text:
Trib to cease publication of 7 weekly newspapers
Trib Total Media will eliminate seven weekly newspapers and expand eight others as part of a realignment and strategic repositioning of the publications it acquired from Gateway Press Inc. in 2003.
The changes will assure continued service to communities served by the newspapers, said Trib Total Media CEO Ralph Martin.
In addition, the company plans major enhancements to the Pennysaver, the popular weekly shopper distributed free to more than 780,000 households in Southwest Pennsylvania.
"The changes are in step with our strategy of providing a more effective format for our advertisers without sacrificing the neighborhood news coverage these papers provide throughout Allegheny County and in portions of Westmoreland County," Martin said.
June 26 will be the final day of publication for the Bridgeville Area News, the North Journal, McKnight Journal, the Woodland Progress, the Penn Hills Progress, the Coraopolis-Moon Record and the Advance Leader, Martin said.
Starting July 3, households in Allegheny County communities served by those papers will start to receive expanded editions of the Monroeville Times Express, the Plum Advance Leader, the Signal Item, the Pine Creek Journal and the Sewickley Herald, and in Westmoreland County, the Murrysville Star, the Norwin Star and the Penn-Trafford Star.
The format of the weekly Pennysaver will be expanded to tabloid size, to include larger type, more color and improved overall print quality.
In the expanded weekly Gateway newspapers, the Pennysaver will become the classified advertising section. Those newspapers are delivered free in the communities they serve.
The Pennysaver will continue to be mailed free to all other households that receive it now throughout the region, Martin said.
Four editorial positions have been eliminated in conjunction with the changes. Overall, the former Gateway publications employ about 330 people.
"Although we are taking away some of our weekly titles, we will be expanding the ones that remain," said Martin. "Not only will our readers in these communities continue to receive our expanded Gateway newspapers; they also will be receiving a publication combined with a bigger and better Pennysaver."
The changes will not impact two other weekly publications, the South Hills Record and the Herald, which serve the Aspinwall and Fox Chapel area.


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The fifth day of the Sochi Games was certainly not one that most of Team USA will want to dwell on.
The team only won two medals all day, and both of them came in the same event. For the rest of the day, records stayed firmly in place and injuries took out competitors before they even had a chance to compete.
Here are the highs, lows and everything in between from an eventful, yet disappointing Wednesday.
Best surprise
Let's start with the positive: Kaitlyn Farrington.
Farrington won the gold medal in the women's snowboarding halfpipe on Wednesday. She took the top spot over her more accomplished peers—Australian Torah Bright, who won silver, and fellow American Kelly Clark, who won bronze.
Her second run was nearly flawless. She landed trick...
after trick.
In the final competition of the day, the 24-year old gave Americans a reason to cheer and became an Olympic champion. That's what it's all about.
Gnarliest wipeout
Veteran Kelly Clark won the gold in Salt Lake City, was fourth in Torino and earned a bronze in Vancouver. After all of that, the 30-year-old was the favorite heading into the snowboarding halfpipe in Sochi.
But, on her first run in the final, Clark had a terrible wipeout.
Luckily, the four-time Olympian was able to recover in time for her second run, and she ended up taking the bronze.
It wasn't the medal she had dreamed of, but three Olympic medals is a career that anyone should be proud of.
Saddest news
Arielle Gold, the 17-year-old snowboarding sensation, was expected by many to medal at these Games. Instead, she fell during a training run on Wednesday morning, dislocated her shoulder and couldn't even compete.
Terrible luck, but I'm sure the superstar-in-the-making will be back.
Biggest letdown
Speedskater Shani Davis came into these Games as the favorite to win the 1,000 meters for the third straight Olympics. A three-peat in the same event would have been a historic feat for the American, one that Shaun White failed to achieve on Tuesday.
Unfortunately, it didn't go well for Davis, either. He finished in eighth place.
As reported by CBS News, a disappointed Davis talked to the press afterward. "I just had a misfortunate race," he said. "I have to live with this the rest of my life."
Tough one. Just didn't have it today. But I also know strength comes from adversity. Just gotta reload for #1500 on sat.— Shani Davis (@ShaniDavis) February 12, 2014
And thanks everyone from everywhere who's had my back or cheered. Really moved by how much love is out there. Very grateful for that!— Shani Davis (@ShaniDavis) February 12, 2014
Davis has the 1,500 meters and team pursuit left. He has won silver in the last two Olympics in the 1,500, and another medal there would certainly take the sting off of his 1,000-meter defeat.
Most controversial goal
Team USA is favored to win the gold in women's hockey, but it is going to have to get through Canada first. In Wednesday's round-robin match, that didn't happen.
Canada won 3-2, but its second goal was rife with drama. The whistle seemed to blow before the puck went into the net.
Controversy in USA-Canada. Did the whistle blow? If it did, it's still a terrible call. Canada's about to get screwed. Ah, nevermind. Goal— Dan Levy (@DanLevyThinks) February 12, 2014
Most seemed to agree that the goal should have counted, though it was definitely up for interpretation. But both Team USA and Team Canada will advance to the semifinals anyway, where they'll be favored to win and meet in the gold-medal match.
Should all go to plan, the U.S. team will have a chance for revenge.
Most gracious loser
Oh Julia Mancuso, you are just a delight. Mancuso came in a disappointing eighth in downhill, but she didn't let that get her too down.
Ahh! It happens! Not my day today- but pretty cool to see a tie for gold! #believeinUS still proud to represent my country in 8th!— Julia Mancuso (@JuliaMancuso) February 12, 2014
She spent a lot of the day on Twitter, cheering on other athletes across the Games.
Go @TorahBright !!! Nice quali run:)— Julia Mancuso (@JuliaMancuso) February 12, 2014
@hannahteter @USOlympic go Hannah!!!— Julia Mancuso (@JuliaMancuso) February 12, 2014
Way to capture the Olympic spirit, Julia!
Best Olympic debut in pairs figure skating
I'm just going to cop out and call this a tie.
Neither American pairs team medaled on Wednesday, but they both skated great programs and gave us all a lot of reasons to be excited about the future.
National champions Marissa Castelli and Simon Shnapir finished in ninth place and were so, so close to perfectly nailing their famous quad throw.
Meanwhile, Felicia Zhang and Nathan Bartholomay finished a very respectable 12th and completed their program without any falls.
So proud of the US teams tonight!So happy to be here & 2 call them my team mates!! @SimonShnapir @MarissaCastelli 💕🇺🇸 pic.twitter.com/BRov7cv8rO— Felicia Zhang (@felicia_zhang) February 12, 2014
The competition was just too far ahead of both teams today, but they did their country proud.
Most non-committal response
Shaun White was a good sport doing The Today Show on Wednesday morning after his devastating defeat in the halfpipe on Tuesday.
When asked the requisite question about whether he would be back in 2018, he was, well, not very convincing.
Appearing on TODAY, Shaun White was asked about whether he'll return for 2018 and try to go out on top: "I think so."— Roxanna Scott (@roxscott) February 12, 2014
It will be interesting to see what's next for White.
Best selfie
American snowboarder Hannah Teter finished in fourth place in halfpipe, looking up at two of her compatriots on the podium. Not an easy place to be.
But, she should find consolation in the fact that she did take the best selfie of the day. After qualifying for the final in the snowboarding halfpipe, Teter paused to take a selfie and make the rest of us jealous.
Overall, not a bad way to spend the day.
Most memorable photobomb
This might be my favorite thing that happened on Wednesday. As NBC's Randy Moss gave a report about American Nordic combined star Todd Lodwick, Lodwick came up behind him and nodded throughout.
Epic photobomb. Todd Lodwick photobombs Randy Moss' report on Lodwick @NBCOlympics @USOlympic http://t.co/97svugm0mT— NBCSportsPR (@NBCSportsPR) February 12, 2014
Moss didn't realize what was happening until Lodwick tapped him on the shoulder at the end of the segment. A surprised Moss proceeded to pat Lodwick back on the exact bad shoulder he was just telling the viewers about.
The video won't embed, but trust me—it's worth a watch.
Best bets for Thursday
Speedskater Heather Richardson will be trying to bounce back from her disappointing showing in the 500 meters and get on the podium in the 1,000-meter race.
Rising star Nick Goepper will make his Olympic debut in the premiere of freestyle skiing slopestyle in the Games. He's a favorite to win a medal.
Meanwhile, both Jeremy Abbott and Jason Brown will take the ice in the men's short program. Both had falls in the team competition and will be looking for some redemption.
Hopefully tomorrow will be a better day for Team USA.

subset: commoncrawl


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The Shakespeare Line
Welcome to this website, which is provided by the voluntary Shakespeare Line Promotion Group >>
We aim to promote travel along The Shakespeare Line - the railway line between the City of Birmingham and Stratford-upon-Avon.
We provide here an introduction to the railway line together with an insight into the wide range of features and attractions available along the line.
Stations along this line serve the City's shopping and business districts, urban suburbs, market towns, rural communities and Stratford-upon-Avon's international visitor centre and facilities. More >>
A range of website links are provided to give more detailed information. So just follow the links for train times, fares, operations, venues, attractions, visitor and area information etc.
News Headlines
September 2016: The latest London MIdland Newsletter has just been published and is available here.
July 2016: Stratford-upon-Avon District Council has adopted the long-awaited Core Strategy, which is of importance to the potential reinstatement of the Stratford-Honeybourne route. The Inspector's Report contains a considerable amount on this topic. It can be found here.
Pages 73-76 (paragraphs 247-258) refer.
More News >>
Shakespeare Line Promotion Group
The Shakespeare Line Promotion Group is a member of Railfuture.
The Group aims to :
- encourage the use of Birmingham and Stratford-upon-Avon railway
- promote the line's benefits to residents and visitors
- monitor operational standards of trains and stations
- liaise closely with Train Operating Companies, Government, Councils, and Regulatory Authorities
- promote further development of The Shakespeare Line as a major transport asset for the Birmingham, Solihull and Warwickshire areas
- promote the proposed extension from Stratford to Long Marston - Avon Rail Link >>
The Stations & Route
Birmingham Snow Hill (BSH)
Birmingham Moor Street (BMO)
Bordesley (BBS)
Small Heath (SMA)
Tyseley (TYS)
Spring Road (SRI)
Hall Green (HLG)
Yardley Wood (YRD)
Shirley (SRL)
Whitlocks End (WTE)
Wythall (WYT)
Earlswood (EWD)
The Lakes (TLK)
Wood End (WDE)
Danzey (DZY)
Henley-in-Arden (HNL)
Wootton Wawen (WWW)
Wilmcote (WMC)
Stratford-upon-Avon Parkway (STY)
Stratford-upon-Avon (SAV)
National Rail Enquiries
Live Departure & Arrival Boards >>
Station Services & Facilities >>
Changes to Train Times & Service Disruptions >>
Train Operators
For train information, please visit the train operators' websites:
Birmingham - Stratford & other Snow Hill Lines
London Midland >>
Stratford & Birmingham to Warwick & London
Chiltern Railways>>
Birmingham - Henley - Stratford Heritage Steam Train Service - Summer Sundays only
The Shakespeare Express - Vintage Trains >>


text:
realmagick.com The shrine of knowledge.
Buddhist Chant
A selection of articles related to buddhist chant.
Original articles from our library related to the Buddhist Chant. See Table of Contents for further available material (downloadable resources) on Buddhist Chant.
- Lynne, Carol
- Growing up surrounded by music, Carole Lynne's musical education has ranged from the informal training of her parents teaching her how to sing jazz to formal instruction at The Juilliard School of Music, University of Michigan Music School, and The American...
Real Interviews >> Authors
- How The Major Arcana and The Tibetan Book of The Dead can work together
- There are some striking complements to the Major Arcana of the Tarot and the Tibetan Book of the Dead. They are a nice enhancement to the meanings of these powerful cards. I claim no expertise on Buddhism but I found the resonance and compatibility to Tarot...
Religions >> Buddhism
- What is the History of Reiki?
- Usui Shiki Ryoho: The Usui System of Natural Healing Ancient Origins The Development of Usui Reiki Dr. Mikao Usui Dr. Chujiro Hayashi Hawayo Takata Mrs. Takata Talks about Reiki (transcript) Usui Shiki Ryoho: The Usui System of Natural Healing Reiki In Japan...
Body Mysteries >> Reiki
- An Open Letter To The Pagan Community
- The following is an "Open Letter" to the Pagan Community from one of the nations "top" Buddhists (in a non-hierarchical way) and appeared in the Winter '93-'94 Green Egg. Since it's an "Open Letter" I doubt I'm stomping on anyone'...
Paganism & Wicca >> Daily Life
- A Basic Guide to Charm Making
- A charm is a collection of herbs, gemstones and other tiny bits and pieces that are chosen for their specific energies to help with the desired outcome. These are usually combined and sewn into a piece of cloth, or a mojo bag. It is then charged by a spell or...
Spells >> Charms
Buddhist Chant is described in multiple online sources, as addition to our editors' articles, see section below for printable documents, Buddhist Chant books and related discussion.
Great care has been taken to prepare the information on this page. Elements of the content come from factual and lexical knowledge databases, realmagick.com library and third-party sources. We appreciate your suggestions and comments on further improvements of the site.
Buddhist Chant Topics
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Get an overview of this hotelLuxury hotel with full-service spa and restaurant
Situated in Erfurt, this luxury hotel is within a 15-minute walk of Erfurt Cathedral and Kramerbrucke. Angermuseum and Egapark Erfurt are also within 2 mi (3 km).
Hotel Features
Along with a full-service spa, this smoke-free hotel has a restaurant and a fitness center. WiFi in public areas is free. Additionally, a bar/lounge, a spa tub, and a sauna are onsite.
Room Amenities
All 160 rooms feature thoughtful touches like bathrobes and slippers, plus free WiFi, free wired Internet, and flat-screen TVs with satellite channels. 24-hour room service, minibars, and free bottled water are among the other amenities available to guests.Information missing or incorrect? Tell us!Opens in a new window
Dorint Hotel am Dom ErfurtTheaterplatz 2 Erfurt TH 99084
Hotel Amenities
Hotel Amenities
In addition to a full-service spa, Dorint Hotel am Dom Erfurt features a spa tub and a sauna. The hotel offers a restaurant. A bar/lounge is on site where guests can unwind with a drink. A computer station is located on site and high-speed wireless Internet access is complimentary.
Business-related amenities at this 5-star property consist of a business center and meeting rooms. Event facilities measuring 6588 square feet (612 square meters) include conference space. This luxury hotel also offers a fitness center, a terrace, and tour/ticket assistance. Parking is available onsite for a surcharge.
Dorint Hotel am Dom Erfurt is a smoke-free property.
- Number of buildings/towers - 2
- Conference space
- Conference space size (feet) - 6588
- Conference space size (meters) - 612
- Number of meeting rooms - 7
- Sauna
- Total number of rooms - 160
- Spa tub
- Restaurant
- Multilingual staff
- 24-hour front desk
- Number of floors - 4
- Bar/lounge
- Free newspapers in lobby
- Concierge services
- Elevator/lift
- Fitness facilities
- Full-service spa
- Tours/ticket assistance
- Free WiFi
- Computer station
- Luggage storage
- Business center
- Meeting rooms 7
- Terrace
- Self parking (surcharge)
- Year Built 2004
- Smoke-free property
- Breakfast available (surcharge)
- Television in common areas
Available in all rooms: Free WiFi , Free wired high-speed Internet
Available in some public areas: Free WiFi
Self parking (surcharge)
Room Amenities
- Connecting/adjoining rooms available
- Free cribs/infant beds
- Room service (24 hours)
- Air conditioning
- In-room climate control (air conditioning)
- Free bottled water
- Minibar
- Daily housekeeping
- Bathrobes
- Free toiletries
- Hair dryer
- Slippers
- Desk
- In-room safe
- Satellite TV service
- Flat-panel TV
- Free WiFi
- Free wired high-speed Internet
- Blackout drapes/curtains
- Hypo-allergenic bedding available
- In-room climate control (heating)
Where to Eat
Buffet breakfasts are available for a surcharge and are served each morning between 7 AM and 10:30 AM.
Gloriosa - This restaurant specializes in international cuisine and serves lunch, dinner, and light fare. Guests can order drinks at the bar and enjoy alfresco dining (weather permitting). Open daily.
Bar Lounge - This lobby lounge specializes in international cuisine and serves dinner and light fare. Guests can enjoy alfresco dining (weather permitting). Open daily.
24-hour room service is available.
Nearby Things to Do
Recreational amenities at the hotel include a spa tub, a sauna, and a fitness center.
The recreational activities listed below are available either on site or nearby; fees may apply.
- Golfing nearby
- Water skiing nearby
Spa Services
Guests can indulge in a pampering treatment at the hotel's full-service spa. The spa is equipped with a sauna, a spa tub, and a steam room.
- Steam room in spa
- Sauna in spa
- Spa tub in spa
To make special requests for accessibility needs, please note them at check-out when you book your room.
- Accessible bathroom
- Roll-in shower
- In-room accessibility
Hotel Policies
Check-out time is noon
Payment types
Children and extra beds
- Children are welcome.
- Kids stay free! One child 12 years old or younger stays free when using existing bedding.
- Free cribs (infant beds)!
- Pets allowed for an extra charge of EUR 15 per pet, per night
You need to know
Extra-person charges may apply and vary depending on property policy.
Government-issued photo identification and a credit card or cash deposit are required at check-in for incidental charges.
Special requests are subject to availability upon check-in and may incur additional charges. Special requests cannot be guaranteed.
No rollaway/extra beds available
24-hour check-in
- The city imposes a culture tax (Kulturförderabgabe) of 5 percent of the total room price (before taxes and fees).
Optional extras
- Fee for buffet breakfast: EUR 21 per person (approximately)
- Self parking fee: EUR 15 per day
- Pet fee: EUR 15 per pet, per night
Hotel Name
- Dom Erfurt
- Pullman Am Dom
- Pullman Am Dom Hotel
- Pullman Am Dom Hotel Erfurt
- Pullman Erfurt Am Dom
- Accor Erfurt Am Dom
- Arcadia Grand Hotel Am Dom Erfurt
- Arcadia Grand Hotel Am Dom
- Arcadia Grand Am Dom Erfurt
- Arcadia Grand Am Dom
We should mention
One child 12 years old or younger stays free when occupying the parent or guardian's room, using existing bedding. The property has connecting/adjoining rooms, which are subject to availability and can be requested by contacting the property using the number on the booking confirmation.
National Rating
Hotelstars Union assigns an official star rating for properties in Germany. This property is rated 5 stars.


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Selling Yourself: Pitching Yourself Instead of a Product
In any number of my journalism classes I've learned how to write press releases, media pitches, package audio and video and just about everything needed to sell an idea. What my classes didn't quite prepare me for was how to sell myself. During the interview process for my current internship at a waste and recycling company, I was asked to prepare a five-minute presentation about what I could add to their communications team. My first thought was, "how do I do this without bragging?" However, I quickly realized bragging was exactly what I needed to do. Just like with any … Continue reading Selling Yourself: Pitching Yourself Instead of a Product


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Category Archives: Music
And Now For A Little Americana…
Sarah Watkins, Sarah Jarosz and Aoife O'Donovan sing a John Hiatt tune, with three-part harmonies to lift the souls of angels…
Baby's gone and I don't know why
She let out this morning
Like a rusty shot in a hollow sky
She left me without warning
Sooner than the dogs could bark
Faster than the sun rose
Down to the banks on an old mule car
She took a flatboat 'cross the shallow
Left me in my tears to drown
She left a baby daughter
Now the river's wide and deep and brown
She's crossing muddy waters
Tobacco standing in the fields
Be rotten, come November
And a bitter heart will not reveal
A spring that love remembers
When that sweet brown girl of mine
Hair, black eyes are raven
We broke the bread and drank the wine
From a jug that she'd been saving
Left me in my tears to drown
She left a baby daughter
Now the river's wide and deep and brown
And she's crossing muddy waters
Baby's crying and the daylight's gone
That big oak tree is groaning
In a rush of wind and a river of song
I can hear my true love moaning
Crying for her baby child
Or crying for her husband
Crying for that rivers wild
To take her from her loved ones
Left me in my tears to drown
She left a baby daughter
Now the river's wide and deep and brown
And she's crossing muddy waters
Now the river's wide and deep and brown
And she's crossing muddy waters
And The World Spins Madly On
When I first heard the Weepies back in 2006 (thanks Cheryl!), it was by way of the song featured in the video below: And The World Spins Madly On. I thought: "Hmmm… a duo that, in some oblique way, sounds a lot like Simon and Garfunkel". It was partly the two-part harmonies, partly the songwriting, partly the lightness of the production, bathed in a semi-transparent haze of reverb – one reason why this song seems to almost float away as you listen to it. I've since learned to appreciate the duo for their own quirky but relentlessly accessible style, which is most evident on their current release, Sirens.
Ryan Woodward's animated video, uploaded in 2010 but which I just stumbled upon, nicely captures the song's tragi-romantic sentiment.
"How I Got My Song" – Leonard Cohen
So… it seems that I haven't posted anything all month. Chalk it up to the summer doldrums.
In any case, I'm determined not to neglect July entirely. So, for your amusement, here's a curious little acceptance speech Leonard Cohen gave at the 2011 Prince of Asturias Awards event in Spain. He won the prize for Literature, but his speech is mostly about how he came to be a songwriter. As you might well expect from Cohen, what he has to say is a little bit beautiful, a little bit tragic, and just a tad absurd (particularly in its opulent setting).
Wayne Shorter's "Infant Eyes"
I haven't had much time for music lately, but for a few months I've been dabbling with Wayne Shorter's "Infant Eyes" in my spare moments. Here's what I've come up with so far, along with a collection of fractal images I've generated using FRAX, the iPhone app. If you enjoy it, please go to iTunes and buy Wayne Shorter's own one-of-a-kind rendition.
Infant Eyes from Larry Herzberg on Vimeo.
R.I.P., Jack Bruce
Photo by Christian Sahm (2006); used under the Creative Commons license.
Of all the rock "icons" whose talents peaked in the late 1960s through the early 1970s, Jack Bruce – bass player, songwriter, and remarkably polished vocalist – is probably one of the more under-appreciated. He certainly contributed more than one-third to the sound of Cream, the band he formed with Eric Clapton and Ginger Baker. But his solo work during a slightly later period garnered him relatively little acclaim, as I recall, probably because it was so much subtler and harmonically complex than his work with Cream. His musicality was not lost on me, however, just a high school senior at the time of his 1971 release, "Harmony Row". That year, if you remember it at all, was a time of high historical drama and, for some of us, personal lessons learned. Bruce provided part of our common soundtrack, in an uncommonly sophisticated way. Here's one of my favorite songs from Harmony Row: "Can You Follow".
Hey can you follow,
Now that the trace is fainter
In the sand
Try turning your face to the wall
Can you still read me
Now that the chase is wilder
In your hand
Try losing your place in the sun
All the praises of the dream
Turned to tangles in the trees
All yesterday's fine chariots
Turned to buses in the street
Can you still hear me
Now that the songs are moving
Into night
Try sleeping with the dancers in your room
R.I.P. Chuck Silverman: A Keeper Of The Flame
I just learned that an old friend of mine passed away unexpectedly last May: Chuck Silverman, a man whose life-long obsession was drumming – particularly Afro-Cuban percussion. Along with a couple of other aspiring musicians, Chuck and I shared a house high up in the Hollywood hills in the late '70s. When he wasn't at a gig, he was almost always at the house, but rarely seen: he would practice literally all day in a narrow walk-in storage closet he'd (somewhat) sound-proofed, using headphones to play along with his favorite latin tracks. After that household dissolved in the early '80s, we largely lost track of each other until he emailed me a few years ago to catch up. In addition to having studied ethnomusicology at UCLA, he'd become a successful teacher and writer, authoring several highly-regarded books and columns, teaching at the Musician's Institute in L.A., and introducing anyone who would listen to Afro-Cuban rhythms. At the time of his death, he was trying to complete a documentary film on a style of Cuban music he feared would soon be lost. As a memorial to Chuck, and in the now perhaps dim hope that his film will eventually be finished, here's a short video he made about the project (before his initial filming began in 2013).
Sting Ponders The Multiverse
As a rule, musicals tend to strike me as amusing at best (Passing Strange aside), and only time will tell whether Sting and his cohort of Broadway pros can pull off the rare feat of successfully marrying rock, pop, or folk songs to an emotionally resonant and theatrically stageable story. But the more I listen to the numbers Sting has written for his The Last Ship project, the more they grow on me. You can listen to many of those songs, performed live by Sting and several cast members, on this American Masters episode. Meanwhile, here's one of the more thought-provoking and suggestive songs from the album (not included in the Great Performances episode), one that demonstrates how a talented – and well-read – songwriter (or two) can relate an interpretation of quantum physics to a theme with a lot of poetic and dramatic potential: how choices create universes, and how those universes might be related to parallel universes not only physically, but – more humanly – by relief, or regret, or resignation, or…
"It's Not The Same Moon"
by Sting and Rob Mathes
Did you ever hear the theory of the universe?
Where every time you make a choice,
A brand new planet gets created?
Did you ever hear that theory?
Does it carry any sense?
That a choice can split the world in two,
Or is it all just too immense for you?
That they all exist in parallel,
Each one separate from the other,
And every subsequent decision,
Makes a new world then another,
And they all stretch out towards infinity,
Getting further and further away.
Now, were a man to reconsider his position,
And try to spin the world back to its original state?
It's not a scientific proposition,
And relatively speaking…you're late.
It's not the same moon in the sky,
And these are different stars,
And these are different constellations,
From the ones that you've described.
Different rules of navigation,
Strange coordinates and lines,
A completely different zodiac,
Of unfamiliar signs.
It's not the same moon in the sky,
And those planets are misleading,
I wouldn't even try to take a bearing or a reading,
Just accept that things are different,
You've no choice but to comply,
When smarter men have failed to see,
The logic as to why.
It's not the same moon,
It's not the same moon,
In the sky.
Jason Isbell's "Elephant"
I heard Jason Isbell play "Elephant" on an NPR show a few months back, bought it on iTunes and didn't listen to it again until recently. Some tout it as the best song ever written about cancer (not that there's much competition on that score), but I've come to think of it as one of the better songs ever written about a rare sort of friendship.
Here's a well-recorded live version from SiriusXM radio. Please excuse the obscenities, by which I mean the embedded ads, the first of which can be clicked away, the second of which will fade on its own-
She said Andy you're better than your past,
winked at me and drained her glass,
cross-legged on the barstool, like nobody sits anymore.
She said Andy you're taking me home,
but I knew she planned to sleep alone
I'd carry her to bed, sweep up the hair from the floor.
If I'd fucked her before she got sick,
I'd never hear the end of it.
She don't have the spirit for that now.
We drink these drinks and laugh out loud,
bitch about the weekend crowd,
and try to ignore the elephant somehow…
She said Andy you crack me up,
Seagrams in a coffee cup,
sharecropper eyes and her hair almost all gone.
When she was drunk she made cancer jokes,
she made up her own doctor's notes,
surrounded by her family
I saw that she was dying alone.
I'd sing her classic country songs
and she'd get high and sing along.
She don't have much voice to sing with now.
We'd burn these joints in effigy,
cry about what we used to be,
try to ignore the elephant somehow…
I buried her a thousand times,
giving up my place in line,
but I don't give a damn about that now.
There's one thing that's real clear to me-
no one dies with dignity,
We just try to ignore the elephant somehow…
We just try to ignore the elephant somehow…
We just try to ignore the elephant somehow…
Pannonica – Thelonius Monk
I stumbled upon Thelonius Monk's "Pannonica" leafing through an old collection of jazz standards about a year ago. I slowly sight-read through the 32-bar tune, finding the changes intriguing but mysterious, the often chromatic melody fluidly elegant. On paper, the composition is something of a conundrum; in the air, it is seriously playful. I was hooked immediately… but what did that strange title mean? Googling it revealed that 'Pannonica' – or 'Nica' for short – referred to the Baroness Pannonica de Koenigswarter, née Rothschild (1913-1988). She was a well-known jazz connoisseur, and the musicians she supported and promoted seemed genuinely to respect her. She gained some notoriety when Charlie Parker died of an overdose at her house in 1955, an incident depicted in Clint Eastwood's 1988 film Bird (which I recommend). Monk lived at her house from 1970 until his death in 1982.
For months I struggled to find a way of soloing gracefully through those seemingly disjointed changes, not to mention ways of comping that did the tune at least minimal justice on guitar. Of course I listened to Monk's solo piano rendition, and realized instantly that trying to emulate that masterpiece would be hopeless. So here's the best I could come up with, given limited time and resources-
Hannah Rothschild, Nica's great-niece, recently wrote her biography (thanks for the tip, Berry). Here's The Guardian's review. It follows by a couple of years David Kastin's well-regarded biography. I'll probably read one of them eventually. But for now I think I'll just continue to relate to her through Monk's masterful musical portrait – he knew his subject so very well.
Sarah Jarosz On NPR
Yet another reason to love NPR: their "Tiny Desk Concert" series, which provides talented young singer-songwriters like Sarah Jarosz with an intimate, non-commercial, high-quality venue. Here Jarosz performs three tunes from her latest album, Build Me Up From Bones, with fiddler Alex Hargreaves and cellist Nathaniel Smith. The album is beautifully produced, but I love these cut-down versions even more-
Donald Fagen: Hell In A Handcart
"Hell in a handcart".
That's where Donald Fagen, in unabashed curmudgeon mode, thinks we're all headed, thanks to the ubiquitous social media that keeps kids – by whom he means anyone born after 1960 and raised by television – staring at the gadgets in their palms instead of relating to each other in person. Or at least that's what he told Tom Ashbrook – who seems to be developing more of an appreciation for quality music lately – at the end of his recent On Point interview, in which he was selling his recently released memoir, "Eminent Hipsters". You can listen to the interview on the podcast or here. The book is near the top of my someday-I'll-have-the-time-to-read list.
And while we're talking Steely Dan, here is some recent concert footage of the band playing that old chestnut, Do It Again, featuring Michael McDonald (!) singing all but the last verse, when Donald chimes in. Enjoy some of the best pop-rock-jazz-r&b ever conceived of in this or any other universe-
And to just for the hell of it, here's a short documentary about the making of one of my favorite tunes off perhaps Steely Dan's most exquisite album Aja: "Home At Last".
Stew On Art: Luxury Or Necessity?
I've blogged before about Stew (AKA Mark Stewart), the Tony award-winning playwright for his rock musical Passing Strange and accomplished singer-songwriter (check out his latest album, Making It), but his lecture/performance at UW Oshkosh the night before last gave me another opportunity to share him with you.
The answer he gave to the question – is art necessary? – was, as you might have expected, yes… but the reasons he gave were not the usual ones. For instance, it wasn't that cultures require art to flourish, or that art is needed to civilize the heathen soul. Rather, Stew riffed on three main themes, and I'll just state the gist of them here, along with some of my own elaboration I don't think he'd object to.
First, art is what people do, as people. You simply can't be a person unless you create art, even if the only art you create is yourself. When you step into your grandma's house, you notice – if you have any eye for it at all – that she has carefully placed keepsakes and photos on the coffee table, the shelves, etc.. Her whole life is (or at least those aspects of it she cares to remember are) on display, if not for others, at least for herself. Then there's the annual holiday card, letter, or now email that many of us send to our friends and family, updating them on our "true stories". This is a creative act. It is art. Similarly, we're all playwrights. Every day we choose our own costumes and dabble with our sets; we also write most of own lines. I would add that, unlike the days when radio ruled, we're now our own music supervisors as well, as we carry our music libraries on our phones. But – and here I'm developing Stew's theme in a way with which he might not entirely approve – for better or worse we're not entirely in control of the final product. We're not the sole producers of our art, after all. Our parents, and everyone who came before us, and for that matter the entire universe, also have that honor (or should I say dubious distinction?). Nor, even if we are self-directors, do we contractually have control over the final cut. We all wander onto each other's stages, often in the middle of productions we have nothing – or nearly nothing – to do with. Narratively this should result in relative chaos, and sometimes it does, but usually we manage to muddle through. It is, as Stew said, what we do.
Secondly, art is necessary in the sense that, paradoxical as this might sound, it keeps life real. It always, though often unintentionally, offers a critique of the status quo: the one-dimensional, black and white, reductive Grand Narratives proffered by politicians, religious leaders, and mass media marketeers. Art does this merely by reminding us of the particular, the personal, and the idiosyncratic. Impoverished art – and here's my somewhat more Aeolian take on Stew's relatively Ionian melody – is little more than some permutation of the status quo that the artist has perhaps unconsciously internalized and regurgitated. Impoverished art merely reflects the status quo by being overly simplistic, stereotypical, shallow, sentimental and/or sensationalistic… Sartre would call such art "inauthentic". When impoverished art is intentionally produced and therefore bad in addition to impoverished, there might be a temptation write it off as prostitution – it is often done just for money, and it does similarly satisfy a consumer's need (so perhaps even bad art is "necessary", in a sense). But artists that intentionally produce impoverished art invest less of themselves in their work than even the most jaded prostitutes, who at least have to use their own bodies. Such artists merely pretend, without taking any chances, without revealing anything about their actual selves. More "authentic" artists also pretend, but never merely. Their pretending is not deceptive; it's not pretense.
Not that I have anything against the occasional "guilty pleasure"… For instance, I confess to regularly watching the latest version of "Hawaii 5-0", mainly for the scenery and, since I grew up in the Islands, its nostalgic value. Sometimes, serendipitously and for purely personal, idiosyncratic reasons, even impoverished art resonates.
Finally, art provides us with at least one half of a real friendship in a world where real friends are always rare, but grow even rarer as we age. Poets, novelists, singer-songwriters, filmmakers, and others put the best of themselves into their works; they represent themselves – or at least how they see the world – as honestly as they can. What more could you ask of true friends, except perhaps that they also show some interest in you? And these friends, unlike the flesh-and-blood kind, are never far away. There they are, under a layer of dust on your bookshelf, in your rarely opened music and movie files, undemanding, patiently waiting to be discovered or re-discovered when you most need them. Of course, just like the flesh-and-blood variety, such friends might fail to live up to expectations, or lose their attractiveness over time. But to co-opt and re-purpose Matthew 7:16- By their fruits you shall know them… not to mention yourself.
Speaking of fruits (or, less metaphorically, works), it seems fitting to end this post with the opening lines of T.S. Eliot's "The Burnt Norton", the first of his "Four Quartets" – which Stew mentioned as being a very old friend of his, but one that he's just now really getting to know:
Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
Gary Burton: Learning To Listen
High on my list of "books to read if I ever have the chance to read for pleasure" is jazz vibraphonist Gary Burton's new autobiography, "Learning To Listen: The Jazz Journey of Gary Burton". Burton, who started playing professionally when he was just 8 years old (and who recently turned 70), revolutionized jazz vibraphone by inventing a four-mallet technique that allowed the solo instrument to play chord voicings previously available only to pianists, harpists, and, to a lesser extent, guitarists. By impeccably combining that technique with a mastery of the most advanced improvisational theory to be found in jazz, Burton managed to stay on the forefront of jazz-fusion for well over fifty years, and he's still going strong. Here's an example of his youthful virtuosity in what appears to be the early 1970s, when I first became aware of his playing: a solo performance of Jobim's "Chega de Saudade" ("No More Blues")-
If you can tolerate Tom Ashbrook's overbearing interview style, check out today's "On Point" podcast, in which Burton discusses his long career as a performer and a teacher, as well as the challenges he faced – before coming out in the 1990s – as a closeted gay man in the relatively macho jazz community.
Happy Fourth of July
You know, I sang Woody Guthrie's "This Land Is Your Land" countless times in elementary school, but I'm quite sure we never sang the last three verses. On this Independence Day, as many state politicians seek to sell off public property, discourage public education, and generally devalue the very notion of a public sector, here's the whole gall-darn beautiful song-
This land is your land This land is my land
From California to the New York island;
From the red wood forest to the Gulf Stream waters
This land was made for you and Me.
As I was walking that ribbon of highway,
I saw above me that endless skyway:
I saw below me that golden valley:
This land was made for you and me.
I've roamed and rambled and I followed my footsteps
To the sparkling sands of her diamond deserts;
And all around me a voice was sounding:
This land was made for you and me.
When the sun came shining, and I was strolling,
And the wheat fields waving and the dust clouds rolling,
As the fog was lifting a voice was chanting:
This land was made for you and me.
As I went walking I saw a sign there
And on the sign it said "No Trespassing."
But on the other side it didn't say nothing,
That side was made for you and me.
In the shadow of the steeple I saw my people,
By the relief office I seen my people;
As they stood there hungry, I stood there asking
Is this land made for you and me?
Nobody living can ever stop me,
As I go walking that freedom highway;
Nobody living can ever make me turn back
This land was made for you and me


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Just Another Day in Michael Almereyda's Paradise
Being trapped by a stranger's home movies might ordinarily feel akin to the Ludovico treatment from A Clockwork Orange, but director Michael Almereyda's exquisite scrapbook of lyrical vérité surprises—modestly recorded over a decade in nine different countries as he worked on other films/traveled, and then expertly curated—makes for both high art and rousing entertainment. Though he's still best known for his cracked, contemporary Hamlet, Almereyda has long toyed with the rough-hewn textures of consumer DV (1994's Nadja largely utilized the PixelVision camcorder), and the lo-fi immediacy of his occasionally auto-focused pixilation here feels purposeful, not amateurish. Rigorously edited so that no sequences run too indulgent and each smoothly fades into the next, this hodgepodge captures the expanse of human reactions.
We watch a lot of people—many wide-eyed kids—as they watch something/someone else, and that something/someone else is often the ordinary made extraordinary by Almereyda's skilled eye. Iranian children in dress clothes play around a shallow pool until one falls in. Chaos ensues, but Almereyda keeps his camera on the kid, who, in the distance, is trying not to cry. Later, at a raucous Sonic Youth show, Almereyda zeroes in, not on the unruly crowd, but on the band, fumbling around onstage like befuddled roadies, trying to get their microphones working. Friends rally for fireworks that get lost in the L.A. skyline, and Colin Farrell continues smoking a cigarette even after Terrence Malick starts rolling on the set of The New World. Steadily maintaining momentum and a meditative mood without narration or editorialization is itself a feat, but more vitally, Paradise appreciates and shares the curious mysteries in the seemingly banal.
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The French department store Galeries Lafayette is living up to its name. For its second annual "Paris & Création" event, this temple of French fashion is turning eight sections of its building on Boulevard Haussmann into contemporary art galleries. For the occasion, they asked fashion designer Vanessa Bruno to organize an exhibition. Given carte blanche by the department store, Bruno let her imagination run wild. The designer spoke to ARTINFO France about this new experience, the women who inspire her, and the joys of urban bicycle riding.
How do you see your exhibition?
It's a poetic arrangement of my work on the image over the years. It functions a bit like a collage of photos and videos. It's also quite fun.
Could it be compared to a journey?
The idea is to embed ones life in a visual universe. All the photos, in fact, have been part of a journey. There are photos of women dancing naked on the shore, and photos taken in the desert. In my catalogs, travel is important, as a way to reach other worlds, to escape.
The installation that re-creates a bicycle ride through Paris is alsoa journey, a more personal one.
On a bike you feel real freedom, you're not in the midst of aggression or pressure. Your eyes can wander and take the time to peek behind an open door. You're more connected to the city.
Some of the videos are rather inaccessible.
They are part dream, part secret, and at the same time they are very true, very close to us.
Your muses are Lou Doillon, Joanna Preiss, and Hélène Fillières. What does the Vanessa Bruno woman look like?
For me, fairy tales are important. The women are all a bit fairy- or princess-like, with perhaps a pagan side, connected to nature and the beyond, even while they remain in real life. It is important that these young women represent something extremely natural, even while they remain quite sophisticated. They have the presence of women who are happy with themselves.
The exhibition includes photos by Mark Borthwick and videos by Stéphanie Di Giusto, two artists with whom you've worked in the past.
I worked with Mark Borthwick for eight years. We did 10 or so catalogs together. They are like precious little books that you want to keep. Even if they have to represent the brand, they must also be thoroughly modern. It's great when you can look at something that you liked 10 years ago and that you'll still like in 10 more years. When I work on a collection, I need to sublimate the Woman, to find an icon, to tell a story about all this. The catalog is an extension. I get involved in the creative direction of the project. For two years, my film work with Stéphanie Di Giusto has allowed the collection to be made physical in a more tangible way. We write the screenplay together and we try to create visual and emotional poetry.
Stéphanie Di Giusto's films can be reminiscent of Garrel or Cocteau. What is the influence of film on your designs?
Sometimes, I watch all the films of a certain director — Orson Welles, for example. Recently I saw all of Catherine Deneuves movies. But when I get down to work, I remove myself from all that. The idea is to create an image. When Stéphanie and I work on the films, we don't talk about our influences. For me, a good collection gives you the feeling that it is part of the collective unconscious. It reminds you of something that you then appropriate for yourself.
Some clothing prototypes are hung from the wall like individual works of art.
I wanted to make visible all the manual labor and the craft that are also part of our profession. I like people to feel the "made by hand" quality that can be part of high fashion.
What lesser-known aspects of your work would you like the exhibition to reveal?
What made me happy was to see continuity between images from 2001 and images from today. I found the codes that I always use. That's what I like to do, I like the idea of designing clothes that will be icons, that one can continue to wear for a long time and that won't become unfashionable.
What will you do next?
I'm opening a store in Los Angeles in early August and another one in London at the end of September. There is also work to be done on the next collection, with a fashion show in October.


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The following testimonials are from valued Elegant Momentz customers.
Jim and Kathleen, I just wanted to thank you again for all the work you did on the hall and at the wedding!! Every time I see pictures from the wedding I think "WOW! the hall was really beautiful" - All the pictures are gorgeous!
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I downloaded ubuntu 12.04 from ubuntu.com, exctracted the iso file and wrote everything to a CD with windows 7. The problem is that when I try to boot from a CD, it doesn't find ubuntu in it. I tried it on two diferent PCs. So the questions are:
1. Can I fix it somehow?
2. If not then mabey using some kind of program to burn ISO file to a CD would help, and not Windows burner?
3. Can you recomend free program for it? One time use.
Please don't ask why I want Linux based OS. Thank you.
Did you make sure to change the boot order in the BIOS so that the first boot device is your optical drive?
Ofcorse. First thing.
Did you verify the integrity of the disc that you used to make sure that Ubuntu was written on it correctly? Have you also tried placing the OS on a USB thumb drive?
Ok I solved the problem, you can't use windows 7 build in function to burn the disc. I used free sofware from the web and ubuntu booted up. I used freeISOburner.
Copyright 2016 © Godem Online Inc. | Web and server solutions by NewTech Solutions.


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Deputies have made an arrest after a break-in at a local church.
Authorities with the Rutherford County Sheriff's Office said Michael Sprouse was arrested Saturday morning and taken to the Rutherford County Detention Facility.
Sprouse faces charges of breaking and entering a place of worship and larceny. His bond was set at $30,000.


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Driver, Ciaran and Meade, Nigel (2001) 'Persistence of Capacity Shortage and the Role of Adjustment Costs.' Scottish Journal of Political Economy, 48 (1). pp. 27-48.
Full text not available from this repository.
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|Journal Article
|SOAS Departments & Centres:
|Faculty of Law and Social Sciences > Department of Financial and Management Studies
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|Depositing User:
|Mutsa Marau
|Date Deposited:
|22 Oct 2010 14:32
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That weird stuff that Ian Holm's character in 'Alien' was made out of instead of human guts when Signourney Weaver & Co found out he was really an android. His innards consisted of white fluid mixed in with these clear bulbs that appeared to be some kind of robot kelp.
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Support for Office 2003 has ended
Microsoft ended support for Office 2003 on April 8, 2014. This change has affected your software updates and security options. Learn what this means for you and how to stay protected.
Article ID: 973443 - Last Review: 05/08/2012 21:48:00 - Revision: 3.0


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Kate Middleton and Prince William Select Prince George Godparents: Who'd They Pick?
Kate Middleton and Prince William have named three godparents for their newborn baby Prince George, and their choices are a break from tradition.
Bypassing Prince Harry, Pippa Middleton, and the usual royal suspects, Will and Kate instead tapped three old friends from childhood and college:


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The 2014 Grammys Were Actually Good
— Seinfeld Current Day (@Seinfeld2000) January 27, 2014
Guaranteed, there's a Grammy-hater contingent out there picking their tight asses and snorting away about how lame the award show was last night. But we watched, and the 2014 Grammys were actually freaking good. And dude, would we lie about how entertaining something is? No way. We're usually snorting away with the best of them.
What follows are a ton of great (thank you very much) reasons why the show was actually well thought-out and finely executed.
"One" by Metallica
Are you fucking kidding?! This song haunted and ruled my childhood. I even read Johnny Got His Gun because of this totally hypnotic and meandering tune. (If you haven't read the book, you should be downloading or buying it now -- preferably from your local independent bookseller. My brother calls it the best anti-war book ever, and he ain't wrong.)
"One" is an incredibly dark and weird song, and to watch it performed -- even with Lang Lang wylin' out on the piano -- in front of a pop crowd is a fantastic thing. I want everyone to feel what I do when hearing it.
Upcoming Events
Toni Braxton
TicketsWed., Oct. 26, 8:00pm
Anthony Hamilton With Lalah Hathaway & Eric Benet
TicketsThu., Oct. 27, 7:30pm
Alessia Cara: Know-It-All Tour Part II
TicketsFri., Oct. 28, 7:30pm
Sully Erna: Hometown Tour 2016
TicketsFri., Oct. 28, 8:00pm
Sia: Nostalgic For The Present Tour
TicketsSat., Oct. 29, 7:00pm
Stevie Wonder and Daft Punk
My mom called me once last night about Macklemore and how emo she was about the folks getting married (keep reading) and again because she was like: "Who are these men in helmets winning everything?"
Though I didn't get to explain the wonderment of "One" to them, I did get to tell my elders about Discovery, an album that came out when I was in college and which is still one of the best of all time. Teaching the older generation about really good music? That alone made the Grammys special this year.
Also, Stevie Wonder was the best artist they could have collaborated with on this song. No one compares to Stevie though. Period. So anyone collaborating with Stevie wins out.
Gays getting married on TV?! 2014, you're cool.
First, we (i.e. the internet) were barfing in our mouths about Macklemore winning all these hip-hop awards. But then we (the internet) saw that he told Kendrick Lamar in a text that he felt he'd been robbed, and we thought: Good form, brah. Also, it was very touching when during his performance with Madonna and Queen Latifah a bunch of straight and gay couples married on live TV. That's great human TV.
Willie Nelson ANYTHING
We promise we won't let our sons grow up to be cowboys. Just keep bringing Merle Haggard to the stage. You're the frickin' best, Willie. The frickin' best.
Pink is rad. The end.
If I've ever said anything bad about Pink. I take it back. She's the fiercest pop chick around. She's got a mean voice and does stuff these other pop singers cannot do, like perform "extreme" aerial acrobatics over the crowd and still belt it out IRL when she hit the ground.
— Seinfeld Current Day (@Seinfeld2000) January 27, 2014
Pharrell's hat.
It was so huge, it even got its own Twitter account.
LL Cool J still licking his lips after all these years.
LL is so awesome. If you have something crappy to say about him, you're so straight-hating that it's embarrassing.
New Party Rules for Millennials
10 Best Hipster Bars in Broward and Palm Beach Counties
Top 20 Sexiest R&B Songs from the '90s to Today
Top Five Things That Make New Kids on the Block's Donnie Wahlberg a Hipster
Ten Best Florida Metal Bands of All Time
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The Beatles, "Chains" from Please Please Me (1963): Deep Beatles
This King and Goffin track typifies the Beatles' early era, a time when the band was forming their own identity.
This King and Goffin track typifies the Beatles' early era, a time when the band was forming their own identity.
"Devil in Her Heart" exemplifies the early Beatles, representing their eclectic song selection, willingness to take risks and ability to transform a cover.
As politics continues to dominate the news in this U.S. election season, the Beatles' "Piggies" resonates stronger than ever.
Find out why George Harrison had to be convinced to sing "The Inner Light," an unlikely b-side to the Beatles' more commercial "Lady Madonna."
We break format in the Deep Beatles series to discuss a George Harrison message that couldn't be more appropriate for the season, or this time in history.
Kit O'Toole counts down the best Beatles-related releases of the past year, ranging from books to CDs to DVDs to calendars and more.
George Harrison paid tribute to Smokey Robinson both with the Beatles and as a solo artist, including a key cut on 'Thirty Three and 1/3' from November 1976.
Released in November 2002, 'Brainwashed' provided George Harrison with one of rock's most delicately executed goodbyes. Credit Jeff Lynne.
Jeff Lynne, the Electric Light Orchestra frontman, had met old friend Dave Edmunds for dinner when George Harrison's name suddenly came up.
The Traveling Wilburys' debut, released in October 1988, featured a should've-been-hit that summed up this all-star amalgam's enduring charm.


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text: Title dzubelyudee Channel: pokemon next random Comment Top NextComment Why, oh why didn't I take the blue pill? Not that I could tell. I thought I did, actually. Anyone got any Matrix gifs? Not OC next Tags: it | was | inevitable +1124 Views: 44078 Submitted: 05/06/2013 Share On Facebook


text: Yes Ever since, I played mario kart double dash, i've always liked the idea of each character having special abilities. That didn't really happen in Mario kart DS when the game is finished, everyone could drive every kart, MAKING EVERY ONE EQUAL!!!! I hated that. Mario kart wii is not that much different. In this new game, you can customize your own kart to fit your playing style. SWEET! The trailer presented two new elements to the series, Gliding and driving under water. I was just staring at the screen, "wow really? Its on lets go! Im gettin this game" I'm thrilled that my two most favorite courses, Airship Fortress & Maple Treeway are returning as retro tracks. I can't wait to see more of the new courses, and even more, Multi-player. I really hope that balloon battle features free 4 all.


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Cremello Gene Found
- Apr 1, 2003
- Topics:
Researchers at the Laboratoire de Genetique Biochimique et de Cytogenetique in the Institut National de la Recherche Agronomique (INRA) at the Centre de Recherche de Jouy-en-Josas, France, recently identified the gene that produces the cremello coat color in the horse. The cremello color is a dilution of all basic coat colors, and produces a pale (cream) to an almost white coat in a horse with pink skin and blue eyes (resulting in a blue-eyed cream horse, or BEC). The cremello color has been considered undesirable by certain breed registries, some of which have denied registration to cremello horses. This breakthrough will allow breeders to plan more precise breedings in the hope of producing or avoiding the cremello coat color, and it will also allow breed registries to confirm the genotype (genetic makeup) for coat color of horses being registered.
The three-year study was first published in Genetics, Selection, Evolution. It identified that a mutation in the membrane-associated transport protein (MATP) gene causes the cream coat color; however, it's not precisely known how the mutation works. Scientists were able to zero in on this gene due to known mutations in fish, mice, and humans that cause depigmentation related to a form of albinism. According to Gerard Guerin, PhD, research scientist in charge of horse molecular genetics at INRA, the researchers hypothesize that the MATP gene encodes a transporter protein (which transports nutrients through a membrane) that regulates the production of melanin, or pigments.
According to authors working on the gene in different species, the cream mutation results in a change in the makeup of the transmembrane protein. During this change, the amino acid asparagine is produced instead of aspartic acid. This mutation in animals heterozygous for the cremello gene produces the diluted colors for buckskin on a bay background and palomino on a chestnut background, and the cremello color in the homozygous condition (double mutant).
Guerin; Denis Mariat, PhD, an INRA researcher; and Sead Taourit, a senior scientist, have worked on the genetics of basic coat colors, and became interested in the dilution genes, such as the cremello gene.
"For the 'cream gene,' we were asked by a French association--Association francaise du poney Connemara--to identify this gene," says Guerin. "This color is present in the (Connemara) breed and is diversely appreciated because of the color itself, but also because some breeders believe the horses have vision problems, which has still to be demonstrated. There is a debate in the International Connemara Association whether to include these cream animals in the main register of the breed or not."
The researchers developed a molecular test to detect the cream gene in DNA found in the blood or hair. Guerin says the test will help owners identify heterozygous carriers of the gene (those able to pass on the cremello gene to offspring). "The test is most useful in cases where the gene is masked by another color, such as black or gray, or when the color is difficult to define as in dark buckskins or light palominos," he says. "Our perspective is to give a precise genotype identity of most of the colors encountered in the horse."
The Veterinary Genetics Laboratory at the University of California, Davis, also offers a test to detect the cream gene. For more information, call 530/752-2211.
Guerin and his colleagues expanded on research done at UC-Davis in 2001 that found an association between the cream color and molecular markers present on chromosome 21 among those that were spread over the whole genome. They combined this knowledge with information from genetic research in other species on a few genes known to cause similar color patterns. Once the gene was identified, they used sequencing (the process of determining the exact order of the chemical building blocks) in animals of different coat colors. The sequence in the MATP gene for all BEC animals differs from other coat colors, supporting the researchers' hypothesis that the MATP gene produces the cremello coat color.
The MATP mutation is the fourth causal mutation for coat color identified in horses. The other mutations involve the chestnut, overo lethal white, and black colors.
About the Author
Sarah Evers Conrad
Sarah Evers Conrad has a bachelor's of arts in journalism and equine science from Western Kentucky University. As a lifelong horse lover and equestrian, Conrad started her career at The Horse: Your Guide to Equine Health Care magazine. She has also worked for the United States Equestrian Federation as the managing editor of Equestrian magazine and director of e-communications and served as content manager/travel writer for a Caribbean travel agency. When she isn't freelancing, Conrad spends her free time enjoying her family, reading, practicing photography, traveling, crocheting, and being around animals in her Lexington, Kentucky, home.
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POLL: Horse Bedding Choices


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Artist Leanie van der Vyver and Dutch shoe designer René van den Berg, that's who.
Very, very scary.
Artist Leanie van der Vyver and Dutch shoe designer René van den Berg, that's who.
Very, very scary.
Lady Gaga will be in them next week.
Challenge your fears, don't fear your challenges.
Remind me why women put up with that nonsense.
OMG! I recognise the other pic
Him has a pair in Powerpuff Girls
Dutch design is based on ideas. The ugliness of the shoe is completely beside the point.
I just skimmed the article and passed right over this. I guess 'idiots' was a bit out of line.The shoes are a collaboration between artist Leanie van der Vyver and Dutch shoe designer René van den Berg, and serve as a commentary on today's impossible standards of beauty.
My apologies to Leanie and René.
I don't have any complains but only the idiots wear them.
^ Him work the fuck out of those heels.
Eternal youth and endless life. I'll sacrifice everything and everyone to obtain it
Gaga will wear them if they are made out of meat.
FPNYAnnoying JUBBERS since 2003
Those are some fugly shoes, imagine the annoying footstep noises it will make.
It's only idiotic as women can use them to hurt us men. The design itself is great.
D...UMP has one hand in Putin's pants, and he wants his other hand on the nuclear button. USA, please don't commit suicide.
NEVER HAVE UNPROTECTED phone sex! Otherwise, you may later end up with hearing AIDS!
P. J. O'Rourke (Republican humorist, paraphrased): Clinton will be a disaster, but within normal parameters. Donald Trump will be a disaster in ways that no one could possibly imagine.
^How very dare you sir, I'll have you know The Powerpuff Girls is some of the finest TV ever made, and look! There's a gay villain on it who's equal parts masculine and feminine - and he could give two fucks about peoples' opinions.
In short, He's my hero.
"Theres death on the horizon,
and Ill run to behold your sacrifice..."
How practical. Am I just being picky for no reason, or it's hard to drive while you wear those and run errands around town?
double post sorry
if being fashionable is right, then i wanna be wrong.
one thing about the closet/you don't have to hurry/it will be bad tomorrow/so brother, don't you worry
Can't say I particularly favour them, ahem..
..There's Things I Haven't Told You.. I Go Out Late At Night..
And If I Was To Tell You.. You'd See My Different Side..
i happen to know leanie personally. it seems to me that some posters have completely missed the point of this work... eventhough an explanation is right there.


text:
Peanuts by Charles Schulz
- July 08, 2013
- From Beginning
- Previous feature
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Comments (36) (Please sign in to comment)
And that's back when there were only 4 channels.
Funny, I was just thinking about this story arc this morning. Let's just say that the effect on Lucy will be quite interesting.
The TV is Lucy's blanket.
I bet this is how pre-TV people also reacted when the radio was taken away.
Die then. Nobody likes you anyway.
We went thru something similar with my dad in the seventies; he would turn the TV up loud and "hide" in the cop shows (sirens etc). One day my brother unscrewed the back cover and pulled a couple of wires loose. "Oh, it's broken!" He knew dad was so lazy it would take him weeks to take it in to be fixed. After a few days, mom turned it to the wall and threw a cloth over it. We went without a TV for a couple of years.
If they had all the cable channels then, Lucy would probably have a cardiac arrest, or a nervous breakdown.
These days, it would be iPhone, tablet, TV, DS, console, and laptop. And Lucy would STILL find a way to mindlessly stare at some form of technology.
These days it would just be internet instead of TV.
I remember when my mom DID do this. Sadly, the only reason she allowed the TV back in the house was 11/22/63.
Lucy's still around, now doing MetLife commercials.
People feel that way about the Internet today.
Karl Marx mentioned that "religion is the opiate of the masses". When this comic came out, he would have said that "TV is the opiate of the masses". Now he would say that the Internet is the real drug of choice. I was riding the El in Chicago a while ago. Every single person had their eyes glued to their cell phones.
Hank Moody nods sadly
I have been without TV for 2 years now. No commercials with netflix, and soooooo much more choices!!
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Innovative business promotion (INOVEKS)
Project acronym: INOVEKS
Project coordinator: Agency for Science, Innovation and Technology
Project budget: 2.785.200,13 EUR
Supported by: European Regional Development Fund (ERDF) and The European Social Fund.
Project end date: October 1, 2015 (duration 24 months).
Project partners:
- Kaunas University of Technology
- Lithuanian University of Health Sciences
- Lithuanian Energy Institute
- Northtown Technology Park
- Vilnius Gediminas Technical University
- Vytautas Magnus University
- Aleksandras Stulginskis University
- Kaunas science and technology parc
- Science and Technology Park TECHNOPOLIS
- Vilnius University
- Vilnius University International Business School
- Sunrise Valley Science and Technology Park
- Visoriai Information Technology Park
- Klaipėda University
- Klaipeda Science and Technology Park
Project description:
Agency for Science, Innovation and Technology (MITA) is the main governmental institution responsible for innovation policy in Lithuania. Innovation is one of the key factors for the development of national economy, but, according to the Innovation Union Scoreboard (the European Union (EU) Member States' performance in Innovation assessment tool), Lithuania now ranks of the last in the EU. Therefore it is necessary to promote development of Innovation in both Business and Science areas, with particular emphasis on mutual cooperation and technology transfer processes.
During the project implementation period science and study institutions in association with science and technology parks will:
- Run a selection process of the best ideas from undergraduate, post-graduate and PhD students and young scientists. Based on their ideas teams will establish small and medium-sized (SME) enterprises.
- Help to clarify and test existing business ideas, advice on prototypes and (or) models creation, as well as opportunities to get additional research for the development of the products, help to develop high-quality investment proposals needed to support the young enterprises
Project tasks:
To create opportunities for students, doctoral students and young researchers to generate, refine business
ideas and establish new high added value technology start-ups, getting advice in creating a model and (or) a prototype and get preferential conditions for businesses development.
Project activities:
- Run a selection process of the best ideas from undergraduate, postgraduate and PhD students, and young scientists, consulting on submission of ideas and legal business issues;
- Expert advices for the SMEs in regard to research commercialization, technology transfer, business development, prototypes and (or) models creation issues. SMEs incubation in science and technology parks.


text: bloggymomMember March 28, 2013 at 2:26 pm #1792991 I have been doing MAC treatment for 6 months. I gradually started getting side effects from the drugs and finally got so miserable I could not stand it (joint pain, joint swelling, "lady issues", bloating, horrible migraines and almost constant regular headaches and lower back pain, and nausea). My infection disease doc took me off all the meds for two weeks to see if the symptoms go away. I am on day 2 of my drug holiday and my belly is less bloated, lower back pain is almost all gone. Any MAC/NTM patients out there have to take a drug holiday?? Does the holiday help?? Did they put you back on the drugs?? Same dosage, lower dosage?? I am concerned that I won't be able to finish my treatments and be left with a cavity in my lung. Any advice/support would be great. Viewing 1 post (of 1 total) You must be logged in to reply to this topic.