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by Geoff Tompkinson | 13th April 2017
HyperZoom inventor Geoff Tomkinson was the first person to start producing digital time-lapse before the advent of DSLRs, and several of his videos have been selected as Vimeo Staff Picks. His technique incorporates hyper-lapse, impossibly long zooms and hidden transitions with the use of layers in 3D space in After Effects. Read on for all about HyperZoom in this guest post from Geoff himself! Geoff Tompkinson The Origins of HyperZoom During my time as the only full-time professional time-lapse shooter producing stock material for ImageBank Film – then Getty – I developed a number of skills. These included everything from how to achieve smooth day to night transitions with smooth colour balance change working with only JPGs as Raw was not then available, to how to build an intervalometer. Most importantly, I learned the ability to use nested resolution comps to enable extreme zoom without the need for expensive zoom lenses. While teaching an After Effects-based time-lapse class in Istanbul, my audience was blown away by a zoom-out shot that started on an ant on a leaf and ended several miles away across a lake in New Hampshire. I realized then that perhaps I should put some effort into a project I had been thinking about for a while, whereby I would effectively be able to 'travel' with the zoom. That's how the HyperZoom technique was born. How to HyperZoom HyperZoom is a suite of techniques, both in the way the footage is shot and in the way it is post-produced. The goal is to make a virtual seamless 'flight' through a series of locations. These locations could be in their real positions or they could be many miles apart and made to appear as if next to each other. What's paradoxical about these videos that feature a huge amount of movement is that for the most part the rule is to not actually move or zoom the camera during capture, as most of the movement is produced in virtual 3D space. The exceptions are when I use hyper-lapse or rotary head shots as part of the sequence, but these camera-moving techniques should also fit in seamlessly with the virtual movement so there is no loss of visual continuity. But why does HyperZoom work? When we look at a photograph of a car for instance, the only way we can tell if it's a toy car or a real car — if viewing the scene from a single viewpoint — is to move the viewpoint itself and see what happens to the parallax shift between the car and its surroundings. If we shoot the scene as a series of layers related to their depth positions within the scene, we can reassemble these layers in 3D space in post-production. This separation of every scene into depth layers means that editing cannot be done in a conventional editor like Premiere or Final Cut, using After Effects instead in order to move a virtual camera to navigate the layers. The nature of this reassembly means that some scenes also require extreme rotoscoping work. The Making of Upper Austria – An Incredible Journey We were approached by the Upper Austrian Tourist Board back in January 2016 to use our HyperZoom technique to produce a seamless flight through a series of selected locations throughout Upper Austria. For this project, we produced a storyboard and flight plan that would enable us to smoothly pass through all the locations with no cuts. This involved us traveling all over Upper Austria to recce the locations and decide, shot by shot, how we would proceed. I needed to be sure I could escape from any given location by flying over the horizon. This meant adding more capability to the system so we could fly over mountains and through trees. I was pretty confident I could do this, and the technique developed and improved as the project progressed. It's very important with a production like this to maintain a consistent lighting angle as the camera passes between and through scenes, and that sky conditions match from one scene to the next. We used the fantastic PhotoPills app to enable us to accurately plan shooting angles, times and date ranges that would work for us. The PhotoPills app The big problem with shooting a video that covers several seasons and hundreds of square miles is always the weather. The sequence order of the locations is often dictated by the particular situations, as we always have to have an entry and exit technique that blends seamlessly with what goes before and after. That's why post-production is often handled in out-of-sequence sections, and integrated with other sections once they have been shot. This actually makes post-production even harder as we cannot just proceed in a linear fashion through the video. That said, one thing I spend a lot of effort in explaining to clients is that changing the sequence of events or inserting or removing a location involves an extreme amount of work since it can have roll-on effects both before and after that extend to many scenes. This is one of the drawbacks compared to a regular video edit, where these sort of changes are very easy to make. In terms of post-production, we had to install extra hard-drive capability and increase the number of available render nodes. Working with multiple 8K sequences inside After Effects meant that everything had to be done with proxies to enable a more fluid working experience, as these projects tend to get very complex. Partial After Effects project flow diagram A Closer Look at Some of the Scenes The Opening Shot (00:00 – 00:30) This shot took many months and several visits before we finally had the correct weather conditions to shoot it. We also wanted to use the same ship in all three scenes (from above, from behind and inside), but the ship's schedule meant the vessel would only pass us once per day. Each shot of the ship needed a different day. From a post-production perspective, this shot was quite complex as it required accurate timing of the camera move to fit smoothly into the walking of the cyclists and the use of the smartphone. The extreme resolution requirements for the move towards and through the phone meant that this cyclist sequence had to be shot using four cameras firing in synchrony as fast as they could. As with many other parts of this video, we found working with Mocha Pro for the rotoscoping and tracking work was a great help. The Lentos Museum (01:24 – 01:31) The idea here was to have a long run through the art museum exhibition space and exit the building on the other side. The problem was that there was no window to exit through. I decided, with the agreement of the Lentos, to build my own end wall and window using the same style as the other windows in the building. ARS Electronica and Musiktheater Linz Transitions (01:38 – 02:18) The ARS Electronica sequence used 5 different camera positions and a hyperlapse turn through the final room before freeze-framing into a poster to rapidly move to the next daytime scene. This poster board doesn't actually exist in this location, and was comped in from a different part of the city and modified to fit our requirements. The final shot in the theatre required a massive rotoscoping job that involved tracking the windows, tables, chairs, menu cards, etc., as the camera passes through the cafeteria into the distant view over the rooftops of Linz. This rotoscoping job alone took several weeks of solid work for what in the final movie lasts for around 4 seconds. Thanks once again to Mocha Pro for providing such great tools to assist with this laborious task. 5Fingers – Dachstein (04:00 – 04:10) In order to be able to maintain fluid motion over and past the platform as if using a drone, we needed to rotoscope the entire platform and all the people moving around on it frame by frame, person by person. Several weeks' work again for just 6 seconds of video. Finale (05-35 – 05:45) We had decided to finish by flying over the trees towards one of the most beautiful scenes in Upper Austria – The Gosau Glacier. However, we soon realised we would have a better finish if we went into the glacier, then slid across it and retreated to reveal its beautiful sunset reflection in Lake Gosau below. All in all, the project took around 8 months to complete – including the inspired original music and sound design by Vincent Jacq and Xavier Plouchart. We are very grateful to the Upper Austrian Tourist Board for their enthusiasm, support and funding of this project. It was great to be working on a schedule that allowed sufficient time for final polishing as well as technique-development along the way. So there you have it, a close look at the HyperZoom technique by the man himself, Geoff Tompkinson. Want some more HyperZooming? Check out HyperZooming Through Hallstatt, a Vimeo Staff Pick just like An Incredible Journey.Read more
by Olaf von Voss | 7th March 2017
Dust off your old notebooks filled with those film ideas you've always wanted to bring to life. Musicbed has just announced a second run of last year's successful competition – The Musicbed Film Initiative is on again! Musicbed Film Initiative 2017 Last year, the music licensing platform started their first Musicbed Film Initiative, a competition whose goal was to fund the best story out there and support it with a huge pile of gear and cash. In 2016, the competition drew 7,463 submissions, among which was the overall winner entry by Patrick Biesemans. Watch here how he turned his poetic examination of the infamous night of Orson Welles' 1938 War of the Worlds radio broadcast into a beautiful piece of film: If you want to dig a little deeper into Patrick Biesemans' story and its background, read all about it here. Application With over $70,000 in cash, gear and post production, the competition's second run now in 2017 is actually even bigger than last year's. There will be only one overall winner, though, so you better get busy developing the little seeds of that story in the back of your head and fill in the application. Here's how: Write a short synopsis Upload a pitch, which can include anything from a script to a treatment with mood boards (PDF, 10MB max) Submit your application Easy as 1-2-3, isn't it? Thing is, you just have to do it (and– well – maybe I'm writing this because I'm trying to convince myself to do so, too). How many times do we just sit there thinking about shooting that piece of film or working on this idea, only to end up crumpling up that imaginary sheet of paper and throwing it into the (also imaginary) trash can in the back of your head? I don't want to sound like a philosopher or a teacher or both, just keep in mind that success won't come to you for free unless you go out and give it a shot. To read all about the terms and conditions, Musicbed has put together a nifty FAQ, but the best thing (just like last year): Q: Does Musicbed retain the rights to the work submitted to the Film Initiative? A: No. The filmmaker has all rights to their material. The submission period begins on March 7th, 2017 and ends on March 24th, 2017 (at 3:00pm CT), and it really can be anything: a short, a documentary, a love poem, whatever. A jury has been put in place in order to chose the finest of all applications. And to me, even without the prize money, it's already a big deal having these people reading your script. Here's the full jury: Conclusion Before everybody heads off to their desks, let's see what Daniel McCarthy, founder and CEO of Musicbed has to say about all this: All too often, I hear great filmmakers talking about a film they've dreamed of for years. It's a bummer to think of all of these stories going untold. With this year's Musicbed Film Initiative we're dedicating even more resources to support the passions of filmmakers. We want to see their best work come to life. Alright then, let's see what you've got, people! Let's go to work (yes, I'll include myself here) and don't forget to share your thoughts about this kind of competition in the comments below! Good luck everybody. Link to the 2017 Musicbed Film Initiative, including all the FAQs and rules: filminitiative.musicbed.comRead more
by Gunther Machu | 21st February 2017
Nothing screams "action cam footage" more than the stuttery, stroboscope-like motion caused by the high shutter speeds used to compensate for high exposure on sunny days, making it particularly difficult to match to other cameras. Read on to see how you can fundamentally change the viewer's perception of your action cam footage with the use of some GoPro ND! One of the first things you learn as a filmmaker is to use the 180° rule for your shutter speed, a techinque based on the shutter mechanism of old film cameras which effectively means that you should always use a shutter speed equal to double the reciprocal numerical value of your frame rate in order to achieve a smooth motion sequence (e.g. a shutter speed of 1/48s when shooting at 24 frames per second). The resulting motion blur of moving objects in the frame creates a smoothness that is an intrinsic part of the "cinematic look", and it has a huge impact on the viewer's experience. This, however, poses a problem when using small action cams like GoPros: their fixed aperture (around f/2.8 in the Hero5 Black, for example) means that the only way to correctly expose the image is by adjusting shutter speed and ISO. F/2.8 on a bright sunny day in snow-covered mountains means the shutter speed can easily drop down to the neighbourhood of 1/2000 – 1/3000s, which translates to zero motion blur even for the fastest action scenes. To bring the shutter speed down, you need to use heavy neutral density (ND) filtration. In our example above, this would be a 5-stop or ND32 filter (32 = 2^5). This reduces the shutter speed from ~1/3000s to ~1/94s, which is close to ideal for a typical action sports frame rate of 50fps. Now, a quick online search for GoPro ND reveals that ND8 and sometimes ND16 filters are what's mostly available, which is clearly not enough for our example above. PolarPro GoPro Hero5 Black cinema series filters Here's where the PolarPro GoPro Hero5 Black cinema series filters come into play. The set includes an ND8, ND16 and ND32 filter as a replacement for the front lens element (the HB5 lens cover), using multi coated glass in an anodized aluminium frame. You basically unscrew the original front lens cover on your GoPro Hero 5 Black, and replace it with the PolarPro GoPro ND filter. The result is a nice, flare-free concept that works very well! I did have a little trouble, however, when fitting the GoPro ND as the tolerances are very tight, and you could almost break your fingers while attaching them. I have contacted PolarPro with regards to this problem, and they replied that all orders would be replaced with new filters automatically and free of charge, as there was indeed a tolerance issue. That is some really good customer service! For my skiing video above shot in Flachau, Austria, I mostly used the ND32 filter, and the ND8 on the cloudy shots, which was not enough to produce motion blur. For these scenes, I should have used an ND16 – see if you can spot it! As you can see, the filtration creates a nice motion blur, which in my opinion completely changes the character of the action cam sequences. The GoPro ND makes the footage look organic, helps the subjects stand out from a more blurred background, and on top of that the H.264 encoder has an easier job of distributing the limited bandwidth of ~60Mbit/s in the image to reduce macro-blocking. It certainly does not scream "action cam footage" any longer! Since there are no exposure aids on the GoPro, it can a bit difficult to decide which ND filter to use. I used the manual shutter option and set it at 1/100s in order to match my 50fps, and tried different filters until I got a nicely-exposed image, judging only from the LCD back screen. I then swapped the shutter option back to AUTO, and set the max. ISO to 800 to allow for some automatic exposure compensation by the cam. Using the linear field of view and the Karma Grip (which I reviewed in an earlier post here) offers the additional advantage of spending almost no time in post with image stabilization or optical correction issues. I did use the Protune flat settings, however, so I did add some saturation and contrast. All in all, I can highly recommend the use of ND filters on your action cam as it truly changes the viewing experience and makes it much easier to match action cam footage with other cams. The PolarPro ND filters are just one option, with others including filter sets from Freewell, Holaca, Sandmark and others. In any case, make sure you choose filters that use high-level multicoated anti-flare glass! Figure 1 and 2: Nice, cinematic motion blur created by the heavy ND filtration. A new world of GoPro imaging opens up! GoPro settings for the video above: 2.7K 50p, linear field of view (no fisheye!), max ISO 800, Protune flat, lowest sharpness. The cam was used in conjunction with the GoPro Karma Grip Gimbal, and the time lapse sequences were shot using my Sony A7S II. The PolarPro Cinema Series Filters are available here: US: LINK EU: LINKRead more
by Nino Leitner | 16th December 2016
Last week, we published the first episode (click here if you missed it) of our "music for film" tutorial series videos as part of the Filmstro Music Month, dealing with "Seeing Music". Seb Jaeger from Filmstro talked with me about "Seeing Music", and how to differentiate between different intensities of the musical properties Momentum, Depth and Power when watching movies. Watch episode 3, a tutorial of the upcoming Filmstro Premiere Pro plugin, by clicking here. This time, we are applying this knowledge and doing our own version of that. In other words, we look at the psychology of music for film and apply those three properties accordingly. Watch for yourself to understand more and enjoy! And don't forget to enter our … Film Scoring Competition! Please head over to Filmstro.com for details on how to enter the competition. Using the Filmstro app, you will be able to score one of 5 pieces of sample footage. The submissions will be reviewed by a jury and the best submissions will win the following prizes: RØDE Boompole Pro, SM4-R, NTG4+ and Newsshooter Kit Zhiyun-Tech Crane-M Camera Stabiliser Gimbal Zacuto $650 Gift voucher 10 FilmConvert licenses 4 x $250 bundles from Mister Horse 10 Filmstro For-Profit Licenses All the details on the Filmstro page!Read more
by Nino Leitner | 23rd November 2016
Indie-pop band OK Go probably spend as much time coming up with their music videos as they do with writing and recording their songs, and they have proven before several times, be it in zero gravity or high up from the air looking down. Now, they have done it again with their new video "The One Moment", but spending only 4.2 seconds in the process – and it's another fireworks of colours splashing and things going boom, people flying through the air and things getting thrown at them. Although it certainly took a long time in preparation and planning, the actual recording was done in just 4.2 seconds. How? Simple (yet not simple) – super slow motion, likely shot with a PhantomFlex camera (the same one we used on my documentary Through The Thick earlier this year). Watch for yourself and see the behind-the-scenes reel at the bottom! OK Go – The One Moment – Official VideoLadies and gentlemen, please enjoy our new video for "The One Moment." A million thanks to our partners at Morton Salt #WalkHerWalk. Posted by OK Go on Wednesday, November 23, 2016 The total length of the video is 4:02 minutes, which means roughly that every second in realtime ended up being a minute in the music video. If our math is correct (and I hope OK Go will release more details about it soon), they shot the video at around 1,500 frames per second. (The PhantomFlex4K is capable of 1,000 frames per second in 4K, but more if you drop the resolution lower.) Despite looking like a one-shot, they did actually do different takes because, as the lead singer says, "there are no robots currently fast enough to shoot the entire action in one go". If you look at how fast that Bolt motion control arm moves across in the behind-the-scenes, you will understand that he is most certainly right. OK Go – The One Moment BTSWatch the making of our new video for "The One Moment." Posted by OK Go on Wednesday, November 23, 2016Read more
by Nino Leitner | 21st July 2016
Drew Geraci from District 7 Media, who has been a guest on our ON THE COUCH series before (click here) is certainly best known for his timelapse work, particularly the intro of the enormously popular Netflix show "House of Cards". He's taken his timelapse skills and applied them using the new app Prisma (free on iTunes), which isn't just another photo-turned-painting processing app on the phone, but rather a complex set of algorithms that produce really stunning results that do actually look like a painting. In a tedious process, he has processed thousands of images one-by-one using his phone and stitched them together to create an amazing animated timelapse. Read the description of his workflow in his own words and watch the side-by-side video of the original timelapse and the processed images below! From Drew: After seeing so many stunning still pictures created in the Prisma App, I decided I wanted to take it to the next level and introduce motion. I had recently returned from a trip to China with hours of timelapse and drone footage collecting dust and decided this would be the perfect project to incorporate them in to. Each frame of the 1 minute and 20 second video had to be processed via the Prisma App which took almost 80 hours to complete. The processing/rendering was at the mercy of the servers. Most of the project had to be completed between 11pm and 4am EST because the app would freeze or shutdown due to overloaded serves or too many users on at the same time. Thankfully the algorithm used to create the painting-like scene(s) was very consistent when it came to processing the images. The total video was approximately 2500 frames and took a bit of ingenuity to stitch together. By the end of the project (which took around 5 days to produce) my fingers were numb and eyes bloodshot. The worst part was the constant repetition of taking the photo, processing the photo, moving 1 frame forward, and then saving the image. Sometimes I would forget to do a step and have to start over completely. It was mind-numbing work to say the least! The easiest way for me to create the video was to physically take a picture of the video (on a 4k monitor) using an iPad and save each photo directly to the iPad. Once all of the photos were taken, I used my PC workstation to directly pull the images off the iPad and onto a local hard-drive to continue the processing. All in all, I've very excited to have the project complete and out on the web. I'm looking forward to producing some 4k content once the desktop app arrives. Until then, 1074×1074 is good enough for me!Read more
by Nino Leitner | 14th July 2016
Working for free in the film industry is very controversial – be it as a director of photography or any other position in our niche. Our industry is definitely growing with the productions shifting to the Internet and pay TV productions (and I am talking about commercials, corporate films, documentaries, drama series and feature films). However with the accessibility of high-end camera technology, the playing field is levelled. Everyone can say they are a DP, and many people do even when just starting out in their career. While technology is empowering – and Vimeo's constant flow of new creative videos is a testament to that – it has gotten really, really hard to get your name out and actually stick out of the crowd. Some creatives have a clear opinion on "working for free" ;-) Working for free for the right projects can make a difference to attain a higher level of productions in the future – but they need to be carefully chosen. I for my part have made some good and bad decisions on free projects in the past, but I agree that it's a bit of a minefield choosing the right projects to donate your workforce for. Watch Matt Workman raising some interesting points about working for free as a cinematographer in this video: What is your experience? How often has working for free on a project enabled you to take the next step in your career? Does working for free make sense at all? Let us know in the comments.Read more
by Johnnie Behiri | 14th June 2016
As part of our aim to strengthen the connection between us and our readers, we decided to try something new and give the many passionate talented people out there a stage to express themselves and share their success stories . In this on-going initiative, we will feature a guest post written by you, every Sunday. Forrest and Zaynah Pando were the first to be featured on our site, followed by Arnaud Blin. The aim of those posts is to expose you and your work – and how you got there – to the many people out there. The aim is to share your experience, so others can benefit from getting to know you just a little bit better. by Melanie Schmidt If you are interested in becoming part of this initiative, please follow the following steps: – Upload your work to our VIDEOLOG and send the link to it to email@example.com. – Include at least two behind-the-scenes photo of yourself taken while shooting, plus a representative still from the work you submitted to us. (please don't submit photos of equipment only). – Summarize your professional activity in about 100 words. That will serve as the opening paragraph describing who you are and what you do. – Reply (in details when possible) to the questions below: Name? Age? Currently based in (country/town)? Language(s) spoken? Occupation? How did you get started in our industry? Current assignments? What types of productions do you mostly shoot? What is your dream assignment / job in our industry and what are you really passionate about? In the work that you are presenting us, now that it is done, what would you have done differently throughout the production? What current camera, lenses and sound equipment do you use? What's is your favorite light equipment and why did you choose that kit over other solutions? Do you use drones/gimbals in your productions? If yes, what is the most effective why you've found in deploying then? What editing systems do you use? How much of your work do you shoot in Log and what is your preferred way of colour correcting? How frequently are you traveling and do you have any tips when it comes to packing your gear? The submission is open to anyone who is actively working in our industry. If you are a professional who is not a cameraman and like to participate, please feel free to adjust the questions so it fits your niche of our industry or simply drop me a line and I'll amend our questions. Last but not least, we reserve the right to choose what and when to publish or when to stop this initiative.Read more
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Dubai to Singapore: Celebrity Solstice Cruise Review by sareldlh
Overall Member Rating
Dubai to Singapore
Destination: Middle East
Embarkation: Dubai
Passports were collected and we were told that we would get them a bit later !.
Almost 5 hours after entering our cabin and still no luggage. Calls to the Guest relations desk proved futile-no clear explanation or answers.
We were forced as well as most of the other passengers to have our first dinner in the main dining room in whatever clothes we were wearing. Not a very inviting sight to begin our first evening on the Solstice.
A request to have our passports were met with misleading and dishonest answers.
Fact is, we were told that it was OK to go ashore in Dubai or the next port -Muscat,Oman without the passports. Tell that to the U.S. State Department or even the guest lectures on board the ship !
The morning of our More arrival in Cochin,India a 45 minute wait to retrieve our passports began the day !
Again, after we boarded the ship in Cochin,passports were collected and we were told its OK to get off ship and tour in Kuala Lumpur,Malaysia.
On the last morning,before leaving the ship in Singapore,we had to line up again for the return.
Celebrity must be counting on the ignorance of its passengers,but I would hate to be involved in any emergency medical or legal hassle while off the ship and not have my U.S. passport with me !
I have traveled extensively for business and pleasure as well, and also have overseen of staff overseas assignments and never is anyone ever advised to walk around in a foreign country without a proper,original ( not a facsimile ) passport.
The communication skills of the Guest Relations staff as well as the Captain in these matters is disgraceful !
As respects the ship itself,Solstice seems to need a refreshing update in all areas. Decor is dated,faded and nondescript.. Food in MDR is fine for those whom the ability to order many dishes is the draw.Food very mediocre, and presentation is also boring. We ate one evening in the Silk Harvest and food, etc. just average. We opted out of trying the other specialty venues after this attempt at a more upscale experience.
Oceanview Cafe was what to expect in a buffet,cafeteria setting !
Outside pool area food -very 2nd rate..
Shows ,mostly were tacky and garish...
Cruise director,Paul was a throwback to the old snake salesman/huckster.
Pool area always jammed and volume of the music seemed more appropriate for an outdoor amateur rock show.!
Perhaps, it was this cruise, and the passenger make-up,but it was a very senior and uncouth bunch.
The only bright light for us were our cabin attendants and the wait staff in the restaurants.
Celebrity seems to be competing these days with Carnival and its customer base as opposed to an upscale passenger and will suffer in the end.
Next cruise will be on Azamara or Oceanic..One gets what one pays for !! Less
Published 12/02/12
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The Race for Hi-Speed Rail
Stealthy Federal Budget Plans Keep High-Speed Rail Plans alive
|Ronald D. Utt
|September 7th 2011
Heritage Foundation
With Congress eliminating spending for the President's faltering high-speed rail (HSR) program and making cuts in Amtrak's soaring subsidies, the Obama Administration appears to be shifting its reliance on funding for its ambitious passenger rail programs to a little-known federal loan program lodged in the U.S. Department of Transportation (DOT): the Railroad Rehabilitation and Improvement Financing Act (RRIF).
This provision allows up $35 billion in federal loans and loan guarantees for rail projects at the discretion of the President. Because nearly all passenger rail systems in the world lose money, these loans are unlikely to be paid back, and taxpayers will be on the hook for multi-billion-dollar losses.
President Obama used the 2009 stimulus to create and fund an HSR program. An initial $8 billion was provided by the stimulus, and an additional $1 billion per year was to be provided through annual appropriations bills for the five following years. On top of this, the President's highway reauthorization plan of February 2011 proposed adding an additional $50 billion to the rail program between 2012 and 2018. Read more ..


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|By PR Newswire
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|December 18, 2012 08:53 PM EST
SAN DIEGO and NEW YORK, Dec. 18, 2012 /PRNewswire/ -- Shareholder rights attorneys at Robbins Umeda LLP are investigating possible breaches of fiduciary duty and other violations of the law by members of the board of directors of Epoch Holding Corporation (NASDAQ: EPHC) in connection with their efforts to sell the company to The Toronto-Dominion Bank (Toronto: TD). Epoch is a publically owned investment manager.
(Logo: http://photos.prnewswire.com/prnh/20111014/ROBBINSUMEDALOGO)
On December 6, 2012, Epoch Holding and Toronto-Dominion announced they had entered into a definitive merger agreement under which Toronto-Dominion will acquire Epoch Holding through an all cash tender offer with a total value of $668 million. Epoch Holding shareholders will receive $28 per share. The transaction is expected to close in the first half of 2013.
The Board of Directors' Actions May Prevent Epoch Holding Shareholders from Receiving the Maximum Value for Their Stock
Robbins Umeda LLP's investigation focuses on whether the board of directors at Epoch Holding is undertaking a fair process to obtain maximum value and adequately compensate its shareholders. The $28 per share offer is substantially below the $33.50 target maintained by an analyst at Raymond James and is only slightly above the $27.80 share price reached on April 27, 2012. Moreover, Epoch Holding's recently reported financial results exceeded analysts' projections and represented substantial increases over 2011 figures. On October 3, 2012, Epoch Holding announced that its assets under management grew to $24.2 billion, an increase of 4% from June 30, 2012. In addition, on November 5, 2012, the company reported diluted earnings per share of $0.33 for the quarter that ended on September 20, 2011, beating analysts' estimates by 13.8%. Finally, Epoch Holding's reported net income increased to $7.9 million for the quarter, as compared to $4.4 million for the same period in 2011. Given these facts, the firm is examining whether the board of directors' decision to sell Epoch Holding for $28 per share is fair to shareholders.
Epoch Holding shareholders have the option to file a class action lawsuit against the company to secure the best possible price for shareholders and to ensure disclosure of material information so shareholders can make an informed decision on whether to tender their shares in the tender offer. Epoch shareholders interested in information about their rights and potential remedies can contact Darnell R. Donahue at (800) 350-6003, [email protected], or via the shareholder information form on the firm's website.
Robbins Umeda LLP is a nationally recognized leader in securities litigation and shareholder rights law. The firm represents individual and institutional investors in shareholder derivative and securities class action lawsuits, and has helped its clients realize more than $1 billion of value for themselves and the companies in which they have invested. For more information, please go to http://www.robbinsumeda.com.
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SYS-CON Events announced today that Juniper Networks (NYSE: JNPR), an industry leader in automated, scalable and secure networks, will exhibit at SYS-CON's 20th International Cloud Expo®, which will take place on June 6-8, 2017, at the Javits Center in New York City, NY. Juniper Networks challenges the status quo with products, solutions and services that transform the economics of networking. The company co-innovates with customers and partners to deliver automated, scalable and secure network...
Apr. 26, 2017 11:15 PM EDT Reads: 1,323
@DevOpsSummit at Cloud taking place June 6-8, 2017, at Javits Center, New York City, is co-located with the 20th International Cloud Expo and will feature technical sessions from a rock star conference faculty and the leading industry players in the world. The widespread success of cloud computing is driving the DevOps revolution in enterprise IT. Now as never before, development teams must communicate and collaborate in a dynamic, 24/7/365 environment. There is no time to wait for long developm...
Apr. 26, 2017 11:15 PM EDT Reads: 2,244
Grape Up is a software company, specialized in cloud native application development and professional services related to Cloud Foundry PaaS. With five expert teams that operate in various sectors of the market across the USA and Europe, we work with a variety of customers from emerging startups to Fortune 1000 companies.
Apr. 26, 2017 11:00 PM EDT Reads: 2,376
In his keynote at 19th Cloud Expo, Sheng Liang, co-founder and CEO of Rancher Labs, discussed the technological advances and new business opportunities created by the rapid adoption of containers. With the success of Amazon Web Services (AWS) and various open source technologies used to build private clouds, cloud computing has become an essential component of IT strategy. However, users continue to face challenges in implementing clouds, as older technologies evolve and newer ones like Docker c...
Apr. 26, 2017 10:45 PM EDT Reads: 678
Financial Technology has become a topic of intense interest throughout the cloud developer and enterprise IT communities. Accordingly, attendees at the upcoming 20th Cloud Expo at the Javits Center in New York, June 6-8, 2017, will find fresh new content in a new track called FinTech.
Apr. 26, 2017 10:45 PM EDT Reads: 2,400
SYS-CON Events announced today that Interoute, owner-operator of one of Europe's largest networks and a global cloud services platform, has been named "Bronze Sponsor" of SYS-CON's 20th Cloud Expo, which will take place on June 6-8, 2017 at the Javits Center in New York, New York. Interoute is the owner-operator of one of Europe's largest networks and a global cloud services platform which encompasses 12 data centers, 14 virtual data centers and 31 colocation centers, with connections to 195 add...
Apr. 26, 2017 10:15 PM EDT Reads: 1,973
In his keynote at @ThingsExpo, Chris Matthieu, Director of IoT Engineering at Citrix and co-founder and CTO of Octoblu, focused on building an IoT platform and company. He provided a behind-the-scenes look at Octoblu's platform, business, and pivots along the way (including the Citrix acquisition of Octoblu).
Apr. 26, 2017 10:00 PM EDT Reads: 1,368
Cloud Expo, Inc. has announced today that Aruna Ravichandran, vice president of DevOps Product and Solutions Marketing at CA Technologies, has been named co-conference chair of DevOps at Cloud Expo 2017. The @DevOpsSummit at Cloud Expo New York will take place on June 6-8, 2017, at the Javits Center in New York City, New York, and @DevOpsSummit at Cloud Expo Silicon Valley will take place Oct. 31-Nov. 2, 2017, at the Santa Clara Convention Center in Santa Clara, CA.
Apr. 26, 2017 09:45 PM EDT Reads: 2,591
SYS-CON Events announced today that CollabNet, a global leader in enterprise software development, release automation and DevOps solutions, will be a Bronze Sponsor of SYS-CON's 20th International Cloud Expo®, taking place from June 6-8, 2017, at the Javits Center in New York City, NY. CollabNet offers a broad range of solutions with the mission of helping modern organizations deliver quality software at speed. The company's latest innovation, the DevOps Lifecycle Manager (DLM), supports Value S...
Apr. 26, 2017 09:00 PM EDT Reads: 956
Join IBM November 2 at 19th Cloud Expo at the Santa Clara Convention Center in Santa Clara, CA, and learn how to go beyond multi-speed it to bring agility to traditional enterprise applications. Technology innovation is the driving force behind modern business and enterprises must respond by increasing the speed and efficiency of software delivery. The challenge is that existing enterprise applications are expensive to develop and difficult to modernize. This often results in what Gartner calls ...
Apr. 26, 2017 08:45 PM EDT Reads: 3,233
NHK, Japan Broadcasting, will feature the upcoming @ThingsExpo Silicon Valley in a special 'Internet of Things' and smart technology documentary that will be filmed on the expo floor between November 3 to 5, 2015, in Santa Clara. NHK is the sole public TV network in Japan equivalent to the BBC in the UK and the largest in Asia with many award-winning science and technology programs. Japanese TV is producing a documentary about IoT and Smart technology and will be covering @ThingsExpo Silicon Val...
Apr. 26, 2017 08:45 PM EDT Reads: 499
@GonzalezCarmen has been ranked the Number One Influencer and @ThingsExpo has been named the Number One Brand in the "M2M 2016: Top 100 Influencers and Brands" by Analytic. Onalytica analyzed tweets over the last 6 months mentioning the keywords M2M OR "Machine to Machine." They then identified the top 100 most influential brands and individuals leading the discussion on Twitter.
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Translating agile methodology into real-world best practices within the modern software factory has driven widespread DevOps adoption, yet much work remains to expand workflows and tooling across the enterprise. As models evolve from pockets of experimentation into wholescale organizational reinvention, practitioners find themselves challenged to incorporate the culture and architecture necessary to support DevOps at scale. In his session at @DevOpsSummit at 20th Cloud Expo, Anand Akela, Senior...
Apr. 26, 2017 08:15 PM EDT Reads: 1,857
The 20th International Cloud Expo has announced that its Call for Papers is open. Cloud Expo, to be held June 6-8, 2017, at the Javits Center in New York City, brings together Cloud Computing, Big Data, Internet of Things, DevOps, Containers, Microservices and WebRTC to one location. With cloud computing driving a higher percentage of enterprise IT budgets every year, it becomes increasingly important to plant your flag in this fast-expanding business opportunity. Submit your speaking proposal ...
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The age of Digital Disruption is evolving into the next era – Digital Cohesion, an age in which applications securely self-assemble and deliver predictive services that continuously adapt to user behavior. Information from devices, sensors and applications around us will drive services seamlessly across mobile and fixed devices/infrastructure. This evolution is happening now in software defined services and secure networking. Four key drivers – Performance, Economics, Interoperability and Trust ...
Apr. 26, 2017 07:45 PM EDT Reads: 662


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Whilst one Inheritance (Provision for Family and Dependants) Act 1975 ('1975 Act') case has dominated the headlines (Ilott v The Blue Cross [2017] UKSC 17) there…Read More
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Arlington, Virginia's Fire Chief James Schwartz recalls the county fire department's milestones.
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WETA has partnered with the Arlington Historical Society to tell stories about our area's past.
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Todd Starnes is host of Fox News & Commentary. His latest book is "The Deplorables' Guide to Making America Great Again." Follow him on Twitter @ToddStarnes and find him on Facebook.
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An exciting job and career opportunity for a UK Fibre Optics Field Sales Engineer with a European Leader in Advanced Technology Solutions.
The job will see you field based ,end customer facing , with full responsibility for profitable sales of the fibre optics products within the UK for the existing customer base as well as demand creation for new customer designs.
You will liaise with the company's technical and commercial Fibre Optics team progressing to conclusion new project opportunities.
To be successful in this job you will be degree or equivalent qualified in Engineering / Electronics, with a proven track record in customer facing technical sales and area or region development.
Knowledge and understanding of active and passive fibre components and products and their applications such as:1-400Gb Transceivers Short to long range in all form factors,
Lasers and receivers, packaged TOSA / ROSA combined with best in class communication skills, able to influence internal and external stake holders.
This position requires extensive UK travel and ideally you should be based Central UK.
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Battle Mind Co-Ed Team Training A Girl & A Gun Women's Shooting League
AUSTIN, Texas -(Ammoland.com)- A Girl & A Gun (AG & AG) is offering a unique co-ed training event for couples.
The all-inclusive event is scheduled for July 20-23, 2017, at the American Police Hall of Fame in Titusville, Florida.
Battle Mind: Special Ops for the Real World gives you the mindset and skills to react to threats you may encounter in your life.
This Co-Ed event focuses on several aspects of a relationship, like communication, trust, and even touch to demonstrate how they can be used to thwart an aggressor's initial plans, so that you can devise and enact a plan of survival in a moment's notice.
"This is a wonderful way for couples to train to work as a team in a crisis situation," says Julianna Crowder, AG & AG Founder. "EJ will give them advanced training to be successful when protecting their families." Instructor EJ Owens is a U.S. Army and National Guard veteran serving as a commissioned officer (Infantry) selected for Executive Protection of government officials, as well as a U.S. Army Hand-to-Hand Combatives Instructor, who served in Afghanistan as a U.S. Department of Defense contractor assigned to the Combined Joint Special Operations Task Force.
Participants will learn nonverbal gestures and signals to communicate with a partner in an emergency; how to set up your response plan for home or in public; determine who has to take the lead and how to support each other; and techniques so that you can respond together in a crisis situation.
Registration is open on their website.
About A Girl & A Gun:
A Girl & A Gun (AG & AG) is a nationwide training organization whose events have been successful stepping stones for thousands of women into the shooting community and fostered their love of shooting with caring and qualified instructors to teach them. They break barriers for women and girls in the area of self-defense and in pistol, rifle, and shotgun shooting sports by welcoming beginners to learn the basics of safe and accurate shooting and providing experienced shooters with advanced-level instruction.
Learn more on their website.
This post A Girl & A Gun Offers Women's Co-Ed Training Event appeared first on AmmoLand.com Shooting Sports News .
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Koo set up Dominik Kohr for Augsburg to pull one back after an hour played, but any hopes of a comeback were dented when Chicharito claimed his second minutes later, set up with a brilliant pass from the impressive Havertz.
Chicharito leads Bayer Leverkusen to 3-1 win at Augsburg →
Chicharito claimed his second midway through the second half, and he sealed the win in injury time.
Bayern leaves it late to beat Hamburg in Bundesliga →


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|Apr 29, 2017
|Today6d 5h
|i need 10 well written articles on body fitness for my blog
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|Apr 29, 2017
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|build fitness tracker
|I need a basic fitness tracking software that stores users workouts, meals, and weight progress. Must use html / html5 / css / js (js may call out to sql database). This project will be inserted in the link below. [url removed, login to view]
|Javascript, CSS, Health, HTML5, HTML
|Apr 28, 2017
|Apr 28, 20175d 5h
|Design our logo for website about fitness and weight loss
|Hello Freelancers, We are looking for a logo for a website themed around weight loss and fitness for women. This is primarily a blog website but we will also will be selling products. We are looking for creative, talented and ambitious designer with a great eye for creating stunning logos. The logo should contain words "Moms Fitness Heaven". I'd like "Moms Fitness...
|Graphic Design, Illustration, Illustrator, Logo Design, Photoshop
|Apr 27, 2017
|Apr 27, 20174d 12h
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|I want you to sell my fitness/nutrition program
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|Apr 26, 2017
|Apr 26, 20173d 14h
|Write Email Marketing Content For Fitness Niche
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|Apr 26, 2017
|Apr 26, 20173d 13h
|Do some Medical Blog Posting
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|Blog, Medical Writing, Photoshop Design, Health, Creative Writing
|Apr 24, 2017
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|Design a Logo - Wild Fitness
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|Apr 23, 2017
|Apr 23, 20176h 3m
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|Instagram Marketing fitness profesional person
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|SEO, Social Media Marketing, Instagram
|Apr 23, 2017
|Apr 23, 2017Ending
|military style logo
|Firstly thank you for taking an interest in my project. I am a fitness instructor looking too create my own military style boot camp and require a logo that would represent this. I already have my own slogan which is "Para Bellum" and would need this to be placed into the logo for when it is used for uniforms and stuff. full creative freedom as i haven't really got any ideas. t...
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|Apr 23, 2017
|Apr 23, 2017Ended
|Logo for new brand
|need a logo for a new brand. The Grind. its a fitness, wellness brand. its need to represent hard work, commitment. strength and a [url removed, login to view] lte Update [url removed, login to view] I know this is kind of late BuT I just uploaded a picture that i really like and would love to see some logo made with something like that please
|3D Design, 3D Rendering, Graphic Design, Logo Design, Photoshop
|Apr 12, 2017
|Apr 12, 20171d 17h
|Hire a Graphic Designer
|I am looking for an illustrator/ graphic designer to design a set logos for my business initially, hopefully progressing onto bigger things. I have already had two disappointing experiences with different designers and I don't have enough time for another bad experience. I'm happy to share what i received from the two as an idea of what I'm not into. I am a freelance personal trai...
|Graphic Design, Illustrator, Illustration
|Apr 9, 2017
|Apr 9, 2017Ended
Showing 1 to 15 of 15 entries
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Naomi Campbell once threw eggs at George Michael's vanSupermodel Naomi Campbell has said that she used to throw eggs at late singer George Michael's van because she was a fan of pop band Culture Club, fronted by Boy George. "I knew (Michael) before the 'Freedom! 90' video. I used to throw eggs at his van because ... Business Standard, 2 months ago
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The Castors of Giza: Building the Great Pyramidby Chris Hambleton
Product Details
- 9781475104424
- Publisher:
- CreateSpace
- Publication date:
- 03/09/2012
- Pages:
- 378
- Product dimensions:
- 5.50(w) x 8.50(h) x 0.86(d)
Customer Reviews
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The Castors of Giza: Building the Great Pyramid based on 0 ratings. 2 reviews.
Sorry for the wait. We will begin with some basic fighting moves. Watch carefully. *swipes paw out as if to unbalnce an opponet then pounces on the ground.*
Sits and waits patiently.


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Morning ladies,
As the title suggests, please share with me what your favourite exercise DVD is.
I feel too busy with work and the children to find the time for the gym too.
I am thinking exercise dvds may be the convenient way to go and then I will try to squeeze in a run here and there when I can.
I am hoping that combined with healthy eating I can beat this muffin top and do my jeans up again.
Today is the first day of the new me (and no chocolate biscuit snacking and no icecream after dinner) lol
Sent from my GT-I9300T using The Bub Hub mobile app
+ Reply to Thread
Results 1 to 9 of 9
19-06-2013 08:06 #1
best exercise DVD's.... hit me!
19-06-2013 13:27 #2Senior Member
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What kind of exercise do you like? I love Kathryn Budig's Aim True DVD. It's really affordable which is great.
YouTube actually has a heap of workouts for free as well. You can just type in what you're after and you can be sure to find something
The Following User Says Thank You to Benji For This Useful Post:
sunseeker (19-06-2013)
24-06-2013 23:45 #3Senior Member
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- Mar 2010
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- Perth
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I love Jillian Michaels 30 day shred. Sure gives you a workout!!
25-06-2013 00:09 #4
Has anyone tried any of Michelle Bridge's DVDs? Are they any good for weight loss?
25-06-2013 01:19 #5
I just started Insanity yesterday. Oh wow!
29-06-2013 09:26 #6Senior Member
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I use Michelle Bridges DVD's and I am doing her 12WBT. I really like them and I am a true beginner when it comes to exercise.
29-06-2013 11:19 #7
Agree the Michelle Bridges DvDs are great!
29-06-2013 11:44 #8
Jillian Michaels 30 Day Shred =)
29-07-2013 00:33 #9
I'm doing the 30-day squat challenge and have definitely noticed an improvement in my thighs/butt/muffin top!
It's free and only takes a few minutes a day.
Similar Threads
Fitness DVD's with good music...?By mrsoptomistic in forum Weightloss & Fitness ChallengesReplies: 6Last Post: 26-02-2013, 08:40
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Is this restaurant family-friendly?
Does this restaurant have waiters and waitresses?
Does this restaurant have tables with seating?
Does this restaurant accept reservations?
Does this restaurant offer outdoor seating?
Does this restaurant serve alcohol?
Can a vegetarian person get a good meal at this restaurant?
Is this restaurant good for breakfast?
Does this restaurant offer takeout or food to go?
Is this an European restaurant?
Thanks for helping!
Food is fine, no worries, but the main reason to go here is the fantastic surroundings.
The food is good, the staff friendly and the prices ok.
But the nature is truly amazing!
Service was not good. Waither was rood,unpolite. Food was ok for the price that we pay. The nature is beautiful!
Went for lunch with my wife to Niagara restaurant today and as I didn't feel like having fish and as I don't eat meat, we asked for an omelet with vegetables for me. The waiter told us in the rudest way that they didn't have vegetables because it was out of season, which was his way of telling us that...
Very bad experience. If you don't eat meat don't go there, they don't have vegetables!! And servant have been rude. Will never go there again!
The worst service ever had. As it is a meat restaurant, they usually dont have it:))) there is no no smoking place for the families who jas kids. Very slow and bad service
We didn't eat here as it was the waterfalls we were interested in. These are stunning and a real must-see in my opinion. Stand on a rock just down river and get covered in noisy spray. If there in summer do swim upriver if the falls
This place is worth to see it. The nature, the river and the falls are amazing. The restaurant there is also very nice and big and warm. Pirtions are too big (400g/meet portion) but prices are available. Yoy shoul visit it if you are near....it is inly 10 min out of Podgorica but ask locals for direction...
We had a fantastic time at Niagara. The service was excellent and the food both authentic, organic and filling. We enjoyed the food with local wine. The entire group, even the vegetarians were happy with their food. We'll worth a visit!
Love the awesome and fast service!
Wish our soups were served first earlier than the main. The came out only 1 minute before the main course which is not good as we cannot cope. Grilled trout is actually deep fried trout which is a joke... Taste alright.
Grilled pork (medallions with mushrooms) is good.
Skadar fish soup taste like sardine...
The place is captivating, service is accommodating and good, Food was amazing , reasonably cheap and really tasty .
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Kabali 1st Weekend Box Office Collection:- Kabali is a Tamil action movie, direction by pa Ranjith and produced by kalaipuli S Thaanu under his V creation. The film stars Rajinikanth, Radhika Apte, Kishore, Kalaiyarasan, Dhansika, and Dinesh Ravi. Santhosh Narayanan to compose music and murali J to handle the cinematography. Editing by Praveel KL . Director Pa Ranjith reveals the character of kabali movie. Kabali is a self confident, angry man. But he doesn't talk punch dialogues. He talks only thoughtful Rajinikanth is one of the biggest stars not only in indian cinema but also world wide. The last movie of rajnikanth is Linga which is directed by KS Ravikumar.
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