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Current Available Positions
- Accounts Payable Specialist | Accounting
- Assistant Supervisor, Control Room | Security
- Assistant to the Chief Curator | Architecture and Design
- Assistant to the Senior Deputy Director | External Affairs
- Curatorial Assistant | Photography
- Data Associate | Management Information
- Department Coordinator | Chief Curator at Large
- Development Assistant, Corporate Membership | Exhibition and Program Funding
- Development Coordinator | Development
- Facilitator, Studio Interactive Space (part-time, temporary) | Education
- Guest Assistant | Visitor Services
- Network Engineer | Information Technology
- Program Coordinator, The Junior Associates | Affiliate Programs
- Receptionist (part-time) | Visitor Services
- Sales Associate | Design Store
- Senior Web Developer | Information Technology
- Studio Production Manager | Imaging and Visual Resources
- Volunteer Program Manager | Visitor Services
MoMA Jobs application guidelines
Accounts Payable Specialist | Accounting
Performs various accounts payable processing tasks and reviews functions critical to the completion of accurate and timely payments. Processes invoice-related vouchers for payment and posting to the general ledger. Reconciles accounts payable sub-ledger to general ledger on daily basis. Runs jobs for checks, Automated Clearing House (ACH), wires, and credit cards payment methods. Effectively and promptly communicates on vendor and internal inquiries. Assists with account analysis and prepares miscellaneous vendor reporting, including the weekly accounts payable status report. Enters wire transfer payments, USD, and foreign currency. Reviews travel and entertainment expense reports in accordance with travel and expense (T&E) policy and assists with T&E system. Reviews capital expenditure vouchers prior to general ledger posting and reconciles asset manager activity. Reviews stale-dated checks, preparing file for escheatment. Monitors open payable and vendor credit reports. Completes closing procedures by the third business day of each month. Leads annual 1099 and 1042 tax reporting by mandated due dates. Performs related account reconciliations and follow-up as required. Develops, in conjunction with manager of Accounts Payable, metrics to more effectively manage the department's through-put. Reviews accounts receivable reconciliation. Assists with special projects as assigned. Reports to Manager, Accounts Payable.
Requirements: Bachelor's or associate's degree in accounting. Two years accounting experience, preferably in a museum or not-for-profit environment. Strong knowledge of accounts payable policies and procedures. Team player with the ability to coordinate and communicate with individuals throughout the Museum. Excellent interpersonal skills. Self-starter with strong detail orientation and highly organized work habits. Experience and proficiency with PeopleSoft Accounts Payable module or similar ERP software. Knowledge of foreign vendor taxation and statutory reporting.
Assistant Supervisor, Control Room | Security
Manages access, via Security Access System, to all areas in multiple buildings. Communicates response to emergency situations with internal and external responders. Supervises, deploys, dispatches, and trains security officers. Monitors security and fire system devices and equipment via fire command center. Reports malfunctioning devices to control room supervisor or manager of Technical Systems and Operations. Tracks and distributes equipment to security personnel. Notes all daily activity and equipment distribution in the daily control room log. Tracks and communicates personnel call-offs to gallery supervisors. Frequently interacts with security supervisors and managers, plus internal/external contacts (e.g. Special Events department). Communicates closely with on-duty security supervisors and managers regarding situational awareness of building operations and issues. Communicates clear and concise information via radio, telephone, and email. Collaborates with on-site fire safety director and the fire command center regarding fire system status and pending issues. Ensures required communication and documentation are complete as it relates to daily operations/audits. Maintains the safety and security of confidential information and data. Participates in writing incident reports and documents control room and fire command center procedures. Provides first-level troubleshooting of security system and hardware issues. Reports security system and technical issues to manager of Technical Systems and Operations, or control room supervisor on duty. Resolves minor problems or issues and provides suggestions for improvement. Reports to Manager, Technical Systems and Operations.
Requirements: At least two years experience of control/command room and technical/security system support. At least three to five years experience in the security or law enforcement field. At least one year of report-writing experience. Experience in cultural, educational, or large public-access locations preferred. Demonstrated knowledge of security practices, including emergency response. Experience in utilizing various software applications, including MS Word and Excel and Google search engine. Basic first aid/CPR knowledge and AED certification. Fire Safety Director certification or ability to complete certification. Applied knowledge of fire-life-safety systems, security access and intrusion systems, CCTV, and other related security device. Ability to work a flexible schedule at both Manhattan and Queens locations.
If hired, individual must successfully complete a security threat assessment through the Department of Homeland Security.
Assistant to the Chief Curator | Architecture and Design
Performs general administrative duties, including organization and maintenance of all chief curator files. Facilitates chief curator's email and written correspondence. Drafts answers for routine correspondence and inquiries. Corresponds and acts as liaison with outside persons, other organizations, and Museum personnel. Answers chief curator's telephone calls and covers for others. Opens and routes incoming mail, faxes, and email. Liaises with artists represented in the collection and coordinates their passes and inquiries as needed. Makes travel and logistical arrangements for chief curator. Coordinates chief curator's schedule and various departmental functions in coordination with department manager. Prepares travel and entertainment expense reports in accordance with policy. Assists department manager with budget as it relates to chief curator's expenditures, as well as payment of departmental expenses when needed. Maintains general organization of chief curator's office. Maintains chief curator and department contacts, artist address lists, and departmental invitation lists. Maintains list and coordinates distribution of Annual Artist Passes. Assists with setup and running of lectures, roundtable discussions, gallery visits, etc. Attends meetings and special events as required. Assists with preparation of PowerPoint presentation materials for internal and external engagements. Completes project and administrative assignments as directed by chief curator and department manager. Assists and takes direction from department manager and curatorial staff as required. Reports to The Philip Johnson Chief Curator of Architecture and Design.
Requirements: Bachelor's degree and five or more years experience in administrative positions or equivalent. Superior judgment and discretion, professional initiative, and strong verbal communication abilities. Strong computer skills, including proficiency with Microsoft Office Suite (Word, Excel, PowerPoint). Architecture and research background is desirable but not essential.
Assistant to the Senior Deputy Director | External Affairs
Serves as executive/administrative assistant and office manager and performs confidential administrative duties. Corresponds with and acts as a liaison with trustees, director's office, senior Museum staff, and the public on behalf of the senior deputy director. Assists and acts in a confidential capacity for the senior deputy director as it pertains to current and future programming, strategies, and budgets. Works with outside consultants to coordinate meetings and processes for external hiring searches. Maintains senior deputy director's calendar, including scheduling and coordinating departmental meetings and events. Prepares and distributes agendas and minutes, and follows up on action items. Assists in the preparation and writing of formal correspondence, acknowledgements, presentations, proposals, departmental reports, and other documents. Prepares the departmental administrative budget, including preparation of financial reports, overseeing expenditures, and maintaining associated financial records and files. Coordinates department-wide meetings, including the scheduling of External Affairs director's meetings. Coordinates department-wide initiatives. Serves as liaison between senior deputy director and External Affairs staff as needed. Attends meetings and special events as required. Performs a variety of clerical duties: makes travel arrangements, maintains trustee files, handles records management for office, etc. Reports to Senior Deputy Director for External Affairs.
Requirements: Bachelor's degree and at least four to five years relevant administrative experience or equivalent. Excellent verbal communication skills. Very strong writing skills to be able to prepare a variety of correspondence. (Finalists will be asked to submit writing samples.) Excellent organization skills and keen attention to detail. Strong computer skills, including Microsoft Office Suite (PowerPoint, Word, Excel), Gmail, and facility with Internet research. Ability to work independently, meet deadlines, and coordinate multiple projects simultaneously with tact and diplomacy. Knowledge of and interest in contemporary and modern art. Foreign languages a plus.
Curatorial Assistant | Photography
Assists senior curatorial staff in all areas of their responsibilities, including administrative work in the context of acquisitions, collections records, bibliographic and biographical records and files, research for exhibitions and publications, departmental committees, loans, and general curatorial inquiries. Performs work in relation to care of the collection and arranges for custodial, registration, and preparation work as required by the curatorial staff in the maintenance of the collection in gallery, study, and storage areas. Conducts daily collection gallery inspections and assists with follow-up arrangements in the event of damage, deterioration, etc. Performs the duties of exhibitions assistant, including research on artists, periods, styles, etc.; specific works; locations of works; photograph sources; etc. Assists in cataloging; preparing checklists from compilation to data entry; and coordinating and scheduling work to be done within the Museum and without in such areas as conservation, photography, public information, matting and framing, construction, lighting, etc. Assists with the preparation and installation of wall labels. Conducts daily inspection of the works on view in temporary exhibitions and assists with necessary follow-up arrangements. Answers inquiries and conducts some gallery tours as necessary for visitors. Researches and catalogs the Museum collection and archives under senior staff supervision, and answers related inquiries from the public and scholars. Assists in preparing the Contemporary Forum on Photography and the Photography Council. Assists in the operation of The Erna and Victor Hasselblad Photography Study Center and the administration of the online portfolio submission program. Reports to senior curatorial titles as assigned.
Requirements: Master's degree in art history, ABD candidates preferred, with a focus on postwar/contemporary art and some relevant museum experience or equivalent. Familiarity with modern and contemporary art and the history of photography helpful. Excellent writing, research, and organizational skills. Highly motivated. Strict attention to detail and rigorous approach to tasks. Excellent computer skills. High level of enthusiasm for working with a curatorial team. Ability to manage more than one project at a time and consistently meet deadlines. Knowledge of one foreign language preferred.
Data Associate | Management Information
Works with various Museum departments (Visitor Services, Retail, Accounting, Membership, Digital Media, Information Technology) to consolidate data from disparate systems to build a more complete analysis of daily operations, activities, and projections. Compiles and delivers topline daily, weekly, quarterly, and fiscal-year reporting, including cross-channel and within-channel insights, as well as ad-hoc data and performance reports. Develops a deep familiarity with myriad data sources, including operational databases, big data platforms, messaging frameworks, internal tools, and external data integrations. Identifies and documents the business logic required to clean, normalize, and model disparate source data into a conformed and dimensional representation of the Museum's business. Takes ownership of data and constantly improves its quality and integrity. Partners with business stakeholders to understand their unique analytic requirements and assists in the development of metrics, reports, dashboards, and visualizations, and in the design of schemas and data flows to enable them. Reconciles technical, creative, and business perspectives and navigates seamlessly among all constituents. Develops detailed reports, charts, and maps that visually communicate analytics findings and opportunities. Reports to Director, Management Information and Government and Community Relations.
Requirements: Bachelor's degree in a quantitative field (statistics, applied mathematics, engineering, operations research, business intelligence, economics, or any other relevant field), master's degree preferred, and three or more years of relevant experience or equivalent. Extensive experience with Microsoft Office tools, especially Excel and PowerPoint; proficiency with advanced Excel techniques; and experience working with a variety of reporting, analytic, and visualization platforms and tools (Tableau currently used). Experience with SAS, SQL a plus. Comfortable manipulating large datasets and knowledge of statistical inference and hypothesis testing also a plus.
Department Coordinator | Chief Curator at Large
Works with and supports MoMA's chief curator at large (CCaL) with general administrative and production assistance. Assists with managing projects and coordinating with other Museum departments on the CCaL's behalf. Communicates with artists, galleries, and other museums. Secures photo permissions and other materials as needed for publications. Coordinates circulation of exhibition-related lender correspondence, loan forms, etc. Acquires books and other materials necessary for research and preparation. Works with Exhibition Planning and Administration on the creation and monitoring of exhibition budgets, ensuring adherence to budget parameters. Maintains and monitors a schedule of exhibition, installation, re-installation, etc. projects and activities. Works closely with Audio Visual, Building Operations, curatorial, Digital Media, Education, Exhibition Design and Production, Registrar, Human Resources, General Counsel, Security, Special Events, Visitor Services, and other areas, and facilitates cross-departmental coordination of all CCaL projects. May assist in research and preparation for potential acquisitions for the collection, including biographical and bibliographical research. Maintains files and communicates with archives, dealers, galleries, collectors, and artists, as necessary. Assists with the creation and monitoring of acquisitions budget. Responds, on behalf of CCaL, to voicemail and email. Maintains calendar and schedules meetings. Prepares and distributes agendas and minutes and follows up on action items. Attends meetings as required and, in the absence of CCaL, represents CCaL interests, priorities, etc. Corresponds and acts as a liaison with outside persons, other institutions, and Museum staff on behalf of the CCaL. Sorts mail and compiles information for the CCaL for response and/or responds on own initiative where appropriate. Oversees and monitors department budget, ensuring adherence to budget parameters. Responds to inquiries from staff and public in person, by phone, or by correspondence. Makes travel arrangements. Handles petty cash expenditures. Maintains files (records management), etc. Reports to Chief Curator at Large.
Requirements: Bachelor's degree and three years related experience in museum or gallery exhibition organization or equivalent. Comprehensive knowledge of office practices and procedures. Excellent computer skills (Microsoft Office Suite, Google, PowerPoint) and the ability to use other standard office equipment. Good verbal and written communication skills. Strong attention to detail. Strong interpersonal skills. Ability to work independently, meet deadlines, and coordinate projects simultaneously with tact and diplomacy. Background in history of modern art.
Development Assistant, Corporate Membership | Exhibition and Program Funding
Assists with general stewardship and fulfillment of corporate membership program benefits. Coordinates regular mailings, including acquisitions, renewals, and invitations. Researches and identifies prospective members. Updates the donor database and the corporate membership ledger on a regular basis. Tracks and reports corporate membership attendance. Processes gifts, prepares receipts, and prepares letters of acknowledgment for related contributions. Circulates corporate member information internally and makes updates on the Museum website. Assists with completion of grant proposals to corporate donors and prospects. Assists with organization of special events associated with the corporate program. Works with member representatives to promote employee participation and corporate involvement in the Museum. Assists with day-to-day administrative duties for the department, including maintaining files, responding to phone and email inquiries, and processing invoices. Reports to Associate Director, Corporate and Program Funding.
Requirements: Bachelor's degree and one or more years of related experience or equivalent. Excellent written and oral communication skills. Superior organizational skills and attention to detail. Proficiency in Microsoft Office (Word, Excel, Power Point), Internet research, and office procedures. Ability to work independently and handle many projects simultaneously. Interest in and knowledge of modern and contemporary art preferred.
Development Coordinator | Development
Works on behalf of the office of the senior deputy director of External Affairs to ensure seamless relations with the Museum's highest-level donors. Liaises with staff Museum-wide, including External Affairs and curatorial departments, to support fundraising operations in two key areas: trustee giving and acquisition committees. Serves as point person for trustee giving, prepares solicitations and acknowledgements, processes gifts, and tracks pledges. Ensures donor and gift-related data is effectively entered into the Museum's donor database. Maintains archival records, and generates reports on year-over-year cash and art giving as requested. Coordinates solicitation calendars for trustees and acquisition committee members. Supports acquisition committees across the Museum, including new member onboarding processes in collaboration with the Office of General Counsel. Leads quarterly Development liaison meetings to ensure steady flow of communication. Coordinates Annual Report review. Prepares gift-related reporting as needed. Prepares narrative reports for individual trustee-supported initiatives upon request. Assists with donor research as needed. Works closely with director of Major Gifts/Campaign as required. Reports to Assistant Director, Development.
Requirements: Bachelor's degree and at least two years of development or development-related experience or equivalent. Extreme attention to detail a must. Excellent organization and analytical and written and communication skills. Ability to work with a variety of stakeholders, internal and external. Knowledge about and experience with nonprofit organizations. Museum experience a plus. Ability to work in a collaborative setting that involves shared decision-making and program responsibility and to work independently, manage multiple tasks, and balance priorities. Proficiency with Microsoft Office Suite (Word, Excel, PowerPoint) and development databases; Salesforce experience a plus as well as the ability to work with financial data. Knowledge of and interest in modern and contemporary art preferred.
Facilitator, Studio Interactive Space (part-time, temporary) | Education
Oversees and maintains space on the third floor of the Museum, and facilitates visitor experiences with various components of the program, including self-guided building and drawing activities, engagement with artist installations, scheduled workshops, and other programming during open hours. Welcomes visitors to the space with a general introduction to themes and activities. Assists in daily operations and maintenance and management of the interactive space, including, but not limited to, set-up and closing of space on a daily basis, light cleaning, preparation of project spaces, troubleshooting technical equipment issues (with AV support), and upkeep, distribution, collection, and organization of materials and equipment as needed. Facilitates and encourages public interaction with hands-on activities and ongoing artist projects. Acts as primary contact with visitors. Answers questions about the Museum and other educational programs. Delivers feedback to Education staff. Tracks attendance of visitors to the space. Collects evaluation data from visitors. May assist in helping to develop questions and interviewing visitors. Reports to Assistant Director, Learning Programs and Partnerships.
Requirements: Bachelor's degree in art history, art/museum education, fine arts, architecture and design, or equivalent professional experience. Knowledge of museum education and art, architecture, and design is required. Prior experience as an educator or facilitator in a museum, school, or similar learning environment. Experience with children, teenagers, and people with different abilities is highly desirable. Ability to synthesize complex ideas and concepts for a general and diverse audience. Flexible schedule required (12–35 hours per week). Shifts are 10:00 a.m.–6:00 p.m., seven days per week, with occasional Friday evening shifts from 5:00 to 8:30 p.m. The anticipated length of this temporary assignment is June 5–October 1, 2017.
Guest Assistant | Visitor Services
Creates a highly positive experience for Museum guests that is conducive to repeat visitation, membership conversion, and positive word of mouth for the Museum. Sells daily and advance Museum admission, film, and program tickets, memberships, and member guest passes. Processes credit cards and coupons, rings up cash, and issues change. Generates proactive sales efforts throughout the Museum. Proactively and warmly welcomes guests, responds to questions, and offers guidance. Validates admission at points of entry to galleries. Ensures smooth flow of visitors by proactively guiding visitors to various queues and spaces. Resolves general complaints from guests and members on site. Stays abreast of current and upcoming exhibitions, films, educational programs, and marketing campaigns. Helps maintain inventory of printed information and marketing materials, and ensures signage is properly placed. Reports to Lobby Managers.
Requirements: Bachelor's degree or equivalent. Proficiency with computers/Windows. Exceptional customer service skills, customer service experience, and passion for the visual arts. Previous museum experience and foreign language skills strongly preferred. Must be available to work weekends and holiday periods. Must be able to work weekend hours.
Network Engineer | Information Technology
Ensures smooth operation of the Museum's local and wide-area data network in order to provide maximum performance and availability. Designs, installs, maintains, and supports LAN and WAN infrastructures at all locations, including data centers and offices. Designs, implements, maintains, and supports MoMA's LAN/WAN. Leads network-related projects. Manages performance and maintains security of networks at an advanced level. Assists in implementing policies and procedures for LAN/WAN usage throughout the organization. Acts as primary organizational interface with vendor and provides internal analysis and support. Upgrades and maintains Cisco equipment across LAN/WAN environment. Monitors all communication equipment in support of new product/process implementations. Creates and maintains comprehensive documentation and schematics for all network topology, equipment, and configurations. Maintains accurate and up-to-date inventory of all network hardware and system software. Reports to Senior Manager of Infrastructure.
Requirements: Eight-plus years experience with Cisco routers and switches, CCNA and CCNP preferred. Eight-plus years experience in the design, implementation, support, and management of complex LAN/WAN environments. Well versed in advanced engineering and administration of multi-protocol routers, multilayer switches, network security devices, and network management systems. Excellent problem management, troubleshooting, and customer service skills. Advanced working knowledge of Cisco Nexus and Catalyst platforms. Advanced working knowledge of Cisco switching and routing platforms. Ability to perform LAN/WAN debugging at the most complex level. Advanced understanding of routing and TCP/IP, BGP, Multi-VRP, and EIGRP. Advanced understanding of switching protocols, VSS, RTSP+, Spanning Tree, Port Security, and QoS. Experience with network traffic analysis and protocol analyzers (WireShark, tcpdump). Expert-level troubleshooting and problem-resolution skills. Knowledge of network maintenance processes and formal change management procedures. Able to effectively lead and manage high-profile projects as necessary. Able to function independently and in a team environment with minimal supervision. Knowledge of structured cabling principles and general data center operations. Strong oral and written communication skills. Ability to explain highly technical concepts to a non-technical audience. Familiarity with network security principles, tools, and best practices. Experience with data security audits and processes a definite plus. Experience in high-volume, 24/7 production environments is a definite plus. This position requires being on call 24/7 for production issues. Must have demonstrated ability to lift heavy (up to 50 lbs.) equipment; crawl under or around furniture to install equipment; and climb ladders and reach to install computer wiring and perform other tasks.
Position is within the scope of the Payment Card Industry Data Security Standard (PCI DSS). Therefore, any offer of employment for this position is contingent on candidate passing a criminal background check.
Program Coordinator, The Junior Associates | Affiliate Programs
Manages the overall administration of The Junior Associates, a group of 350 members. Works directly with the manager of Affiliate Programs and Junior Associates co-chairs and steering committee to plan fundraising strategies and extensive agendas for the group (35 exclusive events a year). Oversees JA steering committee with three to four annual committee meetings. Independently creates, produces, and hosts all JA events throughout the year; oversees all details, including invitations, financials, security, and catering. Serves as liaison between Junior Associates, Museum staff, outside organizations, and individuals from the art community at large. In particular, collaborates with Museum's curatorial staff and departments of Membership, Development, and Exhibition and Program Funding. Processes membership applications and renewals and oversees general correspondence, including letters of thanks and acknowledgments for gifts. Answers phone and email inquiries from members and prospective members. Maintains membership database, confidential donor files, JA website, and department records. Develops and oversees JA annual budget. Processes invoices and tracks expenses. Ensures funds received are directed to the appropriate Museum accounts. Designs, implements, and manages all fundraising strategies for JA activities related to Museum's capital campaign. Reports to Manager, Affiliate Programs.
Requirements: Bachelor's degree, preferably in art history, and two to three years related development/membership experience or equivalent. Experience working with high-level donors with a proven track record in fundraising. Excellent organizational and analytical skills, with strong attention to detail. Ability to effectively deal with large groups of people. Strong written and verbal communication skills. Ability to produce under deadline and work effectively with a diverse group. Proficient in Microsoft Office Suite and with databases, office procedures, and office equipment. Facility with numbers to work with budgets and financial data. Available to work some evenings and weekends.
Receptionist (part-time) | Visitor Services
Meets and greets all visitors to the Museum's reception areas, including staff, staff guests, educators, groups, study center and library users, trustees, VIPs, couriers, and messengers. Maintains visitor log form, checks identification, and signs in each guest per Museum policy. Announces visitors to staff and directs visitors to various offices and departments. Receives, distributes, and signs for all incoming and outgoing packages, accountable USPS mail, interoffice envelopes, and other third-party shipments. Maintains delivery and pick-up log. Answers general questions about Museum policies and operations. Distributes study center brochures, submission guidelines, volunteer applications, and other written materials upon request. Answers and forwards all calls to the switchboard to relevant staff.
Requirements: High school diploma or equivalent, some college preferred. Prior receptionist/office experience. Excellent communication, organizational, and customer service skills. Professional phone manner with strong organizational and clerical skills. Flexible and able to work in a fast-paced environment. Facility with MS Office and Gmail.
Sales Associate | Design Store
Answers inquiries and assists customers in making selections. Stocks and restocks sales fixtures. Straightens and dusts merchandise and fixtures. Assists in physical inventories. Opens and closes cash registers and is held accountable for any discrepancies noted by manager. Reports to Store Manager.
Requirements: High school diploma or equivalent. Some sales experience. Excellent customer service skills. An interest in good design, books, art, and architecture. Ability to work afternoon and weekend hours.
Senior Web Developer | Information Technology
Develops and supports applications for the Museum's online store. Provides support for the Retail and Membership teams' strategic online initiatives. Performs application build and deployment activities. Tunes and optimizes website to improve performance and stability. Provides relevant documentation of deployed updates and projects. Effectively advocates for piloting latest technology for projects. Troubleshoots any technical issues that may arise. Reports to Associate Director, Applications.
Studio Production Manager | Imaging and Visual Resources
Manages the imaging of MoMA's artworks, exhibitions, and ancillary materials related to the Museum's collection. Manages a team of photographers, a preparatory, and a production assistant. Manages production planning, job assignments, quality assurance, troubleshooting, and statistical reporting related to imaging projects. Researches current and emerging technologies, including imaging systems and related software, 3-D, computational imaging, FADGI/Metamorfoze guidelines, and video. Trains and develops staff as technologies and methods evolve. Maintains documentation of imaging procedures. Maintains demanding image-quality levels on deadline, while ensuring the safety of artworks. Performs monitor calibrations and camera profiling. Advises the director of Imaging and Visual Resources about technologies and workflows that can help the Museum achieve specific project goals or fulfill its overall mission. Participates in the planning of interdepartmental projects. Meets with curators to determine the best representation of artworks and exhibitions while maintaining a consistent look for the Museum. Collaborates with the senior digital image archivist to ensure image production meets the needs for long-term archiving, retrieval, and distribution. Represents MoMA through attendance and presentations at major domestic and international conferences. Reports to Director, Imaging and Visual Resources.
Requirements: Bachelor of arts, bachelor of science, or bachelor of fine arts in photography, digital imaging, or related field, master's degree preferred. Minimum five years experience photographing works of art, with at least one year as a manager. Thorough working knowledge of best practices in professional digital imaging of works of art, including lighting techniques, cameras, studio configuration, rapid imaging workflow, and international cultural heritage imaging guidelines. Knowledge of modern and contemporary art history. Strong management skills, technical and aesthetic understanding, and the ability to work effectively under competing deadlines. Fully skilled in making both technical and aesthetic decisions and identifying conservation issues associated with imaging works of modern and contemporary art. Able to work effectively both independently and in collaboration with others. Thorough knowledge of all camera, optical, lighting, and computer hardware and software components of high-end digital-imaging studio workflow. Thorough understanding of and experience with evaluative procedures for photographic and computer equipment and devices. Overall studio and workflow management. Photoshop, Bridge, Capture One, Phocus, BasICColor. Thorough understanding of FADGI/Metamorfoze and use of evaluation tools and software. Excellent communication skills. Knowledge and experience with computational imaging (RTI, photogrammetry).
Volunteer Program Manager | Visitor Services
Works as part of the Visitor Services management team to create an excellent visitor experience at the Museum that fosters repeat visitation and supports meaningful interactions with the art. Works with assistant director and Visitor Services management team to design and execute training and development programs for the department. Oversees the department's proactive feedback collection initiatives. Directly trains and supervises Visitor Services volunteers. Recruits, selects, orients, and evaluates volunteers. Manages volunteer schedules and assignments to meet Museum departments' needs. Acts as liaison for volunteers working in cooperation with other Museum departments. Resolves conflicts between volunteers and/or volunteers and Museum staff. Designs, maintains, and evaluates volunteer handbook. Composes monthly update letter to volunteers, along with other special correspondence. Establishes volunteer policies and program changes with supervisor. Liaises with outside organizations to benchmark our volunteer program and to actively seek new ideas for improvement. Creates and manages volunteer program budget in conjunction with assistant director and department assistant. Updates Web pages, application and form letters, and volunteer job descriptions and positions. Organizes volunteer meetings, recognition events, and gifts. Stays knowledgeable in all applications of Volunteer Works and Volunteer Information Center software program. Maintains all electronic files in system. Supervises Volunteer Program assistant and all Museum Volunteers. Reports to Assistant Director, Visitor Services.
Requirements: Bachelor's degree and two to three years customer service and/or management experience, ideally in a museum or nonprofit setting. Experience in supervising staff, project coordination, and staff development. Ability to work independently, set priorities, and follow and meet deadlines. Excellent organizational skills. Superior interpersonal skills. Outstanding verbal and written communication skills. Ability to manage a large and diverse group of volunteers. Familiarity with modern and contemporary art. Fluency in one or more foreign languages a plus. Evening and weekend work required from time to time.
MoMA Jobs application guidelines
If you would like to submit your resume and cover letter for consideration, please choose one of the following options:
By email: email@example.com (most preferred option)
By fax: (212) 333-1107
By mail: The Museum of Modern Art
The Department of Human Resources
11 West 53 Street
New York, NY 10019
If submitting by email, please send us your resume and cover letter as one document in PDF format.
Please be advised that due to the high volume of applicants, we are able to contact only those candidates whose skills and background best fit the needs of the open positions. Thank you for your interest in employment opportunities at The Museum of Modern Art.
The Museum of Modern Art is an equal opportunity employer and considers all candidates for employment regardless of race, color, sex, age, national origin, creed, disability, marital status, sexual orientation, or political affiliation.
C-MAP Fellows
In 2009, The Museum of Modern Art launched Contemporary and Modern Art Perspectives (C-MAP), a global research initiative. The program is intended to deepen the Museum's range of expertise; expand the criteria by which quality in works of art and artistic movements is defined; enable the Museum to understand more fully the historical imperatives and changing conditions of an increasingly global art world; and infuse MoMA's future with the diverse perspectives of scholars, curators, artists, and historians from around the world.
We are currently seeking three C-MAP fellows (three to five days per week, subject to agreement between MoMA and the candidate) to support research in the following focus areas and reporting to MoMA curators as noted:
- Asia C-MAP fellow specializes in Asian art, with a focus on Indian and South Asian art (start date July 17, 2017; one-year term, renewable for a second year). Reports to Chief Curator, Department of Media and Performance Art.
- Central and Eastern Europe C-MAP fellow specializes in art from the Central and Eastern European regions (start date September 5, 2017; two-year term, renewable for a third year). Reports to Senior Curator, Department of Photography.
- Latin America C-MAP fellow specializes in art from Latin America, particularly the Caribbean region (start date July 17, 2017; one-year term, renewable for a second year). Reports to senior curator (to be named).
Led by senior MoMA curators, each C-MAP group is comprised of staff from MoMA's curatorial, International Program, Education, Library and Archives, and Publications departments, and will explore the convergence of themes, discourses, and practices in the visual arts of each respective area throughout the 20th century. Following the direction of the group leader, and in consultation with group's members, the fellow plans for and executes a lively program of visits by international and domestic scholars, as well as group travel to applicable countries. Possible outcomes of the group's work and travel include research that will benefit the Museum's program and the field at large, expansion of the Museum's global network and international partnerships, acquisitions of artworks, and online publishing.
Responsibilities: Coordinates with the C-MAP group leader and International Program to implement the research plan and schedule of the applicable C-MAP group. Prepares for C-MAP group meetings, corresponds with invitees, and compiles relevant research materials, biographies, and meeting agendas in advance of the visits. Conducts research and planning for group travel where the C-MAP group conducts research, and visits collections, cultural institutions, studios, and other organizations as required. Assists in the organization of and participates in symposia and other forms of discourse related to the C-MAP group research. Works closely with the International Program, C-MAP group leader, and C-MAP fellows to co-edit and oversee the content development for the post Web platform (post.at.moma.org). Reports to senior MoMA curator.
Qualified candidates will be graduate students or will hold a graduate degree in art history, anthropology, cultural studies, and/or a related field in the humanities (or the equivalent in countries outside the US). MPhil or PhD candidates preferred. Independent curators or researchers with a specialized knowledge of art in India and South Asia, art in Central and Eastern Europe, and art in Latin American and/or the Caribbean will also be considered. Strong knowledge of Western 20th- and 21st-century art history within a global context and additional knowledge of art history in India and South Asia, Central and Eastern Europe, and Latin America and the Caribbean preferred. Excellent writing and verbal communication skills. Demonstrated research capabilities. Familiarity with travel in Central or Eastern Europe, South Asia, or Latin America and the Caribbean preferred. Knowledge of basic office procedures and skills. Written and spoken fluency in one or more languages of Central and Eastern Europe, South Asia and Asia, or Spanish, French, or Portuguese preferred.
Please submit resume and cover letter, ideally in one PDF document, including salary requirements, to email@example.com. Please reference the position title/department in the subject line.
Application deadline for Central and Eastern Europe C-MAP fellow is May 22, 2017.
Application deadline for the Asia C-MAP fellow and the Latin American C-MAP fellow is June 1, 2017.
The Museum of Modern Art is an equal opportunity employer and considers all candidates for employment regardless of race, color, sex, age, national origin, creed, disability, marital status, sexual orientation or political affiliation.


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Impact Spoiler
Impact 12/27
Show opens with Christian Cage. He calls out Tomko and Styles, and tells them to choose between him and Angle. On cue, Kurt comes out and gets it on with Christian. AJ Styles tries to break it up, and Christian hits him accidentally. Styles thinks otherwise.
Match 1: Gail Kim, Velvet Sky, and Angelina Love defeat ODB, Jackie Moore and Roxxi.
Match 2: Motorcity Machine Guns defeat AJ Styles and Tomko(non-title match).
Jim Cornette hits the ring, Samoa Joe comes out, and then Kevin Nash. Nash announces that at the next PPV it will be him and Joe vs Styles and Tomko for tag titles.
Match 3: Petey Williams wins the 10 man X Division Gauntlet by pinning Senshi.
Match 4: Kaz defeats Black Reign
Match 5: Christian Cage wins a 10 man gautlet by pinning Samoa Joe. Cage is now the Number 1 contender for the TNA World Title.
Impact 1/3
Match 1: Booker T vs Robert Roode become a no contest when interrupted by Kurt and Karen Angle. As a result Booker challenges Kurt and whoever he wants to go against himself and a mystery partner later in the show.
Match 2: ODB wins a Knockouts Gauntlet by pinning Roxxi. She is now the No 1. contender for the Womens belt.
Match 3: The Motorcity Machine Guns win a 10 team gauntlet by pinning the Rock and Rave Infection. They are now No. 1 contenders for the tag team titles.
Match 4: Black Reign defeats Abyss in no DQ match.
Match 5: Booker T and Christian Cage defeat Kurt Angle and Robert Roode.

subset: commoncrawl


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The RAMCA Fellowship Training Program uses an action learning approach (thereby increasing learner centeredness) so that Candidates work and learn together by tackling actual scenarios and reflecting on their actions. This is the case for supervised practice and Learning Sets during which Candidates acquire knowledge through action in context and practice (rather than through didactic instructional modes).
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Candidates will participate in a series of webinar based Learning Set sessions throughout their candidacy in the Fellowship Training Program.
These webinar based Learning Set sessions are held each year based on current and emerging topics in Medical Administration focusing on the development and enhancement of leadership skills.
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Two case studies which are provided by the College or Candidates on a RACMA prescribed topic are put forth for discussion at each Learning Set webinar.
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The Learning Set webinar involves discussion of these two cases (40 minutes each) and concludes with the facilitator's summary of the challenges presented, the strategies employed, and the alternatives discussed (10 minutes).
The prescribed topics for the Learning Set case studies will vary for each year. The prescribed topics for the case studies will be circulated to Candidates at the beginning of each training year. Candidates will be provided a template to assist with the development of their case studies.
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RACMA Fellows will facilitate the Learning Sets to provide input and guidance on case study topics that are within their areas of expertise. Candidates in their final year will facilitate their own case study during the Learning Set webinar.
RACMA run INTERACT webinars on various themes throughout the year. Candidates can participate in these webinars and base their case on the topic and discussion from the webinar
Last Updated on Thursday, 03 March 2016 10:30
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UK: Maxxium says further expansion of owners and merger possible
Maxxium, the distribution company owned by Remy Cointreau, Jim Beam Brands, Highland Distillers and Vin&Spirt, has said it is possible more drinks companies will join its global network. The company also refused to deny that the current partners might at some point form closer bonds or even merge.
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Management of distal peripheral vascular disease Cheuk Kwan Yee, Queenie Tuen Mun Hospital
In the past…. Below knee disease ---- >
Our centre Perform endovascular procedures for infrapopliteal disease since Feb 2011 13 cases Post-op mortality : 7.7% Limb Salvage Rate : 84.6%
Infra-popliteal disease Endovascular tools Angiosome
CFA SFA Profundus
Popliteal a. ATA Tibioperoneal trunk
ATA Peroneal a. PTA
R ATA Tibioperoneal trunk Peroneal a. PTA
0.018" cordis guidewire
Balloon Angioplasty
Completion Angiogram
Endovascular Studies for infrapopliteal disease –Single center –Small patient size –Non randomized Comparable amputation free survival Isolated infrapopliteal revascularization : Endovascular -> better leg salvage BASIL trial : what are its implications, Seminar in vascular surgery, Bradbury et al 2009 Tibial intervention for CLI, Wiechmann et al, Seminars in interventional radiology, vol26 no.4 2009 Treatment of lower extremity vessels disease, Annals of Surgery vol246, no.3, Sept 2007, DeRubertis et al
Endovascular approach Global technical success = Direct flow to pedal arches Residual stenosis <=25% Preserve patency of treated lesion Minimize risk of limb amputation Limit extent of amputation Long term clinical outcomes after endovascular therapy for patients with CLI due to isolated below the knee lesions, Lida et al, circulation vol 124 suppl, Nov 2011 Devices for infrainguinal endovascular therapy : Menu a la carte or table d'hotl, Zoccai et al, Journal of Endovascular therapy 2011;18:638-641
Endovascular approach Restenosis : –Immediate elastic recoil of vessel –Myointimal hyperplasia –Late vascular remodelling Compromised runoff =>early restenosis /reocclusion
Balloons Plain Balloon Angioplasty Peripheral Cutting Balloon –4 atherotomes Drug-Coated Balloon –More durable biological effect (By small centre studies) Drug-coated balloons for the prevention of vascular restenosis. Gray et al, Circulation June 2010
Bare Metal Stent Eliminate: –early abrupt vessel closure –elastic recoil –negative vessel remodelling 6m 24m Limb salvage 94 82 Amp free survival 80 62 Problems may arise…… Stent-assisted below the ankle angioplasty for limb salvage, Kawarada et al, Journal of Endovascular therapy, 2011:18:32-42
Drug-eluting Stent inhibit restenosis Review of small scale studies : –sup to balloon expandable bare metal intervention free survival patency rate Similar limb salvage rate Infrapopliteal angioplasty with drug-eluting stents : from heart to toe, siablis et al, Journal of Endovascular therapy( 2010:17: 488-491) Prime time for infrapopliteal drug eluting stents, Journal of Endovascular therapy, phoenix Apr 2002 Primary use of sirolimus-eluting stents in the infrapopliteal arteries, Rastan et al,Journal of Endovascular therapy 2010 : 17:480-487
No sig diff in amputation free survival Stent : insignificant but higher limb salvage rate Below the ankle angioplasty : to stent or not to stent, Journal of Endovascular therapy 2011: 18:43-45 Endovascular Mx as 1st therapy for chronic total occlusion of the lower extremity arteries : Comparison of balloon angioplasty, stenting and directional atherectomy ; Journal of Endovascular therapy 2011;18:624-637 VS
Other new endovascular tools Nitinol stenting Atherectomy Cryotherapy Long term outcomes and risk stratification of patency following nitinol stenting in the femoropopliteal seg : retrospective multicenter analysis, lida et al, Journal of Endovascular therapy phoenix : Dec 2011 vol18 iss6 Cryoplasty for peripheral vascular disease, cochrane collaboration Cryoplasty for PAD in an unselected patient population in a tertiary centre, Silva et al, Texas Heart Institute Journal liquid nitrous oxide Resist external compression forces
Where to attack ?? ~~ANGIOSOME~~
Where to attack ?? 3-D vascular territories Supplied by specific source arteries Drained by specific veins Angiosomes of the leg;anatomic study and clinical implications, pleastic reconstruction surgery 1998 Sep 102(3) 599-616 ANGIOSOME
Angiosome Posterior tibial artery Anterior tibial artery Peroneal artery
Angiosome-oriented angioplasty Clinical success of endovascular approach : –dilation of all critical inflow lesions with residual stenosis < 30% –straight line outflow in at least one tibial vessel to the pedal arch Angiosome-oriented angioplasty : –Revascularize target vessels according to angiosome concept
Angiosome-oriented angioplasty Multiple single centre studies: –Angiosome-oriented angioplasty : improved overall limb salvage 90 VS 84 at 1 year, 89 VS 79 at 3 year Limitation : –Variations of angiosomes –Non-randomized studies –Failure to cannulate target vessel Revascularization of a specific angiosome for limb salvage : does the target artery matter? A reliable approach to diabetic neuroischemic foot wounds : below the knee angiosome-oriented angioplasty, Alexandescu et al; Journal of Endovascular therapy 2011;18: 376-387
Bring Home Messages New era for endovascular procedures Emerging new technologies Holistic and tailor made pre-op planning + post-op Mx Angiosome-oriented angioplasty
Thank You !! THANK YOU !!!
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Dear Editor: During the pre-game ceremony before the LSU game, the University of Alabama and the state of Alabama honored Chief Warrant Officer Robert Channell by presenting a flag to his wife, Joyce, daughter, Bethany, as well as other family members. Rob was killed in Iraq in April. I was very proud of the manner in which the university conducted the ceremony. If you were there, you too would have gotten chills the way the 85,000 in attendance reacted to the presentation of the flag. A special thanks to Rep. Spencer Bachus and his wife for their assistance, the University of Alabama band and Finus Gaston and his staff.
Rob would have been proud, as we all were. Thanks to UA and the thousands of Alabama and LSU fans for the honor.


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Business Philosophy
More about David Christie
Business Philosophy
As an agent with Coldwell Banker, David has leading edge knowledge, sales and technical skills to help you buy or sell your home in the Arizona Real Estate Market, specializing in East Valley Cities & Casa Grande. It's not the same everywhere, so you need someone you can trust for up-to-date information. Getting to know and care about his Client's hopes and dreams of homeownership is paramount to David, who is eager to serve you. Call David Today!
Personally as well as professionally, David has over 25 years in the field of real estate; in the areas of single family residential sales, development, property management and & appraisals. He takes great prides in helping people achieve their home ownership dreams, and David looks forward to the opportunity to get to know you. David is the Realtor® who cares. Call David today and let him help you with your real estate goals.
David graduated with honors from California State University at Long Beach with a MBA in Marketing & Finance and Bachelors in Production Operations Management and is concurrently enrolled in the Masters of Real Estate program with Realtor University.
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Find Your Next Home - You need someone who knows this area inside and out! I can work with you to find the right home at the right price for you, including all the neighborhood amenities that matter - not to mention the essential criteria you have for your ideal home
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Communities I Serve
Specializing throughout the East Valley, but not limited to:
· Casa Grande
· Maricopa
· Florence
· Chandler/Gilbert/Mesa
· Queen Creek
· Ahwatukee/South Phoenix
B.S. in Business Administration-Operations Management,
M.B.A. in Finance and Marketing
Appraisal Certificate-Residential Real Estate,
MCSE- Microsoft Software Engineering Certificate,
CFP- Certified Financial planning training. Professional Career History
SFR Real Estate Appraiser in Washington and Oregon which included single family residential, multi-unit rental properties appraisals
Real Estate agent in Washington and Arizona which included marketing, sales and developments
Property management in multi-unit housing, SFR and vacation rental properties
Landscape and Staging Development of SFRs and multi-family rental properties
Personal Background
Arizona has been home for the more than 20 years and I am very familiar with the Valley and Arizona.
I have traveled and lived throughout Europe, Mid-East and Far-east, Guam and the United States, which provides me with a unique and international, global perspective. [+]
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David Christie
Table of Contents
Table of Contents
David Christie
OccupationSales Associate at Coldwell Banker
Address1045 W Queen Creek Rd, Chandler, AZ 85248
- (360) 635-7463 direct
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text: June 29, 2015 by Valloa WonderFest 2015 As always, WonderFest was a wonderful time! The modeling contest had loads of entries this year and I managed to snag some photos this year too. Apologies as I wasn't able to get up close shots of everything due to not having that much free time to spend in the contest room. All of the pictures that I took have been added to a the WonderFest Amazing Modeling Contest 2015 gallery here. My entries placed in the following: Olesya Best Girlie Girl Trophy in the Naked Resin Attack Spring Gold in Sci-Fi/Fantasy Ariel, Mermaid Silver in Sci-Fi/Fantasy Stella, Silver in Sci-Fi/Fantasy Bubo from Clash of the Titans (Owl Automation) Bronze in Sci-Fi/Fantasy Lagertha, Shieldmaiden Bronze in Sci-Fi/Fantasy Oktoberfest Maiden Bronze in Sci-Fi/Fantasy The Sorceress with Tapestry Bronze in Sci/Fi Fantasy Dark Phoenix Bronze in Super Heroes/Villians


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|Message view
|« Date » · « Thread »
|« Date » · « Thread »
|"Dawid Weiss (Updated) (JIRA)" <j...@apache.org>
|[jira] [Updated] (LUCENE-3785) Replace ant macros for running concurrent tests with ant-junit4.
|Mon, 20 Feb 2012 15:53:36 GMT
[ https://issues.apache.org/jira/browse/LUCENE-3785?page=com.atlassian.jira.plugin.system.issuetabpanels:all-tabpanel ] Dawid Weiss updated LUCENE-3785: -------------------------------- Attachment: LUCENE-3785.patch A non-binary patch for overview. Most of the changes are around encapsulating random as a method instead of a field access. > Replace ant macros for running concurrent tests with ant-junit4. > ---------------------------------------------------------------- > > Key: LUCENE-3785 > URL: https://issues.apache.org/jira/browse/LUCENE-3785 > Project: Lucene - Java > Issue Type: Sub-task > Components: general/build, general/test > Reporter: Dawid Weiss > Assignee: Dawid Weiss > Priority: Minor > Fix For: 4.0 > > Attachments: LUCENE-3785.patch, failure-cases.patch, junit4-1.txt, junit4-2.txt, line-per-test.txt, lucene-tests.txt, trunk1.txt, trunk2.txt > > > ant-junit4 is an ANT task for running tests in parallel (on slave JVMs). Its advantages over the current macros: > - dynamic load balancing based on historical test runs and current execution (job-stealing), > - jvm-crash resilience (I wrote tests that actually crash a slave jvms to make sure such an event is reported appropriately), > - nicer console reporting (no need for syserrs on LuceneTestCase level). > More documentation and info will follow as I roll out a patch. > NOTE. The code for this issue is being developed at: > https://github.com/dweiss/lucene_solr/tree/LUCENE-3785 -- This message is automatically generated by JIRA. If you think it was sent incorrectly, please contact your JIRA administrators: https://issues.apache.org/jira/secure/ContactAdministrators!default.jspa For more information on JIRA, see: http://www.atlassian.com/software/jira --------------------------------------------------------------------- To unsubscribe, e-mail: email@example.com For additional commands, e-mail: email@example.com
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Political Action
Bargaining Report 55
CWA District 1/IBEW Local 2213 and IBEW New England Regional Committees returned to the bargaining table on Monday April 16, 2012 at the Rye Town Hilton in Rye, NY. All of the retrogressive demands that the Company had proposed in August still remain on their agenda. Wages -.the Company has...
Keep Good Jobs here in New York!
TAKE ACTION TODAY AND CALL CONGRESS: A new bill in Congress would deny federal grants and contracts to employers that relocate call centers out of the country. This bill was introduced by Congressman Tim Bishop. Call 1-888-877-2040 and urge your member of Congress to support HR 3596: The Call...
VOTE YES! 8.1.11 New Nassau Coliseum
This plan will create 1,500 Construction Jobs and over 3,000 permanent jobs! We need full participation for campaign operations. Keep checking this page and cwa1104.com for upcoming volunteer opportunities. Labor Walks Saturday July 16th 9:30 am Teamsters Local 282 2500 Marcus Ave in Lake Success...


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Filter Results:
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- Guy Hotson, David P McMullen, +8 authors Nathan E Crone
- Journal of neural engineering
- 2016
OBJECTIVE We used native sensorimotor representations of fingers in a brain-machine interface (BMI) to achieve immediate online control of individual prosthetic fingers. APPROACH Using high gamma responses recorded with a high-density electrocorticography (ECoG) array, we rapidly mapped the functional anatomy of cued finger movements. We used these… (More)
- David P McMullen, Guy Hotson, +10 authors Nathan E Crone
- IEEE transactions on neural systems and…
- 2014
To increase the ability of brain-machine interfaces (BMIs) to control advanced prostheses such as the modular prosthetic limb (MPL), we are developing a novel system: the Hybrid Augmented Reality Multimodal Operation Neural Integration Environment (HARMONIE). This system utilizes hybrid input, supervisory control, and intelligent robotics to allow users to… (More)
- Kapil D. Katyal, Matthew S. Johannes, +14 authors Michael P. McLoughlin
- 2014
— Existing brain-computer interface (BCI) control of highly dexterous robotic manipulators and prosthetic devices typically rely solely on neural decode algorithms to determine the user's intended motion. Although these approaches have made significant progress in the ability to control high degree of freedom (DOF) manipulators, the ability to perform… (More)
- Kapil D. Katyal, Matthew S. Johannes, +10 authors Brock A. Wester
- 2013
— Effective user control of highly dexterous and robotic assistive devices requires intuitive and natural modalities. Although surgically implanted brain-computer interfaces (BCIs) strive to achieve this, a number of non-invasive engineering solutions may provide a quicker path to patient use by eliminating surgical implantation. We present the development… (More)
- Matthew S Fifer, Guy Hotson, +10 authors Nathan E Crone
- IEEE transactions on neural systems and…
- 2014
Intracranial electroencephalographic (iEEG) signals from two human subjects were used to achieve simultaneous neural control of reaching and grasping movements with the Johns Hopkins University Applied Physics Lab (JHU/APL) Modular Prosthetic Limb (MPL), a dexterous robotic prosthetic arm. We performed functional mapping of high gamma activity while the… (More)
- Guy Hotson, Ryan J. Smith, Adam G. Rouse, Marc H. Schieber, Nitish V. Thakor, Brock A. Wester
- IEEE Robotics and Automation Letters
- 2016
Brain-machine interfaces (BMIs) are a rapidly progressing technology with the potential to restore function to victims of severe paralysis via neural control of robotic systems. Great strides have been made in directly mapping a user's cortical activity to control of the individual degrees of freedom of robotic end-effectors. While BMIs have yet to achieve… (More)
- Michael Kryger, Brock Wester, +6 authors Elizabeth C Tyler-Kabara
- Experimental neurology
- 2017
As Brain-Computer Interface (BCI) systems advance for uses such as robotic arm control it is postulated that the control paradigms could apply to other scenarios, such as control of video games, wheelchair movement or even flight. The purpose of this pilot study was to determine whether our BCI system, which involves decoding the signals of two… (More)
- Elizabeth P. Reilly, Jeffrey S. Garretson, +4 authors Matthew J. Roos
- 2017
Neuroscientists are actively pursuing high-precision maps, or graphs consisting of networks of neurons and connecting synapses in mammalian and non-mammalian brains. Such graphs, when coupled with physiological and behavioral data, are likely to facilitate greater understanding of how circuits in these networks give rise to complex information processing… (More)
- Leyan Xu, Michele L Schaefer, +4 authors Vassilis E Koliatsos
- Experimental neurology
- 2016
Mechanisms of primary blast injury caused by overpressure are not fully understood. In particular, the presence and time course of neuroinflammation are unknown and so are the signatures of reactive inflammatory cells, especially the neuroprotective versus injurious roles of microglia. In general, chronic microglial activation in the injured brain suggests… (More)
- Olga Rodriguez, Michele L Schaefer, +7 authors Vassilis E Koliatsos
- Journal of neurotrauma
- 2016
Traumatic brain injury (TBI) caused by explosive munitions, known as blast TBI, is the signature injury in recent military conflicts in Iraq and Afghanistan. Diagnostic evaluation of TBI, including blast TBI, is based on clinical history, symptoms, and neuropsychological testing, all of which can result in misdiagnosis or underdiagnosis of this condition,… (More)


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Welcome to the end of the world4.39 / 5.00 3,053 Views
Living Dolls: No Evil 024
Wouldn'tyou just like to... leave conflict.4.28 / 5.00 835 Views
Cortex's Airship
What happened to Cortex's airship?4.23 / 5.00 2,852 Views
Hahaha! Great ending, excellent as usual, Dave.
Nice job man..!
How long did this take you..??
From the looks of things in Philly you work super fast.
Most of it was rushed in the past 4 days after the NY NG meet. Most of the reaction shots of the kid in the park looking at the other kids was done around Picoday.
so is it ok to take drugs froma a strange dancing cow or just a stranger. that reminds me i need more cush. i wish i had the drugs he got they looked like they were having fun.lol okay now lets get real. good flash toon simple fun and to the point although i dont think animals danced, slung drugs, and walked like us or did they.lol
Can someone message me and tell me why there are a lot of time traveling spoofs on the front page ? awesome video btw


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Check Out the new Remax App
Ask About This Home
Three bedroom rancher priced to sell. Quiet street with mostly new and newer homes. Ideal for a flip or income producing rental. Parquet floors through main living area and bedrooms. Newer windows and roof. Eat in kitchen. Backyard backs up to wooded area.


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Filter Results:
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- Luis Miguel Silveira, Mattan Kamon, Ibrahim M. Elfadel, Jacob K. White
- Proceedings of International Conference on…
- 1996
Since the first papers on asymptotic waveform evaluation (AWE), Pade-based reduced order models have become standard for improving coupled circuit-interconnect simulation efficiency. Such models can be accurately computed using bi-orthogonalization algorithms like Pade via Lanczos (PVL), but the resulting Pade approximates can still be unstable even when… (More)
- Ibrahim M. Elfadel, Rosalind W. Picard
- IEEE Trans. Pattern Anal. Mach. Intell.
- 1994
Gibbs random eld (GRF) models and co-occurrence statistics are typically considered as separate but useful tools for texture discrimination. In this paper we show an explicit relationship between co-occurrences and a large class of GRF's. This result comes from a new framework based on a set-theoretic concept called the \aura set" and on measures of this… (More)
- Zheng Zhang, Tarek A. El-Moselhy, Ibrahim M. Elfadel, Luca Daniel
- IEEE Transactions on Computer-Aided Design of…
- 2013
Uncertainties have become a major concern in integrated circuit design. In order to avoid the huge number of repeated simulations in conventional Monte Carlo flows, this paper presents an intrusive spectral simulator for statistical circuit analysis. Our simulator employs the recently developed generalized polynomial chaos expansion to perform uncertainty… (More)
- Andrew R. Conn, Ibrahim M. Elfadel, +4 authors C. B. Whan
- 1999
This paper describes a method of optimally sizing digital circuits on a static-timing basis. All paths through the logic are considered simultaneously and no input patterns need be specified by the user. The method is unique in that it is based on gradient-based, nonlinear optimization and can accommodate transistor-level schematics without the need for… (More)
- Ibrahim M. Elfadel, David D. Ling
- 1997 Proceedings of IEEE International Conference…
- 1997
Recent work in the area of model-order reduction for RLC interconnect networks has been focused on building reduced-order models that preserve the circuit-theoretic properties of the network, such as stability, passivity, and synthesizability. Passivity is the one circuit-theoretic property that is vital for the successful simulation of a large circuit… (More)
- A. Lumsdaine, John L. Wyatt, Ibrahim M. Elfadel
- VLSI Signal Processing
- 1991
We use a new \aura" framework to rewrite the non-linear energy function of a homogeneous anisotropic Markov/Gibbs random eld (MRF) as a linear sum of aura measures. The new formulation relates MRF's to co-occurrence matrices. It also provides a physical interpretation of MRF textures in terms of the mixing and separation of graylevel sets, and in terms of… (More)
- Tarek A. El-Moselhy, Ibrahim M. Elfadel, Luca Daniel
- 2008
Lithographic limitations and manufacturing uncertainties are resulting in fabricated shapes on wafer that are topologically equivalent, but geometrically different from the corresponding drawn shapes. While first-order sensitivity information can measure the change in pattern parasitics when the shape variations are small, there is still a need for a… (More)
- Ibrahim M. Elfadel, David D. Ling
- 1997
CAD tools and research in the area of reduced-ordermodeling of large linear interconnect networks have evolvedfrom merely finding a Pad´ e approximation for the givennetwork transfer function to finding an approximate transferfunction that preserves such circuit-theoretic propertiesof the network as stability, passivity, and RLC synthesizability.In… (More)
- Tarek A. El-Moselhy, Ibrahim M. Elfadel, Luca Daniel
- 2009
With the adoption of ultra regular fabric paradigms for controlling design printability at the 22nm node and beyond, there is an emerging need for a layout-driven, pattern-based parasitic extraction of alternative fabric layouts. In this paper, we propose a hierarchical floating random walk (HFRW) algorithm for computing the 3D capacitances of a large… (More)


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Image: March 15, 2017 Writer: Donny Cates Art: Geoff Shaw Cover: Geoff Shaw
Cover Price: $3.99 UPC: 70985302282400111 Diamond ID: JAN178080 GCIN: 969236
SERIES PREMIERE Emmet Quinlan, an old widower rattled by dementia, isn't just a problem for his children-his violent outbursts are more than the local cops can handle. When a tornado levels his home-as well as the surrounding West Texas town-a restored Quinlan rises from the wreckage. The enchanted sword at the eye of the storm gives him more than a sound mind and body, however. He's now the only man who can face the otherworldly creatures the sword has drawn down to the Lone Star State... 'So much fun to watch creators find that next level. Go, Cates, go!' -Brian Michael Bendis
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CMI 2017 Info Coming Soon
COSA MUSIC INSTITUTE is the educational arm of the Chamber Orchestra of San Antonio. With your support, COSA Music Institute has the potential of incorporating an entire school offering a wide variety of music related programs. CMI will develop two of these programs in the areas of string chamber orchestra and chamber music ensemble as focus for the summer of 2016.
To continue and expand on the Chamber Orchestra of San Antonio's vision, that which aims to maintain, educate, and cultivate audiences by bringing a new, shared experience of classical music to all backgrounds and aspirations. As an educational branch of COSA, COSA Music Institute is the result of a combined effort that stems from various schools of musical thought in order to provide students with intensive instruction and performance experience through exceptionally talented musicians coming together in an environment whereby music can work as a model for the transformation of lives beginning in San Antonio and its surrounding areas.
CMI's primary objective is also an extension of the Chamber Orchestra of San Antonio's vision, which seeks to integrate the various aspects of individual human development into society through the universal language of classical music. CMI envisions an integrative educational experience centered in music with a strong commitment to artistic advancement. Assisting in the total development of students, including those of underserved communities, participation through the CMI music programs will allow for intellectual stimulation as well as continued development of fine motor skills and coordination, in addition to opportunities for aesthetic and spiritual growth. The long-term goals and desired end of our programs are for students to become well-rounded individuals with strong foundations and values centered in the art of music making.


text: 350 FXUS64 KHGX 261527 AFDHGX Area Forecast Discussion National Weather Service Houston/Galveston TX 1027 AM CDT Wed Apr 26 2017 .UPDATE... The previous forecast appears to be on track. We currently have a few warm air advection showers pushing through parts of SE Texas this morning. 12Z soundings from CRP and LCH showed a very strong cap in place. I have some doubts as to how much of the cap will really be able to erode by this afternoon when the approaching front pushes into our area. The best chance for breaking the cap and therefore getting thunderstorms will be generally to the northeast, or across the Piney Woods region. If we are able to break through the cap, steep mid level lapse rates of around 7.5-8.0 and forecast CAPE over 3000 will give any thunderstorms that do develop the potential to pack some damaging winds and large hail. The tornado threat is also nonzero and something to monitor, but for now the greatest threats appear to be damaging winds and hail. 11 && .PREV DISCUSSION... /ISSUED 550 AM CDT Wed Apr 26 2017/ AVIATION... A cold front over N TX will move SE today amd move across the region this afternoon. The front should move through the KCLL area between 18-20z and the Houston TAF sites around 21z and the coastal TAF sites around 00z. SE TX remains strongly capped and not sure the front will be strong enough to break the cap. Will maintain the VCTS for KUTS this afternoon and was tempted to toss in a VCTS for KCXO and a VCSH for KIAH based on the latest RAP and 06z GFS guidance. Just think the capping is too strong to overcome for precip this far south. Winds will remain an issue today into this evening but speeds are expected to drop off after 03z. Clear skies will develop in the wake of the front and persist through 18z Thursday. 43 PREV DISCUSSION... /ISSUED 403 AM CDT Wed Apr 26 2017/ DISCUSSION... Regional radar mosaic early this morning shows dry conditions in place across Southeast Texas, with a few light showers occurring across West and Northwest Texas in the vicinity of a southeastward moving cold front. 05Z/12 AM CDT surface analysis showed this cold front stretching from near Jal, NM east towards Wichita Falls and northeast towards Tulsa, OK, with an attendant dryline/surface trough located roughly from Throckmorton to Dryden. As a shortwave trough swings across Oklahoma towards the Great Lakes today and tonight, it will send this frontal system into Southeast Texas. Veering surface winds ahead of the front (southerly 10-15 MPH this morning becoming southwest late morning/early afternoon) will promote continued warm air advection ahead of the front as well as encourage cloud cover to scatter. This will allow high temperatures in many locations to range from the mid 80s to possibly even the low 90s. This may be the first 90 degree day for the Houston metro as well as a record high temperature day for Galveston (current record is 84 set in 2011), but these temperatures are largely contingent on when winds shift and skies begin to clear. More information about first, average, and last observed 90 degree days for Houston are included in the climate section below. Current timing for the cold front brings it into the Brazos Valley early this afternoon (12-2 PM) and into the Houston Metro late afternoon/early evening (4-6 PM) before clearing the region and the coastal waters later this evening (8-10 PM). Evening upper air observations from around Texas and Louisiana revealed an elevated mixed layer/cap in place across most of the region, with 700 MB temperatures ranging from 10-12 degrees C across most of Texas. The evolution of this cap today will play a crucial role in rain chances for the region as well as the potential for thunderstorm development this afternoon along the cold front. For this morning, warm air advection should promote the development of a few showers beneath the cap across Southeast Texas and the adjacent waters. Forecast soundings from Lufkin do show a weakening of the cap later this afternoon (after 21Z/4 PM), likely as a result of some mid-level cooling associated with the shortwave troughs passage across the Southern Plains. If the cap is able to weaken, isolated to possibly scattered thunderstorms may be able to develop along the cold front with best chances remaining along and east of a Madisonville to Huntsville to Winnie line given the anticipated trends with the cap. Environmental conditions in these areas would support a strong to possibly severe thunderstorm (if thunderstorms were to develop), with mid- level lapse rates around 7-8 C/km enhancing updraft intensity enough to promote large hail or possibly gusty winds. Rain chances will quickly end from west to east this evening behind the cold front. Weak surface high pressure is expected to build into the region behind the front tonight, with clear skies and cold air advection allowing overnight low temperatures ranging from the upper 40s across the Piney Woods to mid 50s around the Houston metro and low 60s along the coast. Quasizonal flow aloft as Texas sits at the base of a broad longwave trough and moisture briefly being pushed offshore behind today`s front will promote dry conditions across the region on Thursday. After a cool start Thursday morning, temperatures will rebound into the upper 70s to mid 80s with onshore flow resuming in the afternoon as the surface high slides east. The upper pattern transitions to more of a southwest flow aloft on Friday as energy from the northern Pacific enters the base of the upper longwave trough. In response to the approach of this feature, surface troughing over the Southern Plains will deepen and increase southerly flow across the region on Friday with breezy to windy conditions expected across the region. This increasing southerly flow will also give the region another shot at 90 degree temperatures, so even if 90 is not reached today... parts of the region will have another chance on Friday. Breezy to windy conditions will persist again on Saturday as the upper disturbance becomes a closed low near the Four Corners, resulting in additional deepening of the surface low/trough across the Southern Plains. While Saturday will not be a washout, warm air advection will promote a few showers Saturday morning with possibly a few thunderstorms by the afternoon with diurnal heating. As the closed low near the Four Corners is expected to lift across the Southern Plains, it will send a cold front into Southeast Texas late Saturday night into Sunday morning with scattered to numerous showers and thunderstorms developing along the front. Veering wind profiles ahead of the front may provide enough shear for storm organization, with a strengthening low level jet encouraging precipitable water values to possibly rise above 1.8 inches. This shear and moisture, combined with sufficient instability and lift from the upper level system, may also result in strong to severe thunderstorms developing during this time. Expect the cold front and any associated storms to clear the region Sunday afternoon with dry conditions expected Monday and Tuesday in the wake of the front. The next upper level system may approach the region by the middle of next week, bringing another round of rain. However, poor agreement amongst medium range guidance precludes speculation on when this rain will return for now. Huffman MARINE... Moderate to occasionally strong onshore winds will persist this morning and will maintain the SCA for all waters through 15z. Tide levels continue to increase and may briefly reach 3 feet around high tide (5 AM). There may be some minor coastal flooding along the Bolivar but impacts should be short lived and minimal. The winds will briefly decrease this afternoon as a cold front nears the coast. The front should cross the coastal waters this evening. SCEC/SCA conds possible in the wake of the front. Onshore winds resume on Thursday as high pressure moves off to the east. Winds/seas increase to near advisory criteria Friday evening and will persist into early Sunday. Will need to keep an eye on elevated water levels and risk of rip currents going into the weekend. Tide levels could potentially exceed 3.5 feet near high tide early Saturday morning. Another cold front will cross the coastal waters early Sunday morning with strong offshore winds developing in the wake of the front on Sunday. 43 CLIMATE... Below are the earliest, average, and latest observations for the first 90 degree days for the City of Houston. Houston Date (Year) Earliest First February 20 (1986) Average First May 7 Latest First June 15 (1897) Huffman && .PRELIMINARY POINT TEMPS/POPS... College Station (CLL) 86 51 84 67 90 / 20 0 0 10 10 Houston (IAH) 89 56 84 69 90 / 20 10 0 10 10 Galveston (GLS) 84 64 78 74 82 / 20 10 0 10 10 && .HGX WATCHES/WARNINGS/ADVISORIES... TX...NONE. GM...SMALL CRAFT SHOULD EXERCISE CAUTION until 4 PM CDT this afternoon for the following zones: Coastal waters from Freeport to the Matagorda Ship Channel out 20 NM...Coastal waters from High Island to Freeport out 20 NM...Galveston Bay...Matagorda Bay. Small Craft Advisory until 4 PM CDT this afternoon for the following zones: Waters from Freeport to the Matagorda Ship Channel from 20 to 60 NM...Waters from High Island to Freeport from 20 to 60 NM. && $$ Discussion...11


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Grulfen Stonebeard
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Grulfen Stonebeard is a Dwarf Engineer that can be found at Throng-A-Varaz, in Mount Bloodhorn. He was sent by his brother, Dwallin Stonebeard, in search of a weapons cache hidden long ago by Durak Bitterstone. His search led him to the Forgotten Hold, but his attempts to search the location ended when he suffered a wound from one of the deadly spiders that live within. Unable to continue the investigation of the site himself, he hopes to encounter a willing individual to undertake the task in his stead while he recovers.
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That's my family's mine out there, and I mean to reclaim it.
- - Grulfen Stonebeard
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text: 25 Sep 2012 Amusing and quirky quotes about travel Previous slide Next slide 3 of 20 View All Skip Ad The politics of travel "You suddenly realise you're no longer in government when you get into the back of your car and it doesn't go anywhere." Malcolm Rifkind "It's great to be back on terra cotta." John Prescott Back to image


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Review What is a virtual function? What can be achieved with virtual functions? How to define a pure virtual function? What is an abstract class? Can a variable be declared to be of the type of an abstract class? Can a pointer be declared to be of the type of an abstract class? 1
2 Templates
3 Type-independent patterns that can work with multiple data types. –Generic programming –Code reusable Function Templates –These define logic behind the algorithms that work for multiple data types. Class Templates –These define generic class patterns into which specific data types can be plugged in to produce new classes.
4 Function and function templates C++ routines work on specific types. We often need to write different routines to perform the same operation on different data types. int maximum(int a, int b, int c) { int max = a; if (b > max) max = b; if (c > max) max = c; return max; }
5 Function and function templates float maximum(float a, float b, float c) { float max = a; if (b > max) max = b; if (c > max) max = c; return max; }
6 Function and function templates double maximum(double a, double b, double c) { double max = a; if (b > max) max = b; if (c > max) max = c; return max; } The logic is exactly the same, but the data type is different. Function templates allow the logic to be written once and used for all data types – generic function.
7 Function Templates Generic function to find a maximum value (see maximum example). Template T maximum(T a, T b, T c) { T max = a; if (b > max) max = b; if (c > max) max = c; return max; } Template function itself is incomplete because the compiler will need to know the actual type to generate code. So template program are often placed in.h or.hpp files to be included in program that uses the function. C++ compiler will then generate the real function based on the use of the function template.
8 Function Templates Usage After a function template is included (or defined), the function can be used by passing parameters of real types. Template T maximum(T a, T b, T c) … int i1, i2, i3; … Int m = maximum(i1, i2, i3); maximum(i1, i2, i3) will invoke the template function with T==int. The function returns a value of int type.
9 Function Templates Usage Each call to maximum() on a different data type forces the compiler to generate a different function using the template. See the maximum example. –One copy of code for many types. int i1, i2, i3; // invoke int version of maximum cout << "The maximum integer value is: " << maximum( i1, i2, i3 ); // demonstrate maximum with double values double d1, d2, d3; // invoke double version of maximum cout << "The maximum double value is: " << maximum( d1, d2, d3 );
10 Another example template void printArray( const T *array, const int count ) { for ( int i = 0; i < count; i++ ) cout << array[ i ] << " "; cout << endl; }
11 Usage template void printArray( const T *array, const int count ); char cc[100]; int ii[100]; double dd[100]; …… printArray(cc, 100); printArray(ii, 100); printArray(dd, 100);
12 Usage template void printArray( const T *array, const int count ); char cc[100]; int ii[100]; double dd[100]; myclass xx[100]; <- user defined type can also be used. …… printArray(cc, 100); printArray(ii, 100); printArray(dd, 100); printArray(xx, 100);
Use of template function Can any user defined type be used with a template function? –Not always, only the ones that support all operations used in the function. –E.g. if myclass does not have overloaded << operator, the printarray template function will not work. 13
Class template So far the classes that we define use fix data types. Sometime is useful to allow storage in a class for different data types. See simplelist1 (a list of int type elements) example –What if we want to make a simple list of double type? Copy paste the whole file and replace int with double Make use of typedef in C++, See simplelist2. –Still need to change one line of code for a new type. 14
Class template –Function templates allow writing generic functions that work on many types. –Same idea applies to defining generic classes that work with many types -- extract the type to be a template to make a generic classes. –See simplelist3 15
Class template To make a class into a template, prefix the class definition with the syntax: template –Here T is just a type parameter. Like a function parameter, it is a place holder. –When the class is instantiated, T is replaced by a real type. To access a member function, use the following syntax: –className :: memberName. –SimpleList :: SimpleList() Using the class template: –ClassName variable; –SimpleList list1; 16
17 Another Class Template Example MemoryCell template can be used for any type Object. Assumptions –Object has a zero parameter constructor –Object has a copy constructor –Copy-assignment operator Convention –Class templates declaration and implementation usually combined in a single file. –It is not easy to separate them in independent files due to complex c++ syntax. –This is different from the convention of separating class interface and implementation in different files.
18 Class Template Usage Example MemoryCell can be used to store both primitive and class types. Remember –MemoryCell is not a class. –It's a class template. –MemoryCell, MemoryCell etc are classes.
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In March, Apple posted a proper demand towards the Indian government with regards to promoting restored iPhones in the united states. Nowadays, however, Business and Market Minister Nirmala Sitharaman stated that she's "not in benefit" of taking that suggestion (via The Economic Times).
On Apple's suggestion to transfer restored telephones and market in Asia, Sitharaman stated, "We'd not maintain favor of anything you might call them — employed but refashioned, remodelled, updated… used products. We're not towards getting them here."
your decision comes only days following the Indian government didn't exempt Apple from the nearby rule demanding that 30% of products offered by international businesses be produced or created inside the nation. Asia this past year excused merchants promoting condition-of-the-artwork products in the principle, compelling Apple to document a brand new application hoping of starting simple-branded stores in India.
Apple is opportunistic about growing its existence in Asia, where its market-share is believed to become just around 2 percent. Apple boss Tim Cook, who visited India before this month, stated the nation supplies a "truly excellent chance" for development, especially after-sales within the U.S. and China have slowed. Apple's income increased 56 percent in Asia last-quarter, moving the $1 million mark for that very first time.
India has cost-vulnerable customers, nevertheless, therefore Apple's failure to market restored iPhones on the planetis second-most populous nation might prevent it initiatives to develop in the area. Cook has accepted that iPhones are also expensive in Asia, when compared with equal U.S. pricing, because of regional charges.
"The responsibilities and the fees and the compounding of these requires the cost and it creates it high. Your success is less in Asia, it's materially less — but nonetheless I notice that costs are large," explained Cook, within an appointment with Indian network NDTV. "you want to do items that reduce that with time, towards the diploma that people may … I'd like the customer in India in order to purchase at a price that appears like the U.S. cost."
atleast for the present time, these ideas may apparently not include the purchase of restored iPhones.
Examine this informative article within our boards
You can follow iPhoneFirmware.com on Twitter or join our Facebook page to keep yourself updated on all the latest from Apple and the Web.


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Comment Re:atom bomb, shmatom momb (Score 1) 51
I'm just glad it didn't blink
may I kindly ask you to go to the posted link, fill in the form and hit the "Donate" button. Thank you.
no, no you certainly may not. seeing as the next regime will be worse than this one, probably with very strong islamic influences (sharia law) and even more persecution of coptic christians.
I for one welcome the old overlords of egypt.
And what's more fun, tags no longer appear to work, including retroactively. See look, not italics.
let's see if quotes still work.
In any formula, constants (especially those obtained from handbooks) are to be treated as variables.