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Short Dramas and Plays
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Spirit of Whiskey Lake
by Rev. Charles E. Posey
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Spirit of Whiskey Lake
Scene: Old grocery store front with covered porch. Time: 1959.
DOBBINS: [Sitting on the grocery store porch, spies a stranger] Boy, its mighty hot out there today.
MEADOWS: [Enter, stage left] Mighty hot.
DOBBINS: Why dont you comon up chere and rest a spell?
MEADOWS: Now that sounds like a mighty good idea.
DOBBINS: Comon up and grab you a seat, right over here.
MEADOWS: Ah, now that helps. I didnt realize how hot it could get around here.
DOBBINS: Yeap, were in the middle of a dogs day afternoon. Hasnt been this hot since ah, 42 or so.
MEADOWS: I thought Carolina was hot in the summer; but this beats everythin Ive seen.
DOBBINS: [Chuckle] Boy, youre in the arm pit of the world when you pass through Whiskey Lake, Mississippi. If the heat dont get ya the mosquitoes will. Where you headed anyhow walkin?
MEADOWS: I was out seeing the sights; you know gettin acquainted with the place. Im up here visitin with my momas folks.
DOBBINS: Yeah, well, theres nothin much to see. You got the hardware store at one end and what used to be the livery at the other and nothin much in the middle cept this can goods store.
MEADOWS: Im findin that out. I started out on the far end of Black Creek Road this mornin hoping to see somethin or somebody and Ive not seen much at all, maybe a house here or there and every now and then Id run into somebody, but other than that its been mostly trees and empty lots.
DOBBINS: You came up the wrong way. There aint nothin between town and Black Creek Road cept trees and empty lots. Now should you have walked over to Gallant Road then came into town, well, you would have seen the sights, met some folks.
MEADOWS: I did meet some folks, some colored folks, that appeared rather friendly, but I didnt see much more.
DOBBINS: Now, Whiskey Lake is a very friendly place to be; we aint got much but we friendly. If you are looking for somethin to do we got us a movin picture show just off Mayport Road. Old man Brackett built it years ago and his son still runs it every Tuesday night and all day Saturday.
MEADOWS: I dont know if Ill be here that long, seeing this is Wednesday and all, but Ill give it a shot.
DOBBINS: Did I hear you say, you were up here visitin your folks?
MEADOWS: Yes sir, Im here visiting with my aunt, Ms. Etta May Simpson.
DOBBINS: You dont mean Ms. Etta May Simpson, the one with them two hard headed boys? Thats your Aunt?
MEADOWS: Yeah, thats the one.
DOBBINS: Then that would make you Ms. LeAnns boy?
MEADOWS: Thats right, Etta Mays little sister. She left here and married my father who was a serviceman at the time in Biloxi, Mr. James Meadows and settled in Charlotte, North Carolina.
DOBBINS: You dont say. How is your mama been these days?
MEADOWS: She doin just fine. She wanted to come down herself and visit with her sister and all, but church business and taking care of my little sister kept her in Charlotte. I came down to see what the old home place looked like by myself. The last time I was here I was a little boy. By the way, my name is David; David Meadows.
DOBBINS: Well, glad to know you David. My names Dobbins. Most folks just refer to me as old man Dobbins, cause Im an old man. All my folks been dead and gone long time ago, so old man Dobbins does just as well. I faintly remember you comin down with your daddy. I think he had a 49 Ford. If Im not wrong that was a new 49 Ford.
MEADOWS: Thats right. He still has it; says it was the best car he ever had.
DOBBINS: Yeah, I might be old, but Ive got a good memory. Why, I can remember when there was nothin out there but a foot path through the woods. Now look at it, you got roads and buildins, and lectricity, and now even telephones. We got about everythin now.
MEADOWS: Mr. Dobbins, you dont look so old.
DOBBINS: Now mind ya, I am the oldest living citizen in Whiskey Lake. But not the oldest alive. Now if you count Ms. Elaine Walker and Mr. James Books, they are older than me, but they came here after me. I first moved here with my uncle when I was still a little boy. See, Im a Dobbins from the Natchez Dobbins. I came here with my uncle cause he had no sons and my father had four. So he let me out to my uncle to be his son. That was before there was anything here cept for a farm or two.
MEADOWS: Now that means you go way back.
DOBBINS: Ive been here when your grandfather moved his family here and tired to farm a field down there in the hollow. Well, when that didnt work, he moved the family over by Black Creek and started running horses and cows. Not stealin em, but raising em. Your mother and her kin grew up on that farm until they moved to where the home house is on Black Creek Road. I remember when your uncle Billy.
MEADOWS: William.
DOBBINS: Thats right; they called him Billy for short. I remember when he died in the war. All your family is still here round about except for your mother and maybe one or two more.
MEADOWS: Thats makes you older than the town itself.
DOBBINS: Yea, we were nothin but a handful of farms about forty five years ago. Now we got a mayor and everythin.
MEADOWS: Well, since you are the oldest citizen of Whiskey Lake, can you tell me how you came up with the name of Whiskey Lake?
DOBBINS: [Laughing] Now that is one good story. Ya see, we were originally called the Black Creek Community cause of the creek that runs by the town, but there was another group that lived up stream about fifteen miles that had the same name too and they became a town before we did; so for a while we didnt know what to call ourselves. Well, the revenuers used to be popular around here durin that time and was about runnin down moon shiners. Now that was the Johnson Brothers, who used to run shine all over these hills. You dont know them cause most of them died before your people got here. Anyway, the Johnson boys were too smart for them cause they had a lookout posted next to the main road. Every time the revenuers would drive into the county the Johnson boys knew about it first. Well, they kept em busy for a long while and the Johnson boys backed up on their shipments of shine. One night the brothers were preparing a big shipment to go out all over the state and they had their trucks lined up near the pond, you know just before you get into town. Now, this is where it gets good. The revenuers caught em cause they didnt use the main road, they walked into town using Black Creek. They walked nearly ten miles down stream to catch the Johnson Boys and their whiskey. Well, it was so much that the revenuers didnt have any where to put it so they poured it out into the pond which was quickly named Whiskey Lake. Ever since then, we were known as the whiskey lake community and when it came time to get a name then there was none better than Whiskey Lake.
MEADOWS: Wow, now thats a story.
DOBBINS: Yeap, I remember that day, about everbody in town went swimmin yeap, thats how we got the name Whiskey Lake.
BUBBA: [Enters, stage right, walking with a large bag] Good afternoon Mr. Dobbins.
DOBBINS: Good afternoon to you too, Bubba. Now you dont stay out there in that sun, you could get a heat stoke.
BUBBA: [Stopping in front of the store] Yea, it is mighty hot, mighty hot these days.
DOBBINS: Well, you want to stop and sit a spell? Ive got Ms. LeAnn Meadows boy visitin with me and we were about to get ourselves a cold drink.
BUBBA: Naw sir, I appreciate the offer, but Ive got to get this over to Ms. Hightower. You know how she is; she will just worry me to death if I dont do what she wants me to do.
DOBBINS: Well, you tell Ms. Hightower for me that it too hot out here for anybody to be walkin or workin, she ought to ease up on ya for a while.
BUBBA: [Short Laugh] Well, Ill tell her, but I dont think itll do any good, shell still have me doin thangs.
DOBBINS: Well, you just tell her for me.
BUBBA: [beginning to continue to walk off stage, stage left] And shell have a stick after the both of us. You take it easy Mr. Dobbins.
DOBBINS: You too Bubba.
REVEREND: [Enters, stage left, greeting Bubba] Good afternoon Mr. Hightower.
BUBBA: [Continuing off stage] Good afternoon, reverend.
REVEREND: Good afternoon, Mr. Dobbins.
DOBBINS: Good afternoon, reverend. Now I will tell you like I told Bubba, its too hot out today to be walkin.
REVEREND: [Stopping in front of the store] I know what you mean, but like they say the Lords work is never done. I was on my way down to the hardware store to pick me up some paint to cover the inside of the parsonage. I thought I might get that in before the weekend comes.
DOBBINS: Yea, you got to dress the place up with your Misses expectin and all.
REVEREND: Well, can I get you anything?
DOBBINS: Naw, Im just find, I was sittin here jawin with David Meadows, you dont know him, but hes Ms. Etta Mays nephew from Charlotte.
REVEREND: [Extending his hand] Nice to meet you. My name is Rev. Fred Washington, Im the pastor of Black Creek Baptist Church just down the road.
MEADOWS: [Stunned to see the hand extended hesitates creating a pause, then uneasily shakes the reverends hand]
REVEREND: Can I get you anything while Im at the store?
MEADOWS: No. No I dont need anythin.
REVEREND: [Exiting, stage right] Well, I best be off, If I want to get that finished sometime this week. I see ya later Mr. Dobbins. Nice meetin you, David.
MEADOWS: Nice to meet you.
DOBBINS: Good man that reverend, but its a down right sin what his Misses can down with a chicken; good cook.
MEADOWS: I must tell you that I am a bit surprised with the friendly relations that you have around here, I mean with the colors and all.
DOBBINS: What do you mean?
MEADOWS: I dont mean nothin by it; but the whole south seems to be under attack by the colors callin for votin rights, equal rights and thangs - all except here. Everybody here is so friendly and all you would never think that you were in the South at all.
DOBBINS: Aint that how its suppose to be us respectin one another?
MEADOWS: Yea, I guest so, but its just strange to see. As a white man Im just use to things being one way. Now I come down here where you read stories about Mississippi and you find all this, its just seems unnatural.
DOBBINS: Nothin unnatural at all. Ive been here to see both sides and this side I like. Able to talk with each other peaceable, visit with each other ever now and then, respectin each other. Its what the good book tells us to do. Ive heard about what goin on in Philadelphia, Biloxi, and Meridian and all over the country, and Im glad we got no parts of it. Ive been there when this wasnt so even here.
MEADOWS: How did you get like this?
DOBBINS: [Getting up] Now thats a long story, you got the time?
MEADOWS: [Getting up] Ive got nothin better to do.
DOBBINS: Well, lets go get a cold drink out of Mr. Henrys ice box and Ill tell you the mystery of Whiskey Lake. You see it all started late one afternoon when a stranger came to town.
PAUSE Allowing Dobbins and Meadows to clear the stage.
STRANGER: [Enters stage right, hot and looking about, he migrates slowly over to the grocery front porch. Finding a cool spot out of the sun, he settles back relaxing on the porch floor]
TY: [Enters stage left, walking pass the store. Catching a glimpse of the STRANGER relaxing on the porch, he stops mid stage] Boy!, what you doin up there?!
STRANGER: I got hot and needed a little rest.
TY: Boy, dont you know thats Mrs. Porterfields property! You better get your butt out from up there!
STRANGER: I dont understand? I cant rest here?
TY: You got heat stroke boy! I said that was Mrs. Porterfields property!
STRANGER: Im sure Mrs. Porterfield will understand if I explain it to her.
JAMES: [Enters stage left] What the hell you doin? Ty didnt you tell him thats Mrs. Porterfields front porch?
TY: I told the boy to get down.
JAMES: [Reaching up and dragging the STRANGER off the porch]
Boy, you want to start somethin around here? Get out from up there!
MRS. PORTERFIELD: [Exiting from the grocery store] Whats goin on out chere?!
JAMES: Nothin Mrs. Porterfield.
MRS. PORTERFIELD: Then what you doin out here?
TY: Nothin Mrs. Porterfield, nothin.
STRANGER: They were just telling me.
MRS. PORTERFIELD: [Interrupting] Boy, who are you?
STRANGER: Im just a stranger in town.
MRS. PORTERFIELD: [Shocked by the STRANGERs directness]
James! Tell me who this boy is and why hes eyeballin me?!
JAMES: Dont know Mam.
MR. PORTERFIELD: You Ty?
TY: Naw Mam.
STRANGER: I said, I am a stranger in town.
MRS. PORTERFIELD: You eyeballin me, boy! You bet not be eyeballin me, boy!
JAMES: I think he got heat stroke, Mum.
MRS. PORTERFIELD: He got somethin you best get him out of here and teach him somethin quick!
JAMES: [Pulling the STRANGER toward stage left] Yeah Mum! Come on boy, I told you that was Mrs. Porterfields property.
TY: Lets go boy!
MRS. PORTERFIELD: [Re-entering his store] You best get!
JAMES: [Tugging on the STRANGER until MRS. PORTERFIELD re-enters his store then letting him go harshly] Boy, whats your problem?! You got a death wish or somethin?!
TY: Mrs. Porterfield is one of the kind white folks we got around chere and you goes gets her mad!
STRANGER: Im sorry, I just needed to rest from the heat of the day.
TY: Well, rest somewhere else!
STRANGER: I will.
JAMES: [Looking at him strangely] Boy? Where you from? You dont talk like no nigra around here?
STRANGER: I said I was a stranger.
JAMES: Naw, you just strange. Look at your talk, your walk, your clothes; the way you were eyeballin Mrs. Porterfield.
STRANGER: Eyeballing? What do you mean by eyeballing?
TY: Boy, where are you from?
JAMES: Everybody around chere knows that nigras are not to look into the eyes of no white man; thats eyeballin; and you were eyeballin Mrs. Porterfield.
TY: Who learned you your manners boy?
JAMES: White folk dont take kindly to you eyeballin em, makes em feel nervous and you dont want to make no white man nervous around chere.
STRANGER: Now thats curious. Are you not the same?
JAMES: You talkin crazy now boy! Wes different cant you see that.
STRANGER: No, but I am beginning to understand.
TY: You best, if you want to survive around chere, you best.
STRANGER: Where, Im from we dont worry about such little things as eyeballing or anything else like that, but I will consider what you have told me and try not to offend anyone else around here.
TY: You bet not, or theyll find you hangin like strange fruit from one of these trees around chere.
STRANGER: I wouldnt understand that at all nor do I fear them harming me.
JAMES: Boy, you need to gon. You gonna start somethin that we gonna suffer with. I bet you from the north come down chere with all that fancy talk and fancy words eyeballin white folk and gettin everybody upset; then you leave. We, thats left chere, born chere have to suffer. Now Im tired and done got too old to be runnin from every white boy I see cause you done stirred em up, you need to gon now before anythin gets started you hear.
STRANGER: I was only passing through and just took a minute to rest. I didnt mean any harm.
TY: Well, well, then gon.
MCDUFFEY: [Enters stage right] What you boys up to? Now James I know you been told before about holdin meetins especially right out here in the middle of the street.
JAMES: Naw boss, we aint holdin no meetin I was just tellin this stranger directions.
MCDUFFEY: Then what you doin Ty?
TY: Is headed to Mr. Richards place for some black smithin.
MCDUFFEY: Then I suggest you get there.
TY: [Leaving, stage right] Yea Sir.
MCDUFFEY: What you doin James?
JAMES: Is just talkin to this stranger.
MCDUFFEY: [Interrupting; looking over the STRANGER] Im not talkin about that, where were you headed?
JAMES: I was headin home.
MCDUFFEY: Dont you think you best get there?
JAMES: Yea Sir, I was just.
MCDUFFEY: Then get.
JAMES: [Hesitates walking away] Yea Sir.
MCDUFFEY: [Eyeballing the STRANGER] Now, whats your problem boy?
JAMES: [Calling back] I can help Sir.
MCDUFFEY: This is in the hands of the regulators now James, you best get on out of here.
JAMES: [Exiting stage right] Yea Sir!
MCDUFFEY: Now boy, whats your problem?
STRANGER: I dont have a problem. I was just passing through town when I needed to stop and take a rest.
MCDUFFEY: Where you from boy?
STRANGER: Im not from here.
MCDUFFEY: I didnt ask you that boy, I said where you from?
STRANGER: Would it really make that much of a difference if you knew where Im from?
MCDUFFEY: You like to sass white folk dont you, boy?
GEORGE: [Enters stage left] What you got there, McDuffey?
MCDUFFEY: I got me one uppity nigger here. Wont tell me where hes from.
GEORGE: [Walking center stage] Wont will he? Well, I specks wed have to education him a bit, bring back his memory and all.
MCDUFFEY: [Pushing the STRANGER toward GEORGE] You in the hands of the Wilmont County Regulators and we gonna education you on how you suppose to act around white folks, real respectful.
STRANGER: I dont understand?
MCDUFFEY: See what Im takin about, no respect at all.
GEORGE: Around chere boy yous says naw sir, yea sir and thangs like that when yous spoken to, but always yous say sir. Aint your white folks every told you that?
STRANGER: No, Ive never needed white people to teach me anything.
MCDUFFEY: Whoa we, have you ever heard of such a thang and look at him eyeballin you George?
GEORGE: Boy get your eyes off of me.
MCDUFFEY: I can see we gonna have a good time with this one here.
GEORGE: Boy they never told you what a regulator was where you come from?
STRANGER: No.
GEORGE: You mean naw sir. Well, Im goin teach you; we are part of the Wilmont County regulators and we regulate the customs and traditions of our county and state. We ensure all the laws of Mississippi concerning nigras like yourself are followed you understand your place and keep it.
STRANGER: Their place?
MCDUFFEY: Yea, your place!
GEORGE: Stop eyeballin me, boy!
MCDUFFEY: [Circling around him] Look at him all blowed up and everythin. Lets take him down to the horse sheds and get the rest of the regulators.
GEORGE: Captn Micheals told us to take care of business as we need to and we need to do this right now and before a witness. [Calling loudly] Mrs. Porterfield! Mrs. Porterfield, I need ya to come on out chere! McDuffey you grab him.
MCDUFFEY: [Grabs the STRANGER]
MRS. PORTERFIELD: [Exits out of her store] Now whats goin on out here?
GEORGE: Punches the STRANGER in the stomach then the face. Striking him in the face again he falls to the ground.
MRS. PORTERFIELD: George! What you doin to that boy for?
MCDUFFEY: This here nigra wouldnt respect his uppers and we just teachin him a lesson.
GEORGE: Mrs. Porterfield, I just wanted you to be a witness to what we have to do.
MRS. PORTERFIELD: Well, why you got to do that around here? Normally, I just hear what ya do. I dont need to see it.
STRANGER: [Picks himself off the ground slowly]
GEORGE: Well, now you see it and you know why dont ya.
MRS. PORTERFIELD: Boy, werent you told to get just a wait ago?
MCDUFFEY: You had trouble with him already?
STRANGER: No, I just stopped by to rest a while.
GEORGE: [Striking the STRANGER again] Thats sir didnt I tell you!
MRS. PORTERFIELD: No, he was just here a while ago and I ran him off.
STRANGER: [Picking himself up]
GEORGE: Now you see there is a good reason why they have us to enforce the codes of Wilmont County, dont you. If we werent chere they would be runnin wild everwhere, Mrs. Porterfield.
MRS. PORTERFIELD: Well, do that somewhere else not around chere. And not in the middle of the street.
GEORGE: [Takes another swing, but misses]
STRANGER: [Grabs GEORGES arm and pushes him away]
MC DUFFEY: Fighting is flipped over the STRANGERS back]
MRS. PORTERFIELD: Yall take that down the street and away from chere, now!
GEORGE: [Grabs the STRANGER and is thrown to the ground].
STRANGER: [Defends himself quit easily]
MC DUFFEY: [Pulls a knife out on the STRANGER] George, I think we got us a live one I told you we should have taken him down to the horse sheds.
GEORGE: Go ahead gut him quick.
MRS. PORTERFIELD: You boys listen up take that on down the street! I dont want that up here!
MCDUFFEY: [Circling the STRANGER, lunges at him]
STRANGER: [Blocking the hand with the knife, slaps MCDUFFEY in the face twice knocking him to the ground]
GEORGE: [Leaps on the STRAGERS back driving him to the ground]
MCDUFFEY: [Joins the fray by grabbing the stranger by the arms holding him securely, then stands up]
STRAGER: [Unable to break free, begins to squirm wildly in fear] What you doin? I aint done nothin? What you holdin me for? Help me somebody, help me!
GEORGE: [Punches the STRANGER in the stomach] You see, Mrs. Porterfield thats how come we are necessary to keep this kind under control. Now we got to take him down to the horse sheds. Lets go McDuffey.
STRANGER: [Squirming wildly to be free] No, not me dont take me down there! Please somebody help! Mrs. Porterfield, dont let them do this, Mrs. Porterfield, please!
MCDUFFEY: [Struggling with the STRANGER as he screams drags him off stage, stage right]
GEORGE: [Assisting, exits stage right]
MR. PORTERFIELD: [Unhappily] Theres nothin I can do for you now, boy. I told you to get.
SOUND: Screams are heard off stage.
LIGHTS: Dim.
PAUSE: To allow for restaging.
LIGHTS: Up
SCENE: Old Grocery store front, GEORGE, RILEY, GOFER sitting on front porch laughing; next day.
GEORGE: [Laughing] Did you get a good look on that boys face when Gofer put the leather to him.
RILEY: [Laughing] He looked so surprised hangin there didnt he.
GEOGE: Gofer said dance and I liked to died when he started to twitch and wiggle.
GOFER: Now when I put the leather to the hide of anythin itll dance.
RILEY: And could he scream sounded like a little girl, Gofer, you are one artist.
GOFER: I think I was born with a bull rope in my hand been practin with it since I was a child and can knock a flea off a mules ear with out it ever skippin a step.
RILEY: What about last night? What did you try to do special?
GOFER: Well Riley, I tried to cut through that thick hide of his and shape me out one of them flowers down by the lake. Mind you, it takes some skill.
GEORGE: I know, but he kept dancin all over the place for you to really get a chance to finish.
RILEY: Maybe next time, well tie his feet down too. [Laughter from the bunch]
MRS. PORTERFIELD: [Exits out of her store] What you boys goin on about?
GEORGE: Nothin Mrs. Porterfield, just a little regulator business.
MRS. PORTERFIELD: Well, if you aint buyin nothin you just takin up room on my front porch.
RILEY: Its Saturday, Mr. Porterfield, we just restin.
GOFER Besides, taint harvest time Mrs. Porterfield, when the crops come in well be in a better buyin mood.
RILEY: Till then we just restin.
MRS. PORTERFIELD: Till then you just watch how you crowd my front porch, I might have customers comin through.
RILEY: Yes Um, Mrs. Porterfield
MR. PORTERFIELD: [Looking at her pocket watch] Damn that McDuffey? He was suppose to fix my meal cabinets by now and I aint seen him. Where is he George?
GEORGE: I havent seen him since last night, but Im sure hell be by sometime today.
MR. PORTERFIELD: Well, I sure hope so, I can get Ty to do it for a much cheaper price, but I know how he needs the work.
GEORGE: Just give him a chance Mrs. Porterfield, Im sure hell be here.
MRS. PORTERFIELD: He best. I am a patient woman, but I cant wait for ever.
SHERIFF: [Enter stage right walking up to the group on the porch] Morning Mrs. Porterfield. Morning all.
MRS. PORTERFIELD: What brings you up here this time of day Sheriff?
SHERIFF: Im here investigatin a murder. A body was found hangin from an oak tree just outside of town on Sumpter Road.
GEORGE: Do tell.
SHERIFF: And I was thinkin that you boys might just know somethin about it.
RILEY: [With a smile] Who us, Sheriff?
SHERIFF: Yes, you Riley, and you Gofer, and you too George. But for the life of me I dont know why.
MRS. PORTERFIELD: You boys didnt kill that nigra boy yesterday did ya?
GOFER: That aint no never mind. When was it ever again the law to horse wipe a nigra right here in the great state of Mississippi?
GEORGE: If we done it and I aint sayin that we did, but if we done it what is that to you Sheriff seein how you are part of the Wilmont protection and enforcement regulators?
RILEY: Have you talked to Captn about this?
SHERIFF: Captn Micheals was the first person I went to see after visitin the crime scene and he told me to come and find you boys.
GEORGE: Why? Why would he send you to find us? You act like that was the first nigra ever found hangin in these parts.
SHERIFF: We didnt find no nigra.
RILEY: [Shocked] What did you say?
GEORGE: [Jumping up] Then what you up here botherin us for?
SHERIFF: That wasnt no nigra I found hangin from an oak tree, it was McDuffey.
MRS. PORTERFIELD: McDuffey who would want to kill McDuffey?
GEORGE: Down by Sumpter Road?
SHERIFF: Yep, right at the turn in the road where they heap trash and burn it.
RILEY: And you didnt see no nigra down there?
SHERIFF: Nope, only McDuffey.
GOFER: Somethin wrong, somethin really wrong here. George.
GEORGE: [Interrupting] Be quiet now, Ive got to have me some time to think.
MRS. PORTERFIELD: George? You killed McDuffey?
GEORGE: [Upset and shakened] NO! No. McDuffey was right with us all last night right up to me droppin him off at his house.
SHERIFF: Then you were the last one to see him?
GEORGE: No! I mean yes, we all saw him, he was with us last night for I dropped him at home. And when I did, he was all right. Aint that right Gofer?
GOFER: Thats right. George dropped me off first then took McDuffey right on home, now thats as far as I can tell.
GEORGE: What do you mean? As far as you can tell? I was with you and you were with me and we were all together last night, even McDuffey.
GOFER: All I know for sure was that you dropped me off and then took McDuffey on up the road I cant say nothin more than that.
GEORGE: What you tryin to say, I killed McDuffey!
MRS. PORTERFIELD: [Pulling the pair apart] I aint havin that up here so break it up.
SHERIFF: What was you boys up to down by Sumpter Road anyhow?
GOFER: Regulator business, like wes always do. George and McDuffey foundt them some uppity nigra yesterday and ask me along to watch.
GEORGE: Didnt nobody ask you along, you came all by yourself! Didnt he Riley?
RILEY: Id I didnt see anythin last night.
GEORGE: Riley, what you tryin to say?? You sayin I kilt McDuffey too??
SHERIFF: George aint no body sayin you kilt McDuffey, what I am sayin is it looks like you all may have had somethin to do with it and because of that I goin to have ta take you in for questionin.
GEORGE: Tell him, Mrs. Porterfield !!
SHERIFF: [Pulling GEORGE from the porch and placing handcuffs on him]
MRS. PORTERFIELD: I dont know anythin about it, but him and McDuffey did leave here with a boy late yesterday.
SHERIFF: I dont know of no nigra boy and Im not concerned about one right now. Im concerned about the badly beaten body of McDuffey. Now its strange Gofer that you dont know nothin about it, but he had bull whips marks all over his back. And you are the only one I know that can handle a bull rope.
GOFER: I aint kilt no white man last night, I aint kilt McDuffey!
SHERIFF: Aint said you did yet. Im takin George down because he was the last to see McDuffey alive, but now should he prove not to have done it, Ill be back to see you.
GEORGE: I aint kilted McDuffey! I tell ya, I aint kilted McDuffey!
SHERIFF & GEORGE: [Exit stage right]
MRS. PORTERFIELD: [Turning on RILEY and GOFER in anger] What did you boys do last night, and I dont want your lies, I want the truth!
RILEY: I aint did nothin, I was just there watchin. It was George, Gofer and McDuffey that did everythin.
GOFER: Now why would that scare you now Riley? You were as much a part of it as I was!
MRS. PORTERFIELD: I dont want to hear about your business, I want to know about McDuffey.
GOFER: I dont know nothin about McDuffey. He was fine when I left them in the truck and I went on home.
RILEY: I drove home by myself and I dont know nothin about anythin.
MRS. PORTERFIELD: Now that sounds like a sure bet.
BILLY RAY: [Enters stage right, running up to the porch] Hey! Mrs. Porterfield, Mrs. Porterfield did you hear the news?
MRS. PORTERFIELD: What is it Billy Ray?
BILLY RAY: [Trying to catch his breath] They foundt Mr. McDuffey down by Sumpter Road!
MRS. PORTERFIELD: Yeah, we just heard a minute ago, the Sheriff was just here.
BILLY RAY: I got to see the body and everything, and ran all the way here to tell you.
RILEY: Well, youre a little late.
BILLY RAY: Mrs. Porterfield, you should have seen it. Somebody shinned up the tall oak tree and hung Mrs. McDuffey out like a smoked ham. He had his hands tied behind and whip marks all over him.
GOFER: [Angered, but curious] Yeah, what else did you see?
BILLY RAY: And when they cut him down he had the weirdest thing on his back.
MRS. PORTERFIELD: What was it Billy Ray?
BILLY RAY: Mr. McDuffey had whip marks cut into him like a flower.
GOFER: [Frightened] No you did not! Tell the truth, you didnt see that did ya?!! [Jumping off the porch] Tell the truth! You didnt see no flower on his back did ya?!!
BILLY RAY: [Frightened] Mrs. Porterfield honest, I did!
MR. PORTERFIELD: What you gonna do Gofer kill him too?!! Let him go!
GOFER: I aint kilt no McDuffey! And I aint bull whipped no white man either!
RILEY: But Gofer, that sure sounds like
GOFER: [Interrupting] Sounds like nothin, hes lyin.
MRS. PORTERFIELD: You best gon home Billy Ray. I appreciate what you told me, but gon home now, ya hear.
BILLY RAY: [Backing away from GOFER, then exiting stage right]
Yea Um, Mrs. Porterfield.
GOFER: [Hollering at BILLY RAY] YEAH! You gon home ya little liar!
MRS. PORTERFIELD: Leave him alone, Gofer, he aint done nothin. He just tellin what he seen.
GOFER: Hes seen nothin. By his account, it was McDuffey that we horse whipped last night, and I tell ya it was it wasnt. I know the difference between a white man and a nigra and I know what I saw wasnt McDuffey.
RILEY: Gofer, Gofer!?
GOFER: [Pulling away from RILEY] Get off me Riley.
RILEY: [Pointing off stage right, forcing GOFER to look] Look Gofer look!
GOFER: [Looking stage right in shocked amazement]
STRANGER: [Enters, stage right slowly; stopping]
GOFER & RILEY: Begins to slowly climb back up on the porch frightened out of their wits]
STRANGER: [Slowly approaches mid stage]
MRS. PORTERFIELD: Boy, you stop right there.
STRANGER: [Stops mid stage]
MRS. PORTERFIELD: Now, what is it that you want?
STRANGER: Nothing, I am merely passing through.
MRS. PORTERFIELD: Then what do you want here?
STRANGER: Nothing, nothing at all.
RILEY: Then why dont you just get? Get on out of here.
MRS. PORTERFIELD: Yeah boy, you need to get.
GOFER: Hell no! He kilt McDuffey.
RILEY: But last night!
GOFER: [Interrupting] Last night didnt happen, dont you see! He kilt McDuffey. [Jumping off the porch and slowly approaching the STRANGER.] You kilt McDuffey didnt you boy?
STRANGER: I killed no one.
GOFER: Yeah you did. You kilt yourself a white man last night didnt you?
STRANGER: I killed no one.
GOFER: Yeah, you did.
RILEY: What you mean to do Gofer?
MRS. PORTERFIELD: Dont start this again. You know what happened yesterday.
GOFER: Yes, we do know what happened yesterday. This nigger kilt McDuffey and blamed it on George and me.
RILEY: But how did he do that Gofer?
GOFER: Riley dont ask me questions. Just come on and help me!
MRS. PORTERFIELD: Boy didnt I tell you to get!? Get out of here!
STRANGER: [Tries to move stage right but is blocked]
GOFER: What you tryin to do Mrs. Porterfield, let this killer go?
MRS. PORTERFIELD: What Im trying to do is stop another killin.
GOFER: This aint no killin this is pay back. Aint no nigger gonna kill no white man and get away with it. Aint that right, Riley!
RILEY: You right Gofer. What you want me to do?
GOFER: I want you ta get him when I say so.
MRS. PORTERFIELD: Riley, I thought you didnt have anythin to do with this?
RILEY: Im a real regulator now aint I Gofer?
GOFER: Yeah, a real one for sure.
RILEY: You want me to get him now Gofer?
GOFER: Yeah. Get him now!
RILEY and GOFER [tackle the STRANGER]
GOFER: [Holding the STRANGERS arms] Grab his feet! Get his feet before he breaks free!
STRANGER: [Squirms to break free]
MRS. PORTERFIELD: Gofer! Riley! Let that boy go!
STRANGER: Gofer! What you doin?! Mrs. Porterfield, Mrs. Porterfield! Help me!
GOFER: [Pulling the STRANGER off stage] Help me take him to the truck, Riley! I know what we gonna do with him.
MRS. PORTERFIELD: Gofer, dont do this again! Let the boy go! If you dont let him go, Ill call the Sheriff! I swear I will!
GOFER: Dont mind her, Riley; just keep your eyes on me. This away.
MR. PORTERFIELD: [Bounds back into his store angered and upset]
SOUND: Screams are heard off stage. Then three (3) rapid shots.
GOFER: [Enters stage right with gun in hand; hurries to the porch never looking behind him] Lets go Riley! Lets go!
MRS. PORTERFIELD: [Exits from her store, visible upset at GOFER]
Gofer, you best get out of here. Ive sent for the sheriff.
GOFER: [Catching his breath while taking a seat on the porch] Now why the hell would you want to go and do that?
MRS. PORTERFIELD: Because you have gone crazy and wont listen to anyone; goin around killin anythin and everbody.
GOFER: You knew all along what the regulators were all about and you sat here and said nothin now when Im out protectin your welfare, you turn on me!
MRS. PORTERFIELD: My welfare? You aint done nothin for me.
JAMES: [Enters, stage left]
MRS. PORTERFIELD: I aint never supported you in what ever you were doin.
GOFER: But you stood by and let it all happen.
MRS. PORTERFIELD: That dont mean I liked it. That dont mean I supported it. Im a widow with nothing but this store in this god forsaken state and if I had half I mind I would have left long time ago. Well, were is he?
GOFER: Riley?
MRS. PORTERFIELD: No, the colored boy you and Riley left with?
GOFER: [Placing his gun back into his belt] Him? We left him on down by the lake.
MRS. PORTERFIELD: James, gon down there and see if you can help him. If you have too brin him on back up here.
JAMES: [Hurries off stage, left] Yea Um.
GOFER: [Standing up quickly] Thats right, send you boy on down there to fetch him back. [TO JAMES] Youll find him on the east side of the lake near a fallen tree stump with three bullets in his head!
MR. PORTERFIELD: What did you say?
GOFER: [Dropping back into his seat] I shot him, what did you expect. He kilt a white man and I kilt him.
MRS. PORTERFIELD: Damn you Gofer! You are surely on you way to hell for all you have done.
GOFER: I dont understand why you are so upset. Tell me what happened between yesterday and today? Huh? Yesterday it was all right if I had kilt him, but today its not? So long as its done in the dark thats okay, but to see it in the daylight does that make the difference? Im no more headed to hell than you are. I am just as much a Christian as you are, all bound for glory.
MRS. PORTERFIELD: Then God forgive us all.
SHERIFF & CAPTN MICHEALS: [Enter stage right]
MR. PORTERFIELD: Glad you got here. I want you to get this trash off my front porch!
SHERIFF: Whats the problem, Mrs. Porterfield?
MR. PORTERFIELD: Gofer here just admitted to takin a nigra boy down to the lake and killin him.
CAPTN MICHEALS: [Climbing up on the porch] Is that true Gofer?
GOFER: [Standing uneasy] Sure its true, that was the same nigra that kilt McDuffey.
SHERIFF: Are you sure Gofer?
GOFER: [Getting down from the porch] Sure, I sure.
CAPTN MICHEALS: Who gave you the order to kill this colored boy?
GOFER: [Uncomfortable] Who needs orders. I was just doin my duty as a regulator.
SHERIFF: Or were you just protectin yourself, Gofer?
GOFER: Protectin myself from what? I aint done nothin wrong.
SHERIFF: From the murder of McDuffey last night.
CAPTN MICHEALS: The Sheriff here feels that you, George, and Riley killed McDuffey last night and blamed it on a nigra boy. Is that true Gofer?
GOFER: [Growing nervous] Naw Sir, its not true! Me, and George, and Riley, see we horsed whipped a uppity nigger boy last night.
CAPTN MICHEALS: The same one you took down to the lake?
GOFER: Yess, I mean no sir. See we thought we kilt him last night.
SHERIFF: Let me have your gun Gofer.
GOFER: You see, we kilt him last night but he didnt die.
SHERIFF: [Walking closer] I just need your gun Gofer.
GOFER: But you dont understand.
CAPTN MICHEALS: We understand Gofer. Just give him your gun.
GOFER: [Backing up] No Sir, you dont understand. I aint kilt no McDuffey and I aint horse whipped no white man.
MRS. PORTERFIELD: We believe ya Gofer. Just give the sheriff your gun.
GOFER: [Pulling the gun from his belt] Captn, I aint done nothin wrong.
SHERIFF: [With one out stretched hand and the other on his gun, he approaches the retreating GOFER] The gun Gofer, the gun.
JAMES: [Calling from off stage, then running on stage, right; right pass GOFER] Mrs. Porterfield! Mrs. Porterfield! You gotta come quick!
SHERIFF: [Approaches GOFER in the confusion disarming him]
MRS. PORTERFIELD: What is it James?
JAMES: Down by the lake, the lake.
CAPTN MICHEALS: What is it James?
JAMES: I saw
MRS. PORTERFIELD: Did you see the colored boy? Huh?
JAMES: Naw Mamr, . . .I saw Mr. Riley!
CAPTN MICHEALS: What was he doin?
JAMES: Tawerent doin nothin cause hes dead!
MRS. PORTERFIELD: How James?
JAMES: [Pointing at GOFER] Like he said, shot in the head three times.
SHERIFF: [Grabbing GOFER and putting on hand cuffs] Turn around Gofer. Youre under arrest for murder.
GOFER: [Beginning to howl] I tell ya, it was the nigra boy I shot! I swear I did!
CAPTN MICHEALS: Yeah Gofer, we believe ya.
SHERIFF: Well, you wont have to worry about that anymore.
CAPTN MICHEALS: Gofer, what in hell were you and George doin? Did you actually think that you could kill two men and get away with it? Huh?
GOFER: [Sobbing wildly] I tell ya the truth Captn I aint kilt no white man! I aint kilt no McDuffey, and I didnt kilt no Riley! But I tell ya
CAPTN MICHEALS: [Interrupting] Then tell me who did. and dont hand me no story about a nigra boy, just tell me it was an accident or somethin. You didnt mean for it to happen. Maybe, George lost control we all know how he loves to drink, but just stop tellin lies!
GOFER: [No answer, but sobs even greater as if his head was about to explode]
CAPTN MICHEALS: [Discussed, he turns and talks with the Sheriff]
I dont know what has happened, both he and George were good people, Why they would turn on one another is a mystery to me.
SHERIFF: Well, somethin happened. McDuffeys dead and now Riley. Somethin had to set them off. Can you watch Gofer here while I go down and see what I can find out with Riley?
CAPTN MICHEALS: Sure, but leave his gun with me for my protection.
SHERIFF: [Handing the gun to CAPTN MICHEALS] Dont shot him unless you have to. Ill call in and get some back up to take him off your hands as soon as possible, maybe fifteen to twenty minutes. [To JAMES] James catch your breath, but I need you to take me down by the lake to view the body, yea hear? [To MRS. PORTERFIELD] Mrs. Porterfield, I gonna need you to contact Doc. Gibbs for me and get him down here just as soon as possible. Dont let him put you off none, hes the closest thing we got to a coroner. Tell him I need him down at the lake to verify a killin. [To JAMES] Lets go James.
JAMES: [Still trying to catch his breath] Yeah Sir.
STRANGER: [Enters, stage right slowly]
STRANGER: [Slowly approaches the SHERIFF and JAMES]
SHERIFF: Boy. Hold it right there.
STRANGER: [Stops]
MRS. PORTERFIELD: Sheriff, thats the one I saw George and McDuffey, and the same one I saw Gofer and Riley with just a little while ago.
GOFER: Thats him I tell ya! Thats him! Hes the one that kilt McDuffey and had it blamed on George and me. And thats the same one that musta kilt Riley!
SHERIFF: Boy who are you?
STRANGER: I am a stranger.
CAPTN MICHEALS: What do you want?
STRANGER: Nothing, nothing at all. I was just passing through.
GOFER: You cant let him go! He kilt McDuffey!
SHERIFF: [Pulling his weapon] Put your hands up
STRANGER: Why? What have I done?
SHERIFF: Youre wanted in connection with the murder of a man in our town called McDuffey?
STRANGER: I didnt kill him.
CAPTN MICHEALS: Then tell us who did?!
STRANGER: It is not so much as who as to what.
MRS. PORTERFIELD: Then you know how these men died.
STRANGER: Yes.
SHERIFF: How do you know, if you didnt have anything to do with it?
STRANGER: I was there.
MRS. PORTERFIELD: What do you mean you were there?
STRANGER: I was there and I witnessed it all.
CAPTN MICHEALS: Then you saw who kilt them.
STRANGER: I saw what killed them. Who is just a reflection of what, and what is always the root cause that leads to who.
SHERIFF: Then tell us what kilt these men?
STRANGER: Hate. Hate killed these men. Along with ignorance, it consumed them until there was nothing left.
MRS. PORTERFIELD: Hate?
STRANGER: Yes, Hate for their fellowman. Hate out of ignorance, pride, and jealousy. Hate for an unjust cause. Simply hate.
GOFER: You kilt them!
STRANGER: No, hate killed them.
SHERIFF: You gonna come with me boy.
MRS. PORTERFIELD: Dont touch him Sheriff. There is something strange about him. If I were you Id let him go.
SHERIFF: Well, you aint me. Let go son.
CAPTN MICHEALS: Tell me first about McDuffey and Riley. I want to know how they were killed.
STRANGER: As I said hate. I am a stranger. But I can be anything that fills your heart.
GOFER: I can be envy.
CAPTN MICHEALS: I can be jelousy.
JAMES: I can be love and joy.
SHERIFF: I can also be happiness, peace and beauty.
GOFER: But I can also be hate.
STRANGER: When they looked upon me, they saw what they wanted to see. And what they wanted to see most was hate. That hate was reflected in their eyes and they saw what they wanted to see.
JAMES: George and Gofer saw in McDuffey hate.
CAPTN MICHEALS: Gofer saw hate in Riley.
MRS. PORTERFIELD: Now, what do you see in me?
SHERIFF: What are you?
GOFER: A wandering spirit. That moves from person to person.
STRANGER: I can be anyone, at any time, for any reason.
JAMES: I could be a friend, a foe,
MRS. PORTERFIELD: A relative, girlfriend, or wife.
STRANGER: But I am mostly what you want me to be. I am your reflection on mankind. Now, what do you see in me?
GOFER: Git em Sheriff! Git em and kill em!
SHERIFF: Shout up boy, you dont know what you are dealing with.
CAPTN MICHEALS: What do you want here?
STRANGER: Nothing,
MRS. PORTERFIELD: When will you be leaving?
STRANGER: Today. Tomorrow. Next week, or the week after. Or maybe Ill stay. [Exit stage]
CAPTN MICHEALS: There is nothing we can do.
MRS. PORTERFIELD: Yes, there is. You can stop hating one another, killin each other, because all you do is end up killin yourself; like McDuffey and Riley. They are dead because hate. Dont you see.
SHERIFF: Right now, I dont understand any of this. And since I cant arrest him then its you Gofer. You are still under arrest for the murder of Tom Riley and Ive got the gun and your confession to prove it. Lets go.
CAPTN MICHEALS: What are you going to do about him?
SHERIFF: Him who? Do you see him anybody? Anywhere? I dont and I cant arrest ghosts. [Exit stage]
CAPTN MICHEALS: Mrs. Poterfield, good day. [Exit stage]
MRS. PORTERFIELD: My god? Excuse me Lord. [Exit into store]
DOBBINS: [Exiting the store with MEADOWS cold drinks in hand] Since that day, we have been the friendliest community around. You never know when that spirit might show up again, or if it ever left. Folks around here scared to hate; especially white folk.
MEADOWS: Youve got to be kiddin.
DOBBINS: No that the spirit of Whiskey Lake. Its what you want it to be. If you are lookin for anything here you will find it. Grab you a sit and sit a spell, and let me tell you about the time I caught three fish on one hook.
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text:
Yes ofcourse, a Locksmith can do it, but it's going to get expensive. I'd think more along the lines of putting them in a locked closet, or buying some chain and some padlocks. One method that works on some of these lock types is to put the corner of a business card (or something thin like that with a tip) between the digits. Turn one digit until you feel it catch. Repeat the process for the other two digits. Once you have all three you may need to turn all three digits in the same direction one at a time until the lock opens. Good luck!
post #16 of 16
3/2/16 at 12:51am

subset: commoncrawl


text:
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Announcing the August 2012 Home Cooking Dish of the Month: Quinoa Salad
Link to Nomination Thread: http://chowhound.chow.com/topics/859431
Link to Voting Thread: http://chowhound.chow.com/topics/860346
So, now that it's nearly August in Australia, let's start cooking! The idea of Home Cooking Dish of the Month is to collectively cook as many versions of the dish as possible within the month of August, reporting back with details about recipes, and photos of the dishes we've cooked.
If you're looking for inspiration, a quick search for "quinoa salad" on CHOW is a great start...immediately turns up some recipes and some good Chowhound threads. See: http://www.chow.com/search?query=%22q...
Recipes for quinoa salad might come from the Internet, cookbooks, or could also be original inventions! Looking forward to seeing what people come up with, and trying some recipes of my own as well!
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text: Gimnaziu (Clasele V-VIII) Engleza 6 puncte Întrebarea anterioară Întrebarea următoare Complete the sentences with would rather or would prefer.Ex.I'd prefer to go swimming.I'd rather go swimming.1.Whick .....you.....to do?2.They .....go by train.3.We ....have a disco than a barbecue.4.She .....to sleep in the small room.5.Would you like to go out or ....you.....stay in?6.I.....to telephone her rather than write to her. 1 Cere detalii Urmăreşte Raportează abuzul! de nutzigramus200 23.04.2014 va rog sa ma ajutati 2. They would rather 3. We would rather4. She would prefer5. would you rather6. I would prefer Iti multumesc Cu placere! Conectează-te pentru a adăuga un comentariu


text:
I will provide my notes on Eben Pagan Connected(20)
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The Hangover
|                    Broken Videos will be fixed ASAP.
Release: 2009
Genre: Comedy
Director: Todd Phillips
Actors: Zach Galifianakis, Bradley Cooper, Justin Bartha
Synopsis: Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.


text: Just ran across this awhile back. Sitting at Burger King downloading stuff :tongue3: http://www.wordsearchbible.com/ The program is free. After you install it there is a listing of books for sale, but also a ton of free books. There is also a section of internet downloads that are free. The download area can be added to by anyone from what I've seen. I found out about the program - it was a free cd with some music software :tongue3: It came with some books as well. You might find the cd on ebay, haven't looked. It was part of a package of hymn and music software I picked up on ebay.


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Weekend Report #7 – Here Comes Dat Greninja Boi
Taking a look at the events of the Arizona Regional Championships. This article goes over the results, issues with the tournament operations, as well as Andrew's tournament report with Vespiquen/Flareon.
Weekend Report #5 – Night March takes US Nationals
A look into why Night March ended up being so good at US Nationals as well as the results of US Nationals as a whole. Additionally, a look into Andrew's 36th place finish at US Nationals with Night March/Vespiquen.
Weekend Report #4 – What Happened at Origins 2016
A look at the Win a Trip tournament at the Origins Game Convention. This was a State Championship level tournament played in the US Nationals format in Columbus, Ohio this past weekend. Included in the article is the Night March/Vespiquen deck that Andrew used for Top 8 in the tournament.
State Championships Recap – When Night March Ruled the World
Night March was the most dominant deck of this season's State Championship series. In this series we look at what the other best deck of the series were, the matchups among the top decks, and trends in the game.
How Night March Won Week 1 of States
A look into the dominance of Night March during week 1 of the 2016 State Championship series.
The Gravity of Sableye – How Week 3 of Winter Regionals Revolves Around Sableye
The latest Pokemon TCG set BREAKpoint will be legal for tournament play this weekend, meaning cards from the new set will be in decks at the Regional Championships played in Florida and Oregon this weekend. This of course also means that the Sableye, Puzzle of Time, Life Dew combo is now legal. Will Sableye be way too good? What can stop it?
It's Dark In My Heart – Why I Still Love Yveltal and You Should Too
A look at Yveltal EX in the Expanded format for City Championships. The article explains why Yveltal decks are still a strong play for Expanded as well as some brief tournament reports and deck lists for 2nd and 3rd place Yveltal decks from this past weekend.
Expanded Explorations #1 – Two Scoops of Pain Redux – Paralyzing the Competition with Vanilluxe
With Vileplume making its return in Ancient Origins, bench sitting Item lock is once again a thing opening up new attack strategies under the presence of an Item lock. That means in the Expanded format VVV (Vanilluxe/Vileplume/Victini) can make its return so be ready for two scoops of pain coming to a tournament near you.
You Will Miss Me When I'm Gone – Winners and Losers of the Trump Card Ban
Pokemon shook up the meta game last week when they banned Lysandre's Trump Card from tournament play. Check out this article to see who won and who loss as a result of the ban.
State Championship Analysis – Tier Lists, the Variation of Seismitoad, and the Diversification of the Format
State Championships have concluded and the results are in, but what do they all mean? Check out this article to try to clear the fog that a very diverse format has cast upon us.


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Sort of. FX knows you loved Sons of Anarchy. Though it wrapped to record ratings in 2014, there are signs of life. That life lies with the Mayans.
Sons of Anarchy creator Kurt Sutter is being tapped by FX to develop a potential spinoff to the biker drama. Yeah, let's go ahead and replace potential with definite. Sons of Anarchy gained viewership in each of its seven seasons. It still ranks as FX's most-watched program.
The Mayans spinoff will happen. It's just a question of when.
Before you start searching frantically to DVR the show, it's still early. What we know is that it will focus on the Mayans Motorcycle Club. Fans will remember they played an integral role in the original, and it's a logical choice for FX.
And who doesn't love Emilio Rivera? He led the Oakland chapter of the Mayans, who were a rival California biker club in the heroin distribution center. As the show progressed, the Mayans in Oakland went from adversaries of SAMCRO to a quasi-working relationship.
The working relationship extended to both business partnerships and battles over turf.
Sutter and FX
With two consecutive crime-based dramas on FX – The Shield and Sons – Kurt Sutter was burned out with the genre. He's helming the upcoming The Bastard Executioner in which he serves as a the creator, writer, producer, director and actor.
He's a bit tied up considering his character in the medieval drama, a Dark Mute, has him in the makeup chair for three hours to get the prosthetics applied. Sutter took the dedication to his craft to a different level.
What does it mean for a Sons spinoff? FX is going to have to find someone to help carry the load. Sutter and his team, in conjunction with FX Productions, is looking to find a writer to help spearhead the spinoff.
The Bastard Executioner
The news is great for Sons of Anarchy fans, but you'll need patience. The Bastard Executioner, a 14th century period drama about an executioner, is set to premiere on September 15.
Here's the an extended trailer for the show:
Six episodes? Damn you FX for that small of an order. Don't do that to me. If it continues Kurt Sutter's run of fortune at FX, expect this one to earn additional seasons.
Here's the synopsis from the network:
The Bastard Executioner is a blood-soaked, medieval epic that tells the story of Wilkin Brattle, a 14th century warrior, whose life is forever changed when a divine messenger beseeches him to lay down his sword and lead the life of another man: a journeyman executioner. Set in northern Wales during a time rife with rebellion and political upheaval, Wilkin must walk a tightrope between protecting his true identity while also serving a mysterious destiny.
Guided by Annora, a mystical healer whose seeming omniscience keeps Wilkin under her sway; manipulated by Milus Corbett, a devious Chamberlain with grand political aspirations; and driven by a deepening connection with the Baroness Lady Love, Wilkin struggles to navigate political, emotional and supernal pitfalls in his quest to understand his greater purpose.
It's FX and Sutter. That's all you needed to say for me to have my DVR locked and ready. Having it set in the 14th century is my history nerd bonus.
Tell me what you think in the comments below. Are you psyched for a Sons spinoff? What about The Bastard Executioner? A solid cast, the pedigree of Sutter and company, it's period-based and on FX has me looking forward to September 15.
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This post may contain affiliate links, which means we receive a commission if you make a purchase using one of the affiliated links.


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Job enrichment is generally defined as the vertical expansion of a job. It implies increasing the motivation level of an employee by improving the scope of the job by increasing the responsibility, autonomy and control in execution of the job.
Job enrichment involves increasing the decision-making authority of the employee making the individual more involved with more meaningful tasks on the job challenging his/her skills. Job enrichment is also known as job enhancement.
Job enrichment helps not only in adding to the motivation of the employee but helps the organization achieve its objectives more efficiently in the long run by more effective utilization of its employees.
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Feel free to talk about anything and everything in this board.
- 2,874
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Last post ago over 6 years by MommyMachine
- Started by
- ishin
- last active 6 months ago
Readers of this topic also read:
- Smart
by Shel Silverstein
My dad gave me one dollar bill
'Cause I'm his smartest son,
And I swapped it for two shiny quarters
'Cause two is more than one!
And then i took the quarters
And traded them to Lou
For three dimes - i guess he don't know
that three is more than two!
Just them, along came old blind Bates
And just 'cause he can't see
He gave me four nickels for my three dimes,
And four is more than three!
And i took the nickels to Hiram Coombs
Down at the seed-feed store,
and the fool gave me five pennies for them,
And five is more than four!
And then i went and showed my dad,
and he got red in the cheeks
And closed his eyes and shook his head-
Too proud of me to speak!
Sarah Cythia Sylvia Stout Would Not Take The Garbage Out:
- Replied by
- MommyMachine
- at June 18, 2010, 20:13:16
- last active 5 months ago
Shel Silverstein, 1974
Sarah Cynthia Sylvia Stout
Would not take the garbage out!
She'd scour the pots and scrape the pans,
Candy the yams and spice the hams,
And though her daddy would scream and shout,
She simply would not take the garbage out.
And so it piled up to the ceilings:
Coffee grounds, potato peelings,
Brown bananas, rotten peas,
Chunks of sour cottage cheese.
It filled the can, it covered the floor,
It cracked the window and blocked the door
With bacon rinds and chicken bones,
Drippy ends of ice cream cones,
Prune pits, peach pits, orange peel,
Gloppy glumps of cold oatmeal,
Pizza crusts and withered greens,
Soggy beans and tangerines,
Crusts of black burned buttered toast,
Gristly bits of beefy roasts. . .
The garbage rolled on down the hall,
It raised the roof, it broke the wall. . .
Greasy napkins, cookie crumbs,
Globs of gooey bubble gum,
Cellophane from green baloney,
Rubbery blubbery macaroni,
Peanut butter, caked and dry,
Curdled milk and crusts of pie,
Moldy melons, dried-up mustard,
Eggshells mixed with lemon custard,
Cold french fried and rancid meat,
Yellow lumps of Cream of Wheat.
At last the garbage reached so high
That it finally touched the sky.
And all the neighbors moved away,
And none of her friends would come to play.
And finally Sarah Cynthia Stout said,
"OK, I'll take the garbage out!"
But then, of course, it was too late. . .
The garbage reached across the state,
From New York to the Golden Gate.
And there, in the garbage she did hate,
Poor Sarah met an awful fate,
That I cannot now relate
Because the hour is much too late.
But children, remember Sarah Stout
And always take the garbage out!
jakoman wrote:
- Replied by
- ishin
- at June 20, 2010, 03:42:39
- last active 6 months ago
My favorite was allways
Sarah Synthia Sylvia Stout Would Not Take The Garbage Out
One of my favorites, especially on Saturdays, is SICK
"I cannot go to school today,"
Said little Peggy Ann McKay,
"I have the measles and the mumps,
A gash, a rash, and purple bumps.
My mouth is wet, my throat is dry,
I'm going blind in my right eye.
My tonsils are as big as rocks,
I've counted sixteen chicken pox
And there's one more--that's seventeen,
And don't you think my face looks green?
My leg is cut, my eyes are blue--
It might be instamatic flu.
I cough and sneeze and gasp and choke,
I'm sure that my left leg is broke--
My hip hurts when I move my chin,
My belly button's caving in,
My back is wrenched, my ankle's sprained,
My 'pendix pains each time it rains.
My nose is cold, my toes are numb,
I have a sliver in my thumb.
My neck is stiff, my voice is weak,
I hardly whisper when I speak.
My tongue is filling up my mouth,
I think my hair is falling out.
My elbow's bent, my spine ain't straight,
My temperature is one-o-eight.
My brain is shrunk, I cannot hear,
There is a hole inside my ear.
I have a hangnail, and my heart is--what?
What's that? What's that you say?
You say today is---Saturday?
G'bye, I'm going out to play!"
~Shel Silverstein~
- Where the Sidewalk Ends:
Shel Silverstein
There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.
Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.
Yes we'll walk with a walk that is measured and slow,
And we'll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.
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bored Yonkers mom to be
Im 36 weeks and ready to have my little one. I'm bored at home playing this waiting game. Are their any local moms to be that want to meet up. Maybe movies or out to eat. My email is email@example.com
bored Yonkers mom to be
I am in Irvington. I have two kids though so getting out alone is not always possible.


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Trip Planner: South Pacific / Niue / Alofi / Sightseeing / Hikulagi Sculpture Park
Highlighting global environmental concerns, Hikulagi Sculpture Park showcases a variety of artwork from local and international artists that highlight the ideas of pollution, climate change, and human co-existence. The park is located within a natural rainforest, with visitors encouraged to interact and even contribute to the sculptures. The pieces are primarily made of recycled and discarded objects, showing how one man's trash can be used as an artistic medium. Although small, the park promotes a concept with international relevance. Make Hikulagi Sculpture Park part of your personalized Alofi itinerary using our Alofi family vacation planner.
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Andrei S
Прогуливались по парку чуть ли не каждый день, здесь цветочные скульптуры, экзотические деревья. Природа необыкновенная!Strolling through the Park almost every day, here the floral sculptures, exotic trees. Nature is extraordinary!View original
Sculpture designed with unwanted items, make sure that you go prepared to add your own item. Given the idea behind its inception it is worthy of a visit.
yeah, some of it just looked like a pile of garbage and junk attached to a frame. dunno if this would rate as sculpture, in my eyes, but I suppose there are hippies out there who would say its provoca... more »
Best things to do in Alofi
Hikulagi Sculpture Park
Visit for: 2h
Dolphin & Whale Watching
Visit for: 4h
Utuko Beach
Visit for: 3h
Talava Arches
Visit for: 2h 30min
Avaiki Cave
Visit for: 2h 30min
Palaha Cave
Visit for: 2h 30min
Kid Friendly Attractions
Omahi Beach
Visit for: 3h
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BMES is accepting Applications for Fellowship.
The nomination criteria to be considered for Fellow Nomination are:
1. A minimum of 3 consecutive years as a BMES Member-level member immediately prior to nomination.
2. 5 or more years active participation as biomedical engineer in the private or public sectors.
Note: The five years active participation does not require continuous active participation.
3. A demonstrable record of exceptional achievement and accomplishment in a specific field of interest within biomedical engineering. The achievement and accomplishments can be in research, education, industry, public service, new technology or clinical practice. Individuals making nomination recommendations would be expected to propose a citation summarizing these points in a statement of 30 words or less.
4. Letters of recommendation are not required but may be submitted (max 3).
Complete the Fellow Nomination Application. Submit the application along with a CV (max 10 pages) and letters of support (if any) to BMES Membership Director, Lisa Prandy at email@example.com.
To be considered for Fellowship with BMES, your completed application packet must be received no later than COB on 5/15/2017. Dates for 2017 submission will be posted next year. Ineligible or incomplete packets will not be reviewed. For more information, please contact BMES Membership Director, Lisa Prandy at firstname.lastname@example.com.
2012 - 2017 © Biomedical Engineering Society
8201 Corporate Drive, Suite 1125, | Landover, MD 20785-2224 | TEL: 301-459-1999, 877-871-2637, FAX: 301-459-2444 | Advertise With Us


text: $800,000 25 acres 542 CASTLE DR, Stillwater, NY 12170 - Saratoga County 25 acres Stillwater, NY Approved PUD for 51 condos/town homes/apartments. Town approvals needed for apartments. On a hill with possible views. A quiet, peaceful country setting adjacent to a town park and nearby stream/waterfall. Minutes to Global Foundries and next to family new home community. Near Price Chopper for shopping and Hudson River an Saratoga Lake for recreation.


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Service Dog Jumps in Front of Bus to Save Owner! OMG!
Dogs are known for their loyalty, but this service dog went above and beyond to save his owner from an oncoming bus.
Audrey Stone, 62 and legally blind, and her service dog, Figo, were crossing a street in Brewster when Figo noticed a mini bus coming toward them. Figo moved to place himself between the bus and Audrey to protect her. Both were struck and injured by the bus, but even though Figo had sustained a severe leg injury, he wouldn't leave Audrey's side.
See What The Brewster Police Chief Said When He Saw The Loyalty! PS. It's Going To Melt Your Heart!


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Situated in Marina di Massa, Residence Stella offers a sun terrace with free hot tub. Guests can make free use of bikes, free WiFi access and free on-site parking.
Each unit is air conditioned and features a kitchenette , dining area, and a flat-screen TV. The private bathroom includes a shower and free toiletries.
Lucca is 38 km from Residence Stella, while Viareggio is 20 km from the property. The nearest airport is Galileo Galilei Airport, 42 km from Residence Stella....
|Via Padova 4
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La Aplicación Del Convenio De Nueva York De 1958 Por Parte De Los Tribunales Españoles (The Application of the New York Convention of 1958 on Recognition and Enforcement of Foreign Arbitration Awards by Spanish Courts)
Carlos Esplugues Sr.
University of Valencia - Faculty of Law
July 1, 2009
Published at: Soto Coaguila, C.A. (Dir), Arbitraje Comercial y Arbitraje de Inversión. Convención de Nueva York de 1958. Reconocimento y Ejecución de Sentencias Arbitrales Extranjeras, Lima, Insituto Peruano de Arbitraje/Manga Ediciones, pp. 291-335, 2009
The New York Convention of 1958 on the recognition of foreign arbitration awards is one of the most successful existing Conventions. The great number of countries which are parties to it and its universal scope endorse its success. Though the New York Convention receives a broad application in the world some differences exist in the several jurisdictions as to its practical implementation and interpretation. This article studies the way the Convention is applied by Spanish Courts. All existing Spanish case-law as regards the interpretation of the Convention is studied in depth. The article shows that although the Conventions receives an usual smooth implementation in Spain some risks exist and some misunderstandings remain as regards its application regarding the recognition of foreign arbitration awards in Spain.
Number of Pages in PDF File: 44
Keywords: New York Convention of 1958 and Spain, international commercial arbitration, international arbitration awards, recognition and enforcement of foreign arbitration awards
JEL Classification: K41, K49
Date posted: July 1, 2012
Suggested Citation
Contact Information


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Heritage Landing Apartments
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The Templating Effect and Photochemistry of Viologens in Halometalate Hybrid Crystals (Eur. J. Inorg. Chem. 1/2013)
As the walls of the Angers' castle (France) connect the towers, the methylviologen dications stabilise the rare halobismuthate or haloantimonate anionic chains of trans-connected octahedra. The chains are polar as highlighted by the flags at the top of the towers, which leads to a new fascinating family of ferroelectrics. In the moats, in the shadow of the castle, the clumps of crystals of halometalate viologen salts are yellow, but become black as soon as the sun appears, as a consequence of a photoinduced electron-transfer process that occurs in the presence of viologen radicals. Details are discussed in the Microreview by N. Mercier on p. 19 ff.


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F. PAUL WILSON is an award-winning, NY Times bestselling novelist whose work spans horror, adventure, medical thrillers, science fiction, young adult, and virtually everything between. He is best known as the author of THE KEEP and creator of the urban mercenary Repairman Jack.
JACK KILBORN is a pen name of J.A. Konrath, who has written six Jack Daniels thrillers. The seventh, SHAKEN, will be available this October. Kilborn is the author of AFRAID, ENDURANCE, TRAPPED, and SERIAL UNCUT, (written with Blake Crouch) which has been downloaded more than 250,000 times.
JEFF STRAND is the Bram Stoker Award-nominated author of such novels as PRESSURE, DWELLER, GRAVEROBBERS WANTED (NO EXPERIENCE NECESSARY), BENJAMIN'S PARASITE, and THE SINISTER MR. CORPSE. His secret shame is SUCKERS, co-written with J.A. Konrath.
BLAKE CROUCH is the author of four thrillers, DESERT PLACES, LOCKED DOORS, ABANDON, and SNOWBOUND, all published by St. Martin's Press. His short fiction has appeared in Ellery Queen, THRILLER 2, and other anthologies.


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Robin UNIT 7 & 8 UNIT 78,Statesville NC, 28677
Status: Active
Berkshire Hathaway HomeServices Carolinas Realty
(888) 778-2276
Last Updated: 2/24/2017 12:44 PM
Description for Robin UNIT 7 & 8 Statesville, NC 28677
Excellent wooded building close to Third Creek Elementary School. 2 Lots being sold as one. Lots 7 & 8 in Glen Echo subdivision.
Listing Information
Glen Echo
School Information
Room Information
Exterior / Lot Features
Inside AccessTM
Current market conditions for Robin UNIT 7 & 8
Active Market Trends
Source:MLS DATA
Median list price$178,990
Days on market131
Properties for sale255
Sold Market Trends
Source:MLS DATA
Median sold price$145,000
Sales to list price9,664.0%
Properties sold205
Median sq ft price$79
Arrows indicate 90 day trend
Listing Price History for Robin UNIT 7 & 8
Statesville Real Estate
Statesville is located in North Carolina. Statesville, North Carolina 28677 has a population of 24,803.
The median household income in Statesville, North Carolina 28677 is $33,998. The median household income for the surrounding county is $50,058 compared to the national median of $53,046. The median age of people living in Statesville 28677 is 38 years.
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NET Sports traveled to Indianola, NE to meet Kenzie May - a high-school volleyball & track star who was born with one arm. Kenzie has overcome many obstacles & has proven to be a stellar athlete. During the Fall of 2014 Kenzie will attend Chadron State on a track scholarship & will also play volleyball.
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Reviews - The Coppice Apartment
Coppice, Lowerdown, Bovey Tracey , TQ13 9LF
Customer Reviews
Our reviews are from genuine LateRooms.com customers. We verify that the customer has stayed before leaving a review.
100% would recommend it to a friend
Customer service
Room quality
Coppice Apartment.
Lovely apartment ideally located for our walks around Dartmoor.
Clean, well presented and well equipped. We had a wonderful time here.
Read More Less
A super place to stay.
The apartment is clean, light and comfortable, well equipped and warm.
It is situated in the perfect spot for exploring Dartmoor and for the Devon beaches. We originally booked for 2 people but needed to add the Z beds for an extra couple and this was accommodated without any fuss or problem. Very good value, highly recommended.
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2nd visit
We find this location ideal for Dartmoor, the accommodation is excellent/private and clean - we will visit again and again!
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text: Seller: rrisner (1,812) 99.7%, Location: Lancaster, Pennsylvania, Ships to: US & many other countries, Item: 272451337108 Here are two architectural fence pieces. They are gold toned and I think cast iron. Fleur de Lis pattern. Use for whatever project you want. Neat items. About 10 1-2" high X 8" X 4" wide. Thanks. Color: Gold, Material: Gold


text:
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Intended mostly for children, this attraction park has chamber of horrors and rope town
Whirligig — 200 rub.
Route at "Panda-Park" for children — 150 rub., the highest route — 300 rub.
There is a standard set of children carousels, shooting gallery, zorbs, boats, mountaineering hill, trampolines of different difficulty levels as well as "Crazy Dance" attraction with cabins dancing in all planes and a chamber of horrors with noisy carts — every chamber that wants to deserve this name must have them.
On a way to amusement site there is a "Panda-Park" — complex system of rope paths which were hanged 6 meters above ground on the trees. All activities here are under constant surveillance of experienced alpinists.
Management of park decided to remove all big and noisy attractions and left only carousels for children. Soon mini-zoo, tennis courts, cinema, sport ground and arbors will be built in Sokolniki.
1.5 km15
8 km159
One of the oldest parks in Moscow which was founded in 1706 by Peter I
5 km38
Pleasant quite park to take a walk in
5 km43
A pond and a little park on Chistoprudny boulevard
6 km69
6 km97
6 km31
2 km3
An attraction park with the biggest Ferris wheel in Europe
2 km2
7 km1
5 km6
The largest forest park of Moscow
7 km20
6 km3
6 km1
A family park with safe attractions
2.5 km1
A little square in the center of Moscow
7 km11
A park in a former monarch`s estate
6 km12
It is considered to be the first formal park in Russia that was built in 1703
6 km7
6 km
The biggest attraction park of the city
4 km5
5 km4
7 km


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A/C not working
I have replaced the ac switch in dash and still have nothing can anyone let me know what
else to do to get this working. It worked when I got the car also only have speed 3 &4 on the
switch what gives
2 Answers
probley a bad low pressure switch,or low on R134,as for the fan speed the fan regulator is going bad.
I know exactly what your problem is. I had the same problem and it took me 3 years to figure it out. Ford wiring diagram is wrong. Replace your blower resistor and it will take care of your problem. It is located under the glove boxby the blower. Two screws to remove it. pull it out and see that one of the coils (springs) is broken or has an open circuit. If you check on ebay you will see some for sale for about 80 to 100 bucks. I went to a junk yard and pulled one out myself for $5 bucks and 5 years later my A/C is still working. Acctually I pulled two ( I have one in reserve in case I need it again in the future)
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