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The new PEN E-PL8 packs stunning image quality and creative control into a camera designed with the sophisticated, stylish shooter in mind
CENTER VALLEY, Pa., September 19, 2016 — Olympus introduces the Olympus PEN E-PL8, a compact interchangeable-lens camera featuring stunning image quality, simplified selfie functions and creative control, all in a stylish design that's perfect for every occasion. As the newest model in Olympus' renowned PEN® lineup, the Olympus PEN E-PL8 combines a sophisticated, lightweight body with Olympus imaging technology and multiple creative functions to deliver photographic expression beyond a smartphone for those looking to capture the brilliant details of their active lifestyle. To further enhance users' creativity, the new Olympus Image Palette (OI.Palette) smart device app brings popular creative features from Olympus interchangeable lens cameras to smartphones and tablets.
The Olympus PEN E-PL8's distinctive look is highlighted by modern, rounded body lines, an embossed Olympus PEN logo, intricately detailed metal dials, and premium metal and leather-grained finishes that perfectly complement each color option — white, black and brown. Each color palette is tailored to suit the user's personal style, whether it is vintage, elegant and sophisticated, traditional or relaxed.
The 180-degree flip-touch LCD monitor takes the guesswork out of selfies, with a straightforward user interface that automatically switches the camera to Selfie Mode when the LCD monitor is flipped downward to its front-facing position for easy stills and video. With high-speed Touch AF, the Olympus PEN E-PL8 instantly focuses and shoots with a simple touch of the monitor. Use e-Portrait Mode to automatically smooth skin tones or one of 14 Art Filters to capture unique and creative shots, then wirelessly upload and share them using the Olympus PEN E-PL8's built-in
Wi-Fi® and the Olympus Image Share smartphone app.
Enhancing the Olympus PEN E-PL8's stylish design and ease of use is the Olympus imaging technology inherited from the acclaimed OM-D® series. The TruePic VII Image Processor is paired with a 16 megapixel Live MOS sensor to deliver beautiful stills with high resolution, superior color reproduction and excellent low-light performance for stunning nighttime images.
In addition to the Olympus PEN E-PL8's robust creativity functions, the new OI.Palette free photo editing app provides popular features from Olympus interchangeable lens cameras, including Art Filters, Art Effects, Color Creator, and Highlight and Shadow Control, for convenient use on smartphones and tablets with intuitive controls. Joining the existing Olympus apps OI.Share® and Sweet Photo, OI.Palette will be available for download beginning September 20, 2016 and includes all 28 Art Filter options that may also be combined with eight Art Effects. Features included for the first time on a smart device app include Color Creator, which lets users control hue and color saturation, and highlight and shadow control, which makes it possible to adjust highlights and shadows that are difficult to control with exposure compensation. Users can directly post edited images to social networks using OI.Palette.
Main Features
Premium PEN Design
The Olympus PEN series is highly regarded for its compact and lightweight bodies, excellent operability and premium design. The Olympus PEN E-PL8 carries on the features of the Olympus PEN series with a sophisticated design that's perfect for every occasion.
The camera's soft, modern body lines are incorporated into a rounded shape that fits perfectly in the user's hand. The embossed Olympus PEN logo[1], aluminum finish on the upper part of the body and metal dials show Olympus' commitment to detail.
The front of the body features synthetic leather and carefully selected grained finishes for each color option. The bundled strap and the triangular split ring color compliments the body color[2] for a cohesive premium look and feel.
The camera body is available in three colors, including white, black and brown. The white is elegant and sophisticated with contrasting beige tones, the black provides a traditional camera look with silver accents, and the brown offers relaxed vintage appeal. Pick the color that best suits your style.
Downward-Opening 180-Degree Flip-Touch LCD Monitor and Creative Shooting Functions
Selfies are easily captured as both still images and videos with the Olympus PEN E-PL8's tilt-touch LCD monitor. A wide range of shooting functions provides high-quality selfies with unique and creative expressions.
- Downward-Opening 180-Degree Flip-Touch LCD Monitor
The Olympus PEN E-PL8 is equipped with a large high-definition touch-enabled LCD monitor that rotates downward 180 degrees to enable simplified operation without accidentally capturing the user's finger in the shot. The compact grip on the front makes holding the camera more comfortable.
The optional Fisheye Body Cap Lens, BCL-0980 (9mm f8.0 Fisheye), can capture the entire background in the shot, perfect for group photos and selfies while traveling.
- Selfie Mode
When the LCD monitor is flipped downward, Selfie Mode is automatically activated and the image shown on the monitor turns into a mirror display. In addition to the e-Portrait[3], shutter release, custom self-timer and brightness adjustment buttons[4], video Clips and movie recording buttons have been added to the monitor display for a variety of touch operations. The video Selfie Mode makes recording selfie movies smooth and easy, and displays a movie effect button as well as a movie recording button, brightness adjustment button and video Clips button.
The shutter release button is designed to capture a photo one second after it's touched so you can shift your eyes from your finger to the lens for better selfies. e-Portrait makes skin look smoother in photos. When an electronic zoom lens is attached to the camera, it automatically switches the zoom to a wide-angle setting[5] for quick selfie shooting with the optimal wide angle.
- Creative Shooting Functions
Art Filters may be used with selfies for expanded expressions. Users can check the effects in Live View while selecting filters for shots that perfectly fit their image. Art Filter options may also be applied to each frame[6] in Photo Story, a feature that allows users to combine multiple shots into a single image for a greater variety of expression.
Built-In Wi-Fi for Remote Shooting and Wireless Uploading and Sharing
The built-in Wi-Fi and dedicated Olympus Image Share smartphone app allows users to wirelessly connect the Olympus PEN E-PL8 to their smartphone for instant sharing of high-quality images on social networks. Users avoid troublesome initial settings by simply scanning the QR code that appears on the camera monitor with their smartphone to complete the connection with a few easy steps. Remote shooting allows users to use their smartphone as a remote control. They can adjust camera settings and compose on a smartphone screen to capture the best shot.
Clips and Art Filter Movie
Users are increasingly posting videos to social networks. To meet this need, the Olympus PEN E-PL8 is equipped with enhanced movie recording features.
- Clips
This feature combines multiple short video clips and adds background music and effects to create a single video. With Clips, users can easily turn everyday scenes into impressive short movies. They can also download and add background music that suits users' tastes[7].
- Art Filter Movie
Art Filters are available for video capture, just as they are for still-image capture. Everyday scenes and precious moments can be captured with an artistic finish in videos for lasting memories.
- Movie Effects
Four different Movie Effects can be applied to videos. The Old Film Effect allows users to record videos that look like antique films and Art Fade Effect provides smooth transitions from one effect to another.
Excellent Imaging Performance
The camera's high image quality, inherited from the Olympus OM-D series of interchangeable lens cameras, allows for quality and performance that satisfies professional needs. The 16 megapixel Live MOS sensor retains details in shadow and faithfully represents night scenes and dark indoor scenes. The wide dynamic range provides smooth transitions from light to shadow to beautifully capture high-contrast scenes. The TruePicVII Image Processor (also used in Olympus' flagship OM-D E-M1) brings out the best of the excellent optical performance and quality of M.ZUIKO® Digital lenses for high resolution and vivid color reproduction. The powerful VCM in-body image stabilization makes it possible to capture sharp, blur-free images even in low light.
Other Features
- iAUTO captures beautiful shots with a simple press of the shutter release.
- Live Guide lets users capture photos exactly as they imagine with easy-to-understand on-screen displays.
- Nighttime Live Composite Mode allows users to capture impressive trails of light.
- Fast AF instantly focuses when users touch the monitor.
- 5 fps[8] high-speed sequential shooting captures every moment.
- The Quick Start Guide is bundled so you can start shooting immediately even if you are a beginner.
Excellence from wide-angle to telephoto: OLYMPUS m.zuiko digital® ed 12-100MM f4.0 is pro LENs
New professional, high-magnification zoom lens achieves superior resolution and constant aperture throughout the entire zoom range
CENTER VALLEY, Pa., September 19, 2016 — Olympus once again challenges conventional lens design with the new Olympus M.ZUIKO Digital ED 12-100mm f4.0 IS PRO (24–200mm focal length in 35mm equivalent), a compact, lightweight, high-magnification zoom lens that maintains a constant aperture of f4.0 from wide angle to telephoto. The latest addition to the M.ZUIKO PRO series incorporates powerful image stabilization (IS) and covers a focal length range that typically would require two zoom lenses to deliver unrivaled mobility for professionals looking to capture outstanding images in an expanded array of handheld shooting situations.
The Olympus M.ZUIKO Digital ED 12-100mm f4.0 IS PRO combines multiple special lens elements to produce a high magnification factor and excellent resolution packed inside a small body. DSA (Dual Super Aspherical) lenses, HR (high refractive index) lenses, and Super HR (super-high refractive index) lenses are combined to effectively correct aberration and minimize the number of lens elements in the configuration, reducing the overall length of the lens. By using multiple ED lenses, color fringing that tends to appear in telephoto shooting is thoroughly reduced, maintaining high resolution and edge-to-edge sharpness across the entire zoom range.
The in-lens image stabilization works in concert with Olympus' in-body 5-Axis Image Stabilization of compatible OM-D® and PEN® camera bodies to create 5-Axis Sync IS, the world's most powerful image stabilization with 6.5 shutter speed steps of compensation performance[1]. Camera shake commonly associated with handheld telephotography is eliminated, enabling users to capture sharp images and smooth video without the use of a tripod.
In addition to its broad focal range, this high-magnification zoom lens boasts outstanding close-up performance with a minimum working distance of 1.5 cm and a maximum shooting magnification of 0.6x (35mm equivalent) at the 12mm wide-angle setting.
The Olympus M.ZUIKO Digital ED 12-100mm f4.0 IS PRO features lightweight, weatherproof construction, providing dustproof, splash proof and freeze proof (down to 14°F/-10°C) performance to meet the needs of professional photographers in any shooting situation.
Main Features
- Compact, lightweight, high-performance, high-magnification zoom lens
The Olympus M.ZUIKO Digital ED 12-100mm f4.0 IS PRO has been added to the high-performance M.ZUIKO PRO series to meet the needs of professional photographers. Multiple special lens elements provide a high-magnification factor and superior resolution in a compact lens body.
The DSA (Dual Super Aspherical) lenses, HR (high refractive index) lenses, and Super HR (super-high refractive index) lenses have been combined to effectively correct chromatic aberration and minimize the number of lens elements in the configuration, reducing the overall length of the lens. The use of glass materials with a higher refractive index than that of previous DSA lenses has resulted in smaller lens diameters. This makes it possible to build a single lens that covers the focal length of two typical professional zoom lenses.
By using multiple ED lenses, the color fringing that tends to occur in telephoto shooting is thoroughly reduced, maintaining high resolution and edge-to-edge sharpness across the entire zoom range. Olympus Z Coating Nano lens coating technology provides sharp, clear image quality by virtually eliminating flare in backlit situations and maintaining resolution when strong light sources are present in the frame.
- 5-Axis Sync IS, the world's most powerful image stabilization with 6.5 shutter speed steps of compensation performance
The Olympus M.ZUIKO 12-100mm f4.0 IS PRO is equipped with a built-in image stabilization system for blur-free shooting across the entire high-magnification zoom range. By pairing the lens with a compatible Olympus OM-D or PEN camera, the lens stabilization works in sync with the camera's in-body stabilization to create 5-Axis Sync IS, the world's most powerful stabilization system providing up to 6.5 shutter speed steps of compensation performance. Because the in-lens image stabilization alone provides up to five shutter speed steps of compensation performance, the lens can even be used with other camera bodies unequipped with image stabilization.
- Macro capabilities with a minimum working distance of 1.5 cm and a maximum shooting magnification of 0.6x (35mm equivalent)
The close focusing distance of 15 cm at the 12mm wide-angle setting makes it possible to take close-up shots up to 1.5 cm away from the end of the lens, while the maximum shooting magnification of 0.6x (35mm equivalent) opens up new possibilities of expression. The lens design features superb close-up shooting performance even at other focal lengths, with a minimum working distance of 27 cm and a maximum shooting magnification of 0.42x (35mm equivalent) at the 100mm telephoto setting.
Other Features
- The lens features dust-proof and splash-proof construction, with hermetic sealing in 12 locations. When combined with dust-proof, splash-proof and freeze-proof bodies available in the Olympus OM-D series, users can take advantage of all types of shooting environments.
- This lens boasts the same high-quality metal exterior design as the other lenses in the M.ZUIKO PRO series. It is equipped with the Manual Focus Clutch mechanism, which makes switching to manual focus possible by pulling the focusing ring toward you. The lens barrel features the Image Stabilization activation switch and the L-Fn button to pause autofocus or assign other custom settings.
Lens Cap LC-72C (bundled)
The LC-72C is for lenses with a filter diameter of 72mm and can be attached and removed even with the lens hood attached.
Lens Hood LH-76B (bundled)
The LH-76B is specifically designed for the Olympus M.ZUIKO Digital ED 12-100mm F4.0 IS PRO. It reduces unwanted light entering the lens in backlit scenes while also protecting the lens. The hood lock button has been improved to prevent unintentional removal.
Lens Case LSC-0914 (bundled)
The LSC-0914 is a three-layer construction purse-string-type lens case which securely protects the lens. The lens can be stored in the case with the lens cap, protection filter and lens hood attached to the lens.
Protection Filter PRF-ZD72 PRO
This protection filter incorporates ZERO Coating to reduce reflections and flare, black-edged glass, and a satin, glare-reducing black alumite aluminum frame. The filter can also be used on other lenses with a filter diameter of 72mm.
|Product Name
|Lens Cap LC-72C
|On sale
|Lens Hood LH-76B
|Lens Case LSC-0914
|On sale
|Protection Filter PRF-ZD72 PRO
M.ZUIKO Digital ED 12-100mm f4.0 IS PRO Specifications
|Focal Length
|35mm Equivalent Focal Length
|Lens Construction
|17 Elements in 11 Groups
(1 DSA lens, 5 ED lenses, 2 Super HR lenses, 1 HR lens, 3 Aspherical lenses)
|Dust- and Splash-proof
|Angle of View
|84 degree (Wide) — 12 degree (Tele)
|Closest Focusing Distance
|0.15m (Wide)/0.45m (Tele)
|Maximum Image Magnification
|0.3x (Wide)/0.21x (Tele)
|35mm Equivalent Max. Image Magnification
|0.6x (Wide)/0.42x (Tele)
|Minimum Field Size
|57.7×43.3 mm (Wide) / 82.4×61.9mm (Tele)
|Number of Blades
|7 (Circular Aperture Diaphragm)
|Maximum Aperture
|Minimum Aperture
|Image Stabilizer
|Yes (VCM)
|Effective Compensation Range
|Up to 6.5 EV stops* (5?Axis Sync IS)
Up to 5 EV stops (Lens IS)
(*As of September 2016. CIPA guideline compliant, when correction is carried out on two axes (yaw and pitch). When halfway release image stabilization is off. Focal length f=100mm.
Body: E-M1 Mark II
|Filter Size
|Lens Hood
|77.5 x 116.5mm
|Box Contents
|Lens Cap (LC-72C), Lens Rear Cap
(LR-2), Lens Hood (LH-76B), Lens Case (LSC-0914), Instruction Manual, Olympus Warranty Card
U.S. Pricing and Availability
The Olympus M.ZUIKO Digital ED 12-100mm f4.0 IS PRO will be available beginning in November 2016 for an estimated street price of $1299.99 USD and $1599.99 CAD. For a complete list of specifications, visit the Olympus website:
[1] As of September 2016, per CIPA testing guidelines, using Olympus OM-D E-M1 Mark II Body and 12-100mm f4.0 IS PRO, when correction is carried out on two axes (yaw and pitch) at focal length 100mm (35mm equivalent focal length: 200mm).
New M.ZUIKO professional lens delivers excellent resolution performance and beautiful bokeh from the PRO Series' widest aperture yet
CENTER VALLEY, PA., September 19, 2016 — Olympus expands its award-winning M.ZUIKO PRO lens lineup with the breakthrough M.ZUIKO Digital ED 25mm f1.2 PRO (50mm focal length in 35mm equivalent). This Micro Four Thirds® system lens boasts a superior optical design with 19 lens elements in 14 groups that thoroughly prevents aberration, distortion and fringing to achieve superb resolution and beautiful defocusing effects from its widest aperture setting of f1.2.
The fixed-focal length M.ZUIKO Digital ED 25mm f1.2 PRO minimizes chromatic aberration at the plane of focus and beyond, creating a stunningly smooth transition from the subject to defocused backgrounds. This design provides the perfect balance between high resolution and beautiful bokeh for a natural, three-dimensional appearance of the subject.
The M.ZUIKO Digital ED 25mm f1.2 PRO features a lightweight internal focusing mechanism that uses a single thin lens element for extremely fast and accurate focus point acquisition. The advanced MSC (movie and still compatible) autofocus mechanism provides virtually silent and smooth focusing and aperture performance, ideal for video capture. When combined with the powerful in-body 5-Axis Sync Image Stabilization of the Olympus OM-D® and PEN® cameras, the M.ZUIKO Digital ED 25mm f1.2 PRO provides outstanding resolution and blur-free images under almost all lighting conditions.
The M.ZUIKO Digital ED 25mm f1.2 PRO features dust-proof, splash-proof and freeze-proof (down to 14°F/-10°C) construction, making it the go-to lens for professionals and photo enthusiasts looking to capture brilliant images in all types of shooting conditions.
Main Features
- Excellent resolution performance from the widest f1.2 aperture
To ensure high-resolution performance from the center to the edges of the image, even at the widest aperture of f1.2, 19 lenses have been used in an effective layout to suppress all types of aberrations. Color bleeding (on-axis chromatic aberration) is suppressed by using a Super ED lens and two ED lenses. When combined with the color-canceling effects of an E-HR (special high refractive index) lens and HR (high refractive index) lens, peripheral color bleeding (magnification chromatic aberration) is effectively corrected.
Z Coating Nano lens coating technology maintains sharp, clear image quality. This advanced coating significantly reduces flare in backlit situations, optimizing shooting when strong light sources are present in the frame.
- Beautiful defocusing effects
The lens design effectively eliminates chromatic aberration in focused areas as well as defocused areas to achieve a smooth transition from the subject to the background. When paired with the lens's shallow depth of field and beautiful circular bokeh at the maximum aperture, images have a natural, three-dimensional appearance.
- Fast and accurate focus point capture
The advanced optical design provides a single focusing lens element for fast and accurate focus point capture. The MSC mechanism enables high-speed, high-precision still image autofocusing and virtually silent, smooth autofocusing for video. Even in shooting situations with a shallow depth of field, quick, accurate focusing allows for beautiful defocusing effects by accurately focusing on faces and eyes when users select Face Detect AF or Eye Detect AF on Olympus OM-D and PEN camera bodies. When combined with compatible OM-D and PEN cameras' Silent Mode, users are able to photograph musical performances and piano recitals without making a sound.
- Limits comatic aberration to depict points clearly and accurately
This lens is capable of depicting points of light accurately, a necessary feature when photographing stars with the f1.2 aperture setting. Aspherical and high-resolution lenses placed near the aperture effectively correct comatic aberration. These elements enable both the brightness of f1.2 and a high level of optical performance, making it possible to capture points of light without distortion.
Other Features:
- This lens features dustproof and splash-proof construction, with hermetic sealing in 11 locations. When combined with dust-proof, splash-proof and freeze-proof bodies available in the Olympus
OM-D series, users can take advantage of all types of shooting environments.
- This lens boasts the same high-quality metal exterior design as the other lenses in the
ZUIKO PRO series. It is equipped with the Manual Focus Clutch mechanism, which makes switching to manual focus possible by pulling the focusing ring toward you. A depth of field scale is included on the lens for pan focusing. And the L-Fn button on the lens barrel allows you to pause autofocus and assign other custom settings.
- Close-up performance is supported by a minimum focusing distance of 30 cm (working distance of 19.5 cm) and a maximum shooting magnification of 0.11x (35mm equivalent: 0.22x).
Lens Accessories:
Lens Cap LC-62F (bundled)
Lens cap for lenses with a filter diameter of 62mm. In addition to the ability to remove the lens even when the lens hood is still attached, the lens cap design has been improved for easy removal.
Lens Hood LH-66 B (bundled)
Lens hood specifically designed for M.ZUIKO Digital ED 25mm f1.2 PRO. It reduces unwanted light entering the lens in backlit scenes and also protects the lens. The hood lock button has been improved to prevent unintentional removal.
Lens Case LSC-0811 (bundled)
A three-layer construction purse-string-type lens case securely protects the lens. The lens can be stored in the case with the lens cap, protection filter and lens hood attached to the lens.
Protection Filter PRF-ZD62 PRO
This is a protection filter for making full use of M.ZUIKO PRO lenses. ZERO coating, which halves reflections compared to the traditional multicoating, uses black-edged glass and a satin, glare-reducing black alumite aluminum frame. It can also be used on other lenses with a filter diameter of 62mm.
|Product Name
|Launch Date
|Lens Cap LC-62 F
|October 2016
|Lens Hood LH-66B
|Lens Case LSC-0811
|Now Available
|Protection Filter PRF-ZD62 PRO
M.ZUIKO Digital ED 25mm f1.2 PRO Specifications
|Focal Length
|35mm Equivalent Focal Length
|Lens Construction
|19 Elements in 14 Groups
(1 Super ED lens, 2 ED lens, 1 E-HR lens,
|Dust- and Splash-proof
|Angle of View
|47 degree
|Minimum Focusing Distance
|Maximum Image Magnification
|35mm Equivalent Max. Image Magnification
|Minimum Field Size
|158×118 mm
|Number of Blades
|9 (Circular Aperture Diaphragm)
|Maximum Aperture
|Minimum Aperture
|Filter Size
|Diameter 62mm
|Diameter 70x87mm
|Box Contents
|Lens Cap (LC-62F), Lens Rear Cap (LR-2), Lens Hood (LH-66B), Lens Case (LSC-0811), Instruction Manual, Olympus Warranty Card


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Made of 70% cotton/30% polyester fabric
Adjustable hood for a custom fit
Smith & Wesson logo on center back
Perfect for staying warm in cold weather
'We the People" graphic on center front
Stay warm during the bitter cold winter season in the Smith & Wesson Men's We The People Hoodie. Made of 70% cotton/30% polyester, this hooded sweatshirt is perfect for wearing outdoors in the cold, indoors by the fire, or anywhere in-between. An adjustable hood allows for a custom fit, and helps keep the wind, rain, and snow away from your head. The "We the People" graphic occupies the center chest, while a Smith & Wesson logo is located on the center back, for a look that is sure to help you stand out. Imported.

subset: commoncrawl


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Regular Sunday Mass
Saturday 5:00 am – Youth Choir or Women's Choir
Sunday 7:30 am – Cantor
Sunday 9:00 am – Children's Liturgy of the Word, Cantor/Handbell choir
Sunday 10:30 am – Adult Choir or Cantor
Sunday 12:15 am– Cantor/Schola
Please note: Gluten-free hosts are available at the Masses on Sunday at 9:00 am and Sunday at 10:30 am.
Incense-free Mass: 9:00 am Sundays
Daily Mass
Monday through Friday at 9:00 am
Holy Days
(Subject to change)
Holy Days 6:30 am, 9:00 am, and 7:30 am
Riderwood: 1:00 OR 3:00 am, as announced.
Sacrament of Reconciliation
Throughout the Gospel, Jesus forgives peoples' sins. This sacrament continues to bring God's forgiveness to His people.
Confessions are heard weekly on Saturday from 4:00 to 4:45 pm in the Church.
At the Chapel at Riderwood, confessions are heard on the first Wednesday of the month from 2:00 to 2:45 pm.
You may also make an appointment by calling Fr. Jeffrey Defayette at 301-236-5200 x11.
The School of Religious Education helps prepare children to receive the sacrament for the first time.


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Dan Quart
|Dan Quart
|Member of the New York State Assembly
from the 73rd district
|Assumed office
September 14, 2011
|Preceded by
|Jonathan Bing
|Personal details
May 22, 1973
New York City, New York
|Political party
|Miriam Quart
|Upper East Side, Manhattan
|Alma mater
|Binghamton University (B.A.)
St. John's University (J.D.)
Dan Quart (born May 22, 1973)[1] is an American lawyer and politician.
A Democrat, he serves in the New York State Assembly, representing District 73, which comprises parts of the Upper East Side and Midtown East areas in the Manhattan borough of New York City, New York. He was elected in a special election in 2011 following the resignation of Jonathan Bing.
Before his election to the State Assembly, Quart worked as a volunteer lawyer for Legal Aid and served as co-chair of the Transportation Committee for Manhattan Community Board 8.[2] In 2005, he finished second in the Democratic primary for City Council to Jessica Lappin.[3]
In May 2012, he was named one of City & State's "40 under 40" for being a young influential member of New York City politics.[1]
See also[edit]
- ^ a b Pehme, Morgan (May 21, 2012). "Rising Stars 40 Under 40: Dan Quart". City & State.
- ^ "About Dan". danquart.com. Archived from the original on 2012-01-21.
- ^ Hicks, Jonathan P. (September 15, 2005). "The New York Primary: The Dynasty; Family Name in Brooklyn Loses Clout With Defeat". The New York Times. Retrieved September 17, 2011.
External links[edit]
- assembly
.state .ny .us /mem /Dan-Quart, his official website with the New York State Assembly
|New York Assembly
|Preceded by
Jonathan Bing
|New York State Assembly, 73rd District
|This article about a member of the New York State Assembly is a stub. You can help Wikipedia by expanding it.
|This New York City–related article is a stub. You can help Wikipedia by expanding it.
- 1970s births
- 20th-century births
- 20th-century American lawyers
- 20th-century American politicians
- 21st-century American politicians
- 21st-century American lawyers
- Living people
- Members of the New York State Assembly
- Midtown Manhattan
- New York Democrats
- New York lawyers
- Politicians from New York City
- People from the Upper East Side
- St. John's University School of Law alumni
- Member of the New York State Assembly stubs
- New York City stubs


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Year 1
Teaching Staff
Cavalier Class:
Mrs S Love (teacher)
Mrs C Nickols (support staff)
It will be a key priority in Year 1 to ensure all students make a seamless transition from Early Years Foundation Stage to Key Stage 1. Students will follow the National Curriculum but many principles of Foundation Stage practice will continue to underpin the delivery of the curriculum. Students in Year 1 will quickly begin to record more of their work in a written format and will have books for some aspects. However, the ability for students to verbalise and articulate their learning, thought and ideas clearly will remain a high priority. All students in Year 1 will have access to an outdoor classroom as part of their daily learning.
There may be occasions when you need to speak with your child's class teacher. For a brief informal query, the class teacher will be available at the end of the day once all the children have been dismissed. To arrange a formal appointment to meet with your child's teacher please contact the school office. Staff members will always be available in the morning to pass on a message to your child's teacher but it will not be possible to meet with teachers at this time of day. Mrs Taylor – Primary Wellbeing Coordinator – will also be available at the start and end of each day.
To report an absence due to illness or other unforeseen circumstances, please contact the school office on each day of the absence. Alternatively, you can email Mrs Taylor, our Primary Wellbeing Coordinator at email@example.com each day. Please include details of your child's name, class and the reason for absence in your message.
In Year 1 students will work within Key Stage 1 of the National Curriculum on the following aspects:
- Spoken language
- Reading (word reading, comprehension)
- Writing (transcription, handwriting, composition, vocabulary, grammar & punctuation)
- Number (number & place value, addition & subtraction, multiplication & division, fractions)
- Measurement
- Geometry (properties of shapes, position & direction)
- Working scientifically
- Plants
- Animals, including humans
- Everyday materials
- Seasonal changes
Design & Technology
Art & Design
Students will also be encouraged to develop their knowledge in learning Spanish vocabulary.
In June of Year 1 all students will complete a statutory Phonic Check.


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In this Education Week Commentary, Antonia Cortese of the American Federation of Teachers and Claus von Zastrow of the Learning First Alliance outline a blueprint for how to get better teachers into hard-to-staff schools.
They propose broad, systemic changes that will simplify bureaucratic hiring processes, improve working conditions and provide more professional support for teachers in high-poverty, low-performing schools.
What do you think is the best way to achieve this goal?
• Long-Term Studies & Examples to Bolster Your Case for Pre-K
• How to Make Personalized Learning a Reality in Your District
• Find Your Purpose: The Path to a Rewarding Doctoral Journey


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FAQs Hand mixers
How can I clean stained plastic parts of my handmixer ?
Some kind of food (e.g. carots) can lead to discoloration of the plastic. To remove these stains, try wiping them clean with vegetable oil before washing them.
What are the blades on my handmixer made of ?
The blades on the handmixer and chopper attachment are made of stainless steel.
Are the chopper and attachments to my handmixer dishwasher safe?
Once detached from the motor, the handmixer attachment, chopper bowl and blade insert are dishwasher safe. The motorized parts of the appliance, the chopperlid and the handblender attachment should NOT be placed in the dishwasher or immersed in water. Use a damp cloth on this area only.
Does my handmixer have an overload protection system?
If the unit is overloaded, the motor may automatically switch off. If the motor stops or runs slowly, turn the unit off so the motor can cool down. After a cooling period of at least 10 minutes it can then be switched back on.
Frequently Asked Questions (or FAQ's) will help you to find additional information on your product
De'Longhi Kenwood A.P.A Ltd 16/f, Tins Enterprises Centre 777 Lai Chi Kok Road Cheung Sha Wan Kowloon Hong Kong
Hotline: 2237-1313Email: firstname.lastname@example.com
Braun is a registered trademark of Braun GmbH, Germany used under license by De'Longhi Appliances S.r.l


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Dr. Gallagher-Lepak new Dean of Health, Education and Social Welfare
Dr. Susan Gallagher-Lepak, Chair of the Professional Programs in Nursing since 2012, has been promoted to the Dean of the new College of Health, Education and Social Welfare, effective July 1, 2016. Professor Gallagher-Lepak has served on the faculty of the Nursing programs at UW-Green Bay since 2003. She earned her BSN from Marquette University, MSN from UW-Milwaukee, and PhD in Rehabilitation Psychology from UW-Madison. She has over 25 years of clinical practice and scholarship in E-learning, clinical reasoning, nursing diagnosis and other clinical issues including pharmacology in rehabilitation case management and depression.
UW-Green Bay recently re-organized into a four academic college model. The Professional Programs in Nursing, Education and Social Work are under the new College of Health, Education and Social Welfare. Dr. Gallagher -Lepak retains her Professorship in Nursing, but is excited by the possibility of growing all of the programs in the new college. Congratulations to Dean Gallagher-Lepak!


text:
Not affiliated with the US Social Security Administration
Excerpted from "Social Security Handbook". See the up-to-date, official Social Security Handbook at ssa.gov.
When are resources valued?
2155. When are resources valued?
Your countable resources are established for each month using their value as of the first moment of the month. We do not consider any change in the value of countable resources, or any conversion of a resource from an excluded to a non-excluded form (or vice versa), until the beginning of the following month. When you file a claim or seek reinstatement during a month, your resources are valued as of the first moment of that month to determine eligibility.
Last Revised: March, 2001
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There is an issue that has gotten annoying.
My laptop plays sound fairly nicely, however the subwoofer does not play anything!
Now i am a complete linux noob, so any help on this would be greatly apprectiated.
I have the beats audio on this system if that helps at all.


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Added to Shopping Bag
Legacy Soho Checkbook Wallet, In Luggage and White
Listed by Taryn
Price: $30.55
Returnable for Site
You can request a return for Tradesy Site Credit within 4 days of delivery. FREE return shipping.
If your item was misrepresented in any way, you can file a misrepresentation claim. Tradesy will investigate and you'll be eligible for a Full Refund.
Shopping Bag :
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Legacy Soho Checkbook Wallet, In Luggage and White
Shipping Included
Pay with Credit Card, PayPal, or Affirm.
18 people saved this item
- Scuffs or scratches
This item has visible signs of wear
Well loved Coach Tri-Fold Checkbook Wallet. Please see pics for general wear; Overall good condition.
*White and luggage brown leather
*Silver metal buckle with snap closure
*Exterior zipper coin pocket
*6 interior credit card slots
*1 interior ID window pocket
*3 interior pockets with 2 additional in
checkbook holder
*Approx. Size: 7.75" L x 4" H x 1.5" W
(Matching hobo bag available in my closet)
7.75"L x 4"H x 1.5"W
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Tue 5/2/17 - Sat 5/6/17 (4-8 days)
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text: Sign in to favourite Sign in to add to album Copyright Information close The author of this artwork died more than 70 years ago. According to U.S. Copyright Law, copyright expires 70 years after the author's death. In other countries, legislation may differ. More… WikiArt.org allows unlimited copying, distributing and displaying of the images of public domain artworks solely. We use here Copyright term based on authors' deaths according to U.S. Copyright Law, that is 70 years. In other countries, the duration of copyright term may differ. Please check here copyright length according to your country's legislation before you consider reproducing images borrowed from Wikipaintings.org Artworks protected by copyright are supposed to be used only for contemplation. Images of that type of artworks are prohibited for copying, printing, or any kind of reproducing and communicating to public since these activities may be considered copyright infringement. Public domain ← 鬼趣图 Qian Xuan Order an oil painting reproduction Ad Image dimension 640x434px, View all sizes Qian Xuan Famous works Yang Guifei Mounting a Horse Qian Xuan · 1300 Dwelling in the Floating Jade Mountains Qian Xuan · Wang Xizhi Qian Xuan · 仕女图 Qian Xuan · 信国公遗像图 Qian Xuan · 桃枝松鼠图 Qian Xuan · 殊芳艳丽 Qian Xuan · 狸猫图 Qian Xuan · 花卉 Qian Xuan · 鬼趣图 Qian Xuan · View all 28 artworks Related Artworks Autumn Wind in Gemstones Trees Ni Zan Bamboo, and Elegant Stone Ni Zan The Distant Cold Flow Pine Ni Zan Water and Bamboo Dwelling Ni Zan Bamboo and Stone Guan Daosheng Ink Bamboo Guan Daosheng Portrait of Lady Su Hui with a Palindrome in the Manner of Zhu Shuzheng Guan Daosheng Six Gentlemen Ni Zan Trees in a River Valley in Yü shan Ni Zan The Rongxi Studio Ni Zan Bamboo Groves in Mist and Rain (detail) Guan Daosheng Bamboo Groves in Mist and Rain Guan Daosheng 1 Load more Advertisement.


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by Elsie esq.
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Approaches to learning and learning values: an investigation of adult learners in Malaysia
Tan, Po Li (2006) Approaches to learning and learning values: an investigation of adult learners in Malaysia. PhD thesis, Queensland University of Technology.
|Po Li Tan Thesis (PDF 3MB)
This research was inspired by a pressing question which formed the main aim of the current study--What factors contribute to the differential academic performance of adult learners in the formal setting in Malaysia? It is hoped that by addressing this question, insights obtained may be useful for the Malaysian policy makers in attempting to implement the government's initiative--Malaysia Vision 2020. The current literature informs that in order to achieve the desired goals, Malaysian adult learners, must now more than ever be conscious of the effect of learning values and approaches to learning. Hence, there is a need to develop a more holistic understanding of the interrelated dynamics between learning values and approaches to learning. The current study adopts a transdisciplinary, etic/emic approach, using two culturally sensitive questionnaires, Revised Study Process Questionnaires-2 Factors Malaysia (RSPQ- 2FM) and Learning Values Survey (LVS) on 858 Malay and Chinese adult learners in Malaysia. The study found the significant others can have substantial influence on the 'face value' for both Malay and Chinese adult learners generally, but was more pronounced for the Malay adult learners. This in turn may encourage Malay adult learners to submit to pressure from others in influencing how they perceive the importance of learning and motivation in learning. Because Malay adult learners are constantly driven by external factors to compete with other cultural groups in education or economic achievement, they may tend to avoid challenging tasks such as deeper approaches to learning in order to rapidly achieve their immediate learning goals. Engaging with deep approaches and meaningful learning are effortful and the pressure to save face may result in the likelihood of adopting surface approaches. This coupled with the finding that they do not appreciate the middle way principles as much as the Chinese adult learners suggest that they may be less flexible and/or pragmatic learners. The findings suggest that practice of middle way principles (such as 'Willing to compromise one's own values to suit the situation/issues when I learn') can indeed enhance certain positive learning approaches which implies that Malay adult learners may be disadvantaged in the learning settings due to their lack of appreciation of the middle way principles. It is also interesting to find that Malay adult learners appreciate time factor more than their Chinese counterparts when engaging with Deep Approaches to learning. In contrast, the middle way principle practiced as a way of life by the Chinese culture has made Chinese adult learners more malleable, resulting in a relatively less face conscious cultural group. Being less externally driven and less restrictive, Chinese adult learners are more likely to adopt deep approaches to enhance meaningful learning. In addition, the Chinese culturally ingrained learning approach, Understand and Memorization was found to be more likely to produce positive learning outcome. Unlike their Malay counterparts, Chinese adult learners view work experiences more essential in helping them to engage with Deep Approaches to learning. The above findings are novel and add to previous studies on approaches to learning by introducing the effect of learning values. While previous research has referred to cultural variable in learning, they have not sufficiently explored the effect of culture. Learning values is one significant cultural variable that is considered in the study. The findings underpin the different emphasis placed by the two cultural groups as they engage with professional development activities. It is hoped that by identifying values pertinent to learning in this competitive globalized economy, the study has provided insights for Malaysian policy makers to develop holistic future education plans to assist in achieving Malaysian Vision 2020. Insights gained can also support plans where Malay can be encouraged to become competent global leaders and workers, capable of competing in this knowledge economy.
Impact and interest:
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These databases contain citations from different subsets of available publications and different time periods and thus the citation count from each is usually different. Some works are not in either database and no count is displayed. Scopus includes citations from articles published in 1996 onwards, and Web of Science® generally from 1980 onwards.
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|ID Code:
|Item Type:
|QUT Thesis (PhD)
|Pillay, Hitendra & Spencer, Fiona
|adult learning, professional development, Aapproaches to learning, cultural values, asian values, cross-cultural studies, cross-cultural methodology, cultural awareness and training
|Current > Schools > School of Cultural & Professional Learning
Current > QUT Faculties and Divisions > Faculty of Education
|Faculty of Education
|Queensland University of Technology
|Copyright Owner:
|Copyright Po Li Tan
|Deposited On:
|03 Dec 2008 04:00
|Last Modified:
|25 Mar 2013 08:17
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Follow us
A fresh approach to the metal scene!
Answers by Rasmus Normand
OBM: Hey, how's it going?
Hey - everything is good thanx.
OBM: So, the new album "Rewakening", what can you tell us about it?
Well - it is our 2nd full length album. It is a more diverse album than the debut "Storm the Walls" I think. We have all become better musicians and better songwriters. I also think that we have found our own style and sound on the new album. If I should try and make it short I would say that if you like groove metal with hints of death and thrash metal - well then you should give our new cd a spin. It's impossible to explain how music sounds you really have to listen to it to know what it is all about.
OBM: What about the title "Rewakening", what's the idea behind?
We feel it is a great title to say "hey we are still here and not just a one-record band" Since the debut we have played many, many shows and been on a European tour - that makes you grow as a band - so in a way we are more experienced now and in some form Rewoken.
OBM: How do you think you've changed as a band, since you formed?
When you form a band you have certain ideas of what you want and how you would like to sound etc. And as things move along you develop and learn. And that is what makes a band what it is - all the things you experience and do. We have always wanted to play the music we like -- and not try to make the music we think others would like. Lucky for us a lot think that we make great metal and that's why we can release records and play shows - really amazing. We have all changed in the band and become more mature and know what we want. Since we formed in 2005 we have released two albums - toured with Illdisposed on the Danish Dynamite Tour 2008 - played a bunch of shows in Denmark - won the award for best live band 2008 at DMeA (Danish Metal Awards). So I think that what we have done as a band in 3,5 years is pretty good. And now it is soon time to write the songs for the 3rd album.
OBM: What sorts of things have inspired the album lyrically? Can you talk us through some of the songs?
It is personal things Johnny sings about. What you experience in your everyday life and all the things around you. How you struggle with the good and bad things inside you and trying to find your path in this life. It really is very personal and that is very honest. We could never sing about some made up weird stuff that didn't mean anything to us. We are who we are and sings about that - we don't go into a role when we are together as a band.
OBM: Do you enjoy the writing process?
Yeah I think it is fun to write new songs - you know when an album is released and it is
new to the listeners, the songs are "old" to us - not that we don't enjoy them but we have played some of the songs on "Rewakening" for almost a year in the rehearsal. So yes I like to be creative and try and write a great metal song.
OBM: How did you select the songs and the order they went in?
Some songs sound great when you write them - but after a while you can just feel when there is something wrong with a song - so it has to go. We threw a lot of material away in the process of writing "Rewakening" - it has to be what we think is the best that gets on cd. And the order they come in is just what we think was the best order - maybe it is a crazy order for someone else - it is difficult. We just try and mix it up so that all the heavy stuff isn't in the first part and the fast stuff in the end - it has to be a mix.
OBM: What about the previous record. What did you learn from your experiences on the last record?
We learned a lot. About how we work together in the studio and how we like the process to be. We were unexperienced as a band when we recorded the first one. And with "Rewakening" we had a total different approach to the work in the studio we had much more to do with the sound and how we like things to stand out in the final mix. So all in all we know now what we want - and most important - we know what we don't want.
OBM: Who writes the songs?
It is me and Johnny who writes the basic Structures. Then when the songs are 90% done we take it to the rehearsal and see if it is as good as we think - and we change some bits and pieces here and there. That's pretty much how it is done. We don't meet in the rehearsal to write new songs. Takes too much time just standing there fiddling around.
OBM: Who would you say you get your musical influences from?
I don't know? From all the music I listen to I guess. But I can tell you which bands I grew up with. Of course there is Metallica - I just love Metallica's 80's stuff. Slayer is cool too. Obituary, Testament, Carcass, Pantera. But I also listen to a lot of other stuff - Jimi Hendrix, Dire Straits, Mike Oldfield. I think that you don't get to be a good musician if you only listen to one specific genre.
OBM: Okay, going on to the album then. What did you want to achieve with it?
Just wanted to make the best album we could at the time we wrote the songs and the time we spent on the recording process and to show a new side of the band. The songs on "Rewakening" are a bit longer and more complex (at least for us, ha ha). So we wanted to still be The Burning but with new elements in our music.
OBM: What sort of records made a big impact on you growing up?
Master of Puppets - I will never ever get tired of that record.
OBM: How will the new songs fit into the live set considering that it should be played as a complete piece?
Our live set is a 50/50 mix of old and new stuff.
OBM: If you could do a cover of a non-metal song in your own style, what song would you most like to do?
"Paint it Black" with Rolling Stones!
OBM: What do you think the album and the band offer the metal scene in 2009?
I think we have a fresh approach to the metal scene. There is a lot of bands trying to make music that will be popular - but you can hear that on their records. We don't care about fame - we make what we feel like and that is what you can hear on our albums. We are not the fastest band in the world - we are not the most technical musicians - but we don't try to be either. We try to make great metal songs.
OBM: What's the plan for the rest of the year, apart from the album?
We are just about finished with a small spring tour in Denmark. And then we don't have any shows untill the fall - also in Denmark. Unfortunately we don't have international booking - so it is very hard for us to get the festival gigs and good support tours. We try ourselves but it is more that tough without a wellknown booking agency. So I guess the summer will be spent on writing new material but of course if something good turns up - we are always ready to pack our gear and hop on a bus.
OBM: What's your favourite record from 2008?
I have to say Death Magnetic from Metallica - great to hear some heavier songs from them again.
OBM: Okay guys, thanks for your time. Anything else you want to say?
I just want to thank you for the time and to all the metalheads out there - have a great summer with lots of metal and cold beers and check out "Rewakening" our new record.
The Burning - Bait The Hook
The Burning-Hail The Horde
The Burning-Rewakening
The Burning-Storm the Walls
The Burning-Every Knee Shall Bow Every Tongue Confess
Line Up:
Johnny Haven: Vocals
Alex Kjeldsen: Guitar
Tobias Nefer: Bass
Tobias Høst: Drums
Former/Past Members:
Rasmus Vinding - Gitarre
Thue Moller - Bass
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text:
Download your favourite music from YouTube to your mobile phone's memory card by using YouTube-to-MP3 online converters to turn the videos into MP3 files that are compatible with your phone. In most cases, you do not need to register or pay to use these online converters, and using them eliminates the need to download or install special software on your computer to perform the video conversion.
- Skill level:
- Moderately Easy
Other People Are Reading
Things you need
- USB cable
Show MoreHide
- 1
Open a Web browser and access the YouTube website.
- 2
Type the name of the song you want on your phone in the "Search" field at the top. Review the search results and click on a video link.
- 3
Right-click the URL in the browser's address bar and left-click "Copy."
- 4
Access a YouTube-to-MP3 converter website such as VidToMP3 or Flvto in your Web browser.
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- 6
Connect your mobile phone to the computer with a USB cable. Click "USB Drive" or "Mass Storage" when prompted.
- 7
Click "Start" on your computer, then click "Computer." Double-click your phone's icon to open a folder for the device.
- 8
Double-click "Media Card" and open the "Music" folder to view the music files currently stored on your phone.
- 9
Open the folder containing the converted MP3 and drag the file to the phone's open folder. Drop the MP3 in the folder to download it to your phone. The file is saved to your phone's memory card.
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text:
What is Oedipus' tragic flaw?
1 Answer | Add Yours
Before I attempt to answer the question, it is important to know something of the Greek worldview. At the center of the Greek world, there were two maxims at the Oracle of Delphi: "Know Thyself" and "Nothing in excess." These two points expressed the importance of keeping human boundaries and not transgressing into the realm of the gods. From this angle, we can say that the Greek were humble. In other words, they should know that they are not divine.
Against this backdrop the tragic flaw of Oedipus was his thought that he could solve any problem. He thought of himself as more than human. So, when at the beginning of the play there was a plague, he thought he could avert it. Rather than beseeching the gods or even asking for help from others, he sought to rectify any problem alone. The Greeks called his quality, "hubris." In short, we can say that pride got the best of Oedipus. This was his tragic flaw.
We've answered 319,864 questions. We can answer yours, too.Ask a question


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Need a book? Engineering books recommendations...
Return to index: [Subject] [Thread] [Date] [Author]
re: TJL[Subject Prev][Subject Next][Thread Prev][Thread Next]
- To: seaint(--nospam--at)seaint.org
- Subject: re: TJL
- From: Andrew Kester <akester74(--nospam--at)gmail.com>
- Date: Thu, 5 Aug 2010 13:19:32 -0400
Drew, That is a truss from Trus Joist Macmillan, its been a while since I dealt with their products and it looks like they are part of some type of conglomerate now, it is a little confusing but this is their website: http://www.ilevel.com/aboutilevel/default.aspx >From what I could tell, that is likely a parallel-chord truss with 2x or similar wood chords and steel pipe webs. Sounds like you have glulams for ridge beams and then these trusses are supported at the ridge and exterior walls, forming a vaulted ceiling? Then this product makes sense as it has the web spaces for MEP. Guessing the 14= 14 inch depth. I am sure their tech people can get you the exact info, probably some tables, though it appears they may not make it anymore as there was very little info on TJL. HTH, Andrew Kester, PE Florida ******* ****** ******* ******** ******* ******* ******* *** * Read list FAQ at: http://www.seaint.org/list_FAQ.asp * * This email was sent to you via Structural Engineers * Association of Southern California (SEAOSC) server. To * subscribe (no fee) or UnSubscribe, please go to: * * http://www.seaint.org/sealist1.asp * * Questions to seaint-ad(--nospam--at)seaint.org. Remember, any email you * send to the list is public domain and may be re-posted * without your permission. Make sure you visit our web * site at: http://www.seaint.org ******* ****** ****** ****** ******* ****** ****** ********
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This project received 3 bids from talented freelancers with an average bid price of ₹6546 INR.Get free quotes for a project like this
Project Budget₹1500 - ₹12500 INR
Total Bids3
Project Description
this assignment needs to be written in Eiffel programming language.
Write an application with the following specification.
--It should contain a class RECTANGLE with 8 floating point members (DOUBLE) x1,y1,x2,y2,x3,y3,x4,y4 indicating co-ordinates of 4 corner points in a clock-wise fashion.
--There should be at least 3 class methods named scale(scale factor), translate(x,y) and rotate(degree).
-- The application should always initialize the rectangle with following co-ordinates (0,0), (0,1), (2,1), (2,0).
-- The application should ask the user input in the following fashion in an infinite loop.
(1) Scale (2) Translate (3) Rotate (4) Quit. Your choice :
Upon user entering a number between 1 to 4, it should ask further input (such as scale factor for scaling (from 0.1 to 10 only), (x,y) co-ordinates for translation and degree (0 to 360) for rotation ) if required.
-- After every transformation (scale/translate/rotate), print the values of co-ordinates in a single line in the following format:
(x1,y1) (x2,y2) (x3,y3) (x4,y4)
-- The line asking for user choice should be the next line (NOT on the same line as the co-ordinates).
-- Note that after some operations, it is possible that x1 > x4. DO NOT sort the co-ordinates.
-- Keep in mind that floating point arithmetic is not commutative. Do not compare two floating point numbers for equality. Compare to see if they are within [url removed, login to view] distance of each other.
-- Rotation is always performed with respect to (x1,y1). That is, during a rotation (x1,y1) remains fixed. Similarly, (x1,y1) remains fixed during scaling operation as well.
-- Please annotate the program with appropriate pre-conditions, post-conditions and invariants.
Skills Required
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Popular Now
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01803 865913
+44 1803 865913
Series: Bioscience (Monographs on Greenland subseries) Volume: 17
By: David G Long (Author), Gert S Mogensen (Editor)
57 pages, 19 b/w line drawings, 21 b/w distribution maps
Museum Tusculanum Press, University of Copenhagen
Volume 1 of this flora deals with the Polytrichaceae.
1. Psilopilum
2. Oligotrichum
3. Pogonatum
4. Polytrichastrum
5. Polytrichum
6. Lyellia
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The Snickelways of York, often misspelt Snickleways, are a collection of small streets and footpaths in the city of York, England. The word Snickelway was coined by local author Mark W. Jones in 1983 in his book A Walk Around the Snickelways of York, and is a portmanteau of the words snicket, meaning a passageway between walls or fences, ginnel, a narrow passageway between or through buildings, and alleyway, a narrow street or lane. Although the word is a neologism, it quickly became part of the local vocabulary, and has even been used in official council documents, for example when giving notice of temporary footpath closures.
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"Subtle, artful, and piercing." —Kirkus Reviews
Rachel Lyon's work has appeared or is forthcoming in Joyland, Bustle, The Toast, Iowa Review, McSweeney's, and elsewhere; her debut novel is forthcoming from Scribner. Rachel teaches at Catapult, the Sackett Street Writers Workshop, and the School of Making Thinking. A former fiction editor at Indiana Review, she is a cohost of the reading series Ditmas Lit. Visit her at www.rachellyon.work and sign up for her (mostly) weekly writing prompts at Tinyletter.


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This Is What Happens When You Become a Meme
J Thoendell stashed this in Meme
Source: http://www.vice.com/read/what-happens-to...
Some people say that emojis, memes, and selfies are making us smarter–– and bringing us together. But after interviewing people who became memes or produced viral content I came to the conclusion that there are two sides to every story. People—especially people who can hide behind the anonymity of their computer monitor—can act really weird and scary, manipulating your image or using your content as a beacon for their own projected anger or bigotry, divorced from any sense they might have of you as a person.
Meet a few people who've had to deal with just that.
Stashed in: Selfie, About Memes, Vice, Emojis!
Good article. It's true that some people do not realize how much they are hurting other people by their actions on the Internet. We need to teach people to have more empathy for others.


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propidolResident Members
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Ring recruitment and have them add it to your form. Explain the situation to them. Out of interest, what was the conviction? (Assuming you're willing to share this)
propidol replied to Warren55's topic in RecruitmentAs the old saying goes "You don't know until you try"
No police action was taken for either instance, why would you even bother including that in your application? It's absolutely irrelevant and may cause issues. On both occasions two things will of happened; - You would of been PNC checked and your licence checked - Your car would of been PNC checked to show insurance, registered keeper and MOT These details are NOT kept on record in instances where there were no offences. Therefore there is no need to declare this or worry one iota about it.
propidol replied to jmmurphy94's topic in RecruitmentI was over on BMI when I joined GMP, MDP then Cheshire. I'm 6"4' and a regular weight lifter and have been for 15years or so now. I've also played professional rugby league, boxed and still keep up fitness. I'm by no means 'ripped', I do have unwanted weight to shift. The only issue I had was with the MDP and the Dr wouldn't pass me, he told me I had 16kgs to lose in 6 weeks - yes 6 weeks! I appealed immediately, literally I rang recruitment as I walked through the door on the way out. Before I got home I had an email telling me the occupational health nurse had overturned the Dr and passed me. Fast forward 18months and I joined Cheshire. I had my medical and he had absolutely no issue in passing me despite me being way over on the BMI. Common sense prevailed. Setting aside weight training, do you do fitness? How active are you? How often? You'll need to lodge an appeal and if it is to be successful you need to put those answers in and expand on them.
propidol posted a topic in In The Jobhttp://news.sky.com/story/red-flag-warning-from-watchdog-over-national-crisis-in-policing-10786933 http://news.sky.com/story/police-effectiveness-what-rating-does-your-force-get-in-hmic-report-10786868?dcmp=snt-sf-twitter It's what has been being said for years finally come to fruition. The Government as usual have attempted to absolve themselves of any blame if you notice the quote from Brandon Lewis (The Minister for Policing and the Fire Service) - "This Government has protected police funding, through the 2015 Spending Review. "There can be no excuse for any force that fails to deliver on its obligations - those identified as inadequate or requiring improvement must take HMIC's findings very seriously and I expect to see rapid improvements." What he fails to mention was the crippling budget cuts which came before it leaving most forces simply incapable of recruiting year on year and losing more than they're gaining.
propidol replied to Danny2016's topic in In The JobA little bit old this thread now but I thought I'd share my experiences of being in 2 different forces as a probationer: MDP Awful. Truly awful. Anyone above Inspector didn't give a toss and it was rare an Inspector cared (I had a great Inspector on my section so I got lucky). From the moment I left training to the moment I left the force I couldn't wait to get out. There was no backing for any aspirations you may have and absolutely no empathy or consideration given to officers who were struggling as I was due to personal circumstances. All they cared about was that you were on your gate. Cheshire I joined quite recently and I have to admit I have loved every single second of it. I was in training for a short period due to having the policing degree and previous long term Special experience. There were a few minor teething issues when I left the training school such as various computer systems not being updated but they were ironed out quickly. The support network available is absolutely superb, the backing and help I've received from supervision up to the ACC was outstanding. They introduced themselves and spoke to me like a person and not just as a number. Obviously I respected rank, but it felt like a conversation with a friend. The people on my block are brilliant and will drop anything to help you out and this prevelant amongst my block. We have a block of over half probationers but it's a well run, well oiled block with a wealth of knowledge and experience behind it. Going back to the original post I genuinely can't believe you've were set arrest records. Surely this goes against PACE? I can partly understand detection rates but if you're given a job which is going nowhere commonly what are you supposed to do? Gene Hunt it and pin it on someone? I do hope in the 12/13 months or so that have passed since this post that it has improved for you and you're still in the job.
Yep, hence the "whole world of the proverbial"
Thinking about it you couldn't get away with just not telling anyone - it's in your medical records. Unless of course you fake them and then you're in a whole world of the proverbial.
I've not heard of an epileptic officer in any of the police forces I've served/serving in (MDP, GMP and Cheshire) but that may be down to what you have stated - the stigma that MIGHT and SHOULDN'T come with it. I've emphasized might and shouldn't because as police officers it shouldn't bring any stigma. The same as another Officers religion, sexuality etc shouldn't but that's for another day. Back to the original question, I'd imagine that the final decision would lay with Occupational Health and/or the Driving School. There's many different factors to consider like how often are the fits? What triggers them? Granted I know little about epilepsy but those for me would be the basic foundations of a decision.
propidol replied to dodgy dave's topic in In The JobI always make time for refs, even if it's on the go knocking up a case file or updating several incidents. But as for eating on shift, I couldn't tell you why but I don't tend to eat at work. I'll drink loads of water but I won't eat. but I'm just weird like that 😃
This couldn't of been Specials as Specials can only get A-B driving. There is no authority to stop vehicles on this driving.
propidol replied to Natt20's topic in In The JobI'm a former Special (joined the job as a regular PC late 2015) but I'll answer; 1) Greater Manchester Police 2) Totally dependant on work. I worked in the building trade whilst a Special so it would depend on how busy I was. Generally between 8-10hrs a week but there were times when I went 2/3months without going on duty due to work. 3) Yes. We were given basic law training, like literally a skim over of the offences and different ways of committing them. I appreciate it's generally weekend training for Specials but it needed to be more in depth. Also, the operational side such as use of computer systems was non existent, I didn't know what an MG11 form was until a few weeks into being out and as for any other MG forms I didn't know they existed. I think I'm right in saying since 2012 GMP revamped the training for Specials to significantly upskill them. However, there is a responsibility on the individual to self learn. 4) No. 5) After 2 years I completed a tutor course and a S165 seizure course. 6) I'd attached myself to a particular shift and I'd work predominantly with the PCSO's but on occasions I would go out with a PC who I knew very well. That was my choice (after clearing it with the Sergeant) 7) To see if I wanted to be a cop. Was it for me? 8) No, that's not to say I ever hid it from anyone who asked but the public see a uniform and don't care if it's a Special or a regular - they expect you to be a police officer and do your duty equally.
I'd certainly hope that it wasn't a regular officer. Common sense must surely dictate that situation? The discussion about Specials is an interesting one. I joined GMP as a Special in 2010 and did 5 years before getting a PC role with another force. I also did the Policint degree at the same time (not that that made me a Super Special) but I did have a more indepth knowledge than some. Specials are keen to learn, keen to help and keen to get stuck in - only a few that I've met have been anything but, however there is a significant gap between roles. My S/Sgt was 25 years in the job. Regulars would ask HIM for advice, now that's an experience you will rarely see these days.
Sorry to hear that mate. If it's any consolation it took me 7 attempts and 8 years to get in. Never give up and learn from past failures. Its hard to take and I know it, take time now to reflect and study the feedback given but more than anything - DON'T GIVE UP!


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I have a 1997 Cavalier and lately, after a few minutes running I have an intermittent hesitation an
I have a 1997 Cavalier and lately, after a few minutes running I have an intermittent hesitation and the check engine, theft system, ABS, Brake (P) and (I) lights will come on in the dash.
What do I do?
5 Answers
Take it into your mechanic and explain the issue. More often than not, it will require a trained technician to figure out what's happening in this situation.
agreed.may be a bad computer.
Dear Friends; my 1992 RS Convertible Chevrolet Cavalier has a fail after get hot (normal temperature). I've changed 4 fuel pumps, cleaned gas tank and the problem still persists... Could you help me please ? Many thanks.
Sounds like you have an electrical problem those cars are bad for control modules they are pretty pricey arround 300 bucks so I suggest reckers and by the way if you cant find it , its because its behind the engine. But get it scanned to make sure first.. good luck
It happened to me, but the problem was Faulty alternator, Check your charging system and battery. Hope it works..
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Observed: 9th June 2012 By: jeremyr
Added: 15th June 2012
Other observations of Eristalinus sepulchralis
16 June 2012 - 11:44am jeremyr
For these reasons I'd still put my money on sepulchralis: broad black hourglass shape on t3 & 4, shortish, stubby abdomen, faint grey thoracic stripes, eyes narrowly separated - but I've nothing to compare it with so am staying with genus
I put this up as sepulchralis the day before. There were no others and no response so lost my nerve
I don't see these enough to be sure. Hopefully, Roger will come along and comment.
only one
15 June 2012 - 5:22pm jeremyr
thanks anyway, I've not seen a second one.
Does your interest area include Sciomyzidae?
Yes, to the extent that I collect some for future identification. But no, to the extent that I cannot get hold of a copy of Rozkosný at the moment! If anyone reading this knows where to get a copy of the Sciomyzidae of Fennoscandia, I would love to know about it!
3 December 2012 - 5:37pm jeremyr
- too steep for me!
What's the matter with you, Jeremy...that only comes out at about £10 per species.
Luckily I have the offer of a copy to borrow, now, when I need it!
Thanks, anyway!
will look out for Rozkosny
15 June 2012 - 6:01pm jeremyr
an intriguing family I've become fond of since finding Coremacera marginata
a second one!
16 June 2012 - 10:18pm jeremyr
another of these today, about 500m north of here, this one with much bolder black/grey hourglass shape on the abdomen.
Also on the same spot my first V. bombylans, a probable Anasimyia with an odd gelatinous-looking snout, and what looks like C. illustrata but with pale basal half of the tibiae.


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When I was in the third grade, attending St. Mary of the Assumption Catholic School in central California, there were fifty students in my class. Sr. Terence managed us all quite well, though how she kept track of us, I don't know. It was my first year at that school, but I'd scored the role of Mary for the Christmas play and got treated to raised eyebrows from the guy who played Joseph every time we prayed the Hail Mary.
Sr. Terence was unlike any other nun I'd known up until that time. When we had special petitions, she wouldn't just pray, but she'd use her own words. In a time when everything was memorized, she stood out. She also jumped rope with us, 15-decade rosary clattering in rhythm, and was quite at ease during folk dances. But it was those spontaneous prayers that really stood out. And, third graders that we were, we angled for attention.
Which brings me to my story. In the early spring of that year, probably in April, a group of us were at Sr. Terence's desk, getting ready for class. A few spoke their requests to her. Me? This is what I said: "My brother died." She gave me a long look, but when we prayed at the beginning of class, she prayed for my brother.
The next Sunday, as my dad and I were walking to the car after Mass, she happened to come out of the convent. She greeted us and asked, "How's your little boy doing?" My dad said, "He was pretty sick for a while, spent a couple of days in the hospital, but he's home now and doing fine." She looked at me and then went back inside.
Our home was a number of miles from church. Dad didn't say anything about my brother. I think I pretended to be asleep.
Some time that afternoon, both Mom and Dad came into my bedroom and closed the door. Mom sat down on the bed. "Why did you tell Sr. Terence that Geoffrey died?"
"I didn't!"
"She says you did."
"She must have me mixed up with someone else!" (Fifty kids in the class, surely she could be wrong.)
I don't remember anything else of the conversation. I'm sure my parents were rational about it all because I don't remember getting spanked for lying.
In later years, I think about how inadequate third-grade thinking is. There was one Catholic church for the whole town. The sisters, who lived a block away, would have known about any funeral. I never missed a day of school--it wouldn't have occurred to me.
My brother, who lived through the event, has asked me why I tried to kill him off. How do I explain that I just wanted some attention from a nun who used her own words to pray?
So why do I tell this now?
Over the last couple of days, I've dealt with an offender who received horrific news, that his 6 year old daughter had died of injuries sustained in a bad fall down a stairwell. He was, after several years, getting ready for a visit with her, and now this. When I talked with him, there was more to the story: his brother who'd told him on the phone that their mother had taken the news so badly that she'd had a stroke or heart attack and ended up in the hospital. And she was dead.
But two days later he got a letter from his mother who'd heard about what the brother had said and was furious.
Today, I had an email saying that offender had gotten news last night that his ex-wife had committed suicide.
How can one person hold all that pain?
I talked with him again. Sorted through the things people were telling him ("Well, she was your EX, so it can't hurt that badly") and check with him about a referral to mental health. He's not feeling suicidal, but he hasn't been able to sleep.
Now, in this early evening, I read a note from mental health, saying the coroner was called and has no record of a six-year-old dying in the past several months and there had been no suicides.
I begin to wonder. I'm standing in a third grade classroom again. I know I've told the big lie. Did someone else?
UPDATE: 2/8/08 I talked with a couple of other people who'd also listened to this story and finally called the man who is in charge of investigations. "Something just doesn't seem right with this. Can you use your law enforcement contacts and check it out?"
The short end of the story: the offender came in last night and said, "You know all that stuff? It was a big fat LIE." Someone new was dating his ex-wife; she didn't want to see him again. What better way than to say she was dead?
I don't know all the details. I don't know if I want to know.


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From the March 1978 magazine.
About Alcoholism - Alcoholism Information, Research and Treatment
Catholics Meet a Challenge
Many of these items are contrary to AA philosophy. Their publication here does not mean that the Grapevine endorses or approves them; they are offered solely for your information.
The Roman Catholic Church has long been involved in assisting lay members, priests, and other religious personnel with drinking problems. The services it provides for alcoholic people derive much of their impetus from the National Clergy Council on Alcoholism and Related Drug Problems, founded in 1949. NCCA is an educational and consultation agency, made up of priests, brothers, sisters,...
-- Harrison John


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UNSC Nightmarish Shadow
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|This article, UNSC Nightmarish Shadow, was written by Spartan G-23. Please do not edit this fiction without the writer's permission.
The UNSC Nightmarish Shadow is the only prowler in the UNSC Second Assault Fleet. It always accompanies the UNSC Spitfire on missions.


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Fabulous Makeup Artist! My site (currently under construction) is www.eye2cheekchic.com \ My Facebook Fan Page: https://www.facebook.com/Eye2CheekChic (also under construction - will be built up very soon! I'm currently waiting on images from 6 different all-day shoots, so I will have a TON more images to show within the next week or two!
I guess I would be considered in the beginning phase of my "professional" career, although I have been doing makeup as a light hobby (for family, friends and myself) for about 6 years, give or take a little.
Portfolio building, networking with awesome people in the industry, gain more experience, hopefully make some money, and anything else! I'm very open, eager, and excited about
Yes! I would LOVE to!
I surely can! I'm an awesome multi-tasker! =D
I am a creative, enthusiastic, passionate, diligent, reliable, versatile, gregarious MUA. I'm professional, without being boring.. creative, without being TOO over the top.. crazy, without being overbearing.. reliable, without being predictable..
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While Khanna won endorsement and financial support of many well-known tech executives, Honda was buoyed by support from the state Democratic Party and big-name Democrats including President Barack Obama.California Governor Jerry Brown also pumped campaign cash into TV ads attacking Khanna during the final two weeks of the campaign, according to the Gate.
Speaking to supporters at his Fremont campaign headquarters, Khanna thanked his staff and volunteers and said he had called Honda and "wished him well as he returns to Washington for another term".
"This long campaign has come to a close," Khanna was quoted as saying.
"I believe, more than ever, that our district has so much to offer in building a fair and prosperous economic future for our nation in the 21st century. Our work is just beginning."
Khanna, according to the San Jose Mercury News, said he was "inspired by the passion both campaigns have shown in this very unique district. The voters are fundamentally fair, open-minded and decent, and I respect their decision".
Asked about his plans, Khanna said he couldn't possibly consider whether to run again in 2016 before this election's votes were completely counted. Once that's done, he said, he'll take some time with his girlfriend and family "for reflection" and then look for ways to "be involved in this community and active... contributing to the issues that I care about".


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The AGA is selling back issues of Planted Aquaria Magazine. This full-color 40-page magazine was published by Dave Gomberg between 2000 and 2001. There were eight issues published; four of them may be purchased here (#1, #2, #4, and #5 are no longer available).
Pricing and availability are listed on our Back Issue Sales page.


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Gold Stop Brand - hours and store locations
Map, Hours, Locations, Contacts
Gold Stop brand name online shopping information - All Gold Stop store or outlet locations in USA - total of 4 stores and outlet stores in database. Get information about hours, locations, contacts and find store on map. Users ratings and reviews for Gold Stop brand.
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Nearby Gold Stop
658 mile - Gold Stop in Springfield, Illinois
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Recently we were at the beach with our friends the Tuckers, and Jenn was asking what was going on with the temporary relocation (I prefer that to the term "move", which implies a permenant thing). I was retelling a few items, including the ferry trip, the house we rented, etc. To which Jenn replied, "Oh my god. You guys are so... ORGANIZED. You've gotten all that taken care of already? You're months out! We'd probably be packing up the car to leave and go "oh, maybe we should look into a place to rent for while we're up there." Because we just totally do not have it together to that degree."
And I said "Maybe. But the big difference is that you'd be fine with going with the flow. We would most assuredly NOT be OK with that. We would freak. The term "roll with it" does not apply at 305."
Let me refresh your memory as to who we are dealing with, here.
|Show some love to Natalie Dee for this design, y'all.
So it's appropriate that in preparation for this excursion, 305 has been transformed and looks more like this these days:
That's right, people. We're going to execute this thing with the military precision of Operation Overlord. Or better. Because there's not much that will send me into having a come-apart faster than The Unknown.
Look. I know it's a shortcoming. I know that it's indicative of a far healthier psyche to be flexible. Adaptable. More relaxed. But at the ripe old age of 44, I'm beginning to finally accept the fact that I'm not that guy. Girl. Woman. Whatever. My parents will confirm that even as a little kid, I absolutely COULD NOT enjoy what I was doing unless I knew "what's going to happen next?". Once I had a plan mapped out in my tiny little neurotic brain, I was happy as a clam. And I'm still very much that way. I need to know what. I need to know when. I need to know where. I need to know how. And I need to know it all long before I get in the car and pull out of my driveway and point to the Great White North.
So here's what we've accomplished so far.
We have procured lodging.
We have gotten passports and filed for all the visa stuff we need.
|Yes, Pootie had on pants. He'd been outside trying to give himself skin cancer.
We have (probably prematurely, given the dog situation) booked the ferry. (The dog situation is the only reason we haven't actually reserved the aforementioned pet-friendly accomodations since we don't know for sure which ferry we'll be taking. Yes, it's causing some internal anxiety for me, thank you for asking.)
We have located the local Costco.
We have ascertained what the most likely equivalents are for our Harris Teeter and Target and mapped them. We have researched restaurants we want to try. We have contacted the local pet supply place to make sure they carry Dinky's particular brand of Hard Crunchy Bits.
We (and by "we", I mean Pootie, in this instance) have written an extremely detailed household operations manual, um, list for the future occupants of 305. We have made arrangements for our mail. We have plotted to turn the screws on Sprint so they'll give us a reasonable calling plan. We have obtained parkas (I got mine for my June birthday from my parents! North Face! Woot!). We have retrieved our almost unused LL Bean boots from the attic and made sure they're still intact. We have made preliminary lists of things (mostly clothing) that we're going to pack in boxes and have shipped to us once we leave. (We'll be "sending for our things" - all Old School and stuff!)
I'm sure I'm leaving some things out.
I told you. I do not mess around with my neuroses. We plan hardcore. I am professionally unbalanced about leaving my home.
But hey. You know what? I'll do what I have to do for my own emotional comfort. Doing what I can to alleviate anxiety on the front end will help me actually enjoy this experience instead of being wound up tighter than a two-dollar watch for the week it takes us to get there. Which makes me just heaps of fun to be around.
So I'll be picking some serious nits until we leave in August. Trust me. We'll ALL be happier.


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Is it a bangle band or a band with links?
Amanda Q. asked on Jan 31, 2013
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