not aware
historical stereotypes.
of Glenbow's unique funding model. The collections are owned by the Province of
Our new programming initiatives are also
Alberta and Glenbow is contracted by the
welcoming new visitors of all ages with
province to care for and provide access to the
specially priced lunch time programs for the
collections on behalf of the people of Alberta.
downtown business crowd, new evening
For this service we receive approximately 40
public openings on a pay-what-you-can
percent of our funding from the Province
basis, in-depth discussions and presentations
of Alberta. Approximately 10 percent of our
from artists and authors, and new family
funding is comprised of grants from The
programming that sees our whole building
Government of Canada, the City of Calgary
come to life at Weekend at the Museum. The
and foundations. The remaining 50 percent
new programs all reflect our new vision and will
comes from attendance, memberships,
continue to grow in 2010–11.
donors and corporate sponsors and draws
There is much community anticipation for our upcoming exhibitions in 2011, particularly 77 Million Paintings by acclaimed British
on the endowment funds. As such, our economic model is subject to the overall economy and market.
musician, producer and visual artist Brian Eno,
Over the past year, expenses were reduced
the exhibition Yousuf Karsh: Regarding Heroes
by $1.5 million. But revenues also declined so
from the collection of the Art Institute of
we had a deficit of $1.3 million. After careful
Chicago and The Warrior Emperor and China's
consideration, we concluded it prudent to fund
Terracotta Army travelling from China (in
this deficit from the endowment funds instead
partnership with the Royal Ontario Museum,
of cutting services more drastically. Glenbow is
the Montreal Museum of Fine Arts and the
committed to running balanced budgets and, as
Royal British Columbia Museum).
part of the strategic plan, we have developed a
President's & Chair's MESSAGE comprehensive multi-year budget which returns
the important facets of this program is the
us to a balanced position. We will continue to
recognition that our physical facility requires
manage costs carefully and have developed
renovation and expansion. A new facility will
exciting new strategies to increase revenue.
take time and planning to develop. It requires the community's support to be successful. We
With the Board of Governors' support, we
invite you to read our plans to position ourselves
continue to discuss with the Province of Alberta
to better deliver on that vision and future capital
the appropriate level of funding from the service
campaigns for the new facility that Calgary
agreement to ensure care and access of their
deserves at www.glenbow.org/vision.
collection. We are initiating a new form of corporate membership to enable the business
Reflecting on the past year, we are proud of
community to be more involved with Glenbow
Glenbow's Board, staff and volunteers for their
in a way that is mutually beneficial. We have
hard work and commitment to the institution.
re-considered our approach to program and
Like many other non-profits, Glenbow has
exhibition sponsorship, and will be offering more
had to cut staffing and operating expenses.
and enhanced partnerships for individuals and
Despite these financial challenges, Glenbow's
corporations – including naming opportunities
employees continue to deliver exceptional
for gallery spaces and long-term partnership
exhibitions, programs and services to the public.
opportunities to support multi-year and seriesbased programs and exhibitions. This year, we
Art and culture matter. We invite you to read
launched a facility rentals program which is
the highlights of our 2009–2010 year to be
on track to exceed our annual revenue. Our
reminded of the important roles that art and
upcoming line-up of exhibitions means we have
culture play in our daily lives. We look forward
opportunities to grow memberships and annual
to welcoming you to Glenbow soon.
giving with our faithful and key supporters and welcome new community partners. Glenbow is committed to further developing
Kirstin Evenden, M.A.
George E. Bezaire
our visual arts program for the city. One of
President and CEO
Chair, Board of Governors
Jonathan Shaughnessy
Assistant Curator of Contemporary Art, National Gallery of Canada
In working with the Glenbow on the Real Life exhibition, I was very impressed with the enthusiasm and professionalism of staff; certainly their commitment to the vision of the show and its artworks came through in [their] presentation. … Innovation also led the day as the Glenbow's programming raised the bar as to what can be done to make an exhibition of contemporary art exciting and accessible for a broad audience, especially younger viewers.
Depreciation & Amortization
Library & Archives
Collections Management
Commercial Activities & Fundraising
Program & Exhibit Development
$2,944,850 Core Services Total $10,102,491
Amortization of Deferred Revenue - Property & Equipment
$877,359 Admissions & Memberships
$887,140 Commercial Activities
$1,617,429 Fundraising
$3,489,000 Government of Alberta
$1,379,586 Investment Income Total $8,821,785
Total website visitors
Facebook fans
Twitter followers @ianflaig
Tweeting about Glenbow
Man, I forgot how much the Glenbow museum rocks.
7,711 users of Glenbow's Archives and Library
Total museum attendance
4,221 Highest weekly attendance (February 8-14, 2010) during the War Brides, Kent Monkman: The Triumph of Mischief and The Nude in Modern Canadian Art exhibitions
2,572 Glenbow memberships
Over 2,200 people attended exhibition openings
50,199 students participated in school programs
students participated in Glenbow programs remotely
people attended family programs in our Discovery Room, Sketch Club and Weekend at the Museum
23,000 1,000 hours contributed by volunteers
Total revenue from facility rentals
hours volunteered by Glenbow's Board and committees
Program highlights | Acclaimed choreographer and artist Troy Emery Twigg choreographed a performance at the Glenbow Bares All launch party on February 13, 2010.
In 2009–2010, Glenbow offered new programming initiatives to better meet the needs of our visitors. Launch Parties
Out for Lunch
Glenbow invited Calgarians to celebrate our
In fall 2009, Glenbow launched a new lunch
exhibition openings. The first pay-what-you-
time program, Out for Lunch, for those looking
can launch party with music, performances
to experience the museum with just an hour
and libations took place in October 2009 and
to spare over lunch and with special pricing
has become a regular programming initiative
of five dollars for the general public. This new
with subsequent launch parties held on
series featured presentations and talks in our
February 13 and May 15, 2010 and will continue
theatre by presenters such as author Chris
with each new slate of exhibitions as Glenbow
Turner, Calgary foodie and nutritionist Julie Van
strives to make the museum accessible and
Rosendaal and master of marionettes, Ronnie
open to all.
Burkett. Short, in-depth curator and educatorled gallery tours that highlight specific works in the feature exhibitions are another facet of Out
1,127 people attended our two public launch parties in October 2009 and February 2010
737 attended Out for Lunch programs during the year
for Lunch programming.
Visitor to the February 13, 2010 Glenbow Bares All Launch Party
Great event! I am happy to see the Glenbow have a pay-what-you-can-event. It made the exhibitions more accessible.
Program highlights | Canadian artist Kent Monkman's reputation has soared since 2007. His exhibition at Glenbow, Kent Monkman: The Triumph of Mischief (February – April, 2010), was Calgary's first major presentation of his work. Here he is (right) with Gerald McMaster, Curator of Canadian Art at the Art Gallery of Ontario, as part of our In Conversation series.
1,007 attended our In Conversation series
In Conversation
Weekend at the Museum
Glenbow hosts talks by some of the most
In winter 2010, Glenbow made some changes
nationally and internationally significant artists,
to our family programming based on member
curators and scholars of our time to provide
and visitor feedback, attendance results and
insight into art and culture. This new evening
best practice research. We moved away from
series featured talks with internationally
offering family programs every Sunday (Family
renowned artist Kent Monkman (who discussed
Fun Sundays). Instead, Glenbow offered an
his practice with Gerald McMaster, Curator of
all weekend family extravaganza when the
Canadian Art at the Art Gallery of Ontario), and
public exhibition floors opened to families to
a talk with Haida Manga artist Michael Nicoll
participate in workshops and collaborative art
Yahgulanaas in partnership with WordFest.
projects, tours, performances and exploration
Through this engaging format, museum visitors
of galleries throughout the museum in a fun
garnered insight into contemporary art practice
and festival-like atmosphere. The first Weekend
and learned about the influences, ideas and
at the Museum, held on March 13 and 14, 2010,
techniques that some artists are exploring today.
welcomed over 800 visitors of all ages. This
participated in our first Weekend at the Museum (March 2010)
new innovative series will be featured three times per year. Glenbow's ARC Discovery Room is also now open during regular museum hours and no longer closes between transitions of feature exhibitions.
| Glenbow throws opens its doors and welcomes families for activities, performances and tours during our Weekend at the Museum program.
new acquisition HIGHLIGHTS Sculptures of this size (both are 48 inches high and made of granulite) and importance are rare in museum collections and represent the ongoing commitment of the Bumper Development Corporation to work with Glenbow to enhance the Asian art collection. The sculptures are on display in the Many Faces, Many Paths: Art of Asia permanent exhibition. Cultural History W.S. Herron Parade Saddle Glenbow acquired an impressive array of artifacts from the William S. Herron Family Charitable Foundation into the cultural history Indigenous Studies Laksmi and Bhudevi With the generous support of the Bumper Development Corporation, Glenbow acquired two rare Hindu sculptures from the Chola culture that date between the late ninth and early twelfth century A.D. At one time these matched sculptures may have been placed on either side of a central, larger image of Lord Vishnu, the "God of Preservation."
collection. The Herron acquisition enhances the material representing Calgary booster, oil man and "maverick" Bill Herron. Trophies, custom-made parade suits and accessories and a remarkable show saddle outfit testify to the Herron family's deep involvement with western horse culture from the 1940s to the 1960s. Bill Herron's outstanding saddle outfit, complete with tooled designs and engraved silver mounts, was one of four he commissioned from Riley & McCormick's master saddle maker
Laksmi ("She of the Many Thousands") would
John Foss, about 1947. Outfitted with these
have stood to the right of Lord Vishnu. She
striking saddles and matching gear, the family
governs beauty, love, wealth and luck, embodying
won events throughout southern Alberta.
sublime beauty, siddhi peace, strength, balance, opulence and wisdom. Laksmi is the bringer of good fortune and is associated with both material and spiritual prosperity. Bhudevi ("Goddess of the Earth" also known as Prthivi, "The Nourisher") would have been to the left of Lord Vishnu. She is the goddess of the earth and fertility. Whenever Bhudevi complains that she is being oppressed by a certain demon, Vishnu rescues the earth from her predicament.
Above: Lakshmi and Bhudevi, ca. 10th century A.D., Collection of Glenbow Museum; Right: W.S. Herron Parade Saddle, ca. 1947, Collection of Glenbow Museum
new acquisitions
Left: Tom Thomson, Autumn, 1916, Collection of Glenbow Museum; A gift bestowed in loving memory of Don McMorland by his family.
Autumn by Tom Thomson
The New Gallery
Autumn is the first work by Tom Thomson in
One of the most significant donations to the
Glenbow's art collection – a gift to the museum
Archives in the past year was the records of The
bestowed in loving memory of Don McMorland
New Gallery. One of the first artist-run centres in
by his family. Tom Thomson's stature in
the city, the gallery originated as the Clouds 'n'
Canadian art is legendary. Although associated
Water Gallery in 1975 and was also known as Off
with the artists of the Group of Seven, he died
Centre Centre before adopting its current name
under tragic and mysterious circumstances
in 1987. The gallery has been situated in many
three years before the Group was formed.
spaces in the city over the years and is currently
This oil sketch of trees in the forest is animated
located in Art Central. The organization's focus
by thick impasto, visible brushstrokes and the
has also changed over the years to reflect the
juxtaposition of rich colours. The painting is
cultural community in the city and the needs of
spontaneously and freely executed and, in
the artistic community. The archival collection
many ways, almost verges on abstraction. The
consists of bylaws, minutes, photographs,
composition is created entirely by a patchwork
incorporation documents, annual reports,
of rich colour swatches which disperse the
programming records, fundraising and financial
energy in all directions.
files, records of New Gallery advocacy in the community, and records detailing relationships
Jane McDonald
Glenbow Library volunteer
My experience volunteering with the Glenbow is immensely rewarding – each time I volunteer I learn something new. I feel privileged to be part of the dedicated team of Library staff and volunteers and to contribute to making materials in the Library collection more accessible to others.
with other organizations in the cultural community. Generously, The New Gallery provided a grant to match federal funds sourced by Glenbow to ensure the timely cataloguing of the archive. A detailed inventory of the fonds is available on the Glenbow website at: www.glenbow.org/collections/search/ findingAids/archtm/newgallery.cfb. Library Federation of Calgary Communities City streets that seem to have more potholes than asphalt, not enough schools in the subdivision, that ever-increasing municipal tax bill … sound familiar? These are just a few of the problems identified in a collection of
community association newsletters, some
more than half-a-century old, that the Glenbow
# of Donations
# of Works
Library received from the Federation of Calgary
Indigenous Studies
Communities. The Federation is an umbrella
Military History
organization which provides information
Cultural History
on matters of interest to local communities,
Multi Disciplinary*
including zoning, traffic and development
Library & Archives
issues. The collection also includes publications
Total Donors/Value
$49,941.00 $12,895,754.00
of local interest, such as city planning reports and publications documenting national and international concerns, including demographic studies relevant to planning for Calgary's growth and discussions of the need for sustainable development in North American cities.
# of Purchases
# of Works
Indigenous Studies
Military History
Cultural History
Multi Disciplinary*
Library & Archives
Total Purchases
Total Acquisitions
Value $62,000.00
* Multi Disciplinary refers to a gift or purchase that includes material for more than one collection.
David Finch, public historian
Southern Alberta's memory—of its culture, people and its businesses—resides in the Glenbow's Library and Archives collections. The expert service provided by the archivists and librarians, as well as the online resources, keep our invaluable history alive.
A Passion for the Art of Asia Robert Borden and the Bumper Collection
Many Faces, Many Paths: Art of Asia, The
and art of Asia through this collection; at the
Bumper Development Corporation Ltd.
same time, the gallery has become a place of
gallery at Glenbow, presents one of North
peace and repose for many visitors. Glenbow
America's most outstanding collections of the
is an enthusiastic partner in presenting this
art of East and Southeast Asia, including the
collection, a partnership that has been ongoing
Indian subcontinent. The collection reflects
for a quarter of a century.
the passion that Robert Borden, Bumper's founder and chairman, and his wife, Susan, developed for these remarkable works. Starting as a novice collector after a chance encounter with an art advisor while on an airplane, Robert Borden soon developed a discerning eye and a profound knowledge about this work and the cultures from which it comes. Many of the pieces in this collection are masterpieces and include both iconic and rare representations of
Fortifying this relationship, over the past 20 years, the Bordens have generously gifted many of these works to Glenbow and the people of Canada. As Robert Borden writes in the introduction to the gallery, "It is only when we understand and appreciate the creative ability of artists in many cultures that we can fully appreciate the art of our own culture." We are honoured by these donations and
great Bhuddist and Hindu traditions.
are proud to enjoy a collaboration with the
The Bordens believe that great art belongs to
but all Albertans.
all of humanity and that it is vitally important that it be seen and appreciated by a diverse audience. Innumerable school children are introduced to the magnificence of the cultures
Bordens that benefits not only the museum,
Eric L. Harvie Glenbow Award Dinner Each year, Glenbow's Eric L. Harvie Dinner is
The Calgary Foundation
an exciting opportunity for the community to
Established in 1995, The Calgary Foundation
support Glenbow's exhibitions and programs
assists donors in creating a giving and caring
and to come together to celebrate the
community by applying its resources, expertise
contributions of like-minded Calgarians who
and leadership in partnership with others to
have made a significant difference to the arts
identify and address issues in the Calgary and
and cultural life in Calgary.
area community. With over 900 endowment funds established, The Calgary Foundation
The seventh annual Eric L. Harvie Glenbow
strengthens the charitable sector in the areas
Award Dinner was held on October 15, 2009
of art and heritage, human services, education,
and honoured Dr. Hugh A. Dempsey and
environment, health and neighbourhoods
The Calgary Foundation for their ongoing
through grants totaling $3.3 million in 2009.
commitment to art and culture in Calgary. Dr. Hugh A. Dempsey
The Calgary Foundation is recognized as one of the strongest community foundations in Canada
Dr. Dempsey is a Canadian historian, author,
today. It has a robust arts and culture portfolio
teacher and the first Chief Curator Emeritus
that supports a number of cultural initiatives
at Glenbow. He was hired by Eric Harvie as
which contribute to the overall wellness of our
Glenbow's first archivist in 1956 and eventually
community. The Calgary Foundation and its
served as Director of History, Director of
donors have been very supportive of Glenbow
Collections and Associate Director, holding this
and its programs over the years. Currently, the
position until his retirement in 1991. In addition
Foundation is supporting Glenbow's distance
to his continued role as editor of the Historical
learning program.
| From left to right: Glenbow Board Chair George E. Bezaire, President and CEO of The Calgary Foundation Eva Friesen, Glenbow President and CEO Kirstin Evenden and Dr. Hugh Dempsey at the seventh annual Eric L. Harvie Glenbow Award Dinner in October 2009.
Society of Alberta's journal, Alberta History, Dr. Dempsey has written 18 books. In 1967, he was made an honourary member of the Blood Tribe and in 1975 he became a Member of the Order of Canada. In 1991, the Hugh A. Dempsey Reading Room at Glenbow was named in his honour. For Dr. Dempsey, it is people, their personal stories and their regular lives which can be the most revealing about history. He has been known to say, "I met the great, the near great and the just plain interesting, and of those three groups, the just plain interesting were the most interesting." His commitment to history has meant that stories that might have been left untold and undocumented are recorded in his many publications and in the wonderful collections he built at Glenbow.
2009-2010 exhibitions April 1, 2009 to March 31, 2010
| Vistas: Artists on the Canadian Pacific Railway June 20– September 20, 2009 Organized by Glenbow Museum
Elsewhere: Recent Paintings by Christine Cheung May 1–31, 2009 Organized by Glenbow Museum Celebrating Quilts May 1–July 5, 2009 Organized by Glenbow Museum Vistas: Artists on the Canadian Pacific Railway June 20–September 20, 2009 Organized by Glenbow Museum
Connections to Collections: Jin-me Yoon June 20–September 20, 2009 Organized by Glenbow Museum
The People and Places of Treaty 7 July 16–August 16, 2009 Organized by Glenbow Museum Real Life: Ron Mueck and Guy Ben-Ner October 17, 2009–January 24, 2010 Organized by the National Gallery of Canada Michael Nicoll Yahgulanaas: Exploring Haida Manga October 17, 2009–January 24, 2010 Organized by Glenbow Museum Connections to Collections: Jeff Thomas and Paul Wong October 24, 2009–February 21, 2010 Organized by Glenbow Museum
Total attendance for Vistas: Artists on the Canadian Pacific Railway
25,666 Total attendance during The Nude in Modern Canadian Art and Kent Monkman: The Triumph of Mischief
| Michael Nicoll Yahgulanaas October 17, 2009– January 24, 2010 Organized by Glenbow Museum
2009-2010 exhibitions | Real Life: Ron Mueck and Guy Ben-Ner, Organized by the National Gallery of Canada October 17, 2009– January 24, 2010
War Brides: One-Way Passage November 6, 2009–February 14, 2010 Kent Monkman: The Triumph of Mischief February 13–April 25, 2010 The Nude in Modern Canadian Art 1920-1950 February 13–April 25, 2010 Organized by the Musée national des beauxarts du Québec Teresa Posyniak: I Speak My Daughter Tongue February 13–April 25, 2010 Organized by Glenbow Museum
Kaahsinnooniksi Ao'toksisawooyawa Our ancestors have come to visit: Reconnections with historic Blackfoot shirts March 26–May 16, 2010 A collaboration between the Pitt Rivers Museum, Oxford, England; the University of Aberdeen, Scotland; the Galt Museum in Lethbridge and Glenbow Museum
| Kaahsinnooniksi Ao'toksisawooyawa Our ancestors have come to visit: Reconnections with historic Blackfoot shirts March 26–May 16, 2010
Total attendance from October 17, 2009– February 14, 2010 during Real Life, War Brides and Michael Nicoll Yahgulanaas: Exploring Haida Manga
THANKS TO OUR SUPPORTERS $100,000+ Bumper Development Corp. Ltd. Calgary Arts Development Authority Canadian Heritage Canadian Culture Online Program Chevron Canada Resources Harold Klunder Jacob Lazare Mrs. Barbara McMorland New Sun Fund at The Calgary Foundation Nexen Inc. Pattison Outdoor $50,000–99,999 Alberta Lottery Fund - Community Initiatives Program Calgary Herald Canada Council for the Arts Canadian Heritage Museums Assistance Program Canadian Pacific Railway Classic Country AM 1040 Hotel Arts Masters Gallery Ltd. $25,000–49,999 ARC Resources Ltd. Canadian Heritage Information Network ConocoPhillips Canada Chris Cran Devon Canada Corporation The Calgary Foundation $10,000–24,999 ARC Financial Corporation George & Colleen Bezaire David Bolduc Lauchlan & Karen Currie Joanne Cuthbertson & Charlie Fischer Joe Fafard George & Sheila Crawford Endowment Fund at The Calgary Foundation Great-West Life Assurance Company Barrie Helmer David & Gail O'Brien Olympia Trust Company Jennifer & Myron Stadnyk Arlene & Robert Stamp Gordon Tait The Kahanoff Foundation United Way of Calgary and Area West Canadian Industries Group
$5,000–9,999 Alberta Museums Association Irene & William Bell David & Leslie Bissett Ian & Heather Bourne Enbridge Inc. EnCana Corporation Estate of Donald Peacock Roger Fontana Jeanne Harco Hermès Harley & Rebecca Hotchkiss Imperial Oil Limited Ryan Kalt Michael & Madelyn Lang F. Richard Matthews Jean Merriman Randal L. Oliver Percy and Lois Cole Fund at The Calgary Foundation Peters & Co. Limited RBC Foundation Rubicon Fund at The Calgary Foundation Richard & Mary Shaw Bruce Shultz Jack & Dawn Thrasher Total E&P Canada Ltd. TransCanada Corporation $2,500–4,999 Annapolis Capital (II) Ltd. Allen Ball Ruth Barker Paul Beitel CityTV Pamela Clark Art & Bonnie Dumont David Edwards Kirstin Evenden & Christopher Heazell Harriett Goldsborough John A. Gray Jim Hall Dick & Lois Haskayne Lawrence W. West Family Fund at the Private Giving Foundation Leon Liffmann Bill & Corinne Macdonald MacEwan Family Charity Fund at The Calgary Foundation M. Joy Maclaren McAra Printing Barbara & James Palmer Rob and Ruth Peters & Family Pirie Foundation
Mike Rose Bob & Pat Steele The New Gallery Jeff van Steenbergen West Canadian Digital Imaging Inc. Donald Wetherell & Irene Kmet $1,000–2,499 Aduro Resources Ltd. Alberta Irrigation Projects Association Elizabeth & Bob Andrews Barbara J. Baker BanCor Inc. Mary Barr & Jim Allard Mr. & Mrs. E. G. Battle Brawn Foundation Bill & Jean Toole Family Donor Advised Fund at The Calgary Foundation Michele Nowak & Lloyd Buchanan Bumper Foundation Calgary & District Labour Council Calgary Flames Foundation for Life Calgary Mineral Exploration Group Don & Marlene Campbell Car Investment Corp. CJCA Community and Seniors Foundation Arthur & Grace Clark Doug Coats Ziva & Noah Cohen Jim Cullen Creemore Springs Brewery Ltd. Jocelyne Daw & Bob Page Stuart de Vries Devonian Foundation Gerald & Kathleen Deyell Marilyn Douglas ecentricarts Inc. Echo Memoirs Erik T. Larsen Professional Corporation Catherine M. Evamy FirstEnergy Capital Corp. Richard & Susan Galloway Ingrid M. Haase Hamilton Hall Soles/Ray & Berndtson Inc. Robin Harvie Maureen & Mike Heffring & Family Dr. John R. Hemstock Gail A. Hinchliffe Donna & Greg Horton Imperial Oil Foundation Independent Order of Foresters Jack Jeffrey Dr. Edward A. Johnson Dr. Leslie Kawamura
James & Shelley Keough Phyllis Konrad & Carl Bonke Mary & Robert Lamond James & Helen Laycraft Donna Livingstone & Edward Cavell Betty Lyons Dora Mackie & James Mackie Fred P. Mannix Dave Marshall Lloyd & Tracy Maybaum Jean & Rod McKay Lillian McKimm James & Dorothy McLeod Peter McPherson J. Sherrold & Patricia Moore Ted & Margaret Newall Jock & Diana Osler Jane Outcalt Grant Parker Nancy Peters Erna-May Pierce Rita & Glen Popowich Questerre Energy Corporation Beth Rankin RBC Capital Markets Priscilla Reid Dr. Michael & Mrs. Catherine Robinson RONA Inc. Rosebridge Capital Corp. Inc. Vera A. Ross Deborah Sanderson Scott Land & Lease Ltd. Carol & JR Shaw Shaw-Nee Slopes Golf Course Miriam Shiell Steve Soules Margaret & Ronald Southern Stantec Architecture Ltd. Michael & Caron Stewart Mrs. M.E. Stewart Stikeman Elliott LLP L. Deborah Sword David & Carolyn Tavender Robert Tilden Michael J. & Renae N. Tims University of Calgary Rhonda Wishart & John Cuthbertson YMCA of Calgary Susan J. Zappe $500–999 Axia Netmedia Corporation Aubrey Bell David Bernatchez David Biggar & Servando Peña William E. Brown Sharon Butala Calgary Exhibition & Stampede David & Kathryn Carey Bill Chester
Margaret Churcher, Nelson & Rachel Smith David & Gay Claydon Valerie Cooper Susan Dell Marguerite Dixon Robert Elias EPCOR Centre for the Performing Arts Estate of Alison Hankins Estate of Betty Duncan Leonard & Polly Evenden William & J. Louise Gant GCS Resources Management Ltd. Hannelore Gewers Wendy Giuffre Rick & Margaret Harrop John & Mary Lazelle Harvie Brian & Barbara Howes Beverley Hrenewich & Gloria Filyk Melanie Kjorlien Knight Enterprises Inc. Gerald & Mary Janet Knowlton Laricina Energy Ltd. Beth Lennard Ian M. Loch Peter & Jeanne Lougheed Colin MacDonald Vettivelu Nallainayagam Pacific Resource Conservation Society Paramount Energy Operating Corp. Gerald & Isobel Pittman Bente Roed Rosedale Community Association San Remo Ristorante Harry & Joanne Schaefer David & Marion Shill William & June Tye United Farmers of Alberta Coop Ltd. Mary E. Ward $250–499 Dennis & Patricia Anderson Aquila Books Robert Baker & Holly Sykes Diana & David Ballard Margaret Bawden Monique Beaumont Jean-Claude & Marianne Beauvilain Ailsa Birnie Michelle & Jay Brown Doug & Vicki Cass Marc Charest Walter & Gloria Chayka Soren Christiansen Yanka & Robert Cochrane Joel & Pat Cochrane Pat & Jim Conway Susan Cowan Donald & Shan Cross Thomas & Mary Cumming V. A. Cuthbertson
Glenn & Melody Davies Robert & Wendy Dick Estate of Anna Nowick Jan Ferguson Frank McInenly Auctions Ltd. Jim Gardiner Christene Gordon Karen Guidolin Neil Herle Don Heron Brian G. Holmes Brian Hook Pauline Kay Karen Konrad Dr. Sylvia & Dr. J Ryszard Kowalewski Gordon Lackenbauer Brian & Shirley Langan Lorne & Patricia Larson A. Ronald & Barbara Law Mrs. Louise Lefebvre Harold & Elaine Lemieux Jean Leslie Kenneth Lima-Coelho Livingstone & Cavell Extraordinary Toys Donald & Doreen Lougheed Dr. E. W. Paul Luxford Bruce A. MacDonald Neil Mattatall Dan McGregor Judy Miskew Dr. John & Mrs. Margaret Noakes Cara Olynyk & Andrew Graham Tietje Piera Josephine Pon Maureen Poscente Tasneem Rahim Rich Roenisch Audrey Schultz Catherine Smith Perry & Geneva Spitznagel G. C. Stevenson Laurie Strother Ann Ten Pierik Gloria Toole & Janis Svilpis Peter van Leeuwen Jo-Ann Visser Lawrence & Olga Watson Jeanne Watson Willow Park Wines & Spirits Shirley A. Wolfe Hal & Marnie Wyatt Michael Nicoll Yahgulanaas Gifts-in-kind Values Pending Edward Schwarts Estate of Robert E. Burns
Glenbow Board of Governors April 1, 2009–March 31, 2010 FOUNDER Eric L. Harvie*, O.C. C.D. Q.C. BOARD OF GOVERNORS Board Chair George E. Bezaire Vice-Chairs Jack Thrasher, Q.C. Chair, Development Committee Gail O'Brien, LL.D. (Honourary) Past Chair Lauchlan J. Currie Governors Brian Calliou John Cardiff Richard Cormack Anne Crawford Joanne Cuthbertson Chair, Collections & Access Committee William DeJong, Q.C. Kirstin Evenden, M.A., President & CEO Rod Green Robert (Bob) Herdman, FCA Jim Keough Donna Livingstone Jean Merriman Dr. Vettivelu Nallainayagam Dr. Michael J. Robinson Chair, Audit/Investment Committee Richard Shaw, Q.C. Chair, Governance Committee Bruce Shultz, P. Geol. Myron M. Stadnyk, P.Eng. BOARD COMMUNITY REPRESENTATIVES Larry Birchall Dr. Anne E. Calvert Lance Carlson Bonnie Dumont Phyllis Konrad Corporate Secretary and Treasurer Marion Shill Assistant Corporate Secretary Vacant
PAST CHAIRS Eric L. Harvie*, O.C. C.D. Q.C., 1954–1966 The Hon. Mr. Justice N.D. McDermid* Q.C., 1966–69 James C. Mahaffy*, 1969–1970 W. Donald C. Mackenzie*, 1970–74 The Hon. Douglas S. Harkness*, O.C. 1974–77 Jane T. Edwards*, 1977–1980 D. Edwin Lewis*, C.D., Q.C., 1980–84 E. David D. Tavender, Q.C., 1984–88 Catherine Evamy, 1988–1991 Frederick F. Abbott, 1991–94 J. Sherrold Moore, 1994–97 Robert G. Peters, 1997–2000 A. Webster Macdonald, Jr., Q.C. 2000-02 Randal L. Oliver, 2002–04 Ian A. Bourne, 2004–07 *deceased
FELLOWS Robert M. Borden N. Glenn Cameron Catherine M. Evamy Robert R. Janes, Ph.D. The Hon. E. Peter Lougheed P.C., C.C., Q.C. Joy Harvie Maclaren Michael P. Robinson, C.M. E. David D. Tavender, Q.C. HONOURARY APPOINTMENTS Patricia Ainslie, Curator Emeritus of Art Dr. Hugh Dempsey, Chief Curator Emeritus Dr. Marmie P. Hess, O.C., L.L.D. Associate Researcher Ralph Klein, Curator Emeritus of Blackfoot Ethnology Joy Harvie Maclaren, Curator Emeritus of Blackfoot Ethnology Ewa Smithwick, Conservator Emeritus
Glenbow Management & Staff (Full and part time list as at March 31, 2010) President's Office Kirstin Evenden President & Chief Executive Officer Jacqueline Eliasson Assistant to the President Senior Management Team Douglas Cass Director of Library & Archives Melanie Kjorlien, Vice President, Access,
Knowledge Management Wilf Allen, Support Technician, Audio Visual & Computer Janelle Dubeau, Digitization, Publishing & Rights Coordinator (on leave Feb. '10) Rebecca Melenka, Digitization, Publishing & Rights Coordinator
Marketing & Communications Tanis Shortt, Manager, Marketing &
Collections & Exhibitions Marion Shill, Chief Financial Officer and Corporate Secretary
Communications Megan Bailey, Communications Specialist Allison Moore, Marketing Specialist
Access, Collections and Exhibitions Sharon Dubé, Administrative Assistant,
Visitor Experience Heather John, Manager, Visitor Experience Susan Barratt-Kyle, Visitor Experience
Access, Collections & Exhibitions
Representative Julie Bevan, Adult Education Coordinator Danielle Booroff, Museum Educator Michèle Gallant, Museum School Coordinator Cassandra Hanhart, Museum Educator
Collections Daryl Betenia, Manager, Collections Claude Belleau Conservator, Paintings and Sculpture Aimee Benoit, Collections Technician, Indigenous Studies (on leave Feb. '10) Lee Oldford Churchill, Conservator, Paper Heather Dumka, Conservator, Artifacts Kathleen Fisher, Pest Control and Collections Technician Kimberley Hallis, Collections Technician, Art (on leave Aug. '09) Catherine Heggs, Collections Technician, Cultural History Travis Lutley, Collections Technician, Art Lia Melemenis, Collections Registrar
Joanne Schmidt Collections Technician, Indigenous Studies Marcia Slater Collections Technician, Cultural History Curatorial Gerald Conaty, Director, Indigenous Studies Lorain Lounsberry Senior Curator, Cultural History Monique Westra, Acting Senior Art Curator
Design and Production Ray Jense, Manager, Production Kathryn Baker, Graphic Design Technician Rod Bennett, Production Technician David Biggar, Graphic Designer, Marketing Stephen Dundas-Smith, Exhibit Designer Elizabete Edels, Exhibits Registrar Ray Laniel, Production Technician David Nicol, Production Technician Cathie Ross, Graphic Design Coordinator Terry Shuttleworth, Production Technician
Audrey Jahraus Visitor Experience Representative Lada Karanovic, Bookings Coordinator Kyle Lamont, Admissions System Administrator Natalie Marsh, School Programs Coordinator Kattina Michele, Museum Educator Veronica Murphy Discovery Education Coordinator Ursula Ross, Visitor Experience Representative Rachel Stacey, Museum Educator Clarence Wolfleg First Nations Program Coordinator Antonia Wolfleg, Bookings Coordinator Central Services Ron Marsh, Director, Central Services Doug Coombe, Purchasing Coordinator Glenn Myhr, Manager, Computer Services Chris Heazell Computer Support, Network Administrator Nick Heazell Computer Support, Network Administrator Cathy Herr Computer Support, Collections Specialist Scott Johns, Audio Visual Operator Owen Melenka, Photographer
Michael Gyorkos, Visitor Services Representative Sarah John, Visitor Services Representative Emily McGuigan, Visitor Services Representative Peter Miller, Visitor Services Representative Bruce Mullen, Visitor Services Representative Kelsey Scholtz, Visitor Services Representative Alice (Ruth) Setso, Visitor Services Representative Rick Widenmaier, Visitor Services Representative Finance James Pon Manager, Finance and Accounting Cheryl Garden, Senior Financial Analyst Simona Ciobanu, Accountant Grace Chan, Accounts Payable Accountant Mary Lender Finance & Administrative Assistant Volunteer Resources Lynn McShane, Manager, Volunteer Resources
& Staff Development
Fund Development Wendy Robinson Manager, Fund Development Michelle Cvik, Database Coordinator Nicola Garvin Membership and Annual Giving Coordinator Kellie Moynihan Grants & Planned Giving Coordinator Glenbow Museum Gift Shop Connie Smith, Manager, Glenbow Shop Douglas Aubrey Assistant Manager, Glenbow Shop Linda Dalziel, Cashier Charmaine Warne, Cashier Library & Archives Anita Dammer, Digital Images Technician Jennifer Hamblin, Librarian Susan Kooyman, Archivist, Digital Access Adria Lund, Archives Clerk Lindsay Moir, Senior Librarian Roberta Ryckman, Administrative Assistant Lynette Walton, Archivist, Imperial Oil
Building & Visitor Services Gerald Bogner Manager of Building and Visitor Services Reynaldo San Pedro Visitor Services Supervisor Joan Calub, Visitor Services Representative Kelly Cavanagh, Visitor Services Representative Doug Coombe, Visitor Services Representative
upcoming exhibitions
The Baroque World of Fernando Botero
Brian Eno - 77 Million Paintings
August 21–November 14, 2010
January 4–March 20, 2011
Organized and circulated by Art Services
Organized by the Glenbow Museum in
International, Alexandria, Virginia
partnership with One Yellow Rabbit's High
From Our Collection: The Broken World of
Performance Rodeo 2011
John Will
Yousuf Karsh, Regarding Heroes
August 21–November 14, 2010
April 2–June 15, 2011
Organized by Glenbow Museum
From the Collection of the
James Henderson: Wiciteowapi Wicas
Art Institute of Chicago
(The Man Who Paints the Old Men)
Zidane, A 21st Century Portrait
October 16, 2010–January 9, 2011
Douglas Gordon & Philippe Parreno
Organized by the Mendel Art Gallery
April 2–July 3, 2011
Stephen Hutchings:
Organized by the National Gallery of Canada
Landscapes for the End of Time
The Warrior Emperor and China's
December 11, 2010–March 13, 2011
Terracotta Army
Organized by Glenbow Museum
July 30–November 20, 2011
Perceptions of Promise: Biotechnology,
Organized by the Royal Ontario Museum in partnership with the Shaanxi Provincial Cultural Relics Bureau and the
Society and Art
Shaanxi Cultural Heritage Promotion Centre, People's
January 4–March 20, 2011
Republic of China, with the collaboration of the Montreal
Developed in partnership with the Canadian Stem Cell Network and the University of Alberta's Department of Art
Museum of Fine Arts, the Glenbow Museum, Calgary and the Royal BC Museum, Victoria.
and Design and Health Law Institute
Left to right: Fernando Botero, The First Lady, 1989, Private Collection. The Baroque World of Fernando Botero exhibition is organized and circulated by Art Services International, Alexandria, Virginia;. Yousuf Karsh, Winston Churchill © Estate of Yousuf Karsh. This exhibition tour is organized by Curatorial Assistance, Pasadena, CA.; Douglas Gordon and Philippe Parreno, Zidane, A 21st Century Portrait (detail), 2006, National Gallery of Canada, Ottawa © Anna lena films/Palomar Pictures


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Fairfield Bay, Arkansas - Dog-Friendly Listings
Arkansas: Fairfield Bay:
Fairfield Bay - as dog-friendly as they come! This city guide will show you all the best (and worst) places for your pets. Don't forget to add your reviews for the businesses in this ultimate resource.
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subset: commoncrawl


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I have a 56 plate, 325 I SE Touring.
When I lock and alarm the car the alarm goes off every time, sometimes it can take around 10 minutes and the alarm sounds, other times it can be hours, usualy around 3 am ish ( sorry neighbours ). I first noticed it in the winter, i presumed it was ice on one of the sensors causing this, but it is still happening now. Got to the stage I dont bother locking it at home anymore, as it only results in being woken up at an un-godly hour .
I dont have any air fresheners danglign in the car by the way, nothign loose in the car to make the alarm go off.
Also, I believe when you lock the car, if you press the lock button within 3 seconds it disables the interior sensor, I have done this many times, but the alarm still goes off randomly, so I guess it is not a fault with the internal sensor thats fitted to the roof ?
Any ideas ?
Common fault ?
Car is out of warranty of course now, so last thing I want to do is take it into BMW to try and find out the issue.
Any tips / hints / ideas appreciated.


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Dry lubricants have a lot to offer the homeowner. Most lubricants leave an oily film that attracts dust. Dry lubricants can keep your doors, drawers, windows and locks running smooth with no residual mess. Check out this article for three common types of dry lubricants and their uses.
Use graphite to lubricate locks; unlike oil or penetrating sprays, it won't collect dust, which will clog the mechanism.
Rub a solid lubricant made from wax on wood drawers, wood windows and other porous surfaces.
Use silicone spray on drawer rollers, window tracks and other plastic, rubber and metal surfaces. It dries almost instantly.
Penetrating spray lubricant is not always the best lubricant for everything around the house. Drawers, cabinets, locks and latches, windows, sliding and bifold doors, and other metal, wood and plastic surfaces inside the house all need lubricants that stay dry and clean.
Graphite (powder or spray), wax and silicone all dry quickly, so they don't attract dust, which can clog or gum up moving parts. Each of them solves unique lubricating problems better than any other lubricant and costs less than $5, making them well worth keeping in the shop next to the penetrating spray.


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You can take Koch Industries off the list of potential buyers for the Los Angeles Times and other Tribune publications. A spokeswoman for the Wichita, Kansas-based company told Bloomberg that Koch is no longer interested in bidding for the newspapers. The Daily Caller website initially reported that Koch decided it would not be buying any of Tribune's daily newspapers after conducting a review. "Koch continues to have an interest in the media business and we're exploring a broad range of opportunities where we think we can add value," Koch spokeswoman Melissa Cohlmia said in an e-mail to Bloomberg. The Kochs had been named among several potential Tribune buyers, people familiar with the negotiations said back in March. That group included News Corp., Berkshire Hathaway, Wrapports LLC and Freedom Communications.
Koch Industries Passing On Tribune Newspapers: Bloomberg
4 Comments
Didn't half the staff of the LA Times threaten to quit if the Koch brothers bought the newspaper? Now they can get laid off instead, a clear moral victory for jounalistic obectivism.
Well at least they won't have the Kochs as their masters.
Quit and go where? Who's hiring?
It'll likely sell for under $100 million, a fraction of what it was worth 10 years ago.


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With all of the worries out there, the most basic is hunger — even in Ketchikan.
But the community responds to it well, which should be noted.
Seven days a week in Ketchikan, it is possible to get a meal because of the local churches.
Some churches give through Love in Action (formerly Love in the Name of Christ or Love Inc.) and others handle the need to help the hungry directly. Love in Action was organized and is representative of the church community here. Church leaders serve on LIA's board of directors.
Lisa Scarborough of LIA says that the organization that she oversees serves between 15 and 25 households monthly when it comes to food assistance. Each household may call on LIA for help no more frequently than once every four months; its service is designed to get households through a rough period, such as a job loss of a family breadwinner.
LIA provides boxes of food that include both perishable and non-perishable items. Depending on the size of a family, this helping-hand can last a week or longer. LIA has volunteer church members who deliver the boxes.
The Salvation Army operates its soup kitchen Monday through Friday. At lunchtime, meals are provided, and those meals are served by the Army and/or community volunteers.
On Saturday, Ketchikan's day shelter offers bagged or boxed lunches to help out, and on Sunday, several churches, on a rotating basis, cook an afternoon meal at St. John's Episcopal Church for the hungry, according to Scarborough.
Others churches have food pantries that they share with members in need. It's unlikely they would refuse assistance to anyone, however, and, of course, they can refer to Love in Action or one of the other food services. One church, the Presbyterian, distributes food weekly on Fridays.
It isn't only the churches, but local clubs, such as Rotary 2000, that collect food. Rotary's food is donated specifically to Schoenbar Middle School to ensure no students start classes without some type of breakfast; too many students go to school with growling stomachs, and that's not likely to encourage good study habits in the classroom or out.
When called upon, when supplies are low, as they are for Love in Action this month, the community, the churches, the clubs, and individuals and businesses in the community come through to help. This often happens during the Thanksgiving and Christmas holidays, but at other times of the year, too.
It's likely others are helping out, too, but silently — individuals or businesses which see a need and meet it there and then.
Ketchikan is this type of community, always willing to help out the less fortunate who later on might be the helpers when fortunes are improved or reversed.
In Ketchikan, no one has to go hungry. Because of that, and for many other reasons, there's one less thing to worry about.


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The Chilterns is the ultimate opportunity for luxury living in the heart of London's prestigious Marylebone; designed to expertly combine the highest technical specifications with the finest interiors from world-renowned designer Rabih Hage. From the unique David Bailey open-plan gallery in the reception foyer to the residents' private cinema, The Chilterns will radiate elegance and class all the way.
The Chilterns is located on the corner of Marylebone's iconic Chiltern Street in the tranquil Marylebone Village - an area carefully nurtured by the Howard de Walden and The Portman Estates - and home to the renowned Harley Street. With a W1 postcode, residents will be immersed in London's West End with affluent neighbours such as Mayfair and Bond Street, whilst the rest of the capital is easily reached via nearby transport connections.


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Photo! Web Album 1.1
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- Language
- English
- Platform
- windows
Easy to use photo editing and hosting ... that it's actually a better way to organise your photos than even Picassa Basic photo editor, uploader and hosting in one, Photo! Web Album is a ...
- PROS: Allows you to upload photos to own hosting service, Edits can be made from your desktop, Supports subfolders, Very easy to use
- CONS: Interface is quite basic, Editor doesn't allow many changes to be made


text:
Browse By Person: Hill, Geof
|Up a level
Group by: Item Type | Date
Jump to: Book Chapter | Journal Article | Conference Paper | QUT Thesis
Number of items: 8.
Book Chapter
Hill, Geof W. (2011) Diffracting the practices of research supervision. In Mallan, Vijay Kumar & Lee, Allison (Eds.) Connecting the Local, Regional and International in Doctoral Education. Universiti Putra Malaysia Press, Serdang, Malaysia, pp. 154-171.
Journal Article
Hill, Geof & Walsh, Shari P. (2010) Graduate research capabilities : a new agenda for research supervisors. Australian Journal of Career Development, 19(3), pp. 79-81.
Hill, Geof (2008) Supervising practice based research. Studies in Learning, Evaluation, Innovation and Development, 5(4), pp. 78-87.
Spooner-Lane, Rebecca S., Henderson, Deborah J., Price, Robin A., & Hill, Geof W. (2007) Practice to Theory: Co-supervision Stories. International Journal of Research Supervision, 1(1), pp. 39-51.
Sankaran, Shankar, Swepson, Pam, & Hill, Geof W. (2005) Do research thesis examiners need training? : practitioner stories. The Qualitative Report, 10(4), pp. 817-835.
Conference Paper
Hill, Geof W. (2011) Pedagogy of feedback on student academic writing : research supervisor practices for the end of the research degree candidature. In European Association for Teaching of Academic Writing (EATAW 2011), 29 June - 1 July, 2011, University of Limerick, Limerick, Ireland.
Hill, Geof W. (2010) Making use of pedagogic models as reflective catalysts for investigating pedagogic practice. In The 5th International Inquiring Pedagogies Conference (iPED 2010), 15 September 2010, Coventry, United Kingdom.
QUT Thesis
Hill, Geof (2002) Promoting congruence between the inquiry paradigm and the associated practices of higher degree research. Professional Doctorate thesis, Queensland University of Technology.


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Carl is wearing the hat ohshit
Carl is wearing the hat ohshit
Shane you have the dumbest plans.
Oh boy what's gonna go down with Carl and Randal?
Darn, nothing.
Randall's just digging that hole he presently finds himself in deeper and deeper.
Not sure why but Daryl is starting to irritate me.
Oh hey carl is a FP member apparently
Carl is suddenly an angry atheist.
Jesus carol calm down
Carl you little prick
Apparently, Carl is a poster on Facepunch.
Beat his ass, Rick. He's just a boy... but he'll learn.
Oh hey, there is a hole in the fence from cattle? Zombies on the farm soon.
Rick should've laid down the law on Carl.
Okay, theft, I guess. Carl is just awful today.
Nice bike, Daryll. Even has SS runes to complement it. And dead squirrels.
What the heck Carl you gun die.
Carl, wearing a sheriff's hat does not make you an instant zombie killing master.
Poor zombie. :(
Boom armshot
Fucking Lexus interrupting the show.
Rick and Lori seriously need to discipline Carl. Everything they tell him to do he does the opposite of.
All stuck in the mud and whatnot.
What just happened guys? My tv cut out and I missed it.
Rick needs to keep that kid on a leash
So the protagonists are contemplating murdering someone. Should I not be hating them right now?
Dale's the only fucking reasonable person in this situation and everyone thinks he's crazy or something. Goddamn.
"What's up, Dale?"
Fuck you, Shane.
Which Korea Glenn, hm? You from North or South?
I'm guessing South because, you know, his family left.
Yeah, makes sense.
Or maybe he lives in the DMZ.
probably from unified Korea
carl what the fuck man
This episode's dumbass? Carl.
Next? WHO KNOWS
Wow Carl you dumb.
That's why you don't taunt a zombie, you little idiot.
Carl is a idiot.
As a fan of the comics, I was hesitant to give this series a try. But god DAMN, this show is HOLYFUCKCARLRUN FUCKINGZOMBIE
Sorry, was typing that in the middle of a scene. That was supposed to read "this show is damn near perfect."


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Originally Posted by berrypatch
Welcome to the Quilting Board!
Originally Posted by berrypatch
I also used to raise egg chickens and sell eggs! It is just the nature of the beast for fresh eggs to be really stubborn "peelers". When I wanted deviled eggs-I bot store eggs. Of course they have NO taste but with mayo, mustard and whatever you add, no-one will know the difference. I had one customer that continued to call me when she found little dark brown spots in her hard boiled eggs. Guess WHAT! We had roosters!!!! (fertilizing the eggs~) Ask your grocer how old those store eggs are? Bet you'll be surprised! At least 6 weeks (plus) old. Also, FRESH eggs don't need to be refrigerated for at least a few weeks. go figure!
I use a little electric egg cooker called an "Egg Genie." It cooks the eggs, a buzzer goes off and they're done. I love it!
Put a tiny bit of oil in your water...it absorbs through the shell and makes them easier to peel
Another tip about "yard eggs" (learned the hard way)---when I'm baking, I usually beat cakes or whatever I'm making about half the minutes listed on the recipe. If I beat the full amount of time my baked goods come out tough. Too much good protein in those warm-from-the-hen eggs!
Your eggs are too fresh. When I know I'm going to make deviled eggs, I buy the eggs at least a week to ten days before cooking. I also pierce the "big end" with a safety pin and when done, I crack the shells a bit and plunge in cold water. Keep the water cold. Then I peel them under water. Hope this helps. :thumbup:
We sell eggs and I tried everything then I saw this on food channel don't remember who.
Boil your eggs as usual with a dash of salt in the water, turn eggs off and cover with tight lid, leave untill completely cool don't lift lid, the steam does something to the air in shell. I leave mine in boiler pot overnight and they peel like a dream next day. Perfect for deviled eggs.
Hope this helps>>>>Diane
I grew up on an egg producing farm and am familiar with your peeling problem. My mother always kept the eggs for several days if she was going to make deviled eggs. Dynamite won't peel them when they are fresh. Rejoice that they aren't a month old like some of the store eggs. Save a dozen or so for several days. She told me 3 days, but I would wait nearly a week to be sure. That is a lot of work for then to come out rough. We candled all our eggs. Put a box over a lamp and look through a hole to see if there is a large air cell or colored matter. We always checked all of our eggs before selling them in our home town. People throw a fit if there is a spot of blood inside the egg. It doesn't hurt the egg. Just take it out of the egg with a spoon and move on. Some have double yolks and look a little bigger. We didn't wash the eggs unless they were soiled or muddy. They keep better with their natural state. Our chickens ran free.My dad had an egg route on Saturday morning. We sold them for 50 cents a dozen, delivered. I rode along and took them up to the houses and returned with egg cartons the customers saved for us. Can you imagine what that service would cost now, if they would even allow you to do it. Nobody ever cheated us or dodged payment either. They loved farm fresh eggs.


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Edit my video of my talking, tweak audio, add visual elements
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text:
Thousands of tutorials to learn from
can anybody give me link for Video Tutorials of Pro/E?
Checkout http://learningexchange.ptc.com/
thanx williams this is helpful...but are there tutorials like DVD etc... available...
random tutorials are not that efficient...
HI Sudhir I really don't know as I am an IV user I was just trying tohelp out a little by looking for what you wanted.
anyway thanx.. you know what i meant!! :P


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Welcome to Parents of Epileptic Kids. This website was borne out of the awareness that there is very little in the way of support for parents with children who suffer from epilepsy and even less support for parents whose children suffer from a drug resistant or intractable/refractory form of epilepsy. One third of all epileptics are in fact refractory.
The purpose of this website is to provide information on epilepsy, treatment options and the like, but more importantly, its purpose is to provide a meeting place for parents who find themselves in similar circumstances and wish to share their stories, seek support and swap information and resources.
My six year old son, Mitchell, is the inspiration behind
this website.
He was diagnosed with epilepsy in 2011. Our journey with him has been long and hard but my little boy has been so brave. Read about his story on the 'About' page.
Supported By:
Created By: Avian Technologies
© Copyright Parents Of Epileptic Kids 2016. All rights reserved


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Sweet Home Chicago
About this blog
We are all travelers...in one way or another. Join me as I explore my new home, Chicago.
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Finally at the Falls
Trip Start Dec 24, 2010
159Trip End Jun 01, 2011
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What I did
Went to the AAA Office
The Hussy got us to the park, more or less. We finally had to use the map to get located. We had a free parking pass from our park, but were lured into a local parking spot prior to arriving directly at our location. It only cost us five dollars, but it still irritates me to get suckered in so. Perhaps it was just being frustrated at the difficulty in getting there that did it.
Some of the venues are not open yet. The tunnel behind the falls is still under construction, so is only partially open. We wandered around the park a bit and enjoyed the views and flowers. Then we got our tickets and climbed up onto the observation tower. Here I got some decent photos and one of the videos.
When our boat arrived, we opted for a spot on the port side, which would give us the best view of the water. The boat holds about a hundred patrons and is an SRO situation only. We found out later the why of it. We pushed off and headed on a course just below the falls itself. I got two or three shots of the area prior to ditching the camera under the included raincoat. Then the water and wind hit! It was a thrilling and exciting ride. We crossed over and approached the Canadian side and got the full view of both parts of the falls. We got wet!.. to say the least.
On the return trip, the wind, which reminded me of the blow dryer in the car wash, dried us off almost completely. We both retained our wet feet as a memory. It was a great trip! If you ever get here, do not miss it.
One experience I really enjoyed was visiting with several visitors a t the park. We, as Americans, were truly in the minority. There were numerous Chinese and also folks from India. Since I'm naturally loquacious and curious, I approached a number of them to visit and ask a few questions to get the conversation going. Some of the Chinese were students in engineering, studying in Detroit
By the way, two kind folks took photos of us today. Unfortunately they both seemed uncomfortable with including our feet. Interesting...
We then headed south to Buffalo... no shuffling though. We need maps, tour guides and campground books for the remainder of our trip. There's a AAA office just off of the interstate with easy access. We "mapped up" and then found a spot for lunch. It was called the "SoupHerb Gourmet". Took me a while to fully get the meaning of the name. The food was good and reasonably priced, for New York, that is. We also found a terrific food store nearby, called Wegmans. It's a huge store and has so many choices that I was amazed. Pricey, but nice, is how I'd describe it.
We headed back to the park and are relaxing. Too much lunch helps us decide to forego dinner tonight. We'll stroll over at about eight thirty and view the sunset again. It's an amazing experience. I could go on, but for once, will not.
Tomorrow is a trip to Lockport to do some needed laundry, so stay tuned for more adventure!


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Definition of certainty
1 : something that is certain
2 : the quality or state of being certain especially on the basis of evidence
Examples of certainty in a Sentence
Scientists still do not know with any degree of certainty why the disease spread so quickly.
We cannot predict the outcome with absolute certainty.
There was no certainty that the package would arrive in time.
Her certainty about these complex moral issues is surprising.
Synonym Discussion of certainty
CERTAINTY Defined for English Language Learners
Definition of certainty for English Language Learners
: the state of being or feeling certain about something
: something that is certain : a fact about which there is no doubt
CERTAINTY Defined for Kids
Definition of certainty for Students
1 : something that is sure Victory was a certainty.
2 : the quality or state of being sure She answered with certainty.
Learn More about certainty
Thesaurus: All synonyms and antonyms for certainty Spanish Central: Translation of certainty Nglish: Translation of certainty for Spanish speakers Britannica English: Translation of certainty for Arabic speakers Britannica.com: Encyclopedia article about certainty
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How Do You Find A Top Realtor?
Whether you are moving across town or out of state, a real estate agent that understands your needs, along with property transfers, is a key asset. With all the paperwork and regulations surrounding a typical home sale, you want a top real estate agent that is well-versed in all local laws and culture. How do you find a top Realtor? Take a look at some of the best ways to narrow down your search.
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Mason Jar Music is an audio/video production company and creative collective based in Brooklyn, NY combining the 21st century's affordable digital tools with tried-and-true analog philosophies and skilled craftsmanship to create a wide range of high-quality multi-media products. Their work ranges from record production and scoring, to music videos and live concert recording/filming. Their flagship project, a video concert series they call Mason Jar Music Presents, pairs talented musicians with historic New York locations and original orchestral arrangements. Mason Jar Music believes in preserving analog principles in a digital age, in assembling a room of talented individuals and working together to create and capture a singular musical moment.
Mason Jar Music incorporated in 2010 and has since been featured on NPR's All Things Considered and All Songs Considered, Spin, Brooklyn Vegan, The Huffington Post, The Village Voice, and was named the 6th Most Innovative Company in Music for 2012 by Fast Company's annual listings. Their non-traditional live-performance work with Feist, The Wood Brothers, Abigail Washburn, Laura Gibson, Alicia Keys, and Josh Garrels has garnered hundreds of thousands of plays and resounding praise from all over the globe.
The company and the team have won awards and grants from Sony, First Run Film Festival, Songcircle, and NYU. Collectively and individually, they've created content for such clients as Focus Features, Sony Entertainment, The National Geographic Society, Rosanne Cash, Esperanza Spalding, Fela! The Musical, Director Ang Lee, and the Food Network, as well as a plethora of up-and-coming independent artists.


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Welcome from MD
This is a discussion on Hey new guy here. From NH and looking for some fellow NH Shooters within the New Members Introduce Yourself forums, part of the Welcome To DefensiveCarry.com category; Welcome & Semper Fi from Wisconsin! Thanks for your service....
Welcome & Semper Fi from Wisconsin!
Thanks for your service.
USN Submarine & UDT/SEAL Veteran
1SG, US Army Retired - Airborne Infantry All the Way!
Retired PI/Armed Security
Welcome from MD
It's better to be judged by 12 than carried by 6!!
Walther P5 / AMT AutomagII
Welcome from South Carolina...
Sometimes in life you have to stand your ground. It's a hard lesson to learn and even most adults don't get it, but in the end only I can be responsible for my life. If faced with any type of adversity, only I can overcome it. Waiting for someone else to take responsibility is a long fruitless wait.
Welcome from Ohio.
"What lies behind us and what lies before us are tiny matters compared to what lies within us." - Ralph Waldo Emerson
WELCOME FROM OLYMPIA, WA; IN THE GREAT PACIFIC NORTHWEST - THE "ORIGINAL MARLIN®" (North Haven, CT Rifles) COUNTRY!
Only two defining forces have ever died for you.....
1. Jesus Christ.
2. The American Soldier, Sailor, Airman, Marine, and Coast Guardsman.
One died for your soul, the other for your freedom!
Welcome from southern NH. Not much down here, we're almost Mass. (in too many respects).
Just a few miles across the border in Freyburg, Maine there's a nice little range that the GF and I frequent. It's outdoors with covered shooting positions, open to the public, free (as in beer), un-staffed (honor system, self-policing) and friendly to things like draw-from-concealment drills (if the place isn't packed of course), full-auto, etc. We've run into a lot of NH shooters there. There's three sections for pistol, rifle and clay.
It's about halfway down Fish & Game Road, off Routes 5 & 113, just a stones throw north of the Freyburg / Brownfield line. As with any place like this, clean up after yourself and respect the hard work that went into putting it together. The first Wednesday morning of every month is range clean-up time... volunteers are always welcome :)
The Second Amendment *IS* Homeland Security
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The Forests Source Book provides practical operations-oriented guidance for forest sector engagement toward the goals of poverty reduction, conservation and economic development. Intended to guide World Bank lending activities and projects, the Forests Source Book offers information useful to a broad audience of practitioners, government agencies, and non-governmental organizations. The Source Book was developed in partnership with members of the Collaborative Partnership on Forests, including the Food and Agriculture Organization. The Source Book provides background on key issues, lessons learned, and recommendations for practitioners on a number of topics including private sector engagement, forest governance, sustainable plantation and commercial harvesting, and forest information management systems. Giving insight into the complex interplay between different realms of development work that effect or are affected by forests, the Forests Sourcebook is a valuable tool for any stakeholder involved in development or business projects that could have impact on forests.
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The Great Missing Car Caper — Part I
- Updated: November 27, 2008
As if the 3 – 2 loss to Phoenix wasn't enough, we (wife, son & I) strolled to the Chestnut Street garage to retrieve our car, and arrived at our 3rd level location to find — missing car!!!! Needless to say, we scurry down to the office, meeting some fellow season ticket holders, who, like us, paid good money to Standard Parking for the full season. Their car was likewise missing, and were told that the car had been towed, as they were parked in Reserved spots.
Now, we have parked in exactly the same spots for 4 preseason and 11 regular season games, and even went so far as to check with 2 different employees as to where permissable parking and impermissable parking was located when we came to the first game this year, as this was a new garage for us. We were assured that these spots were fine.
After receiving several different stories from the onsite employee, assurances that the manager was on his way, and making a call to the Columbus Police to investigate the prospects for pressing charges, we were told that our cars had been towed to the 9th Floor of the garage! While two of us retrieved the cars, checking for damage, the manger and cohort arrive, and provide several different versions of what the rules were, finallly saying that they were not responsible for what their employees said!
Clearly the intent was to hold us up for towing fees, which we vociferously declined to do. Come Friday, Standard Parking will hear much more about this, and the CBJ will be notified about the quality of the vendor they have chosen to use for their parking. Stay tuned for the next installment . . .


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ELKHART LAKE, Wis. – Starting from the Gumout Pole Position, Michael Lewis, of Poway, Calif., was under heavy pressure for all 13 laps of the GT-1 race at the 49th SCCA National Championship Runoffs at Road America, but came away with his third consecutive win.
Doug Peterson, of Bonita Springs, Fla., and Cliff Ebben, of Appleton, Wis., finished second and third, respectively
(For more SCCA National Championship Runoffs Coverage, Click Here)
From the drop of the green flag, Lewis' No. 12 Goodyear/Cyclo/Redline Oil Jaguar XKR had a mirror full of competitors. Third-starting Peterson opted to keep his nose tucked in behind Lewis through Turn One, enabling him to slide past Ebben and into second — something Lewis wasn't so excited about.
"The start went really well," Lewis said. "He [Ebben] seemed to bog a little bit at the start, so I got a bit of a jump. I thought 'hey this is good,' but then I looked back and this guy [Peterson] is glued to my bumper, so I had to go deep into Turn One anyway."
Second-place Peterson challenged Lewis for the lead early, but a hard-charging Ebben distracted the No. 87 3Dimensional.com Chevrolet Corvette driver from his task; this gave Lewis a small amount of breathing room.
"He [Peterson] was making up huge amounts of time on me in corner entry, but we were getting off the corner a little better and when you're in the front that's important to do," Peterson said. "He [Peterson] was there a lot and there were a few times we had the motor of the race for sure. I was just trying to make it as difficult as I could. He was thinking about it (making a pass) a couple times, but we were going pretty deep on the brakes, so I don't know if he felt comfortable going for it."
Crossing the finish line 0.478-second ahead of Peterson, Lewis claimed his seventh SCCA National Championship — his third-straight in GT-1.
"Seems hard to believe," exclaimed Lewis. "I love this track. I have Trans-Am wins here and this is Mecca for GT-1 drivers. To win seven of these things now is pretty surreal."
After earning the GoPro Hero Move of the Race for his Turn One pass on Ebben, Peterson set the Hawk Fastest Race Lap, a 2:06.832 (113.536 mph) in his pursuit of Lewis.
"I thought I had a really clear shot through Turn One," Peterson said of the pass. "But, then he [Ebben] snuck in on the outside a little bit, because I was trying to stay with Mike [Lewis]. I just made sure that going down through Turn Three that I was in good shape and that Cliff was behind me."
Peterson kept Ebben behind him, but never by much. On seemingly each of the 13 laps, Ebben made an attempt to steal the runner-up spot. This prevented Peterson from making a true challenge for the win.
"I think it was the Tony Ave motor that kept Cliff behind me, because this guy [Cliff] is pretty good," Peterson said. "I probably looked in the mirror more than I looked forward today… I knew that Cliff wouldn't make a mistake and I knew that he wouldn't hit me or do something crazy, so I just made sure that I broke deep and maybe even over-slowed initially to get the car to turn and get back to the throttle as soon as I could. I wanted to definitely make sure I kept close touch with Mike. You drive the car as fast as it will go and hope for the best."
Ebben, the 2009 GT-1 Champion, did his best to get past Peterson, taking several looks to the inside and outside in Turns Seven and 12 with his No. 36 McMahon Group/Stumpf Ford/Hoosier Ford Mustang.
"It was just a spot that I could close up a little bit (Turn Seven), but I never really got close enough to make a good pass," Ebben said. "It would have been a late, dive-bomb move and I didn't want to take any chances.
"I could catch up to him [Peterson] in Turn One and Turn Five a little and through the back I could make up a little time too, but I could never quite get enough. I noticed Amy [Ruman] coming up from behind and didn't want to do anything stupid."
Without an opportunity to complete a pass, Ebben crossed the line third, 0.563-second behind Peterson.
Starting fifth, Amy Ruman, of Kent, Ohio, made her way around Simon Gregg, of Ponte Verde Beach, Fla., early in the race and did her best to track down the lead trio. With two laps to go, Ruman had the battle for the lead within her sights but ran out of time in her No. 23 McNichols Co./Goodyear/Cenweld Chevrolet Corvette.
Ryan McManus, of Westfield Center, Ohio, finish fifth in the No. 07 McManus Autosport Ford Mustang.


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Etihad Airways had its strongest ever cargo volumes for a first quarter.
Etihad Cargo carried 127,821 tonnes of freight and mail. This marks a year-over-year increase of 26 percent, almost seven times higher than the International Air Transport Association's prediction that the international cargo market will grow by 4 percent in 2014.
The airline's cargo revenue also increased by 26 percent to US$243 million (176 million euros).
"Although the global airline industry has faced challenges such as higher-than-expected fuel prices and fierce competition in key international markets during the first quarter of 2014, we have continued to outperform the passenger and cargo markets, and raise the bar even further for Etihad Airways," James Hogan, president and CEO of Etihad Airways, said. "Our strong performance highlights the continued success of Etihad Airways' strategic master plan, which focuses on the three fundamental pillars of organic network growth, codeshare partnerships and minority equity investments in other airlines around the world. This unique strategy, and the investments we have made in product, service and infrastructure, means that Etihad Airways is positioned strongly for topline growth and bottom-line delivery in 2014."
Etihad Airways' volumes were boosted by the growth of its route network, with 95 destinations operational by the end of the first quarter, an increase of six compared to the same period in 2013.
The airline will start services to eight more destinations over the remainder of 2014.
To accommodate the double-digit growth in passenger volumes, Etihad's fleet expanded to 95 aircraft in the first quarter of 2014, marking an increase of 30 percent in the fleet size over the same period last year.
Cargo volumes were strengthened by the launch of a joint freighter service with DHL, serving Pakistan and the Gulf Cooperation Council markets out of Abu Dhabi.
At the close of the first quarter, Etihad Airways employed 18,543 people, an increase of 69 percent year over year. Part of this increase can be attributed to Etihad Airways' acquisition of Abu Dhabi Airport Services, Abu Dhabi Cargo Company and Abu Dhabi In-Flight Catering in 2013.


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3 theological views cartoon by nakedpastor david hayward
theological views
Related posts from nakedpastor:
David Hayward runs the blog nakedpastor as a graffiti artist on the walls of religion where he critiques religion… specifically Christianity and the church. He also runs the online community The Lasting Supper where people can help themselves discover, explore and live in spiritual freedom.
- Alvin Gongora
Evangelicals don't believe in the existence of limbo. Depending on their more or less calvinist bend the person in the middle would say that the belief is that people are predestined to either heaven or hell and that there's nothing he can do about it other than letting people know that they're in big trouble. Leave the limbo to pre-Vatican II Catholics.
- Kris
I no longer believe in the simplistic view of Heaven and Hell. Too many contradictions; we talk about how wonderful it will be to go with Jesus, but keep brain dead people or put old people through medical procedure after medial procedure to keep them "alive." We tell people who are suffering to wait b/c their "Reward will be great in Heaven." I also think that is why many Evangelicals feel they can treat non-Evangelicals badly and refuse to create Heaven here on earth. They don't want to share it with those who are not "grateful for the gift of Jesus" and that is why they are ok with defunding assistance programs and destroying the govt.
"Thy will be done on Earth as it is in Heaven." We can create Heaven here and now and by sharing Heaven with everyone, we share Jesus…ok getting off my soap box lol.


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|View single post by Trying to help
|Posted: Thu Mar 9th, 2006 02:00 am
Trying to help
|The clock is just a slave to the relay board in the back. The clock is almost 100% of the dimming failures, but practically never the cause of any other F codes, The reading of 1400 at room temp is out of spec. IF you short across the two wires that connect to the sensor does the fan turn off? There is minimal voltage in that circuit, a pair of needle nose will do the trick. It will result in a code if held on too long, but I really just want to know if the cooling fan turns off.
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The offseason of change rolls on for the Dolphins as Adam Schefter of ESPN is reporting that Miami is interviewing Eagles Quarterbacks Coach Bill Lazor for the open offensive coordinator position.
Eagles QB coach Bill Lazor is in Miami today interviewing for the Dolphins OC job, per a league source.
— Adam Schefter (@AdamSchefter) January 8, 2014
A Cornell graduate, Lazor spent 2013 with Philadelphia after a three-year stint as Offensive Coordinator/Quarterbacks coach at the University of Virginia. Before that, he spent seven seasons as an assistant with the Falcons, Redskins and Seahawks.
Ian Rapoport of NFL Media also reported the interview.
RELATED: Analyzing The State Of The Dolphins Roster
RELATED: Finsiders Discuss Ryan Tannehill Statement On Mike Sherman Departure
The opinions, analysis and/or speculation expressed by The Finsiders Blog represent those of individual writers, and unless quoted or clearly labeled as such, do not represent the opinions, policies or desires of the Miami Dolphins organization, front office, coaches and executives. Writers' views are formulated independently from any inside information and/or conversation with Dolphins officials, including the coaches and scouts, unless otherwise noted.
18 Responses to "REPORTS: Dolphins Interview Lazor For Offensive Coordinator"
It's early to draw an opinion, but it seems more logical to find a GM so he can select his own OC. Unless Ross has decided to stick with Aponte this season.
Sounds like he may be a good addition
I would agree but two things… one of the potentials is the Eagles director of player personel… forget his name but came from the 49ers… also the language in Phildin;s contract may give him the final okeedoke
As long as Ireland is gone we are already a better team and this could b a really good OC, I like his resume, Worked with some good QBS
Chad Pennington could help our offense, especially the quarterback position !!!
Im from Va this guy did some good things there …..But Dolphin job may be to big for him
I agree with Ara Ara. Bill Lazor is a great guy as well as a good QB coach. But when he was OC at UVA, the offense was average at best. The Dolphins job may be too big for him.
Honestly, Lazor may not be a bad option. He can bring some of Chip Kelley's offense which is actually fun to watch. One might say go with a proven OC but you also have to remember there's a reason they might be out of job now.
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I just want an OC who will not abandon the running game, but definitely have an aggressive play calling system like that in Denver and New England. The Broncos or Patriots could be up by 2 touchdowns in the 4th quarter and still pass on 1st or 2nd down, not just once, but enough times to keep the opponents guessing. That is 1 of the things that messed up the Dolphins this year, in my opinion and why I have been wanting a new OC since week 5 or 6. I watch games analyzing everything, the running game, the play calling, how the defense plays, etc. Mike Sherman used too much of a conservative approach on offense. In his defense, the Dolphins did not run the ball well nor did they protect Tannehill as well as they could have, but again that comes down to the offensive coach, the OC, in my opinion.
hell im available let me call the plays for this team ,i know how to call plays very well i mix it up very well balanced attack and i would do it for a very low price , i love my team man ,i would do anything for them to win
Stop going for for unknown unproven coaches go after a coach who is proven take one from team that has results, and the Dolphins don't need a college guy who has no NFL experience the speed of the game is totally different. It is time to get a guy who knows what he is doing.
As far as GM Marino although I am not sure he would want or take it. But I would not be surprised if Gruden or even Polian would not take the job Bill is a jerk as a person but a genius football exec and knows how to find diamonds out of coal.
Hearing the names that have surfaced as possible replacements for the oc gig have given me hope that the phins are learning from previous mistakes made in past years. Other than bringing in Gary Kubiak or Norv Turner, Bill Lazor would be a good move. He has spent time working with great football minds such as Joe Gibbs, and qb guru Mike Holmgren. Not to mention he had a big hand in the development of Nick Foles and the season that he has this season, working with The great Chip Kelly. I think Dolphins fans would love this guy seeing how he, along with Chip Kelly, put Desean Jackson in position to be the game breaker that he was this season which would make a certain gamebreaking reciever in Miami very happy.
Why not bring in Marino he has been around and knows his stuff. Elway is running the Broncos and doing fine. besides who better to give tips to Ryan Tannehill then Dan Marino. As for the OC thats Philbins deal I think his contract gives him the power to hire who he wants. ON a positive note I do like Koyles as our Defensive Coordinator he needs more help in the secondary but he makes good adjustments when he has to and he isn't afraid to bring the heat.
Why not bring in Marino he has been around and knows his stuff. Elway is running the Broncos and doing fine. besides who better to give tips to Ryan Tannehill then Dan Marino. As for the OC thats Philbins deal I think his contract gives him the power to hire who he wants. ON a positive note I do like Koyles as our Defensive Coordinator he needs more help in the secondary but he makes good adjustments when he has to and he isn't afraid to bring the heat.
I have no idea who Lazor is,.and I already like him more than sherman
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Includes SE Appearance Package (SYNC Communications & Entertainment System (MyFord Touch (Includes 6.5" color touch screen in center-stack, media hub with USB Ports (2), SD Card Reader and RCA), Also Includes 911 Assist, VHR, traffic, directions and information services, redundant audio controls and floor center console with USB. SYNC Services available for a $60 annual subscription fee), SIRIUS Satellite Radio (Includes 6-month prepaid subscription (48 contiguous states). Service not available in Alaska or Hawaii), Foglamps (Includes chrome trimmed ring), Leather Shift Knob (Includes chrome insert), Driver Seat Adjustable Lumbar Support, Aluminum Spare Wheel, 16" Sparkle Silver Aluminum, 16", Unique Cloth Front Sport Bucket Seats), 1.6L Ti-VCT I-4, 5-Speed Manual, AM/FM Stereo/CD Player/MP3 Capable
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Buy this new 2015 Ford Fiesta 5D for sale in San Antonio, TX. at Ancira Volkswagen in San Antonio. This new Fiesta is in stock now and for sale. Call us at (210) 231-4219.
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