text:
Monday 24 / 10 & Tuesday 25 / 10 from 10 - 17 h at Beursschouwburg :
Collective Session with David Toop
SIC Participants 2016 will present and discuss their projects in development in the collective : Amélie Derlon Cordina, Amir Yatziv, Annelein Pompe, Bruno Vandenberghe, Caszimir Cleutjens, Filipa Cardoso, Greet Brauwers, Janine Prins, Julia Clever, Samah Hijawi, Sophie Sherman and Zimu Zhang.
Wednesday 26 / 10 from 10 - 17 h at Beursschouwburg :
Seminar with David Toop
© David Toop
"In a society organized round objective psychological measurement, the power to listen is a potentially iconoclastic one," writes William Davies in The Happiness Industry. "There is something radical about privileging the sensory power of the ear in a political system designed around that of the eye." Listening to others, to the world, is a start but how to organise, be active, collaborate, from the point of listening? Art gobbled up by hypercapitalism, academia quantised, music colonised by digital entrepreneurs - this is the context of necessity in which to develop new formats of exchange based on listening. Is listening necessarily an act of hearing audio information or is it more productive to think of it as receptivity, attention, a channel through which to break down the rigid authoritarian formats through which events are structured?
Working in a space between performance, conversation and seminar David Toop will speak about interrelationships of theory and practice, writing and action, describe performance tactics based on available materials, autonomous objects and listening practice, explore the ways in which drawing, writing, oral history, reading and auto-ethnography have become enfolded into his approach to improvisation, auscultate the undercurrents of four of his most recent publications: the LP, Entities Inertias Faint Beings (2016); the book, Into the Maelstrom: Music, Improvisation and the Dream of Freedom (2016); the CD/LP, Lost Shadows: In Defence of the Soul – Yanomami Shamanism, Songs, Ritual, 1978 (2015); the book, Sinister Resonance: The Mediumship of the Listener (2010).
Tuesday 18 / 10 at 12h live on radio Panik: fm 105.4 or www.radiopanik.org :
'les enfants de la poule' , a radiodocumentary by Florence Aigner (SIC 2013).
The broadcast is followed by an interview with the author and her co-creator Anne Penders.
© Florence Aigner
This radio documentary is a testimony of the last generation of Algerian Jews, born in the country itself.
'les enfants de la poule' starts with a personal quest of the author and her mother and is constructed of different voices. Voices that were collected with persons remembering this Jewish-Arab-Berber existence.
'ouled del djej', 'les enfants de la poule' : mother's womb, filiation, protagonists of different horizons and experiences, born one day in Algeria.
by Florence Aigner, assisted by Anne Penders and Cyril Mossé, Music by Fatoum, produced by Polymorfilms and l'atelier Graphoui, with the help of the Federation Wallonie-Bruxelles; SIC 2013.
Sunday 09 / 10 - Sunday 18 / 12 from 11 - 18 h at ARGOS :
'Violin Fase' by SIC-coach Eric Pauwels is presented in the exhibition 'STEP UP! - Chapter 1. Belgian Dance and Performance on Camera 1970-2000'.
Thursday 17 / 11 at 18:30 h at ARGOS :
Le Week-end du Doc : LA DEUXIÈME NUIT by Eric Pauwels
© Eric Pauwels
On the death of his mother, a filmmaker makes a film to see how much her disappearance has changed his vision of the world. It is an opportunity for him to look back over his relationship with her: a relationship that made him a free individual, as a man and as a filmmaker. La deuxième nuit (The second night, 2016) is the final part of a trilogy that began with Lettre d'un cinéaste à sa fille (Letter from a filmmaker to his daughter, 2000), which was followed by Les films rêvés (Dreaming films, 2009). The making of this Cabin Trilogy is the fruit of fifteen years of work and reflection.
La deuxième nuit. 2016, video, 60', French spoken, English subtitles.
Wednesday 02 / 11 - Sunday 06 / 11 from 11 - 18 h at ARGOS :
Films by Miguel Peres dos Santos ( SIC 2014 ) : There are no images & Voices
The program is daily screened in loop from 11 - 18 h.
© Miguel Peres dos Santos
'There are no images' is a proposal on a reflection upon a possible link between image and memory; between image and moment; and between image and death. A father, a son and a dead child engage in a dialogue constructed departing from a moment. "does an image die?"; "and if an image dies"… "what will happen to memory?".
In 'Voices', Miguel Peres dos Santos constructs a comparison between the collective consciousness and a censored archive. Just like in our own lives, we "choose" to keep what we do not want to remember as far from our consciousness as we unconsciously can; the same method we apply on public archival material that we would rather not be confronted with as a societal whole. At the television archive of Beeld and Geluid, Miguel Peres dos Santos and Sharelly Emanuelson found a significant amount of footage relating to migration from the public television memory of the Netherlands. In it, the essence of the Dutch relation to the alleged "other" can be viewed. In 'Voices' Peres dos Santos uses this material to try to find out if the perceived voiceless were really silent, and if those who do not have a voice today are only mute to the ones who refuse to listen.
Wednesday 21 / 09 & Thursday 22 / 09 at Beursschouwburg :
SoundImageCulture (SIC) : Collective Practices
© Julie Pfleiderer
For two full days, SoundImageCulture (SIC) – a workspace for artists, filmmakers and anthologists – is opening a window into its working processes. The focus of this two-day workshop is collectivity. Working collectively is central to the practices of SIC, as it allows artists and anthologists to reflect together about (the aesthetic and formal conventions of) documentary working methods. SIC helps coach artists with collective seminaries, personal advice, group discussions and dialogue. For that indispensable eye of the outsider, SIC regularly invites external artists and critics to participate.
There are different ways to discover how SIC works, from collective observation and listening sessions concerning new works in progress to projects that have been realized in recent years within the workplace. On Thursday, SIC will be hosting Sammy Baloji. In addition to revealing his proposal for a new video work, to be created 'in dialogue' with SIC Films, he will share his perspective of how SIC operates.
While you are here, do not forget to browse through the SIC Media Library and have a look at the films that SIC has completed down through the years!
© Effi Weiss & Amir Borenstein
Wednesday 21 / 09 from 17- 23 h
> 17 h (ongoing) SIC-Medialibrary : On the monitors in the Red Hall, discover a wide selection of SIC films from 2007 to today.
> 18 h Collective Viewing Mirador by Pieter Geenen with introduction & fingerfood : Brussels artist Pieter Geenen was previously hosted at SIC, where he presents his latest film, shot in the Straits of Gibraltar, on looking at Africa and Europe.
> 19 h Screenings of ongoing SIC projects and several SIC films illustrating the collective practice, followed by discussions with the filmmakers :
Martina Melilli (SIC 2015): Il quarto giorno di scuola / The fourth day of school (5') . Martina Melilli makes a film with her father. He reminisces about his childhood in Tripoli, while she adds archive material and takes it beyond the individual experience. Il quarto giorno di scuola is a project Melilli took on at one of the workshops at SIC. Meanwhile, she continues to work on her film about the Tripolitalians in which she combines the colonial history of her (grand)parents with the current situation in Libya and Italy.
Effi Weiss and Amir Borenstein (SIC 2014): Housewarming (33'). Effi Weiss & Amir Borenstein assume the role of Goldilocks and emigrate to Albania, where they occupy the empty and unfinished houses. They fill the desolate emptiness and work together with local actors and an Albanian iso-polyphonic choir which responds to their invasion with words and songs.
Miguel Peres dos Santos (SIC 2014): There are no Images (14'). An invitation to reflect on the possible link between image and memory, between image and moment, between image and death. A father, a son and a dead child in a dialogue that arises in the moment. "Does an image die?" "and if an image dies" … "what happens to the memory?"
Margaux Schwarz (SIC 2014): Chacun Sa technique (31'). A common struggle is what connects the characters in this story. Through Pierre-Charles, man of the street in Brussels, a network of contacts, a network of 'others' develops.
Julie Pfleiderer (SIC 2012): Infinite Jetz (18'). Three people together bring one story. All three are, like the filmmaker, akin to immigrants in the same city. By sharing that one story about (at least) three people, a fragmented memory, a fragmented identity comes about.
© Salomé Laloux-Bard
Thursday 22 / 09 from 14 - 23 h
> 14 h (ongoing) SIC-Medialibrary : On the monitors in the Red Hall, discover a wide selection of SIC films from 2007 to today.
> 14 - 17 h Collective Session : Presentation & discussion of the ongoing collective project : A last piece of common land, an ongoing collective project initiated by the SIC participants of 2016. The painting Cornard Wood by Thomas Gainsborough: a forest scene in 1748, a period when the English common ground, where everyone could gather wood and food, was abolished by capitalist landowners. Participants work on the themes of Brussels, Europe and cinema (or image in the broadest sense of the word). Where are we in this Europe and its common ground? Where are we with the cinema as a shared heritage of signs, gestures and images?
> 18 h Autopia : presentation of a collective book, initiated by Eva La Cour (SIC 2012). 'Autopia' is the catalogue for XX's show of the same name, as well as a speculative statement about current conditions for visual production and exhibition-making. The catalogue is part of the Museum's Common Grounds series, meaning it uses an editorial process characterised by conversations involving different partners.
> 19 h SIC invites Sammy Baloji : The Brussels-Congolese photographer and filmmaker Sammy Baloji combines some videos realised within the Picha! collective in Lubumbashi with some works from the SIC archives. Or: how narratives direct the imagination.
The idea for the Picha! videos was mooted in 2008 during a meeting between Libr'écrire, a collective of young writers from Lubumbashi, and a group of international video makers. In 2009, a workshop with the same video makers and writers followed. A total of six videos were made, of which we select three this evening.
Caméléon by Douglas Masamuna (10'). Like Sammy Baloji, Douglas Masamuna comes from Lubumbashi and has made comic strips before. He evokes the Congolese history with the texts of Ladislas Maliza, a loincloth and the movements of a dancer.
Sacredieu by Heeten Bhagat (10'). Heeten Bhagat works in Harare around his Indian-Zimbabwean identity and socio-political tensions in his country. With a text by Fiston Mwanza, he makes a video in which he translates destruction into an expressive force.
Suite et fin by Dorothee Kreutzfeldt (8'). South African Dorothee Kreutzfeldt draws on a text by Maëline Le Lay, and other texts of the Libr'écrire about the city. Filming in Lubumbashi, where permits to film are hard to come by and the camera is not always well received, she is constantly forced to adapt to the situation.
The three films of the Picha! collective enter into dialogue with three films of SIC participants. Each of the films have a different interpretation on 'working with narratives':
Furor by Salomé Laloux-Bard (SIC 2012) (17'). Serge is an actor. Child of the Democratic Republic of Congo, he was a soldier in the war between 1997 and 2001. The evocation of his childhood is mixed with the fury of a theatrical game where reality becomes fiction.
pepsi, cola, water? by Tom Bogaert (SIC 2014) (9'). Jazz pioneer and philosopher Sun Ra had a deep fascination for anything extra-terrestrial and ancient Egypt. Computer animation, archival footage and music of Sun Ra are intertwined in a commemoration of his legendary visit to Egypt in 1971. The result is as outrageous as Sun Ra himself.
Yoko Osha by Lazara Rosell Albaer (SIC 2014) (41') A dip in the heart of the Santeria or Regla de Osha, a syncretic religion from the Caribbean. Using her own story as a starting point, where the origin of her name is closely linked to the cult, Lazara Rosell Albaer searches for her identity which is at the very heart of her artistic practice.
#1 Partial Views by Julie Pfleiderer (SIC 2012) and Miriam Rohde on show at STUDIO VENEZIA :
01 / 09 – 24 / 09 : 5 buildings 4 teams of architects 2 spaces 1 film at Project Space 994/996, Venice
open : Tuesday to Saturday 14:30 - 19:30h.
For their first film, Rohde and Pfleiderer teamed up with with four young Belgian architecture practices. Partial Views features five different buildings which are similar in some regards; they are residential projects in various degrees of completion which are located somewhere in Flanders. However, the aim of the film is not to render a distinct impression of each building. Partial Views is mainly about looking at and from these houses. This looking is not neutral, linear steady or ideal. It is affected by the circumstances: interrupted, repetitive, forgetful, curious, concentrated or distracted and last but not least, mediated by a technical device, the camera.
BRAK, the first fiction of SIC-coach Laurent Van Lancker wins three prices at AVANCA Filmfestival in Portugal ( Special Mention of the Jury, Best Actor, Best Photography ) and is selected for Festival du Nouveau Cinéma (FNC) in Montréal !
From September 14th on BRAK will be screened in Cinéma Aventure.
Fortress Europe has collapsed. North-Europeans are forced to migrate. Lucas, a middle-class man gets stranded in a coastal village in search of a passage to a brighter elsewhere. Through the difficulties and dilemmas he faces, BRAK explores how far the end justifies the means and how the price we are prepared to pay, can turn a sacrifice into betrayal.
This debut fiction film by documentary filmmaker Laurent Van Lancker mixes contemporary realities with predictions of a possible nearby future. BRAK is based on a novel by Elvis Peeters and filmed on location in real settings (refugee camps and the abandoned city of Doel, Belgium).
The river has two banks releases "A Script for a Beautiful Landscape", a video work by Samah Hijawi (SIC 2016)
In "A Script for a Beautiful Landscape" Hijawi questions the gaze of nostalgia and beauty that is projected onto the landscape of the Jordan Valley. Caught between the desire to retain a memory of the past, and a reality that does not collapse into a paralysing notion of failure, the piece poetically plays with the idea of resistance found within the very act of repetition.
Caroline Daish (SIC 2012) and Stewart Daish are one of four artists selected as participants of WORD!
They will screen their documentary "Gormless Wonderland" in public space in the City of Adelaide.
IL QUARTO GIORNO DI SCUOLA by Martina Melilli (SIC 2015) was selected for the 23 Premio Libero Bizzarri, San Benedetto del Tronto, ItaliaCortoDoc Competition and won the Award Andrea Pazienza for the creative use of graphic design and images. The film is also selected for the Lago Film Fest XII, for the Faito Doc Festival and for the Milano Film Festival, Shorts Competition.
On Wednesday 21 / 09 IL QUARTO GIORNO DI SCUOLA will be screened with SoundImageCulture (SIC) : Collective Practices at Beursschouwburg !
IL QUARTO GIORNO DI SCUOLA (The Forth Day of School) - Martina Melilli's father made the crossing from Tripoli to Italy as a child. His story aligns seamlessly with that of current migrants and their experiences. Historical and contemporary footage merge subtly while the place that her father landed is recorded in water colour.
Monday 05 / 09 & Tuesday 06 / 09 from 10 - 17 h at Beursschouwburg :
Collective Session with Daniele Dottorini and An van. Dienderen
SIC Participants 2016 will present and discuss their projects in development in the collective : Amélie Derlon Cordina, Amir Yatziv, Annelein Pompe, Bruno Vandenberghe, Greet Brauwers, Julia Clever, Samah Hijawi and of SIC 2015 : Sandra Heremans.
Wednesday 07 / 09 from 10 - 17 h at Beursschouwburg :
Masterclass with Daniele Dottorini : Archive, recycled images, found footage. Practices of re-editing in film
The workshop will focus on a contemporary trend of the editing practices, namely the re-editing of archival materials and will take place through a process aimed at highlighting, using selected examples throughout history of cinema, the possibilities of the "reuse the images", from the editing as a compilation, as a collage or as appropriation (according to the definitions created by William A. Wees) up to several paradigms that are the basis of a Archive-based films (historical, aesthetic, anthropological and political), or the difference between Repetition and Umwertung (Revaluation), according the theories of Christa Bluminger.
Saturday 03 / 09 & Sunday 04 / 09 from 12 - 24 h at Palais de Tokyo :
Sanaz Azari (SIC 2013) and Eleni Kamma (SIC2014) take part in Indiscipline : Brussels, the multifaceted and interdisciplinary capital, comes to Palais de Tokyo.
Over the weekend of the 3rd and 4th September 2016, more than 30 artists, comprising visual artists, performers, choreographers and video makers based in Brussels, will be invited to the Palais de Tokyo by Indiscipline, selected by a curatorial team of WIELS (Brussels' contemporary art centre), Kunstenfestivaldesarts (Performing Arts Festival) and the Wallonie-Bruxelles Théâtre/Danse agency. Coming from around 15 different countries, these artists will present works from diverse crossover disciplines, pushing a number of our symbolic, physical, cultural and linguistic boundaries.
Friday 12 / 08 at 20:30h in Het Bos :
YOKO OSHA (SIC-project 2014) by Lazara Rosell Albear & BARE FACED by Sammy Baloji and Lazara Rosell Albear
Yoko Osha - Lazara Rosell Albear returns to the magical–realistic world of Santeria of Regla de Osha: the mysterious religion practiced in secret by more than 70% of the Cuban population in the director's home country Cuba. The film interweaves an intimate portrayal of this tradition with his rules and ritualistic initiations, with personal experiences and audio-visual recreations, performance and poetry. By merging different documentary styles the film becomes a subjective self-portrait of the director. Nine years of research have passed, allowing the project as well to portray the evolution of the documenting media's as to reflect on the connection between social unrest and noise in digital media. The result is a multi-layered film where the place of beliefs in the universal human quest for survival, is researched/questioned through levels of trance and heterotopias.
Bare Faced - The starting point for both artists was the search for their common personal history. They followed the central-African Kongo-culture from Congo to Cuba, guided by the inherited religious practices in which 'trance' plays an important role. By bringing the past in connection with the present, this project is an artistic reinterpretation of our memories in transgression and by so doing reveals the necessity of the transmission. The film interweaves in an experimental way autoetnographic research, brought to light in multilayers of knowledge, mixing documentary styles, performative re-stagings and poetry.
Saturday 20 / 08 at 20:30 in Het Bos :
THERE ARE NO IMAGES (SIC-project 2014) by Miguel Peres dos Santos & 'Cavalo Dinheiro' by Pedro Costa
There are no images - A proposal on a reflection upon a possible link between image and memory; between image and moment; and between image and death. A father, a son and a dead child engage in a dialogue constructed departing from the a moment. "does an image die?"; "and if an image dies"… "what will happen to memory?"
Housewarming (SIC project 2014) by Effi Weiss & Amir Borenstein
& Lili by SIC-founder An van. Dienderen selected for FID Marseille !
HOUSEWARMING - In a two-dimensional dystopian landscape of deserted, half-built houses in ex-communist Albania, an allegorical version of Goldilocks and the Three Bears unfolds. Like so many Albanians, the owners of the unfinished homes emigrated to the West after the end of the totalitarian regime (1991). Effi Weiss & Amir Borenstein invade the liminal space of the houses and occupy their emptiness, while the voice of an Albanian iso-polyphonic choir* sings poems based on interviews with locals responding to the artists' invasion. This act of reverse immigration, from a place regarded as representative of Western affluence to a place considered destitute and deficient, critically inquires into the status of artists as privileged foreigners, short-term migrants who come to work with a local community. It's a movement from the full to the empty, from excess to lack. *a traditional form from southern Albania
An van. Dienderen's LILI is about the phenomenon of the China Girl. In a TV studio a girl named Lili (played by Belgian actress Maaike Neuville) is asked to serve as a so-called China Girl. China Girls, used in cinema history since the 1920's, are women with Caucasian skin who are filmed alongside a colour-chart in order to adjust the colours of the film. They have no dialogues to memorize or characters to impersonate. All they have to do, is have an impeccable white complexion. Their skin – white as porcelain – is used as a reference for the colour grading of camera and printing, ultimately excluding people of colour who do not conform to this implicit norm. Lili tells the story of one of these China Girls through archival material, found footage and documentary recordings, and questions the tradition of China Girls contextualized in a society, which, according to anthropologist Michael Taussig exemplifies chromophobic uneasiness with color.
On June 30th the Flemish Government announced the upcoming structural art funds for 2017-2021. The arts sector as a whole suffers a setback and about 41 Arts Organizations lose all of their grants. We regret that the consequences will be felt most of all by the smaller organisations; those who are particularly supporting the development of young art talents.
As many others, Sound Image Culture (SIC) loses its structural funding and will have to continue without a secured subsidy for the coming years.
We stay firmly convinced of the importance of our task and we are fully committed to constructing a new future for SIC.
IL QUARTO GIORNO DI SCUOLA (The Forth Day of School) a film by Martina Melilli (SIC 2015)
won the Premio Quotidiana at Quotidiana16, Padova and will be presented in the official selection of TIFF - Tirana International Film Festival June 1 - 8 !
IL QUARTO GIORNO DI SCUOLA (The Forth Day of School) - Martina Melilli's father made the crossing from Tripoli to Italy as a child. His story aligns seamlessly with that of current migrants and their experiences. Historical and contemporary footage merge subtly while the place that her father landed is recorded in water colour.
IL QUARTO GIORNO DI SCUOLA was also screened at Rotterdam Film Festival.
Tuesday 21 / 06 at 20:15 and Thursday 23 / 06 at 22:00 at FESTIVAL CÔTÉ COURT, Ciné 104
Compétition ART VIDÉO #3 : RESTES by Julien Englebert in collaboration with Amélie Derlon Cordina (SIC 2016)
"Comment fait-on pour ... pour vivre avec ses morts ? Comment fait-on pour ... comment on fait ?". Portrait of a young mother and filmmaker, who tries to read the signs of her new film : "SAINTS'GAME".
Congratulations !
'pepsi, cola, water?' by Tom Bogaert (SIC 2014) won the first price at videoEx ex aequo with 'The Meadow' by Jela Hasler.
"pepsi, cola, water?" is a short experimental documentary about Sun Ra's legendary visit to Egypt in 1971.
Lately with SIC :
Monday 30 / 05 at 19:20 h at Cinema Aventure :
Avant Premiere LINEFORK by Jeff Silva (SIC guest 2016) & Vic Rawlings, followed by a Q & A with Jeff Silva
LINEFORK, 2016 : Deep in Kentucky coal country, Lee & Opal Sexton continue to farm their land along Linefork Creek. Well into his eighties, Lee is a retired coal miner and revered banjo legend, a living link to the deep past of American music. Though hampered by hearing loss, Lee continues to perform at square dances and teach his distinctive style to a new generation eager to preserve a vanishing cultural tradition. Filmed over three years, Linefork offers an immersive view of Lee and Opal's daily rituals and their inherent resiliency, while documenting the raw yet delicate music of a singular musician, linked to the past yet immediately present.
Tickets for 7 € online or directly at :
Cinema Aventure : Rue des Fripiers 15 Kleerkopersstraat : Galerie du Centre 57 Bloc II - Centrumgalerij Blok II : Bruxelles 1000 Brussel : Tel : +32 (0)2 219 92 02 : Fax : +32 (0)2 201 44 02 : firstname.lastname@example.com
Monday 30 / 05 & Tuesday 31 / 05 from 10 - 17 h at Pianofabriek :
Collective Session with Jeff Silva
SIC Participants 2016 will present their projects in development to the collective : Amélie Derlon Cordina, Amir Yatziv, Annelein Pompe, Bruno Vandenberghe, Caszimir Cleutjens, Filipa Cardoso, Greet Brauwers, Janine Prins, Julia Clever, Samah Hijawi, Sophie Sherman and Zimu Zhang.
Wednesday 01 / 06 from 10 - 17 h at Pianofabriek :
Individual Feedback with Jeff Silva
Thursday 02 / 06 from 10 - 17 h at Pianofabriek :
Masterclass with Jeff Silva : The Aesthetics of Ambiguity & Implicit Storytelling
Cinema, particularly non-fiction film, is bound up by the lived experience, by the index, by the "actuality" of human existence. But cinema is also a powerful form of magic; it's a kinesthetic dance of movement, light, color and sonic vibrations that penetrates our bodies and can alter our perception to embed alternate forms of knowledge that can have a lasting impact on the viewer long after the ephemeral images on the screen have disappeared. How can we as artists/ethnographers maximize the potential of cinematic magic and yet still deliver deeper ideas and resonances? How can be effectively conjoin meaning, memory and affect? How can we empower a viewer as a collaborator in narrative construction and meaning making through the aesthetic use of ambiguity? And how might an ethnographically inflected project benefit from exploring these questions? Through screenings, discussions and readings we shall explore these questions for answers that might help inform our own research and individual artistic practices.
If you would like to join the masterclass, please write an email to : email@example.com
Friday 03 / 06 at 20:00 h at Cinema Nova :
YOKO OSHA (SIC Project 2014) by Lazara Rosell Albear, followed by a live performance
Lazara Rosell Albear returns to the magical–realistic world of Santeria of Regla de Osha: the mysterious religion practiced in secret by more than 70% of the Cuban population in the director's home country Cuba. The film interweaves an intimate portrayal of this tradition with his rules and ritualistic initiations, with personal experiences and audio-visual recreations, performance and poetry. By merging different documentary styles the film becomes a subjective self-portrait of the director. Nine years of research have passed, allowing the project as well to portray the evolution of the documenting media's as to reflect on the connection between social unrest and noise in digital media. The result is a multi-layered film where the place of beliefs in the universal human quest for survival, is researched/questioned through levels of trance and heterotopias. "Yoko Osha" is the first part of the Cuban Trilogy project.
The film was most recently presented at AFRO-CUBAN ARTISTS: A RENAISSANCE at the University of Missouri, Columbia. Albear is an Artist in Residence for the year 2016 at Wiels Contemporary Art Center in Brussels.
Wednesday 01 / 06 at 19:45 h at Cinemathek Flagey :
Première of "LA DEUXIEME NUIT" by SIC-coach Eric Pauwels
The Second Night, the third instalment of documentary maker Eric Pauwels' self-examination, depicts the special relationship between the filmmaker and his mother. The film is a tale of intertwined lives and of a near mythical strength of bond which allowed both to see their own story, shot in Pauwels' usual hushed tone.
More screenings : 04.06. at 18:15 h, 09.06. at 17:30 h, 11.06. at 15:30 h, 15.06. at 22:00 h, 25.06. at 15:30 h, 16.07. at 20:00 h, 21.07. at 21:30 h and 02.08. at 21:30 h.
Eric Pauwel's novel "Quand j'étais petit les cosmonautes vivaient aussi longtemps que les chênes" is in the libraries now !
Tuesday 24 / 05 & Wednesday 25 / 05 from 10 - 17 h at Pianofabriek :
Sound and Spatialization with Patrick Codenys
This active workshop turns around sound, its technics and possibilities for narration. Site specificity and perception are accentuated and experimented with. Placing and a possible circulation of the public are at stake as well as rhythm, temporality, duration and orientation of a work.
Thursday 26 / 05 from 10 - 17 h at VAF :
Text and Context with Pieter Van Bogaert
This session of Text and Context will be based on : David Toop : Exotica : Introduction + Chapter 14: 'Black night and the whooping sounds of alarm – Bill Laswell' and on 'How to Live in a Game / Harun Farocki's War Games' by Pieter Van Bogaert and videos by Harun Farocki (o.a. Immersion, Inextinguishable Fire).
Tuesday 10 / 05 - Thursday 12 / 05 from 10 - 17 h at Pianofabriek :
Observation and Cityscapes_around the heart with Els Opsomer
Els Opsomer starts from her attitude as photographer and wants to offer different readings of the same issues.
In the workshop 'Observation and Cityscapes_around the heart' we focus on possibilities of participating and reading an urban landscape in relation to different moods. One introduction walk is organized. We reflect upon the personal projects and a range of films are shown. Some intervention of the participant is asked. At last she invites a friend as special guest : Geoffroy De Volder. It is all about connecting to your surrounding.
On Thursday 12 / 05 Geoffroy De Volder will interrogate the cruelty of gestures and the caressing gaze that is confronting them. Crossing intensities and passion with emotions and forms, he's going to try to hurt within a whisper. From far away to deep within, sound and images will devour tormented souls half asleep before dying. Yes, life can still be caught amazingly in acts, sensuality and intelligence, meaning and poetry. By us!
Geoffroy De Volder (1964) explores through art the remains of a life unexpected but true. Paintings, documents and more than 60 films are the waters in which he tries not to sink. His last installation (four synchronised videos) questions the arising voice of Ian Curtis. He also teaches sculpture, video and pluridisciplinary arts in Molenbeek and at La Cambre.
Tuesday 10 / 05 at 19:30h at ARGOS :
Screening : Building Stories # 001 [This Distant Piece Of Mine] by Els Opsomer
Building Stories # 001 [This Distant Piece Of Mine] is a 16mm film recorded in Senegal; reportedly the most accessible West African country, a tourist destination with a renowned hospitality. Far from the 'clichés' this film shows a poetic stroll through a topical Senegal. From the amazement about the grace with which the population strides over the ground, the absurdity of architecture that often is plumped down as a UFO in the landscape or orphaned infrastructure that plays a role in the whole of the scene, you find yourself in a unique African world. The tension of the film is in the interaction between what is familiar and strange, between what is constructed or in continuous deconstruction, between the stories you invent as a viewer and the stories that these scenes tell you, between what moves and what is still. Building Stories # 001 [This Distant Piece Of Mine] is an infinite portrait radiating a lonely quietness in an African frenetic world.
Friday 13 / 05 from 10 - 17 h at Pianofabriek :
Text and Context with Pieter Van Bogaert
This seminar reflects upon the relation between form and content through the analysis of critical texts and artistic contexts. Topics include spectatorship, representation, resistance, exotism, voyeurism and more.
On 13 / 05 we will discuss Sven Augustijnen's film 'Spectres' and TJ Demos: Return to the postcolony. Specters of Colonialism in Contemporary Art. Chapter 1: 'Sven Augustijnen's Spectropoetics' . We will also talk about Michael Hardt and Antonio Negri : Commonwaelth. De Singularitate 1 : Of Love Possessed.
Monday 09 / 05 at 21 h at DOXA - Documentary Film Festival Vancouver :
pepsi, cola, water? by Tom Bogaert (SIC 2014)
Jazz pioneer and philosopher Sun Ra had a deep fascination with outer space and ancient Egypt. Computer animation, archival footage, and music from Sun Ra are interwoven to create a recreation/celebration of his legendary visit to Egypt in 1971. The result is a film as far out as Sun Ra himself.
Saturday 07 / 05 at 18:00h : Opening at Croxhapox, Ghent :
Bruno Vandenberghe (SIC 2016) presents crox 522.
The exhibition is running until 05 / 06 and open Thursday - Sunday 14:00 - 18:00h.
An van. Dienderen's film LETTER HOME will be presented at the Forum Image Festival Tokyo 29 / 04 - 06 / 05 / 2016 !
LETTER HOME is a video letter without words. There is talk, but not by the author. And the language sounds Asian, incomprehensible to most Western ears. After An van. Dienderen achieved several critical documentaries in which the encounter with another culture was always quite concrete, there is now this film with a quasi abstract image flow. However, this is not distant, autonomous data art, such as the purely computer-generated pixel patterns for example by Casey Reas. Like an envelope full of dried and crumbled petals her short film evokes a chaotic mosaic of colors and impressionistic pixels, which by patches of concrete sounds can still be interpreted.
Monday 25 / 04 - Wednesday 27 / 04 : 10 - 17 h in Pianofabriek :
Pre-Cinema / Databased Future Seminar with Didier Volckaert
The seminar of Didier Volckaert brings us back to the basics of Cinema and the use of AudioVisual Media today. It reflects on the fact that the difference between Anthropology and Visual Anthropology (or Documentary in the broadest sense) is the use of a machine, a technological construction, as means of direct communication (filmmaker--other) and delayed output (filmmaker--other--public). It opens up this awareness for any use of AudioVisual Media in Art, Science and even entertainment. The seminar is a manifest against the dominant position of language in our Culture and a confrontation with the complexity of images. But it's also the joy of exploration, experimentation and a renewed sense of freedom in our standardized media society. By re-tracing the origins of our machines in Pre-Cinema and Dead Media we try to understand their parameters and how we can use them to give sense and meaning, to communicate our point of view and to create Art. All of this brought to you in both a sensorial and active way in direct relationship to your own project.
Thursday 28 / 04 : 10 - 17 h in Beursschouwburg :
Text and Context with Pieter Van Bogaert
This seminar reflects upon the relation between form and content through the analysis of critical texts and artistic contexts. Topics include spectatorship, representation, resistance, exotism, voyeurism and more.
On 12 / 04 we will discuss : Giorgio Agamben : Means Without End, Chapter 5: 'Notes on gesture'
and Sirah Foighel Brutmann & Eitan Efrat: Gathering Series : Nude Descending a Staircase & Orientation.
The Gathering Series focus on two different public gathering places where you can find an amalgam of people : The memorial for Walter Benjamin in Portbou and a public sculpture in Tel Aviv commemorating the founder of the city, called White Square - both made by Israeli sculptor Dani Karavan.
Saturday 30 / 04 at 13:30 - 16:00h at AFRO-CUBAN ARTISTS: A RENAISSANCE conference, Columbia, Missouri :
Experimental Autoethnography: YOKO OSHA and BARE-FACED, filmworks by Lázara Rosell Albear (SIC 2014)
Saturday 23 / 04 at 19:30 h at Villa Empain :
Contour Biennale 8 curator, Natasha Ginwala in conversation with filmmakers and artists Louis Henderson ( SIC guest 2016 ), Basir Mahmood and Judy Radul.
Reading the Lens – Evidence Today, Fiction Tomorrow
Contour Biennale 8 takes place between 11 March and 21 May 2017 across several venues in Mechelen. Over twenty artists from different parts of the world are invited to showcase newly commissioned and recent works. During the Artist Talk in the context of the Biennale, working methodologies that dwell between fact and fiction will be highlighted. The conversation will form an inquiry towards the lens as a subject that narrates ubiquitous truths and controls image-making
Thursday 21 / 04 at 19:30 h at the EMAF : European Media Art Festival Osnabrück :
LILI by SIC-founder An van. Dienderen
With the film LILI An van. Dienderen questions the supposedly neutral character of this highly problematic and ideologically charged practice. If the film tonality is adjusted to the white complexion, other skin colors look unnaturally dark. Black actors appearing next to white actors need to wear insanely thick layers of make-up, otherwise they will appear pitch black with only white patches of teeth and eyeballs. For this very reason, Jean-Luc Godard famously refused to use Kodak film stock when working in Mozambique. Can technology itself be racist? An van. Dienderen contends that the medium itself should be examined from its technical aspect, because it matters what we consider a norm, be it in the skin color, the gender relations involved in the film process or an average beauty standard.
Tuesday 19 / 04 at 16:30 and Wednesday 20 / 04 at 11:45 at Visions du Réel, Festival International de cinéma Nyon :
LINEFORK by Jeff Silva ( SIC-guest 2016 ) and Vic Rawlings
LINEFORK is a feature-length documentary about Lee and Opal Sexton. Lee, a legendary Kentucky banjo player, and his wife Opal are subsistence farmers living on Lee's coal miner pension and the money he earns performing and teaching his distinctive 2-finger banjo style.
Tuesday 19 / 04 at 20:30 h at Standards, Milano :
Davide Tidoni (SIC 2014) : THE SOUND OF NORMALIZATION
THE SOUND OF NORMALIZATION focuses on the evolution of the chanting strategies shared by the (football supporters) ultras group BRESCIA 1911. Chanting has been considered in particular relation to processes of modern football, crowd regulation and police repression within football stadia. The project includes a selection of 30 audio recordings and a booklet. The recordings were taken over a research period of more than 13 years (2002>2015). The field work has been characterized by an high degree of active involvement and participation not only in relation to the chanting but also to the social activities organized by the supporters outside the football stadium.
THE SOUND OF NORMALIZATION has been presented as a talk/performance in a variety of contexts including: Raum/Xing, Bologna, Italy (2009); School of Humanities and Social Sciences, University of Exeter, UK (2009); Villa Kabilla, Den Haag, The Netherlands (2013); ARGOS centre for art and media, Brussels, Belgium (2015).
Until 10 / 04 :
Ariane Looze (SIC 2015) shows at Médiatine Art Prize, Bruxelles
Monday 28 / 03 at 20:30h
HEROS SANS VISAGE by Mary Jiménez at Cinemathek Brussels.
Brussels, Béguinage church: migrants organise a hunger strike to obtain their papers. One man dies.
Tunisia, Choucha camp on the Libyan border, refugees tell of the horrors experienced as they crossed the Sahara, heading north.
Liège, in a refugee centre, a man remembers how he crossed the Mediterranean on an inner tube.
Three instances in a war for survival.
Thursday 24 / 03 at 20:00 h
Research Café : The Secret Sense of Objects / Michel Yang / Lecture-performance and video
As dancer and performance artist, my practice is to revise the cartography of the body by means of physical states, and by embodying the immediate surrounding and circumstances. Most recently objects have come into play. Reclaimed from city streets and flea markets, objects are reborn into a second life on the body and in turn altering the sense of the body itself. Regarding their use in my performances, I am frequently asked what do the objects mean?
For Research Café, I propose a lecture performance to share recent works that respond to this question. Partly reflection and partly ritual, I propose to share written and spoken stories, video vignettes, and a live revision of my body's cartography. Objects are their common link. They are arranged, rearranged, played with, and reassigned function attempting to exhaust the question what do the objects mean?
Cinéma Du Réel presents LA DEUXIÈME NUIT by SIC-coach Eric Pauwels
Samedi 19 Mars 15H20 Cinéma 1,
Dimanche 20 Mars 19H20 Luminor Hôtel de Ville,
Mardi 22 Mars 14H00 Centre Wallonie Bruxelles
LA DEUXIÈME NUIT (The Second Night) - On the death of his mother, a filmmaker makes a film to see how much her disappearance has changed his vision of the world. It is an opportunity for him to look back over his relationship with her: a relationship that made him a free individual, as a man and as a filmmaker. The second night is the final part of a trilogy that began with Letter from a filmmaker to his daughter, which was followed by Dreaming films. The making of this "Cabin Trilogy" is the fruit of fifteen years of work and reflection.
Julia Clever (SIC 2016) : DEVOIR DE MÉMOIRE at the Royal Military Museum Brussels
Opening 5 / 03 from 19h with the "War Party" during "Museum Night Fever" Brussels. On show till 31 / 03.
An investigation of her grandfather's formative years as a German soldier during WWII, brought her to a 5year field-research on "Living History" re-enactments of this war period.
The resulting video-installation "Devoir de memoire" explores a range of personal trajectories that reconstruct war memories through embodiment and reactement, revealing different perspectives on the underlying identity politics of both the participants who perform these reneactments, and the filmmaker, and confronts the audience with questions on our relationship with violent historical events.
18 / 03 at 13:30 & 18:30 h
Screening SUBORDINATION a film by Ariane Looze (SIC 2015) at Traverse Video, Toulouse .
Solo-Show : Tine Guns (SIC 2010) : To Each His Own Mask in Netwerk Aalst until 06 / 03
In the highly focused work of Tine Guns (°1983), which extends from film work on publications to photographic installations, the volatility of human perception plays a central role. The intangible processes of forming images and meanings do not crystallise in works that are constantly generating new connections.
In Netwerk Tine Guns will exhibit a video installation in anticipation of her upcoming film, To Each His Own Mask, which will see its premiere there later this year. The work views the current protest culture through the perspective of carnival rituals.
Tine Guns shows a layered installation, in which images mask each other and give new identities to the familiar.
Tuesday 01 / 03 at 20:00 h
Screening of SURYA by Laurent Van Lancker (SIC-coach)
at Pianofabriek in Brussels
SURYA - Once upon a journey, ten contemporary storytellers of different cultures create an imaginary epic story. They each draw on their own style and own language to prolong the life of a nameless hero. The aromas of cultures, the taste of words and the perfume of travelling carry us from one storyteller to the next. Like an epic story, this film oscillates between imagination and reality, the inner world and the outside world, documentary and fiction. An ode to orality. This impressionistic film is the outcome of an overland odyssey by public transport from dusk to dawn, through Europe and Asia (Belgium, Slovakia, Turkey, Syria, Kurdistan, Iran, Pakistan, India, Nepal, Tibet, China, Vietnam). An audio-visual performance where imagination and creativity travel across borders.
NOW AT Cinema Galeries :
Prix SACD Audiovisuel 2015 : 'LE CHANT DES HOMMES' by SIC-coach Mary Jimenez and Bénédicte Liénard
LE CHANT DES HOMMES (Rising Voices) - Their names are Moktar, Najat, Joseph, Gernaz, Duraid, Hayder, Kader, Esma… They fled Syria, Iraq, Iran, Congo, Morocco and Niger… Together, they occupy a church. They will risk their lives for asylum. Days of countdown begin; a test of strength in itself. Inside, Kader has assumed the role of leader, but, mysteriously, sometimes he is missing. Day by day, devotedly, Esma cares for this community. Exhaustion increases; tensions rise. But bonds are forged and strengthened. Between betrayal and brotherhood, the group will have to put itself to the test, and face up to the challenge.
Congratulations :
A Remarkable Odyssey of Imaginary Beings by Sabine Groenewegen (SIC 2015) receives support from the Dutch Cultural Media Fund. The project was developed in the context of SoundImageCulture in 2015 and is co-produced by Argos Centre for Art and Media.
The Dutch Cultural Media Fund created the LEF funding to support work which breaks with conventions and explores the boundaries of the documentary form. Projects are selected on the quality of experiment, artistic research and level of innovation.
Thursday 25 / 02 at 20:30 h
Screening of HOUSEWARMING by Effi Weiss & Amir Borenstein (SIC-Project 2014)
at Beursschouwburg in Brussels
HOUSEWARMING - In a two-dimensional dystopian landscape of deserted, half-built houses in ex-communist Albania, an allegorical version of Goldilocks and the Three Bears unfolds. Like so many Albanians, the owners of the unfinished homes emigrated to the West after the end of the totalitarian regime (1991). Effi Weiss & Amir Borenstein invade the liminal space of the houses and occupy their emptiness, while the voice of an Albanian iso-polyphonic choir* sings poems based on interviews with locals responding to the artists' invasion. This act of reverse immigration, from a place regarded as representative of Western affluence to a place considered destitute and deficient, critically inquires into the status of artists as privileged foreigners, short-term migrants who come to work with a local community. It's a movement from the full to the empty, from excess to lack. *a traditional form from southern Albania
Nominated for the Best Documentary at the Magritte du Cinéma 2016 : BUREAU DE CHOMAGE (Employment Office) a film by Charlotte Grégoire (SIC-participant 2009) and Anne Schiltz
BUREAU DE CHOMAGE (Employment Office) - In an office, a row of desks, with people facing each other. This is where unemployed people come to meet with their advisors. At stake: their benefit payments. Here everyone has to abide by the same rigid procedure and bureaucracy but each has their own life, their own story. This film shows what it means today to have a job, when work is more and more precarious, employed and unemployed alike less and less secure, and the welfare state is shrinking away and under attack.
Congratulations to Lazara Rosell Albear (SIC participant 2014) ! She will be a WIELS resident in 2016.
Hello world


text:
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Published 2 Aug 2010
Here it is the full version of the Eat You Up Mep. XD I'm so happy with how this came out. I couldn't have ...
Here it is the full version of the Eat You Up Mep. XD I'm so happy with how this came out. I couldn't have done it without you guys. So THANK YOU it really means a lot. I hope we can work together in the future. Track 1) 0:00-0:20 lildevilboo420 Track 2) 0:20-0:40 xHanaOokami14x Track 3) 0:40-1:00 RedMoon3434 Track 4) 1:00-1:20 plusle65 Track 5) 1:20-1:40 lildevilboo420 Track 6) 1:40-2:00 xHanaOokami14x Track 7) 2:00-2:20 RunoRoseProduction Track 8) 2:20-2:40 XLouiseChan Track 9) 2:40-3:00 XXXnagisakun1702XXX Track 10) 3:00-3:10 pennyiluvu Song: Eat You Up By: BoA Anime: I'll list them later The Editors Go Sub Them Cause there Amazing XD http://www.youtube.com/xHanaOokami14x http://www.youtube.com/RedMoon3434 http://www.youtube.com/plusle65 http://www.youtube.com/RunoRoseProduction http://www.youtube.com/XLouiseChan http://www.youtube.com/XXXnagisakun1702XXX http://www.youtube.com/pennyiluvu We do not own the anime's Or song used in this video all rights go to their respective owners. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

subset: commoncrawl


text:
No matter what is happening in your life always remember to keep smiling. I know there are times when its simply not possible ( like the loss of a loved one) but even then it is possible to put a smile on your face. In most cases ( not all) isn't that what your loved one would have wanted? When you smile it makes you feel better and it can also have the world wonder what you may be up to. Sometimes a smile is a mask for an "oh really" moment. You know those moments when something just makes you wonder what someone else was thinking. So keep smiling and just maybe the world will smile back at you. If nothing else the world may wonder what you are up too!
Losing Siblings Game Changer
Well we lost my wife's oldest sister this past Wednesday. That is the first sibling we have lost. Its a game changer and it does make one think of their own mortality. She was 68 and my wife is 64. That will cause you to stop and think. When thinking of one's own mortality it makes you look back as well as forward about your life. At 55 now I hope I have made positive influences on some people's lives. The thing is in many situations you simply have no way of knowing. Days turn into weeks which turn into months that turn into years and they all fly by way to fast. You look up one day and wonder where has all the time gone? In your youth you thought you had all kinds of time and yet with a quick glance time has flown by and you are left to wonder where did it go? All you can do is look to the future and make sure you do make a difference in someone else's life before its too late.
Mental Health Issues Don't Take a Day Off!
One of the frustrating things in finding a new psychiatrist (besides the insurance issues) is dealing with the psychiatrist offices themselves. Many of the attitudes I have run across have been appalling to say the least. They are often slow to react and seem to treat you like this is a medical condition. It is not and in many ways it is much more serious. Its easy for them to say "thanks for calling" and that takes them off the hook. If a psychiatrist is not taking new patients then just be honest with people and tell them straight up so they can move on and try and find someone else. We are potentially talking about someone being suicidal or in need of help. If one more of the offices tell me it will be several months I might just scream. They tell medical offices they are taking new patients but often don't tell them how long they will have to wait to get to see the psychiatrist. All the while the patient who very well could be going through a living hell inside their heads are left out to dry and many simple just give up trying. Then something horrible happens and of course these psychiatrist offices go on about their merry way and never have to live with the consequences.
Outpatient Mental Health System is Broken
The following is a true story. I know of someone who has been suicidal for weeks and yet the system has failed this person to no end. This person has tried for weeks to get in to see a Psychiatrist and all this person is told that it will be several weeks if not months before this person can be seen and frankly this person spends their day "white knuckling" it just to get through each hour and there is no one willing to step up and help. Many of the responses this person is getting is frankly rude and uncaring. We are talking about someone who is trying to do the right thing and reach and all they get is slapped in the face. All their PCP does is give this person names of Psychiatrist offices to call or if things get really bad they can go to the ER. The ER sounds like a safe place but the fact is they are not equipped to handle mental health issues. Then there is the potential of trying to get an emergency admission into a facility in which they basically take all of your rights away. So what is the person supposed to do? The hope is this person doesn't give up all together and does end their life. Then there will be tears as to what happened and nobody will know the true story. That is the mental health system has failed once again to save a life that didn't need to end.
Writing Naked
This was a post from March of 2011.
At first blush you might think those pain pills have really started to warp my mind. Of course that is assuming I had a mind to begin. Of course if you prefer to write with no clothes that is your choice.
Writing naked is the type of writing that many struggle to get. That is writing whatever comes to your heart without editing. Not one single word. That would seem a simple thing to do but is it? We are all raised with censors of one type or another. How many of us would really want to write what we are really thinking? Would you really want the world to know that you think your really are awful in relationships? Or that you really wish your spouse would simply shut up? Or that special one in your life you think is fat…
View original post 70 more words
Nobody Knows The Face of Depression
In listening to Kevin Sharp singing "Nobody Knows" ( http://www.youtube.com/watch?v=wExJDsdExnA) it got me thinking. The song itself is about a lost love yet it does have a message to those who deal with people who suffer from serious depression. There is a line in the song that goes " nights are lonely and the days are so sad". That is the life of those who suffer from serious depression. These people are dying inside and nobody truly know the pain they are going through . I'm not talking about physical pain but an emotional pain that is so deep that most people simply have no concept of that level of pain. I refer to it as the hole. This place is a very tiny place where all rational thought simply goes away. The last time I was in the hole about a month or so I really don't know…
View original post 86 more words
Through The Years
Little did I know almost 20 years ago that a response to an ad in a Christian Singles paper would change my life forever. It did.


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Images of Daniel Heighway(0 from 0 )
Telephone & Addresses
(1 - 4 from 11
Daniel Heighway (Age: 42)
78501 McAllen TX
Daniel J Heighway (Age: 51)
46163 New Palestine IN
Daniel Heighway, 42, Mcallen, US, N 25th St
View Daniel's social profiles and photos on Facebook, MySpace, and +40 Networks.
Daniel Heighway, Mcallen, US, Yale Ave
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LinkedIn: Daniel Heighway | LinkedIn
View Daniel Heighway's professional profile on LinkedIn. LinkedIn is the world's largest business network, helping professionals like Daniel Heighway discover inside
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text:
Rev. Stephen Batcheller Bachiler of Wherewell, Hampshire, England
- England |
- France |
- Batcheller |
- Bachiler
This is my great ancestor's Coat of Arms. Stephen was born the 23rd of Jun. 1561 and he married Ann Deborah Bate (b. 1561- 1632).
coat of arms for stephen bachiler
I'm sorry, but there is such confusion over this drawing. The Reverend Stephen Bachiler did not have a coat of arms, being an orphan and of humble origins. I doubt if he would have aspired to nobility considering his humble dedication to his calling as a missionary and church planter.
This is a drawing by Victor Sanborn done in 1899. It is just one of several attempts that have been made to illustrate the coat of arms devised by Sylvanus Morgan in memory of Stephen Bacheler after the Reverends death. It was included in a 4 volume set on heraldry.
The plow was both a metaphor for his spiritual calling and a symbol for the Plough Company, of which he was a member. The Co attempted a free colony, Lygonia, in the colony of Maine. He was to be the minister. It failed, but his accomplishments in the colonies are legendary. This link I found can better explain the original design that was never illustrated, and if you scroll down, the author of the article offers his own drawing that he thinks would have been more to the liking of this practical and simple man.
Kind regards.
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text:
Ditte Isager
If the batter thickens as it sits, thin with more club soda.
- Yield
- Makes 8 servings
- 1/2 cup plus 2 tablespoons sugar, divided
- 1 1/2 teaspoon ground cinnamon, divided
- Vegetable oil (for frying; about 4 cups)
- 1 cup gluten-free old-fashioned oats
- 1/2 cup rice flour
- 2 tablespoons cornstarch
- 1 teaspoon baking powder
- 3/4 teaspoons kosher salt
- 1 large egg
- 1/2 cup (or more) club soda
- 2 large crisp apples, peeled, cored with an apple corer, sliced into 1/4"-thick rings
- Special equipment: A deep-fry thermometer
- Whisk 1/2 cup sugar and 1 teaspoon cinnamon in a shallow bowl; set aside.
- Fit a large pot with thermometer and pour in oil to measure 3". Heat over medium-high heat until thermometer registers 375°F.
- Meanwhile, pulse oats in a food processor to a coarse powder. Transfer to a large bowl and whisk in rice flour, cornstarch, baking powder, salt, and remaining 2 tablespoons sugar and 1/2 teaspoon cinnamon. Whisk in egg and 1/2 cup club soda, adding more soda by the tablespoonful until the consistency of pancake batter.
- Working in batches and maintaining oil temperature, dip apple rings in batter and fry, turning occasionally, until golden brown and crisp, about 4 minutes.
- Transfer fritters to a paper towel–lined plate; let drain briefly, then toss in reserved cinnamon sugar.
Nutritional Info
- Calories396
- Carbohydrates47 g(16%)
- Fat22 g(33%)
- Protein5 g(11%)
- Saturated Fat2 g(10%)
- Sodium251 mg(10%)
- Polyunsaturated Fat4 g
- Fiber4 g(16%)
- Monounsaturated Fat14 g
- Cholesterol25 mg(8%)


text:
Oregon State University's Board of Trustees voted Friday to give President Ed Ray a raise of more than $20,000 this year.
Ray, 71, promised to donate the wages to benefit four scholarships and student programs established in conjunction with his late wife, Beth.
"I will do so this year and for as long as I am privileged to serve this great university," Ray said in a statement.
His new salary, including deferred compensation and foundation support, is $699,876.
That could change this spring. OSU's foundation chips in $381,108 of Ray's current package, covering about half of the total compensation. Steve Clark, an OSU spokesman, said the foundation board will consider a separate 3 percent raise in March.
OSU's board approved the 3 percent raise Friday for its portion, citing widespread approval with the university's progress during Ray's more than 12-year tenure.
According to board documents, OSU continues to increase its research funding and number of degree programs. Trustees also cited developments on the university's Bend campus and Marine Studies Initiative based in Newport as key projects. Ray was also an instrumental figure in the school's Campaign for OSU, which brought in more than $1.14 billion from more than 106,000 donors from 2007 to 2014.
Ray signed a five-year contract extension in 2015.
-- Andrew Theen


text:
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Homeless man with frostbitten feet rescued from Madison campsite
A homeless man with frostbitten feet is recovering after he was rescued by sled from a remote campsite in Madison over the weekend.
A 48-year-old man called 911 to report that he was drinking and could no longer walk, likely because of frostbite on his feet, according to a Madison police incident report.
Madison police and fire departments were dispatched to find the campsite, which was south of Lien Road, about 4:30 p.m. Saturday.
Officers and firefighters searched the forest and found the man, whom they placed on a sled and pulled north to railroad tracks and then another quarter-mile to an ambulance on N. Thompson Drive.


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UVM student crowned Miss VermontJune 24,2013UVM student wins Miss Vermont
SOUTH BURLINGTON A 22-year-old University of Vermont student has been crowned Miss Vermont.
Jeanelle Achee of Rochester won the 2013 title Saturday night in a competition at South Burlington High School.
For her win, Achee receives more than $9,000 in scholarships and $12,000 in prizes. She also gets the opportunity to compete for the Miss America title in Atlantic City, N.J., in September.
During her year as Miss Vermont, Achee will travel across the state advocating for victims of sexual violence and promoting healthy relationships.MORE IN This Just InWindsor 3-2
Editors note: Area candidates in House races were offered an opportunity to... Full StoryWindham-4
Editors note: Area candidates in House races were offered an opportunity to... Full StoryPOULTNEY A Wallingford woman was charged with leaving the scene of an crash. Full Story
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The U.S. Postal Service will no longer deliver mail on Saturdays, starting in August.
The financially struggling agency hopes not delivering mail on Saturdays will save $2 billion annually following its default last summer on an estimated $11 billion debt.
Packages will still be delivered Monday through Saturday.
Mail will be delivered to P.O. Boxes on Saturdays.
Also, post office branches open on Saturdays for retail window service will still be open.
Arkansas Postal Service spokesperson Leisa Tolliver-Gay said the changes will not cause layoffs locally.
"We've been very responsible through the changes in getting people in other positions and as locally as possible in those positions," Tolliver-Gay said.
Mail delivery workers are paid hourly, according to Tolliver-Gay, so there is a possibility they could lose some pay from not working Saturdays.
More likely, their five-day shifts will be adjusted to work Monday through Friday.
The Postal Service plans to release a revised five-year financial plan next month that will outline additional ways to reduce cost.


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With a stay at OYO Rooms Karol Bagh Metro Station 2 in New Delhi (Karol Bagh), you'll be close to Laxminarayan Temple and Red Fort. This hotel is within close proximity of Sadar Bazaar and Ramakrishna Mission.
Make yourself at home in one of the 15 air-conditioned rooms featuring LCD televisions. Complimentary wireless Internet access keeps you connected, and satellite programming is available for your entertainment. Private bathrooms with showers feature complimentary toiletries and slippers. Conveniences include phones, as well as safes and desks.
Make use of convenient amenities such as complimentary wireless Internet access, wedding services, and tour/ticket assistance.
A complimentary continental breakfast is served daily.
Business, Other Amenities
Featured amenities include complimentary newspapers in the lobby, dry cleaning/laundry services, and a 24-hour front desk. Free self parking is available onsite.


text:
16 posts tagged with Japanese and brokenlink.
Displaying 1 through 16 of 16. Subscribe:
Ronald, you've changed
The Japanese have a somewhat different conception of Ronald McDonald from what we have here in the states. (safe for work, Windows Media required)
Hanafuda and Go-Stop
Immortal Grand Prix [note: flash] ... a cool little turn-based strategy game based on a japanese cartoon.
Manscaping! Another word brought to you by Queer Eye.
It's Dinner Time. You know what that means: Hairy chests. [geisha asobi poss. nsfw] Mmmmmm... I'm salivating like Pavlov's dog just looking at it! What's that? You're in the mood for hairy backs? [e.blort] Why, Bill Cosby from Ghost Dad would be proud! (Whoever else has seen that movie gets a free... flowbee.)
Learn English.
old japan maps
A bunch of very beautiful Old Japanese Maps has been put online. Java application Insight(tm) required to view and includes a nifty GIS application to overlay old maps on current maps with 3-D animated fly-throughs. State of the art in online map presentation "The digital images are even better than the originals because you can amplify them, rotate them to look at them from different angles," Mr. Zhou said. "In practical terms, this is a better way of using the material than actually coming here to see the pieces."
"There is making of silver sex". Taking bodypainting/messy obsessions to the very edge, Manon Production from Japan sells a wide selection of fetish videos (sample mpeg 1.69MB). All feature illustrative pictures and detailed, eerie Engrish descriptions ("we feel admirable and poor at her black smile"; "Midori's body is changing colourfull"; "a little golden powder enters into her eyes"). Results can also evoke a sculpture, the theater or abstract art. Considering the evident misogyny of the whole effort, is it all the more unsettling because the images are sometimes beautiful (1, 2)? Is it an attempt to somehow bring Sorayama's creatures to life? Could the models be actually enjoying it? NOT SAFE FOR WORK.
Poetic Japanese Mistranslation
The Powell is sent in order to carry the water: I find Japanese "Engrish" websites unfunny and stupidly patronizing but this blog is potential poetry - Surrealist poetry. Whether it was machine-translated or drafted using Breton's, Ionesco's or Burroughs' techniques, it's splendidly memorable: Rather than "I am sad" we need "mush truth". All it needs is some artful, e.e.cummings-like arranging on the page to be transformed into art. [Via Linkfilter].
Oh, those wacky Japanese animators!
Pinpin Lelapin...While surfing on a Singapore site called FlashMove, I came across a zany Flash site: A wonder bit of inscrutable Japanese-inspired French animation from Studio Tanuki in the form of Pinpin Lelapin, an adorable pink balloon bunny rabbit who farts on people. In addition to the giddy animation and stylised artwork on the site is the unique "Super Mario"-type run-and-jump navigation. (Note: Mostly in French, with some Japanese and broken English. Contains Flash, music, farts, giant mecha battles and a Sailor Moon parody.)
Kodocha calls it quits. Kodocha Anime, one of the best known and most reliable anime fansub tape distributors, is closing down operations. Why? Because everything's going digital. [more inside]
Chindogu is the ancient Japanese art of the Unuseless Invention -- that is, a creation which seems like a great idea, but which, in reality, causes more inconvenience than it cures. Behold the almost handy Backstratcher's T-Shirt, the Eyedrop Funnel Glasses, the Butter Stick and the Kitty Dust Slippers. Because everyone enjoys a good Unuseless Invention, I have given this book as a gift more than any other.
When the Japanese do ice cream, you end up with flavors like...well, whatever you're thinking, it's probably not too far off.
Mmm, wasabi.
Mmm, wasabi.
Astroboy! Get out your red rocket boots and laser shooting behind. Sony is planning to bring the cult superhero/wonderboy to the screen in 2004 in computer-generated glory. Will the film feature Astro's evil brother Atlas, or Astro's slightly unnerving robotic parents?
Yatta! This started out as a skit on a Japanese comedy show and eventually grew into its own fig leafed music video. Does anyone know of any other musical gems like this? Warnings: 7.71 MB Windows Media file & scantily clad men
Ever wanted to learn Japanese?
Ever wanted to learn Japanese? "The bottom line is that Politeness Levels are completely beyond your understanding, so don't even try. Just resign yourself to talking like a little girl for the rest of your life and hope to God that no one beats you up."
Absolute Director
Absolute Director Move over Steve, iMovie just got some competition. The creative distiller creates the killer Shockwave app. that lets you edit and create your own movies using old Japanese monster films.
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Full CoverageRight now
Cowpens National Battlefield reopens as shutdown endsUPDATED 6:50 PM EDT Oct 17, 2013
South Carolina Superintendent John Slaughter says the 15 employees will receive back pay.Video Transcript
HANDELSMAN NBC NEWS. NEWS FOUR'S MIKE MCCORMICK CONTINUES OUR COVERAGE - LIVE AND LOCAL FROM THE COWPENS NATIONAL BATTLEFIELD. MIKE - THE PARK WAS ABLE REOPEN THIS MORNING. RIGHT.. IT'S LOCKED UP NOW.. BUT THAT'S ONLY BECAUSE IT NORMALLY CLOSES AT FIVE P-M. ON OCTOBER FIRST... EMPLOYEES LOCKED UP AND LEFT. 16 DAYS LATER.. VISITORS.. RETURNED.. BECAUSE LIKE THIS PARK.. THE GOVERMENT SHUTDOWN.. IS HISTORY. 24:14 "when I come here everyday, it's home." BOB LEBRUN IS A WORLD WAR TWO VETERAN.. WHO VOLUNTEERS HERE AT THE COWPENS NATIONAL BATTLEFIELD. HE USED TO LIVE ON PART OF THE PROPERTY.. BUT SOLD IT TO THE GOVERMENT.. SO.. WHEN THE PARK CLOSED.. 26:40 "they shouldn't have done that." HE FELT LIKE HE'D BEEN LOCKED OUT OF HIS OWN HOME. 27:44 "it was the worst thing they could've ever done. It hurt my feelings." THE SHUTDOWN WAS PERSONAL FOR SUPERINTENDENT JOHN SLAUGHTER, TOO. 29:50 "I came out each and every day and met with the visitors that were disappointed. It was tough. It was heart- wrenching." HE SAYS.. THE 15 EMPLOYEES.. WILL GET BACK PAY. BUT RE-OPENING.. WAS LIKE A BIG BONUS. 29:30 "we're pretty excited about it. THE SIGN AT THE VISITORS CENTER READS "WELCOME BACK TO COWPENS." 33:31 "we're looking to seeing the battlefield and learning about the history." JIM AND SUSAN KAMBA ARE FROM CHICAGO. 33:17 "we've had the trip planned for about 2 months, and we decided to take our chances." THEY FLEW IN FROM CHICAGO - THIS MORNING. 33:48 "i'm feeling lucky. We should go by a casino I think." THOUGH THE SHUTDOWN DIDN'T TRIP UP THEIR TRIP.. THEY CAN'T IGNORE THE FACT THAT IT DID.. PUT A LOT OF PLANS.. IN PARK. 33:57 "pretty disappointed in the government, our representatives, that they let it go this far." THE COWPENS BATTLEFIELD COULDN'T BE PART OF THE RECENT UPSTATE REVOLUTIONARY WAR WEEKEND - BUT WE'RE TOLD THE CITY OF GAFFNEY STEPPED UP AND HOSTED EVENTS THAT WOULD'VE HAPPENED HERE. MIKE MCCORMICK, WYFF NEWS FOUR, LIVE IN GAFFNEY.
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CommentsThe views expressed are not those of this site, this station or its affiliated companies. By posting your comments you agree to accept our terms of use. WYFF News 4 offers readers the ability to comment on stories with the understanding that these comments may be reprinted elsewhere on the site or used on WYFF News 4 newscasts. We ask that you refrain from profanity, hate speech, comments that don't relate to the story, and any personal remarks. THIS IS IMPORTANT: WYFF News 4 does not edit user submitted statements and we cannot promise that readers will not, at times, find offensive or inaccurate comments posted in the comments area. If you find a comment that is objectionable or offensive, click the flag that appears in the upper right corner when you hover over a comment. Flagged comments may be automatically hidden from comment threads. For comments to appear on the website and/or mobile app, email addresses must be verified through Disqus. We ask the community to monitor this forum with the knowledge that WYFF News 4 does not delete posts based on the content. We are glad to offer commenting on our site but we cannot be responsible for people who abuse the privilege.blog comments powered by Disqus


text:
Abt Card
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Average Customer Reviews
Inspired by Hawaii's first and still working lighthouse, located in Lahaina
Harbor. Built of wood by Kamehameha III in 1840, it was reconstructed in concrete
in 1916.
Approximate Weights:
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(based on 58 reviews)
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Most Liked Positive Review
Very light weight and ...
Very light weight and really comfortable. Really like the brown lenses. These are great for any type of activity.
Most Liked Negative Review
Good, but
Love the lenses, but lenses always end up cracking at intersection of bridge. Obvious defect in design. I have had them repaired multiple times only to have repeated problem.
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Best sunglasses I have ever owned
By OneRingRuler
from Undisclosed
Comments about Maui Jim Lighthouse Rimless Smoke Grey Unisex Sunglasses:
I absolutely loved these sunglasses! I say loved, because I recently forgot them at a restaurant while vacationing with my family in LA. They are incredibly light, and so comfortable that I could wear them all day without them ever bothering me on the bridge of my nose, or behind my ear. I see some people complain about them breaking easily, but I owned mine for over 6 years before losing them! Take care of your things, and they will last a very long time. Thank you Maui Jim for the incredible product quality.
Bottom Line Yes, I would recommend this to a friend
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Best Glasses I've Ever Owned!
By Lilleybrat
from Oakland, CA
I love these because they fit under a baseball hat and are so light weight I never remember I have them on. They are my daily go-to and I own many pairs of glasses. These are the best.
(2 of 2 customers found this review helpful)
Terrific lense quality, light, comfy all day
By gilli
from NJ, United States
Had these for years, finally started to show a scratch or two; ultimately the glasses snapped into two pieces at the bridge as I tried to close arms (and I never placed these in a bag or anything!) Other than that disappointment, they are great for the price. I could wear these all day no problem, barely even adjusting them. They're hard to put on with one hand since they are flimsy, but that's a minor nuisance and trade off for the light weight.
Best sunglasses ever
By Joel
from Michigan
I bought the lighthouse sunglasses about a year ago and have overly happy with them. The lenses are crystal clear. They are extremely durable and light. I almost forget that I have them on. I originally tried on Oakley sunglasses and was ready to purchase them when the salesman had me try on Maui Jims. Wow, what a difference! The Oakley sunglasses felt cheap after trying on the Maui Jims. Everyone who tries on my sunglasses is impressed right away. I feel probably like everyone else, that Most sunglasses don't fit my face properly. The lighthouse was perfect. I also want to note that the warranty was a huge determining factor on purchasing these.
lenses will crack
By M2Guy
from Canton Oh
I have now owned 3 pairs of these sunglasses. I love them. They are VERY lite and comfortable. Unfortunately, eventually all 3 pair the lenses cracked where attached to the nose bridge. To let you know how well I take care of sunglass, I still have my first pair or Ray-Ban Aviators I bought back in 1984. Regardless of how well I like them, if they don't hold up any better than a 10.00 pair of drugstore sunglasses they are getting a bad rating.
Bottom Line No, I would not recommend this to a friend
Too Fragile
By Mike J
from Saco, ME, United States
Great lenses and very light on the nose but , I feel I like they are to fragile I have a pair of Banyans and the lighthouse's the lighthouse break very easily 3 repairs in 2 years compared to none in 4 years with the Banyans
Good shades... but there are better options
By SunglassGuy19
from Nebraska, United States
I purchased the gloss black with neutral grey lenses about 3 months ago and overall I do enjoy theses shades. I have a fairly medium sized head and they fit great. They are super lightweight and have a good amount of flexibility to them making them great for outdoor activities. The downfall is actually in the lens, maybe it's my opinion, but the polycarbonate lens just can't compare to the glass, MauiPure, MauiBrilliant, or MauiEvolution lenses in terms of clarity. These still are a great choice if you need something lightweight and a 'sporty' pair of shades for outdoor activities.
Best glasses ever.
By Kleab
from Utah
I never understood why people would spend more than a couple dollars on sunglasses. I never bought nice sunglasses and didn't feel the need since I didn't wear sunglasses too often (probably because I never invested in a pair worth wearing). After marrying in to a family of Maui Jim fans, my wife bought me these glasses and they completely blew me away. The sharp color contrast that the lenses give is unbelievable. These glasses are extremely lightweight and I wear them as often as I can. I refuse to go golfing without them; These glasses really make the white ball pop against the sky, making it incredibly easy to track ball flight. I've had these glasses for 3 and 1/2 years now and they're holding up great. I'm starting to see some very small cracks on the lens by the nose bridge, but I'm not concerned. They appear to be natural wear and tear and nothing that will compromise the glasses. If they eventually do break, I plan to buy replacement lenses from Maui Jim.
Love these glasses
By TN Jed
from Nashville, TN, United States
I'm glad to have found these after years of cheap, bulky sunglasses. I'd buy cheap because I knew I'd break them. And I have. These glasses are not meant to be folded up and put in a pants pocket, especially while climbing over fallen trees. My bad. So I take better care of them, and they serve me very well on trails and on the water. I spend a lot of time in the woods, and I really like the clarity of the lighter lenses in that setting. Customer service is perhaps the best I've encountered from any company.
My Maui jim's
By ralphie
from long island ny
Outside of that it requires two hands to put on your face there is not a better sunglass lens then the Maui's . I am on my 5th pair in 7 years have tried every good company out there before and even in-between i always go back . My wife goes through sun glasses to much but I got her a pair and we are on summer #2 and she still has them .
Fill out the form below to request Better Price for this product.
your next order of $250 or more.


text:
Friday, April 1, 2016
Awarded By
Central Scholarship Bureau
Award Amount
$1,500 annually, non-renewable.
Four awards offered annually.
Deadline Info
Applications are available on the Central Scholarship Bureau (CSB) website. In addition to the completed application, the student must submit the following materials: a copy of his/her current Free A ... sign up for full scholarship deadline information.


text:
AjkunBT Presents Hamlet at MMAC Theater
10/25/12 through 10/27/12 248 West 60th Street Map
212-868-4444 ajkunbt.org $29
212-868-4444 ajkunbt.org $29
This event has already taken place. Click here for the latest events.
WORLD PREMIERE PERFORMANCE! Perhaps the most influential tragedy by William Shakespeare, Hamlet speaks of the betrayal, revenge and madness of the wretched Prince of Denmark. The powerful choreography by Leonard Ajkun mixes dynamic contemporary dance with the commanding emotions of stellar performers. Not to be missed.
Upcoming Events
Dracula - Ballet World Premiere - 10/26/16 - 10/28/16


text:
According to the Florida Times-Union, a 68-year-old Florida man was killed over the weekend after being hit by a dumpster that had been hit by a car.
According to the Times-Union story, an 18-year-old driver swerved to miss a person in the parking lot of a Winn-Dixie in Jacksonville Saturday night and hit the dumpster. The dumpster then struck the victim, according to the report.
Read the Times-Union story HERE.
What are your thoughts CLICK HERE to leave us a "QUESTION OF THE DAY" comment.
© Copyright 2016, A Quincy Media broadcasting station. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


text:
HourlyLess than 30 hrs/week
Start DateJune 11, 2013
Rough outline of the project: I need to upload and customize a theme downloaded from one of the SE developers also completely redesign the landing page. The network what I am trying to create, will be a niche social media network with a strong job portal integration. Connecting employers with employees in-real-time and exact availability, based on multiple level of compatibility i.e. skills, experience, days hour available.
I also need to add functions and features like:Talent Search, Jobs Directory, Classified, Groups, Circles, Favorites, Networks, Events, Endorsement Requests, Ratings, Following, Different Member levels, Payment Gateways and more.....
The Developer should have adequate graphic design and database knowledge.
I would like to cut some of the costs for developing these features from the scratch, by purchasing plug-ins from the other SE developers, which then need to be modified to serve my exact expectations.
I am intending to start ASAP
About the Client
Mississauga 04:04 AM
Jobs Posted
65% Hire Rate, 1 Open Job
Total Spent
17 Hires, 0 Active
Avg Hourly Rate Paid
657 Hours


text:
Elbrus Home
Real Reviews
Real reviews from fellow travellers
These are trusted reviews from guests who have actually stayed here. We hope you find them helpful.
Note: we only give a property a rating once it has received a minimum of 3 reviews.
- Page:1/1
- " What a wonderful experience! This is an oasis in Kathmandu. In the morning Khem, Aleh, and their staff prepare a wonderful breakfast at any time from 6AM to 11AM based on your schedule. They are very helpful for any type of activity you would like to do. They also, with no reservation, took care of our baggage while we were in Nagrakot. This is a little outside of Thamel, which can actually be a good thing but wanted to let you know that you need to cross a busy road to get into Thamel. "
- 23 Aug 2016 Anonymous USA
- " I had such a great experience, the owner Kheem was so accommodating, so helpful literally to the last minute. Even after I had paid and checked out he walked me to the bus stop to make sure I got on alright. The breakfast was great, the staff was friendly, and the location was perfect distance from the hustle and noise of Thamel. I loved my stay here, I would definitely recommend. "
- 29 May 2016 Anonymous USA
- " We had a nice stay with an excellent breakfast and a hot shower. The hostel manager is very helpful with whatever you need. "
- 26 May 2016 Julie Pommer Denmark
- " Elbrus Home was such a great hostel in Thamel. Kim will bend over backwards for you to make you happy! He is very nice and will have breakfast made every morning. He will also have tea or soup made for you in the daytime. I highly recommend it and would go back! "
- 13 Mar 2016 Anonymous USA
- " Excellent stay at Elbrus home. Khem went above and beyond to welcome, accommodate, and help us throughout our journey of Nepal. Highly recommended! "
- 16 Nov 2015 Anonymous USA
- " Elbrus Home was a lovely respite from the chaotic nature of neighboring Thamel. Khim is a first-rate host and took care to address all of our needs during our two night stay in Kathmandu. Accommodations were simple but clean, and the hot showers always worked as advertised. Breakfast is a delight, and readily available drinking water is a nice touch. Lots of outdoor space, decent WiFi and a roof deck round out a good value guesthouse for a bookend stay before/after trekking in and around Nepal. "
- 07 Nov 2015 David USA
- " My son and I enjoyed our stay here at Elbrus Home . We stayed here twice on our trip in Nepal . The staff is great ! always willing to help you . A great breakfast too . Location is very close to the main Thamel area . They will answer any question and book whatever is needed . This is a must stay location and very safe place . "
- 31 Oct 2015 Anonymous USA


text:
The .desktop should have Version=1.0. The version is supposed to be the desktop specification version, not the program version.
Search Criteria
Package Details: apachedirectorystudio 2.0.0.v20151221-2
|Git Clone URL:
|https://aur.archlinux.org/apachedirectorystudio.git (read-only)
|Package Base:
|Eclipse based LDAP browser and directory client
|Upstream URL:
|Last Packager:
|First Submitted:
|2009-02-13 21:06
|Last Updated:
|2016-01-14 17:21
Dependencies (2)
- gtk2 (gtk2-aqd, gtk2-patched-filechooser-icon-view, gtk2-patched-gdkwin-nullcheck, gtk2-ubuntu)
- java-runtime (denix-jdk8, intellij-jdk, java-gcj-compat, jdk, jdk-arm, jdk-devel, jdk5, jdk6, jdk7, jre, jre-devel, jre6, jre7, jre7-openjdk-infinality, jre8-openjdk-infinality, jre8-openjdk-jetbrains-git, server-jre, tuxjdk, jre7-openjdk, jre8-openjdk)
Required by (0)
Sources (1)
Latest Comments
ejona86 commented on 2016-04-24 21:11
The .desktop should have Version=1.0. The version is supposed to be the desktop specification version, not the program version.
jvybihal commented on 2016-04-07 13:22
I can confirm, that M10 version from this PKGBUILD is extremely buggy. I almost tear my hear when working with it. It constantly had problems with connecting and doing basic tasks. I just tried SNAPSHOT as @spectroman, and it seems to work like charm again.
Can I ask you @mzimmerman, as a maintainer, to switch to that source or create another package (something like apachedirectorystuio-nightly)?
spectroman commented on 2016-03-04 15:56
This version (2.0.0.v20151221-2) is buggy, you cannot create a new organization using this. If you have an error: ERR_55 Trying to remove an non-existant attribute.
I'd recommend to get an nightly build and fix your PKGBUILD based on that:
mzimmerman commented on 2016-01-14 17:22
I updated this locally before realizing it was disowned. I wanted to push back my changes however, so now this has become my first aur package ownership - be kind.
allyourbase commented on 2016-01-13 16:23
I'm disowning this. Feel free to take it.
andreas_baumann commented on 2016-01-13 08:21
Newer version appeared, old download link is not available anymore:
pkgver has to be changed to v20151221
grawity commented on 2015-08-18 14:29
No problem, I just didn't notice the png the first time I posted
allyourbase commented on 2015-08-18 14:08
Sorry for the delayed response.
Fixed, thanks.
allyourbase commented on 2015-08-18 14:01
Fixed, thanks.
grawity commented on 2015-08-18 05:29
The .desktop entry is pointing to a nonexistent Icon path. It should say "icon.xpm".
Or, even better, it should point at /opt/ApacheDirectoryStudio/features/org.apache.directory.studio.ldapbrowser.feature_2.0.0.v20150606-M9/studio.png – which is a high-res PNG and nor a crusty low-res XPM.


text:
Jennifer Garner and Hugh Jackman Are in a Movie About Competitive Butter Carving
Jennifer Garner in "Butter"
Image courtesy of The Weinstein Co.
"Butter", a movie both starring and produced by Jennifer Garner, made its premiere at the Telluride Film Festival over the long weekend. No, it's not a Paula Deen biopic, settle down–it's a semi-political satire centered around the world of competitive butter carving at the Iowa State Fair!
The plot kicks off when Garner's husband, the reigning butter carving champ (played by Modern Family's Ty Burrell), decides to throw in his…spatulas? (What do people even use to carve butter?) Anyway, he throws those in, and Garner's character, who had hoped that her hubby's butter skills could catapult him to local political office, decides to take up the spatulas herself. It sounds like some satirical jabs at state fairs' fried-anything culture ensue, along with some romantic storylines where Hugh Jackman, as Garner's ex, enters the picture, and so on.
Some reviewers have called it "delightful," others have misused the power of the food metaphor to either diss ("Churns Mixed Response") or neutrally refer to the film ("Garner spreads 'Butter'"–totally necessary). Good or bad, this will present a chance for fans of dairy-derived lipids to see nearly human-sized blocks of their favorite fats on screen. Its release date is not yet set.
[via LA Times]


text:
Skip to comments.McCain Rides to Kerry's Rescue: "John Kerry is Not Weak on Defense" (Today Show alert)
Posted on 03/18/2004 4:31:09 AM PST by governsleastgovernsbest
Just when the Bush campaign had wrestled John Kerry to to the mat on his weak and waffling record on national security and defense, who leaps over the ropes and into the ring to revive him? Why, none other than the egomaniacal, sore-losing Senator from Arizona, John McCain.
In a just-concluded interview, the Today Show's Matt Lauer posed the question in the clearest possible terms: "is John Kerry weak on defense?"
On the first go-round, rather than answering the question at all, holier-than-thou McCain chose to decry the "negativism" of the campaign. He fretted that all the mean stuff will turn off young voters, and admonished the candidates to start talking about Social Security, health care and overspending (i.e., issues less favorable to Pres. Bush).
But Lauer would not be put off, and repeated his question squarely: "Is John Kerry weak on defense?"
Now, consider McCain's options in answering. He could of course told the truth: "of COURSE John Kerry is weak on defense!"
If he wanted to show some comity toward a fellow Senator, he could have gone for the middle ground: "however you want to characterize Kerry, it's clear that President Bush is much stronger on defense."
But instead, McCain chose option three - ignoring the truth and flatly defending Kerry. His answer "No, I don't think Kerry is weak on defense." He "nuanced" the rest of his answer "well, of course every Senator has to defend his votes, and I disagree with him on some things." But the headline quote remains - "McCain: Kerry not Weak on Defense."
Lauer then raised the question of whether McCain would accept an offer from Kerry to run as VP. He gave a classic Washington non-denial denial. He "wasn't running for VP." Yeah, not yet, you haven't been asked. He stopped far short of saying he wouldn't accept Kerry's invitation. "Have you had serious discussions with the Kerry campaign? "Not serious ones." Not serious? Has McCain had un-serious discussions with the Kerry people?
McCain went on to describe his GOP affiliation in this most curious way. "I'm a member of the party of Lincoln, of the party of Teddy Roosevelt." It seemed that he was about to add someone else. The obvious name would have been Ronald Reagan. But no, the most recent Republican with whom McCain was willing to associate himself was in office 100 years ago.
Thanks for nothin', John.
Good question. I draw the line at watching Carville or Begala on CNN's Crossfire. But I watch Today out of a combo of masochism, the fact that the show continues to attract top guests, and the belief that it's useful to keep track of what the opposition is up to.
Taking this morning's show as an example. I think it's useful for people to be aware of the latest example of McCain's ego-driven disloyalty.
John McCain has h***-on for the Vice Precidency.
I now have doubts as well. He may have even been the one that released his ordnance on the deck of the Forestal. I'm kidding. Aren't I?
My first thought exactly.
the manchurian candidate could qualify as foreign, as in foreign to any values of this country.
If Kerry wants to choose Mc Cain for his running mate, it's fine with me.
Mc Cain is a loose cannon. Period!
Considering how it was McCain's plane that helped set off the USS Forrestal conflagration - there would be a lot of suspects.
More seriously, John McCain has a long history of firing on his own side. John Friggin' Kerry should keep that in mind.
"Hey, I resent that remark. No one ever called me a RINO!"
And now a question to the good people of Arizona:
When are you going to dump this egomanical little nutcase and get a REAL senator???
< /end of tantrum>
And, by the way, the PA republicans who are "pretending" to be fighting for the average Pennsylvanian "are all RINO's".
Hillary, dangling file, to McCain: "You will obey!"
Actually, if there were such a file it might provide some shred of justification for McCain's perfidy. But I'm convinced he is entirely self-motivated.
I think the trigger word is "lockbox" - which everyone but McCain interpreted as relating to Social Security.
McCain is Dean with a military record!
[snip] Bush's chief Republican rival in 2000, Sen. John McCain, R-Ariz., said Thursday he does not believe Kerry is weak on defense even though they disagree on some issues. McCain, who serves on the Senate Armed Services Committee and is a friend of the Massachusetts senator, said a discussion of Medicare and other issues should replace negative campaigning.
"He's responsible for his voting record, as we all are responsible for our records, and he'll have to explain it," McCain said of Kerry on "Today" on NBC. "But, no, I do not believe that he is necessarily weak on defense. I don't agree with him on some issues, clearly. But I decry this negativism that's going on on both sides. The American people don't need it, and the end result will be lower voter turnout, particularly amongst younger Americans." [snip]
Thanks very much for posting this. It illustrates the thrust of this thread perfectly. McCain knew darn well that his comments in support of Kerry would be very newsworthy. How long before we hear the Kerry campaign itself exploiting them?
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