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News Details
Rinland's vision of the future
As part of the collaborative design project 'Dunlop Future Race Car Challenge', the tyre manufacturer has gathered the opinions of industry experts and motorsport fans about what the 'race car of the future' might look like.Culminating this innovative campaign, Dunlop enlisted the help of renowned Grand Prix and Le Mans designer Sergio Rinland, who reviewed the ideas submitted by fans across Europe on powertrains, aerodynamics, brakes and tyres, and combined them into an innovative sketch.Electric powertrain, camera navigation, morphing shape with no wings needed for downforce, intelligent tyres, ERS replacing disc brakes, are just some of the elements of the 'race car of the future',...
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Fayose misses flight after refusing security screening
Ekiti State Governor, Ayodele Fayose, on Monday at the Murtala Muhammed International Airport, Lagos, made a scene as aviation security tried to screen him.
Fayose, who was heading abroad, and was to be on board an Air France flight arrived the airport around 8.30pm accompanied by an aide, who carried his two luggage.
It would be recalled that over a year ago owing to the menace of Boko Haram, aviation authority introduced checkpoint at the entrance of the departure, and members of the public including workers in the airport are expected to undergo the screening.
But the Ekiti State governor on Monday thought he should not submit himself for frisking at the entrance of the departure.
The action of Gov. Fayose's aide to submit his principal's luggage for scanning incurred the governor's wrath as he shouted at him furiously, a scene that got the attention of some people.
It was gathered that Gov. Fayose was late for his flight, and was rushing to check-in counter to obtain boarding pass. And despite not playing by the rules, he missed his flight.
"Usually all airline counters close at 7.55pm, and as at the time Gov. Fayose got to the check-in counter, the France Air's counter had closed for the day, and so he missed his flight," eyewitness told OrijoReporter.
It was however revealed on Tuesday in a statement issued by Gov. Fayose's aide on New Media, Lere Olayinka, that the governor was on his way to China to hold talks with prospective investors in mechanised farming, experts in skill acquisition, particularly training in the area of perfect finishing in building construction as well as experts in auto-repairs modern technologies.
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Battle of the X-Planes
Students view a video about cost of materials. They work together to develop their own backpack taking note of the cost of materials. They create an advertisement to accompany their creation. They share their ideas with the class.
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Energy, Work, Simple Machines
The tension of the 236 strings in a grand piano exert a combined force of 20 tons on the cast iron frame. The presentation includes topics such as work, forms of energy, conservation of energy, gravitational and elastic potential energy,...
11th - Higher Ed Science CCSS: Adaptable
10 Great Places to Savor the Wild Blue Yonder
Students discuss developments in aviation. In this reading comprehension lesson, students read an article that discusses ten aviation museums and developments in civil and military aviation. Students find relationships between pictures...
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CORT Trial Advocacy Skills Training (TAST)
Document Actions
Starts: 07/24/2017 - 01:00 PM
Ends: 07/29/2017 - 02:00 PM
Interest Area:
Consumer Law
TAST is an intensive six-day training designed to provide attorneys an opportunity to develop, refine, and practice trial skills. The participants will conduct a full jury trial on the final day of the conference. As a prerequisite for TAST, all attendees must have attended the Litigation Planning Training and must also submit a trial notebook.
This training will be held in Ann Arbor, MI


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Latest News
Customs may have breached data access laws
The DTA has a half-billion dollar watchlist of IT projects
New malware worm spreads using leaked NSA exploits
TechOne lost $2m in six months from Brisbane council beef
NSW charts three-step path to digital dominance
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Kiwicon 2013 photos
Rolling photo updates from the seventh Kiwicon in Wellington.
on Nov 9 2013 6:53PM
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Kiwicon mixmaster Metlstorm welcomes the combined badasses.
#Ducksec. Flat duck > Upright? WTF IDK.
Thomas Lim says China got walloped and is seeking its identity. Go to Syscan and you'll learn that not everyone is blackhat and APT is BS.
A wonderful tribute to the late good hacker Baraby Jack by his sister Amberleigh and mate Mark Dowd.
It's easier than you might think to down a drone, barf says.
Cyberfriends cupcakes.
Red Dawn were grateful to play to a crowd who understood what the hell netcat was.
Pat Gray says the NSA won't cripple consumer tech.
The upper deck.
Kiwicon awesomesauce.
F*ck cyberwar. Kiwicon 7 China edition is all about cyber friends.
Cyber beer.
Nick von Dadelszen and Ben Creet ink draft guidelines to help hackers disclose bugs without going to the clink.
At its core, the guidelines suggest to avoid being a d*ck.
And 'be genuine' because IT noobs shouldn't necessarily be expected to know what you're taking about.
NZ's crypto oracle Peter Gutmann points to ten years worth of examples of how encryption was bypassed but not broken.
Throwing crypto at your problems won't make the warm and fuzzy feeling last.
Interviewed by NZ radio.
The lockpicks for Te Kuiti Warrior 4
David Ottenheimer on finding Whiro in big data.
The presentations streamed to the bar.
Kiwicon mixmaster Metlstorm welcomes the combined badasses.
Copyright © SC Magazine, Australia
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kiwicon 2013
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Vendor Management
Vendor management helps you extract the most value from your vendors, controlling costs and ensuring that you receive the service you deserve – and contracted for.
We work with you to ensure you are getting what you pay for from your technology vendors. We evaluate each of your vendor contracts, costs, and deliverables. We then work to optimize your vendor relationships. Further, we work closely with your vendors to make sure you are getting responsiveness and quality our customers deserve.
See and hear how we help in this video:
Here's how we help:
- Communicate with you vendors to avoid misunderstandings and address issues proactively (keeping issues from becoming problems).
- Evaluate contracts to ensure they are fiscally sound & if there areas for improvement.
- Monitoring performance. Especially in the beginning, you need to be sure that your vendor is performing up to the contract. Whatever your metrics for success are (shipping times, quality of service, call responsiveness, etc.) need to be monitored to ensure the relationship starts off on a happy note.
- The goal of vendor management isn't to put the screws to your partner (unless they're underperforming). Helping you decide when to be flexible and when not is a key part of maintaining a long-term successful partnership.


text:
Explore Not Quotes, Language and more!
Not Quotes,Language,Angels,Heart,Spiritual,Facebook,Thoughts
Seeing her with you. Probably fed me lies the entire time. Just like every other man in my life.
I'm not a one in a million kind of girl. I'm a once in a lifetime kind of woman. Picture Quotes.
Inspirational Quotes 19
Quote on mental health: Never give up on someone with a mental illness. When "I" is replaced by "We", Illness become wellness. -Shannon L.Alder www.HealthyPlace.com
Inspirational And Motivational Quotes - Big Gallery
Have stories to tell, not stuff to show.
There is a difference between not knowing and not knowing yet --- Follow My Math Quotes Board: http://www.pinterest.com/mathfilefolder/math-quotes/ for more inspiring #MathQuotes #Math
Beauty is not in the face; beauty is a light in the heart. Check out more inspirational quotes by checking out TOMS Who We Are board.
virginia woolf quotes - Google Search More


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Popped in here for something to eat after a terrible meal at the suntrap. Only had a coffee and pancakes but they were lovely. The service was great and the bill was very cheap. Keep nagging the wife for pancakes every night now.
Own or manage this property? Claim your listing for free to respond to reviews, update your profile and much more.


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Don't forget! Please mention TrustATrader when you contact any of our trusted traders...
Supreme Clean
Supreme Clean is a Carpet & Upholstery Cleaning Company based in Shefford (SG17 5DX). Covering Bedfordshire, Hertfordshire and all surrounding areas
- Tel: 01462 819 137
- Mob: 07973 390 838
- Alt: 08006 950 707
24 reviews
- Initial impression : 4.87 out of 5
- Cleanliness : 4.95 out of 5
- Value : 4.83 out of 5
- Punctuality : 4.95 out of 5
- Quality : 4.95 out of 5
- Overall opinion : 4.95 out of 5
0 missed appointments in the past 6 months
About Supreme Clean - Carpet & Upholstery Cleaning in Shefford (SG17 5DX)
Supreme Clean have been providing a carpet and soft furnishing cleaning service since 1986 cleaning residential and commercial property's and are fully trained with the Institute of Inspection Cleaning and Restoration, and members of the National Carpet Cleaning Association
We are based in Shefford (SG17 5DX) We serve Bedforshire and Hertfordshire and all surrounding areas
We aim to provide the highest possible standards of professional cleaning, backed by unrivalled customer service. Honesty, care and pride in our work underpins the service we give you.
We take the utmost care ensuring that the cleaning process we use are appropriate for your particular products. We do NOT use a "one method fits all" approach but tailor each clean to your requirements using the best methods and products available.
All our work comes with a 100% guarantee, If you not delighted with any of our services we carry out we will return and clean for free if you're still not happy we'll give you a full refund, nothing is more important to us than your complete satisfaction.
We can clean and maintain all the following:
- Carpets
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The majority of our work comes from repeat business and referrals.
Please contact us for a free no obligation quotation visit our website were happy to to discuss all your cleaning requirements or for free friendly, professional and helpful advice.
Please mention Trustatrader when calling.
Thank you. David Lucas Owner/Operator Supreme Clean
- ALLTEC Certificate In Stone, Masonry Tile & Grout Cleaning
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- PROCHEM Certificate In Professional cleaning & Maintenance Of Floor coverings, Hard, Smooth and Resilient With Industry Approved Cleaning Methods.
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Reviews (24)
Supreme Clean have received 24 customer reviews.
Vanessa Pinkney 12th May 2017
"Dave worked really hard to make our dirty carpets clean. The pile is now lifted and it really has rejuvenated them. We are very impressed with the service."
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Julie 5th May 2017
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G Martin 4th May 2017
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"I honestly cannot leave enough glowing feedback for Supreme Clean, the lady that first came to quote was polite and professional and I was impressed with the final quote. We hadn't been careful with our brand new carpets for over a year since moving in and wasn't at all sure that the marks and stains (One that I thought was bleach, another toothpaste, another BBQ charcoal, and the last chalk) I've tried hard to get all these out, but had no luck so gave up. After 3 hours cleaning our living room, halls, stairs landing and 3 bedrooms they are SPOTLESS, I'm thrilled with the work they have done and even left us with some of their own cleaning product to help with any stains in the future. I will 100% be recommending them to family and friends, and will use them again without a doubt. Thank you so much for making our house look so new again!"
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B Eaton 14th November 2016
No comment left...
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Canada's Only
Independent Mortgage Website
Developers appear to be a little less eager to scoop up land in the Toronto area to build condos on, reports The Globe and Mail.
If that keeps up, it would be good news for those economists and market watchers who believe that too many condos are going up in the country's most populous city (in the last year the central bank has highlighted the potential risks that the rising supply of condos poses to Canada's housing market and broader economy).
The price that developers paid for land to build condos on softened by 4 per cent in the first three months of this year, to $55 per square foot, according to RealNet Canada Inc. (the price was closer to $30 per square foot in 2005 and 2006).
Are you looking to invest in property? If you like, we can get one of our mortgage experts to tell you exactly how much you can afford to borrow, which is the best mortgage for you or how much they could save you right now if you have an existing mortgage. Click here to get help choosing the best mortgage rate
Homeownership is associated with a raft of economic and social benefits, such as better educational and health outcomes, more cohesive families, and safer communities
Read more
Tips for negotiating a good mortgage
Knowledge about how mortgages work, understanding the current market, and some professional help at the right moment can go a long way
... Read more
Crossing the border: comparing Canadian and American mortgages
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Canadians surprisingly resilient, say mortgage hike isn't an issue
Claims support responsible borrowing.
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Just fill in a few details, and we'll arrange for a Mortgage adviser to help you find the best mortgage for your needs


text:
As you know our IG challenge is to to focus on our work-in-progress. I have an on-going goal that 'one day I'm going to be good at throwing in porcelain' (which is more difficult than normal clay believe me!)- its not a very smart goal I admit, so it was really nice the other day to realise... actually I've made some improvements. I can give myself a pat on the back for the hard work that I've put in. Of course, I'm not going to rest on my laurels either as now I'm getting excited to think about what other new shapes I can play with.
I'm excited to be announcing May's sponsor as Folksy, the on-line market place for modern British Craft, who are providing the lovely apron pictured below, a ruler and a Folksy Plus Account, which means free unlimited listings for a year. Such a shame I can't take part!
For people who haven't heard of Folksy what's it all about?
Folksy is all about craft. It's a place where makers can sell their work, but it's much more than that. It's a community and a support network. It's a place where people who love craft can see what's being made in all the corners of the British Isles and buy directly from the makers. We've also spent years building up a huge vault of information designed to help makers grow and develop their businesses – I think our blog is one of the best learning resources around if you're a designer or maker. One of the other things that makes Folksy special is that we don't allow vintage or mass-produced items – everything has to be made by hand in the UK. We are a really small team but we are passionate about what we do.
What is your role there?
I'm the Content Lead so I create and steer the direction of the content we produce. Day to day, that means I work alongside the amazing Hilary Pullen to write and commission articles for the blog, curate the collections and pieces we feature on the site, manage our social media, design the newsletters and other marketing material and also talk to people on the forums and in #folksyhour. I meet so many incredible people doing this job and love that it feels like a big family.
How did you become part of the Folksy family?
Back in 2013, James Boardwell (our CEO) had the idea of putting on an event for makers, where they could learn what it takes to run a creative business. He knew me from Butterscotch & Beesting, which was the little company I'd created making textiles and ceramics that told the stories of an imaginary circus. I'd spoken to James before about the problems I had growing my own business, so he asked if I could organise an event that would help other makers experiencing the same kind of issues and answer all those questions. That became the Folksy Summer School and I loved every minute of it (apart from the panic I had five minutes before it started when I looked out and saw crowds of people lining up at the door and had to remind myself to breathe). After that, I joined the team properly and I've been here ever since.
I'm really lucky because it's a job that combines lots of the skills I've gained over time. I studied Art History at university and then worked as a curator and manager of an art gallery. Then I took a bit of a curveball and worked in publishing for 10 years as a sub-editor and production editor, before starting Butterscotch & Beesting. Things have changed so much since my first job in the art and craft world back in 1997 – remember the world before Instagram and SEO? There are constantly new things to learn and you have to keep up. It's definitely not all drinking tea, eating cake, with a little bit of making in between!
TL: @_bearhut_
TR: @kunstkiekje
BL: @posyandpetal
BR: @bydiatelier
If you haven't joined in already I hope you might be inspired to do so....
I've also listed a couple of the items from my process shots above in my folksy shop.
How do I take part?
What does #wips stand for?
If you are an artist, baker, knitter, weaver or any kind of maker then the challenge is to capture part of your process, and style your creation alongside a flower or some greenery to celebrate that moment of making. #wips of course stands for #workinprogress, so its not just knitters who can take part. Just use the hashtag #wipsandblooms and tag myself @ceramicmagpie and this month's guest judge Camilla @folksyhq.
Prizes this month will be provided by Folksy.
Speak soon,


text: Elliotte Rusty Harold wrote: > I've been spending quite a bit of time with AS lately, and my opinion > is that it's a horrible design that will sink under the waves very > quickly. The AS type system is most definitely not extensible enough > to handle even W3C XML schemas, much less RELAX NG. There are many > other flaws, but the bottom line is I'd think we'd be better off > starting from scratch. My first feeling looking at the Abstract Schemas is that it seemed to be as horrible as W3C XML Schema but just more abstract :=) ... After a second glance, I wonder if there are not things to keep. This idea of asking questions to the API (such as can I do this and this) for instance seems to be very flexible and allow a great deal of schema independence. > >>> Once those questions were answered, then we could begin >>>considering other questions, like whether this required a revised >>>variant of ContentHandler (analogous to the transition from >>>DocumentHandler to ContentHandler between SAX1 and SAX2 that added >>>namespace support) or whether it could be layered on top of the >>>existing SAX2 APIs. >>> >>> >>What about an "Infoset ornament" using specific namespaces? >> >> > > Can you elaborate? I'm not sure what you mean? > I was just refering to my old idea to define a simple XML serialization for the PSVI. In this case, <foo/> could become <foo psvi:type="bar"/> but we're left with the issue of defining the type of the attributes. OTH, this principle would give lots of flexibility such as defining a common namespace which could be complemented by specific namespaces for such and such language without having to change the API. Writing this make me think that this serialization could be hidden and that we could add generic methods such as getProperty("http://whatever.org/psvi#type";) or getProperties("http://whatever.org/psvi";) to get the property (or properties) associated to an element or attribute for the language defined by whatever.org. This would be the same basic idea than SAX 2 properties, but applied to elements and attributes... Eric -- Rendez-vous a Paris pour mes formations XML/XSLT. http://dyomedea.com/formation/ ------------------------------------------------------------------------ Eric van der Vlist http://xmlfr.org http://dyomedea.com http://xsltunit.org http://4xt.org http://examplotron.org ------------------------------------------------------------------------


text:
Make a weaving rainbow fish craft with the kids! So cute for an ocean theme
The last 3 would be paw prints! Living Room Decorating Ideas on a Budget - Super ideaaa! How fun is this?!
This entryway; only with cubbies below bench for shoe storage
Upcycled spool coffee table and bookshelf
Fresh Cucumber Salad. This is sitting in my fridge and I am so addicted! It's too yummy! We also add cauliflower and sliced carrots depending on our mood.
All aboard the Breakfast Express!
This would be my favorite place!
Build Treehouse - Children's Outdoor Plans and Projects | WoodArchivist.com
DIY Wire Spool Table Porch Lights Decor - Wood Wire Cable Spool Recycle Ideas #Furniture
Diy Wedding Ideas » 22 Rustic Burlap Wedding Table Runner Ideas You Will Love » ❤ See more: http://www.weddinginclude.com/2017/03/rustic-burlap-wedding-table-runner-ideas-you-will-love/


text:
Prices, specials, features and availability subject to change.
Contact for details
Contact for details
Lemon Grove 2 br/1-1/2 bath townhouse - AVAILABLE NOW - Two bedroom, 1-1/2 bath townhouse style apartment available for rent in Lemon Grove. Upgrades include new carpet, new bathroom vanities, and new lighting in the kitchen and bathrooms. The fully equipped kitchen includes a dishwasher and microwave as well as new countertops and backsplash. Additionally, there is a private patio to enjoy and two assigned, off-street parking spaces. This townhouse is conveniently located right off I-94, and close to the I-125. It is walking distance to downtown Lemon Grove, the Broadway & Grove St. trolley station, and an assortment of shops and restaurants.
Pets are negotiable w/renter's insurance. Must meet breed and size requirements. Additional fees may apply.
Monthly Rent: $1,600
Security Deposit: $1,600/on approved credit
Utilities Included: water, trash, sewer
1-Year lease preferred
Non-Smoking Unit
Our application requirements are as follows: gross income to be 3 times the rent, same source of income for the past 6 months, no eviction/unlawful detainer or bankruptcy within the past 5 years, favorable and verifiable credit and rental history. A thorough background check is conducted on every applicant which includes details on credit, past evictions, and criminal history. Reference checks are conducted with past landlords and income is verified. We look forward to hearing from you to schedule a showing of this unit.
Please contact us at KFR Star Realty to schedule an appointment to view this beautiful home at 619-293-7653.
Pets Accepted. Dogs Allowed. Cats Allowed. Call for service animal policy.
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text:
Stories from the City - Between the Book Cases
Wednesday 24 May at 6.30pm in Ballyfermot Library.
Between the Bookcases is an International Literature Festival Dublin event in association with Ballyfermot Creative Writers' Group. Celebrating writing and featuring comedian Kevin Gildea, rap artist Nugget, local history author Ken Larkin, singer/songwriter Daveyinthevalley, poet Kenneth Nolan, sci-fi author Harry Browne and special guests, come along to be inspired. Playwright and author Declan Geraghty will be the MC for the proceedings.
Refreshments from 6pm. The event is free. Booking is recommended.
Contact Ballyfermot Library |
Event Type:


text:
Abbott and Costello
|Abbott and Costello
Abbott (left) and Costello (right) circa 1940s.
|New Jersey, United States
|Stand-up, television, film, vaudeville, radio
|Word play, slapstick, deadpan
Abbott and Costello were a comedy double act composed of William "Bud" Abbott and Lou Costello, whose work on radio and in film and television made them the most popular comedy team of the 1940s and early 1950s. Their patter routine "Who's on First?" is one of the best-known comedy routines of all time, and set the framework for many of their best-known comedy bits.
- 1 Early years
- 2 Movies and fame
- 3 Radio
- 4 Television
- 5 "Who's on First?"
- 6 Private lives
- 7 Later years
- 8 Filmography
- 9 Discography
- 10 Spin-offs
- 11 In popular culture
- 12 Notes
- 13 Further reading
- 14 External links
Early years[edit]
Bud Abbott (1897–1974) was a veteran burlesque entertainer from a show business family. He started in burlesque box offices as a treasurer around 1918, and eventually managed and produced touring burlesque companies before becoming a performer. He worked as a straight man with his wife Betty, then with veteran burlesque comedians such as Harry Steppe and Harry Evanson.[1]
Lou Costello (1906–1959) became a burlesque comic in 1928 after failing to break into movie acting and working as a stunt double and film extra. He appears briefly in the 1927 Laurel and Hardy silent two-reeler, The Battle of the Century, seated at ringside during Stan Laurel's ill-fated boxing match. (As a teenager, Costello had been an amateur boxer in his hometown of Paterson, New Jersey.) Costello's first appearance in burlesque was in St. Joseph, Missouri. He joined the Mutual Burlesque wheel in 1929, and Minsky's in 1932.[2]
While they crossed paths a few times, the two comedians first worked together in 1935 at the Eltinge Burlesque Theater on 42nd Street[3]—now the lobby of the AMC Empire movie complex in New York City. This performance came about when Costello's regular partner became ill.[4] When AMC moved the old theater 168 ft (51 m) further west on 42nd Street to its current location, giant balloons of Abbott and Costello were rigged to appear to pull it.[5]
Other performers in the show, including Abbott's wife Betty, advised a permanent pairing. The duo built an act by refining and reworking numerous burlesque sketches with Abbott as the devious straight man and Costello as the dimwitted comic.
Movies and fame[edit]
The team's first known radio appearance was on The Kate Smith Hour in February 1938.[4] The similarities between their voices made it difficult for radio listeners (as opposed to stage audiences) to tell them apart during their rapid-fire repartee. As a result, Costello began affecting a high-pitched, childish voice. "Who's on First?" was first performed for a national radio audience the following month.[3] They performed on the program as regulars for two years, while also landing roles in a Broadway revue, The Streets of Paris, in 1939.[4]
One Night in the Tropics[edit]
In 1940, Universal Studios signed them for a musical comedy film One Night in the Tropics. Cast in supporting roles, they stole the show with several classic routines, including the "Who's on First?" routine.
The same year they were a summer replacement on radio for Fred Allen. Two years later, they had their own NBC program, The Abbott and Costello Show.
Buck Privates[edit]
Universal then signed them to a long-term contract, and put them in the lead for their second film, Buck Privates (1941) under the direction of Arthur Lubin and co starring The Andrews Sisters.[4] The film was a massive hit, earning $4 million at the box office and launching Abbott and Costello as stars.[6]
Universal put them in a haunted house comedy, Oh, Charlie!. However Buck Privates were so successful it was decided to delay the release of that so the team could be in In The Navy (1941), again with Lubin, co-starring crooner Dick Powell along with the Andrews Sisters. This film initially out-grossed Buck Privates. Loew's Criterion in Manhattan was open until 5 a.m. to oblige over 49,000 customers during the film's first week. [7]
Universal decided to add music to Oh, Charlie, so they shot additional sequences featuring the Andrews Sisters and Ted Lewis. The film was eventually released as Hold That Ghost (1941).
The duo then made Ride 'Em Cowboy (1941), with Dick Foran, but its release was delayed so they could appear in a third service comedy, Keep 'Em Flying (1941). This was their last film with Arthur Lubin.
All these films were big hits and Abbott and Costello were voted the third biggest box office attraction in the country.
Universal loaned them to MGM for a musical comedy, Rio Rita (1942). During filming, on December 8, 1941, a day after the attack on Pearl Harbor, Abbott and Costello had their hand and foot prints set in concrete at what was then "Grauman's Chinese Theatre".
Back at Universal they made Pardon My Sarong (1942), a spoof of South Sea Island movies; Who Done It? (1942), a comedy-mystery in the vein of Bob Hope movies; It Ain't Hay (1943), from a story by Damon Runyon; and Hit the Ice (1943).
In 1942 they were the biggest box office stars in the country and their earnings for the fiscal year were $789,026.[8])
Costello was diagnosed with rheumatic fever upon his return from a 35-day war bond tour in 1942, and was stricken with a severe bout of the disease in March 1943, and was bedridden for approximately nine months.
They returned to filming with Lost in a Harem (1944), made at MGM. It was back to Universal for In Society (1944), Here Come the Co-Eds (1945) and The Naughty Nineties (1945). Their third and final film for MGM was Abbott and Costello in Hollywood (1945).
Partnership Split Up[edit]
There had been tension between Abbott and Costello for some time. In Little Giant (1946) the two played separate roles as opposed to partners. This was true in The Time of Their Lives (1946). In both movies, Abbott and Costello do not play friends or any kind of partners, but are simply individual members of the cast. Costello's character is largely the hero, while Abbott plays a somewhat unsympathetic dual role. Their trademark vaudeville routines are absent, and they only spoke directly to each other rarely.
Abbott and Costello reunited as a team in Buck Privates Come Home (1947), a sequel to their big hit. In The Wistful Widow of Wagon Gap (1947) they were supported by Marjorie Main.
They signed a new contract with Universal which allowed them to make films outside the studio. The Noose Hangs High (1948) was filmed for their own production company and released through Eagle-Lion.
Abbott and Costello Meet Frankenstein[edit]
The duo's next film, Abbott and Costello Meet Frankenstein (1948), co-starring Bela Lugosi and Lon Chaney Jr, was a massive hit and revitalised the duo's careers.
Mexican Hayride (1948) was an adaptation of a Cole Porter musical with the songs taken out. They then made Africa Screams (1949) for an independent company which released through United Artists. Back at Universal they returned to horror comedy with Abbott and Costello Meet the Killer, Boris Karloff (1949).
Abbott and Costello in the Foreign Legion (1950) spoofed foreign legion stories; Abbott and Costello Meet the Invisible Man (1951) was a horror comedy; Comin' Round the Mountain (1952) was a hillbilly comedy.
They made an independent film outside Universal, Jack and the Beanstalk (1952). After Lost in Alaska (1952) for Universal they made another independent movie, Abbott and Costello Meet Captain Kidd (1953).
At Universal they did Abbott and Costello Go to Mars (1953), Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1954), Abbott and Costello Meet the Keystone Kops (1955), and Abbott and Costello Meet the Mummy (1955). The latter was the last film they made at Universal.
After working as Fred Allen's summer replacement in 1940, Abbott and Costello joined Edgar Bergen and Charlie McCarthy on The Chase and Sanborn Hour in 1941. Two of their films (Buck Privates and Hold That Ghost) were adapted for Lux Radio Theaterthat year. They launched their own weekly show October 8, 1942, sponsored by Camel cigarettes.
The Abbott and Costello Show mixed comedy with musical interludes (by vocalists such as Connie Haines, Ashley Eustis, the Delta Rhythm Boys, Skinnay Ennis, Marilyn Maxwell, and the Les Baxter Singers). Regulars and semi-regulars on the show included Artie Auerbach ("Mr. Kitzel"), Elvia Allman, Iris Adrian, Mel Blanc, Wally Brown, Sharon Douglas, Verna Felton, Sidney Fields, Frank Nelson, Martha Wentworth, and Benay Venuta. Ken Niles was the show's longtime announcer, doubling as an exasperated foil to Costello, who routinely insulted his on-air wife played by Elvia Allman). Niles was succeeded by Michael Roy, with announcing chores also handled over the years by Frank Bingman and Jim Doyle. The show went through several orchestras, including those of Ennis, Charles Hoff, Matty Matlock, Matty Malneck, Jack Meakin, Will Osborne, Fred Rich, Leith Stevens, and Peter van Steeden. The show's writers included Howard Harris, Hal Fimberg, Parke Levy, Don Prindle, Eddie Cherkose (later known as Eddie Maxwell), Leonard B. Stern, Martin Ragaway, Paul Conlan, and Eddie Forman, as well as producer Martin Gosch. Sound effects were handled primarily by Floyd Caton. Guest stars included Cary Grant, Frank Sinatra, The Andrews Sisters, and Lucille Ball.[7]
In 1947 the show moved to ABC (the former NBC Blue Network). During their time on ABC, the duo also hosted a 30-minute children's radio program (The Abbott and Costello Children's Show),[9] on Saturday mornings. The program featuring child vocalist Anna Mae Slaughter and child announcer Johnny McGovern.
In 1951, Abbott and Costello joined the rotating hosts of The Colgate Comedy Hour on NBC. (Eddie Cantor and Martin and Lewis were among the others.) Each show was a live hour of vaudeville in front of an audience, revitalizing the comedians' performances and giving their old routines a new sparkle.
From late 1952 to early 1954, a filmed half-hour series, The Abbott and Costello Show, appeared in syndication on local stations across the United States. Loosely based on their radio series, the show cast the duo as unemployed wastrels. One of the show's running gags involved Abbott perpetually nagging Costello to get a job to pay their rent, while Abbott barely lifted a finger in that direction. The show featured Sidney Fields as the landlord of the rooming house in which they lived, and Hillary Brooke as a neighbor and sometime love interest for Costello. Other regulars were future Stooge Joe Besser as Stinky, a whiny child in a Little Lord Fauntleroy suit, Gordon Jones as Mike the cop, who always lost patience with Lou, Joe Kirk (Costello's brother-in-law) as Mr. Bacciagalupe, an Italian immigrant caricature whose role varied with the requirements of the script, and Bobby Barber, who played many "extra" parts.
The simple plot lines were often merely an excuse to recreate old comedy routines including "Who's on First?" and other familiar set pieces from their films and burlesque days. Since Lou owned the series, this allowed them to own these versions of their classic routines as well. Although The Abbott and Costello Show originally ran for only two seasons, it found a larger viewership in reruns from the late 1960s to the 1990s. The shows have also been released in three different DVD sets over the years.
"Who's on First?"[edit]
"Who's on First?" is Abbott and Costello's signature routine. (They, however, usually referred to it as "Baseball.") The sketch was based on other burlesque routines with similar wordplay. Depending upon the version, Abbott has either organized a new baseball team and the players have nicknames, or he points out the proliferation of nicknames in baseball (citing St. Louis Cardinals sibling pitchers Dizzy and Daffy Dean) before launching the routine. The infielders' nicknames are Who (first base), What (second base) and I Don't Know (third base). The key to the routine is Costello's persistent confusion over pronouns, and Abbott's unwavering nonchalance. Audio recordings are readily available on the Internet.[10]
Abbott and Costello began honing the routine shortly after teaming up in 1936 and performed it in vaudeville in 1937 and 1938. It was first heard by a national radio audience in March 1938, when the team were regulars on the Kate Smith radio show. By then, John Grant had been writing or adapting other sketches for the team, and he may have helped expand "Who's On First?" prior to its radio debut. Grant stayed on as their head writer into the 1950s. One notable appearance of the sketch is from a 1951 broadcast.[11]
"Who's on First?" is believed to be available in as many as 20 versions, ranging from one minute to about 10 minutes. The team could time the routine at will, adding or deleting portions as needed for films, radio, or television. The longest version is seen in "The Actors' Home" episode of their filmed TV series. A live performance commemorating the opening day of the Lou Costello, Jr. Youth Foundation, in 1947 was recorded, and has appeared on numerous comedy albums. The team's final performance of "Who's on First?" was seen on Steve Allen's TV variety show, in 1957.
In the full-length version of "Who's on First?", all of the positions are mentioned except right field.
Abbott and Costello performed a special "Who's on First?" for a USO Command Performance. This is the only known recording in which Costello says "I don't give a damn" at the end.[12]
For a radio performance marking Walgreens 44th anniversary on June 20, 1945, Abbott was ill and was unable to perform. Sidney Fields, in his role as Professor Mellonhead, filled in and performed the straight man role with Costello.[13]
Private lives[edit]
Abbott and Costello both met and married women they knew in burlesque. Abbott married Betty Smith in 1918, and Costello married Anne Battler in 1934. The Costellos had four children; the Abbotts adopted two.
Abbott and Costello faced personal demons at times. Both were inveterate gamblers and had serious health problems. Abbott suffered from epilepsy and turned to alcohol for pain management. Costello had occasional, near-fatal bouts with rheumatic fever. On November 4, 1943, the same day that Costello returned to radio after a one-year layoff due to his illness, his infant son Lou Jr. (nicknamed "Butch" and born November 6, 1942) died in an accidental drowning in the family's swimming pool.[14] Maxene Andrews remembers visiting Costello with sisters Patty and LaVerne during his illness, and remembered how Costello's demeanor changed after the tragic loss of his son, saying, "He didn't seem as fun-loving and as warm...He seemed to anger easily...there was a difference in his attitude."[7]
During 1945, a rift developed when Abbott hired a domestic servant who had been fired by Costello. Costello refused to speak to his partner except when performing. The following year, they made two films in which they appeared as separate characters rather than as a team (Little Giant and The Time of Their Lives). This may have been a result of the tensions between them, plus the fact that their most recent films had performed well at the box office. Abbott resolved the rift when he volunteered to help with Costello's pet charity, a foundation for underprivileged children, and suggested naming it the "Lou Costello Jr. Youth Foundation". The facility opened in 1947, and still serves the Boyle Heights district of Los Angeles.
Later years[edit]
In the 1950s Abbott and Costello's popularity waned with the emergence of Dean Martin and Jerry Lewis. Another reason for their decline was overexposure. Abbott and Costello's routines, already familiar, were now glutting the movie and television markets. Each year they made two new films, while Realart Pictures re-issued their older hits; their filmed television series was widely syndicated, and the same routines appeared frequently on the Colgate program. (Writer Parke Levy told Jordan R. Young, in The Laugh Crafters: Comedy Writing in Radio and TV's Golden Age, that he was stunned to learn that Bud and Lou were afraid to perform new material.)
They were forced to withdraw from Fireman Save My Child in 1954 due to Costello's health, and were replaced by Hugh O'Brian and Buddy Hackett. Universal dropped the comedy team in 1955 after they could not agree on contract terms. In the early 1950s, the Internal Revenue Service charged them for back taxes, forcing them to sell their homes and most of their assets, including the rights to most of their films.[citation needed]
In 1956 they made one independent film, Dance with Me, Henry, and Lou was the subject of the television program This Is Your Life,[15] then formally dissolved their partnership in 1957.[16][17] In his posthumously-published 1959 autobiography, My Wicked, Wicked Ways,[18] Errol Flynn claims that he triggered the breakup. Flynn, an inveterate practical joker, invited them, along with their wives and children, to his house for dinner, and afterwards, he commenced to show a home movie that "accidentally" turned out to be hard-core pornography. While Flynn pretended to be baffled, Costello and Abbott each blamed the other for the film's substitution.
In his last years, Costello made about ten solo appearances on The Steve Allen Show and headlined in Las Vegas. He also appeared in episodes of GE Theater and Wagon Train. On March 3, 1959, not long after completing his lone solo film, The 30 Foot Bride of Candy Rock, he died of a heart attack, just days short of his 53rd birthday.[19]
Abbott attempted a comeback in 1960 with Candy Candido. Although the new act received good reviews, Bud quit, saying, "No one could ever live up to Lou." Abbott made a solo, dramatic appearance on an episode of General Electric Theater in 1961. In 1966, Abbott voiced his character in a series of 156 five-minute Abbott and Costello cartoons made by Hanna-Barbera.[20] Lou's character was voiced by Stan Irwin. Bud Abbott died of cancer on April 24, 1974.[21]
|Lou Costello Role
|Bud Abbott Role
|One Night in the Tropics
|Film Debut, Universal
|Buck Privates
|Herbie Brown
|Slicker Smith
|Universal, First Starring Roles[4]
|In the Navy
|Pomeroy Watson
|Smokey Adams
|Hold That Ghost
|Ferdinand Jones
|Chuck Murray
|Keep 'Em Flying
|Blackie Benson
|Ride 'Em Cowboy
|Rio Rita
|Wishy Dunn
|First of three films for Metro Goldwyn Mayer Studios
|Pardon My Sarong
|Wellington Phlug
|Algy Shaw
|Who Done It?
|Mervyn Milgrim
|Chick Larkin
|It Ain't Hay
|Wilbur Hoolihan
|Grover Mickridge
|Hit the Ice
|Tubby McCoy
|Flash Fulton
|In Society
|Albert Mansfield
|Eddie Harrington
|Lost in a Harem
|Harvey Garvey
|Peter Johnson
|Second MGM release
|Here Come the Co-Eds
|Oliver Quackenbush
|Slats McCarthy
|The Naughty Nineties
|Sebastian Dinwiddie
|Dexter Broadhurst
|Who's On First? from this film is featured at the National Baseball Hall of Fame, Universal
|Abbott and Costello in Hollywood
|Buzz Kurtis
|Third and final MGM release
|Little Giant
|Benny Miller
|John Morrison/Tom Chandler
|The Time of Their Lives
|Horatio Prim
|Cuthbert/Dr. Greenway
|Buck Privates Come Home
|Herbie Brown
|Slicker Smith
|Sequel to Buck Privates, Universal
|The Wistful Widow of Wagon Gap
|Chester Wooley
|Duke Egan
|The Noose Hangs High
|Tommy Hinchcliffe
|Ted Higgins
|Eagle-Lion release
|Abbott and Costello Meet Frankenstein
|Wilbur Gray
|Chick Young
|Mexican Hayride
|Joe Bascom/Humphrey Fish
|Harry Lambert
|Africa Screams
|Stanley Livington
|Buzz Johnson
|United Artists release
|Abbott and Costello Meet the Killer, Boris Karloff
|Freddie Phillips
|Casey Edwards
|Abbott and Costello in the Foreign Legion
|Lou Hotchkiss
|Bud Jones
|Abbott and Costello Meet the Invisible Man
|Lou Francis
|Bud Alexander
|Comin' Round the Mountain
|Wilbert Smith
|Al Stewart
|Jack and the Beanstalk
|Mr. Dinklepuss
|In sepia and color; Warner Bros. release
|The Abbott and Costello Show
|First TV Show by the pair; Presented by Allan Enterprises
|Lost in Alaska
|George Bell
|Tom Watson
|Abbott and Costello Meet Captain Kidd
|Oliver "Puddin' Head" Johnson
|Rocky Stonebridge
|In color; Warner Bros. release
|Abbott and Costello Go to Mars
|Abbott and Costello Meet Dr. Jekyll and Mr. Hyde
|Abbott and Costello Meet the Keystone Kops
|Willie Piper
|Harry Pierce
|Abbott and Costello Meet the Mummy
|Costello (erroneously listed in the film as "Freddie Franklin")
|Abbott (erroneously listed in the film as "Pete Patterson")
|Dance with Me, Henry
|Lou Henry
|Bud Flick
|Their final film; United Artists release
|The 30 Foot Bride of Candy Rock
|Artie Pinsetter
|Lou Costello only; Columbia release
|The World of Abbott and Costello
|Compilation film
Box office ranking[edit]
For a number of years Abbott and Costello were ranked among the most popular stars in the US according to the Quigley Publishers Poll of Exhibitors:
- 1941 - 3rd[22]
- 1942 - 1st
- 1943 - 3rd
- 1944 - 8th
- 1947 - 16th[23]
- 1948 - 3rd
- 1949 - 3rd
- 1950 - 6th (US), 2nd (UK)[24]
- 1951 - 4th (US), 4th (UK)
- 1952 - 11th
- 1953 - 20th
- 1942: Laugh, Laugh, Laugh (Parts I and II) Victor 27737[25]
The cartoon series was not the first time Abbott and Costello were in animation. During the height of their popularity in the 1940s, Warner Bros.'s Looney Tunes/Merrie Melodies animation unit produced 3 cartoons featuring the pair as cats or mice named "Babbit and Catstello". One of the cartoons, Bob Clampett's A Tale of Two Kitties (1941), introduced Tweety. The other cartoons are A Tale of Two Mice and Mouse-Merized Cat. In all three cartoons, Tedd Pierce (normally a storyman/writer for the cartoons) and Mel Blanc, respectively, provide voice impressions of the comedy duo.
The revival of their former television series in syndicated reruns in the late 1960s and early 1970s helped spark renewed interest in the duo, as did the televising of many of their old film hits. In 1994, comedian Jerry Seinfeld—who says Abbott and Costello were strong influences on his work—hosted a television special Abbott and Costello Meet Jerry Seinfeld (the title refers to the duo's popular film series in which they met some of Universal's famed horror picture characters), on NBC; the special was said to have been seen in 20 million homes.
In popular culture[edit]
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Abbott and Costello are among the few non-baseball personnel to be memorialized in the Baseball Hall of Fame, although they are not inductees of the Hall itself. A plaque and a gold record of the "Who's On First?" sketch have been on permanent display there since 1956, and the routine runs on an endless video loop in the exhibit area.[26]
The comedy group The Credibility Gap performed a rock and roll update of "Who's on First?" using the names of rock groups The Who, The Guess Who, and Yes, recorded and released on their first album, The Bronze Age of Radio. In the 1988 movie Rain Man, Dustin Hoffman's autistic character Raymond Babbitt recites an affectless "Who's on First?" as a defense mechanism. NBC's Studio 60 on the Sunset Strip (2006), a drama about life backstage at a television comedy series, used "Who's on First?" as a plot device. On the January 13, 2001 episode of Saturday Night Live host Charlie Sheen and SNL cast-member Rachel Dratch performed a modified version of "Who's On First?" in a sketch.
Jerry Seinfeld is an avid fan and "The Old Man (Seinfeld)" (Season 4, Episode 18, aired February 18, 1993) featured a cantankerous old man named "Sid Fields," played by veteran actor Bill Erwin, as a tribute to Sidney Fields, the landlord from the Abbott and Costello TV show. The influence of Abbott and Costello on Seinfeld was discussed in a 1994 NBC program Abbott and Costello Meet Jerry Seinfeld. In Episode 30, Kramer hears the famous Abbott and Costello line "His father was a mudder. His mother was a mudder."
In 2003 Montclair State University dedicated a student residential complex aptly named The Abbott and Costello Center on Clove Road in the Little Falls portion of the university's campus.[27]
In Robin Hood: Men in Tights, a 1993 spoof comedy directed by Mel Brooks, Dick Van Patten played the part of the Abbot. At one point, a man who looked and sounded like Lou Costello (played by Chuck McCann) yelled "Hey, Abbott!", in exactly the same way Lou did in the Abbott and Costello movies, repeating a joke from Brooks' Robin Hood sitcom When Things Were Rotten in which Van Patten shouted the line.
In the 1999 episode of The Simpsons, "Marge Simpson in: 'Screaming Yellow Honkers'", Superintendent Chalmers and Principal Skinner try their hand at being Abbott and Costello.
In the VeggieTales show, "Duke and the Great Pie War", the Scallion plays a character referred by Novak (Mr. Nezzer) as the Abbott Costello.
Abbott and Costello were inducted into the New Jersey Hall of Fame in 2009.
A TV movie called Bud and Lou, based on a book by Hollywood correspondent Bob Thomas, was broadcast in 1978. Starring Harvey Korman as Bud Abbott and Buddy Hackett as Lou Costello, the film told the duo's life story, focusing on Costello and portraying him as volatile and petty.[7]
In 2015 a non profit fan film was produced titled Abbott & Costello Meet Superman. The film was screened at the Superman Celebration Film Festival in Metropolis Illinois and is currently streaming on YouTube. Abbott and Costello are played by two actors from New York, Aaron M. Lambert and Jake Navatka.
In the 2016 sci-fi movie Arrival, the two Heptapods (alien beings) are named Abbott and Costello by the scientists. As two of the main themes in the movie are linguistics and miscommunication, it mirrors themes of the "Who's on First?" Routine. The names also have significance in the film because the heptapod named Abbott is taller and quieter while the heptapod named Costello is shorter and chattier just as the real Abbott and Costello were on their show.[28]
- ^ Furmanek, Bob, and Ron Palumbo. "Abbott and Costello in Hollywood." Perigee, 1991.
- ^ Furmanek, Bob, and Ron Palumbo. "Abbott and Costello in Hollywood." Perigee, 1991.
- ^ a b Abbott and Costello in Hollywood, ISBN 0-399-51605-0
- ^ a b c d e "Abbott, Bud; and Costello, Lou". Encyclopædia Britannica. I: A-Ak - Bayes (15th ed.). Chicago, Illinois: Encyclopædia Britannica, Inc. 2010. p. 13. ISBN 978-1-59339-837-8.
- ^ The New York Times, Sunday, February 28, 1998
- ^ Bob Furmanek & Ron Palumbo, Abbott and Costello in Hollywood, Perigree Books 1991 p 42-48
- ^ a b c d Sforza, John: Swing It! The Andrews Sisters Story; University Press of Kentucky, 2000; 289 pages.
- ^ "111 Film Toppers earned close to $18 mill in '42". Variety: 6. 18 October 1944. Retrieved 28 July 2016.
- ^ Abbott and Costello Children's Show 12/18/1948
- ^ Listen to "Who's on First?" from a 1942 radio performance
- ^ Abbott and Costello performing "Who's on First?" in 1951 from the Colgate Comedy hour
- ^ Abbott and Costello "Who's on First?" from USO Command Performance
- ^ Listen to Sidney Fields version of "Who's on First?"
- ^ Lou's on First: The Tragic Life of Hollywood's Greatest Clown Warmly Recounted by his Youngest Child ISBN 0-312-49914-0
- ^ This is your Life Lou Costello
- ^ "Abbott, Costello Split. Comedy Team Breaks Up to Let Abbott Raise Horses". New York Times. United Press International. July 15, 1957.
- ^ "Pittsburgh Post-Gazette - Google News Archive Search".
- ^ Flynn, Errol. My Wicked, Wicked Ways: The Autobiography of Errol Flynn. Cooper Square Press; 1 edition (November 4, 2002) https://www.amazon.com/dp/0815412509
- ^ "Lou Costello, 52, Dies on Coast. Comic Had Teamed With Abbott. 'Little Guy Trying to Be a Big Shot' in Films and on TV-Partners Broke Up in '57". New York Times. March 4, 1959.
- ^ Toon Tracker: Laurel & Hardy and Abbott & Costello cartoons
- ^ "The Glasgow Herald - Google News Archive Search".
- ^ Mickey Rooney Tops List Three Times in a Row: Leads Money-Making Stars Again in 1941; Hollywood Luminaries Pay Capital a Visit; Items of News and Gossip of the Theater The Washington Post (1923-1954) [Washington, D.C] January 2, 1942: 18.
- ^ Bing's Lucky Number: Pa Crosby Dons 4th B.O. Crown By Richard L. Coe. The Washington Post (1923-1954) [Washington, D.C] January 3, 1948: 12.
- ^ Of Local Origin New York Times (1923-Current file) [New York, N.Y] December 29, 1950: 15.
- ^ "On the Records" (PDF). Billboard. January 10, 1942. p. 14. Retrieved March 11, 2015.
- ^ Dunning, J. On the Air: The Encyclopedia of Old-Time Radio. Oxford Univ. Press (1998), pp. 2-3. ISBN 0-19-507678-8
- ^ Who's on First? At MSU, it's Bud and Lou Archived February 1, 2009, at the Wayback Machine.
- ^ All you Arrival plot questions, explained Archived January 8, 2017, at the Wayback Machine.
Further reading[edit]
- Anobile, Richard J. (ed.), Who's on First?: Verbal and Visual Gems from the Films of Abbott & Costello (1972) Avon Books
- Costello, Chris, Lou's on First: The Tragic Life of Hollywood's Greatest Clown Warmly Recounted by His Youngest Child (1982) St. Martin's Press ISBN 0-312-49914-0
- Cox, Stephen and Lofflin, John, The Abbott & Costello Story: Sixty Years of "Who's on First?" (1997) Cumberland House Publishing (A revised and updated edition of The Official Abbott & Costello Scrapbook)
- Cox, Stephen and Lofflin, John, The Official Abbott & Costello Scrapbook (1990) Contemporary Books, Inc.
- Dunning, John, On the Air: The Encyclopedia of Old-Time Radio (1998) Oxford University Press
- Firestone, Ross (ed.), "Bud Abbott and Lou Costello" from The Big Radio Comedy Program (1978) Contemporary Books, Inc.
- Furmanek, Bob and Palumbo, Ron, Abbott and Costello in Hollywood (1991) Perigee ISBN 0-399-51605-0
- Maltin, Leonard, The Great Movie Comedians (1978) Crown Publishers
- Maltin, Leonard, Movie Comedy Teams (1970, revised 1985) New American Library
- Miller, Jeffrey S., The Horror Spoofs of Abbott and Costello: A Critical Assessment of the Comedy Team's Monster Films (2004) McFarland & Co.
- Mulholland, Jim, The Abbott and Costello Book (1975) Popular Library
- Nachman, Gerald. Raised on Radio (1998) Pantheon Books
- Nollen, Scott Allen, Abbott and Costello on the Home Front: A Critical Study of the Wartime Films (2009) McFarland & Co.
- Sforza, John, "Swing It! The Andrews Sisters Story" (2000) University Press of Kentucky
- Sies, Luther F., Encyclopedia of American Radio (2000) McFarland & Co.
- Terrace, Vincent, Radio Programs (1999) McFarland & Co.
- Thomas, Bob, Bud & Lou: The Abbott and Costello Story (1977) J.B. Lippincott Co. (Dual biography featuring a highly unflattering portrait of Lou Costello, contested by friends and family members)
- Young, Jordan R., The Laugh Crafters: Comedy Writing in Radio and TV's Golden Age (1999) Past Times
External links[edit]
|Wikimedia Commons has media related to Abbott and Costello.
- Bud Abbott on Internet Movie Database
- Lou Costello on Internet Movie Database
- Abbott and Costello at the National Radio Hall of Fame
- Abbott and Costello on Way Back When
- Abbott and Costello on Outlaws Old Time Radio Corner
- Laughterlog.com Full listing of A&C on Radio, Film, Television, Record and in Books.
- Official Website
- Abbott and Costello Radio Log
- Official Fan Club
- Abbott and Costello at the Internet Archive
- Zoot Radio, Abbott And Costello Radio Shows
- Abbott and Costello - Who's on First?
- American comedy duos
- Abbott and Costello (film series)
- American male comedians
- American male film actors
- American male radio actors
- American male stage actors
- American male television actors
- Burlesque performers
- Vaudeville performers
- 1930s American radio programs
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64 pages
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Ash Alolan Beauty by BekbelleWatch
©2016-2017 Bekbelle
So I've been playing Pokemon Moon, and on the second island there's one of those picture boards with a hole to put your face in of an Alolan Dancer. My friend made a version of it here, and had some fun fusing Ash into it here, which I liked the concept of a lot, so I figured I'd try my hand at drawing my own version of it. Silly tourists should be careful where they stick their faces!
I initially thought that pokemon there was Pikachu dressed 4 the occasion as well|
do you accept requests?
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AT LAST! Hula Girl Ashley has been formed!!


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Cameron Baltimore threw a four-hitter and got 13-hit support Friday as Ooltewah's Lady Owls beat McMinn County, 9-2, in the first round of the District 5-AAA softball tournament at Ooltewah High.
Baltimore struck out one and walked none in the dominating performance. She faced 19 batters, one over the minimum, over the final six innings.
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The Lady Owls advance to the second round where they will face No. 1 seed East Hamilton on Saturday morning at 9 a.m. at Cleveland High School, host for the remainder of the tournament.
Baltimore's batterymate, Summer Williams, provided the most offensive support. Williams went 2-for-3 with a triple, drove in four runs and scored twice.
Five other players went 2-for-4:
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Amazon agrees to release murder trial Alexa recordings to the FBI
Well that's the First Amendment f*cked, then
IN A SURPRISE MOVE, Amazon has announced it is to abandon its legal battle to prevent voice recordings sent to the cloud from an Echo smart speaker being released to the FBI as part of a murder investigation.
The authorities believed that recordings taken and transmitted to the Amazon Cloud might shed light on the case of Victor Collins who was found floating in the hot tub of defendant James Bates at his home in Arkansas.
Amazon had argued that under the First Amendment, covering free speech, Bates' privacy was protected and that the data should not be released, lest it set a dangerous precedent. However, as part of his defence, Bates has confirmed that he is willing to let Amazon release the data.
Police had issued a warrant to forcibly seize all relevant data, but Amazon had objected, citing previous rulings in 2014 that search results constituted "free speech" and that it had not been given a compelling argument to override that decision.
This leaves the law in rather a mess. Technically, because Bates has agreed to the release of data, Amazon is not setting its own precedent. But by proving beyond a shadow of a doubt that it can release the data if it so chooses, it is likely to get tested again and again in the coming months and years until the law is clear.
The other thing we don't know is if the information will be of any use. Alexa records and simultaneously dumps constantly, and only stores information for a quarter of a second before it hears the word "Alexa" (or whatever you've chosen as your wake-word).
The police are, therefore, relying on the fact that the recordings that have been kept are either the murder taking place during a command to Alexa, or during an accidental triggering. All we really know is that the Echo was playing music at the time of the incident, and so all options are still in play. A court hearing is set for Wednesday.
More likely, of course. is that the law will stay in the same dumb mess it has been in up to now. After all - the relationship between the First Amendment and tech stems back to the early days of INQ. µ
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