text:
When Dan Piraro started his cartoon "Bizarro", some of the factors you might expect were involved in the decision, but the Superman character wasn't one of them! Dan wasn't into superhero comics; in this episode we hear the rather, er, bizarro story of how he learned of his strip's non-namesake (it involves Jerry Seinfeld!); how The Far Side blazed a trail for Bizarro (not in the way you might think!); if having a syndicated comic is still a good deal (if, in fact, it ever was); his forays into fine art, vaudeville, and coloring books; and much more.]]>
Single-panel cartoons, while not sequential art, certainly have some things in common with sequential art, and some cartoonists (Hank Ketcham, Bil Keane) have alternated between the two in their daily work. This week, in the first of two interviews with single-panel creators, Tim talks with New Yorker cartoonist Joe Dator.
What's it like trying to get your joke across in exactly one panel — and get the darn thing published in a highly competitive venue like the pages of the New Yorker? How did the Far Side influence single-panels? (Perhaps less than you think!) What is the Mount Everest of cartooning? What cartoonists influenced Joe most? And – why does he spend his free time making a comedy podcast about classic rock?]]>
In this episode, Box Brown also talks with Tim about his publishing imprint, his earlier book on Andre the Giant, and more.]]>
Luke Healy's How to Survive in the North presents two different early-20th-century expeditions to the Arctic, and how they were connected. Well, except some of the connections are unclear, and Tim and Kumar both had the same misunderstanding about the book the first time through! Yet the book does present some amazing people and incidents. Here's our review.]]>
We discuss some favorite moments of Cul de Sac, compare it with other classic strips such as Peanuts, examine what Thompson (and any other relatively new creator of newspaper strips) was up against as technology and economics teamed up against print media, and — Hey! Watch out for the UH-OH BABY!!
Originally published September 17, 2012]]>
Originally published March 24, 2008]]>
Most comics artists use photo reference at some point. But some artists can make it melt into their work fluidly, while others end up with stiff drawing or a glorified fumetti. They might also end up with a copyright lawsuit if they don't choose their reference wisely.
One source of photo reference is Buddy Scalera, who has published several reference books, including Comic Artist's Essential Photo Reference: People and Poses. Buddy joins Tim to talk about how he got into making photo reference books, choosing poses to shoot, and more.
Then, Stephen Bissette joins us with plenty of examples of the use and misuse of photo reference, the ups and downs of casting celebrities as your characters (Sting, anyone?), and more.
Late-1940s boxer Harry Haft learned his trade under harrowing circumstances: he was a Jew who was made to box other prisoners in a Nazi concentration camp. The former Hertzko Haft showed a determination to get through the experience alive, no matter what, and Reinhard Kleist shows this beautifully in his biographical graphic novel The Boxer. Tim and guest reviewer Juan Mah y Busch discuss.]]>
Read Kid Intense
Originally published October 15, 2007]]>
Comic Art Tokyo (CAT), organized by Adam Pasion of Big Ugly Robot Press and James Stacey of Black Hook Press, was held at 3331 Arts Chiyoda in Tokyo on July 31, 2016. Tim was there, recorder in hand, talking to tablers!
|Loic Locatelli, Tamia Baudouin, Rosalie Stroesser
Loic Locatelli, Tamia Baudouin, and Rosalie Stroesser (l-r)
|Remi (@messedupOL)
|Phillip Marsden
Phillip Marsden
|Victor Edison
|Victor Edison
|Chiyun Yeh and Marcelo Souto
|Chiyun Yeh and Marcelo Souto
|New Patreon rewards
|Rob McMaster
|Chris Carlier
|Chris Carlier
|Jessie Mok
|Jessie Mok
|Takako Miki
|Takako Miki
|Julia Hall
|Julia Hall
|Mokutan Angelo
|Mokutan Angelo (l)
|JL Mast
|JL Mast
|DCP In Touch
|Andrew Woodrow-Butcher, TCAF
|Andrew Woodrow-Butcher, TCAF
|Comic Catapult
|Pauline Ferrari (r), Comic Catapult
|Max Ebert and Lukas Stobie
|Max Ebert
|Graeme McNee
|Graeme McNee
|Bunny Bissoux
|Bunny Bissoux
|James Stacey, co-organizer
A fantastically undermanned operation is laying the groundwork to take over the world — starting with Fukuoka, Japan! That's the premise of Rikdo Koshi's Excel Saga, which ran in Japan from 1996 to 2011, and started in North America in 2003, where three volumes made it into the top 50 graphic novels chart. But now, with the manga boom long past, it seems to have faded to obscurity. Tim and Kumar take a look at the first three volumes to decide whether its current obscurity is fully deserved.]]>
Then Kumar tells us about each of the various manga titles he's recently translated. Looking for some good manga to read? Here are some ideas!
Finally, Tim talks about attempting to make podcasting profitable, and his self-published English study book and comic.
Below: a timetable of the episode, and more art from Brandon.
1:24 Brandon
15:24 break
17:15 Kumar: Market stabilization since the manga boom & bust
20:05 Dark Horse
27:41 Yen Press
30:00 Fanfare
32:33 Vertical
36:15 mysterious anime series job
37:18 Kumar's plans for San Diego Comicon
41:18 Tim – what he's juggling
44:31 ads on DCP?
48:27 Tim's day jobs & summer vacation
50:06 How much potential audience do we really have?
52:50 Tim's self-publishing ventures: Machigai Manga on iTunes & English study book: I Can't Eat Natto on Amazon
At MoCCA, Tim picked up A.T. Pratt's Papa Pratt's Popup Popout Miggy Mouse Horror House Super Secret Special Surprise and Miggy Mouse's Sweets and Treats, two books with a great approach to constructing a book (see below), but how is the experience of reading them?
Tim and Mulele discuss.
(Click the images to enlarge)
First up, Paul, To the Batpoles co-host and occasional DCP contributor, talks about his book Frank Miller's Daredevil and the Ends of Heroism , which will be out soon! In it, Paul reflects on how Miller's Daredevil changed comics — and Paul.
Then, Mulele catches us up on The Mindgator — soon to be Kickstarting volume 2 — and the new edition of his black cat comic Elbis!]]>
PLUS: Simon Fraser, co-creator of the Nikolai Dante series in 2000 A.D., talks about the Dare2Draw project, and the involvement of Mike Baron and Steve Rude's Nexus in their proposed anthology.
Become a patron! If you pledge at least $3 a month through Patreon, you can access additional audio of Tim's talk with Kawai Shen, on writing about members of marginalized groups — or simply about cultures the writer isn't familiar with. Example: Fifty Shades of Grey!]]>
Paul Chadwick's Concrete first appeared in Dark Horse Presents #1 in 1986. While its hero is a human whose brain is transplanted to a huge stone body by aliens, the stories are otherwise very realistic and emotional, and often center on real-world problems. While the series had some success, and theoretically the next volume should still be on its way, Concrete does not seem to be so widely remembered.
This week, Kumar and Koom take a look at a couple of their favorite Concrete stories: Think Like a Mountain, which focuses on environmental issues; and The Human Dilemma, about overpopulation.]]>
(Note: Bergen has also done a prose version of this story)]]>
This week, Tim and Kumar take a look, to discuss whether the story is really served by Murata's typical manga art, and the good and bad points of the comic as it exists.]]>
Steve talks about favorite film versions of comics; Mario Bava's Diabolik; and what would have been a better way to make a Dick Tracy movie? How have certain films utilized "comics" language — even if they weren't based on actual comics stories? What were some of our most traumatic moments in childhood TV viewing/comics reading?
Then we move on to the struggles that creators of Marvel and DC characters and storylines have had in getting proper credit for the film versions of their stories — especially focusing on Frank Miller and Daredevil. And, why do some fans have so much vitriol for Miller?]]>
Also, Adam Pasion of Big Ugly Robot Press gives us the scoop on Big Ugly Robot and Black Hook Press's new event coming to Tokyo this July, Comic Art Tokyo!]]>
Tim and Mulele dig into three more of the comics that Tim brought back from MoCCA Fest:
Jason Shiga's Demon is one of the craziest comics you'll ever read. The cartoony art makes it look unassuming, but frankly the darkly comic mayhem of this story probably wouldn't work with a more realistic style of art. The story is about… Wait! Did you read it? You'd better do so before listening to Kumar and Dana talk about it, because this episode is — unavoidably, with a comic like this — full of spoilers. Listener beware!]]>
In this episode, Peter talks with Tim about the varied media; his youthful encounters with Harvey Pekar, R. Crumb, and Howard Chaykin; his ambitious graphic novel Ruins; the importance of getting out of your comfort zone; and much more.]]>
Critiquing Comics returns with a look at three comics with connections to past DCP and CCP episodes:
If you like your comedy sexy (or your porn funny), you're probably a fan of Oglaf, Doug Bayne and Trudy Cooper's long-running Web comic. This week, Tim calls up Doug and Trudy in Sydney to talk about the fantasy-parody elements of the strip, the missing main character Ivan, the diversity of sexual orientations in the strip, why they rarely table at conventions, and more.]]>
Comics artist Lucy Bellwood has a pretty succesful Patreon page; it's paying her Portland rent. Her fans appreciate her work, but often that's not quite enough; showing your personality, making a personal connection, can get them to buy in on a deeper level. Lucy talks to Tim about what she's done to cultivate her following of fans/patrons.
Then Tim is joined by Taryn Arnold, Community Happiness Representative at Patreon, to talk about how Patreon works, the background of the site, and what they're doing to solve some problems that have arisen — including (as referred to on this podcast more than once) kamikaze patrons who pledge, download all the free content, and unpledge without making any payments.
Pledge at least $3.00 a month to Deconstructing Comics on Patreon and hear Lucy talk about some frustrating, and also rather amazing, experiences she had with freelancing, and on why she got stressed out when she guested on someone else's web comic!
(If you'd like to know more about using Patreon yourself, here's some info.)]]>
Kumar talks with both Emmet O'Cuana and John Roberson about Batman vs. Superman: Dawn of Justice. How does Zack Snyder see these characters, and how is his vision at odds with the established ideas about these characters? How can we think about the events in this movie in a way that makes sense?
"Superman's Song" – Crash Test Dummies
"I Whipped Batman's Ass" – Wesley Willis
"(Wish I Could Fly Like) Superman" – The Kinks]]>
It was led by Rick Meyerowitz, formerly of National Lampoon, and featured political cartoonist Steve Brodner, former National Lampoon co-editor Sean Kelly, and cartoonist Peter Kuper.
Also: Tim meets up with Mike Seid, Rahsaan Romain, and John Lee at the New York Aspiring Comic Creators Club meetup!]]>
MoCCA Festival, presented by the Society of Illustrators and the Museum of Comic and Cartoon Art, was held at Metropolitan West in New York City on April 2 and 3. This week, the tablers Tim talked with on the second day.
Also, excerpts from a panel discussion called "Autobiography: Revealing the Self in Comics." The panel was moderated by Heidi MacDonald (The Beat) and featured Gabrielle Bell (Truth is Fragmentary), Nicole Georges (Calling Dr. Laura), Jennifer Hayden (The Story of My Tits), and Gina Wynbrandt (Someone Please Have Sex With Me).
Click on "Continue reading this Post" to see photos of everyone in this episode.
|Kristen Rosa
Kristen Rosa
|Bob Glasscock
|Bob Glasscock
|Maelle Doliveux
|Lior Zaltzman
|Lior Zaltzman and Maelle Doliveux
|Carolyn Nowak
Carolyn Nowak
|Pronto Comics (Dominick Sparano)
|Dominick Sparano (r) of Pronto Comics
|Ellen Lindner
|Ellen Lindner
|Nobrow Press (Tucker Stone)Flying Eye Books
|Tucker Stone of Nobrow Press
|Mindy Indy
|Mindy Indy
|Sonny Liew
|Sonny Liew
|Caitlyn Scannell
|Caitlyn Scannell
|Eric Davies
|Eric Davies
|Locust Moon Press (Josh O'Neil)
|Josh O'Neil of Locust Moon PressBelow, their 16″x21″ Little Nemo, Dream Another Dream
|Birdcage Bottom Books (JT Yost)
|JT Yost of Birdcage Bottom Books
|Mariana Julia and E Jackson
|Mariana Julia and E Jackson
|Autobiography: Revealing the Self in Comics
|Nicole Georges
Jennifer Hayden
Gina Wynbrandt
Gabrielle Bell
MoCCA Festival, presented by the Society of Illustrators and the Museum of Comic and Cartoon Art, was held at Metropolitan West in New York City on April 2 and 3. Tim was there, and talked with a lot of folks who were tabling about their work. Follow along with the photos below as you listen, and click the links to check out their work!
|Johnny Dombrowski and Ian Higginbotham
Johnny Dombrowski and Ian Higginbotham
|Annelise Capossella
|Annelise Capossella
|R Sikoryak
|Kriota Willberg
|Kriota Willberg and R. Sikoryak
|Whit Taylor
Whit Taylor
|Dan Mazur
|Dan Mazur
|Jesse Lonergan
|Jesse Lonergan
|Celia Lowenthal and Maggie Breen
|Maggie Breen and Celia Lowenthal
|Andres Vera Martinez
|Andres Vera Martinez
|A.T. Pratt
|A.T. Pratt
|Vinnie Neuberg and Alison Rutsch
|Alison Rutsch and Vinnie Neuberg
|Fenway Fan
|Fenway Fan
|Xin Yin
|Xin Yin
|Gideon Kendall and Eli Neugeboren
|Eli Neugeboren and Gideon Kendall
|Josh Neufeld and Gregory Benton
|Gregory Benton and Josh Neufeld
|Chrisila Maida
|Chrisila Maida
|Patricia Casey
|Patricia Casey
|Keith Jones
|Keith Jones
|Natalie Andrewson
|Natalie Andrewson
|Yao Xiao
|Yao Xiao
|Ken Wong and Gene Kannenberg
|Ken Wong and Gene Kannenberg
|Bill Roundy
|Bill Roundy
|Brendan Duffey
|Brendan Duffey
|Steph Rodriguez
|Steph Rodriguez
|Nicholas Offerman and Robert Richburg
|Nicholas Offerman and Robert Richburg
|Fred Van Lente and Ryan Dunlavey
|Ryan Dunlavey and Fred Van Lente
|Will and Kati Lacker, Kin Comics
|Kati and Will Lacker
|Ada Price
|Ada Price
|Dana Wulfekotte
|Dana Wulfekotte
|Kendra Kirkpatrick
|Kendra Kirkpatrick
|Selina Briggs
|Selina Briggs
|Maria Scrivan
|Maria Scrivan
This week we present an hour of discussion on the podcast, and more audio and photos for patrons pledging at least $3.00 a month on Patreon!
Faculty members Jon Chad (L) and Luke Howard talk about teaching "Comics Production" to first-year students.
CCS co-founder and president Michelle Ollie talks about the founding and goals of the school.
Anna Sellheim and Michelle Ollie
JD Lunt and Shashwat Mishra
Second-year students Anna Sellheim, JD Lunt, and Shashwat Mishra discuss the best things about CCS and why they chose the school.
Jarad Greene, Moss Bastille, and Robin Smith talk about the assignments at CCS and the comics they've made for them. Also, the best things about CCS, and what they would change about it if they could!
Finally, Kaz Iskander talks about Malaysian comics (and politics!), changing genres and the dangers in not giving your audience what they expect.]]>
Jason McNamara is back with us after two years, and now his book with Greg Hinkle, The Rattler, has just been published by Image! He joins us to talk about the disturbing inspiration for the book, how the 2014 Kickstarter project for the book helped it get published, and more.
Also, Tim and Tom discuss the upcoming MoCCA festival in New York!]]>
This week, Tim talks with Maya about the increased acceptance of gay characters in comics; the problems with blogging from a character's point of view (and of making your character a musician); why comics conventions are good for connections, but anime conventions are good for making money; repetitive strain injury, online comics promotion (Tapastic, Patreon), and more.]]>
Since returning to Australia in 2010, they've gone all in on comics, and the first two chapters of their story "Yorris" appeared in issues 4 and 5 of Image's rather mysterious 8House anthology series.
This week, a talk with Helen about Czech comics and the view from the animation trenches becomes a talk with both Helen and Fil about the meaning of (and Easter eggs in) "Yorris", their attempts to turn some conventions of comics storytelling on their heads, and the pluses and minuses of the crowdfunding model.]]>
Also, a progress report on Mulele's ongoing Kickstarter project!]]>
|First, Luke Lancaster and Orlando Caicedo on their comic "The Badguys." How did they got together (without actually getting together) and get their comic into Webtoons? And, are Webtoons actually comics?
|Then, UK-based artist and writer Sally Jane Thompson, author of the graphic novel "Atomic Sheep", explains why a creator with South African and Canadian roots sees the UK as a better place to be, how comics can be used in conjunction with an art exhibit, and more.
Comics and animation historian Mark Arnold has been compiling info on these companies and more. He also discusses Joe Edwards' Li'l Jinx strip, that time when Blondie had a comic book, why Wonderful World of Disney seldom showed cartoons, and the storage challenges inherent in his chosen profession!]]>
Also, we discuss Mulele's Kickstarter project!]]>
Charles Schulz's Peanuts is one of the most beloved comic strips of the 20th century. But while some prefer the hilariously cruel and despairing tone of the first half of the series, it seems that the public perception of Peanuts is more in line with the cute, commercial tone it took on in its second 25 years.
This week Tim and Kumar come back to Peanuts, more than seven years after reviewing the Schulz bio, to delve more into the strip itself. What is the nature of the Peanuts kids? What motivates them? How does Peanuts (especially in its first half) fit an existentialist view of the world?
Also discussed: the recent movie — what was good or bad. Was showing the Little Red Haired Girl a good idea? Plus, a nod to a few of Schulz's more interesting panel compositions, and, what Peanuts strip does Tim want on his wall?
If you're into American comics at all, you no doubt know of Comixology. Since we last talked to company co-founder John Roberts, Comixology has joined the Amazon family, and their integration is starting to become visible on both companies' sites. John talks about this, the penetration of digital in the market, how to get your comics into Comixology, and more.
South Korean Web giant Naver started Webtoon in that country back in 2004, and since then its reach has grown in Asia and around the world — the English version is called Line Webtoon. We meet Webtoon content manager David Lee and New Mexico-based creator Stephen McCranie (whose Space Boy is available through Webtoon) to discuss the site's reach and business model, the differences between making a comic for print and making one that the reader scrolls through, and how to get your comics into Webtoon.]]>
Originally published February 27, 2012]]>
Also, a quickie, spoiler-free review of The Force Awakens!]]>
A man's son unexpectedly dies of a drug overdose. The father senses that his son's spirit hasn't passed over to "the other side" and needs help, and the father goes to great lengths to help him — and also to avenge his death. Does the father — and the comic — go a bit off the rails? Tim and Mulele discuss Andrea Lorenzo Molinari, Roberto Xavier Molinari, Ryan Showers, and Heather Breckel's The Shepherd: Apokatastasis!]]>
Originally published October 22, 2007]]>
I'm planning to make some changes in my employment situation this spring. It would be great if I could start to move podcasting from "hobby" status and make it part of the "employment" picture!
My options for doing that are limited, though, so I'm trying to make a go of it with Patreon. This is a form of crowdfunding where supporters pledge a set sum as a monthly donation.
I'm currently doing four podcasts (all available via iTunes and other outlets):
* Deconstructing Comics
* Critiquing Comics (twice a month)
* To the Batpoles! (1st, 3rd, and 5th Thursdays)
* Machigai Podcast (English study for Japanese)
I enjoy doing them, but I have bigger aspirations for them that I can't fulfill when I'm doing other things to pay the bills.
Your support now, as I'm making employment decisions for this spring, would be especially appreciated. Pledge here. Thanks.
This wasn't just because I assumed that a great creation carried on by someone other than its original creator was just not going to be the same. I also knew that Schulz did not want any more Peanuts strips created when he was gone. (The family agreed to the creation of the KaBOOM! series by splitting hairs: Sparky wanted no one to make further Peanuts STRIPS, but nobody said anything about Peanuts COMIC BOOKS. Um, OK.)
So when The Peanuts Movie was released last year, my first impulse was to go no where near that, either. At first.
But when the idea arose to do a Deconstructing Comics episode on the Peanuts strip (Kumar and I had done a two-parter on David Michaelis' biography Schulz and Peanuts in 2008, but not exactly about the strip itself), and I started looking up articles about Peanuts online for research, I found many articles occasioned by the release of the movie. News stories about it. Reviews. Ruminations on the strip that were occasioned by the movie.
Reading these articles raised my curiosity: How good a job had the Schulz family (writers Bryan Schulz and Craig Schulz, along with Sparky non-relative Cornelius Uliano) done in preserving the feel of the strip? Had they managed to walk that tightrope of making Peanuts relevant to a new generation (at this point you'd have to be more than 20 years old to remember a day when BRAND NEW Peanuts strips were appearing in newspapers) without making it too un-Peanuts-like for purists like me?
Had they kept the depressive feeling found especially in the first half of the strip's 50-year run, the constant failure Charlie Brown experiences, and the abuse he receives from most of the other kids (whom Robert L Short, in The Gospel According to Peanuts, called "the comics counterpart to the kind of children found in William Golding's terrifying tract of the time, Lord of the Flies")?
So curiosity got the best of me. Today I did the deed. I saw The Peanuts Movie.
And I remain ambivalent.
To be sure, there are good things about it. Vintage Schulz gags re-presented, in part or in full. ("I can't talk to that little red-haired girl because she's something and I'm nothing. Now, if I were something and she were nothing,…") The film is very careful not to show any technology that never appeared in a Peanuts strip (personal computers, cell phones, etc.), which gives it a bit of a timeless feel. Some of the vintage Vince Guaraldi Charlie Brown Christmas music shows up to make it feel nice and Peanuts-y.
There are also a few nice Easter eggs: we see a Mendelson & Melendez Movers truck, referring to Lee Mendelson, producer of numerous Peanuts specials and movies, and Bill Melendez, who directed them. Also, Charlie Brown has a comic book featuring Sparkplug, the horse who inspired Schulz's nickname.
There are some bows to modernity that just feel SO VERY WRONG to the purist, but were probably as necessary as the computer animation in making this movie relevant to today's kids: a couple of very 2015-ish songs by Meghan Trainor, for example.
Yes, the Little Red Haired Girl appears in this movie, and has lines and everything. I know many Peanuts purists found this chief among the movie's sins, since she never appeared in the strip except in silhouette in one '90s installment. But somehow her de-mystification didn't bother me, perhaps mainly because she had already appeared in the 1977 TV special It's Your First Kiss, Charlie Brown, back when Schulz was still alive and kicking. So, big deal.
As for the all-important tone… Well, Charlie Brown of the movie does lose more than he wins, and one big apparent win turns out not to be. But I sensed that the writers and producers of this movie just couldn't bring themselves to make it as gleefully dark as the strip often was.
The Peanuts kids here just feel a bit too friendly to each other. A bit too much of a community. (And they all seem to live in the same couple of blocks! Even Peppermint Patty and Marcie, who in the strip lived across town.) And since when does Snoopy ever help Charlie Brown with anything? Snoopy as written by Schulz was always pretty ambivalent about his master, and rarely cooperative, but Snoopy in this movie helps out Charlie Brown on multiple occasions, even providing moral support. Really?? … Alright, who's that kid in the Snoopy costume?
Also, while the strip did have physical humor (Snoopy dragging Linus around by his blanket), some of the gags in "The Peanuts Movie" would be more at home in a Disney or Pixar film. On top of that, while the movie doesn't exactly end with all Charlie Brown's dreams coming true, it's a much happier ending than we longtime Peanuts fans are used to seeing him experience.
I'll admit to a creeping feeling that Charlie Brown has suffered enough, and it's kind of nice to see him do (relatively) well. But did the sweeter scenes of the movie come about simply because of an inclination to give the bald kid a break? Was it due to an inability of the writers to measure up to Schulz? (Unlikely; they could just crib from the master some more if they couldn't write enough "Good grief!" scenes themselves.) Or was it another bow to commercial realities, an impression that younger audiences wouldn't embrace Peanuts if Charlie Brown never, ever won?
I suspect so, but consider this: were there a ton of dark strips like Peanuts running in '50s and '60s newspapers? Or in the TV or movies of the time? Was Peanuts following some bleak trend? Hardly. Any 20th century strips that aspired to such bleakness were seen to have been inspired by Peanuts. And we kids read Peanuts anyway, often without even grasping how bleak some of those comics really were. So is a sugar-coating of Peanuts any more necessary today?]]>
Originally published October 1, 2007]]>
There's no doubt that Superman is one of the most significant characters in the history of American comics. He ended up setting the template for what would be the dominant genre in American comics after the Comics Code came into effect. Of course, the types of stories told in those comics, and their tone, has varied wildly over the years, which makes it difficult to try to determine which stories are the best of the lot, but naturally people make the attempt, including DC Comics itself.
This week Kumar and Tim look at the 1980s collection "The Greatest Superman Stories Ever Told", as well as Alan Moore's "Whatever Happened To the Man of Tomorrow", which is currently being published in a collection with two other Moore Superman stories. Are these actually the greatest Superman stories?
Featuring Batman's superior party prep skills, swimming the interplanetary water spout, and the symbolism of the ads in the original printing of "Whatever Happened to the Man of Tomorrow"! *Choke*]]>
Inspired by the '60s and a variety of British TV shows of a geeky variety (including The Prisoner), Japanese artist Question No. 6 is turning heads with her Dr. Who variant covers, and her drawings and articles on UK shows for Japan's AXN cable network. This week Tim catches up with her to discuss her comic Cupcake and Astronaut, the reasons many Japanese creators use pen names, her plans for exhibiting and drawing in 2016, and more.]]>
If you read Craig Thompson's Blankets and Habibi, you probably weren't expecting his next book to be an all-ages space comedy with poop jokes — but that's what Space Dumplins is — along with a message on the environment and class, and a good helping of inside jokes! This week Craig is here to tell us how this work came about, as well as his approach to writing for kids, working with colorist Dave Stewart, what bums him out about the Muppets, and the changing definition of "mainstream comics."]]>
|Shaenon Garrity, of Viz Media
|Natalie Nourigat, graphic novelist and an apprentice at Disney
|Stephen Bissette, former penciller on D.C.'s "Swamp Thing", currently teaching at the Center for Cartoon Studies
|Ryan Cecil Smith, creator of the comics series "S.F."
|Mike Seid, an artist and the leader of the New York Aspiring Comics Creators Club
|Dale Wilson, head of Los Angeles-based DWAP Productions
|Chris Bachalo, currently pencilling "Dr. Strange" for Marvel Comics
|Dan Jurgens, currently writer and artist on several books for D.C. Comics
|Madeleine Rosca, creator of the comics series "Hollow Fields"
|Irene Strychalski, creator of the web comic "Shaman Child"
|Frank Santoro, creator of the graphic novels "Storeyville" and "Pompeii", and teacher of comics creation through Comics Workbook
This week our coverage of Tokyo's International Comics Festival concludes with creators from Finland, Brazil, France, Japan, Indonesia, and the U.S., including a chat with podcast co-founder Mulele on what he's learned in the past year of convention tabling.
|Dara (represented by Stefan) (France)
|Astray, Dædall
|Chris "Sketchfro" Taylor (USA)
|Relic Hunter Riven
|Chris Taylor
|Nao Yazawa (Japan)
|Nao on DeviantArt
|Nao Yazawa
|Morimizu Shuba and Shiga Hanako
|My Big Brother is Inside Me!
Morimizu Shuba and Shiga Hanako
|Jeremy Lambros (USA)
|Domestic Abuse
|Jeremy Lambros
|Peter V. Nguyen
|Wolverines; Deathstroke
|Peter V. Nguyen
|Ryusuke Hamamoto (Japan)
|Ryusuke Hamamoto
|Chikuhama (Japan)
Chikuhama's books
|Rianti Hidayat (Indonesia)
|Rianti Hidayat
|Rianti Hidayat
|Frank Dowd
|Frank Dowd, MediBang!
|Sanmagumo (Finland/Japan)
|Sanmagumo, Finnish and Japanese "yokai"
|"Pinya Niall" (spelling?)
|Raynart (France)
|Raynart on DeviantArt
|Eternal-S (France)
|Patrik I-W (USA)
|Patokon; Hexenringe; Usako and Alice and Me
|Patrik I-W
|Mulele (USA)
|Elbis; Mindgator; Weird Crime Theater
|John Gehron (USA)
|Pilot Theory
John Gehron
|Ian M (Canada)
|Ian M's table
|Graeme McNee (Scotland)
|Graeme McNee
|Abby Denson (USA)
Abby Denson
|Yuutan (Japan)
|Yocchi's Forgetfulness
|Crow Tengu Siblings Bedtime Stories
|Question No. 6
|Cat and Spy, Dr. Who variant covers
|Question No. 6
|Adam Pasion (USA)
|Big Ugly Robot Press
|Adam Pasion
|Natalie Andrewson (USA)
|Natalie Andrewson
|Alex Mamo (USA)
|Fields of Wings
|Elaine Tipping (USA)
|Princess Retribution
|CocoNatalie (UK)
|CocoNatalie, Elaine Tipping, Alex Mamo (l-r)
|Foo Swee Chin (Singapore)
|Nihon lah
|Foo Swee Chin
|Ren Ishibashi (Japan)
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Tim and Kumar meet in person for the first time! This calls for a podcast, but… what to review? We discuss the movie Crumb, which features not only the expected discussion of R. Crumb's work (including an objective look at the question of whether some of the … discomfiting subjects of his work should really have been published as "art"), but also a fascinating portrait of the dysfunctional family he grew up in.
Then, Tim and Brandon clash over Sean Murphy's Punk Rock Jesus, in which a former Irish Republican Army member acts as a bodyguard in a reality show claiming to be creating the clone of Jesus Christ. Is it objective and well-written, or a promo brochure for atheism?]]>
So this week we hear from both of them about the issues they've faced, and then for the big picture, we'll consult British author Tim Pilcher, whose two-volume history of erotic comics includes the work of both John and Dale! Tim discusses the ongoing problems for erotic comics in digital distribution, including seemingly capricious and inconsistent removals of some erotic works; the limitations to what the Comic Book Legal Defense Fund can do; and what both creators AND fans of these works can do to keep them available!
See below for Tim Pilcher's BBC appearance discussing the child pornography law in Japan.
BBC World News: Should Japan's anti-pornography laws include Manga and Anime? from Jamsheda on Vimeo.]]>
What happens in Vegas may stay in Vegas… but how much is really happening in this comic that's set there? Tim and Mulele discuss Bullets and Angels, by Brian Lee Byrd, Sarah Hollis, Saint Yak, Robert Nugent, and HdE.
Also up for discussion in this extended episode: Why are we having trouble lately finding new comics that we like?]]>
This time we examine issues 2 and 3 of the Aussie anthology magazine Aussie Aussie Aussie Oi Oi Oi!]]>
On a world with two suns, a young couple leave their city in a bubble and go to live in a small rural community. Is it the freedom they've been looking for? That's the premise of Sophie Goldstein's graphic novel "The Oven". This week Sophie talks with Tim about "The Oven", readers who have varying interpretations of her work, her warning for budding comics creators, and more.]]>
Steve's list of artists who have taught at CCS
James Sturm, Robyn Chapman, Michelle Ollie, Jason Lutes, Jon Chad (aka Chadjulian), Alec Longstreth, Bob Sikoryak, Kriota Willberg, Paul Karasik, Sarah Stewart Taylor (novelist, THE EXPEDITIONERS, etc.), Peter Money (poet/publisher), Ana Merino (author of EL COMIC HISPANICO, 2003, etc.), James Kochalka, and me. There are more, but hey, that's quite a list, eh?
David Berona—who passed away earlier this year—also deserves a mention. He was one of our few regular guest lecturers, and is sorely missed.
In a time without superheroes, Batman sightings are reported. But isn't he an urban legend? Paul Pope brings his unique, inventive style to the Batman of 2039 in Batman Year 100. While new characters stand in for Robin and Oracle, is there a reason there's no Alfred analogue? Why do Paul Pope characters have big lips? Tim and Brandon discuss this and more.
From Batman 2039, we move to Batman 1966! When production of the Adam West Batman series was gearing up, Harlan Ellison (writer of the Star Trek episode "City on the Edge of Forever", and much else of note) submitted a treatment for an episode featuring Two-Face. While the treatment was accepted, it never made it to the script stage. Finally, in 2014, DC released a comics adaptation of this story, Batman '66: The Lost Episode, scripted by Len Wein and drawn by Jose Luis Garcia-Lopez (cover by Alex Ross). Does it feel like the show? Who might have played Two-Face? What does this book tell us about the differences between making a TV show and making a comic? Tim and Paul slide down the Batpoles for a closer look.]]>
How do his different versions of such works as The Fall of the House of Usher compare to each other? How has Corben enhanced Poe's stories? Is reading Poe adapted as a comic a substitute for straight-up reading Poe? In general, is it harder to be scary in comics compared to other media? Kumar and Dana discuss.]]>
Some samples of Yu Ohmura work:
On the left side of the photo below is the girl falling in the snow, described by Yu during our discussion of showing movement (or lack thereof)
|I feel I'd like to show characters who are both scary and cute. Putting horror elements together with cute ones, I think I can create something new and interesting. — Yugata
Stunned that this twentysomething artist is not already the toast of the Tokyo manga world, I've been wanting to spread the word about her. I first inquired about doing an interview in January. She has a lot going on, but finally found some time to sit down with me on June 21, 2015, in the Nakano area of Tokyo. What follows is a transcript, translated from Japanese and edited for length and clarity.
(Note: "Yugata" is a pen name; as is not unusual in Japan, she doesn't put her real name on her work, at least in part because moonlighting is frowned upon. She also declined to let me take a photo of her; it's your loss, I have to say.)
DCP: Is making comics your job?
YUGATA: Well, I really want it to be my job, and lately I've been getting some things published in magazines.
DCP: But you have another job too?
YUGATA: Yes, right now I do.
DCP: Does making comics account for more than half of your income?
YUGATA: It's right about half.
DCP: I see. Does that include not only tabling at events like Comitia, but also from getting published?
YUGATA: Yes, also working with businesses.
DCP: Businesses?
YUGATA: Game companies, publishers, comics companies…
DCP: I see. So, for game companies, you do art for the package?
YUGATA: Sure, there's that, but also art for cell phone games, and lately the work is mainly in comics.
DCP: What magazine?
YUGATA: Kadokawa Shoten's Monthly Asuka.
DCP: OK. And besides that, you're selling comics you made at events. I see.
When you were a child, what kind of comics did you read?
YUGATA: Most importantly, Sailor Moon. Beyond that, Shaman King, that was appearing in Jump. I really liked that when I was little.
DCP: Have the comics you read back then influenced the work you're doing now?
YUGATA: I really, really liked Shaman King's creator, Hiroyuki Takei, so I think there must be some influence in my work. My favorite thing about Takei's work is the mood, so I think that's the thing that that would most show up in my work.
DCP: For example?
YUGATA: Well, I'm not sure what word to use other than "mood", but maybe the pacing, a Japanese method of stretching out a particular moment in a scene, that point I really liked.
DCP: Did you go to manga school? Or are you self-taught?
YUGATA: In terms of manga, I'm self-taught.
DCP: Did you go to school for some other aspect of art?
YUGATA: Yes, for drawing. But for manga, I only studied on my own.
DCP: I see.
DCP: In the comics of yours that I've bought before, there was a mixture of "cuteness" and "scariness". What is it that you like about that combination?
YUGATA: I believe the Japanese word "kawaii" (cute) has many different meanings, but basically I like the idea of cuteness with some poison to it. Not pure cuteness, but seeing a bit of darkness in a person's heart, or including the dark side along with everything else, but that's how humans are, right? So, I feel I'd like to show characters who are both scary and cute. Putting horror elements together with cute ones, I think I can create something new and interesting.
DCP: I see. Are you into horror movies?
YUGATA: Well, I'm not sure. But if I watch it alone, I get scared. I watch them occasionally. Recently I finally watched The Sixth Sense, and I'd consider that horror, but it warms your heart. I thought it was really good. A lot of people said that it's a good movie for a creator to see while creating something, and when I saw it, I thought they were right.
DCP: If you look at the comic of yours I bought, it looks scary, but in the story, nobody dies; it's not so scary. It just has the appearance of being scary.
YUGATA: Yes. But really, there's such a gap between how it looks scary but it's actually a positive story that, in a good way, it feels like I've tricked the reader, and I enjoy doing that. In making the comics I self-publish, I feel like I want to make them as scary as possible to myself.
DCP: Like, for example, these high school girls you drew who have become big insects. I see.
DCP: Looking at the coloring in these two books of yours I bought, it's basically all red, yellow, and green, right? No blue or other colors at all. Why is that?
YUGATA: Well, in other books I have used blue, but with this I wanted a retro feel. It looks green, but in context it looks a bit blue. I wanted it to look like it's been aged, it's deteriorated. That feel like it had turned yellow, so in the whole thing the blue looks yellowed, looks close to green. I gave the whole work a yellow shade.
DCP: Yes, it looks kind of like it's old. One of my friends who I showed it to said it looked like "hanafuda" playing cards.
YUGATA: Yes, I see. That's because it's a "Japanese retro" color scheme.
DCP: The color choice really makes a difference in the mood of it. If you'd used blue in it, it would look kind of strange.
YUGATA: Yeah, it would look too "fresh".
DCP: Blue could be scary, too, but just using three colors gives it a really specific flavor.
So you studied drawing, and your pictures can be really detailed. I think that's great.
YUGATA: Thank you.
DCP: I read your story Nonoyama Girls' High School: Insect Class (in Japanese), but for the benefit of the reader, explain what the story is.
YUGATA: The main character is this girl who's a bit geeky. (Besides high school), she's busy with her job, and she has to take care of her two younger siblings, so she's really got it rough. Plus, she's not so bright, and doesn't have many friends. She happens to meet this mysterious girl who says she'll do away with her suffering. That's the girl on the cover, Yatsume-chan, who appears mysteriously, and we wonder what her true nature is. But she says she'll do away with the cause of the other girl's suffering.
DCP: Is Yatsume kind of a supernatural being?
YUGATA: Something like that!
DCP: At the beginning I thought Yatsume was a danger to the other girl, but she actually helps her, right? So, yes, you could say in this case, too, you kind of trick the reader.
YUGATA: Yes.
DCP: You seem to really like insects.
YUGATA: Yes, I like bugs.
DCP: Both these books have a lot of insects in them.
YUGATA: Yes, they do! (laughter)
DCP: (Looking at Yugata's Nonoyama Girl's High School: Insect class illustration book; pointing to the illustration at the top of this article) Is this one a scorpion?
YUGATA: She isn't a scorpion, she's an insect that eats paper and clothes. Or old books. They're called "shimi" in Japanese. I think it's "silverfish" in English.
DCP: Ah, silverfish. OK. And what kind of insect is this girl?
YUGATA: It's called a "hiru" in Japanese. It lives in the mountains; it looks like a slug that sucks people's blood. I think they live in America too.
DCP: I wonder what that is in English. Would that be a "leech"?
YUGATA: I'll look it up. (She looks at her phone) But I'm sure they live in Europe and America too. (laughs) Did you catch insects as a kid?
DCP: No, not really.
YUGATA: Do energetic, kind of naughty kids catch them?
DCP: Probably. Not me so much, but I did play outside… when you were a kid, did you look for insects?
YUGATA: Yeah, I used to catch butterflies and dragonflies. (laughter)
DCP: And then you put them in something?
YUGATA: Yeah, I put them in an insect box. When I went to camp, I'd catch a lot of them. (laughs) And I'd use a bug as a brooch! Oh, "hiru" in English is "leech".
(Yugata calls up a photo of a leech on her phone. Tim shudders.)
YUGATA: It's a scary creature.
DCP: Yeah, it'd be really scary if it were as big as your character here!
YUGATA: Yes, it would be really scary at human size! (laughter)
DCP: In the U.S. comics industry, there are more men than women. There have been a lot of reports that women in comics there experience gender discrimination. What's it like in Japan? Have you been aware of any gender discrimination in comics here?
YUGATA: I haven't really sensed anything like that. (laughs) You often see it in fiction, but I haven't experienced it.
DCP: The comics industry here is pretty balanced between the sexes, right?
YUGATA: Yeah, there are lots of male and female artists, and lately there has been a big increase in female creators who make comics for boys. I don't think there's really any discrimination among comics artists.
DCP: Yeah. American comics have been dominated for a long time by superhero stories, so the creators have tended to be male. Recently there are somewhat more women than before. But it's still male-dominated.
YUGATA: I see.
DCP: I think it's going to be more balanced in the future. But sometimes at conventions in America, men say impolite things to women. Does that ever happen at events in Japan?
YUGATA: I haven't heard of it happening here.
DCP: I don't know if you're in a relationship, but I'm wondering if your partner is accepting of your job making comics.
YUGATA: I'm not in a relationship. But my family doesn't really say anything. (laughs) I've loved drawing since I was a kid, and they just let me go ahead and do it.
DCP: How many events do you table at in a year?
YUGATA: At the most, three or four per year. Sometimes just one. It depends on how busy I am with my other jobs.
DCP: Where will you be appearing next?
YUGATA: It's not set yet, but for this summer's Comic Market, another creator suggested that we make a book together, and just recently the other creator said we're going to do it.
DCP: So, in August?
YUGATA: At the event this August, I won't have my own space, but I'll be there with three other creators, selling an anthology book with work by all of us in it.
DCP: So a different situation from before.
YUGATA: Yes, that's right.
DCP: Which day of the event will you be there?
YUGATA: The artist who reserved the space said the book would be there on Sunday (August 16), the third day.
DCP: I think my friend (Mulele) will be there on the third day, too.
YUGATA: On the third day they have sexy stuff for men, and a lot of original boy's manga.
DCP: What's coming up from you?
YUGATA: What would I like to do? I'm scheduled to draw a complete story in a commercial comics magazine.
DCP: Is it another story related to insects?
YUGATA: No, this one's about cooking.
DCP: Cooking?
YUGATA: I like cooking, too!
DCP: We can eat insects, too!
YUGATA: Yes, that's true! (laughter) Do you eat insects in America?
DCP: We don't really. But, you know, insects do contain a lot of protein!
YUGATA: Oh, yes, they do! (laughter)
Visit Yugata's site
When Kumar was in Toronto in May and met up with Koom, one topic that came up was a 2000 anthology book called Streetwise, featuring autobiographical stories by a number of well-known comics artists (including Jack Kirby, Sergio Aragones, Paul Chadwick, Joe Kubert, John Severin & Roy Thomas, Walter Simonson, Rick Veitch, and Barry Windsor-Smith). This week, with Kumar back in Australia, they chat via Skype/phone about an overlooked book that's worth a look.]]>


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Public Policy
Special Edition Health Policy News You Can Use: Health Equity in Washington StateWelcome to a special edition of Health Policy News! This year is a milestone anniversary for our state as we mark the 10 year anniversary of the passage of a package of bills in the Washington State Legislature to impact health disparities. But how did this happen? All legislation has a backstory and this week we'll shed light on health disparities legislation in Washington State.
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A roundup of today's stories from western Onondaga County:
The Eagle Observer reports that Main Street Delights, a coffee, candy and lunch shop at 110 Main Street in the red, barn-like historical building, opened in Elbridge on January 2.
Mary and Craig Saunders also own Mac's Family Restaurant, which is located just down the road.
Saunders' son-in-law, Peter Dietzman, manages the new store. Customers' names and order preferences are put into a computer to personalize service, allow for a more friendly atmosphere, and give the shop feedback without bugging patrons.
In other west news:
» West Genny hockey flattens CNS, moves to 11-0 [Eagle Observer]
» Town hires constable to enforce local laws [Skaneateles Journal]
» "All the King's Horses," West Genesee High School teen band and Marcellus/Auburn band "Steep," competing in Big Break at The Westcott Theater [syracuse.com]
West resources
» Today's weather forecast
» Today's obituaries
» What's going on? Events calendar for Western Onondaga County
» Onondaga County reported crimes database
» See all west news on syracuse.com
» Police Blotter


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June 12th, 2016 - Boca Raton, FL
September 19th, 2016 - Solivita - Kissimmee, FL
January 20th, 2017 - Aventura Arts & Cultural Center, Aventura, FL
Special Appearances
NOW through June 18th - "The Fantasticks"
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July 29th through August 21st - "I LOVE MY WIFE"
(Natalie & Shawn return to the stage where it all started)
Cordone & Kilgore were the highlight of our Fireworks at the Fountain event with an attendance of over 150,000. They set the concert apart from the status quo.Mark Fischer, General Manager, Orlando Philharmonic Orchestra
I work with stars like Willie Nelson, Kenny Rogers & Bobby Vinton and I can't wait to work with Cordone & Kilgore again. Having just presented one of their shows, I'm already thinking of ways we can get them back to perform here again.Paul Vesco, Owner, AFX Music
Cordone & Kilgore bring fun & excitement to every performance. Plus, those two can SING!Marina Jurica, WFTV, Channel 9
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Tet Vietnamese New Year Festival
Saturday, January 28, 2012 5:49 PM
Inappropriate photo? Alert us.
DINAH ROGERS / THE TIMES-PICAYUNE Jennifer Hoang finds shade under a pink parasol as she mans a booth at the 3-day Tet Vietnamese New Year festival at Mary Queen of Vietnam Church in New Orleans East Saturday, Jan. 28, 2012
Related articles
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text: Jamaica Cake Be The First To Review By Anonymous recipe Comments | 0 Favorites | 6 Print This cake is made right in the pan. No extra dishes to mess up and very good. A favorite at reunions, parties, etc. Jamaica Cake Ingredients 2 cups white sugar1 1/2 cups vegetable oil1 1/2 cups chopped pecans3 cups all-purpose flour2 bananas, peeled and diced3 eggs1 (20 ounce) can crushed pineapple with juice1 teaspoon vanilla extract1 teaspoon salt1 teaspoon baking soda Instructions 1 Mix together sugar, vegetable oil, pecans, flour, and bananas in a 13 x 9 inch pan. Stir in the eggs, pineapple (with juice), vanilla, salt and baking soda. Mix well. Do not mash the bananas. 2 Bake in a preheated 350 degrees F (175 degrees C) oven for 60 minutes or until cake tests done.


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32 years of experience
Accepting new patients
1415 Tulane Ave
New Orleans, LA 70112 Phone number & directions
A medical license is required for a doctor to practice medicine in a particular state. Requirements vary by state but most require, at a minimum, post-graduate training in the doctor's specific specialty. An NPI number is a national identifier unique to an individual health care provider and is managed by the Center for Medicare & Medicaid Services (CMS).
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Dr. Pena graduated from Northwestern University, Chicago.
Dr. Pena has 4 hospital affiliations:
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Similar doctors nearby
Dr. Janet Johnson
Dr. Paula Zeanah
Dr. Sanket Vyas
Dr. Sarah Deland
Dr. Cecile Many
Dr. Betty Muller
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See New Orleans Psychiatrists and New Orleans Addiction Specialists.


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Little Cheerleader
This cake is for a little girl who is having a cheer themed party. Her school colors are black and red. After I finished it I realized that it would work for a graduation cake too for a cheerleader. I was happy with the way it came out but there are a few things I would do differently if I did it again. All fondant except the silhouettes and pom poms, they are royal icing.
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(2001). Neuropsychology, 17 859–835. Are trail making and color trails tests of equivalent constructs?.
M., & Chan, C. Dissociations in hippocampal and frontal contributions to episodic memory.
Pinzani, 2005 viagra pfizer 100mg effects. 2004, parola et al.. Friedman, 2006b. Deposition of fibrillar matrix and formation of fibrotic septa is also favoured viagra pfizer 100mg effects by the fact that HSC/MFs and, likely, all MFs, develop resistance to induction of apoptosis (El-Sharkawy et al., 2003.
Related to this concept are findings of the last decade suggesting that (Iredale, 2007. 2006), povero et al.. 2005, novo et al..
The Kenyan study obtained similar results and demonstrated viagra pfizer 100mg effects the existence of subpopulations of resistant children with high exposure but minimal reinfection (Butterworth et al., 1981, 1982). The best evidence for acquired immunity to schistosomiasis comes from reinfection studies. At each exposure level, however, a negative relationship between age and reinfection has been found. Behavioural observation allows some degree of exposure quantification , iMMUNITY AND PATHOLOGY schistosomiasis can viagra pfizer 100mg effects only be acquired via water contact. Heavily exposed children in The Gambia were reinfected 130 times faster than comparably exposed adults.
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2001a). It is necessary to establish whether the disorder is lifelong or acquired, first. Diabetes mellitus may also be associated with a decreased lubrication response to sexual stimulation (Kaufman 1982b).
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Antigua Barracuda F.C.
|Full name
|Antigua Barracuda Football Club
|The Barracudas
|Stanford Cricket Ground
|Gordon Derrick
Antigua Barracuda were an Antiguan professional soccer team based in St. John's, Antigua and Barbuda. Founded in 2010, the team played in the USL Pro, the third tier of the American Soccer Pyramid.
The team played its home games at Stanford Cricket Ground (colloquially known as "Sticky Wicket Stadium") in Osbourn, Saint George Parish until the 2013 season when they became a traveling team. The team's colors were sky blue, white and black.
The team was originally set to join the USL First Division in 2011,[1] but was later announced as being a founding member of USL Pro and its International Division after the USL First and Second Divisions dissolved in 2010 to make way for the new league.[2]
The club's first official game took place in April 2010, a friendly against the Puerto Rico Islanders. Approximately 1,000 people attended the event.[3]
The club arranged two further friendlies with Montreal Impact, the first of which took place on 17 April 2010 at Sir Vivian Richards Stadium[4] with the second scheduled to be held on 4 September at Saputo Stadium in Montreal. They also arranged exhibition matches against Jamaica's Tivoli Gardens and Harbour View for May.[5] On August 20, 2010 Barracuda FC announced the cancellation of the friendly matches because of funding difficulties. Impact President Joey Saputo subsequently made an accusation of a serious lack of professionalism on the part of the Antiguan club.[6]
On 23 September 2010, United Soccer Leagues formally announced that Antigua Barracuda FC would join the newly formed USL Pro in 2011 alongside Sevilla FC Puerto Rico and Club Atlético River Plate Puerto Rico as founding members of the league's tentatively named Caribbean Division, which was later officially unveiled as the International Division.[7]
The team played its first competitive game on April 17, 2011, a 2–1 home loss to the Los Angeles Blues. The first competitive goal in franchise history was scored by Tamorley Thomas[8]
The 2013 season saw the club lose each of their 26 games, tying the North American professional sports record for futility. The club withdrew from the USL Pro on January 6, 2014, due in part to the lack of a home venue and the accompanying financial reasons.[9][10]
Barracuda played their home games at the Stanford Cricket Ground in the village of Osbourn in Saint George Parish in Antigua. The stadium was originally built to host the Stanford 20/20 cricket tournament in 2006, and was temporarily converted for soccer usage for Barracudas games. The stadium's nickname, "Sticky Wicket Stadium", came from the adjoining restaurant complex.
Players and staff[edit]
Final roster[edit]
Where a player has not declared an international allegiance, nation is determined by place of birth. Squad correct as of July 6, 2013.[11][12]
- Tom Curtis, 2011 – 2012 [13]
- Fernando "Nando" Abraham, 2013 [14]
- Adrian Whitbread, 2013 [15]
|Regular Season
|CFU Club Championship
|Avg. Attendance
|USL Pro
|6th, American Division
|Did Not Qualify
|Did Not Qualify
|USL Pro
|11th Place
|Did Not Qualify
|4th Place
|USL Pro
|13th Place
|Did Not Qualify
|7th Place
† All games played on the road.
- ^ Barracuda FC To Join USL First Division Archived May 29, 2010, at the Wayback Machine.
- ^ "Sevilla, River Plate Join USL PRO". www.uslsoccer.com. 2010-09-23. Archived from the original on 5 November 2010. Retrieved 2010-10-25.
- ^ "Barracuda V Islanders Match Game One". Antigua Sports. Retrieved 29 April 2010.
- ^ "The Impact will face Antigua Barricuda FC". Impact Montreal. March 19, 2010. Retrieved 29 April 2010.
- ^ "Byers wants long future with Impacts". Antigua Sun Online. 26 April 2010. Retrieved 28 April 2010.
- ^ http://www.rds.ca/impact/chroniques/304713.html
- ^ "Sevilla, River Plate Join USL PRO". www.uslsoccer.com. 2010-09-23. Archived from the original on 5 November 2010. Retrieved 2010-10-25.
- ^ "Archived copy". Archived from the original on 2012-10-11. Retrieved 2012-10-11.
- ^ http://odfcnews.com/2013/11/17/usl-pro-teams-fold-mls-field-squads-team-partnership/
- ^ Baptiste, Neto (January 6, 2014). "Antigua Barracuda quits USL". Antigua Observer. Retrieved January 7, 2014.
- ^ "Antigua Barracuda Official Roster". United Soccer Leagues. Retrieved April 16, 2013.
- ^ Baptiste, Neto (16 April 2013). "Cudas sign additional players following opening loss". Antigua Observer. Retrieved 18 April 2013.
- ^ Baptiste, Neto (23 October 2012). "Tom Curtis Resigns". Antigua Observer. Retrieved 25 October 2012.[permanent dead link]
- ^ Baptiste, Neto (5 April 2013). "Cash strapped 'Cudas' confirm USL participation". Antigua Observer. Retrieved 6 April 2013.
- ^ "Barracudas Appoint Whitbread". United Soccer Leagues (USL). 12 June 2013. Archived from the original on 3 December 2013. Retrieved 12 June 2013.
External links[edit]
- Football clubs in Antigua and Barbuda
- Expatriated football clubs
- 2001 establishments in Antigua and Barbuda
- Former United Soccer League teams
- Association football clubs disestablished in 2014
- 2010–11 in Antigua and Barbuda football
- 2011–12 in Antigua and Barbuda football
- 2012–13 in Antigua and Barbuda football
- 2013–14 in Antigua and Barbuda football


text:
realmagick.com The shrine of knowledge.
Union Of Opposites
A selection of articles related to union of opposites.
Original articles from our library related to the Union Of Opposites. See Table of Contents for further available material (downloadable resources) on Union Of Opposites.
- Can You Bhoga All Night Long? An Introduction to Tantra, East and West
- When you hear the word Tantra, what images come to mind? Turbans and Sitar music? Mind-blowing sex? Most people in the Western world have heard the word Tantra, but few know anything in detail about what it means. The situation in India isn't much different....
Body Mysteries >> Yoga
- How The Major Arcana and The Tibetan Book of The Dead can work together
- There are some striking complements to the Major Arcana of the Tarot and the Tibetan Book of the Dead. They are a nice enhancement to the meanings of these powerful cards. I claim no expertise on Buddhism but I found the resonance and compatibility to Tarot...
Religions >> Buddhism
- Aviary at the Gates of Heaven: Examining the Bird Symbolism in the Thoth Empress Card
- "This card, summed up, may be called the Gate of Heaven." Book of Thoth, p. 77. Eight birds adorn the fourth card of the Thoth Deck Major Arcana, The Empress. These eight birds, their variant symbology united, point at one overarching meaning -- as...
Tarot Cards >> The Major Arcana
- Trance-formation (The Cosmic Tao of the Sexes)
- The purest outpouring of love between the sexes, is as a miniature super-nova of ecstatic union. Reciprocating pleasure becomes the engine that feeds the fires of passion. Passion becomes dynamic fuel for love. It is an engine that runs with the force of a...
Body Mysteries >> Yoga
Union Of Opposites is described in multiple online sources, as addition to our editors' articles, see section below for printable documents, Union Of Opposites books and related discussion.
Suggested News Resources
- Leadership changes lie ahead at Vashon's fire department
- Lipe, who has been a fire chief since 1992, says their partnership was a successful pairing of opposites, with each man complementing the other's style. "It has been the best ... He noted members of the union wish Brown well.
- Secrets of Beings: The Pillars of Shiva
- In popular Hindu culture, the lingams carry numerous representations ranging from the union of lovers to reconciliation between the opposites. Numerous controversies threaten peace of the world and survival of the human species. The Israeli-Palestinian ...
- Michigan hears possible general election preview
- In the State Up North, the opposites shared a sounds-alike message to a state reliant on the auto industry for food on the table and a car in the driveway – more jobs and better pay -- as Motown car manufacturers turn in record profits.
- Review: Groff's 'Fates and Furies' balances hope and dread
- Theirs is a close, enduring union.
Great care has been taken to prepare the information on this page. Elements of the content come from factual and lexical knowledge databases, realmagick.com library and third-party sources. We appreciate your suggestions and comments on further improvements of the site.
Union Of Opposites Topics
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AVEVA presents INITEC Energía with an ideal solution for its integrated engineering strategy Madrid, Spain: AVEVA (LSE: AVV), a leader in engineering design and information management solutions to the plant, power and marine industries, announced today that INITEC Energía has transferred its diagrams and P&ID system to AVEVA Diagrams. INITEC Energía is one of Spain's leading engineering companies focusing on the construction of power generation facilities, including coal fired, combined cycle and thermosolar power plants. Part of the world leading ACS Group's industrial division, it has over 50 years' experience, both nationally and internationally. AVEVA Diagrams is an extremely efficient application for creating P&IDs and HVAC diagrams in a model database, from where they are easily accessible by all the other designers in a project. It has access to all the database and shares the same technology as the AVEVA PDMS 3D modeling applications and allows schematic data to be globally distributed in multi-location projects. "We switched to AVEVA Diagrams from another system that was not so efficient in providing the degree of compatibility that we needed with PDMS. The new system easily integrates our information upstream, making our overall workflow much more productive. Thanks to the fact that the AVEVA engineering and design applications share the same database structure, the combination of AVEVA Diagrams, Schematic 3D Integrator, and PDMS is an ideal solution for our unified engineering strategy," said Ms. Sangeetha Narayan, IT Manager at INITEC Energía. "INITEC Energía has been an AVEVA PDMS, 3D design customer for over 20 years and they have based many of their working practices on our technical principles. We are very proud that INITEC Energía has selected AVEVA Diagrams and we are confident that our Integrated Engineering & Design technology will be the solution of choice for many more of our 3D modeling customers," adds Fabien Dufrenet, Country Manager Spain. Ends Media contact: Ana Sánchez Sales Assistant AVEVA Tel: + 34917885305 [email protected]
Pilar Parrilla PR & Communications INITEC Energía Tel: + 34 911 330 220 [email protected]
About AVEVA AVEVA is trusted around the world to deliver engineering design and information management solutions with strategic value to leading companies in the plant and marine industries. For further information please visit http://www.aveva.es/ About INITEC Energía INITEC Energía focuses its activity on the construction of electricity generation facilities. With its 50 years of experience it occupies a leading position in the national market and maintains much merited prestige within the international market. It is at the technological forefront, well-supported by the key values that define it such as talent, confidence, expertise and reliability. INITEC Energía is part of the Industrial Division of the Grupo ACS, one of the 10 leading companies in the world in the construction and services sector. http://www.initec-energia.com/
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Welcome to the Thurrock Local History Society, Founded 1952
Disclaimer and Privacy Affiliated societies and links Site Map
Latest pages
To mark the 100th anniversary of the shooting down of LZ15 we have republished "Well Hit!"
Panorama 54 was published in December, 2015.
We have published a transcript of the will of Sir Alexander Temple.
We have re-published Sherwin Chase's article entitled Thames Barges and Coastal Craft of Grays
The latest brief historical guide to Thurrock parishes is Fobbing.
We have been awarded a heritage lottery fund grant to raise the profile of Alfred Russel Wallace in Thurrock.
We have re-published Randal Bingley's
article entitled Daniel Defoe - his trail
We have re-published Randal Bingley's article entitled Daniel Defoe - his trail uncovered
Barry Barns would like to know What happened in Kynoch Town in 1916 and who was Elizabeth Lawler?
We have an article on the light ship "Gull"
We wish to mark the 100th anniversary of the First World War by publishing information about Thurrock men and women who participated.
Can you help?
We got an answer to the question whether anyone could tell us about the Thurrock Motor Club?
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Guests arriving outside reception opening hours are kindly requested to inform the property in advance. Contact details can be found on the booking confirmation.


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Relationship provides biggest joy of life to men and women but relationship has to suffer from all sort of feeling. Love, romance and sex are the part of every relationship but breakup on other hand is also the part of relationship.
I haven't seen any relationship that doesn't suffered from breakup. Couples separate many times in their relationship. Breakup is not the end of the relationship instead it provides opportunity to understand the importance of the partner and create stronger relationship.
There is hardly any relationship that doesn't get breakup. If your relationship also suffering from breakup and you want to get your ex back then you need to get solid approach for getting your ex back. Unfortunately, the information available on internet for free is not powerful enough to fix the relationship and relationship experts on other hand charge hundreds of dollars for each session. That's the reason I recommend Michael Fiore Text Your Ex Back.
Note: For Copyright reasons I can't share exact strategy that's why I would recommend you to visit the official site to find out the real secret behind the success of Text Your Ex Back
In this website I am going to share information I gather about this program by downloading this program and browsing different website. I hope the information you will find in this review will clear all your doubts regarding this program.
About Text Your Ex Back:
This is 8-week system containing step-by-step information on how to get ex back and create strong relationship with ex once again. This best-selling ex back program is created by Mike Fiore for those men and women who want to get their ex back. Text messages are secret weapon that can remove all negative memories from the mind of your ex and fill it with good memories you both spend together.
The text messages that are revealed inside this program are powerful enough to fix all problems in the relationship. Michael Fiore not only explained how to create these messages but he also share information about when to send them and how to send them to get maximum benefits from them. With the help of the information available inside this program many men and women fixed their relationship and now living happily with their ex.
Michael Fiore divided this program into 11 different modules making it easy for users to understand and implement the information in right way to get maximum benefits. Michael Fiore also created community forum inside this program where you can use to ask question from different users and the team behind this program. With the help of '100 Ready-to-use Message' you can customize these messages according to your situation and send them to your ex.
Who is Michael Fiore?
Michael Fiore is the author behind many different best-selling dating and relationship program in which Language of Desire, Text the Romance Back, Capture His Heart are few of them. Michael Fiore is currently living in Settle, WA with his lovely wife where he founded and launched Digital Romance Inc.
Michael Fiore is now internationally known dating and relationship expert. He provides relationship advice and tips to men and women at Digital Romance Inc. Michael Fiore and his programs helped thousands of men and women all over the world. Beside this, Michael Fiore also appeared on numerous TV shows and magazine. In 2009, Michael Fiore appeared on 'The Rachael Ray Show' where he chilled Rachael Ray and her live audience with his relationship advice and knowledge.
In-depth Review:
Text Your Ex Back is the comprehensive program that Michael Fiore divided into 11 different modules. These modules provide you complete information about fixing your relationship from finding the reasons behind breakup to reuniting and dating again with the ex partner.
In the 1st Module, Mike Fiore explained the stories of previous users and explained how these users get their ex back by using the techniques available in this program.
In the 2nd Module you will discover the reasons behind your breakup and Michael Fiore also explained what 'conversation' from the previous relationship is still in your ex's mind. Further you will find some sample text messages that will make your ex to forget all these negative memories.
The 3rd Module explained reasons to get ex back. This module will explain if you get results from this program or not. This module will show you some mistakes that you need to avoid during sending text message to your ex.
Inside 4th Module you will find some vital components of this 8-week ex back program. Remember these components are VITAL and your success in this program depends upon them.
The 5th Module is the most important module of this whole program because you will get actual 8-week ex back plan in this module.
Inside 6th Module you will discover specific type of text messages that are extremely important for creating 'platform' for the future conversation. The texts you will find in this program will build rapport and attraction with your ex.
The 7th Module of this program will introduce 'Best of Relationship Texts' that will explain you how to convert positive memories into text and how to send them to your ex for best results.
In the 8th Module you will find how to use JEALOUSLY in positive way and increase strong bonding with the ex.
The 9th Module will introduce 'Intimacy Booster' text messages that will remove negative memories from your ex and replace with positive memories that you both spend together in your relationship.
In 10th Module you will find out the importance of sex. Additionally, Michael Fiore will explain how to use text messages to use sex memories to get into your ex's mind and fill it with emotions in your favor.
The 11th Module will show you messages that you can use anytime in your relationship to bring romance and passion back into your relationship. This module will also cover how to build your relationship stronger than ever before.
Final Verdict – Is it for Everyone?
Text Your Ex Back is comprehensive ex back system that is very powerful and can bring results almost instantly but I recommend you to try this system on the person that you think you love most in your life. This program is for those who ready to put efforts and patience and ready to follow instruction that Michael Fiore suggested in this program.


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Other sports have captains, but nowhere is the designation more significant than in the NHL.
For one thing, captains take a tangible role in having officials talk to them about things like official rulings and other team messages. But it is so much more than that.
Arguably, no team sport relies as much on team chemistry. Hockey has few "plays" and teams must read and react off one another to unexpected things on the ice.
The NBA also has that, but players' resulting movements are more natural than on ice skates and an individual player can score in isolation much more easily. Thus, fewer NBA players have more impact on those teams.
The team concept is deeper in the NHL. It is why teams do more things together, from young players living with veterans to the whole tradition of teams growing playoff beards.
That makes the captain more needed, and hence his selection is more represented: Joe Thornton wears the "C" on his sweater for the San Jose Sharks, and the word "captain" is almost as likely to be said as not when his name is mentioned.
So who are the greatest captains in each team's history?
Historical accounts from others have biases that make them unreliable. Thus, I am hardly qualified to answer that for teams whose history predates my own hockey viewership.
I saw little hockey before 1989, the beginning of the Wisconsin Badgers Drive for Five title season. Living in a non-NHL metro area, I saw little NHL hockey for the decade that followed.
But almost no one is really qualified to say how much a given player meant to his team anyway. Can anyone really tell how much difference one captain to another meant to his team on the ice and off it?
We know enough to look for three things: Stanley Cup titles (or other playoff successes for those franchises without them), regular-season team success and individual production.
Those measurements can be enhanced, but what we see with our own eyes when we are old enough to understand the context of the situation matters most. By those standards, here is the best all-time captain for Anaheim through Detroit, with others to follow.