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|Antiques Bandwagon
|Ogilvy & Mather
|Antiques Bandwagon
|AT&T Inc.
|Date of First Broadcast/Publication
|Subscribers Only
|Business Sector
|Subscribers Only
|Production Company
|..b In.....ies Subscribers Only
|Editing Company
|.o R...t! Subscribers Only
|Music Company / Composer
|Ear to Ear
|Executive Creative Director
|D...d Ap....la Subscribers Only
|Executive Creative Director
|C...s W..l Subscribers Only
|Associate Creative Director
|Mr. Jack Low
|Associate Creative Director
|D...en ..x Subscribers Only
|P...r C..e Subscribers Only
|Ms. Patti McConnell
|Agency Producer
|M....sa M...s Subscribers Only
|A..m Li.....tz Subscribers Only
"We sell. Or else."
These words of David Ogilvy sound simple, but are deeply meaningful to us. David began the agency in 1948 and built Ogilvy & Mather into one of the most legendary branding companies in the world. Underpinning this is the philosophy of "divine discontent" — the simple belief that in order to be creative one must be permanently dissatisfied and always seeking to be better than good.
Our Business Model
We believe that our full range of services on a global scale are a unique strength. Earlier than others (as early as the 1980s), we diversified away from the advertising discipline alone. Our core disciplines of advertising, direct marketing, public relations and activation have therefore developed in depth as well as in breadth. Each of our disciplines is best-in-class and provides not just integrated execution (which can be superficial) but integrated thinking. The disciplines live within a tightly defined matrix "country system" with shared resources and a common P&L, but enough separation to ensure specialist excellence. Years of working together in cross-discipline teams means that we are probably the only agency in the world that integrates as a matter of habit, with real depth, wherever we operate.
Digital Dominance
We believe we are the most digital of the major networks. We have nearly 4,000 digital specialists around the world. Our point of view about digital is that it is not a silo apart or a "pure play" but something which is transforming all the disciplines in which we operate. Digital is therefore embedded at Ogilvy. We have undertaken in the last few years an aggressive plan to digitalize the agency. This manifests itself in cross-company practices, ranging from social to e-commerce, from mobile to data-driven creativity. A Digital Council in the agency is chaired by Global CEO Miles Young, and the digital agenda's represented by our Chief Digital Officer, Brandon Berger.
Founder Culture
Finally, we have an especially strong agency culture no matter which Ogilvy office around the world you are in. The values and principles of our company were laid down by David Ogilvy when he founded the company at age 36, and his spirit imbues the company as strongly today as it did then. The critical point about their values is that they are strongly humanistic; the people who work here should be cared for, and they should behave with honesty and good manners.
Directing duo takes an architectural look at the world of the vast IBM Cloud
Park Pictures' Terri Timely Visualises the World of the IBM Cloud for Ogilvy NY
Park Pictures directing duo Terri Timely takes an architectural look at the world of the vast IBM Cloud in the new 60 second 'Designed for Data' for IBM, out of Ogilvy NY. The spot utilises Terri Timely's signature clever visual composition to snapshot the limitless array of data that can be stored in the IBM Cloud.
Within a continuous shot panning out, we see a sleek warehouse with a meticulously constructed lineup of vignettes building upon one another, magnifying the depth and variety of businesses' usage of the cloud. The campaign also includes three additional 30 second spots that highlight real customers, including "Built for Transformation," "Ready for New Business Models," and "Spotlight on Dark Data."


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The TV Show Supernatural actually had one of the best humanoid incarnations of Death that I've seen in any visual media. A large part of that came down to the choice of Julian Richings to play the character. A combination of his gaunt features and the dry weary tones with which he delivered the lines made for a distinctive but entirely believable death.
Some of these elements are not things that can be easily captured in cosplay. Particularly when you pull a gender switch on the character.
ShahanaMikagi has done a great job here with the visuals of the character as presented in Supernatural. From the obvious ones like the cane and the clothing to the expression on her face in this photo. Having the shadow "wings" int he background is just the icing on the cake.

subset: commoncrawl


text:
Having problems with your Computer Processors ?
My pc performs slow
\015 Want to upgrade my MSI processor. Please give me some details or advice about what to do.\015
Answers :
Cheap and affordable suluton would be tigerdirect.com or frys.com buy a motherboard and cpu combo and slap that puppy in and you got yourself a next gen computer for under $200 bucks. Like my adive we only get compensated on your good ratings so please rate accordenly
Repair Help & Product Troubleshooting for Computer Processors
Tips for a great answer:- Provide details, support with references or personal experience .
- If you need clarification, ask it in the comment box .
- It's 100% free, no registration required.
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When it is powered on it goes in super duper slow motion to open windows and then to load everything almost not starting or loading . it takes hours to get to have computer loaded.
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Slow start-up icons slow to appear on start-up.also slow appearance of taskbar on start-up
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Gateway lapton very slow and can't dowload anything?
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Course Description
GC 350 Methods and Materials in Teaching Social Studies Education
4 cr.
Offered: Fall, Winter
Prerequisite: Admission to the methods phase of teacher education. Completion of ED 319, ED 361, ED 380, and ED 483 or with permission from the teacher preparation program.
Strategies, methods, materials and media that can be used to improve the teaching-learning process of geography in grades seven through 12.
Note: May not be applied toward a non-teaching major or any minor in the Earth, Environmental and Geographical Sciences Department. Can be applied to the secondary education geography minor if required.


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DIY : Secondary Air Pump & Valve
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Mc 007
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Join Date: Nov 2006
Location: Cittanova d'Istria-Croazia(Europa)
Posts: 2,244
My Ride: 325ci Performance
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Originally Posted by
Great DIY for a non-working secondary air pump.
Under the CPO warranty I had my Secondary Air pump replaced, but continued to throw CEL codes due to low secondary air flow.
If the pump is working, and making the leaf blower sound for 2 minutes after a cold start, use the secondary air pump to blow Seafoam into the exhaust ports and valves. This will clear the secondary air passages enough in the engine to allow the second O2 sensor to detect a higher secondary air flow.
The 540i engine is even more prone to the problem, but here's the general idea of what happens:
The carbon burn off using Seafoam on the secondary air system is huge and has kept the CEL off since I first started this cleaning.
Since the Seafoam can only be blown into the ports while the engine is cold this DIY must be performed as you first start the car in the morning.
Step 1: Remove the clamp from the hose between the secondary air pump and the valve to the engine
Step 2: Pour Seafoam into the hose. The hose will hold just over an ounce of Seafoam.
Step 3: Reconnect the hose and run the car 5 seconds so the air pump blows the Seafoam into the exhaust port.
Repeat this fill and restart 3 more times only running the engine 5 seconds so the secondary air pump runs for the 3 fills.
Then let the engine sit 15 minutes and warm up the car. There will be significant amounts of Seafoam carbon burnoff in the form of white smoke. The carbon burnoff will clean exhaust areas in the path to the O2 sensors that measure secondary air flow.
this solvents are ok for this work?
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Hi there,I would like to get overall procedure or information of various type of auto car engines ?Any help would be highly appreciated here !!!Thanks for helpJordon Huff
_________________________2016 GT3RS (expected) , 2013 Jeep Wrangler Sport,2008 GT3RS, 2008 Cayenne S ,2005 Smart ForTwo ,2003 Mercedes SL500
Motor shows may feature the latest in auto industry developments, but there's nothing new about auto shows themselves, in the larger sense of the term.There are more cars on the road every year. This can lead to an increased likelihood of a car accident.A real auto repair technician will see to it that everything is repaired and working smoothly from within and then take the time to polish the exterior frame of the car.______________________________________________Tyres Northern Ireland
There are two main fuel types used in car engines: gasoline and diesel. These also classify the type of ignition in the engine as well. More recent alternatives to gasoline and diesel include electricity, ethanol, methanol, hydrogen, propane and natural gas....clutch repair
auto air conditioning repair


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Englewood makes statement against gun violence
ENGLEWOOD - The city joined other Bergen County municipalities in taking a stance against gun violence, adopting a resolution that supports state legislation to "promote safe and responsible ownership of firearms."
The resolution, which the Englewood City Council approved unanimously on March 19, mirrored measures passed in Tenafly and Fort Lee that supported President Barack Obama's and Vice President Joe Biden's plan to end gun violence. Councilwoman At-Large Lynne Algrant was absent from the meeting.
Sen. Loretta Weinberg, D-37, is one of the co-sponsors of a bill urging Congress to strengthen gun control laws. According to the bill, which was introduced on Jan. 8, an average of 33 people are killed every day as a result of gun violence.
In addition to the Jan. 8 bill, Weinberg also co-sponsored legislation that will require "proof of firearms safety training" as a condition to get a firearms purchaser ID card and permits that would allow someone to buy a handgun.
Mayor Frank Huttle III, who supports the effort of Obama and Biden to curb gun violence, said elected officials have a duty to protect the safety and security of their friends and neighbors and that reasonable gun control is a fundamental part of public safety.
"We should not wait for another chilling incident to implement common sense policies, such as mandatory background checks and increased access to mental health care," said Huttle. "I hope that our state and nation act quickly so that communities like Englewood have the tools and resources we need to keep our schools and neighborhoods safe from senseless gun violence."
Not only did the Ward 3 Councilman Eugene Skurnick support the city's stance against gun violence, he would like to see the restriction of assault rifles on a state level. Curbing this violent crime is essential in New Jersey, which is densely populated, said Skurnick.
Although Englewood does not have the same degree of gun violence as some other municipalities, Ward 4 Councilman Wayne Hamer said the city needs to work toward eliminating of all kinds violence, from domestic to gun. He is interested in having individuals who were affected by gun violence speak to city residents about their experiences.
Ward 2 Councilman Michael Cohen said it was important to take an official stance on gun violence so the issue is not "swept under the rug."
"I think it's important, especially after recent events, to demonstrate that these are things we take serious and we're going to do everything we can to prevent them from reoccurring," said Cohen.
Englewood is one of the eight municipalities in the county that will serve as a drop off point in the Bergen County gun buyback program on April 13 and 14. Area residents can hand in their guns at Mt. Calvary Baptist Church on April 13 from 1 to 5 p.m.
Algrant, who played a part in bringing the gun buyback program to the city, said it was important to keep the issue on the "front burner" and not forget situations like the Sandy Hook shooting in Newtown, Conn.
"I delighted to join in the effort to really take advantage of a national conversation about gun violence and thinking smartly about what we have to do to keep ourselves safe," said Algrant.
Email: email@example.com or call 201-894-6703


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Marinda ThomasModel Female Honolulu, Hawaii, US
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About Me
I just moved from Honolulu back to the ArkLaTex and have been out of the modeling loop for a couple of years. I desperately need to update my portfolio! I am willing to travel to shoots in Texas, Arkansas and Louisiana and can provide my own wardrobe, hair and make-up if needed. I am always fun and easy going, but very professional and creative. I look forward to working with you!
Have you worked with Marinda Thomas? Add Credits for Marinda Thomas! >>
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Jerusalem (CNSNews.com) - The Palestinians have absolved themselves of the need to fight terrorism, an Israeli official said on Wednesday, one day after Israeli security forces thwarted what could have been a huge terror attack.
The foiled bombing comes just two days after U.S. Secretary of State Condoleezza Rice met with Israeli Prime Minister Ehud Olmert and Palestinian Authority Chairman Mahmoud Abbas in a three-way meeting in Jerusalem.
Rice and Abbas were in Berlin on Wednesday for separate talks with world leaders on the deal that Abbas cut with Hamas on forming a national unity government.
The guidelines of the government have not been finalized, but so far, Hamas has refused to submit to international demands that it recognize Israel, end violence and terrorism, and keep past Israeli-Palestinian accords.
The deal has cast a shadow over U.S. (and Israeli) attempts to bolster Abbas (Abu Mazen) and those loyal to him as a "moderate" force against extremist Hamas, which is on the State Department's list of terrorist organizations.
"The agreements between Hamas and Abu Mazen disappoint all who supported separating the extremists from the moderates and creating an alternative government in the Palestinian Authority," Israeli Foreign Minister Tzipi Livni said on Tuesday.
Olmert's spokeswoman, Miri Eisen, said that Olmert would continue to deal with Abbas because he was elected in separate elections to head the P.A. two years ago and not at the same time that Hamas won a stunning victory in parliamentary elections last year.
But those dealings will be limited to alleviating the suffering of the Palestinians and the fight against terrorism, Eisen said by telephone. Olmert believes that the Palestinian people should not be punished because of a lack of leadership, she said.
Meanwhile, undercover Israeli troops killed a wanted terrorist, who was a leader of the Islamic Jihad, in the West Bank city of Jenin on Wednesday. The army said Mahmoud Abu Abait was traveling in his car, pointed a gun at troops and was then shot.
Abait, 24, was responsible for planning what could have been a huge terror attack at the central bus station in Tel Aviv, Israel's commercial center, and giving the would-be bomber his explosives.
Police apprehended the would-be suicide bomber and three others in an apartment in the south Tel Aviv suburb of Bat Yam on Tuesday, narrowly averting the attack.
The bomber identified in reports as Omar Ahmed Abu al-Rob, 24, said he had arrived in Rishon LeZion outside of Tel Aviv with a backpack filled with explosives. For reasons that are as yet unclear, he ditched the backpack in a dumpster there and later led police to it.
Police spokesman Micky Rosenfeld said that the authorities were still checking how al-Rob managed to cross from a Jenin-area village into Israel on Tuesday.
The suicide bomber left from Jenin, and everyone thinks that's Israel's problem, said Eisen. The Palestinians are doing nothing against terrorism. They have totally absolved themselves of any responsibility in that regard, she said.
During 2006, more than 1,000 Palestinian Islamic Jihad activists were arrested, 96 of whom were potential suicide bombers, said Eisen. PIJ is headquartered in Syria and supported by Iran, she said.
"It shows the continuous involvement of the country of Iran in supporting the most extreme terrorist elements in Judea and Samaria [West Bank] and Gaza," Eisen said by telephone. This is the same country that wants nuclear weapons, she said.
Altogether in 2006, 279 potential suicide bombers were arrested -- 30 of them from Hamas and 126 from Palestinian Authority Chairman Mahmoud Abbas' Fatah faction or groups that broke away from Fatah, including one splinter group that considers itself to be the "new Fatah" and is funded by Hizballah and Iran, Eisen said.
Already in 2007, a Palestinian suicide bomber blew himself up in a bakery in the southern Israeli city of Eilat, killing three people. Islamic Jihad, a Fatah faction and a third little-known group claimed joint responsibility for the attack.
In related news, the Israeli website YNET quoted unnamed security sources on Wednesday saying that there are "constant attempts" to perpetrate terror attacks and that the current calm is deceiving.
Make media inquiries or request an interview about this article.
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Kate Winslet Charmingly Explains Son's Unusual Name on "The Ellen DeGeneres Show"
She's in the States to accept her star on the Hollywood Walk of Fame and Kate Winslet found time to pay a visit to "The Ellen DeGeneres Show" for an interview to air today (March 18).
The "Titanic" actress was in good spirits as she discussed the unusual moniker she and husband Ned Rocknroll chose for their son Bear.
Kate noted, "A friend of mine when I was younger was nicknamed Bear and I just had always really loved it. And he was very much a bear. He was everyone's shoulder to cry on he was a big bear hug, he was a great figure in my life and I just had always remembered him and so that's where it came from."
"When I was pregnant with Mia and when I was pregnant with Joe, I didn't name them before they came out because I always felt like I just have to see them and see who they're going to be. But of course, this time around there's Mia and Joe and the whole pregnancy is about what are we going to call the baby. So it was really lovely actually, they were very much included and we settled on Bear quite early on."
Winslet added, "And then Bear's second name is Blaze because my husband and I met in a house fire basically," referring to the fire on Necker Island in 2011 when they were both vacationing at Sir Richard Branson's private estate.
Photo Credit: Warner Bros.


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Stay connected with us to get the latest health and fitness news, innovative workouts, healthy recipes and wellness tips.
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Prosciutto, wine and mushrooms dress up this all-purpose spaghetti sauce; keep some handy in your freezer to toss with your favorite pasta, layer into lasagna or spoon over polenta. We have added bulgur to reduce the amount of ground beef.
Nutrition Profile:
Diabetes Appropriate
Healthy Weight
Heart Healthy
Low Calorie
Low Carb
Low Cholesterol
Low Sat Fat
Low Sodium
Serves 16
Prep Time 20 min
Total Time 45 min.
Step 1
Heat a large Dutch oven over medium heat. Add ground beef and cook, breaking up meat with a wooden spoon until browned, 3 to 5 minutes. Transfer to a colander to drain fat. Set aside.
Step 2
Add oil to the Dutch oven and heat over low heat. Add prosciutto, onion, carrots, celery, and bell pepper and sauté until softened, 15 to 20 minutes. Add mushrooms and garlic and sauté for 10 minutes more. Add wine, increase heat to medium-high and cook until the wine has evaporated. Stir in tomatoes, thyme, oregano, salt, pepper, crushed red pepper and the reserved beef. Simmer, uncovered, stirring often, for an hour. Add water and bulgur. Simmer until the bulgur is tender, about 15 minutes. Taste and adjust seasonings.
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This workout provides a challenging total-body workout that can be done from the comfort of home with no equipment other than bodyweight and space.


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Any ideas for cobblestone shed ramp?
Hello, I'm building a 12x10 shed with a mortared field stone foundation. I've got a bunch of jumbo cobblestones that I'm thinking of using for a large ramp on the end to the double doors. The total step up is about 16 inches. Pretty high. I've dug out a square in the area and packed it down in preparation. I've got a bunch of gravel that I could use.
Among the ideas swirling in my head:
Cobblestone wall on each side, somehow sloped to the shed floor.
Cobblestones for the main ramp.
dirt/Pack for the main ramp, between the stone walls.
Skip the cobbles and just use more field stone for the walls.
I've goofed with the stones for a little while, but nothing's jumping out at me. I'd love to not have to mortar these, in case I want to change it, or reuse the nice stone, but I suspect it will be necessary for the walls.
I'd appreciate any ideas. Thank you.
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Free personalized radio that
plays the music you love
The Paper Kites
Selected Discography
Track List: Twelvefour
Track List: States
Track List: Young North - EP
Track List: Woodland
Similar Artists
Very nice!
your mom
Say your crush's name 5 times
Post on two other songs
You will be asked out or your crush will kiss you
Especially Such Great Heights. Not the cover by The Postal Service though.
Me down
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Welcome to GEFRI
Brazilian Banks Rating and Systemic Risk
We also group these Brazilian banks in 4-5 different rating categories and perform a simulation exercise with the purpose of assessing the systemic risk of Brazilian banking sector. Our simulations are designed to accommodate three of the four channels, identified in the literature, through which systemic events may propagate. First, by explicitly modeling banks' portfolios and balance sheets in details, it is possible to capture the correlation between assets returns. Second, the Monte Carlo exercise that is performed via Choleski factorization allows the possibility of a combination of draws affecting assets returns similarly to a cyclical macroeconomic downturn. As these returns are fed back to recalculate volatilities and correlations, via the EWMA process, then the cyclical downturn might deepen further. Interbank exposure is also modeled, as we assume that banks have some fraction of interbank contracts that may become delinquent if one of the counterparts fails, which might trigger a systemic failure of the other banks.


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Download the Foxtel Go app
Ways to Watch
Get more with Foxtel
With the free^ Foxtel Go app you can stream live sports events or TV shows from your package, plus you can get access to a range of TV shows, sport and movies anytime, anywhere, on your device. And best of all, its included as part of your Foxtel subscription.
Stream the world's best shows from your package, anywhere on your device at no extra cost.
Stream LIVE sport - including UEFA Champions League, NFL, NRL, V8 Supercars, F1® and NBA - anywhere on your device.
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Stream the latest episodes, binge away on compete seasons, or choose from over 1,000 movie titles.
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American Country Awards Performers Announced
The initial list of performers for the inaugural American Country Awards has been announced, with Reba, Blake Shelton, Rascal Flatts, Toby Keith and Josh Turner all set to sing on the FOX broadcast.
The two-hour special will also feature appearances by Laura Bell Bundy, Rodney Carrington, Jewel, Lady Antebellum and rock star Bret Michaels, as well as rodeo star Ty Murray, comic Jeff Dunham and NASCAR drivers Clint Bowyer, Michael Waltrip and Elliott Sadler. Hosts, as well as additional performers and presenters, will be announced in the coming days.
Reba, who currently has her 64th Top 10 hit with 'Turn on the Radio,' is up for a handful of awards, including Artist of the Year: Female, Single and Music Video of the Year: Female with her four-week No. 1, 'Consider Me Gone,' and Touring Headline Package of the Year for her trek with George Strait.
Blake Shelton, who just picked up his first CMA Award for Male Vocalist of the Year, is nominated for Music Video of the Year for 'Hillbilly Bone,' featuring Trace Adkins.
Rascal Flatts are currently nominated for Artist of the Year: Duo or Group, Single and Music Video of the Year: Group for 'Unstoppable,' and Touring Act of the Year. The guys hit stores this week with their brand new album, 'Nothing Like This.'
Toby Keith, whose latest album 'Bullets in the Gun' bowed at No. 1 on both the Billboard Top 200 and Country Album charts, is nominated in the Touring Headline Package of the Year. His 2010 tour also featured pal Trace Adkins.
Josh Turner is up for five ACA Awards, including Album of the Year for 'Haywire,' as well as Single and Music Video of the Year for his multi-week No. 1 hit, 'Why Don't We Just Dance,' which he will perform on the show.
Voting is still open for fans to decide upon their favorite nominee in the Artist of the Year category, at the official ACA website until December 4. Voting for the remaining categories closed November 8.
The American Country Awards will air live from the MGM Grand Garden Arena in Las Vegas, Monday, December 6 from 8 – 10PM ET live/PT tape-delayed on FOX. See a full list of ACA nominees here.


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Leaky Roof...Just How Bad?
i have a 1950's house with a roof that's about 15-20 yr old. it rained tonight for the 1st time since i bought this house, and i see a little bit of water seepage. just how bad is this? i don't have the funds to replace this roof until possibly spring/summer.
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You have plenty of experts here to offer suggestions. I'm a DIYer who just redid his roof. My roof had THREE layers of roofing and started to leak. Once you have leaks, your destiny is just about sealed, no pun intended. You will spin your wheels trying to find EXACTLY where the leaks are. I know you want to hold off, but plan on a new roof. You don't want those leaks to become bigger leaks.......then you have mold issues, damaged drywall issues, I could go on and on. I had one leak that ran about 2 feet from its' origination. It never really dripped into the house but it ran horizontally along some roofing sheathing and rotted 2 feet's worth. So, what I am saying is that you may SEE those leaks in the attic, but, there are likely more that you really can't see that are affecting the integrity of your home.
What "Gymschu" says!
Also, post some pictures of the exterior, of the roof.
Scully, Pictures for the exterior of the roof would help as well as a picture from where you think the water is coming from. Also how old do you think your roof is?
PA Home Improvements Inc.
764 North 9th Street
Stroudsburg PA 18360
"your local roofing experts"
The "OP" says the roof is, 15 to 20 years old.
Pay me now, or a whole lot more later.
If your lucky it could be as simple as the roof jack seal is just rotted out and needs replacing, no way to really tell unless you get up on the roof and look or go in the attic during the day with the lights off and see if you can see day light around the vent.
Look for missing shingles, nail pops.
If there three tab shingles your on borrowed time.
A leak does not always necessitate a replacement.
Have a qualified roofer look at it and if you tell them where you are at, they may be able to repair the roof to a serviceable condition but do not intend on getting a warranty on the repair if the roof is otherwise shot.
Thanks .. rossfingal
here are pictures of my roof (there are 2 layers on the roof). i had it patched a few months ago and was told that there's not much life left in it. in the meantime, what should i do with the little seepage in my pictures above?
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That roof is near the end of its life unfortunately.
Or is just the general situation that makes you say it--20 year old roof, active leak, advice from local contractor saying it's near the end?
I've got a 20 year old roof, it's a 2nd layer of shingles as well... it looks to me like it's worse than that... but no active leaks as far as I can tell. Wondering what you see there that makes you think this is done for?
Basically granular loss, splitting in the shingles, etc.
<Company link removed>
Splitting shingles, granule loss, general fatique of the other shingles.
Not saying that it needs to come off this instant, however, I would inform the customer that in depth and costly repair expenses should be diverted to the cost of a re-roof.
A quick and cost effective repair might solve the couple of leakage issues and buy the homeowner as many as 2-3 more years (maybe more) out of the roof.
That being said, I can assure that roof will cost that much more in 3 years as well. Averages show that the cost of roofing doubles about every 10 years. Keep that in mind when trying to stretch the life out of a roof that should be removed.
Prolonging what is likely the inevitable is going to result in potentially expensive repairs and a more expensive root to boot.
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Originally Posted by Marshmallow World
Oh, yeah...I forgot that I bought Mr. Magoo's Christmas Carol a short time ago. I haven't watched it yet. I may have seen it when it first came out, but I don't remember everything I watched back then.
I'd like to hear your opinion after you watch it. I have a feeling I'm going to give in and purchase it. The temptation/curiosity is getting to be to much for me.
Forum Rules


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Thank you everyone for trying to make me feel better. I'm practically rooting against Pechelat/Bourzat being the vanguard of European dance while the youngsters catch-up but this season is coniving to demolish my hopes at every turn.
I was watching the Universal Sports coverage and was interested in a comment that Tracy Wilson made about how this SD really is a different beast than either CD or OD. They have to perform and capture a theme with freedom but also skate with the precision necessary to get the points in the CD.
Teams are having to balance the two demands and get as many points as possible in TES and PCS. This is probably why teams aren't scoring as many points as before.
Last edited by missysays; 11-13-2010 at 08:45 PM.
Weaver & Poje IMO were the best of the night, clearly a very well trained and thought out program and the music was devine!
I didn't get to watch this, but I just looked at the results. It's pretty close, especially between the two Canadian teams lol. It must be frustrating for W&P.
Thanks, SkateBuzz, for the feed! Just watched the entire event online. Highlights of the top 4:
Charlie and Meryl - Still in a class of their own, even with the twizzle issues.
Paul and Vanessa - On the positive side, her hair looks much better like this than Skate Canada. She still definitely needs a new dress. That dress is just hideous. Does not help her to look feminine at all. She should take some style and costume cues from the Russian team. A little surprised they are in second. I didn't think this was their best skate. Maybe because they skated right after Andrew and Kaitlyn, who just ooze elegance in their SD.
Andrew and Kaitlyn - After Charlie and Meryl, I think they were the best of the night. Really, really good performance, and think they should be a few points ahead of Paul and Vanessa.
Alex and Maia - They look so young next to Andrew and Kaitlyn! Not quite a clean skate, but really good quality overall. Definitely a team for the future.


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Shiromani Gurdwara Parbandhak Committee (SGPC) president Avtar Singh Makkar on Tuesday expressed shock over the acquittal of Congress leader Sajjan Kumar in an anti-Sikh riots case of 1984 by a Delhi court and sought to know the names of persons who led the mobs against the Sikhs in the national capital.
"If such persons (Sajjan) are innocent, then who was responsible for the 1984 riots? Can anyone provide an answer to this?" Makkar said while talking to the media here.
He described the former Congress MP's acquittal in the case related to the murder of five Sikhs in the Delhi Cantonment area as "unfortunate and shocking." Once again a question mark has put over the functioning of the judicial system, he remarked.
"The Sikhs have always made the supreme sacrifice for the nation and have played a major role in the freedom struggle, the defence of the country and in ensuring food for all. But when it comes to giving them justice, the plea of 'lack of evidence' is taken and those responsible for the riots are let off," the SGPC chief added while claiming that the community was "gradually losing faith in the Indian judicial system".
"I have been repeatedly said that there are two sets of law,
with the minorities governed by a separate law. On the one hand, you want to hang a person (Davinderpal Singh Bhullar) on the basis of his confessional statement made to the police under duress while on the other you commute the death sentence of a butcher like Kishori Lal, who mercilessly killed the Sikhs during the 1984 riots in Delhi," Makkar added.
Makkar pointed out that even after 28 years of the killings of the Sikhs in the wake of the then prime minister Indira Gandhi's assassination, none of the politicians who allegedly led the rioters have been convicted in any case. In Sajjan Kumar's case, the witnesses deposed against him in court and yet he has been acquitted, he said.
"We are living in one country but yet we are being governed by separate set of laws. Will justice be ever done to the '84 riot victims?" he asked.
Shocking, says Giani Gurbachan Singh
Akal Takht Jathedar Giani Gurbachan Singh, who was away to Delhi, also described the court's verdict as "shocking and unfortunate."
Travesty of justice: Dal Khalsa
Dal Khalsa spokesperson Kanwarpal Singh termed the acquittal of Sajjan Kumar "travesty of justice." In a statement issued here, he said that the hopes of the riot victims to get justice have always been dashed as the alleged "perpetrators of the crime (riots) enjoy political patronage."


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Angie Dodge Murder 11 Years Later
Updated: June 13, 2007 04:47 PM PDT
Eleven years ago this week, on June 13th, 1996, the body of Angie Dodge was found inside her Idaho Falls home, brutally murdered.
Her case is still not fully solved, but her family, friends and police hope someday it will be.
Idaho Falls Police say they still look at any information that comes in and follow up on any leads.
Christopher Tapp is serving 25 to life for Angie's murder, but police say they know at least one other person was involved, maybe two. They have one suspect's DNA found on Angie's body.
Detectives have sent off over 50 DNA samples of people of interest over the years, but so far no matches.
That DNA is now part of a national database and if that person is ever caught and his DNA taken, Idaho Falls Police will be notified.
If you can help solve this case, call Crime Stoppers at 208-522-1983. Your tip can be anonymous.


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Buick Sport Wagon for Sale
Viewing 1 - 2 of 2 results
Selected Filters:Type of Ad: Vehicles for Sale Make: Buick Model: Sport Wagon Remove All
1966 Buick Sport Wagon
Holland, MI
Here is a vintage car that you don't find often, especially with a body that is mostly solid. This is a desirable project... More
Offered By: Leadfoot
1968 Buick Sport Wagon
Mooresville, NC
This 1968 Buick Sport Wagon NEVER RESTORED, ORIGINAL, SURVIVOR, HARD TO FIND FACTORY 400 features a 400 CUBIC INCH V8 8cyl Gasoline engine. It... More
Offered By: DC Classic Cars East


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I have a S&W 3913 9mm. For those that aren't familiar its an aluminum frame, stainless slide semi auto.
I recently lost my job right when I decided to start carrying so I dont have alot of money to play with. I was carrying FMJ 115 grain junkers that I had, as they say, better than a knife. I was at the local shop and the owner noticed my ammunition selection and grunted, understandably. He said here take these, and if they save your life you owe me ten bucks. It was an open package of what appears to be winchester JHP +P+. Im not saying they are shabby or corroded they are great, he just didnt have the full package or the box. My question: Is the +P+ too much for my pistol? Like I said, Im broke. Not like some dudes on here where if my Ed Brown breaks I have to carry my wilson combat instead ya know? I haven't even shot one yet. Like I said, I like my gun, and I wanna keep it.
P.S. Sorry if this is a stupid noob question but better safe than sorry I say in this case.:wave:


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German Shepherd Dog Forums (http://www.germanshepherds.com/forum/)
- General Puppy Stuff (http://www.germanshepherds.com/forum/general-puppy-stuff/)
- - How long can a 10 week old pup reasonably "hold it"? (http://www.germanshepherds.com/forum/general-puppy-stuff/455178-how-long-can-10-week-old-pup-reasonably-hold.html)
How long can a 10 week old pup reasonably "hold it"?
As in, hold their pee, etc.? I have an event tonight that lasts 4 hours (with travel time it would be 5 hours) and I don't know that I can expect him to hold it that long. I plan to get their late/leave early to accommodate him, but how long can he actually hold it for?
My pup is 10 weeks and he can hold it for about 4 hours. YMMV.
I believe the general rule is 1 hour per month of age; plus 1 hour. So at 2.5 months, your pup should be able to hold it for 3.5 hours. Very close -- if you absolutely have no other option, just minimize water intake a few hours before you leave.
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So just who is Bruscolino ArtToys? We've actually posted his work before, but the Italian toy customizer has a bevy of customs posted up on his Facebook page. Bruscolino (a.k.a. Marco Sgammotta) has several works that look a bit gooey and oozing, some leaking water (like H20 and Overflowing) or just drool (the appropriately named Slurp). His others are more traditional painted customs, but they all look pretty cool.
But customs aren't the only thing coming out of the studio. Bruscolino ArtToys is also working on a custom resin DIY figure named Pinna, a little fish-like fellow. Other artists have customized some of his Pinnas, which you can check out on his Facebook page here, and some of them have turned out great. Can't wait to see what he's got in the shop next!


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STARmeterSEE RANK
Down 796 this week
Ruby Bentall
Ruby Bentall was born in 1988 in London, England. She is an actress, known for Robin Hood (2010), Lark Rise to Candleford (2008) and Mr. Turner (2014). See full bio »
Born:in London, England, UK
More at IMDbPro » Contact Info: View agent


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An Ohio school has banned Afro puffs and twisted braids for girls, according to the blog Black Girl With Long Hair.
Horizon Science Academy reportedly sent a note home to parents advising them that Afro puffs and 'small twisted braids' were no longer allowed to be worn by students.
The letter from school administrators, also posted online, notes the following: Afro-puffs and small twisted braids, with our without rubberbands, are NOT permitted.
The letter from the school says that the dress code helps create a "successful" school environment, although it is unclear how allowing a young girl to wear her hair naturally would be disruptive to any school environment.
Black Girl With Long Hair observed the following:
It's unclear what the administration means by small twisted braids, but if they are referring to box braids they are banning a protective style that black girls have worn for generations. Afro-puffs are essentially the black version of the ponytail (when pulled back our hair puffs out instead of laying down), and yet the rules do not have a ban on ponytails for students of other ethnicities.
The school has not released a justification for banning the hairstyles.
What do you think? Are Afro puffs and twists 'radical'?


text:
Article Preview
Washington: A Critical Review of Vietnam
By JAMES RESTON ();
June 11, 1965,
, Section , Page 30, Column , words
WASHINGTON, June 10 -- All the recent confusing statements about American policy in Vietnam agree on one thing at least -- the mission of the United States armed forces in that country is still limited.
June 11, 1965
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Hours and such are on the Weekly/Chow website: http://www.tucsonweekly.com/tucson/natale-…
Dear Chow Editor,
Thanks for highlighting local businesses over the years. My husband and I used to regularly eat out at the places reviewed in your section (if they were positive of course).
There seems to be an unfortunate trend in publishing restaurant stories focused more on human interest, rather than food and drinks, location, service and value.
It would be helpful to include some basic info and opinions to inform your readers and hopefully drive traffic to these local gems.
West of Kino Parkway.
Business hours? Prices? Pros and cons? The shift away from actual restaurant reviews in this section is frustrating.
Roma can be a challenge to find. Why exclude the address?
It seems like they have a great business model. They also appear to have a great model for their business!
I scream, you scream, we all scream for....
just went there the other day and it is great I highly recommend it
Benny's totally rocks. So glad it's in MY neighborhood!
Is "Bahn" Mi the German version?
You have spelled Banh Mi wrong...
We are lucky to have food this delicious mid-town. Good luck, Tumerico!
I really like the way Chow has changed in the last 5 or 6 months from lazy, poorly written restaurant reviews into interesting well written pieces centered around the people and businesses that bring so much to Tucson's food and drink. I think Chow has become the best section in the Weekly. One thing I would suggest is putting the restaurant name, address, and hours at the bottom of the article or in a little box on the side so the reader can have a quick reference.
Love the food...the family makes you feel "at home".
Wanna bet?
Otb had been there long before a "diffrent clientele" arrived. When Rusty died the new owners ran it into the ground. Horsepayers had nothing to do with the dimise of the old Putneys; thats pure BS.
At one time wasn't there a Chelsea St Pub in Park Mall?
Slight correction: The original Putney was located in Park Mall, and loved by eastsiders.
I look forward to sampling the fare when next on that side of town.
I love it. Great food and wonderful atmosphere.
Greg and Melissa are bringing Mickeys dream restaurant to life. What a great tribute.
The food I'd wonderful. The chicken ceasar salad is to die for. GREAT JOB GUYS.
Thank you. Yes the food was great. It was really nice to see a positive change with Putneys.
Great article, well written and informative! I mostly cling to the old days in Tucson. Back in the late '70's, Putneys, Al Smith's and the bar at Cliff Manor was a hang out of sorts for folks that worked in the restaurant/bar biz on the northwest side of town. Lotta fun, lotta booze, lotta memories. I'll visit the "new" place next time I'm in T-Town. Good luck to them!


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text:
I had done something. I don't know what it was, but something bad in Mark's and my relationship. Only it wasn't Mark. And I was really me, althought it didn't look like me. Mark was Mark, but he didn't look like Mark - he was younger, thinner, kind of scrappy, and had most of his hair shaved off. The light was eery in the room, like when there's a thunderstorm and the lightning keeps hitting, except the lights were out, and there was a continuous lightning bolt. The windows must have been open with billowy drapes, because I think I remember wind and the drapes blowing in towards the rooms.
He came out me and surprised me. He said "Maybe you..." and I don't recall how he finished the sentence. He then threw what appeared to be paint pan at me, meant to hit me hard enough in the head that it would kill me, but it didn't. But he was ready. He then said "And maybe you...", again I don't remember how he finished the sentence, but this time the paint pan had some punch to it, as it had extra weight of some sort attached to the bottom. Somehow I remember him walking towards me, and him saying "Oh no, now it's going to hit me.....!", and it did as it bounced back towards him. I looked, and he lay there with his eyes wide open, a big bruise on is face, his eyes glassy, looking towards the ceiling. Again, this wasn't really Mark - it wasn't HIM, but it was supposed to be him. I was relieved I was still alive, and I cried a tiny bit and stood up to pick up the receiver of an old time wall phone and dial 9-11. I called them, then turned around, and he was gone.
It was as if I was dreaming the movie Halloween, only I was being hunted by Mark for some freakish reason I don't know.
He came at me again, throwing things at me. He tried three more objects, and again I managed to dodge them, and we were both okay. For some strange reason, I than began looking for ground coffee that I could purchase, but I wanted one that we would both like - his, strong and bold, and for me, an added taste of vanilla.
He caught me off guard. I was leaning against the bed, and he started his litiny and beginning of objects. This time, the third object was a freakish example of a chainsaw, and as it turned towards me at an angle, I realized I probably couldn't dodge this one and he was going to be successful in killing me and then...
I woke up with my heart pounding, and lump in my chest, and so frightened that I didn't know if I should scoot closer to him, or not. Even closer to him, it still left my back unattended to and vulnerable, do you ever feel like that when you're so scared?
I came downstairs to write about my nightmare, and I never realized how many windows we have that don't have shades. Either they are in places that cannot have shades, or they are pulled up partway, or something is keeping them from completely blocking all outside view. I was keenly aware of this, as I am now aware of every sound, and that I cannot see what is directly behind me. I keep looking behind me to see if anything is there, and see the backdoor with the glass window that is simply clear glass, not shaded.
I haven't had a nightmare in such a long time, and it's very bizarre to have one about Mark. I don't know that I ever have had one.
I wonder why...but it's also so much easier to analyze in the morning.
Now I just have to climb back up those stairs and get back into bed and convince myself that no one is going to kill me, ever, especially the person sleeping with me in bed.
Why was he so mad at me? Was it my last blog entry?


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Browse By Person: Graham, Philip
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Number of items: 115.
Graham, Philip W. (2017) Strategic Communication, Corporatism, and Eternal Crisis: The Creel Century. Routledge (Taylor & Francis Group), London; New York.
Sunderland, Naomi, Graham, Philip W., & Isaacs, Peter (Eds.) (2008) Towards Humane Technologies: Biotechnologies, New Media and Ethics. Sense Publishers, The Netherlands, Rotterdam.
Graham, Philip W. (2005) Hypercapitalism : new media, language and social perceptions of value. Digital Formations. Peter Lang, United States of America, New York.
Book Chapter
Luke, Allan, Sefton-Green, Julian, Graham, Philip W., Kellner, Douglas, & Ladwig, James G. (2017) Digital ethics, political economy and the curriculum: This changes everything. In Mills, Kathy A., Stornaiuolo, Amy, Smith, Anna, & Pandya, Jessica Zacher (Eds.) Handbook of Writing, Literacies and Education in Digital Culture. Routledge, New York. (In Press)
Graham, Phil (2014) Reimagining Creativity : Critically, Ethically, and Practically. In Reid, Alan D., Hart, E. Paul, & Peters, Michael A. (Eds.) A Companion to Research in Education. Springer Netherlands, New York, United States of America, pp. 289-292.
Graham, Philip W. (2013) Dromoeconomics. In Armitage, John (Ed.) The Virilio Dictionary. Edinburgh University Press, Edinburgh, United Kingdom.
Graham, Philip W. (2013) Australian copyright regimes and political economy of music. In Tschmuck, Peter, Pearce, Philip L., & Campbell, Steven (Eds.) Music Business and the Experience Economy : The Australasian Case. Springer Berlin Heidelberg, Berlin, Germany, pp. 11-26.
Graham, Philip W. & Luke, Allan (2013) Critical discourse analysis and political economy of communication : understanding the new corporate order. In Wodak, Ruth (Ed.) Critical Discourse Analysis : Concepts, History, Theory : Volume 1. Sage Publications Ltd., London, pp. 103-130.
Graham, Philip W. (2013) Hypercapitalism : language, new media and social perceptions of value. In Wodak, Ruth (Ed.) Critical Discourse Analysis : Doing CDA/Case studies [Volume 3]. Sage Publications Ltd., London, pp. 245-268.
Collis, Christy, Felton, Emma, & Graham, Philip W. (2012) Beyond the inner city : real and imagined places in creative place policy and practice. In Flew, Terry (Ed.) Creative Industries and Urban Development : Creative Cities in the 21st Century. Routledge (Taylor & Francis Group), London.
Felton, Emma, Collis, Christy, & Graham, Philip W. (2011) Making connections : creative industries networks in outer urban locations. In Gibson , Chris (Ed.) Creativity in 'Peripheral' Places: Redefining the Creative Industries. Routledge, Oxford, United Kingdom.
Fairclough, Norman & Graham, Philip W. (2010) Marx as a Critical Discourse Analyst : The Genesis of a Critical Method and its Relevance to the Critique of Global Capital (with Phil Graham). In Critical Discourse Analysis : The Critical Study of Language (Second Edition). Routledge, Oxon, United Kingdom and New York, United States of America, pp. 301-346.
Graham, P.W. & Kapitzke, Cushla (2010) Curriculum and religion. In International Encyclopedia of Education, 3rd Edition. Elsevier, Oxford, pp. 272-276.
Graham, Philip W. & Hearn, Gregory N. (2010) The digital Dark Ages : a retro-speculative history of possible futures. In Anton, Corey (Ed.) Valuation and Media Ecology : Ethics, Morals, and Laws. Hampton Press, New York, pp. 141-166.
Graham, Philip (2008) CDA and values: interdisciplinarity as a critical turn. In Duszak, A (Ed.) Krytyczna analiza dyskursu: interdyscyplinarne podejscie do komunikacji spolecznej (Critical discourse analysis: interdisciplinary approach to social communication). Universitas, Poland.
Graham, Philip (2008) Political economic provenances of biotechnology. In Sunderland, Naomi, Graham, Philip W., & Isaacs, Peter (Eds.) Towards Humane Technologies: Biotechnology, New Media and Ethics. Sense Publishers, The Netherlands, pp. 17-34.
Graham, Philip W. (2008) Public space, common goods, and private interests : emergent definitions in globally mediated humanity. In Wodak, Ruth & Koller, Veronika (Eds.) Handbook of Communication in the Public Sphere. Mouton de Gruyter, Berlin, New York, pp. 45-66.
Graham, Philip, Luke, Carmen, & Luke, Allan (2007) Corporate consciousness and the failure of higher education. In Kincheloe, Joe L. & Steinberg, Shirley R. (Eds.) Cutting class : socioeconomic status and education. Rowman & Littlefield, Lanham, pp. 121-143.
Ferrier, Elisabeth, Rooney, David J., Graham, Philip W., & Jones, Ashley (2007) Cultural knowledge management and broadband content in development: Open content platforms, copyright and archives. In Rahman, H (Ed.) Information and Communication Technologies for Economic and Regional Developments. Idea Group Publishing / Information Science Publishing, pp. 148-165.
Graham, Philip W. & Goodrum, Abby (2007) New media literacies : at the intersection of technical, cultural, and discursive knowledges. In Mansell, Robyn & Avgerou, Crisanthi (Eds.) The Oxford handbook of information and communication technologies. Oxford University Press, United Kingdom, Oxford, pp. 473-493.
Luke, Allan & Graham, Philip W. (2006) Class language. In Brown, K. (Ed.) Encyclopaedia of Language and Linguistics 2nd Edition. Elsevier Science, United Kingdom, 428 -431.
Graham, Philip W. (2006) Issues in political economy. In Albarran, Alan, Chan-Olmsted, Sylvia M., & Wirth, Michael O (Eds.) Handbook of Media Management and Economics. Lawrence Erlbaum Associates, Publishers, New Jersey, United States of America, pp. 493-520.
Graham, Philip W. (2006) Monopoly, monopsony, and the value of culture in a digital age: An axiology of two multimedia resource repositories. In Kapitzke, Cushla & Bruce, Bertram C. (Eds.) Libr@ries: Changing Information Space and Practice. Lawrence Erlbaum, Lawrence Erlbaum United States of America, New Jersey, pp. 253-270.
Graham, Philip W. (2005) Analysing policy values in a knowledge economy. In Rooney, David J., Hearn, Gregory N., & Ninan, Abraham (Eds.) Handbook on the Knowledge Economy. Edward Elgar Publishing, London, pp. 118-127.
Paulsen, Neil, Graham, Philip, Jones, Elizabeth, Callan, Victor J., & Gallois, Cindy (2005) Organizations as intergroup contexts: Communication, discourse, and identification. In Harwood, J & Howard, G (Eds.) Intergroup communication: Multiple perspectives. Peter Lang, United States of America, New York, New York, pp. 165-188.
Graham, Philip W. & Canny, M. Leigh (2004) Contradictions : Genre, causal layered analysis and analysis of institutional change. In Inayatullah , S. (Ed.) The Causal Layered Analysis (CLA) Reader : Theory and Case Studies of an Integrative and Transformative Methodology. Tamkang University Press, Tamsui, Taipei, Taiwan, pp. 209-224.
Graham, Philip W. (2004) Predication, propagation, and mediation SFL, CDA, and the inculcation of evaluative meaning systems. In Young , Lynne & Harrison, Claire (Eds.) Systemic functional linguistics and critical discourse analysis: Studies in social change. Continuum International Publishing Group, London & New York, pp. 53-67.
Graham, Philip W. (2003) Critical discourse analysis and evaluative meaning: Interdisciplinarity as a critical turn. In Weiss, G & Wodak, Ruth (Eds.) Critical Discourse Analysis: Theory and Interdisciplinarity. Palgrave Macmillan, London, pp. 110-129.
Graham, Philip W. (2002) Space and Cyberspace: on the enclosure of consciousness. In Armitage, John & Roberts, Joanne (Eds.) Living with cyberspace: technology & society in the 21st century. Continuum International Publishing Group, London, pp. 156-164.
Graham, Philip W. (2001) The Digital Dark Ages: The knowledge economy as alienation. In Brown, H., Lovink, G., Merrick, H., Rossiter, N., The, D., & Wilson, M. (Eds.) The Fibreculture Reader: Politics of a digital present. Fibreculture Publications, Melbourne.
Graham, Philip W. (2001) The ideological context of business : capital. In Harrison, John (Ed.) Ethics for Australian Business. Prentice Hall, Frenchs Forest , NSW, pp. 10-24.
Graham, P.W. (2001) The ideological context of business: Capital. In Harrison, J.M. (Ed.) Ethics for Australian Business. Prentice Hall, Frenchs Forest, NSW, pp. 10-24.
Journal Article
Sunderland, Naomi, Graham, Philip, & Lenette, Caroline (2016) Epistemic communities : Extending the social justice outcomes of community music for asylum seekers and refugees in Australia. International Journal of Community Music, 9(3), pp. 223-241.
Graham, Phil (2016) Halliday and Lemke: A comparison of contextual potentials for two metafunctional systems. Critical Discourse Studies, 13(5), pp. 548-567.
Graham, Phil (2016) Paradigmatic considerations for creative practice in Creative Industries research: The case of Australia's Indie 100. Creative Industries Journal, 9(1), pp. 47-65.
Graham, Philip W., Dezuanni, Michael L., Arthurs, Andy, & Hearn, Gregory N. (2015) A Deweyan experience economy for higher education : The case of the Australian Indie 100 Music Event. Cultural Politics, 11(1), pp. 111-124.
Dezuanni, Michael L., Arthurs, Andy, & Graham, Philip W. (2015) Live from the Sydney Opera House: Remote musical interactions for teacher professional development. Australian Journal of Music Education, 2015(1), pp. 29-41.
Graham, Philip W. (2013) Music streaming revenue structures stacked against artists. The Conversation.
Graham, Philip W. (2013) The cost of the uncollective unconsciousness. Music Forum magazine : Journal of the Music Council of Australia, 19(2), pp. 14-17.
Graham, Philip W. (2013) Music as innovation system. Music Forum, 20(1), p. 48.
Spurgeon, Christina L., Ferrier, Liz, Gunders, Lisa, & Graham, Phil (2012) Young citizens, values and new/s media. Continuum : Journal of Media & Cultural Studies, 26(6), pp. 911-922.
Graham, Philip W. (2012) Don't put your daughter on the stage, Mrs Worthington. Music Forum : Journal of the Music Council of Australia, 18(4), pp. 56-57.
Graham, Philip W. (2012) Why the music business matters. Music Forum : Journal of the Music Council of Australia, 18(3), pp. 54-57.
Graham, Philip W. (2012) New digital business models for recorded music. Music Forum : Journal of the Music Council of Australia, 18(2), pp. 18-21.
Graham, Philip W. & Luke, Allan (2011) Critical discourse analysis and political economy of communication : understanding the new corporate order. Cultural Politics, 7(1), pp. 103-132.
Felton, Emma, Gibson, Mark, Flew, Terry, Graham, Philip W., & Daniel, Anna (2010) Resilient creative economies? Creative industries on the urban fringe. Continuum : Journal of Media & Cultural Studies, 24(4), pp. 131-137.
Collis, Christy, Felton, Emma, & Graham, Philip W. (2010) Beyond the inner city : real and imagined places in creative place policy and practice. The Information Society, 26(2), pp. 104-112.
Felton, Emma, Collis, Christy, & Graham, Philip W. (2010) Making connections : creative industries networks in outer suburban locations. Australian Geographer, 41(1), pp. 57-70.
Graham, Philip W. & Gunders, Lisa (2010) School system as axiological medium : the state's primary macro-proposing context and its expanding moral role in Australia. Pragmatics & Society, 1(1), pp. 102-117.
Collis, Christy & Graham, Philip W. (2009) Political geographies of Mars : a history of Martian management. Management and Organizational History, 4(3), pp. 247-261.
Luke, Allan, Luke, Carmen, & Graham, Philip W. (2007) Globalization, Corporatism, and Critical Language Education. International Multilingual Research Journal, 1(1), pp. 1-13.
Graham, Philip W. (2007) Political economy of communication : A critique. Critical Perspectives on International Business, 3(3), pp. 226-245.
Graham, Philip W. (2007) Space : Irrealis objects and their role in a new political economy. Discourse and Society, 12(6), pp. 761-788.
Graham, Philip W. (2006) 'Capitalism' as False Consciousness. Studies in Language and Capitalism, 1, pp. 57-76.
Thompson, William F., Graham, Philip W., & Russo, Frank A. (2005) Seeing music performance : visual influences on perception and experience. Semiotica: Journal of the International Association for Semiotic Studies, 2005(156), pp. 203-227.
Graham, Philip W. & Luke, Allan (2005) The language of neofeudal corporatism and the war on Iraq. Journal of Language and Politics, 4(1), pp. 11-39.
Fairclough, Norman, Graham, Philip W., Lemke, Jay, & Wodak, Ruth (2004) Introduction. Critical Discourse Studies, 1(1), pp. 1-7.
Graham, Philip W., Keenan, Thomas, & Dowd, Anne-Maree (2004) A call to arms at the end of history: A discourse-historical analysis of George W. Bush's declaration of war on terror. Discourse and Society, 15(2-3), pp. 199-221.
Rooney, David J. & Graham, Philip W. (2004) Creative Content and Sustainable Community Media Organisations. Australian Studies in Journalism, 13, pp. 80-93.
Graham, Philip W. & Luke, Allan (2003) Militarising the body politic : new media as weapons of mass instruction. Body and Society, 9(4), pp. 149-168.
Graham, Philip W. & Paulsen, Neil (2002) Third-sector discourses and the future of (un)employment : skilled labor, new technologies, and the meaning of work. Text and Talk, 22(3), pp. 443-467.
Graham, Philip W. (2002) 14 theses on future research into the political economic impacts of new media. Fibreculture 2002, 2002, pp. 11-12.
Graham, Philip W. (2002) Hypercapitalism: language, new media and social perceptions of value. Discourse and Society, 13(2), pp. 227-249.
Fairclough, Norman & Graham, Philip W. (2002) Marx as critical discourse analyst : the genesis of a critical method and its relevance to the critique of global capital. Estudios de Sociolinguistica, 3(1), pp. 185-229.
Graham, Philip W. (2002) Predication and propagation : a method for analyzing evaluative meanings in technology policy. Text & Talk, 22(2), pp. 227-268.
Hearn, Gregory N., Graham, Philip W., & Rooney, David J. (2002) The benefits of not managing change and not communicating : towards a complex systems view of communication in evolving organisations. Australian Journal of Communication, 29(3), pp. 59-70.
Graham, Philip W. (2001) Space: irrealis objects in technology policy and their role in a new political economy. Discourse and Society, 12(6), pp. 761-788.
Graham, Philip W. & Hearn, Gregory (2001) The Coming of Post-reflexive Society: Commodification and Language in Digital Capitalism. Media International Australia: Culture and Policy, pp. 79-90.
Graham, Philip W. (2001) Contradictions and institutional convergences: Genre as method. Journal of future studies, 5(4), pp. 1-30.
Armitage, John & Graham, Philip W. (2001) Dromoeconomics: Towards a Political Economy of Speed. Parallax, 7(1), pp. 111-123.
Graham, Philip W. & Rooney, David J. (2001) A sociolinguistic approach to applied epistemology : examining technocratic values in global 'Knowledge' policy. Social Epistemology, 15(3), pp. 155-169.
Graham, Philip W. (2000) Hypercapitalism : a political economy of informational idealism. New Media and Society, 2(2), pp. 131-156.
McKenna, Bernard & Graham, Philip W. (2000) Technocratic discourse : a primer. Journal of Technical Writing & Communication, 30(3), pp. 223-251.
Graham, Philip W. & McKenna, Bernard (2000) A Theoretical and Analytical Synthesis of Autopoiesis and Sociolinguistics for the Study of Organisational Communication. Social Semiotics, 10(1), pp. 41-59.
Graham, Philip W. (1999) Autopoiesis, language, literacy and the brain. Fine Print, 22(2), pp. 3-7.
Graham, Philip W. (1999) Critical Systems Theory: A Political Economy of Language, Thought, and Technology. Communication Research, 26(4), pp. 482-507.
Graham, Philip W. (1998) Globalist Fallacies, Fictions and Facts: The MAI and Neo-classic Ideology. Australian Rationalist, 46(Autumn-Winter), pp. 15-21.
Conference Paper
Kaya, Maria, Steffens, Paul R., Hearn, Gregory N., & Graham, Philip W. (2010) How can entrepreneurial musicians use electronic social networks to diffuse their music. In Langan-Fox, Janice (Ed.) Proceedings of the 7th AGSE International Entrepreneurship Research Exchange, Swinburne University of Technology, University of the Sunshine Coast, Queensland, pp. 679-691.
Graham, Philip W. (2007) The changing context of critique. In Disocurses and Cultural Practices, University of Technology Sydney, Sydney, NSW.
Graham, Philip W. (2002) New technologies, new political economies, and new values. In Towards Humane Technologies : Biotechnology, New Media & Citizenship, July 15, 2002, University of Queensland, Brisbane, Qld.
Hearn, Gregory N. & Graham, Philip W. (2002) The benefits of not managing change and not communicating : towards a complex systems view of communication in evolving organisations. In Annual Australia New Zealand Communication Association Conference, 10-12 July 2002, Bond University, Gold Coast, Qld.
Graham, Philip W. (2001) Predication, propagation, and mediation : SFL, CDA, and the inculcation of evaluative meaning systems. In 28th International Systemic Functional Congress, 26th July, 2001, Carleton University, Ottawa.
Graham, Philip W. & Hearn, Gregory N. (2000) The digital Dark Ages : a retro-speculative history of possible futures. In First Conference of the Association of Internet Researchers, University of Kansas, Lawrence, Kan.
Graham, Philip W. (2000) CDA and values : interdisciplinarity as a critical turn. In Pre-IPRA workshop, 6th - 7th July, 2000, Department of Linguistics, University of Vienna.
Graham, Philip W. & Hearn, Gregory N. (2000) The coming of post-reflexive society : a critique of the political economy of digital capitalism. In Internet 1.0 : The State of the Interdiscipline, University of Kansas, Lawrence, Kan.
Graham, Philip W. (1999) Heidegger's hippies : a dissenting voice on "the problem of the subject". In Identities in Action, 10th - 12th December, 1999, University of Wales, Cardiff.
Graham, Philip W. (1999) Widening the context for interdisciplinary social research : SFL as a method for sociology, anthropology, and communication research. In ASFLA '99. Proceedings of the Conference., University of Queensland, Brisbane, Qld.
Graham, Philip W. (1999) Hypercapitalism : political economy, electric identity, and authorial alienation. In Exploring Cybersociety : Proceedings of the Conference (Vol 1), Northumbria University, Newcastle.
Graham, Philip W. (1999) Hypercapitalism:Political economy, electric identity, and authorial alienation. In Armitage , J & Roberts , J (Eds.) Exploring Cyber Society, University of Northumbria, University of Northumbria, pp. 1-27.
Graham, Philip W. (1999) Understanding nonsense : breathing life into shibboleths and killing critical thought in higher education. In ASFLA '99. Proceedings of the Conference, University of Queensland, Brisbane, Qld.
Graham, Philip W. & Sunderland, Naomi (1998) The role of academic community in higher learning : Alternatives to a drive-thru education. In Proceedings of The Third Pacific Rim Conference, Auckland Institute of Technology, Auckland.
Conference Item
Kelman, Kristina, Graham, Philip W., & Browning, Yanto (2016) Event-based research for music industry learning environments: Two case studies. In 2016 MEIEA Educators Summit, 1-2 April 2016, Hilton Garden Inn, Washington, DC. (Unpublished)
Young, Joseph A., Roe, Paul, Graham, Philip W., Grace, Peter, Zhang, Danqing, De Vine, Lance, et al. (2011) Extensible software for research data capture. In eResearch Australasia 2011 : eXtreme eResearch, 6-11 November 2011, Sebel & Citigate Albert Park, Melbourne, VIC.
Brown, Hugh & Graham, Philip W. (2007) From garage to greatness: Reflections on home-studio production experience. In Art of Record Production Annual Conference, 10-11 December 2007, Queensland University of Technology, Brisbane, Qld. (Unpublished)
Creative Work
Kelman, Kristina, Browning, Yanto, Goold, Lachlan, Graham, Philip W., & Mazumdar, Sonya (2015) Indie 100 International - Chennai. [Other]
Graham, Philip W., Suckling, Deb, Pappalardo, Roslyn, Bosworth, Emma, Marshall, Jackie, Beck, Sahara, et al. (2015) The Soldier's Wife (LP). [Other]
Graham, Philip W., Goold, Lachlan, Quaife, Adam, Carfoot, Gavin, Hulme, Zander, Godwin, Bure, et al. (2015) Indie 100 2015. [Other]
Graham, Philip W., Gaze, Tim, & Cadd, Brian (2015) Dancing through the Air (parts one and 2) - Spirit of Akasha. [Inter-arts]
Willsteed, John, Graham, Philip W., & Hunt, Tom (2013) Any old love. [Digital/Creative Work]
Graham, Phil & Millington, Heidi (2013) Feathers. [Other]
Graham, Philip W., Arthurs, Andy, Willsteed, John, Gaffney, Kiley, Howlett, Mike, Carfoot, Gavin, et al. (2013) Indie 100 2013. [Other]
Graham, Philip W., Arthurs, Andy, Willsteed, John, Gaffney, Kiley, Carfoot, Gavin, Luttrell, Briony, et al. (2013) Indie 100 2014. [Other]
Graham, Philip W., Arthurs, Andy, Carfoot, Gavin, Howlett, Mike, Hunt, Tom, Tuck, Josh, et al. (2013) Eleven : best of 100 Songs Project 2012. [Other]
Graham, Philip W., Arthurs, Andy, Luttrell, Briony, Magoo, Knowles, Julian, Hewitt, Donna, et al. (2012) 100 Songs Project 2012. [Other]
Graham, Philip W., Knowles, Julian, Hewitt, Donna, & Luttrell, Briony (2012) Twelve : the best Of IMP's 100 Songs Project 2011. [Other]
Graham, Philip W., Arthurs, Andy, Luttrell, Briony, Browning, Yanto, Knowles, Julian, Hewitt, Donna, et al. (2011) 100 Songs Project 2011. [Other]
Graham, Philip, Knowles, Julian, Brader, Andy, Arthurs, Andy, & Willsteed, John (2010) Q150 Big Jam Live Music Event. [UNSPECIFIED]
Reference Entry
Graham, Philip W. (2013) Politics/transpolitics. In Armitage, John (Ed.) The Virilio Dictionary. Edinburgh University Press, Edinburgh.
Graham, Philip W., Muirhead, Bruce, & Brown, Laurence (2002) Redefining excellence : a strategic policy framework for community engagement and higher education. Department of Education, Melbourne, Victoria.
Graham, Philip W. (1998) Submission to the Joint Standing Commitee on Treaties concerning the OECD multilateral agreement on investment - Inquiry into the multilateral agreement on investment : Submissions [Vol. 3]. Commonwealth of Australia, Canberra.
Graham, Philip W. (1998) The dead hand of government : [Transcript of an address to the Joint Standing Committee on Treaties concerning the OECD multilateral agreement on investment] - Inquiry into the multilateral agreement on investment : Public Hearings. Commonwealth of Australia, Canberra, ACT.
Graham, Philip W. (2001) Review : Why study the media ? Information, Communication and Society, 4(1), pp. 137-138.
Graham, Philip W. & McKenna, Bernard (1999) Marxism Today [Review]. Culture Machine.
QUT Thesis
Graham, Philip W. (2001) Hypercapitalism : an investigation into the relationship between language, new media, and social perceptions of value. PhD thesis, Queensland University of Technology.
Graham, Philip W. & McKenna, Bernard (1999) The language of biotechnology : a brief analysis. The Brisbane Institute.


text:
Discussion in 'Great Skate Debate' started by Cant Skate, Jan 31, 2013.
Loved D/R's sp.
D&R= transformation!
I have got to hand it to them! I have not seen a transformation from one season to the next like this since 96 with Kwan or Lu Chen. In a pair team, i dont recall. I'm floored. The other thing i like is that Radford is just unbelievable at expressing the music. fabulous fabulous fabulous
I absolutely love Duhamel/Radford.
I loved the idea that Radford "created" this music (I know, created isn't the correct word but my brain is acting like swiss cheese and I can't find the word I want, yet again. Sorry).
I enjoyed listening to it and I can more expression coming from him -- perhaps because he has a deeper connection to this music? Count me in as another who was pleasantly surprised by the entrance to the death spiral. Looking pretty decent for this time of the year.
Pair uses Radford's original score to pay tribute (article published in May 2013): http://web.icenetwork.com/news/article.jsp?ymd=20130429&content_id=46114776&vkey=ice_news
Another creative pair skater. Mark Militano composed music in his day. Nancy Kerrigan skated to some of it at the Olympics.
Getting an orchestra to perform and record the original work isn't inexpensive. Wonder if they were able to get some funding support.
Love D&R's new SP, love the music, and feel they've come a long way as a team. Still seem a bit mismatched to me, but waaaaaay better than they used to be. Seriously impressed with their determination, commitment, perseverance. And the death spiral entrance is to die for
I love the music too. No, they never say 'we cannot despite the height difference'. Love them for giving it all and prove that height can be irrelevant if you are determined.
You know, their physical mismatch is pretty striking, but I'm floored at how together they seem throughout many points of their programs. Those paired knee slides were just gorgeous and yeah, that death spiral (not only the entrance, but Duhamel's beautiful position during the element) is stunning.
Duhamel & Radford's SP is fantastic, and the music he composed is lovely. I wasn't sure if she was capable of having that much softness in her skating (and it's exacerbated by the fact that it's one of Radford's main strengths), but she's clearly been very persistent in trying to get better throughout her many years as a pair skater and it shows. They are not the most well matched team in the world, but they are certainly improving. I love the program and watched it for a second time right after seeing it.
Thanks for digging up those old scores, Geoskate. They should be sent to every aspiring pair team in North America to show with some talent and alot of hard work and dedication you can go from scoring in the 40's to scoring in the 70's. But it doesn't happen overnight.
D&R and Julie Marcotte have done a fantastic job over the past couple of seasons of looking at what both do well and minimizing what they don't. Can't wait to see how this SP looks come January and am looking forward to seeing their new long program to "Alice in Wonderland".
Well, maybe I'll dissent but I thought D/R looked mismatched in this outing. After the first two elements - twist and sbs jumps - she seemed shorter-stepped and more tentative than he. He was deep into the ice and moving freely, but something felt off and when I re-watched, it was her. She's not moving as well as he is in the footwork section and in the spins. I'm of two minds about the number of choreographic lifts used for linking moves and transitions. I'd like to see her blades on the ice more. This is initial impression only. S&S use lifts and carries as transitions and I'm usually impressed, so I don't know why I'm reacting this way. I liked D/R's short last season better so far.
Count me as another who likes this new SP and one who also Loves the music...Looking forward to its evolution over the season,
D/R continue to impress me with their commitment to being the very best they can be as a team, showcasing how hard, hard work can pay off in the long run! Sometimes having weaknesses is a good thing cuz it makes you dig that much deeper to overcome them, be more innovative, and work that much harder to show off your strengths to best advantage. Way to start the season guys! I can only imagine how fab the fight will be for the top spot at nationals, the fight to be on the OLY team, esp if last year's incredible pairs event is anything to go by...
I mam with all the D/R lovers! My impression of this is that they are really skating with expression and strength. I love the fact that they now seem to be skating "big". They seem to be taking up a lot of ice. I hope that makes sense. Only the top teams seem to do this in my opinion.
I loved D&Rs SP, too. Eric especially seemed to be skating with so much expression. Of course he is "into" the music, it is his! It was delightful to watch them both.Dare I say they really looked like podium material already? Definitely skating with the major contenders this year.
I've already said I love this short program, and have watched it several times, but
I think I agree with Subway. I noticed that too on about the third or fourth viewing. However, I don't think it's a problem with the program, just that it will require more time for it to completely gel for her than for him. After all, Eric is skating to music that he composed, so he already can hear every nuance of the music in his mind as he skates, with absolutely no effort on his part. Meagan doesn't have that advantage, and has to internalize the music and then have the movement come out of that. That takes time. IMO she's already 90% of the way there, but Eric's 100% of the way there, because it's music that he's lived with for several years.
On another topic, any ideas why Julianne Seguin/Charlie Bilodeau didn't get an assignment to JGP Slovakia? His birthday is August 6, 1993, so my understanding is that they would be age-eligible for the JGP. Is that correct?
If so, it's a bit surprising, unless there's a strategic reason for putting them in the two later competitions. They had already skated very well at Skate Detroit, and then followed it up with very good skates this past weekend. (I'm also assuming that they are good enough to justify two competitions right off the bat, just like Bent/MacKeen in dance).
Julieann is competing in singles at the second Grand Prix which i think would make it next to impossible and too exhausting to compete in the third Grand Prix which is on a different continent
Of course. Thanks for pointing that out. Belarus will likely be their pairs assignment, then. (I think that's the next JGP event with pairs). It could get complicated if Julianne medals in Mexico, which is a possibility.
They seem to be ticking off all the boxes with this SP. Next, I'd like to see them work at relaxing their neck and shoulder areas. They tend to be a bit tense.
Thanks for posting - another great interview from TSL! I love how focused these two are on trying to improve their weaknesses and the discussion about Julie Marcotte choreographing to try to work around their height differential and lines not matching.
Finally got around to watching some of the Quebec Summer Skate videos and lots to get excited about here. I think that D/R's short is fantastic and love that the piece was originally a dedication to Paul Wirtz. I do agree that their lack of matching does show up in this program and they seemed a little off sync in places, but that is nitpicking for August.
Even though there is still a lot of work to do, I saw plenty of potential in Purich & Tran. I think she's come a long way in her basic skating since Canadians and hopefully the elements will come in time. I wasn't a huge fan of the program itself, so I'm hoping the free is a little more suited to the spark and energy she brings to the program.
Love Seguin & Bilodeau and can't wait to see their development this season. Very excited about this team.
I loved the music Eric composed for their SP - what a multi-talented person he is.
Was it for their Short? or Free?
If I recall correctly, they said their Long program was from "Alice in Wonderland", and was something different for them.
Double post, deleted
I love Meagan and Eric's SP. just two minor area for improvement:
1. Eric's hair, it makes him look taller and his head longer, both not to their advantage. The long hair was much better, the curls in the interview was so cute, handsome!
2. The death spiral entry is very nicely designed, love it! but I'm afraid Meagan hasn't done its full justice yet. The extended leg should be closer to the blended skating leg, ideally touching it, and the shooting the duck/pipe position should be tighter, chest to leg. if she can do these two it would be really to die for.
Local article on Mary Orr, 17 next month, who is making her JGP debut in Latvia next week with her new partner, Phelan Simpson: http://www.brantfordexpositor.ca/2013/08/20/brantfords-mary-orr-has-a-new-partner-new-goal
Does anybody know what music Bobak/penasse skated to at Detroit for their long? I think I remember really liking the music
Matthew Penasse is on Ice Partner search this morning!


text: Hi all, I finally installed my flexalite electric fan and it works great! The first time I test drove it I immediately noticed an increase in HP and throttle response. It was fairly easy to install, the hardest part was trying to figure out how to remove the stock radiator fan. If anyone is wondering how you do this on 1999-06 GM trucks, you have to get a strap wrench to hold the water pump pulley from spinning and get a wrench to loosen the fan/clutch nut. As for the wiring, it was easy considering I'm not very experienced with electrical work. The kit comes with detailed instructions so it's dummy proof. Just figured I'd share my thoughts with everyone on the installation. If anyone has any questions, please feel free.


text:
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