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March 27, 1986
ANGEL MUSIC, INC. on behalf of itself and all other publishers, persons or entities which own copyrighted music and which are represented by THE HARRY FOX AGENCY, Plaintiffs,
ABC SPORTS, INC. on behalf of itself and all other producers, syndicators and distributors of television programs utilizing copyrighted music and THE HARRY FOX AGENCY, Defendants
Plaintiff Angel Music, Inc. ("Angel Music") brought this copyright infringement action against defendant ABC Sports, Inc. ("ABC") alleging that ABC failed to obtain a "synchronization" license to record copyrighted songs owned by Angel Music. ABC now moves pursuant to Rule 56 Fed.R.Civ.P. for summary judgment dismissing the complaint on the grounds that the copyrighted music in question was duly licensed by ABC. Angel Music has cross-moved for an order dismissing the second affirmative defense contained in ABC's answer to the complaint because it is void as a matter of federal law. For the reasons set forth below, both summary judgment motions are denied.
Prior Proceedings.
Angel Music filed this action on November 1, 1984 purporting to represent a plaintiff class of music publishers represented by the Harry Fox Agency, Inc. ("Harry Fox"), naming as defendants Harry Fox for alleged breach of fiduciary duty and a class of producers of television programs. On December 13, 1984, Angel Music moved for certification of its plaintiff and defendant classes, and on January 7, 1985 Harry Fox moved to dismiss the complaint for lack of federal jurisdiction, which motion was granted by order of May 22, 1985.
ABC served its answer on January 15, 1985 asserting numerous affirmative defenses to Angel's action, and moved for summary judgment on August 19, 1985. Angel Music then filed its cross-motion for summary judgment dismissing ABC's second affirmative defense on October 15, 1985. The parties agreed to hold the class certification motion in abeyance, pending the outcome of the summary judgment motions. The motions were finally heard and submitted on December 20, 1985.
Factual Background
Angel Music seeks to require the purported class of television producers to obtain "synchronization" licenses from music copyright owners prior to using copyrighted music compositions as background music on soundtracks of a film or videotape in synchronization with visual images. The specific claims in this suit arise out of the airing of a three-minute documentary created by ABC entitled " Ski Jump Evolution of Style," shown in connection with ABC's coverage of the 1984 Winter Olympics in Sarajevo, Yugoslavia (the "Documentary"). To depict the evolution in ski-jumping style from 1920 to the present, ABC assembled clips from each decade and filmed or videotaped selected portions of each. ABC then recorded music from the relevant time periods onto the soundtrack of the film or videotape in synchronization with the visual images of the ski jumping. The film clip representing the ski-jumping styles of the 1950's was accompanied by nineteen seconds of a musical composition entitled "Walkin' With Mr. Lee," (the "composition"), a copyrighted song owned by Angel Music.
On February 18, 1984, during a regularly scheduled network broadcast of the Sarajevo ski-jumping, ABC broadcast the Documentary over nationwide television. Mr. Murray Sporn ("Sporn"), president of Angel Music, saw this documentary on Mexican cable television while in Mexico in February, 1984, and initiated a series of letters to ABC complaining that ABC had failed to acquire a synchronization license for its use of "Walkin' With Mr. Lee." Mr. Albert Berman ("Berman"), then president of Harry Fox, sent similar letters to ABC requesting that it obtain a synchronization license for the composition. Mr. Charles Stanford ("Stanford"), ABC's vice president for legal and business affairs, responded in a letter of May 23, 1984 that in ABC's judgment "this incidental background use of the composition on a single occasion within our on-going coverage of the 1984 Winter Olympics was fully covered by ABC's 'blanket' performing rights licenses, and in this situation, a synchronization license was not necessary."
The two contracts at issue in this action concern licensing agreements for copyrighted works owned by Angel Music. The first contract authorizes Broadcast Music Inc. ("BMI") to grant to others "performance rights" in Angel Music's copyrighted compositions, permitting the holders of such licenses to perform such music live, on film, on record or on tape (the "Angel Music-BMI" agreement). BMI thus acts as a "clearinghouse" for the licensing of these performance rights, and collects fees from licensees out of which BMI compensates its affiliates for the use of their compositions. Such performance rights have been granted to Angel Music by section 106(4) of the Copyright Act, 17 U.S.C. § 106(4).
The portions of the Angel Music-BMI agreement relevant to this controversy are as follows:
THIRD: Publisher hereby sells, assigns and transfers to BMI, its successors or assigns, for the term of this agreement:
A. All the rights which Publisher owns or acquires publicly to perform, and to license others to perform, for profit or otherwise, anywhere in the world, any part or all of the works, such rights being granted exclusively to BMI except to the extent specifically set forth on schedule A or on a clearance sheet or cue sheet submitted pursuant to subparagraph A of paragraph Tenth.
B. The non-exclusive right to record, and to license others to record, any part or all of any of the works on electrical transcriptions, wire, tape, film or otherwise, but only for the purpose of performing such work publicly by means of radio and television or for archive or audition purposes and not for sale to the public or for synchronization with motion pictures intended primarily for theatrical exhibition or with programs distributed by means of syndication to broadcast stations.
(Exhibit C - Angel Music-BMI agreement, p.1).
The second contract at issue concerns BMIs grant of a performance rights license to ABC (the "BMI-ABC agreement"). On January 1, 1982, BMI and ABC entered into an agreement granting ABC performance and related rights in Angel Music's (and other music publishers) copyrighted works. Paragraph II(a), granting ABC performance rights, provides:
BMI hereby grants to ABC for the term hereof, a nonexclusive license to perform, or cause to be performed, in the United States, by television broadcasting over Network and over regional and other portions thereof, now or hereafter regularly constituted, on Network's network programs over or through networks affiliated stations, all musical works to which, during the term hereof, BMI has the right to grant performing rights licenses.
Paragraph II(b) of the BMI license grants ABC an incidental right to record for the purpose of using the performance rights issued in part II(a):
(b) The license incorporates, as an incident to the performing right, the following rights of Network with respect to the musical works licenses:
(i) the right exerciseable before, during or after a broadcast transmission, to record such musical works by means of tape, wire, film, disc or any other similar or dissimilar method of recording television programs whether now known or hereafter developed, and
(iii) the right to use such recordings as follows:
(A) for the making of regularly scheduled Network broadcasts.
(B) for the making of delayed and supplemental broadcasts, as those terms are commonly used in the broadcasting industry, for file, reference, audition and sales purposes.
(Exhibit D - The BMI-ABC Agreement)
Angel Music contends that ABC's use of its composition "Walkin' With Mr. Lee" as background music juxtaposed with images of ski-jumping was a use commonly regarded in the music industry as a "synchronization" and was not authorized by the express terms or the intent of the parties to the BMI-ABC performing rights license set forth above. According to Angel Music, synchronization rights, a subset of the broader category of "reproduction rights" granted by section 106(1) of the Copyright Act, 17 U.S.C. § 106(1),
are required when copyrighted music is synchronized with visual images to create a new use, such as the Documentary aired by ABC. ABC contends that the Angel Music-BMI agreement and the BMI-ABC agreement authorized ABC to record the composition for its regularly scheduled network broadcast of the ski-jump documentary, as an incident to the performance right granted under the BMI performance rights license.
ABC's Summary Judgment Motion
ABC claims that it is entitled to summary judgment because it was "duly licensed" to use the composition "Walkin' With Mr. Lee" by what it terms the plain and unambiguous language of the BMI-ABC agreement. However, ABC faces a heavy burden in order to succeed in its motion, as a motion for summary judgment may not be granted "unless the entire record shows a right to judgment with such clarity as to leave no room for controversy, and establishes affirmatively that the adverse party cannot prevail under any circumstances." Heyman v. Commerce and Industry Ins. Co., 524 F.2d 1317, 1319-20 (2d Cir. 1975). The Second Circuit strictly construes these rules, Rodrigues v. Village of Larchmont, N.Y., 608 F. Supp. 467, 471 (S.D.N.Y. 1985) reserving summary judgment for cases which present no genuine issue of material fact. This strict standard is applied in recognition of the fact that summary judgment deprives the non-moving party of the opportunity to develop a full factual record at trial, see Jaroslawicz v. Seedman, 528 F.2d 727, 731 (2d Cir. 1975), and the severity of its consequences requires the district courts to resolve all reasonable inferences in favor of the party opposing the motion. United States v. Diebold, 369 U.S. 654, 655, 8 L. Ed. 2d 176, 82 S. Ct. 993 (1962) (per curiam); United States v. One Tintoretto Painting Entitled "The Holy Family with Saint Catherine and Honored Donor ", 691 F.2d 603, 606 (2d Cir. 1982).
Certain facts of the case are undisputed. Both parties agree that the Angel Music-BMI agreement is binding and in effect, and that it permits BMI to license others to perform any part or all of "Walkin' With Mr. Lee." Similarly, the parties agree that the BMI-ABC agreement gave ABC the right to perform the composition and, as incident to the performing right, to record that composition for the making of regularly scheduled network broadcasts. At issue, however, is the meaning of these rights conveyed and the scope of this "incidental" right to record.
Under the terms of the Angel Music/BMI agreement, Angel Music conveyed to BMI "all the rights which [Angel Music] owns or acquires publicly to perform, and to license others to perform, . . . any part or all of the works," and the "non-exclusive right to record, and to license others to record, any part or all or any of the works on electrical transcriptions, wire, tape, film or otherwise, but only for the purpose of performing such work publicly by means of radio and television or for archive or audition purposes." The BMI-ABC agreement conveying performance rights incorporated "as an incident to the performing right, . . . the right exerciseable before, during or after a broadcast transmission, to record such musical works . . . for the making of regularly scheduled network broadcasts." ABC takes the position that whether or not the use in question is considered a subsection of a synchronization right, this "incidental right to record" covered the Documentary in question, as it was not explicitly excluded by the Angel Music - BMI agreement
and falls within ABC's definition of an "incidental right to record" contained in the BMI-ABC agreement.
ABC contends that its interpretation of the scope of its performance rights license was previously endorsed by the Eastern District of Michigan in Jackson v. Stone and Simon Advertising, Inc., 188 U.S.P.Q. 564 (E.D.Mich. 1974) and a subsequent slip opinion. Jackson v. Stone and Simon Advertising, Inc., slip op. (E.D.Mich. Aug. 29, 1979). In Jackson, plaintiff's musical composition was used as background for a ten-second advertising commercial. The commercial was recorded on videotape for rebroadcast by several television stations. Jackson had granted BMI the right to license others to perform and record Jackson's composition and BMI in turn granted a performance license to each of the television stations. While the Jackson Court held that the defendant television stations had not infringed Jackson's copyright because the stations were licensed by BMI, it did not do so in a manner which would preclude this court from determining the scope of the performing rights license before it.
The Jackson Court made no reference to the concept of synchronization rights which underlies Angel Music's infringement claim. There the Court engaged in a brief discussion of "broadcast rights" and held that the BMI license to broadcast included the right to make tapes for delayed broadcast, a conclusion which did not address the "new use" issues of Angel Music's claims. A prior district court decision interpreting an entirely distinct set of agreements without consideration of Angel Music's alleged "synchronization rights" does not preclude Angel Music from asserting this alleged copyright violation.
Angel Music has produced evidence to cast doubt on ABC's assertion that the language of the two agreements is unambiguous and that it authorizes the instant use of "Walkin' With Mr. Lee." According to Angel Music, ABC's use of the composition in the Documentary was a "synchronization" of music and visual images, a use which falls into the category of recording rights granted to Angel Music by the Copyright Act and which requires ABC to obtain a "synchronization license" before using "Walkin' With Mr. Lee" in this manner. It is urged that ABC's construction of the Angel Music and BMI agreements is contrary to the intent of the parties and to the widely accepted industry separation of "performance rights" licenses from "recording rights" licenses.
To support this alternative interpretation of the scope of the ABC license agreement, Angel Music has demonstrated that BMI is recognized in the music industry and holds itself out to music publishers as a "performance rights" agency which does not license any synchronization rights. This evidence includes BMI's own descriptions of its services to music publishers, BMI's " Handbook for BMI Writers and Publishers " ["Does BMI license any other rights besides performing rights? No. BMI only licenses performing rights and only non-dramatic performing rights at that"] and a stipulation in a prior state court action by ABC's attorney Terrence Hines that BMI and the American Society of Composers, Authors and Publishers ("ASCAP"), do not license synchronization rights. Synchronization licenses are customarily obtained from the Harry Fox Agency which specializes in the licensing of such rights. See 2 M. Nimmer, Nimmer on Copyright § 819, Performing Rights Societies, p. 8-239-8-240.1. For a discussion of these distinct licensing roles, see Buffalo Broadcasting Company, Inc. v. ASCAP, supra, 744 F.2d 917 (2d Cir. 1984); Broadcast Music, Inc. v. Fox Amusement Co., Inc., 551 F. Supp. 104 (N.D.Ill. 1982). Thus Angel Music claims that it never intended to convey a synchronization right to ABC or BMI. The incidental recording right highlighted by ABC gave ABC a strictly limited recording right, designed to facilitate the performance use of the composition not to create a "new use" or new video product with the composition. According to Angel Music, such a new use places it squarely in the category of synchronization and requires ABC to obtain a synchronization license from Harry Fox.
In short, although the meaning of the language at issue at first appears well defined to the uninitiated, this record demonstrates a factual dispute as to the scope and the meaning of the category of rights granted by the BMI-ABC agreement. The resolution of this labeling dispute whether ABC's use of "Walkin' With Mr. Lee" was an example of a recording incidental to a performance right or an unlicensed synchronization in this highly sophisticated and intricate industry is a question of fact properly reserved for a trial on the merits. These divergent notions of the meaning of the contract, set against the "special commercial and trade area" of the music industry, demonstrate that this action presents disputed issues of contractual interpretation which go to the core of the infringement allegations presented. See e.g., Mellon Bank, N.A. v. Aetna Business Credit, Inc., 619 F.2d 1001, 1013 (3d Cir. 1980) (parties will be held to definitions given to words in specialized commercial areas in which they deal); Frigaliment Importing Co. v. B.N.S. International Sales Corp., 190 F. Supp. 116 (S.D.N.Y. 1960).
For example, the Angel Music-BMI license clearly excludes a category of reproduction rights from the rights granted to BMI (". . . not for sale to the public or for synchronization with motion pictures intended primarily for theatrical exhibition or with programs distributed by means of syndication to broadcast stations.") Yet it is unclear whether Angel Music intended to include the "new use" at issue, a one-time network broadcast of a synchronization of visual images and recorded music, in the category of rights which it reserved for recording rights licenses. In addition to extrinsic evidence of the intent of the parties, evidence obtained from music industry experts will chart the parameters of these reserved recording rights.
Similarly, both parties agree that the BMI-ABC agreement conveyed a limited right to record as incidental to the performance rights granted in the agreement. Although Angel Music has established that the scope of this incidental recording right is ambiguous, further factual development is required to determine precisely what that language grants to ABC, if "the right to use such recordings . . . for the making of regularly scheduled network broadcasts" does not include the one-time use of "Walkin' With Mr. Lee" in the manner at issue.
The elaborate scheme of distinct rights established under the Copyright Act appears to sustain the divergent meanings which the parties attribute to the contract language. Under these circumstances, summary judgment is inappropriate. Schering Corp. v. Home Insurance Co., 712 F.2d 4, 9 (2d Cir. 1983) (where the contract language is susceptible of two fairly reasonable meanings, the parties have the right to present extrinsic evidence of their intent at the time of contracting, and summary judgment is improper); Heyman v. Commerce and Industry Co., supra, 524 F.2d at 1320; Home Insurance Co. v. Aetna Casualty & Surety Co., 528 F.2d 1388, 1390 (2d Cir. 1976).
Angel Music's Summary Judgment Motion
Angel Music has cross-moved for summary dismissal of ABC's second affirmative defense, which provides:
Pursuant to valid and binding agreements, as heretofore modified, extended, and construed by the parties thereto, ABC Sports is and was duly licensed to record the copyrighted music referred to in the complaint, including "Walkin' with Mr. Lee."
According to Angel Music, a common-law contract interpretation that ABC was duly licensed to use the composition in the manner it did for the Documentary is null and void as a matter of federal law, because it violates the purpose and intent of the Copyright Act of 1976. Angel Music contends that a grant of a "performance right" under 17 U.S.C. § 106(4) cannot convey a "synchronization right" under 17 U.S.C. § 106(1), and that a synchronization right cannot be implied from a performance right license such as the one which BMI granted to ABC.
Angel Music relies on the case of Bishop v. Stevens, slip op., No. T-7060-82 (Fed.Ct. Canada, April 15, 1985) to support its argument that a contract interpretation granting these separately enforceable synchronization rights from the "incidental right to record" would be preempted by the federal Copyright Act. The Bishop case, concerning the closely analogous Canadian Copyright Act, involved the plaintiff's claim that a television station had synchronized music and visual images without obtaining a "synchronization license." Among other defenses, the station claimed that the language of a "performance rights" license also conveyed a "synchronization right." Rejecting this claim, the Court held that the Canadian Copyright Act distinguished a "performance right" from a "synchronization right" as a matter of law, and refused to imply that the former included the latter:
. . . there is clearly an additional or distinct purpose in recording which distinguishes it from mere performing. I therefore do not accept that the statutory licensing scheme of sections 48 to 50 of the Act, limited as it is to "performing rights," was intended to embrace recording rights.
But in my view the Act distinguishes between mere performing rights and recording rights and it is not open to the Court to say that the former includes the latter, but only in certain cases . . . .
(Id. at pp. 22-24).
According to Angel Music and its interpretation of the Bishop case, contractual language in the performance rights license is preempted if it is construed to convey a synchronization right. However, the Bishop case simply stands for the proposition that the Canadian Court would not imply a recording right from the defendant's performing rights license, whereas ABC relies on an express grant of a recording right incidental to its performance right to support its claims. While a statutory separation of copyright licenses into separately enforceable categories of rights may prevent a court from implying that one category grants rights which fall within another, rights from two categories conceivably could be granted expressly by the same licensing instrument.
To demonstrate that ABC's interpretation of the licensing agreement is preempted by the Copyright Act, Angel Music would have to show that this interpretation of incidental recording rights would "invade the scope of copyright law or violate its policies." Fantastic Fakes v. Pickwick International, Inc., 661 F.2d 479, 483 (5th Cir. 1981). While the cases cited by Angel Music stand for the well-established proposition that federal Copyright Law preempts conflicting state common law, see 17 U.S.C. § 301(a), none of these cases suggest that a copyright license cannot, if so interpreted, convey distinct categories of rights in the same license. Angel Music's cross-motion for dismissal of the second affirmative defense must therefore be denied and resort must be had to a factual record as to the use and effect of the rights at issue.
For the aforementioned reasons, the cross-motions for summary judgment are denied.
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text:
Search results for untitled track by shaggy
We've found 14 lyrics, 17 artists, and 100 albums matching untitled track by shaggy:
Shaggy · Shaggy 2 Dope · Shaggy · Sheffield Track Record · Track Bums · The Track · One Track Mind · Track One · Little-T and One Track Mike · Stars of Track and Field – and 7 other artists »
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on And on and on and on and on and on and on So weh me say Shag you went number one took top gun How they riding you every boys deciding to Stop the track get trough you what the hell Oh
down in the fuckin parking lot [Shaggy 2 Dope] Tall Jess, Jump Steady, and Nate the Mack Tagged ICP by the train tracks And it was on, the dawn
(Violent J) I love my Faygo, I love pills, Shaggy, I love my buddies, my hatchetman but I love my axe (Violent J) My axe is my buddy, I bring him
Cause my brain is cursed, by voodoo wizards. My skin turns blue and I start to shake. My tongue comes out like a snake. Pffffffff! [Shaggy 2 Dope]
the ass, bitch slapped some Grade School High School bitch slap went nuts I remember gettin' baptized by the Reverend Bitch slapped the Bible out of his
Cause my brain is cursed, by voodoo wizards. My skin turns blue and I start to shake. My tongue comes out like a snake. Pffffffff! [Shaggy 2 Dope]
to your devastation My motivation is lyrication, the philosophation Acquired by the gangsta's inspiration Mentally loc'd I'm smokin' tracks like it's
Acquired by the gangsta's inspiration Ready to loc, I'm smokin' tracks like it's (blunted) I'm frontin' 'bout .44 mags and G rags My khakis, t-shirt
[Monoxide] I should have knew she was a freak by the way she walked And when I talked to her, it was like she never got caught To this day, she
shaka-laka lokey, shaggy the clown back like scoliosis, Call me a psycho-skitzo-freak, and I'll call you by your name! (dick Anus) Cuz I could give two
to There's a witch trapped in this song There's a witch trapped in this song She'll hurt you She'll haunt you She'll curse you if she want to [Shaggy 2 Dope:]
by the store Chorus (2x) [Magic] (Where you at whodi?) I'm over here Shaggy Smokin my do-do in the mo-mo in the black navi Bitches will love to have
rhymes But ya keep the killer in one place, But I'm at ya door, motherfucker have a taste! [Nate The Mack (Shaggy 2 Dope)] Fucking you up won't
product it's bound to get ejected This shit is protected by computron And hard drives and main frames that it's downloaded on Virtual criminal, subtitle

subset: commoncrawl


text:
Leggings of the Fang
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- Leggings of the Fang
- Item Level 23
- Binds when picked up
- Leather
- Legs
- 79 Armor
- +5 Strength
+9 Agility
+4 Stamina
- Durability 65 / 65
- Requires Level 18
- Sell Price: 12 56
- Embrace of the Viper
- 324 Armor
+18 Strength
+26 Agility
+24 Stamina
- Embrace of the Viper (5 pieces)
- [Belt of the Fang]
[Footpads of the Fang]
[Gloves of the Fang]
[Leggings of the Fang]
[Armor of the Fang]
- (2) Set: Increases Nature spell power by 7.
(3) Set: Increases expertise rating by 4.
(4) Set: Increases spell power by 6.
(5) Set: +10 Intellect.
- Combined stats.
Leggings of the Fang are leather pants, useful for Rogues, Hunters, Shamans or Druids. It's part of the set Embrace of the Viper.
Source Szerkesztés
The leggings drops from Lord Cobrahn in the Wailing Caverns.
Notes Szerkesztés
The leggings' estimated drop rate is 16%.


text:
21-11704 - 24" Tool Rack
A tool storage rack made of durable polypropylene that can hold 96
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21-11708 - 25 Piece Storage Bin Set
A wall mount storage unit for the workshop. Includes three different sized bins for a variety of storage options.
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Kit supplied with hose end connector, aquastop connector, threaded tap connector and adjustable spray nozzle.
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General purpose pressure sprayer for various applications
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29-1050 - Battery Tester
Use with most popular rechargeable and standard batteries Tests batteries under load conditions Easy-to-read meter indicates battery condition at a glance
298-0040 - 3V Lithium Coin Cell Battery CR2032 - 5pk
3V CR2032 Lithium Coin Cell 5-pack
Pro-Elec lithium coin cell batteries provide an excellent combination of high energy and constant voltage supply. These long-lasting 3.0V batteries are used for everything from cameras to calculators, and are packaged in hang...
Fast and efficient service. On-line ordering is easy and quick. Delivery was on-time.


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food, catering, parties
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From the author of Fault Line comes an edgy and heartbreaking novel about two self-destructive teens in a Sid-and-Nancy-like romance full of passion, chaos, and dyed hair.
Seventeen-year-old Amelia Gannon (just "Gannon" to her friends) is invisible to almost everyone in her life. To her parents, to her teachers - even her best friend, who is more interested in bumming cigarettes than bonding. Some days the only way Gannon knows she is real is by carving bloody lines into the flesh of her stomach. Then she meets Michael Brooks, and for the first time she feels like she is being seen to the core of her being. Obnoxious, controlling, damaged, and addictive, he inserts himself into her life until all her scars are exposed. Each moment together is a passionate, painful relief. But as the relationship deepens, Gannon starts to feel as if she's standing at the foot of a dam about to burst. She's given up everything and everyone in her life for him, but somehow nothing is enough for Brooks - until he poses the ultimate test. Bleed Like Me is a piercing, intimate portrayal of the danger of a love so obsessive it becomes its own biggest threat.
©2014 Christa Desir (P)2015 Audible, Inc.
"Loved Loved Loved!!"
The best part was chapter 17!! Very intense story about self acceptance and love. Most of all fprgiveness.
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Product Spotlight
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Subway Grows in Massachusetts
Sandwich shops becoming a fast-food force in Boston and beyond.
BOSTON -- The Subway restaurant chain is flooding the area, as well as much of Massachusetts, with new shops. According to a story in the Boston Globe, the small restaurants are popping up in enclosed malls, strip shopping centers and downtown areas.
Two Subways opened in the past year in Haverhill, including one downtown. "It's in an inner-city location, but it's doing very well for us," said Michael Volcano, Subway's development agent for Middlesex and Essex Counties, in an interview with the Globe.
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"We have a tremendous amount going on now in Massachusetts," said Tom Farrell, Subway's development agent for Suffolk and Norfolk counties. There are about 200 Subways in Massachusetts, and 75 more under construction, Farrell told the newspaper.
Nationwide, Subway has more than 16,000 stores, including many in convenience stores. Last year, the company overtook McDonald's to become America's largest franchise restaurant chain.
While the effects of Subway shops on the suburban landscape are not as dramatic as those the burger chains have had, the little stores are making an impact -- by filling hard-to-rent, smaller spaces. John Mullen, director of the Center for Economic Development at University of Massachusetts at Amherst, told the Globe that because a Subway operates for more than eight hours a day, it has the potential to bring nightlife to a business district.
A Subway can draw other restaurants to a business district and also make an area more attractive for residential development, according to Andrea Hurwitz, spokeswoman for the Metropolitan Area Planning Commission. A downside is that a Subway can drive a local sandwich shop out of business, according to Mullen.
Alan Macintosh, assistant director of the Haverhill-based Merrimack Valley Planning Commission, told the Globe that a Subway could provide a small boost to a struggling area. "In the right setting it might be a piece that is important, although I don't think you would want to build an economic development strategy around it," Macintosh said.
While the ideal space for a Subway is 1,200 square feet, the stores can be as small as 200 square feet, according to Farrell. Subways do not require drive-throughs, although some stores have them; nor do they have grills, fry cookers, or pizza ovens, and thus do not require a large number of safety permits. The only cooking done on the premises is for bread and cookies.
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Subway faces competition in Massachusetts from both D'Angelo's, which is owned by the parent company of the Papa Gino's pizza chain, and Togo's, which is owned by Dunkin' Donuts parent. Also vying for the sandwich market are the fast-casual restaurants, such as Panera, as well as the burger chains and independent pizza and sandwich shops.
In placing stores on what seems like every street corner, the privately held Subway chain, based in Milford, Conn., is following a strategy used in certain parts of the country by Starbucks and Dunkin' Donuts.
Subway's goal is to have a store in place for every 15,000 residents, according to Farrell. Franchisees or entrepreneurs own all of the company's stores.


text:
- Show off your pride and support of Tim Howard and Team USA as they compete to win the 2016 Copa America. This stylish shirt features Howards name and number 1 on the back.
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- Imported
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15% of Your Purchase Supports Steve's Club National Program
If you like a spicy kick this bar is for you! The Jalapeno ProteinKrunch bar pairs sea salt and jalapeno for a unique taste sensation. Each bar packs a whopping 14 grams of protein power without the powder. Check the deck and you will find only real whole ingredients, deliciously hand made in small batches. ProteinKrunch bars are a perfect snack on-the go or a great way to start the start the day!


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also known as Rob Fellows
My greatest satisfaction is being a voice for my clients and getting results.Manufacturers and retailers have a legal obligation avoid injury from defective productsWhen in the Courtroom, the right lawyer makes a real differenceMedical Malpractice is simply put a doctor's negligenceCyclists are not fair game from careless driversThe elderly have the right to dignity free from abuse and harmA property owner has a duty to prevent injury from hazardous conditionsAggressive and fatigued truckers must not endanger the welfare of motoristsNext of kin have the right to assert their own damages arising from the tragic loss of a loved one
Posted by Denise
I came to Mr. Fellows after a bicycling accident after a motorist ran me off of the road. I have never been involved in a lawsuit. As a result of the accident, I spent almost three days in the ICU. I didn't understand how to protect my rights. I spoke to Mr. Fellows (as well as other lawyers) about my situation. I ultimately selected Mr. Fellows because he struck me as the kind of attorney and advocate that was knowledgeable, trustworthy and prepared to fight to insure that my interests were protected.
Mr. Fellows was incredibly professional. He demonstrated a deep knowledge of the injuries that I had sustained as well as the potential long term effects resulting from these injuries.
Mr. Fellows handled my case and got a quick settlement for an amount in excess of my expectations. Without any reservation, I would recommend Mr. Fellows to others as an attorney/advocate for any personal injury case.
Posted by T.Santiago
A Lawyers job is to fight for his client, I didnt want him to fight just be my voice. Rob and the office staff made me feel so comfortable during the most uncomfortable times and made me laugh at others. He is VERY Knowledgeable and when he says something he means it. He wants you to feel relaxed and lay all stress on him, and believe me he will handle it. This lawyer doesnt work a typical 9-5, he will call you and check in at any hour, he never let me feel as if I wasnt forgotten. I thank Rob from the bottom of my heart for all the work he did to get me justice.
Posted by Maria
Mr. Fellows handled a physical injury lawsuite on my behalf. He was always immediately responsive to my emails, phone calls and concerns. He continually demonstrated professionalism, integrity, and a diligent work ethic in researching and presenting my case. Mr. Fellows calm demeanor,sensitivity and genuine concern in regard to my obtaining a satisfactory resolution to my lawsuite was ever present and most reassuring. He is absolutely wonderful I found him to be a dedicated, relentless advocate on my behalf.
"It's a people's endeavor. My greatest satisfaction is being a voice for my clients and getting a result that will have a real impact on people's lives. In this area of law, you can make a real difference."
Robert Fellows is the Managing Partner of Fellows Hymowitz, P.C and brings more than 39 years of experience and legal skill to the courtroom and to his clients.
Rob has been selected as an NY Metro Super Lawyer and takes pride in providing meticulous attention to detail, relentless preparation, and aggressive advocacy on behalf of his clients.
Rob is extremely active in his community and passionate about supporting the arts. He serves as the President of the Board of Directors of the Rockland Center For the Arts (RoCA), the largest multi-disciplinary art center outside of New York City. He is also an avid supporter of Not- For-Profits in Rockland County and was appointed by NY Governor Andrew Cuomo to serve on Visual Quality Panel for the New Tappan Zee Bridge.
Rob also serves as a member of the Board of Directors of both the Giulio Gari Foundation, which benefits rising opera stars, and the Rockland Community Foundation. He is an avid cyclist, and can often be found in local Blues clubs, where he exercises his passion for playing the harmonica and jamming with local bands. Rob also studied acting in Manhattan and has appeared in community theater and film
Pro-Bono Legal Services; LGBT Friendly; New York City, New Jersey and Catskill Regional Offices.
Languages spoken: Spanish, Italian, French, Creole
Contingent (30-33%), Free consultation (120 minutes)
Are you an attorney? Endorse this lawyer
Rob is a terrific lawyer whose compassion for his clients is exceeded only by his passionate advocacy for them. I recommend him highly.
John Maccartney Litigation Attorney
Relationship: Fellow lawyer in community
I endorse this lawyer. He is an agrressive, hardworking, ethical and knowledgeable attorney who truly has his client's best interests at heart. I would not hesitate to refer clients to him in fact I have done so on multiple occasions.
Steven Beldock Car accident Attorney
Relationship: Worked together on matter
Hudson Valley Office
254 South Main Street Suite 500
New City, NY, 10956
New York City Office
1633 Broadway
New York, NY, 10019
Catskill Region Office
5428 Main Street
Windham, NY, 12496
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|Mock Trial Coach


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Jacksonville, FL (February 6, 2007)- To celebrate 20 years of Flowering Tree Sales, Greenscape of Jacksonville is giving away 20,000 trees. This is the biggest planting day ever for Greenscape of Jacksonville! JEA will give the first one hundred children a seedling from Jacksonville's favorite tree, The Treaty Oak.
Free trees to help clean our air, reduce energy consumption, increase property values, and make the neighborhoods more beautiful. All trees will be in 3 gallon containers. Select from: Red Maple, Red Bud, Sweetbay Magnolia Live Oak, Crape Myrtle, Little Gem Magnolia, Bald Cypress, Dogwood, Japanese Magnolia, Drake Elm, River Birch, or Nuttal Oak.
Date: Saturday, February 24, 2007
Time: 7am- 1pm (rain or shine)
Place: Jacksonville Municipal Stadium- Lot J
Greenscape of Jacksonville is a not for profit organization whose mission is to enrich the community through the planting, protection, and promotion of trees. For more information, visit Greenscape of Jacksonville.


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Lyrics Depot is your source of lyrics to Turns To Ashes by 36 Crazyfists. Please check back for more 36 Crazyfists lyrics.
Turns To Ashes Lyrics
Artist: 36 Crazyfists
Album: Bitterness The Star
I'm not sick, I'm just a boy
Sifting through the newfound lie
And I'll be crawling through these ashes and dissecting all these flies
Since the sun has died and it is still somewhat July
Is this all the world has to offer?
And I don't know how much you thought I'd be
It turns to ashes on me
One more piece inside these lines
Deeper harms my disguise
And everyone is different so everyone is sly
And everything's still horrible since everyone still dies
Is this all the world has to offer?
And I don't know how much you thought I'd be
It turns to ashes on me
Is this all the world has to offer?
It turns to ashes on me
No one is safe
36 Crazyfists Lyrics
36 Crazyfists Bitterness The Star Lyrics
More 36 Crazyfists Music Lyrics:
36 Crazyfists - All I Am Lyrics
36 Crazyfists - Aurora Lyrics
36 Crazyfists - Circle The Drain Lyrics
36 Crazyfists - Clear The Coast Lyrics
36 Crazyfists - Eightminutesupsidedown Lyrics
36 Crazyfists - We Cannot Deny Lyrics
36 Crazyfists - We Gave It Hell Lyrics
36 Crazyfists - When Distance Is The Closest Reminder Lyrics


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Mamanista! » Entries tagged with "Wii MySims Party Review"
Wii MySims Party Game Review
MySims Party for the Nintendo Wii will keep your young kids entertained. Play individually or against up to 3 other players. Compete against each other as you play 50 different mini-games. The arcade-style games, like many Wii games, are more physical than typical videogames. For example, one game involves outrunning a robot. Others include flipping bacon and extreme snowboarding. The variety of games will appeal, and the short amount of time required to play a mini-game is ideal for younger children. MySims … Read entire article »
Filed under: Electronics, Featured, Games


text: HomepageFundingFunding guidanceManaging your fundingHelp with publicity Help with publicity Tweet Print Publicising your project is important so that people can learn about the fantastic work you're doing in your community. It's also good for people who play the National Lottery to see where the money they raise is being spent and how people are benefiting from it. Our publicity guide (PDF 496 KB) has all kinds of ideas about the different ways you can promote your project. Below are a few tips to get you started using social media and online tools, print, media and more. Websites and social media It is a good idea to set up a website for your project so potential beneficiaries, your wider community, other funders, and supporters can see what you do and find out how to contact you. There are providers, such as Wordpress, where you can create a website for free with almost no specialist knowledge. Social media is different from a website because it is a conversation, direct with one person or to a group, and it can be initiated by anyone. There are hundreds of social media channels out there, Twitter, Facebook, Instagram and Pintrest are the most common. You can easily create a profile on social media so you can share information about your project. It's free and you don't need to be a specialist. It is a good idea to have this owned by someone in your organisation so you know you are responding and posting frequently. You can join in conversations with us to find out what is happening with other projects in your area, new funding opportunities or share ideas. Follow us on Twitter, and like us on Facebook. We'd love to hear about the great work you are doing, and can help you celebrate your success, so be sure to let us know how things are going. Follow... UK & England Twitter Northern Ireland Twitter Wales Twitter Scotland Twitter Like... UK & England Facebook Northern Ireland Facebook Wales Facebook Scotland Facebook You could also write a blog about your project to post on other organisations sites or produce a short video to post on a site such as YouTube. Face to face Tell your people about your project, what you are doing and how they can get involved. Ask them to spread the word. Contact local organisations and businesses who can help promote your project through their networks. Hold an event. It could be to launch your project or to encourage people to get involved, or to celebrate a key milestone. Leaflets, posters and newsletters Produce leaflets, posters or newsletters about your project. Display them as widely as possible in your area. Libraries, health centres and recreation centres are good places to choose so lots of people can see them. Through the media Tell your local newspaper, community news channel or radio station about your project. A press release accompanied by a photo or a short film is a good way to introduce your work. Invite them to your launch event or open day or arrange a photo call with some of the people involved in your project. Remember that you need to get consent from people you would like to photograph or film, especially if you plan to use the images for publicity purposes (that includes both print and online). When you get consent we recommend that you make a form for people to read and complete at your event. It is also a good idea to let them know an event will be filmed or photographed when they arrive. We've suggested some content for your consent form (PDF 102KB). More information More detailed information on how to generate publicity for your project can be found in our publicity guide (PDF 496KB). Once you're ready to promote your project and the difference it's making to your community, get in touch with the Media Trust's Do Something Brilliant project, which we fund. Do Something Brilliant will help you promote your project by giving you additional skills, tools and platforms to tell your story about the brilliant work you do in your community. If you need any help or advice please do contact us. We wish you every success with your project. Downloads (not for use in Wales) Promoting your project (PDF 348KB) Press release template (Word 1.2 MB) Bilingual downloads (must be used in Wales) Promoting your project - Welsh (PDF 348KB) Promoting your project - English (PDF 348KB) Press release template - bilingual (Word 31 KB)


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Russian IdentitiesOxford University Press 2005; US$ 82.99
This book investigates the question of Russian identity, looking at changes and continues over a huge territory, many centuries, and a variety of political, social, and economic structures. Its main emphases are on the struggle against the steppe peoples, Orthodox Christianity, autocratic monarchy, and Westernization. more...
Young StalinKnopf Doubleday Publishing Group 2009; US$ 19.00
This revelatory account unveils how Stalin became Stalin, examining his shadowy journey from obscurity to power?from master historian Simon Sebag Montefiore. � Based on ten years of research, Young Stalin ?companion to the prizewinning Stalin: The Court of the Red Tsar ?is a brilliant prehistory of the USSR, a chronicle of the Revolution, and... more...
The Demise of Marxism-Leninism in RussiaPalgrave Macmillan 2004; US$ 44.00
In The Demise of Marxism-Leninism in Russia , distinguished specialists chart the rise of new thinking on the Soviet system and the decline and fall of Marxism-Leninism in the late Soviet period. They also discuss the failure of Marxism-Leninism to make a comeback in post-Soviet Russia. This book makes a significant contribution to understanding the... more...
Arsenals of FollyKnopf Doubleday Publishing Group 2007; US$ 18.00
Pulitzer Prize-winning author Richard Rhodes delivers a riveting account of the nuclear arms race and the Cold War. In the Reagan-Gorbachev era, the United States and the Soviet Union came within minutes of nuclear war, until Gorbachev boldly launched a campaign to eliminate nuclear weapons, setting the stage for the 1986 Reykjavik summit and the... more...
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This book makes extensive use of Soviet sources to provide the first full analysis of Moscow's ballistic missile defence policy from its origins to the most recent post-Soviet developments. It considers the Soviets' motivations for pursuing an anti-ballistic missile capability and the extent of their success. more...
Russia's Sputnik GenerationIndiana University Press 2006; US$ 18.35
Russia's Sputnik Generation presents the life stories of eight 1967 graduates of School No. 42 in the Russian city of Saratov. Born in 1949/50, these four men and four women belong to the first generation conceived during the Soviet Union's return to "normality" following World War II. Well educated, ... more...
The Germans of the Soviet UnionTaylor and Francis 2007; US$ 54.95
The Germans were a very substantial minority in Russia, and many leading figures, including the Empress Catherine the Great, were German. Using rarely seen archival information, this book provides an account of the experiences of the Germans living in the Soviet Union from the early post-revolution period to the post-Soviet era following the collapse... more...
Soviet Air Force Theory, 1918-1945Taylor and Francis 2007; US$ 54.95
This new book examines the development of Soviet thinking on the operational employment of their Air Force from 1918 to 1945, using Soviet theoretical writings and contemporary analyses of combat actions. more...
The Fall of Soviet Communism, 1985-1991Palgrave Macmillan Ltd. 2005; US$ 30.00
In 1991, Communist rule in the Soviet Union came to an end after 84 years, and the world's largest state, one of the two global superpowers, broke up into fifteen independent countries. Few had predicted such an outcome when Mikhail Gorbachev became the leader of the Soviet Union six years before. more...
RussiaInfobase Publishing 2004; US$ 85.00
A reference guide to the world's largest country. Covering influential individuals, significant places, and important policies, it provides readers with a greater understanding of Russian history. A narrative history, chronology, and A-Z entries are included. more...


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Carrier To Stay In America. Trump Makes Good On His Promise #MAGA
The Main stream Media is touting this as more Corporate Welfare. In my opinion it's President Elect Trump making good on his promise to stop the trend of globalization and outsourcing. He convinced Carrier — an Indianapolis-based air-conditioning manufacturer —… Continue Reading


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An independent cafe bar and kitchenalia shop located in the heart of Burry Port, Carmarthenshire, Whitford's first opened its doors on Sunday, 1st November, 2015.
Our five luxurious loft-style holiday apartments and en-suite rooms are now complete on the first floor and available to book via our on-line booking system (see "TO STAY")
Whitford's is a charming spot to find freshly-cooked, traditional meals ( including breakfasts and light bites), along with mouth-watering cakes and desserts made on the premises each morning. We are fully licensed, selling quality wines and local beers in addition to a full range of quality coffees
On Friday and Saturday evenings, we are open for evening dining with an a la carte menu which changes each week (last orders taken at 8.00pm)
Private dining for parties of up to 40 people is also available between Monday and Thursday each week and our Manager, Karen Hickin, will be delighted to discuss your requirements with you
Our shop stocks a unique range of kitchenalia and giftware from suppliers and designers – some modern and innovative, others more traditional – carefully sourced from both near and far but with the emphasis always on contemporary quality at affordable prices.
When you visit Whitford's, expect to find a rustic, industrial setting and a small team of staff whose prime focus is always on providing excellent service and a quality product
We look forward to welcoming you.
- Monday : Closed
- Tuesday – Thursday : 9.00am – 5.00pm
- Friday – Saturday : 9.00am – 9.00pm
- Sunday (wef 4/12/16) : 10.00am – 4.00pm
*Please note that last orders for food are accepted 1 hour before closing time each day
Shop hours:
- Monday : Closed
- Tuesday-Saturday : 10.00am – 5.00pm
- Sunday : Closed
- Saturday, 24th December – open from 9.00am to late
- Sunday, 25th December to Wednesday, 28th December – CLOSED
- Thursday, 29th December – open
- Friday, 30th December – open
- Saturday, 31st December – open


text: We stopped by today to try some Okonamayaki. I spent 6 years on Okinawa and never had any . We got one pork and one shrimp and they were good, not great but good. There was a lot more shredded cabbage than I thought there would be but it was quite good. The food was prepared quickly and it was... More


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Sue Barrett
Founder & CEO, www.salesessentials.com.
Founder & CEO, www.salesessentials.com.
Vouches Received
Vouches Given
We worked together Lead Sales Strategist, Barrett Consulting. Previously Former owner, DaiSho Marketing. Harvard Business School grad.
Sue is someone who really cares about others. She is a great entrepreneur because she has a clear insight into what she wants and what othe ...
We worked together CEO, Rural Finance Victoria and Director, Rural Finance Victoria. Wharton grad.
Very enthusiastic, challenging, knows sales very well and can work with all types of audiences
They're my advisor: other Owner Principal, Dinkums Print & Design. Previously Head of Sales, Bayer CropScience.
She's a great communicator and has a wealth of knowledge and experience.
We worked together Managing Director, Lee Hecht Harrison. Previously Head of Operations, Transurban - Citylink.
Sue is already a great entrepreneur given the success of her company in providing expert professional advice for an extended period to such ...
Neville Christie
We worked together Founding Chairman, StartUp Foundation and Founding Chairman, ADHD Alliance.
Neville has a broad and deep knowledge of business and the world at large. He is very resourceful and insightful
Peter Finkelstein
Lead Sales Strategist, Barrett Consulting. Previously Former owner, DaiSho Marketing. Harvard Business School grad.
Peter is an amazing entrepreneur who has put sales strategy and sales operations on the world stage. His knowledge and insight into running ...


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Ireland's Minister for Education Batt O'Keeffe says the opening of the country's first science museum will help improve science education and inspire students to become scientists. O'Keeffe says the museum is an impetus for improving science education, and he is calling for an overhaul of the country's science and maths curriculum. "We want to change the attitudes to science and maths. We need to make them far more exciting within the school curriculum," he says.
Full Story:The Irish Times (Dublin)


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Recipe for Indian Egg Curry
Recipe for Curried Eggs / Indian style Egg Curry
The first time I made this egg curry recipe, the husband absolutely loved it. He licked his fingers clean, as well as the bowl. I wonder why I don't make it more often. This Sunday he was leaving for London for two weeks and I wanted to go for a potluck party. Going alone to meet new people doesn't seem a very exciting thing to do, but I had to do something with my Sunday afternoon. I had to make something quick and easy, as well as well liked by most. Egg curry is what came to my mind, can be eaten by most vegetarians and meat eaters too.
Recipe for Indian Egg Curry
Serves 6-8 people
Indian Egg Curry / Curried Eggs
Spices + coconut
- To prepare Indian style Egg Curry, start by heating 2 tbsp ghee in a large wok.
- Once the ghee is warm, keep the flame on low and saute all the spices along with coconut slices (if you dont have fresh sliced coconut, use frozen unsweetened grated coconut.
- After 30 seconds, add the sliced onions, tomatoes and coconut. Sprinkle some salt. Saute on a low flame for 8-10 minutes, until onions and tomatoes are well cooked. Remove it onto a plate and cool thoroughly.
- In a blender / mixer, take the cooled ingredients and grind to an extremely fine paste, adding upto one cup of water.
- Take the remaining 2 tbsp of ghee in the wok, add the ground paste, remaining salt, halved eggs and simmer for 3-4 minutes. Stir in the coconut milk.
- Tear fresh basil leaves and garnish the curry. Serve hot with steamed rice.
*Vegans / Vegetarians can easy substitute the eggs with soya chunks, available in most Indian grocery stores.
This curry is not for the faint hearted. It is a burst of spices, it is truly Indian at its heart. If you are using Kashmiri chillies, even 6-8 chillies can be added safely without making your guests sweat it out. Check for the heat in your chillies and decide accordingly.
Do check my favourite Egg and Potato Curry Recipe as well.


text: Our Performance on Sustainable Fishing Practices At High Liner Foods, we are not just working with suppliers who are already certified as sustainable, we are also taking a proactive role in improving fisheries and aquaculture programs around the world. Our Work with the Sustainable Fisheries Partnership (SFP) When we made our commitment to fishing sustainability, we began work in conjunction with the Sustainable Fisheries Partnership (SFP) to survey all of our source fisheries and aquaculture operations to determine which were already sustainable, which could be improved and which should be avoided because they did not engage in responsible business practices. From there, we developed programs and strategies to take a proactive role in improving fisheries and aquaculture programs worldwide. As the leading seafood company in North America, we have brought together the key stakeholders, from the suppliers to the retailers, so we can all work together to support SFP's Fishery Improvement Projects. Through this work, more and more fisheries are being certified by the Marine Stewardship Council (MSC) as sustainable. Our Criteria for Responsibly Sourced Seafood Responsibly sourced seafood has been part of our sustainability commitment from the beginning. Our commitment is to source all of our seafood from sustainable or responsible sources of supply. "Responsibly sourced" helps define our product-specification requirements from sources that we have identified as being responsibly managed and on a clear, well-defined path toward achieving certification. To meet our rigorous policies, any High Liner Foods product must meet the following criteria: When it comes to wild-caught: Is MSC certified; or, is in Full MSC Assessment; or, is in a credible and publicly documented fishery improvement project that has a detailed work plan that includes goals with timelines and reporting of milestones referenced on FishSource and/or WorldWildlife Fund and/or Wild Salmon Centre websites; or, is OceanWise "recommended"; or, is Seafood Watch rated "green" or "yellow." When it comes to aquaculture: Is Global Aquaculture Alliance (GAA) Best Aquaculture Practices (BAP) approved (1- 4 star rated); or, is Global GAP certified; or, is ASC (Aquaculture Stewardship Council) certified; or, is in full ASC Assessment; or, is in a credible and publically documented aquaculture improvement project (AIP) that has a detailed work plan that includes goals with timelines and reporting of milestones referenced on FishSource or World Wildlife Fund; or, is OceanWise "recommended"; or, is Seafood Watch rated "green" or "yellow." As of December 2013, 99% of the seafood we buy meets our high standards. High Liner Foods' continuing commitment is to maintain these standards into the future and continue driving fishery and aquaculture improvements around the world. Learn more about High Liner Foods' Sustainability Commitment » View more detail about our progress » High Liner Foods' belief in sustainable business practices stretches to those we collaborate with. Some of our partners include: The Marine Stewardship Council (MSC) Global Aquaculture Alliance (GAA) Sustainable Fisheries Partnership (SFP) National Fisheries Institute (NFI) Ocean Trust


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Is this restaurant good for special occasions?
Is this restaurant good for large groups?
Is this restaurant good for dining on a budget?
Are the prices at this restaurant mid-range / moderate?
Is this restaurant good for lunch?
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Thanks for helping!
The food is oh so yummy. Pizza's are especially good and many different toppings to choose from. Went as a family and spent my whole weekend "fun" budget. We will go back, but not soon. Worth saving up for but not a weekly trip for us.
We've had a lot of pizza all over the world and their pizza is right up there at the top of the list! Really great people too.
We happened upon this brick fired pizza shop while walking around New Bedford! Great choice! Very unique specialty pizzas and sandwiches. Great value too! Both husband and I had sandwiches: Italian and the chicken. Both excellent A1 lunch stop
Love the Mediterranean style pizza! Service is unbelievably fast! Love sitting outside on warm days.
Stopped here for a great pizza after eating at another place nearby and still being hungry after not finishing the mediocre food. I got the prosciutto, and caramelized onion pizza and was more than satisfied with it. They have wood fired brick oven which is my favorite type of pizza place. The two young men working were very friendly and...
This is real wood fired brick oven thin crust pizza. The ingredients are top notch and the recipes masterful! For those who appreciate tasty food vs stuffing your face with as much grease and fat as you can. Be aware that the pizzas here are a bit smaller and lighter than those at most "regular" pizza joints, however, one whole...
Tasty crust!! Special brick fired pizza with secret recipe for their dough!!! This combo makes for a delicious pie. Low-key atmosphere, and kind waitstaff along with locally brewed beer available - makes this a fun eating spot. Good for family or fun!
Had the appetizer pizza - chose my toppings- and a delicious salad. Portions were perfect- can't usually do a full salad and a full meal
The food here always comes out quickly and the service is always friendly. The pizza is very good, however the menu consists of many other options besides pizza. I would recommend Brick.
Was in the area visiting the whaling museum and needed to choose a place for my choosy family...:)
Saw the online reviews and the menu was intriguing..
We were sat and taken care of by Kat..
Who was always at our beck and call it seemed..
Ordered the Spiedini...prosciutto, mozzarella, arugula....fantastic! My wife and I got Lady Grey Pale Ale,...
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500,000 people in China go missing every year – new study
Have you read this recent article on CNN that 500,000 elderly people go missing in China every year? That number is insane!?
What does this number of missing people tell us? It tells us that there is a massive organization that is targeting elderly individuals within the borders of China? Is anyone really that surprised about an agency of this type existing in China? No, but the large number of missing people is staggering. So many questions are raised when you are talking about that many (excuse me for saying) bodies.
If we are putting numbers to an operation of elderly snatchers then let's give some rough estimates:
- IF 500,000 total people
- then 1,300 people missing a day
- then AT LEAST 78 ground teams (assuming that they would have a 3-person team (driver, two snatchers))
- OR there are hundreds of sites where they are attracting the now missing individuals
- then hundreds of scouters. What amount of people are dedicated
- then sophisticated software that is profiling and determining which individuals need to be taken
- then hundreds of people responsible for disposing of the remains
- then large dumping sites with massive amount remains
How are we missing these operations and sites in China where remains end up?
China has long been accused of operations that are morally questionable. They are fierce world competitors that rarely play by the rules. Just look at their history in the Olympics and you'll be able to gather a number of ways they have tried to cheat.
So, what is their incentive on this latest report of missing persons? Boost their GDP per person? Reduce the ballooning cost of an aging population? Save on healthcare costs? I just can't wrap my head around this right now.
Whatever the motivation, the situation is sad and needs to stop.
Source: 500,000 elderly people go missing in China every year
Updated 6:38 AM ET, Wed October 12, 2016


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District of Columbia Court of Appeals
July 19, 2001
Before Steadman and Washington, Associate Judges, and Nebeker,
Senior Judge.
On Report and Recommendation of the Board on Professional Responsibility
Submitted June 26, 2001
On September 14, 2000, the Supreme Court of Florida permanently disbarred respondent from the practice of law in that state. In doing so, it accepted an uncontested report by the hearing referee. The report noted that respondent had been permitted to resign from the Florida bar, with the right to reapply within three years, by order of April 23, 1998, but had nonetheless continued to practice law. In addition, the report noted respondent's extensive previous disciplinary history, his plea to a felony, and his "total lack of remorse" for his various acts of misconduct. Before us is a report and recommendation of the Board on Professional Responsibility that we impose reciprocal discipline pursuant to D.C. Bar R. XI, § 11, to which no exceptions were filed. *fn1
In reciprocal discipline cases, the presumption is that the discipline in the District of Columbia will be the same as it was in the original disciplining jurisdiction. In re Zilberberg, 612 A.2d 832, 834 (D.C. 1992); In re Velasquez, 507 A.2d 145, 145-47 (D.C. 1986). The deferential standard given to Board recommendations becomes even more deferential where no exception is taken to the recommendation. In re Goldsborough, 654 A.2d 1285, 1288 (D.C. 1995). A disbarrment in this jurisdiction is not necessarily permanent; a petition for reinstatement may be filed after five years. See, e.g., In re Wilewski, 742 A.2d 881 (D.C. 1999) (reciprocal disbarrment); In re McBride, 602 A.2d 626 (D.C. 1992) (en banc). Following respondent's resignation from the Florida bar, we issued an order of suspension here pursuant to D.C. Bar R. XI, §§ 10(c) and 11(d), and respondent filed an affidavit pursuant to D.C. Bar R. XI, § 14(g) on April 15, 1999. The Board accordingly recommends that, for reinstatement purposes, respondent's disbarrment should be deemed to run from that date. See In re Slosberg, 650 A.2d 1329 (D.C. 1994).
Accordingly, it is ORDERED that Michael C. Meisler is disbarred from the practice of law in the District of Columbia nunc pro tunc to April 15, 1999.
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|This is a discussion on How Can I improve my game without breaking the bank? within the online poker forums, in the Learning Poker section; So, as you can see I'm a beginner and this may belong in the beginners forums. But please try to answer this the best you
How Can I improve my game without breaking the bank?
So, as you can see I'm a beginner and this may belong in the beginners forums. But please try to answer this the best you can, and give me advice on what to do and not to do, also this is quite a long read so get ready!
However, I'll give you a brief insight on my poker experience so far.
So, I've read most of Harrington's volume 1 on tournament poker, and figure to play a super conservative game. I didn't realize how much more I needed to read but experience is necessary to get better nonetheless.
I just came back from my first tournament, I'm pretty young (21) and a lot of people noticed that and words were thrown around at me. I was excited to go to my first MTT as I have never been to one, so I got about three hours of sleep and wasn't at the top of my game in any sense.
I pay $25, not a hefty price in any sform, but something that can add up to a lot when trying to learn, especially for a college student, with a hard major and a part no job. There was a $5 RB and a $10 AO (many were using both of these)
We all start with crazy low chip stacks (ones that I was not expecting) having 1500 chips with starting blinds of 100/100.
Right away I'm sitting in a table with 9 other players (I'm obviously the youngest), I bring my girlfriend so she can moderate my habit, and make sure I'm learning and not spending my money on something that will end up ruining me.
I throw away A LOT of hands until I get AA (on the button), the player to my right is a super aggressive player, he's had to rebuy 3 times so far, because he knows he can.
We all start with crazy low chip stacks (ones that I was not expecting) having 1500 chips with starting blinds of 100/100.
He raises me 1200 (seeing that I'm conservative), I go all in 2 others call, I win the hand and quadruple up.
I don't play again for a while, I get AA again in mid position (a little before the rebuy period ends), I raise 4 times the blinds, everyone folds I win the blinds. Stupidly, I show my hand, the player to my right now has me pegged and starts throwing insults at me for being a beginner. And My girlfriend shows up after walking around the casino and he asks if she is my sister to insult me in that she is very pretty, I was having fun with it.
Rebuy period has closed, I don't play for a while once again, blinds are now 100/200.
Finally, I get KK, in small blind position. I raise four times the blinds. The player to my right calls, and a few others do as well. Flop comes out 4 6 Q. I raise 800 (MISTAKE), they all know I didn't hit the flop, and they all call. The person to my right tells me "You're about to learn your first very expensive lesson.." he raises high. I go all in, they all call. I show KK, he laughs and somebody else hits a straight. I'm out of the tournament. One of the players mocks me saying, "This kid probably thought he would win the tournament calling his mommy after he won", it didn't annoy me, but I knew now how ruthless some of these players can be to discourage beginners and young players.
I knew I should have checked to see if anyone had me beat. I've played a lot of online poker (play money), but they are nothing in comparison to the real thing. And I do not want to spend an incredible amount of money "learning". Before this, I had decided to play once a week, improving my game each time. However, here's the kicker, I have played in low stakes $3/6 ($1 small blind) and turned $40 into $280, a few weeks prior. Ever since then I had fallen more and more in love with the game and all of it's glory.
My goal after that tournament was to see if I could make it past the bubble within 6 months, if not I will quit the subject entirely on the odds that I am not suited for it.
Finally my question, What should i do to get better? Will low limit poker make you better in tournaments? How can I learn effectively without spending too much money?
Also please be nice, I'm new and hopefully I don't get too many "WRONG FORUM" replys
Thank you to anyone who takes the time to read and respond to this.
Well thefwa, 6 months to learn how to play poker really isn't long enough, your not giving yourself a fair chance,I'd say maybe a couple of years,but to give yourself a fair shake learn as much as you can about odds ,outs ,and something that really can be learned the hard way lol patience, patience, patience,seems alot of us get bite by that poker bug just like you, keep it fun, an don't let it get the best of you!!!
it all comes down to staying in control. and don't give into bad habits. learn to play really good, do what you usually don't expect. like study, take notes. everything you can use to improve your game.
I wouldn't play in a tourny with that structure, seriously. It's a crapshoot, unlesss villains are clueless and weak. $1,500t and $200 in blinds? You're starting with M = 7, that's horrible.
That's my first bit of advice for you, always know the structure ahead of time. You don't wanna find out the way you did that it's crazy. I mean, at the first blind increase everyone's M is < 5 unless they've done some chipping up. Even if you doubled up already you're still at M=10.
With this structure tight is NOT right either. You need to fight to stay ahead of these blinds. You have 7.5 orbits (75 hands) before you've been blinded off so you need to move fast out the gate and either bust out or build up a stack.
Oh, are you saying $5 unlimited rebuys? Omg yeah if I'm in the tournament I'm jamming so wide early on just trying to get some chips because you have to. This is definitely being run at some guy's house (the $25 entry gives that away, but this structure is so stupid. Howard Lederer actually gives really good advice on starting stacks and blind structures to run a good tournament).
Holy crap, next paragraph says this is at a casino....I'm dumbfounded.
Man, now I'm just confused. $3/$6 with a $1 small blind? Oh dang, you're talking limit. Haven't seen that talked about in...holy crap literally a decade. It was over a decade ago that I was a limit player...sigh.
Okay man, here's the deal. First you have a lot to learn up on. If you wanna play in that tournament with that structure, you need to read up on endgame states for tournaments. That's where blinds have grown in comparison to stacks, and it'll give you much better info on what proper tournament play will be at your event.
Limit Hold'em, love that game always going to have a place in my heart cuz it started me out. But no, that will not help you at all in a NL tournament. Also, if you are playing limit and you have less than 7 big bets on the table, you are wrong. You are so freaking wrong I can't begin to tell you.
I would never EVER sit with less than 30 big bets, I'd rather have 50-60 in front of me. The casino I played had unlimited raises once heads up, and I'm not making mistakes that some other people do, so I wanna make sure if they didn't have the nuts and I did that I can get max $$$ in the pot. But even without that, say it's capped. You can't even play a single pot for max bets.
Cap it preflop all day at Low Stakes Limit, there's $12. Now you have $38 behind? Even if flop goes bet/call, you have $35 with a potential of $48 of bets to get in. Never handcuff yourself.
On that KK hand, yeah you did make a huge mistake and it sure wasn't betting. It was that you only bet a tiny amount of the pot into a large field. Yeah, you didn't "hit" the flop, you didn't have to. You had an overpair. You made it $800 to go preflop and "multiple" people call, let's say 4 to make it easier. So now the pot's $3200, and you bet 1/4 pot. I don't get why the one guy is laughing either, what'd he have? Sounds like the guy with a straight won so that guy laughing at you either just got crippled or knocked out too.
And you'd already quadrupled up, how did these other guys have bigger stacks than you?
- That tournament structure is mindbogglingly stupid, I just wouldn't play
- If you want to play in it anyway, learn tournament poker theory for low M gamestates
-Low limit hold'em probably will not help you in learning to play shove/fold tournament poker. Nash equilibrium charts, and Sklansky Chubukov (sp?) might a bit.
-Overall, I'd pick one type of game and focus on learning it first. Tournament, Limit, or NL. My transition from limit to NL was a little resisted at first, but I never looked back once I picked up NL. I grinded my face off at $20/$40 limit, and got almost the exact same hourly as half-assing it on $200nl.
re: Poker & How Can I improve my game without breaking the bank?
Thanks for the reply so far everyone, oh that guy to my right was just a "dick". He got out of the tournament just so he could make sure a beginner like me would too. I really didn't understand the concept. When I first came in and saw that we literally had SEVEN chips I was mortified, especially when people were throwing them in there all around. It made me assume that this is what many tournaments began with, I felt all possible skill would really just be diminished when raising basically warrants an all-in bet every time when the all-in bet is so near by, it didn't turn me off to the subject whatsoever it just made that entry fee basically worthless for somebody who doesn't want to try to steal the blinds/double up every betting round before the RB/AO period.
Any coaching sites you would recommend/ what should I do to get better at the game in general?
I recommend that you find a local live tournament league to play in. It will give you a chance to establish reads on players you'll see regularly, and help you build confidence in your game.
Harrington on Holdem is a good start. Also check out videos by Gripsed on Youtube for free training, or you can pay as low as $10 a month for a training site like FloatTheTurn. There are plenty of others, but I don't know their pricing.
Look forward to joining the Freeroll Club here when you're eligible. Lots of great players and it's a good way to build your online bankroll.
The best way to learn is from your mistakes. When you make an error or questionable play, pull up an equity calculator like Equilab to learn why the decision was fundamentally bad.
If you're able to play on Bovada, you can learn by studying the face up hand histories. Use a replayer and critique your play.
So it sounds like you are fairly new to poker, reading Harrington's volume 1 on tournament poker. It also sounds like you have a very tight, nitty style of play.
Without really discussing the tournament you played in, I recommend you really study up on the various strategies and theories of poker more deeply such as pre-flop ranges, equity, range analysis, bet-sizing, etc...the basics.
If you are interested, I just started a micro stakes study group community, microgrinder.com and we have one member that is an MTT specialist that is doing a bankroll building challenge. We are also doing a forum series on mastering holdem basics concepts.
Now getting back to your KK busto hand. Where you ahead on the flop? It appears someone sucked out. If you raised on the flop and we ahead, it was not a mistake. If someone sucked out with a set of 4's, 6's or Q's then its a bad beat. If someone put you all-in with about 30% equity with an OESD, then you're flop all-in was fine as well.
To improve your overall game, I suggest you join a study group like mine, focus on getting rock solid fundamental theory under your belt, and practice playing micro stakes cash game and tournaments.
I also recommend cash over tournaments because the variance and downswings in tournament play down right sucks. You can go a very long time without making the money, so your bankroll needs to be much larger than if you play cash. For example, it is recommended you have 30 buy-ins at your stake for cash games. For tournaments it is recommended you have 100 buy-ins to withstand the downswings.
You can Skype me if you want to chat as I'm not on this site too often. Skype username is microgrinder.com
CardsChat provides freerolls if you didn't already know, some really good players that you can learn a lot from and you can win cash prizes without risking any money.
You never know if youll be winner
My best advice is to play as many sng where buy in is small and try different bet sizes and see the outcomes. For example when flop comes JJ5 on flop and u have 26 and u have a guy whos raisins 80 percent time preflop, and u make fold most time its ok to fold if he would raise on flop again but once in while even with 26 its good idea to make reraise min bet because he knows your folding all these hands hell think u most have it, as for the AA genereally u raise but theirs rare times when u arent playing alot hands where either calling if u know everyones probably gonna fold so the player hits top pair when flop comes or, min raising because they cant fold for minimum and its kinda like trapping.
re: Poker & How Can I improve my game without breaking the bank?
The first thing I would recommend is finding a new tournament. If I am reading this correctly you are starting with 15BB. That is a super short starting stack for a mtt (especially a live one). Your plays don't seem all that bad but it's hard to tell without more information. Starting stacks, blind level, what stage of the tournament and table dynamics are very important in how a hand is played. I also read harrington tournament series 1-3. The game has changed since those books have been written. There still is a great deal of relevant info in those books. I really liked reading kill phil and kill everyone. They are very different and goes over a more aggressive style found in modern tournaments. I also like all of Ed Millers cash game books. I know your playing tournaments but being a good cash game player will give you a edge when 300BB deep in a tournament. Keep playing and post hands on forums. You will get better very quickly. Good luck.
who's to say? what works for you may not work for the next guy, I read the post, and I thought, that we know you've got a tight playing style, problem is that to maximize your potential, good hands are not enough; using position which you did with Aces on the button; sometimes it's not enough. I personally do not show the hands because I like the opponents to keep guessing. While position is important having a hand with good showdown equity is also important, assessing the ranges of hands with which your opponents play, etc. these are all good tools especially the suggestion of improving your cash game strategy to improve your strategies in MTTs and STTs.
Merged 2 duplicate threads - please do not create duplicate threads in the forum.
The only way you are gonna get better is be practicing. For $50 or $75, you could deposit that on an online account, and play $1 buy in tournament or 0.02/0.05 no limit cash games, and learn how to play, learn what work, what doesn't work etc.
That (along with reading the forum!) will help you learn stuff. Like the KK hand, for example...there was 3200 in pot pre-flop, and you only bet 800 on the flop. (Note: when you have KK and the flop comes out Q84, that is a very good flop! It is relatively unlikely that somebody has a better hand than you, because there is no ace on the flop).
Addition: never show your hand! Especially if you are a rookie/uncomfortable. That just lets people know how you play


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It looks as though yellow is going to be making a spectacular appearance on the high street and I can't wait. For those who don't think the can wear yellow, here are my thoughts on wearing yellow.
- If you have never tried yellow - try it on, you might be pleasantly suprised
- Try different shades and tones of yellow. Whilst acid yellow might give you the complexion of a corpse, mustard may make your complexion glow.
- Be careful what you combine with yellow. I always think black and yellow look a bit bumble beeish
- If the thought of wearing yellow completely terrifies you, try yellow with a pattern, this will sort of tone down the severity of the yellowness.
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WESTBURY - Police are searching for three armed men after a robbery at a Westbury cell phone store in broad daylight yesterday.
According to police, the three suspects burst into "Hot Spot" AT&T store, located on Old Country Road, around 1 p.m. The owner of the shop says he was pistol whipped, tied up and thrown down a flight of stairs during the robbery.
Police say the suspects made off with $3,000 worth of cell phones and computer equipment. The owner was able to free himself and call police.
Police are asking anyone with information to call Nassau Crime Stoppers at 1-800-244-TIPS.


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Zombies are always getting you down in Dead Rising, but fortunately Capcom comes bearing gifts for the sequel. The publisher already knows there is merit in putting effort into glossy special edition releases for their bigger titles, and fortunately Dead Rising 2's console release is getting the red carpet treatment with a special Zombrex Edition.
Dead Rising 2's Zombrex Edition packaging is a handsome steelbook case (which will hopefully hold those game discs nice and tight, unlike the steelbook for one of Halo 3's "special" edition bundles) packed with medical themed goodies from the ficticious Zombrex healthcare unit. The medical science take isn't exactly the most original theme for a game featuring a zombie outbreak, but at least Capcom has taken the time to put a Dead Rising spin on it. In addition to kitsch items like a "Zombrex safety card" and 16-page "Zombrex sales brochure", the Zombrex Edition will also include more useful items like a 25-page notepad, syringe-shaped pen, and 48-page hardcover artbook.
The Zombrex Edition also bundles the game with a 24-minute "Making Of" featurette for fans who want an even better behind-the-scenes look at Dead Rising 2's development. The PS3 version gets to have this mini-documentary on spiffy hi-res Blu-ray, but the Xbox 360 release gets an additional bonus: an 83-minute "Zombrex Dead Rising Sun" live-action motion picture written and directed by Capcom franchise mastermind Keiji Inafune himself.
Unfortunately, the Dead Rising 2 Zombrex Edition will only be available in North America when it launches alongside the regular retail releases this September 28th. Capcom has priced this baby at $79.99 USD on both the Xbox 360 and PS3.


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XXX Filkins, Roberts, & Harris St, Prescott WI 54021 $627,000
Features of XXX Filkins, Roberts, & Harris St Prescott WI 54021
- Lots for Sale
- Status: Active
- Estimated Age: Not Available
- Est. Acreage: 17
- Est. Acreage: >= 1, >= 1/2, >= 10, >= 5
- Est. Lot Size: 999/999/999/999
- School District: Prescott
- County: Pierce
- Property Taxes: $100
- Property Tax Year: 2015
- Listing Company: St Croix Realty Inc.
- Listing Agent: H Peter Hiniker
Property Description for XXX Filkins, Roberts, & Harris St Prescott WI 54021
XXX Filkins, Roberts, & Harris St Prescott WI 54021 - Great Development Land! These Lots Are Platted, But Undeveloped. Utilities Are In The Area. Great Location Within The City Of Prescott. Close To Schools, Churches, Grocery Store And Other Businesses.
Building and Construction
- Construction Type: E
Land Features
- Topography: Easement(s), Sloping
- Waterfront/Access: N
- Lot Size: 999/999/999/999
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