text: Here's What Your Favorite App Really Thinks of YouBrian Barrett12/13/12 11:17amFiled to: HumorThe OnionTED Talksted8EditPromoteShare to KinjaToggle Conversation toolsGo to permalink Your favorite apps are there to cater to your every whim. At least until it's time to cater to the whims of a monolith that wants to know your personal details, and is willing to pay top dollar for them. Here's what you really mean to the photo sharing services—and basically everything else—of the world, compliments of The Onion. This video is yet another in satirical site's ongoing TED Talks parody, and it maybe hits the closest to its mark of any of them yet. It's every bit as funny as the rest, though; especially once you get past how unsettling it is. [YouTube] Gear from Kinja DealsBestsellers: Aukey Foldable Plug USB ChargerGrace Digital's CastDock Wears Your Chromecast Audio Like an Infinity GemBuy This $33 Chef's Knife Now, and Thank Us LaterReply8 repliesLeave a reply


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TripAdvisor Reviews Haycock Hotel Peterborough
Travel Blogs from Peterborough
Arrived... the stats
... Thanks for following along, it's been fun and gratifying to know friends and family have been on the trip with us.
Many have commented it was "the trip of a lifetime". Well, yes... but we hope not, more one of our trips during our lifetime. We're already thinking about where to go next.
Midge and David
pifactory3142 at gmail.com
Northamptonshire, the County of Squires and Spires
... by the remains of Fotheringhay Castle, where Mary Queen of Scots was beheaded and Richard III was born. A bit of a coincidence this trip, we set off from near Leicester where Richard III was buried, visited Market Bosworth where he was killed and now moored up 50 yards from where he was born.
So, onto Peterborough and through March on our way to the tidal section of the River Great Ouse.
... commemorating the burial of Mary, Queen of Scots. The unfortunate Mary was buried here following her execution by Elizabeth I. Mary's body is no longer here, however; when James I came to the throne he had her remains exhumed and reburied in Westminster Abbey. Peterborough Abbey was dissolved by Henry VIII, but rather than destroy the abbey church, Henry made it a cathedral and created a new bishopric based at Peterborough.
A very long day
... charm of something out of an Jane Austen novel. Cheryl toured us around the home and shared with us some of the history of the home – it's amazing how much of it is original! During World War II, when London was being bombed during the Battle of Britain, many London residents would send their children to the countryside to protect them from the raids (think: "The Lion, The Witch, and The Wardrobe"). Apparently, the bedroom ...
Beer festival
... which shuts at 8) and we settled down for quiet night No 2 on the lake (Bryan had cleared it with the ranger earlier). Back to Peterborough tomorrow.
3 miles
1 lock
Arrived about 10.30. Bryan went off to catch the train to London as he has to collect his prescription from the doctor. Uneventful day. Bryan returned about 5 and he was rather tired. Early night tonight methinks.

subset: commoncrawl


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text: Piura: Uruguay came from behind to beat Paraguay 3-1 in their Copa America quarterfinal on Sunday. Paraguay went ahead with a header from Carlos Gamarra but Carlos Bueno levelled for Uruguay with a penalty six minutes before halftime. In the second half, striker Dario Silva put Uruguay 2-1 ahead two minutes after Gustavo Varela had become the third Uruguayan to be shown a red card in the tournament. Silva then made it 3-1 with one minute to play. Brazil thru to semis In the other match, Adriano scored twice and set up two more goals to lead Brazil into the semifinals of the Copa America with a 4-0 rout of Mexico on Sunday night. Brazil, which hadn't reached the final four of the South American tournament since winning in 1999, will play Uruguay in the semifinals. The winner will face Argentina or Colombia for the championship.


text:
The Urban Flower Project
Pick Up A Book!
The Urban Flower Project is a nonprofit organization
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The Urban Flower Project, P.O. Box 5298, East Orange, NJ 07017
Copyright 2016, The Urban Flower Project


text:
Fueled By Ramen
twenty one pilots have just been announced as part of the Life Is Beautiful Festival in Las Vegas this fall. They'll be performing alongside The Killers, Imagine Dragons, Kings Of Leon, Childish Gambino, Beck and many others. Visit lifeisbeautifulfestival.com for the full lineup and tickets!
Next month twenty one pilots will perform in the UK for the very first time! Tickets are on sale now for their March 26th show at Barfly. London fans can get tickets HERE.


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text:
Brian Lewandowski
Program Director, Software Engineering
Phone: 260.422.5561, ext. 2103
Cell Phone: N/A
Email: email@example.com
Office: Zollner Engineering Center, Room 111C
Class Information
Fall 2014
- CS 2500 Database Systems
- IIT 1000 University Experience
- SE 1100 Introduction to SE/Projects
- SE 2110 SE Project II
- SE 3110 SE Project IV
- SE 4900 SE Project
- SE 4950 SE Internship
Office Hours:
- MTWR: 10 a.m.-1 p.m.
- F: 10 a.m.-2 p.m.
School of Computer Sciences
Academic Advisor Roles
Software Engineering
Academic Degrees
- MBA, Indiana Tech (2010)
- B.S., Business Administration MIS, Indiana Tech (2008)
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No information available.
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No information available.
Additional Information
Software Engineering is what I love. Far from just a day job, I code in my spare time often until the wee hours of the morning, and am always looking at new frameworks, practices, and methodologies. Some of my favorite parts of the Software Engineering degree program have to be when a capable student lands their first internship or gains a fulltime position in the field. It is great to see them take that first professional step and know that they will be rewarded for doing what they love, just as I am.


text:
Read an Excerpt
Chapter One
Monday, January 24, 6:30 A.M.
Los Calina nestled in the foothills at the far west end of Summerlin. Packed in north of Far Hills Avenue, just west of Desert Foothills Drive, the gated community was a relatively new addition catering to upper-middle-class dwellers of a...certain age. Such words as "senior" or "elderly" were not spoken here; and when these folks ate at a restaurant at 4:30 P.M., the reason was preference, not the savings afforded by an "Early Bird Special."
Not as trendy, nor as full of star power, as Lake Las Vegas its more opulent eastside counterpart Los Calina ("The Hills" in less romantic English) catered to older money, clients who wished to remain very private while living in something resembling luxury. Residents were mostly well-to-do retirees still able to live independently. Gardening, garbage collection, and other rudimentary services were provided or overseen by the Los Calina Association, in essence overseen by the residents themselves. For a retirement community, this made other local options even pleasant facilities seem like nursing homes without staff, at best, and tenements, at worst.
A slim but shapely woman in her early thirties, Sara Sidle dark hair dangling out under a black CSI baseball cap, her attractive oval face somber pulled the black Tahoe into the Los Calina entrance to stop at a guard shack that squatted between the IN and OUT gates. The small, mostly glass structure (about the size of a double-wide phone booth) was the architectural equivalent of the guard who lumbered out of it, sweat rings on his short-sleeve brown shirt beneath meaty arms, despite the chill and the shack's thrumming window air conditioner.
In the passenger seat next to her, Gil Grissom stared straight ahead; he might have been catatonic, but was merely absorbed in his own thoughts. Pushing fifty, his hair and trim beard touched with gray, the CSI supervisor wore his customary loose-fitting black shirt and slacks, and an identical ballcap to Sara's. Grissom had never been talkative, but since the Crime Lab's deputy director, Conrad Ecklie, had unceremoniously broken up the graveyard-shift team, Grissom had become ever more interior.
Still, Sara could tell her boss was keeping up the appearance that everything was fine, as best he could; but she was attuned enough to him to detect differences out around the edges. In fact, Sara figured she knew Grissom better than anyone else in the crime lab, with the possible exception of Catherine Willows (recently appointed swing shift supervisor, but for years, Grissom's right hand).
Sitting quietly behind Grissom was Greg Sanders, the former DNA lab rat who had just completed his final proficiency, his two-tone hair (dark brown, orangeish blond) looking more controlled these days. Slender, with a narrow, handsome face, Greg fixed his eyes on something outside the vehicle Sara knew that he had long since learned not to make conversation with Grissom, who on occasion still made life hard for the twenty-something former lab tech.
Nonetheless, Sara felt the young scientist who had taken the "new kid" mantle from her (thank God somebody finally had!) had already turned a corner. The glib, flirty "kid" had receded into a more serious, committed criminalist didn't take many nights on the streets for a CSI to develop that kind of detached, no-nonsense attitude.
In the seat behind her, the newest member of their new team Sofia Curtis also sat in silence. Studying the woman in the rearview mirror, Sara thought the attractive CSI with the long blond hair today pulled back in a loose ponytail had already shown herself to be a highly competent investigator.
But they should be getting to know one another better by now, only Sara couldn't bring herself to let down her guard. Sofia had been the acting day-shift supervisor, seen by many as the much-despised Ecklie's lap dog. When Curtis had sided with Grissom against the vitriolic Ecklie, the woman had been punished with banishment to the graveyard shift and the recently dressed-down Grissom team.
That should have endeared Curtis to Sara. And, yet, try as she might, Sara couldn't help but wonder if they might not have a spy in their midst...
Then, shaking her head at her own (probably ridiculous) paranoia, Sara turned toward the square-headed, blunt-featured guard, who awaited like a carhop at her window, which she powered down.
"Can I help you?" the guard asked, and somehow she managed not to request a milkshake.
Not that the fiftyish guard didn't look properly official, clipboard at the ready, EVERETT stenciled on the nameplate pinned to one side of his brown uniform shirt, the other bearing a silver badge with a pressed-in logo HOME SURE SECURITY.
She lifted her laminated ID on its necklace for his inspection. "Crime lab."
"Oh." His face saddened. "You must be here for Mrs. Salfer..."
She nodded.
"Pity. Nice lady."
Leaning over toward Sara, close enough for her to get a whiff of the scent of his soap, Grissom asked the guard, "Have you been here all night, Mr. Everett?"
"Nope," the guard said, shaking a concrete-block head that seemed to swivel on his shoulders without benefit of a neck. "Jack, the night guy, he called in sick flu. Going around, cold weather maybe."
"When did you come in, Mr. Everett?"
"About five."
Sara checked her watch six-thirty. Why all these cases seemed to fall toward the end of shift was a bigger mystery than most of the crimes themselves.
Grissom was asking, "And who was here overnight?"
The guard looked at the shack like the answer might lie inside.
Grissom frowned. "Don't you know, Mr. Everett?"
He shook the blocky head. "Place was empty when I got here; we been short-handed. Office called me to come in early, so I did don't know what the problem was, if any. Could be nobody was out here from eleven last night till I come on."
"The 'office' called you?" Sara asked. "What office is that?"
He thumped his badge with a forefinger. "Home Sure. We have the contract for security here at Los Calina."
Grissom's smile was faint. "How long do you anticipate holding onto that contract?"
The guard sighed. "Yeah, I know. No one in the guard shack, and here we have a ...a damn murder, or something. Hell of a thing."
"Isn't it?" Grissom said pleasantly. "Thank you, Mr. Everett."
And the CSI supervisor sat back, eyes forward, in a manner that told Sara it was time to move on.
Sara said to the guard, "Thank you, sir," and powered up the window.
Giving them a nod, the guard backed away, then returned to his shack; you could almost see the sweat rings growing, despite the "cold" that was giving everybody the flu.
After a moment, the gate slid open, and Sara eased the SUV through, rolling twenty feet to a stop sign at a T-intersection. Houses went off in each direction, side streets veining to God only knew where.
"Which way to Arroyo Court?" she asked Grissom.
Sofia leaned forward. "Left here, then take the first right; then, when you can, another left."
"You've been here before?" Grissom asked without looking back.
"Just a couple months ago," Sofia said. "I did a seminar on identity theft for the residents. That was at the main office building. Which is the other way, to the right; but they showed me around while I was here."
"You're good," Sara admitted with a smile.
Sofia said, "Call it a gift for street names."
The streets in question wound past lines of stucco houses, both one- and two-story, all looking new and fronted by a lush carpet of green grass a real rarity in these drought-stricken days.
Sofia's directions, not surprisingly, turned out to be right on the money, and they were soon parked in front of a large, two-story tile-roof stucco, with a two-car garage attached on the left; and the lawn looked every bit as well-maintained and manicured as the others around it. This struck Sara as decadent, in an oddly mundane way.
Two cars had beat them here: an LVPD squad in front of the Tahoe, and Brass's familiar Taurus, parked in the wrong direction on the other side of the street. A blue-and-white golf cart a clear plastic covering protecting it from the rain, and the Home Sure Security logo painted on the front was nosed in at an angle, not quite pulled into the driveway, and an ambulance in the driveway itself. Right now the EMTs were packing up their gear and loading it back into the ambulance obviously in no hurry.
Sara hated seeing the defeat on their faces. She'd talked to enough of these men and women, over the years, to know that they were well aware they couldn't save every one on each call; but that didn't stop them from trying...or from feeling like shit when death won another one.
Already in strictly-business mode, Grissom said, "Big house."
"Evidently," Sara said, " 'retired' doesn't mean you have to downsize."
"Not in Los Calina," Sofia said.
They looked at her.
She smiled and shrugged. "Residents here run the full gamut from wealthy to very wealthy."
"What if you're wealthier than that?" Greg asked, his eyes full of the impressive home. "Say stinking rich?"
"You live at Lake Las Vegas," the two women said simultaneously.
They laughed, and Sofia said, "Bread and butter," and Sara enjoyed the brief bonding, while Grissom looked at them like they were at least mildly mad.
Recovering her sanity, Sara asked, "What do we know about this?"
"Four-ninteen," Grissom said. "Probably a four-twenty, if the EMTs are right..."
Four-nineteen meant a dead body, four-twenty a homicide. If you were the victim, Sara thought, you were having a bad day, either way.
Grissom was saying, "According to Brass, the EMTs think she may have been strangled."
"She?" Sofia asked.
"Mrs. Grace Salfer," Grissom said without referring to his notebook. "Owner of the home."
Sara had a feeling Sofia was wondering why Grissom had waited until they'd got here to share this; but Sara was used to it Grissom often did that, preferring background information to have the context of the crime scene itself.
As they climbed out of the Tahoe, Captain Jim Brass his suit a cloudy-sky gray, his face a somber mask exited the house and started down the driveway. A rather small woman in a Home Sure Security uniform trotted along in his wake like an eager puppy.
From the back of the SUV, Sara yanked her crime-scene kit, then came around to see Brass heading in their direction; when the detective abruptly stopped, the woman tailing him nearly crashed into his back.
Grissom and Sara approached Brass, Sofia just behind them.
"What do we know?" Grissom asked.
Eyebrows lifted in Brass's otherwise blank countenance. "Just what I told you on the phone dead body in an upstairs bedroom. Grace Salfer, woman who lives here. Lived."
"Nothing else?" Grissom said.
Brass almost smiled; almost. "Gil you think I haven't learned not to disturb your crime scene, after all this time?"
"Have you?"
Sara glimpsed Sofia trying to figure out whether Grissom was kidding or not. Good luck to her on that.
The short female security guard was next to Brass now, like a high-school football player on the sidelines dogging the coach's heels, hoping to get in the game. Her eyes were green and ever-moving though Sara couldn't quite characterize them: nervous or searching? in a long, thin face that belonged on someone much taller. Straight nose, high cheekbones, very little makeup except for some not-too-red lipstick, blonde hair licking at her shoulders, the guard whose nameplate said GILLETTE was in her mid-twenties at most; and though the brown and tan uniform fit her all right the black webbed belt with a flashlight and pepper spray gave her the appearance of a child playing dress-up.
"Did the security service call it in?" Sara asked, referring to the woman but addressing Brass.
"No," the detective said.
Before he could say anything else, Gillette interrupted: "Alarm didn't trip, for some reason."
Grissom's head made a mechanical turn toward the guard. "And you are?"
Mild irritation digging a hole in one cheek, Brass answered for her: "Susan Gillette guard patrolling the neighborhood overnight. She "
"Never got even a buzz on the alarm," Gillette said, as if completing Brass's sentences was something she'd been doing for years. "That sucker should have gone off like a thousand screaming babies, if someone broke into the house."
Brass closed his eyes, and Grissom smiled mildly and said, "Colorfully put."
Gillette shrugged. "Well, Mrs. Salfer was hard of hearing...not that that's a rarity around here...but anyway, she had the XLR-5000."
The guard imparted this latter piece of information as if everyone on the planet, or at least in law enforcement, would know exactly what she was referring to.
"Did she now?" Grissom asked. "And what is the XLR-5000?"
"The loudest alarm Home Security stocks, for private homes. And trust me, I've heard hers go off enough."
"Really?" Grissom's eyes tightened and his lips moved, as if he were consuming this knowledge. "Then this isn't the first problem at Mrs. Salfer's house?"
"Well, it's the first real problem. Her alarm was always going off, and...Look, maybe Mrs. Salfer and I didn't get along so great, but I would never have ignored a call if the alarm went off."
Grissom arched an eyebrow. "Didn't get along?"
The guard looked sheepish. "She thought her XLR-5000 going off all the time was my fault."
Brass looked sideways at her. "The alarm went off 'all the time'?"
"When she first moved in it did," Gillette said, nodding vigorously. "The techs were out three times, and it's been fixed. Either that, or she turned it off."
From beside Sara came Sofia's voice: "You're the only one patrolling, Ms. Gillette? This is a pretty good-size community."
"Yes," Gillette said, "and no."
They all just looked at her.
"I mean yes, it's a pretty good size...and no, I'm not the only one that patrols at night."
"How many of you are there?" Sara asked.
Gillette held up three fingers and said redundantly, "Three during the day and evening..." Two fingers. "...two of us, overnight. Bobby Ranson, the other overnight guard, he left at end of shift. I rushed right over here as soon as I heard that something was wrong."
"If there was no alarm," Grissom said, "who called the police?"
They all turned to Brass, including Susan Gillette, who had lost (probably just momentarily) her ability to read the detective's mind.
"Next-door neighbor," Brass said. "Carmon Perez she's an early riser. Looked out her kitchen window and saw a ladder leaned up against Mrs. Salfer's house and thought it looked suspicious...too early for repairmen. From her angle, Mrs. Perez couldn't see that the second-story window was open, but the ladder was enough to make her phone Mrs. Salfer. When there was no answer, Mrs. Perez got anxious and called nine-one-one."
Grissom's head was to one side. "A ladder?"
"Yeah," Brass said. "Looks like someone broke in. There's "
"An aluminum ladder up against the house in the back," Gillette said, her psychic network connection with Brass reestablished. "And some footprints nearby. Whoever it was went in through the second-floor window."
Grissom's frown was barely perceptible. "Was the crime scene disturbed?"
"No! I walked around the house and saw the ladder. As soon as I did, I went back around front."
Tightly, Grissom asked, "Weren't there any officers at the house?"
This seemed as much addressed to Brass as the security guard.
Gillette nodded. "Yes, and Captain Brass here pulled up, right when I was coming back around the house. I let them all in with my key, and the alarm wasn't on."
"You mean, it wasn't ringing?"
"No. I mean, yes it wasn't ringing. No, it wasn't even set."
Grissom frowned. "And it should've been?"
Gillette nodded again. "All Los Calina residents are strongly advised to set their alarms at night."
Measuring his words, Grissom said, "Sofia, you and Greg take the exterior, starting with Security Guard Gillette's shoes."
"My shoes?" Gillette blurted.
Grissom continued as if she hadn't spoken. "Sara and I will take the interior."
Gillette, small but feisty, got right in Grissom's face. "What do you want with my shoes?"
"You walked through my crime scene," Grissom said, his smile small yet somehow enormously reproving, his tone as mild as if he were ordering coffee.
"Uh, with all due respect, what makes this your crime scene? We're all law-enforcement professionals here."
"I'm the lead crime-scene investigator. That makes it my crime scene...but I'm not greedy. I'm going to share it with these other crime-scene investigators. With all due respect, you are a security guard who trampled through my crime scene, and turned her shoes into evidence. Those shoes will be processed, in part as an effort to eliminate you as a suspect."
Grissom's voice remained soft, calm. "This is Greg Sanders give the nice man your shoes and he'll give you a set of plastic slippers."
"I don't have to give you my shoes do I?" Her volume was lower now, matching that of the serene Grissom, only with a pitiful edge.
"You do. Greg? Would you help Ms. Gillette?"
To Sara, the exchange had been like watching one of those old movies of the snake charmer hypnotizing a cobra with a flute.
After a few moments of stunned silence, Gillette followed Greg to the SUV for the shoe exchange.
While Sofia stayed outside to process the entry point, Sara and Grissom followed Brass through the front door. A few seconds were required for Sara's eyes to adjust to the darkness within, but soon she found herself in a wide foyer with a Mexican tile floor. To her right, a round dark three-legged table made a home for a smoked glass vase filled with fresh lilies; maybe fifteen inches in diameter, the black lacquer table stood about thirty inches high and was covered with gold flowers. A spindle ran down to a much smaller flowered circle that sat upon three carved legs, the feet of which also bore the gold flowers. The table, which was museum quality, seemed from a different time altogether.
"Golden Khokhloma table," Grissom said, as he watched her study it.
"Golden...what was that?"
"Hok-lo-ma. The process is very old...around the time of Peter the Great." Grissom was spellbound now, his eyes affectionately taking in the table. "The 'gold' is actually powdered aluminum, not covered by the black lacquer. Gilded wood, they called it. Very popular. Collectors would kill for a table like that but not tonight, since it was left behind."
He moved off into the living room to the right. Sara stood there wondering if there was anything in the world the man did not know. To her left, a long staircase with a dark banister rose to a second-floor landing off of which were three doorways, one open; that would wait. For now she followed her boss into the living room.
It was larger than her own living room, dining room and kitchen combined Sara couldn't imagine having this much space at her disposal. Windows consumed the wall to her right, morning sun already leaking in, taunting Sara as her shift ended but her work continued. A tan leather sofa faced a thirty-six inch TV on a far wall otherwise taken up by bookshelves, a single arm chair angled, a squat coffee table providing a place for a neat pile of mail, stacked magazines, a remote control for the TV, and a pair of eyeglasses.
At left stood a four-panel Chinese screen across which flew four cranes, hand-painted on silk symbols of happiness and long life in Chinese mythology. (Did Grissom know that? Probably.) In any case, their meaning rang empty for Grace Salfer, right now anyway.
The only thing out of place in this immaculate room was a pair of slippers under the edge of the coffee table.
Next, she followed Grissom and Brass upstairs to the master suite where the victim lay in bed, blankets pulled back, probably by the paramedics. Brass positioned himself to stay out of the CSIs' way but to take everything in; Sara knew of no detective on the LVPD more sensitive to the needs of a crime scene but, then, he had once been supervisor of the crime lab himself.
This chamber was elegant and simple, a Mediterranean dresser next to the door, a taller, matching chest beyond the foot of the bed. The bed itself had four spindle posts and a matching nightstand on the left with a paperback book, a plastic daily pillbox, and a wind-up alarm clock.
On her back, one leg drawn up and bent out, her arms spread, Grace Salfer resembled one of the cranes painted on the screen downstairs. She wore navy blue lounging pajamas and nylon anklets. Her top, open at the throat, revealed no ligature marks.
The woman had been beautiful once, her eyes closed now, her features at peace.
Sara noted the short-trimmed, well-groomed white hair; high cheeks with just a hint of sag to them; straight nose; sharp chin; lipsticked lips crinkling up at the corners, as if death had been welcomed with a smile.
"Blue tinge," Grissom said, gesturing to the victim's face.
"She didn't die on her back," Sara said. "Otherwise, I'd say Mrs. Salfer just went to bed and to sleep."
"But not perchance to dream," Grissom said.
Rigor had already started to settle in. That meant the victim had been dead for somewhere between six and twelve hours. Autopsy would give them a more exact time.
Bending over the corpse, Grissom carefully lifted the woman's left lid and revealed one large, lifeless green eye.
"Petechial hemorrhaging," Grissom said.
"Possibility she was strangled," Sara said. "No bruising or other apparent hand marks on the throat..."
Not having budged from his position, Brass glanced around the room. "Doesn't look like she put up much of a fight. Suprised her in bed?"
"Pillow maybe," Sara said.
"Here's a thought," Grissom said. "While we're building hypotheses, let's also look at the evidence."
This sort of prickliness was hardly unusual for Grissom, but Sara couldn't help wondering if his irritability quotient hadn't risen since his dressing down by Ecklie.
Why was she thinking about this, and not the job at hand?
Partly, she was tired, a trifle punchy; but more than that, all this political infighting was taking its toll on her on all of them. Ecklie had them looking over their shoulders, instead of concentrating on the case. Though one day she intended to be a supervisor herself and exposure to the political b.s. that went with the job was a good learning experience for her she also knew that until Ecklie was out of the equation, a supervisor slot was not for her: he wouldn't offer it, and she wouldn't take it from that jerk even if he did.
"For one thing, there's lividity in the face," Grissom was saying, pulling Sara back to the scene. "Vic was on her stomach for some time before she was turned over. Or moved..."
Brass finally came closer. "Moved?"
Grissom nodded. "She's in bed here, but her glasses and slippers are downstairs."
Sara said, "I noticed those didn't put it together, though. Nice catch."
"Thank you."
Her eyes went to the doorway. But why would the assailant move Mrs. Salfer upstairs, after killing her? And if he or she waited long enough to move her, so that post-mortem lividity set in...what was he doing during the interval?
"Didn't you hear me?" Grissom asked.
Hear him what? Sara wondered. "Sorry," she said. "I was...thinking."
"Thinking is allowed. But we also need some photographs."
"On it," she said, happy to have evidence to concentrate on instead of supposition.
She withdrew the camera from her case and snapped away at the body, often following Grissom's lead he pointed to some faint bruising on the woman's neck and Sara took close-ups. He also found carpet fibers in the victim's hair, which Sara recorded with the camera before he put the fibers in an evidence packet.
"Bedroom floor is hardwood," Sara said, lowering the camera for a moment. "Only carpeting's in the living room, downstairs."
"Which is where she was killed," Grissom said. He threw her a smile. "Keep thinking."
Slowly, they worked their way out of the bedroom, then back to the first floor and, finally, back up to the rest of the second.
The only thing they had to show for their efforts so far were smudged prints Grissom got off five keys of the alarm keypad, some footprints gleaned from the Mexican tile floor in the entranceway...and even those were piled on top of each other, all the people who'd been in and out of the house since the call came in: EMTs, uniformed officers, Brass and both CSIs. And those were just the ones Sara knew off the top of her head. The victim's footprints would probably be in there too, and buried in among all those would be the killer's.
They found the open window on the second floor in a back bedroom made up to be a guest room. Small and tidy, the room had a twin bed you could bounce a quarter off, a dresser and mirror next to the door, and a short chest of drawers opposite the bed. The room appeared perfectly clean, a guest room that seemed never to have housed a guest.
Sara photographed the window and Grissom dusted the sill and frame, as well as the mirror (frame and glass) and the tops of both the chest and the dresser. They found only two prints, on the top of the dresser. Sara dutifully took pictures before Grissom lifted them.
"Mrs. Salfer?" Sara asked, nodding toward the prints.
Grissom said, "Probably. Do you notice anything about this scene?"
Sara looked around the room and thought back to what they had seen downstairs. "Very clean."
"Exactly," Grissom said. "It only stopped raining a couple of hours ago, rained since noon yesterday. Ground outside should be a mess, and there should be "
"Water or wet footprints on the floor."
Grissom nodded. "With rigor present, that tells us she was killed last night, during the height of the storm."
"Yet the house is bone dry...and so is the body."
"The evidence never lies," Grissom said, "but someone may be trying to lie to us, through the evidence."
Sara wasn't sure she followed that, but said, "Yeah," anyway.
Outside they found Greg and Sofia in the backyard. Greg had camera in hand while Sofia put down a scale-providing ruler next to a footprint in the flower bed. Beyond the footprint, an aluminum ladder leaned against the house under the open second-floor window.
Grissom told the pair what he and Sara had found inside. "What have we got?" he asked.
"Two footprints in the mud," Sofia said. "But there's something about them I don't like."
"What's not to like about a footprint?" Grissom asked innocently, but Sara thought she was finally following him.
Sofia was new, but she knew enough not to bite. "Take a look, Grissom and you tell me."
Squatting at the edge of the flower bed, Grissom studied the footprints. Over his shoulder, Sara looked at them, too: prints were even, and surprisingly well defined, considering the inclement weather last night. The ladder leaned against the house, its feet flat on the wet dirt. Something wasn't sitting right with her, either; but Sara couldn't quite nail it...
"You know," Grissom said, pointing to the prints, "I don't like 'em, either."
Sofia nodded and Greg inched closer to get a better look.
"They're too well defined," Grissom said. "With last night's weather, these prints should be a mess."
Greg said, "You couldn't find more perfect prints outside Mann's Chinese in Hollywood."
Grissom glanced up, Greg flinched, but then the supervisor smiled and said, "Aptly put, Greg."
Greg grinned.
Sara wasn't grinning, but she was nodding herself.
"They should be deeper, too," Sofia said.
"Deeper?" Greg asked.
"Yes," Grissom said. "These prints belong to about a size-ten man's shoes. Judging from the depth of these impressions, he weighed, oh...a hundred pounds."
"Child, maybe?" Greg offered.
"In size tens?"
"Same with the ladder," Sara said, gesturing. "If a man of normal weight for the size of these prints had climbed this ladder, the feet would be buried in the mud. And they're not."
"And where's the mud on the rungs?" Grissom asked, standing. "Only, they're clean." Hands on hips, he surveyed the scene, shook his head, smiled slyly. "No. Somebody thinks he...or she...is cute. This is all staged. Inside and outside both. And I hate cute."
"Complete agreement here," Sofia said. "This is orchestrated, all right."
Sara felt a ball of anger forming in her stomach. "Somebody thinks we're stupid."
"Which is the killer's second mistake," Grissom said, and cast a beatific smile upon his crew. "The first was thinking we'd let anybody get away with what was done to Grace Salfer."
Copyright © 2000-2005 by CBS Broadcasting Inc. and Alliance Atlantis Productions, Inc. All Rights Reserved.


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Swimlane Diagram Flowcharts
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Swimlane for ordering process
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In the winter season it is only 30 minutes driving to one of the nearby skiing centres. Skiing in the mountains is possible till the end of May, and at the same time all the fruit trees in the area are in blossom


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BiologyUsually encountered solitarily or in small groups containing up to 4 individuals on sheltered reefs in the vicinity of Triton Bay at depths of about 5-20 m. It was often seen on algal-covered rocky surfaces, but on one occasion was found among the branches of an unidentified gorgonian sea fan. The brood pouch is found immediately behind the anal fin and occupies the ventral surface of the first 10 tail rings (one pouch contained 34 ripe eggs with diameter ca 0.7 mm (Ref. 74959).


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About this project
Main Funding Goal Reached!
Thanks to you, Habitat has reached orbit! We are so thankful to bring this game to the world. Please help us add even more great features by supporting our Stretch Goals!
Pledge $35 or Above to Get Your Xbox One Copy!
We are pleased to announce that copies of Habitat for Xbox One are now available as a backer reward! Find the "PLUS XBOX ONE" tier at $35 - pledge this tier or above to get one copy of Habitat for Xbox One when it launches, in addition to all the other rewards listed at the selected tier.
If you're already pledged at any $35 tier or above, you're already in. For other questions about the tier and pricing, please see this FAQ entry.
What the Press Are Saying about Habitat:
"Rife with opportunities for both destruction and discovery" - Rock, Paper, Shotgun
"Habitat is a game to watch" - Hardcore Gamer
"A beautiful game with a revolutionary concept" - Niche Gamer
"Habitat is a game that definitely stands in a class of its own" - Omnicomic
- $70,000: Individual Tech Trees for Citizens and Engineers - Upgrade the world of Habitat even more with genetic and technology upgrades for your each of your citizens and engineers.
- $85,000: Programmable AI Habitats - Automate habitats using a powerful and easy-to-use visual editor to make habitats scout and explore, track threats, auto-build and fight enemies.
- $100,000: Rocket Arena - Battle against 3 other friends on the same machine in a timed race to construct and destroy using a shared field of debris.
- $115,000: Modding Support - Script, skin, and share your own creations with others. Import your own models and write scripts to control how your creations behave in-game.
- $125,000: Tower Defense Mode - In Habitat's twist on a classic genre, send and control waves of Habitats to try and take out an enemy stronghold.
- $150,000: Dungeon Master Multiplayer - Asymmetric Internet multiplayer, where one player becomes the almighty dungeon master with control over events and anomalies on the map while another player tries to finish their objective.
Habitat is a real-time, physics-driven orbital strategy game for PC, Mac, Linux and Xbox One where you build, fly, and fight with unique space stations you create out of space junk orbiting earth.
The basic mission structure is about fast-paced, emergent fun by building combinations of junk that work together, to support life or to destroy it. Exploration and resource management is combined with physics-based flight and combat in orbit to bring your space station creations to life.
- Any Object, Debris and Junk can be used to craft your Habitat: Attach objects together in any order, out to any size. Build tiny invaders or huge platforms. Jettison whole chunks and re-combine with others to create new orbital stations; as many as you want, whenever you want.
- Don't think it can fly? Attach a Rocket to it! Fly your creations big or small by attaching rockets and letting physics do the work. Massive stations can be expertly flown to their destinations or turned into whirling kill-vehicles, all with rocket physics.
- Salvage wreckage to your gain: Fight enemy habitats with your creations, crack them apart, and harvest their junk pieces to add on to your own habitats.
- Everything is upgradable: Mine asteroid resources and research a full tech tree to upgrade your habitats with stronger materials, beefier rockets and special powers.
Habitat's game modes will include:
Sandbox mode: A persistent world for building and creating, populated by a procedural engine to give you new fields of junk to explore each time you start a new game.
Campaign mode: A narratively-driven experience that will have you taking on exploration, building, and fighting in a race to save humanity from a nano-machine army consuming Earth.
Step One - Explore, Discover, and Combine Junk
- Explore a vast orbital playground: a huge playing field around the earth, from near-earth to the "graveyard" orbits further out.
- Humanity's history is yours to use: not just satellites and shuttles, you'll find and use the structures and vehicles from entire civilizations.
- Combine and recombine: weld junk together any way you want. Merge and split habitats, even while in flight or in combat.
Step Two - Specialize, Upgrade, and Unlock Tech
- Special powers, hidden potential: each type of junk has different uses and powers you unlock by attaching and upgrading as part of your habitat.
- Life and crisis in orbit: manage oxygen, electricity, food and living space for your citizens; and respond creatively as things go wrong in space.
- Advance and evolve: discover advanced technologies with a full tech tree, and specialize your research to evolve into a spacefaring superpower.
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- Just add rockets: every city is a flying city; attach boosters, thrusters, even ICBMs to take your habitats deeper into space with a physics-driven flight simulation.
- Smash and grab: take on enemy habitats with kinetic orbital weapons you build; find weak spots and tear them apart to salvage their pieces for your own habitat.
- Your orbital empire: make as many habitats as you want; network them with power transmission, automated defenses, sensor arrays and more to build humanity's future in orbit.
Habitat is proud to have an original score from veteran composer Alexander Brandon, who has scored an incredible list of titles, including the original Unreal, Deus Ex, Tyrian and many more. Read more about Alex and his studio Funky Rustic here!
Listen to the main theme song of Habitat on SoundCloud:
Why Alex is excited about Habitat, in his own words:
Pledge $35 or Above to Get Your Xbox One Copy!
We are pleased to announce that copies of Habitat for Xbox One are now available as a backer reward! Find the "PLUS XBOX ONE" tier at $35 - pledge this tier or above to get one copy of Habitat for Xbox One when it launches, in addition to all the other rewards listed at that tier.
If you're already pledged at any $35 tier or above, you're already in. For other questions about the tier and pricing, please see this FAQ entry.
As announced at the Game Developers Conference in March, Habitat will be coming to Xbox One, the all-in-one games and entertainment system from Microsoft. As an independent title from ID@Xbox, the self-publishing program for independent developers on Xbox One, you'll be able to build, explore, and go crazy with rockets right from the comfort of your living room.
Habitat's unique build-fly-and-fight mechanics work smoothly on gamepads as well as the traditional keyboard and mouse; at Habitat's first showing at the Xbox One event in San Francisco, participants let us know constantly how natural the controls felt with a gamepad. The Xbox One also gives us unique opportunities to explore additional inputs such as Kinect and SmartGlass.
Habitat is currently in development at 4gency's HQ in Seattle, Washington. The first build was shown at Game Developers Conference in March 2014.
- We're well underway. The game is playable, stable, and ready to expand with more junk types, advanced features and a full campaign.
- We're making this a community effort. This is a game that's right for early access Alpha and Beta programs, and we're sprinting forward to bring you early builds as soon as possible.
- We need your help to cross the finish line. Our target for backers is the minimum amount we forecast it will take to get this game into your hands, where we can continue making improvements based on your feedback.
We want Habitat to be a game that you love, one that you'll want to continue playing because it keeps surprising, inspiring, and exciting you.
Your support as a backer goes directly to our development budget; the code and art that go into the game you'll be playing.
Our schedule looks like this:
- March 2014: Development build at GDC (DONE!)
- April 2014: Kickstarter campaign
- Summer 2014: Alpha with backers and early adopters
- Fall 2014: Beta with wider community support
- Holiday 2014: v1.0 Release on PC, Mac, Linux, Xbox One
We want to focus on making sure the game has the features you want. As our Alpha and Beta programs go on we'll be dialing in the final release date.
The Team
4gency is an indie game studio in Seattle, Washington. Founded by Charles Cox, a ten-year veteran of the video game industry, 4gency brings experience from Zipper Interactive, Microsoft Game Studios, Amazon, Big Fish Games, Sierra Studios and Pipeworks.
We were founded in 2011 by Charles, who brings a over a decade of experience spanning PC, Xbox, Playstation and Mobile as a designer, programmer and management professional.
Alex is a designer, hyper modernist, and avid gamer of the digital age. He brings heavyweight experience from being in-house design for industry titans, as well being a design leader in Seattle.
Elbert is a one-two punch of technical and creative thinking in a passionate persona and has worked on and self published more than 25 indie and AAA games since 2005.
Chris is a 3D specialist with over a decade's worth of digital media experience and well over a dozen shipped titles across PC, console, handheld and mobile platforms.
Henry is an accomplished game programmer of over seven years, who has worked across multiple platforms and titles, specializing in gameplay and user interface development.
Risks and challenges
Our team at 4gency has deep experience in planning, focusing, and steering game projects through rough waters. We plan to address challenges along with opportunities using three key principles: transparency, priority, and agility.
- Transparency means you'll hear about the tough choices. If dates or features need to change, you'll know why.
- Priority means you - our backers - come first. What we've promised, we'll deliver, and we'll always keep that top of mind, in every discussion.
- Agility means we'll find a way. We have no great boulders of policy that have to move when we need to make a call. We won't stall out on the decisions that need to be made. We're going to pick the direction we feel is right for you, right for the product and right for us, and go.
It's not always going to be smooth sailing. But we're keeping our priority on you, our transparency levels high, and our agile sneakers on. We're going to build a great game for you.Learn about accountability on Kickstarter
Pledge any tier $35 or above to receive one copy of Habitat for Xbox One when it releases, in addition to all other rewards.
If you're already pledged at any $35 level, you're in! Please note that we will not be able to provide 2x copies of Habitat for Xbox One at any 2x tiers, just one copy per backer.
We do not have an Xbox One-only tier; all $35 and above tiers will also get access to the PC, Mac and Linux builds as well as Early Access.
As Microsoft charges us a certain amount for Xbox One copies of the game, we need the price of this reward to be a little bit above the baseline. We hope you'll consider pledging at this level to support our development efforts as well as getting your reward - we know it'll be worth it!
Right now we haven't planned for an extensive Xbox One Beta in the same manner as the PC, Mac and Linux early access Beta. For us it comes down to not having all the resources we need to keep two betas with two unique beta communities running simultaneously.
If we are able to support a Beta for Xbox One, we'll be sure to announce it on our official website, http://www.jointhe509th.com. See you there!
We are committing to making Habitat available on PC, Mac, Linux, and Xbox One. No other platforms have been announced as of the time of this writing. We're a small team, and we can only get so much done. We hope you'll keep your eye on us and support this little indie shop of ours even if we can't get to your favorite platform right away.
If we choose to bring Habitat to other platforms, we'll announce it on our official website, http://www.jointhe509th.com. See you there!
If you don't hit your stretch goals, such as multiplayer, will you still be able to get the stretch goal features into the game?
Stretch goals give us the ability to commit fully to extra in-game features. If we hit our stretch goals, you'll get the feature, guaranteed.
If we don't hit a particular stretch goal, it doesn't necessarily mean we'll never ship the feature; it may come later, or it may come in a different form. And, there is the possibility that it may not come at all (but we hope that doesn't happen!)
Hitting our stretch goals is the best way to guarantee that a feature will ship, and you can help us get there by pledging and spreading the word about Habitat.
Support this project
Funding period
- (30 days)


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Thayers, Witch Hazel Aloe Vera Formula, Alcohol-Free Toner, Rose Petal, 12 fl oz (355 ml)
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Medley Capital (NYSE:MCC) recently issued 6,900,000 shares, which includes the full exercise of the underwriters' option, at a public offering price of $13.00 per share that was accretive to its net asset value ("NAV") per share of $12.65 but increased the amount of shares by over 20%. MCC is one of the newer BDCs and I consider it one of the top companies to invest in for many reasons including its high yield, undervaluation compared to most BDCs, dividend growth history, superior investment class mix, high analyst rankings, and its history of dividend coverage from net investment income ("NII"). This article will discuss the impacts from the recent offering and the sustainability of its 10.8% dividend yield using my projections through the end of the year as well as identify the key risks and the proper price investors should be paying. MCC is a component in my 'High-Yield' and 'Value & Growth' BDC portfolios, as well as my 'General Optimal' portfolio, so I will provide some of the analysis behind my reasoning for this BDC as a quality component to those portfolios.
Growth Capital
MCC currently has a debt-to-equity ratio of 0.66 but plans to pay this down with the recent equity offering giving it plenty of potential capital to grow the portfolio including:
- $86 million in net proceeds from the recent sale of 6.9 million shares.
- $230 million revolving credit facility - $31 million outstanding as of September 3.
- $150 million of SBA debentures - $5 million outstanding as of June 30.
The SBA regulations currently limit the amount that MCC may borrow to a maximum of $150 million based upon at least $75 million in regulatory capital, and as of August 1, 2013, it had $50 million in regulatory capital which allows them to borrow up to $100 million from the SBA. These debentures are 10 year fixed rate term loans at very low interest rates and are not included in the lending ratios that limit the amount of leverage a regulated investment company ("RIC") is allowed to use. This will reduce MCC's cost of capital as well as provide fixed rate borrowings for future growth.
MCC has been maintaining its portfolio quality with 99.6% of its portfolio in senior secured debt (more than any other BDC) and has experienced competition in the previous quarters resulting in lower yields but this trend has been leveling off with CEO stating "yields in the market have been stable. So, we produced assets just over 13% this quarter, the amortizations and prepayments rolled off at approximately 12.5% so that was actually a slight yield pick up on that portion that rolled."
At the end of the most recent quarter, MCC had a healthy amount of backlog and the CEO mentioned "In terms of the market, on our backlog, the yields are at or above and one comment I have I believe made in the past is that indicative pricing on a backlog does not tell you where it will close. But that it's been stable and it's higher than our current booking would lead us to believe -- leads us to expect the pricing is now stable and that's what we're seeing in the current quarter."
MCC has indicated that it has a comfortable debt-to-equity range of 0.6 to 0.7 and I have assumed a debt-to-equity ratios between 0.5 and 0.6 (excluding SBA debentures) and adjusted the average rates down for calendar Q4 based on the latest information. The CEO mentioned "in terms of leverage we said publicly and we will stick with it that our target on balance sheet ex-SBIC is 0.6 to 0.7. We ended the quarter at 0.65 and I saw top end of that range. We have a little bit of flexibility. And the SBIC we have access to." For purposes of projecting interest income in the coming quarters I have assumed net new originations similar to the previous quarter and slightly reduced yields:
Management fees are in line with other externally managed BDCs at 1.75% of gross assets (some are 2.00%) and incentive fees of 20% of pre-incentive fee net investment income (with an 8% hurdle rate) and 20% of "cumulative aggregate realized capital gains less cumulative realized capital losses, unrealized capital depreciation (unrealized depreciation on a gross investment-by-investment basis at the end of each calendar year) and all capital gains upon which prior performance-based capital gains incentive fee payments are previously made to MCC Advisers." I did not assume any significant additional incentive fees related to realized capital gains which the shareholder would ultimately benefit from as well. The other expenses are nominal and have very little impact on EPS.
Using these assumptions, I came up with calendar Q3 and Q4 EPS of $0.389 and $0.387 (higher than the current analyst expectations), respectively. More importantly was the projected EPS 'run rate' if MCC did not issue additional shares and was able to benefit from a full quarter of interest income from the current portfolio, as well as reduced interest expense after utilizing the new SBIC loans, I came up with quarterly EPS of $0.44. This would give MCC plenty of room for further increases to its dividend from the current $0.37. The CEO recently stated "we expect net investment income will meet or exceed the current dividend as we look forward assuming we are able to deploy capital as planned."
In a recent series of articles "BDC Risk Profiles" I took an in-depth look at the relative risk levels of each BDC. Specifically, I looked at portfolio credit quality, investment asset classes, diversification, non-accrual rates, portfolio yield, fixed/variable rate loans, leverage, interest rate sensitivity, volatility ratios, market capitalization, insider ownership and trends, institutional ownership and trends, and management/operational history. I currently rank MCC 5.9 out of 10.0 on a relative risk level (10 being the least risky) for the following reasons:
- Much better than average investment class mix
- Average leverage ratios
- Average industry diversification
- Average market cap size
MCC currently has the highest amount of senior secured loans as a percentage of its portfolio than any other BDC with a weighted average loan to value ratio ("LTV") of 56.4%. The LTV ratio for a portfolio investment is a useful indicator of the riskiness or its likelihood of default and MCC seeks to structure transactions with downside protection and LTVs of lower than 65%.
I have a few concerns with investing in MCC including a loan to Geneva Wood Fuels that was added to its non-accruals with a fair value of approximately $4.1 million, or 0.6% of the portfolio, a decrease in floating rate loans as percentage of the portfolio, and its weighted average yield of 13.8% which is higher than most BDCs, as well as an increase in leverage and decrease in the amount of interest expense coverage from NII.
During the recent earnings call, they discussed the loan on non-accrual: "this company is currently in a sale process and we expect the process to be complete in the current calendar quarter." Currently only 45% of its portfolio bore interest based on floating rates, but during the call they also stated "we expect to increase the percentage of floating rate loans in the quarter's ahead."
Given the most recent equity offering, MCC's debt-to-equity ratio will most likely fall below the industry average and as it moves toward a lower cost of capital and increases its NII, its interest expense coverage ratio should improve as well.
BDC Pricing
When considering BDC valuations, I take into account many criteria including its relative risk rank compared to the pricing multiples NAV per share, last twelve months EPS and 2013 EPS for each. I believe there is a strong correlation between investors' perception of risk and the valuation multiples they pay. The table below breaks down the BDCs into groups with associated multiples:
Currently the average NAV per share multiple is 1.07 (excluding ACAS as an outlier) and P/E multiple is 11.2 using 2013 EPS. The 'standard deviation' statistically measures the variation of pricing compared to the average, with 68% of BDCs priced within one standard deviation from the average or between 0.93 and 1.21 times NAV per share and between 9.3 and 13.1 times 2013 EPS. Ideally, each BDC would be priced along a valuation curve with investors paying a premium for favorable risk-to-reward ratios.
Using MCC's risk rank of 5.9 would imply that it should be priced just above the current averages:
- NAV multiple: 1.10 x $12.65 = $13.92
- LTM EPS multiple: 11.3 x $1.49 = $16.84
- 2013 EPS multiple: 11.7 x $1.51 = $17.67
Currently the stock is trading at $13.65.
I believe MCC will be able to cover its dividends through the end of 2013 as well as potentially increasing them over the next few quarters. I also believe that it will continue to invest in high quality assets and improve its risk profile by reducing its leverage, increasing its interest expense coverage from increasing NII and reduced cost of capital, reducing its non-accruals, and positioning its portfolio for rising rates with more floating rate investments and fixed rate borrowings. MCC is currently undervalued and has one of the higher sustainable yields with the potential for growth. My current price target for MCC is between $15 and $16 but if it is successful in growing its NAV per share value and improving its risk profile, this range would be closer to the $17 implied from the EPS multiples.
Investors should only use this information as a starting point for due diligence. See the following for more information:
- List of 25 BDCs and associated focus articles
- BDC Investment Philosophy for general BDC information
- BDC Risk Profiles
- Latest BDC Rankings
Disclosure: I have no positions in any stocks mentioned, and no plans to initiate any positions within the next 72 hours. I wrote this article myself, and it expresses my own opinions. I am not receiving compensation for it (other than from Seeking Alpha). I have no business relationship with any company whose stock is mentioned in this article.


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Category Archives: survival
Quinzhee Snow Shelter
Winter is here. For some of you it is here with real gusto. Growing up in Missouri and being sent out to 'play' no matter what the weather or who was around I learned a lot about how to entertain … Continue reading
"Make yourself a wool bush shirt" my article on 'The Bushcraft Magazine'!
Originally posted on Wild Tuscany Bushcraft:
One of my dreams comes true! Last month I've written a tutorial on making a wool bush shirt and this article… has been published in the Autumn issue of "The Bushcraft Magazine"!!! Here are two shots…
Posted in bushcraft, camping, survival Tagged bush shirt, bushcraft, wilderness survival 2 Comments
How to Improvise and Use a Three Stick Roycroft Pack Frame
Thanks to Survival Sherpa for posting this look at making a pack frame. Making a quick, three stick pack frame is a valuable bit of knowledge. How serendipitous that this came up (seems to be a lot of convergent thinking … Continue reading
Posted in camping, primitive technology, survival Tagged 19th century, backpack, bushcraft, camping, primitive technology, roycroft, survival, wilderness survival 1 Comment
Bois d'Arc Primitive Skills Gathering and Knap-In
A fun and relatively tame primitive technology event for a good price located in southwest Missouri put on by good friends of mine. Here's some information from their website: This unique event has two parts – a free knap-in/native arts-crafts … Continue reading
How to make a 'medieval style' possible pouch; more traveler's gear
Originally posted on Wild Tuscany Bushcraft:
Old style bushcraft: a medieval possible pouch During the Middle Age was common carrying small items like coins, keys, inside pouches or purses attached to the belt. There are many archaeological and iconographical documents, you can search for…
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jQuery animation flickers during scroll (Please Help)
# December 27, 2012 at 12:51 am
Hello Everyone,
There seems to be a few glitches with some jquery I'm working with. I've attempted a fix…having no luck. Hopefully the experts here can provide some assistance. Thank you.
The animation flickers/stutters when scrolling the page too fast or at a continuous rate.
**Attempted Fix**
Added .stop() to prevent animation queue buildup _Failed to solve the issue_
Prevent the flicker/stutter during excessive scrolling# December 29, 2012 at 7:23 pm
I didn't experience a flicker with your example. Perhaps you need to throttle your scrolling event so that it doesn't fire too often. Take a look at this to learn more about throttling:
http://benalman.com/projects/jquery-throttle-debounce-plugin/# December 29, 2012 at 7:59 pm
Add this:
return false;
to the last line of _scrollThis()_. When you use mousewheel, you need to return false if you don't want the user's action to actually move the scrollbar. What's happening in your code, is when the user scrolls the mouse wheel, the scrollbar is moving _and_ your javascript is firing. You just want your javascript to fire and ignore the native behavior.# December 30, 2012 at 7:25 am
This reply has been reported for inappropriate content.
Thanks for the replies.
Is this the correct method for return false?
var lastAnimation = 0;
var animationTime = 600; // in ms
var quietPeriod = 0; // in ms, time after animation to ignore mousescroll
function scrollThis(event, delta, deltaX, deltaY) {
var timeNow = new Date().getTime();
// change this to deltaX/deltaY depending on which
// scrolling dir you want to capture
deltaOfInterest = deltaY;
if (deltaOfInterest == 0) {
// Uncomment if you want to use deltaX
// event.preventDefault();
// Cancel scroll if currently animating or within quiet period
if(timeNow - lastAnimation < quietPeriod + animationTime) {
if (deltaOfInterest < 0) {
if ($('.active').next('div').length) {
lastAnimation = timeNow;
$('html,body').stop().animate( {
scrollTop: $('.active').offset().top -=20 }, animationTime);
} else {
if ($('.active').prev('div').length) {
lastAnimation = timeNow;
$('html,body').stop().animate( {
scrollTop: $('.active').offset().top -=20 }, animationTime);
return false;
# December 30, 2012 at 12:46 pm
This reply has been reported for inappropriate content.
If you have a chance would you mind looking at a similar thread I started?
You must be logged in to reply to this topic.


text:
4 posts tagged with interview by CollectiveMind.
Displaying 1 through 4 of 4.
North Korea Internet Outages
As of this writing, North Korea has had two Internet outages in 48 hours. A lot of people seem to watch when Internet service goes down for countries and companies. But I don't recall anyone saying North Korea's Internet had gone down until within the last couple of days. Has anyone reported North Korea's Internet going down in the past?
Synthetic People Having a Real Conversation?
I've created a promotional video for my website, which is currently listed as a Metafilter project called Conversus. The purpose of the video is to show how I can (with Google Translate) translate any conversation from most languages to most languages. I want to do this as part of the interview services I offer. In this video, I explain how this works by creating people using synthetic voice software, I give them names and I interview them. Since they are not real, am I being unethical if in a Twitter post, I say, "Rodney, Svetlana, Ying, Niles, Maria, Bridget, Nanette & Hassan talk about being interviewed."? I've been a journalist for a long time and ethics is kind of hard wired in, so I'm just checking a broader opinion base.
15 Minutes of Fame
I am looking for information on how people feel, like and want (or not) to be interviewed by TV, radio or newspaper reporters. [more inside]
Interview driving traffic to a website?
I have a two part question. I've just interviewed well known performer who has just released his first solo CD. He owns all of the rights to the lyrics and music, and his own company published the CD. A radio station I'm associated with plans to put the interview online, as well as broadcast it within the week. If the musician is OK with me putting it on my own website, how might it drive traffic to his site and my site? And is there anything extra I can to make it attract listeners and drive that traffic? [more inside]
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