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Is your help desk slammed by
password reset calls?
Read more about Password Manager.
Still waiting for a new account?
Does it
take too long to provision new users
with accounts? Are your systems cluttered with
orphan accounts?
Read more about Identity Manager.
Data Confidentiality is whether the information stored on a system is protected against unintended or unauthorized access. Since systems are sometimes used to manage sensitive information, Data Confidentiality is often a measure of the ability of the system to protect its data. Accordingly, this is an integral component of Security.


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Fine Pore Aeration for Wastewatr.Trmt.
01 Jan 1990
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Fine Pore Aeration for Wastewatr.Trmt.
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Obama to Sign KORUS into Law Friday
Editor's note:This is a disaster. Please write President Obama and your legislators. Let them know Americans need jobs, but it is impossible for them to support their families if they are forced to compete against workers earning almost non-existent wage rates.
President Obama is expected to sign the free trade agreements with South Korea, Colombia, and Panama into law on Friday, after which he will give remarks in the White House Rose Garden. His remarks are sure to be filled with the same misguided platitudes about increasing exports, and will most surely ignore the economic harm that these agreements will do to our country.
The trade agreements passed both the House and Senate last week, with an unfortunate amount of support from both parties. The Colombian agreement appeared to be the most contentious of the three, with many lawmakers hesitant about putting American workers in direct competition with workers whose right to organize is compromised by fear. The Korean free trade agreement (KORUS) should have been a bigger cause for concern, because it will likely cost the most American jobs. The Economic Policy Institute has estimated that KORUS will cost the U.S. 159,000 jobs in the first seven years alone, and has predicted that it will also increase our trade deficit.
President Obama has been singing a different tune on the trade agreements. Despite his opposition to them as a candidate for President, Obama has jumped on the "increasing exports" bandwagon, and touts the idea that these agreements will create 70,000 new jobs in the United States. Critics of this number have pointed out that any study that estimates an increase in jobs must be improperly considering the effect that imports will have on jobs in this country. With Korea's average wages at 1/3 those of the U.S. and those in Colombia and Panama even lower, these new trade agreements are expected to add even more cheaply made imports to America's growing import problem.
With the president's support of these agreements over his years in office there is no chance that he will rethink his decision to sign them into law, but if he were truly concerned with American jobs he would do just that. It appears our politicians have learned nothing from our previous forays into free trade agreements. These agreements such as NAFTA have cost us hundreds of thousands of jobs and destroyed our ability to manufacture in this country. President Obama acknowledged this before he was president, but has since taken a different course. We need to reverse this course if we want to be prosperous once again.


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A summary of the plot makes Maya's Notebook sound like a hard-edged, horrifying tale of a life spinning out of control: Teenage runaway Maya, grieving the death of her beloved step-grandfather, ends up a drug-addicted, alcoholic sex slave in Las Vegas.
In fact, the novel is no such thing. Part Nancy Drew mystery, part telenovela, part travelogue, and part cozy children's tale, the novel goes down as easily as a warm cup of cocoa. Isabel Allende is too sunny and warmhearted a novelist to take her readers into the depths of despair.
The novel — translated fluidly from Spanish by Anne McLean — is ostensibly a diary kept by Maya as she recovers from her ordeal on a "magical" and "blessed" little island off the coast of Chile.
Here, in alternating passages, she records the story of her life and her experiences with the colorful and compassionate natives of the island.
Maya is the daughter of a pilot and a Danish flight attendant, but Mom took off when Maya was an infant, and Dad wasn't around much. Maya was raised in Berkeley, Calif., by her outspoken, politically active Chilean grandmother; and her sweet-natured grandfather, an astronomer.
After he dies, she begins acting out, is sent to rehab, escapes and ends up hiding in Chile to escape the mafia, drug dealers, the police and the FBI.
Here, she stays with a kindly friend of her grandmother's, observes the local festivities, bakes bread, researches her family history and FALLS IN LOVE (as she puts it) with a hunky backpacker from Seattle.
The trouble is, Maya's voice sounds not so much like that of a troubled teenager as that of an objective, well-balanced, middle-aged, wryly comic observer of life. Allende also piles on the plot twists to an extent that they quickly become unbelievable.
Leave logic aside, and Maya's Notebook is a comfortably enjoyable novel. Allende is a natural storyteller, and Maya's Notebook has a kind heart, if not much of a brain.


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Feb 10, 2009 11
Eagles should look at Derrick Ward
Free agency is a few weeks away, but some rumors are already starting to heat up – like RB Edgerrin James getting released by the Cardinals and signing with the Bucs. For the record, while he's a nice guy to have around, there's no upside in that move for Tampa Bay. They'd still need a QB, a WR, maybe a TE, and maybe a RB. At least their line is good.
There's one potential free agency situation has intrigued me since late in the season, when I came to the conclusion that Eagle RB Brian Westbrook's days of truly being a workhorse should be over. The guy just can't handle the workload he's received the last few years. He and the team have done a terrific job managing his various injuries, mainly his chronic knee issues. But he's no longer able to practice like a normal player, and I feel he's been hanging on by a thread the last two years.
A somewhat easy fix for the team would be to simply give Correll Buckhalter more carries. But despite his looking very solid, they didn't do that in 2008, and they really never have done that. He's […]


text:
Foreston Trends Branches out Textaline Offerings
May 5, 2011-- Home Textiles Today,
NEW YORK - Tall trees, giant blades of grass, wood grains and leafy looks describe Foreston Trends' new collection of accent and area rugs introduced at market earlier this month.
The longtime supplier of table linens and kitchen textiles is branching out into rugs this market with a very specific offering - Textaline, a vinyl-coated mesh like fabric often used in patio furniture seating.
Foreston Trends' rugs feature graphic designs, mainly organic in theme, in beige, brown, black, gray and mossy green palettes.
The rugs come in four sizes, from accent through area.
The company got the idea for this rug collection from one of its similarly-made place mats. Also made of Textaline, the place mat collection launched about three years ago "and has been growing, growing, growing ever since," said Dick Gould, vp.
The rugs target outdoor use but can also work inside homes in casual settings.
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text:
Current Members
- Mars Cowling - GNIDROLOG
- Glenn Tipton - TIPTON, ENTWISTLE AND POWELL, GLENN TIPTON, MERLIN, SHAVE AND DRY, JUDAS PRIEST
Guitar / Vocals
- Steve Palmer -
Past Members
- Barry Scrannage - THE ALLIANCE, STARFIGHTERS, CRYER, THE SHAKEDOWNS, SHAVE AND DRY, BULLION
- Andy Wheeler - MERLIN
The FLYING HAT BAND was a Birmingham club act that during the early 70s ranked alongside JUDAS PRIEST as the hot Midlands favourites to succeed. The band had evolved from SHAVE N' DRY, an outfit that comprised of GLENN TIPTON, initially on keyboards and guitar, bassist Dave Shelton, vocalist Pete Hughes and drummer Barry 'Spence' Scrannage. This act switched names to MERLIN before becoming THE FLYING HAT BAND.
The FLYING HAT BAND, originally a quartet featuring vocalist Pete Hughes (who quit to join the army), went through numerous line-up changes with a turn over that included bassists Andy Wheeler and Frank Walker and drummer Trevor Foster. The latter joined folksters THE ALBION BAND. Vocalist Steve Burton (later to front STARFIGHTERS) also sang lead albeit briefly before the band split with Tipton opting to carry on with the name. Scrannage meanwhile had a brief stint (3 gigs) with BULLION, another Hard Rock act coincidently created by JUDAS PRIEST men guitarist Ernie Chataway and bassist Bruno Stapenhill.
Tipton finally settled the FLYING HAT BAND line up as a power trio with ex-JACKRAT man Steve Palmer on drums (brother of EMERSON LAKE AND PALMER's Carl) and bassist Mars Cowling. The latter from the bizarrely titled GNIDROLOG, a Progressive Rock act that issued two albums in 1972 'In Spite Of Harry's Toenail' and 'Lady Lake'.
The group actually recorded an album for Vertigo Records, but this was never released due to its supposed similarity to BLACK SABBATH. The band folded following a European support tour to DEEP PURPLE when Tipton joined JUDAS PRIEST in May 1974.
Bassist Mars Cowling later joined Canadian guitarist PAT TRAVERS and would turn up briefly in the late 80s in the ranks of the Miami based GYPSY QUEEN, a female led group fronted by the identical twin Mattioli sisters Pam and Paula. Drummer Steve Palmer joined FRAGILE and later MANTLE/SWALLOW/PALMER. Tipton, of course, achieved wider recognition as JUDAS PRIEST gained international recognition and multi-platinum status.
Mysteriously, in 1992, a German label known as Worldwide Records released a split CD featuring tracks alledgedly by THE FLYING HAT BAND and ANTROBUS titled 'Buried Together'.
Flying Hat Band 1973
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text:
The financial system is often lauded as being good at protecting Americans' sensitive financial and demographic data, but the evidence is not so clear. Heartland had a massive breach of credit card data in its system of sponsored banks. In addition to the $12.6 million in costs, it will also have to pay to "implement end-to-end encryption when payment data is sent from the merchant to the processor".
Will breaches of healthcare data cost any less? That is highly doubtful. The pain and exposure is far worse and there are NO remedies. The privacy of health data can never be recovered or restored. With identity theft you can eventually recover from the damage and restore your credit.
Plus its harder to protect electronic health data because there is SO MUCH MORE sensitive personal data than exists in financial systems. Payment and credit card data are just the start, everything is included in electronic health systems, from prescriptions to DNA.
And compared to the financial industry, the healthcare industry has millions more employees—-of insurers, hospitals, pharmacies, data management and data warehousing corporations, HIT vendors, and even state and federal government agencies—-who all have access to sensitive data.
See article "Heartland breach cost $12.6 million, CEO says"


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Favorite thing About 200 million years ago the Pacific Plateau slided under the North American Plateau. Because of the enormous preasure at the earth's crust the sea-bottom was pushed upwards. The land which appeared out of the ocean is California as we know it today. Especially the Sierra Nevada mountains carries the signs of this enormous disruption.
This fase was followed by centuries which scaled off the surface. The outside layers of the granite monolites broke and seperated itselfs. This created bare and round tops which are so characteristic for the Sierra Nevada.
The last important geological fase was about 30,000 years ago. The temperature at the earth is rising and this caused melting glacier-water. This water worn off the softer parts of the rocks and formed some mountain-peaks and mountain lakes.


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If you've put off listing your home because you haven't gotten around to those renovations yet, it might be time to think again. Unless you've got a woefully outdated kitchen, or serious cosmetic damage that puts your home's perceived value well under the rest of your neighborhood, check with a local agent. You might be surprised. Many agents now suggest forgoing major renovations because the new owners will want a space that reflects their lifestyle, not yours.
Still, you want to get the most bang for your buck and keep things green while you're at it. Here are some fast, easy, and best of all, affordable ways to increase your home's perceived value and appeal.
- Clean it up. Pay special attention to the outside appearance of your home. It's not called curb appeal for nothing. Clean everything well, fix what needs fixing, paint what needs painting. And consider putting in some potted plants to create a welcoming look.
- Make sure your front door looks and sounds good. Most homeowners come in from the garage entrance, so it's easy to forget the door. Freshen it up to give potential buyers a good impression.
- Come on in. Take stock of your entryway. Give it a good clean up, declutter, and make the space as welcoming as possible. Add a new welcome mat while you're at it. People will wipe their feet as they come in, and the first thing they'll do is look down. Make sure your floors are in tip-top shape.
- Light some candles. You don't want your home to smell perfumey, that screams cover up. But you do want it to smell fresh and clean. Clean out litter boxes, bathe the animals, remove stinky sports equipment, vacuum all your upholstery, take out the trash, and finally, light a few gently scented candles to give a fresh, clean scent without creating sensory overload.
- Paint it if you have to. Strong colors, lots of nail holes, or damaged walls from peeling wall are not buyer friendly, for very different reasons. Create a canvas that's as clean and neutral as possible to attract a potential buyer.
- Declutter everything. Don't just clean, declutter. Especially in the kitchen and bathroom. If a buyer sees your counters cluttered with stuff, their first thought will be that there isn't ample storage space—no matter what the reality!
- Ensure all doors and drawers work the way they should. That means oil them, tighten them, destock them, or whatever you have to do to make sure doors stay closed when you close them, and drawers open and close smoothly.
- Clean those shiny surfaces—appliances, windows, tile floors, sinks, etc. Anything that should look shiny needs to be shiny. Even the cleanest home will look less attractive if shiny things are smudge-covered.
- Dress your home as if you had guests coming. Put clean, new towels in the bathrooms. Make the beds with your best bedding. Go through your home as if you had important company coming and make every space "guest ready".


text:
Purchased and installed Sticky Password Pro on Saturday night (Feb. 25, 2012). Then InDesign started acting bizarre on Sunday. I've spend most of Monday and Tuesday with Adobe Tech Support, uninstalled and reinstalled three different versions of Creative Suite three times. Hours and hours of time and frustration. Only after two days did I think to Google "Sticky Password, InDesign." Sure enough - a known problem since at least last June (2011). If a problem has been know about, especially one that keep a user for using expensive, professional-level software on their computer, a fix shouldn't wait until the next version... a fix should be found right away. Who would have dreamed that a browser password program would be in conflict with a desktop pubishing program.
There is no conflict with Illustrator, Photoshop or Acrobat.
I'm very disappointed in Sticky Password.
I've followed up with Adobe, and they have no documentation on this problem. But they are adding to their database. Hopefully, this will save another person hours of furstration and effort. While I like your program, InDesign is far more important to me that Sticky Password. I'll be asking for a full refund. Sorry, can't wait until you have Version 6 ready to release.


text: Tenchi seeks answers from his past while Ryoko faces the present head on. But the gang's world gets turned upside-down when they receive a strange visitor. After composing himself, Tenchi discovers that the mysterious visitor is not his mom, but a long-lost sister who has come to inform him of his arranged marriage and, more importantly, his new fiancee, Noike.


text:
When the lockout ends, the New York Jets will be on the clock—this time, however, it will have nothing to do with the draft.
The Jets will have to construct a competitive roster amidst the complications of free agency, and won't have very long to do so.
Here are five wide receivers the Jets are thinking about signing when the lockout ends.
The New York Jets are now on the clock.


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If you find errors in my work on Findagrave.com, I will be glad to correct them if you will kindly let me know about them. Sincerely, Joy
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Georgie Golden Trammell
Solomon Shepherd
I was looking for a possible up date from my 2G-Grandfather (Solomon Shepherd) 1811-1901 Iowa. buried in Oakview Cemetery, Albia Iowa and found your entry in find a grave. I noted in the obit you provided there is a typo. He and My 2nd G-GM were married in 1835, however the date in the obit is 1935. Since so many people are now using Find a Grave entries as documentation I though you might want to correct it.
Georgie Golden-Trammell
Added by
Georgie Golden Trammell
on May 22, 2016 9:24 AM
Nancy Susanna Shepherd Golden
#11829259 I just made a error on edit on her memorial. Please disregard. Sorry Karen
Added by
on Apr 24, 2016 6:38 PM
Rena Martinez
I have a lady asking me to change birth year on
Ida Petite Odell Anderson but I did not post it so I can not correct it....please contact me at firstname.lastname@example.com thank you. Rena
Added by
Rena Martinez
on Apr 13, 2016 2:55 PM
Jonmarie Pearson
Stoner Family
Hi Joy, I'm in the process of updating all my relatives with my recent research. Are you related to Oliver Stoner #7753061 and Esther Stoner #7753069. I was wondering if you would be willing to transfer them to me if they aren't related to you. They are my 2nd great grandparents. Hope you have a blessed day.
Added by
Jonmarie Pearson
on Apr 12, 2015 6:12 AM
Debra Dennis
RE: Charles A. Zooks
You are very welcome. Glad I could help you.
Added by
Debra Dennis
on Sep 09, 2014 6:48 PM
Georgie Golden Trammell
confusions with 2 Nancy Shepherds
There were two women in my family named Nancy Shepherd. One (My 2nd Great Aunt) who's full name was Nancy Ann Shepherd [Spinks]and who's parents were Asa Shepherd and Margaret Lou Baker, She was born 29 Nov 1845 In Putnam Co., IN and who died 10 Jul 1932, in Albia, Monroe Co., IA.
The other is Nancy Susanna Shepherd [Clark][Golden]
My Great Grandmother who was the daughter of Solomon Shepherd and Susanna McGill who was born
7 Jan 1856 in Monroe Co., IA and Died 12 Nov 1932, Albia, Monroe Co IA.
If you check the present entry for Nancy Shepherd Spinks it has a bio that is incorrect and is actually for her niece Nancy S. Shepherd Golden.
I have attempted to contact Joy, but for some reason I have not been able to access her e-mail.
These two women have been confused all over Ancestry and My Charts have been incomplete for years because of it.
Added by
Georgie Golden Trammell
on Sep 02, 2014 4:32 AM
Cynthia Farmer-Nold
Another Samuel now linked
I just got "another Samuel" you mentioned on Charles and Margaret (McClure) Slavens memorial pages linked to them as parents. Now it feels better. The Slavens book that belonged to my mother-in-law has been circulated through the family, and I could not access it for help when I realized Samuel Slavens in the national cemetery with other Andrews raiders was not linked to family. His bio is really, really short, perhaps too short.
Added by
Cynthia Farmer-Nold
on Apr 26, 2014 3:00 PM
D Snyder
Clarence Clark
Joy, Could not find a marker and went to office to verify there is not a marker at this time. Sorry. Doris
Added by
D Snyder
on Mar 28, 2014 3:53 PM
Your most welcome Joy.
It is a lovely plot with the large area of shade underneath from the tree, which I imagine was planted with the first burial.
Added by
on Sep 19, 2013 2:12 PM
B.A. Leach
RE: Grace F. Hupp McDowell
I'm so glad to help when I can. I also like people telling me when I've made a mistake.
Keep up your good work. Baleach
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B.A. Leach
on Sep 13, 2013 7:58 PM
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Usher's 5-Year-Old Son Hospitalized After Pool Accident
Usher's five-year-old son was hospitalized today after an accident in the singer's swimming pool. Usher Raymond V nearly drowned after he tried to retrieve a toy and got his hand stuck in the pool's drain.
The boy's aunt and a maid tried to pull him free, but they required the assistance of two men working nearby to help.
Usher's son was given CPR and rushed to the hospital in an ambulance. The singer, who wasn't home at the time of the incident, raced to the scene and traveled with his son to the hospital where he met up with his ex-wife Tameka Foster.
According to TMZ.com, the boy will be okay.
The singer and "The Voice" mentor was granted primary custody of the former couple's two sons, Usher, and Naviyd, 4, last September after a bitter court battle with Foster. The couple divorced in 2009 after two years of marriage.
It isn't the first child-related tragedy for the pair. Last summer, Usher's former stepson Kile Glover died during a jet ski accident on Lake Lanier in Georgia. The 11-year-old was also Foster's son.


text:
Listen Now Download as mp3 from the show How Does a One-way Mirror Work?
David Hubble, US asked:
Is the Earth getting heavier? As the human population grows, are we putting on weight as a planet?
Chris - Yes but perhaps not for the reason that he was suggesting. People often think that as we increase our population the weight of the people comes from nowhere. People just weigh more and the Earth therefore weighs more. That's not true. The Earth is an isolated system where all the of the mass that was on it to start with doesn't go anywhere. You don't make mass from nowhere, so people have got to gain weight by taking mass from elsewhere on the Earth: in other words, eating food that's come out of the Earth and into their bodies.
But the planet as a whole, does that get heavier over time? The answer is yes, it can. Every year, Earth gains about the weight of two aircraft carriers landing on it two HMS Ark Royals, or about 40,000 tonnes-worth of debris, which lands on Earth from space. You can demonstrate this for yourself. If you put a big plastic sheet or a white sheet on your grass in the garden on a nice day, leave it for a few hours and then run a magnet over it. You can often find specks have just fallen down from outer space and landed on your magnet. Debris, dust and other stuff raining in from space contributes a huge amount of weight to the Earth every single year.
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No. Matter can neither be created nor destroyed.
Don_1 is spot on but you could argue that if the loss of atmosphere to space has stopped then the Earth is getting imperceptibly heavier with the arrival of meteorites and other interstellar stuff that lands here. blakestyger, Thu, 2nd Oct 2008
Yes, you could take the weight of such interstellar bodies and subtract the weight of space probes sent out by man, never to return, to arrive at a figure. But as you say it would be so infinitesimal by comparison to the weight of the planet as to be as to be imperceivable. Don_1, Thu, 2nd Oct 2008
Don't the plants add mass from sunlight? Philip Feeley, Mon, 30th Dec 2013
Don't the plants add mass from sunlight? Philip Feeley, Mon, 30th Dec 2013
Sun light and photosynthesis. A plant will not grow without it. Energy added E=MC² end of story! We have been hit with photons for billions of years which are a part of an atom and has mass. How much energy has hit the planet over billions of years? phaz, Sat, 3rd Oct 2015
http://gizmodo.com/5882517/did-you-know-that-earth-is-getting-lighter-every-day Blumanfry, Mon, 12th Oct 2015


text:
10/10 Optics Reviews
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text:
Your question is hard to understand, maybe try writing the problem in latex? Its not hard, its actually kinda cool when you get it to work. I kinda see your equations, but I dont understand the question because I am not certain what the equations are? Does "is" mean "=" ? I reccomend trying latex. Heres how you do it. You write these symbols (without the quotation marks, but including the "[" and "]" outside of the quotation marks) around any of your math stuff:
["math] equations go here [/math"]
Note that the last slash is a forward slash not a back slash, that messes me up all the time. Now, if you type in (without the quotation marks):
["math]cos(x) = 5/13 [/math"]
then you'll get:
to make it allite more compact you can use a fraction, which is made by putting "\frac{top of fraction here}{bottom of fraction here}" into the "" symbols. So if you typed (without the quotations):
["math] cos(x) = \frac{5}{13} [/math"]
you'll get a nice pretty fraction like this:
Standard notation uses "tan(x)" to denote the tangent of x, not 'tg x'. It will just confuse people, just so you know for the furture to make things simpler on yourself. Same with 'ctg x'. Most people will not know that you meant "cot(x)". As for typing these into the math symbol magic maker, do the same thing, like this (without the quotations of course):
["math] sin(x) < 0 [/math"]
["math] cos(x) > 0 [/math"]
["math] tan(x) < 0 [/math"]
["math] cot(x) < 0 [/math"]
These give you:
I'm starting to understand what your question is. It took me awhile to realize what you were asking. Just so you know also, the best way to say "the tangent of x is negitive" is to say that "tan(x) < 0", as seen above. Now, if you don't mind, try rewriting your problem with these magic math symbols that make it look all fancy, and add any more details you may have left out, and also please provide the exact wording of the question in your textbook or worksheet or wherever, that is if you have the text book or worksheet or whatever the question was written on. Post that all back here, and I'll be happy to help you out with this problem. You might also want to take a quick look at this thread:
The problems in there sorta relate to what I think your problem is.


text:
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Non-Product Samples I'm Loving Lately
I won't deny that I get a lot of product samples. The truth is, they arrive regularly in my mailbox. Sure, there are some real gems in there, but I also like to keep up with my own "research" as … Read More
I won't deny that I get a lot of product samples. The truth is, they arrive regularly in my mailbox. Sure, there are some real gems in there, but I also like to keep up with my own "research" as … Read More
This is how I feel about the following products I'm about to write about: These are true favourites of mine in the early days of summer. 🙂 Hope you discover some new favourites in this list. Well, let's get cracking, shall … Read More
Hourglass Ambient Lighting Palette Everyone and their momma has raved about Hourglass Ambient Lighting Powder in Dim Light (I did, too, right here). I use every time I want my skin to have a smoother finish, which is always. 🙂 … Read More
I'm almost always thinking about cake. NOM. I love luuuuuuurve cake, but not when it comes to my base makeup. Personally, I like my foundation/concealer/powder to be undetectable on the skin, but cover imperfections like a champ. I've been using these … Read More
There's a new kind of powder out in the beauty world that's causing a lot of buzz. Six Hourglass Ambient Lighting Powders ($52 each at Sephora) claim to diffuse light to mimic different lighting effects on the skin. Diffused Light: A … Read More
MAKE UP FOR EVER HD Complexion Starter Kit in #128 Almond We've all heard about the MAKE UP FOR EVER HD foundation from beauty junkies all over the world. It has made a permanent home in many a girl's foundation … Read More
It's no secret that I'm a liquid foundation kinda gal, but there are days when lazy happens. 😛 On these days, I can't be bothered to put on several products just to even out my complexion. Even though I'm meticulous … Read More
I was so excited to be invited to a Cover FX Hydrating Clinic that was held at The Bay on Queen Street on March 8. The Cover FX team always puts on such fun blogger and media events, so I … Read More
You won't see many haul posts here on Glitter Geek, so you know I'm excited about my new products when I post a haul! Yesterday I went shopping at the MAC PRO Store on Queen Street with Jenn of So … Read More
If you know me, I've mentioned numerous times on this blog that I don't like loose powders when it comes to makeup. However, the opportunity came up and for the love of beauty, I am trying Marcelle's Face Powder in … Read More


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Black, Carolyn M. PhD*; Driebe, Elizabeth M. MS*; Howard, Laurie A. MS*; Fajman, Nancy N. MD†; Sawyer, Mary K. MD†; Girardet, Rebecca G. MD‡; Sautter, Robert L. PhD§; Greenwald, Earl MD§; Beck-Sague, Consuelo M. MD*; Unger, Elizabeth R. MD, PhD*; Igietseme, Joseph U. PhD*; Hammerschlag, Margaret R. MD¶
Background: Diagnosis of sexually transmitted infections in children suspected of sexual abuse is challenging due to the medico-legal implications of test results. Currently, the forensic standard for diagnosis of Chlamydia trachomatis (CT) and Neisseria gonorrhoeae (NG) infections is culture. In adults, nucleic acid amplification tests (NAATs) are superior to culture for CT, but these tests have been insufficiently evaluated in pediatric populations for forensic purposes.
Methods: We evaluated the use of NAATs, using urine and genital swabs versus culture for diagnosis of CT and NG in children evaluated for sexual abuse in 4 US cities. Urine and a genital swab were collected for CT and NG NAATs along with routine cultures. NAAT positives were confirmed by PCR, using an alternate target.
Results: Prevalence of infection among 485 female children were 2.7% for CT and 3.3% for NG by NAAT. The sensitivity of urine NAATs for CT and NG relative to vaginal culture was 100%. Eight participants with CT-positive and 4 with NG-positive NAATs had negative culture results (P = 0.018 for CT urine NAATs vs. culture). There were 24 of 485 (4.9%) female participants with a positive NAAT for CT or NG or both versus 16 of 485 (3.3%) with a positive culture for either, resulting in a 33% increase in children with a positive diagnosis.
Conclusions: These results suggest that NAATs on urine, with confirmation, are adequate for use as a new forensic standard for diagnosis of CT and NG in children suspected of sexual abuse. Urine NAATs offer a clear advantage over culture in sensitivity and are less invasive than swabs, reducing patient trauma and discomfort.
© 2009 Lippincott Williams & Wilkins, Inc.
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KRC Positive Drive Power Steering Pump, 3/8 Hex Drive
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Please note the following about this product:
- This product is discontinued.
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InfoThese KRC positive drive pumps are designed to be driven off dry sump pumps or off the camshaft and feature a 3/8" hex drive or 17-spline drive spuds. Also available with a 3/8" rear drive for fuel pumps. Pump features AN# 10 inlet and AN# 6 outlet fittings.
Instructions (PDF)
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Consider purchasing one of our KRC Flow Valves!
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NOTE: Human Resources Management Majors must take LAW 529.
* Students may complete one of ITM 305 or ITM 696 for credit towards the program.** A maximum of four Professional MKT courses may be selected between 5th and 8th semester for students in the Marketing Management Major.*** Not available to students who have completed ACC 110 and ACC 410.+ Strongly recommended that this be taken in the student's final year.��Students may select only one of MHR 711 or OHS 718. Students pursuing the CHRP designation are strongly encouraged to complete MHR 711.�� Available to Global Management Major students only.� Many graduate business schools now require at least one undergraduate level Linear Algebra and/or Calculus course. It is strongly recommended that students who are considering graduate studies in business select QMS 522 and/or QMS 702 as an elective.�� Only available to students in Economics and Management Science, Human Resources Management, and Marketing Management Majors.� Not available to students in the Global Management Major.


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2012 AIA D-I Football State Final- Mountain Pointe vs Hamilton: Mountain Pointe High School vs. Hamilton High School
The 2012 AIA D-I Football State Final from University of Phoenix Stadium at 12 p.m. on Saturday, Nov. 24. between #1 Mountain Pointe and #3 Hamilton. Live on Fox Sports Arizona.
November 24, 2012, 12:00pm


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Sub-Saharan Africa poses unique challenges for private equity investors as acquisition targets on the continent tend to be cash hungry and often require additional capital injections to boost growth.
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Blu-ray Review: 'The Violent Kind'
Ever see a film so disturbing it almost turned you away, but was so inventive that you couldn't turn it off? We're taking time to pay homage to all such things different (good…and bad!) with a review of the highly unusual movie "The Violent Kind" on Blu-ray from Image Entertainment.
Title: "The Violent Kind"
Grade: 3 1/2
Cast: Cory Knauf, Bret Roberts, Tiffany Shepis
Director: The Butcher Brothers
Rating: R
Runtime: 89 minutes
Release Company: Image Entertainment
Website: www.image-entertainment.com
The Flick: I can honestly say that in all my long years of film viewing and reviewing, I have never witnessed a movie more strange, complex or multi-faceted as "The Violent Kind" – it's wholly original. Not that it's altogether flawless, as there are some unsettlingly bloody moments (the violence feels horribly real - and sometimes out of place) and an overall uncomfortable-to-watch vibe. But any film that starts off as an homage to "Sons of Anarchy" (Cory Knauf is a pitch perfect biker type!), then turns into a zombie undead film (Scream Queen Tiffany Shepis steals the 'bloody' show!), transitions into a home invasion torture fest (Joe Egender's creepy Elvis psycho is haunting work!) and finally a supernatural invasion picture (huh?!?!) is one imaginative flick that deserves to be singled out. Sick and twisted as ever, at least the helming Butcher Brothers keep things unpleasantly innovative.
Best Feature: A Making-of does have some cool footage of how Shepis got up the wall so damn high, but frankly I missed having insight or a commentary from the two demented directors about their uniquely sick outing. Explain yourselves!
Best Hidden Gem: That friggin' character of Jazz, who's like Dean Stockwell's "Blue Velvet" character suave Ben – with an angry side.
Worth the Moola: I don't think I could sit through this one in multiple viewings (I'm not a glutton for the red stuff!) so purchase is out. But to rent once if you can stomach the atrocities amidst crazed innovative ideas – do it and enjoy.


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Levi Brown
1/10The 5 Best Bargain Bubblies
We sipped 100(!) sparkling wines -- all $15* or less -- to pick the best for every holiday occasion. These 5 picks bubbled to the top of our list.
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When is a Jazz Festival (Not) a Jazz Festival?
The answer to the second question is, of course, as contentious as the longstanding debate about what jazz is andfor some, more importantlywhat it isn't. But examining the practicalities of managing a festival sheds some light on matters that many may not consider. And if it is fact that festivals are now being forced into a broader programming mindset than ever before, then looking at the schedules of those either in progress or looming on the horizon reveals plenty of food for thought.
Those who believe that a jazz festival stops being a jazz festival the minute it introduces any non-jazz into the program are advised to stop here. After all, there is, then, absolutely no justification for calling a festival like the OIJF a jazz festival, because it has Plant, Elvis Costello, Youssou N'Dour and Black Dub at its main stage this year. And, it's true, that this festivalwhich has long retained a reputation of purity long after larger festivals like Montreux bit the bullethas significantly altered its main stage programming, with four of its eleven evenings bearing tenuous connection to jazz at best and three a little more closely tied, leaving only four shows that just about anyone could call jazz (though those who believe fusion doesn't count will be reduced by another two). But let's look at this festival and others, as a whole, before whitewashing them.
Fact: every festival is facing significant funding cutsfrom both private and public sectorsthe result of a global economy that often says, when times are tough, reduce funding to the arts. OIJF lost $80,000 in its bottom line last year, and like every jazz festival in the world, is also having to deal with the very real issue of demographics. Visit most jazz festivals and the preponderance of gray-hairs and no-hairs speaks to the challenge (and, largely, failure) of bringing a younger audience through the gates. And this isn't just a matter of ultimate survival, though jazz festivals that continue to appeal exclusively to the aging baby boomer population will most certainly go under within the next 10-15 yearsif that. It's a matter of current economics. Government funding, for the most part, doesn't come with "no strings attached"; it's heavily tied to tourism, which means that if a jazz festival (or any festival) cannot show that it is bringing tourism dollars into its city, it'll have a hard time obtaining it. And while private sector funding is less directly tied to tourism, it is tied to profile, and how many people come to the festival and walk away with their logos in their heads. If audiences are shrinking, you can be sure that private sector funding will be reduced accordingly.
These are realities that each and every festival has to deal with, year-after-year. And some festivalsKongsberg, Molde, Montreal, Montreux, New Orleans and Ottawa, to name just sixare all facing the same general problems, irrespective of country or continent.
One suggestion, from those who have a problem with broader programming, is to pare back ("get back to your roots") and become smaller, niche festivals, but in practical terms that simply isn't possible. You can't put the toothpaste back in the tube, they say, and festivals would have a near-impossible challenge of selling funders with the premise that "we're going to become a smaller, more focused festival, and appeal to a smaller, more select audience. Now, how about some money?" As is usually the case in a world driven by bottom lines, even artistic pursuits like festivals are expected to growto become bigger and better. Shrinking sends a bad message to just about everyone, and will do absolutely nothing to support the solicitation of funding, sponsorship and other critical forms of partnership that help festivals with everything from nailing down venues and getting instrument support to paying travel expenses to bring in artists from abroad.


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* Page 7 *
This page will attempt to showcase the histories of New Jersey AM Radio stations,
past and present.
Please feel free to
e-mail me
with any information you would like to contribute to this page and
you will be credited.
Some information provided by:
"The Airwaves Of New York:
Illustrated Histories Of 156 AM Stations In The
Metropolitan Area, 1921-1996"
Dave Hughes' NYRTV website (no longer online)
Jeff Miller's
History Of American Broadcasting
Tom "LavPass"
Do you, or anyone you know, work in NJ radio, either now or in the past?
is looking for you!
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WBRB - 1210 AM, Red Bank
The origins of this station go back to 1925, when it first broadcast on 1370 AM as WJBI.
In 1927, the station moved to 1170 and in 1928, it moved again to 1140.
In 1930, principal owner (and chief engineer) Robert S. Johnson transferred the license to a new entity, Monmouth Broadcasting Co., and began broadcasting on 1210 AM as WBRB.
It shared time with New York stations WGBB, WFAS and WGNY.
Red Bank's "Home Town Station" established studios and a transmitter downtown at 63 Broad St.
Some local programming heard on the station included Linda Lowe's "Over The Tea Cups," "Home Town Forum" and "High School Forum," plus the "Home Philosopher."
WBRB may have advanced to full-time status, and quite possibly could have still been around today, however on February 16, 1941, a fire destroyed its transmitter.
Wartime restrictions at the time made it impossible to replace the equipment.
The FCC granted the station permission to remain silent for the duration, with the construction permit renewed in 1944 and it's license still in effect as late as 1946.
However, WBRB eventually got absorbed into
the 1310 operation in Asbury Park
(Thanks to "Sam/KS2AM" for some of this information)
WBAN - 1230 AM, Paterson
WBAN, owned by the Wireless Phone Corp. of Paterson, signed on April 24, 1922 on 833 AM.
In 1923, the station moved to 1230 and shared time with
New York stations WBBR and WABS
On April 10, 1925, WBAN was shut down with some personnel and equipment going over to Newark station WODA (see below).
WCMC - 1230 AM, Wildwood
WCMC signed on November 25, 1951, originally with just 100 watts (compared to its current 1000 watts).
Legendary DJ Tom Moran got his start at WCMC on September 28, 1959 (he later retired from the business on May 3, 2002 at WPEN (950 AM), Philadelphia.)
In the 1960's and 1970's, WCMC featured an MOR format and was co-located with WCMC-TV Channel 40, in an old house on New Jersey Ave. in Wildwood - which can be seen
The owner and general manager of the stations at the time was Bill Wotring, who continued to be involved with the stations throughout the 1970's and 1980's.
For a period of time in the 1980's, from my trips down to Wildwood, I remember WCMC having a Top 40 format.
In recent years, WCMC featured an Adult Standards format.
In October 2004, WCMC began simulcasting the "Classic Oldies" format from sister station WMID (1340, Atlantic City.)
However, after protests from local seniors about the format change, WCMC went back to their Adult Standards format on October 26.
In February 2010, WCMC shifted to an easy listening format after the Adult Standards satellite format they had been using was discontinued.
In late 2010/early 2011, WCMC went back to simulcasting the oldies format from WMID.
(Thanks to Arnold K. Johnson, Tom Moran & Jere Sullivan for some of this information)
(Thanks to Bryan Vargo for a WCMC logo)
WSNJ - 1240 AM, Bridgeton
WSNJ signed on in August of 1937, and along with its
FM station
has remained virtually unchanged, as far as their format and community service to Cumberland County.
In December 2003, 1240 was sold to Quinn Broadcasting (owners of 1440 WMVB in Millville) for $550,000.
Quinn plans to simulcast WSNJ's programming on WMVB, in order for it to cover a majority of Cumberland County.
On February 2, 2004, Radio One finalized its deal for WSNJ-FM and took it off the air, in anticipation of moving it to 107.9 and re-licensing it to Pennsauken, in order to serve the Philadelphia market.
1240, meanwhile, has assumed WSNJ-FM's former "localized" format.
WMTR - 1250 AM, Morristown
On December 12, 1948, WMTR signed on, owned by the Croy family d/b/a the Morristown Broadcasting Co.
Original studios and offices were located at 10 Park Pl. in Morristown, with the transmitter on Evergreen Ave.
The first program director was Jack Allen "Potts", who later went on to become a WOR newscaster, and Merrill Morris was news director and farm reporter.
The first engineer was Ralston "Ral" Collins.
Some background on Jack Allen:
Besides his stint at WMTR and WOR, he also did some work for WCTC in New Brunswick, worked nationally for the Mutual Broadcasting Company and internationally for the Armed Forces Radio Network during the Korean War.
During his final years (he passed away in 1987 due to heart failure), he was a news editor and researcher for the ABC Radio news network in New York.
WMTR's programming was atuned to the rural lifestyle with hourly news updates, country music in the afternoon and the syndicated "Candlelight and Silver" during the dinner hour.
The Croys were very sensitive about keeping the musical selections quiet and slow, even destroying records that were too up-tempo.
A pic of a WMTR "permanent" memo pad, circa 1950, can be seen by
clicking here
In 1950, Bob Vesel replaced Jack Allen as PD and on-air host.
In the 1960s, Bob Vesel did a show called "Our Way Of Life", 5 days a week, with 15 minute taped interviews.
From the 1950's into the 1960's, there was a regular Bing Crosby 15 minutes or half-hour led off with the song, "Where The Blue Of The Night Meets The Gold Of The Day."
Later on, the news directors were Bob Stopker and Nick DiRienzo (who later went on to
In the 1960's, WMTR subscribed to Peter Strauss' Radio Press International.
Also in the 1960's, the WMTR studio was moved to their new transmitter site in Hanover Twsp.
In the early 1960's, Gene Brodeur was the morning man, later Pete Murphy "PM In The AM" took over mornings.
There was also a religious show featured on Sunday mornings hosted by Rev. Fred Long called, "The Church Today."
In 1971, WMTR was sold to Drexel Hill Associates, who owned
WDHA in Dover
WMTR's news department then began to supply newscasts to WDHA.
Throughout most of the 1970's, WMTR had an MOR format, evolving to AC by 1980.
WMTR was a daytime-only station, signing off with Kate Smith's "Bless This House", instead of the usual "Star Spangled Banner."
In 1982, the station went 24/7.
They continued their Full Service AC format, and began experimenting with AM Stereo in 1983.
In the fall of 1989, the station was sold to Legend Broadcasting and WMTR added a Business News segment in mid-days.
By the winter of 1990, they dropped the AC format altogether and went with the Business News full-time.
They also stopped 24/7 operations and signed off daily at 9pm.
Then in 1991, Signal Communications bought WMTR (and WDHA) and changed its programming to "Easy Listening Standards" via Westwood One's "AM Only" format.
Live & local shifts were regulated to just mornings, afternoons and weekend mornings and mid-days.
WMTR's hours of operation expanded to 10pm in July 1991 and to midnight by the summer of 1992.
In the fall of 1992, WMTR goes 24/7 once again, using the satellite service for evenings and overnights.
In 1998, WMTR began a simulcast with WWTR, 1170 AM, in Bridgewater Twsp.
In 2001, WMTR (along with WDHA/WWTR/WRAT) was sold to Greater Media (owners of WMGQ/WCTC).
In early 2002, Westwood One's "AM Only" service tweaks the format into Soft AC.
On January 5, 2004, WMTR switched to a "Classic Oldies" format, featuring songs from the 50's and 60's.
On November 1, 2005, WMTR dropped the simulcast on
(Thanks to Doug Douglass, Mark D, Bob Jakielski, Lee Munsick and John Stuart "Stoo" Potts for some of this information)
WAAM - 1250 AM, Newark
WAAM signed on April 10, 1922, established by the Ira R. Nelson Manufacturing Company in Newark, which made small motors, such as those used in electric fans.
WAAM became the one of the earliest stations to accept advertising and to use a sales representative, Bruce Reynolds, who came to the station after being turned down by
WEAF (later WNBC)
Original studios on Bond St. in Newark still stand today.
The "chief operator" for WAAM's first 6 months on the air was O. B. Hanson, who left to join WEAF and later rose to VP of Engineering for NBC.
On December 29, 1925, Ira Nelson sold WAAM to Warner Brothers Pictures and calls were changed to WBPI.
WBPI was short-lived as Warner Brothers was never really fully committed to the station.
On April 18, 1926, the station was sold back to Ira Nelson and regained its WAAM calls.
The station shifted frequency in 1926 to 1140 AM and in 1927 to 860 AM.
Starting in 1928, WAAM moved to 1120 AM (later to 1250) and shared time with WODA (see above).
Lots of localized programming was featured on WAAM - "Newark Night", "Elizabeth Night", etc. featured some home-grown talent.
The station was also one of the first to present a breakfast-time entertainment program.
WAAM was also one of the first stations to produce electrical transciptions.
Working with Edison engineers, Ira Nelson developed a long-playing record that could hold 90 minutes of program material.
In 1933, WAAM was merged with WODA and on February 12, 1934, the station was officially merged into New York's
An aircheck from September 11, 1928, featuring a program entitled, "A Little Bit Of Everything", can be heard
(Thanks to Doug Douglass for some of this information)
WODA - 1250 AM, Paterson
The O'Dea family had established a music store in Paterson called the O'Dea Temple Of Music.
On April 10, 1925 WODA signed on at 1340 AM, owned by Richard O'Dea.
WODA was one of the first truly educational stations.
Richard O'Dea was Paterson's commissioner of education and established the WODA Free Grammar and High School Of The Air in 1927.
Working closely with local educators, WODA aired lessons in a dozen subjects from arithmetic to social science.
Enrollment reached above 1000 and hundreds of diplomas were handed out each year, in formal commencement exercises broadcast on the air.
Musical broadcasts included the "Silk City Night Owls On Parade," which ran regularly until 2am.
WODA also acted as the police radio for northern New Jersey, airing 2 minutes of official bulletins 10 times a day.
In 1927, WODA switched frequencies to 780 AM, sharing time with New York station WLWL and later on that same year, switched again to 1020 AM, sharing time with another New York station, WGL.
In 1928, WODA once again moved, this time to 1250 AM, and shared time with WAAM and WGCP (see below).
In November 1928, Richard O'Dea announced that some of the high school lessons had to be dropped because there wasn't sufficient airtime.
In 1933, WODA and WAAM merged and operated with combined calls.
On February 11, 1934, WODA was officially merged into what would become New York's famous
WFJS - 1260 AM, Trenton
WBUD signed on January 20, 1947, originally on a frequency of 1490 AM.
At one time, the station was located in Morrisville (Bucks County) PA in the Prior's Pharmacy building on West Bridge St.
In 1952, WBUD moved over to its present frequency of 1260.
1490 was later re-assigned to Levittown PA and is now the home of WBCB (which signed on December 8, 1957).
For many years, WBUD was owned by Bill Hardin.
Between 1954 and 1959, Nan Rednor hosted an interview show, "Nan About Town."
Throughout the 1960's, WBUD featured a full-service AC format with Jack Pinto doing morning drive, and later hosted by Pat McCall.
Phil Roberts did a controversial talk show at the time, as well.
The show was also hosted by Joe Pine, and later, Alan Burke.
Another DJ featured on the station around the late 1950's/early 1960's was George "L-U-T-H-R-E" Bannister, who used the line, "And if you don't spell it right, we'll send it back - even if it's on a $1000 check."
Another personality was Bernie Kosnoski.
He did a one hour polish music show in the late mornings during the 1950's and 1960's.
He was a local celebrity for many years, as he did alot of philanthropic work in the area.
He was loved by alot of people and was a mainstay at the station for many years.
In January 1970, with Jack Pinto having departed and the station slipping in ratings and prestige in the market, WBUD instituted a Top 40 format under PD Jim Brand, and later Len Murray (who's now deceased) and Mel Phillips (recently an APD with WCBS-FM in New York).
Many of the jocks were hold-overs from the MOR format, but gradually other jocks came and went, including Mark Stewart in PM drive, and later, Walt Brown; Bobby Haze, Bill Halpern, Barry Powell, Pete Winters (from WAMS), John Howard and a parade of others.
Len Murray, exiled from WTTM, served as PD in the format beginning in 1973.
Former WBUD jock, Steve Ross, returned to program the station in 1974.
During most of its time in the Top 40 format, WBUD carried NBC News on the hour and featured American Top 40 With Casey Kasem.
In 1975, WBUD featured NBC's "News & Information Service" format.
Personalities at this time included Bill Halpern (mornings), Bill Culp (mid-days), Joe St. John (aka Joe Piscopo, yes THAT Joe Piscopo; afternoons) and Prince Wooten (evenings).
Newspaper ads from this time frame are available
For a period of time in the late 1970's, the call letters were changed to WTRT.
Calls were again changed briefly to WKXW on May 29, 1980 and then returned back to WBUD on September 1, 1981.
Airchecks from this time period cam be heard
In recent years, WBUD featured an Oldies format as "Great Gold Radio."
In January 2004, WBUD changed it's slogan to "Jersey Memories."
In February 2006, WBUD switched to the "Unforgettable Favorites" satellite feed, featuring Soft AC music.
On April 14, 2008, 1260 became "Fox Sports 1260."
In July 2008, ownership of WBUD was transferred over to Domestic Media Church Foundation, where it will convert to non-commercial status and institute a religious format.
On September 15, 2008, 1260 reverted to a religious format, with calls of WFJS becoming official on September 18th; the WBUD calls have since moved over to 1310 in Asbury Park.
(Thanks to Paul Bunting, David Cohen, William Culp, Stu Dolgon, "Dusty", Kevin Fennessy, Pat McCall, Brooks St. Ives, Arn Schwartz, Marty Siegel and Lew White for some of this information)
(Thanks to Lance Venta for an old WBUD logo)
WMIZ - 1270 AM, Vineland
This station went on the air August 19, 1959 as WDVL.
WDVL was run by Mort and Vivian Hendrickson and was operated as a daytime-only station.
WDVL's programming in the early 1970's included...
George Dodds, who hosted a country music show called "The Corncob Show" from 8:45am to 10am.
PD Henry Morey hosted "WDVL Classics", a program of light classical music, from 10am to noon.
At noon, Mort Hendrickson did a newscast (read verbatim from the previous night's Vineland Times Journal) and played "beautiful music" until 2pm.
From 2pm to 4pm, Jose Luis Acosta hosted "Radio Caribe" in Spanish; the time was brokered and Jose sold his own spots.
And at 4pm until sign-off, George Anthony Struckell (who later worked at WFPG in Atlantic City and WSNJ in Bridgeton) played "beautiful music" and MOR standards in a program called "The Music Room."
A majority of the weekend schedule featured religious programming, hosted by the station's engineer, Joe Fitzgerald.
Vivian Hendrickson also hosted a "Story Hour", where she read childrens stories, Saturdays at noon.
In early 1972, Mort and Vivian sold the station to Frank and Vita Marie Ventresca for $250,000.
On August 15, 1986, calls were changed to WFHM and on December 21, 1990, they changed again to WMIZ.
As WFHM, the station featured an MOR format.
Currently, the station features a Spanish format and is the sister station to
WVLT, 92.1 in Vineland
(Thanks to Jack Moore for some of this information)
WHBI - 1280 AM, Newark
Origins of this station date back to March 11, 1922 when Donald W. May signed on WBS at a frequency of 833 AM.
The calls WBS stood for "World's Best Store," as it was operated from Mullins Furniture Store at 325 Central Ave. in Newark.
H. C. Luttgens was Chief Engineer and operator for WBS.
In May 1925, the station was sold to musician Jimmy Shearer, the frequency shifted to 1070 AM, studios moved to the Grand Central Palace in Manhattan and calls were changed to WGCP.
In 1926, the station moved to 1190 AM and by 1927, WGCP was at 1250 AM and sharing time with other Newark stations WAAM, WODA (see above) and WNJ.
In 1933, calls were changed to WHBI, which stood for "Hoyt Brothers Inc," a chemical manufacturer.
The station's studios were located on the 7th floor of the Hoyt Brothers warehouse on 100 Shipman St. in Newark.
In 1934, when WAAM and WODA were merged into
, WHBI continued the share-time arrangement.
WHBI tried to counter-program WNEW by playing similar music.
In December 1941, when WNEW changed frequencies, WHBI moved over to 1280 AM and started sharing time with WOV from New York.
WHBI then shifted into a religious format, calling itself "The Gospel Station Of The Nation."
In 1947, Danny Stiles began his broadcasting career by featuring a Sunday midnight jazz, blues and swing show.
Bernice Bass was News Director and later hosted the "Party Line" interview show from midnight to 2am.
And, Jack Bilby broadcast his "Talent Showcase" program from 2am to 4am.
Joan Vallence Potts was the "Storybook Lady" on WHBI, circa 1949/1950; she was married to Jack Allen Potts, who also worked at the station.
In the late 1950's, Jean Valli, "The Gal From Music Mountain", hosted a country & western show on Sunday overnights.
Some pics from the show can be seen
In March 1962, WHBI was sold to the owners of
for $635,000 and was soon dissolved.
The WHBI calls showed up later on, on
105.9 FM in Newark
(Thanks to Diane Gyle & Bonnie Vadala Luciano for some of this information)
WDBQ - 1280 AM, Salem
WDBQ, owned by the Morton Radio Supply Co., signed on in 1924 on 1080 AM.
In 1925, the station moved to 1280 AM, but soon afterwards, went off the air.
WEBA - 1290 AM, Highland Park
WEBA, owned by George DeLaplaine d/b/a The Electric Shop, broadcasted briefly between 1924 and 1926.
The station offered programs from 8 to midnight nightly from studios located on 8th Ave. in Highland Park.
The WEBA calls stood for "We Entertain By Air" and "We Electrify By Appointment."
The station only broadcasted with 100 watts, but was heard as far away as Wisconsin.
Entertainers on the programs heard via WEBA included Billy Hillpot, who later became the program manager of NBC's Blue Network; Scrappy Lambert, a popular radio entertainer; and Paul Kuhithau, who later became a member of Johnny Mercer's orchestra in New York.
Walter C. Sedam, a local attorney, as well as the mayors of Highland Park and New Brunswick, spoke on the opening night of the station.
DeLaplaine let the station's license lapse in 1926.
Mr. DeLaplaine had also owned station 2LLO in Highland Park in 1922.
(Thanks to Steve Greene & an article from the New Brunswick Sunday Times (10/26/1941) for some of this information)
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All quotes tagged Louder
(49 quotes found)
"When a great moment knocks on the door of your life, it is often no louder than the beating of your heart, and it is very easy to miss it."
"It means a lot in that I always felt invisible and I was louder in my own head than I was verbally, ... I was torturing myself, wanting to say things and not knowing how to be. The stand-up was a way out but it never came easy. So to have something that's named after me make it, and that has history tied to Desi and Freddie and now Freddie Jr., it's unbelievable to me because I never really thought anything good would happen to me."
"I was always here for you,you knew you could count on me and trust me blindly, and you knew that I would never tell you a lie or do anything that would hurt you. My actions spoke much louder than my words and I always pushed myself higher and higher to meet or exceed your expectations, that's why it hurts so much now. Michael Hayssus"
"Hopefully it is a little louder than it was last week. It was awesome last week. Set the bar a little higher — see if we can make it a little better."
"The louder it is, the better it is. That's the way I look at it, just because there's nothing better than going to another person's stadium and trying to silence the crowd."
"The crowd went absolutely wild. They cheered even louder when she was handed her 7-foot tall trophy on the podium afterward."
"That crowd was crazy. That was the loudest I've ever heard a building, even louder than in the Frozen Four last year."
"That, to me, speaks louder than the fact that he got roughed up in the first inning -- that he was able to put it behind him. He was able to get six outs on 14 pitches."


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LaSalle Hotel Properties has paid a total of $292.5 million to acquire three separate hotels. The company purchased San Francisco's Hotel Monaco for $68.5 million, the Westin Philadelphia for $145 million and the Embassy Suites Philadelphia-Center City for $79 million. Kimpton Hotels sold the Hotel Monaco, and the company will continue to manage the 201-room property.
Full Story:Bloomberg Businessweek, American City Business Journals


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Frequently Asked Questions (FAQs)
What is SPARA?
In the 2012-2017 update to the UWF Strategic Plan, the University reaffirmed its commitment to "accounting for its effectiveness through the integration and alignment of transparent planning, budgeting, assessment, and accountability processes to support continuous improvement and the strategic and prudent use of resources." SPARA is the UWF Strategic Planning and Resource Alignment process designed to achieve that integration and alignment. To support and advance the mission, vision, values, and strategic priorities of the University, UWF will invest funds that address core needs as well as new initiatives and projects.
Who can submit a SPARA Proposal Form?
Any UWF staff member may submit a proposal; however, in general, it is expected that personnel in a unit will work together to compile and complete SPARA proposals. A unit must e-mail all completed SPARA Proposal Forms and accompanying documentation from that unit to firstname.lastname@example.com at the same time the unit submits proposals to its respective division for divisional review. All SPARA proposals will receive consideration at every stage of the institutional process.
How does the SPARA process work?
Each SPARA proposal will flow through a divisional review process (including any sub-processes deemed appropriate for a particular division—e.g., departmental or college process), a review by a select SPARA Team charged with assessing how well each proposal aligns with UWF's strategic priorities, and a review by the appropriate divisional vice president(s) before the proposal is submitted to the President for consideration. Even though the requests will flow through individual divisions, cross-divisional requests will be encouraged. Any cross-divisional proposal will need to be submitted and reviewed through all divisions involved in the proposal.
How do I know when and how to submit a SPARA Proposal Form?
UWF has not prescribed how proposals flow through the divisional review process except that each process should have the characteristics heard in our campus listening sessions:
-Completeness of all components of the process
-Completeness of shared information
-Evolutionary/developmental process
Each division has provided a written description of its respective divisional SPARA process. These processes have been developed to assess the level of need, alignment with strategic priorities, and the level of criticality for every proposal emanating from a division. Developers of proposals should be sure to review the process for their respective division, because the processes vary and in some cases may include sub-processes when appropriate.
Why is SPARA important?
UWF is seeking to develop a more inclusive, data-driven, and strategic budget process. We want to use our "strategic plan to drive the budget and support institutional priorities." The SPARA process focuses on furthering UWF's mission, vision, values, and strategic priorities. It is also consistent with the SACS Commission's expectation that the University's planning and evaluation process inform budgeting decisions. It is one more very visible way that we are making UWF "Different by Design."
What type of funds can be requested?
In general, SPARA proposals can be for recurring and/or non-recurring Education and General (E&G) funds. Although a proposal may reference a multi-year plan for context, each proposal should be presented without any expectation of a commitment for additional recurring and/or non-recurring funding in future years.
Do I have to use the official SPARA Proposal Form, or can I use an alternative document?
All individuals, units, and divisions must use the institutional SPARA Investment Proposal Form to ensure that we have some consistency in the type of information provided. However, divisions may incorporate supplemental forms, spreadsheets, rubrics, etc. The ASPIRE Office has developed an institutional repository to house all documentation related to the SPARA requests as the proposals flow through the entire review process. Please note that all supplemental documents for each stage of the process are to be compiled into single PDF documents to accompany the official SPARA Proposal form.
What is the timeline for the SPARA process?
The timeline for the 2013 SPARA process is as follows:
February 15, 20-13 (earlier preferred): Description of divisional processes due. [These will be posted to the SPARA website.]
January 7, 2013– March 15, 2013: Divisional review processes completed. All SPARA Proposal Forms, related documentation, and divisional review -ratings must be submitted to the ASPIRE Office via firstname.lastname@example.com.
March 15, 2013 – April 15, 2013: SPARA Team and divisional VP review processes completed. Related documentation and review ratings are due to the ASPIRE Office via firstname.lastname@example.com.
April 15, 2013 – May 15, 2013: Presidential review process completed.
June 13, 2013: Presentation to the Board of Trustees and posting of the complete process available on the SPARA website.
June 18-20, 2013: Board of Governors meeting to review budget proposals.
Who do I talk to if I have a question or suggestion related to the SPARA process?
With this being the first year of full implementation, we are likely to discover ways to improve the SPARA process for future years. We hope you will help us by providing feedback and suggestions along the way. Similarly, if you have suggestions for additional frequently asked questions, please submit them to the ASPIRE Office via email to firstname.lastname@example.com, and ASPIRE staff will facilitate the gathering and posting of appropriate answers.
How much money is available for the FY13-14 SPARA process?
It is difficult to determine in advance of the Legislative session how much funding may be available for allocation. The Legislature may add to or take away from UWF's base appropriations. This estimate is further complicated by the approval process for tuition increases that could have an impact on the level of available funding. Finally, estimates in growth in enrollment generally become increasingly clear closer to the end of the spring term. Individuals and units trying to determine the cost benefit of investing time and effort into submitting a SPARA proposal form should know that new investment funds over the past few years have been very limited and requests for highly aligned strategic priorities typically exceeded available dollars.


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Check in from 12h / Check out prior to 12h
Hotel Kiranshree Portico: Find photos, reviews, information, amenities and compare prices for 3 stars hotels in Guwahati, India.
Situated in Guwahati, this 3-star property is modern and elegant. It also offers valet parking, a coffee bar and 24-hour room service.
Hotel description
There are a range of amenities available to guests of Hotel Kiranshree Portico, such as a 24-hour reception, meeting rooms and a currency exchange. Wireless internet is also provided.
Rooms at Kiranshree Portico Hotel Guwahati are elegant and air conditioned, and offer tea and coffee making facilities, a mini bar and wireless internet access. An in-room safe and newspapers can also be found in each.
Guests of at the hotel are served breakfast every morning.
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Ohio's unemployment rate dropped nearly half a percentage point last month to 10.8 percent, but it wasn't because more people were going back to work, the Ohio Department of Job and Family Services said Friday.
The rate dropped from 11.2 percent in July largely because fewer people actively sought work. That shrank the labor force, which meant that even though the number employed also went down, the jobless rate dropped.
The number of people employed in Ohio dropped 30,100 in August to 5,097,300, and the number of unemployed dropped 25,000 to 641,000.
Michigan's rate for August was 15.2 percent, up from 15 percent in July and highest in the nation. The national unemployment rate was 9.7 percent, up from 9.4 percent in July.
The rates for Ohio counties and cities will be released Tuesday by the state. Lucas County's rate in July was 14.4 percent and Toledo's was 15.4 percent.
The U.S. Department of Labor said yesterday that 42 states lost jobs in August, with the biggest payroll cuts coming in Texas, Michigan, Georgia, and Ohio.
The department said 27 states had increases in unemployment rates in August. Fourteen reported rates of 10 percent or above.
The federal report shows jobs remain scarce even as most analysts believe the economy is pulling out of the worst recession since the 1930s. Federal Reserve Chairman Ben Bernanke said this week that the recovery isn't likely to be rapid enough to reduce unemployment for some time.
The jobless rate nationwide is expected to peak above 10 percent next year, from its current 9.7 percent.
"You are seeing the pace of job losses slow a little bit," said Mike Lynch, a regional economist at IHS Global Insight. But states "are not out of the woods yet."