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"" Thailand Favorite Tip by sa-mi
Thailand General: 597 reviews and 418 photos
Fondest memory: June 28th, 2001 -
Thanks to a lot of positive feedback we have received from our worldwide audience we decided to continue to write articles for our website. Although, Charlotte from Denmark thinks we are totally not funny. So here comes a little historic tour through Thailand. First stop on our way towards Chiang Mai was Thailands second capital in the history from 1350 to 1767, Ayuthaya! In order to see and experience most of the country and people we decided to travel north 3rd class on the train with the locals. We arrived Ayuthaya early in the morning and booked into a hotel recommended by Lonely Planet, but unfortunately almost falling apart. The rooms were falling towards the river, we had to hold on to the bed, otherwise you would have been rolling on/in the river. Much worse, the fan (you cannot survive in Thailand withouth one) sounded like Schumachers racecar on a bad day. You just have to suck it up, put your earplugs in and move on. Next day we visited the historical sites of Ayuthaya which are spreaded around the city and are surrounded by 3 rivers. As to be expected from a former capital, the sites were impressive, well maintained ruins. The smart tourist decides to visit the sites in one day with a Tuk Tuk, we decided to walk - big mistake! It was very hot, just to mention a few highlights: very impressive was Wat Ratburana, Wat Phra Mahatat, What Tamikarat, Wat Mongkhon Buphit and of course Wat Phra Samphit (ohhh... too bad now you have to look it up). After we smoked in the sun for a few hours during our tour we had a nice late lunch at the Pasak river side. We learned again, don't listen to the local Tuk Tuk drivers, because they like to catch you for a long expensive ride (take you to the cleaners), but fortunately we insisted to go to the temple we wanted to see, although the driver argued that the famous Buddah statue we wanted to see, was somewhere else. So we visited Wat Yai Chai Monkhong Temple. A large reclining Buddah, a beautiful Temple showing wall paintings of the Kings Elephant fight against the Burmese, a great garden full of bronce Buddah statues and a large Cheddi, that you could climbe, offering you a great view over the city. And love-making dogs on the stairs. And then we were on the train again towards Phitsanulok, called Phi'Loc by the locals. 3rd class tickets with reserved seats that were not honoured by the locals, they gave us a stare of disbelieve when we showed them the seat reservation. So we bullied our way to a seat and squeezed in for the next 6 hours. Its fun - great views and local entertainement. However, after sitting on 1 cheek of our rear ends for almost 6 hours you have that strong desire to get out of that f... train! We arrived very late, spent the night again in a s... Lonely Planet recommended Hotel and moved on the next morning to probably the nicest Youth Hostel in Thailand. Lush gardens, great dining area and nice little rooms with an outside bathroom. All with Thaistyle woodcarvings (with a mosquito net you are the king in any town). In the afternoon we visited a Buddah casting factory and an amazing historic museum preserving the ancient and traditional culture of Thailand. And of course we met the historic danish Charlotte on her eternal quest to meet the men of her life and find herself (we still love you and just trying to be funny). After having a beautiful dinner on a river boat, we made friends with a local historic car and motorbike dealer. Quite an experience, even though the guy couldn't speak any english nor german, at 3 o'clock in the morning and 20 bottle of Mekong Whisky (local) - the discussions between Bear and Michi went on fluently! On a side note: the planned sightseeing trip for the next day had to be cancelled, it was time to discover that Europeans can't handle the local booze. However 'we templed' for another afternoon and noticed that danish people cannot play 'Phase (face) 10'. Next morning we took the bus with our funny friend Charlotte to Sukothai - the first capital of Thailand about 600 houndred years ago. Like Ayuthaya, Sukhothai is a large historic site, spreaded Temples (Wat's all over the place) and this time we were smart and learned our lesson and rented bikes to explore the place. Again, fabulous ruins, great Wat's, Cheddi's, Buddah's, Pond's, and the pictures will prove us right. It took us a whole day of biking to see everything but it was well worth it. Please keep it a secret, but since there were no tourists around, we climbed some Buddah's to take great pictures. After the biking we had a little appetite and stopped at the lady-men restaurant (transvestite) for some disgusting Thai food (the first time it wasn't good). Sandra broke her bicycle because she hadn't enough strength anymore to hold it. Dinner we spent with the local Avis guy (sorry we forgot your name, write us if you have time), when we got flashbacks from Nepal - it was cockroach attack time! With gained experience and swift, hand and foot movements we managed the attack and killed most of the family. Taking the train through the now changing countryside, from flat green fields to mountain landscape we arrived after 7 hours - second class reserved seats yeah - in Chiang Mai, the capital of north Thailand. One more time a Lonely Planet recommendation proved to be a construction site. It was 9.30 pm and we decided to make this a f...-this-night - we checked into the Gap hotel (aircon for the first time), big rooms, large and soft towels (not stinky) and on top of it we pigged out in a first class italian restaurant. Next day we had to cut back on our expenses to meet our budget and moved into a cheap but nice little guesthouse (no aircon). Chiang Mai is a great city offering a multicultural society with a very laidback attitude and a european touch, which made us feel at home right of the bat. Because of the atmosphere we immediately knew that we will stay for a while. It is fairly easy to mingle with the locals and get a feel for their way of life. Of course we had to visit the famous Night Bazar and a few Temples plus the first traditional Thai Massage school. How are we gonna survive the real world withouth a Thai massage every second day? Just by hanging out in the local bars, we got invited by Mr. Yoshit (ex-marine) to his birthday party. What a blast. Local Thaiband playing Rock from the 60's and 70's and of course drinking and singing along. We met a local guesthouse owner, called Cowboy, who named his daughter Guitar and his son Banjo, a drinking Japanse Samurai, and two great Australians who live their life by following the sun. Bizarre and very entertaining. But you should know us by now, after 4 days of relaxation it was time to get active again.
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A Guide to Creating Community Treasure Hunts
By (author) Steven Glazer Delia Clark
Format: Paperback
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Questing by Steven Glazer
Book DescriptionInspired by the British pastime of "letterboxing," questing has become one of the fastest growing recreational-educational activities on this side of the Atlantic. In scores of communities, people from toddlers and teens, parents and grandparents follow maps, clues, and rhyming riddles seeking treasure boxes hidden in natural and cultural locations. In this book, two experts in community education explain how individuals and organizations can create and organize permanent quests to foster place-based education, stewardship, adventure, and fun. In the process of undertaking quests participants"celebrate and strengthen community life" by forging "lifelong connections to the distinct landscapes and cultural features of their home ground." This book is intended to offer inspiration and practical advice for parents, teachers, community group leaders, and others interested in learning about where they live and building community ties through questing. Questing draws upon the well-established success of a program in New England in which individuals, students, and organizations create clues and maps highlighting the special places and stories of their community. The book presents a rationale for place-based education and quest program goals and objectives that can easily be implemented in any community.
Buy Questing book by Steven Glazer from Australia's Online Bookstore, Boomerang Books.
Book DetailsISBN: 9781584655329
(229mm x 152mm x 20mm)
Pages: 276
Imprint: University Press of New England
Publisher: University Press of New England
Publish Date: 15-Mar-2006
Country of Publication: United States
Books By Author Steven Glazer
Heart of Learning, Paperback (February 2000)» View all books by Steven Glazer
A collection of essays that explores new frameworks for the revitalization of education, advocating an acceptance of spirituality, an openness to diversity, and a balancing of the past and the future.
» Have you read this book? We'd like to know what you think about it - write a review about Questing book by Steven Glazer and you'll earn 50c in Boomerang Bucks loyalty dollars (you must be a member - it's free to sign up!)
Author Biography - Steven Glazer
DELIA CLARK is co-founder and Project Director of Antioch New England Institute in Keene, New Hampshire. She is also the co-founder of Vital Communities in White River Junction, Vermont. STEVEN GLAZER is coordinator of the Valley Quest program, a place-based community education program of Vital Communities. He is author of The Heart of Learning (1999) and editor of Valley Quest: 89 Treasure Hunts in the Upper Valley (2001).
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subset: commoncrawl


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Free Xpresso scripts
Here´s some free xpresso scripts for Cinema 4D
by me.
Array Xpresso
Here´s a old computer graphics style graphics xpresso setup
for animation loops.
Array Xpresso with 12 different setups.
You can control the number of objects, frequency, amplitude
Preview preset 3 animation
Three examples from the setup.
1. Belt
2. Sliding doors
3. Kompukraphik
(for Cinema 4D version 10.5 and up)
Xpresso script for animating turning book or magazine pages.
This is the same file as in my book page rigging tutorial.


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SCARBOROUGH (first day of four: Yorkshire won toss): Middlesex have scored 354 for nine wickets against Yorkshire
THE Scarborough Festival was once described as first-class cricket on holiday but it is nothing like that these days. There was no chance of anyone bowling an orange, like Johnny Wardle used to do, as Yorkshire and Middlesex locked horns in a duel that is crucial to their chances of avoiding relegation.
Nearly 4,000 spectators — the biggest first-day crowd since Yorkshire clinched the county championship at North Marine Road in 2001 — were revelling in the occasion when Deon Kruis, their South


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|Page (1) of 1 - 10/22/01
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|print page
MR. X Creates an Armenian Town and a Cast of ThousandsFor upcomimng feature film Ararat
Set against the production of an epic film about the Armenian Genocide of 1915, Ararat is a contemporary story that weaves between history in the making and the impact of history on our lives. Ararat explores the quest for personal, sexual and cultural identity through the intimate moments shared by lovers, strangers and families.
For the films' numerous flashback sequences Mr. X is recreating the Armenian city of Van, circa 1914, prior to the carnage that took place there. "Onto the mountainous terrain of the Canadian Badlands we are building a computer-generated version of the city. With digital matte paintings and 3D animation software we are adding fortress walls and minarets, returning Van to its former glory," explained Dennis Berardi, president of Mr. X .
In addition, Mr. X is building battle footage.The Armenians were massively outnumbered by the Turkish presence and Mr. X is building a large Turkish army by replicating out and creating computer generated soldiers. "We turned 200 extras in full Turkish regalia into an army of 5000. It was a very technical setup. We shot the landscape on the large format film stock VistaVision -- the same technique used in the beginning of Gladiator -- shot the soldiers in quadrants, moved them around and composited them together with our digitally created combatants."
Mr. X is also doing what could be called the poster shot near the end of the film in which the persecuted Armenians are driven out of Turkey. "It's a mass of humanity being marched out of the country and there's a sweeping shot across the plains. Again we had about 200 extras and we had to make it look like thousands were being herded out of the country. We shot the 200 -- and off in the distance, over the hills and sprawled along the landscape are digital versions of the Armenians -- thousands of them -- that we're building in CGI, fully animated, fully 3D."
At the same time, the company is also working on another Serendipity Point Films production, Men With Brooms, produced by Robert Lantos. Actor/director Paul Gross' "sweeping epic" which revolves around four ex-members of a curling team who are reunited when they return to their hometown to attend the funeral of their former coach; Hypercube, the sequel to the 1997 Canadian sleeper sci-fi hit Cube; and with Director Morgan J. Freeman on American Psycho II.
For more information go to www.mrxfx.com
Page: 1
Related Keywords:visual effects, film, feature, production
Source:Digital Media Online. All Rights Reserved


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186 Moo 3, Aonang Soi 8, Ao Nang, Krabi, Thailand
Deevana Plaza Krabi-Aonang from www.hotelscombined.com
Located in Krabi, Deevana Plaza Krabi-Aonang provides modern 4-star accommodation, as well as a swimming pool and a Jacuzzi. It offers free Wi-Fi, a free shuttle service and a kids club.
The resort treats guests to a variety of deluxe amenities, including a limousine service and Swan Spa. It provides family-friendly facilities, with room designs and services for families of any size, plus babysitting/child services and a kids pool.
The rooms are air conditioned and offer a mini bar, a private balcony and a refrigerator. All have tea and coffee making facilities, slippers and an in-room safe.
The resort's restaurant, Kingfisher Restaurant, serves international and Thai dishes.
The area surrounding Deevana Plaza Krabi-Aonang has a range of cafes and restaurants. The helpful staff at the tour desk are available to book and organise activities in Krabi.
Nearby landmarks - Ao Phra Nang Beach (12-minute walk)
Nopparat Thara Beach (14-minute walk)
Ao Nang Krabi Boxing Stadium (23-minute walk)
West Railay Beach (26-minute walk)
Ao Phai Plong (26-minute walk)
Dining - Kingfisher - Overlooking the pool, this restaurant specializes in international cuisine and serves breakfast, lunch, and dinner. Guests can enjoy drinks at the bar.
Nopparat Thara Beach. Long beach at the western edge of Ao Nang, zoned as a national park. Nopparat Thara beach is effectively divided in two parts, separated by a river that hosts the Hat Nopparat Thara Pier, where longtail boats and speedboats depart to Phuket and other islands.
The western half is located in the neighboring Nong Thale sub-district. It is mostly surrounded by forest and a few resorts, and hence extremely quiet.
The eastern half, located in Ao Nang, is lined with hotels, restaurants and shops, although not as much as Ao Nang beach. In the section of the beach closer to the pier, there are more businesses catering to Thai, rather to Western visitors, making it a good place to look for budget food.
186, Moo 3, Ao Nang Soi 8, Ao Nang, Krabi, Thailand 81180
Deevana Plaza Krabi-Aonang from www.agoda.com
Well-positioned in Ao Nang, Deevana Plaza Krabi Aonang is the ideal point of departure for your excursions in Krabi. The city center is merely 25 Km away and the airport can be reached within 30 minutes. No less exceptional is the hotel's easy access to the city's myriad attractions and landmarks, such as Massage Corner, Ao Nang Krabi Boxing Stadium, Friend Art Gallery.
The facilities and services provided by Deevana Plaza Krabi Aonang ensure a pleasant stay for guests. Guests of the hotel can enjoy on-site features like free Wi-Fi in all rooms, daily housekeeping, fax machine, photocopying, 24-hour front desk.
Step into one of 213 inviting rooms and escape the stresses of the day with a wide range of amenities such as television LCD/plasma screen, internet access – wireless (complimentary), non smoking rooms, air conditioning, wake-up service which can be found in some rooms. The complete list of recreational facilities is available at the hotel, including snorkeling, hot tub, fitness center, outdoor pool, diving. Deevana Plaza Krabi Aonang is a smart choice for travelers to Krabi, offering a relaxed and hassle-free stay every time.
BEFORE YOU GO: Electronic-Gear Macbook Pro; Magic Mouse; Unlocked iPhone; Power Strip; Bluetooth Speaker; Kindle Paperwhite; WiFi Antenna; LifeProof Case


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It does not matter if you have two computers or two hundred; they need to be able to communicate and share information with one another. We specialize in business networking to ensure that all of the computers and devices on your network are synchronized and wired correctly.
When virus and spyware issues occur, you can rely on the certified technicians from Xpress Geeks to deliver prompt, expert computer service on site. Whether you want to improve your computer's performance, get those annoying pop-ups out of the way, install a wireless network, or just learn how to use your computer more effectively, we can help!
Don't let computer issues get the better of you. With us you can have local, expert technicians work on-site to take care of your PC Repairs any day of the week. Whether you are dealing with a single device (i.e. PC, Mac, or tablet), or you need help setting up your business network, we make quick work of it.


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|1. ANTONIO CERRITO, 1930's, a steel-string guitar in classical style, mahogany back and sides, 14-fret neck is one-piece ash or birch, two- piece spruce top with wood binding, rather thick rosewood fingerboard, 6 fan braces, straight classical bridge, lower bout 14-3/4", 24-3/4" scale, 1-11/16" nut, older soft case, , (Our #29891)
|2. EASTMAN, AC122 Grand Auditorium, NEW, solid Sitka top, Sapele laminate back and sides, scalloped X-brace, bone nut & saddle, 1-3/4" nut, 25.4" scale, sturdy rigid padded travel case, , (Our #31559)
|3. EASTMAN, AC122CE, NEW, Grand Auditorium model, solid sitka spuce top, sapele laminate back and sides, mahogany neck, rosewood fingerboard, 1-3/4" nut, 25.5" scale, new open pore finish, Fishman Sonitone pickup, Padded gig bag; What a fun guitar to play, great left hand maneuverability, the Venetian cutaway give you the full range of the neck, Grand Auditorium style has strong bottom response balanced with top end enunciation, , (Our #30947)
|4. EASTMAN, AC220 Dreadnought, NEW, A really handsome straightforward acoustic dreadnought that sounds great and is comfortable to play, solid Sitka spruce top, Rosewood laminate back and sides, new open pore finish, nut width 1-3/4", scale length 25.4" hard shell case, , (Our #31561)
|5. EASTMAN, AC222 Grand Auditorium, NEW, solid spruce top, Indian rosewood laminate back and sides, mahogany neck and rosewood fingerboard, 1-3/4" nut, 25.4" scale, sturdy rigid padded travel case, , (Our #31560)
|6. EASTMAN, AC322CE, NEW, Cutaway Grand Auditorium body, solid sitka top, solid sapele back and sides, scalloped X-brace. ebony fingerboard with 1- 3/4" nut, 25.4" scale, rosewood bridge with bone saddle, Fishman Matrix VT pickup, hardshell case, , (Our #31346)
|7. EASTMAN, AC-DR1, NEW, dreadnought body, solid sitka spruce top, solid sapele back and sides, mahogany neck, rosewood fingerboard with 1-11/16" neck, 25.4" scale, padded gig bag, , (Our #31349)
|8. EASTMAN, ACTG1 Travel Guitar, NEW, wonderful travel guitar with big sound, 23.5" scale, 1-11/16" nut width, solid sitka spruce top, laminate sapele back and sides, rosewood fingerboard and bridge, super sturdy padded gig bag, , (Our #31139)
|9. GIBSON, Capital, c.1937-38, spruce top with sunburst finish, 14-3/4"wide 14-fret L-00 type mahogany body with white bindings top & back, striped pickguard, straight-braced, 1-11/16" nut and 24.9" scale, no truss-rod, Recording King style tapered head with point with Capital in white silk-screen, V-shaped mahogany neck with 1-3/4"nut width, rosewood board with large pearl dots & central celluloid strip, no cracks, some pickwear & scuffs, good action & frets, original but for later saddle, very good plus condition, essentially the same as a Kalamazoo KG-14, Gibson for the J. W. Jenkins Sons Music Co. of Kansas City, recent professional neck reset, older hard case, , (Our #27566)
|10. GIBSON, Cromwell G-2, 1937, spruce top with sunburst finish, L-00 size straight-braced mahogany body, white top & back bindings, striped pickguard, V-shaped 14-fret neck with 1-3/4" nut, 24.9" scale, rosewood fingerboard with white celluloid center line & large pearl dots, later Gibson stencil on peghead, decent neck angle, neck with only a slight warp and very playable, overall very good condition, original soft case, this Gibson budget model is very similar to the Kalamazoo Model KG-14, (Our #31290)
|11. GIBSON, J-35, 1941, natural finish, still with small "French"heel, width of nut 1-11/16", two non-scalloped tone bars, overall original & in very good condition but for some small filled screw holes, repaired jack hole in lower treble side, neck reset & fret dressing by Strunk, original brown soft case, , (Our #23182)
|12. GIBSON, J-35, early 1937, sunburst finish, body of reddish-brown mahogany with unbound back, forward X-brace with 3 non-scalloped tone bars, V- shaped neck with 1-3/4" nut width, 3-3/4"soundhole diameter (early feature), squared mahogany neck-block, rib depths: 4-5/8" to 3-7/8"; several minor repaired hairline cracks, 3-in-line brass-plate open Grover tuners, small "French" heel; neck reset & correct size maple replacement bridge-plate, otherwise original & in overall very good condition, good later hard case, an early transitional J-35 with unbound back very similar to that of the late tapered body Trojan model (earlier Trojans had deep bodies with very little taper); a truly wonderful guitar with the large boomy sound you would expect from a great J-35, (Our #30070)
|13. GIBSON, L-0, 1931, mahogany top, back, & sides, with white celluloid top & back bindings; 12-fret rounded mahogany neck with rosewood fingerboard, Gibson in white silk-screen, 1-3/4"width at nut; good neck angle & frets, few crack repairs on top; very good plus condition, new hard case, very deep-sounding & resonant, (Our #29817)
|14. GIBSON, L-0, 1938, black finish, striped guard, 14-fret neck neck, top & back with white bindings, V-shaped neck with 1-3/4" nut, 3-in-line open Kluson tuners; a few repaired hairline top & side cracks, older neck reset, evidence of a hard life given some old repairs but now in solid condition and a very nice player, hard case, , (Our #29877)
|15. GIBSON, L-0, 1939, black finish, truss rod, V-neck, 3-in-line open gear Kluson tuners with white buttons, 1-3/4" neck, rosewood fingerboard has some wear and frets are low, striped tortoise guard, white binding top and back, couple of old glued cracks in the back, top and ribs, original black finish still on the bridge, top has the shadow of a tailpiece on it below the bridge, action is good though saddle is low (functionally so), sounds really strong and clear, new hard shell case, , (Our #28214)
|16. GIBSON, L-0, 1942, black finish, striped pickguard, the spruce top with 5-layer binding, the one-piece mahogany back with 3 layer binding; scalloped braces, comfortable rounded neck with 1-3/4"nut width, a few glued hairline cracks in the back, glued hairline crack descending about 6" from bass side bridge dot; otherwise in excellent condition, clean original brown/tan soft case, a rare very late L-0 with multiple bindings; strong sounding, (Our #31489)
|17. GIBSON, L-00, 1936, spruce top with sunburst finish, striped pickguard, white top binding, V-neck with 1-11/16" nut, 24.9" scale, mahogany back and sides, lots of scratches & small dings, treble side with 2 repaired hairline cracks, strap-pin in heel, recent neck rest, original but for later tuners, overall very good condition, hard case, a very strong sounding L-00, suitable for fingerpicking or flatpicking back-up, (Our #27849)
|18. GIBSON, L-00, 1941-42, spruce top with sunburst finish, white bound top & back, striped pickguard, mahogany back and sides, no adjustable truss-rod (maple neck reinforcement visible under nut), 1-11/16" nut and 24.9" scale, good neck angle & frets, later hard case, , (Our #29204)
|19. GIBSON, L-1, 1933-1934, spruce top with dark "Cremona brown" sunburst finish with small center, mahogany back and sides, 14-fret neck full semi-V-shaped neck and 1-11/16" nut, striped pickguard, white top & back bindings, 24.9" scale, no top cracks, several minor hairline side cracks, several glued back cracks, good frets, decent action, StewMac vintage style tuners, otherwise original, top shows lots of finish checking (photos make it look worse than it is), overall very good condition, new hard case, crisp sound but with a suprising amount of bass for a 00 size body, (Our #28840)
|20. GIBSON, L-C Century of Progress, 1934, dark Cremona brown sunburst finish, well-figured slab-cut American maple back & sides; 14-fret V-shaped mahogany neck with 1-3/4"nut width; pearloid fingerboard & peghead overlays with pearl diamond inlays; original but for decent rosewood replacement bridge (very slightly larger, this one is 1" and the original would have been 15/16"); several glued cracks: 1 from bridge to binding & 1 from bridge to soundhole under low E, & 1 from fingerboard to soundhole (no distortion), 1 3"side crack; otherwise in very good condition, good action & neck angle, decent frets, new hard case, a very playable & good sounding Century model, (Our #29109)
|21. GIBSON, LG-2, 1946-47, peghead with gold script logo (just post-banner period), X-braced spruce top, rounded mahogany neck with rosewood fingerboard (with wear), mahogany back and sides, 1-3/4" nut and 24.9" scale, good frets, looks to have a decent older neck reset, one 8" hairline back crack glued, 2 repaired side cracks, finish crazing throughout, looks overall rough & pickworn but good structurally, overall good condition, old chipboard case, , (Our #30764)
|22. GIBSON, Mastertone Special, c.1940, Fashioned along the lines of a Kalamazoo KG-11 model guitar with a twelve-fret body style with a 14-3/4" lower bout and straight-braced top, One-piece mahogany top, two-piece mahogany back, mahogany neck with a two-part heel, ebony fingerboard. modern 3-in-line enclosed Kluson tuners with black buttons, body is in great shape with no cracks, action is good, capo wear at the back of the neck, older hard case, , (Our #31535)
|23. GIBSON FOR MONTGOMERY WARD, 1028 Ray Whitley Recording King, 1939-1940, spruce top with sunburst finish, 16" wide round- shouldered dreadnought body, with mahogany back and sides, V-shaped mahogany neck, white-bound rosewood fingerboard with pearl dots, 1-11/16"+ nut, 24.9" scale, 3 non-scalloped tone bars, steel neck rod (non-adjustable), various old repairs (no top cracks), completely original but for neck reset & refret by David Sheppard, new hard case, a very rarely seen model, similar to the J-35, but with neck binding & lacking an adjustable truss-rod & with the interesting larger striped pickguard; odd that we have seen more of the rosewood versions than these mahogany models, (Our #26916)
|24. GIBSON FOR MONTGOMERY WARD, 1028 Ray Whitley Recording King, 1939-40, spruce top with sunburst finish, 16" wide round-shouldered mahogany dreadnought body, V-shaped mahogany neck, white-bound rosewood fingerboard with pearl dots; 1-3/4"nut width, 24.9" scale, 3 scalloped tone bars, completely original but for a recent professional fret-job, a few repaired hairline cracks, overall very good plus condition, new hard case, similar to the J-35, but lacking an adjustable truss-rod & with the interesting larger striped pickguard; probably the cleanest one we've seen of this particular model; a total of 232 were made between 1939 & 1940; formerly owned by Ry Cooder, (Our #30315)
|25. GIBSON KALAMAZOO, HG-00/KHG-14, 1939, spruce top with sunburst finish, mahogany back and sides, 12-fret V-shaped neck, 1-15/16" width at nut, X-braced (non-scalloped braces), 24.9" scale, converted from Hawaiian for standard use, nicely done slightly larger replacement bridge (1-1/16"), later tuners, overall very good condition, new hard case, the only originally X-braced Kalamazoo we've seen, so it's essentially a 12-fret Gibson HG-00 body, including the standard-size Gibson striped pickguard, with the cheaper Kalamazoo neck (as though they reached in the wrong neck pile), (Our #27406)
|26. GUILD, Blah, 2017, , , (Our #31588)
|27. JEFF ROBERTSON, D-20SE, dreadnought body with two-piece Macassar ebony back, mahogany neck with ebony fingerboard with 1- 11/16"nut width, 25.4"scale, wide abalone trim around soundhole, near mint condition, original hard case, , (Our #30003)
|28. JEFF ROBERTSON, J-20R, 17" wide jumbo Indian rosewood body with maple bindings, body depth is 4-1/2" to 3-3/4"; mahogany neck, ebony fingerboard with 1-11/16"width at nut, 25.4"scale; clear thin plastic pickguard, near mint condition, looks new, original hard case, the maker's warranty registration shows this guitar as a "Prototype" J- 20R, (Our #30005)
|29. JEFF ROBERTSON, J-20SE, Macassar ebony jumbo body with spruce top, 3-part mahogany neck with maple center strip with unbound ebony fingerboard, ebony bridge, 1-13/16" fingerboard, 25.4" scale, abalone rosette, clear pickguard, near mint condition, original hard case, , (Our #30004)
|30. MARTIN, 000-15S, 2008, all mahogany body, 12-fret neck with slotted-head, rosewood fingerboard & bridge, 1-3/4"nut width, 25.4", near mint condition, almost no fret wear, original hard case; looks unused, , (Our #31038)
|31. MARTIN, 000-18, 1946, a war-time style 18 still with an ebony rod in the neck, 4-piece Adirondack spruce top, 1-11/16"width at nut, decent older neck reset, nice frets, minor fingerboard wear, replacement bridge of correct size & style, 3 small filled screw-holes at the butt from an old tailpiece, otherwise original & in overall excellent condition, later ok hard case, extremely lightweight & responsive, , (Our #28062)
|32. MARTIN, 000-18, 1948, wide-grained sitka spruce top with beautiful medium brown color wartime pickguard, nut width: 1-11/16", pickwear to the treble side of the soundhole & above & below the pickguard, 2 top cracks near the center bass bout edge about 1-1/2"each; overall original & in very good condition, new hard case, , (Our #28603)
|33. MARTIN, 000-21, 1943, herringbone trim around soundhole & center back strip, ebony fingerboard with snowflake (slotted squares) inlays, 1-11/16"width at nut, scalloped braces, small glued pickguard crack (1-1/2"); no other cracks, minor pickwear above pickguard, otherwise excellent condition, completely original, recent professional neck reset, refret, and new saddle, original brown hard case (has water damage to lower edges, , (Our #29390)
|34. MARTIN, 000-28, 1926, 12-fret, slotted-head, Brazilian rosewood back & sides, Adirondack top with herringbone trim, 3-in-line tuners with engraved nickel plates, ebony pyramid bridge, bar frets, original but for probably later Martin OM-pickguard (correct size material, & style for the period), recent neck reset and setup, nice original hard case, (a total of 327 12-fret 000-28s were made before the switch to 14-fret models in 1933), (Our #29733)
|35. MARTIN, 000-28, 1939, early 1939 with 1-3/4" nut width, Adirondack top with herringbone trim, Brazilian rosewood back and sides, diamond & square fingerboard inlay pattern, open Grover G-98 tuners with butterbean buttons; 24.9" scale, the top is rear-braced, recent neck reset and setup by Brothers Music, various scratches, dings & playing wear, original finish with checking throughout, a few glued hairline cracks below the bridge & partial center seam regluing, a few short glued side cracks, very good overall condition, hard case, a well worn but solid herringbone 000, still with a wide nut, and a large well-rounded sound, (Our #31049)
|36. MARTIN, 000-28, 1947, very attractively figured Brazilian rosewood, wide grain sitka spruce top, nice pre-war color pickguard, glued 8"hairline crack next to lower back center seam, original but for later Grover Rotomatic tuners (look ok & work well), small nicely filled strap-pin hole on heel, some minor pickwear near soundhole & a barely noticable repaired hairline partial heel crack, otherwise excellent condition, recent neck reset & frets by Dave Strunk, 1960s hard case, , (Our #30101)
|37. MARTIN, 000-28, 1975, nicely figured Indian rosewood back & sides, original but for replacement black pickguard, near mint condition, original hard case, , (Our #31333)
|38. MARTIN, 00-18, 1927, braced for steel; 12-fret neck with slotted-head; V-shaped neck with ebony fingerboard with original bar frets & original ebony nut, 1-7/8"width at nut; later Martin replacement rectangular ebony bridge of correct size, otherwise original; no apparent cracks; decent older neck reset with small wedge under board; some pickwear, hits, scratches & scuffs, tiny crack (2") along lower bass edge of back & otherwise no cracks (lines in the photos are scratches); 2 upper tuner (4th & 5th strings) posts very slightly bent not affecting use; otherwise very good condition; new hard case, lightweight & responsive, (Our #29548)
|39. MARTIN, 00-21, 1968, 12-fret neck with slotted-head, nicely figured Brazilian rosewood back & sides, rosewood fingerboard & belly bridge, original small rosewood bridge-plate, one 4"hairline back crack, otherwise no cracks, neck slightly pulled up at joint but good action & saddle height, otherwise excellent condition, original but for good looking tortoise-color replacement pickguard, original hard case, , (Our #30932)
|40. MARTIN, 00-21NY, 1964, spruce top, slot head 12 fret, nut width 1-7/8", new engraved Waverly tuners with ivoroid buttons, original tuners in the case, no cracks, all original finish, very nicely figured Brazilian rosewood, 24.9" scale, rectangular bridge, older neck reset, good frets, minor pickwear and dings, excellent condition, black Guardian hard case, , (Our #29885)
|41. MARTIN, 00-28C, 1968, very attractive Brazilian rosewood, 12-fret body, braced for nylon strings with 3 fan braces, "classical" syle ebony bridge, flat ebony board with 1-15/16" nut, little bit of waviness in the top below the bridge and one repaired top crack below bridge, otherwise excellent condition, very nice original hard shell case, , (Our #30763)
|42. MARTIN, 00-28G, 1955, nylon string classical, nicely figured Brazilian rosewood back & sides, 12-fret neck on 14-fret style body, slotted head, ebony fingerboard & bridge, 1-15/16"width at nut; 2 repaired 4"cracks to lower back , one glued 2"crack lower bass flank of top, some light overspray on back, otherwise excellent condition, original hard case; scale=645mm (25-3/8"), plays easily & is quite a beautiful guitar, (Our #29715)
|43. MARTIN, 00-28VS Custom Adirondack, 2009, very lightly used and in excellent plus condition, this is a custom version of the 12-fret 00- 28V with an Adirondack spruce top, select Indian rosewood back and sides, modified V-shaped neck with 1-7/8" width at the nut, ebony fingerboard with slotted squares, ebony pyramid bridge with long drop in saddle & 2-5/16"string spacing, Geib style hard case, , (Our #28123)
|44. MARTIN, 00-42, 1914, 12-fret neck with slotted-head, tuners with engraved plates & inlaid Handel tuner buttons, one hairline repaired top crack, 1- 13/16" nut width with V-neck, deep wear to the fingerboard & binding around the 1st to 2nd frets from thumb-wear (on both sides of the neck), completely original & in overall very good condition, signed & dated on the inside of the top: F.H.M (for Frank Henry Martin), in its nice original hard case; quite playable with light guage steel strings, from the collection of Mike Seeger, (Our #30261)
|45. MARTIN, 0-17, 1934, 14-fret neck, rosewood fingerboard still with bar frets, rosewood bridge, small dot inlays, 1-3/4"nut width, 3" repaired crack at the lower right side of the back, neck reset & fretwork by Strunk, original but for new Waverly relic G-98 style tuners with oval nickel buttons, very good overall condition, 1960s soft case, , (Our #30584)
|46. MARTIN, 0-18, 1898, 12-fret, slot head; rosewood sides & back (Style 18 guitars had rosewood bodies until 1917), original dark-stained top (red-brown color more commonly found on Style 26s & 28s of this period), herringbone marquetry around soundhole, ebony pyramid bridge, cedar neck with ebony fingerboard, unbound back, overall original & in very good condition, period soft case; the neck-block stamped C.F.MARTIN & CO./NAZARETH,PA and the back of the head with the very rare stamp: C.F.MARTIN & CO./ 1833 / NEW YORK, 1-7/8" nut with rounded V-shaped cedar neck, scale length 24-3/4", period chipboard case, playable with either nylon or light guage steel strings, & quite nice sounding; from the collection of Mike Seeger, (Our #30260)
|47. MARTIN, 0-18, 1922, 12-fret neck with slotted head, largish V-neck with 1-7/8"width at nut, striped ebony fingerboard with bar frets, later rosewood bridge, rosewood bindings, 2 repaired top cracks to lower treble bout, a few glued hairline side cracks, recent clean neck reset, dark-stained top similar to the color used on the Martin/Ditson guitars of this period, original soft case, , (Our #28930)
|48. MARTIN, 0-18, 1922, 12-fret, slotted-head, the slightly larger 13-3/4" body seen on many '20s size-0 Martins, 2 tone-bars, V-shaped neck with ebony board & original bar frets, 1-7/8"width at nut; straight ebony bridge (non-pyramid), great wide-grained Adirondack top with no cracks, the treble side has a long crack which is solidly repaired-glued with large studs-but somewhat unsightly; good neck angle & frets, plays easily & sounds great (quite big-sounding for an 0-size), , (Our #30766)
|49. MARTIN, 0-18, 1938, nice hefty neck with 1-3/4"nut width, ebony fingerboard & bridge, Grover G-98 tuners with oval buttons, clean original maple bridge-plate, a few minor dings & scratches, no cracks, neck reset by Dave Strunk, completely original, excellent condition, new hard case, we rarely find mid to late 1930s 14-fret 0-18s, and very seldom see them in this condition, (Our #29142)
|50. MARTIN, 0-18, late 1922, 12-fret slotted-head, made with no pickguard, nut width is a hair shy of 1-7/8", original bar frets, ebony pyramid bridge, a long repaired crack around the center of the lower bass side - very slightly uneven in one area but not unsightly and quite secure, it has had an older good neck reset & plays well with standard light gauge strings, overall original, very good plus condition, new hard case, very light and responsive, it gives plenty of personal satisfaction to sit with but has plenty of presence for others to enjoy as well, (Our #28678)
|51. MARTIN, 0-18K, 1934, 12-fret neck with slotted head, highly figured koa back & sides, ebony belly bridge, tortoise-color pickguard, nicely converted from Hawaiian (neck reset, slightly radiused ebony board with original bar frets), replaced maple bridge-plate, otherwise original & in overall excellent condition, original soft case, no cracks but it has a small break or ding on the upper treble side (very typically found on Hawaiian guitars-the steel falls out of the case pocket when the case is turned upright & falls onto the upper rib of the guitar), (Our #31355)
|52. MARTIN, 0-21, 1917, 12-fret neck with slotted-head; figured Brazilian rosewood back and sides, new period style & size rectagular ebony bridge, neck reset, nice replacement ebony fingerboard with a slight radius & new T-frets, 1-7/8"width at nut; finish has had a light French polish & some retouch just below bridge covering an area from previous slightly larger bridge; head and neck showing over-finish with no brand stamp (either obliterated or simply absent), tuners replaced with period-style Stew-Mac Golden Age; repaired crack just along bass side of fingerboard, glued back crack & side crack, overall very good condition, new hard case, 2-3/8" string spacing at the bridge, a good solid 0-21 with a few old issues made into a great player & suitable for standard light strings, (Our #29685)
|53. MARTIN, 0-21, 1924, 12-fret, slotted head, ebony pyramid bridge, ebony fingerboard with slotted sqaures, herringbone trim around soundhole & down center of back, some finger & pickwear to the surface, repaired 8" crack running up from the lower binding to left of bridge, no other cracks, V-shaped neck with nut width just shy of 1-7/8", completely original, recently done professional neck reset, overall very good plus condition, new hard case, , (Our #28188)
|54. MARTIN, 0-21, 1947, 12-fret neck with slotted-head, ebony fingerboard & bridge, Brazilian rosewood back & sides, herringbone center back-strip, good reproduction tuners from Willi Henkes, otherwise original, neck reset & fretwork by Strunk, some capo wear on lower peghead, overall excellent condition, new hard case, a very rare 12-fret slotted-head 0-21 (apparently there were 48 made that year, though strangely we've never seen one), pre-war style but for the Sitka top, (Our #29568)
|55. MARTIN, 0-28, 1887, From the collection of Mike Seeger; signed inside under the top "Jan, 1887," solid peghead with later planet pegs with cream colored buttons, in overall good condition, 24.9"scale, 1-7/8"nut width; with rounded V-shaped Cedar neck,length of back 19-1/8", old repaired top cracks, new hard case; strung with extra- lights, Mike played this guitar on track 13 "New River Train" on the CD he recorded with Paul Brown in 1996 - Way Down in North Carolina, (Our #30263)
|56. MARTIN, 0-28K, 1927, 12-fret neck with slotted-head, attractively figured koa, herringbone trim, professionally converted from Hawaiian to standard set- up, replaced ebony pyramid bridge of correct style but slightly oversize (about 1/8"larger), otherwise original & in very good plus condition, later hard case, , (Our #22310)
|57. MARTIN, 1-26, c.1870s, 12-fret V-shaped cedar neck with slotted head, X-braced; lower bout 12-7/8", length of back 18-7/8", scale 24.9", nut width 1-13/16"; Style-28 zig zag style backstrip and soundhole, colored wood marquetry around the top, nicely replaced ebony pyramid bridge of correct size but incorrect style pyramids, bound fingerboard and peghead, engraved brass tuner plates with bone buttons, in overall good very condition, hard case, an interesting & very attractive Style 26 variant with Style 28 appointments, Style 27 marquetry, as well as a bound fingerbaord & peghead; from the collection of Mike Seeger, (Our #30262)
|58. MARTIN, 2-17, 1924, 12-fret neck with slotted-head; mahogany top, back & sides with rosewood bindings to top & back, rosewood fingerboard with bar frets, neck reset by Dave Strunk, completely original, in excellent & unusually clean condition, new hard case, , (Our #30924)
|59. MARTIN, 2-20, c.1870, with both C.F.MARTIN/NEW YORK and C.F.MARTIN & CO./ NEW YORK brands, rosewood back and sides, rosewood top & back bindings, 12-fret cedar neck with French heel and slotted head, ebony fingerboard with no inlays, ebony pyramid bridge, original bar frets, "A" brace with one diagonal below bridge, old repairs include reinforced top cracks, probably had a neck reset (though action is still a little bit high), a coating of finish over the neck, top and a bit on the back and sides, really nice original tuners with engraved brass plates, new hard case; being sold as-is, , (Our #30919)
|60. MARTIN, 5-18, 1948, spruce top with natural finish, mahogany back and sides, 1-9/16" nut and 21-7/16" scale, completely original, good frets & neck angle, the top with some light lacquer checks & belt-buckle wear on the back, otherwise very good plus condition, a very sweet 5-18 in overall nice shape, (Our #31360)
|61. MARTIN, D-18, 1935, forward X-brace, 1-3/4" width at nut, neck reset by Dave Strunk, completely original, overall excellent condition, new deluxe hard case; an early 1935 still with the Martin brand on back of the peghead, the nicest & strongest sounding mid-'30s D-18 we have come across in years, (Our #29567)
|62. MARTIN, D-18, 1941, the neck with decent older refinish & refret, ebony fingerboard, new ebony bridge of correct style but very slightly larger (about 1/16" oversize), recent neck reset & refret by Dave Strunk, top finish has been oversprayed & is now looking a bit dull, original pickguard beautifully inscribed in script "Ozark Glenn"; new hard case, very fine sounding for both fingerpicking & flatpicking, , (Our #28333)
|63. MARTIN, D-18, 1948, standard period D-18, nice dark sitka top with no cracks, completely original, 4"hairline crack upwards from lower back binding, very small & nicely done semi-cicular patch to upper bass side (about the sidze of 1/2 a quarter); some capo scars on back of neck, some pickwear around treble edge of soundhole, good original frets have been dressed, uncut bridge, neck reset by Dave Strunk, overall original & in very good plus condition, later hard case, an early-'48 D-18 (103468 is the last number 1947), with the dark brown earlier color pickguard; lightweight & responsive, (Our #30463)
|64. MARTIN, D-18, 1957, no cracks in the body, rosewood fingerboard and bridge, nut width: 1-11/16", completely original, very good plus condition, newer Humi-case, , (Our #28438)
|65. MARTIN, D-18, 1980, good neck angle & frets, and but for a very tiny pickguard crack in near mint condition, completely original, original blue molded case, , (Our #31289)
|66. MARTIN, D-28, 1950, attractive Brazilian rosewood back and sides, Sitka top , 25.4" scale, 1-11/16" nut width, Kluson Super "waffleback" tuners, original but for some light overspray to the top & back; recent neck reset & set-up by Brothers Music, overall excellent condition, a one-owner guitar with the original bill of sale dated Aug. 1951, clean original hard case, , (Our #27766)
|67. MARTIN, D-28, 1957, straight-grained Brazilian rosewood back & sides, nut width: 1-11/16", 1"crack in the middle treble side, otherwise crack-free, plays well with a low saddle, slight shadow on upper bass bout finish from old pickguard, some pickwear & some belt-buckle wear to back, overall original & in very good plus condition, 1960s Martin hard case, a superb sounding Bluegrass guitar, purchased from the original owner, (Our #27702)
|68. MARTIN, D-28, 1967, Brazilian rosewood back and sides, still with small maple bridge-plate, ebony fingerboard (evidence of a few filled inlay positions-barely evident), scar on lower treble front of peghead; otherwsie excellent condition; Grover Rotomatics; original but for a later black Martin pickguard, recent neck reset & setup by Dave Strunk, 1970s Martin blue molded case, , (Our #31287)
|69. MARTIN, D-28, 1970, Brazilian rosewood back and sides, Sitka Spruce top, strap button on the heel of the neck, black pickguard replaced with authentic-style tortoise-color plastic, otherwise original, nut width: 1-11/16", recent neck reset, Grover Rotomatic tuners, particularly fine condition, later hard case, a late example in Brazilian rosewood & in very very clean condition, (Our #28812)
|70. MARTIN, D-28, 1972, nice dark Indian rosewood back & sides, completely original; decent action, frets, & neck angle; very minor glued pickguard crack; overall excellent condition, later Martin black molded hard case, , (Our #31111)
|71. MARTIN, D-28 Marquis, 2004, Label signed by C. F. Martin IV,attractive straight grain Indian rosewood back and sides, wide grain Adirondack top, scalloped forward X-brace, Vintage features including 1-3/4" nut, modified V-neck, herringbone trim, ebony bridge with long saddle, near mint condition showing almost no use, Original TKL Geib style case (with one bad latch), an ideal guitar for Bluegrass, pushy with a strong bass, (Our #29889)
|72. MARTIN, D-28 to D-45 conversion, 1959, a 1959 D-28 that has been converted to a D- 45; the pre-war 45 style inlay work was installed years ago by Carl Gotzmer and the guitar has been refinished, the neck has been nicely reset by Strunk & has a 1930's style ebony bridge with long bone saddle, modern Tweed hard case, a great sounding Brazilian rosewood D-45 conversion, (Our #30093)
|73. MARTIN, D-28KTBS Bob Shane, 2003, Indian rosewood back and sides with grained ivoroid bindings, sitka spruce top, low profile rounded neck, 1-11/16" nut, ebony fingerboard and bridge, tortoise guard, fingerboard inlaid with The Kingston Trio logo and Bob Shane signature, original hard case, #45 of a limited edition of 51; abel signed by Chris Martin & Bob Shane; in near mint condition, appears unplayed, (Our #29998)
|74. MARTIN, D-28S, 1969, 12-fret neck with slotted head, Brazilian rosewood back & sides, recently replaced pickguard at Martin factory ("Authentic" style tortoise), some scratches on lower back, otherwise excellent plus condition, original hard case, , (Our #31331)
|75. MARTIN, D-45 Longworth, 2004, Label signed by Sue Longworth and C.F. Martin IV and numbered 5 of 91, nice Indian rosewood back and sides, Adirondack top with vintage toner, standard 45 appointments with Martin torch inlay in the peghead and C.F. Martin in pearl script, nut width: 1-27/32", near mint condition, looks unused, Cedar Creek brown leather case, , (Our #29887)
|76. MARTIN, OM-28, 1930, small OM-guard, c.1931 Grover Pat. Apllied For G-98 tuners with seamed butterbean buttons (they look original to the guitar but are more likely covering impressions from the banjo tuners); the back, sides, & top with older lightly applied overfinish (likely old Martin factory work), the neck recently refinished, top with light to moderate pickwear, we found a 4"glued hairline back crack & it is otherwise crackfree, original bridge-plate, recent neck reset by Dave Strunk, original hard case, a late 1930 OM with model stamp on block, back of head stamp & no decal; very lightweight; a particularly fine sounding & superb player, (Our #30210)
|77. MARTIN FOR WURLITZER, Style 2077, 1922, similar to an 0-28K, all koa body, herringbone back center-strip, white celluloid top & back binding, special multi-layer celluloid soundhole rings; special 8-layer wood top purfling; ebony pyramid bridge-a perfect reproduction of the same size & style, but with a compensated saddle; ebony fingerboard with diamonds at the 5th & 9th and a propeller at the 7th; 1-3/4" width at nut, 3-in-line engraved-plate tuners, no cracks just scratches & scuffs, some thin over-finish (French polish) in the front lower bout, otherwise original & in very good plus condition; original hard case, branded WURLITZER on the back of the head & on the inside center strip; one of 28 made in this style for the Wurlitzer Co., all of which were made for standard playing, (Our #30464)
|78. OSCAR SCHMIDT, c.1915, 16-1/2" wide walnut body with white bindings, 2 mahogany necks with ebonized fingerboards joined above the nuts, one fretted for 6 strings, the other non-fretted for 6 strings, "S" bridge, 26-1/4"scale; no case, overall intact but could use restoration, (Our #25409)
|79. REGAL, Playtime Deluxe, c.1939, 14-fret neck with solid peghead with stencil: Playtime/ DeLuxe; somewhat hefty V-shaped neck with ebonized fingerboard with 3-piece pointed pearl/abalone inlays; mahogany body with white top & back bindings, ladder-braced spruce top with nice shaded finish, 15-5/8" lower bout width; 1- 13/16"nut width; 25.4"scale; good frets & neck angle, 3-in-line tuners with amber buttons with original plate covers, 4-piece top with 2 repaired hairline cracks below bridge, odd long wedge-shaped insert in upper back (probably original), otherwise in overall very good plus condition, in newish hard case; nice player with an interesting old-timey sound, , (Our #30357)
|80. WASHBURN BY REGAL, Style 5238 Deluxe Grand Concert, c.1934, spruce top, 12-fret neck with 1-13/16" nut, 24-1/2" scale, slotted head, X-braced 14-1/4" body with rosewood back & sides, top with gold leaf floral vine decoration, herringbone trim around top, soundhole & center back; mahogany neck with white binding, head with engraved gold-plated Grover tuners with pearl buttons, original but for a later rosewood oversize bridge-plate (which doesn't seem to hurt the tone); overall very good condition, newish hard case, spruce plaque below soundhole stamped: GENUINE/ WASHBURN/ TONK BROS. CO./ CHICAGO/ SOLE DISTRIBUTORS, (Our #29099)
|New Martins
|81. MARTIN, 000-15M Sunburst, NEW, sunburst top finish, solid mahogany body & neck, Morado fingerboard, 1-3/4" nut width, 25.4" scale, A- frame X-bracing, simple dovetail neck joint, delmar pickguard, hardshell case, Martin lifetime warranty, , (Our #30742)
|82. MARTIN, 000-16GT, 2014 (used), A previously owned but lightly used guitar in fine condition,Solid mahogany back & sides, herringbone backstrip & rosette, Sitka spruce top, black Micarta fingerboard and bridge, 1-11/16" nut, 25.4" scale, includes hard case and lifetime warranty, , (Our #31461)
|83. MARTIN, 000-18, NEW, This renewed version of the classic has a 14-fret High Performance style neck (1-3/4" at the nut), mahogany back and sides, sitka spruce top, full gloss finish, forward shifted scalloped bracing, Delmar tortoise pickguard, G-98 style tuners, compensated bone saddle, wooden hardshell case, lifetime warranty, View specs for this model on the Martin Guitar web site, (Our #31072)
|84. MARTIN, 000-28EC, New, Eric Clapton model, Solid Sitka spruce top, solid Indian rosewood sides and back, herringbone on top and soundhole, ebony fingerboard with snowflake pearl dots and inlaid Clapton signature, grained ivoroid binding, , (Our #29922)
|85. MARTIN, 000-28K Authentic 1921, New, based on a wonderful example from 1921 in the Martin Museum, this highly figured koa guitar is made with hide glue construction, scalloped X-bracing, a hand shaped neck with ebony fingerboard, 25.4" scale, 1-7/8" nut, in all its details just about as close to the original as you can get! Strong & mellow sounding., strong & warm sounding, with nice darker koa, (Our #30487)
|Our Price
|86. MARTIN, 000-28K Authentic 1921, New, based on a wonderful example from 1921 in the Martin Museum, this figured koa guitar is made with hide glue construction, scalloped X-bracing, a hand shaped neck with ebony fingerboard, 25.4" scale, 1-7/8" nut, in all its details just about as close to the original as you can get! Looks great & sounds wonderful, , (Our #30501)
|Our Price
|87. MARTIN, 000-RSGT, NEW, An amazinging affordable 14-fret Auditorium guitar, gloss finish Sitka top, solid Sapele back and sides, solid Sipo neck, modified low oval neck, A-frame bracing, 1-11/16" nut, Richlite fingerboard, OM scale of 25.4", hard shell case and lifetime warranty, , (Our #30398)
|Our Price
|88. MARTIN, 00-15M, NEW, solid mahogany body, A-frame bracing, mortise and tenon neck, 1-11/16" nut width, 25.4" scale, delmar pickguard, hardshell case, Martin lifetime warranty, , (Our #30609)
|89. MARTIN, 00-17S Black Smoke, NEW, Grand Concert 00 12-fret body with black matte finish, mahogany back and sides, simple dovetail neck, 1-3/4" nut, 24.9" scale, original hard shell case and warranty, , (Our #31146)
|90. MARTIN, 00-18V, NEW, this wonderful member of the vintage series is a great guitar, a classic 00-18, with mahogany back and sides, ebony fingerboard and bridge, big sound in a compact guitar, Geib style hard case and lifetime warranty, , (Our #30649)
|Our Price
|91. MARTIN, 00-18V Ambertone, NEW, Custom Ambertone finish, this wonderful addition to the vintage series is a great guitar, a classic 00- 18, mahogany back and sides, ebony fingerboard and bridge, big sound in a compact guitar, Geib style hard case and lifetime warranty, , (Our #31172)
|Our Price
|92. MARTIN, 00-28, NEW, a new 00 addition (hooray!), 14-fret body, Sitka spruce top, Indian rosewood back and sides, dovetail neck joint, scalloped X- brace, full gloss finish on the body with satin finish on the high performance taper neck, 1-3/4" nut and 24.9" scale, hard case and warranty, , (Our #31639)
|93. MARTIN, CEO-7, NEW, 00-14 fret slope shouldered body, solid Adirondack top with an Autumn Sunset sunburst finish, solid mahogany back and sides, modified V-shaped neck,, 1-3/4" bone nut, 24.9" scale length, Geib-style case and lifetime warranty, , (Our #31080)
|94. MARTIN, Cowboy II, New, limited edition, No.27 of 500, desert sand color, cowboy scene with chuck wagon, brown factory hard case, these were made in 2001 as a limited edition; this one is new, unplayed, with warranty, (Our #23757)
|Our Price
|95. MARTIN, Cowboy III, NEW, limited edition #314 of 750, new in hard case, these were made in 2002 as a limited edition; this one is new, unplayed, with warranty, (Our #24126)
|Our Price
|96. MARTIN, D Mahogany, NEW, with a custom 1935 style Sunburst finish, a wonderful new addition to the Special Edition Series with lots of vintage features and FSC certified woods, European spruce top, mahogany back and sides, Katalox fingerboard, scalloped forward shifted X-brace, modified V neck of mahogany, FSC certified Mahogany, 1- 3/4" nut, vintage-style butterbean tuners, molded hard case, , (Our #29373)
|Our Price
|97. MARTIN, D-1 Authentic 1931, NEW, 12-fret neck with slotted-head, VTS Adirondack top, Brazilian rosewood fingerboard & bridge, 1-7/8" bone nut, 2-5/16" string spacing, mahogany neck, scalloped X-brace, lightweight & resonant, Geib-style case, a fine reproduction of Martin's 1931 D-1, the direct precursor of the D-18, (Our #31390)
|98. MARTIN, D-16GT, NEW, solid spruce top, scalloped A-frame top bracing, solid mahogany back & sides, 25.4" scale, 1-11/16"nut, herringbone rosette, black Micarta fingerboard and bridge, style 28 position markers., , (Our #29140)
|99. MARTIN, D-16GT Lefty, NEW, solid spruce top, scalloped A-frame top bracing, solid mahogany back & sides, 25.4" scale, neck 1-11/16", herringbone rosette, black Micarta fingerboard and bridge, style 28 position markers., , (Our #28811)
|100. MARTIN, D-18, NEW, This renewed version of the classic has a 14-fret High Performance style neck (1-3/4" at the nut), mahogany back and sides, sitka spruce top, full gloss finish, forward shifted scalloped bracing, Delmar tortoise pickguard, G-98 style tuners, compensated bone saddle, wooden hardshell case, factory installed Fishman Matrix pickup, lifetime warranty, View specs for this model on the Martin Guitar web site, (Our #30684)
|101. MARTIN, D-18 Ambertone, NEW, This renewed version of the classic has a 14-fret High Performance style neck (1-3/4" at the nut), mahogany back and sides, sitka spruce top with an Ambertone sunburst, full gloss finish, forward shifted scalloped bracing, Delmar tortoise pickguard, G-98 style tuners, compensated bone saddle, wooden hardshell case, lifetime warranty, , (Our #30615)
|102. MARTIN, D-222, NEW, 100 of these guitars will be made to commemorate the 100th Anniversary of the Martin Dreadnought. This is a 12-fret body with torrefied VTS Sitka top and solid mahogany back and sides. The modified V-shape mahogany neck is 1-3/4" at the nut with an ebony fingerboard and 25.4" scale. Martin hardshell case and lifetime warranty., , (Our #31282)
|103. MARTIN, D-28 Authentic 1931, NEW, 12-fret body style, fabulous wide-grained Adirdondack top (non-VTS top), Madagascar rosewood back and sides, 1931 bracing and appointments, hide glue throughout, 1-7/8" nut, Geib style case, , (Our #31015)
|Our Price
|104. MARTIN, Dreadnought Junior A, NEW, solid sitka top, sapele back and sides, acoustic model without electronics, 14 frets to the body, 24" scale, 1-3/4" nut, gig bag included, , (Our #31619)
|105. MARTIN, Dreadnought Junior E, NEW, solid sitka top, sapele back and sides,Fishman Sonitone pickup installed, 14 frets to the body, 24" scale, 1-3/4" nut, gig bag included, , (Our #31620)
|106. MARTIN, DRSGT, NEW, Classic 14-fret dreadnought body with a polished gloss Sitka spruce top. Featuring solid sapele back and sides and a solid sipo neck, the DRSGT emulates the appearance, integrity and tone of the Martin Style 18 Dreadnought. Modified low oval neck with 1-11/16" nut, 25.4" scale, Comes equipped with Fishman sonitone electronics with USB, , (Our #30486)
|Our Price
|107. MARTIN, DX 175TH, New, special edition X series with 175th anniversary artwork, HPL body, style#345-hard case, and Martin Warranty, , (Our #27718)
|Our Price
|108. MARTIN, GPC-18E, NEW, , , (Our #31149)
|109. MARTIN, GPCPA4, NEW, Sapele back and sides with Sitka spruce top, 1-3/4" nut, 25.4" scale, Fishman Analog F1 pickup installed, hard shell case, warranty, , (Our #31421)
|110. MARTIN, GPCPA4 Rosewood Performing Artist, NEW, Grand Performance 14-Fret Cutaway, Indian rosewood back and sides, Hybrid X-scalloped sitka top, solid sapele back and sides, black Richlite fingerboard and bridge, 25.4" scale, Fishman F1 Analog electronics, hard shell case, lifetime warranty, , (Our #31089)
|111. MARTIN, GPCPA4 Shaded, NEW, Sapele back and sides with Sitka spruce top, vintage style shaded finish, 1-3/4" nut, Fishman Analog F1 pickup installed, hard shell case, warranty, , (Our #30643)
|112. MARTIN, LX Ed Sheeran X, NEW, spruce top, koa paatterned HPL back and sides, emblazoned with the signature Ed Sheeran X, birch laminate neck, Fishman pikup installed, gig bag included, , (Our #30789)
|Our Price
|113. MARTIN, LX1, New, Little Martin, solid sitka top (not HPL), Mahogany pattern HPL back, 14 fret neck, HPL body, 1-11/16" at nut, 23" scale, wonderful thickly padded & plush lined gig bag with backpack straps, , (Our #30186)
|114. MARTIN, LX1E, NEW, Little Martin eiyh built in pickup and tuner, solid sitka top (not HPL), Mahogany pattern HPL back, 14 fret neck, HPL body, 1- 11/16" at nut, 23" scale, wonderful thickly padded & plush lined gig bag with backpack straps, , (Our #30214)
|115. MARTIN, LXK2, NEW, koa pattern High Pressure Laminate (HPL) top, back & sides, 14 fret neck, HPL body, 1-11/16" at nut, 23" scale, wonderful thickly padded & plush lined gig bag with backpack straps, , (Our #31017)
|116. MARTIN, OM-18 Authentic 1933, NEW, 14-fret neck, shaded wide-grain Adirdondack top, mahogany back and sides, hide glue throughout, 1-3/4" nut, Geib style case and lifetime warranty; this guitar is one of the original issue without VTS top and with the original version Authentic gloss varnish, , (Our #30795)
|117. MARTIN, OM-28 Authentic 1931, NEW, Modeled after the 1931 OM-28 owned by Mike Seeger, this orchestra model bears a 25.4" scale and 1-3/4" nut with the 1931 style full profile neck and heel and bridge pin space of 2-5/16"; the back and sides are of Madagascar rosewood, the Adirondack top is prepared with the new Verified Tone System, the ebony belly bridge has a long saddle of bone, with a Geib style case and lifetime warranty, , (Our #30638)
|118. MARTIN, OM-28E Retro, NEW, Indian rosewood, modified low oval neck with performing artist taper, 1-3/4'' nut, ebony fingerboard with incised diamond inlays, herringbone binding, hardshell case and lifetime warranty, , (Our #30307)
|119. MARTIN, OMC-18E, NEW, , , (Our #31148)
|120. MARTIN, SWOMGT, NEW, long-scale OM model; "Smartwood" certified American cherry; low profile neck, gold plated tuners, 1-3/4" nut, 25.4" scale length, new in hard case, , (Our #30613)
|New Custom Martins
|121. MARTIN, 00-50 Custom, NEW, This custom was inspired by the 1935 00-55 in the C.F. Martin museum collection, all mahogany body with full gloss finish, tortoise binding, 14-fret ebony fingerboard and bridge, vintage style Grover tuners, scalloped braces, modified V-neck, nut width1-3/4", Geib style case and lifetime warranty, , (Our #31104)
|122. MARTIN, 0-18 Custom, New, mahogany back and sides, Adirondack top, size 0 body, 25.4" long scale, 1-3/4" nut, ebony bridge and fingerboard, early 30s-style Ambertone finish, modified (a bit beefier than most) V neck, Geib style case, lifetime warranty, (a few of the first 14-fret 0-18s made in 1932 had long scales), , (Our #30018)
|123. MARTIN, Custom 000-28, NEW, 12- fret solid Spanish cedar dovetailed neck with carbon fiber rod, solid peghead with planetary Perfection pegs, radiused ebony fingerboard with daimonds & squares and bar frets; high altitude Swiss spruce with scalloped Adirondack braces & herringbone trim; beautiful "wild grain" East Indian rosewood back with grained ivoroid bindings; ebony pyramid bridge; bone pins with Paua pearl; Geib-style hard case; Scale: 25.4", Width at nut: 1-7/8", String Spacing at bridge: 2-1/4", a great custom Martin designed after a circa 1900 12-fret 000; an absolutely stunning guitar with a large deep sound, (Our #30934)
|124. MARTIN, Custom 000-28 Guatemalan, NEW, Guatemalan rosewood back and sides, Adirondack top, 12-fret body, ebony fingerboard and pyramid bridge, scalloped Adirondack braces, modified V neck, slotted headstock, 25.4" scale, string spacing 2-5/16", 1-13/16" nut, Geib style case, lifetime warranty, , (Our #31079)
|125. MARTIN, Custom 000-42, New, 000 size 12-fret body, very select Madagascar rosewood back and sides with Style 45 pearl top purfling, flamed koa top and back binding, Adirondack top with 1933 Ambertone finish, modified V neck with 1-13/16" nut, ebony fingerboard with Style 45 snowflake inlays and flamed koa binding, ebony belly bridge with Style 45 snowflake inlays, Geib hard case, , (Our #30363)
|126. MARTIN, Custom 00-21 Long Scale, NEW, an elegant and great sounding guitar, 00 body with 25.4" long scale, 14-fret neck with 1-3/4" nut width and modified V-shape, nice dark Indian rosewood back and sides, rosewood bindings, Sitka top with toner, ebony fingerboard with slotted abalone squares, ebony belly bridge, herringbone trim around soundhole & back center strip, scalloped braces, Geib-style hard case, lifetime warranty, , (Our #31302)
|127. MARTIN, Custom 00-28 Long Scale, NEW, High altitude Swiss top, highly figured Guatemalan rosewood back and sides, ebony fingerboard & bridge, 1-3/4" nut, long 25.4" scale, low oval neck, 1930's style heel, vintage style GOTOH nickel tuners, Geib Style hard shell case & Lifetime warranty, , (Our #31464)
|128. MARTIN, Custom 0-17S, New, based on the 1931 0-17S model (Martin made about 30 of them that year); 12-fret V-shaped neck with slotted head, mahogany body with a simple unbound back, Adirondack (Non-VTS) spruce top with no toner, simple rosette & rosewood binding, ebony rectangular bridge, ebony fingerboard with slotted headstock and ebony nut, Geib-style hard case, a very light-weight & easy to play 12-fret 0 with a strong & lively sound, (Our #30811)
|129. MARTIN, Custom 0M-28, New, 14-fret 000 body with very select Madagascar rosewood back and sides, Adirondack top with 1/4"scalloped Adirondack braces, Style 45 rosette, fine herringbone & grained ivoroid binding; hide glue construction, modified low oval neck with Performing Artist taper (1-3/4" nut and 2-3/16" spacing at the bridge), 1930s style ebony bridge with drop-in long saddle, Style 42 abalone snowflake inlays in the fingerboard, 1933 Authentic decal, , (Our #30352)
|130. MARTIN, Custom 15-style 00-12 Fret, NEW, 12-fret neck with slotted-head, solid Sipo (mahogany) back and sides, solid Sitka top, mahogany low oval neck with 1-3/4" nut and rosewood fingerboard, rosewood belly bridge, matte finish, hardshell case, lifetime warranty, , (Our #31327)
|131. MARTIN, Custom CEO-7 Black, NEW, A custom version in Black finish of one of our favorite models, 00-14 fret slope shouldered body, solid Adirondack top, solid mahogany back and sides, modified V-shaped neck,, 1-3/4" bone nut, 24.9" scale length, Geib-style case and lifetime warranty, , (Our #30718)
|132. MARTIN, Custom D-28, NEW, 12-fret neck with slot head, body with Guatemalan back and sides (yes,it is Guatemalan though it looks like Brazilian), VTS Adirondack top, Hide glue construction, Modified V neck with 1-7/8" nut, 2-5/16" string spacing at the bridge, 25.4" scale, Geib style case; Stunning wood and sound; Just like that 1932 D-28 you've been wanting for your birthday, , (Our #30827)
|133. MARTIN, Custom OM-42, New, 000 size with 25.4" scale, hide glue construction, Adirondack spruce top, dark Ambertone sunburst, nice dark Madagascar rosewood back and sides, Koa binding, 42 style pearl inlays, bound peghead with 45-style C.F.MARTIN vertical logo in pearl; ebony fingerboard and belly bridge with drop-in saddle, Geib style case, , (Our #29974)
|134. MARTIN, M-18 Custom, New, 0000-size, mahogany body with Madagascar rosewood bindings with maple inlay, Adirondack top with Adirondack forward X-brace, low oval mahogany with ebony fingerboard, ebony bridge with drop-in saddle, Madagascar end-piece, Geib-style hard case, , (Our #31488)
|135. EASTMAN, AR371CE-SB, NEW, 16" arch top body with Florentine cutaway, single humbucking pickup, maple laminate top, back & sides with vintage sunburst finish, rosewood fingerboard with split parallelogram inlays, 1-3/4" nut and 24-3/4" scale, hard case, , (Our #31623)
|136. EASTMAN, AR580CE-HB, NEW, 16" arch top body with Venetian cutaway, carved spruce top with gloss Hney Burst finish, figure maple laminate back and sides, ebony fingerboard with split parellellogram inlays, ebony tailpiece and pickguard, Kent Armstrong HPAG-1N neck pickup with Volume and Tone controls, 1-11/16" nut & 25" scale, hard case, , (Our #31624)
|137. EASTMAN, AR610, NEW, 17" acoustic arch top guitar with a Venetian cutaway, mahogany top & sides with a solid carved spruce top, rosewood fingerboard, tailpiece and pickguard, 1-3/4" nut and 25" scale, full gloss natural finish, hard case, , (Our #31621)
|138. VEGA, C-46 "Advanced Model", c.1940, solid spruce 16"wide archtop with ff-holes, solid birch or maple back & sides, 1-piece 14-fret mahogany neck with square-(Martin) peghead shape, rosewood fingerboard with celluloid inlays, trapese tailpiece with rosewood top, body & neck with white bindings, 2 old horese decals on upper bouts of top; good original frets & plays easily; overall excellent condition, later case, , (Our #30645)
|Solid Body Electrics
|139. B. C. RICH, Eagle, about 1980, solid body of koa & maple, koa neck integral with the body, rosewood fingerboard with 12 scalloped pearl diamonds, the peghead with inlaid pearl R; Badass bridge, excellent condition, original hard case, , (Our #30382)
|140. FENDER, Stratocaster, 1979, ash body with 3-tone sunburst finish, maple board with black dots, completely original, near mint condition (appears unplayed), original hard case with dark red lining, original strap, , (Our #30010)
|Lap Steels & Hawaiian
|141. GIBSON, BR-9, c.1950, cream colored 3-bout body with brown fingerboard and brown arm guard over pickup & bridge, adjustable pickup poles, two cream colored control knobs, 1/4" pickup jack, a few dings & nicks, overall very good condition, , (Our #31350)
|142. RICKENBACHER, Electro No.59, c.1939, shaded grey finish, figure-8 shaped body, 6-string, 1-1/2" horseshoe magnet pickup, 2 control knobs, 1/4" pickup jack, original soft case (one hinge broken), , (Our #30743)
|Resonator Instruments
|143. DOBRO, 33-S, 1978, 14-fret round maple neck with solid head, chrome-plated bell-brass body with etched sailboat and seagulls, nicely engraved "Steven Hinnant" above cover-plate, rosewood fingerboard, excellent condition, tweed hard case, , (Our #31114)
|144. NATIONAL RESO-PHONIC, Antique Brass Delphi, 2008 New, single cone, 12-fret maple neck with rosewood fingerboard bound in ivoroid, steel body with very cool vintage-looking brass finish, hard case, , (Our #27691)
|Classical & Flamenco
|145. GUILLERMO DEL PILAR, 1956, nicely figured Brazilian rosewood back & sides, German spruce top, 3-piece mahogany neck with ebony fingerboard, signed by the maker on the inside top; lower bout: 14-1/4, length of back: 19-1/8", string length: 630mm, shows some wear, overall very good condition, , (Our #31291)
|146. HERMANN HAUSER, SR., 1910, figured maple back & sides, ebonized neck with clock-key adjustment, 14 1/2" lower bout, completely original, a rare very early Hermann Hauser Sr., later hard case, requires some restoration, label: Herm. Hauser/ Lautenmacher/ in Munchen/ Bayerstr. 33./ A.D. 1910, (Our #22929)
|147. JOSE RAMIREZ, 1911, one-piece stained pear wood or maple back, ribs of similar wood, rosewood fingerboard, mahogany neck, straight-braced; back cracks, back has been poorly reglued to sides, sides are intact, spruce top has 3 unrestored cracks and warpage. rosette has wood loss which has been filled with mastic, later pearloid tap-plates, length of back: 483mm, lower bout: 483mm, scale: 644mm; labeled:: CONSTRUCCION/DE/GUITARRAS Y BANDURRIAS/JOSE RAMIREZ/COMCEPCION JERONIMA No2/ano 1911/MADRID; an historically interesting guitar in poor but restorable condition, (Our #22583)
|148. JOSE RAMIREZ, 1-A Classical, 1987, very choice Brazilian rosewood back & sides, cedar top, engraved & gold-plated tuners, ebony fingerboard, scale length 665mm, action just slightly high at 12th fret-5mm; the internal maker identification number corresponds to luthier Manuel Alonzo Gimenez; near mint overall condition, original hard case, , (Our #31112)
|149. JOSE RAMIREZ, 1-A Flamenco, 1991, solid cypress back & sides, solid spruce top with clear tap-plates, 3-piece neck with slotted-head, engraved & gold-plated tuners, ebony fingerboard, scale length: 655mm, near mint condition, later hard case, , (Our #31113)
|150. RAMIREZ, JOSE, Flamenco, 1921, 3-piece cypress back with 2 open cracks, spruce top with later tap-plates with various cracks, etc.; 9-fan bracing; length of back: 482mm, lower bout: 375mm, scale: 650mm, labeled: CONSTRUCCION DE GUITARRAS Y BANDURRIAS/ JOSE RAMIREZ/ CONCEPTION JERONIMA No.2/ MADRID ANO 1921; an historically interesting guitar in poor but restorable condition, (Our #G9909)
|Tenor Guitar
|151. GIBSON, TG-00 Tenor, 1932, black finish, white top binding, L-00 body style & size with 22-3/4" scale, 1-1/18" nut, spruce top, mahogany back and sides, repaired 4" top crack, some pickwear & scratches, overall very good condition, newish molded hard case, , (Our #27576)
|152. GIBSON, TG-00 Tenor, 1933, entirely finished in black with white top binding & white pickguard, spruce top, mahogany back and sides, elevated fingerboard with1-1/8" nut, 14 frets to body 19 total, 22-3/4" scale, offset Grover Pat. geared tuners, excellent condition, later hard case, , (Our #25530)
|153. MARTIN, 0-18T Tenor, 1930, 14-fret neck with ebony fingerboard, bar frets in decent condition, good neck angle, OM pickguard, Grover Patent banjo tuners, ebony bridge, body with rosewood bindings, Adirondack spruce top with one repaired crack from bridge to binding, minor repaired back cracks and three small repaired side cracks, various dings & scratches, completely original, overall very good condition, hard case, these early '30s Martin 0-18T tenors are super sounding guitars. Much bigger sound than its size suggests!, (Our #29169)
|Amps, Effects and Misc.
|154. FENDER, Twin Reverb, c.1970, silverface with silver control panel, blue-cloth grill & aluminum trim, 2- 12" Jensen speakers, no master volume, casters, very good condition, , (Our #25784)
|Antique Guitars
|155. FRENCH, c.1810, a fine early 19th century French guitar, in overall very good condition, unfinished spruce top, figured maple back & sides, ebony veneered neck and peghead for six pegs, ebony fingerboard, ebony bridge, string length 644mm, , (Our #26584)
|156. FRENCH, c.1810, maple back and sides, spruce top with ebony and iv. border and wood binding, ebony fingerboard with bone frets (12 to the body and 5 over the body), ebony veneer over the round neck and the front and back of the peghead, wooden pegs, recently restored to playabale condition by John Pringle, , (Our #29665)
|157. FRENCH, early 19th century, a small lyre guitar in remarkably fine condition, maple back and sides, spruce top, ebony neck with brass supports connected to the body, ebony fingerboard, ebony peghead with six original ebony pegs, good frets and nut, ebony bridge, in a very pure state of preservation and in the original wooden case, , (Our #27524)
|158. JOHANN GEORG STAUFFER, STYLE OF, c.1830-40, rosewood veneered back (2- piece) and sides over spruce, 2- piece spruce top, ebonized neck (no overlay) with cone heel, Vienna-style headstock with floral engraved back cover plate, ebony fingerboard with bar frets, 12 frets to the body and 20 overall with tapered fingerboard extension, 25- 1/4" scale, in period (likely original) black coffin case, greatly resembles the work of the early C. F. Martin workshop in New York, (Our #27534)
|159. LOUIS NICHOLAS VISSENAIRE, c.1820, an interesting early French double-cutaway romantic-period guitar, spruce top, birds-eye maple back and sides, birdseye maple veneered neck and peghead for six ebony pegs, ebony neck with brass frets, ebony bridge; scale length 645 mm; the back has veneer cracks and two buckled cracks at the bottom of the back with old spline repairs, top has two old spline repairs; requires restoration, , (Our #26583)
|160. LOUIS PANORMO, 1826, highly figured maple back & sides in natural finish with wood bindings, black-laquered 3-piece neck with typical Panormo slotted head with Rance tuners with rollers, rosewood or cocuswood fingerboard with 12 frets to body (& 18 total); 2 very old screws through bridge (lifting slightly) & some seam seperations to the lower back, otherwise original & in very good condition, original black wooden coffin case with damage to lower lid, labeled: Panormo Fecit/ Anno.1826 London/ 20 High Street Bloomsbury; measurements: back: 17-1/2" (445mm); lower bout: 11-1/4" (286mm); middle bout: 6-1/2" (165mm); upper bout: 8-3/8" (212mm); scale: 24.9" (634mm); requires some restoration to be playable, (Our #28573)
|161. MARCHAL, c.1770s, A good example of an French 5 course baroque guitar stamped; Marchal, solid flamed maple back and sides, spruce top with several repaired cracks and an open 9" top crack, laminated Ebony neck and peghead for 10 non original Ebony pegs, Ebony fingerboard, Ebony bridge with floral decoration to both sides, total length 97,8 cm, scale 65,2 cm, body length 46,7 cm,, (Our #27459)
|162. PANORMO SCHOOL, c.1830, 2 piece maple back of narrow horizontal curl, the ribs similar; marquetry 11-petaled inlay at bottom; applied bridge vinery; ebony binding and single line inlay around body; the neck & head very much in the Panormo style with ebony fingerboard (four frets missing )brass three-in-line tuners w/stamped decoration and marked RANCE; Lob:458, LB:299, MB: 182, UB:219; scale length: 25-1/4"; straight braced; wooden coffin case w/pink wooly lining; dealer label in case: J. C. MENCKE/ Brighton, requires restoration (top cracks, bridge pulling off, etc.), (Our #24222)
|163. WILLIAM TILTON, Style 3, c.1865, made by Zogbaum and Fairchild (as one of the higher-end Tilton models), spruce top cut on the diagonal, 2-piece highly figured Brazilian rosewood back and sides, 1-piece mahogany neck, light wooden bindings with checkerboard wood marquetry and around hole, rosewood headstock overlay in front only, German silver tuners with carved bone knobs, silver plated medallion and tailpiece with commemorative medals, incorporates Tilton's patent of March 4, 1856 for the square dowel from the neck to the end block and the diagonal grain top, as well as the patent tailpiece, completely original & in excellent condition; requires a neck reset to be playable, (Our #24305)
|Sold As-Is
|164. GIBSON, B25-12, 1963, sunburst finish, needs neck reset, small crack on top extends from treble side of fingerboard to soundhole, otherwise excellent condition, completely original, period soft case, , (Our #31250)
|165. GIBSON, B45-12, 1969, natural finish, square-shouldered dreadnought with mahogany body, originally with tailpiece (now gone), with odd later bridge, could probably use a neck reset, otherwise excellent, period soft case, , (Our #31249)
|166. L. VIOHL, 1891, arched mahogany back & sides, unbound spruce top w/inlaid mahogany rosette rings, 13 1/2" body; rosewood fingerboard and pyramid bridge, brass saddle, 18 brass frets total-12 to body, slotted head, mahogany neck, 3-in-line open tuners on brass plates stamped with leaves and with bone tuner knobs, labelled L.VIOHL/MANUFACTURER/FLUSHING, L.I./1891; needs top left lower bout crack repaired, (Our #24225)
|167. MARTIN, 000-21, 1945, nice matching Brazilian rosewood back & sides, Adirondack top, ebony fingerboard with pearl dots & original brass frets, herringbone soundhole trim & back center strip, all parts original including full height bridge, tuners, & pickguard; refinished top; the back & sides oversprayed, the neck refinished (peghead overlay & decal kept original); belly rising somewhat behind bridge, bridge becoming unglued; hard case; requires restoration, , (Our #30102)
|168. OAHU, Style 65M, c.1935, 15-1/2"wide mahogany body, square neck, ebonized fingerboard, black/white checkered binding on top, back & soundhole, gold Oahu decal on headstock, seems to be same as later 66K "concert size"; has a few minor cracks, binding separating left lower back; needs bridge reglued & a setup; very good plus condition, soft case, , (Our #22295)
|169. STEWART & BAUER, c.1900, two-piece rosewood back with pearl center strip, spruce top with wide pearl border & soundhole surround, the sides with pearl trim along upper & lower edges, 12-fret mahogany neck with carved heel, fingerboard with fancy pearl tree-of-life inlay, 1-13/16"width at nut, 14-1/8"lower bout, 24.9"scale;, it has had a new peghead with new overlays added to the front & back; this guitar is illustrated in The Chinery Collection on page 13; it has a broken brace & needs a new bridge-plate, (Our #28187)
|170. WASHBURN, Style E, c.1923-24, 12-fret slot head, cedar neck, pearwood back and sides, spruce top, straight braced, 13" lower bout, rosewood fingerboard and bridge,24-3/4"scale, overall original & in near excellent condition, would benefit from a neck reset & a new saddle, , (Our #25300)


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Starting Rate: $269 Priced recently for Apr 7 - Apr 8, 2017
A repeated winner of the Meetings & Conventions Gold Key Award as one of the finest meeting properties, this 4-Diamond hotel in downtown Indianapolis is sure to delight any traveler. The Indianapolis Marriott Downtown boasts 622 guest rooms and junior suites which include luxurious linens, signature bath products, flat-screen TVs with HD programming and functional work areas. Connected via skywalk to the Indiana Convention Center and Circle Centre Mall, this downtown Indianapolis hotel is ideal for business travel, just steps from Lucas Oil Stadium, Victory Field and a short walk to Bankers Life Fieldhouse. In this sports-minded city, the Indianapolis Marriott Downtown is home to Champions Sports Bar - voted by MSN as the best place to watch the NFL or NBA in Indy and outfitted with over 25 flat-screen TVs. Just eight miles from the airport, our hotel features a fitness center, free Wi-Fi in the intimate lobby, and 40,000 sq. ft. of meeting space.
Cancellation Policy: Cancel policy may be more restrictive based on rate / room booked, season, special events
Check In: 4:00 PM
Check Out: 11:00 AM
Currency:American Dollars
Floors: 19
Rooms: 622
Suites: 21
Year Opened: 2001
Year Renovated: 01/01/2008
High speed internet connection, Internet access, Wireless internet connection, High speed wireless, Non-smoking, Coffee/Tea maker, Alarm clock, Air conditioning, Air conditioning individually controlled in room, Safe, Shower, Bathtub, Bathtub/shower combination, Private bathroom, Bathrobe, Hairdryer, Upgraded bathroom amenities, Separate closet, Closets in room, Iron, Bathroom amenities, Down/feather pillows, Foam pillows, Duvet, Sofa bed, Cribs, Rollaway bed, Storage space, Converters/ Voltage adaptors, Electrical adaptors available, Local calls, Free toll free calls, Mini-refrigerator, Color television, Cable television, Plug & play panel, Premium movie channels, List of movie channels available, CNN availaible, HBO available, ESPN available, All news channel, AM/FM radio, Remote control television, Large desk, Chair provided with desk, Desk with electrical outlet, Spare electrical outlet available at desk, Electrical current voltage, Separate modem line available, Telephone, Voice mail, Two-line phone, Direct dial phone number, Speaker phone, Connecting rooms, Multi-line phone
Enjoy American favorites at this lively sports-themed Indianapolis restaurant and bar offering a fun environment and friendly staff surrounded by 28 HDTV's, with 2 HDTV Jumbo Screens. Menu items include great bar fare and casual food items.
Indulge in innovative dining options in a chic atmosphere at our Downtown Indianapolis restaurant, Circle City Bar & Grille. Enjoy comfortable Indianapolis dining in oversized booths surrounded by warm wood tones and vibrant artwork.
America's favorite purveyor of coffee and tea specialties is available to start your morning or for a welcome break during the day!
Fitness center on-site
Health club
Mountain biking trail
Squash court
Children's program
Better Business Bureau
A+ Rating
Hotel Reservations
since 1999


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Medical Vehicle Specification 12289 65292 - Chinaprice: contact company for price
30? Euro Ⅲ Model YC6J245-42? Euro Ⅳ Chassis
XMQ6102R???? Qijiang six file XMQ6102R3??? Qijiang six file Door
structure 2-3 doors(Euro Ⅲ emission) 4
doors(Euro Ⅳ emission) Chamber X-ray machine
Digital DR radiographic AKHX-50/200B(for
vehicle),detector has various choice,as
Fluoroscopic/Digital DR radiographic AKHX-50/200B(for vehicle)
Other attachment Optional B ultrasonic/electro
cardio/examination bed(with working table
inside),electric hearing test
room,darkroom,biochemical test
table,inspecting table for Lung(depending on
customer request)
2, feature
①Various specifications which can meet different demands
②layout and appearance of medical vehicle can be designed according to customer requirement
③spacious and comfortable space
④Faster examination speed with extra doors
⑤X-ray radiation safety with six surface lead production
3, function
①For common physical examination
②For occupational examination
③For emergency rescue
④As mobile hospital
10.6 meters X RAY Medical Vehicle
This X-ray medical vehicle is mainly used for common physical examination, occupational examination, emergency rescue, just as a mobile hospital
1, Various specifications which can meet different demands
2, Layout and appearance of medical vehicle can be designed according to customer requirement
3, Spacious and comfortable space
4, Faster examination speed with extra doors
5, X-ray radiation safety with six surface lead production
Main Technical Parameters
Medical Vehicle
Vehicle Specification XMQ5160AXYL(KINGlong China)
Engineer Model:YC6J245-42 eURO IV
Chassis XMQ6102R3 Qijiang six file
Door Structure 2-4 doors (Euro IV Emission)
Chamber X-ray Machine Digital DR Radiographic AKHX-50/200B(for Vehicle),
Detector Has Various Choice, as Samsung, Toshiba, Varian, Canon, XRAY
Other Attachment Optional:B Ultrasonic/electro Cardio Examination Bed,
Electric Hearing Test Room, Darkroom, Biochemical
Test Table(Depending On Customer Request)
Medical Vehicle Specification 12289 65292
Please inquiry for your need now
Company Contact:
- Posted By: Perlong Medical Equipment Company
- Phone: 8613905192907
- Address: nanjing, nanjing, China
- Email:
- Website: http://pl999.net
Published date: November 9, 2012 -
- Business Description: involved in international trade import export of goods, products, and services
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Usage of digital x ray machine( (PLX 8200, 25kw / 200mA ) ) Applied to the chest, skull, spine and limbs and other parts of the X-ray digital imaging. Technical parameters of digital x ray machine Dual-focus small focus: 0.6mm, large focus:1.3mm Maxi...
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"The mosque" Akjoujt Things to Do Tip by johnsakura
Akjoujt Things to Do: 3 reviews and 3 photos
This city seems to have a very big mosque for its actual size. In the whole area of the city you'll notice how strange buildings are far away from eachother.
This city is just a stop between the capital NKT and Atar.
Directions: North from the main road to Atar or NKT
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I have to confess, love the Alfred Angelo website, I could literally spend hours looking at their "Dream in Color" collection. There's twenty five gorgeous styles of wedding dress, each with different colour accents available- everything from trains to sashes to necklines can be personalised. You select your prefered dress style and then choose from the adjacent palette up to 55 colours and like magic the image changes to show you a representation. I'm particularly enamoured with this style, number 1516 (less than $999) which is made from lustre satin and features embroidered pearl and crystal beading, sequins and a lace-up corset back. The real focus is the stunning semi-cathedral train which looks fantastic in various colours. The best bit is you then get the bridesmaid's dresses from the "Dream in Color" collection and everything matches perfectly!
Click after the jump to see the train in different colours!
Related: Alfred Angelo high-low dress | Piccione Bridal at Aldred Angelo | Alfred Angelo lace destination dress.
Tea Rose
Blue Jay


text: Sidekick III Docs Show Up On FCC WebsiteJason Chen4/23/06 10:21pmFiled to: CellphonesBluetoothGsmImMP3 PlayerSdSharpSidekick IIITop01EditPromoteShare to KinjaToggle Conversation toolsGo to permalink This image was lost some time after publication, but you can still view it here. Turns out those rumors of Sharp being the manufacturer of the Sidekick III were true. The FCC's website coughs up the goodies again, with details that it will have a 1.3 megapixel camera, bluetooth, IM software and expandable memory in the form of some type of SD card. We can't say exactly when it will ship, but it's likely to be sometime this summer. Somewhere in LA, there's a very excited Paris Hilton. Advertisement FCC Filing [FCC.gov Via Hiptop3; Image courtesy of AOL Engadget]ReplyLeave a reply


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I am a professional jazz guitarist, singer-songwriter and teacher. I've been teaching music to students of all ages privately and in groups since 1998. After graduating from William Paterson University with a Bachelors Degree in Jazz Performance I spent 10 years in New York City working as a freelance musician and operating my own guitar studio. Since that time I have also been affiliated with several teaching studios, private schools, public schools and international schools. With a comprehensive background in Jazz, Classical and Rock guitar as well as electric bass, piano, music theory and voice; I am uniquely qualified to teach students of all ages and levels. I pride myself on being an organized and patient teacher who puts the needs of his students first.
Created and taught a music curriculum including guitar and hand drums. This was a volunteer program for refugee children in Athens. I raised money to purchase instruments for the school and am still involved in keeping the program running.
Taught Guitar and Bass lessons as part of the after school music program at Franklin High School.
Taught "Guitar Accompaniment for Singers" classes and private lessons.
Taught guitar classes to students ages 6-13
Taught Rock, Jazz and Classical Guitar as well as Electric Bass.
Taught Music to special needs students. Included guitar, piano, percussion and music appreciation.


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Pet Sitter in Pittsburgh
Hi I'm Abigail and I have loved animals all my life. Animals love me and I love them. If you need a great pet sitter than give me a hollar!
Pet Sitter Details
|Email Address
|Phone Number
|412-695-... Confirmed
|Provider Type
Dog Walking
Pet Feeding
Pet Sitting
Overnight Care
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