text:
Kursus Bimbingan Rumahtangga "Kasih Sejati"
Kasih Sejati Marriage Preparation Course was created, designed and developed by SuChi Success Initiatives Pte Ltd. It is owned and is the copyright of SuChi Success Initiatives Pte Ltd, governed within the copyright laws of the Republic of Singapore.
The Kasih Sejati Marriage Preparatory Courses are meant for Muslim couples marrying for the first time who are generally 21 years old and above; and are not in the high-risk category.
Kasih Sejati aims to assist marrying Muslim couples build a strong foundation and strengthen relationship within their marriage. Kasih Sejati aims to provide the market with a new learning approach and experience in helping Muslim marrying couples to effectively prepare for the first three years of marriage.
Participants attending Kasih Sejati would be expected to be able to do the following at the end of the course:
• List the three major development stages of new marriages;
• Identify needs, issues and challenges within each development stage;
• Chart out possible action steps to address development challenges in early marriages;
• Acquire basic skills required for each stage of developing new marriages;
• Prepare a 3-year Marriage Plan.
• Kasih Sejati is designed based on actual needs of marrying couples. This is reflected by the roadmap and integrated approach in exposing the participants with the relevant topics. It fits nicely with the stages of entering into marriage by every marrying couple. And this is very much a manifestation of adult learning principles, where adults learn best when they find the content and materials relevant to their respective needs.
• The course is also designed to be highly interactive. Participants will be actively involved in the learning process through group activities, discussions, games, self-reflection exercises, presentations, role-plays and action planning.
• Formative assessments will also be introduced at major content transition points to assist participants reinforce key learning points. These will be in the form of short quizzes for participants to attempt and reflect upon at the end of each major content coverage.
• Additional reading and reference materials will also be listed and provided to the participants.
Modules inKasih Sejati
Brief Content Outline
Mak, Nak Kawin…
Compatibility Issues, personality profiling.
Dah Siap Ke Belum?
Parents-in-law, financial requirements, other preparations.
Aku Terima Nikahnya…
Marriage in Islam, Roles & responsibility of husband and wife, Nikah proceedings.
Assalamua'laikum, sayang…
Sex and sexuality in Islam, decorum, preparations.
Yang, Bangun, Dah Subuh…
Challenges in first year of marriage, changes & adjustment, change cycle.
Keluarga Idaman Ku
Planning for the family, number of children, other financial obligations and preparations.
Sedangkan Lidah Lagikan Tergigit…
Simple and Effective communication strategies between husband and wife, communication profiling.
Demi Cinta Ku Pada Mu
Common understanding of married life, house-rules, commitment, love letter.
Note: All programmes are conducted in the Malay Language except where indicated.
Course Schedule for 2016
|Course Centre
|Nov 2016
|12 - 13 Nov 2016
|SuChi Success Training Centre
Mr Riduan Tel: 6842 8161
|19 - 20 Nov 2016
|Masjid Alkaff Kg Melayu
Ms Siti Shazwani Tel: 6242 7244
|Dec 2016
|3 - 4 Dec 2016
|Masjid Mydin
Mdm Norhayati Tel: 6243 2129
|10 - 11 Dec 2016
|SuChi Success Training Centre
Mr Riduan Tel: 6842 8161
Course Schedule for 2017
More dates will be added soon.
|Course Centre
|Jan 2017
|14 - 15 Jan 2017
|SuChi Success Training Centre
Mr Riduan Tel: 6842 8161
|Feb 2017
|4 - 5 Feb 2017
|SuChi Success Training Centre
Mr Riduan Tel: 6842 8161
|25 - 26 Feb 2017
|SuChi Success Training Centre
Mr Riduan Tel: 6842 8161
|Mar 2017
|18 - 19 Mar 2017
|SuChi Success Training Centre
Mr Riduan Tel: 6842 8161
|4 - 5 Mar 2017
|Masjid Mydin
Mdm Norhayati Tel:6243 2129
|Sep 2017
|2 - 3 Sep 2017
|Masjid Mydin
Mdm Norhayati Tel:6243 2129
|Dec 2017
|2 - 3 Dec 2017
|Masjid Mydin
Mdm Norhayati Tel:6243 2129
The Marriage Preparation Course (MPC) is targetted for unmarried individuals who are ABOVE 21 YEARS OLD and marrying for the first time. Potential registrants who are below 21 years old and/or have been married previously are required to contact Registry of Muslim Marriages (ROMM) for other relevant courses.
MPC is an approved programme by the ROMM.
The Certificate of Accomplishments will be issued to participants who have fully completed ALL modules within the MPC at the end of the programme.
The certificates provided by the Mosque in collaboration with SuChi Success Initiatives are recognized by ROMM and can be used as documentary proof of attendances in a marriage preparation course.
All participants are required to spell check and certify correct their names and NRIC Numbers in the Attendance List for accuracy, for the purpose of certificate production. Any request for changes after certified correct by participants will incur a service charge of $10 per copy for re-printing of certificate.
Replacement for lost certificate after the course is chargeable at $10 per copy. Application for replacement certificate must be made at SuChi Success Initiatives Training Centre via e-mail at email@example.com or call at 6842-8161. Please quote your name and NRIC No. Replacement certificate will be ready for personal collection within 3-working days after the request is made.
Programme & Registration Fees
The participant's fee is inclusive of a programme fee and a non-refundable registration fee. The registration fee will NOT BE refunded upon withdrawal from the programme for whatever reasons.
Registered participants who wish to withdraw from the programme are required to inform the Administrative Officer of this programme at the place of registration, not later than 7 working days from the first day of the commencement of the programme.
Any withdrawal made within the 7-day period preceeding the commencement of the programme will result in NO REFUND of the programme fee. The programme fee will only be refundable if the withdrawal notification is made before the 7-day period preceeding the commencement of the course.
Change Of Date
Any change of date made within 5 days before commencement of the programme will attract an additional chargeable fee of $10 per person to compensate for administrative and logistic re-arrangement.
Mode of Payment
Payment for the course fees may be made in cash or cheque. Receipts will be issued upon cash payment. Receipts for payment via cheques will only be issued upon cheques' clearance and will be provided at a later date to be determined by the place of registration.
Confirmation of registration is contingent of payment. Only paid registration is considered as confirmed.
Attendance & Punctuality
Participants who have not completed any of the modules will be required to make-up for those missed modules in future runs of the programme at any certified centres, before the Certificate of Accomplishment can be issued. The Administrative Officer at the place of registration will advise you accordingly on the next available slot for make-up modules.
Participants are required to be punctual for all modules in the programme. Participants who are 15 minutes late for any of the modules will be considered as having missed the whole module. They will need to make-up for the missed modules.
Active participation in the programme is highly encouraged and would provide participants with bountiful learning journey. Enjoy!
DO NOT make payment to SuChi Success if you are taking the Marriage Course at any of the mosques. Contact the mosque for payment.
If you have selected to undergo the course at any of our mosque partners, please contact the mosque directly to make payment to that mosque.
Payment to SuChi Success is to be made only for Kasih Sejati Marriage Praparation Course to be conducted at SuChi Success Training Centre.
Confirmation of registration is contingent of payment. Only paid registration is considered as confirmed.
Payment Method to SuChi Success
- Fees for Kasih Sejati Marriage Preparartion Course:
$150 / person, $300 / couple
- Fees can be made by one of the following methods:
- ATM Fund Transfer
- Internet Banking [IBG]
- Mailing of Cheques
- Cash payment at SuChi Success Training Centre (We do NOT accept NETS payment)
- For ATM Fund Transfer or IBG, please pay the CORRECT AMOUNT to the following account:
DO NOT TRANSFER to this account if you are taking the course at any of the mosques.
Please contact the mosque directly for payment advice.
For courses at SuChi Success Training Centre ONLY:
DBS Savings Plus
Account Number: 017-9-095033
Please ensure the correct amount is transferred to the correct account before pressing the SUBMIT or CONFIRM button.
Once payment is made through Fund Transfer or IBG, please call 6842 8161 to furnish the details of the Reference Number stated in the receipt. SCAN or EMAIL the fund transfer receipt to email@example.com. Please keep the Transfer Receipt and bring it along on the programme day for verification.
Cheque payment should be made to SuChi Success Initiatives Pte Ltd. Please indicate Participant's Name, Telephone Number and Name of Programme on the reverse of the cheque. Ensure the amount is correct and post your cheque to:
SuChi Success Initiatives Pte Ltd
152 Paya Lebar Road #04-05, Citipoint@Paya Lebar
Singapore 409202
After cheque has been posted, please contact 6842 8161 to inform us of your payment and the date the cheque is posted.
- Cash payment can be made at SuChi Success office in the abovementioned address. [No: 4]. Please make an appointment first with our administration officer at 6842 8161 before coming down to ur office. We do not accept NETS payment. Please bring exact amount.
- Receipt will be issued for Cash payment and Cheque payment after the cheque has been cleared by the bank and if requested by the participant
- Please read the Terms & Conditions for participating in our programme.
|Monday to Saturday
|7.00 am - 5.00 pm
|$0.60 per 0.5 hr or part thereof
|$1.80 per 0.5 hr or part thereof
|5.00 pm - 11.00 pm
|$2.00 per entry
|$3.00 per entry
|11.00 pm - 7 am next day
|$8.00 per entry
|$12.00 per entry
|Sunday & Public Holiday
|7.00 am - 11.00 pm
|$2.00 per entry
|$3.00 per entry
|11.00 pm - 7 am next day
|$8.00 per entry
|$12.00 per entry
|$0.65 per entry
For parking charges at mosques, please call the mosque's officer-in-charge for advice.
Graduands' Testimonials
Read more testimonials from our graduands here.
Trainers' List
Trainers For The Kasih Sejati Marriage Preparation Course are:
Mohamed Khair Bin Mohamed Noor
CEO & Principal Consultant,
Suriati Abdullah
Managing Director & Principal Consultant,
Ust Abdul Jalil Bin Abdul Razak
Ust Mohd Khair Bin Rahmat
Imam & Mosque Manager,
Ust Salim Jasman
Ex-Senior President,
Nailul Hafiz Bin Abdul Rahim
Principal Trainer,
Zulkifli Mohamed
Family Life & Youths Educator, Freelance Trainer
Faiza Bte Sanip
Teacher And Early Childhood Educator,
Masturah Bte Bidin
Family Life & Youths Educator, Freelance Trainer
Abdul Razak Ahmad
Freelance Training Consultant


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It seems like K Koke can't catch a break. First he was charged with attempted murder in 2011, put on remand for seven and a half months until he was finally acquitted and found not guilty, and now his house has been raided by police.
Although the reason for the raid is unknown, the Roc Nation star tweeted on Thursday:
He then reminded his followers why he was not the Police's biggest fan
Understandably, his fans were outraged and even started hashtagging 'Let Koke Live' in support of the rapper.
Hopefully the police will leave him alone for long enough this time so he can put out some of his much anticipated new music in peace.

subset: commoncrawl


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See Our Just-Published Before & After Study
+Eric Enge at +Stone Temple Consulting pulled ranking data on the top 10 mobile results for 15,235 search queries the week of April 17th (before the so-called #Mobilegeddon Google update rollout), and again the week of May 18th. We pulled ranking information, and also identified whether or not the URLs in the results were designated as Mobile Friendly by Google or not.
Because of the size and methodology of our study, we were able to show the real change that the Mobile Ranking Update brought about that other, smaller and more anecdotal studies missed.
Read the complete study at http://stonet.co/MobilegeddonStudy
If you find this information useful, please reshare it! Thanks!
#mobilemarketing #mobilefriendly #mobileseo #seo
along with the classic Flanders fields poem
- Leora Wenger Web Designer, LLCWeb Developer and Designer, 2001 - present
- Rutgers UniversityWeb Designer, 2003 - 2013
- MIT Laboratory for Computer ScienceAdministrator, 1988 - 1993
- Rutgers University School of Communication and Information (SC&I)Web Manager, 2016 - presentManages and builds Drupal sites; helps with Joomla and WordPress sites
- leoraw.com (current)
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text:
Sacramento, CA
10 bedroom in two beautiful historic homes. Gourmet 2 course breakfast. In room breakfast is avail
Sacramento, CA
Merced, CA
All our rooms feature private baths, period décor, feather queen/king beds and down comforters.
Merced, CA
Sutter Creek, CA
Situated in the middle of historic Sutter Creek, one of California's most celebrated goldrush tow...
Sutter Creek, CA
Pine Mountain Club, CA
Come home to the mountains at the Pine Mountain Inn. 'Your cozy mountain getaway.'
Pine Mountain Club, CA
Overall rating:
The Central Valley B&B review score is based on feedback from travelers from around the world. See property page for full, detailed reviews by real travelers.


text:
LOL! Anthony Weiner makes appearance in Toomey ad - Pat Toomey, running for a second Senate term in Pennsylvania has an ad running that shows Anthony Weiner, the pedophile
16 hours ago
"One should either write ruthlessly what one believes to be the truth, or else shut up." -- Arthur Koestler


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Artist: Sia
Album: Colour The Small One
Genre: Electronic
Help, I have done it again
I have been here many times before
Hurt myself again today
And the worst part is there's no one else to blame
Be my friend
Hold me, wrap me up
Unfold me, I am small and needy
Warm me up and breathe me
Ouch, I have lost myself again
Lost myself and I am nowhere to be found
Yeah, I think I might break
Lost myself again and I feel unsafe
Be my friend
Hold me, wrap me up
Unfold me, I am small and needy
Warm me up and breathe me
Be my friend
Hold me, wrap me up
Unfold me, I am small and needy
Warm me up and breathe me
Lyrics powered by www.musixmatch.com
The first time I heard this song was on one of my favorite, if yet one of the best shows on TV: "six Feet Under". After I discovered this song, very shortly after my friend Lacey Conley ended up dieing months later... She was only 19 yrs old. I think after listening to this numerous times it is about someone who could be either lost, suicidal or just simply need somebody in their life because they are alone. All in all, the person doesn't want to go through life by themselves.
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text:
(The article Border Run was printed in the August 2012 issue of Rider.) Story and photos by Ben Getz Good things come in threes, they say…or is that disasters? Well, ...Read More »
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The Long Road to Indy, A Scenic Sport-Touring Ride to the MotoGP
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Colorado Chasms: Riding the other Canyonlands
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Great Motorcycle Riding and Camaraderie in Québec, Canada
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The 1st annual Haunted History Tour is complete and it was a huge success! Finally I can begin to bring you some of the video clips of SEIPO's investigation of the Rogers Hotel. In this one part of the team is doing an EMF session in the basement with some incredible results.
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So I am going to be a part of the Haunted History Tour here in Idaho Falls. The SEIPO team did an amazing investigation a few weeks ago and really excited to share the evidence we found. Can't give out the location till after the tour is over. I have heard that the tickets are almost gone. So if you are not able to go then stay tuned and I will post the investigation results here on the Ghostology page. Click on the image to see the flyer.
The Monarch Hotel
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SEIPO web site is now active. After a long hiatus, the web site for the South & East Idaho Paranormal Organization is up. This is my investigative group for all things paranormal.
There are some investigations being planed and we have a new home here in Idaho Falls. But we are planing in going all around the state and maybe even to some neighboring states as well.
The website is not were it needs to be, but it is functioning so check it out. Here is the link: www.seipo.org
The house is done
Finally the house is done and we are all moved in! Time to get back to posts and investigations. We have some hunts coming up, excited to share new stuff. -Scott
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Pocatello High School Ghost captured on video!!!!!!! But is it real?
Unfortunately, I am leaning towards fake. After looking at the video, it seems appears that the ghost maybe a string that is being dangled in front of the camera. Also the video is so poor, I wish someone would try and get a original copy of from the DVR of the security system.


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Kevin Thomas 1960-2013
WARREN – Kevin Thomas, 52, died Friday, Aug. 23, 2013, at St. Elizabeth Health Center in Youngstown following a brief illness.
Kevin was born Sept. 12, 1960, in Cleveland, the son of Mary Thomas.
He was employed with Perkins as a prep cook and attended Living Word Sanctuary.
Survivors include his wife, Sumerlyn J. Thomas; sons, Kevin Traylor of Cleveland, Chaz Thomas of Warren and Yancey Brent of Canton; daughters, Halle Thomas of Warren, Latoria Traylor Cleveland and Aquella Peacock of Solon; a sister, Lakisha Thomas of Cleveland; and four grandchildren.
The funeral services are 11 a.m. Wednesday at Staton-Borowski Funeral Home with visitation one hour prior.
The family will also receive friends at the residence, 3714 Tod Ave. N.W., Warren.


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1 comments
caryn_greeneHe's so handsome! But my favorite on days is James Scott! Did you hear about this really exciting contest to meet James Scott and Joseph Mascolo on the Days set and to appear with them in Soap Opera Digest? Check it out at http://www.classwish.org/days/fameJuly 19, 2011 at 11:01AM ESTReply as a guest Login & replyLike (0)This comment has no likes--be the first!


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plays the music you love
Selected Discography
Track List: Cameo Parkway (1957-1967)
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Track List: Old School Oldies, Vol. 3
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'Doctor Who' star John Barrowman and sister Carole signing books here Friday
John Barrowman, the 'Torchwood' and 'Doctor Who' star, and his sister Carole not only wrote an entertaining fantasy novel for middle-school readers, they do something teachers and parents must love:
They demonstrate that good things can happen when siblings play nice together. »Read Full Blog Post(4)
MSO chorus director arrested in undercover park-sex sting
The Milwaukee Symphony Orchestra's chorus director was arrested Monday on accusations of lewd behavior in Grant Park.
Lee E. Erickson, 58, of South Milwaukee followed an undercover Milwaukee County sheriff's deputy into a bathroom at Grant Park along Milwaukee's lakefront, exposed himself and began masturbating in front of the officer, according to the sheriff's department. »Read Full Article
Chicago chef Charlie Trotter dies at 54
Journal Sentinel files »Read Full Blog Post(3)
'Before I Die' wall installed at Sky High
Death has a way of clarifying life, or so say great philosophers and New Orleans artist Candy Chang. It has a way of making us examine the kind of person we want to be, the life we want to live, the people who are important to us.
On Tuesday, people in the Bay View neighborhood were confronted by the finiteness of their lives as a result of one of Chang's projects. A wall that reads "Before I die I want to..." and has little buckets of colored chalk so people can fill in the blanks was installed at the Sky High Skateboard Shop and Gallery, 2501 S. Howell Ave., and in cities across the U.S. on Tuesday. »Read Full Blog Post(2)
On Tap Today: Amos Lee at the Riverside Theater
Singer-songwriter Amos Lee performs at the Riverside Theater, and on RadioMilwaukee, Tuesday. Getty Images photo by Andrew H. Walker. »Read Full Blog Post


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Swanage Coastal Park , Swanage
Please scroll down the page for full details of this privately owned static caravan for hire situated on Swanage Coastal Park .
- Caravan Name:
- Atlas Everglade
- Caravan Size:
- Length 28ft / Width 10ft
- Bedrooms:
- 2
- Max Occupancy:
- 6
- Low Season (min):
- £220 per week
- High Season (max):
- £525 per week
Booking Terms
These prices are guidelines to our minimum and maximum week stay prices, we may arrange discounts for multiple or longer stays - please enquire We operate on a three tier system, low season, mid season and peak season. All bookings will be secured upon receipt of booking deposit.
These prices are guidelines to our minimum and maximum week stay prices, we may arrange discounts for multiple or longer stays - please enquire We operate on a three tier system, low season, mid season and peak season. All bookings will be secured upon receipt of booking deposit.
|07795 296887
- Smoking Allowed:
- No
- Pets Allowed:
- Yes
- Children Allowed:
- Yes
- Same Sex Groups: ?
- Yes
|Contact the Holiday Home Owner
|Use the form below to make a no obligation booking enquiry or to ask any questions you may have about hiring this caravan.
Caravan Facilities
- Toilet
- Shower
- Gas Fire
- Fridge
- Fridge Freezer
- Television
- DVD Player
- Parking Bay
- Garden Chairs
Availability Information
Holiday Home and Location DetailsSwanage Coastal Park is the perfect base for walking the beautiful coastal paths, Priests Way is accessible directly from the coastal park and it leads to the well known and highly regarded Square and Compass. Cycling is also allowed on Priests Way. Swanage town centre is within walking distance.
Swanage Coastal Park has a laundrette and communal children's play area. There is an adjoining caravan park that has a bar, restaurant, swimming pool, gym and children entertainment at select times during the year and is just 2 minutes walk away from our van.
Our van is located in a quiet cul de sac at the beginning of the park and has a garden area outside.
Our van has a double bedroom with fitted wardrobe and dressing table and there is space under the bed. The second bedroom has two single beds which can easily be pushed together to make another double bed, there is a smaller fitted wardrobe with more space under the bed. Duvets and pillows are provided and you will need to bring your own towels and bed linen.
The bathroom has a toilet, sink and a shower, the shower has a base which is large enough to bath children.
The kitchen area has a gas cooker, hob, fridge with freezer compartment and other basic amenities, cutlery and crockery is available for up to 6 people. Cleaning equipment, tea towels and dish cloths are provided by us.
The lounge area is spacious with a table, a two seater sofa and a fitted sofa and there is room to put a blow up bed. There is flat screen TV with DVD player for entertainment and a gas fire.
If you have any special requirements please contact us and we will do our best to accommodate you.
We usually take Friday to Friday weekly bookings during the school holidays, outside these dates we do short breaks of mid week from Monday to Friday or weekend from Friday to Monday so please feel free to enquire.
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IGN Presents the History of Awesome: 2001
November 4, 2015 - In 2001 the Xbox and GameCube entered our lives, Harry Potter and Frodo hit the big screen, and so so much more.
IGN Editors' Proudest Gaming Accomplishments
September 14, 2015 - From Super Monkey Ball to Ms. Pac-Man, IGN Editors have completed some impressive video game feats. What are your greatest gaming accomplishments?
17 Best Metal Gear Solid Bosses
August 21, 2015 - From giant robots to a chubby dude on roller-skates, here are Hideo Kojima's wildest creations.
41 Weirdest Metal Gear Solid Moments
August 17, 2015 - In anticipation of Phantom Pain, we've come up with our favorite examples of Metal Gear Solid's weirdness.
A Brief History of Metal Gear Solid
July 29, 2015 - The story of how Hideo Kojima created a video game franchise unlike any other.
Konami Hiring For Brand New Metal Gear Series
March 20, 2015 - The latest twist in the Konami vs. Kojima debacle seems to suggest the publisher plans to continue the series one way or another.
Celebrate 3 Years of Vita With PlayStation-Wide Savings
February 18, 2015 - The PlayStation Store sees a heap of savings on dozens of games across all current PS platforms.
6 of the Greatest Game Demos Ever
August 10, 2014 - From Solid Snakes to Stalefish, they just don't make demos like they used to.
Hideo Kojima Reveals How Solid Snake Got His Name
March 6, 2014 - Metal Gear Solid creator Hideo Kojima has revealed why the game's protagonist is called Solid Snake.
Mitch Dyer's Favorite Games of All Time
February 12, 2014 - Ranking the best in stealth, open-world FPS, JRPG, and genres that don't exist anymore.
Colin Moriarty's Top 25 Games of All Time
February 7, 2014 - Today, IGN's Senior Editor Colin Moriarty kicks-off the eds sharing their individual lists of what they think the best games of all-time are.
Kojima: 'MGS2 Was Meant to be My Last Metal Gear'
June 8, 2012 - Kojima will forever produce the Metal Gear series. But Metal Gear Solid 2 was supposed to be the last one he actively created.
London Philharmonic Orchestra: The Greatest Video Game Music Review
November 7, 2011 - London Philharmonic Orchestra takes on great video game scores. Is this a match made in heaven, or a sleepy bore?
Metal Gear Solid: A Visual History of Solid Snake
October 4, 2011 - Gaming's iconic stealth guru Solid Snake has switched up a lot more than just his age and moustache girth over the years.
Ten Studios Sony Should Buy
August 6, 2011 - We've already gone over 15 studios working exclusively on PlayStation games. Here are 10 more studios Sony should consider buying next.
The Next PS2 Collection for PS3
July 1, 2010 - It's a common piece of knowledge in our industry that the PlayStation 2 is amongst the top echelon of gaming systems ever released. Absolutely trouncing its contemporary competition and easily outselling the GameCube and Xbox combined, the PlayStation 2 was a force to be reckoned with, with an incredibly long shelf-life, a legion of loyal players, and above all else, a noteworthy library of strong games.
The Top 10 Best Looking PS2 Games of All Time
May 7, 2010 - Playing through a videogame is about precisely that: the experience of having fun in front of your TV. And while it's vital that a game have fluid and entertaining gameplay, it can't be denied that the way it looks on the screen is just as important (if not more so in some people's eyes). But as we've seen these past several years, only a few set the high watermark by which all others are ultimately judged. To honor those games that have accomplished such a feat, we have compiled a list of PS2-exclusive games that can easily be awarded the distinction of having the best graphics in their field. At first we considered separating our catalog into two separate categories: technical skill and artistic style. But in the end we decided that it would be better to compile a single list of titles that had the best graphical impact overall. These are the games that, for one reason or another, still creep into our heads when we play something else -- reminding us of the true potential of the PS2. These are the games that continue to be referenced despite having been released a few years back, and despite the fact that there will be many more. The other qualification is that the games need to have been developed for the PS2 specifically. So if a title was originally developed for the PS2 but later moved on to another system, that's okay -- as long as the qualifiers were originally created with the PS2 in mind, it's all that matters. This also means that games that were simultaneously developed from a single base code for other platforms doesn't count, so don't freak out when you realize that Burnout 3 isn't on the list. Anyhow, it's now time to award the developers that have learned to squeeze out the absolute best graphical performances from their products. To find out what made the cut and what are the most graphically amazing and influential titles, read on for The Top 10 Best Looking PS2 Games of all time!
Boss of the Day: Metal Gear's Big Boss
January 11, 2010 - Today's Big Boss of the Day is quite literally the Big Boss of the day. Big Boss is one of the primary figures in the Metal Gear mythology. He rose to become first one of the worlds preeminent soldiers and super-spies and then one of its most feared villains. As the father of Solid Snake, Big Boss' influence is felt in every Metal Gear game, even if he isn't always present in the flesh.
Big Boss of the Day: Liquid Ocelot
October 16, 2009 - For our sophomore installment of Big Boss of the Day, we're focusing on a villain whose alliances shift so constantly we're not sure what he really qualifies as. Revolver Ocelot is one of the primary antagonists of the Metal Gear Solid series. In fact, he's the only character to have appeared in every MGS game. That's the sort of accomplishment that deserves a few accolades and a nice retrospective.
Is Metal Gear Solid Overrated?
May 14, 2009 - Few franchises elicit passions in gamers quite like Hideo Kojima's epic Metal Gear Solid series. The trials of Snake and his fight against an ever-expanding cast of colorful villains started as a clever stealth game on the NES, but with the advent of the PlayStation, Kojima felt he had the tools to truly deliver on his vision for the series. Metal Gear Solid was cinematic in every sense of the word, from the opening credits to the finely directed cutscenes. Over the course of eight or so hours of play, gamers dug deep into a murky conspiracy involving a top-secret military program that had implications far beyond the Alaskan base that served as the main backdrop for Snake's adventure.


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I have been a patient of Dr. Ryan's for 12 years. I am in the medical field, so I am aware of "good doctor care".... in my opinion he is GREAT!! He is patient, caring & understanding. My husband whom is "doctor shy" goes to him & loves him! He also takes care of my 90 yr. old Mom & spends all the necessary time she requires with her. He is well versed in all the latest medical info, and I feel so lucky to have him for my pcp.
I've known Dr. Ryan for 17 years-he's cared for my whole family. I've been impressed with his practical approach and I trust him.
I have no problem with Dr. Ryan himself. He ALWAYS makes sure I am satisfied with all of his answers and my questions. He follows up well and adjusts medications accordingly. As far as his "bedside manners"... Once you understand him he's great. He's kind of quiet and has a dry sense of humor. But I have never had the impression that he doesn't care.Now the office itself leaves much to be desired. Wait times can be very long sometimes. The staff isn't the best either. They always seem too busy for everything. Its funny, cause I just got off the phone with them because I had to reschedule an appointment. I was on hold for over 10 minutes. Then rushed into rescheduling. Kind of annoying.So overall I like Dr. Ryan and he has never given me a reason to dislike him. The office could use some help though.
Dr. Ryan may be knowledgable, but his bedside manner is poor at best. He is not a person you can be comfortable to speak with. When, I was facing some issues that have caused me to lapse into a depressive state, and I discussed this matter, he reaction was astonishingly unprepared. I will be seeking another GP in order to access the quality care I am paying dearly for.
I've been a patient of Dr Ryans for 10 years. His bedside manner is rather cold at first (like my first 3 years) until you get to know him. Dr. Ryan is very thorough and looks at all options. He does in fact care and has handouts for everything. Overall, I want a doctor who is knowledgeable..bedside manner is important, but I can overlook that because I know I'm in good hands.
Dr. Ryan's answer to all problems and symptoms is 'Stress'. He would not recommend a specialist for my stomach problems and repeatly said Stress was the reason despite the presence of Blood! I found a specialist and after an upper GI and a prescription, I feel great! Dr. Ryan's other answer is 'you need to loose weight'. I have the most premier rating on my health insurance! Overweight I am not.


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Located in Mitte within a short walk of Berlin Wall Memorial, TRYP Berlin Mitte is within 2 miles (3 km) of other popular sights such as Reichstag Building. This 4-star hotel has 229 guestrooms and offers conveniences like a restaurant, a 24-hour health club, and a rooftop terrace. Located centrally in Berlin, it's also close to Brandenburg Gate and Alexanderplatz.
Explore the hotel and meet new friends over drinks at the bar/lounge, or enjoy a bite to eat at the onsite restaurant. Savor a meal from the comfort of your room with room service. Start your day off right with buffet breakfast, which is served for a fee from 6:30 AM to 11 AM.
The 229 rooms are soundproofed and have an array of amenities, including laptop-compatible safes, phones, and desks. Flat-screen TVs come with satellite channels, and guests can stay connected with WiFi. Pillowtop beds grant a restful night's sleep, and bathrooms offer hair dryers and free toiletries.
Property features
At TRYP Berlin Mitte, guests have access to a 24-hour health club, a sauna, and a rooftop terrace. Self parking is offered for EUR 18.00 per day. The front desk has multilingual staff on hand 24/7 to help with dry cleaning/laundry, concierge services, and luggage storage. Additional amenities include WiFi in public areas, 6 meeting rooms, and conference space.
- Walking distance to Berlin Wall Memorial
- Onsite dining
- 24-hour health club
- Rooftop terrace
TRYP Berlin MitteChausseestraße 33 Berlin BE 10115
Hotel Amenities
Hotel Amenities
TRYP Berlin Mitte features a 24-hour health club and a sauna. The hotel offers a restaurant. A bar/lounge is on site where guests can unwind with a drink. Public areas are equipped with high-speed wireless Internet access (surcharge).
Event facilities measuring 2519 square feet (234 square meters) include conference space. This business-friendly hotel also offers a rooftop terrace, tour/ticket assistance, and multilingual staff. Parking is available onsite for a surcharge.
TRYP Berlin Mitte is a smoke-free property.
- 24-hour front desk
- Total number of rooms - 229
- Number of floors - 6
- Bar/lounge
- Breakfast available (surcharge)
- Free newspapers in lobby
- Conference space
- Dry cleaning/laundry service
- 24-hour health club
- WiFi (surcharge)
- Elevator/lift
- Restaurant
- Concierge services
- Rooftop terrace
- Luggage storage
- Tours/ticket assistance
- Meeting rooms 6
- Multilingual staff
- Year Built 2010
- Conference space size (feet) - 2519
- Self parking (surcharge)
- Conference space size (meters) - 234
- Number of meeting rooms - 6
- Sauna
- Smoke-free property
- Number of buildings/towers - 1
- Television in common areas
Family Friendly Amenities
- Family Hotel
- Soundproofed rooms
- Cribs/infant beds (complimentary)
Available in all rooms: Wireless internet access ( EUR 5 per day )
Available in some public areas: Wireless internet access ( EUR 5 per day )
Self parking (surcharge)
Room Amenities
TRYP Berlin Mitte offers 229 air-conditioned accommodations with laptop-compatible safes and hair dryers. Beds feature pillowtop mattresses. Flat-screen televisions come with satellite channels.
This Berlin hotel provides wireless high-speed Internet access for a surcharge. Business-friendly amenities include desks and phones. Additionally, rooms include complimentary toiletries and blackout drapes/curtains. Housekeeping is offered daily and hypo-allergenic bedding can be requested.
- Hypo-allergenic bedding available
- Air conditioning
- Phone
- Daily housekeeping
- Free toiletries
- Hair dryer
- Desk
- Blackout drapes/curtains
- Satellite TV service
- Flat-panel TV
- WiFi (surcharge)
- In-room safe (laptop compatible)
- In-room climate control (air conditioning)
- Soundproofed rooms
- Room service (limited hours)
- Pillowtop mattress
- Free cribs/infant beds
- Rollaway/extra beds (surcharge)
- Connecting/adjoining rooms available
Where to Eat
Buffet breakfasts are available for a surcharge between 6:30 AM and 11 AM.
TRYP Berlin Mitte has a restaurant on site.
Room service (during limited hours) is available.
Nearby Things to Do
Recreational amenities at the hotel include a 24-hour health club and a sauna.
To make special requests for accessibility needs, please note them at check-out when you book your room.
- Accessible bathroom
- In-room accessibility
- Roll-in shower
Hotel Policies
Check-in time starts at 3 PM
Minimum check-in age is 18
Check-out time is noon
Payment types
- Pets allowed for an extra charge of EUR 15 per pet, per night
- 1 per room
You need to know
Extra-person charges may apply and vary depending on property policy.
Government-issued photo identification and a credit card or cash deposit are required at check-in for incidental charges.
Special requests are subject to availability upon check-in and may incur additional charges. Special requests cannot be guaranteed.
- The name on the credit card used at check-in to pay for incidentals must be the primary name on the guestroom reservation.
Parking height restrictions apply
Complimentary WiFi is available up to 100 MB. High-speed Internet access that exceeds 100 MB is subject to a surcharge. For more details, please contact the office using the information on the reservation confirmation received after booking.
Optional extras
- Fee for buffet breakfast: EUR 18 per person (approximately)
- Fee for in-room wireless Internet: EUR 5 per day (rates may vary)
- Fee for wireless Internet in public areas: EUR 5 per day (rates may vary)
- Self parking fee: EUR 18.00 per day (in/out privileges)
- Pet fee: EUR 15 per pet, per night
- Rollaway bed fee: EUR 60.0 per day
Hotel Name
- TRYP Berlin Mitte
- TRYP Hotel
- TRYP Hotel Berlin Mitte
- Tryp Berlin Hotel Berlin
We should mention
One child 11 years old or younger stays free when occupying the parent or guardian's room, using existing bedding. Only registered guests are allowed in the guestrooms. The property has connecting/adjoining rooms, which are subject to availability and can be requested by contacting the property using the number on the booking confirmation.
National Rating
Hotelstars Union assigns an official star rating for properties in Germany. This property is rated 4 stars.


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Man jailed for assaultJuly 17,2013Man jailed
for assault
A Brandon man pleaded innocent to charges of second degree aggravated domestic assault and possession of heroin.
Keith Decker, 42, was in Rutlands criminal court Tuesday to answer to the felony and misdemeanor charges that carry a combined sentence up to six years in prison. He was held at the Rutland jail for lack of $20,000 bail.
According to court documents, police responded to a home near Kendall Avenue in Rutland Monday night, where Jennifer Brewster said Decker, her boyfriend, has been physically abusing her for a long time and that she feared for her life.
Brewster said she and Decker were having an argument regarding his vehicle and when she turned to leave, he told her that he was going to kill her before she returned to her mother.
Decker was arrested later that evening. While he was searched at the Rutland jail, a wax paper bag containing heroin was found in his front shorts pockets.MORE IN This Just InLUDLOW Black River took an early 1-0 lead on a long skipping shot from Drew Kubisek. Full StoryJAY A federal judge in Florida has approved a $13. Full StoryDunkin Donuts worker charged
MANCHESTER A Pawlet man is facing a felony charge of... Full Story
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Many people know I'm extremely fortunate to play on an incredible violin that's gained even more notoriety over the past couple of years. One of the numerous challenges after it was stolen was to try and pick up where I left off artistically and otherwise, which in reality ended up being much more difficult than I'd anticipated. In any case, I'm happy to announce that tomorrow (May 6) A Violin's Life, Vol. 2 will be officially released, after a long and winding road.
I had always hoped that A Violin's Life would eventually be a multi-volume project, but also understood that would depend on a number of factors. The 2013 release was received with much enthusiasm, certainly far more than I'd anticipated; I immediately began thinking of repertory for Volume 2, and perhaps even beyond.
The events of January 2014 simultaneously curtailed and accelerated those plans. As my life turned upside down within a few hours, it was difficult to imagine ever even seeing the Lipinski again, let alone playing it. Miraculously, ten days later it was back in my hands, relatively unscathed.
Amid a media frenzy and lots of new security protocols, I was determined to finish what had already looked to be a busy season, but was so physically and psychologically exhausted that another recording project was out of the question. A few months later I'd planned it all out, but as usual there were a lot of moving parts to the puzzle, and I was still navigating the legal issues related to the theft until February 2015. Nevertheless, I was stubbornly resolute that we'd do another volume (hopefully during the 300th anniversary season), then maybe send signed copies to two guys in prison.
The Violin Sonata of Amanda Maier-Röntgen was a revelatory discovery in my research back in 2013, and it is immensely satisfying to include it on this recording. Further, I'm thrilled that the illustrious and much-admired Emily Hogstad contributed this wonderful essay on a composer who lingers in unjust obscurity.
The composer Eduard Tubin came to Amanda Maier-Röntgen's native Sweden as a refugee, fleeing the various invasions of his native Estonia in 1944. The powerful solo sonata dates from 1962; his works were often programmed by the Estonian violinist Evi Liivak, who played on the Lipinski from 1962 until her retirement in the late 1980s. As musician members of the Estonian diaspora created by the war, they were surely acquainted. We've managed to include a compelling article on this prolific and fascinating composer, also inexplicably remaining on the periphery of mainstream repertory despite the efforts of the eminent Neeme Järvi, who has boldly championed Tubin's symphonies (all 10 of them).
Beethoven's iconic Kreutzer sonata speaks for itself, in all its fantastic glory. Back in 2013 I discovered that Karol Lipinski included it during some concerts in Dresden in 1840 playing this violin; Franz Liszt was the pianist.
So here it is, hopefully some kind of tribute to the survival of great music played on a great work of art, even amid events no one could have possibly imagined back when I started this endeavor in 2012. I am of course quite relieved to be alive and still playing this superb violin, and my gratitude has only increased throughout the challenges and triumphs of the past two years. Many thanks again to all that have continued their unwavering support and enthusiasm for my various activities, including this latest project.
Happy listening……
In 1979 I was 15 years old and not sure I wanted to play the violin anymore; I was in my hometown of San Diego coming off a hiatus of about a year or so. The only reason I was hanging in was because I'd just started with a new teacher who somehow intuitively knew that what I really needed was some quality guidance and a highly structured practice regimen. And maybe a summer of hard work. My mom drove me to the local auditions for BU's Tanglewood Institute, but I had no idea how that summer would change my life.
This was 8 weeks of new friends and experiences, but most of all a total immersion into a new world of music. For better or worse, I wound up as concertmaster of the BUTI orchestra, learning as much as I could not only from my colleagues and Victor Yampolsky (our regular conductor), but also from the numerous guest conductors, including Colin Davis and Leonard Bernstein.
But it was Joseph Silverstein who really captured my attention on a regular basis. I was fortunate enough to play in one of his master classes, took a few lessons, and saw him play as much as I could that entire summer. He was a brilliant artist and human being of stunning depth; it seemed as if he could do anything- a great soloist, chamber musician, and pedagogue all rolled together. His broad musicality and ferocious intellect were something to behold, and I began to seriously think about what "being a musician" really meant. Thanks to his inspiration that summer, a whole new world of possibilities seemed to open up. I went back to San Diego and tested out of my ridiculous public high school that December. And I started practicing (a lot) and often had bi-weekly lessons. Things changed quickly.
I returned to Tanglewood the following summer as well; over the next 30 years our paths occasionally crossed, and I continued to marvel at his musical and intellectual scope, along with the sheer diversity of his activities. To me he'd redefined the definition of "concertmaster", and in the process inspired a generation of violinists. In 2007 I had the good fortune to be the soloist for his guest week at the Milwaukee Symphony, performing the Bernstein Serenade, a piece he'd no doubt performed dozens of times. Although slightly intimidated, I certainly couldn't have asked for a more informed collaborator for those concerts. I took him to lunch one day, and as usual he was full of wonderful anecdotes and insights on practically any topic; he was in his 70s, and practically a walking encyclopedia. At one point we discussed the gargantuan changes in the music business since we'd met in 1979 (this included him jokingly chiding me for not playing the second half of the program just because I was the soloist, reminding me that was not the policy at the BSO when he was there). Towards the end of our meal I sincerely thanked him for mentoring me in many ways over a few decades, even if he hadn't realized it. He laughed and (as I recall) told me to go practice a little before the concert.
His death this weekend no doubt has many people reflecting on their shared artistic experiences thoughout his long and varied career. To me he was a singular figure at a critical point in my teenage years, artistically and otherwise. I consider myself blessed to have shared the stage with him a few times in my life, but more importantly to have learned so much from him beyond the music, over a period of several decades. Of course he was one of the world's great violinists. But he always seemed to be driven by excellence and integrity both as an artist and a human being- to me, an example of what a musician should be. I'll miss him.
I first met Christopher Ling around 1994, a few years after he'd relocated to Beaumont, TX from Manchester, UK (!) and was thinking about starting a management company for classical musicians. I can't remember exactly how our paths crossed, but I was working a lot with the Ft. Worth Symphony at the time as concertmaster, often back and forth from NYC. That universe was small, and somehow we ended up on the phone one day. I would've never imagined the horrific conclusion.
I could immediately sense that something about Chris didn't quite add up; he was a monumental character even over the phone, simultaneously thoroughly charming and utterly consumed by his own arrogance, sitting in Beaumont. He was also clearly highly intelligent, with a broad knowledge of not only the classical music business (at the time) but also an almost encyclopedic mastery of most elements of playing, teaching, or performing on the violin. Shortly after our initial conversations he informed me he and his wife would be moving to LA to get his company up and running.
I happily joined his roster; I'd had my experiences with a few horrible managers up to that point, and was content to have someone even nominally competent to handle the various solo dates I was getting on my own. And to hear Chris pontificate, he was about to burn up the classical world from Beverly Hills. However, the dates he developed were few, and over the next two years or so I was unsurprised to find myself playing mostly in places I'd never heard of for very little money, often with conductors from his roster (some of whom were quite talented). Once in awhile I'd have an honest discourse about CHL Artists with someone else on the roster. Musicians often complain about their managers in some form, but it was clear that I wasn't the only person who had some pretty serious concerns about all the haze surrounding Chris, his history, and his enterprise. Why had he moved from England to the US to get into such a crazy business? Was this all just a reboot of his life (as he claimed)? Was the management essentially a vehicle for his wife's career (a gifted violinist and former student of his)?
No one had any convincing answers, especially Chris. I saw him in person perhaps a grand total of three times over a few years, each instance quite enjoyable and often fueled by his eagerness to impress on some level. I do remember on one occasion he mentioned some sort of "legal issue" regarding his escape to the US, and I naively concluded he just was running from some personal problem or quandary. Little did any of us know.
I drew my own conclusions after one too many unscrupulous moves (even for a manager). I later learned from various presenters that he'd usually say I was simply unavailable most of the time, but his wife was. So I left (cordially) but I never saw or spoke with him again after about 2000 or so. Along with the tectonic changes in the classical business overall, CHL seemed to become a sort of asterisk in industry circles, despite the fact that he often had some phenomenally gifted musicians on the roster (at least for a little while). But eventually it seemed few in the classical world really wanted to deal with his "charm" anymore, if that's the correct word. He began to represent actors/actresses/film composers as well. Somehow CHL stayed afloat, prospering enough that his lifestyle didn't seem to suffer much.
Then this happened. And although I could hardly believe it, the pieces suddenly came together. I figured it was only a matter of time until he'd have to face up to his past. The Chetham's investigation dragged on, and when the events of 2014 consumed me to some degree, I just forgot about him. Until last week, when this happened.
A fitting end, I suppose. And predictable in retrospect, but no less shocking. Such a pity that his accusers will never genuinely have their day in court, with him to face them. My condolences to his family- I hope they and his other victims eventually move past this horrendous saga.
Image credit: techteachengage
Like everyone else, I was amazed to read about the recovery of the Ames Stradivarius last week, and the poignant reflections from Roman Totenberg's daughter Nina, the noted journalist. For me the story had a certain obvious resonance; I remembered the surreal feeling when I received a phone call informing me the Lipinski Strad had been found only nine days after my ordeal began. Imagine waiting 35 years, and finding out the culprit was some nitwit you suspected all along. And that the violin just sat there in a locked case for 4 years after the nitwit's death until someone decided to take a closer look.
After reading some of the truly sub-literate comments on that NPR page, I thought it might be worthwhile to address certain myths that seem to surface periodically regarding the theft (and recovery) of high-end stringed instruments. Before my own saga, I felt I was fairly well-informed in this area, and considered it due diligence to keep current on the subject. But I've also been lucky enough to have the assistance of the FBI's Art Crime Team, and my knowledge base has broadened considerably. Happily, it turns out that some of the same crowd from my case assisted with the Ames recovery, and I'm sure the Totenbergs are as grateful as I was.
This theft took place in 1980, well before the Art Crime Team or today's instant mass communication. Even in previous decades, it was still pretty rare to hear about a Strad that disappeared, although if one was stolen deliberately it would often be gone for quite awhile. The internet changed all that, which is a major reason that nowadays these instruments are rarely stolen intentionally. The other reason (obviously related) is that if you do steal one (intentionally or not), there's literally no market for it. Further, they aren't "stolen to order"; there's no Dr. Evil sitting someplace with a fluffy cat in his lap wondering how he can steal the next Stradivarius for his personal use. To my knowledge that's never happened, and there is no evidence to support that concept.
What typically happens is that these instruments disappear accidentally or almost randomly (or are stolen the same way). Someone leaves it in a taxi, or looks away for a moment in a train station, or steals it off a porch (remember this?). Whoever happens to find it (or take it) either has a huge problem because everyone's looking for it, or they figure it out and turn it in (or turn themselves in). In this case the perpetrator appears to be deceased, and apparently no charges will be filed. As for earlier efforts by law enforcement, it is sad but true that there was seemingly not enough hard evidence to execute a search warrant on Mr. Johnson over all those years. I suspect he was most likely uncooperative with any investigation, and the options for the authorities are few under those circumstances. In addition, what was undoubtedly a spectacular violin bow by Francois Tourte was not recovered with the Ames violin. It would probably be worth well into six figures by now, and its fate remains unknown.
Until last week I was only aware of three cases in the last 40 years in which a Stradivarius had been deliberately stolen but had not yet been recovered. Thankfully (but tragically), now there are two- the 1714 Le Maurien Stradivari, stolen in New York in 2002, and the Davidoff-Morini Stradivari, stolen in 1995 from the apartment of the eminent violinist Erica Morini. There are similarities between these two thefts, with the instruments taken quietly, then evaporating without much of a trace. According to FBI records, my own case remains the only targeted theft of a specific high-end instrument involving an armed robbery. I hope it stays that way.
Anyone with information about either the Tourte bow or either Stradivari violin above is asked to contact the New York office of the FBI at 212-384-5000 and ask for agent Christopher McKeogh.
Photo courtesy NPR/Totenberg family
I hope, anyway. Somehow this was the craziest season in recent memory, with all the legal stuff and a host of personal challenges, traveling, playing, teaching, etc. so the blog suffered a bit. And now my semi-annual oath to write a little more, maybe even something interesting once in awhile. To that end, here's a new project that I hope will be the ultimate closure to that crazy violin saga…..
I'd hoped to get a Vol. 2 of A Violin's Life out last year sometime, but those plans were derailed last summer as the legal process kept grinding on; in fact the whole thing wasn't totally resolved until last January, almost a year to the day. So we're finally ready to go- I think the repertory is a nice mix of the somewhat obscure with probably the most famous violin and piano sonata ever written, and all connected to this amazing instrument in some way.
Many thanks to The Strad for this nice piece; I hope you'll check out the link here and pitch in if you feel like it. Thanks to many generous donors we've gotten a few thousand in the first 5 days so we're well on the way, but of course we want to keep the momentum going. Kickstarter backers made it happen last time, and I'm confident for this campaign as well. We're looking forward to recording at the end of August and I'll have both written and video updates to share. In the meantime happy summer to all!
Exactly a year ago at this time I'd been asleep for about two hours and was awakened by a phone call from the Milwaukee Police Department, who had somehow found my violin case by the side of the road in the snow. It was empty. An hour after that, I stared out the window and watched various local media go up and down the street ringing doorbells trying to figure out which house was mine. Things got weirder from there. And weirder.
I felt I should post something today, however short. By now most everyone's heard it all, so I won't recap. If you somehow don't know what I'm talking about, read this.
I continue to thank the various law-enforcement agencies for their exceptional work and cooperation, but I also wanted to reiterate my gratitude to those of you who helped out in one way or another, whether friends or total strangers. There were a lot of people who just did the right thing in their own way over the last year, and it made a huge difference.
The violin turns 300 in 2015, and I'm glad we both made it this far. If anyone reading this happens to be nearby, come to our birthday celebration in a few weeks, a concert which will be held literally at the scene of the crime.
I'm told by the FBI that this case is truly unprecedented in virtually every way. I hope there's never another one like it.
photo courtesy FBI.gov
When I was 9 or 10 I was still taking Suzuki lessons and attending the group sessions every Monday night at San Diego State University, which had one of the first (and most successful) Suzuki programs ever established in the United States. Spoiler- this isn't an essay about that crazy guy who hates Suzuki people. Anyway, there was this little girl in our class named Mika. She always came with her mom, an impeccably polite and delicate Japanese woman married to a university professor. I still remember Mika because she played really well at about the age of 6 or so, like prodigy material. One week she didn't show up.
Turns out Mika's mom came home one night and found her husband in the closed garage with the car running. She and Mika moved away shortly after that, and I never saw them again. This was my first direct proximity to suicide, and unfortunately not the last. I thought of Mika again last week when I heard about José Feghali's tragic death.
I played as concertmaster of the Ft. Worth Symphony/Ch. orchestra from 1992-95 and taught at Texas Christian University during that period. José played several times with both orchestras, and our paths often crossed over the years both before and after my time there. I'd known of José since 1985, when he won the Cliburn and Barry Douglas won the silver. The following year Barry won the Tchaikovsky Competition; I was also lucky enough to get a prize there, along with William Wolfram and David Kim (part of the small American contingent that year). I remember a lot of talk that summer about the Cliburn and José, and the pros and cons of winning something like the Cliburn, which even at that time had a very mixed history regarding the career durability of its top prizewinners. It's important to keep in mind that this was still an era in which top competitions had a fair amount of career gravity- a Gold at the Cliburn (or Tchaikovsky) generated an tremendous amount of attention, and the winner essentially had about three seasons of maybe 150 major dates lined up before the next contestants would cycle in and the focus would shift to them. So there was often a sort of countdown for anyone that won a top prize; I remember thinking at the time that not everyone seemed to realize what was coming when the competition ended.
I didn't know José personally at that point, but over the next 7 or 8 seasons after his Cliburn win, to me he appeared to be doing remarkably well for someone thrown into that sort of world. I'd see the occasional peaks and valleys in the press regarding his playing, career trajectory, etc. but that didn't seem unusual. Imagine being in your 20s and going from 30 scattered dates a year (or so) to playing every major hall in the country the following season. No genuine artist is going to be at the top of their game every night under those circumstances- that's one of many reasons nobody takes competitions all that seriously anymore. But maybe that's for another column……
By the time I met him in 1992, he still seemed to be playing a fair amount; maybe not the biggest dates in the world, but certainly he was sustaining a viable career as a soloist. We'd occasionally share the stage, and I often heard him from the audience- he was a serious pianist, full of commitment, expression, and virtuosity. We weren't close friends, but I thoroughly enjoyed his warm and gracious character in our limited personal interactions. I saw him less frequently after 1995 but was very much aware of his growing reputation as a teacher and mentor. In the past few years I'd heard rumors of some personal and emotional struggles but attributed that to typical professional gossip. Turns out it wasn't, as this thoughtful essay from Jim Denton explains (thanks to Norman LeBrecht for this post).
Over the years I've had my own experiences with the debilitating and sometimes paralyzing effects of clinical depression. Even with that sort of insight, nothing ever prepares you for this sort of tragedy. I have very fond memories of him as a person and artist, and send my deepest condolences to his colleagues and family.
I think that's the longest I've ever gone without posting, but to be honest with all the violin stuff winding down and everything else going on, I really didn't feel like writing much. So just in time for the holiday season……
Guess I'll start out with some random stuff, like a new addition to the orchestral fines page:
– Shooting the concertmaster with a Taser and stealing a violin you can't do anything with:
7 years in prison, followed by 5 years of extended supervision, plus restitution determined by the court.
And in case you missed it, this is still the best piece so far on the whole saga. There's a reason he won a Pulitzer. OK, quick post for now, just to get back into it. I'll start up again regularly over the holidays, so please stay tuned.
And here's a cat video, just in case your Monday is starting out slow.
More soon……
Sorry to be absent for so long, but it's been a crazy few months since the last post. As the legal process grinds on, I'm happy to report that the case is moving along, with one guilty plea and another expected later in July; both are facing 15 years. In the meantime, I thought it might be helpful to respond here to some of the most frequent questions that keep coming up.
You must be thrilled that everything ended up so great and you can get on with your life. What's taking so long with the case?
Things are nowhere near finished, and won't be until after both are sentenced and (presumably) put away for an appropriate amount of time. Although it may seem like it's taking forever with such a mountain of evidence and (hopefully) obvious outcome, I'm told that this process has actually moved forward faster than the norm, certainly more rapidly than if it were in Federal court. And in the meantime both suspects are still out on bail, and my life is very different.
What were they thinking they would do with it after it was stolen?
I have no idea. Among many other things this case illustrated is the fact that there is no "underground market" for Stradivaris. You can't just fence them, and the majority are extremely well-documented and instantly identifiable. If you steal a high-end instrument, the overwhelming odds are that you'll get caught and it'll be found sooner or later.
At least you got everything back in good condition, right?
I got everything back in playable condition. The violin did have a few bumps and bruises, as did the bows. That's a miracle considering they were all left in an attic (in a suitcase) for 9 days in often sub-zero temperatures. Properly handling something like a Strad was not a high priority after its theft.
What's it like to get Tasered?
Not fun. Unless your idea of fun is about 50,000 volts when it's -7 degrees outside. It's very painful, and certainly an effective way to incapacitate someone (especially for police that have been properly trained to use it), but there have also been numerous reports of injuries and/or death associated with Tasers. They are illegal in several states (for civilians), and many cities and counties have strict guidelines on their possession and use. There's a lot of info (or links to info) on the Wiki page here.
So this wasn't an insurance scam, or PR stunt for the Milwaukee Symphony?
I've actually had people ask me these questions directly, sometimes in person. And unsurprisingly the online trolls went crazy, especially in early February. So for you conspiracy theorists (and former oboists) who publicly accused the owner and myself of insurance fraud (or worse), I look forward to a robust discussion if we ever happen to meet in person, or maybe an apology. I admit that one of my favorite moments was back in March, towards the end of a post-concert conversation I was having with a musician from another orchestra; he declared this event my "Nancy Kerrigan moment". That analogy never really occurred to me, and I'm still not sure exactly what he meant.
For the other 98% of you who sent me nothing but messages of encouragement and support, thank you again. And I continue to be grateful for the ongoing efforts and awareness from the Milwaukee Police Department, the Milwaukee County District Attorney, musicians and staff of the Milwaukee Symphony, and the FBI. I look forward to moving on from this, and even posting something about another subject.
Note: This is what happens when they dust your music for fingerprints.
Many of you have sent me personal messages, email, cards, flowers, and so many other good wishes. I want to express my gratitude for that; the avalanche of goodwill has been really heartening during a difficult time.
The owner of the Lipinski violin has requested I post the following statement here. It is below, unedited in its entirety.
Due to my devastation at the attack on you, Frank, and the theft of the violin, I feel compelled to write this. First, I'm so happy that you are safe. I speak to your many friends, whose responses to this event have been so touching. It has been my joy and privilege to own the Lipinski Stradivari in recent years. I have thought of myself more as a guardian of a treasure than an owner, a treasure that needs to be seen and heard. It has been in my family for over five decades, deeply loved and used in performance across the world. As a non-violinist, non-public figure, it has felt more natural to me to remain relatively anonymous. Not expecting the violin to participate in this tendency, I had the good fortune to find Frank to take loving care of it every day and to use his musicality and virtuosity to express his vision with its glorious voice. That he was concertmaster of the MSO was especially appropriate, as another goal was to give Milwaukee the gift of being able to hear the violin frequently. He has also acted as its human face and voice, giving interviews exploring his thoughts and feelings on getting to know this violin. He has put remarkable effort, talent and enthusiasm into making the first modern recordings of the Lipinski. It was a joy for me to feel so welcomed by Frank to write some of the historical essays for the website of "A Violin's Life." All this he has done in exemplary, energetic fashion and for all of it I am grateful. I am even more grateful that his terrible experience on the night of Jan. 27 did not result in permanent injury. I had left the concert hall just a few minutes earlier and thinking of what then happened so quickly is very painful.
As a child overhearing long, expert practice sessions on the Lipinski, I didn't realize that it was exceptional. To me, that was just how violins sounded. Understanding its capabilities came later: the pure, strong voice, clear, light and dancing, dark, brooding, poignant, tender, ebullient, expressing any emotion the player was feeling. Its loss is devastating.
Perhaps it's appropriate to say also that I'm not part of any upper echelon, musical or other, just a person who loved her family violin with all its memories and three hundred years of history more than the many opportunities to sell it. My heart is broken.
I am very grateful for all the help given by the Milwaukee Police and other law enforcement organizations, the MSO, and those who are offering the reward. If anyone knows anything and can help, I appeal to them to come forward.
Frank, I could never have guessed that after all you have done, you would be physically attacked. I'm so sorry.
Due to my devastation at the attack on you, Frank, and the theft of the violin, I feel compelled to write this. First, I'm so happy that you are safe. I speak to your many friends, whose responses to this event have been so touching. It has been my joy and privilege to own the Lipinski Stradivari in recent years. I have thought of myself more as a guardian of a treasure than an owner, a treasure that needs to be seen and heard. It has been in my family for over five decades, deeply loved and used in performance across the world. As a non-violinist, non-public figure, it has felt more natural to me to remain relatively anonymous. Not expecting the violin to participate in this tendency, I had the good fortune to find Frank to take loving care of it every day and to use his musicality and virtuosity to express his vision with its glorious voice. That he was concertmaster of the MSO was especially appropriate, as another goal was to give Milwaukee the gift of being able to hear the violin frequently. He has also acted as its human face and voice, giving interviews exploring his thoughts and feelings on getting to know this violin. He has put remarkable effort, talent and enthusiasm into making the first modern recordings of the Lipinski. It was a joy for me to feel so welcomed by Frank to write some of the historical essays for the website of "A Violin's Life." All this he has done in exemplary, energetic fashion and for all of it I am grateful. I am even more grateful that his terrible experience on the night of Jan. 27 did not result in permanent injury. I had left the concert hall just a few minutes earlier and thinking of what then happened so quickly is very painful.
As a child overhearing long, expert practice sessions on the Lipinski, I didn't realize that it was exceptional. To me, that was just how violins sounded. Understanding its capabilities came later: the pure, strong voice, clear, light and dancing, dark, brooding, poignant, tender, ebullient, expressing any emotion the player was feeling. Its loss is devastating.
Perhaps it's appropriate to say also that I'm not part of any upper echelon, musical or other, just a person who loved her family violin with all its memories and three hundred years of history more than the many opportunities to sell it. My heart is broken.
I am very grateful for all the help given by the Milwaukee Police and other law enforcement organizations, the MSO, and those who are offering the reward. If anyone knows anything and can help, I appeal to them to come forward.
Frank, I could never have guessed that after all you have done, you would be physically attacked. I'm so sorry.
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Name: banned book tango.zip
Release: 2015
Type: WinZip
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