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by Anton Shilov
Nintendo 3DS, a forthcoming handheld console from Nintendo, got its key features - autostereoscopic 3D screen and motion sensitivity - rather shortly before the formal introduction in mid-2010. Back in early 2008 the console was completely different, according to a high-ranking executive at Nintendo who headed the development of hardware for the 3DS.
"The first time I heard from [Nintendo president Satoru] Iwata and Miyamoto about this was just after I wrapped up Mario Kart Wii [in early 2008] and got started working on DSi Sound. They showed me this piece of hardware which later became the 3DS and said 'Here's what we're working on right now'. [...] I became involved with development starting in 2008, but at that time, it did not have 3D visuals. [...] Those [motion] sensors were actually put in pretty late. We officially went with them just before E3 [in June] last year," said Hideki Konno, group manager of the 3DS hardware project at Nintendo and also the producer of games like Nintendogs and Mario Kart Wii, in an interview with Famitsu magazine (which article was quoted by 1Up web-site).
The development of the 3DS started probably sometimes in 2004, right after the launch of the DS. Based on the comment by the official for Nintendo, the company only included one key feature of the new console in 2008 or even 2009 and another in 2010 after years of development. It is not clear what was original 3DS supposed to be like without stereo-3D screen and motion-sensing technology. In fact, it was uneasy to add the latter.
"The boat had really left the port by [June 2010], the hardware team had the final specs [without motion sensors] and just had to work it all out. Then, in the midst of that, Miyamoto said 'This isn't enough; we can really change things if there's a gyro sensor in there'. We had a prototype for the sensor already, so we got everyone together to try it out, and the conclusion we came up with was 'Well, if we can do things this fun with it, I guess we've got no choice'," explained Mr. Konno.
While we do not know anything about the original 3DS, it is clear that the concept of the model that will go on sale was designed in 2H 2008 - 1H 2010. There is hardly anything wrong about it as all devices get redesigned a lot of times before the release. However, such late changes indicate that either the original model was not really competitive or the company simply did not know what it wanted to get from the new handheld video game system. With the pretty hard development process of 3DS in mind, it becomes more or less clear why it takes Nintendo so long to introduce a new non-portable game system to succeed the aging Wii.
We are constantly thinking about ways to surprise our customers as much as possible. That theme is always there even as our hardware and software changes," said Mr. Konno.


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Airsoft M18A1 Claymore Mine is remote detonated. One remote can control up to 4 land mines.
Mine features:
- 1/1BB anti-infantry rifle
- Use 6mm BB bullets
- 200 shots of BB bullets in one shoot
- Shooting range is 20M
- Suitable for repeated use
- Batteries and remote control are included.
*Out of Stock*
Review (0)

subset: commoncrawl


text:
Spanish Website Top Sellers
- 1 Products in Spanish Website Top Sellers
We are proud to bring you a selection of our most popular products from our Spanish language website. From Collagen, Ginkgo Biloba and Melatonin to Herbs such as Saw Palmetto and Milk Thistle, at Puritan's Pride we promise to deliver healthy choices for healthy living directly to your door, in English or in Spanish. Click Here to visit our Spanish website for more information.
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1000 mg/500 mg/400 IU / 120 CapletsItem #016154
- Currently on back order.
We expect this item to be back in stock soon.
- Currently on back order.


text:
A Historic Paris Apartment Gets A Bold Redesign
Edmund Hollander shares his strategies for designing waterfront landscapes
Q: What's your starting point for creating an outdoor scheme for a house by the water?
A: We try to take advantage of views but also respect salt winds, tides, and water tables. In terms of the design, I like to give a family a diversity of areas for gathering, dining, and relaxing. Pools and terraces overlooking the water are lovely, but don't forget to provide spaces that offer protection from sun, wind, and glare.
Q: Are you seeing any trends?
A: There is a greater desire to simplify life. Elaborate, high-maintenance schemes are being replaced by landscapes that are easier to care for and more ecologically appropriate.
Q: How do you mitigate for powerful seaside weather patterns?
A: We try to design in ways that are structurally sound and to select plant materials that are tolerant of saline environments. We are using smaller trees and plantings to allow them to become better acclimated to the environmental stresses found in these habitats. But you are never immune to the force of Mother Nature's most powerful storms. "Respect" and "resilience" are the watchwords today.
Q: What type of swimming pool do you prefer?
A: Saltwater. There is no chlorine smell and your skin feels like silk.
Q: Which architectural materials hold up best in a waterside location?
A: Several types of limestone are tolerant of frost but may break down in a seaside environment due to wind-blown salt. I frequently use sandstone. It feels great near the beach and the colors blend well. For decks and boardwalks, we often use sustainably grown ipe, which weathers to a beautiful silver-gray and never rots, warps, or breaks.
Q: Which plants thrive by the water?
A: I recommend doing a careful study of what is growing in the immediate vicinity. We do this whether we're working along the coast of Long Island, in the Bahamas, or even in China.
"I love adding a screened-in porch with a fireplace to lakeside country homes. It's the perfect place to enjoy the breeze off the water—minus the insects! And a fireplace means you can enjoy it well past the summer season. We always reference the interior decor of the cottage in these outdoor living spaces."
10 Furniture Makeovers From Our Readers


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You limited your search to:
Partner: UNT College of Visual Arts + Design
Country: France
Decade: 1950-1959
Year: 1959
Collection: Texas Fashion Collection
Date: 1959
Creator: Heim, Roger
Description: Cloche hat of tan milan straw. The high crown is slightly dished, and narrows to brim, with wide band of tan/very pale green grosgrain ribbon at base with large "bow" at side. The straw brim is down-turned. The crown has an inner brown grosgrain ribbon hatband. Designer's label sewn to inner hatband: "Roger Heim / Made in France Paris", and retailer's ribbon sewn just above designer's label: "Made in France for / Neiman-Marcus".
Contributing Partner: UNT College of Visual Arts + Design
Cocktail Dress
Date: 1959
Creator: Saint Laurent, Yves
Description: Cocktail dress of beige wool crepe with faux black Astrakhan. The below-knee-length dress has a slight cowl neckline and bloused effect on the bodice and short sleeves. The full skirt is cartridge pleated into a wide band of black wool faux Astrakhan at slightly dropped waist. Dress has center back zipper on lining, connecting to outside of dress at waistline; blouse portion closes at center back with 8 covered snaps and 3 hook-and-eyes on neckline. Lined in cream organdy. Designer's label at center back seam: "Christian Dior - New York, Inc." Retailer's label to left of designer's label: "Neiman-Marcus" Union label on side of seam opposite retailer's label.
Contributing Partner: UNT College of Visual Arts + Design
Date: 1959
Creator: Evins, David
Description: Pumps of deep brown alligator leather. The shoes are designed with pointed toes, rounded at tips. The high, modified French heels taper from top to bottom, flaring slightly at base. Designer's stamp in both shoes: "Design par / Evins ... à Paris" Handwritten maker's notation in each: "FR 131A / 7AA" Handwritten notation: "#41821"
Contributing Partner: UNT College of Visual Arts + Design


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Admissions · Advising · Catalog · Financial Aid · Registrar · Scholarships
Frequently Asked Questions
What can I do with a communication degree?
Many of our students go into public relations, media, event management, fundraising, sales, . We have students working in non-profit and private organizations, and at newspapers, magazines, TV and radio stations. Currently, our graduates hold such positions as Director of Public Relations and Marketing at Kelly, Hart and Hallman, Event Planner for Alcon, Pharmaceutical Salesperson, Tarleton State University Recruiter, and many similar career posts.
What about internships?
Will I get practical "hands-on" experience?
Absolutely. There are several ways that you can get hands-on experience and build your portfolio of print and electronic clippings, collateral materials, photography, design, awards, volunteerism, and other evidence of professional ability, packaged for presentation to potential employers.
Journalism & Broadcasting students participate in the Texan News Service, an online newsroom publishing student stories that are picked up by media outlets around the state.
Texan TV News is a weekly show produced by Communication Studies classes and the campus radio station provides on-air opportunities.
Longhorn Drover is a magazine published by by the Department of Communication Studies, with communication students for the International Texas Longhorn Association, and produced .Public Relations & Event Management students work with on- and off-campus clients every semester, planning and producing collateral materials, fundraisers, special events, promotional campaigns, weddings, corporate events, charity galas, civic events, and other PR needs of both non-profit and for-profit organizations.
What is the difference between a B.A. and a B.S. degree?
Not much. A Bachelor of Arts (B.A.) requires 14 hours (four semesters) of foreign language and six hours (two semesters) of world history. The Bachelor of Science does not. Other than that, there is no difference.


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Electoral Systems and Processes
Supporting credible and inclusive elections: a cornerstone of democracy
Elections are a transformative tool for democratic governance. They are the means through which people voice their preferences and choose their representatives.
Each vote is part of a larger process that stretches before, during and after an election: the Electoral Cycle. Yet many countries lack a national system for managing elections.
UNDP offers strategic assistance throughout the Electoral Cycle, from support in designing more effective systems, to mechanisms to address disputes after the votes are counted. Ultimately, UNDP assistance aims to ensure that elections are credible and fully owned nationally; increase awareness of the role of elections as part of a broader democratic governance framework and as a vital means to safeguard human rights, exercise choice and express opinions.
To advance these goals, UNDP helps countries around the world acquire the necessary skills to organize elections that enjoy the confidence of electoral stakeholders. In 2013, for example, UNDP provided electoral assistance to 68 countries in Africa, the Arab States, Asia Pacific, Latina America and the Caribbean and Europe and the CIS region.
UNDP promotes credible and inclusive elections at all levels by supporting national efforts for:
- Promoting legal reform.
- Establishing independent and permanent electoral management bodies.
- Implementing systems for planning, monitoring and budgeting.
- Supporting voter and civic education on democratic rights and responsibilities.
- Coordinating electoral assistance.
- Promoting women's participation in elections as voters and candidates.
- Encouraging political participation of vulnerable and marginalized groups such as youth, women, persons with disabilities and minorities.
- Preventing electoral conflict and violence.
By allowing the genuine participation of all citizens, elections are also crucial in achieving the Millennium Development Goals. Elections, however, are only one aspect of democratic governance, and must be accompanied by strong and diverse institutions that provide equal protection to all people, fair distribution of resources and access to political power.
People are less likely to resort to violence to resolve their differences or to make their voice heard if they can participate in credible and inclusive elections. Yet elections can also accelerate conflict in high-stakes contexts of social tension or recent civil war. This is why UNDP's electoral assistance programming pays careful attention to the timing and conduct of elections, with a long-term view towards strengthening inclusive democratic institutions and contributing to conflict prevention in elections.
UNDP also engages with political parties, recognizing their role in structuring political participation, transforming social interests into progressive public policy, and training future political leaders.
This work is often carried out in collaboration with the Electoral Assistance Division of the United Nations Department of Political Affairs and other UN agencies.


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expatCanuck wrote:But green tea -- yeccchh. So I suspect that there might be something more to it than comfort, experience &/or ignorance ... .
- Richard
TeaFanatic wrote:Most westerners just don't know the difference between bagged and loose green tea, and for those who do know what loose green tea is, many don't know how to steep it correctly.
Those who have figured out the wonders of loose tea have a responsibility to spread the word and help others understand the wonders of tea.
spacesamurai wrote:From what I understand, the reason is this. To the Chinese, black tea was considered an inferior tea, hence it was used for exporting. So to the western world, tea was always black.
Who knows, perhaps if green tea was exported instead, no one would of liked it, and tea wouldn't have cought on outside of East Asia. Just think, no Darjeelings.
Guilow wrote:expatCanuck wrote:But green tea -- yeccchh. So I suspect that there might be something more to it than comfort, experience &/or ignorance ... .
- Richard
Funny you should take it personally. My comments were general in nature.
I've never understood the "literally makes me gag" comments I've seen. I mean, what do you do when you're actually faced with a real stench if a few green leaves in a glass of hot water makes you "literally" gag?
Michael_C wrote:And, as cynical as it might be, anything which requires voluntary attention and practice will be doomed to mass unpopularity in the west.


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How To Anchor Your Boat
March 13, 2014
Whether you're a day boater, a dedicated angler or you love the sound of the waves on your hull while overnighting, you need to know how to properly anchor your boat. While there are lots of different special situations to consider, anchoring has a fairly simple set of basic techniques you can master in no time at all. This will mean your boat will stay put while you can focus on swimming kids, hungry bass or getting a good night's sleep even if it's windy or the tide/current is fighting against you. In addition to the tips below, consider using one of the inexpensive smartphone apps like Anchor Alarm, which uses your phone or tablet GPS to set your position and alert you if you're drifting out of position.


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Suite 1700
Los Angeles, California 90067
United States
|Areas of Practice
|1) Litigation
|Law School
|Temple University Beasley School of Law
|Admitted Year
|University of California, Los Angeles (B.A., 1993)
|Most recent firm
|Kaye Scholer LLP
|Relevant Jobs
Employment Litigation Associate - 2-5 Years Experience
USA-CA-Los Angeles
LTL Attorneys LLP (LTL) is an AV-rated litigation boutique serving some of the most recognized corporations in the world. Our Downtown Los Angeles office is in immediate need of an employment litiga...
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Litigation Attorney
USA-CA-Los Angeles
Downtown civil litigation defense firm seeks a Litigation Attorney with at least 4 years of litigation experience. Candidate should have strong writing and analytical skills as well as significant dep...
Apply now
Senior Paralegal
USA-CA-Los Angeles
Senior Paralegal Duties: Prepares a variety of substantive legal documents to include extradition requests and documentation relevant to other actions related to the acquisition of evidence and or t...
Apply now
|+ View more jobs
A. Harrison Barnes is a well-known attorney throughout the United States. As a member of the Malibu community, Harrison is committed to serving the needs of Malibu residents and businesses in legal matters.
Benjamin P. Smith is a partner in Morgan Lewis's Litigation Practice. He is a trial lawyer with a particular focus on high-stakes disputes in the biotechnology, medical device, and internet industries.


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Questions on Re-mastered recordings vs. recent recordings
How does the sound quality on the re-mastered "Let It Be" compare to "Let It Be...Naked"? How does the sound quality of the re-mastered "Yellow Submarine" compare to the 1998 re-release of "Yellow Submarine"? How is the sound quality of all the songs that appear on "One" compare to their re-mastered counterparts? On the song "Let It Be", I have noticed that on the original version of LIB that George's guitar solo stands out. Whereas, on another version the guitar solo seems like drowned out or toned down. Why is that in the difference?


text:
"E-Commerce" is the second installment in a series of articles on getting started in the tea business on a shoestring budget.http://www.tearetailer.com/article_70.html
"E-commerce Q&A" is the first in a series of articles answering common questions regarding selling tea online. http://www.tearetailer.com/article_105.html
"Launching for $10K or less" covers how to get started on a shoestring budget and what you'll find when you get there. http://www.tearetailer.com/article_106.html
Would love to hear your thoughts, and especially any stories of success or failure creating and implementing E-Commerce strategies.


text:
I've install a Lyric in my Martin 000-28 and have a hissing noise coming from the amp. It's plugged direct into a Fishman Loudbox Mini with the gain and master set at about 1/4.
Not A loud noise but irritating.
Should I be running it though a pre-amp?
I'm also using a Taylor with their pickup system with no noise from the amp.


text:
Skip to Main Content »
International shipping available!
Draves Archery 1707 W. Ave. of Mid America Effingham, IL 62401 Toll Free: 1-888-678-0251 Local: 217-347-0291
Double click on above image to view full picture
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Availability: In stock.
Contains 1 Coyote, 1 Fawn, & 2 Rabbits
A coyote set-up that truly is a coyote set-up. Everything in one package needed to fool that critter.
© 2009-2015 Draves Archery. All Rights Reserved.


text:
An Interdisciplinary Approach to Developing Innovative Teaching Strategies For Responding to Global Disaster Disasters
This paper summarizes the development of an interdisciplinary Faculty Learning Community (FLC) bringing together the Virginia Commonwealth University, School of Social Work and Government and Public Affairs, Department of Homeland Security to develop an in depth, comprehensive pedagogical approach to the many issues associated with disaster risk reduction. As the title suggests, this is an interdisciplinary team that explores learning and demonstrates learning models. This particular FLC focuses on understanding the antecedent conditions and root causes of disaster events. We explore best practices to prevent, mitigate, and prepare for such events in the undergraduate and graduate curriculum with an emphasis on homeland security and social work. The FLC is an example of a non-traditional educational model providing content on disaster risk, response, and global impact. This particular FLC was committed to bringing together appropriate expertise from the academic setting as well as inviting community members and organizations into the classroom to share the "lived experience" and intuitive knowledge about disaster.
Globalization, disaster relief, human rights, faculty learning community, interdisciplinary, natural disaster
Full Text:PDF
Copyright (c)
Indiana University School of Social Work
902 West New York Street
Indianapolis, Indiana, USA, 46202
Voice: 317.274.6705
Indiana University - Quality Education. Lifetime Opportunities.
Last updated: November 20, 2007
Comments: email@example.com
Copyright 2007, The Trustees of Indiana University
Content ©2007 IUSSW


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text:
Does it say "Emmar" or "Emma R"? Based upon other records on her, I'm inclined to think it was actually Emmar, but comments can be posted to this blog post for those who have other thoughts.
Emma was married six times as shown below:
Groom (name transcribed on FamilySearch)
Bride (name transcribed on FamilySearch)
18 March 1856
James W. Pollard
Emily Sargent
Appanoose County, Iowa
23 March 1871
Robert Ross
Emma Pollard
Lincoln, Lancaster, Nebraska
17 Feb 1874
Joseph H. Oades
Emma Ross
Lancaster County, Nebraska
11 March 1881
James W. Pollard
Emma Sargent Oads
Cromwell, Union, Iowa
14 February 1883
David Snavly
Emma Sargent Pollard
Cromwell, Union, Iowa
7 July 1896
John Osenbaugh
Emma Snavely
Chariton, Lucas, Iowa


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iHerb Customer Reviews
Savings of: $1.30 (7% off)
Please note this item has been replaced by ATS-00256.
Posted by 4684119592037684047 on Mar 16, 2015
Too salty. Not really my taste, had better Almond butters... Would not recommend.
Posted by Reviewer3327222 on Aug 04, 2012
The taste is mild, I prefer roasted type.
Expected something else
Posted by 5539718598922443117 on Oct 18, 2012
Strange taste goes well in my protein shakes, not so good solo
Posted by 5388608241826300245 on Dec 30, 2012
This is great because CRUNCHY raw almond butter is difficult to find. It's not my favorite, but I'll buy it 2nd to No One!! The oils are not as separated as some, which is a definite plus. Just not as strong an almond flavor as I like ...
Posted by Reviewer2099937 on Aug 10, 2013
Just too expensive
i like Artisana's raw walnut cashew butter more.
Posted by Reviewer1839008 on Jun 27, 2011
not bad but not so good taste
Posted by Reviewer1534314 on Dec 27, 2011
It was Ok, peanut butter is better ... Now I am going to try cashew ;)
not my favorite
Posted by owlsrwise on Jan 30, 2012
it is a good almond butter and it is so hard to find raw, organic almond butter but it is not my favorite. It is the consistency that I have a problem with. My jar did not spread well and would clump - but it did taste okay once I could get on my rice cake. Others I have tried have tasted better but they cost more. I did order a second jar to see if maybe I just got an "off" jar. For the price - if you want organic raw almond butter, this is good.
It didn't taste that good...
Posted by Reviewer3251251 on May 04, 2012
This is my first organic almond butter, so I can't compare it to other organic products, but I surely didn't expect it to taste like this.
bought it once won't again
Posted by 5672320198337759825 on May 07, 2012
it wasn't popular with the family as it is too dry in the mouth to eat by itself. it's nicer with jam, honey and even treacle.
Items 1-10 of 10 total


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Ron Guth:
The 1862 Quarter Dollar appears to be a common date, based on its mintage of 932,000 coins and the fact that the 1862 is priced similarly to the 1858 and 1861, both of which have substantially larger mintages. However, a peek at the PCGS Population Report indicates that the 1862 is far less common than either of those two dates. To this writer, this makes the 1862 an excellent value -- by all accounts it should be priced higher, not the same as, the 1858 and 1861. Put another way, if I had to choose between similarly graded and priced 1858, 1861, and 1862 Quarter Dollars, I would choose the 1862 every time.
One of the very best examples is the PCGS MS67 illustrated above. It is a well-struck, visually appealing example, with frosty luster and golden-brown toning on both sides.
Heritage 4/2013:4213, $15,275


text:
0 Members and 1 Guest are viewing this topic.
I think it is important to remember the question posited in "Problem #3", which is, "You love Neopolitan-style pizza, but don't want to invest in a brick oven."Longer cooking times of 5, 7, 9 or more minutes can be used to cook very good pizza, but with all due respect it is not applicable for cooking the Neapolitan-style pizzas mentioned in the article. --K
I and a few others I am sure disagree, but whatever!
I see but subtle difference between 00 and other flours, but looking forward to using King A flour, as I do not think 00 is worth the extra cost and trouble.
sorry second picture posted by mistake!!
I have wondered if a person couldn't get a insulating soft firebrick and carve a sleeve for the probe and slip over the probe.
The author of the book has an obligation to reveal this, and apparently has not.


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Cramer's 'Mad Money' Recap: Staying Cautious for Coming Week's Earnings
NEW YORK ( TheStreet) -- We don't know where the market will be when the fiscal crisis comes to an end, Jim Cramer told his "Mad Money" TV show viewers Friday, which is why his game plan for next week's trading included a lot of listening and not a lot of action. Cramer said he's skeptical of positive comments coming from the White House, as he's had his hopes dashed plenty of times before.
On Monday, Cramer said he'll be watching Lowes (LOW) and Jack In The Box (JACK) . He said Lowes isn't as good as rival Home Depot (HD) , which is why he'd use any weakness in Lowes to buy more Depot.
As for Jack, Cramer said he'll be listening to see if the weakness at McDonald's (MCD) extended beyond that company and whether it's safe to buy back into Chipotle Mexican Grill (CMG) .
Next, on Tuesday, Cramer said it's Best Buy (BBY) , Heinz (HNZ) and Salesforce.com (CRM) reporting. He said things at Best Buy could be potentially terminal for that company, as other retailers like Sears (SHLD) have seen weak sales.
Cramer liked Heinz, a stock immune to the fiscal cliff, but said he's in listen-only mode with Salesforce, as nothing that company could report will likely be good enough for the markets.
Finally on Wednesday, Cramer said John Deere (DE) will be reporting. He said this company's shares get hit after every quarter, which is why investors need to be careful.
As for those ongoing budget talks, Cramer said he's reminded of 1990, when the markets were hinged on whether negotiations with Saddam Hussein would lead to a withdrawal of troops from Kuwait. Back then, everyone was on edge, he said, afraid to be long stocks going into the weekends, and covering their shorts daily. The same appears to be true today, he said, as no one knows when, or how, the budget stalemate will end.
Del Frisco's
Investors looking to speculate on a fresh-faced restaurant stock may have a lot to choose from, Cramer said, but when it comes down to Ignite Restaurant (IRG) , Chuy's Holdings (CHUY) , Del Frisco's Restaurants (DFRG) and Bloomin' Brands (BLMN) , there can be only one winner.
Cramer said Ignite Restaurant came public in May and is down 29% since it's IPO. He said the company, which owns Joe's Crab Shack, among others, was forced to restate their earnings, which is never a good sign. Cramer said this stock must be sold.
Cramer said he'd also take profits in Chuy and Bloomin' Brands. Chuy came public in July and is up 38% since its IPO, but only delivered a mere 1.5% increase in same store sales. Bloomin' came public in August, and what stock is up 17%, but Cramer noted that the purveyor of Outback Steakhouse and Carrabba's Grill is too risky at these levels.


text:
Jammes, Francis
Francis Jammes 1868-1938
French poet and novelist.
Francis Jammes was a French poet whose early work exemplified nineteenth century romanticism's fascination with the natural world. At their best, his poems and novels, which included Le Roman du liévre (The Romance of the Rabbit) exhibited a spontaneity and unself-conscious joyousness which brought Jammes friends and admirers among such noted literary figures as André Gide and Stephane Mallarmé. However, the work that followed his 1905 conversion to Catholicism tended toward self-consciousness and a didactic quality that diminished his legacy among succeeding generations.
Biographical Information
Jammes spent most of his life in the Pyrenees foothills, where his father held several successive government posts. His father died when Jammes was 20, and Jammes continued living with his mother for many years afterward. Always a lackluster student, he studied law briefly and worked for a time as a notary's assistant, but generally he spent his time in peaceful and pastoral pursuits, taking long walks and observing the natural world in a precise detail which he translated into his later poetry and prose poems. His first poems appeared in 1891, when he arranged to print 50 copies of Six Sonnets. A second volume attracted the attention of Mallarmé, Gide, and others, and Jammes began a series of interactions with leading literary figures that included a lengthy correspondence with Gide. Thereafter he published various poems, books, and articles. His friendship with another leading poet, Paul Claudel, led to his conversion to Catholicism in 1905. In 1906, when he was 38 and still living with his mother, Jammes married and eventually fathered seven children. He continued to write during the three remaining decades of his life, but commentators have maintained that his best work lay behind him. He died in 1938.
Major Works
Jammes first established himself with such poetic works as those collected in Six Sonnets and Vers. Within a few years, he was moving into narrative with Un jour, which depicted a day in the life of a poet. There was not much activity in Un jour, though in the companion pieces La Naissance du poéte (The Birth of the Poet) and La Mort du poéte (The Death of the Poet), he dramatized stages of the poet's life. In 1897 he published a short manifesto in the literary journal Mercure de France, wherein he sketched a model for a poetic style that incorporated naturalistic and sensual elements. His best-regarded poetry appears in the collection De l'Angelus de l'aube ál'Angelus du soir, published in 1898, wherein he explored a variety of themes, always according to the rubric of naturalism—or "Jammism," as his style would come to be called. Around the turn of the century, he entered the last fruitful phase of his career with the publication of several novels depicting young girls in often tragic circumstances. The title character of Clara d' Ellébeuse, for instance, is obsessed with a mystery surrounding a deceased woman named Laura who had become pregnant by her uncle. Ultimately Clara, swept up in the drama of people she has never met, finds herself succumbing to a possible seducer of her own, the poet Roger. She poisons herself and dies on Laura's grave. The most famous of Jammes's novels is the more lighthearted The Romance of the Rabbit. In it, the Hare goes through numerous adventures on earth and winds up in heaven, where he finds that he misses the dangers of his earthbound existence. The quantity of Jammes's output in the next decades was high, but his writings were not well-regarded. His only other noteworthy works were his three-volume Mémoires, published from 1921 to 1923.
Principal Works
Six Sonnets (poetry) 1891
Vers (poetry) 1892
Un jour [A Day] (poetry) 1895
La Naissance du poéte [The Birth of the Poet] (poetry) 1897
La Mort du poéte [The Death of the Poet] (poetry) 1898
De l'Angelus de l'aube ál'Angelus du soir (poetry) 1898
Clara d' Ellébeuse; ou, L'Histoire d'une ancienne jeune fille (novel) 1899
Almaïde d'Etremont; ou, L'Histoire d'une jeune fille passionée (novel) 1901
Le Roman du liévre [Romance of the Rabbit] (prose poem) 1903
De l' âge divin á l' âge ingrat (memoirs) 1921
L'Amour, les muses et la chasse (memoirs) 1922
Les Caprices du poéte (memoirs) 1923
Robert Vallery-Radot (essay date 1914)
SOURCE: "The Renascence of Catholic Lyricism," in The Constructive Quarterly, Vol. 2, June, 1914, pp. 384-402.
[In the following essay, Vallery-Radot includes Jammes in a discussion of French-Catholic poetry.]
While politicians are persisting in serving up to the masses, in the name of the laïc spirit and of Progress, the pernicious puerilities of the Encyclopédie now superannuated, while certain professors of the Sorbonne are madly bent upon ruining our worldwide reputation for straight thinking and clear speaking, while the fashionable stage and fashionable fiction are rehashing in senile fashion their tiresome physiologies, while the reviews are leading opinion astray upon fictitious glories, and the magazines are exalting stage-players, mountebanks, dancers and courtesans, it is good to turn aside for a moment from all this din and grimacing and, entering into the silence that is within, to give ear to the new and mysterious sounds which are awakening from out of the very depths of the French soul.
It is indeed true that the atmosphere in the intellectual regions of our country is becoming purer and lighter; literature, in particular, seems to be shaking off the stifling yoke of naturalism, and aspiring to some sort of heroic state, which is transfiguring it. We must go back to romanticism to find such an effervescence, principally in lyrics, such an ebullition of restless, ardent forces. Now lyric verse is the very soul of a literature, its secret love. Thus may we say to a given epoch: "Tell me your company, and I will tell you who you are."
We find in the Traité de la Vraie Contemplation these words of Ruysbroeck:
The sons of nature are those who give themselves up to the elements and obey the movements of the firmament; as for the children of God, they dominate the course of the firmament and the planets, and all things obey them.
In the strange crowded, tumultuous medley of sounds which rise from the lyres of our time we can distinguish two choirs: on the one hand, that of the sons of Nature, prostrate before Life, Love and all the idols named with capitals which can be engendered by the pestilent mythology of the Unconscious; on the other hand, the sons of God, for whom the universe is not at all a matter of chance, but ruled and protected in every detail by its Creator, for whom every being is sacred, the glorious reflection of its eternal Beginning. Before giving our attention to the latter, even before separating the cockle from the good grain, we may assert without fear of contradiction that on every side rationalism is in headlong flight, that even among unbelievers the religious forces are awaking from their long sleep, and that, astonished at feeling as hungry for spiritual life as they were before, and with intuitions a thousand times more fertile than all the dialectics cut off short from an emancipated reason, they are asking themselves if those intuitions are not the very roots of the human tree, and whether cutting them away was not effectively drying up all the sap of that tree. And resting upon the world which for them has again become unknown, somewhat intoxicated with the new wine that is turning their heads, not measuring their language and yet well expressing by it their state of utter confusion, they repeat the strange cry of Zarathustra: "Deep is the night, deeper than the day thought." To avoid all misunderstanding let us say at once that this obscure and feverish exaltation conceals many dangers.
"The love of God," Angela da Foligno admirably says, "is above everything an object of suspicion to me. If it is not armed with discernment it goes to death and illusion; if not discreet, it runs to a catastrophe: that which begins without order cannot issue in anything."
Far be it from us, then, to rejoice unreservedly in this vaguely mystical current which runs through the lyricism of today. What we would first of all clearly deduce from it is, once more, that the religious realities, far from being contemned and ignored as they were forty years ago, are again becoming the primordial concern of all minds. Men are ranging over Catholic dogma, sometimes with sympathy, sometimes with fear, but always with respect. Already such phrases as "unconscious," "intuition," "the will to live" have been abandoned for another—very much perverted from its sense, indeed, but so very symptomatic. That other phrase is "faith," simply that; "faith," the word so discredited but yesterday, considered so un-scientific! Here is M. Romain Rolland, a free-thinker, naming one of his works Tragédies de la Foi and, for the purpose of incarnating the hero of religious faith, choosing St. Louis. It is a faith evidently besmirched with errors, but after all it is interesting to note that the word is coming back upon the lips of men, that it has reconquered its right of citizenship. M. G. Hanotaux, in his turn, does not hesitate to affirm, in his Jeanne d'Arc:
Between reason and faith there is neither contradiction nor necessary conflict. It belongs to the highest reason to accept faith, and faith incessantly appeals to reason. According to the scholastic formula, faith seeks understanding, and understanding finds faith.
It is no longer fashionable to laugh at mysticism, to regard it as dreams. It attracts and holds men; they seek to derive heroic inspirations and wise lessons from its boldest flights. A Francis of Assisi is surrounded with fervent homage. M. Barrès seeks of St. Teresa and St. Ignatius lights for the discernment of the most complex spiritual states, and, while he transposes, only applies their methods in his Homme libre. Such a pagan as d'Annunzio is moved by the profundity of insight of a Catherine of Siena, by the manner, at once lyric and prudent, in which she draws on the most hesitating souls; the works of Ruysbroeck demand a Maeterlinck. An Angela da Foligno, a Tauler, are translated and read with avidity. A great publishing house has commissioned M. Henry Bordeaux to present to the public, in a series in which famous romances are chiefly to be found, the Introduction ála vie dévote, and has issued thousands of copies of it. The rival house has this year (1913) countered with an Imitation de Jésus-Christ.
Undoubtedly, the mass of readers interpret the mystics in their own way—that is, understand them very badly. To comprehend them, they lack the spiritual tradition of the Church. But are not these promptings of sympathetic curiosity indubitable evidence that at the end of its inductions contemporary reason finds itself obliged to see that there is an infinite reality which surrounds it, engulfs it, supports and nourishes it, and outside of which it cannot but fade away in unsubstantial visions? Is it not a way of confessing after all that to reason is not to create—that in presenting to us only the idea of things, whilst all our being urges us to embrace the reality itself, Kantian idealism gives us but stones instead of bread? Yes, reason understands that abstract metaphysics could never afford any nourishment, and that man must have a kind of revelation which shall place him in intimate relation with beings; reason confesses itself impotent to construct from the ground up a religion, a morality, a system of politics, and, remorseful at having ruined the whole heritage of mankind by laying down the most fantastic laws, it seeks its lost God, ranging through the most obscure manifestations of His will as to being and duration, manifestations which it names heredity, race and society. Once more, this is the bankruptcy of rationalism. Reason no longer seeks the pure idea, it seeks pure Being. It no longer cries out for an ideology, but for an ontology. It calls aloud for Him who is. How pathetic is the moment in which it is our lot to live! To whom is reason going to open the gates of the city? What God is it going to recognize as its sovereign?
Its salvation depends on this and on nothing but this. Now it would be foolish to deny the prodigious power of the modern false god who moves forward more terrible than Moloch. He is the son of the far-off dreamers of India, and the philosophers of Jena have but dressed him in their own fashion. He has a complete theology and a complete lyric poetry at his service: he is called the Unconscious. This dark and dangerous god has no personal life; he is the weird flower of the human soul, its limitless desire that wanders in all directions; it is the pride of man who believes himself deified because he is mad, and mistakes the vapours of the instinct which leads him astray for the inspiration of the spirit; it is he whom Baillard, in Maurice Barrès' Colline Inspirée, strives to possess by communicating with the creative forces which rise up from the fields, when he hugs only his own shadow; it is he, again, whom reason invokes when, failing to possess the true God, it gives itself over to a blind necessity which it calls by turns Progress, the Universe, Nature, Humanity, Justice, Liberty, Life, Love, and which attracts to its worship a religious feeling that has strayed away from its legitimate end. Read Romain Rolland's Tragédies de la Foi and you shall see how that lyric, carried away by its revolutionary mysticism, is led into parodying every sacred phrase, every rite, and dedicating sacrifices and whole burnt offerings to its idols. His speech quite naturally employs the terms Messiah, expiatory victim, martyr, cross, crown of thorns, and the like.
Such parodies scandalize, at first sight, every soul that loves Christ and His Church. But we must remember the dying words of Jesus: "Father, forgive them, for they know not what they do." Without their knowing it, thinking to advance the evolution of the human soul, as they say, poor things, they are simply beginning over again the eternal rebellion of the fallen archangel. It is the supreme temptation, to wish to attain Being, the first principle of our essence, of our acts, and of all things—even Him whom we call the Father—without any intermediary or mediator; the temptation to be one's own Redeemer, to be the incarnation of God. It is a doctrine full of sorceries, seducing the best. It is not only Romain Rolland who bows before this phantom, there is Maurice Barrès, who speaks to us
of that admirable vision of the Divine in the world which, under the most modern name, the Unconscious, Philip found in Le Jardin de Bérénice.
It is Maeterlinck who in his latest book, La Mort, delights in hiding himself from death in the fog of this most barbarous of names, which they call the most modern; it is the Comtesse de Noailles who, in her Les Vivants et les Morts, a work so unspeakably moving, cries out with magnificent ingenuousness to what she thinks to be God:
I cannot explain it, but Thy supreme brightness seems like my reflection in the lake of a Paradise. One evening I saw Thee like myself, on the road where my body was grown large through the shadow.… It is ever oneself that one seeks when one thinks to escape oneself; one would wish to repose in its blessed arms …
A terrible annihilation, at the end of which one would but hug death! But there precisely is the stumbling block of the lyricism of the Unconscious, the wall against which it is fated to dash itself to pieces. After reaching the extreme point of its desire, it will have to define its object; there remain but two alternatives for it: either a mortal doubling-back upon itself, the raving, anarchic delirium of all the powers of humanity, or the cry of deliverance to the God of Abraham, of Isaac, and of Jacob, Whom Pascal invoked, the personal God, the eternal Being distinct from us, Who frees us from ourselves. This dilemma our generation is actually living. It is the pathetic drama which has been enacted in all of us, and which is still being enacted in thousands of young minds. Happy are they who have slowly but surely freed themselves, through Catholic theology, from the horrible slavery in which this doctrine of shadows holds us—those who have already turned to the pure, true voices which rise swelling, and who will in the end, we are certain, dominate all the other voices. It is such as Claudel, Jammes, Le Cardonnel, Péguy that give back in the face of the astonished century imperturbable testimony to the Incarnate Word, unsealing our eyes to the abyss that yawns at our feet. The whole of their work proclaims that Christ alone can save us from ourselves and make us live, that He alone can pronounce over the tomb of Lazarus the liberating words: "Come forth, come forth from the cult of your Ego, and come to us, the Father and Son in the unity of the Spirit." Their work proclaims that Christ is the light that enlighteneth every man that cometh into this world, that he who thinks himself wise apart from Christ, he who thinks to find the truth outside of Him through whom all things were made, he who refuses Him His real, incarnate, eucharistic existence,—he repulses all the light, extinguishes all understanding in himself, and annihilates himself in a pantheism from which there is no issue.
In presence of this sublime hymn, some are disconcerted by the new technic employed in its interpretation, smile and shrug their shoulders. Nevertheless, the young, who go deep into things, for whom literature is no simple, banal display of elegance—those who lean over their books eager for, and unsatisfied by, the teaching or, rather, the absence of teaching, that falls from the official chairs—the young hasten to listen to these voices with inexpressible emotion; they feel their purer infancy reawakening in them, and as it were the eternal youth of the world. This lyricism persuades them, it gives them the orientation of their hearts which have for so long been lost in inextricable shadows. Here they find, for the first time, lyrics which offer them no disquieting potions, no deadly philters, but the bread and wine of the family table.
It is not difficult to find—in Lamartine or Hugo, for example—beautiful religious inspirations, but they come as it were by accident; at one moment their lyre vibrates to the wind from the everlasting hills, but the next moment they will be singing, with just as much earnestness, of passion or of pantheistic dreams; their prayers and meditations are often directed to a perfectly abstract In-finite; God is an idea of perfection, of goodness, of justice, not a living being present in us. They sing of God from outside the temple. On the contrary, open the Magnificat of Claudel, listen to these new accents or, rather, these revived accents:
O my God, you have called me by my name, as...
(The entire section is 6168 words.)
Madame Mary Duclaux (essay date 1919)
SOURCE: "Francis Jammes," in Twentieth Century French Writers, W. Collins Sons & Co. Ltd., 1919, pp. 98-114.
[In the following essay, Duclaux discusses Jammes 's conversion to Catholicism and its influence on his writing.]
Francis Jammes is a Faun who has turned Franciscan Friar. As we read his early poems, his delicious rustic prose, we seem to see him sitting prick-eared, in some green circle of the Pyrenees, with brown hands holding to his mouth a boxwood flute, from which he draws a brief, sweet music, as pure as the long-drawn note of the musical frog, as shrill as the plaintive cry of some mountain bird who feels above its nest the shadow of the falcon....
(The entire section is 4002 words.)
Joseph Warren Beach and Gustave Van Roosbroeck (essay date 1920)
SOURCE: "Francis Jammes, Primitive," in The Sewanee Review, Vol. XXVIII, No. 2, April, 1920, pp. 172-85.
[In the following essay, Beach and Van Roosbroeck discuss Jammes's use of pastoral imagery.]
Francis Jammes is the poet of Orthez, as closely associated with that little village in the mountains as Wordsworth with Grasmere or Robert Frost with his "North-of-Boston". He has always in his view the cold peaks of the Pyrenees, yellow and threatening on the approach of winter, and in the rainy spring showing their blue veins, which make them more luminous than glass. Every year, in the season of love, he may witness the departure of "the great severe shepherds" for their...
(The entire section is 5044 words.)
William A. Drake (essay date 1928)
SOURCE: "Francis Jammes," in Contemporary European Writers, The John Day Company, 1928, pp. 243-51.
[In the following essay, Drake praises Jammes's early works, but laments a decline in his later writing.]
When one speaks of a poet as "well loved" or as a "favorite bard of simple things and homely virtues," one is not always seeking to condone a particular type of mediocrity which happens to appeal to him. Despite the thriving, if modest, school of Robert Frost, we have somewhat lost sight, in this day of neurotic exacerbations, of the proved truth that verse does not have to be tormented to be beautiful. The idyllic scenes of Whittier have in them more of pure...
(The entire section is 2437 words.)
Franàois Mauriac (essay date 1938)
SOURCE: "To Frances Jammes - An Obituary Tribute," in Poet Lore, Vol. XLIV, No. 4, 1938, pp.
[In the following essay, Mauriac eulogizes Jammes.]
Those of us who do not believe that the affairs of men are governed by pure chance, rejoice at the honor which Our Almighty Father has bestowed upon his faithful poet in welcoming him with solemn acclaim into the glorious and eternal Company of His Saints.
The end came while Jammes was listening to the Services appropriate to that day, namely, to that part of the Gospel which we term the "Beatitudes," of which all are intrinsically applicable to him, but especially that one which promises that the meek shall...
(The entire section is 768 words.)
Sister Mary Jerome Keeler (essay date 1938)
SOURCE: "Chapter IX: Frances Jammes," in Catholic Literary France: from Verlaine to the Present Time, Books for Libraries Press, 1969, pp. 123-38.
[In the following essay, originally published in 1938, Keeler provides an overview of Jammes's major works.]
The year 1935 saw the publication of De tout temps à jamais, by a poet who had been for a time silent. Though Francis Jammes is an old man now, we find in this latest volume of poems all the charming freshness and artless beauty of his early work. He ever remains the simple, humble poet of country life, who lives and writes far from Paris, in his beloved country of the Hautes-Pyrénées. He belongs to...
(The entire section is 5009 words.)
François Mauriac (essay date 1961)
SOURCE: "Letter to Frances Jammes," in Second Thoughts: Reflections on Literature and on Life, The World Publishing Company, 1961, pp. 128-31.
[In the following essay, presented as a letter to Jammes, Mauriac praises Jammes's poetry and sensibilities.]
Dear Jammes: I have followed a shaft of moonlight down through the black arbors to this terrace from which I look out toward you. We are separated only by the vineyards, heavy now with grapes, and by a thirty-league accumulation of fields and pine groves, of simple churches where God keeps watch, and sleeping farms. This is what you called in one of your elegies an océan de bonté, but it is really you, your...
(The entire section is 877 words.)
Further Reading
Aldington, Richard. "Recent French Poetry." Poetry, Vol. XV, No. 1 (October 1919): 42-48.
A comparative review of Jammes's La Vierge et les Sonnets and works of other French poets published after the end of World War I, all of which the reviewer finds lacking in originality and energy.
Caws, Mary Ann. "Correspondance de Francis Jammes et de Francis Vielé-Grijfin (1893-1937) ." L'Espirit Créateur Vol. IX, No. 1 (Spring 1969): 58-59.
An unfavorable review of the collected correspondence, in French, of Jammes and his friend Francis Vielé-Griffin.
O'Brien, Justin. "Gide and Antigide."...
(The entire section is 238 words.)


text:
- 1 pound 80/20 ground beef
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Copyright 2017 Nexstar Broadcasting, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
- 1/2 pound 90/10 ground beef


text:
Ron Guth: In 1873, Mint employees used a date logotype where the loops of the 3 were so close to each other that the date could have been confused for an 1878. Later in the year, a new logotype was created with loops of the 3 moved farther apart. The Nickels weren't the only coins affected by this change -- quite a few other denominations were, as well.
In terms of relative rarity, the Closed 3 is clearly the scarcer of the two varieties. According to the PCGS Population Report (as of June 2011), PCGS had certified 66 Closed 3 and 222 Open 3 1873 Nickels in all grades. Among the Closed 3 variant population, MS-64 is the most frequently-seen grade. The finest examples certified by PCGS were three in MS-66.


text:
Here's how RW members rated this race in the past (102 votes).
In short: A fantastic day and place for a run.In full: Loved the changing facilities in the baths, the shower was literally ice cold and took your breath away nearly as much as the uphills! The closest I've come to an ice bath however and think there is something to be said?Date of review: June 1, 2005
In short: This has the hardest start in the world!!. I will never forget looking up after 1 mile and seeing THAT HILL CLIMB!!! Amazing run and recommended to all. I'll be back next yearIn full: What a fantastic half marathon. This took me right out of my comfort zone of the flat 13.1 mile run. Fantastic views when you were able to enjoy them. Really well organised with good parking and a lovely finish in the gardens. I will never forget that sight after around a mile of the HUGE hill climb in front! Good atmosphere all round. Well done Buxton. See you all there next year.....Date of review: May 30, 2005
In short: Views and scenery superb, especially the narrow valley after 5m. Excellent organisation, brilliant HQ at Pavilion Gardens. Would recommend this race to anyone.Date of review: May 30, 2005
In short: very hard in places also easy in othersIn full: an excellent challenge very rewarding didnt do it in as slow time as i though i would have. t shirt could have been better.very enjoyable.Date of review: May 29, 2005
In short: Not for the faint hearted but do-ableIn full: I was a little confused when I arrived (as a 1st timer) where the start line was & there was no big clock so someone had to let me know my time at the end. The changing facilities were a bit dodgy, however overall the race was very scenic, friendly & (dare I say it) enjoyable. see you next year!Date of review: May 29, 2005
In short: BUXTON HALF - You will have to travel many miles to find better scenbery for a raceIn full: A beautiful day out for everyone - Buxton has it all. The race itself was excellent and then a great place to chill out in the park afterwards with family and friends. Had to laugh at the painted 'SLOW' sign in the raod at mile 7 (what a hill!) !!Date of review: May 29, 2005
In short: A great Sunday morning/afternoonDate of review: May 29, 2005
In short: First attempt at his one, unusual in its 5.30pm start, tough hilly course, byt extremely scenic with little traffic to contend with. Sparse crowds but those that were out there were great at cheering runners on. Would definitely do again.Date of review: August 24, 2004
In short: This is like a fell race on tarmac, both in terms of toughness and sceneryDate of review: August 24, 2004
In short: Very tough and very hilly but beautiful scenery. Forget about pb's and just enjoyDate of review: August 24, 2004
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text:
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Items 1-5 of 5 total


text:
Tuesday, December 29, 2009
Quilt No. 2
44 comments:
- Jenny said...
another really great quilt!
- December 29, 2009 at 4:06 AM
- Stephanie said...
Love the quilting on this one. Great colors!!!
- December 29, 2009 at 4:08 AM
- Rachel said...
It's beautiful, Jodi! That backing is just perfect.
- December 29, 2009 at 4:59 AM
- DeeRoo said...
I'm making my 20 yr old son a quilt with the exact same guitar fabric!:) I'm using this Alexander Henry 2-D Zoo fabric for the back...I showed him the pin-basted quilt and he loves it. Now I need to finish it!;)
- December 29, 2009 at 5:03 AM
- Lois Grebowski said...
I love that one! The guitar fabric is just PERFECT! :-D)
- December 29, 2009 at 5:04 AM
- Tricia Anne said...
What a great quilt! The backing looks fabulous! :o)
Sincerely ~ Tricia Anne
- December 29, 2009 at 5:16 AM
- Kelly O. said...
I bet he loved this one! the backing is perfect!
any news on what's wrong? I thought about you on Christmas day--I hope you were feeling well enough to enjoy your sons and daughter in law opening their quilts :)
- December 29, 2009 at 5:24 AM
- karenfae said...
love the colors. The one you posted yesterday was pretty too.
- December 29, 2009 at 5:26 AM
- Marydon Ford said...
Perefct fabric combos ... lvoe it!
May your New Year be blessed & joyful ... TTFN ~ Marydon
- December 29, 2009 at 5:41 AM
- badlandsquilts said...
I like the horizontal lines you quilted and the blocks, too.
- December 29, 2009 at 5:42 AM
- Zarina said...
A match made in heaven - your husband should not complain because he is so good in pairing fabrics. By the way, I love your quilts - simple horizontal quilting which I have not attempted yet.
- December 29, 2009 at 6:33 AM
- Heidi said...
Wow.. I love it. Absolutely beautiful!
- December 29, 2009 at 6:40 AM
- Sew It UP! said...
Hey those came out really great. Love the guitar fabric.
- December 29, 2009 at 7:06 AM
- kwiltmakr said...
Another super quilt. Sometimes the best ones are the ones without a plan, or so I am discovering.
- December 29, 2009 at 7:10 AM
- greetingarts said...
It looks fantastic. And I really can't wait to see what that guitar looks like when it's done! Amazing!
- December 29, 2009 at 8:02 AM
- allsewnup said...
Love the guitars! Could it be any more personal than that? The quilt design is perfect, reminds me of the strings. Keep 'em comin'!
- December 29, 2009 at 8:28 AM
- RosaMaría said...
another amazing quilt!!! i love that guitars fabric!!!
- December 29, 2009 at 9:07 AM
- Jane's Fabrics and Quilts said...
This is fun!! I think this is a great quilt for him and you are right the backing is perfect!
- December 29, 2009 at 10:15 AM
- Mary on Lake Pulaski said...
It is just fantastic Jodi! What a lucky young man to receive that quilt!!
- December 29, 2009 at 10:23 AM
- wishes, true and kind said...
Wonderful quilt! I am going to make a quilt for my son (19 years) this year (also a guitar player), so I am paying special attention to any quilts made for guys. Great job!
- December 29, 2009 at 10:34 AM
- Rhondi said...
Hi Jodi
What a wonderful quilt and you're right, the backing fabric is perfect! I like the colors you chose also!
- December 29, 2009 at 11:27 AM
- Sarah said...
There is nothing more pleasurable than finding the perfect fabric is there? A beautiful quilt that is well suited to the recipient! Amazing job.
- December 29, 2009 at 12:34 PM
- V and Co. said...
oh jodi! i absolutely love it! i bet he does too!
- December 29, 2009 at 1:56 PM
- Brenda @Cozy Little House said...
It's gorgeous! And so appropriate! I use to make my quilts with no pattern. More fun that way.
- December 29, 2009 at 2:52 PM
- lej619 said...
Jodi what a great quilt so far i have liked both 1&2 quilts can't wait to see #3 quilt! I am sure it will be another great one.!
- December 29, 2009 at 3:38 PM
- Ellyn said...
Oh I love that one!
- December 29, 2009 at 4:12 PM
- Becky said...
Jodi, That is wonderful! I have some of that geetar fabric for my son (25 yrs old) too.
Did you say colonoscopy? ow! Hope that gives you some answers!
- December 29, 2009 at 4:46 PM
- AnyoneCanQuilt said...
Oooh it's gorgeous! The guitar fabric was just the perfect touch. I'm in love with the red one from your previous post too. They look so fresh and cozy! x
- December 29, 2009 at 9:02 PM
- Thimbleanna said...
WOW! That guitar fabric is Perfect Jodi! Now I can't wait to see quilt no. 3!!!
- December 29, 2009 at 9:56 PM
- Trisha said...
Great looking quilt! And how perfect for your son.
- December 29, 2009 at 11:56 PM
- upstateLisa said...
great quilt! Happy New Year Jodi!
- December 30, 2009 at 5:00 AM
- Carrie P. said...
What cool fabric. I have not seen guitar fabric before. Love the colors too.
Sounds like your have a very understanding hubby.
Happy New Year
- December 30, 2009 at 6:07 AM
- amylouwho said...
This is my favorite!! (well I have to go see #3s first) But I love the colors and the guitars are cute! Way to go!
- January 1, 2010 at 4:13 AM
- jacquie said...
i just got this fabric in the lighter blue colorway...i love it sooo much. you made it sing in this quilt. thanks for sharing it with us.
- January 8, 2010 at 8:58 AM
- beth said...
a perfect gift for a son who loves guitars!
- January 8, 2010 at 10:03 AM
- Leslie said...
this is so great. i love the blocks and the quilting...everything about it. what a great gift
- January 8, 2010 at 10:31 AM
- Suzanne said...
I love the colour scheme!
- January 8, 2010 at 10:42 AM
- Lesly said...
That guitar fabric really pops in this fantastic quilt! Great finish!
- January 8, 2010 at 1:41 PM
- Leslie - she sews and scraps said...
I really LOVE this quilt, especially that guitar fabric, now you have me thinking of doing something similar for my son who loves his guitar! it's a gorgeous quilt!
- January 8, 2010 at 3:12 PM
- Sara said...
That is a very neat quilt - and I like the fabrics that you used...
- January 8, 2010 at 4:06 PM
- KQuiltyBee said...
Great quilt--gives me some ideas for my guitar-playing DH!
- January 9, 2010 at 3:14 PM
- Heather said...
Beautiful! I'll bet he just loves it! :o)
- January 9, 2010 at 5:41 PM
- Mag said...
i love this quilt, the colors are so pretty
- January 11, 2010 at 1:05 PM
- Rene' said...
Great quilt and totally cool fabrics. I'm sure your son loves it....especially the guitar fabric. Thanks for sharing.
- January 11, 2010 at 7:21 PM


text:
Early ambulatory palliative care visits focus on psychosocial elements such as building rapport and coping, as well as managing symptoms and enhancing illness understanding
- Department of Nursing Research and Education, City of Hope, Duarte, California, USA
- Correspondence to
: Dr Betty Ferrell
Department of Nursing Research and Education, City of Hope, 1500 E. Duarte Road, Duarte, CA 91010, USA; bferrell{at}coh.org
Commentary on:
Implications for practice and research
In 2010, a key trial testing a palliative care intervention for patients with non-small-cell lung cancer was published.1 This study has had significant impact, but many professionals have asked for more details about palliative care interventions.
Findings from the present study will help define what palliative care specifically provides.
Professional organisations in the fields of oncology, such as the American Society of Clinical Oncology2 and palliative care, including the American Academy of Hospice and Palliative Medicine, have articulated the need for palliative care to be integrated into disease-focused care. There has been a wide international interest in this area as well. Achieving this aim will require a greater understanding of …


text:
Flowers, hiking in the spotlight
While Memorial Day weekend shifts most area residents into the the summer mode, there are a couple events this weekend that let us know the season to get outdoors more often has fully arrived.
One involves planting flowers to brighten up the gateway into Marquette, while the other encourages people to get out and do some hiking.
The first is Petunia Pandemonium, which is marking its 25th anniversary this year. Traditionally held in early June, the effort involves planting thousands of flowers along South Front Street.
I remember the first year of the flower project, when Barb Kelly – then chairwoman of the Marquette Beautification and Restoration Committee – stopped by the newsroom looking for someone to do a story on a project she had in mind.
She was motivated to launch the flower project in Marquette after seeing a similar one downstate, and the rest is a quarter century of colorful, pleasantly smelling history.
Hordes of volunteers, the first wave consisting of school kids planting flowers today, stick flowers into beds along the roadway. The main planting takes place beginning at 10 a.m. Saturday, when various groups and individuals converge on the flower beds.
The work doesn't end then, though, as volunteers work throughout the summer tending to the flowers to ensure the picturesque southern entrance to Marquette maintains its beauty.
While this event makes it more pleasant to be outside in the city, Saturday's second happening draws us more into the woods.
The 21st annual National Trails Day is being celebrated and last year more than 157,000 Americans participated in roughly 2,000 events staged across the country, according to the American Hiking Society that launched the day honoring trails in 1992.
There are a handful of U.P. events planned to mark National Trails Day this year, including:
– Dedication of the new hikers shelter at Lakenenland Junkyard Art Sculpture Park off M-28 in Marquette County's Chocolay Township.
This event is being sponsored by the North Country Trail Hikers Chapter, which oversees the North Country National Scenic Trail in the central U.P., including the stretch that runs along Lakenenland.
Owner Tom Lakenen has always welcomed hikers, bicyclists, snowmobilers and others passing his park to stop for a rest, and he build the shelter. Like much of his other features in the park, the shelter came from recycled materials, this time logs from an old sauna rather than his usual metal items.
The dedication gathering is set for 1 to 4 p.m. and will include hikes around the sculpture park and along the NCT. For more information, send an email to email@example.com or call 226-6210.
– Marquette Township will be hosting a NTD celebration at its Schwemwood Park from 11 a.m. to 2 p.m. Included will be information on what the township would like to see occur on the 4.75 acres it recently acquired.
The property is adjacent to both the township park and the Iron Ore Heritage Trail and plans call for a trailhead for the IOHT to be located on the property.
– Van Riper State Park off U.S. 41 in western Marquette County will offer a guided hike from 1 to 2 p.m. Participants should meet at the park picnic shelter.
For more information, call the park at 339-4461.
– Tahquamenon Falls State Park in Paradise is celebrating NTD with a hike along the Tahquamenon River between the Upper and Lower falls beginning at 9 a.m.
Participants can take a free shuttle from the Lower Falls to the Upper Falls, where they will begin the five-mile hike back to the Lower Falls along the scenic River Trail.
The River Trail parallels the Tahquamenon River and is part of the North Country National Scenic Trail. The shuttle will run every 30 minutes between 9 a.m. and 1 p.m.
In addition, outdoor activities, nature crafts and other activities will be offered all day at the Upper and Lower falls.
There is no registration required for this event and no cost to participate, but a Recreation Passport is required to enter the park.
Tahquamenon Falls State Park is located on M-123 west of Paradise in Chippewa County. For more information, contact the park at 492-3415 or visit www.michigan.gov/tahquamenonfalls.
– The Ottawa National Forest will host a gathering beginning at 10 a.m. to open the Norwich Interpretive Trail. The sign-in for the effort will be at the base of Norwich Bluffs on Norwich Road, located a few miles northeast of Bergland near the Victoria Dam.
Included in this effort will be clearing brush and trees, improving the trail tread and installing interpretive signs along the trail. Additional signing of the trail and Norwich Cemetery work could also be included.
For more information, contact Jeff Mell at 884-2411 or via email at firstname.lastname@example.com.
These are a few events in which hikers can enjoy the wonderful northwoods and participate in a little celebration of the many benefits of walking along a trail.
If you can't make it to one of these Saturday, just find a trail near you and take a hike.
EDITOR'S?NOTE: City Editor Dave Schneider can be contacted at 906-228-2500, ext. 270.


text:
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text:
Topic: [SOLVED] Basic deployment problem.
I heed you help, colleagues.
In first time i install ROR server (rvm + ruby 1.9.2 + nginx + passenger +sqlite3)
And I get error:
The page you were looking for doesn't exist.
You may have mistyped the address or the page may have moved.
Somebody met the error before?
Help to fix it, please.
Something needed from my config?
Last edited by itsnikolay (2011-11-09 13:11:59)


text:
"We want Frieze New York to be for and of its host city. This will be most plainly evident in the site and structure of the fair itself," says Amanda Sharp, who cofounded the flagship London art fair with Matthew Slotover, and who will direct the first New York edition of the fair with Slotover May 3 through 6. She acknowledges some New Yorkers may not think of the fair's home on Randalls Island—a park located in the East River at the juncture of three boroughs: Queens, Manhattan, and the Bronx —as definitively New York. "Once we found Randall's Island, we knew we had an exciting, flexible location that's easy to reach and, at the same time, a bit of an adventure for New York residents, who will perhaps be visiting for the first time." Luring the uninitiated will be 170 contemporary art dealers, with an especially strong showing of Americans and Europeans, housed in a bespoke structure designed by the Brooklyn-based architectural firm SO-IL.
Among the more established galleries, Anthony Reynolds, of London, will bring Mark Wallinger's Self-Portrait (Sim Sum), 2008, for £60,000; as well as his sculpture The White Horse, 2011, right, for £10,000. Berlin's Eigen + Art will offer a multihued curtain by Olaf Nicolai titled Why Women Like to Buy Textiles That Feel Nice, 2010, tagged at $280,000. And Cheim & Read, of New York, will have Jack Pierson's metal and wood My Star, 2011, in the $150,000 to $200,000 range.
Like the London edition, Frieze New York will have a special Frame section set aside for galleries less than six years old to present solo exhibitions. In that area, Lüttgenmeijer, of Berlin, will bring Ryan McLaughlin; Night Gallery, of Los Angeles, will show Samara Golden; and Misako & Rosen, of Tokyo, will exhibit Shimon Minamikawa.
A version of this article appeared in the May 2012 issue of Art+Auction.
To see a preview of the highlights of the first-ever Frieze New York, click on the slide show.


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Norma,There are a few other things that perhaps bear keeping in mind about the products we have been discussing. For example, the lower the oil content of a given margarine product, the more water it contains. The PJ Garlic sauce contains water but the Whirl products do not. So, as the water content of the margarine product you are using goes up, the more water ends up in the blend, and may even thin it a bit. On the other hand, you end up adding less oil to the blend, and less wetness as a result, and the mouthfeel might be a bit better. So, it is a tradeoff between the water and oil that ends up in the final blend. And since the Whirl products only have soy lecithin as an emulsifier, and not the heavy duty mono and diglyceride emulsifiers, there is not an optimum emulsification of the water and oil. These were the considerations I was tossing around in my head in trying to find a good balance between all of the ingredients and effects we were looking for. Peter
As for the salt, you are pretty much stuck with it since they are fixed in the products you are blending. The water in the blend might dilute the salt a bit but perhaps not enough to notice it on the palate. You can perhaps compensate for the higher salt levels in the blend by using less salt in the dough. It is also possible that the hydrolyzed soy protein and the autolyzed yeast extract used in the Whirl products add a flavor profile that is salt-like in nature. Peter
I really don't know why, but this attempt wasn't as salty as my attempt last evening. The Nutrition Facts on both Whirl product says there is the same amount of sodium in a serving size, so I really don't know what this attempt isn't as salty.
Norma,Actually, there is less sodium in one ounce of either of the Whirl products than there is in one ounce of the PJ Garlic sauce (90 mg difference). That is why I wondered whether the hydrolyzed soy protein and the autolyzed yeast extract were imparting a salt-like taste. Or maybe it is the absence of the garlic flavor in the second Whirl product that is having a similar effect even though garlic powder has a minuscule amount of sodium.Peter
Norma,In order to dilute the garlic flavor of the Whirl garlic product, you can increase the amount of the Guaranteed Value margarine product relative to the Whirl garlic product. For example, you might use two ounces of the Whirl garlic product and four or six ounces of the Guaranteed Value margarine product, with any required tweaking of the flavors to compensate for the changes introduced by the new blend. I do not know how the saltiness will play out since the sodium contents of the Whirl garlic product and the Guaranteed Value margarine product are fairly close to each other (110 mg for 14 grams of the Whirl products, and 95 mg for 14 grams of the Guaranteed Value margarine product). Increasing the amount of Guaranteed Value margarine product relative to the Whirl products will alter the ratio of water to oil in the final blend. With four+ gallons of Whirl products, and with a cheap ($0.75/lb) margarine product, you should be in pretty good shape cost-wise for some time if you decide to proceed with clone cheesesticks and/or garlic knots.Peter
Norma,You are getting extremely close to the real deal. One difference I see though is the excessive butter/grease laying on top of the cheese. I would try dialing it back to 1.2oz or so. Other than that you've made grt progress . I think u may have my attempt beat.Nate
Nate,I guess you saw on my last two attempts I didn't use the PJ's dough and just used my own regular doughs. I also used Foremost Farms LMPS mozzarella that was in a loaf. For the second attempt on Tuesday I did use white cheddar which has a higher fat content. I think that might be why you see excessive/butter grease laying on top of the cheese. Maybe we added to much of my garlic sauce too. I also made 14 cheesestick pizzas on Tuesday. Do you really think that 1.2 oz. would be enough cheese for that size cheesestick pizza.I sure don't have your attempt at PJ cheesesticks beat. Your looks so delicious. Norm
Norma,I meant 1.2oz of the butter sauce.