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Tuesday, November 29, 2016
Here's Johnny, Seven Nights Per Week!
What a pleasure it is to have the late night master Johnny Carson on the air again. On January 1, 2016, the Antenna TV network started airing his shows. Monday through Friday the shows are 60 minutes, made between 1980 and 1992. On Saturday and Sunday, the shows are 90 minutes, aired from 1972 to 1980. It has been amazing to revisit these shows from Johnny. It makes one realize how good he was at his craft. He was a top notch stand up comedian of course, but he also shined as an interviewer and as a comic actor with his Mighty Carson Art Players segments. We have been able to see segments featuring his characters such as Carnac, Art Fern, Floyd R. Turbo and Aunt Blabby. At Johnny's side is the number one second banana, Ed McMahon. Doc and the band sound fantastic as usual. We have seen several episodes with David Letterman. For years, we figured that Letterman was the heir apparent to Carson. Unfortunately Jay Leno filled Carson's spot in 1992 when Johnny stepped down. But, Dave turned out ok, with a 33 year career in late night.
It has been a special treat to see some of the all time legends of show biz on the air again. Johnny's guest list read like a who's who of Hollywood with guests like George Burns, Milton Berle, Bob Hope, Frank Sinatra, Dean Martin, Sammy Davis Jr., Jack Benny, Rodney Dangerfield and many more.
I only have one complaint with these Carson episodes on Antenna TV. There have been very few musical guests and few performances by Doc and the band. People are speculating that the reason behind this is costs that have to do with music licensing. The royalties need to be paid through music agencies like BMI and ASACAP when these shows are re-aired. We have seen more musical performances in the second half of the year than in the first half, so hopefully that is a good sign. Antenna TV is probably doing well ratings-wise with the show, which would expand the budget for airing musical acts.
Antenna TV is tight-lipped regarding ratings numbers, but I have a hunch that they are pleased with the response to the show. Folks of all generations can experience the magic of Carson.
Carson fans will want to check out this Facebook fan page, dedicated to Johnny. At the beginning of 2016, it had 100 members. Now it has over 2700. No doubt the Antenna TV airings have increased the interest in the late night icon.
Wednesday, January 20, 2016
It's Cavett vs. Carson Once Again
First it was Johnny Carson returning to late night TV at the beginning of this year on Antenna TV. Now it will be Dick Cavett airing on the Decades channel. They will both air at 11:00 pm eastern, going head-to-head just like they did between 1968 and 1974. During that period, Carson was on NBC and Cavett was on ABC, with both shows originating from New York City.
In 1966, Ed Sullivan announced stand-up comedian Dick Cavett as "A young collegian from Yale". He had worked as a comedy writer for Tonight Show hosts Jack Paar and Johnny Carson. He also was a writer for the short-lived Jerry Lewis variety show in the 1960s. Writing for others was paying the bills, but Cavett wanted to try to be a late night host where he could perform his own jokes for a nationwide audience.
Cavett has hosted many shows in various time slots for various networks including ABC, CBS, PBS, USA, CNBC and TCM. These rebroadcasts will span the array of Cavett shows that aired between 1968 and 1996. He is a cerebral guy who is good friends with Woody Allen. The two of them share a similar comedic style. You could say that Dick Cavett is a "thinking person's" host.
The show begins airing on Decades on February 1. People already need to choose between Fallon, Kimmel and Colbert, and soon we will be able to add Carson and Cavett to the options. Find the Decades affiliate in your area here.
* Some information from http://www.chicagotribune.com/business/ct-cavett-carson-tv-0120-biz-20160119-story.html and
Posted by Rob Kates at 8:56 PM
Labels: ABC, Antenna TV, comedy, Decades, Dick Cavett, Johnny Carson, late night TV, NBC, television, TV
Friday, January 08, 2016
Johnny Carson Returns to Late Night
The past couple of years, we have witnessed many changes in the late night TV landscape. David Letterman, Jay Leno and Craig Ferguson stepped down after many years as television mainstays. Stephen Colbert, James Corden and Jimmy Fallon stepped into new roles.
On January 1st, the Antenna TV network started airing episodes of The Tonight Show Starring Johnny Carson. The program airs 7 nights per week. Monday through Friday are the 60 minute episodes made between 1980 and 1992. On Saturday and Sunday, the 90 minute shows will air, which were produced previous to 1980. Tune in weeknights at 11:00 pm eastern and 10:00 pm eastern on weekends. Johnny's show aired on NBC from 1962-1992. Most of the shows made for the first 10 years were not archived. It was the practice back then to record over shows once they aired.
It is truly a pleasure to see these classic shows on TV again. It is obvious that so much of what we see on late night TV today was influenced by Carson. Younger generations will get exposed to the genius of this show. It is staggering to think about the groundbreaking comedians who got their big break with Johnny. A good appearance on the show would send struggling careers into the stratosphere.
Johnny's success can be traced to a couple of factors. Unlike many of today's hosts, he really listened to his guests. He was not glued to his notes, obsessing about his next question. Also, he wanted his guests to shine. He did not need to hog the spotlight and get all of the laughs for himself. He knew that if he had top-notch guests, it was good for the show. Between the celebrities, the skits by "The Mighty Carson Art Players", the outstanding big band jazz NBC Orchestra and the personalities of Johnny, Ed and Doc, this show was something special.
Those who enjoyed the show can check out the Facebook Johnny Carson Fan Club here.
Sunday, September 13, 2015
Woody Allen's Musical
In 1996, Woody Allen released his film called Everyone Says I Love You. It is his only musical that he has made to date. The actors were not told that it was a musical until after signing their contracts. The title comes from a song in the 1932 film by the Marx Brothers called Horse Feathers. Woody is a fan of Groucho and his brothers, and there are references to them multiple times in the film. At one point there is a party where the guests wear Groucho eyebrows and mustaches and carry fake cigars.
The cast is truly star-studded. For this film, Woody Allen signed Alan Alda, Goldie Hawn, Drew Barrymore, Edward Norton, Julia Roberts and more. Many actors want to work with Allen due to his long career as a master writer/director and actor. He is admired by many for his work and creative vision. The total budget for the film was just $20 million, peanuts by Hollywood standards. The cast must have worked for a lower salary than they are accostomed to with this modest budget. One young star in the film was a 15 year old Natalie Portman. At this point, this was just her fifth film. She had already worked with Robert DeNiro and Al Pacino in Heat. The same year that Everyone Says I Love You was released, her film Beautiful Girls hit theatres. That was another impressive cast, starring the likes of Matt Dillon, Timothy Hutton, Rosie O'Donnell, Uma Thurman and Michael Rappaport.
There is a reason that this movie felt like an old school Fred Astaire style musical from the golden days of Hollywood. Many of the songs date from the Depression era, if not earlier. A few of them include these.
Just You, Just Me-1929
Everyone Says I Love You-1932
My Baby Just Cares for Me-1930
I'm Through with Love-1931
Cuddle Up a Little Closer-1908
Music has always played a key role in Allen's work. Many of his films have a classic jazz soundtrack. For his film Manhattan, the music of George Gershwin was featured extensively. He used Rhapsody in Blue for his opening credit sequence which featured black and white scenes of Manhattan, wrapping up with an unforgettable fireworks scene. Everyone Says I Love You is filled with gorgeous songs. Some are toe-tappers and some are slow and thoughtful, but it is masterful the way they are intertwined within the storyline. The movie features singing and dancing scenes, and all actors performed their own singing with the exception of one, Drew Barrymore.
The story is peppered with scenes of melancholy and mirth. It is a family story, about upper class New Yorkers who struggle with relationships. Woody Allen's character falls for Julia Roberts' character. Drew Barrymore has ups and downs in her romantic life. Some scenes in the film were shot overseas, in Paris and Venice. This was a departure for Allen since it was his first film in over 20 years to be shot outside New York. But, in his future work, Allen would shoot many films in Europe.
Woody Allen's personal life has been tabloid fodder for years. I certainly do not endorse the choices he has made. He is an odd fellow but a brilliant artist nonetheless. This film is one of his best, up there with Annie Hall, Manhattan, Hannah and Her Sisters and more. It is a light, feel good movie with songs that you will find yourself humming. Check it out, especially if you enjoy musicals.
* Some information from imdb.com.
Monday, September 07, 2015
Show Biz Wiz Quiz!
It's quiz time. Find the answers to these questions by looking at my last 10 blog entries.
1. What jazz vocalist/trumpet player hails from British Columbia, Canada and is receiving rave reviews for her work?
2. Which "Rat Pack" member started performing in Vaudeville theatres in 1929 performing with his father and uncle?
3. Who is the comedy legend that filled in for Johnny Carson 87 times as guest host of the NBC Tonight Show?
4. Between 1946 and 1956, Dean Martin and Jerry Lewis performed regularly at what legendary New York City nightclub?
5. What groundbreaking situation comedy set the record for the highest Nielsen rating (67.3) in 1952-53?
6. Which late night TV host retired in May, after 33 years hosting his own show?
7. Who is the Canadian actor who has starred in the TV shows Family Ties and Spin City?
8. Which multi-talented Hollywood performer wrote 2 books about his life, called "Why Me" and "Yes I Can"?
9. What Harvard-educated actor starred in the films The World According to Garp, Terms of Endearment and Footloose?
10. Canadian entertainers Martin Short and Paul Shaffer met in the 1970s while working on a Toronto production of which musical?
1. Bria Skonberg
2. Sammy Davis Jr.
3. Bob Newhart
4. The Copacabana
5. I Love Lucy
6. David Letterman
7. Michael J. Fox
8. Sammy Davis Jr.
9. John Lithgow
10. Godspell
How did you do? Leave a comment below. Also, feel free to let me know about what topics you would like to see covered on this blog.
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Night Fever(2003)
(The first book in the Kiss And Tell series)
A novel by Tori Carrington
Dr. Layla Hollister isn't thrilled to find out that her new boss is notorious playboy Dr. Sam Lovejoy. She's learned the hard way to avoid mixing business with pleasure. Still, after caring for others all day, she can't help wishing she had someone to take care of hera AE. Then, that night, a sexy stranger unexpectedly steals a kiss, a kiss that promises exactly what she craves-pure, selfish, unadulterated pleasure. And it's obvious this man is willing to give her everything she's hungry for-and more. It's exactly what the doctor ordereda AEuntil Layla walks into the hospital the next morning and discovers her sexy stranger is none other than Dr. Sam Lovejoy. And he's expecting to pick up where they left offa AE.
Genre: Romance
Genre: Romance
Used availability for Tori Carrington's Night Fever
See all available used copies of this book at Abebooks UK or Abebooks US
Paperback Editions
October 2003 : UK Mass Market Paperback
|Title: Night Fever: Kiss & Tell (Harlequin Blaze)
Author(s): Tori Carrington
ISBN: 0-373-79109-7 / 978-0-373-79109-5 (UK edition)
Publisher: Harlequin Books
Availability: Amazon Amazon UK Amazon CA
Kindle Editions
November 2013 : UK Kindle edition
|Title: Night Fever (Mills & Boon Blaze)
Author(s): Tori Carrington
Publisher: Mills & Boon Blaze
Availability: Amazon UK
April 2010 : USA, Canada Kindle edition
|Title: Night Fever
Author(s): Tori Carrington
Publisher: Harlequin Blaze
Availability: Amazon Amazon CA
Genre Pages

subset: commoncrawl


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I rode in a Police Interceptor and it wasn't in the back seat!
Want more Wordless Wednesday? Check out: The Bonafide Life, Better in Bulk, Shanamama, From Dates to Diapers, Not Your Momblog, The Divine Miss Mommy, Rajean Blomquist, Brain Foggles, Lil Kid Things, The Centsible Life, Rachel Ferruci, and Zensible Mama.
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Home | Make an Appointment | For Medical Professionals
January 04, 2016
EAU CLAIRE, Wis. — Emmett Henry Deneys' due date was Jan. 21, but the baby boy was ready to make his debut a few weeks ahead of schedule at Mayo Clinic Health System in Eau Claire.
Born at 3:38 p.m. Friday, Jan. 1, Emmett weighed 5 pounds, 13 ounces and was 18 inches long.
His mom, Brittany Deneys, didn't expect she'd give birth on New Year's Day, so it came as a bit of a shock when her water broke.
After 19 hours of labor, Brittany gave birth to her son on the first day of 2016.
"He definitely came on his own time," says a laughing Brittany. "He didn't pay attention to my birth plan at all."
"I'm just so excited and happy he's finally here," says dad, Kyle Deneys.
Emmett is the Menomonie couple's first child.
# # #
Mayo Clinic Health System consists of clinics, hospitals and other facilities that serve the health care needs of people in 60 communities in Georgia, Iowa, Minnesota and Wisconsin. The community-based providers, paired with the resources and expertise of Mayo Clinic, enable patients in the region to receive the highest-quality health care close to home.
Kristin Everette-mail: email@example.com: 715-838-5805
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text: Can a Mastering Engineer, Using nothing but plug-inson a computer, with no outboard mastering gear, Do a mastering job and end up with competitive song, quality wise, volume wise.....to be placed on CD? No cheating, straight up plugins. For instance using the Waves Bundle, or UAD-1. I ask this cause as of now I dont have access to the hi tech outboard gear, Im booked for school(electronics engineering), and would like to learn on my own with the aid of books and other resources. I know the mastering job would never compare to the hi tech outboard gear used in mastering houses. I know the speaker setup for monitoring is very important. I know the mix sitting in pocket is of upmost imortance. But really, has anyone ever had good competitive results useing only plugins. Now Im talking for Demo CD purposes, not full blown million dollar sales Project. Just to play at the Club and see what people think. Or other places. And if people respond well and like the song. Then thats when I will of course, no doubt, send it to the professionals. (Mostly me rambling on below :lol: ) I just want to be able to learn this art. So I could invest in some equipment that would do a hell of a mastering job,(if you knew how to use it correctly, I know I know). Im looking at spendin no more than $15,000 dollars for a mastering setup. I know these mastering engineers got rooms built for the job, well I can get that. Monitors, I can get those, but outboard gear, 1 all around good peice for each section of the mastering chain. And I aint even gonna buy till I got a good foundation of the Art anyway. It just seems hard to find good learning resources for mastering. And im always hearing "leave it to the professionals", well I understand that. But I want to learn. Mainly so I can have good Demo Material, see how it does, then be in good understanding of the Art of Mastering to send good material to the Mastering Engineer. If you havent already, it will happen, Ive seen it elsewhere. People get fed up cause they think there is a secret setting or answer to all this. And lash out at the Engineers on forums cause they believe they are Hiding information. haha, From what I am seeing, its more of Experience than anything else. I was an Automotive Tech for awhile, before I got back from the war in Iraq. Now you can read all the books and pass all the tests, without ever even worked on a single car, but, once it would be time to get your hands dirty, I bet you would only sit there with a wrench in your hand scratching your head. Experience and Technique(learned from experience) are the driving forces for mastering also. Ok anyway, Ill be queit now :roll:


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You Got Served: Beat The World Reviews
Brian Orndorf
July 4, 2011
World is a lazy movie, with only a faint hint of conflict dusted over repetitive and illogical dance sequences. It's a bore from start to finish. Again, you probably already knew that.
Full Review | Original Score: D
Top Critic
Paula Citron
Globe and Mail
Globe and Mail
May 13, 2011
There aren't enough parkour moves -- or, frankly, any stand-out moves -- to elevate Fusion to the winner's circle.
Full Review | Original Score: 2.5/4
Jim Slotek
Jam! Movies
Jam! Movies
May 13, 2011
A silly hip-hop dance-crew drama like Beat the World -- in which Brazil, Germany and Canada are revealed to be the three funkiest nations in the world, yo! -- does not just feel old-school. It just feels old.
Norman Wilner
NOW Toronto
NOW Toronto
May 13, 2011
The Step Up series may not be great cinema, but at least it's smart enough to cast actors and teach them to dance.
| Original Score: 1/5
Top Critic
Bruce Demara
Toronto Star
Toronto Star
May 12, 2011
What do hip hop and rooftops have in common? You'll have to go see Beat the World to find out. Though you may discover it wasn't worth the effort.
Full Review | Original Score: 1.5/4


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Product Description
It's a white Christmas
Fiona's booze confession
Nicole: Dangerously thin
You look Tree-mendous
Holmes sweet home!
Ant and Dec: We bought each other the same present
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Make a statement!
Stars in their bras
Look amazing in just 15 mins!
Don't panic! You can lose 7lb by Christmas
Health: Danger- Christmas ahead!
Holidays: Slope off! The best New Year skiing getaways


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Although the release of iPhone 8 is expected only in September 2017, new details about the phone redesign appear from time to time.
Drake adds to the rumors about his love story with Taylor Swift participating in new Apple Music ad.
WhatsApp satisfies the request of multiple users and adds video calling to a considerable list of its communication features.
The Cupertino based company introduces a series of updates and novelties at its press event yesterday.
The tech giant unveiled multiple creative-minded products including a major Windows 10 upgrade and its first PC called the Surface Studio.
Xiaomi has presented Mi Note 2 and Mi MIX aiming to deliver the most advanced features features to users.
Judging by the number of pre-orders, Sony is pereparing to sell "hundreds of thousands" of PlayStation VR headsets.
Having launched its Amazon Music Unlimited, the company starts a new trend toward more flexible pricing.
Mark Zuckerberg has demonstrated the potential of virtual reality to hundreds of developers and partners at Oculus's "Connect" conference.
Google focused on the whole line of new products during a a 100-minute event.
The Xiaomi Mi 5s and Mi 5s Plus, direct successors to the Xiaomi Mi 4, come with advanced characteristics and at reasonable price.
Google Trips promises to reduce the amount of stress while preparing for a foreign trip.
Apple announces its Watch Series 2, the "first real Apple Watch".


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Celebrity Shy
Some people are saying this will be the next Moomba. The owners beg to differ.
But among the partners in the new Alaia, set to open next week, are Stephen and William Baldwin, two of the four cinematic siblings. The celebrity quotient is unavoidable.
The restaurant, named for Stephen Baldwin's older daughter, is in the duplex space that housed the Korean-fusion restaurant Mirezi, at 59 Fifth Avenue (13th Street). (Mr. Baldwin may have to open another restaurant once his 2-year-old gets wind of this.) It will feature a lounge on the upper level, serving food and drinks until 2 A.M. The dining rooms will be in back and downstairs.
The chef, Matthew Scully, cooked at Scully on Spring for two years until its owners, some investment bankers, decided they wanted something more casual. Mr. Scully seems happy this time. The team includes John Curtin and Mark McCarthy, who have restaurants on Long Island. ''These are better partners than Wall Street types,'' Mr. Scully said. ''They know the restaurant business.'' He added that the celebrity aura, including the other Baldwins, is likely to help late-night business, but that Alaia will be a ''legitimate restaurant,'' with a Mediterranean menu.
''We don't want this to be the next Moomba,'' Mr. McCarthy said. ''Those places come and go. We're here to stay.''
Fresh Starts
With the 16-32 Coach House, 16 East 32d Street, Larry Forgione pays homage to the totems of his career, including the original Coach House restaurant (the black bean soup recipe is replicated) and James Beard (Jim's Hashed Potatoes comes with the rack of lamb).
At the new Iguana New York, 240 West 54th Street, Jerry Shallo, who once owned Cafe Iguana in the Flatiron district, has a reptile crawling down the facade, border food on the menu and dancing in the basement.
Celadon, 1167 Madison Avenue (86th Street), as serene looking as its pale name implies, offers a fusion menu by Tadashi Ono, the consultant and former chef at La Caravelle. It includes foie gras with oyster sauce and Asian greens, lobster in black bean and scallion oil, and an array of glass and soba noodle dishes. The chef is Christopher Cheung, and the designer of the two-story space is Larry Bogdanow.
Having straightened out the problems with the Immigration and Naturalization Service that caused him to decamp from Katana in SoHo two years ago, Nao Sugiyama, the exacting Japanese chef, is back with his own place, Sugiyama, 251 West 55th Street, artfully creating multicourse seasonal kaiseki tasting menus, $45 to $150.
And Frederick Lesort, who owns the Lemon on Park Avenue South, has opened Vandam, in the former Buddha Bar space at 150 Varick Street (Vandam Street). The French-Mediterranean menu devised by Fernando Trocca, who is Argentine, makes frequent excursions to South America.
More EQ
EQ, 267 West Fourth Street (Perry Street), may no longer be the tiniest fine restaurant in the city. It has taken over some adjoining space, to which its bar has moved, and has added another 15 or so seats for Dennis Foy's cooking, which is now available on Sundays, too.Continue reading the main story


text:
Note: Sample below may appear distorted but all corresponding word document files contain proper formattingExcerpt from Term Paper:
Alternatively, the person or group acknowledged as a legitimate representative may wish that the museum could continue to hold an object for the benefit of the other party." (Boyd, nd; p. 196) in this instance there should be clarity in the "terms and responsibilities of such holding..." (Boyd, nd; p.196) Boyd relates that in a museum that is 'collection-based' deaccession is an issue that is "exceedingly contentious" (p. 196) in nature, and in fact "much more so than the decision to acquire." (p. 196)
IV. DEFINITION of a MUSEUM & REFINEMENT of COLLECTIONS
Boyd relates that museums are "more than repositories; they are places where collections are interpreted for the public through exhibits and related educational programs." (Boyd, nd; p.199) it is important to note the statement of Boyd that the museums interpretation of their collections "changes over time with the emergence of new 'techniques, scholarship, and viewpoints.'" (Boyd, nd; p.199) Furthermore, Boyd notes that the extent of interpretations in museums in the United States is experiencing rapid expansion as "museums see their mission changing from offering a passive venue for the already educated to being active center of learning for a public of diverse educational and cultural backgrounds." (Boyd, nd; p. 199) Boyd states that limiting the number of displays and exhibitions is somewhat contrary in that museums rarely explain to the public how the choices have been made as to what is and is not exhibited by the museum. Boyd relates the statement of Lonnie Bunch as follows: "Museums would be better served if they explained to the public why history museums explore social history that includes difficult questions of race, class and gender, or why it is important for art museums to examine artists whose work challenges community norms and expectations. It is not enough to say that we 'know bets'...[M]museums can teach visitors more about points-of-view, the scholarly underpinnings of museum works, and the inherent fluidity of museum interpretation. As the clothing store advertisement extols, "An educated consumer is our best customer." (Bunch, 1995; as cited in Boyd, nd; p. 201) Boyd relates that museums should be "affirmative in reaching out for diverse perspectives. In doing so, museums will improve the quality of exhibits and reflect the multiplicity of views present in a pluralistic democracy. Those selected to create the exhibit should include representatives of the diverse groups whose cultures and environments are reflected in the exhibit." (Boyd, nd; p.202) it is important to recognize that within the group there will conflicting points-of-view and "principal centers of the group may live at a great distance from the museum." (Boyd, nd; p. 202)
V. The MUSEUM'S POWER of REPRESENTATION
The work of Shilton and Srinivasan (2006) entitled: "Participatory Appraisal and Arrangement for Multicultural Archival Collections" states that the "power to represent has been wielded by information institutions throughout history, and the manifestations of this power have helped to build societal definitions of much of what we understand as culture. This power applies not only to museums, but also to the institutions of culture and preservation that we know as archives, manuscript libraries, and special collections." (2006) Shilton and Srinivasan note the work of McKemmish, Gilliland-Swetland and Ketelaar who wrote: "Frameworks for the selection, collection, arrangement and description, preservations and accessibility of archives are...closely linked to societal processes of remembering and forgetting, inclusion and exclusion, and the power relationships they embody." (2005) Some documents are chose by the archivists and others are discarded with the archivists "using the power of appraisal to consciously or unconsciously assert chosen narratives as truths and ignore or reframe others." (McKemmish, Gilliland-Swetland and Ketelaar, 2005) Through the manner in which acquisitions are arranged and described the archivists "...impart narratives and knowledge structures to explain the relationships among records in a collection." (McKemmish, Gilliland-Swetland and Ketelaar, 2005) it is inevitable according to Shilton and Srinivasan that the "assertion, ignoring, or reframing of narrative that accompanies archival appraisal, arrangement and description is inevitable." (2005)
No matter how diverse archivist teams there is no way to choose all documents or describe all the collection's knowledge or to represent all truth and experiences represented in a collection. The work of Couture (2005) is noted as stating that archival appraisal "...must ultimately offer comprehensive evidence of societal actions and conditions." Shilton and Srinivasan state that "comprehensive evidence too often does not cover a diversity of racial and ethnic communities, and has not included marginal narratives from migrants, refugees, or diasporic communities. Instead, memory institutions have alternately ignored experiences outside of the history of the powerful, creating collecting gaps within archives, or lifted the histories of marginalized communities and applied arrangements and descriptions of the 'other' to form incomplete and decontextualized representations of cultural groups." (2006)
When marginal voices are left out of the record of history the result is "systematic disenfranchisement." (Shilton and Srinivasan, 2006) Shilton and Srinivasan write that it is fortunate that archivists posses tools that aid in preserving "empowered, contextualized narrative and thick description to avoid distorting the record and marginalizing cultural identities." (2006) Shilton and Srinivasan state a suggestion that archival principles that are committed to appraisal and arrangement and description will enable the facilitation of "preservation of representative, empowered narratives of traditionally marginalized communities when they are utilized within a participatory process." (2006)
Shilton and Srinivasan add:
Re-envisioning archival principles of appraisal, arrangement, and description to actively incorporate participation from traditionally marginalized communities will not only allow these communities to preserve empowered narratives, but will allow archivists to move towards the oft-debated, and still unrealized, goal of representative collections. A key component of achieving the shift from internal principles to participatory practices will be to expand appraisal, arrangement and description into tools designed to respect the knowledge systems embedded within community contexts. Through tools for the participatory facilitation and preservation of contextual information and localized knowledge structures, archivists can not only create representative archives, but also can move beyond objectification and aid understanding of local knowledge and marginalized narratives." (Shilton and Srinivasan, 2006)
VII. MUSEUMS SHOULD BE AFFIRMATIVE in DIVERSE PERSPECTIVES
Shilton and Srinivasan (2006) relate that when archivists "choose to preserve one memory, they forfeit the resources - human, physical, and financial - to preserve another." In fact, the work of Bowker relates that when there is a "scarcity of preservation resources" necessitated is "diligent attention to preserving a wide diversity of memories a 'spread' of diversity to best represent life on earth." (2005; as cited in Shilton and Srinivasan, 2006) it is because of this reason that archivists cannot collect all but instead must in awareness collect in a diverse manner in order to respond to the need for representation of social history. Shilton and Srinivasan hold that "at the root of archival marginalization of multicultural narratives is the inverse of diverse collecting: a historical undervaluing and misidentification of marginalized community records." (2006; p. 8) There is "a lack of recognition or acknowledgement in western archival science and practice of the legitimacy of local and indigenous forms of recordkeeping and memory preservation." (McKemmish, Gilliland-Swetland and Ketelaar, 2005; as cited in Shilton and Srinivasan, 2006)
Boyd writes that museums "should be affirmative in reaching out for diverse perspectives..." And that this will result in the improvement of "the quality of exhibits that reflect the multiplicity of views presented in a pluralistic democracy. Those selected to create the exhibit should include representatives of the diverse groups whose cultures and environments are reflected in the exhibit." (nd; p.202) Boyd relates the approach of the Field Museum that "recommitted to its role as a center of learning for a diverse public." (nd) Boyd states that a museum "is not just a place for the educated; it must be a place where diverse people of diverse backgrounds can learn about the natural environment and human cultures, their variety, and their interconnections. Indeed it is this 'connectedness' that is the fundamental rationale undergirding the Field Museum's overall mission." (Boyd, nd; p. 204) Boyd relates that the Field Museum has historically held concern with connections "within and across nature and cultures, and with reflecting these in its own connections with both the local community and with those whose cultures and environments are presented in the museum's collections and exhibits." (nd; p.204) Boyd additionally relates "since institutions tend to be inwardly driven, outwardness requires a concerted mindset and action." (nd; p.205)
VIII. REAPPRAISAL of the MUSEUM REQUIRED
The Field Museum, undertook a reappraisal of its exhibitions covering approximately 350,000 square feet and realized that the exhibitions were "old and did not incorporate the new knowledge being generated by the museum's curatorial staff and their disciplinary peers elsewhere in universities and research museums." (nd) as well the exhibits failed to reflect the "changing attitudes about nature and human cultures. Furthermore, new exhibit processes and technologies that could expand the effectiveness of dioramas and labels, engaging the visitor's mind as…[continue]
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This exhibition shows the artists as young men struggling to make it on their own, showing the influences of their key friends including the Stein family. In addition to Picasso who would go on to become world known and the most famous of all artists living in the area of Paris Gertrude Stein was living at the time, Paul Cezanne, Edgar Degas, Paul Gauguin, Henri de Toulouse-Lautrec were also regular
Museum Methods museum is usually a non-profit organization with intent to provide education and enlightenment by the organized collection, preservation, interpretation and exhibit of items deemed to be of interest to the public or community. Historically, museums have evolved as collaborative projects to house collected works gathered for the appreciation of the current and future generations in our society. However, such definitions cannot be regarded as the last word on
museums in order to understand the components of what makes a museums successful and interesting. I've selected the American Museum of Natural History's Hall of Eastern Woodland Plains Indians branch to compare with the National Museum of American Indian. Both of these museums, located in New York City, will help provide a balanced and fair comparison of two similar but not identical museum institutions. I will first describe in detail
Otherwise, modern interpretations fall short of conveying what the significance of an object was for the people and societies that produced it. For example, a museum display can be constructed around medieval objects so that they are viewed in a context most akin to the one under which they were produced. Without such a perspective, a museum piece can become too much about the dimensions and material rather than
The Registrar is further responsible for the computerized collection management system, legal documents, and files associated with acquisitions, condition reports, accessioning, cataloguing, loans, packing, shipping, inventory, insurance and storage. (Patch, 2004) III. The LIBRARY Librarians generally focus on one of three aspects of work in the library, which include: (1) user services; (2) technical services; and (3) administrative services. Librarians utilize the most recent information technology for conducting research, classification of
Diller Scofidio + Renfro: MoMA expansion: The pros and cons of the destruction of the American Folk Art Museum "Great art museums not only contain exemplary works of art, they are also places where -- in a single visit -- surprise, learning, and reflection come together in a liberating set of experiences" ("Building for the future," MoMA).The Museum of Modern Art (MoMA) has encompassed within its walls some of the most cutting-edge
Asian Museum Exhibit The Museum of Asia and India (MIA) is proud to host the traveling exhibition of Art and Society in Japan and China: Floral Representation through the Centuries. The exhibit will run for three months at the MIA before traveling to other venues across the globe in the two-year schedule. Museums in Amsterdam, Copenhagen, London, Madrid, Munich, New York, Nice, Oslo, Prague, San Francisco, Sydney, Toronto, and Zurich will


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Is this attraction popular with tourists?
Is this attraction a "must-see" location?
Is this attraction a good picnic spot?
Does this attraction provide visitors with a taste of the local culture?
Does this attraction require above average amounts of physical activity (long walks, climbs, stairs or hikes)?
Is this location a solemn or serious place like a memorial, cemetary, etc.?
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Is this attraction suitable for all ages?
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This review is quite late. The Baguio City Market is the best place for shopping if you are looking for souvenir items, fresh fruits and vegetables and strawberry jam. Bargaining...
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This is just as good as a souk in the Middle East. Lots of local foods at local prices (I think) as well as tons of souvenirs, curios, and everyday items. Lots of locals shop here. It's wall to wall, floor to ceiling with merchandise. A new shop in every nook and cranny. Don't buy everything at the first place...
Interesting and curios. A good place to try to get some veggies like broccoli at a cheaper price that's good for pasalubong. But of course going there with the kids might not be a very good idea because it can be boring for kids.
This review is quite late. The Baguio City Market is the best place for shopping if you are looking for souvenir items, fresh fruits and vegetables and strawberry jam. Bargaining is the norm here so practice your haggling skills before coming here.
I used to go here for daily supplies and every day, they never cease to amuse me.
Baguio City Market is the best place to buy pasalubongs and souvenirs.
Just be careful on those railroaded prices. Be like a local and ask for a discount. And also be careful for those pickpockets.
If you want the freshest vegetables and fruits – Baguio City Market was the answer. The prices were quoted in wholesale price if you were in the middle or in the inner part of the market. In the front was more of a retail store. Baguio City Market usually sold highland vegetables not much of lowland vegetables that were included...
From vegies to meat to fruits, bread and even souvenirs! They offer everything in this market. The rate was fair and the walkways are neat. They have a parking place nearby and you ealk your way through the market.
You shouldn't miss going here if you're in Baguio. Here, you can buy inexpensive veggies and fruits. Though we were in a rush, we made sure that we can have the time dropping by. We bought lettuce, tomatoes, cauliflower, broccolli and a lot more. If you forgot to buy souvenirs, you can also find them here---from keychains, jams, blankets to...
Baguio's market is ideally situated in the city centre directly opposite Malcolm Square which is at the bottom end of the busy Session Road.
It is a very large market, and my wife, sister-in-law and myself enjoyed spending the best part of an afternoon browsing around its hundreds of stalls selling foods of all sorts as well as souvenirs and...
The Baguio Market is one spot you should visit at least once. From the Hangar all the way to the section selling longganisa, this is a thriving, throbbing place you should not miss - even if you are not buying anything. The main area where most tourists go to buy vegetables and other Baguio stuff is clean and doesn't get...
This place is the go-to point for all things you want to buy as souvenirs — vegetables, kinky stuff, all-sorts of biscuits, jams, etc.
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Long-sleeved, long-hemmed dresses are where it's at for trans-seasonal dressing.
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dress: MATIN . sneakers: Isabel Marant (affordable options here + here) . bag: Saint Laurent (similar here) . sunglasses: Ray-Ban (on sale)
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argued: February 5, 1976; As Amended June 21, 1976.
UNITED STATES OF AMERICA EX REL. DAVID TYRRELLv.FRED SPEAKER, FORMER ATTY. GENERAL OF PA.; J. SHANE CREAMER, ATTY. GENERAL OF PA.; JUSTICE DEPARTMENT, HARRISBURG, PA. AND ARTHUR T. PRASSE, FORMER COMMISSIONER ALLYN R. SIELAFF, PRESENT COMMISSIONER KENNETH E. TAYLOR, DEPUTY COMMISSIONER BUREAU OF CORRECTIONS, CAMP HILL, PA. AND ALFRED T. RUNDLE, FORMER SUPERINTENDENT, ET AL ROBERT L. JOHNSON, PRESENT SUPT. ET AL STATE CORRECTIONAL INSTITUTION GRATERFORD, PA. AND JOHN GABLE, FORMER WARDEN; JOHN ZIGLER, PRESENT WARDEN; WILLIAM RAMBO, PRISON GUARD; SAMUEL LASPENA, PRISON GUARD DELAWARE COUNTY PRISON THORNTON, PENNA. ALFRED T. RUNDLE, APPELLANT IN NO. 75-1668 DAVID TYRRELL, APPELLANT IN NO. 75-1669
APPEAL FROM THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF PENNSYLVANIA (D.C. Civil No. 71-939)
Seitz, Chief Judge, and Van Dusen and Weis, Circuit Judges.
Opinion OF THE COURT
VAN DUSEN, Circuit Judge.
The Warden of the State Correctional Institution at Graterford (Warden)*fn1 appeals from a judgment of $500.00 in favor of Tyrrell, an untried prisoner, who also appeals. While awaiting trial, the prisoner was confined in the above penal institution in administrative segregation from February 10, 1970, until October 20, 1970. We affirm, but direct a reduction of the nominal damages awarded.
The action is based on 42 U.S.C. § 1983*fn2 and the early procedural history of this case is set forth in Judge Biggs' opinion in United States ex rel. Tyrrell v. Speaker, 471 F.2d 1197 (3d Cir. 1973), where we remanded the case for further consideration on a more adequate record.
On January 20, 1970, Tyrrell was lawfully incarcerated in the Delaware County prison awaiting trial on a series of charges, including robbery and the shooting of a police officer (38a). On that date, the plaintiff was seen by William E. Rambo and Samuel LaSpena, two guards at the Delaware County prison, leaving the cell assigned to Raymond Crispt. Rambo and LaSpena observed the plaintiff covered with dust and white powder (38a). Upon investigation, the guards discovered a hole in Crispt's cell, and reported the incident to the Warden (39a).
On January 28, 1970, Warden John I. Gable, of the Delaware County prison, swore to a criminal complaint charging that the plaintiff had attempted to break prison and escape (39a, 305a-06a). On that same day, the criminal complaint, charging the plaintiff with attempting to break prison and escape, and an arrest warrant were issued by Clarence B. Nesbitt, Jr., Justice of the Peace (39a, 205a, 207a).
The following day, January 29, 1970, plaintiff was given a preliminary arraignment on the charge of attempting to break prison and escape (39a). On February 3, 1970, plaintiff was given a preliminary hearing before Justice of the Peace Clarence B. Nesbitt, Jr. on the above charges (39a). At this hearing on February 3, 1970, the plaintiff was represented by counsel, and had the opportunity to cross-examine the witnesses who testified against him. Among those witnesses who testified against the plaintiff were Guards Monyar, Joines, Samuel LaSpena, and Warden John I. Gable (129a, 209a). A prima facie case of attempting to break prison and escape was established against Tyrrell and he was held, without bail, for action by the Delaware County Grand Jury (129a, 209a).
On Friday, February 10, 1970, the plaintiff was transferred to the State Correctional Institution at Graterford and placed in administrative segregation (39a). At that time, he was an untried prisoner. On Monday, February 13, 1970, the plaintiff was interviewed by the Behavior Clinic at the State Correctional Institution at Graterford (40a). During the course of that interview, the plaintiff was advised that he was being retained in administrative segregation because of his status as an alleged security risk (40a, 212a). The plaintiff was advised that the prison officials were aware of the charges being brought against him by the Delaware County officials and asked the plaintiff to make a statement. Plaintiff denied that he was attempting to break prison and escape, and reiterated his previous story that he had gone into Raymond Crispt's cell in order to get a cigarette (195-96a, 198a).
The Behavior Clinic recommended, and Rundle approved, plaintiff's retention in administrative segregation at the State Correctional Institution at Graterford (72a, 212a). This decision was based on the facts adduced at the hearing of February 13, 1970 (195-98a, 212a). During the period of plaintiff's confinement in administrative segregation at the State Correctional Institution at Graterford, he spent a total of 70 days at the Delaware County prison, where he was transferred incident to court hearings.
The plaintiff was interviewed on three other occasions by the staff at the State Correctional Institution at Graterford after his initial interview of February 13, 1970. On August 13, 1970, and September 10, 1970, the plaintiff was given the opportunity to speak, but on both occasions declined such opportunity and refused to say anything (193-98a, 40a). On October 20, 1970, the plaintiff was again interviewed and released into the general population at the State Correctional Institution at Graterford, and assigned to Cell Block "C," with employment as a cleaner (40a). This release was apparently due to his status as a convicted prisoner following his conviction on October 9, 1970, of the charges of robbery and the shooting of a policeman. On February 9, 1971, plaintiff was acquitted of the charge of attempted escape (40a).
Initially we turn to the issues raised in the appeal of defendant Rundle.
I. FINDING THAT PLAINTIFF WAS PLACED AND RETAINED IN ADMINISTRATIVE SEGREGATION UNTIL OCTOBER 20, 1970, SOLELY BECAUSE OF HIS STATUS AS AN UNTRIED, UNCONVICTED*fn3 PRISONER.
Defendant Rundle challenges this Finding 10 as clearly erroneous (see F.R. Civ. P. 52):
"Plaintiff was placed in 'B-Block Gallery, Administrative Segregation' because he was a pretrial detainee or untried prisoner and not because he was determined to be a security risk at Graterford."
However, we reject this contention in view of these items of the record:
A. Paragraph 2 of the Fourth Affirmative Defense in defendant's answer states, inter alia :
". . . the defendants aver that the plaintiff was placed in administrative segregation because of his status as an untried and unconvicted prisoner." (41a)
B. Paragraph 1 of FURTHER STIPULATIONS OF FACT (71a) recites:
"1. As of February 10, 1970, the policy of Superintendent Rundle of the State Correctional Institution at Graterford was to place pretrial detainees in administrative segregation."
C. In answers to interrogatories 5 and 10(a) filed April 24, 1973 (Document 16 in Civil No. 71-939, E.D. Pa.), the defendant stated:
"5. Plaintiff was placed in administrative segregation because he was an untried prisoner.
"10(a) Plaintiff remained in administrative segregation [until October 20, 1970] because of his status as an untried prisoner."
D. Plaintiff was released into the general prison population on October 20, 1970, after conviction for the charges on which he was arrested but prior to his February 1971 acquittal of the attempted prison break charge (15 at 40a).
The district court was justified in concluding that the release described under D above prior to disposition of the prison breach charge was inconsistent with defendant's contention that plaintiff was placed and retained in administrative segregation because he was a security risk.
The defense contends that, despite the uncontradicted admissions in the interrogatories and stipulations, the district court should have found that although plaintiff's original placement in administrative segregation was because of a policy to place untried prisoners in such segregated status, his retention there was because he was a security risk. It is difficult to understand how the defense can assert such an argument on appeal when it chose not to offer any evidence from a Warden or Assistant Warden contrary to the admissions and stipulations referred to in A-C above. The record did not give the district court the alternative of making a factual finding on this issue different from the one challenged here.
The record supports the description in Finding 11 that the living conditions of prisoners in the administrative segregation on B-Gallery, where plaintiff was confined, were significantly more restricted than those of the general prison population.*fn4
We affirm the district court's holding that the state violated the due process clause of the Fourteenth Amendment in arbitrarily imposing materially greater restrictions on the freedom of this pre-trial detainee than those imposed on convicted prisoners at Graterford, since the only legitimate state interest in the detention of an accused who cannot raise bail is in guaranteeing his presence at trial.*fn5 Rhem v. Malcolm, 507 F.2d 333 (2d Cir. 1974), affirming 371 F. Supp. 594 (S.D. N.Y. 1974); Inmates of Suffolk County Jail v. Eisenstadt, 360 F. Supp. 676, 688 (D. Mass. 1973), aff'd, 494 F.2d 1196 (1st Cir. 1974).*fn6 See also Wolff v. McDonnell, 418 U.S. 539, 557-58, 94 S. Ct. 2963, 41 L. Ed. 2d 935 (1974); Cleveland Board of Education v. LaFleur, 414 U.S. 632, 94 S. Ct. 791, 39 L. Ed. 2d 52 (1974); Roe v. Wade, 410 U.S. 113, 167-71, 35 L. Ed. 2d 147, 93 S. Ct. 705 (1973) (Stewart, J., concurring); Griswold v. Connecticut, 381 U.S. 479, 502-07, 14 L. Ed. 2d 510, 85 S. Ct. 1678 (1965) (White, J., concurring).*fn7
In Rhem, supra, the court said at page 336 of 507 F.2d:
"The demands . . . of due process prohibit depriving pre-trial detainees of the rights of other citizens to a greater extent than necessary to assure appearance at trial and security of the jail; and the same constitutional provisions prevent unjustifiable confinement of detainees under worse conditions than convicted prisoners."
Numerous district court cases, including the following, have held that to impose additional restrictions on the liberty of a pretrial detainee solely because he had not been convicted is not justified by any state interest and denies him his Fourteenth Amendment rights: Miller v. Carson, 392 F. Supp. 515, 521 (M.D. Fla. 1975); Cudnik v. Kreiger, 392 F. Supp. 305, 310-12 (N.D. Ohio 1974); Wilson v. Beame, 380 F. Supp. 1232 (E.D. N.Y. 1974); Collins v. Schoonfield, 344 F. Supp. 257 (D. Md. 1972); Jones v. Wittenberg, 323 F. Supp. 93 (N.D. Ohio 1971), aff'd sub nom. Jones v. Metzger, 456 F.2d 854 (6th Cir. 1972); Seale v. Manson, 326 F. Supp. 1375 (D. Conn. 1971); Tyler v. Ciccone, 299 F. Supp. 684 (W.D. Mo. 1969).*fn7
In Scheuer v. Rhodes, 416 U.S. 232, 247-48, 40 L. Ed. 2d 90, 94 S. Ct. 1683 (1974), the Court said:
". . . In varying scope, a qualified immunity is available to officers of the executive branch of the government, the variation being dependent upon the scope of discretion and responsibilities of the office and all the circumstances as they reasonably appeared at the time of the action on which liability is sought to be based. It is the existence of reasonable grounds for the belief formed at the time and in light of all the circumstances, coupled with good-faith belief, that affords a basis for qualified immunity of executive officers for acts performed in the course of official conduct."*fn7a
Although the immunity of certain officials is available in defense of a suit by a prisoner under 42 U.S.C. § 1983, this principle has not been applied by this court where, as here, the record is silent on the authority of the public official. See Johnson v. Alldredge, 488 F.2d 820, 825-27, including note 8 (3d Cir. 1973). In order to secure the benefit of immunity, Chief Judge Seitz made clear in Johnson, supra at page 825, that the defendant must show that his action in placing the untried defendant in administrative segregation with the consequences described in Finding 11 (see note 4 above) involved "an exercise of judgment" and was "within the outer perimeter of his authority."*fn8 In that case, the record contained affidavits describing the discretionary authority of the defendant but such evidence was not offered in the district court in this case.
Turning to the defense of good faith, this court has made clear that the officials have "the burden of pleading and proving that they had a reasonable good faith belief that their actions were lawful." Fidtler v. Rundle, 497 F.2d 794, 801 (3d Cir. 1974). In Scheuer v. Rhodes, 416 U.S. 232, 249-50, 40 L. Ed. 2d 90, 94 S. Ct. 1683 (1974), the Court said:
"In dismissing the complaints, the District Court and the Court of Appeals erroneously accepted as a fact the good faith of the Governor, . . . . There was no evidence before the courts from which such a finding of good faith could be properly made . . . ."
Defendant Rundle has offered no evidence that he did rely on a state statute, court order, or the general law in confining plaintiff in administrative segregation for approximately 175 days from February 10, 1970, to October 20, 1970, except for the approximately 70 days during this period that he was confined at the Delaware County prison while awaiting or attending court proceedings. See supra at 801-02 of 497 F.2d.*fn9
After careful consideration, we reject defendant's contention that his good faith was established because "public officials are presumed to have acted lawfully and in good faith until facts showing the contrary are averred or in a proper case averred and proved" (page 4 of reply brief).*fn10 As noted above, Scheuer v. Rhodes, supra, made clear that good faith could only be a defense for improper official action where there was evidence in the record from which a finding of good faith could be made. Under the record in this case, as pointed out under I above, the basis of defendant's action in placing plaintiff in administrative segregation is conclusively established by the answer, the stipulation, and admissions in the answers to interrogatories negativing any conclusion of lawful action by a public official even if such a presumption exists under certain circumstances.
For the foregoing reasons, we have determined that the district court did not err in concluding that defendant has not sustained his burden of proving that he is protected either by the immunity doctrine or a good faith belief that his action in placing plaintiff in administrative segregation, as disclosed in this record, was lawful.*fn11 In fact, as shown above at page 825, the district court was justified in concluding that the record shows that plaintiff was placed in administrative segregation because he was an unconvicted prisoner.
After careful consideration, we have determined that plaintiff's appeal at No. 75-1669, claiming that he is entitled to damages based on "the nature of the deprivation and the emotional distress it may have induced," must be denied on the merits.
We have concluded that the district court was justified in determining that plaintiff was only entitled to nominal damages on this record. Plaintiff was not in fact prejudiced by his transfer from the Delaware County prison to administrative segregation at Graterford, since the conditions of his confinement in the County Prison were considerably more restrictive than those at Graterford.*fn12 Under these circumstances, the due process constitutional violation did not cause any damages that he would not have had even though he had not been transferred to Graterford and such violation had not occurred.
For the foregoing reasons, we affirm the decision of the district court to award only nominal damages on this record, but will amend the judgment to reduce the amount of such nominal damages from $500.00 to $1.00. We have concluded that, as a matter of law, nominal damages may not exceed one dollar on this record. In Magnett v. Pelletier, 488 F.2d 33, 35 (1st Cir. 1974), the court held that an award of $500.00 to plaintiff in a civil rights action could not properly be regarded as nominal damages and, if compensatory damages were not warranted, "the award shall be reduced to the sum of $1.00."*fn13
For the reasons stated above,*fn14 we will (1) enter an order modifying the February 21, 1975, judgment (70a) by substituting "$1.00" for "$500.00," see 28 U.S.C. § 2106, and (2) in all other respects affirm that judgment.
We are grateful to the law students from the University of Pennsylvania Law School, appointed to represent plaintiff, for their thorough brief and oral argument.
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Musikverlag Chili Notes Vom Körper zum Ton
Musikverlag Chili Notes Vom Körper zum Ton, Vom Körper zum Ton, From the body to the sound, by Jürgen Bachmann, Methodological basics of the saxophone-playing, with numerous graphics, detailed descriptions and exercise, German language, ISBN: 978-3-941661-20-2, 95 pages
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- Health Needs for Bi Men
- Prostate Cancer Registry Helps Black Men
- Quick Start to Healthy Weight Loss
- 'Really, Really Messed Up My Life'
- Black Men Can Beat Prostate Cancer
- Health Screenings for Older Black Men
- Healthy Man of the Month for July 2016
- HIV Testing is HIV Prevention
- Your 'Mental' Endurance
- Entertainment CEO DonJuan Clark
Aging Conference, November 8-9
This year's conference features the special theme: Healthy Aging: Educating through Media.
Aging and Society: An Interdisciplinary Conference
University Center Chicago
525 S. State Street
Chicago, USA
8-9 November 2013
To explore and discuss this theme, The Aging Conference has partnered with Working Films to look at how different forms of media can be used to educate and talk about aging in society. As part of this discussion two films from Working Films's Series: Reel Aging will be shown. These films are Prison Terminal directed by Edgar Barens and The Graying of Aids directed by Katja Heinemann.
Additionally a panel discussion on the morning of the 9th will serve as a forum to examine how media is and can be used to educate about aging and health. Presentations are also invited that address the conference theme and a list of accepted proposals are here.


text:
Blackbar - отличная текстовая игра на андроид с множеством головоломок.
Written and designed by Neven Mrgan, Blackbar is a text game: a sci-fi story of a dystopian future told through the medium of word puzzles. Reminiscent of text adventures and interactive fiction, it has a unique mechanic centered around the concept of censorship. Censorship is frustrating, but the human spirit can beat that frustration by turning it into a game.
You'll pick up and understand Blackbar instantly; however, its challenges will keep you searching, trying, and thinking for days.
|Заметили ошибку? Выделите её и нажмите Ctrl + Enter.


text:
Open Label Sumanirole Study of Safety, Tolerability, and Therapeutic Response In Patients With Parkinson's Disease
This study has been terminated.
Information provided by:
ClinicalTrials.gov Identifier:
First received: May 8, 2002
Last updated: January 17, 2007
Last verified: January 2007
|Tracking Information
|First Received Date ICMJE
|May 8, 2002
|Last Updated Date
|January 17, 2007
|Start Date ICMJE
|August 2000
|Primary Completion Date
|Not Provided
|Current Primary Outcome Measures ICMJE
|The primary objective is to assess the long term safety and tolerability of sumanirole by measuring Safety labs, ECG monitoring, vital signs and adverse events, over a period of up to 4 years.
|Original Primary Outcome Measures ICMJE
|Not Provided
|Change History
|Complete list of historical versions of study NCT00036205 on ClinicalTrials.gov Archive Site
|Current Secondary Outcome Measures ICMJE
|Original Secondary Outcome Measures ICMJE
|Not Provided
|Current Other Outcome Measures ICMJE
|Not Provided
|Original Other Outcome Measures ICMJE
|Not Provided
|Descriptive Information
|Brief Title ICMJE
|Open Label Sumanirole Study of Safety, Tolerability, and Therapeutic Response In Patients With Parkinson's Disease
|Official Title ICMJE
|Open-Label, Long Term, Flexible Dose Study Of Safety, Tolerability, And Therapeutic Response In Patients With Parkinson's Disease.
|Brief Summary
|The primary objective is to assess the long term safety and tolerability of sumanirole as measured by safety labs, ECG monitoring, vital signs, and adverse event reports in subjects with Parkinson's Disease who participated in previous sumanirole studies.
|Detailed Description
|Not Provided
|Study Type ICMJE
|Study Phase
|Phase 3
|Study Design ICMJE
|Allocation: Non-Randomized
Endpoint Classification: Safety/Efficacy Study
Intervention Model: Single Group Assignment
Masking: Open Label
Primary Purpose: Treatment
|Condition ICMJE
|Parkinson Disease
|Intervention ICMJE
|Drug: sumanirole
|Study Arm (s)
|Not Provided
|Publications *
|Not Provided
* Includes publications given by the data provider as well as publications identified by ClinicalTrials.gov Identifier (NCT Number) in Medline.
|Recruitment Information
|Recruitment Status ICMJE
|Enrollment ICMJE
|Estimated Completion Date
|December 2004
|Primary Completion Date
|Not Provided
|Eligibility Criteria ICMJE
Inclusion Criteria:
Exclusion Criteria:
|30 Years and older (Adult, Senior)
|Accepts Healthy Volunteers
|Contacts ICMJE
|Contact information is only displayed when the study is recruiting subjects
|Listed Location Countries ICMJE
|United States, Argentina, Colombia, Puerto Rico
|Removed Location Countries
|Administrative Information
|NCT Number ICMJE
|Other Study ID Numbers ICMJE
|Has Data Monitoring Committee
|Not Provided
|Plan to Share Data
|Not Provided
|IPD Description
|Not Provided
|Responsible Party
|Not Provided
|Study Sponsor ICMJE
|Collaborators ICMJE
|Not Provided
|Investigators ICMJE
|Information Provided By
|Verification Date
|January 2007
ICMJE Data element required by the International Committee of Medical Journal Editors and the World Health Organization ICTRP


text:
: Club:
~>{*Shiny Hunters Club}<~
View Single Post
May 26th, 2005 (5:04 PM).
Atena, WIN!
Join Date:
Feb 2005
On a stage, acting out the nightmares of a giant space cockroach
Originally Posted by
alright... so pazzkat has said that she thinks that we should
a) forgive pkmaster (i'll call you that if i want to) or...
b) kill her
i think that b is a rediculous choice, but a is only slightly less rediculous. but, i would be willing to allow her back into the club if enough other members believe that she should be allowed back. so what's it gonna be SHC? pkmaster in or pkmaster out? you be the judge
Personally, I think we should let her back in. We all know about the shenanigans she just pulled, but because of that, I think she's less likely to pull them again. I know I've acted angry with her a lot in here, but I always hated the idea of excluding someone who genuinely wanted to be a member. If the others think it could be the right idea, I'm all for giving her another chance. If she really is 10 years old, then she might be old enough to have learned her lesson from all this nonsense. And the one sure way to find out is to let her back in and give her another chance. That's my opinion. And although I won't change my mind even if the others think it'll be better to keep her out, I'll go with what you guys decide. This is a club, and I think decisions like this should be made democratically.
What say we make like a two or three day grace period? Give people a chance to let their opinions be heard, and in the meantime, let Latios_Lover make posts here. What she says could also give us more insight into her intentions and whether or not she's changed for the better. Anyway, that's what I think ought to be done. How about the rest of you?
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text:
Rich in Culture Rich in Taste
The Mexican culture has always been known for the passion and love they put into their food. They have also been known for adding just the right spices to make unique dishes that sustain the test of time and providing generations and other cultures delicious Mexican Cuisine. From main courses to snacks and desserts, the culture always seem to amaze with the right amount of sugar and spices that leave you craving more even before you finish what you have. Galleta, pronounced (gah-YAY-tah), is the Spanish word for cookie, which is a staple at many restaurants, weddings, quinceaneras, and events. Now, what happens when you take traditional Mexican standards and cultures, mix in the right amount of sugar and spices, create a message in English and Spanish and put that message into a taco shaped cookie? Sorpresa (surprise), you get The Mexican Fortune Cookie!
What is a Mexican Fortune Cookie?
A Mexican Fortune Cookie is a bite-size cinnamon snack in the shape of taco with a fortune in it. Each crunchy and delicious cookie is packaged with a very unique message in it. The messages are printed with Spanish on one side and the English translation on the other. While the messages can be practical, humorous, or sometimes even philosophical, all messages are designed to be creative, educational and fun promotional tools to learn a new language one cookie at a time. Customers and critics are raving about this innovative cookie.


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New London — In a ceremony that touched upon history, personality and community, Connecticut College on Saturday morning formally inaugurated Old Lyme native Katherine Bergeron as its 11th president.
Bergeron, a scholar of music and French culture who most recently served as the dean of the college at Brown University in Providence, spoke about her personal ties to Connecticut College in her address to a packed Palmer Auditorium on the college's campus.
"It is like a homecoming. As many of you know, I grew up not far from New London, so both the college and the region have been in my life for a long time," she said. "What I've come to appreciate is that Connecticut College is an institution that, from the start, dared to imagine something greater for its first students."
Bergeron graduated from Lyme-Old Lyme High School in 1976 and attended Wesleyan University, graduating Phi Beta Kappa with a bachelor of arts in music. She later earned her master's and doctoral degrees in musicology from Cornell University.
Saturday's inaugural ceremony — held 103 years to the day that the college's founding charter was signed — included musical interludes that reflected the new president's diverse scholarship. It also reflected upon the college's relationship with the city of New London.
In her address, Bergeron spoke of the school's formation in 1911, when city residents pitched in to help establish an institution that would benefit the city, the state and the country.
"It was propelled by generosity when New London citizens donated funds and entire tracts of land — some 300 acres in all — to win the privilege of hosting the new college in their city," Bergeron said.
Mayor Daryl Justin Finizio wished Bergeron well and talked about the success the college and city could share if they work together.
"As mayor of our city, I am also encouraged that you have made improving relations with the city a key goal of your new administration," Finizio said. "The city of New London and Connecticut College share a century old symbiotic relationship. What benefits the college, benefits the city. What benefits the city, benefits the college."
Gov. Dannel P. Malloy welcomed Bergeron and spoke of the value of liberal arts colleges, saying he would not be the man he is if not for his liberal arts education.
"I have been an admirer of this institution throughout my adult life and I appreciate the quality of a liberal arts education which is provided at this institution," Malloy said.
Ruth J. Simmons, the former president of Brown University and a mentor of Bergeron, delivered the ceremony's keynote address.
Bergeron joined Brown University as professor of music in 2004 after 11 years as a member of the music faculty at the University of California, Berkeley. She was named chairwoman of the music department in 2005 and, a year later, appointed dean of the college. Earlier in her career, she taught at Tufts University and at the University of North Carolina at Chapel Hill.
During her nine-year tenure as dean of the college, Bergeron led a comprehensive review of Brown's curriculum and helped create new learning goals and standards. She also designed and implemented new initiatives to support students who study science, mathematics and technology.
Since she took over as president on Jan. 1, Bergeron has been helping to guide the college's most dramatic curriculum revision since the 1970s. The new curriculum, she said, will require students to be engaged on a local and global level and will focus on developing intellectual and practical skills.
In addition to bolstering Connecticut College's academic rigor, Bergeron said she wants to increase the diversity of the college's student body and faculty, advance the financial aid programs to provide more ease of access, and raise the college's national and international profile.
"Although I know I take on the mantle of this new responsibility at a time of great challenge not just for higher education but for our communities, our country, and our world, I do so with a conviction that the education we offer here at Connecticut College — and the graduates that we produce through that education — will be part of the solution," Bergeron said.
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Billions continue to flow to Connecticut's submarine industry


text:
This collection of essays by one of the preeminent Kant scholars of our time transforms our understanding of both Kant's aesthetics and his ethics. Guyer shows that at the very core of Kant's aesthetic theory, disinterestedness of taste becomes an experience of freedom and thus an essential accompaniment to morality itself. At the same time he reveals how Kant's moral theory includes a distinctive place for the cultivation of both general moral sentiments and particular attachments on the basis of the most rigorous principle of duty. Kant's thought is placed in a rich historical context including such figures as Shaftesbury, Hutcheson, Hume, Burke, Kames, as well as Baumgarten, Mendelssohn, Schiller, and Hegel. Other topics treated are the sublime, natural versus artistic beauty, genius and art history, and duty and inclination. These essays extend and enrich the account of Kant's aesthetics in the author's earlier book, Kant and the Claims of Taste (1979).This collection of essays by one of the preeminent Kant scholars of our time transforms our understanding of both Kanta#39;s aesthetics and his ethics.
|Kant and the Experience of Freedom
|Paul Guyer
|Cambridge University Press - 1996-07-13


text:
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text:
- Worldwide Rank #28,712,803
- Follower/Following Ratio 1.04
- Daily New Followers 0
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willschn Review
Great Chair!
This is a very nice looking chair. It looks stunning contrasted with my black leather couch, black metal and glass TV stand, black metal and glass coffee and end tables. There are two bolts in each inside corner of the seat cushion support (connected to the legs) which makes for a very sturdy chair. I am very happy with my purchase.
- How did the color on site compare with the actual product? Fabric color more vibrant than in picture
- Please tell us about the quality of the product. Excellent quality.
- How accurate was the on site description of the product? Just as described.
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