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By: Lee Passmore on December 6, 2010 - 7:19pm - Add new comment
Don Meredith would probably be embarrassed by all the gushing tributes flowing his way today. Meredith, the first Dallas Cowboys quarterback probably better known nationally for his role in developing Monday Night Football into a ratings juggernaut, died at the age of 72 from a brain hemmorage.
By: Lee Passmore on December 3, 2010 - 9:47pm - Add new comment
It looks as if Springlake-Earth is going to avenge its lone loss of the season to Farwell, as the Wolverines led 28-0 at the end of the third quarter in a Class 1A DIvision II state quarterfinal game at Lubbock's Lowrey Field.
The only question which appears relevant for the Steers in the final quarter is whether they can avoid a shutout in what has otherwise been a stellar season.
By: Lee Passmore on December 3, 2010 - 8:32pm - Add new comment
Farwell lost a fumble on its first possession, which led to a Springlake-Earth touchdown as the Steers trailed 7-0 at the end of the first quarter of a Class 1A Division II state quarterfinal game at Lubbock's Lowrey Field.
Despite moving the ball fairly well, Farwell couldn't manage any points in the opening quarter. But there are still three quarters left to play.
By: Lee Passmore on December 2, 2010 - 4:50pm - Add new comment
I've often read that what's so great about sports as opposed to a lot of other endeavors we enjoy as that the outcome is never predetermined. That leaves a lot of questions which need to be answered, but sometimes they don't always come on the playing field. Here are a few burning questions this week from a skewed us vs. them perspective which I think are worth broaching.
By: Lee Passmore on December 1, 2010 - 6:47pm - Add new comment
We're now officially into the last month of the year and the Panhandle is down to only three high school teams still playing football. Far more of them are now fairly deep into basketball season, as this is the first week where hoops could take centerstage.
By: Lee Passmore on November 26, 2010 - 6:58pm - Add new comment
Neither Randall nor Stephenville scored in the third quarter, as the score remained 14-7 in Stephenville's favor heading into the fourth quarter. It's still anyone's ball game.
By: Lee Passmore on November 26, 2010 - 6:22pm - Add new comment
Randall's defense had a solid second quarter, holding Stephenville scoreless in pulling to within 14-7 at halftime. The Raiders managed a scoring drive late in the second quarter, as Bret Scheve scored on a 2-yard run.
The Raiders get the kickoff to start the second half, so things could get very interesting.
By: Lee Passmore on November 26, 2010 - 5:32pm - Add new comment
Stephenville's offense has started quickly against Randall in a Class 4A Division II region semifinal, taking a 14-0 lead at the end of the first quarter.
Stephenville quarterback Connor Washington completed his first five passes, including a 17-yard scoring pass to a wide-open Trent Morrison. Randall, meanwhile, struggled offensively, especially running the ball, as the Raiders didn't rush for a first down in the quarter.
By: Lee Passmore on November 23, 2010 - 7:43pm - Add new comment
Giving out postseason awards is highly subjective, and something which can be debated for weeks or months to come. But there really shouldn't be that much of an argument against Josh Hamilton winning the American League's MVP.
Hamilton led the majors with .359 batting average and hit 32 homers with 100 RBI. Consider that he missed time with two broken ribs, and these numbers become that much more impressive.
By: Lee Passmore on November 22, 2010 - 4:01pm - Add new comment
Of the 20 scheduled sites for the UIL regional basketball tournaments across the state for the next two years, 19 have been listed for the last few months after realignment. The one which was missing was the one with the most local interest, the Region I-4A boys and girls tournaments.
But it's now confirmed, if the UIL website is to be believed, that the I-4A tournament has been moved from San Angelo to Snyder, with the Snyder ISD playing host to the tourney at the local coliseum.
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realmagick.com The shrine of knowledge.
Coahuila History
A selection of articles related to coahuila history.
Original articles from our library related to the Coahuila History. See Table of Contents for further available material (downloadable resources) on Coahuila History.
- Indian History Rewritten
- The Indian civilisation, considered to be the product of clash and subsequent inter mixture of the white-skinned civilised invaders and the dark savages native to India, has been rightly questioned in recent years, and the mischievously fabricated history of...
History & Anthropology >> Indic / Vedic
- The Truth Behind the History of the Necronomicon
- I don't think there are many people out there who haven't heard of the Necronomicon and the dreadful things connected with it. We've all heard the theories about how it is a Satanist tool; actual copies of the book are bound in human skin and how you risk...
Deities & Heros >> Chthulu
- History of the Egyptian Religion, part I: Early Dynastic Period
- I - Predynastic - Early Dynastic Period. The temples were in essence the *Home of the God* and thus a place where only Pharaoh as the Son of God and those he appointed as his deputies, could meet with the god. This goes all the way back to Archaic and...
Religions >> Egyptian
- History of the Egyptian Religion, part II: The Old Kingdom
- II - The Old Kingdom ca 2686-2181 BC During the Old Kingdom the Egyptian society moved from tribal communities to a fully developed theocratic system, where the power of the king was absolute. The great pyramids of Dynasty 4 was made possible by technological...
Religions >> Egyptian
- History of the Egyptian Religion, part IV: Middle Kingdom
- First Intermediate - Middle Kingdom (ca 2181 -1786 bc.) The powers that built the solar temples of the 5th dynasty and the pyramids of the 6th dynasty weakened towards the end of the Old Kingdom, perhaps as a result of eroding economics, leaving the King less...
Religions >> Egyptian
Coahuila History is described in multiple online sources, as addition to our editors' articles, see section below for printable documents, Coahuila History books and related discussion.
Suggested News Resources
- Rotten Apples in Donna ISD
- An abandoned warehouse on 12th Street in Donna, across the street from the city hall, is decorated with a mural depicting the history of the town.
- Pope Francis Wades Into US Immigration Morass With Border Trip
- CIUDAD JUÁREZ, Mexico — Stepping to the concrete edge of the Rio Grande, Pope Francis on Wednesday went to a militarized divide of the United States-Mexican border and prayed for compassion toward immigrants. He never set foot in the United States, ...
- EXTREMELY GRAPHIC: Cartel Members Dismember, Bag Rival Amid Los Zetas Civil War
- Breitbart Texas traveled to the Mexican States of Tamaulipas and Coahuila to recruit citizen journalists willing to risk their lives and expose the cartels silencing their communities. The writers would face certain death at the hands of ....
- Pope Francis Mexico Visit Draws Skepticism From Mexicans Weary Of Poverty
- Poverty and extreme poverty have increased in recent years in the states of Morelos, Veracruz, Oaxaca, Mexico, Sinaloa, Coahuila Hidalgo and Baja California Sur, while the nation's overall poverty rate grew from 53.3 million people in 2012 to 55.
Great care has been taken to prepare the information on this page. Elements of the content come from factual and lexical knowledge databases, realmagick.com library and third-party sources. We appreciate your suggestions and comments on further improvements of the site.
Coahuila History Topics
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subset: commoncrawl


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If the space is for sale, contact an agent to do a market analysis of properti ... more
Have you tried looking up the best listing agents in your area and marketing to them? If they are impressed by your work then they could recommend your services to clients th ... more
Fireplaces are nice here in the midwest...but there are certainly a couple of important considerations....(1) what percentage of your competition has fireplaces? (2) what usable ... more


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Avg.Rate: BRL 950.00
Rating: 5 stars
Located in Monte Alegre do Sul, this detached holiday home features a balcony and a garden. Guests benefit from patio. Free private parking is available on site. The kitchen is fitted with an oven and a fridge. A TV is provided. There is a private bathroom with a shower. Campinas is 46 km from Fazenda São Miguel , while Águas de Lindóia is 28 km away. You can engage in various activities, such as fishing and hiking. The nearest airport is Viracopos International Airport, 59 km from the property. Więcej
Rating: 3 stars
Sitting amidst the green lushes of Monte Alegre do Sul, Ibiti Hotel Rural features an outdoor pool and a restaurant. Free WiFi access is available. Each room here will provide guests with a fireplace, a TV and a balcony with mountain view and garden view. Private bathroom comes with a hot shower. Extras include a desk, bed linen and towels. At Ibiti Hotel Rural guest will find a communal sauna, a garden and a bar. Other facilities offered at the property include a games room and a children's playground. A free homemade breakfast following the owner's family recipes and using local and fresh organic products is served everyday. Monte Alegre do Sul City Centre is only 7 km from the property, while Pinhalzinho's Bus Station is 15 km. Guarulhos International Airport is 81 km away. The property offers free parking. Więcej
Rating: 0 stars
Casa em Monte Alegre do Sul is a detached holiday home set in Monte Alegre do Sul in the Sao Paulo State Region and is 27 km from Águas de Lindóia. You can relax by the outdoor pool in the garden in fair weather. Free WiFi is offered . The kitchen features an oven and a microwave. A flat-screen TV with satellite channels is provided. Other facilities at Casa em Monte Alegre do Sul include a hot tub. Serra Negra is 15 km from Casa em Monte Alegre do Sul , while Atibaia is 45 km from the property. Free private parking is available on site. The nearest airport is Viracopos Airport, 61 km from the property. Więcej
Avg.Rate: BRL 245.00 - 350.00
Rating: 0 stars
Located in an idyllic region and boasting stunning views, Pousada Cafezal em Flor offers a swimming pool with sun terrace, gardens and a 24-hour reception. Wi-Fi in public areas and parking are free. With a patio overlooking the mountains, rooms at Cafezal em Flor feature a TV, tiled floors, heating and private bathroom with a hot shower. Guests can enjoy a buffet breakfast in the mornings and it includes a variety of traditional dishes, fresh fruits and breads, as well as a selection of beverages. A bar is also available. Viracopos Airport is 70 km away. Monte Alegre do Sul Bus Station and city centre are 6 km from the property. Andorinhas waterfall is 1 km away. Więcej
Avg.Rate: BRL 345.00 - 550.00
Rating: 0 stars
Featuring a fishing lake and a pool with a waterslide, this guesthouse is 3 km from Monte Alegre do Sul centre. Guests can enjoy massages or practice archery. Wi-Fi is available in public areas. With fireplace and a balcony with a hammock, the duplex chalets feature a patio with a hammock and mountain views. All include a TV, minibar and a dining area with a table and chairs. Pousada Cachoeira serves a daily buffet breakfast with regional delicacies at its restaurant. Snacks and drinks are available at the bar. Índia Fountain is 2.5 km from this pet-friendly guesthouse, and Serra Negra hill is 10 km away. Private parking is free. Więcej
Avg.Rate: BRL 297.00 - 450.00
Rating: 0 stars
Offering a barbecue and views of the mountain, Recanto Alegre - Hospedagem e Camping is located in Monte Alegre do Sul, 49 km from Campinas. Free private parking is available on site. There is a shared kitchen at the property. A number of activities are offered in the area, such as cycling and hiking. Águas de Lindóia is 27 km from Recanto Alegre - Hospedagem e Camping , while Serra Negra is 13 km from the property. The nearest airport is Viracopos International Airport, 61 km from Recanto Alegre - Hospedagem e Camping . Więcej


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And the No. 1 St. Louis Cardinals fan --- ever.
This is The Marshall Plan.
"I always wanted to be a cowboy, for as long as I can remember," Wilson said. "Always, first and foremost."
His dream came true. After earning a degree in 1978 --- his degree was not in Cowboy, but General Studies --- he spent the next eight years in Wyoming.
"I was more of a hired hand, I guess you could say," said Wilson, 57. "I worked on a horse ranch and took people on horse and mule pack trips in the summer; I guided elk hunters in the fall; and led people on snowmobiling trips in the winter."
Wilson "worked" a lot in and around Yellowstone Park and the Teton Wilderness.
"The prettiest place on God's green Earth," he said. "I went and lived that dream for eight years."
"All I got was some broken bones and beautiful wife out of the deal."
He met his wife, Josee, on one of the pack trips and when they had a daughter, Katie, in 1986, Wilson's days as a cowboy were over.
"I was making 350 dollars a month," he said. "That wasn't quite enough to support a family."
He went back to law school and became an attorney --- following in the footsteps of his father, McCormick. He currently works with Michael Berry at the law firm of Berry-Wilson in Jefferson City.
Throughout his childhood --- and then eight years as a cowboy and now 22 years as a lawyer (he still dresses as a cowboy, by the way, boots and all) --- there has been one constant:
Cardinals baseball.
"That's the most important thing, besides God and family, 12 months out of the year," Wilson said. "It's what keeps me going through the winter, waiting on spring training, and it's what gets me through the droughts and heat waves during the summer.
"I often say if it wasn't for Cardinal baseball in the summer, we'd all plunge off a cliff like lemmings. There would be no reason to get up and
live through the day, if it weren't for Cardinal baseball."
Central Missouri may not be the heart of Cardinal Nation, but it's certainly some kind of major organ. You can't swing a stick at Walmart without hitting about a dozen Cardinal fans.
But Marshall takes it to another level. He posts on Facebook like a teen-age girl, sometimes more than a dozen times a day --- and almost always about
Cardinal baseball.
"There are some like-minded people, maybe we're all sitting home alone, counting down the outs to another victory," Wilson said. "It takes very little effort and it's kind of nice to have that camaraderie."
Wilson wasn't always a high-tech Cardinal fan.
"I spent a lot of long nights as a kid with a transistor radio under my pillow" he said. "I remember one time our teacher let us listen to the World Series in class, we didn't have to sneak our radios in. That was a big event."
The Cardinals ... from a kid to a cowboy.
"In the fall, I'd be in elk camp and we'd ride up to the top of some mountain so we could get the radio feed," he said. "We'd sit there in the dark, look at the stars and listen to the Cardinals.
"Hearing the game, hearing those voices ... it was just like music."
THIS WILL be a forum for Marshall to give his thoughts on everything Cardinal. I will also add my thoughts, as will Rod Smith --- and you.
While Marshall may direct the conversation, we welcome you with open Cardinal wings to offer your thoughts and comments, agreements and rebuttals. It can be positive, it can be negative, it can be funny, it can be thoughtful. Just no four-letter words, please, unless it's Yadi.
This will be our six-month conversation, for that's what baseball season is --- a nice, long, relaxed chat among friends. It is the rhythm of our spring, our summer, our fall. Football may now be American's passion, but baseball remains America's pastime.
This should be a fun endeavor for all Cardinal fans. And starting April 1, we will finally hear the words we've waited to hear since last fall, when St. Louis lost Game 7 of the NLCS at San Francisco ---
Play ball!


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Located in the Philippine Islands . Cebú, the diocesan city, spelled also Sebú and Zebú, in the province of the same name, is so called from the island on which it is situated, in turn so called from the Indian ox ( bos indicus ), on account of a fancied resemblance between that animal and the outline of the island. Magellan discovered Cebú in April, 1521, but he lost his life in a foolhardy battle on the island of Mactan, opposite Cebú, and no trace of his expedition was left except the celebrated statuette of the Holy Child, called the Santo Niño , still held in the greatest veneration.
The Diocese of Cebú was separated from the Diocese of Manila, which originally included the whole Philippine archipelago, 14 August, 1595. The new territory comprised the present Dioceses of Cebú and Jaro, and the Vicariate Apostolic of the Marian Islands. The diocese now consists of the islands of Cebú, Leyte, Samar, Bohol, Siquijor, Camaguin, and the smaller islands adjacent. Since its establishment in 1595, twenty-two bishops have governed the Church of Cebú. The northern half of the island of Mindanao remains under the jurisdiction of the Bishop of Cebú, until the appointment of a bishop at Zamboanga, as provided for (1903) by Leo XIII, in the Bull "Quæ Mari Sinico". Cebú was the birthplace of the Christian religion in the Philippine Islands . It was here that it made its first stand against the gradually advancing forces of Mohammedanism. Father Urdaneta, an Augustinian friar, accompanied by six others of the same order, went to Cebú in April. 1565, and immediately began his work of evangelization. The first convert was a niece of Tupas, a native chief of great influence. Two other friars, Fathers Juan de Vivero and Juan de Villanueva, arrived with Salcedo in 1567. Shortly afterwards the Jesuits went to Bohol, in 1595, and also to Leyte, Samar, and Mindanao. They built fortified churches for defense against the Moros everywhere, and forts at Cebú, Iloilo, Misamis, Zamboanga, and other places. They also began, in 1595, the College of San Ildefenso, now called San Carlos College, in Cebú. The work of the missionaries was facilitated by the disposition of the brave but naturally peaceful Visayan people, who occupied most of the territory. The missionaries were opposed by the ferocious tribes of the Mohammedans, who for centuries had been gradually extending their sway eastwards, and by 1521 were strongly established in the western part of the island of Mindanao, in the Sulu archipelago. The efforts of the missionaries were threefold in character : defensive against the bloodthirsty Moros, who roamed over these seas in flotillas of ships; active in the evangelization of the tribes; and also didactic in the arts of peace, agriculture, trades, and the rudiments of learning. The natives, already well forward in trades, soon became expert carpenters, masons, workers in metals, weavers — in a word, well equipped to make the best use of the natural resources at hand. As the missionaries advanced, the domination of the Moros was gradually restricted, though even as late as 1856 occasional fleets of Moro boats appeared, striking terror into the peaceful Visayans. With the beginning of steam navigation, the Spanish ships of war at once assumed offensive tactics against the Moros, whose vessels were easily captured and destroyed.
After the insurrection of 1898, and the Spanish-American War that followed, the people suffered greatly, not only from the evils of war, but also from the loss of their cattle and horses by epidemics. Many of their churches were destroyed, not only by the insurrectos , but also by United States troops. The chief evil, however, was the lack of priests. The parishes average about ten thousand souls. In the mountainous regions about half a million of souls were without spiritual succour. The Franciscans, by whom many churches were formerly supplied, began to return, and the Jesuits worked with great success in Mindanao. Redemptorist Fathers from Ireland are exclusively occupied in giving missions to the people. The Lazarists have two colleges for boys, one in Cebú with 600, another in Samar with 350 pupils. The same Fathers have also charge of the ecclesiastical seminary , in which there are 85 students. A college for girls is conducted in Cebú by the Sisters of Charity of St. Vincent de Paul , with 500 pupils. An orphan asylum and trade school under the same Sisters care for 85 girls and a few small boys. A leper hospital was maintained for fifty years until 1906. The diocese contains 135 secular priests and 123 religious, of the following communities: Augustinians, Recollects, Franciscans, Benedictines, Jesuits, Lazarists, and Redemptorists. There are fifty-five schools in the diocese, with an attendance of about 12,000 pupils. The people are practically all Catholics, and are very devout and loyal to the Church. Estimated population, 2,145,679. The Right Rev. Thomas Augustine Hendrick, the first American bishop, was consecrated at Rome, 23 Aug., 1903, and took possession 6 March, 1904.
The Catholic Encyclopedia is the most comprehensive resource on Catholic teaching, history, and information ever gathered in all of human history. This easy-to-search online version was originally printed between 1907 and 1912 in fifteen hard copy volumes.
Designed to present its readers with the full body of Catholic teaching, the Encyclopedia contains not only precise statements of what the Church has defined, but also an impartial record of different views of acknowledged authority on all disputed questions, national, political or factional. In the determination of the truth the most recent and acknowledged scientific methods are employed, and the results of the latest research in theology, philosophy, history, apologetics, archaeology, and other sciences are given careful consideration.
No one who is interested in human history, past and present, can ignore the Catholic Church, either as an institution which has been the central figure in the civilized world for nearly two thousand years, decisively affecting its destinies, religious, literary, scientific, social and political, or as an existing power whose influence and activity extend to every part of the globe. In the past century the Church has grown both extensively and intensively among English-speaking peoples. Their living interests demand that they should have the means of informing themselves about this vast institution, which, whether they are Catholics or not, affects their fortunes and their destiny.
Copyright © Catholic Encyclopedia. Robert Appleton Company New York, NY. Volume 1: 1907; Volume 2: 1907; Volume 3: 1908; Volume 4: 1908; Volume 5: 1909; Volume 6: 1909; Volume 7: 1910; Volume 8: 1910; Volume 9: 1910; Volume 10: 1911; Volume 11: - 1911; Volume 12: - 1911; Volume 13: - 1912; Volume 14: 1912; Volume 15: 1912
Catholic Online Catholic Encyclopedia Digital version Compiled and Copyright © Catholic Online


text:
Removable footrests and additional carry straps on the seat allow for ease of folding and lifting. The Invacare Lightweight Aluminum Transport Chair is a safe and comfortable way to transport patients. Buy the Invacare Lightweight Aluminum Transport Chair from ActiveForever.com today! Light Weight Transport Chair Features: Provides safe and comfortable patient transport Compact and lightweight Black nylon upholstery, flame retardant and bacteria resistant Fold-down back for easy transport Easy to lift and fold Painted lightweight aluminum frame Seat positioning carry straps Full-length padded arms Invacare Transport Chair Specifications: Invacare Lightweight Aluminum Transport Chair 19 Inch User Manual (.pdf) Max. Weight Capacity: 250lbs Arm Style: Permanent full padded arms Product Weight Without Footrests: 19 lbs Product Weight With Footrests: 21 lbs Back Height: 17.5" Seat Depth: 15.5" Seat Width: 19" Overall width: 23.5" Color: Blue or Red Frame View more
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Dim the lights and break out the…eggs? These 10 foods will kick your sex drive into high gear.
Good news if you're a fan of the sweet stuff—a growing body of research suggests that eating a small amount of chocolate regularly can carry a number of health benefits.
From your diet to your medication to your mindset, here are 13 culprits of low libido.
Eating healthier doesn't mean tossing your favorite recipes in the trash. Here are 10 easy ingredient substitutions for healthier cooking and baking.
Banish belly rolls for good with these easy moves to sculpt strong, sexy abs
Avoid these 8 hard-on-your heart foods.


text:
Sportscaster Joyce Jackson talked about seattle's domination of Denver in Super Bowl XLVIII.
Should local governments switch to non-partisan primaries? Ward 1 DC Council candidate Bryan Weaver says doing so would get more people involved in the process and empower victors.
And which of last night's ads were the best? We talked with advertising guru Dave Marinaccio.
Watch today's segments in the clips below. Click "Continue Reading" to see segments 2 and 3.{ }
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text:
realmagick.com The shrine of knowledge.
The Hives Singles
A selection of articles related to the hives singles.
Original articles from our library related to the The Hives Singles. See Table of Contents for further available material (downloadable resources) on The Hives Singles.
- The Aeonic Perspective of the Enochian Temples
- The initiatory system of the Enochian Temples divides the path of initiation into four major stages, distinguished primarily by the types and sources of the influences they are sensitive to. Briefly, these stages are: 1. Lunar-planetary, focused in Yesod and...
Magick >> Enochian
- Bringing it Down to Earth: A Fractal Approach
- 'Clouds are not spheres, mountains are not cones, coastlines are not circles, and bark is not smooth, nor does lightning travel in a straight line.' B. Mandelbrot W e want to think about the future - it's our nature. Unlike other creatures, humans possess an...
Mystic Sciences >> Astrology
- Mother Of The Gods And The Father Of The Gael
- There is no surviving, or as yet translated, Creation story within Irish mythology. We learn from the Lebor Gabala Erenn, a text from the Christian Middle Ages, of the Tuatha De Danann, or "People of the Goddess Danu", who came to Ireland either...
Deities & Heros >> Celtic, Welsh, Irish & Brittish
- Select Cross-Cultural and Historical Personifications of Death
- This extensive introduction includes some of the more well known, along with some lesser known Death "incarnations", and I use that term loosely, as in many cultures, the Angel of Death can be quite an adept shapeshifter. We have tried to cull...
Mystic Sciences >> Necromantic Studies
- The Celtic Vedic Connection, Part I
- Of all the great ancient cultures perhaps no two share more parallels than those of the Celtic and Vedic peoples. A deep rooted affinity runs between them, what is present in one is mirrored in the other. Myths, Gods, Goddesses, even fairy tales bear a...
Religions >> Druidism
The Hives Singles is described in multiple online sources, as addition to our editors' articles, see section below for printable documents, The Hives Singles books and related discussion.
Suggested News Resources
- EVENTS GUIDE for March 10 and beyond (Surrey, North Delta)
- "Honey, Hives, & Poetry in Surrey": Event Tuesday, March 15 (7- 8:30 pm) at City Centre Library, 10350 University Dr., Surrey, in Room 120. Free admission.
- Overnight news from around the world
- Including his work with other acts such as Cilla Black, Gerry & The Pacemakers and Kenny Rogers, Martin worked on 30 UK No.1 singles.
- New albums out this week
- Carly Rae Jepsen, Walk the Moon, Wyclef Jean and Cam'ron are among the collaborators and/or guests lending their sundry skills to the first full-length from an EDM duo that until now has been a singles, EPs and remixes releaser.
- Creepy, well-meaning, or sexist? Looking for love on Bernie Singles, the
- The whole concept of "community", by the way – especially one made up of the notably sexist male Bernie fandom – basically gives me hives. And my toe dip into the world of Bernie dating is like an exercise in nausea-induced celibacy.
- Wolfmother returns to Memphis
- This gave us the Strokes and Interpol, plus brought the White Stripes and the Hives up from their more grassroots origins. A ton of other bands and factors played into this as well, but by mid-decade it had ...
Great care has been taken to prepare the information on this page. Elements of the content come from factual and lexical knowledge databases, realmagick.com library and third-party sources. We appreciate your suggestions and comments on further improvements of the site.
The Hives Singles Topics
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text:
A few days ago, I posted about John Cleese agreeing to be in an Israeli commercial.
Well here it is.
That's pretty funny, but having Cleese only speak one line in Hebrew is wasted potential.
Here's hoping there are other commercials in the series, which make better use of his comedic talent.
Update: I wish I had thought of this (richards1052 is Richard Silverstein):
@richards1052 gets exclusive footage of US approval of Israeli attack on Iran youtu.be/dKTYXGvCQTs
— David Abitbol (@jewlicious) August 23, 2012
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text:
It's likely League of Legends players have already been introduced to Vel'Koz, whether through leaks or the ongoing viral campaign Riot Games is running with Youtube personalities. Today, however, everyone will know the name of the Eye of the Void. Vel'koz has been officially revealed as League of Legends' next champion release. Introducing the League's next mid-lane AP carry, designed for early game control and late game siege.
Being from the Void, Vel'Koz isn't a very friendly character. Apparently he's rather sort of a torture expert. While Riot Games likes lore less with each champion release, they did put out this short blurb on Vel'Koz's background:
"The Void is preparing to spill forth its latest monstrosity: Vel'Koz. A terrifying being created for the sole purpose of learning, Vel'Koz absorbs knowledge and accrues understanding through a multitude of tests and scans. Unfortunately, those very tests, while extremely productive for Vel'Koz, have a tendency to utterly destroy his subjects."
Basically Vel'Koz tortures people and learns from the experience. The dude can float, has four eyes and a bunch of tentacles. I suppose he can do whatever he wants. Oh, and don't forget about the laser beams he shoots. Definitely don't forget about that.
Speaking about laser beams, Vel'Koz's kit certainly has some power to it. As an AP-carry his primary focus will be building up long-range damage for early lane control and late-game sieging, but like most of Riot's sieging carries he's terrifyingly lacking in mobility and CC. Maybe even more than other champions like Ziggs and the new Xerath. Depending on how he chains the CC he does have he could be scary, but in today's assassin's meta he may never get the chance to prove himself.
Let's take a look at his official kit, highlighted by his passive which does bonus true damage when proc'd:
- Passive: Organic Deconstruction - Vel'Koz's abilities Deconstruct those they strike. After being hit three times by his abilities, minions, monsters and enemy champions are Deconstructed and suffer bonus true damage. Enemies lose their Deconstruction stacks by avoiding Vel'Koz's attacks for a short while.
- Q: Plasma Fission - Vel'Koz fires a plasma bolt that slows and damages the first enemy struck. Once Plasma Fission hits, reaches its maximum range or is reactivated a second time, the bolt splits at a 90 degree angle. The split bolts deal the same damage and apply the same slow.
- W: Void Rift - Vel'Koz sends out a straight line blast that tears open a temporary rift to the Void before exploding. Both the initial tear and the delayed explosion damage and apply Deconstruction stacks to caught enemies.
- E: Tectonic Disruption - After a brief delay Vel'Koz disrupts a nearby area, damaging and launching all enemies caught into the air. Enemies hit that are close to Vel'Koz are also knocked back slightly.
- R: Life Form Disintegration Ray - Vel'Koz channels a ray of infinite energy that follows the cursor for a brief while, damaging, slowing and Deconstructing all enemies in range.
How Vel'Koz will work into the current meta will be an interesting experiment. Riot's last released champion was Yasuo, still widely considered to be overly strong -- especially in the current meta. Riot could either have over nerfed Vel'Koz to ensure the problem didn't happen again or scale him too high so he doesn't look weak despite the meta.
Ultimately, I'm extremely worried he may never even get the chance to prove himself in the current League. With Yasuo, Zed, Kassadin, Riven and other quick and very strong assassin champions living in mid right now a siege champion with no mobility just may never establish himself. I hope he proves me wrong, as he's a rather cute monster.
Expect Vel'Koz to be released in League of Legends within the next week or so, but hopefully very soon.


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Sugar Stems prove goodwill through music
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"A garden theme was something I personally really liked, so we ran with it," Heibler, 30, said about the artwork for the sophomore album "Can't Wait." "(The album photo) involved dirt and flowers and earthworms." »Read Full Article
Milwaukee Opera Theatre, Genghis Barbie rock the art song
Audiences at opera singers' recitals do not, customarily, pump their arms and cheer. Of course, singers at said recitals don't usually perform tunes by Queen and Guns N' Roses flanked by a quartet of female horn players, either.
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Phone (212) 708-9476
Fax (212) 708-9740
International Program
The Museum of Modern Art
11 West 53rd Street
New York, NY 10019
Discover past programs, from weeklong institutes to workshops, symposia, and events.
For other up-to-date information relating to the International Program, sign up for the post newsletter and follow post on Twitter.
Institutes and Events
post Presents: Rashid Rana in Conversation with Glenn D. Lowry
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In this public conversation, Rashid Rana, artist and Artistic Director, Lahore Biennale, and Glenn D. Lowry, Director, The Museum of Modern Art, discuss the curatorial plans for the inaugural Biennale, which opens in November 2017.
Rashid Rana is an artist and the artistic director of the 2017 Lahore Biennale. He is the founding faculty member and head of the Fine Art department at Beaconhouse National University, Lahore, Pakistan. His recent solo exhibitions include the major mid-career retrospective Labyrinth of Reflections at Mohatta Palace Museum, Karachi (2013), as well as solo surveys at Cornerhouse, Manchester (2011), and Musée Guimet, Paris (2010). His participation in major group exhibitions includes My East Is Your West, a collateral event of the 56th Venice Biennale (2015); Kiev Biennial (2012); Fotomuseum Winterthur, Whitechapel Gallery, and Saatchi Gallery, London (2010); the Asia Society, New York (2009); the fifth Asia Pacific Triennale, Queensland Gallery of Art, Brisbane (2006); and an upcoming survey show at Kiran Nadar Museum of Art, New Delhi.
Watch the live stream of the event.
post Presents is a series of talks devoted to the cross-geographical consideration of modern and contemporary art. The sessions are an extension of post, MoMA's online platform devoted to art from a global perspective. The Museum of Modern Art's Contemporary and Modern Art Perspectives (C-MAP) initiative, of which post is part, is supported by The International Council of The Museum of Modern Art. Additional funding is provided by Patricia Phelps de Cisneros, Adriana Cisneros de Griffin, and Marlene Hess. Special thanks to The Andrew W. Mellon Foundation for founding support of C-MAP and post.
post Presents: Catherine David on Curating with an International Perspective
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In this public lecture, Catherine David presents her past and current curatorial projects, as well as ongoing research. David is the deputy director of the Musée National d'Art Moderne at the Centre Pompidou in Paris, where she has spearheaded an internationally diverse program. From 1982 to 1990 David was curator at the Musée National d'Art Moderne, Centre Georges Pompidou, Paris, and from 1990 to 1994 she was curator at the Galerie Nationale du Jeu de Paume, Paris. Notably, from 1994 to 1997 David served as artistic director for documenta X in Kassel, Germany (1997), and since 1998 she has been director of the long-term project Contemporary Arab Representations, which began at the Fundació Antoni Tàpies, Barcelona. Between 2002 and 2004 David was director of the Witte de With Center of Contemporary Art in Rotterdam, the Netherlands. Co-presented with Independent Curators International's (ICI) Curator's Perspectives series, the lecture is followed by a discussion and questions.
Watch the live stream of the event.
post Presents is a series of talks devoted to the cross-geographical consideration of modern and contemporary art. The sessions are an extension of post, MoMA's online platform devoted to art from a global perspective. The Museum of Modern Art's Contemporary and Modern Art Perspectives (C-MAP) initiative, of which post is part, is supported by The International Council of The Museum of Modern Art. Additional funding is provided by Patricia Phelps de Cisneros, Adriana Cisneros de Griffin, and Marlene Hess. Special thanks to The Andrew W. Mellon Foundation for founding support of C-MAP and post.
Curator's Perspective is an itinerant public discussion series ICI developed as a way for national and international curators to share their research and experiences with audiences in New York. Practitioners discuss what they are most interested in at the moment, including the artists and the sociopolitical contexts that are shaping practices now. The Curator's Perspective series has been made possible, in part, by grants from the Hartfield Foundation and by generous contributions from the ICI Board of Trustees and ICI Access Fund.
Launch Events: Mário Pedrosa's Modernism
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This program celebrated MoMA's publication of Mário Pedrosa: Primary Documents, with editor Paulo Herkenhoff, Museu de Arte do Rio (MAR), in conversation with Luis Pérez-Oramas, Estrellita Brodsky Curator of Latin American Art, Department of Drawings and Prints, MoMA. Presentations were given by by contributing scholars Kaira M. Cabañas, Associate Professor in Global Modern and Contemporary Art History, University of Florida, and Adele Nelson, Assistant Professor of Art History, Temple University, Philadelphia. The program concluded with a reception and book sale.
Watch the live stream of the event.
Purchase Mário Pedrosa: Primary Documents.
Support for the launch event program was provided by the Colección Patricia Phelps de Cisneros (CPPC).
Leadership support for Mário Pedrosa: Primary Documents was provided by The International Council of The Museum of Modern Art.
Major support was provided by the Ministério da Cultura do Brasil.
Additional funding was provided by The Fran and Ray Stark Foundation, the Consulate General of Brazil in New York, Mr. & Mrs. Louis de Charbonnières, Andrea and José Olympio Pereira, Frances Reynolds and Jack Shear.
Special thanks to Vera Pedrosa and the Pedrosa family for their participation and encouragement.
International Curatorial Institute 2015
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The International Program hosted the second edition of the International Curatorial Institute for museum professionals from around the world, from September 28 through October 9, 2015. Organized in collaboration with the Center for Curatorial Leadership (CCL), the International Curatorial Institute brought 12 senior curators together in New York for a two-week intensive program of specialized training, including lecture courses led by faculty members from Columbia Business School. The program intends to help curators take on positions of leadership responsibility in art museums and build an international network. Sessions included candid discussions with a number of senior MoMA staff members and Trustees, with a focus on real-world museum issues. They met with the Brooklyn Museum's new director, Ann Pasternak, with Thelma Golden at The Studio Museum in Harlem, and with peers from other major institutions. They also visited the Robert Rauschenberg Foundation and the Ford Foundation. They participated in a discussion, led by MoMA curator Leah Dickerman and special guest Elizabeth Glassman of the Terra Foundation, on recent exhibition approaches for American art.
The 2015 Fellows were Wang Chunchen, Head of the Department of Curatorial Research, CAFA Art Museum of China Central Academy of Fine Arts, Beijing; Roobina Karode, Director and Chief Curator, Kiran Nadar Museum, New Delhi; Rita Kersting, Landau Family Curator of Contemporary Art, The Israel Museum, Jerusalem; Inhye Kim, Curator, National Museum of Contemporary Art, Korea, Seoul; Katerina Koskina, Director, National Museum of Contemporary Art, Athens; Snejana Krasteva, Curator, Garage Museum of Contemporary Art, Moscow; Koyo Kouoh, Artistic Director, Raw Material Company, Dakar; Daniel Muzyczuk, Curator, Muzeum Sztuki, Łódź; Azu Nwagbogu, Director, African Artists' Foundation, Lagos; Jack Persekian, Director, Palestinian Museum, Ramallah; Yasmil Raymond, Associate Curator, Department of Painting and Sculpture, MoMA, and Sarah Suzuki, Associate Curator, Department of Drawings and Prints, MoMA.
The 2015 International Curatorial Institute was made possible by The International Council of The Museum of Modern Art.
Major support was provided by the Anna-Maria and Stephen Kellen Foundation and Andrew Gundlach, Ilshin Foundation, Jerry I. Speyer and Katherine G. Farley, and The Fran & Ray Stark Foundation.
Generous funding was provided by the Terra Foundation for American Art.
International Curatorial Institute 2014
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MoMA's International Program invited modern and contemporary art curators from around the world to participate in the 2014 International Curatorial Institute, a two-week intensive program focused on leadership development and organizational strategy. Designed in collaboration with the Center for Curatorial Leadership (CCL) with the aim of expanding participants' capacity to tackle leadership challenges facing 21st-century museums, the institute brought together a group of eight curators from outside the United States with four curators from MoMA. In collaboration with the Columbia Business School, the institute offered intensive instruction modules each morning, and senior MoMA staff members from a wide range of departments hosted afternoon sessions. Outside the museum, the visiting curators engaged in discussions with major leaders in the New York cultural community, and visited the site of the new Whitney Museum of American Art, Kara Walker's Domino Sugar Factory installation A Subtlety, the New Museum, El Museo del Barrio, and the Ford Foundation.
The participants were Magalí Ariola, Chief Curator, Museo Jumex, Mexico City; Meskerem Assegued, Founder, Zoma Contemporary Art Center, Addis Ababa, Ethiopia; Clarissa Diniz, Curator, Museu de Arte do Rio de Janeiro, Brazil; Starr Figura, Curator, Department of Drawings and Prints, MoMA; Ana Janevski, Associate Curator, Department of Media and Performance Art, MoMA; Abdellah Karroum, Director, Arab Museum of Modern Art, Doha; Mami Kataoka, Chief Curator, Mori Art Museum, Tokyo; Sharon Lerner, Curator of Contemporary Art, Museo de Arte de Lima, Peru; Pi Li, Sigg Senior Curator, M+, Hong Kong; Jarosław Lubiak, Chief Curator, Muzeum Sztuki, Łódź, Poland; Christian Rattemeyer, Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA; and Joshua Siegel, Curator, Department of Film, MoMA.
Launch Events: From Postwar to Postmodern, Art in Japan 1945–1989 Primary Documents and Tokyo 1955–1970: A New Avant-Garde
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In celebration of the launch of MoMA's publication From Postwar to Postmodern, Art in Japan 1945–1989: Primary Documents, panel discussions were organized in New York (January 2013) and in Tokyo (April 2013). Gathering important artists, thinkers, and scholars representing distinct generations of Japanese postwar art history, the participants discussed the development of Japanese postwar art history in the fields of painting, sculpture, music, film, architecture, and contemporary art.
New York Launch Event, January 11, 2013
The launch event in New York was organized in conjunction with MoMA's exhibition Tokyo 1955–1970: A New Avant-Garde.
Participants included Tone Yasunao, experimental musician and sound artist; Doryun Chong, Associate Curator, Department of Painting and Sculpture, MoMA; Meiro Koizumi, artist; Kayoko Ota, Curator and Editor, OMA/AMO; Michio Hayashi, Professor in the Faculty of Liberal Arts, Sophia University; Pedro Gadanho, Curator, Department of Architecture and Design, MoMA; Sarah Suzuki, Associate Curator, Department of Prints and Illustrated Books, MoMA.
Tokyo Launch Event, April 26, 2013
Co-organized with the Japan Foundation's Tokyo headquarters, the panel discussion brought together many important artists and scholars from different generations, including Fumihiko Sumimoto, independent curator; Kenji Kajiya, Associate Professor, Hiroshima City University; Hiroshi Nakamura, artist; Yuri Mitsuda Curator, Shoto Museum of Art, and Board Member, AICA Japan; Lee Ufan, artist and scholar; Akira Tatehata, Director, The National Museum of Art, Osaka; Arata Isozaki, architect; Taro Igarashi, Associate Professor of Engineering, Tohoku University; Koki Tanaka, artist; and Mika Kuraya, Chief Curator of the Department of Fine Arts, National Museum of Modern Art, Tokyo.
Participants included Tone Yasunao, experimental musician and sound artist; Doryun Chong, Associate Curator, Department of Painting and Sculpture, MoMA; Meiro Koizumi, artist; Kayoko Ota, Curator and Editor, OMA/AMO; Michio Hayashi, Professor in the Faculty of Liberal Arts, Sophia University; Pedro Gadanho, Curator, Department of Architecture and Design, MoMA; Sarah Suzuki, Associate Curator, Department of Prints and Illustrated Books, MoMA.
Opening remarks were given by Jay A. Levenson, Director, International Program, MoMA; and Tomoyuki Sakurai, Executive Vice President, The Japan Foundation. The film ANPO: Art X War by Linda Hoaglund was screened as part of the event.
Purchase From Postwar to Postmodern, Art in Japan 1945–1989: Primary Documents.
Read more about the International Program's research on Japanese postwar art on post.
This publication is made possible by The International Council of The Museum of Modern Art in honor of its members and friends Toshio Hara, Minoru Mori, Takeo Obayashi, Yoshio Taniguchi, and Seiji Tsutsumi. Generous support is provided by Mr. and Mrs. Minoru Mori, The Asian Cultural Council, Inc., E. Rhodes and Leona B. Carpenter Foundation, Obayashi Corporation, Obayashi Foundation, The Cowles Charitable Trust, ISE Cultural Foundation, and The Saison Foundation. Additional funding is provided by The International Council of The Museum of Modern Art members Wendy Stark Morrissey, Frances Reynolds, and Byron Meyer. From Postwar to Postmodern, Art in Japan 1945–1989: Primary Documents is published by The Museum of Modern Art in cooperation with the Japan Foundation.
Focus Brazil: International Museum Education Institute
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MoMA's International Program and Department of Education collaborated with the Brazil-based education team Instituto MESA (Jessica Gogan and Guilherme Vergara) to organize a two-day event that gathered artists, scholars, curators, and educators. The participants engaged in discussions & debates about the legacies of such figures as Paulo Freire and Augusto Boal in artistic practices and museum education in Brazil and the United States since the 1960s.
Among the key questions and issues were:
- In what ways can participatory art practices from the 1960s onward be paralleled with the pedagogical ideas and practices of such figures as Paulo Freire and Augusto Boal?
- How can we relate the legacy of Paulo Freire to other Latin American educators and to those in the United States, such as John Dewey?
- How can critical pedagogy contribute to the process of displaying historical participatory art projects (e.g. those of Lygia Clark and Hélio Oiticica) in museums today?
- In what ways might critical pedagogy contribute to contemporary art and museum practices?
The participants who explored these questions included: Ricardo Basbaum, artist; Connie Butler, The Robert Lehman Foundation Chief Curator of Drawings, MoMA; Tom Finkelpearl, Director, Queens Museum of Art, New York; Jessica Gogan, Cofounder, Instituto Mesa, Brazil, independent curator/educator, and PhD candidate in the history of art at the University of Pittsburgh; Pablo Helguera, Director, Adult and Academic Programs, MoMA; Shannon Jackson, Professor of Rhetoric and Theatre, Dance and Performance Studies, University of California, Berkley; Vik Muniz, artist; Adele Nelson, doctoral candidate at New York University; Yasmil Raymond, Curator, DIA Art Foundation; Danilo Streck, Professor at the Graduate School of Education, Universidade de Vale de Rio dos Sinos (UNISNOS), Brazil; Cristiana Tejo, General Coordinator of Education and Cultural Diffusion, Fundação Joaquim Nabuco, Recife, Brazil; Luiz Guilherme Vergara, Professor of Art and co-founder of Instituto MESA, Brazil; Calder Zwicky, Associate Educator, Teen and Community Programs, MoMA; and many others.
This symposium is part of an ongoing museum-wide commitment to creating platforms for colleagues from across the globe to come together and discuss key issues relating to modern and contemporary arts and museum practice.
Download the full agenda for the 2011 institute.
Colleagues in Brazil
In advance of the 2011 institute, members of MoMA's International Program and Education staff travelled to Brazil to meet with colleagues and research the history of museum education in three cities: São Paulo, Porto Alegre and Rio de Janeiro. We are grateful to our colleagues at the following organizations for meeting with us and sharing information about their valuable work in the field of museum education and critical pedagogy.
São Paolo
- Museu de Arte Contemporânea da Universidad de São Paulo
- Museu de Arte Moderna de São Paulo
- Museu de Arte Moderna de São Paulo Assis Chateaubriand
- Pinacoteca do Estado de São Paulo
- Itaú Cultural, São Paulo
- Instituto Tomie Ohtake
Porto Alegre
Rio de Janeiro
Launch Events: Contemporary Chinese Art: Primary Documents
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MoMA and the Asia Art Archive (AAA) brought together artists, critics, and scholars to discuss and debate the history of contemporary Chinese art. People gathered for these discussions in Hong Kong, Beijing, Shanghai, and New York in Fall 2010.
Participants discussed key events in the histories of Chinese art since the late 1970s in an effort to draw attention to the need to document, discuss, and better understand the issues that have shaped Chinese art and art criticism today.
Participants included Cheng Tong, artist; Doryun Chong, Associate Curator, Department of Painting and Sculpture; Jane Debevoise, President, AAA; Huang Rui, artist; Huang Yong Ping, artist; Lin Tianmiao, artist; Song Dong, artist; Wang Aihe, Artist and Associate Professor, The University of Hong Kong; Wu Hung, Harrie A. Vanderstappen Distinguished Service Professor in Art History and East Asian Languages and Civilizations, Director, Center for the Art of East Asia, and Consulting Curator, Smart Museum of Art; Wu Shanzhuan, artist; Xu Bing, Artist and Vice President of CAFA; Xu Tan, artist; Xu Zhen, artist; and Yu Youhan, artist.
Each event celebrated and launched two important projects: MoMA's publication, Contemporary Chinese Art: Primary Documents, and the Asia Art Archive's Web-based project, Materials of the Future.
We were inspired to organize a co-launch event to highlight these two initiatives that shed new light, for English-language and Chinese-language readers, on this important history.
Watch the live stream of the launch event at MoMA, New York.
Purchase Contemporary Chinese Art: Primary Documents
Read more about Contemporary Chinese Art: Primary Documents on MoMA's Inside/Out blog.
The events were made possible with the generous support of The International Council of The Museum of Modern Art, The Robert H. N. Ho Family Foundation, Hong Kong Arts Centre, and JIA Boutique Hotels.
Focus Mexico: International Museum Education Institute
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Participants from eight museums in Mexico and from MoMA held roundtable discussions and workshops, and engaged in debates about the role of museum education and how staff and visitors interpret contemporary art.
Participants talked about museum education in relation to their specific contexts, which helped the group to develop a broader understanding of the key shared issues, opportunities for successes, and challenges.
The institute was inspired by MoMA's longstanding commitment to Latin America and Mexico and by a recent visit to Mexico by Wendy Woon, Edward John Noble Deputy Director for Education, and Pablo Helguera, Director of Adult and Academic Programs, that aimed to research museum education programs and develop a network of institutions. The Patricia Cisneros Travel Fund for Latin America made this visit possible.
- Museo Amparo
- Museo de Arte Carrillo Gil (MACG)
- Museo de Arte Moderno (MAM)
- Museo de Arte Contemporaneo de Monterrey (MARCO)
- Museo Universitario Arte Contemporaneo (MuAC)
- Museo Soumaya
- Museo de Arte Contemporaneo Internacional Rufino Tamayo
- Museo Sala de Arte Publico David Alfaro Siqueiros
Learn more about MoMA's related exhibition, Gabriel Orozco.
Launch Event: Alfredo Boulton and his Contemporaries: Critical Dialogues in Venezuelan Art, 1912–1974
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This panel celebrated the launch of MoMA's publication Alfredo Boulton and his Contemporaries: Critical Dialogues in Venezuelan Art, 1912–1974 by bringing together scholars, poets and other specialists to discuss this important period in the history of Venezuelan art.
The panelists included Hugo Achugar, poet, essayist, and professor of Spanish at the University of Miami; Carlos Brillembourg, architect; Sofia Vollmer de Maduro of the Alberto Vollmer Foundation in Caracas; Luis Pérez-Oramas, The Estrellita Brodsky Curator of Latin American Art, MoMA; and Edward Sullivan, professor of fine arts at New York University.
Listen to the launch event at MoMA, New York.
Purchase Alfredo Boulton and his Contemporaries: Critical Dialogues in Venezuelan Art, 1912–1974.
The program was supported by The International Council of The Museum of Modern Art.
The Untimely Timeliness of Swedish Modernism
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This public program celebrated MoMA's publication of Modern Swedish Design: Three Founding Texts by bringing together the three editors of the volume, Lucy Creagh, architect and PhD candidate at Columbia University; Helena Kåberg, curator at the National Museum of Fine Arts, Stockholm; and Barbara Miller Lane, Emeritus Professor, Bryn Mawr College, for a discussion about modern Swedish design that was moderated by Kenneth Frampton, Ware Professor of Architecture, Columbia University.
Listen to the launch event at MoMA, New York.
Purchase MoMA's Modern Swedish Design: Three Founding Texts.
This program was supported by The International Council of The Museum of Modern Art. Additional support is provided by the Consulate General of Sweden in New York.
Postwar Japanese Art: A Panel and Discussion
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In 2008, MoMA engaged in a multipart Japanese Curatorial Exchange program to engage more deeply with the field of postwar Japanese art. As part of this program a number of MoMA curators travelled to Japan to both meet with contemporary artists, scholars, and curators and to conduct research on post-1945 artistic practices, movements, and collectives. Upon return, curators began to look more closely at the Museum's holdings of postwar Japanese art, which are numerous, and to discover the origins and histories of these works.
To help explore these questions and to continue to develop a deeper understanding of the field, in 2009 we invited five curators, scholars, and critics from Japan to spend two days meeting with MoMA staff and curators, and sharing their expertise on the period and specific works and movements. To celebrate this gathering, we organized a public panel, in which the visiting curators and scholars explored the work of artists, collectives, and movements in Japan since the 1940s.
Participants included Michiko Kasahara, Chief Curator, Tokyo Metropolitan Museum of Photography; Dr. Midori Matsui, independent curator and scholar; Fumihiko Sumitomo, then Senior Curator, Museum of Contemporary Art, Tokyo; and Akira Tatehata, then Director, National Museum of Art, Osaka. The panel was moderated by Cornelia H. Butler, The Robert Lehman Foundation Chief Curator of Drawings at MoMA.
Based on the success of the Japanese Curatorial Exchange, the next title in MoMA's Primary Documents series is Postwar Japanese Art, 1945–1989: Primary Documents, which is available at the MoMA Store.
Listen to the full proceedings of the public panel.
This program was co-organized by the Japan Foundation and was generously supported by The International Council of The Museum of Modern Art and the Asian Cultural Council.
Caribbean Modernist Architecture Symposium
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MoMA's International Program and Department of Architecture and Design collaborated with the University of Technology, Jamaica, to present a symposium on modernist architecture in the Caribbean.
Architects, architectural historians, and curators from 13 countries—including the Bahamas, Barbados, Colombia, Costa Rica, the Dominican Republic, Guadeloupe, Jamaica, Mexico, Netherlands Antilles, Puerto Rico, Trinidad, and Venezuela—gave talks and participated in discussions. The talks and panels covered subjects from regional and international legacies, preservation, environmental sustainability, and urban planning as they related to modernist architectural history and contemporary practice.
The goals were to broaden awareness of modernist architecture in the Caribbean and to learn lessons for contemporary practice from its architectural heritage.
Participants included Silvia Arango, Professor, National University of Colombia, Colombia; Mervyn Awon, architect, Barbados; Marcus Barinas, architect and Professor, Universidad Nacional; Barry Bergdoll, The Museum of Modern Art, New York; Carlos Brillembourg, architect, Caracas and New York; Jackson Burnside, architect, Bahamas; Mrs. Epsy Campbell-Barr, human rights activist, professor, and economist, Costa Rica; Jean Doucet, engineer and author, Martinique; Belmont Freeman, architect, New York; The Honorable Bruce Golding, Prime Minister, Jamaica; David Gouverneur, architect and visiting lecturer, The University of Pennsylvania, Philadelphia; David Harrison, Principal Lecturer, Caribbean School of Architecture, University of Technology, Jamaica; Margaret Jarrett, Programme Director, M. Arch, Caribbean School of Architecture, University of Technology, Jamaica; Jean François Lejeune, University of Miami, Florida; Ronny Lobo, organic architect, Netherlands Antilles; Gustavo Luis Moré, architect and editor of Archivos de Arquitectura Antillana, Dominican Republic; Enrique Norten, primary architect, TEN Arquitectos, Mexico and New York; Louise Noelle, Professor, National Autonomous University of Mexico; Jorge Otero Pailos, Columbia University, New York; Pat Ramsey, Director, Center for the Arts; Mark Raymond, architect, Trinidad and Tobago; Miguel Rodriguez, architect and Dean, Polytechnic School of Architecture, Puerto Rico; Bruno Stagno, architect, Costa Rica; L. Mark Taylor, Head, Caribbean School of Architecture, University of Technology, Jamaica; Dr. Ken Yeang, architect, Malaysia and United Kingdom; and Pedro Henriquez Ureña, Dominican Republic.
Listen to the two-day conference.
The University of Technology, Jamaica (UTech), and The Museum of Modern Art (MoMA) gratefully acknowledge the following sponsors of the Caribbean Modernist Architecture Symposium: The International Council of The Museum of Modern Art, The Reed Foundation, Patricia Cisneros Travel Fund for Latin America of The Museum of Modern Art, Jamaica National Building Society, Pan Jam, Victoria Mutual Building Society, Air Jamaica, American Airlines, British Airways, The Courtleigh Hotel and Suites, and Jamaica Conference Centre.
Curatorial Workshop in India
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In January 2004, in collaboration with the National Gallery in Delhi and the National Gallery in Mumbai, The Museum of Modern Art organized a series of panel discussions and workshops on curatorial practice in Delhi and Mumbai. Participants included invited Indian art professionals—curators, critics, artists, and publishers—together with four curators from MoMA and P.S.1 Contemporary Art Center, the director of the International Program, and a staff member of the MoMA Department of Education. The sessions were structured as discussion groups, encouraging a broad exchange of information and ideas and as much interaction as possible, and focused mainly on contemporary art—both in India and at MoMA and P.S.1.
Participants included Klaus Biesenbach, then Chief Curator, P.S.1 Contemporary Art Center; Feri Daftari, then Assistant Curator, Department of Painting and Sculpture, MoMA; Alanna Heiss, Founder, P.S.1 Contemporary Art Center; Amy Horschak, then Assistant Director, Adult and Academic Programs, MoMA; Jay Levenson, Director, International Program, MoMA; and Roxana Marcoci, then Assistant Curator, Department of Photography, MoMA.
The program was generously sponsored by The International Council of The Museum of Modern Art.
Museum Practices in the Twenty-First Century: A Cultural Exchange with MoMA
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This workshop, jointly organized by the International Program and the Hong Kong Arts Centre, took place in Hong Kong from November 14 to 18, 2002. In addition to attending workshop sessions at the Hong Kong Arts Centre, participants and MoMA staff attended a symposium on contemporary art exhibitions, organized at the Hong Kong Museum of Art by the Guangdong Museum of Art and the Hong Kong Arts Development Council. MoMA staff members and participants also attended the opening of the First Guangzhou Triennial at the Guangdong Museum of Art, Guangzhou, along with its opening symposium. Members of MoMA's staff also attended the opening of the Shanghai Biennale 2002 at the Shanghai Art Museum.
Participants included Ahn Soyeon, The Samsung Museum of Art, Seoul, Korea; Zanita Anuar, National Art Gallery, Malaysia, Kuala Lumpur, Malaysia; Judy Chan, Hong Kong Heritage Museum, Hong Kong; Choi Yan-Chi, 1A Space, Hong Kong; Christina Chu, Hong Kong Museum of Art, Hong Kong; James Chu, Old Ladies' House Art Space, Macau; Rhana Devenport, Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery, South Brisbane, Australia; Yasuko Furuichi, The Japan Foundation Asia Center, Tokyo, Japan; Sid Gomez Hildawa, The Cultural Center of The Philippines (CCP), Manila, The Philippines; Lee Weng Choy, The Substation, Singapore; Anthony Leung Po Shan, Para/Site Art Space, Hong Kong; Low Sze Wee, Singapore Art Museum, Singapore; Tran Luong, Hanoi Contemporary Art Center, Hanoi, Vietnam; Petch Osathanugrah, Bangkok Museum of Contemporary Art, Bangkok, Thailand; Or Wai Chun, Artist Commune, Hong Kong; Suhanya Raffel, Queensland Art Gallery, South Brisbane, Australia; Chaitanya Sambrani, Independent Curator, Canberra, Australia, and Bombay, India; Shen Yi-Ning, Museum of Contemporary Art, Taipei, Taipei, Taiwan; Judy Freya Sibayan, The Museum of Mental Objects, Manila, The Philippines; Ung Vai Meng, Macau Museum of Art, Macau; Anita Wong, University Museum and Art Gallery, University of Hong Kong, Hong Kong; Wu Meichun, National Academy of Art, Hangzhou, China; Ashley Yeung, Videotage, Hong Kong; and Zhang Qing, Shanghai Art Museum, Shanghai, China.
The Organizing Committee Members for Museum Practices in the Twenty-First Century: A Cultural Exchange with MoMA include: Oscar Ho Hing-kay, Hong Kong Arts Centre, Hong Kong; Grace Cheng Sim-yee, Hong Kong Arts Centre, Hong Kong; Claire Hsu, Asia Art Archive, Hong Kong; Liz Lau, Hong Kong Arts Centre, Hong Kong; Loretta Lo, Hanart TZ Gallery, Hong Kong; Irene Ngan Shuk-fun, Hong Kong Arts Centre, Hong Kong; and Rachel Wang Yung-hsin, independent consultant, Sydney, Australia.
African Museum Professionals Workshop
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The African Museum Professionals Workshop—which took place in February 2002 and began at MoMA—traveled to three American cities under the sponsorship of The International Council, Agnes Gund and Daniel Shapiro, and The Rockefeller Foundation. In New York, participants attended the opening of the landmark exhibition The Short Century: Independence and Liberation Movements in Africa 1945–1994 at P.S.1 Contemporary Art Center. This was the first workshop at which participants gave reports not only on their own institutions, but also on contemporary art and artists in their home countries. Participants subsequently traveled to Washington, D.C., in a program arranged by MoMA and the National Museum of African Art. The workshop concluded in Los Angeles with a program organized by MoMA with the Museum of Contemporary Art, Los Angeles.
Participants for this workshop included Meskerem Assegued, ArtSpace, Addis Ababa, Ethiopia; Brendan Bell, Tatham Art Gallery, Pietermartizburg, South Africa; Hassoum Ceesay, The Gambia National Museum, Banjul, The Gambia; Philippa Curling, National Gallery of Zimbabwe, Harare, Zimbabwe; Annaleen Eins, The National Gallery of Namibia, Windhoek, Namibia; Kathy Grundlingh, The South African National Gallery, Cape Town, South Africa; Simon Ikpakronyi, National Gallery of Art, Abuja, Nigeria; Silvie Kassi, Musée Municipal d'Art Contemporain de Cocody, Cocody, Côte d'Ivoire; Yacouba Konate, independent curator, Abidjan, Côte d'Ivoire; Koyo Kouoh, Goree Institute, Goree, Senegal; Julietta Massimbe, Museu Nacional de Arte, Maputo, Mozambique; Monica Mosarwa, Botswana National Museum, Gaborone, Botswana; Judy Ogana, Kuona Trust, Nairobi, Kenya; and Patrick Mweemba Siabokoma, Choma Museum and Crafts Centre, Choma, Zambia.
East Asian Museum Professionals Workshop
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The East Asian Museum Professionals Workshop took place at MoMA from January 14 to 26, 2000, under the sponsorship of The International Council and the Asian Cultural Council. Participants enjoyed visits to Asia Society, Japan Society, P.S.1 Contemporary Art Center, and private collections of MoMA trustees before traveling to Los Angeles from January 28 to 30 in a program arranged by MoMA and the Los Angeles County Museum of Art. The Los Angeles extension included visits to the Getty Museum and Research Institute; Eli Broad Family Foundation; the Museum of Contemporary Art, Los Angeles; UCLA Hammer Museum; the Los Angeles County Museum of Art; and several private collections of MoMA trustees and International Council members.
Participants in this workshop include Ahmad Amerrudin, National Art Gallery, Malaysia, Kuala Lumpur, Malaysia; Fang-wei Chang, Taipei Museum of Fine Art, Taipei, Taiwan; Chaos Chen, Beijing Art Museum, Beijing, China; Junmo Chung, National Museum of Contemporary Art, Kyungi-Do, Korea; Yukiko Harada, Mori Art Center, Tokyo, Japan; Oscar Ho Hing-kay, Hong Kong Arts Centre, Hong Kong; Sun Hee Kim, Kwangju City Art Museum, Kwangju, Korea; Kenji Kubota, Art Tower Mito, Ibaraki, Japan; Tran Luong, Hanoi Contemporary Art Center, Hanoi, Vietnam; Shinichiro Osaki, The National Museum of Modern Art, Kyoto, Japan; Bridget Tracy Tan, Singapore Art Museum, Singapore; Wang Huangsheng, Guangdong Museum of Art, Guangzhou, China; and Jian Jun Zhang, Shanghai Art Museum, Shanghai, China.
Central and Eastern European Museum Professionals Workshop
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The Central and Eastern European Museum Professionals Workshop, which took place in New York in October and November of 1999, brought participants from Bulgaria, Croatia, the Czech Republic, Estonia, Hungary, Latvia, Lithuania, the Republic of Macedonia, Romania, Russia, Slovakia, and Slovenia to MoMA for a series of wide-ranging discussions of exhibition-related issues. It was the first workshop at which participants were asked to give presentations on their own institutions to MoMA staff and invited guests. The workshop also included tours of private collections in the city and visits to a selection of other institutions.
Participants in this workshop include Katarína Bajcurová, Slovak National Gallery, Bratislava, Slovakia; Alexander Borovsky, The State Russian Museum, St. Petersburg, Russia; Irena Buzinska, State Museum of Art, Riga, Latvia; Codruta Cruceanu, National Museum of Art, Bucharest, Romania; Alexandra Danilova, Pushkin State Museum of Fine Arts, Moscow, Russia; Ana Deviç, Modern Gallery, Zagreb, Croatia, Soros Internship Program, The Museum of Modern Art; Eha Komissarov, Estonian Contemporary Art Centre – Rotermann Salt Storage (a branch of the Art Museum of Estonia), Tallinn, Estonia; Albert Kostenevich, The State Hermitage Museum, St. Petersburg, Russia; Viktoras Liutkus, Lithuanian Art Museum Vilnius, Vilnius, Lithuania; Dorota Łoboda, Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland; Zoran Petrovski, Museum of Contemporary Art Skopje, Skopje, Republic of Macedonia; Tomáš Pospiszyl, The National Gallery in Prague, Prague, Czech Republic; Aneta Prasal, Zacheta Gallery of Contemporary Art, Warsaw, Poland; Krisztina Szipőcs, Museum of Contemporary Art – Ludwig Museum Budapest, Budapest, Hungary; Igor Zabel, Moderna Galerija Ljubljana, Ljubljana, Slovenia; and Philip Zidarov, Sofia Municipal Art Gallery, Sofia, Bulgaria.
The New York portion of the workshop was made possible by the sponsorship of The International Council and the Trust for Mutual Understanding. Participants then traveled to Los Angeles in a program arranged by MoMA and the Getty Trust. This trip was sponsored by the Open Museum Initiative of the Open Society Institute–New York, and The Ford Foundation.
Latin American Museum Professionals Workshop
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Sponsored by The International Council of The Museum of Modern Art and the Lampadia Foundation, the Latin American Museum Professionals Workshop was held in November of 1998 at MoMA, during the Museum's landmark exhibition Jackson Pollock: A Retrospective. Using the show itself as a case study, participants discussed a wide range of issues related to exhibition organization. Participants also attended a lecture by then Chief Curator of Painting and Sculpture Kirk Varnedoe, and visited the Center for Curatorial Studies at Bard College, Annandale-on-Hudson; El Museo del Barrio; the Americas Society; and other New York–area arts institutions and private collections.
The International Program has in recent years also sponsored workshops on museum libraries and archives in Caracas, Buenos Aires, and Havana, as well as workshops on conservation and fundraising in Caracas and Mexico City.
Participants in this workshop include Moaçir dos Anjos, Jr., Instituto de Cultura, Fundação Joaqim Nabuco, Recife, Brazil; Rejane Cintrão, Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Gabriel Cobo, Museo Gabriel González Videla, La Serena, Chile; Vanesa Fernández, Museo de Monterrey, Monterrey, Mexico; Valeria Keller, Museo Nacional de Bellas Artes, Buenos Aires, Argentina; Aleca Le Blanc, Colección Patricia Phelps de Cisneros, Caracas, Venezuela; Xavier López de Arriaga D., Museo de Arte Contemporáneo de Monterrey, Monterrey, Mexico; Margarita Moreno de las Heras, Museo de Arte de Lima, Lima, Perú; Carlos Enrique Palacios, Museo Jacobo Borges, Caracas, Venezuela; José Ignacio Roca, Biblioteca Luis-Ángel Arango, Bogotá, Colombia; Osvaldo Sánchez Crespo, Museo de Arte Alvar y Carmen T. de Carillo Gil, Mexico City, Mexico; and André Stolarski, Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, Brazil.
If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Image Permissions page (www.moma.org/permissions). For additional information about using content from MoMA.org, please visit About this Site (www.moma.org/site).
© Copyright 2016 The Museum of Modern Art


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Average Rating
User Reviews
First Anime I felt the need to reviewSo, this is my first ever review, and I'm going to keep it short. This is, as the title says, the first anime I've seen that I've felt the need to review. This is also the first anime that's made me cry. It's amazing, and really touching. I'm not sure what else to say, since so many have already said it better than me.
Trully a MasterpieceThis moive has some of the most crazy heart jerking moments in it. The art is beautiful, and characters are relatable. All though this is a movie it does a great job at capturing the life of the main character and the way his life pans out. 10/10. Would recommend to everyone who enjoys great movies
1 out of 2 people found this review helpful:5 cm/s in Sub [Good]I found it exciting. Most of the story wasn't connected in a way I could follow easily and more emotions were said than dialogue. I have to give the writers credit where it stands. I enjoyed the pace of the show, the Japanese verbiage. and the artwork. I don't like how open ended each short story was, it seemed unfinished. Sound effects get an A+Read more
If I could ask anything of the story it would be ...
I have no words except beautifulAnimation is just gorgeous! On top of that a really heart wrenching story about two kids in love and the long distance between them. Though caution this is very depressing but not in a bad way, I love it. This is totally worth the watch, only 64 min and its better than angel beats (in my opinion) and that was one of my favorite animes. You can not say you've lived until you've watched this film. ...Read more
One of the most Praiseworthy Animes I've Seen to Date5 Centimeters per Second is perhaps one of the best examples of romance in an anime movie to date.Read more
The story is split into three parts, and each are told in an elegant and deep fashion, without ever seeming contrived or rushed. Each of these stories contains extremely relatable characters, more so than many other animes that I've seen. The characters truly feel like real people, to the point ...
Um......What!?......This was very nice. It's something to watch on a rainy day when you have nothing to do. The background was beautiful with cool imagery. It was kind of sad. Not a tear shed but still left an empty feeling inside. I only gave it 5 stars due to the fact it had some recognizable english voice actors from anime I love dearly. Like Blue Exorcist and Haibane Renmei, etc. I felt that it had no real ...Read more
Great Story, Not so Great EndingThe backgrounds were beautiful and the characters matched the background. Still the characters look similar for some reason. Anyways, the ending was kinda off. If they extended for at least 10 more minutes then they could have done a better job in making the ending more settling. Even though it's sad, the least they could have done was to make the ending clearer. Altogether this movie is great. ...Read more
Good romantic anime for allThis show is actually a movie that showcases a young couples love for each other. It is kinda slow but still a good solid romance. This show is well put together, the animation is great and it takes you on a nice little ride. Not really a multi-watch type of thing for me but still worth a watch.
Pleasantly SurprisedWent in not expecting much other than some feels, and was very happy by the end of the film. I did have to look up some things, but that only made me want to watch again. I watched this dang film 3 times in one night. If you have a spare hour or three, watch this.
2 out of 4 people found this review helpful:Too high of expectationsAfter reading all the rave reviews on this, I decided to give it a watch. I had been wanting to watch it for some time and finally got around to watching it today. Man, was I disappointed. Yes, the animation was quite stunning, in fact the landscapes were one of my favorite parts on watching this. The stories though, for some reason I felt like they lacked substance and were just there, yes I ...Read more


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text: When you stay at Laura's Bed & Breakfast in Kingston, you'll be convenient to Invista Centre. This bed & breakfast is within the vicinity of Little Cataraqui Creek Conservation Area and Lemoine Point Conservation Area. Make yourself at home in one of the 3 air-conditioned guestrooms. Complimentary wireless Internet access is available to keep you connected. Bathrooms with showers are provided. Conveniences include ceiling fans and irons/ironing boards, and housekeeping is provided on a limited basis. Enjoy recreation amenities such as bicycles to rent or take in the view from a garden. A complimentary continental breakfast is served daily. The front desk is staffed during limited hours. Free self parking is available onsite. The recreational activities listed below are available either on site or nearby, fees may apply.


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