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Quilty as Charged
Undercover in a Material World
By Spike Gillespie
A fascinating look at the eccentric personalities, including the author, drawn into the world of serious quiltmaking.
In the United States today, there are more than twenty-two million quilters who collectively spend more than one billion dollars on quilting every year. The annual International Quilt Festival attracts more than 50,000 dedicated visitors from around the world. Festival prize money can reach $100,000. Drawn into this material world by a newspaper assignment, Spike Gillespie soon found the personalities who populate serious quiltmaking as compelling as the art itself. Quilty as Charged is not a history or how-to guide; it is a collection of many small stories, including Gillespie's, stitched together in the spirit of quilting, separate scraps made into a cohesive cloth.
Quilting today is a world of traditionalists and visionary artists, collectors and connoisseurs, and it encourages the same intrigue, innovation, and inspiration found in "fine" art. (Many of the quilts themselves hang, deservedly, in fine art museums.) Inevitably, Gillespie begins piecing together a quilt. But while her effort begins as a helpful tool for understanding her subjects, what she ultimately understands is that she, like all inspired quilters, is sewing her own pattern.
- Acknowledgments
- Introduction
- Part I: The Mysteries of Quilting Revealed
- Chapter One. Quilt Show Virgin
- Chapter Two. Sew What?!
- Chapter Three. Seams Challenging Enough
- Chapter Four. My First Real Quilt (An Attempt)
- Part II: Meet the Quilters
- Chapter Five. Felonious Punk
- Chapter Six. Caveman Quilting
- Chapter Seven. Je Ne Sais Quilt
- Chapter Eight. Another Kind of Quilting Cotton
- Chapter Nine. Give Us This Day Our Dailey Thread
- Chapter Ten. Meet My Famous Mother . . . er . . . Daughter
- Chapter Eleven. Reaping What They Sew
- Chapter Twelve. You Can't Break Rules You Don't Know
- Chapter Thirteen. Peacing It Together
- Chapter Fourteen. Those Who Can, Do; Those Who Can, Also Teach
- Chapter Fifteen. Sewing on the River (and Everywhere Else)
- Chapter Sixteen. Manly Quilt Man
- Chapter Seventeen. One Quilt, One Love
- Chapter Eighteen. Bee Queen
- Chapter Nineteen. Binding
- Epilogue
If there existed a book titled Women Who Quilt and the Men Who (Are Forced to) Let Them, the tome would be filled with the sheepish testimony of countless Fabric Widowers. Here, these otherwise strong and domineering men would confess their powerlessness over wives who've been infected with what the quilting community terms "quiltpox." Put conservatively, when it comes to their art, quilters are enthusiastic to the point of rabid fanaticism (a line most would gladly cross were they not held back by life's constraints: work, chores, kids, husbands, and the sad fact that sooner or later, no matter how badly you want to finish a quilt, you have to stop and sleep once in a while).
According to the latest industry statistics, twenty-one million Americans are currently working on quilts. This is a broad-stroke number—"working on" could be defined as merely possessing a quilt magazine with the hopeful but delusional intent of reproducing a quilt pictured therein "one of these days." Or it could refer to having a project half-done and sitting in the basket by the sewing machine for the past five years waiting (perhaps in vain) to be completed.
But for more than one million of the twenty-one million, a subset known as Dedicated Quilters (DQs), "working on" means going at it with a vengeance—maybe cranking out a dozen quilts in a year, maybe spending three years creating a single quilt that will win Best of Show at one of the big annual shows. But always—regardless of pace, regardless of technique (hand or machine sewn, pieced or whole cloth), regardless of style (bold and contemporary or calm and traditional)—for this group, "working on" means performing some quilt-related activity nearly every day.
These women (99 percent of all quilters are women) spend over $500 per year on quilt-related purchases. With an average annual income of $75,000, many of them happily spend much more than that. In 2000, DQs forked over $1.7 billion (an 83 percent increase over the 1997 figure.)
In 2004, at the International Quilt Festival (IQF)—the largest annual gathering of quilters in the world—over fifty-four thousand attendees from across the globe poured into George R. Brown Convention Center in Houston. Gawking and walking, they took in more than 1,900 displayed quilts, snapped up fat quarters to heap upon already towering fabric stashes back home, and reveled in a glut of round-the-clock quilt talk with other elated stitchers.
IQF's producers have been successful enough to add a new annual spring show. They also put on an international show once every other year. Additionally, there are a number of other major quilt shows, including the Pacific International Quilt Festival and the American Quilter's Society Quilt Show and Contest, held annually in Paducah, Kentucky. Internationally—for quilting has caught on at a frenzied pace in the UK, Japan, and Australia—there are still more shows, such as the annual festival in Yokohama, Japan, each November and the Quilts UK Show in Malvern, England, in the spring.
At these big shows, the stakes are incredibly high. At Houston's IQF 2004, nearly $70,000 in prizes was awarded, with $10,000 going to Best of Show winner. Paducah show purses have weighed in at over $100,000. The competition is fierce and jaw-dropping, dramatically illustrating how what was once an art of resourcefulness—recycling old clothes and rags and flour sacks into patched-together blankets—has turned into an art of the finest form: We're not talking bedspreads, Dorothy; we're talking museum-quality work that sells for tens upon tens of thousands of dollars.
Beyond the flashy shows there are the little shows. Held in public libraries, churches, small museums, state fairs, and other smaller venues all over the United States, they offer hundreds of opportunities for quilters of varying skill levels to demonstrate their passion and offer the viewing public—many of whom are unfamiliar with the intricacies of quilting—a close-up view of the hard work, microscopic details, and tremendous time commitment quilts require. This is also a place for newcomers and quilting hopefuls to whet their appetites—"quiltpox" is quite contagious in such a setting.
My own passion for quilting was sparked by an article I wrote on the topic, suggested by my friend Sarah, which appeared in the Dallas Morning News in January 2002. I confess having one goal when I set out to write that story: pay the rent. I had no idea I was about to cross a threshold into an alternate, fabric-filled universe that would wrap me in its batting and not let me go.
Prior to that article, my only knowledge—if you can even call it that—of quilts was this: for years I'd slept beneath a store-bought quilt, which I never gave much thought beyond two facts—I liked the way the cotton felt, and I liked how just being in the same room with a quilt brought me immediate comfort.
The comfort I derived from that quilt didn't date back to any particular real-life memories, say, me sipping hot chocolate and reading Little Women in a nookish window seat, huddled beneath a well-worn quilt made by my great-grandmother. As far as I know, no one in my family made quilts. But somewhere along the line, the idea of quilts equaling all things good and warm and right was implanted in my mind. Too, my love of quilts no doubt was an extension of my love of blankets, which I'm certain was born of the nomadic life I lived from eighteen through twenty-eight. I might have to leave furniture, books, and friends behind as I moved (and moved again, and again, forever restless). But blankets could always be folded up and smooshed into some crevice in the car, to be brought along to whatever new destination I landed in, ready to lay the foundation for coziness I liked to establish as soon as possible in a new place.
When that quilt wore out, I put it in the mudroom for my beloved dogs, Satch, Tatum, and Bubbles, because even though the thing was ragged, it still emanated a sense of comfort (the dogs agreed). Not long after, I replaced it with another, fancier, thicker quilt, also a department store purchase. By then I was aware of sweatshops and knew the quaint description "imported," which appeared on the package, was merely a nice euphemism to cover up the working conditions of the women who were forced to make quilts for, I'm guessing, pennies per day of constant sewing in unpleasant working conditions.
But I silenced the guilty voice in my head. Not in my wildest dreams did it occur to me I could learn to quilt. Quilting involved sewing. I did not sew. I'd sooner tape, staple, safety-pin together, or simply throw away torn clothes. Under no circumstances would I voluntarily undertake a from-scratch sewing project.
Researching the quilt story for the Dallas Morning News was quite an adventure. I fast discovered that dedicated quilters belong to a large, not-so-secret club with members all around the world. I also learned that if you call one quilter for quotes, you will immediately be given the names of at least a half dozen other quilters to interview. At some point I was forced to stop my interviews—not because I'd heard enough to satisfy me, but because the space allotted my story was extremely limited.
In the final edited version, the one that appeared in print, my editor insisted on cutting back my quotes from quilters and replacing this information with quite a bit about store-bought quilts. Her reasoning was that many women reading the article would want quilts but would have no interest in making them. Lut De Meulder, one of the quilters I interviewed for that story who has since become a great friend of mine, wasted no time getting on my case when the piece ran. How dare I give so much space to sweatshop quilts? she demanded.
At the time, while I did clearly recognize the great difference between homemade and store-bought quilts, I didn't quite realize my "crime" in lumping the two together as I had. Although I apologized to Lut, I also defended myself—I didn't have much of a choice in the matter, I told her. And it was true—I was forever deferring to editors in my newspaper work, and this case was no different. If the piece was going to run at all, I had to accept my editor's insistence that I discuss shopping for quilts as well as sewing them.
Rather than hold a grudge, Lut did something quite admirable. She befriended me, and over the years, she took (and still takes) the time to educate me. For my birthdays she's given me quilting books and fat quarters. Thanks in great part to her efforts, I'm finally quilt-wise to the point that if I could go back in time, I'd certainly argue with my editor that the two types of quilts should never be lumped together again.
But full-blown quilt fever did not seize me overnight. Besides Lut's efforts, I was also being nudged by Sarah. Since writing my article, it had finally dawned on me that Sarah's collection of quilts was the perfect blend of form and function. Prior to my article I was vaguely aware that her house was full of dogs and kids, each on a couch under a quilt, but I'd never scrutinized her work before, hadn't even really realized the quilts were carefully designed. Now I looked and I saw, and I was increasingly excited with each new discovery I made. These were not haphazard, thrown-together productions. They had specific patterns, fantastic color schemes, and special touches—embroidered cartoon characters and mementos of big family events. It still didn't enter my mind that I might be able to do this art, but my appreciation for quilts was growing keener.
In the fall of 2002, Sarah and I were both reading a book called Word Freak, by Stefan Fatsis, in which the author shone his journalistic light upon the wacky world of Scrabble fanatics. I'm not talking about friendly family rounds of the word game that get a little out of hand. I mean competitive Scrabble players who dedicate large parts of their lives to improving their skills and who enter tournaments to win big bucks. In addition, Fatsis decided he, too, would work toward the goal of becoming a Scrabble champ.
Word Freak is a great book, inspirational on more than one level. Over the course of reading it, Sarah, both a quilter and a woman prone to many brilliant light bulb moments (not to mention an excellent Scrabble player), came to me and announced, "We need a book like this about the quilting world. And you need to write it."
I immediately fell in love with this idea. If Sarah believed that I could quilt, then maybe I could quilt! And how wonderful that my most important qualification as perfect-author-for-the-job was my near-complete lack of knowledge on my topic. Whereas most books are best written by experts, in this case my blank slate would be a boon. I could keep a running account of how I went from hopeless fumble-fingers to quilting genius. Being a romantic and, too often, an idealist, I envisioned immersing myself into a fascinating subculture and emerging later as a card-carrying member, adored by my peers for my matchless quilting skills.
Well, it's been a couple of years since that vision of mastering the art of quilting first visited me. I won't tell you here what level of success I've had (or not)—you can read on and follow my sewing (mis)adventures in detail. But you've probably noticed, if you're a dedicated quilter, that my work has yet to appear on the cover (or any other pages) of well-known (or even unknown) quilting magazines. And if I were you, I wouldn't stand in front of the Best of Show slot holding your breath, looking for my name to appear with the winning quilt anytime soon.
Nonetheless, I certainly have had (and am still having) a lot of fun exploring the quilting world. I've met more than a few enthusiastic quilters, some famous, some not. I've conducted a survey that netted me piles of great responses. I've attended three International Quilt Festivals (so far). And I've found that, no matter where I am, if I bring up quilting in conversation, there's always someone within ten feet who is either a quilter or knows a quilter or has a story to tell of a favorite quilt.
My goal with this book, besides recounting my own personal quilting adventures, has been to capture and share just a few of the great stories I discovered along the way. My regret is that there is no way I could possibly present all the stories I uncovered. Maybe I need to write a series—because certainly there is more than enough material (pun most certainly intended) out there to fill volumes.
Before I commence to detailed sharing of these quilting stories, I want to take a moment to recall a great conversation I had at the outset of writing this book. I'd already written a proposal, over fifty pages, which I submitted to my then agent. Not a quilter, this woman didn't get what I was aiming for. At first she asked if I might instead prefer to write a book about knitting. Mind you, I am an avid knitter, much better at that craft than I am at sewing. But the way this woman put it, it was as if she thought the two were interchangeable.
When I made it clear to her that quilting was unique and that I intended to stick to the topic, she acquiesced and ceased with her call for me to write a yarn about yarn. Still, while she reluctantly agreed that quilting might work as a topic, she didn't share my vision for project execution. I wanted to write about living, breathing quilters—traditionalists, contemporary artists, hand quilters, machine quilters, etc.—patching together an eclectic bunch of profiles. She suggested that instead I write a book about the history of quilting.
I admit I understood her motive for this suggestion—the book market these days is most often looking for a formulaic, surefire best seller. Pitching a wacky people collage, as I had, didn't meet that goal. But with all due respect to my agent's needs and visions and the demands of the publishing market, not only did I feel like the history of quilting had been adequately covered numerous times by people far more knowledgeable than I, but it also didn't come close to what I wanted to accomplish.
So I parted ways with that agent, next approaching the agent who had sold Word Freak, since that was my inspiration. He read my proposal and did get it but wanted me to reshape my idea to follow the lives of just a few quilters, their ups and downs, the arcs of their stories—very beginning, middle, and triumphant ending. Not a bad idea, but again, not my vision.
Which is when I made the very good choice to query Theresa May, who had edited a previous essay collection of mine. Would UT Press ever even be interested in the topic of quilting, written in the spirit of quiltmaking—that is, many small stories pieced together?
Theresa invited me to drop off my proposal. Within twenty-four hours, she called to set up a lunch date: Yes, she wanted the book. Besides the very good feeling that comes whenever a book idea gets a green light, I got something else from Theresa. I knew she was a seamstress—she makes amazing costumes for theater productions.
During our lunch we talked at length about sewing. I confessed my near phobia of the activity while she expressed her joy in it. I didn't need to work to convince her that capturing many small tales of everyday quilters would be exciting. She already understood that passionate sewers hear the hum of a busy sewing machine the way orchestra patrons hear the sweet triumph of a masterfully performed symphony presentation.
Theresa was the one who pointed out to me what a perfect metaphor quilting is for women's lives. We all have our stash—of skills, memories, drawbacks, drama, tragedy, and joy. And from this stash we piece together our lives, each of us creating an amazing and unique pattern. This resonated deeply.
And so with the encouragement of Sarah and Lut and Theresa, I set out to piece together my first quilt and to piece together this tale of many quilters. While I certainly encountered many obstacles along the way, from broken needles to a tape recorder that chose to malfunction at a crucial moment, I have come away much richer for my experiences.
Spike Gillespie is the author of Surrender (But Don't Give Yourself Away) and three other books. Her essays and journalism have appeared in the New York Times, New York Times Magazine, Smithsonian, National Geographic Traveler, Texas Monthly, and the Dallas Morning News, among other publications. She lives in Austin, Texas.
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That's the problem LSU's facing as they enter the 2014 season. Players like Chris Cotton, Ryan Eades and Nick Rumbelow were vital cogs to the Tigers' success a year ago. Now Paul Mainieri and pitching coach Alan Dunn are tasked with figuring out who can step up from the remaining group of talent.
"We have a lot of strength," said junior ace Aaron Nola. "We lost a lot of really good guys last year, but we also had a lot of guys come back this year. They are solid. I think it is really going to come together. I don't think I could name just one main guy right now. It is really all just starting to come together. But the fans are going to see what we can do."
When you have a guy like Nola headlining the staff, it certainly eases a lot of the concern. Nola's coming off one of the most dominant seasons in LSU history, only suffering one loss, which came in his final appearance. He had a streak of four consecutive complete games and finished the year as the SEC's leader in strikeouts with 122.
So while expectations are understandably high for Nola, Mainieri has no doubts he'll live up to them and possibly even exceed them. Mainieri said Nola will hold his velocity deeper into games, his curveball is tighter and his changeup is more deceptive.
"I think he handles the pressure pretty well," Mainieri said. "He almost had a perfect season last year. He handled the pressure last year in an amazing way. I know the expectations are high for him, but even in high school the pressure was on him and he's always handled it in an even-keeled way."
Behind Nola is a three-man race for the two remaining spots in the rotation. Left-handers Cody Glenn, Kyle Bouman and Jared Poche are all vying for a weekend role, and that competition will continue through the first couple weeks of the season.
Mainieri has already said that Nola will be the Tigers' opening night starter against New Orleans on Friday. Bouman will start Saturday against the Privateers in Zephyr Stadium, then Poche will get the nod when the Tigers return home on Sunday. Glenn will start midweek on the road against Southeastern Louisiana.
Mainieri will stick with that order for the first two and a half weeks, then give Poche a midweek start on the road March 4 against Northwestern State. That will give all three potential starters an opportunity to pitch away from Alex Box Stadium.
Glenn would seem the most likely of the three to secure a spot in the rotation. He emerged last year as LSU's No. 3 starter and had many flashes of brilliance throughout the season. He finished the year with a 7-3 record and a 2.68 ERA, but Mainieri wants to see a bit more consistency and improvement before he's permanently slotted into the rotation.
Mainieri said Poche's "not a typical freshman" as he displays tremendous confidence on the mound and can regularly throw his curveball for strikes. He's taken exceptionally well to Dunn's coaching and could very well be in the rotation by conference play.
"It's a rare occasion that an 18-year-old is ready to make that kind of jump," Mainieri said. "Aaron Nola and Kevin Gausman were exceptions, and I hope Jared Poche will be an exception, but you just don't see it very often."
Aside from the uncertainty with the rotation, there's plenty left to be decided in the bullpen as well, particularly at closer. Mainieri said LSU's been spoiled by guys like Cotton and Nick Goody the last two years, and finding a suitable replacement will be a primary focus in the early season.
"The closer is my biggest concern," Mainieri said. "I know in this league, if you can't finish games, you can't win. It's that simple...We've got to find out who can do that."
LSU-Eunice transfer Brady Domangue seemed to be LSU's first choice coming out of fall practices, but Mainieri admits he still isn't quite where they want him to be. He still has hope that Domangue will continue to get better, but in the meantime, the coaches will give other guys an opportunity to prove themselves.
Mainieri's mentioned veterans Kurt McCune and Joe Broussard as guys that could step in and close. McCune began his career as a weekend starter, but has since been left in the bullpen as he's struggled with injuries the last two years. Broussard returns to the field for the first time since 2012 after missing the entire 2013 season with an elbow tear.
Mainieri said both guys have been throwing exceptionally well in practice, and he hopes both will have a big impact this year.
"They're going to be the keys to our pitching staff," Mainieri said. "Both of them have had their moments in their careers where they've been outstanding. I'm expecting big things out of both guys."
Outside of these pitchers, there are several others that could have roles out of the bullpen. Hunter Newman was in contention for a starting spot before injuries set him back. He won't start the season 100 percent, but he could emerge as the year goes on.
Nate Fury is back to full strength after undergoing surgery in the offseason. Hunter Devall got some action last season, and newcomers Henri Faucheaux, Alden Cartwright and Parker Bugg could also get some significant innings as well.


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If you were buying today, which one would you buy and why?
Misread your question. KMI is the buy. Still upside to the Goldman price target of $32 and a decent 4%+ qualified yield. But again it is up from $23.66 August low to $28.70 now, a 21% run up.
I would not be buying now. KMR hit $54.66 on the close 8/8/11 and is now $66.33, more than $11.50 higher -- that's 10 quarters of stock dividends higher. KMP same thing with a $64.58 August low and a $76.36 price now. The price you pay for a stock is the best way to control you risk. These are toasty highs for KMR/KMP, I'd wait. KMR is 21% higher ($66.23/54.66) and KMP is 18.2% higher ($76.36/64.58). This emphasizes the point that KMR does better / the discount decreases when KMP/KMR goes up. This will reverse if KMP/KMR goes down. If I had to pick a direction, I'd say down, so you would want to buy KMP to lose less. KMR had a compelling "yield" of 8% at prices under $57.50. KMP had a compelling yield of 7%+ at the August low. Where where you then??? I'd wait for KMR/KMP to get to these yield levels to yield the same but on the new $5 distribution projected in the merger announcement. If you can unravel all of the moving parts in the EP takeover and from that figure out that KMP/KMR are a buy/buy/buy you are smarter than I am. Deal won't close until 2012, so I think some of the froth here may send prices lower.


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Although Riggs turns in a workmanlike performance, the rest of the cast is weak, with rare exceptions.
Michael O'Sullivan - Washington Post
Dowdell shows promise as a director and if he can reach the next level on his scripts, he'll be an independent director worth keeping an eye on in the future.
Jeffrey Lyles - Lyles' Movie Files
Touching on a litany of timely themes, this modern morality play of Shakespearean proportions packs an emotional punch while sending a sobering message about what really matters most.
Kam Williams - AALBC.com
Changing the Game doesn't have the resources of a Hollywood movie, that's obvious. But it has one thing many Hollywood movies do not have -- an ending.
Gary Thompson - Philadelphia Daily News
Suspenseful, intriguing, wise and genuinely heartfelt.
Avi Offer - NYC Movie Guru
Any forced note is counterbalanced by the greater amount of right ones.
Michael Dequina - TheMovieReport.com


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I like to modificate the C&C Renegade and make other games. That's a reason why I registered here. Thank you, Moddb, you are my second home. Creating so much different and interesting things - this is my main priority now. I'm glad to see my works alive. Also thank you, guys and girls, for your brilliant support. That's all what I wish to say.
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Golf Shoes
We have a wide selection of golf shoes from leading manufacturers in the world of golf including Footjoy, Adidas, Nike, Puma, Callaway Golf and more too! Over 1,000 pairs in stock.
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Here is my "peer pressure" YYC Challenge - it's March in Calgary, we get a lot of snow... I can't ride my scooter. I get grumpy.
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Agatha Christie Murder Mystery And Then There Were None
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The last date listed for And Then There Were None was Sunday November 13, 2011 / 2:00pm.
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Amélie, A New Musical Based on the Delightful Hit French Film
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The play was delightful and well executed and acted. I have seen others disparaging the play, but I had not read the book, so we thought it very good and entertaining.
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The female lead was miscast. Her shrieks and overacting was not enjoyable. I've seen better high school performances. The theater seating was topnotch with very comfortable chairs. Lighting and set was very good. It needs a better cast and...continued
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The story did not have enough of a mystery too it. Somewhat boring. The theater is great....
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A painful evening in the theatre. Only two cast members managed a passable version of the British accents required for their characters. I'm of the opinion that if you can't find actors who can do dialect, don't do a play that requires it. The...continued
Written by Agatha Christie
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Five primary activities
Layer breeding
Turkey breeding
Pig breeding
Aquaculture breeding
Traditional poultry breeding
Hendrix Genetics is a leading multi-species breeding company with primary activities in layer, turkey, pig, aquaculture and traditional poultry breeding.
Hendrix Genetics has committed itself to improving its asset base in its Vision2020 plan. As part of that plan the Layers Business Unit developed a new, state-of-the-art, sustainable, parent stock hatchery in Boxmeer, The Netherlands. The new hatchery brings substantial savings in resource use and reduced waste. The sustainable hatchery is a prime example of how Hendrix Genetics' comprehensive Sustainability Program is generating results from the very beginning of the egg value chain. Read more...
To fulfill our mission and to realize our full potential, Hendrix Genetics is inspired to be the global leader in animal breeding. With this goal in mind, we have developed a strategy founded on strengthening four key pillars of our business:
Over many years, we have accumulated expertise and resources and leveraged our roots in farming to develop the relevant, high quality multi-species breeding solutions that we offer today.
On April 13, 2016, Hendrix Genetics Ltda. located in Salto, Brazil, and Interaves/ Globoaves, located in Birigui, Sao Paulo State, Brazil, reached an agreement regarding the acquisition of the distribution activities of Hisex layers. The acquisition comprises the existing Hisex Parent Stock layers and hatchery in Birigui, including all staff.
Hendrix Genetics has concluded its agreement to purchase 100% of turkey distributor Coolen Hatchery, the largest turkey hatchery in the Netherlands. This announcement follows a press release of October 26, 2015, in which Hendrix Genetics announced it would take a controlling interest in Coolen.
Arkansas-based Cobb-Vantress and Hendrix Genetics have signed their third consecutive Joint Development Agreement (JDA). Both companies initially set up their first JDA in 2008 and after seven years of successful R&D partnering both companies are convinced that there is much more to discover with new genomic selection tools.
Pioneering Dutch-based global breeding company Hendrix Genetics has formed a new company to produce year-round high quality Atlantic salmon eggs in Norway. Hendrix Genetics Aquaculture AS will be based in Bergen and will introduce to the Norwegian industry the most advanced genetic and genomic technologies in salmon breeding.
Hendrix Genetics and NPM Capital, a subsidiary of family-owned, SHV Holdings, have completed an agreement that will advance the animal breeding sector. Through the issue of new shares, NPM has become a 25% minority shareholder in Hendrix Genetics, alongside existing shareholders.
Hendrix Genetics organized its Academy for a second time, welcoming around 90 post-graduate students, research and industry geneticists, lead scientists and industry leaders to enjoy a three day program to connect science and industry. The theme of this year was "Accelerating the future" and based on four distinct focus areas.
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I have a long history with 'forgiveness' and lack thereof. I had quite a few horrific things happen in my childhood.
I was very fortunate to have an experience with one person who perpetrated some of the horror. He was in town, and asked to have dinner with me. I had made up my mind that the relationship could not go on with out me bringing up to him that I recalled it as horror. To my endless surprise, he brought it up first. We had a wonderful discussion. He apologized, before I asked. He said 'what do you want from me?' I said I would have wanted it not to happen, but given that we couldn't have that, I wanted apology, which he had already given. (basically, GG's scenario)
It was the only conversation I had like regarding events from childhood, so I was (and remain) very grateful that it was the first one. The rest of them were not as pleasant, and most of them will never even get to happen.
'I'm sorry you feel hurt' and 'I'm sorry you got hurt' are radically different statements than 'I'm sorry I hurt you' or even, 'I'm sorry that I did X, and that you feel hurt because I did that.'
I guess I've never had an expectation that anyone would ask forgiveness, so I don't include it when thinking of such events.
I guess I view forgiveness as mine to give or withhold, and I am the sole decision maker about it ~ to me it's irrelevant whether one asks or not. The hurt is mine to choose, or give up (it's FOR-giving). I'm the only one who hurts by not giving it. (that said, I have withheld it) (also there is the importance difference between forgiving and forgetting. I forgave, but I did not forget, because I was not willing to allow it to happen again.)
Love is that condition in which the happiness of another person is essential to your own...
Robert A. Heinlein
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Hampton Inn & Suites Atlanta Downtown, Atlanta
- Free hot/cold buffet breakfast and WiFi
Main amenities
- 119 guestrooms
- Fitness center
- Self parking
- Business center
- 24-hour front desk
- Coffee/tea in a common area
- Air conditioning
- Daily housekeeping
- Front desk safe
- Laundry service
- Meeting room
- Gift shops/newsstands
For families
- Free cribs/infant beds
- Rollaway/extra beds available
- Connecting/adjoining rooms available
- Private bathroom
- Premium TV channels
- Daily housekeeping
What's around
- In Downtown Atlanta
- Centennial Olympic Park (0.2 mi / 0.3 km)
- World of Coca Cola (0.4 mi / 0.6 km)
- Philips Arena (0.4 mi / 0.7 km)
- Georgia Aquarium (0.5 mi / 0.7 km)
- Georgia State University (0.6 mi / 1 km)
- Atlanta, GA (ATL-Hartsfield-Jackson Atlanta Intl.) 19-min drive; 11.5 miles/18.6 km
- Atlanta, GA (PDK-DeKalb-Peachtree) 23-min drive; 11.7 miles/18.8 km
- Atlanta Peachtree Station 11-min drive; 3.3 miles/5.3 km
- Peachtree Center Station 5-min walk; 0.2 miles/0.3 km
- Five Points Station 10-min walk; 0.5 miles/0.8 km
- Dome-GWCC-Philips Arena-CNN Center Station 11-min walk; 0.6 miles/0.9 km
- Self parking (surcharge)
Hampton Inn & Suites Atlanta Downtown, Atlanta
Hotel Info: 855-238-1591from $159
- One King Bed, Non-Smoking, Accessible
- Two Queen Beds, Non-Smoking, Accessible
- 2 Double Beds nonsmoking
- One Full Bed, Non-Smoking, Accessible
- Two Queen Beds, Non-Smoking
- Room, Accessible, Non Smoking
- Two Queen Beds, Non-Smoking
- Suite - 1 King nonsmoking
- 1 Double Bed nonsmoking
- Suite, 2 Queen Beds, Accessible, Non Smoking
- 1 King w/easy chair nonsmoking
- Suite, 1 King Bed, Accessible, Non Smoking
- 2 Queen Beds Nonsmoking
- Room, 1 Queen Bed, Non Smoking
Also popular with travelers from the USA
At a glance
Key facts
Hotel size
- This hotel has 119 rooms
- This hotel is arranged over 8 floors
- Check-in time starts at 3 PM
- Check-out time is noon
- Express check-in/out
Required at check in
- Credit card or cash deposit required
- Government-issued photo ID required
- Minimum check-in age is 21
Travelling with others
- Children (18 years old and younger) stay free when occupying the parent or guardian's room, using existing bedding
- Pets not allowed
Extra people
- Roll-away beds available, charges may apply*
- Free WiFi in public areas
- Free WiFi and wired Internet access in rooms
- Self parking *
In the hotel
- Free hot/cold buffet breakfast
- Coffee/tea in a common area
- Fitness facilities
- Golfing nearby
- Business center
- One meeting room
- 24-hour front desk
- Dry cleaning/laundry service
- Laundry facilities
- Free newspapers in lobby
- Number of buildings/towers - 1
- Elevator/lift
- Safe-deposit box at front desk
- Accessible bathroom
- Roll-in shower
In the room
- In-room climate control (air conditioning)
- Air conditioning
- Coffee/tea maker
- Iron/ironing board
- Private bathroom
- Shower/tub combination
- Hair dryer
- Premium TV channels
- Desk
- Free weekday newspaper
- Free WiFi
- Free local calls
- Daily housekeeping
- In-room safe
- Connecting/adjoining rooms available
Hampton Inn & Suites Atlanta Downtown, Atlanta's small print
Also known as
- Hampton Inn Atlanta Downtown
- Hampton Inn Hotel Atlanta Downtown
- Hampton Inn Atlanta Downtown Hotel
The property has connecting/adjoining rooms, which are subject to availability and can be requested by contacting the property using the number on the booking confirmation.
The name on the credit card used at check-in to pay for incidentals must be the primary name on the guestroom reservation.
Optional extras
Self parking costs USD 20 per day with in/out privileges
Rollaway beds are available for an additional charge
We have included all charges provided to us by this hotel. However, charges can vary, for example, based on length of stay or the room you book.
More great choices
Recent reviews
Excellent 4.2 /5 from 385 reviews
The staff helped me personally with parking which was convenient and secure in adjacent lot.
we stay at this hotel almost every time we go to Atlanta. We like it.
Excellent accomodations for the money. We especially enjoyed talking with the staff at the desk and in the breakfast room. They were kind, friendly, funny, and gave us good advice.
Horrible....they did not give me my suite. Put me in a king room instead. All bad
Great value, centrally located to tourist attractions, friendly and helpful staff, great breakfast buffet with much variety.
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Arcade Fire prods fans to go out into that good night | NOTES FROM THE UNDERGROUND
I sit here at my laptop, typing, all the while surrounded by the computer's enveloping blue glow, as Arcade Fire's Win Butler softly sings:I used to sleep at night/ before the flashing light settled deep in my brain.
Heavy words, and if you let them sink in, it's hard to escape their penetrating gaze. Arcade Fire's quietly brilliant new album "The Suburbs" is a strikingly bold compendium of many such statements, bursting at the edges with both cries of defiant protest, and voices often seeped in eerie unease at the direction our civilization is headed, a direction rife with instant gratification and disturbing indifference.
We are living in a nation in which only 52 percent of citizens aged 18 to 29 cast their ballots in the 2008 election, according to the national exit poll. The question of what exactly is causing this kind of intense and growing societal apathy is explored by these musicians with nearly flawless depth, unfettered realism and charmingly self-deprecating good humor.
The tune "Sprawl II (Mountains Beyond Mountains)" is a clever critique of '80s materialism, and the present-day rampant consumerism such ideals have wrought. Framed on the surface as a sparkly disco confessional, the song presents a fiercely vehement answer to heedless urban expansion. Backed by spattering synths, Regine Chassagne sounds like a distressed, yet insistent Cyndi Lauper as she cries, nearly screaming by the end of the song: Living in the sprawl/ The dead shopping malls rise like mountains beyond mountains/ And there's no end in sight/ I need the darkness, someone please cut the lights.
Today's mercenary atmosphere is a world seemingly teeming with life, filled with pulsating lights, a world in which advertisers create commercials that are, in the words of essayist David Foster Wallace, so much "prettier, livelier, full of enough rapidly juxtaposed visual quanta ... [that they are] becoming more like entertaining films."
In the end, the inherent emptiness of such reckless vapidity proves inescapable. Weaving gracefully in and out of songs, our heroes search desperately in the suburbs for some kind of lasting memory, a sense of home to hold onto. But upon returning to "these towns they built to change," all semblances of the past have vanished and they are left with a bleakly unrecognizable landscape.
It's all fodder for beautiful narrative, this talk of memory and childhood, and the Proustian subject matter gives rise to some of the album's most poignant and ephemeral moments. "Sprawl I (Flatlands)" is a prime example of affecting lyricism. There is a hesitant vulnerability coupled with confused anger that perfectly captures both the paradoxical experience of adolescence and the later-life sadness of fading recollections. The song is a mournful, down-tempo scorcher, complete with aching strings that sigh in the background. Butler's delivery is at times almost humorously grandiose, yet instantly gripping. As he confronts a nosy cop by spouting lofty philosophical musings, the effect is unexpectedly touching. Here we find a courageous defender of sincerity in the song's undeniably broken and angry protagonist.
It seems that despite the obvious connotations of gloom and emptiness, there are deep underpinnings of hope, a gently persistent hope that refuses to fade. Our current generation has been widely criticized for our apparent apathy and cynicism, and many chalk it up to the current anxiety-ridden political climate or the crushing pressure to succeed that is placed on today's youth.
However, the truth is that such attitudes are not irreversible. Hidden within "The Suburbs," the prevailing message proves to be much more rallying cry than elegy.
The lyrically and sonically aggressive "Month of May" bravely calls the cynics out on their bluff. Biting guitars and infectious hooks are accompanied by tunefully droning harmonies while Butler yelps: So young, so young/ So much pain for someone so young/ Well, I know it's heavy, I know it ain't light/ But how you gonna lift it with your arms folded tight?
A more gentle commentary is found in the dreamlike "Half Light I."
Backed by swelling strings, the singers wax poetic and speak of breaking free from the confining walls of their houses and escaping into the night. They reflect upon how different the uniform streets and buildings look in the hazy moonlight, as if everything were starting anew. At the end, the music softly fades to the chant: We are not asleep/ We are in the streets, like a crowd of protestors with perfect intonation.
The comforting freedom of darkness is a recurring theme, as is the necessity and the resulting joy of a return to the untamed natural world that both grounds us and releases us.
This seems at the heart of the message, that in order to truly wake up, we must force ourselves to surrender to the undefined possibilities that lie before us, while the time still remains.
For now, I'm off to follow some sage advice, and to meditate upon the closing words of the hauntingly beautiful, bluesy pounder, "Deep Blue":Hey, put the laptop down for a while/ In the night, there is something wild/ I feel it/ It's leaving me.
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ITF England is the officially recognised National Association representing the International Taekwon-Do Federation in England. We are a democratic, not-for-profit organisation which consists of ITF Taekwon-Do associations and independent groups throughout England. If you have any questions please do not hesitate to contact us.
Upcoming Event
9th November - ITF England Masters Seminar
Board Members
|Master Donato Nardizzi 8th Degree
|Vice President
|Master Kim Anderson 7th Degree
|Mrs Patricia Gray 4th Degree
|Mr Ken Chesterman 6th Degree
|Technical Director
|Master Russell Dennis 7th Degree
|Ethics & Discipline Director
|Mr Paul Cook 6th Degree
|Umpire / Tournament Director
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|Mr Daniel Lammin 6th Degree
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Mr Piotr Capaja 5th Degree
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Mr Wayne Burns 4th Degree
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Holiday Inn Express & Suites INDIANAPOLIS W - AIRPORT AREA
5855 Rockville Rd,
Indianapolis, IN 46224
(800) 345-8082
Business Details
in Business
IHG Rewards Club Members: Get better savings with YOUR RATE. Book hotels direct at holidayinnexpress.com for our lowest rates. You won't find these anywhere else.
- Social Links:
- Visit Twitter Page | Visit Facebook Page
- Hours:
Regular Hours
Open 24 Hrs
- General Info:
- IHG Rewards Club Members: Get better savings with YOUR RATE. Book hotels direct at holidayinnexpress.com for our lowest rates. You won't find these anywhere else. Welcome to the Holiday Inn Express & Suites® Indianapolis West hotel! Visit this new and contemporary hotel property located at exit 13 off I-465 and only minutes from I-74, I-70, I-65 and I-69. The hotel is only 10 minutes from the Indianapolis International Airport (IND) and offers complimentary airport shuttle for our guests from 4am to midnight. The Holiday Inn Express & Suites® Indianapolis West hotel is only a short drive to Riley Children's Hospital, IU Medical Center and Methodist Hospital as well as many major Indianapolis businesses including Allison Transmision, UTC/Carrier,Rolls Royce, Fed Ex, Marathon, Praxair, Wellpoint, PepsiCo, Amazon and many others. Indianapolis offers many attractions for out-of-town guests and our hotel provides ideal access to Indianapolis Motor Speedway, Circle Centre Mall, Lucas Oil Stadium, Bankers Life Fieldhouse and downtown Indianapolis for dining experiences. Visit the Children's Museum of Indianapolis and White River State Park attractions like the Indianapolis Zoo & Gardens, NCAA Hall of Champions, Indiana State Museum and Eiteljorg Museum. Whether you're in Indianapolis for business or leisure, our hotel offers a fresh new look combined with Hoosier hospitality. Begin each day with our complimentary hot breakfast and relax in the evenings in one of our cozy guest rooms or suites. You'll be satisfied knowing you stayed with us.
- Extra Phones:
Hotel Front Desk: (317) 554-0900
Reservations: (800) 345-8082
- Services/Products:
- You may find yourself feeling particularly smart for choosing to stay at Holiday Inn Express.® With nearly 2,000 locations worldwide, you'll find comfortable, inviting accommodations with just the right mix of services and amenities all at very affordable rates. Stay Smart.® Stay at Holiday Inn Express. With your comfort and convenience in mind: Still free. Now hot. Express Start® Breakfast Bar Our breakfast bar now features hot entrees as well as our exclusive cinnamon rolls and Smart Roast® Coffee. Simply Smart Bedding Collection Our bedding will have you waking up feeling refreshed and recharged.* Free High Speed Internet Access Enjoy free high-speed Internet access from your guest room. Our online concierge, eHost, is also available to assist with information about the hotel and the local area. Simply Smart® Guest Bathroom Featuring the Stay Smart® shower head by Kohler®.* IHG® Rewards Earn points toward free nights, airline miles, or merchandise on every qualifying stay. *Available at Holiday Inn Express hotels in North America only
- Brands:
- Holiday Inn, Holiday Inn Express, Candlewood Suites, Crowne Plaza, Hotel Indigo, InterContinental, Staybridge Suites
- Payment method:
- amex, master card, visa, check, discover
- Neighborhood:
- Garden City
- Amenities:
- Fitness Center, Private Bath, Meeting Facilities Hotel Dining, Hotel Pool
- Languages:
- Dutch, English, French, Greek, Spanish, Turkish
- Other Link:
- Categories:
- Hotels, Lodging, Motels, Corporate Lodging, Banquet Halls & Reception Facilities
- Other Information:
Parking: Lot
Wi-Fi: Free
Price Range : Average


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A day of the dead cake for a 40th birthday. Madagascan vanilla bean genoise with a corresponding swiss meringue buttercream. Everything is entirely edible including the skull cutout on top.
CakeCentral.com is the world's largest cake community for cake decorating professionals and enthusiasts.
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Maura West
Maura West info
Where Maura West born?
With the help of the Google satellite map you can find the place where Maura West was born. By zooming in and out you can see the place itself and the area it is situated in and nearby. Find out where Maura West was born. Now you can see the place itself even not traveling.
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It seems like Brooke Mueller doesn't take her rehab seriously. Charlie Sheen's ex-wife has moved out of the plush sober living house in San Juan Capistrano and rented a beach house in San Clemente in
Selena Gomez: I've learned to keep relationships private
Young star Selena Gomez says that it wasn't easy for her to keep the balance between her relationships and public exposure at the beginning of her career. She admits that when she was younger she
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Major fire in Belpre
Patricia Drake Dailey
Patricia Drake Dailey, 61, of Parkersburg, passed away June 29, 2014, at The Arbors of Marietta.
She was born Dec. 21, 1952, in Parkersburg, a daughter of the late Frank and Gladys Grotey Drake.
She was a graduate of Parkersburg High School and worked at the Rosemar Medical Clinic. She was a Lutheran by faith.
Patricia is survived by her husband, Robert "Puff" Dailey; three step-daughters, JoAnn Bailes (Mike) of Parkersburg, Jackie Hunt (Chris) of Lubeck and Sarah Bunting of Parkersburg; two step-sons, Robert E. Dailey II of Georgia and Ryan Matthew Dailey of Parkersburg; and several grandchildren, great-grandchildren and one great-great grandchild. In addition to her parents, she was preceded in death by a brother, David Drake; and two sisters, Penny McCray and Francie Wilson.
A graveside service will be held 11 a.m. Wednesday, July 2, at Mt. Olivet Cemetery, with Pastor Don Yeager officiating. Visitation will be 5-8 p.m. today at Lambert-Tatman Funeral Home, 400 Green St., Parkersburg.
An online guestbook for condolences is available at www.lamberttatman.com


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Located in Side, Robinson Club Pamfilya - All-Inclusive is by the sea and convenient to Side Theater and Agora. This 5-star resort is within close proximity of Side Museum and Temple of Apollo and Athena.
Make yourself at home in one of the 282 air-conditioned rooms featuring refrigerators and LCD televisions. Rooms have private balconies or patios. Satellite television is provided for your entertainment. Bathrooms have showers and hair dryers.
Enjoy a range of recreational amenities, including outdoor tennis courts, an outdoor pool, and a waterslide. This resort also features complimentary wireless Internet access, babysitting/childcare, and tour/ticket assistance.
Satisfy your appetite at one of the resort's 3 restaurants. Relax with a refreshing drink at one of the 3 bars/lounges.
Business, Other Amenities
Featured amenities include multilingual staff and laundry facilities. Free self parking is available onsite.


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Overheating message at room tempature
I've had my galaxy s4 for three days now, on day two I dropped my phone in the water with a lifeproof nüüd case on it, water got in. I immediately took off the case and pulled out the battery and sim and began the drying process, not much water got in, it just made the battery moist, I put it in a warm place for about 32 hours the phone is fully functional. But I constantly get overheating messages, then I remove the battery it feels room temp, on top of that the phone won't charge, it's still holding 50% from the drop... What do I do? It's insured but is rather not have to get a new phone.
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Due to the overwhelmingly positive response from online features, orders placed today will ship within approximately 3 weeks.
We are excited to announce our new Apple Watch strap.
All straps are precisely cut from 4 ounce American Bridle Leather. This includes the proper Apple Watch hardware lugs and a leather strap. We have 3 different hardware finishes ( lugs and buckle ) to match your Apple Watch model and all come with rounded hardware.
•Space Grey
•Stainless Steel
The time honored saddle stitch is used to hand sew these leather watch straps. A poly-blend cording is used for its strength and durability.
Order does not include watch.


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Technical Details
Unique edition of 1000 units
Movement Automatic mechanical, P.9002 calibre, executed entirely by Panerai, 13¾ lignes, 7.9 mm thick, 29 jewels, Glucydur® balance, 28,800 alternations/hour. Incabloc® anti-shock device. Power reserve 3 days, two barrels, seconds reset device. 237 components.
Functions Hours, Minutes, Small Seconds, Date, Power Reserve Indicator, Seconds Reset, Calculation of immersion time
Case Diameter 47 mm, Brushed Bronze
Bezel Brushed Bronze with polished edges. Anti - clockwise rotating bezel with graduated scale for measuring the duration of immersions and ratchet click at minute intervals.
Back Titanium, See - through sapphire cryatal
Device protecting the crown (Protected as a trademark) Brushed Bronze
Dial Green with applied luminous hour markers. Date at 3 o'clock, seconds at 9 o'clock, power reserve indicator at 5 o' clock.
Water Resistance 30 bar (~300 metres)
Strap Calf Ranger, Brown, Ecru, 26/22 MM Standard
* The trademark Velcro® and Coramid® are not property of Officine Panerai.
* The trademark Velcro® and Coramid® are not property of Officine Panerai.
In Depth
TWO YEARS AFTER THE EXTRAORDINARY INTERNATIONAL RECOGNITION GIVEN TO ITS FIRST WATCH WITH A BRONZE CASE, Officine Panerai presents the Luminor Submersible 1950 3 Days Power Reserve Automatic Bronzo, a new Special Edition produced in this material with its decisively nautical character which owes its fascination to the aged appearance it acquires with the passage of time. The new feature which distinguishes this model is in the dial: the display of the power reserve of three days on an arc-shaped indicator positioned at four o'clock. This very useful function joins the date display, the device for zeroing the seconds hand that is invaluable when synchronising the watch with a reference time signal, and the system for rapidly adjusting the time, the hand of which can be moved forward or backwards in jumps of one hour without affecting the running of the watch. The dark green dial, with applied hour markers, is surrounded by a studded bezel in bronze with the scale for measuring the length of the dive. The bezel is connected to the case by a special system designed and patented by Officine Panerai to ensure that the ratchet moves precisely from one click to the next. The case is the classic size for Panerai watches, 47 mm in diameter, fitted with the equally classic bridge device with the locking lever ensuring the water-resistance of the winding crown. The sapphire crystal back is fixed by a titanium ring through which can be seen the Panerai P.9002 calibre, developed and produced entirely in the Officine Panerai manufacture. The Luminor Submersible 1950 3 Days Power Reserve Automatic Bronzo is water-resistant to 30 BAR (~300 metres) and is completed by a brown leather strap with stitching of a subtly nautical character and a titanium buckle.
Bronze has a long history, dating back as far as the second millennium BC. At that time, it was used to produce items such as tools, weapons, musical instruments and armour, being stronger and tougher than its predecessors copper and stone. Bronze consists of copper with a variable percentage of tin. It may also contain varying amounts of aluminium, lead, beryllium, manganese and tungsten, sometimes with silicon and phosphorus as well.
Bronze is very versatile and it is highly valued for its many different uses: in the arts, in sculptures (80% copper and 20% tin) and for making bells (21.5 to 24% tin), the creation of hydraulic systems where the bronze alloy contains 10% of tin and 3% of zinc, and the more recent use of this material for ship propellers, where its high resistance to corrosion by seawater is invaluable. And in the past, since its resistance to corrosive seawater is much greater than that of iron, this alloy was used for the equipment of many yachts of yesteryear: portholes, handrails, cleats, winches and compass binnacles were made of bronze, and it was also used for divers' helmets.
Its ancient history and its close links with the world of the sea make bronze the material that embodies the core values of Officine Panerai, which uses an alloy of copper and tin in the pure state. In addition to its high structural strength, this material retains its original warm tones while with the passage of time it acquires an aged appearance through the patina that covers it.
This patina is the result of the reaction of the bronze with external agents such as air, moisture, heat and friction. It does not alter the properties of the material, but it is evidence of ageing, giving each piece its own unique personality. The patina of the bronze is its skin: it is a protective layer, and as the surface of the metal becomes covered, it slows down any further oxidation of the metal.
Panerai watches are produced to very high standards of quality. It is worth remembering that the mechanical parts run 24 hours a day when used, so the watch must undergo regular maintenance to ensure long life and good operation.
Have watch checked periodically for water-resistance by an Authorized Panerai Service Centre and renovate it every two years with regular servicing, or whenever the watch has to be opened. The restoration of water-resistance necessarily involves replacing the seals in order to ensure the maximum water resistance and protection. Where the watch is used in underwater sports activities, it is recommended that it should be checked every year before the underwater activities begin.
Have the movement of watch checked periodically by an Authorized Panerai Service Centre in order to preserve its perfect operation. If the watch has a tendency to gain or lose time to a significant degree, the movement may need to be overhauled. The movements are designed to withstand temperature variations between -10°C and +60°C (14°F and 140°F). Outside this range of temperatures, operational variations exceeding those set out in the specifications of the movement may be noticed. In addition, there is a risk that the lubricants contained in the movement may deteriorate, resulting in damage to some of its parts.
To keep the exterior in perfect condition, we recommend washing Panerai watch with soap and warm water, using a soft brush. After this operation, and also after immersion in the sea or a swimming pool, carefully rinse the watch with fresh water. All Panerai watches can be cleaned with a soft, dry cloth.
Panerai straps must be washed in warm water and left to dry. It is important not to dry them on a hot surface or expose them to direct sunlight, because the rapid evaporation of the water could damage their shape and quality. After each immersion in the sea or a swimming pool, carefully rinse the strap with fresh water. It is recommended that the strap and the buckle should be replaced by an Authorized Distributor or a Panerai Service Centre, in order to avoid any problems caused by incorrect replacement. Only an Authorized Distributor or Panerai Service Centre can guarantee the use of genuine Panerai straps, properly designed to fit the dimensions of the case and manufactured according to the quality standards of the brand. All alligator leather used by Officine Panerai comes from farms in Louisiana, USA. Officine Panerai's suppliers have committed to the highest standard of responsibility and have given their assurance that such farms in Louisiana contribute to the stable growth of wild alligators, thus protecting this endangered species. Panerai does not use leather coming from endangered species taken from the wild.
P.9002 calibre
The P.9002 calibre, created entirely by Officine Panerai and used in a series of Luminor 1950 and Radiomir models, is fitted with various functions: it is an automatic calibre with a 3-day power reserve and a unique technical design which makes this movement immediately recognisable. The calibre has a diameter of 13¾ lignes and numerous features: two barrels which guarantee 72 hours of power reserve; a single piece rotor which winds by moving in both directions thanks to an automatic ratchet device; a balance wheel with adjusting screws, oscillating at a frequency of 4 Hz; a date display and a seconds reset device which resets the seconds hand, enabling the watch to be synchronized perfectly with a reference time signal. To house this movement, a specially made version of the Luminor 1950 case has been designed, keeping the proportions of the original but featuring a slightly less convex sapphire crystal which only barely protrudes from the bezel. The P.9002 is a variant of the P.9001 automatic calibre with several additional features: GMT, or rather a second time zone, indicated by a central hand, seconds reset and power reserve indicator.
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Earth Poets & Musicians celebrating 25 years
The Milwaukee Earth Poets & Musicians will celebrate 25 years of performing together with a big benefit shindig Friday at the Urban Ecology Center, 1500 E. Park Place.
Mainstays Harvey Taylor, Louisa Loveridge Gallas, Jahmes Finlayson, Holly Haebig Wake, Jeff Poniewaz and Suzanne Rosenblatt have invited a bevy of other local performers to join them for "Thirty Performers in Three Hours for the Earth," which will begin at 7 p.m. »Read Full Article
Time Warner-Journal Broadcast standoff is epicenter of national battle
Once upon a time, turning to one of Milwaukee's four network affiliates for news and information was as reflexive as setting your watch by the Allen-Bradley clock.
That time has passed, and the number of channels available today is dwarfed only by the number of challenges facing viewers and broadcasters. »Read Full Article(89)
Ridley's '12 Years a Slave' wins audience prize at Toronto film festival
"12 Years a Slave," the historical drama written by Mequon native John Ridley, won the top audience prize at the Toronto International Film Festival Sunday, Variety reports.
Directed by Steve McQueen and starring Chiwetel Ejiofor, "12 Years a Slave" is being talked about as an Oscar front-runner. The movie is based on the true story of a black man who was kidnapped and sold into slavery in 19th-century America. »Read Full Article
Soulstice Theatre stays true to Pinter's 'Betrayal'
Dazzled with visions of starting fresh, lovers beginning an affair always think their story will be different. But what almost invariably results is another iteration of the same tired prose, inscribed by people who repeat the life they sought to escape rather than making a new one.
That's easiest to see in retrospect, which is how we view the affair featured in Harold Pinter's "Betrayal," composed of nine scenes that gradually move us back nine years, from 1977 to 1968. »Read Full Article
Eddie Martini's dinner will feature Silver Oak Cabs spanning years
Vintages going back to 1978 will be poured at a Silver Oak vineyards dinner at Eddie Martini's, 8612 W. Watertown Plank Road in Wauwatosa on Sept. 27.
Wines include the 1978 Alexander Valley, 2000 Napa Valley, 2000 Alexander Valley and 2008 Alexander Valley Cabernet Sauvignons, said restaurant owner Chris Murphy. (Murphy bought Eddie Martini's from Joe DeRosa late last year.) »Read Full Blog Post
Report: Man Booker prize to include American entrants
According to a report in The Sunday Times of London, organizers of the Man Booker prize plan, for the first time, to allow American writers in the competition.
The Booker is probably the most discussed prize given annually for fiction written in English. The prize is designed to honor the best novel of the year written by a citizen of the Commonwealth or the Republic of Ireland. It is sponsored by Man Group, an investment management business. The winner receives £50,000 and a significant attention kick. »Read Full Blog Post
Peter Mulvey taking his bicycle tour to Schauer Center
Milwaukee recently finished a major motorcycle party--the Harley-Davidson 110th Anniversary Celebration to be exact. Now its time to pay tribute to the old fashioned bicycle.
Milwaukee-based musician Peter Mulvey is traveling around Wisconsin and Michigan on his bicycle, and rolling into the Schauer Arts & Activities Center in Hartford Oct. 4 as part of his seventh annual bicycle tour. The singer-songwriter is expected to play originals and cover jazz and bluegrass tunes. »Read Full Article


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It's so nice to know that the incredible little flick The Loved Ones is more than on its way to U.S. shores thanks to Paramount Insurge. To celebrate the film's eventual arrival, we have the very first clip right here for you!
The Loved Ones, directed by Sean Byrne, stars Xavier Samuel, Jessica McNamee, Robin McLeavy, John Brumpton, and Victoria Thane.
Lola Stone asked Brent Mitchell to the prom, but Brent said no, and now he's screwed. What happens when Lola doesn't get what she wants? She enlists Daddy's help to throw a prom of her own, where she is queen and Brent is king — whether he likes it or not. THE LOVED ONES is what happens when puppy love goes horribly, violently wrong. Brent should have said yes.
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This is a 10" and 6" lemon madiera with white chocolate ganache and fondant icing. My first topsy turvy effort, the young girl was turning 21 and her theme was black, white & red.
CakeCentral.com is the world's largest cake community for cake decorating professionals and enthusiasts.
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Download .xls
Bremerton, Washington, gets 52 inches of rain per year. The US average is 37. Snowfall is 8 inches. The average US city gets 25 inches of snow per year. The number of days with any measurable precipitation is 160.
On average, there are 151 sunny days per year in Bremerton, Washington. The July high is around 75 degrees. The January low is 34. Our comfort index, which is based on humidity during the hot months, is a 72 out of 100, where higher is more comfortable. The US average on the comfort index is 44.


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These are the players that I think have the abitlity to turn the Chargers around if they start. (or at least get playing time) I have followed these players either through their college careers or their early NFL careers. Some of these players may not pan out the way that they should, but for the Charger's sake, let's hope they do.
Five Young Players That Will Help the San Diego Chargers
By Fletcher Kelly ,
Louis Vasquez has the build of a train. He is a great pass blocker but hasn't had much experience with the run at Texas Tech. If this kid can learn how to run block, I see him being an elite guard in a couple years. Better lineman make better running backs.
I expect this guy to get some major playing time. With a much better build than Jacob Hester, this guy could pave the way to one last great season for L.T. He is an excellent blocker and has even cought the ball out of the backfield. This kid is the definition of good work ethic.
Man! Do the Chargers know how do find great talent or what? This guy was a total steal. We landed him as a rookie free-agent due to his injury plagued college career. If he can stay healthy, don't be surprised to see him move past Wilhelm on the depth chart. I see a new, energized linebacker group ready to wreak havoc in 2009.
This is my favorite wide out on the team, folks. He is an amazing athlete. With great hands and pretty good speed, I see him being a deadly three receiver. He was recruited to Boise State as a quarteback, but he then realized he wouldn't start over Jared Zabransky. He then became the amazing wide out he is today. Can anyone say Wildcat?
At first I was disappointed with this pick. Then I did a little research about this guy. He is someone who not only wants to be on the field at all times, but someone who wants the quarterback at all times. With this being a dangerous contract year for Merriman, English was the perfect way to go. San Diego got a very good insurance policy and an excellent player all in one pick.


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Fixed PriceBudget: $150
Start DateSeptember 26, 2013
I am interviewing for a job and I need to put together a portfolio of projects that I have done in a cool modern motion graphics format with sound.
The final piece will be 3-5 minutes long and showcase me, who I am as a marketing expert, and the projects that I have accomplished.
I need someone willing to start right now that can work the next 12 hours with me to finish.
About the Client
United States
Sunny Isles Beach 01:41 PM
Jobs Posted
48% Hire Rate, 1 Open Job
Over $20,000
Total Spent
357 Hires, 18 Active
Avg Hourly Rate Paid
6,852 Hours


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Though they may have a lot to offer prospective student-athletes, it's not often that Texas A&M is listed prominently with the most sought after prospects from the state of Florida. That is why two...
4-star names Florida as his leader
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October 01, 2011Result on Vote on region allocator
Yes: 1 vote No: 7 votes Essentially, it looks like the custom allocator scheme needs some more bake time - including an actual attempt to use it with std.container by Andrei - before it gets accepted. It just isn't ready quite yet. - Jonathan M Davis
Copyright © 1999-2016 by Digital Mars ®, All Rights Reserved


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We found 627 articles in category:
Article • January 31, 2014
Send Songs to Your Friends
First there was the text message. Then the picture message. Now, thanks to Rithm, there's the song message.Rithm (a.k.a. Snapchat for mu ...
Article • January 27, 2014
Save All Of Your Memories
The Internet glorifies nostalgia, whether you're celebrating #throwbackthursday or self-identifying as a 90s kid.But your personal memor ...
Article • January 24, 2014
Create 3D Images on Your Phone
A beautiful picture can jump out at you, whether it is actually moving or actually miraculously frozen in place.But how do you make imag ...
Guide • January 22, 2014
Easily Plan Your Wedding
According to our Facebook feed, roughly 30% of everyone we know got engaged in the past two months. (And not everyone is happy about ...


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February Half Term at Sheringham Park
Come outside to enjoy the last throws of winter, you can light a fire, take a walk in the dark or track the animals that call Sheringham Park their home.
Tracker Trail
Drop in any day during the February half term to find out how to spot the tell-tale signs animals leave behind (tracks, feeding signs and poo!) with a fun quiz trail. Solve the clues to win a prize. '
£2.30 per trail
Wild Animal Tracking
Tuesday 16th & Wednesday 17th
Foxes, badgers and deer live in the Park but are seldom seen. Learn how to read the signs animals leave behind and make a plastercast print. We then take a walk off the beaten track to look for animal 'spoor' – footprints, feeding signs and poo! Finally we'll check our camera trap to see animal activity from the night before.
Children £4.75 Accompanying adults £2.75
Night Walk
Thursday 18th
We'll take a winter walk after dark to see what's stirring after the sun sets. 'Go star gazing' and ' Go on a nature walk at night' are two of the 50 things to do before you're 11 and ¾ !
Children £4.75 Accompanying adults £2.75
Family Survival School (Sorry Sold Out)
Friday 19th
Has your family got what it takes to survive in the wild? Make your own weatherproof shelter and get a fire started without using matches. We will look for wild food and learn how to navigate using a compass. Come prepared for a full day out in the Norfolk backwoods!
All tickets £10
For those of you who like to do your own thing with have tracker packs and GPS units for geo-caching available for free hire from the visitor centre where you can also pick up your 50 things to do before you're 11 ¾ scrapbook.


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Hostelworld anbefaler
Vi er vilde med dette hostel! Vi giver det tommelfingeren op for dets altid høje kundevurderinger og fremragende kvalitetsscore.
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- 24 okt 2016, 3 Nætter
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Hostel Bekuo San Jose325 meters west of R... 2.4kmUS$10.00
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Hotel Vesuvio
The Vesuvio Hotel is one of the best small hotels in San Jose. Vesuvio is a three star Hotel, located in the historical downtown, walking distance from the most important attractions of San Jose ci... Mere...
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Hotel La Cuesta
Hotel de La Cuesta
built in 1920, first Bed and Breakfast of the capital of Costa Rica, San Jose, it was once home and art gallery to a bevy of local and expatriate artists, including Otto Apuy, Died... Mere...
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Hotel B&B Puerta del Sol
Puerta del sol is located in the prestigious hotel zone in Ciudad Cariari. Just 5 kilometers from Juan Santamaria international airport and 7 km from the city of San Jose. In our hotel you will have t... Mere...
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We have 5 room types, all with private bath, a very comfortable mattress, TV, fridge, & safe. We have WIFI in the common area and some of the rooms.
There is a guest computer and small busines... Mere...
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Hostal Casa Areka Costa Rica
This hotel is located in a safe and quiet area in the district of San Pedro Montes de Oca, San Jose, just a 6 blocks from the UCR University of Costa rica. It has 8 private rooms, kitchen, common area... Mere...
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Hotel Casa Cambranes
The rich and tasteful 156 color palette makes this cozy and intimate hotel beautiful. Danish lighting and furniture design give the interior a decidedly European flair.
In addition to top notch cu... Mere...
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Hotel Plaza Real Suites & Apartments
Hotel Plaza Real, located two miles of San Jose center in one of the most selected areas.
Hotel Plaza Real is an excellent lodging option in Costa Rica for the businessman that requires privacy, c... Mere...
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Hotel Le Voltaire
Casa Voltaire is a cozy boutique hotel located in a quiet street. Very close to San José downtown, you will discover the different aspects of the city: the typical Mercado Central, the city&rsq... Mere...
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