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James W. Frazier
Engineering retiree dies after brief illness
(Aug. 27, 2007)--James W. Frazier, an instructor in the UTSA College of Engineering for approximately 15 years and a longtime resident of San Antonio, died Aug. 3 after a brief illness. He was born in Chicago, Ill., Feb. 20, 1928, the eldest son of the late Ralph Oliver Frazier and Myra Mabel Lackland Frazer.
Today's headlines
- La Prensa Foundation is newest member of UTSA Lone Star Society
- UTSA alumna Jordan Kaufmann wins $50K for new stent-graft start-up
- UTSA begins new way-finding sign installation this summer at Main Campus
- USA Today: UTSA long jumper Tyler Williamson rescues three-year-old boy
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"Jim taught many required courses for the engineering programs and was a dedicated teacher who worked hard to help his students," said Amir Karimi, UTSA professor of mechanical engineering and associate dean of the College of Engineering. "You could find him working with students in the laboratory late at night and on weekends. Jim always volunteered to help during outreach events organized by the college. He also mentored many high school students, helping them with their science and engineering projects."
Following undergraduate studies at Syracuse University, Frazer earned a doctorate in basic medical sciences at New York Upstate Medical Center School of Medicine. He served at the U.S. Air Force School of Aerospace Medicine at Brooks Air Force Base, and subsequently at the UTSA College of Engineering until retiring in 2006.
Frazer served in the United States Navy, attaining the rank of lieutenant commander in the Medical Service Corps. He was an expert in the interaction of electromagnetic energy and biophysical systems, and consulted with numerous public groups and government agencies.
A memorial service was conducted Aug. 6 with a burial at sea planned. Frazier's family requests donations in his name be made to the UTSA College of Engineering General Scholarship Fund. If at least $1,500 is raised, a scholarship may be awarded in his name.


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I promise you if such an order had been given, that our Army, Navy, Air Force and Marines would have done anything to try to save the lives of fellow Americans regardless of the circumstances.
Obama confirmed after the fake outrage that Rice was appearing and speaking on behalf of the White House.
So after they absolutely knew it was an organized terrorist attack they put Rice out there to LIE to the American public.
Interesting question, why was the ambassador to the U.N. called upon to answer for the administration in the first place? Was that really her role? Hmmmmm.
Real good question...Why not the state dept?
No one doubts that they did do everything in their power, but a lot of people hear seem to thing the US military is Harry Potter or something and can just show up wherever they want immediately.
I seem to recall reading somewhere, though I don't know where, that some sort of commando team was mobilized and made it as far as Italy before being told to stand down because everything was secure and the embassy folks were on their way back to tripoli.
According to sources on the ground during the attack, the special operator on the roof of the CIA annex had visual contact and a laser pointing at the Libyan mortar team that was targeting the CIA annex. The operators were calling in coordinates of where the Libyan forces were firing from.
there was not a clear enough picture
THey are going after her because she's an up and coming minority star for the dem party...they want to bring her down now before she gets to powerful.
From the flippin drone? They were watching from the infamous Situation Room. And did nothing.
Obama just said in the press conference: I told them to do anything they needed to do to protect our people.
gain you keep believing in some Harry Potteresque shit, I just can just conjure up a military option immediately and get them on site to a location where I don't have any assets within 400 miles nor was anyone on alert ready to go.
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subset: commoncrawl


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If the answer is yes, then how does it cope with view transformations with non-uniform scale? Actually, how does it cope with view transformations incorporating any scale at all?
If this is true then scaling the view space will result in different light-to-vertex distances, meaning the lighting intensity for point-lights will change as the view matrix is scaled.
Lighting in world-space would make the computed point-light intensity independent of view space scaling, but would require:
- That an object-to-world matrix is supplied to the API (such as in DirectX, where the light positions are specified in world-space).
- That the API transform all geometry twice when drawing. Once by world*view*proj into clip space, and again by world, in order to compute lighting at the vertices in world space.
I also posted this to stackoverflow, perhaps you want to answer it there too: http://stackoverflow...g-in-view-space
Edited by infact, 31 May 2012 - 05:30 AM.


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This was asked on another forum, or at least brought up, but why can the men get by wearing the long shorts but the females are required to wear far skimpier outfits?
Who decided the shorts had to be very skimpy?
This was asked on another forum, or at least brought up, but why can the men get by wearing the long shorts but the females are required to wear far skimpier outfits?
Who decided the shorts had to be very skimpy?
So funny that you bring that up! I mentioned that to Mr. RG that I didn't see why the women had to dress in bathing suits and he said I was being a bit prudish!
No doubt some sixty plus males who wanted to get their jollies! :DOriginally Posted by Johar
They were my vote for the best bodies in the Olympics. Aaaah Beach Volley Ball girls. Ahhh.
I'm not complaining. As a matter of fact, my only complaint is that the American women's gymnastic team wasn't also required to dress like that. However, other than Catalina Ponor and Anna Pavlova, I have no desire whatsoever to see any of the foreign gymnasts dress like that. At least not at these olympics. (Other than C.P. and A.P, there really wouldn't have been anything to see).
I don't really have a problem with it. They like them, or I don't imagine they would wear them. And....it is BEACH volleyball...lol. But, thank goodness the men don't wear something like that....I just don't like a man in speedos!
I guess I'm the party pooper in the group. I would much rather see them in something that looks more comfortable to wear.
My real objection, though, is that the rules say they have to wear bikini's . I would be livid with a rule like that. If it is truly a sport then the competitors should be able to wear whatever outfit they can perform their best in - within common sense limits of course. If Walsh and May want to wear Tee shirts and shorts, they should be able to.
I felt sorry for the male platform divers in their speedos. The cameras caught a nice underwater shot of the Australian diver last night cracking a "smile", and he didn't use his lips.........I felt sorry for him........ 42
I don't understand why those skimpy outfits are a requirement for the women. It's sexism, pure and simple.
I can sort of understand about the tops - less material to get all bunched up as you dive in the sand - and the tops are more like sports bras than bikini tops. But the bottoms are ridiculous. Every time a team gets ready for a new serve, all 4 players have to pick their wedge - kinda kills the "sexy" angle of the outfits, IMO.
I do think it's ridiculous that the women have to wear such different uniforms than the men for the same sport. even for indoor volleyball, the women have to wear these clingy short-shorts. they're not as bad as bikini bottoms, but they're definitely different than what the men wear. In fact, I think the only women's sport where they actually get to wear sensible uniforms is softball. Probably because those ladies would stomp anyone who told them to wear skimpy clothes
I don't mind "skimpy" outfits on female beach volleyball players, as long the men would wear the same, without tops, of course ... :D
BTW, there're two entire fascinating threads at FSU on male "smiles", butts etc.
I assure you, with all the sand and the sun burning there's nothing much more comfortable to play beach volleyball than a bikini.Originally Posted by A.H.Black
I doubt the players are the least bit worried about bikinis, they're much more interested in playing well and win their matches LOL Besides, speaking as a female, what else are you supposed to wear on the beach?
What the men wear.Originally Posted by RIskatingfan
Maybe the women don't want to have "Farmer John Tan" lines.
In my book, I saw no reason for the men to wear shirts! Then again, no shirts and bathing trunks is my outfit of choice for those fine muscled athletic men!
I think the women should be able to wear the little shorts at least, that way their bottoms wouldn't keep falling out--the track ladies seem to have a choice of briefs, shorts, unitards, etc.


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Earbuds tend to go into pockets and bags neatly folded, yet come out an impossibly tangled mess. This durable little contraption allows you to wrap your headphones vertically so they're neater and flatter in your pocket. A totally sweet and unexpected extra: when not housing your earbud cords, the Wrapster works as a stand for your iPhone in landscape mode.


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There are many costs associated with the planning, design, construction, operation, and maintenance of a pipeline. To make the best use of our dwindling public works dollars, all of these costs must be considered. Reports show that the nation's infrastructure continues to deteriorate and often funds are not available to make the necessary investments. In some municipalities, fines pile up and dollars are allocated to Band-Aid solutions rather than treating the root cause.
So, how did we get to this place? Some say traditional thinking and traditional products brought us here. Despite today's access to advanced technologies and superior products, collapses, overflows, and other costly events continue to occur. Money that could be directed toward building new infrastructure gets diverted, sometimes to more visible projects. The solution, or at least part of it, resides in sound investing today in solutions that will last a lifetime and beyond.
In evaluating the operation and maintenance of a forced pipeline for water, sewer, or other effluents, one of the largest recurring costs is electricity. Other major costs in delivering fluids via a pipeline are the purchase and operation of the system's pumps. Because of the differences in various pipe's hydraulic characteristics, a significant pumping cost saving may be achieved when smooth wall products are used in the pipeline.
The flow of the fluids through a pipeline is resisted by friction along the pipe interior. Smoother pipe wall surfaces cause less friction resulting in less head (pressure) loss. This translates into reduced horsepower requirements that can be satisfied by smaller, less expensive pumps with lower initial capital cost. The smaller pumps consume less electricity, creating daily savings. The present value of the future power savings can be determined to permit meaningful comparisons of total life cycle costs.
In the pressure systems, the Hazen Williams flow factor (C) is often used in computations to calculate head loss due to friction. Various publications list Hazen Williams's friction values for different products.
The soundest economic analysis and comparison of alternatives considers short- and long-term costs. Investment decisions should not be based solely on which material is least expensive to put in the ground today. To evaluate the most economical piping alternative for a force main, both installed cost and pumping costs should be evaluated. As shown in the example calculation, smoother pipes will save pumping power costs compared to rougher materials. As the velocity of the line increases, the costs can become even more significant. In addition, initial capital cost for pumps also will be reduced due to the lower horsepower requirements.
It is important to look beyond the current project and base choices on the most economical decision for the owner, installer, and community for the long run. Many factors contribute to the costs that might not be evaluated in a traditional model. To obtain a true cost comparison, the present value of differential costs incurred throughout the sewer design life must be considered along with the installed cost.
Products with inherent corrosion resistance (long life), leak-free performance, and superior hydraulic characteristics (higher flow capacity) generally will provide the lowest life cycle cost in most sewer applications. Specify the products you truly need and document the cost saving advantages in your evaluation.
— Richard C. Turkopp, P.E., is vice president of engineering, and Kimberly H. Paggioli, P.E., is marketing manager with HOBAS Pipe USA, Houston.


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You missed it This great deal for Canvas Factory is over. But don't despair, we've got more great deals every day.
Transform your favourite memories from photos to art and cover your walls with beautiful canvas prints. For just $19, receive 70% off online purchases from Canvas Factory to the value of $2000 and turn your special moments into something you can hang in your home. Specialising in transferring your snaps onto canvas with gallery wrapping in all colours, shapes and sizes, Canvas Factory has a huge range of wall display packages to choose from. A 30x30cm square canvas will be $20.69 (usually $68.95) or a complete rectangle package with nine mixed sized prints for $327.17 (usually $1090.55). And to top it off, the deal also includes free delivery Australia-wide for orders over $100. Use individual images or collect a bunch and make a collage - the only limit? Your imagination. Grab this deal and immortalise your best pics now.
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When Words FailDo you often find yourself praying in your own strength?
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Augie Dog sings his song for Father's Day
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Chong, Doryun. "Adrian Piper." In Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections, edited by Joan Rothfuss and Elizabeth Carpenter. Minneapolis, MN: Walker Art Center, 2005.
© 2005 Walker Art Center
"Dear Friend/I am black./I am sure you did not realize this when you made/laughed at/agreed with that racist remark." Thus read the opening lines of Adrian Piper's My Calling (Card) #1 (1986–1990), a short message typed on a note card. Whenever the artist found herself in the presence of racist behavior by someone not cognizant of her mixed-race identity, she approached the perpetrator and silently handed over one of the calling cards. The "performance" was designed as a rational alternative to racial self-identification, which, Piper states elsewhere on the card, had caused people to perceive her as "pushy, manipulative, or socially inappropriate." But is such a textual act any less forceful than direct verbalization or protest?
Born in the Bronx, New York, in 1948, Piper came of age in the late 1960s and early 1970s, when Minimalism and Conceptual Art were irrevocably transforming the topography of artistic practice and providing the young artist with crucial lessons.1 As exemplified in the aforementioned work, however, her art has always sought to transform the strategies of direct address and physical presence devised by the neo-avant-gardes into those of social criticism and political confrontation. And confrontation, as the artist has stated, is "therapeutic and also catalytic."2
In 1972, while a doctoral student in philosophy at Harvard, Piper began performing the "Mythic Being," a male alter ego with an afro, a pencil mustache, dark shades, a villainous grin, and an incessant cigarette in his mouth. In resulting performances, photographic documentation, and drawings, the Mythic Being enacted various masquerades of aggression and intimidation as well as philosophical reflection. The Mythic Being: I/You (Her) (1974), in the Walker Art Center's collection, consists of ten identical black-and-white photographs that show Piper's smiling face and a female companion in the lower left corner. Against chill black backgrounds are floating talk bubbles, filled in with the artist's soliloquy, which progresses from one photograph to the next. It narrates a friendship gone sour and obliquely suggests that the liaison between the two women had been quite intimate but met with a disastrous end. In one place, it is even implied that the artist's race might have been a factor in the relationship's demise. As a range of raw emotions—from regret, grief, and bitterness to rage—are revealed with an escalating intensity, Piper's face is gradually transformed with ink additions, ending as the full-blown, menacing Mythic Being.
The practice of drawing on preexisting imagery takes an especially visceral turn in the Vanilla Nightmares series, which Piper began in 1986 and continued until 1989.3 In it, black figures drawn with charcoal and oil crayon emerge on the pages of the New York Times like spectres suddenly assuming physical forms to cross the threshold of visibility and invade the comfort zone of reason. They are summoned by headlines dealing with race and its perilous politics or by egregiously exoticist or sexist pandering to consumer desires in advertisements. In one work, a lone, black, "savage" male figure creeps up on an impassive female model featured in a Bloomingdale's ad titled "Street Safari," an urban fashion supposedly inspired by the romantic colonial imagination of wild nature. In another, a scowling and fist-waving mob appears next to the headline "Affirmative Action Upheld by High Court as a Remedy for Past Job Discrimination," and letters spelling "What if …?" are scrawled across the masthead. These disquieting, sometimes salacious, images tap into and give form to the enduring cultural fascination with slavery and black magic as well as racialized myths of miscegenation (consensual or otherwise) that are still seething just beneath the surface of our collective unconscious.
My Calling (Card) #1 closes with a twist: "I regret any discomfort my presence is causing you, just as I am sure you regret the discomfort your racism is causing me." Irony and melancholia infuse the sentence, reminding us that it is precisely through discomfort that Piper's art cuts into the fortress of our injured consciousness, and such discomfort just might help to cure it.
This point is argued in Maurice Berger's essay, "Styles of Radical Will: Adrian Piper and the Indexical Present," in Maurice Berger, ed., Adrian Piper: A Retrospective, exh. cat. (Baltimore: Fine Arts Gallery, University of Maryland Baltimore County, 1999), 12–32. ↩
Maurice Berger, "The Critique of Pure Racism: An Interview with Adrian Piper," in Adrian Piper: A Retrospective, 80. ↩
There are a total of twenty-one pieces in the Vanilla Nightmares series, and three (#3, #9, #10) are in the Walker collection. ↩
Chong, Doryun. "Adrian Piper." In Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections, edited by Joan Rothfuss and Elizabeth Carpenter. Minneapolis, MN: Walker Art Center, 2005.
© 2005 Walker Art Center


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National Geospatial-Intelligence Agency Director Letitia Long says the government will ok DigitalGlobe's request to sell higher resolution imagery (25 cm). "It's going to happen. Technology is moving in that direction." She spoke at the annual space conference hosted by the Space Foundation.
The decision requires input from Pentagon, Commerce Department, State Department and other agencies, so she had no input on the "when." A second senior U.S. official involved in the coordination process confirmed that it will happen. Consensus is it'll be phased in over the next year.
- Reuters


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Watch this video to learn more about calling 811.
You might be surprised how much is going on underground. Gas, electric and other utility lines are just about everywhere. So for your own protection, state law requires you to call at least two working days before you start digging - whether you're rototilling in your backyard or undertaking some serious excavation work.
You have a legal and financial responsibility for damage to utility lines so let's work together and keep things safe.
When to call
Call the national 811 Call Before You Dig number or visit one of the websites listed below two working days before you dig or excavate for the location of underground gas and electric lines. There will also be other utilities locating their facilities such as telephone, cable, etc.
Refer to the websites below for more information on rules and regulations.
Who to call before you dig
Whichever method you choose initiates a request for someone to visit your work site — within two working days — to mark the ground above utility lines, including our gas and electric facilities. That way, you won't inadvertently hit a line while you're digging.
What you need to know
If you smell natural gas...
Because natural gas is lighter than air, it becomes combustible when mixed with air and exposed to an ignition source. That's why we add an odorant that smells like rotten eggs so you'll know right away if there's a problem.
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If you damage natural gas lines:
Even if gas isn't leaking, we need to inspect the lines. Call Avista Utilities at (800) 227-9187 as soon as possible.
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We may be able to relocate our equipment to accommodate your project, but you could be responsible for the associated costs. Call us at (800) 227-9187 to learn more.
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The Asian form of a man with a dick that goes inside. Most Khim's have sexy moles to make up for their dicks.
"I was about to do my boyfriend last night, but when I was about to give him a bj, i couldn't because he was a Khim. Its okay doe, i sucked on his mole."
by GondwanasGreatest May 14, 2012


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Moderator: Erinys
This plan means that you folks can expect at least 2 or 3 updates a week over the next month or so that will gradually make this game into what it should have been when the switch was pulled on friday. Soon after that you can expect personel in black suits to arrive at your house to flash a red light in your eyes. After that you will find yourself happy and enjoying the best release day ever and none of this will ever have happened.
Mecron wrote:"Hah! We rule the earth!!! Space is stupid anyway!"
Mecron wrote:wow levi...you are previewing AND being a sarcasm master at the same time. Double awesome
Allattar wrote:The princes grow worried and the princesses stir with irritation. They feel you either lack gravitas or are just plain insane. Might we suggest you stop before they rebel?
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forum: Food & Drink
#661 Sun 13 Jan 13 9:05am
- Member Occupation Retired something or other
- From English immigrant in S. Wales
- Member since Fri 07 Dec 12
Re: Ask me a cooking question
Mix a tsp of powdered mustard in with the mixture, or even a few chili flakes.
#662 Sun 13 Jan 13 11:24am
- Member Occupation Chief cook and bottle-washer
- From Scotland
- Member since Mon 12 Sep 11
Re: Ask me a cooking question
greenwom02 wrote:
My partner and I have recently had a huge change to our lives and taken on our autistic grandson (Lachlan) living with us full-time. Have you considered taking on a challenge and developing menus for kids with disabilities?
I consider myself as a competent cook, however given their visual, texture and change resilience tendencies cooking healthy food is a real challenge.
Hi Marc! Welcome to the forum.
Congratulations on your big change! I wish your family all the best with it.
I reckon writing a cookbook specifically for kids with disabilities would be difficult, as the challenges will vary so much from one individual to the next. But maybe we can help with Lachlan - what does he like to eat just now? Maybe there are some favourite dishes that can be subtly "healthed up".
Also, would he be interested in watching you cook, and maybe even helping himself? Understanding what goes into food and being involved in the process of cooking can help any kid to overcome their anxieties about trying something new. Even if he won't try what you eat, maybe it will ease his anxieties about the whole thing, which could benefit him later.
I also found these articles about diet for children with autism spectrum disorders - maybe useful if you haven't seen them already:
http://www.autism.org.uk/living-with-au … cents.aspx
#663 Sun 13 Jan 13 3:10pm
- Member Occupation Retired something or other
- From English immigrant in S. Wales
- Member since Fri 07 Dec 12
Re: Ask me a cooking question
Barm Cakes
Being a southerner, I need to know if they're similar to our baps? Understand the Barms are larger than baps.
What I'd like to know is, can I make the dough for these so-called famous barm cakes in my breadmaker and if so I'd like a recipe, please.
There's a challenge for someone
Hubby is from the north and cries out for Wigan Potato pies and Barm cakes. I can handle the first item.
In anticipation, ta muchly.
#664 Sun 13 Jan 13 7:47pm
- Member
- Member since Sun 13 Jan 13
Re: Ask me a cooking question
I know valentines day is next month but I want to start thinking of ideas. My boyfriend is visiting me at uni for the weekend and I want to cook him a nice romantic meal. I'm stuck on what to cook him as I live by the sea so the obvious thing to cook is fish but he hates fish. He quiet likes lamb and Italian food. Any suggestions of a menu?
Last edited by studentchef08 (Sun 13 Jan 13 7:50pm)
#665 Sun 13 Jan 13 7:55pm
- Forum champ Occupation Handyman
- From Dorset u.k
- Member since Tue 21 Oct 08
Re: Ask me a cooking question
Dump him...he doesn't like fish..
or Lamb shanks, Slooooow cooked in red wine and rosemary...
#666 Sun 13 Jan 13 8:09pm
- Forum super champ Occupation avoiding housework
- From The land of song.
- Member since Tue 04 Oct 05
Re: Ask me a cooking question
wine~o wrote:
Dump him...he doesn't like fish..
Harsh wine-o ... Harsh !
But I agree slow cooked lamb shanks could be a winner
#667 Mon 14 Jan 13 2:01am
- Member
- Member since Mon 14 Jan 13
Re: Ask me a cooking question
hi - after 30 mumble years of marriage to the same guy - i am finding his taste buds to be - i guess - rather boring - he is terrified of - chillies - zucchini - chicken of any kind - snow peas - broccoli - mushrooms - any form of fresh herbs - even dried herbs - fennel - pumpkin - vinegarettes of any kind - home made mayo - garlic - shallots - nasturtiums - the list can go on and on and onnnnn - how do you educate a males palette to be adventurous - i am at the point of giving up trying to keep him healthy - all he wants is fried fried fried and the revolting pink slime that is passed of as minced meat - steak which can be expensive frozen peas and boiled potatoes - dont even put the melted butter and mint on them - thats classed as weird food now or as he often puts it foreign muck - any ideas out there????????
#668 Mon 14 Jan 13 2:30am
- Forum super champ
- From Newcastle, Australia
- Member since Sat 10 Mar 07
Re: Ask me a cooking question
Seriously, he does seem to have a limited palate, doesn't he? Do you have to eat as he does?
Have you tried sneaking vegetables into his food as I did withy kids? What about fish? Pasta? Rice? Start off "gentle" and gradually kick it up a notch.
Sorry, I've not been much help:/.
Welcome to the forums
#669 Mon 14 Jan 13 8:32pm
- Member Occupation Chief cook and bottle-washer
- From Scotland
- Member since Mon 12 Sep 11
Re: Ask me a cooking question
At the end of the day, you can't educate his palate. That's up to him. You can lead a husband to interesting food, but you can't make him eat it.
I suppose you could cook interesting food for yourself and give him his plate with just the plain bits? But cooking two meals is a lot of work. To be honest, if he really is that fussy, I'd tell him to cook his own food. I do make allowances for Mr. Hippytea's preferences, and he for mine, but if either of us was as picky as that, I think the other would be justified in drawing a line.
At the end of the day, if someone else is doing you the honour of cooking for you, you should eat what's put in front of you, or at least pick out the bits you don't like without complaining. It's simple manners.
Oh, and I just have to say that the thing about "educating a male's palate" is unfair. Fussy people are fussy people whatever the gender.
#670 Tue 15 Jan 13 7:09pm
- Member
- Member since Mon 14 Jan 13
Re: Ask me a cooking question
Hello Jamie.
I'm a big fan and I love your passion for cooking real food.
When your show is on TV, I watch it. You an inspiration.
I have one question:
Are you Fat Scared??
I saw you cooking on TV where you use fat free yoghurt in a tartar sauce. Why?
I'm sorry to say but I think you have gained some weight and as most of us, you probably blame the fat.
I was scared of fat before. I replaced real butter with margarine, used all sorts of low fat products and the result was weight gain.
I have been eating according to LCHF for 2 months now with a weight loss of 7kg, even without exercise.
Now I eat until I'm full on "Real" food staying away from sugar, bread, light products and still I can loose weight.
Jamie, please give this a chance!
Best Regards,


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WHS Adoptable Animals
The Wisconsin Humane Society (WHS) is a private, nonprofit organization whose mission is to build a community where people value animals and treat them with respect and kindness. For more than 128 years, WHS has been saving the lives of animals in need. We offer adoption services that place 9,000 animals in new homes annually, veterinary services that save thousands of lives, educational programs that instill respect for animals, behavior services to assist guardians and a myriad of other initiatives that help end suffering for animals. We depend entirely on private donations to fund our programs and rely on volunteers in nearly every department. If you are interested in adopting, volunteering, enrolling in a class, taking a tour or making a donation, check out our comprehensive web site at wihumane.org. The adoptable animals' web pages are updated every 30 minutes!
WHS offers expanded adoption hours
Hundreds of animals are up for adoption at the Wisconsin Humane Society, so we've expanded hours to include a Monday in December, Christmas Eve and New Year's Eve. This time of year, the shelter is eager to place animals in homes for the holiday season and even offers a "Gift of Companionship" program.
Contrary to popular belief, research shows that people who receive a companion animal as a gift make great guardians. Animals are no more or less likely to be returned than animals adopted by the guardians themselves. Gift adoptions include the companion animal and a $25 certificate redeemable within two weeks after the gift giving date at Animal Antics, the retail store located within WHS. Those interested in gift adoptions must provide specific information about the recipient so counselors can match all personalities involved. WHS also follows up with adopters and continues to provide support and assistance to ensure a happy match.
Please note the additional holiday hours:
Monday, December 22 from 12:00 p.m. to 8:00 p.m.
Wednesday, December 24 from 10: 00 a.m. to 4:00 p.m.
Wednesday, December 31 from 10: 00 a.m. to 4:00 p.m.
This site uses Facebook comments to make it easier for you to contribute. If you see a comment you would like to flag for spam or abuse, click the "x" in the upper right of it. By posting, you agree to our Terms of Use.


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Contact Us
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Kinesiology and Athletics Division
(650) 949-7742
Athletic Injury Care - Physical Education
Athletic Injury Care is a multi-disciplinary educational experience. Instruction emphasizes injury prevention, emergency care and rehabilitation through the principles of anatomy, physiology, pathology, bio-mechanics, and psychology. Hands-on experience is available to the student intern through the Athletic Treatment Center from an array of Sports Medicine professionals.
Students interested in medicine, athletic training, physical therapy, chiropractic, nutrition, or other allied health fields are candidates for this program.
Program Learning Outcomes
Students will demonstrate an entry-level of knowledge and skill in a variety of sports medicine disciplines, including athletic training, physical therapy, strength and conditioning and emergency medical care.
Students will be able to provide quality medical care for the Foothill College Intercollegiate Athletic teams.
Units required for Major:
Degree Requirements:
English proficiency: ENGL 1A, 1AH, 1S & 1T, ESLL 26 or equivalent.
Mathematics proficiency: MATH 57, 105, 108 or equivalent.
A minimum of 90 units is required* to include:
All Foothill General Education requirements (30 Units)
Core courses (48 Units)
*Additional elective course work may be necessary to meet the 90-unit minimum requirement for the associate degree.
All courses pertaining to the major must be taken for a letter grade. In addition, a GPA of 2.0 or higher is required in all core and support courses for the degree.
Program Type(s):
= Associate in Science Degree.
Core Courses:
(48 units)
PHED 1 Introduction to Physical Education as a Profession (4 units)
PHED 16A Prevention of Athletic Injuries (3 units)
PHED 16B Emergency Athletic Injury Care (3 units)
PHED 16C Treatment & Rehabilitation of Athletic Injuries (3 units)
PHED 62A Clinical Experiences in Sports Medicine I (3 units)
PHED 62B Clinical Experiences in Sports Medicine II (3 units)
PHED 62C Clinical Experiences in Sports Medicine III (3 units)
PHED 62D Clinical Experiences in Sports Medicine IV (3 units)
PHED 62E Clinical Experiences in Sports Medicine V (3 Units)
BIOL 40A Human Anatomy & Physiology I (5 units)
BIOL 40B Human Anatomy & Physiology II (5 units)
BIOL 40C Human Anatomy & Physiology III (5 units)
CHEM 25 Fundamentals of Chemistry (5 units)
CHEM 30A Survey of Inorganic & Organic Chemistry (5 units)
Support Courses:
(optional units)
BIOL 45 Introduction to Human Nutrition (4 units)
CHEM 1A General Chemistry (5 units)
CHEM 1B General Chemistry (5 units)
CHEM 1C General Chemistry & Qualitative Analysis (5 units)
HLTH 21 Contemporary Health Concerns (4 units)
MATH 10 Elementary Statistics (5 units)
PHED 4 Concepts of Physical Fitness & Wellness (4 units)
PHED 15 First Aid & CPR/AED (2 units)
PHED 65A PNF: Introduction to the Upper Extremity (3 units)
PHED 65B PNF: Introduction to the Lower Extremity (3 units)
PHYS 2A General Physics (5 units)
PHYS 2B General Physics (5 units)
PHYS 2C General Physics (5 units)
PSYC 1 General Psychology (5 units)
Academic Year: 2012-2013
Current status: Approved
Last update: 2012-05-04 16:59:43
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Bill to extend last call at Colo. bars advances
DENVER - Colorado cities and towns could have the power to extend bar hours under a proposal advanced by state lawmakers.
Lawmakers voted 12-1 to pass the bill Wednesday out of the House Local Government Committee.
The proposal would let municipalities decide whether to let bars stay open until 4:30 a.m. Current law prohibits the sale of alcohol from 2 a.m. to 7 a.m.
Democratic Rep. Crisanta Duran, one of the lawmakers sponsoring the bill, says the purpose is to try to improve public safety by avoiding the large crowds during closing time.
Mothers Against Drunk Driving opposes the bill, arguing that it could lead to more intoxicated people on the roads.


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What a machine! 35,000 miles on a royal blue rocket w/6 sp. man. With 4 grown men in the car, it still pulled to over 90 mph with ease. I have a modded 5.0 Mustang and have driven several sports cars, but nothing that handled and accelerated as deftly as this car. When I took it out the second time, it was just my wife and me, and I got to take it up a very winding road. It steers like directly holding the tie rods in your hands. Easily the most fun I've had in a car in years.
Sounds like you had fun. What engine does that have?
____________________'08 Saturn Astra XR 2door'09 Pontiac G8 GT'13 Chevrolet Volt
It's a 40 valve, 4.2L V8. The thing sounds like a powerboat when blipped at idle. It belongs to my cousin who is in Iraq (Air Force). My aunt and uncle are "keeping" it for him.


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This Architect triangular pocket logo scale is about the size of a ball point pen. It is a great promotional item for architects, landscapers, builders, electricians and more.


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NYT: Say, maybe we should have waited for the facts before blaming the Right
posted at 1:55 pm on January 17, 2011 by Ed Morrissey
Don't worry, though, because the New York Times' public editor (their term for ombudsman) "shares the view to an extent" (emphasis mine) that the Times and the media rushed to put the Tucson shootings in a political context. Well, that's certainly a relief. So whose fault was it that the Times pursued it to the extent of having its editorial board issue an essay the very next day putting the blame on the Right, saying that "it is legitimate to hold Republicans and particularly their most virulent supporters in the media responsible for the gale of anger that has produced the vast majority of these threats"? Uh … genetics, or something:
So why does a story get framed this way? Journalism educators characterize this kind of framing as a storytelling habit — one of relating new facts to an existing storyline — and also as a reflex of news organizations that are built to handle some topics well, and others less well.
Jerry Ceppos, dean of the journalism school at the University of Nevada, Reno, said journalists' impulse to quickly impose a frame on a story is "genetic."
"Journalists developed automatic framing protocols generations ago because of the need to report quickly," he said. "Today's hyper-deadlines, requiring journalists to report all day long and all night long, made that genetic disposition even more dominant."
To be fair, there were some good reasons to steer the coverage initially in this direction. As Rick Berke, the national editor, said: "Our coverage early on was broad and touched everything from the possible shooter to the victims to the reaction to, yes, the political climate in Arizona. By our count, there were 49 stories in the paper the first six days after the tragedy, of which only 14 were political in nature. But it would be ridiculous for us to neglect that. After all, a politician was shot in the head while meeting with constituents. That same lawmaker had her office vandalized during an especially rancorous campaign. And after the shooting the sheriff called his state the capital of hatred and bigotry."
Still, I think the intense focus on political conflict — not just by The Times — detracted from what has emerged as the salient story line, that of a mentally ill individual with lawful access to a gun.
Er, no, to be fair, there were no good reasons to steer the coverage in any direction. In fact, Arthur Brisbane's notion that steering coverage of a breaking event is journalism should come as a rude awakening to the few defenders the Times still has. Why "steer the coverage" at all until the facts came out? Within a couple of hours, the gunman had been identified and enough was known about him to understand that he was a lunatic, not a political activist. Yet even after those facts became known and verified, the editorial board published its attack on the Right, implicitly blaming conservatives for the tragedy while using just enough weasel words to cover their own rear ends in case the witch hunt blew up in its face.
Ironically, Brisbane starts off the column by scolding the Times' bloggers for repeating the erroneous NPR report of Giffords' death without having its editors fact-check it first:
Ms. McElroy said, "I should have looked at every change," but she thought Mr. Goodman was referring to small stuff. Mr. Goodman told me he then erred by reporting Representative Giffords's death in the lead as though The Times itself were standing behind the information. In any event, Ms. McElroy had said O.K. without seeing that change, so Mr. Goodman pushed the button.
The result was a news story with changes that were not edited. Less than 10 minutes later, a new story appeared with the words "and killed" stricken.
"Nobody should self-publish," said Philip B. Corbett, standards editor for The Times. "Everything should go through an editor. Ideally, it should go through two editors."
Why? So that they can "steer the coverage" to their liking? In the case of the Times, the editors appear to be the problem, not the solution. The failure of the Times on this story had nothing to do with self-publishing a factual error that they quickly corrected, but an editorial decision to focus on a meme that was known to be false long before the editors themselves hit the publish button. Brisbane apparently doesn't want to talk about that; he'd prefer that the Times stick to giving its readers one bum steer after another.
Related Posts:
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Mayor of Paris condemns 'non-mixed' festival for black women only
- J-school prof not sure what 'genetics' means | Five Feet of Fury
- NYT national editor defends coverage of shooting causes | Right Angles
- Moe Lane » NYT: Tucson bias was in our very genes.
- Protecting Liberty in the USA » Blog Archive » NYT: Tucson bias was in our very genes.
- It's as if they're trying to match the success they see bloggers having by acting the way they think bloggers act. « The TrogloPundit
- CALIFORNIA: It's a Zoo! « Temple of Mut
- LIVE AT FIVE – 1.18.11 : The Other McCain
- News tidbits you may or may not have missed « James Board


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The 2008 elections portend federal regulation of greenhouse gases by 2010.
M. Sami Khawaja is an economist and president of The Cadmus Group, an environmental and energy consulting firm based in Portland, Ore. James I. Stewart is an economist and associate at The Cadmus Group.
The 2008 elections portend federal regulation of greenhouse gases by 2010.
U.S. power companies face increasing uncertainty because of possible government regulation of carbon dioxide and other greenhouse-gas (GHG) emissions. The most obvious sign of this uncertainty has been the postponement of investments in new power generation facilities as power companies and investors wait for regulators to act.
The federal government's recent denial of California's and other states' petitions to regulate GHG emissions from automobiles, and several bills regulating GHGs pending before Congress, suggest any such regulation will come from Washington, D.C. The type of regulation enacted will affect the profitability of new power generation investments, shareholder returns, and how the economic costs of compliance are distributed between industry and consumers.
Comprehensive GHG regulation likely will emerge before 2010 because of growing public support for emissions reductions and probable Democratic and independent gains in the U.S. Senate in 2008. If GHG regulation occurs, it likely will originate in the U.S. Congress—and not the executive branch—and almost surely will take the form of a cap-and-trade system. However, the costs to carbon producers probably will be modest initially because compromise legislation will result in small and partially-binding targeted emissions reductions and the grandfathering of permits.
Carbon Penalties
Economists argue the best way to encourage investments in cleaner energy is to establish a price for emissions. There are two market-based means of controlling GHG emissions under discussion at the federal level. The first is a tax per metric ton of CO 2 or CO 2 equivalent (CO 2e) emitted. 1 An appropriate tax would bring the private cost of GHG emissions closer to the social costs and would create incentives for producers to reduce their emissions by adopting pollution controls.
An optimal tax would cover as many GHG producing activities as possible and be harmonized across industries (and ideally between countries). Using a dynamic integrated economic and climatic model, Yale University Economist William Nordhaus estimated the optimal carbon tax, the one maximizing world social welfare, at $7.4 per ton of CO 2 in 2005 (in 2005 prices) and increasing by 2 to 3 percent per year in real terms over the next fifty years. 2 The U.N.-sponsored Intergovernmental Panel on Climate Change estimated that a tax of $20 to $50 per ton of CO 2 between 2020 and 2030 would be sufficient to stabilize global carbon dioxide concentrations at safe levels by the end of the century. 3 In the United States, a tax of $50 would result in modest increases in gas prices (about 15 percent) but significant increases in the price of electricity (about 35 percent). 4
The second type of control is a tradable permits or cap-and-trade system. Under this system, the federal government would establish an annual maximum allowance of GHG emissions for covered industries and then distribute


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Carol Price
Carol Price joins UTSA volleyball staff
By Kyle Stephens
UTSA Sports Information Director
(July 12, 2006--UTSA head volleyball coach Laura Neugebauer-Groff recently announced the hiring of Carol Price as assistant volleyball coach.
Price comes to UTSA after a one-year stint as an assistant at Southwestern University in Georgetown, Texas. Last year, she helped lead the Pirates to a 36-5 record, their first Southern Collegiate Athletic Conference (SCAC) Championship since 1997 and a berth in the NCAA Division III Tournament.
Today's headlines
- La Prensa Foundation is newest member of UTSA Lone Star Society
- UTSA alumna Jordan Kaufmann wins $50K for new stent-graft start-up
- UTSA begins new way-finding sign installation this summer at Main Campus
- USA Today: UTSA long jumper Tyler Williamson rescues three-year-old boy
Article tools
"We're excited to welcome Carol to our staff," Neugebauer-Groff said. "Her successful background as a player brings a lot to our program and she also adds additional resources to our recruiting efforts in the Midwest."
The Fenton, Mich., native played on the college level at Texas A&M from 2000 to 2003 and was a two-year starter and outside hitter for the Aggies. She also played center for the A&M basketball team in 2003-04. Price earned a bachelor's degree in horticulture in 2004.
The Roadrunners begin the 2006 season against Syracuse on Friday, Aug. 25 in the Wichita State Tournament.


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Which weapon will you love most?
Out of all the weapons confirmed. Which one are you dying to use and why and when?
For me, its the machete. (95% Confirmed is in, just never showed in gameplay)
I wanna go one on one vs a average bandit and see his reaction to me holding a machete. And I wanna find out the epic fight sequences that can go down with it.
What about you guys???
Re: Which weapon will you love most?[ Edited ]
I always tend to enjoy the bolt action rifles more than any other gun in games, and I have a feeling it will be this way in TLoU as well. And if we do get to choose which weapons we teach Ellie to use, I'm keeping the rifle for myself
But as far as speculating what I'll enjoy the most, I'm pretty sure I'm going to have a lot of fun with these makeshift explosives... I forsee a lot of messing with the human AI and boobytraps
Re: Which weapon will you love most?
Can't go wrong with a bow and arrow. Haha.
Get your Portable ID!
Metal Gear Rising: Revengeance, Tomb Raider, God of War: Ascension, Grand Theft Auto V, and The Last of Us.
By the way, this signature is very outdated.


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great thread!
some very good stuff in here for newbies in general.
like the look of your hives
thanks for the pics and sharing Roto
best of luck and please keep us posted on your bees...i'm interested to see how things go for you.
great thread!
some very good stuff in here for newbies in general.
like the look of your hives
thanks for the pics and sharing Roto
best of luck and please keep us posted on your bees...i'm interested to see how things go for you.
We can love completely what we cannot completely understand. -Maclean
I think I answered a few of my own (beginner) questions (likely too soon to be capped brood and the bee humming at me was definitely a drone... a few did it again today).
I made a closer inspection of a few bars of Hive 2 (good hive) and did see eggs in the cells. So with that confirmed, I moved one bar over to Hive 1 that looked to have a good mix of brood and stores, along with the attendants. I spent about five minutes studying the bar to confirm the queen was not on it... hopefully I did not miss her!
With any luck, Hive 1 may recover from the fiasco. I plan on staying out of the hives completely for the next week or two and let them settle in proper. With the flow on now there doesn't look to be any need to feed either.
Good job. Took me a while to see the eggs my first time too and I am an entomologist who has reared ants since he was 10 (I had the weirdest hobby in the area).
I wouldn't worry too much about accidentally transferring the queen. The most important thing is you have eggs. Chances are there is another frame w/ brood of the appropriate age to rear a queen if she was accidentally moved though it is safer to avoid this.
Cold was my second guess for the look of hive one but usually they keep themselves warm. If it was cold then it is possible the sugar was too far away from them to get to when it got cold. W/out comb they don't have a store to eat during the night to make heat (they do this by contracting wing muscles to make metabolic heat--and this takes a lot of sugar, hence honey for food). It looked warm in your video so I couldn't tell. What I can say is that, if it was cold, it's a good thing the days were warm or they would probably be gone now. If it is cold and they have no food then the sugar should be right on top of them. This will insulate them some, keep the sugar warm for eating, and avoid the necessity of bees having to venture into a cold area to feed--where they will get too cold to return.
Anyway, I've learned a lot here by using the search bar on the left of the homepage for this site so, if you haven't already, take advantage of that. You just might get hooked!
For your bees, you are probably good now but keep an eye on them if there is a cold snap.
Thank you - you've been a fantastic help!
>Dead queens in.their cage in the package often indicate the presence of another queen...virgin or mated.
That, in my experience, is the most likely cause of a dead queen in a package. There was almost certainly one loose in the package. Odds are, no matter where you put her, the replacement queen would end up dead.
Michael Bush bushfarms.com/bees.htm "Everything works if you let it." ThePracticalBeekeeper.com 42y 40h 39yTF
ref: the way you were handling the bars/comb in the video (hive 1): you dont want to tilt it like that, always keep the hanging comb plumb, else-wise, it can tear or break. especially once you have a full comb hanging on a bar
... and this is the bar as it looked when I moved it over.
I'll get a pic later of what Hive 1 has done with it.
I plan to take a quick look later to see if they are taking feed.
80 degrees here but gusty so I didn't linger too long in either hive.
The donor bar now in Hive 1 looked great (to me). Heavy with attendants and brood in all stages. I didn't see any queen cells, but I didn't inspect long due to the gusty conditions... also I don't know how soon I should expect to see one.
They have drawn more comb on 4 other bars already, which is 3x more comb in 3+ days than they did in the week prior to get the donor bar. I was also impressed with how many of the dead bees they have removed from the hive floor. I take that to mean they have a good # of workers left and they put them to use during a rainy day we had earlier in the week.
Hive 2 looked great again - they have some comb across 7 bars now and 3 or 4 as big or bigger than the donor bar. I didn't see their queen yet, but I was only in their hive for a quick check.
Progress pics of the donor bar in Hive 1:
Close up of brood:
And I seem to have some variety in the drones - some have very black bottoms (fellow circled in yellow):
They did drain the baggie feeder dry - plan to replace it unless someone thinks that unwise.
Looks good. I wouldn't even worry about trying to find the queen in hive 2. Just let them go for a while. If there is no queen in hive 1 then they should have made a supercedure cell or two w/ those eggs. If they didn't I'd first look for eggs in the other frames before giving them another frame to try again. If you have eggs on another frame then there is obviously a queen there (unless you have laying workers--usually multiple eggs on the sides of cells). The cell could be hard to see as the bees will be attracted to it so it might just look like a clump of bees. If you find more eggs in hive1 and they are in the bottoms of the cells like what you saw before then make sure you check hive 2 for eggs to ensure that you didn't move that queen inadvertently.
I'd feed until the flow really kicks in. They sill stop taking it when there is sufficient forage to meet their sugar needs.
Thanks for the encouragement!
More good news today...
Hive 1 has at least two queen cells and great looking brood on the transplanted bar... hard to see under the cluster of bees on the left edge:
Hive 2s queen showed herself today and looks to be building a strong hive. Sorry for the blurry pic.
Looks like you did a fine job of sorting out that situation.
While hive #1 is working at becoming queenright, you may also consider, transplanting a bar/comb of emerging worker brood from hive #2 (without adhering bees - you could use a feather to brush them off), when one is available, to help bolster their population as their queen hopefully begins to perform her duties.
When establishing with package bees, perfectly good queens may sometimes be superseded because the worker populations are unbalanced in age (having most of the workers nearing the end of their lives, then suddenly having most of the workers of nurse bee age). Somehow this has the bees behave as if their queen is failing, when it is simply that they were established using package bees.
48 years - 50 hives - TF
Joseph Clemens -- Website Under Constructioni
Crazy things can definitely happen with packages installed in close proximity to one another. For instance.....this spring I installed two packages correctly in single deeps about 10 ft apart. Queen "a" died in cage. Queen "b" made it out ok. So queenless hive "a" combined itself with queenright hive "b" and balled it's queen in the process. Ended up with a single deep busting with bees on five frames of drawn comb. Because of a lack of replacement queens I combined all of the above with an overwintered nuc with newspaper in between hive bodies. Needless to say that hive will be making some honey fo' sho'. Moral of the story for my situation? Wait another month after packages start to ship and spend $40 for 2 nucs. The point is that we are all making mistakes every year that we know we won't ever repeat. The cost can be high at times but it all seems to work itself out. Roto my friend, those TBH's look pretty cool. I hope your queen situation gets ironed out. I really need to get me one of those.
Yeah, looks real good. Have been meaning to post and say you might want to add another frame of eggs just for insurance. It's hard to see the cells in the pick and you don't want to accidentally think that a few weird shaped drone cells are queen cells. The first queen cell I saw I thought might be a drone cell at the beginning (probably because I didn't want to admit they were going to swarm). Once it is complete, though, it is pretty easy to tell--looks like a peanut shell and is the length of a peanut shell (more or less).
So I opened up the problem hive today to check on progress and I *think* things are still on track.
The two cells that I believe they formed as emergency queen cells were both empty - which initially had me concerned until I checked the calendar and realized today would be somewhere between day 16 and 18 - right on time for her to have hatched.
I didn't spot her, but I didn't pull out all the bars looking either. If she just hatched she's not hanging around with attendants laying eggs yet anyway.
To hedge my bets I did move over another good size bar from hive 2.
Pic of one of the suspected queen cells:
Inside pic of the problem hive:
The noob beek:


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We told you earlier Wednesday that Pittsburgh Steelers quarterback Ben Roethlisberger would sit out this week's game against the Baltimore Ravens, in part because of his previously undisclosed rib injury.
Roethlisberger says his rib is partially dislocated and he has no timetable to return. The rib problem actually is more severe than his shoulder injury. How rare is the injury? The last time his doctor heard of it was in 1998 with a rugby player.
Read more...
Prayers with the steeler nation. They're pretty much the only team we've played this year that has treated us with a modicum of respect.


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| (989) - 895-5712
Eastern District of Michigan
Northern Division
101 First Street, Suite 200
Bay City, Michigan 48708
May 27, 2003
Contact: (313) 226-9758 - Gina Balaya
Three Michigan Residents Indicted by a Federal Grand Jury
United States Attorney Jeffrey G. Collins announced that three Michigan residents were indicted by a federal grand jury in Bay City, Michigan, on May 14, 2003. The indictment alleges mail fraud, wire fraud, income tax evasion, and related charges. The indictment was sealed by court order until today.
Named in the 86-count indictment were Dennis L. Lukasik, 62, and Deborah D. Lukasik, 50, wife of Dennis Lukasik. Both are residents of Royal Oak, Michigan. The third defendant, Thaddeus H. Turner, 33, is a resident of Saginaw, Michigan.
Assistant United States Attorney James A. Brunson, who presented the case to the Grand Jury, stated that, "The indictment charges that Thaddeus Turner, Deborah Lukasik, and Dennis Lukasik entered into a conspiracy to commit investment fraud in connection with Perry Investments, Inc., which operated in Saginaw in the latter part of the 1990s. The indictment alleges that Turner and the Lukasiks lured investors into a real estate investment scheme by making exaggerated claims about the safety and high return of investment opportunities they offered, but then used the bulk of the funds for personal expenditures. Dennis and Deborah Lukasik are also charged in three counts of income tax evasion and a separate conspiracy charge of defrauding the Department of Education in connection with higher education loans obtained for their children by making false statements. Turner, who filed for bankruptcy in February of 2000, is also charged with bankruptcy fraud.
Assistant United States Attorney Brunson added that, "If convicted on all counts, the defendants may receive sentences of up to five years in prison for each fraud count, five years for each count of income tax evasion, and five years for the two conspiracy counts. Bankruptcy fraud, with which Turner is charged, is punishable by up to five years imprisonment. Turner is also charged in 38 counts of mail fraud, a five-year offense. Maximum imposable fines on all charges is $250,000 with the exception of one false loan statement charge against Thaddeus Turner, which is punishable by up to thirty years in prison and a fine of up to $1 million. Any sentences will be imposed under the United States Sentencing Guidelines according to the nature of the offenses and the criminal backgrounds, if any, of the defendants."
AUSA Brunson stated, "The indictment has remained under seal pending Turner's arrest which occurred today. He was placed on bond during a brief hearing held today. Dennis and Deborah Lukasik are expected to be arraigned before U.S. Magistrate Charles E. Binder within the next two weeks in Bay City."
The case was investigated by the Internal Revenue Service Criminal Investigation Division, the United States Postal Inspection Service, the Federal Bureau of Investigation, and the United States Department of Education.
An indictment is only a charge and is not evidence of guilt. A defendant is entitled to a fair trial in which it will be the government's burden to prove guilt beyond a reasonable doubt.


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I'm trying to implement this technique: http://blog.icare3d....tion-using.html
The paper about it isn't detailed and it's missing some info.
I did research about voxels, I found technique for fast voxelization. But still, I don't know about cone tracing. There are no papers about this technique. I know the basic difference between path tracing and cone tracing. The difference is that you trace cones instead of rays. So instead of shooting hundreds of rays, you just shoot few cones. But still, I'm missing a lot of informations about this technique to implement it. Can somebody explain me cone tracing? Or give me link to paper. I WAS using google. I found nothing. All I found is undetailed wiki page about cone tracing. Thanks in advance. Sorry for my poor english.
Edited by MrOMGWTF, 26 July 2012 - 05:25 AM.


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Recovering a sediment trap from Bear Lake Utah/Idaho.
Time-marking sediment traps of the design by R.Y. Anderson (see L&O, 1977, v.22, #3) were deployed in Bear Lake (Utah and Idaho) at 3 locations and 2 depths (epilimnion and hypolimnion) in 1998. Collection tubes were recovered and redeployed in 1999 with final recovery in 2000.
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1. Stephen Hill - adds a dimension as a 3rd WR that gives us an even more potent offense. Can really stretch the field, good measurables and is a great blocker. There is no way we pass on him if he is there. Too much upside in what has become a passing offense (and league)
2. Nick Perry - We need to build up the trenches again and Reese loves pash rushers who come from good schools and have played against top competition. Good measurable and good kid.
3. Chandler Jones - Reese has seemed to fall in love recently with prospects out of the big east, so I could see that trend continuing here. Jones may not make an instant impact, but give him a year in our system and he may turn out to be a better prospect than Perry. Long, Athletic and a killer first step with tons of upside. Exactly the type of player we look for.


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"We've mentioned Wes Welker's
name several times over the past few weeks. Once as our pick for the
top available free-agent wide receiver and previously as a player on whom the
franchise tag would probably be used.
And that appears to be the
case: according to a report from Adam Schefter of ESPN, the Patriots "are likely" to
utilize the franchise tag and place it on Welker before the March 5 deadline, in
order to prevent Welker from hitting the open market. If Welker signed his
tender, he would receive a guaranteed, one-year salary of $9.5
There was some belief that the Patriots wouldn't commit that
much cash in guaranteed money to Welker and would let him test the market and
then attempt to re-sign him at a lower rate than what Welker reportedly wants
(it's believed he wants to be paid somewhere in the range of $14 to $15 million
per year).
Ian
Rapoport of the Boston Herald reported on Saturday that the logic
behind the Patriots change of heart is that the market for Welker in free agency
would be "incredibly active."
The last time New England used the
franchise tag, things did not go smoothly. Logan Mankins,
one of the defendants in the Lockout Lawsuit, held out for seven games after the
labor crisis was resolved.
And there's a chance that a similar stand-off
could occur with Welker if the two sides don't reach a long-term deal. Welker's
critical to the Patriots offense -- he has 554 receptions and 6,105 receiving
yards since 2007 -- but he would also like to be paid like one of the top
wideouts in the game and given his age and previous injury history, the security
of one more big contract."


text:
Four area chefs will show off their culinary prowess in a fast-paced demonstration of culinary skill, talent and creativity today in the preliminary competition of Diamond Chef, sponsored by the Pulaski Technical College Foundation.
The cooking competition begins at 4:30 p.m. at the Pulaski Technical College Arkansas Culinary School, located at 4901 Asher Ave., in the Performance Food Group building.
Featured chefs include Richard Allan, executive chef for Dillard's Bistro 1600; Shane Henderson, chef for Simply the Best Catering; Donnie Ferneau, owner of Ferneau's restaurant in Little Rock; and Cynthia East, lead instructor at the Pulaski Technical College Arkansas Culinary School.
The first heat, beginning at 4:30 p.m., will feature Chefs Allan and Henderson. Chefs Ferneau and East will compete in the second heat at 5:30 p.m., with winners from each heat competing at 6:30 p.m.
The overall winner will then compete June 5 against Andre Poirot, executive chef at the Peabody Little Rock. That competition begins at 7:30 p.m. at the Peabody Little Rock ballroom. Tickets to that event cost $125 per person with proceeds benefiting the Pulaski Technical College Arkansas Culinary School.
"We have a fabulous line-up of local talented chefs for this event," said Todd Gold, executive director of the Pulaski Technical College Arkansas Culinary School. "There's no doubt there will be stiff competition, which will make the night all the more entertaining."
The competition will follow the format of the popular Iron Chef television show. Each chef and his or her sous-chef will have 40 minutes to prepare a dish using a key ingredient, which will be announced just prior to the competition. Chefs will be judged on plate presentations, creativity and taste.
Admission to the preliminary competition is free, but reservations are required. To reserve a seat, call Jamie Higgins at 501-812-2271 or e-mail firstname.lastname@example.com
Guest judges include Kelley Bass, a food writer; Jim Montgomery with Glazers Distributors, and Jeff Matthews and Kevin Miller, deejays with radio station B98.5. KATV anchor Pamela Smith will emcee the event, and the Arkansas Culinary School will provide light hors d'eouvres.
Proceeds from Diamond Chef will benefit Pulaski Technical College Arkansas Culinary School, which currently serves 130 students who are pursuing associate degrees in culinary arts or technical certificates in culinary arts and baking and pastry arts.
Pulaski Technical College


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I've been shooting the CAT cam for some time now. I've learned a ton of things. One thing I have found is how to find the sweet spot. We all like a different feel and I would like for this thread to be used to help each of us find what we like. I have done lots of testing and I will continue to do a lot more. The one thing I know is that when you find the sweet spot as I have you will enjoy this cam as much or more than any cam you have shot.
I wish I had some pictures and I will try to take some tonight.
I want to help those that want help and to continue to learn myself.
Let's define some myths and facts about the cam in this thread.
Let's define some do's and don'ts.
I will try to start. I'm always short on time and I will help each day that I can.
Myth-At full draw the modules must touch the cables at the same time, Most certainly Myth.
Fact-Your bow can perform at its optimum setting while the modules do not touch the cables at full draw at all, and where the gap between the module and the cable are not exactly the same. When you are in this setting, the draw stop becomes the key factor.
Do's- Use the draw stop to your advantage. Long draw guys (30,31") we would need to discuss. I'm a 28" draw.
Don'ts-Do not get worked up about the "Timing" of the wheels" get it close and work on the draw stop. Then fine tune. I can help with that.
Do's-Get the cam wrapped up in the cable as much as possible without the cables touching the cable(Loop) post in the relaxed (static-not full draw) state. This gap needs to be minimized. Again the gap from the top and bottom do not have to be the same.
Don'ts-Do not try to shoot the bow with 80% or more let off. When you let the bow down from full draw and you feel like you have to push it to get it to come down you have excessive let off. I wouldn't want that for my optimum setting.
Lets work together in this thread to help one another get the cam in the optimum setting and listen to each others remarks to continue learning.
I will not be on the thread often but I will do what I can to help. Work gets in the way.


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Anyone reading about the notorious booze-fueled Pretty Things tour in 1965 might think we had been invaded by guerilla fighters rather than musicians, but on this belated return bout it could only be about the music, their rhythm and blues grounded in the 60s, because original members Dick Taylor and Phil May are 69 and 68 respectively.
After courageously getting a few early classics out of the way (Roadrunner, Mama Shut Your Big Fat Mouth and Honey I Need, all a little perfunctory) they settled in for lengthy set which was remarkable for its confident diversity. From the acoustic interlude with guitarist Taylor playing sublime bottleneck on I Just Can't Be Satisfied and Robert Johnson's Come On in My Kitchen to an utterly tripped-out version of the single-entendre LSD, and with pitstops from their ambitious SF Sorrow and a room-shaking medley bookended by Mona, the Pretty Things Taylor, May and an excellent band delivered with an energy which belied their age.
Yes, there were flat spots (a drum solo is rarely essential, Baron Saturday hasn't aged well and didn't sit right, May not the most distinctive of singers) and the show was disappointingly undersubscribed, mostly graybeards and a smattering of younger people nostalgic for, or curious about, something they never knew. But over the night as the band worked some familiar chord changes, blew bluesy harmonica, shook maracas and pulled out classic songs (Cry To Me was number one in New Zealand according to May, did we have charts back then?) this was nostalgia mixed with unabashed enthusiasm.
A prior engagement meant I missed the local openers (I arrived at 9.15pm and they were all done) but reports were unanimously favourable.
But in 2012 who would have thought to hear the still great Don't Bring Me Down, Buzz the Jerk and Rosalyn in their own hometown by these infamous creators? And the Pretty Things may just revive the role of the maracas and tambourine in rock.


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quote:I realize its typical, but Anthony isn't your typical rookie.
quote:So you don't think he should be playing more in the fourth? Just a couple minutes more?
quote:which is why he leads all rookies in minutes per game.
quote:lillard, beal, and waiters play more mpg than Davis
quote:Then what the frick was Thorpe talking about in that rookie watch piece?


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Students are ready for an Alternative Spring Break trip.
Alt Spring Break advisers, participants needed
(Jan. 23, 2009)--The student organization VOICES (Volunteer Organization Involving Community Education and Service) and the UTSA Inclusion and Community Engagement Center will host Alternate Spring Break trips to Piedras Negras, Mexico, and Corpus Christi, Texas. For both trips, students and staff advisers are needed.
Today's headlines
- La Prensa Foundation is newest member of UTSA Lone Star Society
- UTSA alumna Jordan Kaufmann wins $50K for new stent-graft start-up
- UTSA begins new way-finding sign installation this summer at Main Campus
- USA Today: UTSA long jumper Tyler Williamson rescues three-year-old boy
Article tools
The Piedras Negras trip will run Saturday, March 7 through Thursday, March 12. The trip will involve working with the children and improving the grounds at the Casa de Nazareth orphanage. UTSA has taken trips to this site for the last two years, and the participants and advisers highly recommended returning this spring. Participants and advisors will stay at a hotel near the Casa de Nazareth. Spanish speakers are encouraged to apply.
The Corpus Christi trip will run Sunday, March 8 through Thursday, March 12. The trip is a part of the Habitat for Humanity Collegiate Challenge. The UTSA team will help construct houses from early morning until 2:30 p.m., Monday-Thursday -- and then head to the beach or relaxing for the day in town. VOICES has participated in Habitat spring break programs in the past, and participants have reported great experiences. (Be ready to work hard!)
Advisers must be full-time staff members willing to drive a suburban or minivan, be over 21 years of age and attend two or three pre-trip meetings with Jennifer Lilly from the Inclusion and Community Engagement Center (scheduling is flexible). Advisers also must be willing to guide students through the reflection process during their experience. Each adviser will be provided with lodging and per diem compensation for meals. Both trips are still being finalized and are subject to cancellation.
Student applications are available at the Inclusion and Community Engagement Center Web site.
Staff members interested in the trips should contact Jennifer Lilly, Inclusion and Community Engagement Center, as soon as possible. The center hopes to have advisers in place by Feb. 1.
For more information, contact Jennifer Lilly at (210) 458-4770.


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Any situation, where there is an a sense of extreme awkwardness (mostly from some form of physical contact), resulting in a state of situational euphoria.
Jane was in a club with some friends--John came from behind and creepy touched Jane. . . John and Jane fell in love and made many many babies. . . Thank goodness for creepy-touch!
by Rain Frog May 18, 2009


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MACHOTAILDROP / Full Film
The MANWOLFS are back! Well, actually this is where it all started! Over the last couple years I've made numerous references to an elusive film called "MACHOTAILDROP", directed by Corey Adams and Alex Craig. I say elusive because, due to the idiots at Fuel TV, barely anyone has actually seen it.
The film is equal parts Spike Jonze, Wes Anderson, and Bruce Robinson, and it features some hilarious acting from skaters Rick McCrank and John Rattray. Oh and of course John J Mackie (leader of the Manwolfs).
You can now watch the entire thing online! Who knows how long it will be before it is removed so hit the link below!
*EDIT – The video is no longer available online.


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Carved wooden head of Edward III. English, about 1688-90 (XVII.41)
Carved wooden head of Edward III. English, about 1688-90 (XVII.41)
An Historical Description of the Tower of London and its Curiosities, printed for Newberry and Carnan, London, 1768
Carved wooden head of Henry VIII. English, about 1689-91 (XVII.1)
Carved wooden head of Charles I by Grinling Gibbons. English, 1686-7 (XVII.2)
Carved wooden head of Edward III. English, about 1688-90 (XVII.41)
Carved wooden head of Henry V. English, about 1688-91 (XVII.44)
Carved wooden head of Henry VI. English, about 1688-91 (XVII.43)
Carved wooden head of Henry VII. English, about 1689-91 (XVII.40)
Carved wooden head of James I. English, about 1688-90 (XVII.47)
Carved wooden head of William I. English, about 1688-90 (XVII.777)
Carved wooden head of William III probably by Nicholas Alcock. English, 1702 (XVII.45)
Carved wooden head of a 'Black Man'. English, 18th century (XVII.55)
Carved wooden head of Charles II by Grinling Gibbons. English, 1685-6 (XVII.3)
Head of a carved wooden horse from the Line of Kings. (XVII.7)
Paint analysis of a carved wooden horse from the Line of Kings.( XVII.7)
Carved wooden head of a 'Black Man'. English, 18th century (XVII.55)
The carved wooden heads, several identifiable as representations of kings of England, were not intended as exhibits in their own right but as props to be used in the display of armour at the Tower of London. Many were intended for use in the Horse Armoury, where the heads formed parts of figures which 'wore' the armour on display, in an attempt to create a striking visitor attraction. It is only within the past few decades that the surviving heads have become objects of study for what they are .
The surviving heads, like the wooden horses, are of interest for several reasons, including that they are works of art, most unique in their details, and that documentation for the commissioning of at least eighteen heads between 1685 and 1690 applies to many of them. In addition, some of the heads are recognisable in historic images of the Line of Kings and other displays, or are mentioned in written accounts. Since 2012 there has been new research including the use of paint analysis, X-radiography and tree-ring dating (or dendrochronology) in order to shed extra light on these fascinating objects.
The identification of the heads is not without its problems for several reasons. First and foremost, the documentation that recorded the commissioning of eighteen wooden heads between 1685 and 1690 unfortunately only names the two kings that were carved in the workshop of Grinling Gibbons in 1685-86 – Charles I and II. Two heads in the collection (XVII.2 and 3) have been identified as representing these monarchs and attributed to Gibbons on this basis. However, it is possible that one or both these heads have been replaced since the 1680s. Scientific methods were used to test whether these heads could be later than the dates suggested by the documents.
The subjects of the remaining sixteen heads made between 1685 and 1690 in the workshops of William Emmett, William Morgan, John Nost I, Thomas Quellin and Marmaduke Townson are not recorded. However, the identities of the monarchs who were in the 'Line of Kings' established in the Horse Armoury by 1692 are known. These were William the Conqueror, Edward I, Edward III, Henry IV, Henry V, Henry VI, Edward IV, Edward V, Henry VII, Henry VIII, Edward VI and James I – twelve, in addition to Gibbons' Charles I and II. This means that several heads other than those representing kings may have been produced, such as 'John of Gaunt' and possibly 'Richard, Duke of York'.
The carvers would almost certainly have drawn their information about the appearances of their sunbjects from some of the many prints of the kings of England which were in circulation in the late 17th century, or from other artworks such as tomb effigies. Within the collection of heads it has proved possible to make positive identifications of several with distinctive faces, including Henry VIII and Edward III. In addition, provisional identifications include Henry V, Henry VI, James I and William the Conqueror. In 1702 it was recorded that 'Alcock', believed to be the carver Nicholas Alcock, supplied a wooden head carved with the face of William III, who had recently died. This carved head has also been identified from its similarity to portraits of the king.
As the heads are solid rather than hollow, they were not suitable for endoscopic examination and in most cases they were not considered suitable for X-raying. However paint analysis of those heads which have not been stripped back to bare wood has proved useful. In 2012 it revealed that many of the heads share very similar histories – having been repainted several times, but much less often than the wooden horses. It also indicated that the original paint schemes were generally lighter than their modern counterparts. Further paint analysis is taking place in 2013 and will be reported shortly.
Dendrochonological analysis produced tree ring sequences for several of the heads made of oak, but in most cases these sequences could not be matched to dated samples. However, one head unexpectedly produced a near-perfect match with some of the Eastern Baltic oak found in one of the wooden horses, indicating that they were made from timber from the same tree, which has a likely felling date of 1675-90. Interestingly, this head was not one that had been identified as one of the 17th century batch, being catalogued as 19th century, and its identity currently remains a mystery.


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By Sheryl Boris-Schacter
Three years ago, a parent in my elementary school asked me about the difference between recent standardized test scores of the boys and girls in our district. The parent wondered if I had read a new book that had just been published about boys and school.
It was my second year as principal at Hunnewell School in Wellesley, Mass.
Analyzing the building's scores the year before, I hadn't been overly concerned with girls having higher achievement levels in both math and language arts. The girls had been more successful across content areas in all three grade levels assessed.
I believed data disaggregation almost always revealed differences, and concerns should be raised only if patterns and other academic indicators existed. Unlike these new standardized test scores, the progress reports I had read lacked any clear advantage by the girls.
However, I had to concede that boys were overrepresented in special education, reading intervention programs, and disciplinary actions. This parent's comment nudged me to dig further. I requested the test data from the central office going back five years and discovered that the current scores were not aberrations. All district elementary school boys scored below girls in the highest categories, but the gap was largest in my school and in literacy.
I read the book the parent recommended, Peg Tyre's The Trouble With Boys. Although I disagreed with much in the book, two big ideas resonated: Schools were requiring young children to be unnaturally inactive, and boys, as a group, were more likely to struggle in reading than girls.
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