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Awakenings: Earth-Based Spirituality & Art
Image: Stone Sculpture by Mark Barnett
Dates: July 17 - 27, 2016
Facilitator: Monica Bodirsky
Cost: 900 + HST for Private Room & Shared Studio
Deadline: January 16, 2017
To Apply: artscapegibraltarpoint.ca/artist-residences/book-a-residency
Now in it's second year, Awakenings is a ten day thematic residency that provides a sacred and inspirational space to explore creativity and intuition within the framework of earth-based spirituality. The objective is to engage holistic practices that connect mind, body and spirit with the self and environment. The goal is to incorporate metaphysical practices within the arts and examine how this knowledge has been viewed historically as well as how current views can be integrated, disrupted or altered.
Providing a sacred & inspiring space to explore creativity within an earth-based spiritual practice.
Topics such as, herbalism, mindfulness, shamanism, divination, and ritual, will be viewed from a variety of perspectives including; pop culture, psychology, alchemy, theology, history, and, post-colonial discourse. Along with programmed time, residents also have free time to work individually or collaboratively in a studio. Methods of art making can be visual, time-based, photography, craft, writing, music, dance or performance art. Supportive discussions of residents' work in progress occur on a regular basis.
Monica Bodirsky is an artist, writer, creativity coach and faculty at OCAD University in Toronto.
URL: http://www.monicabodirsky.com
To apply, fill out the online form: http://artscapegibraltarpoint.ca/artist-residences/book-a-residency// (*include your website or link to your work, and indicate you are applying to Awakenings 2017).
Collective Assembly
Residency Photos by Sarah Fuller
Collective Assembly
Dates: August 1st - 15th, 2017
Facilitators: Sean Procyk & Alex Achtem
Deadline: February 15, 2017
Cost: $840 for shared accommodation or $1040 for private bedroom, plus HST.
** Funding opportunities may become available for this residency**
Collective Assembly is a two-week residency program that invites artists & curators to consider how the process of building might inform their practice. Through community-oriented workshops participants will be introduced to basic woodworking skills and timber frame construction methods. The outcome of this residency is to collaboratively build a functional way-finding pavilion for the Gibraltar Point facility.
The residency team will work with Artscape staff and Toronto Island residents to design a unique structure that will support future programming at Gibraltar Point. Our collective aim is to develop a project that establishes a unique identity for the site, acting as a point of reference for Toronto Island visitors.
This program is open to anyone with an interest in building as a form of expression and inquiry, or simply as a learning objective. We encourage applications from artists and curators with no former building experience to apply. We also invite individuals who explore social engagement as an art form. Our residency activities will be experimental, intuitive and collaborative. This project will give participants the time and space to explore practices of making, while living within a communal environment. In addition to programmed residency activities, there will be plenty of time for cooking, gardening and swimming.
Facilitator Bios:
Sean Procyk is an artist and playground designer who builds site-specific sculptures, installations and architectural spaces. His projects respond to their regional context, with a particular focus on the economies that exist between landscape, community and ecology. Through the development of site-responsive works he aims to open up conversation about the complexities and precarity that settler communities, himself included, have on the particular sites we inhabit.
Sean's physical works integrate moving image, light and sound to further engage with the senses and challenge our intrinsically spatial way of thinking about objects and space. His approach to making draws upon the practices of bricolage, DIY learning and ad hoc building. He has shown work at Stride Contemporary Art Gallery, Calgary, Elemental Festival, Kagawong; Convergence Conference on Art and Technology, Banff; Factory Media Centre, Hamilton; Ingenuity Festival, Cleveland and Nuit Blanche, Toronto. He holds a degree in Fine Arts from McMaster University, a Bachelor of Architecture from Carleton University and a Master's of Fine Arts from OCAD University.
Alex Achtem is an artist looking for new ways of experiencing and documenting the natural environment and landscape. A process that includes collecting information and raw material as an amateur anthropologist, scientist, mountaineer, herbalist or craftsperson. Deconstructing, categorising and minimizing this information are ongoing tasks in seeking a greater truth, humour and humanity.
She holds a BFA from Emily Carr University. Her work has been shown in Canada and the Netherlands where she also attended Gerrit Rietveld Academie. Outside of the gallery, her work has been seen on Vancouver's Metro Transit System and as part of Wreck City in Calgary, AB. She has attended residencies at the Banff Centre entitled Studio Time: Work of the Living Watch with lead faculty Geoffrey Farmer and Common Oppulence in Demmit, AB, under the guidance of Peter Von Tiesenhausen. She lives in Vancouver, BC where she works as a preparator at the Vancouver Art Gallery.
To Apply please visit http://artscapegibraltarpoint.ca/artist-residences/book-a-residency/
Please specify you are applying for Collective Assembly of Wood!
Winter Island: Artist-In-Residence Program 2017
The Winter Island Artist in Residence Series is back for 2017!
Winter Island is a unique artist-in-residence program bringing together emerging, established and
mid-career artists, working in a diverse range of practices to Artscape Gibraltar Point to create special programming and projects targeted toward our artist residency and island community members and the public at large. To book your stay during the Winter Island Residency of your choosing, please visit: http://artscapegibraltarpoint.ca/artist-residences/book-a-residency/
Below please find a list of the visiting artists and their corresponding dates when they will be offering programming.
Featured Artists:
Marjan Verstappen presented in conjunction with Younger Than Beyoncé Gallery
January 16 - 30, 2017
Marjan Verstappen is fascinated by with margins, boundaries and tangents. Creating a topology of the overlooked, her art practice is based in drawing, installation and performance. Whether she is drawing loving reproductions of families in their living rooms, making science fiction botanical illustrations only visible to insects, organizing a fashion show for seniors in a shopping mall, or collaborating with children to build peregrine falcon nests to overcome light pollution, she is emphasizing the beauty and complexity of overlooked places and experiences.
Recent exhibitions include Art of the Danforth, The Fung Wah Biennial at Flux Factory, NYC, and the Stantec window gallery, Toronto. In 2015, Verstappen was the recipient of the RBC Toronto Arts Foundation newcomer artists award and an Artstarts microgrant.
Verstappen grew up in rural New Zealand, she moved to Toronto in 2012 to pursue an MFA at OCAD University. She lives and works as an artist in Toronto where she is also the co-director of Younger Than Beyoncé (YTB) Gallery
Blue Jays Dancing Together: Featuring Louis Esmé
February 27 - March 13, 2017
Over the course of the Winter Island Residency, Louis Esmé will discuss and make new creative work in the studio and around the islands. During the residency they will hold space for discussions within two-spirit communities, communal dinners, and a public event facilitated by Bluejays members, for all to come and listen to performative and orative works about local Treaty responsibilities, as well as the Truth and Reconciliation Commission's, 94 Calls to Action.
Louis Esmé is Mi'kmaq-Acadian and Irish. They were born in Edmonton, though their family is from the Mazerolle Settlement, NB. Louis lives in Tkaronto. Their artistic practice centres collaborative work in Old Media – ceramics, illustration, writing, and beading. Common themes in their work are sexual and reproductive health, gender self-determination, and land/culture resurgence. As a co-founding member of Titiesg Wîcinímintôwak Bluejays , Louis is enthusiastic about two-spirit self representation and body sovereignty.
Christopher Willes presented in partnership with 811 Gallery
March 13 - 24, 2017
Christopher Willes is an artist based in Toronto and Montreal. Situated between music, performance, and visual art contexts his work encompasses a broad range of media and forms including performances, music, exhibitions, site interventions, and writing. He has presented recent works at The Art Gallery of Ontario, Open Ears Festival, Intersite Visual Arts Festival, Summerworks, and The Rhubarb Festival among others. He studied music and dramaturgy in Toronto before receiving an MFA from Bard College (NY, USA). He is a 2016 Macdowell Colony Fellow, and a recipient of a Chalmers Art Fellowship.
While in residency at the AGP, Christopher Willes will be further completing works emerging from his experience of exhibiting at the 811 gallery in December of 2016. Focused on the spaces and situations created around sound, Chris will host a small concert for the residents and guests of the art centre followed by a conversation facilitated by a member of the 811 gallery.
James Gardener presentwed in partnership with 811 Gallery
March 27th - April 10th, 2017
James Gardner is living and working in Toronto. James was born on February 20th, 1983 in Kitchener Ontario and was raised in Brantford. James studied studio art and art history at the University of Guelph, graduating in 2008. Recently, James has been making paintings and sculptures, studying art, reading books, and working with the collective VSVSVS.
While in residency at the AGP James will hold a workshop and open studio event for the island residents reflecting on his work at the 811 Gallery. James will be further exploring ideas on trance states and art production and the use of the occult in art history and contemporary art. which have been developed throughout his exhibition at the 811 gallery which will be running prior, in Feb of 2017. This event will take place in the evening near the end of the residency and will be accompanied by members of the 811 gallery to facilitate discussion.
SoftWEAR: Introduction to Wearable Computing & Art
Dates: April 24 - 28th
Fees: $535.00 + HST
Accommodation: Private Bedroom & Shared Studio
Facilitator: Liz Lessner
Deadline for Applications: EXTENDED DEADLINE: DECEMBER 9TH
This five day residency is an introduction to wearable and 'soft' computing as a vehicle for artistic engagement with the fields of art, design, technology, and time-based media.
The focus of this residency is to introduce artists and creative thinkers to technological skills that will allow them to incorporate responsiveness, computation, and electromagnetic materials into their work.
We will learn how to sense presence and have objects respond, use the non-linear power of computer controlled algorithms to enhance user interaction, and incorporate responsive elements like light and sound into objects and installations.
The residency begins with introductions and demos to conductive textiles, circuit building, soft circuitry techniques, and coding in the arduino IDE and culminates in the development and exposition of personal projects. We will explore topics of privacy, surveillance, mediated reality, user interaction, feedback and phenomenological experience. Discussions and presentations will focus on the relationships between the body, technology, fashion, social interactions, and the environment. The residency culminates in the design, development, and prototyping of working pieces by participants.
Material requirements for the residency include a micro-controller like Flora or Lilypad conductive thread, LEDs, photo-resistors, and other desired electronic components.
You may bring your own supplies or pre-order kits from the facilitator at a cost of $45 CDN
Kits include:
A flora microcontroller, A micro b usb cable, JST plug (for your battery), LEDs, RGB LED,
Photo-resistor, Conductive Thread, Assorted Needles, Conductive Snaps.
About the Facilitator
Liz Lessner is a NY based sculptor and installation artist who uses technology to craft responsive and interactive objects and installations. Lessner has had solo shows at Big Orbit, a Center for Exploratory and Perceptual Arts Gallery Project Space, and The University at Buffalo Visual Studies Gallery. She has exhibited her sculptures and installations nationally and internationally including the Guapamacátaro Center for Art and Ecology in Michoacán, Mexico, Brooklyn Artist Gym, and the University at Buffalo Anderson Gallery. Exhibition highlights include the two-person show "Common China" at 3rd Ward, Brooklyn as well as the group shows "The Man I Wish I Was" at A.I.R. Gallery in Brooklyn, New York and "Amid/In WNY" at Hallwalls in Buffalo, NY . She has an MFA in Media Study and Emerging Practices from the University at Buffalo's Department of Media Study and has taught workshops and classes in a wide range of educational settings. Lessner has taught at the University at Buffalo's Department of Media Study(Buffalo, NY), the Field Museum of Natural History in Chicago (Chicago, IL), the Willammette Valley Folk Festival (Eugene, OR), Interlochen Center for the Arts (Interlochen, MI), and Girls Preparatory Charter School (New York, NY) and Renaissance Charter School for the Arts (Queens, NY).
To Apply please visit http://artscapegibraltarpoint.ca/artist-residences/book-a-residency/
Please specify you are applying for SoftWEAR!
"Luminous Bodies" Residency 2017
Programmed Art Residency
Artscape Gibraltar Point, Toronto Island, Canada
Facilitator, Teresa Ascencao
Program Dates: July 4 – 17, 2017
Submission Deadline: December 15, 2017
Cost: $890 for shared accommodation or $1090 for private bedroom, plus HST.
(package includes accommodation, large shared studio, workshop facilitation,
programming, and an exhibition)
Luminous Bodies is a two-week residency to create artworks that shed new light on the human body. Its objective is to challenge "normativity" and Otherness. Its goal is to reinvent and re-present the body in most inclusive and diverse ways.
Resident artist talks, gallery tours, visual and textual references, guest artist talks, and regular critiques (individual with Facilitator and group critiques) help uncover how our bodies are culturally and aesthetically constructed, displayed and controlled.
Residents work individually or collaboratively to create artworks that reinvent the body through media of their choice, such as photography, video, installation, drawing, painting, performance, installation, sound art, media art, etc. There will be a closing exhibition of artworks created during the residency (if preferred, artists may show in open studio fashion).
The essence of Luminous Bodies is about bringing to light heterogeneous bodies. It welcomes people in all walks of life into a creative journey of critical innovation and self-discovery. People with disabilities, people of colour and diverse gender identifications are encouraged to apply.
AGP (Artscape Gibraltar Point) is an artist retreat nestled against the magnificent natural backdrop of Toronto Island. It offers a distraction-free environment to focus on art creation, and a rich potential for the creation of corporeal artworks amongst its blue-flag beaches (one of them being clothing optional) and natural surroundings of Lake Ontario, forests and gardens filled with flowers, fruit and vegetables.
On the island, there are tiny quaint homes, a historic lighthouse, a hobby farm and antique
carnival grounds.
Cozy up in a furnished studio and bedroom, and enjoy amenities such as a fully equipped common kitchen, shared bathrooms, laundry facilities and wireless Internet. AGP is a barrier free and inclusive environment. The Toronto city core is just a 15-minute ferry ride away.
Teresa Ascencao is a multimedia artist whose work toys with social forces that shape gender, seduction, consumption, and class. She was born to Azorean parents in Sao Paulo, Brazil and immigrated to Canada at a young age. Ascencao holds a Graphic Design Diploma from Humber College and graduated with distinction from the University of Toronto's Honours Fine Art Studio program. She holds an MFA specializing in Media Art and Sex-Positive Feminism from OCAD University. Ascencao's work
has been exhibited across Canada and internationally. She lives and works in Toronto and teaches at OCADU.
Luminous Bodies prices include sleeping quarters, large shared studio, facilitation, programming and exhibition.
Arrivals are on July 4 from 1pm to 3pm, and departures on July 17 before 11am. For more information visit LuminousBodies.com or contact Teresa Ascencao at email@example.com. To apply, fill out the online form: http://artscapegibraltarpoint.ca/artist-residences/book-a-residency// (*include your website or link to your work, and indicate you are applying to Luminous Bodies).
Feminist Art Conference Residency 2017
Feminist Art Conference Residency 2017
Dates: May 12 - 26, 2017
Facilitator: Ilene Sova
Cost: 1190 + HST / Private Accommodation, 910 + HST Shared Accommodation
The FAC residency will gather artists together who focus on social justice issues such as rape culture, trans-phobia, racism, violence, media representation, cultural appropriation, environmental degradation and impact on Indigenous lands, violence against women, and Islamophobic policies. We aim to create a space that is celebratory, positive, intellectually engaging and provocative. We are committed to this space being trans inclusive, anti-racist, and intersectional.
The residency will include individual studio time accented with group discussions, communal dinners, film, guest speakers, group and individual critiques and trips into Toronto for gallery tours and relevant events. The resulting residency work will be presented in an exhibition at the end of the two weeks and pending curatorial acceptance the artwork will be included in a spotlight exhibition at FAC 2017.
FACILITATOR Ilene Sova is an artist, educator with black mixed race, indigenous and settler ancestry who lives with a disability. As such, she passionately identifies with the tenants of intersectional feminisms and has dedicated her life to "art-tivism". Founder of FAC, Ilene Sova is a conceptual portrait painter who creates paintings which reference anti-oppression feminist themes. She has an MFA in painting from the University of Windsor and her paintings have been shown in Canada, U.S. and abroad. She has been featured in a variety of television, web and print media including, The Current, Canada AM, Toronto Star, CBC Radio and the Toronto Standard. She was also chosen to speak at Toronto's first TEDx Women. Most notably, Sova was invited by two federal MPs to bring her work to Ottawa, Canada for the National Women's Forum on feminism and last year she was invited to give an all university lecture at Southern University New York on Art and Social Change. Sova also teaches painting and drawing the Faculty of Art at OCADU.
SUBMISSION DETAILS The FAC art residency is inviting multidisciplinary artists ( such as; literature, dance, video art, visual arts, theatre, design, makers, music, comic arts ) We strongly encourage artists with who experience multiple forms of oppression to apply; Artists with Disabilities, Black, Indigenous, People of Colour, Two Spirit Folks, Queer, Trans and Non-Binary / Gender-Nonconforming people to apply.
The cost for the 14 days including taxes is 1190 + HST for private accommodation or 910 + HST for shared. The fee includes your sleeping quarters, a large shared studio space, programmed facilitation with guest speakers and critiques as well as a final exhibition with a reception. If chosen a 50% deposit will be due on January 26th and the final payment will be due on March 27th.
Arrivals are on May 12th, after 1pm and before 3pm, with departure on May 26th before 11am. Letters of support can be provided by FAC for granting purposes.
Submissions are accepted until November 1st deadline and should include:
1) 250-500 bio and bio photo for the FAC website if you get chosen. In your bio include a statement on how you politically self-identify.
2) Website link (if available) or 5 JPEGS / Video links / or PDF of current written work.
3) Letter of intent (250-500 words) for your work plans at the residency.
4) On your letter of intent indicate if you are applying for a private or shared space
5) If you have an accessibility items to share please indicate this in your letter of intent.
Email Submissions to: email@example.com
Film for Artists: Site & Cycle 2017
Film for Artists – Site & Cycle
Facilitators: Zoë Heyn-Jones & Eva Kolcze
Program Dates: 19 - 26 June 2017
Deadlines: March 1st, 2017: Deadline for scholarship applications, April 1st, 2017: Deadline for participant applications
Price: $750 + HST
This hands-on filmmaking workshop, appropriate for absolute beginners and small-gauge film enthusiasts alike, will focus on artisanal film techniques while engaging with the specific geography of the Toronto Islands.
Spend a week on beautiful Hanlan's Point investigating the compelling materiality of celluloid film. We will explore various hand-processing techniques on Super 8mm and 16mm film, exploring the creative and aesthetic potential of film in conjunction with notions of site specificity and psychogeography.
We will embrace experimentation, chance, and accident in our process, thinking of the filmmaking process as a cycle not separate from the natural, ecological cycles that encompass our lives and practices. An alternative to traditional filmmaking instruction, we forego the rules in favour of integrating cycles of experimentation, growth, and decay.
The Film for Artists - Site + Cycle residency will host free public screenings, talks, and tours, in order to foster interest in the Toronto Islands as a creative site and source of inspiration, encouraging participants and public audiences to consider Toronto's unique history, landscape and topography.
We will teach you:
- Basic camera theory and how to use the Super 8mm and Bolex 16mm cameras
- How to hand process black and white 16mm and Super 8mm film
- Decay techniques using bleach, soil, oil and salt
- Painting, drawing, and scratching on film
We will provide:
- A bedroom and shared studio spaces at Artscape Gibraltar Point
- Hands-on instruction supplemented by film screenings, and engagement with relevant literature
- Black and white film, darkroom chemistry, and supplies
- Super 8 and Bolex cameras, though supplies will be limited and you are encouraged to bring your own
Participants are encouraged to share their own films, or films that inspire them, in several informal screenings.
A scholarship position for a local artist living and working in one of the City of Toronto's 31 priority neighbourhoods will be made available through the generous support of the Toronto Arts Council. More information and application criteria are available at www.filmforartists.com
Any questions can be sent to email@example.com
Zoë Heyn-Jones is a Toronto-based researcher and artist who grew up on Saugeen Ojibway land in Ontario and on Tz'utujil Maya land in Guatemala. Zoë's lens-based research projects have been shown locally and internationally in galleries, cinemas, and alternative spaces. Zoë is a PhD candidate in Visual Arts at York University where she is researching the performance of transnational human rights solidarity activism and its connections to decolonial visuality. Zoë is concurrently pursuing a graduate diploma in Latin American and Caribbean Studies at CERLAC (the Centre for Research on Latin America and the Caribbean, York University) where she holds the Paavo and Aino Lukkari Human Rights Fellowship. Zoë also holds a Graduate Fellowship at the Nathanson Centre on Transnational Human Rights, Crime & Security at Osgoode Hall Law School (York University). She studied cinema and anthropology at the University of Toronto, and holds an MA in Film Studies from Concordia University and an MFA in Documentary Media from Ryerson University.
Eva Kolcze is a Toronto-based artist and filmmaker whose work explores themes of landscape, architecture and the body through material investigations with the surface of celluloid. Her work has screened locally and internationally at venues and festivals including The National Gallery of Canada, Anthology Film Archives, The International Rotterdam Film Festival, The Images Festival, Nuit Blanche and Antimatter Film Festival. She holds an MFA in Film from York University and a BFA in Integrated Media from OCAD University.
Generously supported by the Toronto Arts Council and LIFT (the Liaison of Independent Filmmakers of Toronto)


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FREE SNOW VAN Niseko Ski Chalet - on the Mountain
From $961 / night
Description from the owner
Description from the owner
Bedrooms: 5/
Bathrooms: 4/
Sleeps: 10/
Type: Chalet
Book this 5 bedroom, 4 bathroom chalet in Kutchan-cho today! A total of 10 people can sleep here comfortably. This property has been booked 1 times.
Guests can enjoy a outdoor grill, parking space, and internet access among other amenities offered by this rental.
Travelers are sharing their opinions on this property. It has an overall rating of 5/5 thanks to an average of 2 reviews.
The owner responds to 90% of inquiries and last updated the property's calendar 3 months ago, so this rental may not be available for your requested dates, but please inquire to confirm.
Proximity to TripAdvisor's Top Kutchan-cho Attractions
Proximity to TripAdvisor's Top Kutchan-cho Attractions
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PATERSON - Two pit bulls rescued from a dog fight have been stolen from an animal shelter in northern New Jersey.
The theft occurred either early Tuesday or late Monday.
Paterson animal control officer John DeCando tells The Record newspaper holes were cut in the shelter's outside fence and the dogs' cages. DeCando says the dogs were targeted.
The dogs were rescued May 1 from a dogfight in a building on 16th Street in Paterson. One man was charged with animal fighting and two others were charged with animal cruelty.
DeCando says the pit bulls are friendly toward people but "deadly toward other dogs."
The dogs are both black/gray male pit bulls between 45 and 50 pounds.


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An 18-story building partially collapsed after an explosion in the historic center of Rio de Janeiro Wednesday, state media reported.
At least two people were killed and 11 others were missing, CNN affiliate Band News reported, citing city Civil Defense officials.
"I started to hear a crackling. I thought they were gunshots. When I looked up, I saw the top floors falling," maintenance worker Julio Cesar de Oliveira Brandao told CNN affiliate TV Record.
There was a fire after the blast, Agencia Brasil said. Police and fire officials were isolating the area and searching for victims, the news agency reported.
Cars parked on the street were covered in dust, and there was a strong smell of gas in the area, fire officials said, according to the news agency. The building's lobby contained a bank branch and a bakery, Agencia Brasil said.
Electrical engineer Jorge Drauss told TV Record he was drinking juice at a nearby diner when he saw small stones falling from the top of the building.
"I thought it was someone making a hole for air conditioning," he said. "From one moment to another, the building began to fall."


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The talented instructors at this Westside dance academy -- including some of LA's finest -- help kids develop the flexibility, grace, and athleticism needed to master the art of dance. Encourage your little one to follow his or her dreams with this offer:
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Employment Equity: People with disabilities, women, Indigenous peoples, members of racialized groups and members of other historically marginalized communities are encouraged to apply. When candidates do not differ significantly in merit, and one such candidate belongs to a historically underrepresented group, Employment Equity requires that the member in this group will be selected. Please indicate […]
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Audio from book talk with author of Birth Work as Care Work Alana Apfel and co-editor of Revolutionary Mothering Mai'a Williams on May 26, 2016. **Biographies** Alana Apfel was born in the United States and raised in the UK. She holds graduate degrees in anthropology from the California Institute of Integral Studies and the University […]


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The World Today Concepts and Regions in Geography +Harm J. de Blij, Peter O. Muller, Jan Nijman, Antoinette M. G. A. WinklerPrins
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REDUCED! GREAT HOUSE--GREAT PRICE! Beautiful house in the small, secluded McCord's Ferry Landing development, perfect for those who love the outdoors & outdoor activities like golfing, fishing & boating in the sunny South. Backyard touches wooded area which stretches all the way down to Lake Marion. Santee State Park, several golf courses, and I-95 minutes away & 1 HR from Charleston or Columbia. The home features all the bells & whistles, open floor plan, vaulted ceiling in family room, double gas log fireplace, Heart Pine flooring, kitchen with Corian & stainless, summer kitchen w/grill, sink, extra cabinets, dining & sitting area w/fireplace, spacious master bedroom with spa tub, 2 guest baths upstairs & FROG w/guest bath, 3-car garage, sprinkler system.


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Just finished designing the shirt for this year's Baco. Our friend Joey will be selling them. So if you're in town swing by and scoop one up.
Click the picture for a close up of the design….
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|£54.32 £44.90
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Oriental floral fragrance perfect for evening wear. Emporio She is a blend of jasmine, heliotrope and fruit with notes of vanilla and musk. Perfect harmony of scents is hidden in the original oval metal flacon gold.
Oriental floral fragrance perfect for evening wear.
Head: angelica, cardamom, jasmine
Basis: heliotrope, vanilla, cedar, musk
Heart: flowers, spices, amber
Content 100 ml
Specifications can be changed without notice. Images are for illustrative purposes only. Retail Price (MSRP) means the manufacturer's/supplier's suggested retail price.
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Commercial, Commercial/Residential,Strip Center - Saranac Lake, NY
Great commercial opportunity located in the heart of Saranac Lake. Woodruff Street Mall includes the Warehouse Coin Wash business including all equipment, (30 Washers and 25 Dryers), 3 bay car wash, 3 additional leased commercial rental spaces and 2 single family rental homes. 1.48 acre property includes over 300 ft. of waterfront on the beautiful Saranac River and paved parking area for 50+ cars. In business since 1983 with great potential for future commercial development along the riverfront.
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Dentelle Scale
Description - Dimensions - Features
Add some Parisian chic to your bathroom with our new French collection. Denetelle has an intricate lace design with a pretty bow detail, the collection features quirky accessories perfect for any home.
Width: 30.5cm
Depth: 30.5cm
Length: 2.5cm
Coordinating items available
Care Instructions: Wipe clean with a damp cloth
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September 22, 2005
PATRICIA J. HERRING, INDIVIDUALLY; JUDITH PALYA LOETHER, INDIVIDUALLY AND AS A LIVING HEIR OF ELIZABETH PALYA (DECEASED); WILLIAM PALYA, INDIVIDUALLY AND AS A LIVING HEIR OF ELIZABETH PALYA (DECEASED); ROBERT PALYA, INDIVIDUALLY AND AS A LIVING HEIR OF ELIZABETH PALYA (DECEASED); SUSAN BRAUNER, INDIVIDUALLY AND AS A LIVING HEIR OF PHYLLIS BRAUNER (DECEASED); CATHERINE BRAUNER, INDIVIDUALLY AND AS A LIVING HEIR OF PHYLLIS BRAUNER (DECEASED), APPELLANTSv.UNITED STATES OF AMERICA
Appeal from the United States District Court for the Eastern District of Pennsylvania. (District Court No. 03-CV-5500) District Court Judge: Honorable Legrome D. Davis.
Argued: July 15, 2005
Before: ALITO, VAN ANTWERPEN and ALDISERT, Circuit Judges.
In this case we decide whether the Government's assertion of military secrets privilege for an accident report discussing the October 6, 1948 crash of a B-29 bomber which killed three civilian engineers along with six military personnel, at Waycross, Georgia, was fraud upon the court.
Actions for fraud upon the court are so rare that this Court has not previously had the occasion to articulate a legal definition of the concept. The concept of fraud upon the court challenges the very principle upon which our judicial system is based: the finality of a judgment. The presumption against the reopening of a case that has gone through the appellate process all the way to the United States Supreme Court and reached final judgment must be not just a high hurdle to climb but a steep cliff-face to scale.
In order to meet the necessarily demanding standard for proof of fraud upon the court we conclude that there must be: (1) an intentional fraud; (2) by an officer of the court; (3) which is directed at the court itself; and (4) in fact deceives the court.*fn1
We further conclude that a determination of fraud on the court may be justified only by "the most egregious misconduct directed to the court itself," and that it "must be supported by clear, unequivocal and convincing evidence." In re Coordinated Pretrial Proceedings in Antibiotic Antitrust Actions, 538 F.2d 180, 195 (8th Cir. 1976) (citations omitted). The claim of privilege by the United States Air Force in this case can reasonably be interpreted to include within its scope information about the workings of the B-29, and therefore does not meet the demanding standard for fraud upon the court.
Early in 2000, Judith Palya Loether learned through internet research that the government had declassified Air Force documents regarding military aircraft accidents. She ordered documents related to the crash of a B-29 bomber at Waycross, Georgia, on October 6, 1948. Her father, Albert Palya, along with two other civilian engineers, had been killed in that crash. Her mother and the other two widows had sued the Government under the Tort Claims Act, but had not been able to gain access to the, now declassified, Air Force documents because of the Government's claim that the documents were protected by privilege. The case was heard by the Supreme Court in United States v. Reynolds, 345 U.S. 1 (1953), which explained the legal framework we must use in analyzing claims in which the Government asserts a privilege against revealing military secrets. Id. at 7-12. The Supreme Court reversed the decision of this Court and remanded the case to District Court for determination of whether the facts of that particular case, applied to the legal standard articulated, merited a determination that the privilege sought by the Government should be granted. Id. at 12. Before the District Court was able to consider the case on remand, the parties settled for 75% of the District Court's original verdict and the case was then dismissed with prejudice.
The Supreme Court explained the facts and procedural history leading up to its determination of the case as follows:
These suits under the Tort Claims Act arise from the death of three civilians in the crash of a B-29 aircraft at Waycross, Georgia, on October 6, 1948. Because an important question of the Government's privilege to resist discovery is involved, we granted certiorari.
The aircraft had taken flight for the purpose of testing secret electronic equipment, with four civilian observers aboard. While aloft, fire broke out in one of the bomber's engines. Six of the nine crew members, and three of the four civilian observers were killed in the crash.
The widows of the three deceased civilian observers brought consolidated suits against the United States. In the pretrial stages the plaintiffs moved, under Rule 34 of the Federal Rules of Civil Procedure, for production of the Air Force's official accident investigation report and the statements of the three surviving crew members, taken in connection with the official investigation. The Government moved to quash the motion, claiming that these matters were privileged against disclosure pursuant to Air Force regulations promulgated under R.S. § 161. The District Judge sustained plaintiffs' motion, holding that good cause for production had been shown. The claim of privilege under R.S. § 161 was rejected on the premise that the Tort Claims Act, in making the Government liable "in the same manner" as a private individual had waived any privilege based upon executive control over governmental documents.
Shortly after this decision, the District Court received a letter from the Secretary of the Air Force, stating that "it has been determined that it would not be in the public interest to furnish this report. . . ." The court allowed a rehearing on its earlier order, and at the rehearing the Secretary of the Air Force filed a formal "Claim of Privilege." This document repeated the prior claim based generally on R.S. § 161, and then stated that the Government further objected to production of the documents "for the reason that the aircraft in question, together with the personnel on board, were engaged in a highly secret mission of the Air Force." An affidavit of the Judge Advocate General, United States Air Force, was also filed with the court, which asserted that the demanded material could not be furnished "without seriously hampering national security, flying safety and the development of highly technical and secret military equipment." The same affidavit offered to produce the three surviving crew members, without cost, for examination by the plaintiffs. The witnesses would be allowed to refresh their memories from any statement made by them to the Air Force, and authorized to testify as to all matters except those of a "classified nature."
The District Court ordered the Government to produce the documents in order that the court might determine whether they contained privileged matter. The Government declined, so the court entered an order, under Rule 37(b)(2)(i), that the facts on the issue of negligence would be taken as established in plaintiffs' favor. After a hearing to determine damages, final judgment was entered for the plaintiffs. The Court of Appeals affirmed, both as to the showing of good cause for production of the documents, and as to the ultimate disposition of the case as a consequence of the Government's refusal to produce the documents.
Id. at 2-5 (citations and internal quotations omitted).
In the present action, Palya Loether is joined by Patricia Herring, William Palya, Robert Palya, Susan Brauner and Catherine Brauner. Patricia Herring is one of the widows who was a party in the original action. The others are heirs of the two other, now deceased, widows in the original action. The substance of their complaint is that the purportedly top secret documents for which the Government claimed a military secrets privilege did not actually reveal anything of a sensitive nature. They claim, therefore, that Government officers fraudulently misrepresented the nature of the report in a way that caused the widows to settle their case for less than its full value.
Appellants first pursued this current claim in the Supreme Court by a motion seeking leave to file a petition for a writ of error coram nobis. The Court denied this motion on June 23, 2003. In re Herring, 539 U.S. 940 (2003). Then, on October 1, 2003, Appellants filed this action in the District Court for the Eastern District of Pennsylvania, preserved by the savings clause of Rule 60(b) of the Federal Rules of Civil Procedure, to set aside the 50-year-old settlement agreement on the grounds that the settlement was procured by fraud upon the court. The Appellants sought the difference between the settlement amount and judgment originally entered by the District Court (which was later set aside by the Supreme Court). The Government then filed a motion to dismiss for failure to state a claim under Rule 12(b)(6). The District Court granted the Government's 12(b)(6) motion. It determined that there was no fraud because the documents, read in their historical context, could have revealed secret information about the equipment being tested on the plane and, on a broader reading, the claim of privilege referred to both the mission and the workings of the B-29. We affirm.
The District Court had jurisdiction supplemental to its exercise of jurisdiction over the original claim in Reynolds v. United States, No. 10142 (E.D. Pa.) (filed September 27, 1949), and Brauner v. United States, No. 9793 (E.D. Pa.) (filed June 21, 1949). See 28 U.S.C. § 1367 (2000). We have jurisdiction pursuant to 28 U.S.C. § 1291.
The Government urges us to apply an abuse of discretion standard of review to our review of the District Court's grant of its Rule 12(b)(6) motion and provides several arguments in favor of departure from the normally applicable standard.
Initially, we must be clear that we are not here reviewing a Rule 60(b) motion. The provision of Rule 60(b) commonly known as the "savings clause" states: "This rule does not limit the power of a court to entertain an independent action to relieve a party from a judgment, order, or proceeding, or to grant relief to a defendant not actually personally notified as provided in Title 28, U.S.C., § 1655, or to set aside a judgment for fraud upon the court." Rule 60(b), Federal Rules of Civil Procedure (emphasis added). It follows that an independent action alleging fraud upon the court is completely distinct from a motion under Rule 60(b). See Geo. P. Reintjes Co., 71 F.3d at 48.
The Government contends that because Appellants seek an equitable remedy ancillary to the prior suit of relief from a prior judgment of the District Court we should treat this action as if it were a review of denial of a Rule 60(b) motion and therefore review for abuse of discretion. We will not treat as a Rule 60(b) motion something that is explicitly preserved without being included by the text of Rule 60(b).
We are similarly unpersuaded by the Government's argument that because Rule 60(b) allows relief more broad than an independent action for fraud upon the court, and determinations based on Rule 60(b) are reviewed only for abuse of discretion, see Pridgen v. Shannon, 380 F.3d 721, 725 (3d Cir. 2004), an independent action for fraud upon the court should be reviewed at least as deferentially. Fundamentally, this argument confuses standard of review with burden of proof. We are quite capable of taking full account of the narrow criteria for relief present in an independent action for fraud upon the court without altering the Federal Rules of Civil Procedure. Under the normal de novo review that applies to a district court's grant of a Rule 12(b)(6) motion to dismiss for failure to state a claim, we can determine whether the Appellants have alleged facts which, if true, provide a basis for relief under the very demanding legal standard for fraud upon the court.
Finally, the Government cites United States v. Buck, 281 F.3d 1336, 1342-1343 (10th Cir. 2002), for the proposition that independent actions to reopen a judgment based on fraud upon the court are reviewed for abuse of discretion. We note initially that Buck is not binding on this Court. Even if it were, it does not support the Government's proposition because it reviewed a case in a much different procedural posture than the one at bar. In Buck, the court converted a motion brought under Rule 60(b)(6) alleging fraud upon the court into an independent action and then reviewed for abuse of discretion. Instead, we are faced with the simple review of a district court's grant of a Rule 12(b)(6) motion to dismiss for failure to state a claim to which de novo review clearly applies. See In re Adams Golf, Inc. Sec. Litig., 381 F.3d 267, 273 (3d Cir. 2004).
As noted above, we will employ a demanding standard for independent actions alleging fraud upon the court requiring: (1) an intentional fraud; (2) by an officer of the court; (3) which is directed at the court itself; and (4) that in fact deceives the court. We agree with the Court of Appeals of the Eighth Circuit that the fraud on the court must constitute "egregious misconduct . . . such as bribery of a judge or jury or fabrication of evidence by counsel. " In re Coordinated Pretrial Proceedings in Antibiotic Antitrust Actions, 538 F.2d at 195 (citations omitted). We must decide whether the United States Air Force's assertion of military secrets privilege over the accident report describing the cause of the B-29's crash at Waycross, Georgia, was fraud upon the court. In order to do this we look carefully at two documents central to the original litigation: the formal affidavit and claim of privilege filed by then-Secretary of the Air Force, Thomas K. Finletter and an affidavit of then-Judge Advocate General of the Air Force, Reginald Harmon. Before engaging in a detailed inquiry into the substance contained in these documents it is important to note the form and authorship of the documents. Both are formal documents making assertions to the court under oath authored by lawyers who were participating in the litigation though not directly representing the United States.
Authorship is important because, as noted above, we agree with the courts analyzing fraud upon the court which have required the fraud to be perpetrated by an "officer of the court." See Geo. P. Reintjes, 71 F.3d at 49; Demjanjuk, 10 F.3d at 348; Lockwood v. Bowles, 46 F.R.D. 625, 632 (D.C. Cir. 1969). These cases have noted, and we agree, that perjury by a witness is not enough to constitute fraud upon the court. See e.g., Geo. P. Reintjes Co., 71 F.3d at 49 ("The possibility of perjury, even concerted, is a common hazard of the adversary process with which litigants are equipped to deal through discovery and cross-examination, and, where warranted, motion for relief from judgment to the presiding court. Were mere perjury sufficient to override the considerable value of finality after the statutory time period for motions on account of fraud has expired, it would upend [Rule 60's] careful balance.") (citations omitted).
The Government seeks to define officer of the court narrowly to exclude Secretary Finletter and Judge Advocate Harmon because, though lawyers, they did not represent the United States in the litigation sought to be reopened. Although it is true that Finletter and Harmon did not represent the United States in the litigation, they did represent the United States Air Force's claim of privilege over a document central to that litigation. They were attorneys making a formal claim of privilege on behalf of the Government. We agree with the District Court's conclusion that the Supreme Court depended upon Finletter and Harmon's "experience, expertise and truthfulness" in its decision to reverse and remand. Herring v. United States, No. Civ. A.03-CV-5500-LDD, 2004 WL 2040272, *6 n.3 (E.D. Pa. Sept. 10, 2004). Given these unique facts, we find it inappropriate to decide the case on the basis that Secretary Finletter and Judge Advocate General Harmon were not officers of the court.*fn2
The stature of the documents in which the allegedly fraudulent representations were made is also important. The representations were made in an affidavit of Judge Advocate General Harmon and an affidavit and formal claim of privilege of Secretary Finletter both made under oath. To allege that false statements were made in these documents is to allege perjury; a particularly serious type of perjury because of the high degree of faith the Court placed in the truth of Finletter and Harmon's representations. In a perjury case, the plaintiff must prove that the allegedly perjurious statement is not subject to a literal, truthful interpretation. United States v. Tonelli, 577 F.2d 194, 198 (3d Cir. 1978). As explained above, proof of perjury is not enough to establish fraud upon the court. See e.g., Geo. P. Reintjes Co., 71 F.3d at 49. In this case, however, an accusation of perjury forms the basis of the fraud upon the court claim. In such a case, proof of perjury, though not sufficient to prove fraud upon the court, becomes a necessary element which must be met before going on to meet the additional rigors of proving fraud upon the court.
Moving to our examination of the substance of the two documents relied on by the Appellants, it is apparent that we must determine whether they are susceptible to a truthful interpretation. More specifically, can they be reasonably read to include within their scope an assertion of privilege over the workings of the B-29? If they can, the Appellants' assertion that the Air Force claim of military secrets privilege misrepresented the nature of the information contained in the accident report over which the privilege was asserted falls apart.*fn3
We conclude that the statements of Finletter and Harmon can be reasonably read to assert privilege over technical information about the B-29. The formal claim of privilege made by Secretary Finletter states:
The defendant further objects to the production of this report, together with the statements of witnesses, for the reason that the aircraft in question, together with the personnel on board, were engaged in a confidential mission of the Air Force. The airplane likewise carried confidential equipment on board and any disclosure of its mission or information concerning its operation or performance would be prejudicial to this department and would not be in the public interest. (Claim of Privilege by the Secretary of the Air Force (emphasis added).)
Appellants and the Government disagree on whether the pronoun "its" refers only to the electronic equipment on board or the B-29 airplane itself. While both readings are conceivable, the Government's is more logical. It is more natural to refer to an airplane's mission than to refer to the confidential equipment's mission. At the very least, the statement is readily susceptible to the reading preferred by the Government.
Appellants' contention about the meaning of "its" in the claim of privilege is also completely undercut by the statement in their original Supreme Court brief that "the Secretary for Air [sic] in his claim of privilege states (R. 22) that 'any disclosure of its (the airplane's) mission or information concerning its operation or performance would be prejudicial'" and that it was "obvious that the Air Force considers that all details concerning the operation of the airplane are 'classified.'" (Brief for Respondents submitted to the Supreme Court at 35 n.4 (emphasis added) (parenthetical alteration in the original).)
Nothing in Judge Advocate General Harmon's affidavit contradicts the Government's contention that the claim of privilege referred to the B-29 itself rather than solely the secret mission and equipment.
Because there is an obviously reasonable truthful interpretation of the statements made by the Air Force, Appellants are unable to make out a claim for the perjury which, as explained above, forms the basis for their fraud upon the court claim. We, therefore, conclude that Appellants failed to state a claim upon which relief can be granted.
We will affirm the judgment of the District Court.
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Last week, we announced that Kevin Ryan had joined Incisive Media as the new VP and global content director for Search Engine Strategies and Search Engine Watch. Lee Odden interviewed Kevin for his Online Marketing Blog last week, and today, Rand Fishkin of SEOmoz published an interview he did with Kevin, "The New Direction of SES & An Interview with Kevin Ryan."
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text: With the upcoming film, The Land, set to hit theaters soon, we get another banger from the soundtrack on Thursday, with the release of the Pusha T and Jeremih track, "Pain." The release of this new song comes just a day after Nas and Erykah Badu connected for "The Bitter Land," which you can check out here. Along with the Pusha and Jeremih track, the soundtrack features the likes of Kanye West, French Montana, Stalley, Nosaj Thing, and more. You can check out the soundtrack in full here, and stream "Pain" below.


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Samsung Bass Driver Download
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Crispy Baked Scrod With Sweet And Sour Sauce
|Plain low fat yogurt
|1⁄2 Cup (8 tbs)
|Peach jam
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|Dijon mustard
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|Cider vinegar
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|Chopped parsley
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1. In a medium-size bowl, combine the yogurt, peach jam, mustard, vinegar and parsley (if using), and stir to blend.
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6. Place the fish on the prepared baking sheet in a single layer. Bake, uncovered, for 10 to 12 minutes, or until the fish is opaque and flakes easily when tested with the tip of a knife.
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Nutrition Rank
Nutrition Facts
Serving size: Complete recipe
Calories 1108 Calories from Fat 190
% Daily Value*
Total Fat 21 g33%
Saturated Fat 7.1 g35.3%
Trans Fat 0 g
Cholesterol 435.9 mg145.3%
Sodium 2345.9 mg97.7%
Total Carbohydrates 41 g13.6%
Dietary Fiber 2 g8%
Sugars 21.6 g
Protein 186 g372.3%
Vitamin A 30.4% Vitamin C 35.2%
Calcium 66.8% Iron 16.5%
*Based on a 2000 Calorie diet


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published 17/02/2014
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Dutch far-right politician Geert Wilders and Donald Trump helped mutually reinforce white supremacy in Europe and the United States.
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President Bush, right, makes a statement to reporters as Iraqi Prime Minister Nouri al-Maliki, second from right, and and other Iraqi officials look on during their meeting at the U.N. Tuesday. Associated Press
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19372 Surnames | 122902 Records | 2598 Reunions
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Photo #43849
Last Name: McMichael
First Name : Reuben
Middle Name:
Subject's City: Bastrop
Subject's State: La
Subject's County: Moorehouse Parish
Subject's Country: USA
Date: 1851-1900
Photographer's City:
Photographer's State:
Type** : AMBRO
Comments: Reuben McMichael (Nee: ) | Bastrop La USA | 1851-1900 | Comments: Copy of a Xerox-sorry-
Reuben born 1813 Greene Co Ga to James & Margaret died 1860 Moorehouse. Lived Crawford, Marion, Stewart Ga married Margaret Eliz. Sanders Lawrence #1
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"NEW YORK TIMES "BESTSELLER From Academy Award winner and bestselling author Diane Keaton comes a candid, hilarious, and deeply affecting look at beauty, aging, and the importance of staying true to yourself--no matter what anyone else thinks. Diane Keaton has spent a lifetime coloring outside the lines of the conventional notion of beauty. In "Let's Just Say It Wasn't Pretty," she shares the wisdom she's accumulated through the years as a mother, daughter, actress, artist, and international style icon. This is a book only Diane Keaton could write--a smart and funny chronicle of the ups and downs of living and working in a world obsessed with beauty. In her one-of-a-kind voice, Keaton offers up a message of empowerment for anyone who's ever dreamed of kicking back against the "should"s and "supposed to"s that undermine our pursuit of beauty in all its forms. From a mortifying encounter with a makeup artist who tells her she needs to get her eyes fixed to an awkward excursion to Victoria's Secret with her teenage daughter, Keaton shares funny and not-so-funny moments from her life in and out of the public eye. For Diane Keaton, being beautiful starts with being true to who you are, and in this book she also offers self-knowing commentary on the bold personal choices she's made through the years: the wide-brimmed hats, outrageous shoes, and all-weather turtlenecks that have made her an inspiration to anyone who cherishes truly individual style--and catnip to paparazzi worldwide. She recounts her experiences with the many men in her life--including Warren Beatty, Jack Nicholson, Al Pacino, and Sam Shepard--shows how our ideals of beauty change as we age, and explains why a life well lived may be the most beautiful thing of all. Wryly observant and as fiercely original as Diane Keaton herself, "Let's Just Say It Wasn't Pretty" is a head-turner of a book that holds up a mirror to our beauty obsessions--and encourages us to like what we see. Praise for "Let's Just Say It Wasn't Pretty""""Behind the sterling movie credits and tomboyish wardrobe, we see a soulful and deep woman contemplating the narrative arc of her own life."--"Newsweek" "Delicious writing . . . This book is like a dishy lunch with the movie star you thought you'd never be lucky enough to meet. . . . Diane Keaton is in a class by herself and this book is good for the soul."--Liz Smith, "Chicago Tribune" "She's talented, iconic, quirky . . . and wonderfully blunt. This is just a small sampling of the reasons we love Diane Keaton, and they all permeate the pages of her new memoir.""--Elle" "As disarming and personable as the actress herself.""--The Huffington Post"" " "Wise, witty, thoughtful, uplifting, the truth, unvarnished--and very funny."--"Toronto Star" "From the Hardcover edition."
About Diane KeatonDiane Keaton is the "New York Times" bestselling author of "Then Again, "which was named one of the ten best books of the year by Janet Maslin of "The New York Times, People, "and" Vogue." She has starred in some of the most memorable movies of the past forty years, including the "Godfather" trilogy, "Annie Hall, Manhattan, Reds, Baby Boom, The First Wives Club, "and" Something's Gotta Give." Her many awards include the Golden Globe and the Academy Award. Keaton lives with her daughter and son in Los Angeles. "From the Audiobook Download edition."
Details Book
|Diane Keaton
|Books on Tape
|Data Published
|29 April 2014
|Format Book
|PDF, Epub, DOCx, TXT
|Number of Pages
|29 April 2014
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Since I wasn't married to my daughter's Father and didn't know I had the option to ask for Child Support to continue while she is in College can I pursue that now. And is College considered a secondary school that I read in law the support would continue until she is 19? Thank you
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I'm licensed in California although this is a summary of the support laws in your state which I understand to be Maryland. http://www.ncsl.org/issues-research/human-services/termination-of-child-support-age-of-majority.aspx
It sounds like you've waited too long. Child support past the age of majority is usually voluntary and can be done with the written consent of the other parent codified in a court order. I would suggest that you speak with a family law lawyer licensed in your state as to how to proceed.
Under current Maryland Law, child support continues until: age 18, graduation from high school but no longer than age 19.
Once she turns 18 and has graduated from college the other parent does not have a legal responsibility to pay support anymore.
Maryland law only provides for child support until the age of 18, graduation from high school, however, not past the age of 19. Therefore, since your daughter graduated from high school, her father can not be ordered to pay child support. College is not considered a secondary school.
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Dear Forum,
I've recently bought a Kia Sportage 2003. I have got a new genuine radiator installed and done all the possible repairs. I have also installed two electric fans in front of the condensor and one big electric fan replacing the engine clutch fan (also filled the radiator with caltex coolant). Still the I fear that the already weak /fragile / underpowered engine will over heat. It barely corsses the midline and the water starts overflowing through the radiator bottle. I need your help regarding a permanant solution to this problem. I plan to replace the damn engine ASAP.
Kindly tell me which engines are suited as a replacement and how much increase in CC should i go for. I am thinking on the lines of getting a TOYOTA engine, preferrably petrol above 2.4 or should i go for a diesel TOYOTA. Which engine is the best fit. how much power increase is advisable and what good an EFI would do.
Would there be any requirement of modification to the drive terrain as well since currently my 4X4 is not working, i have no idea why.
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Brand newLOWEST PRICE
Basic Greek by Travis Wayne GoodsellAU $15.05Free postage
- Brand new condition
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Nearly newLOWEST PRICE
USED (LN) Basic Greek (Ancient Alphabets Basics) (Volume 4) by Travis Wayne GoodAU $24.95+ AU $7.95 postage
- Like new condition
- Sold by ausreseller
- See details for delivery est.
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About this product
- DescriptionA beginner's basic Greek learner. Volume 4 in the Ancient Alphabets Basics series. For young learners and new older learners.
Key Features
- Author(s)Travis Wayne Goodsell
- PublisherCreatespace Independent Publishing Platform
- Date of Publication25/11/2015
- LanguageEnglish
- FormatPaperback / softback
- SubjectLanguage Learning: Self Study
Publication Data
- Country of PublicationUnited States
- ImprintCreatespace Independent Publishing Platform
- Content Noteblack & white illustrations
- Weight154 g
- Width152 mm
- Height229 mm
- Spine6 mm
- Translated byTravis Wayne Goodsell
Editorial Details
- Format DetailsTrade paperback (US),Unsewn / adhesive bound
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Police say man left crash sceneAugust 14,2014Police: Man drove
into church tents
DORSET A driver has been accused of crashing into two large party tents set up in front of a Vermont church and then a tree before leaving the scene.
Police said Matthew Arena, 34, of Londonderry later contacted police to report the crash, saying he fell asleep at the wheel and didnt have a cellphone to make an immediate report.
He was cited for leaving the scene of a property damage crash and negligent operation.
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