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glTF now has its own official tag on Stack overflow
Looking for help with glTF, the Khronos gl Transmission Format? Stack overflow makes it a little bit easier to find glTF questions and answers with a glTF tag. Read More
Looking for help with glTF, the Khronos gl Transmission Format? Stack overflow makes it a little bit easier to find glTF questions and answers with a glTF tag. Read More
The Khronos London Chapter has launched their official WebGL Workshop website. The site has a great and growing collection of tutorials and examples. If you are interested in learning WebGL and are in the London UK area, be sure to join the Meetup group and check out their website. Read More
Don't miss the Vulkan deep-dive webinar on Tuesday September 27th at 10am PDT. This one-hour webinar provides a detailed review of the Vulkan Validation Layers, how they are architected, how you use them, and why they are so important. The main presentation is followed by a Q&A session. Read More
ArrayFire released v3.4 of their open source library of parallel computing functions supporting CUDA, OpenCL, and CPU devices. This new version of ArrayFire improves features and performance for applications in machine learning, computer vision, signal processing, statistics, finance, and more. Performance Improvements to JIT have resulted in up to 5x speed gains in OpenCL. Read More
LunarG has launched a Vulkan Samples Tutorial on LunarXChange. The tutorial is organized into sections that walk you through the steps to create a simple Vulkan program. Each tutorial section corresponds directly to a sample program in the LunarG samples progression and is designed to be read as you look at and experiment with real code from the progression. Read More
The Khronos Group today issued a request for quotes to complete the OpenCL 2.2 conformance tests. The primary goal of this project is to enhance and expand the existing OpenCL 2.1 conformance tests to create an OpenCL 2.2 test suite to be used to define conformance for OpenCL 2.2 implementations. Details online here. Read More
NVIDIA Gameworks blog has a new entry on Vulkan C++ Bindings. Improvements in this update are related to array handling and error handling, though we've also changed the basic interface a little bit. Read More
Codeplay is giving developers free, early access to ComputeCpp with a pre-conformance beta implementation of the SYCL open standard, along with an open-source preview of the latest Parallel Technical Specification to be adopted into C++17. Other open-source projects being made available are VisionCpp, a machine vision library demonstrating C++ techniques for performance-portability, and an early version of the Eigen C++ library that uses SYCL for acceleration on OpenCL devices. Read More
Chakra GNU/Linux maintainer Neofytos Kolokotronis announced the availability of the latest software versions in the main repositories. Support for the latest Vulkan API is the largest addition along with updates to LibreOffice 5.2.1, Wine 1.9.18, Rust 1.11.0, FontConfig 2.11.94, systemd 231 init system, and Mesa 12.0.1 3D Graphics Library. Read More
Developer Super Evil Megacorp, which turned heads last year with its Vainglory mobile MOBA, now has a beta version that uses the Vulkan API. Super Evil Megacorp says that this Vulkan-enabled version runs 30% more efficiently on supported hardware, resulting in better battery life, faster controls, and higher framerates. Read More
The Khronos Brisbane Chapter this time around will have distinguished speaker Dr Josh Bowden from CSIRO, talking about developing OpenCL applications for High Performance Computing, as a package in R, and Daniel Filonik who will talk about his DataChopin novel interface for collaborative visualisation. The meetup gets underway on September 8th in Brisbane. More details online. Read More
Intel has just acquired Movidius, a specialist in AI and computer vision processors. Movidius has been attacking the challenge of getting our devices not just to see, but also to think, at the device level - combining advanced algorithms with dedicated low-power hardware. At Intel, we'll be part of a team that is attacking this challenge from the cloud, through the network and on the device. Read More
Nikkei Electronics Magazine interviewed with Neil Trevett, president of The Khronos Group about the recent highlights of Khronos APIs and future of graphics API implementation for automotive industry. Read More
Unreal Engine 4.13 adds numerous new rendering features, including GPU morph targets, Blueprint drawing to render targets, and mesh decals. There are lots of optimizations to dynamic shadows, support for full-precision materials, and OpenGL ES 3.1 support for Android developers. Read More
Xenko release 1.8 introduces major new features along with several relevant enhancements to existing features. We are proud to be able to offer you our new UI Editor, enhanced performance via our newly multithreaded engine with Vulkan support and our new Prefab Model. Parallelized code includes many EntityProcessors and almost every part of our recently rewritten rendering pipeline. On Vulkan and Direct3D12 this includes also recording of drawing command lists, giving them an edge over the other APIs. Read More
Copyright ©2016 Khronos Group. All rights reserved.
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The real nightmare starts when her daughter is returned....
A bone-chilling psychological thriller that will suit fans of Gone Girl by Gillian Flynn, Daughter by Jane Shemilt, and The Girl on the Train by Paula Hawkins.
A girl is missing. Five years old, taken from outside her school. She has vanished, traceless. The police are at a loss; her parents are beyond grief. Their daughter is lost forever, perhaps dead, perhaps enslaved. But the biggest mystery is yet to come: one week after she was abducted, their daughter is returned. She has no memory of where she has been. And this, for her mother, is just the beginning of the nightmare.
©2015 Alex Lake (P)2015 HarperCollins Publishers Limited
"My feedback..2 overall"
Storyline was decent but the author deviated too much and it became annoying after a while. I would end up fast forwarding through the babbling to get to the real storyline.
"It Was Obviously Predictable"
I would say yes, because the narrator made such a huge difference for the story. Without the narrator, the story wouldn't be so great. She gave life to the story.
The most interesting aspect of the story was being able to see the disaster of Julia's marriage. I was very sympathetic to her circumstances even when it was not relate-able.
The very end when she had to tear apart her hand to get out of the Priest hole.
No, I wouldn't be interested in reading a second book but if there was a book. I should probably be a back story of Etna and what triggered her physiological behavior.
The story was ok, I really wish the Author could have wrote the story in the way were it wasn't obvious who culprit was. That was the most disappointing part of the whole book. But overall was a good story. I rooted for Julia throughout the story. She was in so many obstacles. That was really strong.
"Just ok. "
This story is very repetitive, predictable and frustrating. The only thing that made it enjoyable was the way it is narrorated. The narrorator is great !
What a sharp twisted treat. Just enough mystery to keep you guessing right to the end. Hope there's a sequel!
"Very good story."
Easy to listen to, great narrator, good story. Characters are lifelike, believable, and evoked some emotion from me. I would recommend it.
"Not entertainment! The only reason any stars are given is that it will not post otherwise"
The story started slowly, and as is put out in the synopsis, results in the return. It rapidly runs downhill with the speed of a runaway locomotive through muck and mire of human disfunction.
Do not succumb to the leaders. This is a disturbed story that cannot in any way be termed entertaining, or enlightening, or to have any moral redeeming value.
It was a bad buy.
"Shame about the shouting"
This was a good story, if a little unbelievable at times. However, I almost stopped listening because of the narrator, who seemed to think it was necessary to actually shout when the characters in the book were getting agitated. It certainly made me agitated. Surely the text in a talking book should be enough? Very irritating.
If I had not bothered to download and listen to it.
The speaker was very annoying to listen to and it was as though a child had written the story, it kept drifting away from the story to 'I remember when' or 'it reminded me of' and would go on and on about something else, sometimes a whole chapter that had nothing to do with the story and it was always 'and then.... and then....and then....'
Really disapointing.
"Averagely written without great suspense"
bit of a disappointment as a holiday read. Didn't find main character engaging and plot included too many stereotypes which leads to a predicable ending.
Loved this book! Well read and a gripping story line. There were times I just couldn't turn it off!
"Hard going"
I nearly gave up on this book. I only managed to finish it by skipping over several sections that were droning on too long. The idea was interesting but something in the book was lacking and the performance of the narrator was irritating so I was glad when it was over.
Shouty, irritating, annoying.
Yes, skip past some sections of it and almost quit half way through.
I wouldn't recommend this book at all. The narration is very shouty. I read other reviews saying the shouting was bad but I couldn't imagine it but listening with headphones on and having the narrator shouting in my ears was not pleasant and it happened a lot. I found the way the narration was done made me not connect to any of the characters and the main character Julia I disliked so that half the time she was in peril I just wanted her to shut up and go away. If I hadn't bought this book with a voucher I would return it for a refund.
This is a very tense story of a kidnapped child. Very sympathetically written. Superbly narrated
"Excellent nailbiting thriller!!,"
I Let You Go, the same edge of your seat capacity to keep you guessing!
Brings out the suspense angle very well.
Would recommend to anyone wanting an edge of your seat thriller!
Enjoyed the narrator
do not like writing much as do not want to spoil story for others
"saw the twist coming a mile off!"
badly written and obvious ending the story didn't flow well. plus didn't like the way it was read.
"Boring, tedious and flat"
I returned this book, and I don't do that very often.
All the characters were unsympathetic and the book itself felt strangely empty. Where's the police investigation? We never even seem to hear mention of the police.
I'm fairly sure what the "twist" is, but I actually don't even care enough to find out if I'm right. It's that flat. The characters are two-dimensional at best.
Edna could've been interesting, but she's a flat, boring caricature. The starchy matronly shouty voice the narrator adopts doesn't help; there's no nuance left, if there had been any in the book to start with.
The abductor could have been interesting, but because the author is trying to hide their identity, we don't get hear anything interesting about their internal life or motivations, so we might as well not hear from him/her.
All in all, it felt like an almighty waste of time.
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subset: commoncrawl


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The room was great. floor to ceiling windows provided a great view. Bathroom was huge. Loved the walk in shower.
Casino games had terrible odds. Not worth playing. Coffee shop had mediocre service.
Enjoyed playing in the casino, then had the best nights sleep I've had in days. I love the big soaking tub. Thanks we had a wonderful time!!!
I like that it is very well maintained and secure. The rooms are large and comfortable and the front desk staff are very pleasant. You feel like they actually appreciate that you chose to stay there.
It's a little higher priced than it should be for the location. Just my opinion.
Room was large and had every convenience that I could want. No outsid noise was distracting. Very clean.
the staff seemed nice and helpful. I got a good price.
The bed was very uncomfortable. Things in the room were in disrepair and outdated. In fact the toilet didnt flush and my husband was told to come get plunger to fix himself. Disapointing continental breakfast only cold cereal and sweet roll. No protein!
For the amount charged the room was in really bad conditions
The biscuits that came with their Express Breakfast were very good. The rooms were very clean and the staff very helpful with any all questions and concerns.
Big room. Had fridge and microwave.
Dirty. Tub was filthy. Fixtures were broke down, worn, and old. Low caliber clientele.
The price was good.
Breakfast was lacking.
The pictures actually make the place look more "ghetto" than it is. I believe it is slightly better than a motel 6. The location was fantastic for us.
Beds were big, but I am not entirely convinced the comforter was change when we got there, it looked like there was an imprint of a person on one of the beds, but the sheets and bottom blanket looked tucked in, so I am not completely sure.
Great for one night stay, definitely not a place you want to spend a week in.
Didn't require a payment or card at check in.
Amenities were old. If there is a free breakfast, no one told us.
Needs more comfy beds and pillows.
Something banged against the wall all night.
Shower was old and needs to be updated.
I never been to jail before till I stay here its that bad
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text:
A short vignette of a book being created using traditional printing methods. For the Daily Telegraph. Shot at Smith-Settle Printers, Leeds, England. The book being printed is Suzanne St Albans' 'Mango and Mimosa' published as part of the Slightly Foxed series. Shot, Directed & Edited by Glen Milner
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1 Comment
This one with narration.
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Thai Catfish Salad (Yam Pla Dook Foo)
Total Time
Prep 20 mins
Cook 10 mins
This is yummy and must be tried by all
Ingredients Nutrition
- 1 medium catfish
- 2 cups cooking oil
- 2 tablespoons fish sauce
- 2 tablespoons brown sugar
- 8 birds eye chiles, sliced
- 1⁄2 cup julienned green mango
- 1⁄4 cup shallot, finely sliced
- 3 tablespoons roasted peanut oil, pound coarsely
- breadcrumbs (optional)
- lettuce leaf (to garnish)
- coriander leaves (to garnish)
- Steam catfish till done and let cool.
- Remove flesh and crumble into small bite-sized pieces and spread.
- (If thick,then inside will not be crispy) Heat oil at medium heat and deep fry the catfish crumbs.
- Fry until golden brown, remove and drain oil from crumbs using kitchen towel.
- In a mixing bowl, mix sugar, fish sauce and birdeye chili.
- Add mangoes, shallot, groundnut and mix well.
- Serve on lettuce and garnish with coriander.
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21/10/2016 - 11/12/2016
Detect patterns in breach of human rights and turn them into worth telling stories.
13/12/2016 - 13/12/2016
Discuss the role of emotions in digital storytelling.
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This conference will explore new directions in journalism and media research in digital environments.
27/1/2017 - 28/1/2017
NODA17 will provide a window to some of the world's brightest minds on data journalism and media trends.
13/3/2017 - 16/3/2017
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Join the EJC/OKF open data and data driven journalism mailing list, which aims to enable discussions and encourage collaboration between the community of open data experts and the community of journalists interested in working with publicly available data-sets.
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You have searched for Gallery
in the news | LAST UPDATED : 5 Dec 2016, 21:25 IST
- Metro rail gallery to give a sneak-peek of metro stations and their futuristic designs
The supersonic speed with which the metro railwork is progressing in the city, has amazed all those naysayers who have usually scoffed at anything that is remotely associated with the government. There is still time for the metro to buzz past various parts of the city, but the metro rail experience is now being gifted to the Nagpurians via a mini metro gallery at Civil Lines.
- BMC invites bids to build viewing gallery at CST
MUMBAI: The BMC's plan to construct a viewing gallery in front of the Chhatrapati Shivaji Terminus, one of the two most photographed structures in the city, inched closer to reality on Friday. Tenders were invited after municipal commissioner Ajoy Mehta sanctioned the proposal. The project is estimated to cost the civic body around Rs 96 lakh. The BMC had in September decided to build an elevated gallery with glass facades above one of the ventilation shafts of the pedestrian subway in front of the CST, from where people can take photographs of CST, the BMC headquarters and Capitol Cinema. While an in-principal approval was given by the civic chief on Thursday during an inspection, the proposal was sanctioned by him on Friday. Assistant municipal commissioner of 'A' ward Kiran Dighavkar said, "The gallery will have only one entrance. We plan to use the same colour as that of CST and BMC headquarters," said Dighavkar. BMC has been working on a complete makeover of the area around the CST. Nayana Kathpalia, trustee of NAGAR, an NGO, expressed caution and said the viewing gallery should not overshadow the statue of Pherozeshah Mehta, which would be behind it. "The view of the Mumbai Heritage Conservation Committee should also be taken as the design of the structure should fit into the area," said Kathpalia.
- Man tries to jump into Lok Sabha chamber from visitors' gallery
There was commotion in the Lok Sabha today when a man tried to jump into the House chamber soon after the proceedings were adjourned following protests over the demonetisation issue. Senior ministers including Arun Jaitley and leaders like Mulayam Singh Yadav were in the House at the time.
- Futala eateries to make way for 5,000-seat viewing gallery
NAGPUR: Finally, 20 restaurants situated at Futala (Telankhedi) lake will be removed. The state government has rejected private operator Sell Ads' appeal seeking extension of period to operate the restaurants. Now, Nagpur Improvement Trust (NIT) will develop a musical fountain, light and multimedia show in the lake and 5,000 seating capacity gallery where restaurants are situated at present. After sitting on the appeal for 13 months, state's urban development department (UDD) on November 3 passed an order in NIT's favour. NIT and Sell Ads both received copy of the government order a couple of days ago. "NIT had passed an order on September 14, 2015, giving extension of 18 months to Sell Ads. NIT also asked Sell Ads to deposit a premium of Rs 45.35 lakh including Rs 8.82 lakh interest. Sell Ads filed an appeal seeking extension of 28 month and four days against 18 months. NIT's order is appropriate on extension and also premium plus interest amount," the UDD order said. The order added NIT had planned to develop a 5,000 seat gallery with musical fountain, light and multimedia show in place of space allotted to Sell Ads. "Tendering process of new project worth Rs 50 crore has been started. Extension period of 18 months has come to an end on August 16. Sell Ads should also deposit amount if it has utilized the allotted space after lapse of extension period," the order stated. Official from NIT West Division told TOI a letter asking Sell Ads to vacate the space would be sent on Tuesday. "Sell Ads will be given time upto November 30 to vacate the space. It will also have to pay premium and interest upto the date of leaving," he said. Shailen Mehta of Sell Ads told TOI notices have been issued to all restaurant owners on Monday directing them to vacate the premises within seven days. "Letter has also been sent to NIT informing it about notices served to restaurants owners. We have sought NIT's help in removing the restaurants in case owners failed to do so in prescribed time," Mehta said. Sell Ads is not going to challenge UDD's order in High Court. But it may challenge decision on premium plus interest amount. Earlier, UDD had favoured Sell Ads and not NIT. Actually, NIT had allotted the space to Sell Ads for five years from February 17, 2010. Citing loss due to dispute between the NIT and Punjabrao Deshmukh Krishi Vidyapeeth (PDKV), Sell Ads filed an appeal with the UDD in 2014 seeking extension. UDD had set aside NIT's order and directed it to revise it. Accordingly, NIT revised its order and gave an extension of 18 months. In fact, restaurant owners are not listening to Sell Ads for last three years. It will be interesting to see what they do as NIT and lesee both want them to vacate the premises now.
- Toddler's abstracts find prime place at gallery
PUNE: It's not everyday that a toddler puts up a solo exhibition of paintings but Advait Kolarkar is not an average child. He has been painting since he was only eight months old. This child prodigy lives and loves colours. A resident of Pimple Saudagar, Advait was born in January 2014. The first thing he grabbed when he started crawling were the crayons and colour pencils that belonged to his elder sister, who too is an avid artist. To keep him engaged, Advait's parents gave him food colours, that would be safe even if he swallowed a little bit of them. However, Advait had no intention of putting them in his mouth. He wanted to explore their potential on the floor, walls, clothes and any other surface that he could lay his tiny hands on. Smears with fingers, splashes and brushstrokes soon followed and at one-and-a-half years, Advait created his first marvel on the floor. Realizing his potential, his parents promoted him to his own canvas and acrylic colours, in an effort to permanently preserve the ramblings of a young artist. A natural painter, Advait's experiments now range a variety of canvases and methods. Starting out with two or three paintings in a week, the young artist sometimes paints as many as four creations in a single day. If not painting, he is seen sketching or scribbling on huge drawing sheets around the house. His mother Shruti Kolarkar says Advait's creations are abstract, unhindered in their application and motivation. His mood gets reflected in his paintings and colour choice. Though black is his favourite colour, it has recently changed to blue, but he can create magic with any colour scheme that he chooses, thanks to an innate sense of colour contrast. Interestingly, he likes using warm colours in winter, and prefers cooler colours in the summer months. According to Shruti, who is a commercial artist herself, painting seems to soothe him, instantly transforming his personality and mood. "The imaginative world that he lives in helps Advait naturally understand abstract concepts and seamlessly connect them with reality. He can create amazing combinations and designs with just four or five colours. He loves painting so much that even when he had a plaster on his right hand, he painted, sketched and scribbled with his left hand. He wants to be near colours as soon as he wakes up and we ensure that all the material he requires is always readily available," she said. Advait's father Amit Kolarkar is a software engineer and manager with a software company. Advait's older sister Swara is his strong ally and assists her mother and him. The siblings have discussions on paintings. Her paintings too are hung on walls in their house. Describing her dreams for her son, Shruti said, "For us, he is a normal child and we are enjoying watching him grow. He is free to choose any line of work when he grows up." Appreciating the child artist, Sanjeev Pawar, who is organizing an exhibition, titled Advait's Creative World at the Art2Day Gallery, said, "We feel parents' support and encouragement is needed to allow creativity among children, hence we are showcasing Advait's works to motivate young parents to support creativity in their child and set an example." The exhibition will be on display until November 18 between 11am to 7pm.
- Rogues' gallery to help cops identify criminals in a trice
JAIPUR: Cops can now easily log into a newly developed digital database of the city police called 'rogues gallery' in order to establish the facial identification of suspects during incidents of crimes like chain snatching, vehicle lifting and even murder. Rogue's gallery, a cloud-based database, is a centralized collection of photographs of Jaipur's criminals both arrested and absconding with their details. "In an incident where a criminal snatches a woman's chain and flees from the spot, she can go to the nearest police station where she will be showed the photos of chain snatchers and asked to identify culprit. It will help the police to nab the suspect quickly," said police commissioner Sanjay Agarwal. According to Agarwal, this huge database will be maintained by Jaipur police commissionerate, and passwords will be provided to the local station house officers. "SHOs can use the photos of criminal suspects and cross reference it with other details like last crime committed, places from which they were arrested, area in which they are active," the commissioner said. Armed with such a powerful database, cops can easily scan through the list to zero in on the suspects. "Initially, it was proposed to be for the criminals who committed property crimes, chain snatching, and vehicle lifting. But, we have now added into it the details of offenders in heinous crimes," said Prafull Kumar, additional commissioner of police-1. The database would keep crime collection of the past 10 years, and it will be divided into different categories of crimes. According to Kumar, the database would be of key importance in unravelling blind cases where there is no eye witness to the crime. "We are also talking to other city police like Dausa to provide data to us so that the database be more exhaustive. The database will be fully operational ready by this month," he added. Most cops feel the database will facilitate their probes.
- Noida Gallery hosts leading Pakistani artists Bani Abdi and Rashid's video installations
NOIDA: At a time when the nation is wrapped up in the post math of the surgical strike by Indian military in Pakistan, an exclusive and thought proving exhibition of video installations in Noida raises some of the very issues that underline the cross border sentiments between India and Pakistan at the moment. Two leading, and globally renowned video artists from Pakistan are presently showing their work at the Kiran Nadar Art Museum, KNMA, Noida: Bani Abdi, Rashid Rana.Bani Abdi, 45, hails from Karachi and lives and works out of Karachi and Berlin. Three of her works are now showing at KNMA on the subject of the subject of nationalism and how India and Pakistan perceives each other through the lens of conflict and mistrust. The subject of separate identities among citizens of either country emerge strongly in all her pieces. The News' (2001), a two channel video installation shows a mock news programme being broadcast on either side of the Indo-Pak border. Presented on two monitor screens, a Pakistani and an Indian news presenter narrate separate versions of the same news event. The script is an adaptation from a common joke about an Indian and a Pakistani. Adapted to sound like a news event, the joke is a slapstick display of superiority. 'Anthems' (2000) sows the role of music in creating patriotic sentiments. Here on a split screen, two women are shown dancing. In one half to a popular Indian song, in the other a popular Pakistani song. Each of them start raising the volume of their music to outdo the other. At the end, there's only cacophony. The third in the series, Mangoes (1999) shows two expatriate Indian and Pakistani women sitting at a table and eating mangoes while reminiscing their childhood. The discussion turns sour as they start comparing variety and quality of mangoes in each country as a nationalist sentiment over-rides their shared experience of eating mangoes. Rashid Rana, 48, hails from Lahore, is of the leading video artists from Pakistan. Rana is the founding faculty member and head of the Fine Art department at Beaconhouse National University in Lahore, Pakistan. KNMA is showing his video installation, Ten Differences (2004), where two brothers are shown to be shooting out shoot each other. The underlying thought, the Kashmir issue which is central to the Indo-Pak conflict. The piece depicts, 'No war is war until brother kills brother.' The Pakistani video installations are a part of KNMA's exhibition, 'Enactments and each passing day', inaugurated on September 10.This will be open to viewers till December 8. A one of its kind and unique collection of video art, the exhibition has been curated by Roobina Karode and Akansha Rastogi. "This is a rare and one of its kind exhibition where we have been able to put together such a variety of video installations from India and Pakistan. They all speak of contemporary dilemmas and conflicts. The pieces are extraordinary. This is the first time KNMA has dedicated an exhibition only to video art. It unfolds in loops of various enactments in the form of single-channel and multiple-channel videos, videosculptures, and large video installations," Soumya Arora, a spokesperson at KNMA said. The exhibition hosts 15 artists from India and Pakistan. Among the Indian artists whose video work is on display, include, Archana Hande, Gigi Scaria, Hitain Patel, Paribartana Mohanty, Pratul Dash, Rohini Devasher,ShakuntalaKulkarni, Sheba Chhachhi, Shilpa Gupta, Sonia Khurana, RanbirKaleka,Vishal Dar and Vivan Sundaram.
- Why old methods are being used to give Egmore art gallery a new life
In its heyday, the National Art Gallery, opened in 1909, was a formidable structure of pink sandstone sourced from Sathyavedu in Andhra Pradesh. Designed by Henry Irwin, the IndoSaracenic structure was built by the city's then leading contractor Namberumal Chetty. The imposing structure was complete with marble flooring, Madras roofing and a doorway reminding visitors of the Buland Darwaza at Fatehpur Sikri.
- The new galleries: Volunteers turn dead space beneath flyovers into works of art
A walk down the boulevard from Anil Kumble Circle to Brigade Road junction on MG Road could open you up to a range of experiences.You could take a look at contemporary art, stop to have a cup of coffee, buy a plant for your balcony or admire a wire-wrought installation of Gandhi spinning his charkha.
- Naik aims for shock value, plays to gallery of gullible: Experts
MUMBAI: Following Zakir Naik's interaction with the media on Friday, thinkers, scholars and sociologists that TOI spoke to were of the opinion that the televangelist's arguments were an attempt to "shock" and "deflect" the probe into his alleged role in inspiring two of the terrorists who carried out the Dhaka massacre. The new-age Islamic preacher whose popularity soared with television appearances, videos and posts on social networking platforms is at a crossroads today for his skewed interpretations of the Quran and provocative speeches that seem to have turned some of his followers into terrorists. It did not help much when Naik, trying to clear his stance on Friday, continued to blame the media and made comments that strengthen the arguments put forward by critics. Slamming the preacher for trying to justify suicide bombing "if sanctioned by the head of an armed force of a country", Islamic scholar Zeenat Shaukat Ali argued, "There is no religious basis in what he says. The Quran espouses a worldview that promotes peace and harmony among nations and peoples. Islam does not permit any form of violence. Through centuries, however, it has often been subjected to interpretations to advance hegemonic political goals." The consensus emerging is that radical leaders like Naik, who thrive on their charisma, must be "categorical" and "unequivocal" in condemning every type of terror. Chairman of the independent think tank Observer Research Foundation, Sudheendra Kulkarni, stressed that at a time when acts of savagery are being inflicted across the world with a regularity not seen before, someone who describes himself as an inter-faith peace scholar must condemn terror in clear-cut terms. "Terrorism cannot be rationalized or justified on any grounds. Or else it would obfuscate the debate as well as the united societal action needed to isolate and defeat terror." Commenting on Naik's refusal to brand Sadhvi Pragya Thakur as a terrorist —just as he did with Osama bin Laden—and the incendiary remark that "Every Muslim should be a terrorist", Ali said, "Two wrongs cannot make a right and guerrilla warfare is not permitted in Islam." The word jihad used by extremists to mean holy war is an utterance that has been tossed around by Islamist groups to launch an offensive contrary to its root meaning, explained Ali. "According to scriptures, it means an ongoing struggle towards self-improvement. Not an assault, as implicated, to overcome those who think differently from us," she clarified. Sociologist Nandini Sardesai saw an element of "shock value" in Naik's comments as she drew a certain parallel with Hitler. "I see flashes of Hitler's charisma in Zakir Naik. He manages to touch upon topics and capture the imagination of youngsters just the way Hitler brainwashed educated Germans with his Nazi ideology. But knowledge does not necessarily make one wise." Naik may have had a way with words on Friday, but this beginning of an "unhindered debate", Kulkarni felt, would eventually help throw up uncomfortable questions hitherto swept under the carpet.
- First public art gallery in Dehradun to open by November 2016
Work on the proposed art gallery under construction in the Mussoorie Dehradun Development Authority (MDDA) commercial complex near the Clock Tower in Dehradun should be completed by November this year, as per officials. The art gallery will showcase handicrafts and paintings mainly by the local artists of Uttarakhand and will also have a museum dedicated to the 2013 disaster in the state. The foundation stone for the gallery was laid in November last year. Once completed, it will be the first public art gallery in the city.
- Narayana Murthy inaugurates Hebbar gallery
Manipal: N R Narayana Murthy, Founder of Infosys dedicated the Hebbar Gallery and Art Centre, at the Manipal Centre for Philosophy and Humanities, Manipal University, to the nation. The inauguration was preceded by discussions featuring many prominent painters and scholars, including S G Vasudev and former secretary, department of Kannada Culture Vittal Murthy. Many prominent artists, critics, writers, historians participated in the discussions. The themes included role of criticism in art, contemporary philosophies of visual arts and impact of public galleries on community. Dr. Nikhil Govind, head of Manipal Center of Philosophy and Humanities, said: "The aim of the Hebbar Gallery and Art Center is to make Manipal and Dakshina Kannada, original home of K K Hebbar, proud of its many native art forms, both in the traditional formats, as well as in the modern and more interpretive formats, such as that represented by the creativity of K K. Hebbar. We will strive to make the gallery a landmark, a place where both established and emerging artists, will come, work, and leave behind art that will change the visual landscape in unusual, bold and striking ways." This event is the culmination of many months of labour by the K K Hebbar Trust and Manipal University in setting up the Gallery. According to Rajani Prasanna, noted art historian and daughter of K K Hebbar: "Today's deliberations have taken Hebbar and his work from within the four walls of the Gallery to the community of artists, critics, curators, academicians. Our journey of taking Hebbar to the community has begun today." The K K Hebbar Trust has been an influential and outstanding educator, patron and supporter of young artists since its inception by K K Hebbar himself in 1991-2. Dedicating the Hebbar Gallery to the nation, Narayana Murthy said, "It is a great privilege to participate in this event. Dakshina Kannada is honoring itself by honoring one of its most illustrious sons. This gallery and art center will further enrich the cultural tapestry of Dakshina Kannada." Though NRN is well known as the entrepreneur behind India's leading international position in software, it is less known that he has been equally entrepreneurial in his initiatives in recognizing India's thought leaders in science, economics, and arts, especially through the prestigious Infosys Foundation Prize. He leads India's capacity building in public health as Chairman of PHFI. He is also engaged in bringing the riches of the Indian intellectual tradition (in Sanskrit and regional languages) to a global audience through translations. The inauguration is a further attestation of the 'human side' of India's proud son. Pro Chancellor Dr H S Ballal unveiling the plaque said that the University would continue to support such endeavours.


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Dear Friends,
A quick reminder. As many of you know, GlobalGiving offers matching funds for projects several times throughout the year. The final opportunity in 2011 is today.
It is only through your continued generosity that we can provide our students access to an education, daily nutritional meals, medical care and clean water, and most importantly a brighter future! They are performing academically at the very top of their district. Please help us continue to offer this holistic approach to alleviating poverty in our students' lives all the way up to a university level by remembering our Kutamba and Nyaka students today.
In Celebration of Your Generosity,
Kelly Voss
Director of
Development, The Nyaka AIDS Orphans Project
*On October 19, GlobalGiving.org is matching at 30% all online donations up to $1,000 per donor per project! There is $100,000 available in matching funds starting at 12:01 am EDT. They will match until 11:59pm EDT or until matching funds run out. In addition to the 30% match, GlobalGiving is offering a $1,000 bonus to the project that raises the most funds that day and a $1,000 bonus to the project that receives donations from the most individual donors!
Dear Friends,
Before we update you on our students, we would like to let you know how you can help. As many of you know, GlobalGiving offers matching funds for projects several times throughout the year. The final opportunity in 2011 is on October 19th. Please set an alarm and give generously that day!* Details follow below.
This report is focusing on our second primary school we built called Kutamba Primary. In 2006, an eleven-year-old boy walked 50 miles for three days after hearing about the Nyaka Primary School on a radio program. Hilary knew that an education was the key to preventing a future of perpetual poverty for himself and his family. People in the very remote and rural area of Rukungiri, where Hilary grew up, are even poorer than in the Kanungu District where the Nyaka Primary School is located. As a result of Hilary's determination, Kutamba Primary School was started in 2007. Today, Kutamba is educating 207 HIV/AIDS Orphans. The students receive free uniforms, shoes, textbooks, notebooks and other scholastic materials. The children are educated starting in the new preschool, all the way up until P.7 this year. Thereafter they will attend secondary school.
Kutamba Primary School is supported by 9 teachers, a nurse, accountant, and other support staff coordinating and working on projects that assist in improving the lives of the children. As you can imagine, our ability to hire local staff not only bolsters the local economy but also helps our projects run efficiently.
The Kutamba and Nyaka School Anti-AIDS Clubs, who perform and appear on a monthly radio show, also create awareness about the plight of orphans, children's rights, family planning, hygiene and sanitation, and other issues affecting the community. As a result of the Anti-AIDS Club activities, the community is changing. Our staff members are noticing thoughtful, educated decisions by family members of students in regards to proactive HIV/AIDS prevention. As a part of our holistic approach to education, Kutamba Primary School were provided with HIV/AIDS testing in April 2011. One student from Primary three and 10 guardians were HIV+. In the past, an HIV+ test result was a sign of imminent death. Thanks to your support, we are able to purchase the necessary medications to properly treat those in the community that need it, thus extending their lives.
It is only through your continued generosity that we can provide these students access to an education, daily nutritional meals, medical care and clean water, and most importantly a brighter future! When one drives up the steep mountain Kutamba sits atop, the children greet you with "flowers" (a shhhh, shhhh, shhh sound and hands raised up, curled like flowers), and experience that leaves nary a dry eye. Please remember our Kutamba and Nyaka students on the 19th this month and give as generously as you can.
In Celebration of Your Generosity,
*On October 19, GlobalGiving.org is matching at 30% all online donations up to $1,000 per donor per project! There is $100,000 available in matching funds starting at 12:01 am EDT. They will match until 11:59pm EDT or until matching funds run out. In addition to the 30% match, GlobalGiving is offering a $1,000 bonus to the project that raises the most funds that day and a $1,000 bonus to the project that receives donations from the most individual donors!
This month I am sharing with you testimonials from some of our brightest secondary students, an equivalent to middle school students in the United States. These students recently attended a Health and Sex Education Camp put on by "Reach a Hand" a NGO out of Makerere University in collaboration with The Nyaka AIDS Orphans Project.
"I am Nuwagaba, and I would like to thank the people who were involved in the preparation of the student's camp at Nyaka. I would like to thank our Country Manager and Mrs. Christine who supervised us while the camp was going on. The camp was conducted by 'Reach a Hand' and the topics were very interesting and educational. They taught us how to avoid contracting HIV/AIDS and getting girls pregnant. This was very interesting because I did not know that boys take part in girls becoming pregnant. They also taught us how to be successful in education. This is important because if we make education a priority we will have good lives. They also taught us how to discover our talents and Christine advised us how to behave in our community when we are on holiday. We were very happy about this and we hope the organization will organize for us more camps."
"I am Kiconco in senior two at Ishaka Adventist College. I would like to thank Nyaka AIDS Orphans Project for preparing a wonderful camp, which will help everyone who attended. It was short but interesting and most students wished it could have been longer. They taught us how to avoid sex at an early age because we could
get pregnant or contract HIV/AIDS. They taught us how to be proud of ourselves and love one another. We also learned how to use sanitary towels (secret sanitary Pads). They inspired us to study hard, because we could be the
future lawyers and doctors of this country. If we focus on our education we shall be winners. They sang and danced for us, made us laugh, and told us that we can live a happy life."
Thanks to generous supporters like you, The Nyaka AIDS Orphans Project continues to guide and support these children who have no one else to learn from and talk to about these sensitive issues.
Truly we say the best is yet to come!
We send you warm greetings from the children and grandmothers of Nyaka and Kutamba schools in Uganda. We are grateful for your investment that has brought 10 years of improved conditions into the body, heart, mind, and soul of hundreds of children and thousands of grandmothers. This year over 70 secondary school students are excelling in their studies and passing their exams. Over 300 primary students study intensely so that like the 2010 graduating class they can place in the top 3% of all 220 schools in the district. Meanwhile, 60 preschoolers walk many miles on very short legs, eager to learn English and their ABCs and 123s each and every day.
Statistics show that children who attend pre-school enter primary school with better pre-reading skills, richer vocabularies, and stronger basic math skills than those who do not. To get children started on this positive track to becoming well educated citizens, 60 of some of the youngest orphans are now enrolled in kindergarten classes at both Kutamba and Nyaka Primary Schools. These students, ages 4-5, are studying English (Uganda's national language) to complement Rukiga, their native tongue. Like the elder students, they have been promised an education all the way up to university as long as they pass their national exams.
For students of Nyaka who are less academically inclined and wish to pursue an income generating trade, vocational training is now being made available. Nyaka realizes the importance of building a strong vocational program for these students. Tailoring and computer skills are now being offered and there are plans to add more workshops and training for construction jobs in the near future.
Hannington attended driving school and is now employed by Nyaka as a driver. This means that despite suffering as an orphan, he has a steady income which he uses to help care for his elderly grandmother nearby. All things tend to come full circle and on a recent visit he drove Director Jackson around!
This year, because of The Nyaka AIDS Orphans Project's generous donors, more students than ever are being supported – over 530! However, as we look into the future, the need to build a secondary school is becoming increasingly clear, as it costs $500/student annually to send the students to outlying boarding schools. As more young students graduate primary school the need for this initiative is becoming more urgent. Please watch for more updates on this project soon.
The best is yet to come!
Last month The Nyaka AIDS Orphans Project happily announced primary student Justine's pending trip to the United States. You may recall that a few years ago Justine was badly injured in an accident with a paraffin lamp. The purpose of this trip was to undergo surgery on burns that were inhibiting her ability to smile and move properly. It has now been a few weeks since her first in a series of surgeries, and the doctors are very pleased with her progress. In addition to the work done around her chin and mouth, her doctor would like to do another surgery around her nose and collarbone, but must wait a few months in order for her to heal properly.
Justine is taking full advantage of her recuperation time in the United States. At first, she was a little wary of the food but has now become more accustomed to the large variety of choices. Eating properly is very important as her body continues to heal. Even though Justine's primary job is allowing her body to heal at this time, she is not missing out on her education. She's been working with a teacher on decimals, adjectives, verbs, comprehension, and improving her reading skills. In Uganda, children must pass a national exam annually in order to advance to the next level of education. It is critical for this young girl to remain engaged. Luckily, Justine (like all The Nyaka AIDS Orphans Project students) is fiercely dedicated to her education, as she knows it is her ticket to a successful and prosperous life. Most recently, an increased interest in reading has caused her to devour every book she could get her hands on. Including a copy of "A School for My Village," written by Executive Director Jackson Kaguri. Justine has also begun writing in a journal, easing the pain of the surgeries by keeping hilarious accounts of her new experiences.
However, Justine isn't spending all her time studying. She enjoys doing arts and crafts and making jewelry. Her host, Ruth, is always finding little gifts left around the house. Justine has exhibited courage, strength, and optimism throughout her travels, surgery, and continued recovery. Soon after she heals, Justine will return to Nyakagyezi, with her injuries well on their way to being healed, to be reunited with all of her friends and family at the Nyaka Primary School.
Thank you for your support of The Nyaka AIDS Orphans Project in this initiative to provide yet another HIV/AIDS orphan with a healthy future, free of poverty and full of potential for success.
Project Reports on GlobalGiving are posted directly to globalgiving.org by Project Leaders as they are completed, generally every 3-4 months. To protect the integrity of these documents, GlobalGiving does not alter them; therefore you may find some language or formatting issues.
If you donate to this project or have donated to this project, you will get an e-mail when this project posts a report. You can also subscribe for reports via e-mail without donating.
We'll only email you new reports and updates about this project.
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Located in Rawai in a private development is this lovely one level villa for long term rent. The property features 3 bedrooms, 3 bathrooms, a large living, dining and kitchen area, outside terrace and swimming pool. The property is situated near local beaches, restaurants, bars, and shops. Included in the price is pool cleaning and gardening.
Note: The listed price is for a 1 year contract. For a shorter period please contact us.


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Ponnampet Vacation Packages
The region is a firm fixture on the tourist trail. To see why, rent a vehicle and explore the cities, towns and villages within easy traveling distance of Ponnampet. Kakabe, lays 20 miles (32 kilometers) to the southeast, and Kushalnagar lies 20 miles (32 kilometers) to the south.
Mysore, is another good spot to explore. It is 50 miles (80 kilometers) from Ponnampet and offers a wide range of tourist attractions, such as Gumbaz Mausoleum, Chamundi Temple and Mysore Zoo. Maharaja's Palace, Sriranganathaswamy and Somnathpur Keshava Temple are just a sample of the other visitor attractions on offer here.
If you're keen on soaking up some of the local culture, head straight to Karnataka's history museums and craft workshops. Enjoy a moment of relaxation in Karnataka's temples.
The area around Ponnampet offers plenty of activities for energetic visitors with a love of water. Canoeing and boating are some of the popular pastimes here. See this region in a completely different way. Join the birds and try parasailing.
Taste the culinary arts of Karnataka by trying popular local food. Coconut and sometimes mutton are frequently used in meals in this region. There are many interesting food options in this area. Try out bisi bele bath (rice with vegetables) or saaru (tamarind and tomato soup). Finish with haalubaayi (rice and coconut fudge), a popular final course.
When planning your holiday to Ponnampet, it's handy to remember that the most convenient major airport, Calicut International Airport, is located in in Kozhikode, 70 miles (113 kilometers) to the south.


text: ok. so im having a few issues w/my touch. 1.whenever i connect it to my pc, it an error pops up which says "unable to sync for an unknown reason"..error 39...i was thinking about restoring my ipod, but i wasnt sure if that actually did anything. with that being said, i havent updated my pictures for example in a month because it doesnt allow me to manually add them..any suggestions??? 2. majority of my songs which i downloaded on my touch through wifi on itunes are gone. i checked my account history and the songs were on there, but their are neither on my touch nor in my itunes library on my computer..any suggestions??? ---thanxx.


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In case you've been living under a rock and haven't read her letter yet, here it is.
FYI (if you're a teenage girl) | Given Breath
Dear girls,
I have some information that might interest you. Last night, as we sometimes do, our family sat around the dining-room table and looked through the summer?s social media photos.
We have teenage sons, and so naturally there are quite a few pictures of you lovely ladies to wade through.
Wow ? you sure took a bunch of selfies in your pj?s this summer! Your bedrooms are so cute! Our eight-year-old daughter brought this to our attention, because with three older brothers who have rooms that smell like stinky cheese, she notices girly details like that.
I think the boys notice other things. For one, it appears that you are not wearing a bra.
I get it ? you?re in your room, so you?re heading to bed, right? But then I can?t help but notice the red carpet pose, the extra-arched back, and the sultry pout. What?s up? None of these positions is one I naturally assume before sleep, this I know.
So, here?s the bit that I think is important for you to realize. If you are friends with a Hall boy on Facebook or Instagram or Twitter, then you are friends with the whole Hall family.
Please know that we genuinely like staying connected with you this way! We enjoy seeing things through your unique and colorful lens ? you are funny, insightful, and often very, wise. Which is what makes your latest self-portrait so extremely unfortunate.
That post doesn?t reflect who you are at all! We think you are lovely and interesting, and usually very smart. But, we had to cringe and wonder what you were trying to do? Who are you trying to reach? What are you trying to say?
And now ? big bummer ? we have to block your posts. Because, the reason we have these (sometimes awkward) family conversations around the table is that we care about our sons, just as we know your parents care about you.
I know your family would not be thrilled at the thought of my teenage boys seeing you only in your towel. Did you know that once a male sees you in a state of undress, he can?t quickly un-see it? You don?t want our boys to only think of you in this sexual way, do you?
Neither do we. We?re all more than that.
And so, in our house, there are no second chances with pics like that, ladies. We have a zero tolerance policy. I know, so lame. But, if you want to stay friendly with our sons online, you?ll have to keep your clothes on, and your posts decent. If any of you try to post a sexy selfie (we all know the kind), or an inappropriate YouTube video ? even once ? it?s curtains.
I know that sounds so old-school, but we are hoping to raise men with a strong moral compass, and men of integrity don?t linger over pictures of scantily clad high-school girls.
Every day I pray for the women my boys will love. I hope they will be drawn to real beauties, the kind of women who will leave them better people in the end. I also pray that my sons will be worthy of this kind of woman, that they will be patient ? and act honorably ? while they wait for her.
Girls, it?s not too late! If you think you?ve made an on-line mistake (we all do ? don?t fret ? I?ve made some doozies), RUN to your accounts and take down the closed-door bedroom selfies that makes it too easy for friends to see you in only one dimension.
Will you trust me? There are boys out there waiting and hoping for women of character. Some young men are fighting the daily uphill battle to keep their minds pure, and their thoughts praiseworthy ? just like you.
You are growing into a real beauty, inside and out.
Act like her, speak like her, post like her.
Mrs. Hall
This has caused an internet tempest in a teapot, with some people loving what she said, and others basically saying that Mrs Hall should be teaching her boys to view women with respect regardless of whether or not they are wearing a bra, rather than just censoring the internet. Also, some found it ironic that in a post calling out girls for dressing too sexy or posing for the camera, she posted topless pictures of her boys popping muscles and whatnot.
I thought this blog had some good discussion questions:
The Questions We Should Be Asking After Reading What Mrs. Hall Had To Say
You may agree or disagree with Mrs. Hall?s sentiments, but what I?d like you to think about while reading and then discuss are:
1. Can ****-shaming be a two-way street? Can boys be on the receiving end?
2. Is nudity/partial nudity the same as sexualized self-objectification? Is that the point Mrs. Hall is trying to make with the shirtless photos of her sons in a post that ****-shames girls? Or is she being simultaneously obtuse and preachy? Would it bother you if the Hall boys were posting shirtless pics that your daughter was exposed to?
3. Does one (or 80) sexy selfies ruin a girl, so that no ?good man? will want her? Did you experiment with your sexuality in ways that you are grateful are not forever captured on social media?
4. Is Mrs. Hall doing the right thing by openly discussing sex with her children, and their use of social media?
5. How do you feel about the comment, ?If you are friends with a Hall boy, you are friends with the Hall family?? Should tweens/teens be allowed some privacy online, or is it all an open book?
6. If you were the parent of one of these girls Mrs. Hall is talking about, how would you feel after reading this? Is there more to your daughter than one sexy facebook towel pose?
7. How does the line about ?once a male sees you naked he can never unsee it? grab you? Are their bigger implications at play there on how we validate male sexuality/desire but invalidate female sexuality?
8. And finally, is Mrs. Hall onto something? Why are so many young girls and women posting sexy, duck lipped photos of themselves? Are boys doing the same thing and we aren?t paying attention because our culture loves to be hyper-vigilant over the sexuality of young girls?
Other thoughts? Love it? Hate it? Weirded out by the idea of a family sitting down together and combing through pictures on FB looking for things to object to?


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During Dread Central's recent set visit in Toronto for Screen Gems' upcoming sequel, Resident Evil: Retribution, we had the opportunity to sit down and chat with the mastermind behind it all- writer/director/producer Paul W.S. Anderson, who is once again back at the helm for the latest sequel in the hugely popular and fan-driven Resident Evil series.
Between takes on the wintry CineSpace soundstage that was dressed to resemble the frozen tundra of Russia, Anderson discussed with us his ten-year dedication to the Resident Evil films, how closely Retribution mirrors the RE video game storylines, future plans for the franchise and so much more.
Check out the highlights of our interview with Anderson during our recent set visit, and make sure to check back soon for more from the set of Resident Evil: Retribution. For Anderson's update on the Death Race franchise that we previously reported on, you can check that out here!
Q: You've always been an integral part of the Resident Evil franchise, having written all of the episodes. But now you are directing back-to-back episodes as opposed to handing them off to another director. So what is keeping you excited?
A: That hasn't changed. I've always been really excited about it and it was always a painful decision not to direct the two episodes that I didn't direct. If I had been given my druthers, I would have done Apocalypse and Extinction. At the time, it was kind of conflicts with other studios, movies, and other commitments. It is not like this is…movies are not an art form where you get to kind of sit in your art gallery and paint, you know? You don't do that. You're spending a lot of somebody else's money. Like I said, given my druthers, I would have directed every single one of them. So I am just happy to have been able to do the last one and this one.
Q: Can you talk about how your work with 3D has changed after doing both The Three Musketeers and the last film in 3D?
A: I think we have just become more adventurous with each movie. I mean, taking the cameras out on location a lot more. Obviously, not here because we are not going to go out onto the pack ice. It has got nothing to do with 3D. We are trying to become more adventurous with it I think. You know, more location work, more camera movement, and more aggressive camera movement. I think the camera work on this is pretty aggressive for 3D. I think people's tolerance for what they can watch in 3D is obviously becoming stronger. So we probably have more kind of muscular camera moves in this one.
Q: The ending of the fourth film was a climatic ending. We have heard that this one starts with a flashback. What was your motivation for sort of not jumping right into the action?
A: This one starts basically with the pay off from the last one. So we are start on the deck of the Arcadia. So it is kind of like a direct continuation of that.
Q: So are the flashbacks a little bit further?
A: I can't…(laughs). I can't tell you about the flashbacks.
Q: Can you talk about the decision of bringing in Barry, Ada, and Leon?
A: That was kind of fan-driven. All of the fans were pretty vocal about how these were the characters that they really wanted to see. We really tried to cast actors who kind of brought those characters to life as close to the video game as possible. You have no idea how difficult it is to find someone with Leon Kennedy's hair. It is just not the easiest thing in the world. He has to be manly and has to have these long bangs. Geez, could they have made it more difficult for us? But I'm very happy with the actors that we have.
Q: How do you know the characters that the fans want?
A: Basically from being on the internet and going to…I do a lot of press and I go to a lot of…I have a very close and open dialogue with Capcom, who have their own Resident Evil forums as well. So it is kind of through a lot of communication.
Q: Are you finding it more difficult to draw some inspiration from the game besides the characters? Because you are bringing in Las Plagas zombies in this one…
A: Not really. There is such a wealth of stuff in the games. So for Las Plagas we are going back to Resident Evil 4 and there are elements of Resident Evil 5 in this. We have a big car chase that I am very excited about because in Resident Evil 5 there was this awesome kind of hummer, motorbike, heavy machine gun battle with rocket launchers. I am like, "This is so great." So we have kind of taken inspiration from that. I think there is so much cool stuff in the games and I think it will be a long time before we ran out.
Q: We have heard from some of the cast that when you were writing this one you were thinking of a 5th and 6th film and that there was almost talk of you guys filming them back to back.
A: We definitely…there was an earlier discussion about that, but then we just decided to focus on this movie. But if it is that we make another one, I do know where it would go. It would obviously be great to kind of make two full trilogies and then just bring everything to an end.
Q: That is the thing. Your significant other was mentioning that she can only play the character for so long. In your mind is the 6th film the finale?
A: Definitely. Unless, of course, no one goes to see this one. Then this one would be the finale, just maybe not a very satisfying one. (laughs)
Q: Do you see yourself continuing beyond with your involvement and with Milla's involvement by maybe producing?
A: I have always said that we really take the movies one movie at a time because we put so much effort into them. While I have an idea of where I would like the franchise to go, it really is a movie by movie thing for us. I think quite often filmmakers kind of think so much about what the franchise will be and sometimes can neglect to put their efforts into the movie that they are actually making. So, for us, it is 150% of effort into this one entity right now.
Q: How do you feel that the style of action is different? What is your directorial approach and what are some of the choices you are making to make this one stand out apart from the rest?
A: Like I said, the camera work for 3D is very aggressive. The action is just different for a Resident Evil movie anyway; it's not different from the games. Like I said, we have taken a lot of inspiration from action sequences in the games. But to do car chases in 3D with cars, motorbikes, and kind of lots of…because the Las Plagas undead can obviously use weaponry. That is a whole new aspect that hasn't been in the movie franchise before. So that has been pretty exciting.
Q: I want to ask about the visual tone of the movie and not the action or the violence. What is the overall look and the color scheme? Is there a certain palette that you are going for that is unique?
A: It is kind of like it is an epic undead movie. It really is a globe crossing thing. We have physically shot in Washington D.C., Red Square, and Shibuya in Tokyo. We're obviously recreating snow and ice sequences, but we have actually gone out in the snow and ice as well. So it really has a globe crossing feel to it and each one of these different places we have tried to kind of invest with a different feel. So I am excited about the snow and ice obviously because as you can probably see with Ada laying in the red dress against the crisp white snow and the black umbrella – it is very, very graphic novel-y. So that is very stark.
But then the Red Square sequence is completely different. It's all at night and very gritty. So the idea was to kind of make the movie like a kind of nightmare where you tumble from one bad dream to another but can't quite wake up. So each part of the dream feels very different but also very unpleasant. We have really tried to…it is almost like the visual look of three or four different films packed into one movie, deliberately so because each scenario you go from is radically different from the next, both in the way we shot it and also in the way we lit it. So it has been drive Glen, our DP, crazy. Normally you get a DP and you set one look for a movie, and every two weeks it is completely different.
Q: With all of the different looks, globetrotting, and the non-linear narrative is there a unifying theme that you are leaning on specifically to kind of bring that all together?
A: It's hard for me to explain what that is without giving away the plot twists and the movie, but yes. I think it really has some cool twists in it. They are kind of inspired by the video game, but I think it should be a very surprising narrative. I'm excited to put the whole thing together. And I'm super excited to be working with returning actors from the franchise as well. That has been one of the really fun things – to bring back Michelle (Rodriguez), Colin (Salmon) and Oded (Fehr) back. Not just to work with them as people because they are nice people, but to also have those familiar faces in the franchise I think is really exciting.
Q: We asked (Producer) Jeremy (Bolt) earlier and he said that tomandandy is coming back to do the score for you. What do you have in mind sound wise for the score? Will it be something similar to Afterlife?
A: It will be a kind of progression on it. I want to kind of mesh their more electronic stuff with an orchestra this time. So it has a kind of more epic…it still has that cool tomandandy feel, but it has a more epic scope to it.
Q: The score for Event Horizon was very aggressive. The score was just pounding and pounding; I really liked it.
A: Hopefully what we can do is…there we combined Michael Kamen, who is very kind of orchestral and orbital. That was…I think with tomandandy we can get the same kind of feel, but with them. They are very experienced composers now but what they obviously love is electronic. The track they composed for the opening of the last movie is one of my favorite bits of movie music in any of my movies.
Q: Have you figured out the Umbrella Corporation and where ultimately everything is or in each movie are you sort of like, "We don't have to worry about it yet."?
A: You know, they are just this web of evil and they are ever growing with their fantastic graphic design (laughter) and their lack of attention to detail. It is like they build these incredible facilities and these death dealing machines, but they never manage to use them in the correct way. They always build too many vents and access shafts. (laughter)
Q: That is true, but you know what I am saying. You mentioned that the 6th film you could see as the series finale. Have you always thought, "Well, the actual final headquarters is in Barcelona"- for example?
A: I have a very definite idea of where their final layer will be, but I can't tell you. But it will look beautiful. (laughter) Yet it will be easy to get into somewhere. (laughter)
Q: Are we going to see what happens to Chris and Claire in this one? Obviously, Wentworth (Miller) and Ali (Larter) are not back, or are they?
A: (laughs) No, Wentworth and Ali are not back but their characters are still in the franchise.
Q: When did you first come up with the idea of having these good and bad versions of people?
A: It was really thinking about it and we had talked about it for years about bringing Michelle back because I just loved working with her so much. She was such a cool part of the first movie and the more I thought about Michelle, the more I thought about how she really as an actor has been unable to explore other aspects of her career because she is always cast as the same character, and I am guilty of that of course. At the start of her career, I casted her as the bad girl with a machine gun.
But now since then, it has been 10 years of her playing the bad girl with a machine gun a lot of the time. I wanted to kind of give her an opportunity to play something different and she was very excited about that. So that where the idea of characters that are both good and bad came from. It was to give her an opportunity to kind of spread her wings a little bit because I do think that she is an underrated actress. No one rocks a heavy machine gun like Michelle Rodriguez. We have bits of footage and it is just incredible. She is firing this huge big ass machine gun and bullets are coming out in slow motion and she never blinks and never hesitates. The only time she gets flustered is if she doesn't reload the magazine properly or fast enough. She is like a real pro. She is ready to go to war and she does it really, really well. But some of the most fun things in this movie has been watching her trying to walk around in a pair of high heel shows because that is the real challenge for her. That has been the kind of fun stuff.
Q: We saw her take a shot of something during the scene you're filming. She was explaining that it sort of made her stronger or more impervious to bullets or something like that. Is that the case? I'm not sure.
A: She injects herself with a Las Plagas parasite. It is kind of taken from the game. There is a moment in the game where one of the characters injects themselves and we built exactly the same injection device. We are framing the shots in exactly the same way. So there will be a kind of unpleasant little parasitic creature in that vile that you will see squirted into her veins. It is a theme in all of the games with characters injecting themselves and they develop their super powers, but they pay the price for it.
Q: How do you work with a fight choreographer in order to bring your vision to life?
A: I am working with Nick Powell again, who I worked with on The Three Musketeers. I really like Nick because as a fight choreographer and second-unit director he is the full package. He directs the second-unit, but he also helps choreograph the fights. He did The Bourne Identity, which I thought at the time really revolutionized the kind of look of action movies. So he has done that, but at the other end of the spectrum he also did all of the sword work on Gladiator. He is also phenomenal at car chases as well. He did all of the car chases in the first Bourne movie. He directed all of that. So he was a good all around talent to bring in. Basically he and I sat down and I showed him the inspiration from the video games. We discuss where we can kind of take that inspiration and build upon it; we also watch a lot of movies together.
Q: What kind of movies did you watch for this one?
A: We watched a lot of Thai movies this time around because of the movies he has done. He did The Last Samurai as well. He has worked with a lot of Japanese stuntmen and he has worked with a lot of Hong Kong stuntmen. But we felt the area that hadn't been mined by western cinema much was that whole kind of high impact Thai style of fighting. So we just watched a lot of action sequences from a lot of Thai movies. There were moves and just a general feel that we thought we could infuse the movie with. You know, that kind of bone crunch where you really feel the impact. We tried to bring that into the movie, which is also good for 3D because obviously 3D makes it harder to sell those kinds of fake phony punches because you see the distance between the fist and the face. So that kind of Thai style of fighting where you actually make contact is a lot stronger.
Q: We see the submarine coming out through the ice in the scene we were just watching. How much time do you guys spend in the sub in the movie?
A: You see the subs a lot in the movie, but there is not really much inside of the submarine. It is just because I wanted to get the characters there. It is more of getting from point A to point B.
Q: It has been over 12 years since you first got involved with the Resident Evil franchise. Can you draw a line from that point back then to today both in terms of the relationship with the franchise, working with Milla, your own career, and this whole journey that you have been on?
A: It has been a fabulous journey. I am very excited about what we have managed to do with the franchise. I always refer to the first Resident Evil movie as "the little movie that could" because at the time it was kind of unfashionable to do video game movies. There had been several that hadn't work. Mortal Kombat, the one I had made, was one of the few movies that had actually done well. But then the sequel to that didn't do well at all. It was also an R rated movie at the time when American studios didn't really want R rated movies. It was right after Columbine and all of the studios had said, "We are not doing R rated movies anymore." They were really backing off from it.
So when we put the movie together it was pretty much financed all out of North America. There was no studio deal attached to it. Sony only became involved in it during principal photography. I remember that the deal we had on it was that if the movie didn't do incredibly well at its first American test, and these are incredibly stressful things for a filmmaker anywhere where you go and first put your movie in front of the public, but if we didn't score certain amounts they could have put the movie straight to DVD. It really felt like the movie that nobody wanted. I vividly remember reading a review of it. I think it was The Hollywood Reporter or Variety. I can't remember which, but it was one of the two trade papers that said, "This movie basically has no audience. It was made for no one and no one wants to go see it. IT has no audience."
And then the movie did have an audience. It scored huge and really played to an audience. The movie did really well and the franchise built from that point because we all stuck behind it I think. Milla stayed in the franchise and I stayed attached to it because I had been involved in franchises where I hadn't stayed attached and I felt like the franchise went off in the wrong direction. So I am really proud that this tiny little movie that was made in Berlin, made all with foreign movie, made by a European crew, and starring a woman from Russia kind of had built into a big success. The fact that each movie has successfully done better I am very proud of.
Written and directed by Paul Anderson, Re5ident Evil: Retribution stars Milla Jovovich, Boris Kodjoe, Li Bingbing, Kevin Durand, Shawn Roberts, Michelle Rodriguez, Sienna Guillory, Johann Urb, and Colin Salmon. Look for Re5ident Evil: Retribution in theatres on September 14, 2012 from Screen Gems.
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Traditional Outdoor Christmas Decorations Styles and Vintage Christmas Tree Decorations
Christmas Celebrations and Decorations
Christmas is really a vintage Celebration because it represents the past with high quality and strong urge. Decorations are the inevitable part of Christmas. The process of decorating during Christmas has started from years back. During that period decorating was totally traditional.
Why Traditional Christmas Decoration has got such importance ?
Now people use these traditional varieties for decorations with latest style. The attachment between Christmas and this traditional variety of decorations are so unique People cannot avoid these traditional items since Christmas is purely a vintage celebration. This is the reason as to why the Christmas decorations have got so much importance during Christmas season.
Indoor and Outdoor Decorations
People prefer to decorate outdoors as well as indoors only during Christmas season. They clean and paint the walls of the house with pleasing colors prior to these decorations. The Christmas decorations start about two weeks before Christmas. In my Home , All members of the family take part in the in the decorations with full dedication.
Traditional Christmas tree Decorations
If people have space in their houses then they can boost the decoration process by introducing Christmas tree with full decorations. People use black Christmas tree, white one or pink colored tree with respect to their taste. Since the beauty of the tree hides in the decorations the color of the tree branches using to resemble the Christmas tree is not at all a matter. If this is placed in front of the house it will develop an emotional feeling of vintage Christmas in the minds of viewers.
Extra Fittings for Christmas Tree
Members of the house must have certain creativity in their minds. They can utilize these qualities for decorating their Christmas tree. Various colored lights are used on this Christmas tree for making it beautiful to the viewers during night time. Some colored cotton balls also can be embedded on the respective tree to make it really enchanting. All these extra fittings on the Christmas tree together with colored fancy lights are capable to develop soothing and coolness to the human eyes in all respects. Hence, Christmas tree is an unavoidable variety of traditional decoration as far as vintage Christmas celebrations are concerned.
Christmas ornaments are the other accessories which are commonly used to decorate Christmas tree. Sturdy wooden Christmas ornaments are too much to create vintage mood. These wooden ornaments are ideal for decorating either Christmas trees or use alone as table ornaments. Glass ornaments are far better to create vintage feeling when they are used on Christmas trees.
Attractive Christmas Lights
The Christmas decorations get life, only when colored fancy lights are used together with usual decorations. Christmas lights are available in different shapes and sizes. There are numerous choices among bulbs with respect to their colors. Each bulb is capable to impart unique featured light and if they are used in Christmas tree and other decorating process they will be the center of attraction of all viewers.
The vintage mood of Christmas is created when these lights glow either from the Christmas tree or any other traditional decorations. Conservative lights are capable develop traditional quality among Christmas decorations. Since each decoration have certain theme behind it, the choosing of light also should be based on that theme. Such decorations are perfect in all respects and capable to develop vintage Christmas mood throughout.
History of Traditional Christmas Tree Decorations
Christmas season is the time for recalling memories. This traditional celebrations help people to memorize their childhood and the traditional decorations they performed during that time. The traditional Christmas tree decoration has begun in 19th centaury.
Nowadays we can view this traditional decoration with numerous fashionable additions which are inevitable factors of the current lifestyle. In olden days small candles were used to brighten traditional Christmas decorations such as Christ trees and Christmas pyramids. But now different colored fancy lights are used in place of candles. Thus in this era we support the traditional gaiety with respect to our current lifestyle.
How to Develop Ideas for Christmas Decorations?
For decorating traditional Christmas tree now we require colored led bulbs, colored ribbons and various homemade ornaments. People must have certain idea regarding traditional Christmas decorations. It is better to develop this idea prior to Christmas decorations. If required, all members of the family can sit together and develop ideas regarding the decorations. This discussion will help to avoid confusion while performing decorations. In this way the decorations can be made total success.
Christmas Ornaments and Colored Ribbons For Decorations
During Christmas season the living room in every house will be with a Christmas tree. Since Christmas tree is one of the traditional items of decoration people cannot avoid this in any way during Christmas season. Apart from beautiful led lights Christmas trees can also be garlanded with beautiful colored ribbons and ornaments. In the midst of colored lights these ribbon impart attractive look to the Christmas tree.
Home Made Christmas Ornaments
The Christmas ornaments can be made from home itself and are used for hanging them from the branches of the Christmas tree. It is ideal to use small ornaments rather than longer ones. Usually these ornaments are made with wood or plastic. In addition to colored ribbon and ornaments small cotton string balls are used to make the Christmas tree look highly traditional.
The tree is further decorated with snowflakes which can be made from white paper cuttings. Usually these snow flakes are hanged from the branches of the tree and in the midst of colored bulbs and colored ribbons these snow flakes enhances the beauty and traditional gaiety of the tree to a greater extend.
Lawn Decoration for Traditional Outdoor Christmas
Decoration of lawn is the other traditional Christmas specialty. This is an outside decoration process. If people have plans to develop an outdoor Christmas theme, then lawn is the best choice for that purpose. The lawn should be trimmed beautifully before performing any decorations on it.
The lawn can be filled up with Christmas inflatable or Christmas seasonal toys to develop a total Christmas mood. These airs blown Christmas toys are so popular especially for Christmas outdoor decorations. These toys are light, handy and easy to set up. Apart from these toys, icons of Santa Claus, Penguins, Reindeer and Igloo can also be used to indicate the winter season of Christmas.
There are lawn ornaments which are specially made to decorate Christmas lawns. These can be placed at various parts of lawns together with Christmas toys. Snowflakes are also used to decorate Christmas lawns. If these white snow flakes are spread over the light green lawn it will definitely enhance the beauty of decorations considerably. The process of lawn decoration is capable to develop a green Christmas trend through out.
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Very Nice Post
why socks include in christmas ornaments
I need your help:
This is a helpful article having interesting suggestions for holiday décor.


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Speech Processing Lab Home > Teaching
Office hours: Fall 2016-17
Tuesdays and Thursdays 10:30 AM-11:30 AM
Office location: Grover Center W225
Phone: 740-593-0232
If those hours do not work, please email me (email@example.com) to schedule an appointment
Textbook information: Fall 2016-17
CSD 2080 Phonetics
(Required) Small, L. H. (2016). Fundamentals of Phonetics: A Practical Guide for Students, 4th edition. Pearson.
This textbook will be used extensively as the source of transcription exercises, homework assignments, and exams. You are expected to have access to a copy during class time.
(Optional) A set of audio CDs accompanying the textbook will also be used as the source of transcription exercises, homework assignments, and exams. The CDs will be placed on course reserves at Alden Library. If you are interested in purchasing your own copy for practice, there are two options:
CSD 6520 Experimental Phonetics
Johnson, K. (2012). Acoustic and Auditory Phonetics, 3rd edition. Wiley-Blackwell.
· Print: ISBN-13: 978-1-4051-9466-2, ISBN-10: 1-40-519466-9
· E-text is available from Wiley, Amazon, Google Play, and iTunes