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Jewelry for You! How to Make Handmade Beaded Bracelets and Necklaces
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"As an avid knitter, I am always looking for new projects to make and often like to make gifts for everyone in my family. This hat and scarf set would make a great gift for the men in my life! The instructions are clear and should be easy to follow."
"Any brown paper will degrade over time unless it's coated with plastic or wax. Grocery store brown paper bags should work fine however, if you want the paper to degrade a little more quickly, most paper towels or paper napkins will work fine. The only thing I would worry about is that watering the plants will make both psper tubes and paper fall apart."
"Crafts requiring saws, blades or chemicals should be left to adults. Perhaps children could help with other aspects of the craft, such as painting or gluing."
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"I would have to say any craft requiring the use of machinery (IE woodworking, sewing ) is specifically meant for adults only. Anything requiring the use of chemicals as well. However these can all be taught to children in a form of respect for safety by a supervising adult D"
Crystal Pearl Prayer Bracelet
By: Jenny Barnett Rohrs from Craft Test Dummies for Consumer Crafts
We are adding the craft to your Craft Projects.
The project was added to your Craft Projects.
Click here to view your Craft Projects.
Handmade pearl charm bracelets have a delicate sweetness and make perfect gifts for occasions like a first communion or confirmation. Make the Crystal Pearl Prayer Bracelet by Jenny Barnett Rohrs for Consumer Crafts with a cross charm as a memento of these important religious events.
- Beading wire 32027-3
- 2 Crimp beads WC076204
- Lobster clasp 1920-53SP
- 6mm White Swarovski™ crystal pearls 07036-21
- 6mm crystal Swarovski™ rondelle spacers, 6MM 0708-68-T1S
- 4mm crystal Swarovski™ bicone beads 070025-T1AB
- Prayer Box Pendant BG2027
- Toggle clasp 1968-65
- 4mm Jump ring 1880-98
- 6mm double split ring 1880-96
- Crimping pliers
- Wire cutters
- Lay out your design on a beading mat in the following order: Bicone, pearl, rondelle, pearl, rondelle, pearl. (Use extra or fewer beads at the two ends to accommodate your recipient's wrist size.)
- Thread your beading wire into the toggle clasp, leaving a 2" tail. Thread both ends of the wire through the crimp bead. Slide the crimp bead up to the clasp and, using the crimping pliers, secure the crimp. Then string your beads in order. Add a split ring at the end of your design--you'll attach your prayer box to this later.
- Add your second crimp bead, and then thread on the second part of the clasp. Run the beading wire through back through the last 4-5 beads, drawing the string snugly. Then crimp the bead and, using the wire cutters, cut the leftover beading wire off. Now attach the lobster claw clasp to the prayer box using a jump ring. Attach it to the split ring on your bracelet.
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Dr. Bhavani Thuraisingham June 2013 A Comprehensive Overview of Secure Cloud Computing
Outline l What is Cloud Computing l Cloud Computing Infrastructure Security l Cloud Storage and Data Security l Identity Management in the Cloud l Security Management in the Cloud l Privacy l Audit and Compliance l Cloud Service Providers l Security as a Service l Impact of Cloud Computing l Directions l Reference: Cloud Security and Privacy: Mather, Kumaraswamy and Latif, O'Reilly Publishers
What is Cloud Computing? l Definition l SPI Framework l Traditional Software Model l Cloud Services Delivery Model l Deployment Model l Key Drivers l Impact l Governance l Barriers
Definition of Cloud Computing l Multitenancy - shared resources l Massive scalability l Elasticity l Pay as you go l Self provisioning of resources
SPI Framework l Software as a Service (SAAS), Platform as a Service (PaaS), Infrastructure as a Service (IaaS) l Several Technologies work together - Cloud access devices - Browsers and thin clients - High speed broad band access - Data centers and Server farms - Storage devices - Virtualization technologies - APIs
Traditional Software Model l Large upfront licensing costs l Annual support costs l Depends on number of users l Not based on usage l Organization is responsible for hardware l Security is a consideration l Customized applications
Cloud Services Delivery Model l SaaS - Rents software on a subscription basis - Service includes software, hardware and support - Users access the service through authorized device - Suitable for a company to outsource hosting of apps l PaaS - Vendor offers development environment to application developers - Provide develops toolkits, building blocks, payment hooks l IaaS - Processing power and storage service - Hypervisor is at this level
Deployment Models l Public Clouds - Hosted, operated and managed by third party vendor - Security and day to day management by the vendor l Private Clouds - Networks, infrastructures, data centers owned by the organization l Hybrid Clouds - Sensitive applications in a private cloud and non sensitive applications in a public cloud
Key Drivers l Small investment and low ongoing costs l Economies of scale l Open standards l Sustainability
Impact l How are the following communities Impacted by the Cloud? l Individual Customers l Individual Businesses l Start-ups l Small and Medium sized businesses l Large businesses
Governance l Five layers of governance for IT are Network, Storage Server, Services and Apps l For on premise hosting, organization has control over Storage, Server, Services and Apps; Vendor and organization have share control over networks l For SaaS model all layers are controlled by the vendor l For the IaaS model, Apps are controlled by the organization, Services controlled by both while the network, storage and server controlled by the vendor l For PaaS, Apps and Services are controlled by both while servers, storage and network controlled by the vendor
Barriers l Security l Privacy l Connectivity and Open access l Reliability l Interoperability l Independence from CSP (cloud service provider) l Economic value l IR governance l Changes in IT organization l Political issues
Cloud Computing Infrastructure Security l Infrastructure Security at the Network Level l Infrastructure Security at the Host Level l Infrastructure Security at the Application Level l Note: We will examine IaaS, PaaS and SaaS Security issues at Network, Host and Application Levels
Security at the Network Level l Ensuring data confidentiality and integrity of the organizations data in transit to and from the public cloud provider l Ensuring proper access control (Authentication, Authorization, Auditing) to resources in the public cloud l Ensuring availability of the Internet facing resources of the public cloud used by the organization l Replacing the established network zones and tiers with domains l How can you mitigate the risk factors?
Security at the Host Level l Host security at PaaS and SaaS Level - Both the PaaS and SaaS hide the host operating system from end users - Host security responsibilities in SaaS and PaaS are transferred to CSP l Host security at IaaS Level - Virtualization software security l Hypervisor security l Threats: Blue Pill attack on the hypervisor - Customer guest OS or virtual server security l Attacks to the guest OS: e.g., stealing keys used to access and manage the hosts
Security at the Application Level l Usually it's the responsibility of both the CSP and the customer l Application security at the SaaS level - SaaS Providers are responsible for providing application security l Application security at the PaaS level - Security of the PaaS Platform - Security of the customer applications deployed on a PaaS platform l Application security at the IaaS Level - Customer applications treated a black box - IaaS is not responsible for application level security
Cloud Storage and Data Security l Aspects of Data Security l Data Security Mitigation l Provider Data and its Security
Aspects of Data Security l Security for - Data in transit - Data at rest - Processing of data including multitenancy - Data Lineage - Data Provenance - Data remnance l Solutions include encryption, identity management, sanitation
Data Security Mitigation l Even through data in transit is encrypted, use of the data in the cloud will require decryption. - That is, cloud will have unencrypted data l Mitigation - Sensitive data cannot be stored in a public cloud - Homomorphic encryption may be a solution in the future
Provider Data and its Security l What data does the provider collect – e.g., metadata, and how can this data be secured? l Data security issues - Access control, Key management for encrypting l Confidentiality, Integrity and Availability are objectives of data security in the cloud
Identity and Access Management (IAM) in the Cloud l Trust boundaries and IAM l Why IAM? l IAM challenges l IAM definitions l IAM architecture and practice l Getting ready for the cloud l Relevant IAM standards and protocols for cloud services l IAM practices in the cloud l Cloud authorization management l Cloud Service provider IAM practice
Trust Boundaries and IAM l In a traditional environment, trust boundary is within the control of the organization l This includes the governance of the networks, servers, services, and applications l In a cloud environment, the trust boundary is dynamic and moves within the control of the service provider as well ass organizations l Identity federation is an emerging industry best practice for dealing with dynamic and loosely coupled trust relationships in the collaboration model of an organization l Core of the architecture is the directory service which is the repository for the identity, credentials and user attributes
Why IAM l Improves operational efficiency and regulatory compliance management l IAM enables organizations to achieve access cont6rol and operational security l Cloud use cases that need IAM - Organization employees accessing SaaS se4rvidce using identity federation - IT admin access CSP management console to provision resources and access foe users using a corporate identity - Developers creating accounts for partner users in PaaS - End uses access storage service in a cloud - Applications residing in a cloud serviced provider access storage from another cloud service
IAM Challenges l Provisioning resources to users rapidly to accommodate their changing roles l Handle turnover in an organization l Disparate dictionaries, identities, access rights l Need standards and protocols that address the IAM challenges
IAM Definitions l Authentication - Verifying the identity of a user, system or service l Authorization - Privileges that a user or system or service has after being authenticated (e.g., access control) l Auditing - Exam what the user, system or service has carried out - Check for compliance
IAM Practice l IAMN process consists of the following: - User management (for managing identity life cycles), - Authentication management, - Authorization management, - Access management, - Data management and provisioning, - Monitoring and auditing - Provisioning, - Credential and attribute management, - Entitlement management, - Compliance management, - Identity federation management, - Centralization of authentication and authorization,
Getting Ready for the Cloud l Organization using a cloud must plan for user account provisioning - How can a user be authenticated in a cloud l Organization can use cloud based solutions from a vendor for IAM (e.g., Symplified) - Identity Management as a Service l Industry standards for federated identity management - SAML, WS-Federation, Liberty Alliance
Relevant IAM Standards, Protocols for Cloud l IAM Standards and Specifications for Organizations - SAML - SPML - XACML - OAuth (Open Authentication) – cloud service X accessing data in cloud service Y without disclosing credentials l IAM Standards and Specifications for Consumers - OpenID - Information Cards - Open Authenticate (OATH) - Open Authentication API (OpenAuth)
IAM Practices in the Cloud l Cloud Identity Administration - Life cycle management of user identities in the cloud l Federated Identity (SSO) - Enterprise an enterprise Identity provider within an Organization perimeter - Cloud-based Identity provider
Cloud Authorization Management l XACML is the preferred model for authorization l RBAC is being explored l Dual roles: Administrator and User l IAM support for compliance management
Cloud Service Provider and IAM Practice l What is the responsibility of the CSP and the responsibility of the organization/enterprise? l Enterprise IAM requirements - Provisioning of cloud service accounts to users - Provisioning of cloud services for service to service integration' - SSO support for users based on federation standards - Support for international and regulatory policy requirements - User activity monitoring l How can enterprises expand their IAM requirements to SaaS, PaaS and IaaS
Security Management in the Cloud l Security Management Standards l Security Management in the Cloud l Availability Management l Access Control l Security Vulnerability, Patch and Configuration Management
Security Management Standards l Security Manage3ment has to be carried out in the cloud l Standards include ITIL (Information Technology Infrastructure Library) and ISO 27001/27002 l What are the policies, procedures, processes and work instruction for managing security
Security Management in the Cloud l Availability Management (ITIL) l Access Control (ISIO, ITIL) l Vulnerability Management (ISO, IEC) l Patch Management (ITIL) l Configuration Management (ITIL) l Incident Response (ISO/IEC) l System use and Access Monitoring
Availability Management l SaaS availability - Customer responsibility: Customer must understand SLA and communication methods - SaaS health monitoring l PaaS availability - Customer responsibility - 'PaaS health monitoring l IaaS availability - Customer responsibility - IaaS health monitoring
Access Control Management in the Cloud l Who should have access and why l How is a resources accessed l How is the access monitored l Impact of access control of SaaS, PaaS and IaaS
Security Vulnerability, Patch and Configuration (VPC) Management l How can security vulnerability, patch and configuration management for an organization be extended to a cloud environment l What is the impact of VPS on SaaS, PaaS and IaaS
Privacy l Privacy and Data Life Cycle l Key Privacy Concerns in the Cloud l Who is Responsible for Privacy l Privacy Risk Management and Compliance ion the Cloud l Legal and Regulatory Requirements
Privacy and Data Life Cycle l Privacy: Accountability of organizations to data subjects as well as the transparency to an organization's practice around personal information l Data Life Cycle - Generation, Use, Transfer, Transformation, Storage, Archival, Destruction - Need policies
Privacy Concerns in the Cloud l Access l Compliance l Storage l Retention l Destruction l Audit and Monitoring l Privacy Breaches
Who is Responsible for Privacy l Organization that collected the information in the first place – the owner organization l What is the role of the CSP? l Organizations can transfer liability but not accountability l Risk assessment and mitigation throughout the data lifecycle l Knowledge about legal obligations
Privacy Risk Management and Compliance l Collection Limitation Principle l Use Limitation Principle l Security Principle l Retention and Destruction Principle l Transfer Principle l Accountab9lity Principle
Legal and Regulatory Requirements l US Regulations - Federal Rules of Civil Procedure - US Patriot Act - Electronic Communications Privacy Act - FISMA - GLBA - HIPAA - HITECH Act l International regulations - EU Directive - APEC Privacy Framework
Audit and Compliance l Internal Policy Compliance l Governance, Risk and Compliance (GRC) l Control Objectives l Regulatory/External Compliance l Cloud Security Alliance l Auditing for Compliance
Audit and Compliance l Defines Strategy l Define Requirements (provide services to clients) l Defines Architecture (that is architect and structure services to meet requirements) l Define Policies l Defines process and procedures l Ongoing operations l Ongoing monitoring l Continuous improvement
Governance, Risk and Compliance l Risk assessment l Key controls (to address the risks and compliance requirements) l Monitoring l Reporting l Continuous improvement l Risk assessment – new IT projects and systems
Control Objectives l Security Policy l Organization of information security l Asset management l Human resources security l Physical and environmental security l Communications and operations management l Access control l Information systems acquisition, development and maintenance l Information Security incident management l Compliance l Key Management
Regulatory/External Compliance l Sarbanes-Oxley Act l PCI DSS l HIPAA l COBIT l What is the impact of Cloud computing on the above regulations?
Cloud Security Alliance (CSA) l Create and apply best practices to securing the cloud l Objectives include - Promote common level of understanding between consumers and providers - Promote independent research into best practices - Launch awareness and educational programs - Create consensus l White Paper produced by CSA consist of 15 domains - Architecture, Risk management, Legal, Lifecycle management, applications security, storage, virtualization, - - - -
Auditing for Compliance l Internal and External Audits l Audit Framework - SAS 70 - SysTrust - WebTrust - ISO 27001 certification l Relevance to Cloud
Cloud Service Providers l Amazon Web Services (IaaS) l Google (SaaS, PaaS) l Microsoft Azure (SaaS, IaaS) l Proofpoint (SaaS, IaaS) l RightScale (SaaS) l Slaeforce.com (SaaS, PaaS) l Sun Open Cloud Platform l Workday (SaaS)
Security as a Service l Email Filtering l Web Content Filtering l Vulnerability Management l Identity Management
Impact of Cloud Computing l Benefits - Low cost solution - Responsiveness flexibility - IT Expense marches Transaction volume - Business users are in direct control of technology decisions - Line between home computing applications and enterprise applications will blur l Threats - Vested interest of cloud providers - Less control over the use of technologies - Perceived risk of using cloud computing - Portability and Lock-in to Proprietary systems for CSPs - Lack of integration and componentization
Directions l Analysts predict that cloud computing will be a huge growth area l Cloud growth will be much higher than traditional IT growth l Will likely revolutionize IT l Need to examine how traditional solutions for IAM, Governance, Risk Assessment etc will work for Cloud l Technologies will be enhanced (IaaS, PaaS, SaaS) l Security will continue o be a major concern
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Southampton 1 Swansea 1: Adkins' soap moment just won't wash as Dyer punishes old side
It was one of those soap opera
moments when a character announces they have never been so happy. You
know instantly they are about to meet their doom.
And so you feared for Nigel Adkins
when he said before this game he was relishing the challenge and added:
'I'm looking forward to it for many, many years to come.'
A point against Swansea that saw
Southampton leapfrog Queens Park Rangers at the bottom should at least
mean the Saints manager survives another episode - though years is
surely stretching it.
Comeback kid: Swansea's Nathan Dyer returned to haunt his former club with a second-half equaliser for Swansea
Southampton: Gazzaniga, Clyne, Yoshida, Fonte, Shaw (Fox 74), Puncheon, Cork, Schneiderlin, Lallana, Lambert, Ramirez. Subs not used: Kelvin Davis, Hooiveld, Steven Davis, Rodriguez, Ward-Prowse, Mayuka.
Booked: Schneiderlin, Lallana.
Goals: Schneiderlin 64.
Swansea: Tremmel, Rangel, Williams, Monk, Davies, Ki, Britton (Shechter 66), De Guzman (Agustien 86), Hernandez, Michu, Routledge (Dyer 56). Subs not used: Cornell, Tate, Moore, Tiendalli.
Booked: Williams, Agustien.
Goals: Dyer 73.
Att: 30,501.
Ref: Andre Marriner.
This could well have been
Southampton's second win of the season, with Swansea having lost their
last three away games without scoring.
Morgan Schneiderlin headed the home
side ahead in the second half but the jitters assailed Saints and
substitute Nathan Dyer pinched a point for Michael Laudrup's side after a
defensive mix-up.
'What you saw today was the fans,
players and everyone at the club pulling together in the right
direction,' Adkins repeated almost as a mantra.
'It's another point and a good performance with good defensive shape.'
With £13million Gaston Ramirez fit
again, Adkins played the Uruguay forward just behind Rickie Lambert in
search of a winning blend.
Adam Lallana and Ramirez often linked
well and, after Lallana had forced Gerhard Tremmel into a low save from
20 yards, Ramirez curled a 25-yarder just wide.
He also created Saints' best chance
of the half, finding Jose Fonte from a free-kick but Fonte tried to cut
the ball back instead of going for goal.
First up: Southampton's Morgan Schneiderlin turns to celebrates after scoring the first goal at St Mary's
Under pressure: Southampton manager Nigel Adkins went into the came with his side at the foot of the table
For all their neat approach work, Swansea hardly troubled Paulo Gazzaniga in the home goal.
Only the solid Ki Sung-yong forced
him into a first-half save. Lallana might have had a penalty when
challenged by Ashley Williams but referee Andre Marriner ruled -
harshly, with contact being made - a dive.
On the move: Southampton's Jason Puncheon looks to go past Swansea's Ben Davies
Hold up: Southampton striker Rickie Lambert (L) vies with Swansea defender Angel Rangel (R)
It galvanised Saints, and a minute
later they led. Lambert headed a long ball across goal and Schneiderlin
juggled it on his head before heading in. Saints grew nervy and were
punished when Gazzaniga kicked out to Maya Yoshida.
He was dispossessed by Dyer, who ran on and tucked home a crisp, low shot.
Head boys: Southampton midfielder Morgan Schneiderlin (L) loses out to Swansea's Jonathan De Guzman
No way through: Nathaniel Clyne (L) and Jason Puncheon (R) charge down Swansea winger Wayne Routledge
'The two positives for us were the result and the character we showed in coming back,' said Laudrup.
Consolation for Saints will come in
their Premier League survival in 1993-94 from a worse position, having
lost nine of their first 11 games.
The bad news for Adkins is they did so after sacking manager Ian Branfoot in mid-season.
Making a point: Swansea City manager Michael Laudrup barks out his orders from the touchline
Stuck in: Adam Lallana gets tangled up in a challenge with Swansea's Angel Rangel
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Cala d'Or: Holiday Resort
Cala d'Or is one of the tourist centres situated in the east coast of Mallorca. With its beaches located a few metres from shopping streets and hotels, it also has a luxury marina. In case you haven't been there, come into Cala d'Or…
Basic Information:
Cala d'Or-Santanyí: 13.4 Km.
Cala d'Or-Portopetro: 4.3 Km.
Vall d'Or Golf-Cala d'Or: 7.0 Km.
- Llaüt, shipbuilding with tradition
- Santa Ponsa, Beaches & Golf


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Weight problem
I m 25 year old,but my weight only 40 kg.my height 5 foot only.please suggest me for increase my weight .
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Dr. Chethan R S
Bangalore | General Physician
INR 250 for 24 hrsCHAT NOW
Hi, add more of dried fruit, green leafy vegetables, healthy fats, milk, eggs, poultry, meat etc.., to your diet. take more protein rich foods. Consult Dietitian..
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E-book: How to find Business Partners on the Internet?
It's been said that inspiration comes from many different places and the truth is that many famous people, and famous creations, have been inspired in the most interesting of places. One of the most popular places to get inspiration these days is the Internet of course because, well, there's just so much stuff there that inspires people. (And let's be honest, there's plenty of stuff there that wastes time as well, but that's another story.)
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The world, as they say, is getting smaller. No it's not actually shrinking but, due to newer, faster ways to communicate it certainly seems that way. What that means for today's import and export companies is that communication is no longer a barrier to entry into a marketplace, and many have seized the opportunity to do just that.
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When time-sensitive data moves or mingles, privacy becomes a concern.
A recent report by the American Civil Liberties Union argued: "In a democracy, the collection and sharing of intelligence information — especially information about American citizens and other residents — need to be carried out with the utmost care." That's because, increasingly, the amount of information available on people is enough to assemble a very detailed portrait of their lives — and because security agencies are moving toward using such portraits to profile how suspicious someone might be.
The report went on to warn that "new institutions like fusion centers must be planned in a public, open manner, and their implications for privacy and other key values carefully thought out and debated. And like any powerful institution in a democracy, they must be constructed in a carefully bounded and limited manner with sufficient checks and balances to prevent abuse."
And Robert Riegle, director of the Homeland Security Department's State and Local Program Office, said it's not just a concern for civil liberties groups.
Related stories:
State fusion centers look to expand beyond counterterrorism efforts
Fusion center approach could be effective in other areas
NIEM ventures forth
"We take the commitment to respect and protect the privacy, civil rights and civil liberties of American citizens seriously," Reigle told Congress last year. "We partner with the DHS Privacy Office, the DHS Office for Civil Rights and Civil Liberties, and the Office of General Counsel to make sure that all of our efforts are consistent with our obligations to the American people. We require all [intelligence and analysis] staff assigned to fusion centers to receive specific training and to have subject-matter expertise on all relevant privacy, civil rights and civil liberties issues."
Nevertheless, the ACLU's concerns about the openness of fusion center activities seem justified in some cases.
GCN had little success in obtaining interviews with officials at state fusion centers and federal agencies involved with fusion centers. Although the Homeland Security Department agreed to an interview, it was made clear in our initial contact with the department that officials did not want to provide an interview if we focused the article on privacy concerns.
As for state fusion centers, only one state out of eight we tried to contact — Minnesota — agreed to an interview in time for this article. One other state fusion center did respond with queries about the nature of the article, but the response was too late for this article.
One reason for fusion center officials' reluctance could be that in the past, some federal agencies discouraged openness.
For example, a memorandum of understanding between the FBI and Virginia in February 2008, which was obtained by the nonprofit Electronic Privacy Information Center, indicates that any disclosure to Congress of information shared with the fusion center can happen only "after consultation with the FBI."
Perhaps not coincidentally, the one state fusion center that did agree to an interview also is prohibited by its state's privacy laws from participating in federal programs such as the National Information Exchange Model or N-DEx, an FBI database that collects information from law enforcement agencies around the country.
"Right now, there is legislation that won't allow us to submit data," said Mike Bosacker, commander of the Minnesota Joint Analysis Center. "The legislators in this state are very suspicious of the feds."
About the Author
Patrick Marshall is a freelance technology writer for GCN.
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March 30, 2017
The new $7.5 billion SETI acquisition program aims to rapidly contract innovative technologies and solutions across the Defense Department.
The Department of Commerce is revising its confidentiality agreement for statistical data survey respondents to reflect the fact that the Department of Homeland Security could see some of that data if it is captured by the Einstein system.
In a Feb. 17 memo, Defense Secretary Jim Mattis told senior leadership to establish teams to look for duplication across the armed services in business operations, including in IT and cybersecurity.
State election officials had more questions than answers after a Department of Homeland Security presentation on the designation of election systems as critical U.S. infrastructure.
The government desperately needs younger talent to replace an aging workforce, and experts say that a freeze on hiring doesn't help.
The Department of Veterans Affairs will test an internally developed scheduling module at primary care sites nationwide to see if it's ready to service the entire agency.
If you are looking for something or someone to be afraid of, and who isn't these days: Then we should be more concerned about the average bank vice president; the person with access to much more detailed information about individuals than any fusion center. There is so little sharing among fusion centers, their often reluctant participants, and local law enforcement agencies. Most of us close to the source of this data wonder if fusion centers offer an acceptable ROI. And we also wonder why financial reforms do not even begin to reach into the credit reporting agencies where the true boogie men reside.
I'm new to the Government IT acronyms but I wanted to point out that N-DEx stands for Law Enforcement National Data Exchange not for National Information Exchange Model (NIEM). NIEM may be used to build the N-DEx, but it is something slightly different.
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The remarkable story of the Langbourne brothers is picked up in 1893. Morris, just 17, makes the bold and risky decision to head north, deeper into Africa. Morris and his younger brother, David, thus embark on a new adventure - to set up business as traders. After walking through the African bush for three months with six wagons laden with goods and hardly a track to guide them, Morris and David stop in the settlement of KoBulawayo and build their first warehouse out of wooden poles and mud.
This book brings to the listener an uncommon understanding of a hand spread of vital and discrete subjects of life, which are often easily defined and approached by the general understanding available in the common social space. The definitions of these various subjects of life and entrepreneurship, such as opportunity, capital, focus, etc., which are highlighted in this book, have evolved in deeper dimensions in our world today.
It is 1891 when Morris and David, both young teenagers, arrive in Port Elizabeth, South Africa. With neither family nor friends, they decide to try their hands in the cigarette business, the only thing they know. They befriend Nguni, a large and well-muscled man of the Xhosa tribe, who leads them into the African bush to find a tobacco farming community and offers protection from the dangers of wild animals that they never even knew existed. With the solid grounding their parents instilled in them during their upbringing, the boys learn to adapt and accept Africa's ways.
Jack of All Trades is about the early life of wildlife expert, fisherman, and raconteur par excellence Jack Mudd, covering his school days and early adventures in mining and construction to a major period of his seagoing days. The book provides a wonderful series of vivid descriptions, humorous incidents, and striking portraits of humanity at large in Jack's inimitable style of South African English. A true reflection of days when men were men and the lions were nervous.


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My Content
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Bolton doesn't try to be Frank. He sings these favorite Sinatra songs with the same kind of orchestral and big band accompaniment that Ol' Blue Eyes preferred; however, his vocal interpretations are strictly his own. He forces each melody with an intentional fervor that totally contrasts with the cool swing Frank Sinatra represented.
Arranger Chris Walden surrounds Bolton with swinging musical scenes that emulate the organizations Frank Sinatra worked with. At times, you can hear the Basie Band coming through confidently in the musical accompaniment. Brief solos appear from saxophones and trumpet. A 17-piece big band and a 35-piece string section stand united with Bolton on "For Once in My Life, "You Go to My Head, "My Funny Valentine, "The Girl from Ipanema, "Night and Day and "The Second Time Around. The latter is a vocal duet with Nicolette Sheridan.
Emotions are on fire here, and the message is clear. Bolton's crying refrains carry a significant emotional burden.
The big band arrangements work much better, since they contrast smoothly with the singer's forceful delivery and allow for a swinging demeanor. "Fly me to the Moon, "I've Got You Under My Skin, "Summer Wind, "That's Life, "They Can't Take That Away From Me and "New York New York feature comfortable big band arrangements that get your foot tappin' and your shoulders moving. It's memorable music, and Bolton has done his listeners a service by bringing it to a very large audience.
Track Listing: You Go to My Head; Fly Me to the Moon (In Other Words); For Once in My Life; Summer Wind; My Funny Valentine; I�ve Got You Under My Skin; That�s Life; The Second Time Around; The Girl from Ipanema; Night and Day; They Can�t Take That Away from Me; New York New York.
Personnel: Michael Bolton: vocals; Nicolette Sheridan: vocals; others.
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As your daughter of seventeen
I've come to realize
That you're quite fantastic
And amazing in my eyes
Through the good times and bad
You've always been there
For the laughter and tears
With me to willingly share
I know that I'm not always the best
And that I try your nerves
But you're always there to care for me
And the best you do deserve
I wish you many happy years
From now until the end
And know that even after that
An eternity together we'll spend
© Copyright 2017 Jace. All rights reserved.
Status: Finished
Genre: Poetry
A very good poem dedicated to your mother. i liked and enjoyed it too. well done!
Poem / Poetry
Poem / Poetry
Poem / Poetry
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This project was initiated and developed by Tim Fitzpatrick in dialogue with Russell Emerson, who created a CAD (computer-aided design) of the reconstruction, and then made a 1:50 card model which he photographed extensively. The project has been in train for a number of years, and various stages of its results published in print and online journals. Those publications provide a full and detailed explanation of the principles and assumptions that guided our reconstruction (details on next slid30014
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1. A reconstruction of the second Globe as sketched by Wenzel Hollar Tim Fitzpatrick and Russell Emerson
Department of Performance Studies
University of Sydney
2. This project was initiated and developed by Tim Fitzpatrick in dialogue with Russell Emerson, who created a CAD (computer-aided design) of the reconstruction, and then made a 1:50 card model which he photographed extensively.
The project has been in train for a number of years, and various stages of its results published in print and online journals. Those publications provide a full and detailed explanation of the principles and assumptions that guided our reconstruction (details on next slide).
This slideshow summarises the work, and is designed for individual viewing, not for the purposes of a slideshow-lecture (it�s too complicated for that).
3. References Tim Fitzpatrick, �The Fortune Contract and Hollar�s Original Drawing of Southwark: Indications of a Smaller First Globe�, Shakespeare Bulletin, 14: 4 (Fall 1996): pp. 5-10
Tim Fitzpatrick with Russell Emerson, �Reconstructing the spatial dynamics of �lost� theatre spaces; Shakespeare�s second, first and third Globe Theatres�, PaPER (People and Physical Environment Research) 53-54 (1999): pp. 42-57
Tim Fitzpatrick, �Reconstructing Shakespeare�s Second Globe using CAD design tools� Early Modern Literature Studies March 2004 (special edition, ed. Gabriel Egan, of online refereed journal http://www.shu.ac.uk/emls/emlshome.html)
Tim Fitzpatrick, �The Visual Semiotics of Elizabethan Public Playhouses.� International Yearbook of Aesthetics 10 (2006): pp. 29-44
Tim Fitzpatrick, �Patronage and Theatre Design: The First Globe and its modern Reconstruction�, Patronage, Spectacle and the Stage, eds. Irene Eynat-Confino and Eva Sormova, Prague, Prague Theatre Institute, 2006 (refereed proceedings of International Federation for Theatre Research Conference on Scenography: June 18-22, 2003)
4. Hollar�s sketch In the 1630s Wenzel Hollar climbed the tower of Southwark Cathedral to do some preparatory sketches for an engraved panorama of London.
One sketch included the second Globe (rebuilt in 1614 on the site of the first).
It is the prominent building in the middle distance, about 400 yards away.
5. A close-up of Hollar�s sketch
This detail is only an inch across in the original. It�s literally a �thumbnail� image.
It is amazing that Hollar could cram so much detail into such a small scale.
Some scholars think this is a �topographic drawing�, which would be highly accurate. But it�s not a drawing, it�s a sketch.
6. A sketch, not a drawing Look closely at the multiple pencil lines under (and many of them not under) the inking.
Note also where lines have been sketched beyond their point of intersection: a sketching technique, not a drawing based on sightings of intersections.
7. Is Hollar�s sketch accurate enough to help us get under its skin? If Hollar was sketching rather than doing a calibrated drawing, it is nevertheless possible that an accurate sketch might still provide invaluable information about the structure of the building he was looking at.
Is it possible to deduce from the sketch the structural principles that governed the building, to work out the �skeleton� which supports the �skin� of Hollar�s sketch?
Could we theorise and build a coherent structure that would look like the building in the sketch � and in the process validate the sketch?
8. We think the building which Hollar saw and sketched from the tower of Southwark Cathedral might have been this structure.
It is seen here as if it were correctly oriented on the archaeological remains, and viewed from Hollar�s point of view. We did: first in CAD, then as a 1:50 card model
9. This is a sixteen-sided ad quadratum polygonal building.
It has a complex, M-shaped stage cover with two parallel roof ridges ending in a double gable.
And this superstructure is somehow integrated with the polygon.
Between the ridges of the roof is a �lantern� structure.
A hole in the roof lets in light, and the open structure above it is crowned by an onion dome to keep the rain out.
There are two external stair-turrets for audience access to the galleries.
11. Our main task was to work out how the stage cover, an M-shaped double-gabled structure on a rectangular base, had been integrated with the polygonal structure of the playhouse.
The fact that a rectangle seemed to be somehow anchored on the polygon suggested that the playhouse might have been �square� in some fundamental way.
This in turn indicated that it might have been designed according to the principles of ad quadratum geometry. How did we arrive at this particular structural interpretation of Hollar�s sketch?
12. A brief excursus into ad quadratum The relationship between the square and the circle has been of fascination to geometricians for hundreds of years.
A simple mathematical relationship flows from a sequence of squares and circles nested within each other: the second circle is twice as wide as the first square.
13. Ad quadratum in theory The diameter of the second circle is twice the width of the first square.
You can see this if you rotate one of the squares through 45 degrees, and draw some diagonals: the first square is two triangles across, the second circle is 4 triangles across.
[It is fascinating that this simple geometrical relationship between the circle and square is proved by introducing the other member of the geometrical trinity, the triangle.]
14. So if you start, say, with a square 43� across, then the second circle will be 86� across; the difference between the first and second circles will be 12.6�, or 12�7�. Ad quadratum and the Globe?
15. There is a second reason why we might suspect there was something �square� about the first Globe: the Fortune playhouse was based on it.
In 1599 Peter Street built the first Globe on the Bankside by re-erecting the timbers of the Theatre.
A year later Street was engaged by Richard Henslowe to build a new playhouse, the Fortune.
The building contract has survived, and it was for a square playhouse� Another interesting set of numbers
16. The Fortune Contract
17. But the contract has some funny numbers�
18. What if Peter Street measured relevant bits of the Globe (stage width, depth of galleries) as the basis for the plan of a square playhouse?
The Fortune contract�s combination of measurements (stage 43� wide and galleries 12�6� deep) is very close to the combination generated by ad quadratum (a 43� base gives 12�7�).
If these numbers are indeed relics of the Globe, they might point to an ad quadratum first Globe.
It would have been 86� across, having a much smaller yard than the 100�-wide modern Globe reconstruction.
Superimposing this notional first Globe onto the Fortune contract certainly makes the Fortune look like a �square version� of it� Peter Street and a tape measure at the Globe?
The second Globe was built quickly, on the same site as the first.
Its size was in all likelihood constrained by some royal ordinances designed to limit building density.
So it may have been the same size, on the same foundations, as the first Globe.
So if the first was an ad quadratum design, the second one might have been too.
Has Hollar accidentally sketched an ad quadratum second Globe?
We could try and find out, by building an 86� ad quadratum structure to see if it matches Hollar. This is where the fun starts� One final assumption�
20. But before the fun starts, an archaeological problem: would such a structure fit the foundations?
21. Some considerable time later we had a CAD plan we could superimpose on the remains
Two wall junctions suggest a bay of the polygon.
22. Some features of the remains require comment if we�re looking at them from Hollar�s point of view
23. We assumed an ad quadratum 16-sided polygon.
This meant the stage cover could be supported by four posts of the polygon, since the relevant posts (circled) are in a rectangular relation to each other due to the ad quadratum geometry of the design.
This stage cover would span the yard at its widest point, and cover the whole of the stage down to the mid-line of the polygon (as Hollar�s sketch shows). How did we arrive at a CAD plan of a 16-sided ad quadratum structure that would sit on the archaeology?
24. However its principal support is not at the widest point, but one bay back from the downstage line, where a beam (a---b) can be supported as well by two stage posts (c and d)�since we know the stages featured such posts.
These stage posts, on the 45 degree radials, would also (due to the mysteries of ad quadratum geometry) be in a rectangular relation to two other posts of the polygonal playhouse structure, e and f. This would provide a solid rectangular base for the stage cover.
We also found that if we positioned the stage posts (c and d) on these 45 degree radials, they gave us the right roof profile: the �nick� in our M (the gully between the two roof ridges) matched Hollar�s! We�ll see below how the �nick� in the M depends on the position of these posts. Structural considerations: how to build it so it stays up�
25. It has no main beam or �bottom chord� (it would be where the faint dotted line is).
Instead a collar tie higher up stops the diagonal beams from splaying outwards. These structural considerations result in a the final scale model that looks like this:
26. The serious structural work is happening one bay back from the front of the stage.
Here is the main horizontal beam, with the roof pitched on it as two overlapping triangles supported on their inwards ends by the two stage posts� But the main support for the stage cover must be elsewhere�
27. �like this:
28. �Nicks� and collar ties
29. Looking in under the collar tie These structures one bay back from the front of the stage cover, in under the front collar tie and gable, can clearly be seen on the model from Hollar�s point of view.
Hollar too seems to suggest he could discern some structural complexity in the same part of his building: he sketches a number of lines there.
30. The model mapped onto Hollar�s sketch When we photograph this model from the scaled distance and relative elevation of Hollar�s point of view, it looks very similar to the building in his sketch.
The image on the right superimposes a computer-generated outline of the model onto the sketch. Looking more closely�
31. The orange markers below map the outline of the model. The green indicate Hollar�s pencil lines which the model validates over his later ink lines. The blue markers bottom left indicate Hollar�s guesses for a baseline of the polygon.
32. A pretty good fit, but� Hollar�s stage cover is further to the left than the model would have it.
On the right there is confusion in the sketch; the model matches Hollar�s pencil lines, not his later inking.
The model�s baseline is �underground� compared to Hollar�s guesses at where the building�s baseline might be.
33. Discrepancy 1) is Hollar�s fault: he has sketched unevenly, making the left-hand gable smaller than the right. The left one should be bigger, as it is closer to us, and this would move the whole structure further to the right and bring it into alignment with the model.
34. Discrepancy 2) On the right there are two pencil lines, one vertical and the other showing the curved ridge of the polygon roof, which Hollar has not inked (and he has inked elsewhere, where there is no pencil line). Who knows why his later inking didn�t respect his pencil lines.
35. Discrepancy 3) In the bottom left corner the model is lower than the lowest of the three pencil lines, indicated by the blue markers, where Hollar was guessing at the baseline of the playhouse�a baseline that (according to the sketch) was hidden behind bushes.
36. If our structure is the �skeleton� underneath Hollar�s �skin�� �then there are four important points of detail where it might cause us to reconsider our view of what the inside of the playhouse was like.
The inside is quite different from that of the third Globe reconstruction in London.
37. Further upstage another horizontal beam is supported by the next set of posts in the polygonal ring; it too is crowned by overlapping triangles.
When we position the dome-topped �lantern� above this beam structure, it matches Hollar�s positioning.
You can see here how this �lantern� would let in light to upstage � light which flares off the diagonal raking beams in this image. Detail 1: getting light onto the stage
38. If the lantern (g) is positioned above that beam (the fine dotted horizontal line h�j), it is too far back to maximise light onto the rear part of a stage that had a straight back wall running along this chord (the red stage).
This suggests that the stage was deeper, with its back wall following the cants of the polygon, as was the case at the Rose playhouse (the green stage).
The need to get more light into this upstage area would explain why a lantern structure was built in the gully between the two roof ridges (you wouldn�t buy into the drainage problems unless you had to).
39. The back wall of the stage may therefore have looked like this: angled, continuing the line of the polygon. Detail 2: the shape of the stage
40. This angled wall forms a shallow triangular recess upstage centre.
Curtains could be hung on a rod across this recess to create a concealment space (it is about three feet deep at the centre). Detail 3: a recess to serve as a curtained discovery space
41. This curtained recess would have provided a �concealment space� � a space where Polonius could hide unsuccessfully�
42. � or from where Volpone could observe: �Volpone peeps from behind a traverse� (Ben Jonson, Volpone 5.3.8).
43. Note how the stage posts, positioned one bay back from the downstage line, provide a substantial unencumbered downstage playing area.
The posts are 11� from the front of the stage, 10�6� from the sides of the stage, and 22� apart. Detail 4: the position of the stage posts
44. In contrast, the stage posts in London (further downstage and wider-set) constrict both the downstage and the extreme corners of the stage
Since this photograph was taken the square bases of the pillars have been �shaved� and made octagonal to reduce their intrusiveness.
45. Comparing the stage with that at the London reconstruction
46. A FINAL SUMMARY�. We have constructed a theoretical object based on one interpretation of the evidence for the first and second Globes. If this object had been on the site of the second Globe when Hollar climbed up the tower of Southwark Cathedral in the 1630s, it would have looked very much like the object he sketched. This may just be a coincidence, of course � but if it�s not then the structural logic of our object suggests four things about the inside of the second Globe that are quite different from the third Globe.


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High Quality Led Tube Light T5 4w Imported Pc Cover Ce Rohs Iso - Chinaprice: contact company for price
High quality, super bright, high lumen, various color temperature, China manufacturer offer, 3 years warranty, competitive price LED tube light
1) Technical Parameter
Product name: High Light Efficiency LED Tube Light T5 Manufacturer 3 Year Warrnaty 4w 0.3m
Dimension: L*W*H:300*22*29(mm)
Rated power: 4w
Housing: Aluminum + imported PC
Input voltage:100~240vac
Luminous flux: 340lm
Frequency: 50Hz/60HZ
Power factor: 0.9
Beam angle:120'
Protection grade: IP 20
2) Product Features:
1, Environmental protection without harmful metals such as mercury, lead etc. , no UV and flicker.
2, DC power working eliminates visual fatigue.
3.Impact resistance, seismic capability.
4, Saving 50% more energy and its life span is 5 times longer than traditional tube.
5, Working with low heat and voltage, more safe.
6, The driver adopts PWM constant-current technology , which provides high efficiency, high provision on constant current, low electromagnetic radiation and no polllution to grid.
7, Competitive price
3) Packaging and Delivery
Packaging: 1, Dimension unit: milimeter
2, Tubes quantity:10 pcs per box
Delivery Time: 1-2 weeks after payment is confirmed
Shipping: by express(EMS, DHL, TNT, UPS, etc.), by air or by sea
Payment Terms:T/T, L/C, MoneyGram, WestUnion, Bank transfer
Company Contact:
- Posted By: QHD Pengyuan Optoelectronics Tech Co.,Ltd
- Phone: 863358571894
- Address: Pengyuan LED Industrial Park,No.55 Longhai Road,De, Qinhuangdao, China
- Email:
- Website: http://www.pengyuanled.com
Published date: September 30, 2013 -
- Business Description: Qinhuangdao Pengyuan Optoelectronics Technology Co. Ltd is
belonging to Hebei Pengyuan Enterprise Group.The company founded in
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text: I totally get the inconvenience of it. Education is more than just reading and writing though. I assume the school production is a once a year (maybe twice?) affair? So even though its a bit of a PITA, its not like its every week. Putting in the effort to go is so valuable. IME, things like this really build school community. Its a great way for families to be involved, &a great opportunity for the students to shine,even if your DS isnt very into it. Has he actually said he doesnt want to do it, or are you assuming based on what he is like at home? If every other child is participating &it is a whole school event, he might feel a bit left out if he is the only one not joining in. The kids will all be talking about it, maybe incorporate it into their written language,etc. And he might be ok joining in if all the other kids are? I would talk to the teacher & tell her if he isnt too happy about joining in. She might be able to find another job for him or encourage him to give it a go. But if you really dont want to do it, just be honest &tell her its not foe your family.


text:
Kids of all ages love toy cars and will play with them seemingly for hours on end. You can add an exciting facet to model car play by helping your children make a favourite car move under its own power. This activity will only take a few minutes, and the kids will be amazed by a model they can propel without pushing by hand.
- Skill level:
- Easy
Other People Are Reading
Things you need
- Bendable drinking straw
- Balloon
- Small model car
- Tape
Show MoreHide
- 1
Blow up and deflate a balloon two or three times to stretch it.
- 2
Bend the accordion-like part of a bendable drinking straw as far as it will go, forming an "L" shape with it.
- 3
Poke the tip of the long end of the straw into the mouthpiece of a balloon. Tape the balloon to the straw. Seal the opening of the balloon with the tape so no air will be able to escape.
- 4
Position the bend so it rests on the rear of the car's roof with the long section of the straw pointing directly in front of the car and the short section pointing upward. Tape the straw securely to the roof of the car.
- 5
Blow through the short section of the straw to inflate the balloon. Hold your finger over the end of the straw to prevent air from escaping as you place the car on a flat surface. Remove your finger from the straw and shout, "Gentlemen, start your engines!" as the car speeds away.
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text:
Castle Point Anime Convention 2011
Stevens Anime Club
Sunday, April 10, 2011 from 9:00 AM to 11:00 PM (EDT)
Hoboken, NJ
Contact the Host
When & Where
Stevens Institute of Technology
600 River Terrace
Sunday, April 10, 2011 from 9:00 AM to 11:00 PM (EDT)
Add to my calendar
Stevens Anime Club
The Stevens Anime Club is a student-run organization at the Stevens Institute of Technology. We help to promote Japanese animation and culture in the Stevens community, and beyond.
Our primary external event is the Castle Point Anime Convention, which we host annualy on the Stevens campus. The convention is entirely student-run, and is a showcase of our members' investment and passion in anime and manga.


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