text:
Infographic: Issuers stingier with credit post-CARD Act
By Kristin McGrath and Juan Rodriguez
Since the CARD Act went into effect in early 2010, average credit limits are getting lower, and you need a higher credit score to get these more measly limits. That's according to a letter from the American Bankers Association (ABA) filed with the Consumer Financial Protection Bureau.
The Feb. 19 letter tracked data about credit availability between 2007 and 2012. The ABA concluded that, while the CARD Act has reduced surprises such as sudden interest rate increases and has diminished consumer-unfriendly terms, there have been "significant trade-offs," such as higher interest rates, lower credit limits and less available credit, especially for those with lower scores. The act was passed in May 2009, and its major provisions took effect in February 2010.
While the ABA points to the CARD Act as contributing to stingier credit, it's not the only factor. The massive recession, which officially lasted from the end of 2007 to the middle of 2009, also tightened issuers' credit standards. The charts below track the average credit (risk) scores and average credit lines of new credit accounts (accounts open less than 24 months). As the recession took hold, average credit scores increased, as those with lower scores got blocked from new credit. As for credit lines, their downward slide began at the height of the recession and continued until after the Act took effect.
See related: Bankers' group: CARD Act raised rates, lowered credit access
To use the graphic on your site, use the following code:

Published: February 27, 2013
- Card delinquency hits 15-year low – It's another sign of U.S. consumers' improving finances ...
- Smartphones shift holiday gift-buying to the bedroom, bathroom – Millennials most likely to holiday shop while prone or on the throne, survey finds ...
- Infographic: Contactless cards set to flood US – Next generation of chip cards may speed adoption of tap-and-go payments ...


text:
Capgemini Walkin Drive For Freshers On 14th October 2016
Capgemini Walkin Drive For FreshersDesignation : Software Engineer
No Of Positions : Multiple
Qualification : Any Graduates
Also Read :
* More Graduates Jobs
Experience : 0 - 1 Years
Location : Kolkata
Also Read :
* Upcoming Kolkata Walkin Drive
Salary : As Per Industry
Job Description :
- Willingness to work in 24x7 shifts including night shift.
- Experience (If any) should be in accounts/finance only.
- Good Communication Skills.
* Interview
Also Read :
Company Profile :
Now with 180,000 people in over 40 countries, Capgemini is one of the world's foremost providers of consulting, technology and outsourcing services. The Group reported 2014 global revenues of EUR 10.573 billion. Together with its clients, Capgemini creates and delivers business, technology and digital solutions that fit their needs, enabling them to achieve innovation and competitiveness. A deeply multicultural organization, Capgemini has developed its own way of working, the Collaborative Business ExperienceTM, and draws on Rightshore®, its worldwide delivery model.
Capgemini in India is over 85,000 people strong across nine cities (Mumbai, Bangalore, Gurgaon, Noida, Gandhinagar, Hyderabad, Pune, Kolkata and Chennai – Trichy and Salem). A pioneer in the IT industry, Capgemini has over 45 years of global expertise collaborating with leading corporations and now brings its Consulting, Technology and Outsourcing experience to India. With dedicated teams to service the local market, Capgemini has strong domain experience to assist clients across the Government and Public Sector, Energy and Utilities, Manufacturing, Telecom and Financial Services sectors.
Apply Mode : Walk in
Also Read : This Week Walk in Drives
Walk In Date : 14th October 2016
Walk In Time : 10 AM - 3 PM
Interview Venue Details :
Interview Venue Details :
Unitech Infospace Complex, Tower A3
1st Floor, New Town,
Rajarhat, Kolkata - 700156.
Also Read : Capgemini Upcoming Walk in Drives
Online Test Practice Exams Papers
Capgemini Walkin Drive For Freshers On 14th October 2016 Reviewed by hanimi on 04:55:00 Rating:

subset: commoncrawl


text:
Shoe by Gary Brookins and Susie MacNelly
- November 10, 2012
- From Beginning
- Previous feature
- Next feature
- Current
Comments (16) (Please sign in to comment)
Changing to online format is working for some larger newspapers.
I don't mind a monthly fee for my local online news as long as the information is actually worth paying for and browsing-safe.
More than a few papers haven't got the hang of keeping their sites up-to-date, user friendly and more importantly malware free.
This sounds like what the Philly Inquirer and Daily News have announced as they try for a common look across the paper, online, and smartphone.
Trouble for a lot of newspapers is that by the time they decide to retreat behind a paywall, they've already cut costs (that is, writers, researchers, etc.) to the point where their product isn't worth what they're asking.
I just get the Sunday paper, which has enough grocery coupons to make it worthwhile.
People who cry about "saving trees" as a reason to stop newspapers or other forms of print, don't know what they are talking about. The paper companies have their own forests, which they harvest and replant in a responsible manner, because they are smart enough to know that trees are a renewable resourse. And much paper today has a high content of recycled fiber, which makes paper an even better valued product. I love forests and parks and green spaces, but I know that printed products do not threaten any of that, because paper comes from other sources, as outlined above. Most people who cry about going green are probably sincere, but, really, it's a non-issue as far as paper manufacturing is concerned. I was in the printing industry for over forty years, so I do have an interest in seeing printing continue to succeed, but I am also informed about these things.
… still trying to figure how to line birdcage with iPad …
There are papers that are doing well. They are not among the papers that were bought up when the 1996 Telecom act was passed. When the 1996 Act was passed, there was a wholesale buyup of newspapers. For example, the Statesman and the Journal in Salem, Oregon were bought up and made the Statesman-Journal. The content isn't much different from what can be found in the Oregonian, which isn't much different from the Seattle-PI, which isn't much different from NYT.
Local news has taken a beating as most papers fired their reporting staffs.
Other newspapers like the Washington Times now rival the venerable Washington Post.
The reason is content. If you can get the same thing— even the same words used by different editors/newsstaff— from the Seattle-PI, Washington Post, LA Times, New York Times, etc., that you get for free from CBS, NBC, ABC, etc., then why would you pay for the newspaper?
Those papers that have independent content or non-alphabet soup content have done far better as a general rule.
I don't know what papers you have access to, but with todays's soy-based, low rub inks, the problem of dirty hands and clothes after reading a newspaper has been significantly reduced at most United States newspaper printing operations.
free subscriptions
Any luck with the rabits?
It has been said that the last person to read a newspaper has already been born.
Still, using fewer trees seems to be a good thing; although, I'm uninformed about how much energy running the internet takes.
That's easy. Get a square birdcage.
Online is the only way to read the news. I can read about the same event in many different news providers giving me a broader picture of what happened. Newspapers are like sundials, they had their use at one time but now are useless.
- Load the rest of the comments (1).
You must be signed in to make a comment.


text: Which would you get...a 32 GB 1st Generation iPod Touch or a 16 GB 2nd Gen?? I just got a 32GB 1st gen but am thinking of exchanging it for a 16 GB 2nd gen which is the same price that I paid for my 1st Gen 32 GB. I like that the new one has an internal speaker and external volume control, and suppposedly a better battery life ... what are your opinions??


text:
Special Order
You have until Feb 1, 2017 to return or exchange items purchased between Nov 1, 2016 and Jan 1, 2017.
All other standard return policy conditions apply.
You Pay: $82.50
The Alfa Case Softi-Case, Small (Black) is a rigid vinyl case made to a shotgun mic, softie and shock mount up to 16" long. It has a lockable draw latch closure.
|Exterior: Rigid ABS plastic
|Type of Closure
|Twist lock draw latch
|Exterior Dimensions
|17 x 3.5" (43.2 x 8.9cm) (LxDia)
|Interior Dimensions
|16 x 3.5" (40.6 x 8.89cm) (LxDia)
|Carrying/Transport Options
|1.25 lbs (567g)
|Packaging Info
|Package Weight
|1.6 lb
|Box Dimensions (LxWxH)
|19.4 x 5.5 x 5.2"


text:
House Sitter in Fort Lauderdale
Will fill out lateraaaaaaaaa Aaaaaaaaaaaaaaaaaaaaaa Aaaaasddsgcxggfdgggffffghh Fhgdfhgfhgfhhfyhftgvdggxfgc Dgbxfgfyfdffddggcccfvvbvgff Fgjbxfhcdghcffggbcfhbvdfgh Fcvbhhgdfvbbbgfzdghbbbvv
House Sitter Details
|Email Address
|Phone Number
Collect Mail
Feed Pets
Care For Plants
Take Out Trash/Recycling
Snow Clearing
Notes made here will only be seen by you. If you want to message the owner of this listing
More in Fort Lauderdale, Florida
Looking for House Sitting jobs in Fort Lauderdale, FL?
Find available jobs in your city.
Get Started
I Need a House SitterPost your Job
I Am a House SitterPost your Profile
Featured House Sitters near Fort Lauderdale, FL


text:
Advert Description
2x Brand New unopened Sandisk Ultra 16Gb 48kbps SDHC Memory Cards for cameras or computers.
Offered at £10 each, normally £14.99
Collect or will ship by post - cash/PayPal
Barnwood, Gloucester
This advert has no additional information available. Why not get in touch with gbcarter to request more…


text: Machine Operator for 1st Shift in Clarks Summit posted: Tuesday, October 04, 2016 Location Clarks Summit, Pennsylvania Industry Warehousing & Distribution Job Type Temporary Salary US$ 11.00 per hour Reference Number S_6058 Contact Terry,Sharon, Spherion Apply Now Job Description Seeking a machine operator to set up and operate a production machine in a mail room environment. Adjusts machine settings to complete tasks accurately, per specification and in a timely manner.Working hours: 7am-3pm Mon-FriSkills:High school diploma or equivalent is required. Knowledge of commonly used concepts, practices and procedures. Relies on instructions and pre-established guidelines to perform the functions of the job. Works under immediate supervision. Bending and lifting of cases of envelopes and full trays of mail required.Resume REQUIRED! *****PLEASE SUBMIT A RESUME WHEN APPLYING!Spherion is a world leader in matching great people with great companies. Our experienced agents will listen carefully to your employment needs and then work diligently to match your skills and qualifications to the right job and company. Whether you're looking for temporary, temporary-to-permanent or permanent opportunities, no one works harder for you than Spherion. EEO Employer: Race, Religion, Color, National Origin, Citizenship, Sex, Age, Disability, Ancestry, Veteran Status, Genetic Information, Service in the Uniformed Services or any other classification protected by law. Qualification High School Apply Now Share icon cancel share Facebook LinkedIn Twitter Google+


text:
Home /
Our Sources / About Us
/ FAQs /
Advanced Search
Not what you're
looking for? Try an advanced search.
Official citation and/or docket number and footnotes (if any) for this case available with purchase.
Learn more about what you receive with purchase of this case.
November 1, 1962
Rose CHERNOFF, Plaintiff,
SUNSHINE PACKING CORP. OF PENNSYLVANIA, and David Rahal, Defendants
At pretrial conference it appeared that the complaint was filed on December 1, 1961, in which plaintiff sought damages for personal injuries resulting from an automobile accident which occurred at or near the intersection of Broadway with West 72nd Street in the Borough of Manhattan, City and State of New York, allegedly due to the negligence of the agent of the defendant Sunshine Packing Corp. of Pennsylvania. On October 25, 1962, Sunshine Packing Corp. moved to amend its answer, inter alia, pleading that the Pennsylvania two-year statute of limitations barred the plaintiff's action. The plaintiff objected to the allowance of the amendment, but the objection was overruled and the amendment was allowed.
The complaint avers that the accident happened on the 29th day of December, 1958. Almost three years expired before the filing of the complaint in the United States District Court for the Western District of Pennsylvania.
The Pennsylvania statute of limitations provides:
"Every suit hereafter brought to recover damages for injury wrongfully done to the person, in case where the injury does not result in death, must be brought within two years from the time when the injury was done and not afterwards * * *." Act of 1895, June 24, P.L. 236, § 2, 12 P.S. § 34.
The Restatement of the Law, Conflict of Laws, § 603, states:
"If action is barred by the statute of limitations of the forum, no action can be maintained though action is not barred in the state where the cause of action arose."
This is the Pennsylvania rule. Rosenzweig v. Heller, 302 Pa. 279, 153 A. 346.
An appropriate order will be entered dismissing the action.
© 1992-2004 VersusLaw Inc.
Our website includes the main text of the court's opinion but does not include the
docket number, case citation or footnotes. Upon purchase, docket numbers and/or
citations allow you to research a case further or to use a case in a legal proceeding.
Footnotes (if any) include details of the court's decision.
Official citation and/or docket number and footnotes (if any) for this case available with purchase.
Learn more about what you receive with purchase of this case.
LRC, Inc. About Us


text:
October 20, 2016 · Print This Article
Mark maker, mark maker, make me a mark.
The intentionality of mark making creates a moment where something about the mark maker's being is revealed. Captured in the mark itself are a litany of codes and codifications that stand beside something unique to that artist's gesture.
October 23, 2016, 1-4PM
Work by: Julien Prévieux
Julius Caesar: 3311 W Carroll Ave, Chicago, IL 60624
2. Missed (and Other) Connections
October 23, 2016, 3-6PM
Work by: Judith Brotman and Fraser Taylor
Riverside Arts Center: 32 East Quincy Street, Riverside, IL 60546
Work by: Magda Dudziak and Annette Hur
October 21, 2016, 7-11PM
Heaven Gallery: 1550 N Milwaukee Ave, Fl 2nd, Chicago, IL 60622
Work by: Julia Arredondo
October 23, 2016, 12-4PM
The Hermosa Walls: 2306 N Keeler Ave, Chicago, IL 60639
October 22, 2016, 7-10PM
Work by: Kate Perryman
The Learning Machine: 3145 S Morgan St, Chicago, IL 60608
Hey Chicago, submit your events to the Visualist here: http://www.thevisualist.org
by Pamela Fraser
There are so many separate issues involved in the still-unfolding story of public reaction to Kelley Walker's exhibition Direct Drive at the Contemporary Art Museum St. Louis, one barely knows where to start. At issue is not only the specific art works that have proven offensive to many people, but their celebration in a system in which value is created by a small group of people—gallerists, critics, collectors, and curators—without any indication of work's worth within public culture. After all, Walker's artwork has been widely circulated in the most elite sector of the international art world for years, and one of the works in the center of the controversy, Black Star Press, went to auction in 2010 estimated at £500,000-700,000. Yet like most contemporary art, the work is largely unknown outside of the art world. The institution then, in both general and specific senses, is to be blamed for a situation in which a museum has decided that their self-determined expertise trumps consideration of the public sector. The faults of the specific museum—its lack of transparency in handling concerns, an overall bungled response to protest—are part and parcel of larger issues that keep contemporary art from even coming close to being the liberatory tool it pretends, or (more generously) strives to be.
This story should serve to make a lie of the art world apparent, that many contemporary practices appear to be culturally savvy because they co-opt the language of critical engagement, but do not really foster wide and meaningful cultural engagement. Ideas of participation and democracy are rhetorically popular, but often not at all evident. In the case of Walker's work, the museum and others have basically asserted that protesters are wrong to interpret the work as a demeaning representation of African-Americans because a cultural critique they believe the work enacts is not being understood or appreciated. But even if there is cultural critique in evidence, it is one that many see as glossing over or denying subjectivity to the subjects portrayed. The museum's action's in the wake of protest has made it clear that this is something they either do not understand or appreciate.
Let's start with a basic overview. A successful white artist makes work that appropriates a variety of media images of African-Americans. These include a painful picture of a 1960s civil rights protestor being attacked by a police dog. (Similar imagery was utilized in Warhol's 1964 incorrectly titled "Race Riot" series. Warhol's images were appropriated without permission from Life photographer Charles Moore's shots of a peaceful protest that was broken up violently by police. The term 'race riot' is a troubling and unsympathetic phrase. Moore sued Warhol and the issue was settled out of court). It should be said that images of police violence toward African-Americans are especially fraught in the wake of countless recent videos that have captured the unnecessary deaths of unarmed citizens at the hands of police who see them as "criminal" simply because of their race, and this includes the 2014 killing of Michael Brown in nearby Ferguson. In Kelley Walker's works utilizing the image of protester being attacked, repetitions of the image are oriented various ways and interspersed with photographic imagery of smeared chocolate. The exhibition also includes the work Schema, a large scale appropriation of a King magazine cover in which rapper Trina is pictured in conventional magazine cover fashion, staring directly out at the viewer. Her image is covered with scanned streaks of squirted toothpaste. It's hard not to equate the chocolate and toothpaste to bodily fluids, but they lose their messy, viscous nature through Walker's manipulations, by scanning and repetition. The press release on the museum website tells us that Walker's repurposing of these images 'subverts signifiers,' and is done "in order to destabilize issues of identity, race, class, sexuality, and politics," a sentence I have read over and over, and am still not sure what it means. Since it mentions things that already have destabilized status, it doesn't make sense to destabilize them. I imagine then, that it is meant is that he seeks to demonstrate actual destabilization through pictorial destabilization. Whether this is a valuable artistic strategy has been put to a test by many viewers' interpretation of the work itself as offensive, painful, and careless, and therefore in fact "destabilizing".
For those paying attention, it has seemed that Walker's work is part of a long-running dialogue concerned with the emptying of meaning in mass-circulating imagery. This thesis—that imagery becomes completely meaningless through repetition—has certainly been disproven in this case, demonstrating what Fred Moton asserts in his book In the Break: the Aesthetics of the Black Radical Tradition, that "(t)he history of Blackness is testament to the fact objects can and do resist". Citizens in St. Louis have found these images—mass-circulated or not—can and do have meanings. This necessitates continued thinking about the value of, and ethics of appropriation. In its early days, artists like Sherrie Levine and Richard Prince created work using appropriation to challenge the artistic canon and/or consumer culture. Earlier, Andy Warhol's appropriated newspaper images captured the emotional numbness that the mass-circulation of images can cause. But a couple of years ago, Richard Prince's use of photojournalist Patrick Cariou's work became a well-publicized legal case that raised questions about the value of appropriation as a tool of critique when appropriated imagery does not represent power. After all, it means something different to appropriate corporate imagery than it does to appropriate an individual photographer's work. In the Prince/Cariou case, Prince became a popular cause, with many prominent critics championing his side and arguing that the case represented the absolute freedom artists must have in choosing imagery. Many didn't appreciate Cariou's position of wanting credit or compensation, or appreciate any challenges to a definition of artistic freedom based on power imbalance (see the essay "The Freedom to Oppress" by Eunsong Kim and Maya Mackrandilal for an excellent discussion of the symbiotic relation between art, power, and oppression that this kind of artistic freedom is dependent on).[1] Perhaps the CAM Walker exhibition will better expose limits to artistic freedom, when it encroaches on a collective desire for dignity that anyone concerned with civil rights, justice and equality should be able to at least understand.
This particular institution has made several mistakes and continues to lose opportunities to right its own wrongs. They were slow and opaque with responses to public upset at a panel discussion, and to their own staff members' letter of protest. The solution to build a wall around the show instead of taking it down demonstrates their lack of understanding of the nature of the situation, and their introduction of new spurious wall texts that profess the work addresses race and gender inequities. Public reaction erupted at a September 17 lecture, at which many audience members became upset by Walker and the show's curator Jeffrey Uslip's failure to adequately explain the intention of the work. This was surprising considering such concerns about the work have been raised before. In a 2010 issue of Parkett, artist Glenn Ligon examined Walker's use of African-American imagery and while acknowledging the complexity of the politics of representation, proposed that Walker's interest in African-Americans demonstrates African-Americans vital role in American culture, and suggested that Walker's works embodies the "American Dilemma" that is our current racially unequal society.[2]
But at the public discussion, Uslip apparently ended the public discussion abruptly (for which he later apologized), and for many, left the impression that Walker's use of images of Black people was careless at best. The public continued to express the pain of having to see these images, and some expressed the sadness and confusion of having to try to explain the work to their children. On September 18th, three CAM staff members wrote an official letter of complaint about the racial insensitivity of the show, and artist Damon Davis organized an exhibition boycott shortly thereafter. Within a few days, the artist, museum and artist's gallery issued statements addressing the controversy, and the artist issued an apology for the pain the images caused. Paula Cooper Gallery's statement deflected criticism with the trope 'artists ask questions, they don't answer them,' and asserted that the use of already-circulating images abdicated Walker of responsibility. The statement told readers that it was "the artist's and the gallery's wish that Direct Drive may provide the impetus for a renewed and much needed dialogue about race and representation, in St. Louis and elsewhere", which seemed not to recognize that the very reason we are talking about this important issue, is because people have found the artwork in question to be troubling. Lastly, the gallery statement asserted that it would be would be "censorship" to remove the work. While it is true that defining censorship is not always clear-cut, it usually occurs in relation to the maintenance of power, not in cases where an offense perpetuates a history of maligned representation and reality.
A few days later, CAM Director Lisa Melandri issued a statement expressing sorrow for the museum's appearance of racial insensitivity, and apologized for the unclear articulation of the value of the show. Addressing a call to remove the work, she announced that instead of cancelling the show, it would continue enclosed by a wall so that people could make a choice about seeing it or not. This decision and her characterization of it seemed to demonstrate that the museum did not fully understand the nature of the criticism. "CAM has a history of showing controversial artists," she wrote, "we have shown works that have challenged common sensibilities and presented work that has critiqued, in a difficult way, misogyny, patriarchy, homophobia, and the military industrial complex, among other issues…Despite the debates and discomfort these exhibitions generated, we never removed them." Similar to the Cooper statement, Melandri's statement implies that she doesn't know that it is entirely different to offend members of a historically disenfranchised group than to challenge the status quo. Institutional critique doesn't challenge the powerless or the underrepresented, historically it has done just the opposite, challenging exploitation, injustice, and oppression.
In order to quell criticism, new wall texts were employed that describe the work with a silly literalism that seems to belie everything that has ever been said about the work before. In the text now describing Schema, Trina is said to be empowered because the piece is so large and because she is gazing at the viewer. The toothpaste squirted over her body is said to represent the artist's desire to be seen in an artistic lineage with Jackson Pollock, and "to critique how mass media tends to diminish trauma, sanitize disaster and struggle, and 'whitewash' events or people that are not given appropriate attention, sensitivity, power, or empathy". In the new didactics—Walker's references become cringe-worthy metaphors—and he is a champion of the disenfranchised.
In a 2005 essay entitled "How Andy Warhol Did Not Murder Painting but Masterminded the Killing of Content," Francesco Bonami discusses Warhol's apparent emotional detachment to actual suffering subjects pictured in his works, asking "whether we can still accept Warhol's genius without questioning his moral and political detachment from the dramatic events that were reshaping a society in which he, as an artist, was living and prospering".[3] While questioning the ethics of his use of tragedy, he suggests that Warhol was able to avoid a total ethical lapse by his specific aesthetic transformation of the images into "dreamlike visions rather than documents".[4] But Bonami ends the essay by stating that today's world would never accept such superficial and apolitical positions from our art or our artists. I suppose the Walker case will tell us if this is true of today's world, because (revised museum didactics notwithstanding) Warholian detachment is the main ingredient in Walker's work and the same ethical questions apply. In fact, the protesters in St. Louis are basically asking the same questions Bonami posed about Warhol, and the institutional response thus far has been to pit an unexamined notion of artistic freedom against the right to basic dignity. I'll take the dignity.
[1] Eunsong Kim and Maya Mackrandila, "The Freedom to Oppress". contemptorary.org, April 19. 2016. Last accessed October 16, 2016. http://contemptorary.org/the-freedom-to-oppress/
[2] Glenn Ligon, Kelley Walker's "Negro Problem". Parkett 87, 2010, pp. 79-81. Last accessed October 16, 2016. http://www.thomasdanegallery.com/usr/documents/press/download_url/30/glennligon-on-kelley-walker.pdf
[3] Francesco Bonami, "How Andy Warhol Did Not Murder Painting but Masterminded the Killing of Content". Originally appeared in the catalog for Andy Warhol /SuperNova: Stars, Deaths, and Disasters 1962-1964, Walker Art Center, 2005. Accesed online at walkerart.org. Last accessed October 16, 2016. http://www.walkerart.org/magazine/2012/francesco-bonami-andy-warhol-killed-content
[4] ibid.
Pamela Fraser is an artist and Assistant Professor at The University of Vermont. She is a co-editor and author of the forthcoming books: Beyond Critique: Contemporary Art in Practice, Theory and Instruction (co-edited with Roger Rothman), which will be released by Bloomsbury Press in April 2017, and How Color Works: Color Theory for the 21st Century (Oxford University Press).
October 13, 2016 · Print This Article
October 14, 2016, 6-9PM
Work by: Rachelle Hill and Millicent Kennedy
Northeastern Illinois University-Fine Arts Gallery: 5500 N St. Louis Ave, Chicago, IL 60625
October 16, 2016, 11-3PM
work by Matt Ericson, Angela Lopez, Matt Martin, Jaclyn Mednicov, and Chris Wille
640 Lincoln St, B24 (Basement), Evanston, IL 60201
3. Do You Have Cents for Nonsense?
Work by: Selina Trepp
October 15, 2016, 1-3PM
Cleve Carney Art Gallery: 425 Fawell Blvd, Glen Ellyn, IL 60137
Work by: Daniel Luedtke
October 15, 2016, 6-9PM
Roman Susan: 1224 W. Loyola Avenue
October 15, 2016, 6-9PM
Work by: Steve Becker, Margaret Buchen, Eleftheria Lialios, Falyn Huang, Yoonshin Park, Michelle Richardella, Leo Selvaggio, John Sharp, Lowell Thompson, Kevin Valentine, Chuck Walker, Mariusz Zaleski, BJ Allen, Christopher Bednash, Heather Bella, Erin Cramer, Stephen DeSantis, Michelle Graves, Ania Greiner, Lilli Kayes, Kaitlin Kostus, Jenna Mishler, Michelle Richardella, Jamie Thome, Kevin Valentine, Jessi T. Walsh, Jamie Weaver, Jeff Abell, Colette Wright Adams, Sherry Antonini, Lise Haller Baggesen, Hannah Batsel, Erik Brown, Pate Conaway, Erin Cramer, Misty De Berry, Janelle Dowell, Hale Ekinci, Hannah Evans, Tiffany Funk, Jason Geistweidt, Jojo Baby, PC Gooden-Smiley, Laurie LeBreton, Carron Little, Stephanie Lupu, Nathan Mason, Catie Olson, Mel Potter, Miriam Schaer, Cathi Schawlbe, Jet Traverso, and Nancy VanKanegan (Curated by Eden Ünlüata, co-curated by Colette Wright Adams, BJ Allen, and Michelle Graves).
Uptown Arts Center: 941 W Lawrence Ave, Chicago, IL 60640
Hey Chicago, submit your events to the Visualist here: http://www.thevisualist.org
October 6, 2016 · Print This Article
E pluribus unum, out of many, one. The one is made up of all things, and all things issue from the one. Here it is the group, the collective, the hobbled together bunches that make up something else entirely. More than the sum of their parts, it's 2 + 2 = 5 in the Top V.
October 7, 2016, 6-9PM
Work by: Frank Connet, Anne McGinn, and Lialia Kuchma (Curated by Doug Stapleton)
Ukrainian Institute of Modern Art: 2320 W Chicago Ave, Chicago, IL 60622
October 7, 2016, 7-10PM
Work by: Risa Recio, Erina Shibata, Jenn Smith, Katie Kirk, Kaveri Raina, Miri Phelps, and Jaclyn Mednicov (Curated by Sarah Bastress)
The Lorna Room: 1523 W Morse Ave, Chicago, IL 60626
Work by: Anna Elise Johnson, Jason Pallas, Deb Sokolow, and Danh V
October 7, 2016, 5-8PM
Weinberg/Newton Gallery: 300 W Superior St, Suite 203, Chicago, IL 60654
Work by: David Bodhi Boylan
October 7, 2016, 6-9PM
Chicago Artists Coalition: 217 N Carpenter St., Chicago, IL 60607
October 9, 2016, 7-10PM
Filmmakers: Stewart Bird, Peter Gessner, René Lichtman, John Louis Jr., with Jim Morrison, and with the cooperation of the League of Revolutionary Black Workers. Screening is followed by a discussion with Annie Sullivan and Mike Siviwe Elliott.
Stony Island Arts Bank: 6760 S Stony Island Ave, Chicago, IL 60649
Hey Chicago, submit your events to the Visualist here: http://www.thevisualist.org
Over the last month I have had the pleasure of peppering Jessica Stockholder with questions, each one sent with days or sometimes weeks between, so that the conversation itself extended through a peculiar duration. Unlike other interviews that happen either over three email exchanges or the course of a couple of recorded hours, this became more of a correspondence in which questions and answers hung, suspended and marinating for a while before getting shored up and integrated into a cohesive text. I'm not sure if the process is necessarily apparent to readers, but it had a tremendous impact on my own thought and I can't help but situate it within my experience of Stockholder's installations. While remaining deliberately outside of language, she often addresses an entire architectural site with a bundled installation—small groups of objects, materials, and paint that flow on or through walls and into space. These moments punctuate the environment, accumulating like constellations to map an area. As such it is impossible to have a single, objective perspective of a given work, for by entering the space of a Stockholder show one automatically becomes an interactive participant.
CP: Whenever I'm inhabiting one of your installations, I feel like my experience is tied to social, global, and economic networks out of which your assembled objects emerge. I wonder if your relationship to objects has changed over the years? What might be the difference, for instance, between a cooler you used in an early 2000 installation to a mounted freezer you used at Kavi Gupta gallery last year?
JS: I first came to, and still come to, using objects with an immediate and ahistorical attitude. Primarily I wish to orchestrate a collision between my own structure of thought and all that stuff out there in the world! It's a way of ascertaining the nature of who I am and what it means to be human. At the outset the activity is akin to philosophy. Of course my thoughts and the stuff of the world are all inflected by this moment; I don't exist outside the flow of time. As a result of paying attention to objects over the years I have become more attentive to their particularity, and engaged with the multiplicity of ways that stuff is meaningful. I care about where things are made, who makes and designs them, systems of fabrication, and nostalgia embedded in things. And over my lifetime there has been enormous change in the quality and quantity of objects streaming by. I notice that there is a kind of fashion in the color of plastics—the same colors will move through the marketplace showing up in many different kinds of objects. For the most part my work is not driven by verbal narrative—however in retrospect, I think that I'm drawn to refrigerators, freezers and coolers repeatedly as they are, like gallery spaces, cold and yet filled with a kind of love. They are also, like much of the stuff around us, participant in a rectangular geometric abstract and efficient structure of production that is resonant with architecture, framing, and thought.
CP: I never imagined that different eras of your work would reflect popular color schemes of the times. I'm reminded of the Martha Stewart's robins egg blue and wonder if that color appealed to America at a given time because it matched some national mood…
JS: I'm attaching two images that might indicate a trend from 2011 and 2012. Though far from scientific, it seems clear to me that there are far fewer colors of plastic floating around than could be the case. (I imagine that people share recipes…) Around us, and inside of my own work, I'm always taken with my own complaisance with what is…I'm struggling to find a better way to say that. What is is irrevocable, but nevertheless runs seamlessly into imaginations of what could be—with fantasy life. It seems important to me to notice the constraints within which the actuality of our world exists Noticing the limits of color in plastic production, the limits of and quality of aesthetic choices around us allows for more freedom of thought.
CP: If certain colors appear in mass produced objects for limited periods of time, do you find that you start to rely on particular combinations? For instance, in the two images you shared, I see the lime green, yellow, mauve or peach, and navy blue—if that constellation of colors appears regularly, are you concerned about addressing them in new combinations always? And if not, if you come to enjoy a particular color relationship, what is your experience like when a color goes out of circulation?
JS: I have noticed that colors are shared in industry—but I don't spend much time tracking that phenomenon—and I am fortunate that paint enables me to engage an endless array of colors. I am always trying to find something new in my use of color though I'm aware that I am at the same time wedded to a certain level of intensity. My process allows for great flexibility in relation to what I need—basically I need my own thoughts and some stuff in the world for them to collide with. And I need color! I don't suffer over the exact supply of any of these things. Letting the thoughts/ ideas/ energy to make things flow is probably the greatest challenge; and so far I've been lucky to have flow!
CP: I heard somewhere that washing machines and dryers from the 60s and 70s were often the same blue/gray/green-color because the US military had a lot of leftover paint. It had been originally mixed for WWII battle ships but went into circulation for popular use thereafter and was quickly co-opted by other appliances. It seems interesting because what you're describing points out how complex my own sense of nostalgia and aesthetic appreciation might be for that color; suddenly my sentiment is connected not just to a fantasy of Modernist America, but also to a war. Does that kind of awareness influence you?
JS: Yes and no. What you describe makes sense to me, but when I'm working I'm not focused on any single narrative fleshed out as you have conveyed. I'm not focused on narratives at all—I'm interested in my peripheral vision, so to speak, in how a multitude of nostalgias, upsets, gleefulness, memories, or references to types of people, all fly at once from the myriad materials I'm working with. That kind of narrative information is not controlled in my work—it's an appreciated backdrop for something else that I'm doing involving how my direct experience of stuff bumps up against the abstract contours of mind.
CP: How do you decide what kinds of materials and colors to work with when? Do you feel like that criteria changes depending on the peculiarities of the site you're working with? Or are there periods of time when, looking back, you realize you were particularly drawn to a set of experiential concerns?
JS: That question just doesn't resonate! I work with all kinds of stuff for all kinds of reasons—and sometimes for no reason.
CP: Maybe we can try this instead…I was reading your Elizabeth Murray at MOMA essay and was struck by you're your interest in irritability. You write this "In addition to admiring Elizabeth's work and making sure that I saw her exhibitions whenever I could, I have also found her work vaguely irritating. In front of the paintings I find myself always embattled, enjoying them and feeling irritable. Looking more closely at my irritability is rewarding. I find that these paintings embody a string of dualities sitting uncomfortably next to each other and exuding an irritable and provocative charge." I wanted to pursue this idea of irritability, maybe because in some way I feel like I'm inadvertently asking you for some singular thesis about how you see and work with objects, even if that request is impossible. If information is not controlled in your work, how might irritability guide that process?
JS: Yes, irritability is a nice thing to look at. I think that question intersects with questions about beauty. I associate beauty, though a changeable category, with comfort and pleasure. I am interested in exploring the relationship between the two—irritability and beauty—alongside a back and forth between stasis and movement. Of course my work doesn't often move—but the observer does move and the visual presented by the work is consequently always shifting. Art is a very good place for upset, unhappiness, anger, rage, violence, the obscene, and irritability. In the context of that sentence irritability sounds pretty mild! Your question brings my colleague Bill Brown's work about "Thing Theory" to mind. He writes "We begin to confront the thingness of objects when they stop working for us." I don't think that I'm focused on the duality between thing and object—rather I often orchestrate circumstances for the two categories to blend into each other seamlessly. I'm more often focused on 'things' or 'stuff.' That said—I also tend to the object nature of the stuff—their use rattles around with their thing nature. Perhaps some people find irritability in the movement between thing and object. I find that slippage elating. Irritability arises for me in the struggle to encompass enormous amounts of difference and invited chaos into a controlled and orchestrated beautiful unstable whole.
CP: The idea of slippage seems important, not only because the materials you use slip between thing-ness and object-ness, but also because (and I don't know if you would agree with this) the viewer slips between being subject and object. I noticed that your latest show, The Guests All Crowded Into the Dining Room, at Mitchell-Innes & Nash includes two cat-walk-style structures, offering a visitor different views of the installation, while integrating them into the installation. You've done that in a number of different ways over the years (Color Jam seems like an especially pronounced example because of its broad scale-range), but I guess I'm starting to wonder if the idea of slippage might be especially integral to the way you are working? The objects you include invariably carry their own industrial, economic, and social histories, while nevertheless becoming unique, singular objects in the installation. I almost want to say that they become subjects, even if they carry their object-ness with them…
JS: Yes—slippage matters! I often use the word "blurred." Boundaries are blurred. The viewer slips between audience and actor. The artwork is sculpture and pedestal. The work is both painting and sculpture. Where is the line between found and made? Is a 2×4 a found material? I don't think it's a "natural" material. Generally, I don't think that the objects I use are distinct subjects in the work. I often like to use objects in ways that enable their edges and singularity to melt into other stuff around them. The thing that I'm making makes use of parts of them. In order to see my work, you have to let your vision blur so that you can at least for some moments forget the distinct outline of the objects used as building blocks.
CP: Can we talk more about periphery? Someone told me once that there are certain stars you can only see with peripheral vision. Somehow that type of seeing also feels tied to slippage, maybe in part because of something you wrote in "Peer Out to See," a text reflecting on a 2010 site-specific work at the Crystal Palace. You say, "Looking back at my work from this rattled world, I can see the cracks in my imagination, cracks of inquietude, becoming real chasms in the world that I know." What is it about peripheral sight that allows us to see differently? What is the benefit of the chasms that start to appear and take hold?
JS: That question can be understood literally and metaphorically. My work pivots around the ways in which actual physical phenomenon resonate metaphorically with thought and how we find meaning. Sight is blurred when the eye and body are moving and what we see is crisp and clear when our bodies are static. Our peripheral vision enters this continuum. Tending to the limits of our capacity lets us know more about what's out there.


text:
Reviewed By David R (CENTERVILLE, UT) Reviewed for a 2012 Honda CR-V —3/17/2015 9:13 AM
The liner for our Honda CR-V got shipped promptly, and it flopped right into the space, fitting hand-in-glove. I'm delighted with the durable material and the lip around the perimeter. Thanks for a fine product!


text:
Brest observer denied right to monitor signature verification
Brest observer Uladzimir Vialichkin registered at local constituency election commission No. 2 has not been allowed attending the commission's sitting where signatures submitted for potential candidates are expected to be verified.
According to Mr. Vialichkin, Halina Yanholenka, chair of election commission No. 2, ordered not to provide any information to observers. Apart from that, the election official issued a written ban on attending the commission's sittings by the observer, referring to Art. 13 of the Electoral Code.
The ban was appealed at the Central Election Commission. However, on 19 August the CEC chair Lidziya Yarmoshyna said the ban was legal.
"Human Rights Defenders for Free Elections"


text:
Because Knetbooks knows college students. Our rental program is designed to save you time and money. Whether you need a textbook for a semester, quarter or even a summer session, we have an option for you. Simply select a rental period, enter your information and your book will be on its way!
ALERT: Before you purchase, check with your instructor or review your course syllabus to ensure that you select the correct ISBN. Several versions of Pearson's MyLab & Mastering products exist for each title, including customized versions for individual schools, and registrations are not transferable. In addition, you may need a CourseID, provided by your instructor, to register for and use Pearson's MyLab & Mastering products.
Access codes for Pearson's MyLab & Mastering products may not be included when purchasing or renting from companies other than Pearson; check with the seller before completing your purchase.
Used or rental books
If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code.
Access codes
Access codes that are purchased from sellers other than Pearson carry a higher risk of being either the wrong ISBN or a previously redeemed code. Check with the seller prior to purchase.
For introductory courses in advertising.
An accessible, well-written, and student-friendly approach to advertising.
Advertising tracks the changes in today's dynamic world of media and marketing communication—as well as the implications of these changes to traditional practice—and presents them to students through an accessible, well-written approach. The Tenth edition highlights the increasing importance of consumers as the driving force in today's advertising strategies, social media, and the Internet evolution/revolution. It also includes an increased IMC and brand focus.
MyMarketingLab for Advertising is a total learning package. MyMarketingLab is an online homework, tutorial, and assessment program that truly engages students in learning. It helps students better prepare for class, quizzes, and exams–resulting in better performance in the course–and provides educators a dynamic set of tools for gauging individual and class progress.
This program will provide a better teaching and learning experience–for you and your students. Here's how:
0133763536 / 9780133763539 Advertising & IMC: Principles and Practice Plus NEW MyMarketLab with Pearson eText -- Access Card Package
Package consists of
0133506886 / 9780133506884 Advertising & IMC: Principles and Practice
0133575950 / 9780133575958 NEW MyMarketingLab with Pearson eText - Access Card - for Advertising


text:
Grameenphone 90MB Internet 25Tk 2Days Dial *5000*110#
- This Internet offer will run until further notice
- This Data Offer will be valid for 2 days from activation.
- Offer applicable for all prepaid (Except ERS) and postpaid customers
- After Internet Volume Expiration customers will be charged Tk .01/10KB (till validity exists, up to 200 Taka)
- Volume will only carry forward if customer repurchases the same offer within the validity period.
- Dial *567# to know internet balance


text:
Has anyone been using Clorox 2 powder for colors and washing soda to clean their clothes? I have a recipe of 1 cup Clorox 2 and 1 cup washing soda and I am supposed to use 2 tablespoons for every large load of clothes that are not too dirty. If you have been using this recipe are you happy with the results?
Add your voice! Click below to comment. ThriftyFun is powered by your wisdom!


text:
The IAB MIXX Awards recognises and celebrates the year's best interactive marketing. Winning work ultimately serves to educate the marketplace about what works and why in digital marketing, as well as inspire the community by pointing to future trends and where the industry is heading.
We are thrilled to announce that we have scooped up two gold awards at last night's IAB MIXX Awards for:
The Sun's Dream Team – Best Data-inspired Creative – click here for the winners gallery
CHECT's The Next Photo – Best Mobile Campaign – click here for the winners gallery
A huge congratulations are in order to all those involved in both campaigns!
To find out more about The Sun's Dream Team click here.
To find out more about CHECT's The Next Photo click here.


text:
Prices, specials, features and availability subject to change.
Contact for details
Contact for details
Huge, Renovated 2 Bedroom w/ Sun-Room & Full Yard!!!! All Utilities Included! - BRAND NEW, Renovated 2 Bedroom, ALL UTILITIES INCLUDED!! Lots of space, tons of closets. Huge Eat-in-Kitchen, Sun Room, Private Gated Yard, Bathroom features modern updates with subway tile, Bedrooms are very large and can easily accommodate king sized bed sets, HARDWOOD Floors throughout the apartment, Apartment is over 1000 SQ FT. Close To Bus, Trains, Shops.
Pets Accepted. Dogs Allowed. Cats Allowed. Call for service animal policy.
Don't have a Rent.com account? Create one.
Creating an account allows you to acccess your saved and contacted properties on any device. Already have an account?
Log In
We are experiencing technical difficulties at the moment. Please try again later.


text:
New LiMo Handsets Hit Japanese Market
The Linux Mobile (LiMo) Foundation has announced the release of the new NEC and Panasonic LiMo-compliant handsets onto the Japanese market.
Models in the Prime, Style and Smart series from Japanese phone-provider NTT Docomo, in an array of different designs, come with broadband radio and megapixel cameras. However, the handsets are only available in Japan.
The move was first announced by the LiMo Foundation back in April. NEC and Panasonic built the phones, NTT Docomo is responsible for marketing. The three companies are founding members of the LiMo industry consortium whose Linux handsets are in direct competition with, among others, Google's Android. In June, Limo published version 2 of its platform specifications.
According to the Foundation, the LiMo platform currently has 40 handsets from NEC, Motorola, Panasonic, LG and other manufacturers available worldwide. Other founding members include Vodafone, Samsung and the French telecommunications group Orange. The list of core members contains names like Wind River, Telefonica, LG and others. The large group of associated members which includes, for example, Broadcom and Texas Instruments, unlike the first group, do not possess rights to occupy an executive position or distribute the software commercially.
|Gallery (7 images)
Issue 194/2017
Buy this issue as a PDF
openSUSE Rolls Out 42.2 Leap
New release targets Linux professionals.
Cutting-Edge Fedora 25 Released
The Fedora project adds Wayland and Gnome 3.22
CeBIT 2017: The Open Source Forum
CeBIT 2017: Open Source Forum Call for Papers
Say it Ain't So! Microsoft Joins the Linux Foundation
Long-time Linux antagonist joins the revolution.
How to Bypass Authentication on a Linux System
Major bug affects Debian/Ubuntu distributions.
Ubuntu Core 16
Canonical releases the minimal edition for embedded devices, Internet of Things, and cloud deployments.
Red Hat Releases Red Hat Enterprise Linux 7.3
The new release features improvements across the board, from performance to security.
The Linux Foundation Announces a New Board of Directors
Two out of three of the new members are women.
OpenStack Summit in Barcelona
More than 5,000 people attended the event.
Linux Voice Joins the Linux New Media Family
Linux Magazine will include the best of both magazines.


text:
All Secrets submitted by
My SparkPage
Going places Ive never gone,
Doing things Ive never done.
Growth is often measured by new experiences that a person has, and the new abilities that he or she gains. Today Im going to talk about a new place, the Badger Factory in Gilsum, NH. The other day, I was out for a ride with my...
Yesterday was a beautiful day for what the Stetser Household calls the Domestic Workout. This is a workout that involves cutting trees, moving brush, and stacking wood. The other term for this is the Woodpile Workout.
Heres how it works:
1. The chainsaw and all e...
In early January of 2011, I was diagnosed with Type !! Diabetes, and I was devastated! I have seen the results of ignoring this disease, and know that horrible things could happen if I do not make some serious changes. This is a life or death fight. If I don't make changes for the better, the dis...
Sometimes, the answers that we seek are right inside our hearts. We just need to take the time to listen to our own heart.
I have been blogging for a few years now. Every morning, I get up and I write for 5 minutes. It is not a tough thing to do, but it takes discipline. I find that by writin...
Are you hiking down the trail or walking in the woods with kids or a dog? Consider putting oil on your skin first. I have found that a lightly scented body oil (I use the CVS moisturizing body oil) has kept me tick free all season long. My husband has had numerous ticks, but I have had none. ...
We all quit from time to time. Just remember to start back ASAP.
Keep moving forward. No matter how often you quit. Some days are really hard. Some days we get angry and we disappoint ourselves and others. Never be afraid of those bad days.
Get up! Get off the couch and find one goo...
Keep water in your car, T your bedside and everywhere you will be
Every day log on to Spark People, and write something encouraging. Tell your stories of success, no matter how small. Soon, you will have more success in your healthy journey!
Everyone will fall. It is important to forgive yourself, and get back to moving forward ASAP!
Put off eating for just 5 minutes
When I am about to have an extra treat that I do need, I put it off, and do something away from the kitchen. For just 5 minutes. Sometimes that is all I need to overcome temptation


text:
Producing Creative and Effective Web Design, Print Design, and Marketing.
products and services
Graphic Design
Design and printing services for business cards, brochures, banners, promotional items, and more!
Website design
We build effective, beautiful websites for you or your business. Contact us today for more information.
Print Products
We print a variety of products such as business cards, brochures, posters, stickers, postcards, and much more.
Banners & Signs
Create high-impact displays, ideal for your store or business. Available in Economy and Premium models.
Booklets & Binding
Great prices on booklets and other types of binding needed for a meeting or conference.
Art prints
Art prints for kids and other home decor. We also offer vinyl products. Take a look at the options.
Promotional Items
A large variety of promotional items available. Let us help with you next event promotionals.
Trade show Items
Make you table and booth area stand out, take a look at our printable options for your next event.
USB Drives
Great for client gifts, office needs and promotional items at your next event.


text:
ERIC Number: ED209072
Record Type: RIE
Publication Date: 1977
Pages: 43
Abstractor: N/A
Reference Count: 0
Foot-Matics. Student Guide.
Frame, Laurence
This workbook focuses on mathematics related to football, and is designed to work with student interest in the sport. A large portion of the document relies on information that is to be obtained by the teacher from the National Football League (NFL) teams, such as current player rosters. The workbook is designed to be a motivating skill-builder in both mathematics and language arts. (MP)
Descriptors: Elementary Secondary Education, Football, Instructional Materials, Language Arts, Mathematical Applications, Mathematical Enrichment, Mathematics Education, Mathematics Instruction, Measurement, Student Motivation, Supplementary Reading Materials, Workbooks
Sports Curriculum, 841 N. Monroe St., San Jose, CA 95128 ($10.00; discounts on quantity orders).
Publication Type: Guides - Classroom - Learner
Education Level: N/A
Audience: N/A
Language: English
Sponsor: N/A
Authoring Institution: N/A
Identifiers: National Football League
Note: For related documents, see SE 035 578-581. Not available in paper copy due to copyright restrictions. Contains occasional broken print. Page 37 missing from document prior to its being shipped to EDRS for filming.


text:
Michael Jones
674pages onAdd New Page
this wiki
this wiki
Ad blocker interference detected!
Wikia is a free-to-use site that makes money from advertising. We have a modified experience for viewers using ad blockers
Wikia is not accessible if you've made further modifications. Remove the custom ad blocker rule(s) and the page will load as expected.
Twitter Feed
Image Gallery
Cast (Teams)
Gavin Free · Michael Jones · Jeremy Dooley
Current Shows (Full List)
|Theater Mode · Things To Do In · Versus


text:
If you have a stash of aging devices and orphaned cords cluttering a spare drawer in anticipation of a "what if" situation down the road, it's time to clear them out. Some gadgets, such as old phones or
TVs, may be worth selling or giving to organizations that will refurbish them or pass them on to someone in need, which makes the purging a win-win.
Related: 10 Trash-to-Treasure Ways to Reinvent Old Tech
Stanley 90-947 6-Inch MaxS... $7.84
Altra Dakota L-Shaped Desk... $75.31
Stanley STST19410 One-Latc... $16.93
Outlite A100 High Powered ... $14.99
BLACK+DECKER LDX120C 20-Vo... $42.38
Custom Leathercraft 125M H... $9.22
Ice Melt for families with... $21.95
WORX 16-Inch 14.5 Amp Elec... $80.00
AAA 4004 Red Aluminum Spor... $15.99
Star Shower As Seen on TV ... $29.88
The latest in news, tips, & inspiration delivered right to your inbox.
We'll send you an email as soon as Bob Vila Academy launches
Privacy Policy
Enroll now and learn DIY basics from the next generation of home improvement experts


text:
3 Bedrooms Terraced House for sale
Hammond Street, Off Hopwood Lane, Halifax, HX1 4DR
*** reduced *** a stone built back to back set out over 4 floors, using all available space to provide accommodation comprising 3 double bedrooms, 2 bathrooms, 2 reception rooms and…
Thinking of selling or renting your property?
Get a instant valuation today!
Free Instant Valuation
Find out if you are charging enough rent or what your property would be worth if you were to sell now


text:
Join Now
Member Log in
Follow TradersCity
TradersCity Twitter
TradersCity Facebook
Trade Leads
Suppliers wanted
Agents wanted
Joint Ventures
Submit Quick Buy/Import Lead
Trade Services
B2B Directories
Products Category
Members Directory
Business Cards
Products Photos
B2B Videos
Country Targeted Leads
Trade Connections
B2B Marketplace Chat
Weekly Newsletter
Free Trade Alerts
Free B2B Magazines
Free B2B Magazines:
Weekly Trade News
Search Data
Contact Us
Privacy Policy
Terms & Conditions
Copyright Infringement Information (DMCA)
Contact TradersCity
Hello visitor from
visiting from
43 China
2 France
1 Germany
1 Japan
1 Brazil
This Month's Highlights:
(China): Print Labels, Stickers, Tags, Epoxy Resin Stickers
(China): Shipping Rates From China, Air Freight Rate From China, Ocean Freight Quote, Shipping Cost, Shipping Price, Freight Quote
We Sell Ultrasound Scanner, Patient Monitor, Ekg Machines, Pulse Oximeter, Fetal Doppler Fetal Monit
Posted at: Wanted International Agents and Distributors | Posted on: Mon 15 Jun, 2009 7:14 am | Product Category:
Pulse oximeter units
Ultrasound Scanner Photos Catalog
Ultrasound Scanner Patient Monitor Ekg Machines Pulse Oximeter Fetal Doppler Monit
Pulse oximeter units
Ultrasound Scanner
Photos Catalog
Ultrasound Scanner
Business Cards
Ultrasound Scanner
Members Directory
Ultrasound Scanner
Ultrasound Scanner
email alerts
Wanted International Agents and Distributors
Free Business Magazines
We sell ultrasound scanner, patient monitor, EKG machines, pulse oximeter, fetal doppler fetal monitor
ELECTRONICS CO., LTD is a professional medical equipments and accessories manufacturer in China since 2003 which integrates R&D, design, production, sale and service, it specializes in the medical area as below:
Ultrasound scanner, Multi parameter patient monitor, ECG/EKG, Video colposcope, Pulse oximeter, Fetal/maternal monitor, Fetal doppler, Ultrasonic cleaner
Patient monitor cable and leadwires, Spo2 sensor and adapter cable ( extension cable), Electrocardiograph cable and leadwires, ECG electrodes, NIBP cuff with tubes, Invasive blood-pressure sensor and ext-cable (IBP cable), ECG HOLTER cable and leadwires, Temperature probe
With the scientific experiments and testing methods by our professional technicians, RONSEDA introduced the international first-class level equipments, crafts and technology in order to ensure the quality. For promoting the technical connotation and practical value of the products, RONSEDA strengthens the technical innovation and international intercommunion for our industry. Meanwhile, We have established a strict quality-contral system along with our multiplex management and collectivization operation pattern for our company.
Our target is to build a long-time business cooperation relationship with our customers and work with them as a solid team so that can make best contribution to the society and health of the people around the world. We aim that they will have no baffle and uneasy for the extent in the medical area with our high quality, competitive price and sincere service. This aim is being executed by our team along with our partners effectively. More than 30 countries had introduced our products for their medical treatment and care for the society and won great reputation.
OEM or ODM services are available according to your special requirements.
Welcome to join RONSEDA!
Company Contact:
Contact Name: Qiwei Li
Company Name: Ronseda Electronics Co., Ltd
Tel: 86075586251835
Mobile: 86-118823179095
Fax: 86075586330961
Street Address: 6A, Building 96, Zhenglong
Nanguang ,Chuangye Road, Nanshan
District , Shenzhen, China
Member name: RonsedaElectronics
Member Since: 26 March 2008
Total Leads:
1376 RonsedaElectronics Import Export Business Leads
Business focus: Patient Monitor, Ultrasound Scanner, Pulse Oximeter, Ecg Cable, Nibp Cuff, Spo2 Sensor, Ecg, Ekg, Fetal Doppler, Disposable Medical Cables
Safe Import Export Tips
Product Category:
Pulse oximeter units
Similar Suppliers And Manufacturers Import Export Trade Leads
Diagnostic Device Ultrasound Scanner Color Doppler Patient Monitor Pulse Oximeter Human Veterinary
- By Sherryljx - On Thu 23 Feb, 2012 1:32 am: ultrasound scanner color doppler patient monitor and pulse oximeter for human and veterinary use with high-quality cost-effective 1 excellent im....
Sell Pulse Oximeter, Patient Monitor, Fetal Monitor, Fetal Doppler, Ecg, Ekg, Electrocardiograph
- By soarsee - On Mon 08 Oct, 2007 7:22 am: patient in process of defibrillating wan communication function to network with central monitoring system and make long-distance monitoring diagnos....
Sonography Instrument-ultrasound Scanner Patient Monitor Pulse Oximeter For Human And Veterinary
- By Sherryljx - On Wed 18 Apr, 2012 4:06 am: ultrasound scanners and patient monitors etc into your market we believe that our uniquely-designed products are more affordable and able to extend ....
Medical Agents Wanted For Patient Monitor, Ultrasound Scanner, Pulse Oximeter, Ecg Cable, Nibp Cuff
- By RonsedaElectronics - On Sun 20 Jul, 2008 2:04 am: ultrasound scanner video colposcope pulse oximeter ecg cable nibp cuff spo2 sensor ekg fetal doppler ultrasonic cleaner and so on we are ver....
Pocket Fetal Doppler Pulse Oximeter Pulse Oximetry Spo2 Sensor Fetal Doppler
- By RonsedaElectronics - On Sat 13 Dec, 2008 2:40 am: pocket fetal doppler pulse oximeter pulse oximetry spo2 sensor fetal doppler description 1 pocket doppler 2 without lcd display 3 built-in speaker 4 audio output can connect recorder 5 automatic switch-off 6 two color ....oit
Vital Sign Monitor Rsd2001 Patient Monitor Ultrasound Scanner Pulse Oximetry Spo2 Sensor
- By RonsedaElectronics - On Sat 13 Dec, 2008 2:30 am: vital sign monitor rsd2001 patient monitor ultrasound scanner pulse oximetry spo2 sensor features 1 compact light easy for carrying and handling 2 large bright led display of measurement easy to read 3 unique character and icon ....oit
Sell Spo2 Sensor, Ecg Cable, Nibp Cuff, Patient Monitor, Ultrasound Scanner, Pulse Oximete
- By RonsedaElectronics - On Thu 17 Apr, 2008 4:06 pm: patient monitor pulse oximeter fetal maternal monitor fetal doppler syringe pump oem and odm accessories patient monitor cable and leadwire....
Patient Monitor, Pulse Oximeter, Fingertip Oximeter
- By Kernelmed - On Thu 18 Sep, 2008 3:09 am: patient monitor 12 1 quot screen wide angle of view tft color display all lead unit six-channel ecg monitor real-time display of ecg spo2 ....
Import Export Startup Stories
Share Your Story & Get Listed
at StartImportExport.com
Vaahana International
: Bala Krishnan Of Vaahana International Application Specific Filling Solutions From India
Beta Packaging Machinery
: Anio Lim Of Beta Packaging Machinery From China
K and R International
: Vijay Rawal Of K And R International Offering Packaging And Filling Machines From India
Shenzhen Baiteman Tech. Company Limited
: Sherry a sales person in Shenzhen Baiteman Tech Company from China
NVision Technology Co Ltd
: Derek Chown Of NVision Technology Manufacturing Water Machines From China
Pulse oximeter units Classification Navigation
Medical Equipment and Accessories and Supplies
Patient exam and monitoring products
Pulse oximeters
Pulse oximeter units
TradersCity.com shall not be held liable for any user posted/submitted content including but not limited to trade leads, profiles, images, and any other data. TradersCity.com does not and did not verify any of users posted/submitted data nor is implicitly or explicitly recommending these business offers. TradersCity does not verify truthfulness, accuracy, completeness, nor legality of any businesses, services, and leads posted here. TradersCity does not represent Sellers or Buyers in any transaction between users of the website and is unable to make any opinion in regard to their performance in any transaction. TradersCity neither guarantees nor undertakes in any dispute between sellers and buyers. Protect your business from fraud by
trading safely


text:
Listing Courtesy of Coldwell Banker Honig-Bell
Listing information
- Baths: 3 (Full: 2 3/4: 0 1/2: 1 Other: 0)
- Stories: 2
- Foreclosure: No
- County: Kendall
- Style: Townhouse
- Status: Active with Contingency
- Parking Type Description: Attached 2 cars
- Total Square Footage: 1,690 ($88.73 per sq. foot)
- Subdivision: Lakewood Springs
- Beds: 3
- Total Rooms: 7
- New Construction: No
- Association Fee: $164
Additional Rooms No additional rooms
Age Unknown
Air Conditioning Central Air
Appliances All Stainless Steel Kitchen Appliances, Dishwasher, Microwave, Oven/Range
Area Plano
Assessment Includes Clubhouse, Common Insurance, Exterior Maintenance, Lawn Care, Pool, Snow Removal
Basement None
Basement Bathrooms (Y/N) No
Basement Description Slab
Built Before 1978 (Y/N) No
Common Area Amenities Park/Playground, Party Room, Pool-Outdoors, Tennis Court/s
Contingency Flag Financing
Dining Room Separate
Disability Access and/or Equipped No
Driveway Asphalt
Electricity 200+ Amp Service, Circuit Breakers
Equipment CO Detectors
Exterior Building Type Brick, Vinyl Siding
Exterior Property Features Patio
Foundation Concrete
Garage On-Site Yes
Garage Ownership Owned
Garage Type Attached
General Information None
Heat/Fuel Forced Air, Gas
Interior Property Features 2nd Floor Laundry
Kitchen Type Pantry-Closet
Lot Description Common Grounds
Master Association Fee Yes
Master Bedroom Bath Full
Other Bedrooms (Below Grade) - 0, Master Association Fee($) - 35, Max Pet Weight - 999, Model - Linden, Special Service Area - T, Tax Year - 2015, Total # Units in Building - 4, Total Full/Half Baths - 2.1, Township - Little Rock, Unit Floor Level - 1
Ownership Fee Simple w/ HO Assn.
Parking Garage
Pet Information Cats OK, Dogs OK
Pets Allowed (Y/N) Yes
Possession Closing
Property Type Attached Single
Recent Rehab (Y/N) No
Roof Type Asphalt/Glass (Shingles)
Sale Terms Conventional, FHA, VA
Sewer Sewer-Public
Special Assessments N
Type Attached Townhouse-2 Story
Virtual Tour None
Water Public
Waterfront (Y/N) No
Dining Room Main Level 13X10
Family Room Main Level 14X12
Kitchen Main Level 11X12
Living Room Main Level 12X13
Bedroom 2 2nd Level 10X10
Bedroom 3 2nd Level 10X13
Master Bedroom 2nd Level 15X12
Listing Courtesy of Coldwell Banker Honig-Bell


text:
Home /
Our Sources / About Us
/ FAQs /
Advanced Search
Not what you're
looking for? Try an advanced search.
Official citation and/or docket number and footnotes (if any) for this case available with purchase.
Learn more about what you receive with purchase of this case.
June 16, 2009
ERFAN "ERIC" AMIDI, ON BEHALF OF HIMSELF AND ALL OTHERS SIMILARLY-SITUATED, PLAINTIFFS,v.SBC LONG DISTANCE, LLC, A DELAWARE CORPORATION, AT&T C OPERATIONS, INC., A DELAWARE CORPORATION, AND DOES 1 THROUGH 100, INCLUSIVE, DEFENDANTS.
ORDER GRANTING FINAL APPROVAL OF CLASS ACTION SETTLEMENT Date: May 27, 2009 Time: 2:00 p.m. Dept: Courtroom Complaint Filed: May 13, 2008 TRIAL DATE: NONE SET
On May 27, 2009, a hearing was held on the Motion of Plaintiff Erfan Amidi ("Plaintiff") for Order Granting Final Court Approval of Class Action Settlement. Diana Khoury and Jason Hill, appeared for Plaintiff; Deborah Weiser of Paul, Hastings, Janofsky & Walker LLP appeared for defendants SBC Long Distance, LLC and AT&T Operations, Inc. ("Defendants").
The parties have submitted their Settlement Agreement and Joint Stipulation evidencing their proposed settlement (the "Settlement"), which this Court preliminarily approved in its January 21, 2009, Order. In accordance with the preliminary approval order, Class Members have been given notice of the terms of the Settlement and the opportunity to object to it or to exclude themselves from its provisions. In addition, pursuant to the Class Action Fairness Act of 2005, 28 U.S.C. § 1715 ("CAFA"), the United States Attorney General and the Attorneys General of the States in which all Class Members reside.
Having received and considered the Settlement, the supporting papers filed by the parties, and the evidence and argument received by the Court at the preliminary approval hearing held on January 22, 2009, and the final approval hearing on May 27, 2009, the Court grants final approval to the Settlement, and HEREBY ORDERS and MAKES DETERMINATIONS as follows:
1. Pursuant to this Court's order of January 22, 2009, a Notice of Class Action Settlement, Claim Form, and Exclusion Form were sent to each Class Member by first-class mail. These papers informed Class Members of the terms of the Settlement, their right to object to the Settlement or to elect not to participate in the Settlement and pursue their own remedies, and their right to appear in person or by counsel at the final approval hearing and be heard regarding approval of the Settlement. Adequate periods of time were provided by each of these procedures. No Class Members filed written objections to the Settlement as part of this notice process or stated his or her intent to appear at the final approval hearing.
2. For the reasons stated in the Court's January 22, 2009 preliminary approval order, the Court finds and determines that the proposed Settlement Class, as defined in the definitions section of the Settlement Agreement, meets all of the legal requirements for class certification, and it is hereby ordered that the Settlement Class is finally approved and certified as a class for purposes of settlement of this action.
3. The Court further finds and determines that the terms of the Settlement are fair, reasonable and adequate to the class and to each Class Member and that the Class Members who have not opted out shall by bound by the Settlement, that the Settlement is ordered finally approved, and that all terms and provisions of the Settlement should be and hereby are ordered to be consummated.
4. Excluded from the Settlement is the one (1) person who submitted a valid and timely request for exclusion. Every person in the Class who did not submit a timely Exclusion Form is a Class Member and shall be bound by the Settlement.
5. The Settlement is not an admission by Defendants as to the merits of the lawsuit or that either of them is appropriate for class treatment. Nor is this Final Judgment a finding as to the validity of any claims in the lawsuit, its amenability to class certification, or any wrongdoing on behalf of Defendants.
6. Pursuant to the Settlement, all Class Members (except for those who filed Exclusion Forms) are permanently barred from prosecuting against Defendants, and their former and present parents, subsidiaries, and affiliated corporations and entities, and each of their respective officers, directors, employees, partners, shareholders and agents, and any other successors, assigns, or legal representatives, any individual or class claims that were released as set forth in the Settlement, excluding FLSA claims, only, by those Class Members who did not submit claim forms pursuant to the Settlement.
7. The Court finds that the Class Notice provided to the Class Members was the best notice practicable under the circumstances of these proceedings and of the matters set forth therein, and that the Class Notice fully satisfied the requirements of the Federal Rules of Civil Procedure, due process and any other applicable laws. The Court further finds that Defendants fully complied with the notice requirements of the Class Action Fairness Act, 28 U.S.C. § 1715.
8. The Court finds and determines that the payments to be made to the Participating Class Members as provided for in the Settlement are fair and reasonable. The Court hereby gives final approval to and orders the payment of those amounts be made to the Participating Class Members out of the estimated $345,190 available from the Maximum Settlement Amount to pay Participating Class Members in accordance with the terms of the Settlement.
9. The Court finds and determines that payment to the California Labor Workforce and Development Agency (LWDA) of $5,000 as its share of the Settlement of civil penalties in this case is fair, reasonable, and appropriate; and the Settlement extinguishes Defendants' liability for civil penalties to the State of California, Plaintiff, or Class Members in accordance with the Settlement. The Court hereby gives final approval to and orders that the payment of that amount be paid out of the Maximum Settlement Amount in accordance with the terms of the Settlement.
10.The Court will enter a separate order with respect to Plaintiff's motion for an award of his Class Representative Enhancement, Class Counsel Attorneys' Fees and Costs, and Claims Administration Expenses.
11. Any court order regarding the application for Class Counsel's attorneys' fees and Plaintiff's incentive fees shall in no way disturb or affect this Order and shall be considered separate from this Order.
12.Without affecting the finality of this Order in any way, this Court hereby retains continuing jurisdiction over the interpretation, implementation and enforcement of the Settlement and the payments to be made under the Settlement.
13.The Parties shall bear their own attorneys' fees and costs, except as otherwise provided in the Stipulation of Settlement and the Court's Order Granting Award of Attorneys' Fees, Costs, Class Representative Enhancement, and Claims Administration Expenses.
14.In the event that the Settlement does not become effective in accordance with its terms, then this Judgment and Order and the Settlement Agreement and General Release for the Class Representative shall be rendered null and void to the extent provided by and in accordance with the Stipulation of Settlement and shall be vacated and, in such event, all orders entered in connection herewith shall be null and void to the extent provided by and in accordance with the Stipulation of Settlement.
© 1992-2009 VersusLaw Inc.
Our website includes the main text of the court's opinion but does not include the
docket number, case citation or footnotes. Upon purchase, docket numbers and/or
citations allow you to research a case further or to use a case in a legal proceeding.
Footnotes (if any) include details of the court's decision.
Official citation and/or docket number and footnotes (if any) for this case available with purchase.
Learn more about what you receive with purchase of this case.
LRC, Inc. About Us


text:
Need a Reverse T3 Test in Memphis, TN? Simply order online 24/7 and get a fast, affordable Reverse T3 Test at a lab near you (Find More Locations):
What is a Reverse T3 Test?
A Reverse T3 Test is a blood test that measures the level of Reverse T3. People in Memphis, TN order the Reverse T3 Test for general screening or ongoing tracking.
How much does a Reverse T3 Test cost?
For current Reverse T3 Test prices in Memphis, TN, please CLICK HERE.
What does a Reverse T3 Test lab report look like?
For a Reverse T3 Test sample lab report, please CLICK HERE.
We are delighted to offer the Reverse T3 Test in Memphis, TN.
Reverse T3 Test in other cities near Memphis, TN:Bartlett | Brunswick | Collierville | Cordova | Ellendale | Germantown | Horn Lake | Marion | Millington | Nesbit | Olive Branch | Proctor | Southaven | Walls | West Memphis
Limited Time Offer!
Save 5% on Your Order Today Only
Use Promo Code XTPUDSKLC
Offer Expires in


text:
Need an Allergy Blood Test in DeKalb, IL? Simply order online 24/7 and get a fast, affordable Allergy Blood Test at a lab near you (Find More Locations):
Why would I get an Allergy Blood Test?
An Allergy Blood Test checks the blood for antibodies related to allergy. People in DeKalb, IL order the Allergy Blood Test for general screening or to guide therapy.
How much does an Allergy Blood Test cost?
Our Allergy Blood Test prices include the doctor's order that you need to get tested in DeKalb, IL, all lab fees and taxes, and a pdf copy of your results. For current prices, please CLICK HERE.
We are pleased to offer an Allergy Blood Test in DeKalb, IL.
Allergy Blood Test in other cities near DeKalb, IL:Clare | Cortland | Creston | Esmond | Genoa | Hinckley | Kingston | Kirkland | Lee | Malta | Maple Park | Shabbona | Sycamore | Virgil | Waterman
Limited Time Offer!
Save 5% on Your Order Today Only
Use Promo Code XTPUDSKLC
Offer Expires in


text: We stopped in here midday during the week. Ordered 2 Nosferatu beers which were on tap & bavarian pretzels & fried zucchini to start. We could have started & ENDED the meal with just that. It was so much food & sooooo good. But we went on to have a french dip & a rolling ruben. Oh My God! So... More


text:
chito423 Review
Excellent Ring
I was hesitant at first but for the price you are paying - it's worth the risk as well as you can return it for whatever reason. To my surprise it was a good decision and I was very happy with the purchase. My wife who is not a believer in buying anything thru internet was quite surpise with the item - she was impressed. Will definetely shop for more items.
- How did the image on site compare with the actual product? True to the description.
- How accurate was the sizing? Precise
- Please tell us about the quality of the product. Excellent
Was This Review Helpful?


text:
Founder of The Boston Beer Company, brewer of Samuel Adams Boston Lager, and a key catalyst of the American craft beer revolution, Jim Koch offers his unique perspective when it comes to business, beer, and turning your passion into a successful company or career.
In 1984, it looked like an unwinnable David and Goliath struggle: one guy against the mammoth American beer industry. When others scoffed at Jim Koch's plan to leave his consulting job and start a brewery that would challenge American palates, he chose a 19th-century family recipe and launched Samuel Adams. Now one of America's leading craft breweries, Samuel Adams has redefined the way Americans think about beer and helped spur a craft beer revolution.
In Quench Your Own Thirst, Koch offers unprecedented insights into the whirlwind ride from scrappy start-up to thriving public company. His innovative business model and refreshingly frank stories offer counterintuitive lessons that you can apply to business and to life.
Koch covers everything from finding your own Yoda to his theory on how a piece of string can teach you the most important lesson you'll ever learn about business. He also has surprising advice on sales, marketing, hiring, and company culture. Koch's anecdotes, quirky musings, and bits of wisdom go far beyond brewing.
A fun, engaging guide for building a career or launching a successful business based on your passions, Quench Your Own Thirst is the key to the ultimate dream: being successful while doing what you love.
©2016 C. James Koch (P)2016 Macmillan Audio
"Great story. Lots of advice for business owners"
While many of the business tips aren't new, they are fantastically summarized into a fantastic story behind a highly successful business and man.
"A great story and inspirational!!"
As a budding entrepreneur, this story really hit home with me. Jim paints an awesome picture of how he cultivated and nurtured his dream and grew it (with help from other of hard-working and dedicated individuals) to what it is today, a great company that is continually growing and innovating and making a positive difference to those around it. Thanks, Jim, for getting me even more excited about my own dream!!!
"Great Story!"
This book is not one that you want to read if you are looking for advice on starting or growing a business. While you may pick up some helpful insight here and there, it's not that kind of book. What it is is a real-life success story that recounts the good, the bad and the ugly of an entrepreneur starting and growing what would become an almost $1B business. Jim Koch narrates the book himself and talks in detail about his journey - including funny anecdotes along the way. He has truly gained my respect. I definitely recommend this book!
"Like sharing a beer at a pub "
When I heard Jim Koch was releasing a book I immediately knew I needed to read it. When I discovered he was narrating his book I knew I needed the audiobook! I've always like the sound and cadence of Jim's voice from the old radio commercials for Samuel Adams I heard years ago. Listening to him recount his story is like sharing a beer in a pub with an old friend.
Jim Koch shares his story of starting his own company and busting ass to make Samuel Adams and the Boston Beer Company into what it is today. He also offers advice for would be entrepreneurs. It's a very fun and satisfying experience.
And now I want a beer. Sláinte!
"a great audiobook for the car"
This is a book I intend to buy for a few people. It is a great read even if you have no interest whatsoever. in beer or Sam Adams
Jim has a lot of great things to say about starting and running a business. tHe is also an excellent narrator of his own book. If the beer thing doesn't work out he can always get a gig narrating as he does it better than most of the ones I listen to.
"An excellent account of an American success"
When an author and business founder & owner takes he time to share his or her story of challenges and success it is worth the time to listen.
This owner portrays his company in a truly candid manner with a lot of the details behind the ups and downs. The fact that the author is the narrator too makes it even more enjoyable and another demonstrator how he takes responsibility for the communication of the company's story.
Great book. Very well written, lots of business lessons. Jim is visionaire with exceptional sense of social impact and entrepreneurship
"Excellent beer, Great book!"
I've always loved Samuel Adams beer, and figured that Jim had a love for making it. Knowing that he narrated his own book makes it a little more special, to me. Very inspiring.
Thanks for what you've done for craft brewing, Jim.
"Entrepreneurs must read!"
A must-read for any entrepreneurial spirit! A great story and tales of lessons-learned. it is great eye-opener as to Samuel Adams story. After reading it you cannot help yourself but go down to the local grocery store and buy a six-pack.
"Great Quick Book"
Didn't have to be a beer lover to enjoy this book. Jim Koch tells his story about the American Dream.
"Good story"
Interesting account of the building of a brand, a business...and a category. I always prefer books read by the author, more of the passion and flavor of the story comes out that way.
Report Inappropriate Content
If you find this review inappropriate and think it should be removed from our site, let us know. This report will be reviewed by Audible and we will take appropriate action.


text:
The Meaning of JELLY
You have found the definitive source for the meaning of JELLY. This page contains all the definitions of JELLY, crowd sourced, moderated and curated by real people who care about the true definitions of JELLY.
The Top Definition of JELLY
The most popular meaning of JELLY is: Jealous
What Other Meanings of JELLY Are There?
There are no other definitions for JELLY at this time. Add your own definition of JELLY.
What is JELLY?
JELLY is Jealous
JELLY Means
The definition of JELLY is "Jealous".
JELLY Definition
The meaning of JELLY
JELLY means Jealous.
Now you understand the definition of JELLY - JELLY means "Jealous".
We're glad to be of assistance. Click here to thank us:
What does JELLY mean? JELLY is an acronym, abbreviation or slang word that is explained above. If you ever forget what JELLY means, just come back to Slang.org and we'll define any acronym you need help with.


text:
Get the New Investor Bundle that includes The Ultimate Beginner's
Guide to Real Estate Investing eBook plus four hours of video lessons!
I work in the industrial machinery industry, and run my own business. On my nights and weekend I try to grow wealth by investing my profits in real estate
Before you can use BiggerPockets fully, you must confirm your email address.
An email has been sent with a confirmation link. See you soon!
Welcome to BiggerPockets! We look forward to seeing you around.


text:
KoreanDeliciousView Gallery
Last Online: 07/Aug/2015
"Welcome in my videochat bitches!"
Details of the individual Chathost who uses this webcam
- Age: 33 yrs
- Sex: Female
- Ethnics: Asian
- Hair: Black
- Eyes: Brown
- Body: Slim
- Breast Size: M
Category: Fetish
Country: Just Ask Me
- Schedule:
- depends on my mood
- Optional Activities:
- Anal, Bondage & discipline, Dominatrix, Exhibition, Fisting, Kissing, Latex & rubber, Legs, feet & shoes, Lingerie & stockings, Nipple play, Outfits, Penetration, Toys, Role playing, Sadomasochism (S&M), Slaves, Smoking, Spanking, Squirting, Sucking, Masturbation, Live orgasm, Strip-tease, Other
- Turn-Ons
- Uncontrollable desire, wild passion, fire! I love to feel wanted and enjoy it when men dream of undressing and fucking me right away
- Turn-Offs
- rude guys or those who are "in hurry"
- What you can expect from my show
- Come and see me bitch!
- Why I am here
- To have fun


text:
7 Habits For Effective Text Editing 2.0
Google Tech Talks February 13, 2007
A large percentage of time behind the computer screen is spent on editing text. Investing a little time in learning more efficient ways to use a text editor pays itself back fairly quickly.
This presentation will give an overview of the large number of ways of using Vim in a smart way to edit programs, structured text and documentation. Examples will be used to make clear how learning a limited number of habits will avoid wasting time and lower the number of mistakes.
Bram Moolenaar is mostly known for being the benevolent dictator of the text editor Vim. His roots are in electrical engineering and for a long time he worked on inventing image processing algorithms and software for big photo copying machines. At some point his work on Open-Source software became more important, making the development of Vim his full time job. He also did the A-A-P project in between Vim version 6.0 and 7.0. Now he works for Google in Zurich, still improving Vim on the side. His home page is http://www.moolenaar.net.


text:
National Vendors Union chairman Stendrick Zvorwadza yesterday appeared in court for threatening to burn down Rainbow Towers Hotel during a demonstration against Vice President Phelekezela Mphoko's continued stay at the five-star hotel.
Zvorwadza (47) appeared before Harare magistrate Mr Vakayi Chikwekwe facing threats to commit malicious damage to property. He was remanded to July 13 for trial.
Through his lawyer Mr Marufu Mandevere, Zvorwadza complained against the police.
He said: "Accused was not properly advised of charges he was facing upon his arrest. He was only advised in the afternoon after being arrested in the morning.
"He was not allowed to have blankets in the cells and spent the whole night with only one blanket, which he used as a mat.
"It was very cold. However, he was allowed to have his shoes."
The prosecutor Mr Sebastian Mutizirwa did not oppose bail and Zvorwadza was remanded on $200 bail.
As part of his bail conditions, he was ordered not to visit Rainbow Towers Hotel.
The court heard that Zvorwadza walked towards the foyer and shouted that he had come to have his breakfast.
Hotel management informed the police of Zvorwadza's behaviour. Police officers attended the scene and ordered Zvorwadza out of the hotel and he shouted at them saying, "You police, you are disturbing my peace and abusing me. I am eating my money why you police are always after me (sic)?"
It is alleged that he resisted arrest and closed the hotel's main entrance doors from inside and ordered police officers to leave the premises.
He told them that they wanted to demonstrate peacefully because it was their constitutional right.
It is alleged that Zvorwadza started shouting at the top of his voice that VP Mphoko had to immediately check out of the hotel because he was using taxpayers' money.
The court heard that Zvorwadza also said VP Mphoko was refusing to stay in a house that Government bought him for $3 million.
Zvorwadza allegedly gave the hotel up to July 1 to ensure that VP Mphoko vacates the hotel. He said that failure to do so he would allegedly mobilise his members in their thousands to demonstrate and declare the hotel closed.
He said they would do anything to tarnish the image of the hotel and burn it down, the court heard. herald


text:
Robelle Supreme Plus Oval Winter Pool Cover - Green/Blck - Size: 12' X 24'
- Brand New 2 Left
- Item is brand new Original sealed packaging
List Price $64.74
Please note: BLINQ sells products in multiple conditions (new, open box, refurbished, etc). Not all reviews are reflective of the condition that you may purchase.
No reviews found
- Features
- Size: 12' x 24' Oval Pool
- Heavy-duty binding with grommets every 4 feet
- Includes winch and cable
- Description
- The Robelle Supreme Plus Winter Cover is a premium, UV-resistant polyethylene solid winter cover for above ground pools. This cover includes a four-foot overlap, making this cover easier to secure to your pool than other pool covers.
- 034261391225
- Brand
- Robelle
- Model
- 391224-4
- Part
- 391224-4
May We Also Suggest
How BLINQ Works
- Retailer needs to move overstock, open box & refurbished inventory.
- BLINQ receives inventory and professionally inspects each item.
- Condition is determined, with only the best items passing inspection.
- Item is heavily discounted on BLINQ.com to sell quickly.


text:
Talking Tom Cat 2
by Loveanna
Toshiba SoftBank 823T > Games
diablo 3 reaper of souls
by maik74
Americans Army M16
by Akela73
Puzzle Bobble
by ewaniac
Bike Mania 2 3D Flash
by RT007
by manoj8981841386
Говоря Санта
Simulator gun v2 240x400
Bubble shooting flash game
by prasanna1991
Flash games
orkut sonic [EXCLUSIVE BY MOOD]
by hunky_guyPRO
Download free apps, games, themes, wallpapers, ringtones, and more for phones and tablets. Millions of members are sharing the fun and billions of free downloads served. Get our Android app, iOS app or Windows app from the official app stores today!
© Copyright 2016 mobile9. Powered by 9WOS v6.0. About Us | Contact Us | Terms Of Service | DMCA | Media Kit
English |中文 |Español |日本語 |Tiếng Việt |Pусский |Français |Bahasa Indonesia |Bahasa Melayu


text:
Best Movie Genresafex
The Top TenXW
The Matrix, Star Wars, Jurassic Park, Terminator 2: Judgement Day, TimeCop, Universal Soldier, Predator etc all good movies that are Sci Fi including Alien, Aliens, Alien 3 and Alien Resurrection plus Predator 2 - robertoantonioortuso
Nothing better than some awesome Sci-fi and Horror...
Inception, Interstellar, 2001:A Space Oddysey, Blade Runner, Star Wars and...
My personal #1 movie genre. - AlexandrV1 Comment
I really think action movies are good but they're going overboard with the amount.
A really good action movie is Lone Survivor!
Horror or thriller movies should be on the top of the list all actions are too predictable and they all look same
Dull and predictable.V3 Comments
Unlike the rest of the genres... Comedy is suitable for anyone and is lovelable in anyway possible! GO comedy!
Classic comedy is the best! You got the Monty Python films, a Fish Called Wanda, Airplane!, Dr. Strangelove, Chaplin, and so much more! - MontyPython
comedy, horror, adventure, sci-fi THE BEST! - nikola94
Who doesn't love a good laugh?V9 Comments
This the only genre that makes me feel like I'm actually living through the emotions and horror of the movie with the characters. The intense suspense is always what makes the genre so deeply emotional and crazy, but it takes a true masterpiece or a classic, I guess, so its actually true ( like my all time favourite: Halloween, or even the exorcist, the shining, the Texas chainsaw massacre, the ring, friday the13th, the grudge, aliens, the strangers, etc... )
I'm not saying this genre should be #1, but I still love this genre. My favorite horror movies are ones that are based on Stephen King books like The Shining, Cujo, Christine, IT, Maximum Overdrive, The Stand, Misery, The Mist, or Pet Sematary.
It includes movies like Scream, Friday the 13TH, A Nightmare on Elm Street, Halloween, Texas Chainsaw Massacre, and many more
Horror is the best and including the sub genres slasher, cannibal are the best genresV3 Comments
Dramatic films bring so many amazing classics. The Godfather, The Sixth Sense, Casablanca, Gone With the Wind, Citizen Kane, It's a Wonderful Life, all of them are just so outstanding. - MontyPython
So many drama movies are considered the best of all time The Godfather, On the waterfront, Casablanca, one flew over the cuckoos nest, and gone with the wind
this one mixed up with adventure, action and romance can be the perfect combination - MatrixGuyV2 Comments
Nobody wants to watch a movie about a princess and a prince defeating the evil queen and they live happily ever after plus they're misleading to small children and they will think that stuff is real when it isn't
Nobody wants to watch movies about little fairies in little dresses and unicorns flying over a rainbow with a leprechaun under it with a pot of gold.
Wait you said Sifi is boring!? No fantasy is the boring one with just flying unicorns but for the other ones I admit, they're pretty bad genresV1 Comment
Much more clever and unique genre than horror -
Pirates Of The Carribean, Journey To The Center Of The Earth, Indiana Jones, there is so many great movies...
This deserves a higher position... I really like Mystery... I am happy solving it.. And.. Harry Potter and the Goblet of Fire is my favorite!
Best genre of movie.those who can't understand movies they like action movies.They just like to see stupid,boring slow motion,jason statham movies.
This deserves top on this list than action
The best movie genre... most realistic... this genre deserves a far better place.. some of the best war movies include saving pvt. ryan, black hawk down, 300, apocalypse now etc..
Boring, try watching The Battle of Neretva without falling asleepV1 Comment
The Contenders
It just spreads the joy over me, all the classics like Oliver Twist, that's nice, The lion king is awesome!
How can you hate musicals? Fiddler On The Roof is one of the best movies ever made.
I love anime. The type of animation is cute and cool at the same time.V1 Comment
If you can look past the horrible Aaron Seltzer and Jason Friedberg spoof movies, This genre is very funny.
All the good films are crime films
There just good but not the best. - Dang
Recommended Lists
Related ListsTop Ten Movie Genres that Deserve to Be More Popular Top Ten Movie Genres You Don't Want to Be In Top 10 Movie Genres for Serious People Top 10 Movie Genres That Teens Like Top Ten Best Music Genres
List StatsUpdated 11 Dec 2016
41 listings
6 years, 263 days old
Top Remixes (17)
2. Sci-fi
3. Adventure
2. Mystery
3. War
2. Action
3. Adventure
View All 17