text: Seller: charlotterosehome (523) 99%, Location: Lincoln, Lincolnshire, Ships to: GB, Item: 401228011683 Victorian/Antique Housekeepers/Larder Cupboard or Toy Cupboard This is a lovely cupboard which has been restored to its former glory It has 4 shelves and two sliding doors with reverse cup handles The pine has been waxed to a lovely finish and the doors have been painted in blackboard paint Great for the kitchen/dining room for storing food and jars or for the bathroom/bedroom to store towels and bedding Also great for a play room - hide all those toys and books and they can chalk lovely pictures on the doors As with any antique furniture there are signs of age such as small scratches, knocks, dents, old woodworm holes, and even minor repairs. Our antique furniture has that all important rustic feel but it is solid and ready for use The bottom shelf has been repaired This only adds to the cupboards charm and reflects its age Overall dimensions are height 139cmcm x width 130cm x depth 32cm We do our very best to photograph and show every feature we can, providing as detailed and accurate a description as possible. Please read the descriptions and study the images carefully. We cannot guarantee that every single flaw will be mentioned, though we will do our utmost. Remember these are old pieces and, in our opinion, in very good condition yet this may still mean there is some slight wear. These are all used, vintage pieces, so please do be reasonable. Please take a look at the photographs Does not include any of the other items in the photograph If you wish to view, before purchasing, the item can be viewed at Hemswell Antique Centre, Building Three Please ring for exact details 01522 589073 or 07402667778 Delivery is available for most of mainland UK (sorry does not include Highlands and Islands) Please contact us BEFORE YOU PURCHASE with your postcode for more details and price (you maybe surprised). CAN ALSO BE COLLECTED FROM HEMSWELL ANTIQUES CENTRE WHERE WE HAVE OUR SHOPS RING FOR DETAILS Any questions please get in touch email@example.com www.charlotteroseinteriorsuk.com Delivery Charges For deliveries within a 50 mile radius of Lincoln we can deliver, most items, personally at a cost of between20 - 50 pounds depending on your post code. You can, of course, collect from our Hemswell shops at the Hemswell Antique Centre, Building 3. You can arrange your own courier - though we will not accept any responsibility for the condition of the item once it has left our premises. As a rough guide, for the majority of places in England, delivery charges are between 50 - 100 pounds again depending on your post code. For more remote areas of England, Scotland and Wales delivery can be more expensive. For our mid century furniture we are careful to use only couriers who specialize in furniture deliveries and not larger courier firms. On items which require delivery we take payment for the goods only, and request that you make paymentdirectly to the courier for the delivery. The courier will communicate directly with yourselves once the goods have left our premises. How long will it take for my furniture to be delivered once it has been arranged and paid for:- Normally within one or two weeks, depending on your postcode, much less for something more local to us. Do contact us for a more exact idea.We appreciate you would like to receive it sooner, but it is worth understanding why it takes this amount of time. Furniture delivery isn't like parcel deliveries that can be so rapid - or unfortunately so cheap! We are careful to use only couriers who specialize in furniture delivery - and most importantly who we trust to give a first class service, caring for the furniture until it's safely in your home. Our selected handful of couriers schedule deliveries to different areas of the country, so we hope you will understand why for instance Cornwall deliveries might only be once every three weeks. We want you to be happy with your purchase, in the unlikely event there is a problem, please get in touch immediately so we may resolve the issue. Thank you for your interest - please take a look at our other items on Ebay Condition: A lovely Victorian larder cupboard in good overall condition for its age. See photographs, Product Type: Victorian Cupboard, Original/Reproduction: Original, Style: Country, Material: Pine, Age: 1800-1899


text:
Vin Vie is a modern Izakaya tucked away inconspicuously in the heart of Beijing's Embassy district. It's earned a reputation as the watering hole for Japanese embassy workers, and for good reason.
If you can find this place (hint: there's a sex shop across the street) you'll be duly rewarded. Don't let the clean, modern interior fool you, Vin Vie is a bonafide Japanese bar food haven. In an atmosphere that's perfectly balanced between "lively" and "rowdy", you'll be perfectly content to gorge yourself on yakitori skewers, and to wash them down with a glass or two (or three) of beer or sparkling wine. Let's not kid ourselves, that's what you're there for, isn't it?
Don't fret if you struggle with the hilariously translated English menu. Between "My Sausage!!" and "I'm a pride of French toast", Vin Vie's staff are friendly to a fault, and will do everything in their power to make you feel right at home in the midst of the controlled chaos.
Sit back, relax, and take your time with this one. Nobody's in a rush at Vin Vie, and that's just the way we like it.
- Price$ $
- Call+86 10 6508 5517
- HoursMon – Sat: 6:00pm – 12:00am
- TypeRestaurant
- SpecialtyJapanese

subset: commoncrawl


text:
created by Kydos
An XBLA indie game that has the player moving a soul out of a hospital.
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Discover a lot in Player.me and start growing your gaming network.
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text:
By Alan Levin, USA TODAY
Airlines are girding for more delays at New York City's John F. Kennedy International starting March 1 when the already-congestion-plagued airport shuts down one of its four runways for construction.
The Federal Aviation Administration is forecasting delays equivalent to those seen during the clogged height of summer. The impact for the rest of the country is uncertain, but flight delays in New York can potentially ripple across the air-traffic system.
The longest of JFK's runways — a 14,572-foot strip of asphalt so long it serves as a backup landing site for the space shuttle — will be closed until July 1, according to the Port Authority of New York and New Jersey.
FLIGHT TRACKER: Find a flight in the air or on the ground
It will be resurfaced in tougher concrete, taxiways will be reconstructed, and new lighting will be installed, said Susan Baer, aviation director for the Port Authority. The improvements should help reduce some delays at JFK in the future, she said.
Meanwhile, major airlines are cutting flights and building extra time into their schedules, said JetBlue Chief Operating Officer Robert Maruster. The FAA will use new procedures to keep flights moving, said Michael Sammartino, the agency's director of system operations for air traffic.
"Everyone is concerned," Sammartino said. "Nobody is thinking this is going to be a cakewalk, but the preparedness has gone into it to allow for the best service for the customers."
Airline delays have fallen significantly in the past year, but New York's airports are still among the nation's most congested. Last August, JFK had the nation's third-worst record for delays, according to the federal Bureau of Transportation Statistics. About 30% of flights arrived late, and 26% were late departing.
Air-traffic controllers worry that the runway closure could trigger even worse delays. Controller Stephen Abraham said guiding planes on the airport's complex network of taxiways will be far more difficult after the closure.
"We're going to be doing things that we've never done before," said Abraham, chief of the National Air Traffic Controllers Association at JFK's tower.
Guidelines: You share in the USA TODAY community, so please keep your comments smart and civil. Don't attack other readers personally, and keep your language decent. Use the "Report Abuse" button to make a difference. Read more.


text:
Starting in 2004, NASA's Mars Exploration Rover mission sent two unmanned robotic probes, Spirit and Opportunity, crawling across the Red Planet's surface. The six-wheeled vehicles found strong evidence of past flowing water, including apparent ancient lakeshore deposits.
Their mission was designed to last 90 days. However, both probes vastly exceeded their predicted lifetimes and in 2009, though showing signs of age, they were still responding to mission control's commands.
Photo: Artist's impression of Spirit on the surface of Mars (NASA)
Two hardy robotic vehicles crawl across Mars.
Sir Patrick Moore and Chris Lintott discuss the Mars rovers.
Sir Patrick Moore and his co-presenter Dr Chris Lintott discuss the Mars rovers, Spirit and Opportunity. At the time they spoke, Opportunity had just reached Victoria crater and had been photographed from orbit by the Mars Reconnaissance Orbiter.
NASA's Mars Exploration Rover (MER) mission is an ongoing robotic space mission involving two Mars rovers, Spirit and Opportunity, exploring the planet Mars. It began in 2003 with the sending of the two rovers: MER-A Spirit and MER-B Opportunity—to explore the Martian surface and geology. Both rovers outlived their planned missions of 90 Martian solar days by far. MER-A Spirit was active until 2010. MER-B Opportunity is still active. The success of the two MERs led to another mission, sending a bigger rover Curiosity in 2012.
This entry is from Wikipedia, the user-contributed encyclopedia. If you find the content in the 'About' section factually incorrect, defamatory or highly offensive you can edit this article at Wikipedia.


text:
Free personalized radio that
plays the music you love
Some May Know
Features of This Trackhardcore rap influence
west coast rap roots
gangsta rap attitude
four-on-the-floor beats
danceable beats
straight beats
consistent rhyme patterns
clear pronunciation
street talkin' lyrics
violent lyrics
explicit lyrics
a bumpin' kick sound
a slow moving bass line
subtle use of pianos
light percussion fills
the heavy use of funk samples
subtle use of turntables
mellow piano timbre
a dry recording sound
These are just a few of the hundreds of attributes cataloged for this track by the Music Genome Project.show more
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text:
Cambric Tea
27 Nov 2010
|1 Teaspoon
|1 Dash
|Boiling water
|1 Cup (16 tbs)
Measure cream, sugar and salt into teacup.
Add water.
Serve hot.
This is a soothing beverage to drink when weary or feeling slightly indisposed.
Rate It
Nutrition Rank
Nutrition Facts
Serving size: Complete recipe
Calories 19 Calories from Fat 0
% Daily Value*
Total Fat 0 g
Saturated Fat 0 g
Trans Fat 0 g
Cholesterol 0 mg
Sodium 133.3 mg5.6%
Total Carbohydrates 5 g1.7%
Dietary Fiber 0 g
Sugars 5 g
Protein 0 g
Vitamin A Vitamin C
Calcium 0.7% Iron 0.01%
*Based on a 2000 Calorie diet
Cambric Tea Recipe


text:
Apollo Nida has reported to prison to serve his eight-year sentence but rumor has it, he didn't go peacefully.
According to TMZ, the RHOA star missed his scheduled check-in time on Wednesday and opted to head to Phaedra Parks' house for a final fight before heading to the big house.
Sources tell the website that Apollo was livid at his wife for refusing to put money on his books and declaring she wouldn't be bringing his sons for any visits during his long stint.
They also claim that he stomped through the house demanding property and throwing things into a bag before storming out after a loud shouting match.
They also say "Real Housewives of Atlanta" cameras were rolling so we may see the fight on the small screen if it really went down.
Apollo sent some kind messages out to fans and thanked them for their support.
I would like to say thanks 4 everyone's support & thanks 4 holding me in prayer I've arrived 2 my destination and I'm going asunder
— APOLLO NIDA RHOA (@apollonida03) September 11, 2014
Peter Thomas also sent some words of encouragement to his co-star via social media.
My homeboy @apollonida03 is about to leave us for a min, I need him to know that everyone don't always… http://t.co/G8PXgCW2D4
— Peter Thomas (@PeterThomasRHOA) September 10, 2014
Photo: Splash News


text:
The Editors is a boutique company specialising in the craft of editing and finishing, servicing the advertising, film, and music industries. We are on the look out for a full time runner to join our eclectic family.
As a small, but high end company, the runner position is the perfect foot in the door role for an energetic, confident and self-motivated person, looking for their first start in the industry. Our clients are Australia's best production companies and agencies, with the Runner position being a vital part of the company, supporting production to guide projects smoothly through the facility and maintaining the relaxed atmosphere our company is known for. This role has huge potential for career growth for committed candidates.
You will be working with the production team to provide first class client service to our clients which includes but is not limited to:
** Preparing edit and online suites for presentations
** Breakfast, snack and lunch ordering and preparation on a daily basis
** Making coffee and tea
** Ordering supplies for the office; snacks, alcohol, stationary, toiletries
** Ensuring all suites and common areas are clear and tidy
** Petty cash reconciliation
** Preparing information for the editors for new projects
If you are a confident, chatty, enthusiastic person, who is relaxed under pressure and able to multi-task, we would love to meet with you. A driver's license and coffee/ hospitality experience are ideal, but not essential. A keen interest in art, film, music, fashion, design, television & advertising would also be advantageous.
Please send through a CV with accompanying cover letter as a PDF. Word documents will not be accepted. Only successful applicants will be contacted.
Please contact Kate Stenhouse, Executive Producer
Promotive is a young and rapidly growing Australian owned Promotional merchandise company that has a new opening for a driven and hard working Administration Assistant & Sales Support Member to join the team.
We're pretty amazing at what we do and our clients love us. We run hundreds of successful promotional marketing campaigns every month. We're specialists in creative brief fulfillment, innovative product development and building our clients brand engagement and profile.
We have been successfully building our national client base for the past 5 years and now need someone to help take it to the next level and assist in day to day client operations
The most important traits we're looking for are :
1) Top work ethic
2) Great communications skills
3) Ability to learn quickly !
In this role you will be responsible for:
• Support of Sales and Production teams
• General marketing & administration and data entry
• Servicing Clients and Customer Relationship Management
• Answering inbound telephone and email enquiries
What we offer:
- Great young company culture
- Dynamic team and flexible work environment
- Opportunity to join a cool growing company, learn and advancement!
In order to be considered for this position you will need the following:
• Excellent written and verbal communication skills
• Experience in customer service, support, sales or account management in a fast paced environment
• High level Word processing skills
• Well organised and ability to work in a team environment.
• A positive 'can do' attitude!
Our Core Values are non negotiable and govern everything we do. Please see if you are a fit with the below before applying:
Attention to Detail in everything we do
Back in a Flash - Speed is everything to us
Customer Focussed - They are our #1
Positive Attitude - self explanatory!
Accountability - Owning our work
Kaizen - Always learning and improving
This role will suit a mature person who is proactive, flexible and able to prioritise and work under pressure to get the job done.
Prior experience in the Promotional, Corporate or Education industry would be a great advantage, however is not essential.
There is great opportunity to grow within our organisation with a big emphasis on employee development and internal promotion.
Note: We are based in South East Melbourne near Monash University and whilst there is public transport we strongly advise applicants have a vehicle for convenient access and unlimited parking.


text:
1.83 acres in Washington County, Wisconsin
Spectacular sought after Town of Erin (near Hartford) 1.83 acre lot ready for your dream home. Located 3 mi. from Holy Hill, two from Erin Hills golf course, site of the 2017 US Open, and one from the National Scenic Ice Age Trail. This gently sloping lot allows for full lower level walkout and level driveway. Lot is located at the highest point of the subdivision with breathtaking views of varying terrain including prairie, trees, and grass. No covenants. 30 miles from Milwaukee and 65 miles from Madison.
HWY 83 North of County Road Q and South of Hwy 167, Holy Hill area, to Mayo Road, West to Sconfinato, Northwest to property.
Tax Data (Show Tax Data)
Loading Tax Data
Other Land for Sale in Washington County
- Properties for Sale in Nearby Counties
- Dodge County Land for Sale
- Fond du Lac County Land for Sale
- Milwaukee County Land for Sale
- Ozaukee County Land for Sale
- Sheboygan County Land for Sale
- Waukesha County Land for Sale
NOTE: The information contained herein is provided as general information only and has been obtained from sources deemed reliable. It is provided without any guaranty, warranty or representation, expressed or implied, made by Lands of America, or any related entity, as to the accuracy or completeness of the information. The information is presented subject to errors, omissions, change of price or conditions, prior sale or withdrawal without notice. Prospective purchasers should make their own investigations, projections and conclusions concerning the information.


text:
Telugu students can compete for 7000 medical seats with NEET exam - Tv9
Wed, May 11, 2016, 07:26 AM
Sri Chaitanya Academy Director Sushma Boppana said that Telugu students can easily get rank in NEET as there is no much variation in state books and NCERT. She pointed out that only exam pattern is different but syllabus is same. Sushma said that Telugu students will get an opportunity to study in best medical colleges across the country as they will be eligible to compete for 7000 medical seats.


text:
38 Maple St
Bradford, VT 05033
Your advisor is here to answer questions and guide you through the buying process.
Owners.com Agent
38 Maple St Bradford, VT 05033
This beautiful home is currently being used as a 3 family rental, but could easily be turned back into a single family and still have 1 rental to help pay your taxes. Many improvements including new roof, windows, siding, wiring, garage doors, hot water heaters, furnace and spray foam insulation. This home has had a major renovation and is ready for you to call home. Located in the Village Bradford and within walking distance to all town amenities. This property is not in the flood zone per engineer.
My NotesiThis is a place for you to write your thoughts and notes about this home. Only you will be able to see the notes.
- Property type: Residential
- Year built: 1880
- Structure: Two Story
- County: VT-Orange
- School district: Oxbow UHSD 30
- Heating: Gas - LP/Bottle, Hot Air
- Parking: Driveway - Paved, Parking Spaces 2
- Lot Size: 23522 sqft
# of Full Bathrooms: 4 # of Quarter Bathrooms: 0 # of Half Bathrooms: 0 # of Three Quarter Bathrooms: 0
Features: CO Detector
Garage & Parking
Parking: Driveway - Paved, Parking Spaces 2 | Garage: true, Attached
Lot size: 0.54 acres | Lot size: 23522 sqft | Lot Features: Level, Sloping | Zoning: Residential
County: VT-Orange | Real Estate Area: Village | Directions: I-91 North to Bradford Exit. Bradford South Main Street turn onto Maple Street. Second house on the right. | MLS #: 4389470
Appliances: Range - Electric, Range - Gas, Refrigerator, Water Heater - Electric, Water Heater - Gas - LP/Bottle
Heating & Cooling
Heating: Gas - LP/Bottle, Hot Air
Utilities & Security
Utilities: Cable | Sewer Service: Public | Water Source: Public Supply | Safety and Security: Smoke Detector, Smoke Detectr-Batt Powrd, Smoke Detectr-Hard Wired
School District: Oxbow UHSD 30 | Elementary School: Bradford Elementary | Middle School: Oxbow UHSD #30 | High School: Oxbow High School
School Information
Bradford Elementary School
Assigned242 students 11 student/teacher
Oxbow Uhsd 30
Assigned390 students 8 student/teacher
River Bend Career And Technical Center
Connecticut River Academy
18 students 4 student/teacher
Property History & Valuation
Local Insights
Listing provided by: Annette Hartley
Listing courtesy of: Four Seasons Sotheby's Int'l Realty | (603) 643-6070
Copyright 2017 Northern New England Real Estate Network, Inc. (NNEREN). All rights reserved. This information is deemed reliable, but not guaranteed. The data relating to real estate displayed on this Site comes in part from the IDX Program of NNEREN. The information being provided is for consumers' personal, noncommercial use and may not be used for any purpose other than to identify prospective properties consumers may be interested in purchasing. All properties are subject to prior sale, change or withdrawal. This display of listings may or may not be the entire Compilation from the NNEREN database, and NNEREN does not guarantee the accuracy of such information.
For issues regarding this website and/or listing search engine, please contact Owners.com support at firstname.lastname@example.com or (800) 475-7738.
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text:
Slide to see the images
Please contact Linda (email@example.com), (315) 457-4420 for more information about this pet.
Is there a loving home out there for me?
Is there a loving home out there for me? Ty is a male brown tabby domestic short hair, born December 1, 2007.
Ty came to Kitty Corner as a surrender from an owner who was too busy to care for him.
Ty is friendly and open to new people, without being pushy about demanding attention. Ty is in good health and has no special needs.
Ty is mostly indifferent to the presence of other cats, and he does not require their company. He doesn't seem to have any 'cat friends' here, he seems much more oriented to being friendly with people then with other cats. Some cats do seem to have a personality clash with him though, and he's not shy about letting them know it. Ty would probably prefer to be the only cat in the family, or to have a feline sibling who wasn't overly playful or dominant.
Ty is looking for a family where he can love and be loved. If you think Ty may be the cat for you, please call us to come meet him.
Call Kitty Corner at 315-457-4420 or fill out our adoption application at www.kittycorner.org to meet our adoptable cats and adopt a new member of your family.
Ty tests negative for Feline Leukemia and Feline AIDS, has been spayed/neutered, microchipped, and all shots are up to date.
Kitty Corner has a lifetime return policy. If your adopted cat needs to be rehomed at any time, just bring them back to us. We want to be sure that none of our cats is ever homeless again.
Thank you for looking at our cats!


text:
FemaleAgent owen
stacy owen.
Tina Owen
Andrea Owen
Owen Fucks Ty
Owen First Contact
Owen and Kane
Club Amateur USA Owen
Owen, Brandon and Ethan
Katheryne Owen deep finger.
Owen, Brandon and Mason
Owen and Patrick Raw
Champ, RJ and Owen
Paul Breeds
Skinhead Breeds
Justin Owen and Zane Porter
The Procreating of Owen Wilson
Fabio Acconi and Owen Hudson
Owen Hawk and Blue Bailey
Justin Owen and Jarec Wentworth
Owen Hawk and Fred Mayer
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text:
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The Following User Says Thank You to shapehost For This Useful Post:
brettek (05-08-2016)
I visited your site and look like a great offer.
I would ask this package
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Your price can decrease if I only want 8 or 16 GB of RAM?
What resource of your VPS, shared or dedicated ?
Hello Edward,
Thank you for checking our website.
VMware is the top hypervisor (virtualization software) that we use. You can see more info on their official website.
Regarding the resources question, you can not get dedicated resources with this price, 70-80% is dedicated but we still share around 20% if needed but that won't affect your VPS performance. Most providers share up to 60%.
The explanation for why we share around 20% of the resources is very simple. Let's say you buy a VPS only for editing documents and keeping all your work on one place. You use few resources for that, but if other member from here gets a Windows VPS to run Forex software, he uses more resources and since the system sees you are not using resources, 20% of your part will go to the other user.
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Last edited by ulterios; 01-18-2017 at 01:34 AM.
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text:
Claudio. Silence is the perfectest herald of joy. I were but little happy if I could say how much. Lady, as you are mine, I am yours.
It is Claudio's desire to posses Hero that leads him to suspect his best friend of wooing his beloved:
Claudio. Tis certain so. The Prince woos for himself. Friendship is constant in all other things Save in the office and affairs of love.
This scene reveals his primary weakness, an inability to trust in others, even those he loves most. Claudio is originally portrayed as a loving, trusting man. However, as his character is developed it becomes increasingly clear that his lack of trust continues to prevent him from total devotion to both friends and lovers.
Hero, on the other hand, is Shakespeare's portrait of the constant lover; she represents the epitome of romantic love. Although Hero's view of marriage and her feelings toward Claudio are never clearly spelled out "through spoken word, her true affection is revealed through her discussions with her cousin and gentlewomen, and through their interpretations of her coyly withheld emotions.
Beatrice. My cousin tells him in his ear that he is in her heart


text:
SNP wants law to ensure councils consider alternatives to closures
Measures to prevent the closure of schools in rural Scotland should be enshrined in law, the Scottish government said yesterday.
The change would mean that local authorities would have to consider alternatives to closure, and examine the impact that closure would have on the community, pupils' travel patterns and the environment.
The proposals were announced in a pre-legislative consultation document by Fiona Hyslop, the Education Secretary, who said that they were part of an effort to make school closures fairer and more transparent.
There are about 1,000 schools in rural communities across Scotland - 41 per cent of all primaries and


text:
A multimedia box set of Anthony Braxton's opera work "Trillium J", containing live performance video on Blu-ray disc of a 2014 performance at Roulette in NY, and studio recording on 4-CD set, with 12 vocalists, 12 instrumental soloists and a full orchestra.
Braxton, Anthony
Trillium J [4 CDs + Blu Ray]
Label: Braxton House/Firehouse 12 Records
Released in: USA
"[...] Braxton has identified the Trillium opera cycle as the ongoing project closest to his heart. Once complete, he envisions an interlinked "opera complex" of 36 acts where each chapter also exists as a stand-alone opera. Three have been performed so far: Trillium A (one act, fully staged in San Diego in 1985), Trillium M (two acts, in a concert performance in London in 1994) and Trillium R (four acts, fully staged in NYC in 1996). The performances of Trillium M and Trillium R both resulted in CD releases, and the four-act Trillium E was recorded in the studio in 2010 and commercially released the following year. Braxton is currently in the final stages of Trillium X (four acts), which will bring him more than halfway to his ultimate goal. [...]"-Broadway World
"I fail to describe my feelings having never experienced anything like this before. Perhaps one could compare Trillium J to Richard Foreman's plays in the way it captures the absurd, the unexpectedness and ambiguity of contemporary world. Weave these into the voices of 12 vocalists and the sounds of 12 instrumental soloists with full orchestra, excellent acting, pseudo-philosophical digressions, visual projections, young skipping-rope Jazzy Jumpers and two of New York's best contemporary dance improvisers Rachel Bernsen and Melanie Maar, and you get the mix.
At any specific moment I could not recognize what exactly (music, words, acting, etc.) made me smile in a very strange way - the smile that sometimes comes from experiencing the misfortunes of Daniil Harms's characters. This is perhaps the genius of a gesamtkunstwerk artist (Braxton wrote both the music and the libretto) - to blend all the media so naturally that a spectator cannot recognize the source of their feelings. Howdoes the absurd feel? As an interlude before the Second Scene of Act IV, Jazzy Jumpers entered with their skipping-ropes and the choir started improvising "random" sounds to their movements. I sensed tears in my eyes, obviously neither out of sadness or joy. What catalyzed the sublime was (perhaps?) the excitement that something so contemporary and so musically apt was composed -the genre of opera has a future; at least it definitely has a present.
But the climax was still to come. The interlude could either feel like just another meaningful nonsense - the ridiculousness that was so fittingly at the wrong place, - or depict a stratum of society to be juxtaposed with the final scene - the trial of Sally Wanton. Despite the obvious references to social injustices of American society, Ms Walton reminded me of Russian President Vladimir Putin in her ability to pour complete nonsense and reject obvious evidence of crime with complete confidence (as well as accept it and immediately render crucial statements trifle). This is where, perhaps, "the concept of affinity," the opera's major theme, lies.
Everyone walked out with a radiant face - those who thought of multiple possibilities of political connotations, or those who just took "the poetic transiency" and "undefinition that seeks its own level" as a flow of beautiful nonsense. George Crumb once said that he was "frightened of a possibility to write an opera, nothing comes close to Wozzeck." Whether you agreed with that or not in the past, you would definitely have to consider replacing Wozzeck with The Non-Unconfessionables. Should 21st century opera, and music for that matter, only be political? It is not always this or that, it is often the other."-Erlena Dlu, extendtechniques.com
• Show Bio for Anthony Braxton
[Anthony Braxton (born June 4, 1945) is an American composer and instrumentalist.]
"Genius is a rare commodity in any art form, but at the end of the 20th century it seemed all but non-existent in jazz, a music that had ceased looking ahead and begun swallowing its tail. If it seemed like the music had run out of ideas, it might be because Anthony Braxton covered just about every conceivable area of creativity during the course of his extraordinary career. The multi-reedist/composer might very well be jazz's last bona fide genius. Braxton began with jazz's essential rhythmic and textural elements, combining them with all manner of experimental compositional techniques, from graphic and non-specific notation to serialism and multimedia. Even at the peak of his renown in the mid- to late '70s, Braxton was a controversial figure amongst musicians and critics. His self-invented (yet heavily theoretical) approach to playing and composing jazz seemed to have as much in common with late 20th century classical music as it did jazz, and therefore alienated those who considered jazz at a full remove from European idioms. Although Braxton exhibited a genuine -- if highly idiosyncratic -- ability to play older forms (influenced especially by saxophonists Warne Marsh, John Coltrane, Paul Desmond, and Eric Dolphy), he was never really accepted by the jazz establishment, due to his manifest infatuation with the practices of such non-jazz artists as John Cage and Karlheinz Stockhausen. Many of the mainstream's most popular musicians (Wynton Marsalis among them) insisted that Braxton's music was not jazz at all. Whatever one calls it, however, there is no questioning the originality of his vision; Anthony Braxton created music of enormous sophistication and passion that was unlike anything else that had come before it. Braxton was able to fuse jazz's visceral components with contemporary classical music's formal and harmonic methods in an utterly unselfconscious -- and therefore convincing -- way. The best of his work is on a level with any art music of the late 20th century, jazz or classical.
Braxton began playing music as a teenager in Chicago, developing an early interest in both jazz and classical musics. He attended the Chicago School of Music from 1959-1963, then Roosevelt University, where he studied philosophy and composition. During this time, he became acquainted with many of his future collaborators, including saxophonists Joseph Jarman and Roscoe Mitchell. Braxton entered the service and played saxophone in an Army band; for a time he was stationed in Korea. Upon his discharge in 1966, he returned to Chicago where he joined the nascent Association for the Advancement of Creative Musicians (AACM). The next year, he formed an influential free jazz trio, the Creative Construction Company, with violinist Leroy Jenkins and trumpeter Leo Smith. In 1968, he recorded For Alto, the first-ever recording for solo saxophone. Braxton lived in Paris for a short while beginning in 1969, where he played with a rhythm section comprised of bassist Dave Holland, pianist Chick Corea, and drummer Barry Altschul. Called Circle, the group stayed together for about a year before disbanding (Holland and Altschul would continue to play in Braxton-led groups for the next several years). Braxton moved to New York in 1970. The '70s saw his star rise (in a manner of speaking); he recorded a number of ambitious albums for the major label Arista and performing in various contexts. Braxton maintained a quartet with Altschul, Holland, and a brass player (either trumpeter Kenny Wheeler or trombonist George Lewis) for most of the '70s. During the decade, he also performed with the Italian free improvisation group Musica Elettronica Viva, and guitarist Derek Bailey, as well as his colleagues in AACM. The '80s saw Braxton lose his major-label deal, yet he continued to record and issue albums on independent labels at a dizzying pace. He recorded a memorable series of duets with bop pioneer Max Roach, and made records of standards with pianists Tete Montoliu and Hank Jones. Braxton's steadiest vehicle in the '80s and '90s -- and what is often considered his best group -- was his quartet with pianist Marilyn Crispell, bassist Mark Dresser, and drummer Gerry Hemingway. In 1985, he began teaching at Mills College in California; he subsequently joined the music faculty at Wesleyan University in Connecticut, where he taught through the '90s. During that decade, he received a large grant from the MacArthur Foundation that allowed him to finance some large-scale projects he'd long envisioned, including an opera. At the beginning of the 21st century, Braxton was still a vital presence on the creative music scene."-All Music, Chris Kelsey (http://www.allmusic.com/artist/anthony-braxton-mn0000924030/biography)
^ Hide Bio for Anthony Braxton
• Show Bio for Jim Hobbs
"Jim Hobbs was born and raised in north-eastern Indiana at the convergence of three rivers. He is a recipient of the Doris Duke New Works Grant for composition from Chamber Music America. After a childhood of chewing hay and catching salamanders he began playing the saxophone. He received a full scholarship to Berklee College of Music where he majored in composition. It was there that he met bassist Timo Shanko and started the Fully Celebrated Orchestra (FCO), which has released 10+ recordings on various labels including Silkheart, Skycap and Innova. FCO is also the subject of a children's book. He has performed and recorded with Joe Morris, Luther Gray, Taylor Ho Bynum, Bill Lowe, The Jazz Composers Alliance, Forbes Graham, The Prodigal Suns, Mackie Burnett, Fred Hopkins, Laurence Cook, Jon Voight, Junko Simons, Nightstick, The Death's Head Quartet, Josh Roseman, Curtis Hasselbring, The Lunch Factor, Laura Andel, Brother Blue and many others."-All About Jazz (https://musicians.allaboutjazz.com/jimhobbs)
^ Hide Bio for Jim Hobbs
• Show Bio for Mark Helias
"Mark Helias is a renowned bassist, composer and producer who has performed throughout the world for more than four decades with some of the most important and innovative musicians in Jazz and Improvised Music including Don Cherry, Edward Blackwell, Anthony Davis, Dewey Redman, Anthony Braxton, Abbey Lincoln, Cecil Taylor, and Uri Caine among many others. A prolific composer, Helias has written music for two feature films as well as chamber pieces and works for large ensemble and big band. His orchestra piece "Stochasm" was premiered by the American Composers Orchestra in June of 2011. Twelve recordings of his music have been released since 1984, his latest being "The Signal Maker" on the Intakt label. He teaches at Sarah Lawrence College, and SIM (School for Improvisational Music) in Brookyn, NY."-Mark Helias Website (http://www.markhelias.com)
^ Hide Bio for Mark Helias
• Show Bio for Ingrid Laubrock
"Originally from Germany, Ingrid Laubrock resides in Brooklyn, NY. Between 1989 and 2009 she was active as a saxophonist and composer in London/UK. She performed and/or recorded with: Anthony Braxton, Dave Douglas, Kenny Wheeler, Jason Moran, Tim Berne, William Parker, Tom Rainey, Mary Halvorson, Kris Davis, Tyshawn Sorey, Craig Taborn, Luc Ex, Django Bates' Human Chain, The Continuum Ensemble and many others.
Ingrid's current projects as a leader are Anti-House, Sleepthief, Ingrid Laubrock Orchestra, Ingrid Laubrock Sextet and Ubatuba. Collaborations include LARK,Haste,Paradoxical Frog and Ingrid Laubrock/Tom Rainey Duo.She is a member of Anthony Braxton's Falling River Music Quartet, Nonet and 12+1tet, Tom Rainey Trio and Obbligato, Andrew Drury's Content Provider, Mary Halvorson Septet, Kris' Davis Quintet, Nate Wooley's Battle Pieces and Luc Ex' Assemblée. Ingrid was one of the featured soloists in Anthony Braxton's opera Trillium J.
Awards include the BBC Jazz Award for Innovation in 2004, a Fellowship in Jazz Composition by the Arts Foundation in 2006, the 2009 SWR German Radio Jazz Prize and the 2014 German Record Critics Quarterly Award. Commissions include Jammy Dodgers for jazz quintet and dancers (2006), Nonet music for Cheltenham Jazz Festival 2007, SWR New Jazz Meeting 2011 and "Vogelfrei", a piece for chamber orchestra (ACO/Tricentric Foundation). She won Rising Star/soprano saxophone in the 2015 in the 'Downbeat Annual Critics Poll and won the 'El Intruso Critics Poll for tenor saxophone in 2013. Ingrid was Improviser in Residence 2012 in the German city Moers. The post is created to introduce creative music into the city throughout the year. As part of this she led a regular improvisation ensemble and taught sound workshops in elementary schools. Other teaching experiences include improvisation workshops at Towson University, Guildhall School of Music and Drama, Baruch College, University of Michigan, University of Newcastle and many others."-Ingrid Laubrock Website (http://ingridlaubrock.com/about.html)
^ Hide Bio for Ingrid Laubrock
• Show Bio for Taylor Ho Bynum
"Taylor Ho Bynum (b. 1975) has spent his career navigating the intersections between structure and improvisation - through musical composition, performance and interdisciplinary collaboration, and through production, organizing, teaching, writing and advocacy. As heard on over twenty recordings as a bandleader, Bynum's expressionistic playing on cornet and his expansive vision as composer have garnered him critical attention as one of the singular musical voices of his generation. He currently leads his Sextet and 7-tette, and works with many collective ensembles including a duo with drummer Tomas Fujiwara, the improv trio Book of Three, the UK/US collaborative Convergence Quartet, the dance/music interdisciplinary ensemble Masters of Ceremony, and the trans-idiomatic little big band Positive Catastrophe.
His varied endeavors include his Acoustic Bicycle Tours (where he travels to concerts solely by bike across thousands of miles) and his stewardship of Anthony Braxton's Tri-Centric Foundation (which he serves as executive director, producing most of Braxton's recent major projects). In addition to his own bands, his ongoing collaboration with Braxton, past work with other legendary figures such as Bill Dixon and Cecil Taylor, and current collective projects with forward thinking peers, Bynum increasingly travels the globe to conduct community-based large ensembles in explorations of new creative orchestra music. He is also a published author and contributor to The New Yorker's Culture Blog, has taught at universities, festivals, and workshops worldwide, and has served as a panelist and consultant for leading funders and organizations. His work has received support from Creative Capital, the Connecticut Office of the Arts, Chamber Music America, New Music USA, USArtists International, and the Doris Duke Charitable Foundation."-Taylor Ho Bynum website (http://taylorhobynum.com/)
^ Hide Bio for Taylor Ho Bynum
• Show Bio for Leah Paul
"Leah began her music career in Brooklyn, NY in 2002 after studying flute performance at the University of Michigan.
As a flutist, Leah has played a vital role in NYC's new music and downtown scenes. She has been a longtime member of Matthew Welch's Blarvuster, recently performing his new opera Borges and the Other at Roulette, as well as playing on his Tzadik release Blarvuster. In 2010 Leah recorded with Anthony Braxton's Triilium E Orchestra as a soloist, the first-ever Braxton opera studio recording, Leah is also featured on his upcoming release of Trillium J recorded in the spring of 2014.Leah has also recorded and performed with countless bands and ensembles such as TV on the Radio, the Dirty Projectors, Milagres, Michael Leonhart, Aaron Seigel and City Center.
Leah's upcoming release 'We Will Do the Worrying' is being met with high praise from high places. We Will Do The Worrying is an extension of the rich chamber writing Leah has honed on her previous albums, this time bringing in lushly layered vocals, alluring string quartet arrangements and percussive elements to create vignettes of other-worldly landscapes and experiences. Leah's gift for weaving harmonically textural motifs, playful rhythmic counterpoint and sparse yet meaningful lyrics allow the ten pieces on this album to soar, sparking imaginative daydreams in the minds-eye of the listener.
Leah Paul's album Trenza is unlike any chamber music you've heard. Featuring genre-busting musicians such as Chris Speed and Sara Schoenbeck, every piece takes on an identity in the way your favorite rock song might, unraveling complex counterpoint and harmonic shifts at breakneck pace. Leah's work as a flutist with artists such as Anthony Braxton and the Dirty Projectors informs her compositions as they are simultaneously unexpected and catchy. California Quintet was written during her first year in Los Angeles after relocating from Brooklyn. Each of the six movements chronicles an exploration and shift in perspective that one experiences when completely changing one's surroundings. Steps to Stairs employs lower strings mixed with winds to create an ensemble that blossoms into full orchestral timbres while maintaining an intimate backdrop for sparse melodic textures to emerge. Trenza beautifully braids the nuances of classical, jazz and contemporary music into a singular voice and a joyful listening experience. This is Leah's second release on Brooklyn's Skirl Records.
Leah Paul's 2011 release of her works for quartet Bike Lane, on Brooklyn's Improvisation/new music label Skirl Records has been met with enthusiasm and praise. Bike Lane is a collection of composed music for flute, clarinet, bassoon and viola. The inspiration for this album is the ever-merging scenes of classical, improvised, and rock music that are unique to New York City. It is composed chamber music channeling pop structure, with an improvisational spirit and feel. Peter Margasak of eMusic says "...while operating like a sophisticated chamber ensemble, the quartet reveals a wonderfully fluid, graceful pop sensibility. There's nothing cheap or shallow about the music, but the themes lodge in the memory like radio hits."
Leah's earlier projects include the Bridesmaids, a chamber pop group which received acclaim from TimeOutNY, the Big Takeover and Venuszine.
Currently Leah is currently living in the Silverlake area of Los Angeles, in addition to her career as a composer and flutist, she is also an active teacher working for the Harmony Project of Los Angeles, YoungArts, as well as a guest lecturer at the Longy School of Music and a presenter at the Los Angeles Composer's Salon."-Leah Paul's Website (http://leahpaul.com/bio/)
^ Hide Bio for Leah Paul
• Show Bio for Jacob Garchik
"Jacob Garchik, multi-instrumentalist, composer, and arranger, was born in San Francisco and has lived in New York since 1994. At home in a wide variety of styles and musical roles, he has become a vital part of NYC's downtown and Brooklyn scene, playing trombone with the Lee Konitz Nonet, Ohad Talmor/Steve Swallow Sextet, The Four Bags, Slavic Soul Party, and the John Hollenbeck Large Ensemble. In 2012 he released the acclaimed solo CD "The Heavens: the Atheist Gospel Trombone Album".
Since 2006 Jacob has contributed dozens of arrangements and transcriptions for the Kronos Quartet of music from all over the world. His arrangements were featured on "Floodplain" (2009) and "Rainbow" (2010). He composed the score for Kronos for the documentary film "The Campaign" (2013) about the fight for marriage equality in California, which aired on PBS and at the frameline37 film festival in San Francisco.Complete list of arrangements for Kronos
As a trombonist Jacob has worked with many of the luminaries of the avant-garde, including Henry Threadgill, Laurie Anderson, Anthony Braxton, Anthony Coleman, Joe Maneri, Frank London, James Tenney, Josh Roseman, Don Byron, Terry Reilly, George Lewis, and Billy Martin. He has also played in ensembles led by rising artists such as Mary Halvorson, Dan Weiss, Miguel Zenon, and Steve Lehman. In 2013 he was named a "Rising Star" in the Downbeat Magazine Jazz Critic's Poll. Jacob also plays accordion, bass trombone, tuba, computer, and piano."-Jacob Garchik Website (http://jacobgarchik.com/?page_id=8)
^ Hide Bio for Jacob Garchik
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In Stock
Shipping Weight: 18.00 units
Quantity in Basket: None
Label: Braxton House/Firehouse 12 Records
Catalog ID: FHR NBH 906
Squidco Product Code: 21981
Format: 4 CDs + BluRay
Condition: New
Released: 2016
Country: USA
Packaging: Box Set - 4 CDS, 1 BluRay + Booklet
Live performance recorded at Roulette, in Brooklyn, New York on April 19th, 2014.
Studio realization recorded at Avatar Studios, in New York, New York April 21st � 22nd, 2014.
Anthony Braxton-composer, Libretto, conductor
Kamala Sankaram-accordion
Jim Hobbs-banjo, clarinet, saxophone
Kelvin Chan-baritone vocals
Chris DiMeglio-baritone vocals
Ken Filiano-bass
Mark Helias-bass
Roland Burks-bass vocals
Katherine Young-bassoon
Sara Schoenbeck-basson
Marika Hughes-cello
Tomas Ulrich-cello
Tomeka Reid-cello
Ingrid Laubrock-clarinet, saxophone
Josh Sinton-clarinet, saxophone
Mike McGinnis-clarinet, saxophone
Oscar Noriega-clarinet, saxophone
Taylor Ho Bynum-conductor
Domenica Fossati-flute
Leah Paul-flute
Nathan Koci-French horn
Vincent Chancey-French horn
Jacqui Kerrod-harp
Kristin Fung-mezzo-soprano vocals
Elizabeth Saunders-mezzo-soprano vocals
Kathy Halvorson-oboe, English horn
Katie Scheele-oboe, English horn
Libby Van Cleve-oboe, Englishhorn
Tri-Centric Orchestra-orchestra
David Shively-percussion
David Shively-spoons
Landon Knoblock-piano
Reut Regev-trombone
Dan Peck-tuba
Lucy Dhegrae-soprano vocals
Kamala Sankaram-soprano vocals
Kyoko Kitamura-soprano vocals
Jen Shyu-soprano vocals
Nick Hallett-tenor vocals
Tomas Cruz-tenor vocals
Vince Vincent-tenor vocals, voice
Jacob Garchik-trombone
Gareth Flowers-trumpet
Stephanie Richards-trumpet
Amy Cimini-viola
Erin Wright-viola
Jessica Pavone-viola
Ginger Dolden-violin
Jason Hwang-violin
Julianne Carney-violin
Mazz Swift-violin
Sam Bardfeld-violin
Sarah Bernstein-violin
Scott Tixier-violin
Sam Bardfeld-violin
Erica Dicker-violin
Rachel Bernsen-voice
Highlight an artist name or instrument above
and click here to Search
Track Listing:
1. Act I 57:45
1. Act II 36:51
1. Act III 54:04
1. Act IV 61:38


text:
Submitted May 03 2015 09:53 PM | Last updated May 09 2015 03:31 AM
Leadwerks has a build in Character controller. We can use this character controller to simply and very quickly walk around in a level that you have created. Open up the FPS controller map. Press F12 to maximize the perspective viewport so that you can have a look at the level overview
Creating a Character ControllerThe green figure you see inside the scene is the FPSplayer prefab.
This prefab has a character controller script attached and is ready for use. Go to scene tab and locate the player. Select the player object in your scene view and go to scrip tab. As you can see the Fpsplayer.lua script is attached. You can change the script properties to let the player behave in the way you want. For instance; you can change the jump value or the speed of the camera rotation.
If you go to the physics tab you will notice a few values that are being. The physics mode is set to " character controller" , the mass = '10' and the collision type is set to " character" . If you want to make your own character controller inside the editor, then you need to set these properties, otherwise the character controller will not word.
Testing the SceneLet's try out the scene. The first thing you will notice is that the green character model is no longer visible. This is handled via the attached script.
Step HeightThe character controller automatically steps on low obstacles like a sidewalk. In front of us we see 3 CSG blocks, each with their own height. When the step height is too heigh, the player can only try jumping to get on top of it. The two blocks on the left are low enough for the character controller to automatically hop on top of them.
We then proceed to the stairs. The character will walk up these stairs while using the auto step height and camera smoothing.
JumpingWe then face the jumping par course. In order to jump you need to press the ' Space' key. If you are not fast enough you might not be able to cross a gap. You can run by pressing 'Shift.
SlopesThe next challenge of the scene are the slops. The character controller can walk automatically walk on slopes that have an angle of 45 degrees or lower. If you would walk on to a steep slope, you slide down automatically.
Press escape to go back to editor.
Creating PrefabsGo to prefab folder. Drag in the fpsplayer prefabs. Its facing the wrong way. Rotate the player by using the Rotate Y button.
Go to scene tab and change values like the jump value. You will be notified that the connection will be lost.
You can save the character with all settings as a new prefab. In the scene view you can right click on your character controller and click on ' save as prefab'.


text:
|Photos (See all 20 | slideshow)
|Alastair Sim
|Ebenezer Scrooge
|Kathleen Harrison
|Mrs. Dilber
|Mervyn Johns
|Bob Cratchit
|Hermione Baddeley
|Mrs. Cratchit
|Michael Hordern
|Jacob Marley
|George Cole
|Young Ebenezer Scrooge
|John Charlesworth
|Peter Cratchit
|Francis De Wolff
|Spirit of Christmas Present (as Francis de Wolff)
|Rona Anderson
|Carol Marsh
|Fan Scrooge
|Brian Worth
|Miles Malleson
|Old Joe
|Ernest Thesiger
|The Undertaker
|Glyn Dearman
|Tiny Tim
|Michael Dolan
|Spirit of Christmas Past
|Olga Edwardes
|Fred's Wife
|Roddy Hughes
|Hattie Jacques
|Mrs. Fezziwig
|Eleanor Summerfield
|Miss Flora
|Louise Hampton
|Czeslaw Konarski
|Spirit of Christmas Yet to Come (as C. Konarski)
|Eliot Makeham
|Mr. Snedrig
|Peter Bull
|First Businessman / Narrator
|Douglas Muir
|Second Businessman
|Noel Howlett
|First Collector
|Fred Johnson
|Second Collector
|Henry Hewitt
|Mr. Rosehed
|Hugh Dempster
|Mr. Groper
|David Hannaford
|Boy Sent to Buy Turkey
|Maire O'Neill
|Alice's Patient
|Richard Pearson
|Mr. Tupper
|Patrick Macnee
|Young Jacob Marley (as Patrick MacNee)
|Clifford Mollison
|Dick Wilkins
|Jack Warner
|Mr. Jorkin
|rest of cast listed alphabetically:
|Theresa Derrington
|Fred's Maid
|Vi Kaley
|Old Lady Sitting by Stove At The Charity Hospital (uncredited)
|Moiya Kelly
|Martha Cratchit (uncredited)
|Lualle Kemp
|Mary Cratchit (uncredited)
|Catherine Leach
|Belinda Cratchit (uncredited)
|Derek Stephens
|Dancer at Fezziwig's (uncredited)
|Tony Wager
|Fezziwig's Lad (uncredited)
Directed by
|Brian Desmond Hurst
|(as Brian Desmond-Hurst)
Writing credits
|Charles Dickens
|(adapted from "A Christmas Carol")
|Noel Langley
|(adaptation and screenplay)
|Noel Langley
Produced by
|Brian Desmond Hurst
|producer (as Brian Desmond-Hurst)
|Stanley Haynes
|associate producer (uncredited)
Original Music by
|Richard Addinsell
|(musical score by)
Cinematography by
|C.M. Pennington-Richards
|(director of photography) (as C. Pennington-Richards)
Film Editing by
|Clive Donner
|(film editor)
Casting by
|Maude Spector
Art Direction by
|Ralph W. Brinton
|(as Ralph Brinton)
Set Decoration by
|Freda Pearson
Costume Design by
|Doris Lee
|Phyllis Dalton
Makeup Department
|Eric Carter
|make-up artist
|Betty Lee
|hair stylist
|Aldo Manganaro
|assistant makeup artist (uncredited)
|June Robinson
|assistant hair stylist (uncredited)
Production Management
|Stanley Couzins
|production manager
Second Unit Director or Assistant Director
|Denis O'Dell
|first assistant director
|Buddy Booth
|third assistant director (uncredited)
|Tony Harris
|second assistant director (uncredited)
Art Department
|Chris Chapman
|property buyer (uncredited)
|T. Hopewell Ash
|draughtsman (uncredited)
|Edward Marshall
|draughtsman (uncredited)
|Patricia Neville
|sketch artist (uncredited)
|Freda Pearson
|set dresser (uncredited)
|Wallis Smith
|construction manager (uncredited)
Sound Department
|W.H. Lindop
|sound recordist
|Charles Earl
|sound camera operator (uncredited)
|Fred Ryan
|boom operator (uncredited)
|Leonard Trumm
|dubbing editor (uncredited)
Camera and Electrical Department
|Cecil Cooney
|camera operator (as C. Cooney)
|Richard Cantouris
|still photographer (uncredited)
|Tom Friswell
|clapper loader (uncredited)
|Gerry Turpin
|focus puller (uncredited)
Costume and Wardrobe Department
|Constance Da Finna
|costume designer: Mr. Sim, Mr. Hordern and Miss Edwardes
|Phyllis Dalton
|assistant costume designer (uncredited)
|W. Walsh
|wardrobe master (uncredited)
Editorial Department
|Anne Barker
|assistant editor (uncredited)
|Stan Hawkes
|second assistant editor (uncredited)
|Michael Johns
|second assistant editor (uncredited)
|Charles Squires
|second assistant editor (uncredited)
Music Department
|Muir Mathieson
Other crew
|George Minter
|Larry Edmonds
|accountant (uncredited)
|Hugh Findlay
|publicity director (uncredited)
|Elizabeth Montagu
|dialogue director (uncredited)
|Doris Prince
|production secretary (uncredited)
|Margaret Ryan
|continuity (uncredited)
|Jan Saunders
|floor runner (uncredited)
|M. Steiner
|acknowledgment: mechanical Victorian dolls loaned by (as Mr. M. Steiner)
I do love Charles Dickens, critics of his might say that he went for
the emotional jugular and that he even might be sentimental or
even worse manipulative, but really, he had a consistent message
to get out: that the plight of the poor and unfortunate is everyone's
concern, and this story tells it best - against the backdrop of the
Christmas season, the time to celebrate, give gifts and welcome
friends and family into warm homes to share festivity and
generosity. I think that a Christmas Carol is not so much a tale for
the family as it is Dickens trying again to pierce hardened hearts of
the - during that time - men in society. The men who had trained
their eyes not to look down at the gutter or the darkened doorways
where society's less than fortunates were cowering for mercy,
help, a hand up or a hand out. I think this story speaks directly to
those men in Dickens' day who could do the most to rectify the
wrongs described in this tale. Those less fortunates were there in
Dickens' day just as they are with us now, and just as there are
influential, prosperous and greedy men and women Scrooges
among us today who coolly and easily stare straight ahead past
those less fortunates instead of choosing to extend a helping
hand. I never could appreciate what this story was really about until
I became an adult and witnessed the great divide in our society
between the Have's and Have-not's and the amazingly steeled
resolve of those among the Have's to enjoy the Christmas season
while not really being concerned at all with those poor souls in the
ranks of the Have-not's. "At this time of year, Mr. Scrooge, when
want is most keenly felt...".
Dickens largely devoted himself to the plight of the less fortunate - and we should all be so generous to show even a trifle of such concern for our fellows in need. Many Britons would probably agree that after Churchill, Dickens is one of England's great men, greatest men perhaps, one of England's greatest people ever. A real humanitarian dedicated to social change.
And so, to the role of Scrooge in this edition of this great story - the role every mature actor hopes he'll get a chance to play - comes Alistair Sims and he certainly does the role of Scrooge no disservice. I'll agree with one of my fellow reviewers in saying that I'm not sure if he owns the role outright, but surely, no one yet has emerged to lay a better claim to it. Certainly not one-note and pompous little Patrick Stewart. George C. Scott acquits himself admirably, but certainly cannot claim to own this role.
So many of the other reviews here have stated well the praise that Mr. Sims deserves for his portrayal of Scrooge, and many have made mention of their own favorite and classic lines from the movie. I'll not try to restate what has already been written so well before me, but instead, I'll point out for others some of my favorite little details of this great story and specifically of this particular version.
I think some of the greatest lines of all are reserved for the ghost of old Jacob Marley, dead for seven years, who comes to call late on Christmas Eve and warn Scrooge to change his ways. His indignation at Scrooge for referring to him as "a good man of business" by screaming that "mankind was my business!" was a perfect retort to the old miser. Marley disparages how he had lived - and how Scrooge was presently living - and further, reduces their life's work to no more than bald faced greed with the disdainful line "my concern never roved beyond the confines of our money changing hole!". His description of the chain he "forged in life, link by link" that was now choking and weighing him down in the after-life and the warning to Scrooge of how "your own coil was as full and long as mine these seven years ago and you have been laboring on it since. It is a ponderous chain!" In a way, I think that the Marley character might be the juiciest role, rarely have I seen it given the appropriate weight to show the full measure of remorse for a life misspent and the ominous warning for a friend heading down the same path of damnation for all eternity. The degree to which this role is played gives Scrooge that much more of a contemptible and hardened crust to be cracked by the spirits to come because of Scrooge's self-righteous and indignant dismissal of Marley's ghost. Marley, being the closest thing to what Scrooge could describe as a friend, is a tortured soul condemned to torment in perpetuity. Marley only seeks to warn his old friend to turn back before it is too late, but his friend is already too far gone to heed his warning.
After the chilling visit of Marley and the bitter revisiting of Scrooge's past, the appearance of the Ghost of Christmas Present is a welcome and wonderful respite. He embodies the goodness of how we all wish Christmas to be: merry, abundant, good through and through for all, no matter their station in life. His exit, when he is abruptly changed from ruddy faced and jolly to serious, old and grey has always struck me. Particularly, I never understood until I was much older the two miserable, hollow-eyed and gaunt children that clung to his robe - the boy and the girl, "Ignorance" and "Want" and the ghost's warning to watch out for the boy in particular. I still find that moment chilling and still relevant today.
Most moving of all to me is the Ghost of Christmas Yet to Be's stop at the Cratchit family's house in the future. The heavy air, everyone trying to buck up and keep a stiff upper lip while under a heavy pall and poor Bob Cratchit's brave but feeble attempt at putting a positive spin on things for his family by talking cheerily of the lovely gravesite they picked out until he loses his composure, sobbing "my poor little child" in debilitating grief. The Bob Cratchit part is a good one, not a big part, but a very important one that reveals what harm Scrooge has wrought through his miserly and cheap existence. Without Bob Cratchit and his poor family's real suffering under Scrooge, we don't get to fully appreciate how bad Scrooge's dastardly handiwork is and just how dramatic his ultimate salvation really is.
The other character that reflects directly on Scrooge and in this case as a perfect mirror of what Scrooge has not become is dear old Fezziwig. Oh, would that every business owner and capitalist today were as decent and altruistic as he!
Watch this film, taste every morsel and savor every bite! It is a feast for the heart. Where "It's a Wonderful Life" transforms a truly good man who already thinks only of others by showing him what he could not see about himself and thus saves him from bitterness, despair and suicide, "A Christmas Carol" in contrast gives us as hateful and diabolical a man as we could ever hope not to meet. A man who smugly has no regrets, no remorse, and feels no guilt for his absolutely selfish ways and it is only when he is finally forced to see what he has caused does he realize that in order to ultimately save himself - and all those his life touches - from himself he must embrace goodness. His transformation into a man that is good and that is concerned for others is at the end truly a cause for joy and celebration. Both films - while now canonized as family classics - I believe, are targeted specifically at adults.
Either to warn and prod the selfishly immobile into benevolent action, as in "A Christmas Carol", or to show what surely every adult with heaping responsibilities must feel at some time: feelings of uselessness, disappointment and discouragement that have wrongly overshadowed the good acts in one's life, as in "It's a Wonderful Life". In either film you get a joyous transformation of the soul by the end. There is no shortage of reminders these days to watch "It's a Wonderful Life" but please! don't ever let a Christmas go by without watching Alistair Sims in his masterful portrayal of Scrooge - along with all the other fine performances - in "A Christmas Carol".
|A Christmas Carol
|A Christmas Carol
|A Christmas Carol
|The Muppet Christmas Carol
IMDb User Rating:
IMDb User Rating:
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|Full cast and crew
|Company credits
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|IMDb UK section


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text: Alwali will return to the al-Ahram Foundation Cairo - Islam Abou Zeid Mamdouh Alwali, head of Egypt's Journalists' Union, has denied rumours he will stand as syndicate chief again, claiming he is "too busy" running the al-Ahram Foundation. "I want to give the opportunity to somebody else," he said, "and give my full attention to the al-Ahram foundation as it is experiencing some problems at the moment." Egypt's Journalists' Union began received nominations for Alwali's replacement on Saturday, along with six members of the organisation's executive council. Speaking exclusively to Arabstoday, Alwali added he would follow through with plans, coordinated with Prime Minister Hisham Kandil, to increase funding allowances given over to media training and technology. New funding programmes will begin next July, he revealed.


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DERBY (second day of four): Derbyshire, with all second innings wickets in hand, are nine runs behind Leicestershire
ATTRITIONAL afternoons are becoming a habit in this bottom-of-the-table match that has still been full of fascinating twists and turns. Slow scoring in the name of consolidation has featured in both post-lunch sessions but nobody could envisage a subsequent Leicestershire collapse, costing five wickets for 25 runs, that restricted them to a first-innings lead of 28. Graeme Welch took four for 48 to add to his worthy batting.
Darren Robinson made his second championship hundred of the season, reaching 110, with 17


text:
i do not find it funny at all its f*cking stupid
i do not find it funny at all its f*cking stupid
I do think the posed photos are funny (you know where a kid looks passed out so you pop some props in and take s quick snap )
I do not think it is funny to give a minor (particularly a child) alcohol for any reason nor do i think people who boast about getting their pets drunk funny
Pathetic little people abusing innocents for their own amusement
Sent from my MB526 using BubHub
i think your friends are idiots and need to go to parenting classes and possible even human classes because letting a baby sip alcohol EVER is stupid and dangerous encouraging them to do so all the time and telling her its cute is beyond stupid they seriously need to get clue they are damaging her little brain. You need to get some leaflets together and show them the infomation and the damage they are doing if that doesnt stop there harmful behaviour and make them wake up and be decent parents then you need to speak to someone that will get it through there thick skulls
Maybe it's bc I have major hang ups about alcohol given my upbringing, and I don't want to come across judgey... but I don't see what's funny about even pretending a baby or small child is drunk and/or drinking?
Am I weird?......................... shhhh don't answer that
I've got a rule of not even any caffeine till they're at least 10 (which I'll reassess when they're closer to 10) def no alcohol, their brains are so plastic and so moldable at this time. My parents gave us sips of their beer or wine (max of one sip at any family BBQ) but in pretty sure this didn't start till we were 12+
Wrong on so many levels
No way, that's not cool at all The poor kids
Omg.haven't read any other posts yet but HELL NO. I have seen people do this. Even pouring it in the baby bottle so they sleep. Was so gob smacked I was speechless. It is absolutely disgusting, reprehensible, irresponsible and abusive to the child/baby. I would never ever do it. I have let my 6 year old taste half a teaspoon of beer only because I knew she would hate it. She did and had never ever asked again because alcohol is "disgusting and only for adults and I don't know why adults like that".
My sil and her family think it is hilarious to watch my 2 nephews (one which is 2) regularly drink half a cruiser. (they are NOT the ones I have seen pour jacks in the bottle but still just as bad).
Why would anyone think that is funny.
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no way. i don't like it. my FIL gave my dd some red wine once and literally tipped it in her mouth which spilt all down her new pj's and ruined them. i yelled at him to stop it cos she was gagging, and not only that, i'd already told him not to even think about giving her some as she had just had some medication!!
What kind of a question is this? Who does that kind of thing!
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Ivon Prefontaine's curator insight, August 2, 2013 1:30 PM
Technology is a tool and we need to use all tools wisely to make them effective in learning.
Ness Crouch's curator insight, July 4, 2013 5:54 PM
Twitter and Bloom's! I'm very very happy right now.
davidconover's curator insight, July 9, 2013 10:59 PM
This is a great infographic to learn the multiple uses of Twitter for personal and student growth.
Elena Borge's curator insight, July 15, 2013 12:58 PM
Try to use Twitter in class #motivation #newways #challenge
Cath Stephensen's curator insight, July 11, 2013 8:56 PM
this article, although 3 years old, presents the emergence of new thinking about what is happening as we transition from communications that are print based, to the developing power of digital 'voice' (digital communication in all it's genre's)
ghbrett's curator insight, July 23, 2013 8:49 AM
As the old saying goes: "A picture is worth a thousand words." This also reminds me of Malcomb Gladwell's book, "Blink." Amazon: http://amzn.to/13AalVQ
Bruce McDuffee's curator insight, August 20, 2013 2:53 PM
It's important to keep in mind your audience and how the ideal prospect likes to consume content. Scientists or engineers for example my consume or respect different media than consumers of clothing or electronics.


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A bench grinder uses a sanding belt to grind wood or metal objects. Some have the ability to accept a disc attachment that fits on the side of the larger belt gear wheels. This assembly often has a flat guide that allows a woodworker to grind objects at more accurate 90-degree angles. These discs are made with resin and abrasives and may be built at home. They will only fit bench grinders designed to accept grinding discs, however.
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9 Hartford Street,Claremont NH, 03743
3 beds , 1 Full baths
1,212 sq. ft
Status: Active
Berkshire Hathaway HomeServices Verani Realty
(888) 723-0306
Listing Provided Courtesy Of: Real Property Options - Eric Schultz
Last Updated: 2/21/2017 6:17 AM
Description for 9 Hartford Street Claremont, NH 03743
With it's new Kitchen and Bathroom fed by all new plumbing, all the way from the street you will never worry about your water system in this nicely renovated two story Cape. I'm sure you can think of many uses for the big yard, on a very low traffic street.
Listing Information
Public Water Service, Gas Water Heater
Public Sewer
Circuit Breaker Box
Room Information
Dining Area, Kitchen Combo
Interior Features
1,212 Sq. Ft. Above Ground
Oil, Wood, Forced Air, Stove
Walkup, Full, Unfinished Basement
Exterior / Lot Features
1 Garage Spaces, Detached Garage, Gravel
Asphalt Shingle
Out Building, Paved Road, Public Roads, Level
Financial Considerations
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Current market conditions for 9 Hartford Street
Active Market Trends
Source:MLS DATA
Median list price$124,900
Days on market274
Properties for sale103
Sold Market Trends
Source:MLS DATA
Median sold price$96,500
Sales to list price9,749.0%
Properties sold26
Median sq ft price$53
Arrows indicate 90 day trend
Listing Price History for 9 Hartford Street
Claremont Real Estate
Claremont is located in New Hampshire. Claremont, New Hampshire 03743 has a population of 13,304.
The median household income in Claremont, New Hampshire 03743 is $41,350. The median household income for the surrounding county is $53,821 compared to the national median of $53,046. The median age of people living in Claremont 03743 is 41.5 years.
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Tales of Xillia
Favorite Link Arte for each pair?
- Topic Archived
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- Boards
- Tales of Xillia
- Favorite Link Arte for each pair?
Jude & Milla:
Jude & Alvin:
Jude & Elize:
Jude & Rowen:
Jude & Leia:
Milla & Alvin:
Milla & Elize:
Milla & Rowen:
Milla & Leia:
Alvin & Elize:
Alvin & Rowen:
Alvin & Leia:
Elize & Rowen:
Elize & Leia:
Rowen & Leia:
And for reference:
(Use the wiki to find the English names of the Link Artes.)
Here are my picks:
Jude & Milla: Scarlet Fang
Jude & Alvin: Diving Falcon
Jude & Elize: Dragon Pillar
Jude & Rowen: Serpent Knuckle
Jude & Leia: Tempest Pirouette
Milla & Alvin: Wyrm Wrath
Milla & Elize: Chaotic Fusion
Milla & Rowen: Raging Mist
Milla & Leia: Flare Tornado
Alvin & Elize: Teepo Cannon
Alvin & Rowen: Fatal Circle
Alvin & Leia: Spinning Thunder
Elize & Rowen: Gravity Well
Elize & Leia: Revitalize
Rowen & Leia: Stop Flow
Currently Playing: Tales of Xillia, League of Legends
Zed7777ZR1 3 years ago#2
Ruination fangs. Seriously I always do this one , trigger the ... whatchamacallit meter and then savage roar. Mystic art ... That's all there is.
Jude & Milla: Ruination Fang (because Scarlet Fang can entirely miss)
Jude & Alvin: Force Wave (the knockback is intense)
Jude & Elize: Teepo Enraged (hilarious pac-man teepo)
Jude & Rowen: Splash Beam (like they way they say it)
Jude & Leia: Tempest Pirouette (SO USEFULL)
Milla & Alvin: Wyrm Wrath (love the compound hit noises at the end)
Milla & Elize: Chaotic Fusion (the only really useful one in my opinion)
Milla & Rowen: Raging Mist (it's cool to look at)
Milla & Leia: Tetra Elements (a neat concept)
Alvin & Elize: Teepo Cannon (Anything involving Alvin's gun artes in battle is a win for me)
Alvin & Rowen: Guardian Frost (just cool)
Alvin & Leia: Impact Cross (gives me memories of vesperia)
Elize & Rowen: Gravity Well (usefull i suppose)
Elize & Leia: Revitalize (never actually used it outside of just seeing what it did)
Rowen & Leia: Brutal Torrent (same as above. Leia was almost never linked with Rowen)
So ready for: Phoenix Wright 5, Pokemon X, Senran Kagura Burst, Tales of Symphonia Chronicles, Tales of Xillia 2, and Professor Layton VS Phoenix Wright.
Jude & Milla: Twin Lance
Jude & Alvin: Inferno Dance
Jude & Elize: Teepo Enraged
Jude & Rowen: Ground Breaker
Jude & Leia: Sharpening Pulse
Milla & Alvin: Lightning Tiger Blade
Milla & Elize: Chaotic Fusion
Milla & Rowen: Raging Mist
Milla & Leia: Fairy Circle
Alvin & Elize: Teepo Unleashed
Alvin & Rowen: Guardian Frost
Alvin & Leia: Invigorating Rain
Elize & Rowen: Azaelia Blade
Elize & Leia: Revitalize
Rowen & Leia: Stop Flow
I actually have 5 out of each character's 8 slots designated to use any of these Link Artes at any given moment. Which also allows me to pull off a Link Arte Chain with any other 3 members I just happen to have on the field, no matter who I'm playing as.
Other than a few variations from time to time, these are the Link Artes designated for each pair to make use of. Usually the ones that are always used by that pair when ever I have them linked together.
"COme. Let uS aLL eXPresS Our feeliNgs."
Rennik Repotsir 3 years ago#5
Jude + Milla - Tornado Blade (Wind SHINJUKEN!)
Jude + Alvin - Force Wave
Jude + Elize - Teepo Enraged (NOM NOM NOM!)
Jude + Rowen - Serpent Knuckle
Jude + Leia - Destructive Blaze
Milla + Alvin - Lightning Tiger Blade
Milla + Elize - Chaotic Fusion
Milla + Rowen - Raging Mist (reminds me of Antiplode (favorite Dual Tech))
Milla + Leia - Tetra Elements (overall favorite)
Alvin + Elize - Teepo Unleashed (NOM NOM NOM!)
Alvin + Rowen - Guardian Frost
Alvin + Leia - Impact Cross (reminds me of X-Strike)
Elize + Rowen - Gravity Well
Elize + Leia - Full Resurrection (I really don't care for any of them, so I picked this one because of the angel)
Rowen + Leia - Stop Flow
Nothing personal... I'm just bored...
LightOfJudgment 3 years ago#6
Jude & Milla: Judgment Gate - hard to pick a favorite when there are so many. Torrent Impact gets an honorable mention.
Jude & Alvin: Inferno Dance - another tough choice. I also really like charged Sharp Current.
Jude & Elize: Teepo Enraged
Jude & Rowen: Ground Breaker
Jude & Leia: Tempest Pirouette
Milla & Alvin: Quake Breaker - Quick, powerful, gets the job done.
Milla & Elize: Chaotic Fusion
Milla & Rowen: Fatal Detonation - Cool looking, powerful, infinite range.
Milla & Leia: Tetra Elements - I'd like Flare Tornado better if its AoE wasn't so deceptively small.
Alvin & Elize: Teepo Cannon
Alvin & Rowen: Fatal Circle - this one's just cool looking. Powerful, too.
Alvin & Leia: Invigorating Rain
Elize & Rowen: Azalea Blade - another very powerful arte up there with Chaotic Fusion. Very useful in the latter part of chapter 4.
Elize & Leia: Revitalize
Rowen & Leia: Stop Flow
I will never understand why people attack others over their opinions in relation to something as trivial as entertainment media.
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