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History and MissionArtistic Noise exists to bring the freedom and power of artistic practice to young people who are incarcerated, on probation, or otherwise involved in the justice system. Through visual arts and entrepreneurship programs in Massachusetts and New York, our participants give voice to their experiences, build community through collaborative projects, and learn valuable life and job skills. Artistic Noise creates safe spaces where court-involved youth can be seen, heard and supported on their path to adulthood. We believe the practice of making art offers opportunities for young people and communities to transform. "Artistic Noise gave me a voice I never had. When I turned 18 DYS (Department of Youth Services) kicked me out with no knowledge of the real world and Artistic Noise took me in. I think to myself where would I be without Artistic Noise, maybe dead or in jail. If I never got the chance to join, learn and grow I would be going back to a place I never wanted to be. But now when I go back as a mentor to teach, it feels good for the girls to know I was there and I turned my life around and they can do the same with their lives."
-Minotte Romulus, co-founder, former participant and current Board Member and Assistant Director of Artistic Noise Boston I got involved with Artistic Noise through a reentry program. I'm not going to lie, at first I was intrigued by the money, but later as I got more involved in the program I fell in love with the concept of making art. The program has changed my life in many ways. Artistic Noise introduced me to things in life I had no idea about. It taught me how to express myself in a non-violent way. Artistic Noise gave me an outlet in which I was able to express myself freely. Artistic Noise is my home away from home, we are a family unit. This family unit has watched me grow from a wild teenager into a respectable young woman. My family has given me tools that have made me stronger and wiser. In a nutshell Artistic Noise showed me an inner strength I was not aware of, then it gave me a space in which I could test it out and build it. -Ebony, Office & Exhibit Manager and former Participant and Curator "Artistic Noise is amazing. Our residents who cannot or will not even sit down and attend a group or school will voluntarily participate in Artistic Noise and sit down and express themselves through art."
-Edward Figueroa, Social Worker at The Bronx Residential Center
By working with youth both inside the detention facility and back in the community Artistic Noise provides continuity for youth who are often experiencing trauma and upheaval in their lives. The program's flexible structure gives job training to youth who often lack the skills and experience needed to succeed in standard employment training or job situations. Artistic Noise (formerly Hear Us Make Artistic Noise or H.U.M.A.N.) was founded in Boston in 2001 and developed a New York City chapter in 2008. The program recently established itself as an independent non-profit but previously operated under the umbrella of the Juvenile Rights Advocacy Project (JRAP) at Boston College Law School.
Artistic Noise seeks to affect individual and systemic change within the juvenile justice system by:
- Providing continuity for youth who are shuffled between different institutions and programs within the juvenile justice system
- Using the visual arts as a vehicle for youth to examine the world in which they live and imagine their responsibilities and actions within that world
- Combining art and entrepreneurship as a means towards empowerment and job skills training
- Showcasing our participants' artwork in public exhibitions, in turn allowing the young people we work with a forum to have their voices heard by the public
- Promoting just, youth-based policies for teens while empowering them to advocate for themselves
- Developing youth leaders
- Documenting the plight of teens in the justice system locally and nationally
- Piloting innovative projects that serve as models that can be replicated in other local and national communities
Philosophy of Teaching"Artistic Noise is a great program that allows teens to express themselves in new and creative ways. Painting, drawing, and carving are different forms of art that not a lot of teens are usually exposed to so they sometimes resort to other forms of expression that aren't always positive."
- Fradeline, Teen Curator We start with the clear understanding that the youth in our program are extremely valuable and have a unique and important perspective on themselves and their communities. Through object-based discussion and critical viewing of contemporary art, students begin to reflect on their own experiences through a different lens. Using a variety of artistic mediums, they explore themes such as friendship, loss, sexual violence, community, freedom, identity and their dreams for the future. We work to empower the participants with a sense of the creative potential of the arts. Technical skills are taught and emphasized, but the main impetus is to allow for the safe, effective and meaningful communication of life experiences through visual language, and the building of connections to the larger community. Given that many of our participants suffer from abuse and low self-esteem, projects are designed to minimize the possibility of intimidation and to maximize the possibility for creative output and skillbuilding. We do not avoid dealing with sensitive issues (such as racism, abuse, love, violence, identity, anger, or depression), understanding the participants' need to express difficult emotions in a safe, constructive context. We believe structured artmaking fosters critical thinking and problem solving -- skills that are beneficial to the teens' healthy psychological development. We believe in the strength of both individual projects, which value the unique voice of each participant, and group projects and critiques which develop skills of cooperation, negotiation, and leadership.
Program DescriptionsArtistic Noise is comprised of four core components: Studio Art Workshops in Residential Settings; Art Therapy Workshops; Art, Entrepreneurship and Curatorial Programs in Community Settings; and Youth Leadership Development.
Metro Youth Services Center/ Spectrum Detainment Center Dorchester, MA (2001-present)
Highland Residential Center - Highland, NY (2015-present)
Brentwood Residential Center- Brentwood, NY (2012-present) partnership with Adelphi University
Children's Village- Dobbs Ferry, NY (2014)
Leake and Watts Residential Facility Yonkers, NY (Summer of 2013)
Bronx Residential Center - Bronx, NY (2008-2013)
Brooklyn Residential Center - Brooklyn, NY (2005-2010)
Rikers Island, Rose M. Singer Center Queens, NY (2008-2009) partnership with The Childrens Aid Societys LINC Program
Studio Art Workshops, which are provided in juvenile detention facilities and other residential settings, provide youth with a safe and structured environment to creatively express and process complex feelings and share their stories. These weekly workshops bring innovative art activities into lock-up. Projects are designed to involve a variety of traditional and digital media and to span several weeks or months. Themes are chosen to maximize the youths interest and involvement over time. These programs regularly involve student volunteers from Adelphi University, Boston College Law School, Columbia University, Massachusetts College of Art, Montserrat College of Art, New York University, SUNY Purchase and Wheelock College, as a way to educate the greater public about issues of juvenile rights, social activism and art education.
NYC Department of Probation KJOP Program Brooklyn, NY (2012-present)
NYC Department of Probation Brooklyn Family Court- Brooklyn, NY (2014-present)
NYC Department of Probation Harlem NeON- Harlem, NY (2014-present)
NYC Department of Probation Harlem ECHOES Program Harlem, NY (2013-present)
NYC Department of Probation CARES Program- Brooklyn, Bronx, Harlem, Queens and Staten Island, NY (Summers of 2012 and 2014)
NYC Department of Probation Queens ECHOES Program- Queens, NY (2014)
NYC Department of Probation Bronx Family Court- Bronx, NY (2012-2013)
In partnership with The New York City Department of Probation and The Silberman School of Social Work at Hunter College, Artistic Noise provides Art Therapy for youth who are probation involved. Through creating a safe space for youth to explore issues both past and present, our art therapist assists clients to communicate their internal experiences, watching their thoughts and feelings come to life as they create. Both process and imagery lead to new insights and understanding. Art therapy groups and individual sessions are provided along with assessment, family therapy, and outreach services to improve communication and build a high functioning and supportive team for the youth comprised of professionals, family, and natural supports. All therapy services are provided by a licensed and board certified Art Therapist and groups are co-facilitated by both an Art Therapist and an Artistic Noise Teaching Artist, allowing for high levels of creativity and understanding. This program combines Artistic Noise's Restorative Justice model with a therapeutic component, to offer additional support and assist youth in working towards a deeper level of self-awareness. Selected participants from these workshops are able to apply for employment through our Community Arts, Entrepreneurship, and Curatorial Program.
Artisic Noise, Studio Space at 2185 Adam Clayton Powell Jr Blvd- Harlem, NY (2015-present)
Boston, Arts & Entrepreneurship Program, Earl Center for Learning and Innovation, Wheelock College Boston, MA (2013-present)
RAW Artspace- Harlem, NY (2014)
Edwin Gould Academy Harlem, NY (2012-2014)
Childrens Aid Societys Next Generation Center Bronx, NY (2008-2014)
Dunlevy Milbank Center Restart GED Program Harlem, NY (2008-2009)
City Challenge Center - Brooklyn, NY (2008-2009)
As youth grow in their art and demonstrate a desire to develop employment skills and competencies, our Art, Entrepreneurship and Curatorial Program offers a unique opportunity for teens to work collaboratively with their peers; curate art shows; and market and sell original artwork and products they have designed. The program begins in September and culminates in June with our yearly exhibit of student work. Along the way, participants develop their creative skills as individual artists and collaborators and their business skills as paid artists, entrepreneurs and curators, gaining knowledge of job professionalism, learning about art world careers, and creating their own art exhibit. Through this highly structured program participants see an extensive planning process through to fruition, encouraging youth to understand the importance of working towards long-term goals.
Before joining the program, youth must first complete a training phase, which tests their readiness to work with their peers and staff in a structured, expectation-driven environment. In addition to creating their own works of art, our young curators also study contemporary art through fieldtrips to both citys cultural atttractions. As curators, they must select pieces for Artistic Noises annual gallery shows, mount the shows and be prepared to explain each piece to the public. As entrepreneurs, the teens are responsible for identifying and creating artwork for use in marketable products, including holiday cards, hand silkscreened t-shirts, and prints. The teens, under our staffs supervision, price the items, develop marketing plans and then sell the items at venues across the citys. The proceeds from the sale of their artwork and products benefit the artists and program.
When Artistic Noise was founded we aimed to build a program that the participants could eventually take over. We still believe in this mission and officially piloted our Youth Leadership Development Program in 2012. We have begun to train the participants who have graduated from our various programs to be our future leaders. These young leaders are mentors to our youth, Assistant Teachers and Advocates for youth in the juvenile justice system.
Staff and Board Member Bios
EXECUTIVE DIRECTORS Lauren Adelman
Executive Director, Boston, 2001-2003
Executive Director, NY, 2008-present
Lauren Adelman is an artist and educator based in Brooklyn, NY. She received a BFA from The School of The Museum of Fine Arts and a MA in Arts Education from NYU. She co-founded Artistic Noise in Boston in 2001 and New York in 2008. Lauren has also worked as an educator at the Museum of Modern Art since 2006. She currently works in the Community and Access Department at MoMA running partnerships with adults and youth involved in the criminal justice system. Lauren is a licensed Department of Education Teacher and has taught art in many varied settings such as public schools, juvenile detention centers, and non-profit arts organizations both locally and abroad. Lauren has shown her own artwork nationally and has been awarded residencies at The Wassaic Project, Wassaic, NY; Anchor Graphics, Chicago, IL and was most recently a visiting artist at The Artist's Proof Studio in Johannesburg, South Africa. Lauren's own artistic practice explores environmental and social issues through printmaking, drawing, animation and other media. www.laurenadelman.com Vanessa Ruiz
Executive Director, Boston, 2015-Present
Vanessa, better known as Nessie Ruiz, is an artist and educator originally from Miami, FL. She received a BFA in Photography from the Rhode Island School of Design and a MFA in Visual Arts from the University of Chicago. Vanessa's photographic work revolves around social issues affecting marginalized groups of children, both locally and abroad. Since 1999, she has been passionately involved with children-focused non-profits in the US, Sri Lanka, and South Africa where she has created and implemented art, empowerment and leadership programs for kids and teens. She has been a college photography instructor since 2010 and a die hard Dolly Parton fan since she was eleven. She believes wholeheartedly that art has the power to transform lives and has dedicated her own life to bringing that art to underprivileged youth. www.vanessaruiz.com
DIRECTORS Minotte Romulus
Board Member, 2006-present
Assistant Director, Boston, 2006-present
Artistic Noise Youth Participant, Boston, 2001-2006
Minotte Romulus is an emerging artist, mentor and educator who has collaborated with John Ewing on several large-scale public art projects. She has taught for St. Stephen's Be Safe Program and led projects for Artistic Noise in both New York and Boston. Minotte has spoken at Boston's Cyclorama, The Boston State House, The Cloud Foundation, Columbia University, The Massachusetts College of Art and most recently at The Office of Juvenile Justice and Delinquency Prevention's Annual Conference in Washington DC. Minotte was first involved with Artistic Noise as juvenile delinquent and is now the Assistant Director of Artistic Noise Boston. As a former Artistic Noise participant she offers the young people she works with hope that they can succeed, follow their dreams and that anything is possible. Amelia O'Donnell
Director of Development, 2015-Present
Amelia joins us as Artistic Noises first Development Director. . Amelia has experience building a nonprofit development program from the ground up. Previously she launched the corporate sponsorship program at the Arts & Business Council of Greater Boston where she worked directly with major donors as well as the emerging artists they supported. Amelia also manages fundraising as VP of the Board of Directors at Wright Locke Farm. She presided over grant making as Chair of the Winchester Cultural Council, and has also served as an educator for several cultural organizations in the greater Boston area, most recently at the Institute of Contemporary Art. She graduated with a BA from Boston University, and is currently pursuing a graduate certificate though the Tufts University museum studies program. Jen Kind-Rubin MPS, ATR-BC, LCAT
Art Therapy Program Director, NY, 2014-present
Jen Kind-Rubin is a nationally registered, board certified (ATR-BT) and a New York State Licensed (LCAT) Creative Arts Therapist living and working in New York City. She earned her Bachelors degree at New York University (2003). While there, she studied at the Gallatin School of Individualized Study, combining her interests in psychology and studio art to create her own concentration. A passion and enthusiasm for this combined interest led her to obtain her Masters of Professional Studies in Art Therapy and Creativity Development from Pratt Institute (2011). Jen has long been fascinated with the relationship between art exhibition and self-esteem, exploring the question in her masters thesis and through the execution of client art shows at several past work sites. Jen has experience working with clients across all demographics, but has always had a particular interest in working with urban, at-risk youth. This focus has guided her professional career through numerous settings in New York, including homeless shelters (Covenant House and The Ali Forney Center), The Door, New York Foundling (foster care), and Brooklyn Leadership (an alternative transfer high school). It is Jens belief that we all have a natural resiliency, but sometimes need additional supports to discover where this inner strength lies. Art-making provides this opportunity, externalizing the internal experience, and creating space for self-discovery and empowerment.
ARTISTS IN RESIDENCE Raul Ayala
Artist in Residence, NY, 2014-present
Raul Ayala is an artist focused on drawing, muralism, and socially engaged art. His work has been part of several international group exhibitions and festivals. Ayalas work reflects on the enviroment and is always looking for ways to redefine and construct identities within the Ecuadorean diaspora. He founded Zona Libre, an art workshop that was implemented in several detention centers in Quito, Ecuador, from 2004 to 2007. He used art teaching as a method to resist alienation for individuals deprived from their freedom. In 2012 he implemented En/Contraste a one year photography project and publication in two locations of a rural and urban area in Quito, Ecuador. Ayala was the recipient of the 2007 Empowerment Across Continents Fellowship of the European Commission in Budapest; the 2013 Create Change Professional Development Program of the Laundromat Project in New York City; and the 2014 Mentoring Program for Immigrant Artist of the New York Foundation of the Arts. Currently, he lives in Brooklyn and works as a teaching artist and muralist working for organizations like Groundswell murals and Justice Committee and helping building art and banners for marches and manifestations for social justice in New York City. www.raulayalablog.blogspot.com
Sophia Dawson
Artist in Residence, NY, 2014-present
Sophia Dawson is a visual artist based in Brooklyn, New York. She attended the School of Visual Arts and obtained a Bachelors Degree in Fine Arts in 2010. She recently graduated New York University with her Masters in Visual Arts Administration. Sophia's personal practice aims to educate people on recent history and collective and individual struggles through her art. She has worked as both a teaching artist and muralist on a number of projects throughout New York City. www.ilovewetpaint.com
Jennifer Edwards Berr
Artist in Residence, Boston, 2015-present
After receiving her BFA from RISD, Jenny served as the studio apprentice to Gyorgy Kepes, professor in Emeritus, and Director for Advance Visual Studies at MIT. Thereafter, Jenny earned her MFA from Yale School of Art. Having a wide range of teaching experience, Jenny has taught in the RISD photography department since 1998. She also holds licensure from Massachusetts Department of Education to teach K-12 and has taught drawing, two-dimensional /three-dimension design, photography, self defense, safety and decision-making and to children and teens. Her work has been published and exhibited nationally. She is currently working on a video portrait of trauma and survival.
Arturo Garcia
Artist in Residence, NY, 2016-present
Arturo Garcia is a Classical Realism Painter and Arts Educator based in Brooklyn. Arturo was born in Mexico, and was raised between Mexico and Spain. He attended The National School of Plastic Arts in Mexico City. Upon graduating with honors, he began his career exhibiting in Mexico. Arturo became affiliated with The Water Street Atelier after moving to NYC. Arturos work has been featured in numerous national and international artists magazines. Arturo has taught art to many different audiences through non-profit organizations in NYC. www.arturogarciapainter.com
Jazmine Hayes
Artist in Residence, NY, 2015-present
Jazmine Hayes is a visual artist born, raised, and based in Brooklyn. She holds a BFA in painting from CUNY Queens College where she studied closely under Glenn Goldberg and Debra Priestly. Hayes uses her artwork to explore social topics often related to families of color and women of color as well. She has worked with community-based organizations across New York City as a muralist and teaching artist. She believes that creating art with youth gives them an outlet of expression as it did for her at a young age. www.jazminehayesart.com
Kelsey Chaplain
Undergraduate Art Intern, Boston, 2016-present
Kelsey Chaplain is a junior at Lesley University living in Somerville, Massachusetts and working towards her undergraduate degree in Illustration and Fine Arts. Social justice and intersectional activism is a serious commitment in her life: she is a student leader on campus and facilitates weekly dialogues on activism and modern issues as president of Lesley's LGBTQ+ student organization. Kelsey utilizes art as a powerful medium of communication and emotional expression, and she works to spread and encourage messages of social change, emotional empowerment, and rejuvenation to people in this way. She is excited every day she's able to come into Artistic Noise, help make expressive and cathartic work, and learn while working with everyone here.
Jordan Crawford
Graduate Art Therapy Intern, Boston, 2016-present
Jordan Crawford is an artist and counselor living in Brighton, MA. Jordan graduated with a BA in Psychology from Lesley University in 2014 and is now studying to achieve her MA in Expressive Arts Therapy and Clinical Mental Health Counseling. She is currently a senior mental health counselor at Bournewood Hospital where she implements artistic expression into group therapy. When she is not working or in school, Jordan spends her freetime outdoors - hiking, swimming and snowboarding.
Francesca DeBiaso
Graduate Art Therapy Intern, NY, 2015-present
Francesca DeBiaso is an art therapy student currently living in Brooklyn, New York. She received her BA in Art History from Gettysburg College where she focused her studies on feminist art of the 1970s. While in college, she was the Program Coordinator for the Women's Center and led co-ed healthy relationship discussions and facilitated art and recreational groups. Francesca has previously worked at the Guggenheim Museum and the Child Mind Institute, a research-oriented behavioral therapy practice located in Midtown Manhattan. She is currently at School of Visual Arts pursuing an MPS in Art Therapy. Francesca strongly believes that art can help us access and integrate the various parts of ourselves to feel more cohesive and expressed. She is honored to be working at Artistic Noise with such a dedicated and creative staff.
Jennifer Miller
Graduate Program Intern, Boston, 2016-present
Graduate Art Therapy Intern, Boston, 2015-2016
Jennifer Miller is an artist from Wisconsin now living and studying in the Boston area. Currently an Art Therapy graduate student at Lesley University, Jennifer received her BFA from the University of Wisconsin – Whitewater in 2009. Jennifer is a strong advocate for the therapeutic powers of art after relying on art for her own stress relief for many years. She recently implemented an art and craft program in a physical and occupational therapy setting. In addition to a love for all things art, Jennifer enjoys traveling, taking long walks with her dog, and spending time with her family.
BOARD OF DIRECTORS Kate Jellinghaus, President. Artist/ Educator, Westwood High School.
Director, Artistic Noise Boston 2006-2010
Board of Directors, 2010-present Tess Korobkin, Vice President. Postdoctoral Fellow at the Smithsonian American Art Museum.
Deputy Director, Artistic Noise NY 2008-2010
Board of Directors, 2010-present Irene Sherman, Treasurer and Clerk.
Board of Directors, 2016--present Ann Tobey, Secretary. Associate Professor and Director of Juvenile Justice and Youth Programs at Wheelock College
Board of Directors, 2008-present Yasmine Awais. MAAT, ATR-BC, ATCS, LCAT- Assistant Clinical Professor, Creative Art Therapies Department, Drexel University
Director of Art Therapy, Artistic Noise 2012-2013
Board of Directors, 2013-present Joël Diaz. Project Manager of Professional Learning, Scholastic Education
Board of Directors, 2016-present Kimberly Gordon. Legal Specialist with the Boston District United States Attorneys Office
Board of Directors, 20016-present Amanda Holm. Manager of Nonprofit Effectiveness at The Boston Foundation.
Board of Directors, 2016-present Francine T. Sherman. Director of the Juvenile Rights Advocacy Project at Boston College Law School and co-founder of Artistic Noise.
Board of Directors, 2001-present
Board President 2001-2015 Maurice T. Vann. Adjunct Lecturer at the Silberman School of Social Work, Researcher, Writer, and Doctoral Candidate.
Board of Directors, 2016-present Alex Venino. Associate at Century Equity Partners
Board of Directors, 2016-present


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Chiropractors have many loyal fans whose lives have been transformed by the healing they have brought. The problem is that not everybody that could use chiropractic care knows how to obtain quality treatment. Read further and learn more about the professional services offered by a chiropractor.
Lots of doctors are working with outside specialties. Read the fine print of your insurance to ascertain what back treatments are covered. These services will help you get more care from the primary physician you see.
Keep an eye on how you're sleeping on the back to keep back pain at bay. Put a pillow under your head and shoulders. Roll up a few towels; place them under the neck and knees. Be sure your mattress is comfortable and supportive.
Did you realize that good chiropractic care boost your immune system? If you have a misaligned spine, it can cause your nervous system to not function correctly, and that in turn can harm your immune system. Having your spine realigned by a chiropractor will increase the blood that flows into the nervous system. This boosts your physical ability to ward off infections and disease.
You shouldn't be expecting a single chiropractor visit to solve all your back problems. While you may feel better right away, true healing requires continuing care. If you get told to do certain things by a chiropractor, make sure you do those things to get the right results. Otherwise, things may not work out for you overall.
Don't be afraid to ask your chiropractor about discounts; they may offer one the more frequently you visit. Chiropractic care often implies a series of office visits. It might be two or more times a week. It can become quite costly. Some practices give nice discounts for ongoing treatments, which can ease your wallet as well as your pain.
Asking your physician about recommended chiropractors is a good way to start. Even if a referral is not required in order to get chiropractic services, they may know someone that is worth the time and money.
Check a chiropractor's references before you schedule anything. There are many chiropractors who are sincere about improving your health, but then there are those who try to upsell you on services that you do not need. Read online reviews so that you can get unbiased opinions and seek the advice of physicians.
Don't let your sleeping habits cause even worse pain in the back. Consider using a cervical pillow or rolled towel under your neck as you sleep. This allows your head to fall back, where a regular pillow pushes the neck and head forward.
Is your blood pressure high? Research has indicated that manipulating the first cervical vertebra works just as well to lower blood pressure as taking two blood pressure medications simultaneously. Properly manipulated vertebrae allow good nerve supply to your heart, which helps your body regulate its blood pressure.
Good chiropractic care straightens your skeletal frame and boosts the immune system. Bones that aren't aligned right are going to make your spine not work right and your nervous system won't either. Organs, tissues and cells can be negatively affected by your nervous system. Fixing the problem helps restore the performance of the immune system back to peak levels.
Don't work with a chiropractor that's going to try to place you on supplements or homeopathic products that can help to treat disease. They could be making money off of these products. Turn to a medical doctor to get that type of advice.
Before making an appointment with a chiropractor you should visit the doctor. Get your doctor's assessment of what's wrong. This also allows your chiropractor to better understand how your particular issue should be handled. In addition, chiropractic treatment may not be the best option for you. Your doctor could give you an alternate option.
When looking for a chiropractor, ask those you are considering about the conditions they treat. Some chiropractors treat things that have nothing to do with their practice. Practitioners who stick with the basics tend to be more effective.
If you have back problems, make sure you aren't sleeping on your stomach. This makes your spine get out of the natural position it should be in. Sleeping on your back with sufficient pillow support is preferable. You should also roll up a towel and put this beneath your neck. In this way, the primary curves of the spine are protected.
If you are seeking a new chiropractor, always ask for an initial meeting and consultation. Chiropractic care can make a huge difference in the quality of your life. However, a bad one can make your problems worse. Make sure you feel you can trust them. Before allowing him to perform manipulations, ask questions.
Be sure a chiropractor has you get MRIs and X-rays to look for breaks or injuries prior to manipulating your spine. A thorough examination will allow the chiropractor to efficiently and properly diagnose the problem. If your practitioner is not working off of x-rays or MRI images, then do not allow him to treat you. You may wish to consult a different chiropractor.
You probably think heavy laborers have more back problems than someone that works in an office, but it's actually the opposite that is true. Too-tight hamstrings are one cause of pain in the lower back. The hamstrings, when standing, pull on the pelvic region, resulting in pain within your spine. To help, stretch your hamstrings as much as possible.
Always seek assistance when lifting heavy items. If you can't find a nearby friend for assistance, then make sure you have some equipment that will help. If the item is really heavy, consider using a dolly. Invest in a dolly if lifting is something that you do often.
Folks everywhere turn to chiropractic treatment to feel great. It's important that you're making an informed decision. Luckily, the information above can help those that are looking into chiropractic care obtain the help they need.
I appreciate you reading my entire article! In addition , I compose for other websites round the world wide web on varying issues. Maybe you'd be interested in another article I wrote. If so, you can see it here local.Gazpo.com. Before you go, please leave a comment below so I know if I can improve on anything in my articles. I value any comments I can get from my viewers.


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Hotels in Limon, Colorado
Search & Compare Limon Hotels
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Trending now in Limon
- Most bookedLimon Motel
Most recent review
"For an overnight stop during a long journey, this was perfect. Had everything we needed and nothing we did not. Staff was friendly and room was clean and comfortable. Rain-head shower was a nice surprise. Room was freshly painted and bathroom had newer fixtures. A pleasant step back in time."
A Traveller, Nov 2016, US
Most recent review
"Very friendly and helpful staff, comfortable well equipped room (fridge and microwave!), nice mattress, roomy bathroom, above average hot breakfast. Scrambled eggs were actually real eggs, and were hot! "
A Traveller, Nov 2016, US
Most recent review
"The place was nicely located off the Interstate and was clean and pleasant. The people at the desk, especially Pete, were very friendly. If I rated them, they would get a 6."
A Traveller, Nov 2016, US
- Quality Inn And Suites LimonTop-rated for families
Most recent review
"Checked in after midnight without calling ahead (didn't have cell service), but the staff were still super friendly. Clean room, fresh breakfast, those are my main requirements when traveling, and the Quality Inn of Limon provided both."
A Traveller, Aug 2016, US
Most recent review
"If you find yourself needing a place to stay in eastern Colorado or in Limon this is a Nice, clean hotel on I70 with a decent free breakfast. I will stay here again."
A Traveller, Nov 2016, US
Most recent review
"Affordable and a clean room with a considerate staff, what more can you ask for when you check in after midnight. "
A Traveller, Jul 2016, US
Most recent review
"For the price, this is a great place to stay. Friendly staff and nice hot breakfast. The location is close to Hobby airport but that is about it."
A Traveller, Aug 2016, US
Most recent review
"great value for a very decent, very clean room. i was on a road trip so just needed a place for the night; the bed was good, room quiet(not much highway noise, ect). decor is dated but tasteful and in good shape. complimentary breakfast available, the usual coffee, sweet roll, and faontke o.j..."
A Traveller, Dec 2016, US
Best hotels in Limon
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iHerb Customer Reviews
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Research Highlights
Berkeley Lab and PPG Team to Produce Dark Coatings With Unprecedented Solar Reflectance
Lawrence Berkeley National Laboratory (Berkeley Lab) and PPG Industries have teamed to develop dark-colored pigments for cool metal roof and façade coatings that incorporate near-infrared (NIR) fluorescence and reflectance to improve energy performance. The program's goal is to develop a more advanced class of dark-colored pigments that can convert a portion of the absorbed visible light energy into NIR energy that is radiated away from buildings.
The new pigment technology under investigation would be a significant advance over current cool-coating pigments. The team estimates that cool coatings based on the new pigment technology could achieve effective solar reflectance (ESR) values of 0.5 to 0.7, compared to ESR values of 0.1 to 0.3 for standard pigments. An ESR improvement of 0.4 and widespread deployment of coatings with these pigments for residential applications in warm and hot areas of the United States could save up to $1.3 billion annually in related energy costs.
The work is funded by the U.S. Department of Energy.
EETD's Stephen Selkowitz Receives Engineering News-Record 2014 Award of Excellence
The editors of Engineering News-Record have given Stephen Selkowitz the magazine's 2014 Award of Excellence. Selkowitz received the award "for relentlessly working to reduce the carbon footprint of buildings and for moving the nation toward better building performance, as well as for being the master of commercializing energy-efficient building technologies and the mastermind of FLEXLAB," the Facility for Low-Energy eXperiments in Buildings located at Berkeley Lab.
For more information:
- Stephen Selkowitz
- (510) 486-5064


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Tuesday January 17th 2017
40 years of foresight, insight and integrity
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Welcome to our latest www.Community-Wealth.org e-newsletter, with a new look for 2013. In this winter edition, we bring you a host of new developments and site features:
As always, we have added new links, articles, reports, and other materials to the site. Look for this symbol *NEW* to find the most recent additions. And don't forget to view our regularly updated C-W Blog. You can also follow new developments on Facebook and Twitter.
Ted Howard
Executive Director, The Democracy Collaborative
In The Rich Don't Always Win: The Forgotten Triumph over Plutocracy that Created the American Middle Class, 1900-1970, labor journalist Sam Pizzigatti provides an in-depth account of the battle against plutocracy in America in the 20th Century and the rise of the middle class. By recalling this oft-forgotten history of past political struggle,The Rich Don't Always Win offers a powerful example of how to fight back in the face of a once again ascendant plutocracy in America. Read More»
In The Resilience Imperative: Cooperative Transitions to a Steady-State Economy, Michael Lewis of the Canadian Center for Community Renewal and Pat Conaty of Cooperatives UK, argue that climate change and its concomitant rising energy costs compel us to redirect our economic lives — using cooperatives, trusts and the social economy — locally and regionally. Highlighting innovative practices from across the globe, the book covers the "how-tos" of energy efficiency, low-cost financing, local food systems, affordable housing and land use reform, and democratic and cooperative ownership.Read More»
Immigrant Worker Owned Cooperatives: A User's Manualprovides detailed information to immigrant communities about how to create, finance, manage, and grow worker cooperatives. Penned by Minsun Ji of El Centro Humanitario and Tony Robinson of the University of Colorado, Denver, the manual gets into the nitty-gritty of organizing and managing a cooperative. Read More»
To protect the un- and under-banked from excessive fees and high-cost predatory lenders, Karen Harris argues that we reinstate the US Postal Savings System. In an article for The Shriver Brief, Harris shows that the now-defunct system once provided safe banking services for immigrants and working people that private banks did not. Citing examples of successful postal banking services in other countries, Harris shows how reinstating such a system in this country could help underserved populations by providing affordable banking services, while giving the Post Office a needed boost in jobs and income. Read More»
The UN-proclaimed International Year of the Cooperative may have ended, but the international cooperative movement shows no signs of slowing down. In their newly released paper, Blueprint for a Co-Operative Decade, the International Cooperative Alliance lays out their "2020 Challenge," which aims to position the cooperative form of business as the world's leading model for economic, social, and environmental sustainability. Read More»
Greening the Bottom Line, a report from the Sustainable Endowments Institute, highlights the role of green revolving funds — an energy-efficient financing mechanism that colleges, universities, and nonprofits have increasingly adopted as a means to fund sustainability initiatives in their buildings and operations. Authors Emily Flynn and Mark Orlowski show that the cost savings of these funds boost the bottom line for institutions while also replenishing the fund for investment in the next round of green retrofits, thus establishing a sustainable funding cycle. Read More»
In this podcast, The Story of Stuff Project features Cleveland's Evergreen Cooperatives. Sustainability activist Annie Leonard highlights cooperatives as an alternative to the "take waste system." Talking with Evergreen Cooperative's Medrick Addison of Evergreen Cooperative Laundry, Michael Mckenzie of Evergreen Energy Solutions, and Mary Donnell of Green City Growers, Leonard shows how the cooperatives are transforming an economically distressed neighborhood and changing lives at the same time. Read More»
Good Jobs First and The Iowa Policy Project use statistical analysis to show how policies advocated by the American Legislatives Exchange Council (ALEC) have not only failed to produce positive economic results but have actually resulted in worse outcomes for states. Written by Dr. Peter Fischer, the report finds that ALEC's proscribed policies to reduce or abolish progressive taxes, weaken unions, invest less in education and public services, and shrink the social safety net have led to economic inequality, wage suppression, income stagnation, and a sharp deduction in state and local revenue. Read More»
PolicyLink examines how cities across the United States are adopting urban agriculture as a means to address equity issues in our food system and communities. This report details the benefits of urban agriculture, looks at innovative strategies to overcome common challenges, and offers policy recommendations to ensure equity in the growing movement. Read More»
The documentary Shift Change, produced by Melissa Young with Mark Dworkin and Moving Images, highlights the Mondragón cooperatives in Spain's Basque Country, as well as a number of U.S. cooperatives. A recent review points out how the film also shows that operating a successful worker-owned co-op is not always simple.Shift Change, this review notes, presents worker-owned co-op as an attractive, alternative business model — especially in countries hit hard by the global economic crisis— while honestly portraying the challenges of sustaining a successful enterprise. Read More»
This Center on Wisconsin Strategy (COWS) report looks at what works (and what does not) in the green economy. Author Sarah White argues for a more coherent, cross-sectoral and broad-based approach to developing human capital and greening community economic development that is driven by equity, democratic participation, and sustainability. The report offers a number of possible interventions — highlighting best practices and lessons learned — that bring together workers, employers, industry and training systems in and out of typical clean energy sectors. Read More»
In a policy memo from the Progressive Policy Institute, Ira Harkavy and Rita Axelroth Hodges of the Netter Center for Community Partnerships at the University of Pennsylvania call on government to promote among institutions of higher education the adoption of an anchor institution mission. Anchor institutions, the authors say, have the potential to ground civic partnerships working to revitalize local communities. To do so, they must make civic engagement a core principle across all levels of the institution. The federal government, by targeting existing resources, directing financial incentives and mobilizing the bully pulpit, can help catalyze this shift. Read More»
In this report, Reconnecting America focuses on creating complete communities – places where people can live, work, move, and thrive in a healthier, more equitable, and more economically competitive way — and identifies opportunity areas — the places within our cities and regions where we can get a jump-start on this vision. Rating all 366 U.S. Metropolitan Statistical Areas, the authors offer examples of successful policies and strategies for "completing" communities — from zoning changes and suburban retrofits to community benefit agreements. Read More»
The Debt Resistors Operations Manual, put together by an anonymous collective of activists from Strike Debt and Occupy Wall Street, contains practical information, resources and tips for individuals dealing with indebtedness in the United States. Covering all aspects of the debt system — from personal debt to municipal debt — the manual shows how households, cities and countries are controlled by this systems. Read More»
In this edition, we interview Blake Jones, Co-Founder, President and CEO of Namasté Solar. Beginning his career in the oil industry, Jones co-founded Namasté Solar in late 2004, which later became an employee-owned cooperative in 2011. In this interview, Jones discusses what he learned in the oil and gas industry, the early stages of Namasté's development, the future of the solar industry and the green economy, and the details of how Namasté functions as a worker-owned cooperative.Read More»
29th in our continuing series of Community Wealth Cities: Jacksonville, Florida. The eleventh most populous city in the nation and the largest in Florida, Jacksonville is home to community wealth building initiatives at city, regional, and grassroots levels. Both the city-owned port and city-owned electric utility serve as important economic engines. Community-led efforts are striving to revitalize the city's especially hard-hit northwest neighborhoods.Read More»
More than 500 people from over 70 universities and over two-dozen countries gathered at the Netter Center for Community Partnerships at the University of Pennsylvania to discuss ways to better use university resources to build community wealth in neighborhoods and promote partnerships with public schools. Setting the tone of the conference, Ira Harkavy, Founder and Director of the Netter Center, opened by arguing that effective partnerships not only advance learning, but also strengthen democracy and improve the quality of life in cities around the world. Read More»
Founded in 2001, the Business Alliance for Local Living Economies (BALLE) supports the growth of sustainable local economies through connecting leaders, spreading solutions that work, and driving investment toward local economies. BALLE promotes localism and believes that ownership, place, opportunity, nature and relationships all matter in creating real prosperity for all. BALLE's website connects members to local business networks and affinity groups, promotes success stories, and provides resources to help local businesses better articulate their economic impact. Find Out More»
Restaurant Opportunities Centers United (ROC United) is a national organization dedicated to the needs of restaurant workers and committed to improving their wages and working conditions. ROC United engages in participatory research and policy work, employer negotiations, workplace justice campaigns, and leadership development to become the collective voice for low-wage restaurant workers across the country. Find Out More»
Operation New Hope was founded in 1999 to revitalize Jacksonville's Historic Springfield. The nonprofit has restored more than 76 homes in Springfield and the Eastside neighborhoods of Jacksonville. The nonprofit is also responsible for the Eastside Community Garden, which provides educational, recreational, and nutritional benefits for the community. Find Out More»
JEA is the seventh largest municipally owned electric utility in the country, serving nearly 420,000 customers across a 900-square-mile service area. It also provides water and sanitation services to area customers. When aggregating the number of customers for each of its services, the company serves more than 950,000 accounts in Northeast Florida. In 2011, the company had more than $2 billion in total revenue and held assets of over $1.8 billon. Find Out More»
Tags: community, community wealth, dear colleague, gar alperovitz, mainstream media, responsible community, Shift Change, university hospitals, vision 2010, wall street journal, wealth building, www community


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Goldman Skips Month, Increases Leverage (slightly)April 14, 2009 – 5:25 pm
Lots of interesting things to report regarding Goldman Sachs today.
- In this post: accounting gimmickry, higher leverage (tangible assets/tangible common equity calculated below), and silence regarding AIG payments.
- In the next post: Goldman raises $5 billion in a sale of stock, which is good news.
Accounting Gimmicks and Tangible Common Equity
With respect to their Q1 earnings announcement, it appears Goldman may have one-upped Wells Fargo in the accounting shenanigans department. As Floyd Norris blogged this morning, they ditched an entire month…
Where's December?: Goldman Sachs reported a profit of $1.8 billion in the first quarter, and plans to sell $5 billion in stock and get out of the government's clutches, if it can.
How did it do that? One way was to hide a lot of losses in not-so-plain sight.
Goldman's 2008 fiscal year ended Nov. 30. This year the company is switching to a calendar year. The leaves December as an orphan month, one that will be largely ignored. In Goldman's earnings statement, and in most of the news reports, the quarter ended March 31 is compared to the quarter last year that ended in February.
The orphan month featured — surprise — lots of write-offs. The pretax loss was $1.3 billion, and the after-tax loss was $780 million.
Would the firm have had a profit if it had stuck to its old calendar, and had to include December and exclude March?
For its part, S&P said it's not buying the hype that Goldman's earnings indicate a turnaround: "'Coupled with persisting weak economic conditions and capital markets turmoil, we believe it would be premature to conclude that a sustained turnaround' in Goldman Sachs's financial performance is under way, S&P wrote."
It's important to put this particular accounting shenanigan context. Yeah, it's underhanded to play games like this in order to enhance reported earnings; investors hate this kind of thing. [An analyst at my old firm once yelled at a CEO on a conference call when he noticed an extra day was added to a quarter in order to boost profits. We were long-term holders of the stock. In such cases, management credibility is more valuable than an extra penny of "earnings." But I digress.]
Smart investors, however, pay less attention to accounting profits, since these can be manipulated so easily by management. Instead, they focus on the balance sheet and the cash flow statement. Whether Goldman chose to write down a particular asset in the "missing month" of December or during Q1 makes little difference for balance sheet purposes.
So for instance, take OA's favorite metric: tangible assets/tangible common equity. Writedowns are problematic because they hit the numerator and denominator by equal amounts, more or less. And when you're talking about a grossly over-leveraged institution like a bank, a 5% writedown of assets can wipe out 100% of TCE. [Remember: a million-dollar house with a $950k mortgage need only fall 5% in value to wipe out 100% of the homeowner's equity.]
The timing of writedowns is clearly important. Banks are delaying hundreds of billions worth via all manner of accounting gimmickry. But the strange timing of these particular writeoffs from Goldman, i.e. the ones that were taken EARLY so as to avoid impacting Q1 earnings, are not as pernicious as those that are being delayed. Whether Goldman took 'em in December or in March wouldn't matter for purposes of calculating the bank's end of March leverage ratio, for instance. And in fact, an argument can be made that it's better to take the writeoffs sooner rather than later so as to avoid adding too many assets to an already bloated balance sheet.
While Goldman didn't publish their full balance sheet, it appears you can back into the TA/TCE ratio based on what they did disclose (see pages 4 & 11).
Total Assets were $925 billion at the end of Q1. Intangibles were $5 billion. Backing that out, GS has $920 billion of tangible assets at quarter end. Shareholder equity ended the quarter at $64 billion. Subtract preferred stock of $17 billion and intangibles of $5 billion and you have tangible common equity of $42 billion. In other words, GS' tangible leverage ratio was 22x at the end of Q1. (920 / 42 = 22)
That marks a slight deterioration from last quarter, when the ratio was 21x. This DOES NOT include the impact of Goldman's capital raise today, which will reduce the company's leverage. That calculation is in Part 2.
Besides a full balance sheet, there are other important disclosures we'll have to wait for. For example, while they noted that mark to myth Level 3 assets fell a bit to $59 billion from $66 billion, they made no mention of changes in mark to model Level 2 assets, which are substantially larger. Level 2 and 3 assets overwhelm tangible common equity, which is a big reason few investors trust that big banks are solvent.
AIG Payments
Many are also wondering about the impact of payments Goldman received for CDS positions with AIG Financial Products. AIG's bailout, readers will recall, wasn't so much for AIG. It was for AIG's counterparties, other banks that made margin calls on CDS positions when AIG's debt rating was downgraded.
Goldman was the largest recipient of payments from AIG. It received $12.9 billion. Losses due to counterparty risk that should have been absorbed by shareholders and creditors were instead funded by taxpayers. Naturally, Goldman isn't much interested in discussin the issue. Back to Norris:
Analyst Guy Moszkowski of Merrill Lynch wants to know if they made money from the now-famous government-financed American International Group transactions.
The answer is cautious. Most of the impact was in December. For the first quarter, the total A.I.G. effect on earnings was, in round numbers, zero.
So what was the A.I.G. effect in December? They did not say.


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Newegg.com - A great place to buy computers, computer parts, electronics, software, accessories, and DVDs online. With great prices, fast shipping, and top-rated customer service - once you know, you Newegg.
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This review is from: PLANTRONICS M50 Bluetooth Headset
Pros: Works great. Been using this for a year now and ive had no problems at all.
Cons: None.READ FULL REVIEW
This review is from: G.SKILL Sniper Gaming Series 16GB (4 x 4GB) 240-Pin DDR3 SDRAM DDR3 2133 (PC3 17000) Desktop Memory Model F3-17000CL9Q-16GBSR
Pros: Fast, and not one problem what so ever. Run at the specified speed and booted right up the 1st time i installed them and set the 2133 profile.
Cons: Doesn't match my system theme but since they're black it doesn't go against it either.
Other Thoughts: 3770k
2 GTX 580 Lightings Sli
MSI MPower Z77 Big Bang Mobo
2560x1600p monitor
This review is from: XIGMATEK BALDER SD1283 120mm Long Life CPU Cooler I7 i5 775 1155 AMD compatible, w/ bracket ACK-I5361
Pros: I bought this for my qx650 @4.05 ghz @1.31v and the only way to go beyond 60c was to have fan set at minimal setting at %100 cpu load. I have my fan hooked up to a fan controller and with fan at %60 or higher i have never broke 60c. This is the highest quality cooler i've ever bought out of 3. As soon as i unboxed this i knew it was a better average cooler, the fins aren't cheap aluminum like my previous coolers, the fins are much firmer and the plate that contacts tha cpu really is mirror finish. You really could shave or brush your teeth with this cooler provided the surface was bigger! P.S idle temp is 28c load is mid 50's while overclocked.
Cons: I guess size for some but its the same size as my previous hdt cooler but do you expect for a 120mm cooler if its to big then get a 92mm folks.
Other Thoughts: But all and all this cooler is of the finest quality and works as intended.READ FULL REVIEW


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Drag to set position!
Group Since May 18, 2008
Group DescriptionShaped Bokeh (a.k.a Creative Aperture, DIY, Custom, Mask, Heart Bokeh)
Create your own unique shape!
Group RulesPlease only post photos or videos that were taken using a custom mask over the lens to create the "shaped" bokeh effect, normal "round" bokeh shots are not accepted and you may ended up getting banned from the group if you accidentally submit these to the pool, all submissions goes into review first before show up in the group, there are thousands of other groups on flickr dedicated to ordinary bokeh shots, read the group description to find out more about the "shaped bokeh" technique.
Additional Info
- Members can post 3 things to the pool each day.
- Accepted content types: Photos, Videos, Images
- Accepted safety levels: Safe


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At Cardinal Stritch University, the community is our
At Stritch we believe in the pursuit of community engaged academic excellence through collaboration and mutually beneficial partnerships that build stronger and more caring individuals, organizations, and communities that together serve the greater good for all.
The Kendall Lecture Series brings to campus speakers of national prominence who are chosen based on their ability to encourage meaningful intellectual discussion among students and the broader Milwaukee community.
The Mission-Driven Leaders Series features successful Stritch alumni who align their values with actions to achieve positive results for themselves, their organizations and businesses, and the society at large.
The Forums on Faith and Work provide an opportunity for professionals to gather, network, build connections, and explores Gospel values with members of the Catholic business and professional community.
Through Continuing Education and Professional Development we have the capacity to respond to distinctive private and public sector needs with in-person and online professional development, educational seminars and adult learning non-credit programs.
We also welcome the community to scores of Stritch Wolves sporting events and an exciting array of art exhibitions, theatrical plays, and musical concerts each year.
The Southeastern Wisconsin New Teacher Project (SWEP) is dedicated to accelerating effectiveness of new teachers through research-based comprehensive mentoring and professional development programs aligned with Wisconsin PI-34 state requirements.
The African American Leadership Program (AALP) uses active learning, executive coaching, and professional networking to strengthen the leadership growth of professionals in private, public, and nonprofit organizations. African Americans from an array of professions and backgrounds have participated in AALP since 2008.
The Neighborhood Leadership Initiative (NLI) is a program for current and future community leaders. Participants participate in experiential learning and coaching sessions developed to identify personal values and leadership styles, strengthen communication skills, and improve relationships with city and county government.
Urban Literacy Centers provide access to functional, lifetime literacy and offer comprehensive literacy assessment and intervention services for students in selected Milwaukee Public Schools. The Centers address the tremendous need for literacy instruction and all students are taught in groups of 1-3 by literacy professionals.
The Saint Clare Center for Catholic Life provides formation and education for lay Catholics who wish to grow in faith and service. Professional development in theology, scripture, spirituality, and ministry serve volunteers and employees from parishes and schools throughout the Archdiocese of Milwaukee, including 2,400 Archdiocesan teachers.
The Career Ready Internship Grant is enabling the creation of 165 new paid internships for juniors and seniors with financial need. This three-year $366,000 award from the Great Lakes Higher Education Corporation helps build capacity at area nonprofit organizations while enabling soon-to-be graduates become equipped with the knowledge and skills that will help them succeed in their careers and communities.
The artsHUBmke is a partnership with Arts@Large and Milwaukee Public Schools to support Stritch education students as they become confident and competent teaching in and through the arts. This two-year $500,000 Margaret A. Cargill Foundation grant enables students to experience innovative arts integrated methods classes, supportive school placements, and have access to mentoring and coaching to grow and sustain them through their first five years of teaching.
The San Damiano Encounter is a faith-based leadership development program provided by Stritch faculty and staff for high school students in southeast Wisconsin. This four-year $409,302 grant award is funded by the Lilly Endowment Inc.'s High School Youth Theology Institutes initiative helping high school students engage with their own questions of meaning, identity, and purpose through a process of integrating theological learning, reflection on vocation, and critical thinking about current societal issues.
315 Placement Partners including the Agape Center, the African American Chamber of Commerce, Messmer High School, Johnson Controls, Inc., and St Ben's Clinic where students learn by doing through internships, student teaching, nursing practica, and community service initiatives.
52 Project Partners including The Jewish Museum of Milwaukee, the Hispanic Professionals of Greater Milwaukee, The Commons, and The National Band Association where faculty and students work with organization leaders todevelop and implement clearly defined projects and programs.
10 Enrollment Partners including Aurora Healthcare, Catholic Financial Life, and the Boys & Girls Clubs of Greater Milwaukee where there is recognition of the value that a Stritch education can have for employees and stakeholders' professional and personal growth.
5 Signature Partners including JO's Learning Academy, Milwaukee Public Schools, and UMOS, Inc. where there is a deeply shared commitment to work together with Stritch to leverage shared assets and shared values to cultivate the growth of professionals and engaged citizens committed to serving a greater good.


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Hotel Milano
Select your stay dates to check availability
Hotel Milano
About the hotel
Property Location
Located in Belgirate, Hotel Milano is minutes from Belgirate Ferry Terminal and Belgirate Old Church. This 4-star hotel is within close proximity of Iles des Borromees Golf Club and Arolo Beach.
Make yourself at home in one of the 40 air-conditioned rooms featuring minibars. Complimentary wireless Internet access keeps you connected, and satellite programming is available for your entertainment. Private bathrooms have complimentary toiletries and hair dryers. Conveniences include safes and desks, and housekeeping is provided daily.
Make use of convenient amenities such as complimentary wireless Internet access, concierge services, and babysitting/childcare (surcharge).
Enjoy a meal at a restaurant, or stay in and take advantage of the hotel's 24-hour room service. Quench your thirst with your favorite drink at a bar/lounge.
Business, Other Amenities
Featured amenities include a business center, limo/town car service, and dry cleaning/laundry services. A roundtrip airport shuttle is provided for a surcharge (available on request), and free self parking is available onsite.
Hotel Facilities
- Airport transportation (surcharge)
- 24-hour front desk
- ATM/banking
- Babysitting or childcare (surcharge)
- Restaurant
- Elevator/lift
- Business center
- Limo or Town Car service available
- Free WiFi
- Meeting rooms
- Number of floors - 3
- Multilingual staff
- Bar/lounge
- Concierge services
- Luggage storage
- Tours/ticket assistance
- Number of buildings/towers - 1
- Free self parking
- Total number of rooms - 40
- Laundry facilities
- Dry cleaning/laundry service
Room Facilities
- Rollaway/extra beds available
- Hair dryer
- In-room safe
- Air conditioning
- Free toiletries
- Iron/ironing board (on request)
- Room service (24 hours)
- Private bathroom
- Minibar
- Daily housekeeping
- In-room climate control (air conditioning)
- Desk
- Soundproofed rooms
- Satellite TV service
- Television
- Free WiFi
Hotel Policy
Know Before You Go
- All guests, including children, must be present at check-in and show their government-issued photo ID card or passport.
- Cash transactions at this property cannot exceed EUR 2999.99, due to national regulations. For further details, please contact the property using information in the booking confirmation.
The following fees and deposits are charged by the property at time of service, check-in, or check-out.
- Airport shuttle fee: EUR 80 per vehicle (one way)
The above list may not be comprehensive. Fees and deposits may not include tax and are subject to change.Show all hotel policy Show less hotel policy


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Newegg.com - A great place to buy computers, computer parts, electronics, software, accessories, and DVDs online. With great prices, fast shipping, and top-rated customer service - once you know, you Newegg.
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This review is from: GIGABYTE GeForce GTX 660 Ti DirectX 11.1 GV-N66TOC-3GD 3GB 192-Bit GDDR5 PCI Express 3.0 x16 HDCP Ready SLI Support Video Card
Pros: Runs all my games at the highest setting so far Far Cry3 np, Skyrim with so many mods that I practically made a new game no problem, Crysis 3 have no problem at all, and Witcher 2 which my comp had a hard time with before this upgrade no problem. Runs quiet and cool
Cons: Sometimes has problems with my monitor but hey thats just an excuse to get a new bigger shiney monitor.
Other Thoughts: Much slimer then my old card and fits very easily into my caseREAD FULL REVIEW


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iHerb 顾客评论
节省: ¥19.15 (25 %折扣)
Bdellium Tools: Brocha 776 de ojos, Serie Maestro
roxbis发表于 Oct 10, 2014
Es una brocha que esta muy bien para difuminar las sombras. Tiene la forma perfecta y es un poquito mas larga y estrecha que su homónima de Sigma o MAC. Es muy suave, se lava muy bien y rápido, quedando su pelo blanquito enseguida. Mi primera brocha de esta marca y muy contenta! Si te ha sido útil mi comentario, dale al botón! Gracias
greece2发表于 Mar 22, 2014
i think I like it more than my MAC 217. there. i said it.
dupe du 217
missblackline发表于 Dec 02, 2012
très bon dupe du 217 ! pour le prix il ne faut pas s'en priver (et retrouver le même mais un peu moins cher dans la collection StudioLine mannche jaune)
dupe for mac 217
Reviewer1824368发表于 Jan 25, 2013
I love this brush! Such high quality and great price. This brush can be used multiple ways, from addition your overall wash of color to creating a nice crease, and then even blending. I love it a lot! I own two of them and plan to get another one so I could switch between colors and uses.
5723033866037777505发表于 Dec 04, 2014
buen pincel. difumina muy bine. es el segundo q compro para tener un extra.
Nice brush
reinona发表于 Feb 27, 2014
Pros: - it's soft; - blends well in the crease; - you can do a whole eye look only with this brush; - well made. Cons: - can be too big for smaller eyes (especially when blending colors on the lid, not crease) - it says on the package that it's made from natural fibers, so not cruelty free. The 217 is flatter compared to this one.
Did not keep its shape after washing
5281794341075809487发表于 Mar 11, 2013
I washed it before using it and it kind of splayed. I want to see if it can keep its shape by using a brush guard. So far it can blend eyeshadow nicely but have yet to compare to other brands.
not great
5587155839687067722发表于 May 12, 2014
I didn't really like this brush. It's pretty scratchy, up to the point that I stop in the middle and switch brushes. Was very disappointed because I read great reviews. I just purchased a mac 217 and it's much softer and denser.. also more expensive.
The worts brush I've tried from this brand
Reviewer3186500发表于 May 12, 2016
I have the 776 BDellium tools in green, and it's amazing. However, I wanted to try a superior serie, Maestro, and it was a very bad idea. This brush itches like sandpaper. I don't like at all.
disappointing :(
5405412622387613245发表于 Jan 29, 2016
After reading the reviews and owning the Bdellium Tools Studio Line 776, i thought this one would be better! Wrong :( its scratchy and uneven. Defiantly not soft. Tried using it for concealer and couldn't stand the rough bristles. Save your money and buy the studio line instead.


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Hope Street Hotel, 40 Hope Street, LIVERPOOL, L1 9DA
The stripped-back interior of the old workshop is a very modern setting with large windows to give a view of the street action. The menu makes much of provenance and there's a satisfying regional flavour to the food. Things might kick off with torched Sykes Fell ewes cheese, served with roasted figs, golden beetroot, hibiscus and ruby port syrup, moving on to a pan-roasted north Atlantic halibut fillet, baby turnips, cocotte potatoes, crispy Cumbrian air dried ham and leek, and finishing off with mille feuille of dark and milk chocolate with hazelnut cream, marinated blackberry, Earl Grey ice cream and poppy tuile.
Tel: 0151 705 2222
& 709 3000
Please quote 'The AA'.
Send an email
Open all year.
Sunday lunch available.
Days closed for dinner: 25 Dec
Cooking type: Modern British
Chef: David Critchley
Number of seats: 100
Accessible for wheelchairs.
Disabled toilets.
Children welcome.
Children's portions.
A La Carte Dinner Main Course from: £14.00
Sunday lunch: £19.50-£25.00
Prices are for guidance only. Please check when booking for current rates.
Follow cathedral & university signs on entering city, at centre of Hope St between two cathedrals
Nearest station: Liverpool Lime Street


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HIST-399 Antebellum and Civil War
Fall for 2016-2017
In this course, we will focus on themes that defined American history during the late antebellum and Civil War era: the expansion and entrenchment of slavery, slave resistance, religious awakening, the sectionalization of politics and, of course, the impact of war on the American state and people. Using a mix of primary and secondary sources, we will explore this period from multiple viewpoints – we will see history from the perspective of figures like Abraham Lincoln, who had access to the highest rungs of power in the American state, and from the perspective of figures like Frederick Douglass, who challenged Americans to embrace in fact the principles on which the United States had been founded in theory. This course will highlight Americans' struggles over the meaning of central American principles – freedom, liberty, equality – during this crucial, formative period in the nation's history, and examine how those struggles shaped American development and nearly shattered the American nation. This course will also introduce students to conducting and writing about archival research through hands-on work with Civil War-era sources in Georgetown's Special Collections.
Credits: 3
Prerequisites: None
Course syllabi
The following syllabi may help you learn more about this course (login required):
Fall '16: Taylor B (file download)
Additional syllabi may be available in prior academic years.
Other academic years
There is information about this course number in other academic years:
More information
Look for this course in the schedule of classes.
The academic department web site for this program may provide other details about this course.