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Program: Harvard Emerging Literacy Project (HELP)
Contact: Chandler Arnold, Founder
Description: HELP started with a few students' promise to read with a group of preschoolers once a month and currently places weekly and biweekly reading volunteers in every Head Start Classroom in Cambridge, MA. Still very much of a grassroots effort, America Reads and other volunteers tailor individual arrangements to suit the needs of their partner-teachers and their classrooms. Emerging literacy, English as a second language, and confidence building are nurtured during one-on-one reading times and activities. All volunteers also attend weekly reflection sessions to discuss their experiences and are encouraged to participate in supervised preschool and family/community gatherings.
For More Information: Harvard Emerging Literacy Project, Harvard College, University Hall Room 4, Cambridge, MA 02138
Description: This bilingual hotline is the only toll-free nationwide literacy information and referral service in the United States. It strives to link people, one-by-one, to literacy programs in their own communities. To provide these referrals, a database of over 10,000 literacy programs in across the United States is updated continually. The hotline/information clearinghouse also provides free brochures and fact sheets on literacy topics ranging from individual children?s learning to international literacy programs.
For more information: Call 1-800-223-8813
Contact: Aaron Lieberman, Founder
Description: Jumpstart, founded in 1993 by students at Yale University, brings together Americorps Members and college volunteers to work one-on-one with the same preschool child over a two-year period. Jumpstart operates in Head Start and child-care programs in low-income communities in Boston, New Haven, New York and Washington, DC. Volunteers serve two hours,two afternoons a week and full time in the summer. Families are also involved in classroom activities and are encouraged to create home literacy environments.
For more information contact: 93 Summer Street, Boston, MA 02110, 1-617-542-JUMP, http://www.jstart.org
Description: Reading Is Fundamental (RIF) is the nation's oldest and largest nonprofit children's literacy organization that has worked with local groups since 1966. RIF motivates youngsters to want to read by letting them choose and keep books they like by showing them that reading is fun and important. The program works effectively for youngsters of any age (including children preschools, Head Start settings, and child care centers) and is designed to suit the needs of children from all backgrounds. RIF's national network provides technical assistance, book discounts, as well as ideas and information.
For more information contact: Reading is Fundamental, Inc, Programs Division 600 Maryland Avenue, SW, Suite 600, Washington, D.C. 20024-2569, 1-202-287-3220
Contact: Bradley R. Pine, Executive Director
Description: First Book, a nationwide nonprofit organization, gives disadvantaged children the opportunity to read and own their first new book. First Book works with existing community-based family-literacy, tutoring, and mentor programs to distribute new books to children who are at risk of failing at school or developing inadequate literacy skills. First Book targets children and families who, for economic or other reasons, have little or no access to books outside school. Through its book distributions, it encourages children to develop the self-confidence that owning a book can bring.
For more information contact: First Book, 1133 Connecticut Avenue, NW, Washington, DC 20036, 1-202-393-1222
Title: Ready to Read: Preschool Program Manual
Type: Manual explaining how to implement the Ready to Read incentive-based read-a-thon.
Focus: Family literacy and early Preschool reading
Published by: Department of Education F.I.R.S.T
Project Date: 1994
Summary: This manual offers information for preschool caregivers interested in taking part in the Ready to Read reading program. Packet contains extensive information on all aspects of the program including directions, record keeping, bulletin boards, awards, parent letters, and success strategies.
For more information: Solano Beach School District, 309 North Rios Avenue, Solano Beach, CA 92075, 1-619-755-6319
Type: Booklet
Focus: Language, Emergent Literacy
Published by: Corporation for National Service, U.S. Department of Education, U.S. Department of Health and Human Services
Principle author: Derry Koralek
Summary: Booklet is filled with activities and ideas caregivers can use every day to help young children learn about language. Caregivers are given suggestions as to how they can work with families to support and build on the language skills children learn at home. Activities are presented for four age groups: young babies, crawlers and walkers, toddlers, and preschoolers.
For more information: This and many other publications are available on the Department of Education's internet web site at http://www.ed.gov/
Type: Booklet
Focus: Language, Emergent Literacy
Published by: Corporation for National Service, U.S. Department of Education, U.S. Department of Health and Human Services
Principle author: Derry Koralek
Summary: Booklet is filled with activities and ideas families can use every day to help young children learn about language. Families are given suggestions as to how they can work with caregivers to support and build on the language skills children learn at home. Activities are presented for four age groups: young babies, crawlers and walkers, toddlers, and preschoolers.
For more information: This and many other publications are available on the Department of Education's internet web site at http://www.ed.gov/
Type: Resource Directory
Focus: Children and Family Literacy
Published by: U.S. Department of Education
Date: 1996
Summary: Just Add Kids is an excellent resource directory of learning partners, reading sites, and other literacy services for families and communities who want to help their children improve their reading and writing skills through READ*WRITE*NOW and other literacy efforts. Also provides the names of national organizations that have volunteer learning partners at the local level, suggests potential sites for tutoring, and provides information on national literacy organizations.
For more information: Call 1-800-USA-LEARN
Type: Information Kit
Focus: Children with special needs
Published by: U.S. Department of Education
Date: 1996
Summary: Learning to Read, Reading to Learn offers a number of good resources for individuals working with children with special needs including sections offering tips for families, teachers, and principals. The 1996-7 Resource guide might be particularly useful for children working with early childhood groups.
For more information: Contact the Department of Education's Office of Special Education Programs, 1-202-205-5465
Type: Booklet
Focus: Community Involvement
Author: Valora Washington, Valorie Johnson, Janet Brown McCracken
Published by: W.K. Kellog Foundation and the National Association for the Education of Young Children
Date: 1995
Summary: Contains compelling evidence of grassroots success in preparing schools and families for each other-gleaned from the achievements of the 20 diverse W.K. Kellog Foundation School Readiness Initiatives. Focuses on ways in which grassroots community groups can work with schools and families to improve children's health, nutrition, family and community stability,cultural competence, self esteem, and quality of early learning experiences.
For more information: National Association for the Education of Young Children, 1509 16th Street, N.W., Washington, DC 20036-1426
Type: Book
Focus: Early Development and Learning
Author: Rima Shore
Published by: Families and Work Institute
Date: 1997
Summary: Rethinking the Brain, and the conference which inspired it, presents an overview of neuroscientists? recent findings about the brain and suggests how these insights can guide and support our nation's efforts to promote the healthy development of young children. An excellent and thorough document in common-sense language. Executive summary also available.
For more information: Families and Work Institute, 330 Seventh Avenue, New York, NY 10001, 1-212-465-2044
Type: Booklet
Focus: Family Literacy
Author: Bernice Cullinan and Brod Bagert
Published by: U.S. Department of Education/OERI
Date: 1993
Summary: One in a series of books on education topics designed for family use. A fun book, this one provides a short run-down on facts, but the biggest part is made up of activities children and families can do together.
There are a number of early childhood education discussion groups (called listservs) available on the internet. You can join a free listserv by subscribing. To subscribe, send an email message to: listserv@address. Leave the subject line blank. In the body of the message, write: subscribe listservname yourfirstname yourlastname or subscribe listname your emailaddress. For early childhood information consider subscribing to:
There are also a number of web sites designed for individuals interested in early childhood issues, a number of which are listed below. Finally, if you need information about an education topic and are unable to find it on the Internet, you can send an electronic email message, containing your request for information and describing the topic you are interested in, to: email@example.com


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Co-leader Zach Johnson threatens to shoot 59
Silvis, Ill. — Zach Johnson had a chance to join one of the most exclusive clubs in golf Thursday.
He birdied eight of his first 11 holes in the opening round of the John Deere Classic and was on track to shoot a 59, a feat accomplished by only six men in PGA Tour history.
One of the six was Paul Goydos, who did it at TPC Deere Run in the first round in 2010.
"The thought is going to enter your mind," Johnson said. "It entered my mind, but it entered my mind very briefly."
He finished with seven consecutive pars for an 8-under-par 63 and a share of the lead. The native of nearby Cedar Rapids, Iowa, hit all 14 fairways and 15 of 18 greens and now has posted 21 consecutive rounds in the 60s at TPC Deere Run.
A 59 would have been nice, but Johnson said a good opening round was much more important in the grand scheme.
"It's one of those things where if I shoot 59 or 58, OK, congrats," he said. "You've still got three (more) days, you know? I don't come here to shoot 59. I come here to win a golf tournament."
Johnson won the 2012 John Deere Classic and serves on the tournament's board of directors.
Satisfying start:Jordan Niebrugge of Mequon, playing on a sponsor exemption, was 2-over with two holes to go but salvaged his round with an eagle on the par-5 17th.
He hit a 4-iron from 245 yards to within 5½ feet, made the putt and then finished with a par for a 71.
"I hung in there and I took advantage of that good shot on 17 and finished even par, so nothing to complain about," he said. "I'm just going to have to go out tomorrow and shoot a couple under and I'll be fine."
Niebrugge, 20, played in the Masters in April, but the John Deere Classic is his first regular PGA Tour event. Next week, he'll attempt to defend his title in the U.S. Amateur Public Links Championship.
Oops:David Gossett, the 2001 John Deere Classic champion, six-putted the fifth green for a quadruple-bogey 8.
There have been 20 occurrences of six putts or worse on the PGA Tour dating to 1992. The largest number belongs to Jay Don Blake, who eight-putted the 72nd hole of the 2004 Booz Allen Classic.
Chip shots: Menomonee Falls native Mark Wilson opened with a 71. He was 2-under until he bogeyed his 15th and 16th holes (Nos. 6 and 7)....
Defending champion Jordan Spiethalso shot a 71. Last year, he opened with a 70 and was nine strokes back going into the second round. He then shot 65-65-65 and went on to win in a playoff....
Twenty-three players are set to take advantage of a charter flight Sunday night from the Quad Cities to the British Open....
Patrick Cantlay withdrew before the first round with a back injury.
PGA Tour
LPGA Tour
European Tour
Champions Tour

subset: commoncrawl


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Lewes Priory
Also known as: Priory of St Pancras
Off Cockshut Road
Lewes District
East Sussex England
Postal Code: BN7 2QS
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Lewes Priory was the first Cluniac foundation in England (the order of Cluny is a Benedictine offshoot founded at a time when reformist ideas were gaining momentum within the Church). It was established in 1078 on the site of a Saxon church which was dedicated to St. Pancras. The great church was one of the largest churches in England and boasted a nave 432 feet long. At the time of the Dissolution, many of the buildings of the Priory were demolished immediately and the land was granted to Thomas Cromwell. He built a large home on the site which survived until 1668, after which it was slowly demolished for building materials. The Priory Church, along with the cloister and chapter house, were further destroyed in 1845 with the installation of a new railway between Lewes and Brighton. Today only minimal ruins of Lewes Priory remain, the property south of the railway was acquired by Lewes District Council and the Lewes Town Council use as public land, the ruins are a Scheduled Ancient Monument. The portion of the priory site north of the railway is private land.
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Cedarville University is an accredited institutional member of the National Association of Schools of Music.
If you are seeking a world-class educational experience within a vibrant, Christ-centered learning community, Cedarville is the place for you. Step up to the challenge of our arts, sciences, professional and graduate programs, and achieve more than you ever imagined. Be challenged and transformed by professors who are experts in their fields and invest their lives at Cedarville to mentor and guide students like you.
Yes, an audition is required for all students desiring admission to the worship major.
The application process consists of four components: essay, personal interview, musical audition, recommendations. All four components must be completed before your admission is approved.
Auditions are held at specific dates throughout the year, and students are encouraged to come on campus at those times. If students are not available to make those specific dates, auditions are available with sufficient notice. If travel to campus is a barrier, students may audition via video tape. Please see the website for further details.
Yes, there are scholarships that are funded on a competitive basis for incoming students. The money is awarded based upon the audition scores.
There are several other ways to pay for college. There is a high demand for student worship leaders to assist local churches. Many of these positions are paid, and can be valuable experience for building resume and ministry experience. Students can audition for Heartsong, one of the Christian Ministry touring teams, which is a paid touring position.
The worship degree is designed to be interdisciplinary and consists of three major fields of study: music, worship and theology. In addition, students are required to take elective courses in worship related fields such as theatre, electronic ministry, missions or youth ministry to broaden their ministry skill set. Detailed course of study and class descriptions can be found in the catalog.
This degree was designed by full-time worship pastors to prepare students for ministry jobs in church and para-church organizations. We started with a blank sheet of paper and discussed the skills and training needed to educate them for worship ministry today. The result is a degree that is flexible, resulting in an individualized course of study based upon the interests and skills of the student. The degree places high value on practical experience, resulting in students that are well-prepared for worship leadership or support positions.
Currently the job market is very good for worship leaders. Cedarville grads are sought after, and we have excellent graduate placement rates for our graduates. Prospective students are encouraged to explore websites such as Church Staffing and Church Job Finder to see some examples of jobs that could be available for graduates.


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03/19/09 12:00PM By Mitch Wertlieb
| Download MP3
Nine years ago Vermont became the first state to legalize civil unions, but it came after a long and bitter debate at the Statehouse. We examine how this week's same sex marriage hearings compare to the civil union hearings. We're joined first by VPR's Ross Sneyd, to discuss Wednesday night's public hearing. Then, we turn to lawmakers. George Schiavone, is a former Republican representative who voted against the civil union legislation. And, current Senator Alice Nitka, a Democrat from Ludlow who voted for the civil unions measure. Also, we hear from Chair of the Senate Judiciary Committee, Dick Sears. (Listen)
Click here to listen to the complete audio from the Public Hearing on March 18th
Also, we talk with author Natalie Goldberg. She's the author of books about writing, including the bestseller, Writing down the Bones: Freeing the Writer Within. Her latest book, Old Friend from Far Away, deals specifically with writing memoirs. And, she'll be talking about the book this Saturday at the Northshire Bookstore in Manchester.(Listen)


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'Tees 10 hits not enough in 10-6 loss to Tampa
Brevard County pitching staff strikes out 11 in defeat
By Justin Rocke / Brevard County Manatees | August 21, 2014 11:36 PM ET
TAMPA, Fla. - Despite recording 10 hits and striking out 11 batters, the Brevard County Manatees fell to the Tampa Yankees, 10-6 on Thursday night at George M. Steinbrenner Field.
After Brevard County (29-29 second half, 65-59 overall) out to a 1-0 lead on a Mike Garza RBI double, the Yankees (32-28, 65-65) bats exploded in the third inning and went on to score at least one run in every inning until the end of the seventh.
Once again, it was the long ball that keyed Tampa's success. After Manatees starter Jorge Lopez (9-9, 4.30 ERA) kept the Yankees hitless through the first two innings, Ericson Leonora and Reymond Nunez smashed back-to-back home runs to lead off the third, which gave Tampa the lead, 2-1.
Courtesy of Nunez, the Yankees broke the game wide open in the fourth. After the first run came across on a fielder's choice by Jose Rosario, Lopez struck out Trent Garrison for the second out of the inning.
Following a walk to Leonora, Nunez hammered another ball deep to left field. Once again, the ball carried out of the ballpark; this time it was a three-run home run to make it 6-1, Tampa.
The blast was Nunez's second home run of the game and third long ball in his last two contests. With a double in the seventh, the first baseman finished his night with a 3-for-4 performance at the plate with four runs driven in.
The Yankees would push across two more runs against Lopez in the fifth. After walking the first two batters of the frame, Jon Huizinga came out of the bullpen. The 34-year-old got through the inning, but could not keep the inherited runners from scoring. With one out, Trent Garrison laced a double passed a diving Michael Reed in right to drive home two more runs to make it 8-2.
Mike Ford ripped a run-scoring single in the sixth off Huizinga and Mark Payton drove home Tampa's final tally in the seventh with a single to center off Tyler Spurlin.
In the last two games played at George M. Steinbrenner Field, the Yankees scored 21 runs on 31 hits. This comes directly after Tampa scored just one run on 11 hits in the first two games of the series in Viera.
Lopez took his ninth loss of the season after going just four-plus innings. The right-hander allowed eight runs on six hits, walked four and struck out five.
Huizinga utilized the strike out a lot more in his second appearance with the 'Tees. The side-armer punched out five batters in his two innings of work. Huizinga also yielded one run on three hits and walked three in his second game in affiliated baseball since 2003.
Brevard County's offense showed fight, as they put the tying run on deck in the ninth inning. The first four batters reached base against reliever Ramon Benjamin, which included an RBI double by Orlando Arcia and a run-scoring single by Reed, but could not get any closer.
The Manatees hit well against Tampa starter Brett Gerritse (5-7, 4.12). With the Yankees leading 6-2, Brevard County chased the righty from the game in the sixth when they put they brought the tying run to the plate. After three singles and a sacrifice fly by Cameron Garfield, Gerritse got Greg Hopkins to fly out to right to end his evening.
With two down, right-hander Caleb Cotham, who was added to the Tampa roster from Double-A Trenton earlier in the day, came in out of the bullpen. After surrendering an RBI single to Nathan Orf, Cotham struck out Arcia to end the threat.
Gerritse picked up his fifth win of the season, despite allowing four runs over 5.2 innings. He gave up six hits, walked four and punched out five.
Orf, Arcia, Reed and Garza all had solid nights with the bat. Each of the four players recorded two hits and drove home a run in the loss. Alfredo Rodriguez recorded a base-hit as well to extend his hitting streak to seven games.
With the loss, Brevard County split the season series with Tampa at nine games apiece. The home team dominated in the series, as both squads went 7-2 in their home ballpark.
With Daytona's victory, the Manatees are now four games back of first place in the Florida State League North Division. Back-to-back losses to the Yankees have also put Brevard County two games back of Tampa for second place in the division.
The 'Tees will look to gain some ground tomorrow when they travel to Clearwater to take on the Threshers in a doubleheader. Game one will start at 5:00 p.m. at Bright House Field with game two slated to begin a half-hour after the first game's completion. Brevard County will be the home team in game two, as it is a makeup for a game that was postponed at Space Coast Stadium on August 10.
Taylor Williams (1-1, 1.80) goes for his second straight victory in game one against right-hander Colin Kleven (6-9, 4.41). Chad Pierce (3-8, 4.63) gets the spot start in the nightcap for the Manatees. Clearwater's game two starter has yet to be named.
This story was not subject to the approval of the National Association of Professional Baseball Leagues or its clubs.View More


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I've had it with bad news and dire predictions. Maybe I'm just an incurable optimist, but there are some promising developments going on out there, both from new and established players.
The challenge is breaking through all the gloom and doom. So I've decided to use this space to celebrate some positive news. I'm not saying it signals a return to the days of plenty or of 200-store (and beyond) rollouts. But it does illustrate, as does our cover story, which begins, that the death of the retail industry has been greatly exaggerated. Read on:
I'm sure there are plenty of other good-news developments out there. If you have one yourself, drop me a note!
And now for some horn blowing: Chain Store Age will hold its 46th annual SPECS Conference on March 7 to 10, 2009, at Gaylord Palms, Kissimmee, Fla. Covering store planning and design, construction and facilities management, SPECS combines one-to-one networking opportunities with a top-drawer educational program.
SPECS is really like no other conference. But don't take my word for it. Make it your business to attend. At a time when being on top of your game is more crucial than ever, SPECS can give you and your associates an edge.


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Celebrate your little-est "pin pal" with this diaper - pin embellished charmer!
The purchase of this product supports breast cancer charities nationwide.
When you purchase this piece in combination with one of our 2014 Power of Pink bracelets, we will donate a portion of the purchase price to a breast cancer charity! Thank you for your support.
We're confirming your subscription now... oh, the anticipation!


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Interview: Sean Nicholas Savage
Sean Nicholas Savage is one of a kind. In the past three years he's released nine albums that crack the essence of human strength and weakness. His confidence is manifested in his sincere vocals and sentimental, folk-infused lyrics; a perfect fit for that intimate time in the morning when you kiss your lover's chin. We're lucky to share the city he calls home, but we were even luckier to catch up with him in the greenroom of DIY performing/recording space Shea Stadium in Brooklyn, NY as he sipped Remy Martin straight from the bottle, before taking the stage in his socks.
We discussed his prolific history, what's happening in the Mile-End, and what to expect from his tenth album due out this fall on Montreal's promise, Arbutus Records.
RW: You're from Edmonton, Alberta. When and why did you move to Montreal?
When I was 20 or so, a lot of friends I was living with were moving to Vancouver and a few of my friends had moved to Montreal. I was in a few bands when I was younger, one of which was with my good, friend David Carriere (Tops), we had a band called the Silly Kissers. But I started playing solo that year that my friends were moving and I'd visited David in Montreal, and he said the rent is really really good there for Canada, some of the best rent, really affordable, that I could move there and not work too much and really focus on music. So David and I got back together and made more music. A big part of it was music.
Nine albums in the past three years! Where do you find the inspiration to write all those songs?
I listen to a lot of music. I love music. There's a lot happening in my life, there's a lot happening in everyone's lives. So it depends on the size of the thing you're writing about or how much it means to you. I feel like I haven't written about that much, but I guess I've said quite a bit in those nine albums. Little stories, ya know? A lot can happen in a weekend and you can make a song out of that.
Do you think you've developed or changed as an artist over the span of all that work?
Very much. I think my production out of three have gotten a third better, and I think my writing and story-telling have gotten a lot stronger, although maybe my vocabulary hasn't become too much more complex. You know how I said there's a lot of ideas in a weekend? The ones that I choose, and what I think about them and my ideas on life continue to grow because I'm 25 now, I'm getting older and I'm just gonna get smarter and smarter, wiser, I mean, not smarter. I think the things I'm saying, I'm getting better at having more ideas and being more entertaining with my lyrics and getting a strong, moving message across that someone can learn from, less big brother stuff.
On sounds changing throughout the albums…
Flamingo was really chill. I thought, 'nobody listens to music that's loud, everybody's making dinner or getting up in the morning and putting on music to chill out to.' So I want to make something very chill on the next one too. But now I'm finding myself sometimes putting on things like The Cure, Talk Talk, or some Puff Daddy, or ya know, something that does pump me up before I go out. I want to make some music that doesn't really pump you up before you go out, but that you can put on when you're having friends over for drinks and you actually do want to be a little bit excited.
What can we expect to hear from your tenth album? I heard you've been sampling with soundtracks from classic movies…
Well, I've been studying, I have also been sampling too. The one thing I realized the other day is I think I'm gonna sample them before I release it and try to recreate the sound that I sample so there's not any problem with legal stuff there or other people using the same sounds. But I have been studying soundtracks so I can create a greater instrumental album. I'm highly influenced by Bernard Herman (Psycho). The thing that's so amazing about Psycho is that if you listen to it walking down the street or something, it's really scary. I think its so incredible; any other type of music can make you sad or happy, sad like a ballad or happy like some reggae or something, but Bernard Herman's music, especially for the Psycho soundtrack, it really is frightening. And it's so inspiring when I find myself being frightened, I'm like "wow, he created a scary feeling in my world. He made the world scary." Soundtracks are cool like that, and I really wanna be influenced by that, it's just really difficult to do that especially in pop music…But I don't really know what you can expect from the next thing that comes out. Obviously I get all jacked up and I think these grandiose ideas, likes its gonna be this or that, but you can't really plan it. Whatever I just come out with, obviously you are what you eat, but just still eating your favorite stuff all the time even if you're sampling.
Your label, Arbutus, was born out of the art/loft space, Lab Synthèse. What were you doing at Lab before it became the Arbutus label?
I played shows there because it was a venue, much like this one (and a living space I don't know if this is a living space). I started performing there about a week after I got to Montreal and I was living in an apartment that was inconvenient and kind of expensive alone, so I moved into Lab Synthèse, started living there, and we all became good friends. I recorded a lot of albums with Sebastien, the guy who runs Arbutus Records, and I would tour around a bit in Canada until Lab Synthèse came to an end, but Sebastien already had a label with myself, Claire Boucher (Grimes), and a few other bands on it. We were slowly picking up bands, and Silly Kissers joined the label eventually, then slowly turned it into Tops with a few different members, so it's evolved a bit. I lived in my next apartment with Sebastien which was right nearby there when we had to move out of Lab Synthèse, and now I have a different apartment. A lot of valid, driven music came out of there.
Favorite memory from Lab?
It was a really calm place, lots of good sunlight in the afternoon. There was this graphic artist, or 3D artist, his name's Jason Harvey, he's a pretty well-known visual artist. He threw a party with another guy, Michael Farsky called Demon Night at Lab Synthèse and it was this heavily themed, like themed themed all night party, and I think I'll always remember that party, it's one of my most fond memories. It was so special, it took so much planning that it was basically a performing arts piece, but a real one. It had a séance, and a giant worm, and clokes, everyone wore tie-dyed clokes, hundreds of people.
What's the creative exchange like between label-mates and those outside the immediate circle?
Everyone in the Arbutus family lives relatively close on the same block in the Mile End. So, we're hanging out all the time, going to the same parties, playing music at these parties…same influences. And I think it's all relatively young people. I think there's a lot of music around North America that fits the Arbutus sound, it's a pretty broad sound. It's a strong label, I guess with Claire doing really well, which is super inspiring, and the subsidiary of Arbutus, Moviestar Records has had a few artists on it that are really really special, and have more coming too. But we can't just put anyone on the label, there's no room and we don't have any power to offer them, so the label is sort of full up. But people are gonna be sliding to different other, obviously American labels or something. Chris d'Eon is amazing and there's Mozart's Sister, just tons of great acts putting out things. And what's exciting also on Moviestar Records is people putting out albums where they don't even play live. I know people who are just making great art, and its not some hot new track that they're gonna go out and perform, tour around, and promote. But it's maybe seeing a bit of attention because of the label hopefully, if people go and look at some of the stuff on the site there's some free albums on there that are really inspired and not trying to be popular or anything like that, and that's also something to be said for pop music, because obviously Arbutus is a pop label.
Remember when you performed at Tokyo Bar for the LOOKOUT BBQ? You were the only live act to play that party on a club rooftop amongst DJ's. How did that performance go over in your mind?
I pride myself on the fact that I've played a lot of shows where I was sort of an inappropriate act and I think I have the ability to make myself as appropriate as I can, and sometimes it's a little difficult. I judge sort of what these people need to be listening to right now and I think to myself, well not quite what I should be doing, but I have a bit of pride in my work, so I'll try to focus their attention towards it or if they won't, I can back off a bit. I'm not afraid to play to the audience and do what's appropriate. So I think I've dealt with some pretty difficult situations, some of which are just plain impossible, but I do enjoy my music myself so it's not total garbage.
What exactly is going on in your video, "You Changed Me?"
Angus, the director wrote a pretty big script. It certainly has to do with the different aspects of my personality battling each other. There's the happy go lucky, the loose, go with the flow, chill guy, and then there's the business sort of fancy guy, he's pretty insane. The chill guy hears something the business guy doesn't and that really frustrates him. At the end, the free guy realizes he's in danger when the crazy/intense guy loses his shit, so the free guy throws this magic powder at him that makes the other one freeze and disappear. The image of me singing in the bedroom is just me singing, no big meaning to that.
Ready for the next Arbutus, LOOKOUT, UNO party?
Absolutely, I'll be there.
See our earlier interviews with other Arbutus Records' artists: Grimes, Braids, and Blue Hawaii.
Sean Nicholas Savage releases his 10th album on the same label, Fall 2012.
Braids Album Launch
Le jeudi 20 janvier à la Sala Rossa
4848 Saint Laurent
7$/10$ à la porte
En magasin/In store
Cheap Thrills
Atom Heart Records
INTERVIEW: Q&A with Montreal's Blue Hawaii
Y'know, I struggled for a while trying to find the perfect way to describe Blue Hawaii. It was going to be perfect; a transcendent revelation on one of my new favorite bands, featuring one of the members of another of my favorite groups, Braids. I poked my head around curtains and through doors of obvious descriptions. There were going to be subtle tweaks of wordplay that would alter the flow and content of the piece in ways invisible to the eye yet inseparable from the comprehension. After all that, I found that I couldn't do any better than the short piece on the Arbutus Records website. Sometimes perfection is right in front of you. Enjoy that, a fully expository interview, and a new song and video below!
"Blue Hawaii tells the story of a lush paradise. The way begins ambient and uncertain, but beautiful white shell beaches and carefree sunshine parties await and nourish those travelers with love in their hearts; their peace thus raised above the arguments found along the rocky road. The duo consists of Raph and Agor; they use voice, guitars, synths, drum machines, and other electronics to create a kind of tropical-pop with love ache melodies and experimental club rhythms."
There hasn't been much press surrounding Blue Hawaii and your new album Blooming Summer. Who is Blue Hawaii?
Raph: Blue Hawaii is Alexander Cowan and myself. It's a project that we started when we first met each other. We've been dating for the last while, so it's kind of been, I don't know, I don't how I feel about saying it's like a "love project," but it kind of is, I guess.
It could be a project of love.
R: Yeah, I think so. The album that we just created is all love songs and revelations I've come to with being committed and being good to somebody and respectful of them. It's a project of love.
Speaking of the album, it was recently released on Arbutus Records, though there's been very little press behind it. Is that indicative of how quickly it came together or did you decide to embrace the anonymity of the project?
R: We just wanted to release something. Alex definitely had a real urge to finally release something because he was the type of musician who just did it in his bedroom while he was going to university. He had hundreds and hundreds of tracks on his laptop of him just strumming around and some of it was pretty good. He just really, really pushed for us to finish it. At time I didn't want to finish it, I didn't really have to do it. I was trying to balance Braids' album, but he really pushed forth and I'm happy that it happened the way it did. We weren't really expecting anything to come of it, but now that we have this piece of art in front of us we're very proud of it. Now we feel the urge to really support it and get it out there. We didn't know what Blue Hawaii was going to be it was just us jamming around, and now people like it. It's fun.
I'm not familiar with the timeline of the project's development. Did it progress fluidly?
R: From the time that we met, we met in January of 2008, we both just started jamming together. He was in the Lab Synthese art studios. He ran it with Sebastian. We started jamming out and doing a lot of improv.. We did a set together and then I left for Calgary for two and a half months. When I came back we wanted to make it more structured and it just went down the drain. We were making such shitty music for like three months or maybe four or five months. We were trying to make it structured. We were writing music on a laptop and it wasn't going anywhere.
Then we went to Guatemala and we became really close friends and got to know each other really well. When we got back we started fully recording the album. It's a work that's been in progress for quite a long time.
The sound you're producing is quite distinct from your other projects. Was it a decision to move away from that or was it just a natural influence?
R: It was just a natural influence. Every project that I do really takes on its own sound. Except for a few of the tracks my voice doesn't sound like it does for Braids. It's such a different art form in itself that I become a part of the music. This one was very romantic and wispy, whereas Braids is very urgent and angsty. It was a different part of me, just like Indiensoci is. Indiensoci is very feminine and ethereal.
From the name of the group, Blue Hawaii, to the veneer of the sound you're playing to some of the imagery you've adopted, it seems like there's a very specific aesthetic that you're going for. Do you have a description for what it could be?
R: We spent a lot of time in Belize when we were traveling. We were traveling for about 2 months and it became about seeing as many oceans as possible and going swimming in as many places as we could. I think that really influenced our music, that feeling of happiness that we got by being by water and hot, warm climates and people bustling around and everyone being excited. When we came back we wanted to have something that felt like that, because our trip was so amazing. We wanted the record to feel really tropical and really lush and watery and stringy. I think that's kind of where the sound came from.
The name Blue Hawaii came from our friend Trevor. I remember we were sitting around a table and we were playing with some band from New York. We were sitting at the kitchen table at Lab Synthese and we were like, "What should we be called?" Some one suggested the name Black Indian, which would be so bad,
That would be the trendiest name possible.
R: Yeah, exactly, We were like, no, we can't be called Black Indian. Then we thought of Black India and I was like, "No, I can't have a 'Black' name, I don't make 'Black' music." Then our friend Trevor suggested the name Blue Hawaii. The album is called Blooming Summer, but we thought maybe we could make another pop reference, like Primitive Vacation, which is an Aerosmith album, but we decided to dump it.
The sound on the album is really unique. What kind of hardware did you use to produce it?
R: We did a lot of it through Ableton. The whole thing was recorded on Ableton and then we brought it onto tape with Sebastian. Sebastian is an amazing producer. He went to school in London, the same school as Aphex Twin, which is pretty cool He graduated at the top of his class and he has a studio at La Brique now, where his studio has been moved to. He has a reel-to-reel, so we transferred everything to reel-to-reel and then we brought it back onto the mixing board. We did really drastic things with compression just to get a sound that's really unique. A lot of people don't go so overboard with compression. The sound of the songs are as though they're breathing. Some of the songs sound like they're really alive.
The live performances of Blue Hawaii feature stylistic elements that are absent from your other projects. Is that adoption part of achieving the blissful aesthetic?
R: For sure. Especially lately, coming into my twenties and performing for the last three years, I've become intrigued by the amount of control and freedom that you have as the performer. With Braids, if I were to put on face paint and stuff like that I would just stand out like a sore thumb, and that's not really what Braids is. With Braids, everybody is just wearing jeans and get out of the van and play the show. Blue Hawaii is a bit more of an outlet for the urge in me to explore what it really is to be a performer and to have face paint and to bring all the artistic elements into the performance. I'm excited about it. I want to go even crazier if possible. I want to bring projections and jellybeans.
R: Yeah! I really love jellybeans. I love when you put jellybeans in water and the really beautiful way the color diffuses. Luckily, we got Taylor and Austin [of Braids] to wear blue eyeshadow for that Blue Hawaii performance. I've never, ever seen Taylor wear blue eyeshadow in all my life, so it was a real treat to see everyone done up in blue eyeshadow for the Blue Hawaii show. It's been really fun. I want to definitely get some outfits in there at some point.
I recently saw the video some one made for you around the single "Dream Electrixra."
R: Yeah! Rosie made that and it has jellybeans in it! When it's a closeup and there are flowers. Rosie Aiello makes amazing sculptures and she takes pictures of it. What is that called?
There's claymation and stop-motion photography.
R: Yeah, stop-motion. She did a time-lapse of jelly beans melting into the water. There's an ice cube in there too and it cracks. That was for "Dream Elctrixra." I tried as hard as I could to write something that stuck in my head for a really long time. Braids is catchy but it's also difficult.
Blue Hawaii seems to me to be a fundamentally pop enterprise.
R: Yeah, we tried really hard. I really wanted to make a pop album. I really wanted to learn how to write love pop songs, and I tried.
It's unique in its construction, but the sensibilities are definitely pop-oriented.
R: The songs have all been ripped apart like three times. For "Castles of Clouds," you know, it's a really slow song. When we first did it, it was a funk song. It's the same with "Katie." "Katie," was a soul song. We just ripped everything apart three or four times. It's hilarious listening to the stuff beforehand.
Do you still have the original masters?
R: Oh yeah. I made Katie and Austin listen to it and we were all laughing so hard. Braids has gone through many different stages as well. We have to the recordings to prove it. From our early songs like "M is for Matrioshka" and the Set Pieces EP. Blue Hawaii had to do it very quickly so that we could put an album out that was up to speed.
Obviously you'll be on the road for the next few months with Braids, but what are the future plans for Blue Hawaii?
R: That's kind of hard. We're going to figure it out. I know that next year Braids is going to be touring an awful lot. Alex and I have gotten some interest from people in Europe. The Europeans love it. The equivalent of CBC in Sweden did an interview with Alex today. They're digging it over there and we've definitely had some interest. Maybe we'll tour over there, maybe go to Japan or something like that. We'll make it work. It's going to be a lot of on-the-road for me next year but I'm looking forward to it. I want to see places.
Are you an Elvis fan? Blue Hawaii was the title of one of his greatest films, and one that would suit the aesthetic you're going for.
R: You know, my mom is, and she would always sing him in the kitchen. I've seen clips from the film. I don't know how everything came together, with Blue Hawaii sounding like Blue Hawaii, but it's nice when things come together like that.
Blue Hawaii - Floral by Arbutus RecordsRead Less ↑
INTERVIEW: Q&A with Montreal's Braids
Braids is a band poised. A group of four young friends from Calgary transplanted in Montreal, they make what they call "experimental indie pop." We don't know what to call it, but we know that the sound is at once boldly personal and intimately loud, strung along with unique musical construction and sly pop sensibilities. Does that make sense? Anyone who's caught one of their extraordinarily fluid and involving live sets, including their Pop Montreal show this past fall, knows what the deal is. For those uninitiated, take a look at the beautiful video constructed by the wonderful folks at Blogotheque.
Now, the band stands before both the completion and assumption of a lot of hard work and reward. Having completed their debut full length Native Speaker, out in the fall, they are about to embark on a summer-long tour, including their first-ever American dates along with hopes for a European voyage in the near future. The interview below is an extensive look at the mindset regarding their album, their history together, and their hopes for a future.
Enjoy, this is one of Montreal's finest:
On their new, debut album, Native Speaker…
Raph: It's done. Finished. Really finished. Mastered.
Austin: It sounds great. We've been holding it for quite a while. We've been holding it for the past couple months. We're just shopping it around to American labels right now, going down to New York to play some showcase shows. A good man in Brooklyn named Kip Curry from Tell All Your Friends Promotion, he's helped us get in contact with a bunch of labels. Now it's like, they've heard it, now they want to see us play live. Now it's like, we're just waiting to get down there and play live and see how people like it, how they receive it.
On learning how to record in order to self-produce the album…
Raph: For sure [it was an artistic decision]. We wanted to have as much control over it as we possibly could
Austin: We had a bunch of offers from people saying, "Hey, can we help you do all the post-production on the record, all the mixing," and we said, "No, we really want to do it all ourselves. We really want to learn how to do it, and now for next time, we're that much further ahead."
Raph: It's just good to know how do something new.
On how learning the recording process affected writing new music…
Austin: We learned a lot about the actual creating process of music, as well. You can tell because we've been writing a few new songs since we finished the record where, after having gone through the process of recording, our live writing is very different.
We were always trying to push the boundaries of what we were doing in the live environment, but now we've tapped into the recording environment, which is literally limitless. You can tell because it took us 9 months to record our record.
Raph: It took as long as a baby [laughter].
Austin: Yeah it's actually interesting because the gestation period was perfectly nine months.
Raph: There's always this problem with people doing something that they don't know much about and not doing it well. We've always heard, "Oh, you should just leave the mixing to the people who actually know how to mix," But I think, because we took so much time to learn how to do it well, we avoided that problem.
A lot of people were coming up to us and being like, "where did you get this recorded?" and we were like, "oh, in our house [laughter], in our back room that has a laundry machine." But we really pushed ourselves to make it amazing.
Austin: We didn't have to constrain ourselves by asking, "how are we going to play this live?"
Raph: We already have songs that we really enjoy playing live and that we're really proud of live, so we just took it a step further for the record.
Austin: If we head something in our head while we were recording we thought, "I'm not going to do this live, but I don't care because it's going to sound really good on the record."
On evolving musically through their years of playing together…
Austin: Yes [this record is a progression of Braids' earlier sound], very much so. Especially from our last record, which was the Set Pieces EP, and this is like a complete removal from that.
Raph: I didn't even have effects on my vocals when we did Set Pieces. I didn't even know how to go "AHHH." I didn't know how to do that. It's a total evolution, especially from older songs like 'M is for Matrioshka,' where all of us were trying learn how to play together in time and I didn't know how to play guitar yet.
Austin: That was a different time in our lives.
Katie: We were very excited. We're not jaded now, we're just very used to everything.
Raph: It was like, I'm going to play the guitar as fast as I can, but now it's different.
Austin: I guess we have a little bit more restraint and maturity in our writing now. There's been a continual progression where we realize that we write really long songs, like a 7 or 8-minute average track length. For working on things past Native Speaker, we're trying to make things even more poignant. We try to write, like, let's keep it down to a one or two-minute track and now it's like, 4, but still, that's short for us.
On their extensive tour schedule, including their first ever American dates in New York and Boston…
Austin: We're very excited. We've got basically two months on the road in Canada throughout the whole summer through August and then, after that, there's not even one show in place but we're hoping to just tour as much as we can.
All of us through our friends, like the band Women, that have toured Europe have instilled this "GO TO EUROPE" vibe in us. So we really want to go to Europe. We've been getting emails from people and little bit of interest saying, "your music would be well-received here," and all our friends that have toured Europe say that our music would suit audiences in Europe. Hopefully in the spring or something like that we can go to Europe.
Raph: Say Europe again.
Austin. Europe. Europe.
Katie: We're up in Europe!
On influences…
Raph: For sure, Animal Collective is a huge one for all of us. That one was big for us. I think Animal Collective was huge for us last year, definitely. It changed the way we think about how to make music, for sure. We started out varied in terms of musical taste, with everyone showing each other music and we came together with Animal Collective. Now we're spreading out again. Like Katie's really into New Wave, like New York No Wave, New Wave. Taylor's starting to get into a lot more electronic based stuff.
Austin: Every once in a while, Taylor and I throw out the idea of starting a micro-house band, with live drums and effects.
On life after the album:
Austin: It's kind of nice to be done with the album. We're starting to listen to so much music. I found that when I was recording the album I was forgetting to listen to music. I became so saturated with my own music.
Raph: I didn't listen to any music.
Austin: I just don't want to hear that album for a while. Now it's like I'm listening to a lot more new stuff and it's nice.
Raph: This was the first time [that we got so immersed in the recording process]. We had only done one day recording before, like live to 2-track at a radio station.
On integrating new material into the band's fluid live show…
Raph: For sure, we have a couple new songs
Austin: and a couple tweaks to our old songs
Raph: There are tweaks with the endings and I have different ways of singing the songs now. Still, the album is very fluid and the live show is very fluid. All the songs that are on the album, we've played live a million times and we're very happy with them. It's pretty similar, but you know, the album is like nine months of playing the same songs over and over again, so it's just a little different.
Katie: I know that most of us really want to kind of move past the album a bit. We want to write as much new material as possible and really try new things. We want to try new sounds and not just do new things like Native Speaker was.
Austin: For sure, to keep pushing the boundaries on what we can do physically and emotionally and as friends, in terms of how much we can beg of ourselves. We've spent some time already sitting down and thinking, "How do we want to progress?"
We found that it was best to not talk about it so much (Laughing).
Raph: Yeah, you just dig yourself a hole when you do that.
Austin: we got kind of heated a couple nights talking. Now it's kind of like, let's just see where it's going and it's going in a nice direction. I think we're going to come back to it and speak a little more about it. It's just a balance of how can we remove ourselves from what we've done before without losing our cohesive sound.
Raph: It still sounds like Braids. We just want to challenge ourselves because we're 19, 20, and 21 years old and we're full of energy.
Katie: We get bored easily.
In addition to the new album, Braids will be releasing a split cassette with Raph's other group Blue Hawaii to promote their tour. For a full list of tour dates, check Braids' myspace. They will be playing in Montreal on May 21 at the Savoy with the Holly Miranda.Read Less ↑


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how to design your window cleaning business flyer to sell
go to --> windowcleaningbusinesskit.com
hi i'm andy engstrom, owner of freewindwcleaningtips.com and the creator of the quick start guide to window cleaning profits system.
in this month's video newsletter, we're going to take a look at how to effectively modify a couple of the window cleaning business sales templates available in the window cleaning profits system.
the purpose of this tutorial is to help you effectively modify these templates so they are ready to use, and help you immediately start generating sales for your business.
let's take a look modifying 1 of the window cleaning flyers in this business kit.
how to attract the readers attention:
as you can see, this flyer is designed for high impact. it's bright, warm colors immediately attract the eye and draw attention to it's message. the headline, "got dirty windows?" which is my trademark, asks the basic question which most people will answer, yes!
the importance of white space:
the squeegee silhouette against the soap and baby blue background further impresses the viewer, and continues to reinforce the fact that you provide professional window cleaning services.
it also creates what publishers call, "white space". this is essentially blank space, which helps focus the readers eye to the areas of ad copy you want to emphasize.
you always want to avoid creating ads that are "copy heavy".
the only time you want a copy heavy ad is when you are selling insurance… which we are not. we're selling window cleaning and we want a clean, copy light ad, to help us sell a clean service.
get to the point:
i can't tell you how many times i've seen advertising that left me confused as to "what" the ad was trying to sell. make sure your advertisements are clear and to the point. tell the reader what services you provide and give them information on how to contact you.
this template also adds the words, "free estimates" enclosed in a bright yellow sunburst. this reassures the reader that there is "no obligation" to buy when they call and ask about the window cleaning services you provide.
creating a flyer for my son:
about a week ago, my son called me and told me he was ready to start his own window cleaning business in kentucky.
i offered to modify the templates in the window cleaning profits system for him so he could start using them to promote his new business.
this is how i arranged his business information within the flyer template.
i added his…
these elements are added to the "spacer bar" i specifically designed into this template for ad copy. i would suggest not adding any text into the "white space" area. although, i admit, i did add his website address into the white space.
branding your window cleaning business:
and perhaps most important element of all is adding your image to the flyer. when you add a picture of yourself in your ads, along with all forms of correspondence, you are using a marketing technique called, "branding".
you are branding yourself as the person a prospect can identify with, which reassures the prospect that you are friendly as well as legit.
i've taken the same elements and created a...
window cleaning business card:
this is a vertical business card which is somewhat unique because most business cards are laid out horizontal. you don't have to use a vertical business card, but it will help people remember you and help you stand out from other competing businesses.
i've taken these same design elements and created a window cleaning website for brick. if you'd like to see a site that has ad copy that is designed to sell, check out brick's website at: www.louisvillewindowwashing.com.
to get more info on my quick start guide to window cleaning profits system, and how it can help you drive customers into your window cleaning business - fast, please log on to www.windowcleaningbusinesskit.com .
i want to personally wish you the very best of success this year.
i'll see you on the streets cleaning windows!
- andy engstrom
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text:
From Sweasy26
Great plastic surgery services in Des Moines
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OH, Marshallville, 12599 Fulton Rd, 44645
Roberta Baer - Tampa - USF :: Department of Anthropology
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Discovery Channel to Air 5 Hour Videogame Documentary
Today the Discovery Channel announced that it's going to air a five-hour prime time documentary entitled "Rise of the Videogame." It covers the entire history of the industry and has interviews with the likes of Ralph Baer, David Jaffe, Will Wright, Peter Molyneux and even some now-obscure names like Ken and Roberta Williams.
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Amazon.com: Roberta Dale Baer: Books, Biography, Blog, Audiobooks ...
Visit Amazon.com's Roberta Dale Baer Page and shop for all Roberta Dale Baer books and other Roberta Dale Baer related products (DVD, CDs, Apparel). Check out ...
Robert Baer - Wikipedia, the free encyclopedia
Robert "Bob" Booker Baer (born July 1, 1952) is an American author and a former CIA case officer who was primarily assigned to the Middle East. He is currently TIME ...
Bobbie Gentry - Wikipedia, the free encyclopedia
Roberta Lee Streeter (born July 27, 1944), professionally known as Bobbie Gentry, is an ... wrote and performed "Another Place, Another Time" for writer-director Max Baer, Jr. ...
Bobbie Gentry | Biography - Lyrics, Song Lyrics – LyricsFreak.com
Biography. Roberta Streeter is partially of Portuguese ancestry. She was born July 27, 1944 ... wrote and performed "Another Place, Another Time" for writer-director Max Baer ...
Roberta Washington • architects, pc
Roberta Washington Architects, PC was established in 1983 in the heart of Harlem as one of the few African-American, woman-owned architectural firms in the country.
Robert Baer (I) - Biography
Date of Birth 1 July 1952 , Aspen, Colorado, USA Birth Name Robert Booker Baer Trivia Central Intelligence Agency case officer in the Directorate of Operations from ...
Christy Canyon Biography, Pictures, Images, Movies, Videos ...
Perfect People feature on Christy Canyon that includes pics, pictures, biography, video, related news, vital stats, commentary, and cool facts.
See No Evil by Robert Baer Detailed Book Review
"In this book, Robert Baer tells the story of his career with the CIA, starting ... Three ways to search for Biography books! 1) One-click plot searches! Simply click on a ...
Richard Gere - Biography
Humanitarian and actor, Richard Gere was born on August 31, 1949, in Philadelphia. The second of five children, his father, Homer, was an insurance salesman, and his ...
Roberta Barton's Photos, Address, Phone, Email | Spokeo.com
Loren Roberta Barton Biography | Annex Galleries Fine Prints annexg... Roberta Barton ... Roberta Baer; Roberta Bagley; Roberta Bagwell; Roberta Bahr; Roberta Bailey; Roberta Bain
Semiotic Society of America
Presidents: According to the society's official website ... 1977: Eugen Baer 1978: Thomas G. Winner ... 1996: Roberta Kevelson 1997: Myrdene Anderson ...
s research team consisted of Larry Strawther, Tracy Baer, Jerrilyn Klein, Roberta Simons, and Marv Sussman. Production: The daily syndicated ...
Deutschland sucht den Superstar (season 5)
panel, Dieter Bohlen , Anja Lukaseder, and Andreas "Bär" Läsker also star. ... Top 5: Party Music and : Killing Me Softly (Roberta Flack ) | ...
Antonio Cupo
she played the role of boxer Max Baer, the sitcom My Doctors and ... Between 2009 and 2010 is the protagonist, along with Roberta Lanfranchi, ...
List of Hawaiian Eye episodes
Steven Ritch | Roberta Haynes, Frank Albertson Robert Clarke , Keone | ... Robert B Sinclair | Lowell Barrington | John Baer, Suzanne Lloyd | ...
Street Sharks
Susan Baer Beck - Todd Campbell - Garry Chalk - El Swordo, Spike ... Additional voices : Roberta Lawson - Clyde McNeal - M. Michelle ...
The Joey Bishop Show (sitcom)
Roberta Sherwood Bill "Moose" Skowron Danny Thomas ... Guest stars: The Joey Bishop Show featured several celebrity ... Parley Baer Raymond Bailey ...
Helsinki Napoli All Night Long
Roberta Manfredi : Stella. Jean-Pierre Castaldi : Igor. Margi Clarke : Mara ... Cast : Kari Väänänen : Alex ... Harry Baer : Man. References : External links ...
author Wu-Baer F, Sigman D, Gaynor RB | title Specific binding of RNA ... De Angelis Roberta, Bruno Tiziana, Libri Valentina, Iezzi Simona, ...
Bobbie Gentry
Roberta Lee Streeter (born July 27, 1944), professionally known as Bobbie Gentry, ... for writer-director Max Baer, Jr.'s film, Macon County Line . ...


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Breast Reduction Q&A
Pus + Breast Reduction
Puss Coming out of my Breast? (photo)
I dont know what's happening Please explain...I was changing my bandages for my Nipple Areola Necrosis (which is on my right breast) and Noticed Puss... READ MORE
Infection in incision? (Photo)
Had breast reduction 11 days ago, until now there had been no discharge or major discomfort, today i have seen oozing blood/pus (i think) and... READ MORE
Pus-filled Nipple & Areola? (photo)
PS did large breast reduction & lift on 12/5/12. Areas of areola and nipple look like they are made of pus that PS says are just scabs. Other... READ MORE
Incisions Are Oozing with Pain and Blood/pus 18 Days Post-op...is This Normal? BR Done 18 Days Ago...total of 5 Lbs Removed?
Just checking to see if this is normal....I feel lots of pain and there are areas of the incisions under breasts that are dark and oozing with small... READ MORE
Is it normal for incision sites to leak puss after surgery?
I am 4 days post op and I just noticed some discharge coming from one of the incisions under my breast. It is just a little bit and it doesn't hurt. I... READ MORE
I'm 2 weeks post BR. My steri strips are falling off and there's a foul odor with yellow pus. Is it an infection? (Photo)
Hi i am 2 wks post op and my steri strips are starting to fall off and as you can see in the photos i noticed that i am leaking a yellowish pus from... READ MORE
I had breast reduction surgery 12 days ago, there is green puss coming out - should I be concerned? (photo)
Yesterday I noticed a hard suture sticking out just below my areola. Tonight it looks like there is green puss coming out, should I be concerned about... READ MORE
Is it normal to have discharge from my incisions (pus & blood) as well has openings in my incisions??? (photos)
I had an allergic reaction to the adhesives from my breast reduction surgery! It has been 6 days since my surgery! I'm still having throbbing pains;... READ MORE
I Had a Breast Reduction, Odor and Puss Coming From Incision?
The area from under the nipple where the stiches are is a black red colour with some puss. Today I noticed that there is a smell coming from it. I had... READ MORE
What is this? Please help. (photos)
Yesterday my stiches got taken out.. The doctor says that this is normal to put bacitracin on it and gauze.. However this looks like an open wound to... READ MORE
@ 4 Wk Post Op-I See Some Pus and I Clean with Peroxide and Apply Antibiotic Cream After. I Don't See Any Improvement. Help!
Breast reduction almost 4 weeks post op. Any suggestions? (photos)
I had two non dissolvable stitches that were removed last week. I started itching very badly today so I removed the tape which dr said I could do when... READ MORE
Puss from around nipple 2 weeks and 2 days after surgery. Is this normal? (photos)
..the nipple, -made a small spot on my sportsba. Normal 2w PO? Had infection a year ago (TT), so I am extra on the guard now. What I wondered about... READ MORE
What should I do? 5 weeks post op breast reduction!! Open wound! (photos)
I am 5 weeks post op breast reduction surgery. I have two small open holes under my right breast, with occasional green/yellowish puss coming out, is... READ MORE
Why won't the infection heal even after being treated? Will I have to have surgery to get rid of infection?
2 months after BR my left breast developed a puffy area along the incision of the areola which later burst oozing puss and blood. My PS said that I... READ MORE
Breast reduction (4wks ago): pea sized opening under breast, leaks light yellow pus. Should I be concerned?
PS said not to worry about it, but I'm 10 days post BR and have a big purple/black patch. Is it normal? Should I worry? (Photo)
Puss leaks, I've been applying gauze and a prescribed antibacterial cream. Ive also been rinsing with anti bacterial soaps- no direct contact under... READ MORE
I'm 19 days Post Op from breast reduction. I've notice a few spots of hard green looking pus in my right breast. (photo)
Is this normal? READ MORE
I recently have my Breast Reduction and got infected. After another surgery, puss came out. What should I do?
After open my stiches the wound open and infected Doctor do my surgery again and now she give me verticall stiches but after 3 days puss coming out... READ MORE
Is greenish pus normal after breast reduction surgery?
I am 3 weeks post-op and my right breast nipple area (about the size of a silver $) has now turned from yellowish pus to greenish pus. Surgeon stated... READ MORE


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Albany's Paltsios, UMBC's Nanov Garner #AEWSOC Weekly Honors
Release: 09/02/2014
Related Links
CAMBRIDGE, Mass. - Albany and UMBC were two of four America East women's soccer to pick up wins over the weekend and two players who were key to those wins earned conference honors this week. Here are the week two award winners:
Player of the Week
Caitlyn Paltsios, So., Midfield, Westford, Mass.
- Tallied seven points in two games last, including a career-high five in a win over Siena on Sunday.
- Scored her team's lone goal against Syracuse Friday and then racked up a goal and three assists in a 5-1 win over crosstown-rival Siena Sunday.
- The three assists set a new Albany program record.
Rookie of the Week
Lisa Nanov, Fr., Forward, Mechanicsburg, Pa.
- Scored twice in UMBC's comeback win over Loyola on Aug. 25.
- Tallied her first-career goal in the 54th minute against the Greyhounds, then scored the game winner in the 81st minute.
- Accumulated a team-best eight shots on the week.
- UMBC's 3-0 start is its first since 1996 and fourth in program history.
- The Retrievers were ranked ninth in the first NSCAA/Continental Tire Northeast Regional Poll on Aug. 26.
- Albany's win over Siena was its first since 2006.
- Binghamton picked up its first win of the season, a 5-0 victory over Manhattan on Sunday. Katie O'Neill scored twice for the Bearcats.
- Taylor Chianese's double-overtime goal in the 109th minute lifted UMass Lowell to a 2-1 win over Delaware State Friday.
- Stony Brook's Raven Edwards scored both Stony Brook goals in a 3-2 loss to Siena Thursday. The 2012 All-Rookie selection missed all of last season due to injury.
Weekly Awards
Aug. 25 - Co-Players of the Week: Chanel Johnson, Hartford & Nikki McFarland, Vermont; Rookie of the Week: Sarah Martin, Vermont
Sept. 2 - Player of the Week: Caitlyn Paltsios, Albany; Rookie of the Week: Lisa Nanov, UMBC


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hey, im new here.. im form CA, and I am going to be getting a new car soon. I have my heart set on the STI, but I dont like that the interior is Blue. Anyway my friend has an 05 wrx, and he had mentioned getting the STI interior for his car. What I was wonderingis are the interiors of the 07's interchangable with the WRX's like on his car, because if so I want to change out the seats, door cards, and carpet. I want to get the White STI, but the blue interior bothers me. So I would like to get change it up if possible.
Well let me know if it's possible. Thanks, cant wait to join the Suby family.


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Solder-type D sub connectors, great for prototyping or creating your own D-sub cable.
83-0255 - 25 pin Male to 9 Pin Female IBM AT Type Adapter
High-quality for molded construction. Thumbscrews for easy hook-up.
83-975 - 9 Pin Female to Female Gender Changer
Type "D" gender changers for monitor, printer or serial applications. Available in male to male or female to female configuration. Completely shielded. Gold plated contacts.
83-980 - 9 Pin Male to Male Gender Adapter
83-215 - 9 Pin Female Solder Type Series "D" Sub Connector
30-2570 - Outdoor Balun Transformer 300 Ohm to 75 Ohm
Outdoor Balun Matching Transformer
This matching transformer is used to connect your 75ohm coaxial cable to the common 300 twin style connection on many outdoor antennas. The CM 94444 is an industry standard balun which offers excellent matching and low loss.
24-13911 - 6Ft 3.5mm Male to Dual RCA Male with Gold Contacts
3.5mm Male to Dual RCA Male; Gold Contacts, 6Ft
Connector Type A: 3.5mm Stereo Plug, Gold
Connector Type B: 2 x RCA Phono Plugs, Gold
Lead Length: 1.8m
No. of Poles: 3
Purchasing was easy, shipping was fast and the items were packed well.


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Millburn High School Varsity Club honors four swimmers
Swimmers Katie McGrath, Andrea Shepard, Darragh O'Gorman and Chris Balbo are the recipients of Millburn High School Varsity Club Athlete of the Week honors for Jan. 13-19.
McGrath and Shepard were recognized for leading the girls swim team to defeats of Super Essex Conference, American Division rivals Mount St. Dominic Academy 88-82 on Jan. 13 at Newark Academy in Livingston and Livingston High School 51-43 on Jan. 14 at the West Essex YMCA in Livingston.
McGrath, a senior captain, won the 100-yard freestyle in both meets. She also won the 100-yard backstroke in the Livingston meet.
Shepard, also a senior, placed first in the 100-yard butterfly against Mount St. Dominic and took first place in the 500-yard freestyle in the Livingston meet.
McGrath and Shepard also were part of the winning 400-yard freestyle relay team in the Mount St. Dominic and Livingston meet.
McGrath, Shepard, freshman Emily DeAlto and freshman Abby Hartwig won the meet-ending 400 freestyle relay in 3:58.83, propelling the Millers to their win over Mount St. Dominic.
O'Gorman and Balbo each won two individual events and helped Millburn place first in two relays Jan. 14 in a 52-42 defeat of SEC, American Division rival Livingston.
O'Gorman, a senior captain, won the 200-yard individual medley in 2:10.55 and the 100-yard backstroke in 1:00.65.
Balbo, a sophomore, placed first in the 200-yard freestyle in 1:52.99. He also took top honors in the 500-yard freestyle in 5:14.31.
O'Gorman and Balbo helped the Millers win the 200-yard medley relay in 1:48.40 and the 400 freestyle relay in 3:38.05.


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Institution Unit Supervisor: Jason McHugh
Unit Program Summary
The mission of the Medium/Max Custody Service Area is to provide a safe, non-violent, secure treatment environment to address the individual referrals of inmates to the Wisconsin Resource Center, and enhance skills needed to successfully function upon return to DOC.
Unit A1 is committed to providing a safe, secure, and structured environment conducive to the treatment and security needs of the offender and the institution. An individualized and multidisciplinary approach is utilized to tailor programming and treatment that best fits the needs of each offender in our custody. Our hope is to provide effective methods to help offenders cope with and adapt more adequately in life and upon return to their assigned DOC institution.
- Address individual treatment needs identified by DOC.
- Provide clinical monitoring through groups and on-unit individual contacts.
- Strengthen independent living skills and pro-social life skills with appropriate feedback and interventions.
- Reinforce essential treatment programming.
- Increase skills to negotiate a traditional facility.


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Belle Harbor Woman A Suicide
Belle Harbor Woman A Suicide
The quiet of residential Belle Harbor was shattered last Tuesday morning by numerous police units responding to 122-14 Newport Avenue on a call of a possible body at that location.
What the first units from the 100 Precinct responding to the call found was the body of 36-year-old Victoria Mazzarelli hanging by a rope from a rafter in the garage.
By 9:30 a.m., about a half hour after the original call, residents in the area knew that something had happened at that home, as police blocked off the street and wrapped yellow crime scene tape around the garage at the rear of the home. More than a dozen police vehicles stood on both Newport Avenue and on Beach 122 Street. Many calls to The Wave indicated that people worried that the police presence in the area was due to some sort of terrorist activity in Belle Harbor.
According to police sources, officials of the city's Emergency Medical Service declared Mazzarelli dead at the scene.
An NYPD spokesperson at the office of the Deputy Commissioner for Public Information (DCPI) told The Wave that it could not provide such information as to who found the woman's body or a motive for the apparent suicide because "there is no criminality involved with the case."


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synthetic differential geometry
∞-Lie theory (higher geometry)
Given a smooth manifold and a vector field on it, one defines a series of operators on spaces of differential forms, of functions, of vector fields and multivector fields. For functions (derivative of along an integral curve of ); as multivector fields and forms can not be compared in different points, one pullbacks or pushforwards them to be able to take a derivative.
For vector fields . If is a differential form on , the Lie derivative of along is the linearization of the pullback of along the flow induced by
Denote by be the graded derivation which is the contraction with a vector field . By Cartan's homotopy formula,
An introduction in the context of synthetic differential geometry is in
A gentle elementary introduction for mathematical physicists


text:
A baby, cervical cancer, and a voice whispering that it's all for a reason. One woman learns that life is never about the action but rather our reaction.
"synopsis" may belong to another edition of this title.
Baptized and confirmed a Roman Catholic in Omaha, Nebraska, Catharine has held an array of jobs over the last twenty-five years that have helped round out her unique perspective on life. While she trained in Broadcasting like her Father before her she claims no title more dearly than that of Mother, wife, daughter, sister and friend. Although she has written countless 30 second commercial ads for radio, these pages are a first for her. A small non-speaking role of a nurse in the movie Terms of Endearment gave Catharine a glimpse of Shirley Maclaine and her journey Out on a Limb. It wasn't until years later that she realized this was more than just a fun thing from her college days. The pieces fell together in a pattern showing that nothing in her life was random. A look at personal and professional decisions made over the next twenty years that Catharine lays out for all others to see as her path. This is the section where the Author tells their qualifications for writing such a book. We all have our belief system and no one can really tell you what you need as far as faith since they truly don't know your path. After a new baby and five surgeries in thirteen months time, the symbols were yelling at Catharine. These pages are filled with her perceptions on the way life, namely hers, works and she is yelling it back. There is no one else who can know the definitions of these symbols other than the one who holds them the closest. Catharine acknowledges that she had assistance with this book, but the ones who helped most are not of this earth plane anymore and have no need to share in the proceeds with her.
"About this title" may belong to another edition of this title.
From United Kingdom to U.S.A.
Book Description Trafford on Demand Pub, 2003. Paperback. Book Condition: Brand New. 188 pages. 8.90x6.00x0.50 inches. In Stock. Bookseller Inventory # zk1412002087
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Book Description Trafford Publishing, 2003. Paperback. Book Condition: New. Bookseller Inventory # DADAX1412002087
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Book Description Book Condition: Brand New. Book Condition: Brand New. Bookseller Inventory # 97814120020801.0
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