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Spring Preview: Returners
Gophers boast abundant speed in return game
Spring Preview: Defensive Backs
Gophers lose three starters, but return a ton of talent
Ten Gophers Awarded by Big Ten Conference
Ten Gophers Awarded by Big Ten Conference
Gophers Take Part in Fall Scrimmage
Big plays headline final open practice for Minnesota
2015 Position Preview: Secondary
Senior core returns for 2015 campaign
Gophers Beat Northwestern 24-17
Minnesota beat Northwestern 24-17 to improve to 5-1 and 2-0 in the Big Ten.
Iowa 14, Minnesota 7
Photos from Iowa @ Minnesota on October 8, 2016.
Football vs Northwestern 10.11.14
Football vs Northwestern 10.11.14
Football vs Eastern Illinois 08.28.14
Football vs Eastern Illinois 08.28.14
Spring Game 2014
Football in the Spring
2015 • SENIOR SEASON: Has started all six games • has recorded 18 tackles and four pass breakups • returned for 216 yards on kickoffs and 35 yards on punts. Game-by-Game: Recorded five tackles including one for a loss of three yards and had one pass breakup against Oregon State. Also returned three kicks for 84 yards including taking the opening kickoff 56 yards • had two returns for 45 yards against Indiana State • made three tackles including one for a loss of one yard and returned two punts and two kickoffs for a total of 38 yards against Colorado State • registered six tackles, had three kickoff returns for 52 yards and one punt return for 13 yards against Penn State • made one tackle and broke up two passes against Iowa • recorded three tackles against Maryland, had one pass breakup and returned three punts for 19 yards.
2015 • JUNIOR SEASON: Played in 10 games and started seven • missed three games due to injury • made 27 tackles (18 solo), including 3.5 behind the line of scrimmage • touted second-highest mark on team with three interceptions and returned one to the house for six points • recorded three pass breakups • returned 12 kickoffs for 257 yards (21.4 average) • named All-Big Ten Honorable Mention by the conference coaches. Game-by-Game: Tallied three tackles and returned a kickoff 20 yards against TCU • registered four tackles, one interception, one pass breakup and returned three kicks for 71 yards at Colorado State • made four tackles and returned a kickoff 21 yards versus Kent State • totaled six tackles, including 1.0 tackle-for-loss, one pass breakup and returned a kickoff for 20 yards against Ohio • broke up a pass at Northwestern • tallied two interceptions, one of which was returned 27 yards for a touchdown, and added a tackle-for-loss at Purdue • registered five tackles with one coming behind the line of scrimmage and added two kickoff returns versus Nebraska • totaled 41 yards on two kick returns and made two tackles against Michigan • tallied .5 sack and returned a kickoff for 23 yards at Ohio State • recorded one solo tackle against Central Michigan.
2014 • SOPHOMORE SEASON: Played in all 13 games, starting once • second in the Big Ten with a 28.2-yard kick return average • returned 18 kicks for 508 yards • returned a kick 100 yards for a touchdown against Northwestern • tied for second on the team with seven pass breakups • recorded 21 tackles, one interception (returned for a touchdown) and one forced fumble. Game-by-Game: Made three tackles and broke up one pass against Eastern Illinois • made one tackle, broke up one pass and returned an interception 31 yards for his first career touchdown against Middle Tennessee • registered eight tackles at TCU and three tackles against San Jose State 2014 • broke up one pass at Michigan, where he also returned one kickoff for 28 yards • made one tackle, broke up one pass and returned one kickoff 100 yards for the game-winning touchdown against Northwestern • named Big Ten Special Teams Player of the Week (Oct. 13) and National Kick Returner of the Week by College Football Performance Awards after the Northwestern game • returned six kickoffs for a total of 116 yards against Purdue • made three tackles (including one for a loss) forced a fumble, broke up a pass and returned one kickoff 25 yards at Illinois • broke up one pass against Iowa • broke up a pass and returned three kickoffs for 92 yards (long of 31) against Ohio State • played on defense and returned four kickoffs for 76 yards at Nebraska • assisted on one tackle and returned a kickoff 14 yards at Wisconsin • returned one kickoff for 57 yards and made one tackle against Missouri.
2013 • FRESHMAN SEASON: Played in the final 11 games of the season, mostly on special teams • recorded four tackles. Game-by-Game: Made his collegiate debut and played on special teams against Western Illinois • saw special teams action against San Jose State and Iowa • played on both special teams and in the secondary at Michigan, where he had one tackle • competed on special teams at Northwestern • competed against Nebraska and made one tackle at Indiana • played against Penn State and made one tackle against Wisconsin • saw action on special teams and at cornerback at Michigan State where he made one tackle • competed against Syracuse.
HIGH SCHOOL: Attended Savannah Christian Prep • led team to an 8-4 record in 2012 after going a perfect 11-0 as a junior in 2011 • excelled on offense and defense as a senior • made 50 tackles and recorded six pass breakups and two interceptions as a senior • had 25 tackles as a junior with 14 pass breakups and two interceptions, returning one for a touchdown • scored 14 offensive touchdowns as a senior and 16 as a junior • standout track athlete at Savannah Christian Prep, finishing as the state runner-up in the 100m as a junior • coached by former Georgia Bulldog and San Francisco 49ers draft pick Donald Chumley • earned a two-star ranking from Rivals.com and Scout.com • listed as the No. 49 cornerback in the nation and the No. 62 overall prospect in Georgia by ESPN • ranked as the No. 101 cornerback in the nation and the No. 97 overall prospect in Georgia by 247Sports.com.
PERSONAL: Born Feb. 27, 1995 • son of Glynn and Rhonda Myrick.
More Than Eighteen Wheels
On Oct. 4, 1986 the Gophers traveled to West Lafayette, Ind., and rolled to a 36-9 victory over Purdue. That win had more importance on the history of Minnesota football than any fan...
Gopher Talk With Adekunle Ayinde
Adekunle Ayinde tell us his hidden talent, talks favorite road trip he has ever been on with the team and more in today's Gopher Talk!
Rodney Smith: The Spin Move
Minnesota running back Rodney Smith breaks down his spin move, while teammates and coaches talk about its effectiveness.


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VR & AR: The Real Deal!SP360: Service Provider
Pandora! In the motion picture Avatar, Pandora is a beautiful fictional place and a paradise for nature lovers. TheRead More
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augmented reality


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Manuel Pellegrini has defended his outburst following Manchester City's 2-0 defeat to Barcelona on Tuesday, although he does concede that he went too far and has apologised for his comments aimed at referee Jonas Eriksson.
The Chilean is likely to face further action from Uefa following his post-match rant in which he questioned the integrity of Eriksson by claiming he was "not impartial" in his decision making, before also criticising that a referee from Sweden had been appointed to the Champions League last-16 first leg.
Eriksson awarded Barcelona a penalty when Martin Demichelis brought down Lionel Messi as he charged towards the City goal, but Pellegrini was left incensed with the dismissal after the initial contact began outside of the box. However, according to the rule book, if contact that initiates outside of the area continues as the two players move into it, a penalty should be awarded, and Pellegrini has now admitted that he may have gone overboard in his criticism of Eriksson.
"When you lose a game the way we lost against Barcelona, you are frustrated, you are angry," Pellegrini admitted.
Manchester City 0 Barcelona 2 player ratings
Manchester City 0 Barcelona 2 player ratings
1/22 Joe Hart 6/10
The hosts' only English starter made a good save from Xavi's long-distance effort. Little chance with penalty but let Alves goal through his legs.
2/22 Pablo Zabaleta 6/10
Always keen to get forward in support of Navas and quick to get back when defending. Ball through to Silva almost set up equaliser.
3/22 Martin Demichelis 5/10
Much criticised centre-back stood up well to visitors in first half but distribution was sloppy. Rightly dismissed for hacking down Lionel Messi.
Getty Images
4/22 Vincent Kompany 7/10
Shouldered Messi off the ball to concede free-kick but the captain was unlucky to finish on the losing side. Little support after Demichelis dismissal.
5/22 Gaël Clichy 5/10
Hacked down by Dani Alves. Released by Silva but unable to control cross, which was easily held by Valdes. Tired towards the end amid Barça's carousel.
Getty Images
6/22 Jesus Navas 6/10
Unable to use pace as much as City hoped. Found Negredo for chance the striker headed wide but gave ball away for move that resulted in Barça penalty.
7/22 Fernandinho 7/10
Returned after three weeks out and industrious in possession but unable to have as much a mark on proceedings as in the Premier League this season.
8/22 Yaya Touré 6/10
Penalised for challenge on Valdes and kept busy containing Barça, when home side could have done with him further up pitch. Quiet in second half
Getty Images
9/22 Aleksandar Kolarov 6/10
Afforded a midfield berth and lucky to escape with booking after two-footed lunge on Busquets. Helped out in defence before being sacrificed.
Getty Images
10/22 David Silva 7/10
Played in more advanced role than usual. Slid in Negredo for City's best chance before break and forced Valdes into a fine save as City chased parity.
11/22 Alvaro Negredo 7/10
Sent header wide after half an hour and fired across goal from byline but struggled up front without support of injured strike partner Sergio Aguero.
12/22 Victor Valdes 6/10
Showed bravery to claim ball on goal-line amid penalty box scrum before the interval. Unsure on crosses at times but protected well by his back line.
13/22 Dani Alves 7/10
Booked for challenge on Clichy in opening half. Attacking instincts took him forward and dragged shot marginally wide before superb second goal.
14/22 Gerard Pique 7/10
Used height to advantage and allowed City little. Drew a foul from Negredo that earned the striker a booking and blocked effort by substitute Nasri.
Getty Images
15/22 Javier Mascherano 7/10
Challenge on Negredo had home fans yelling for a penalty. The former Liverpool midfielder has grown into defensive role and did well.
Getty Images
16/22 Jordi Alba 6/10
Spain international was eager to get forward and his pace troubled City. Played part at the back too as City struggled for clear-cut chances.
17/22 Sergio Busquets 7/10
Held ground well as he came out on top in central midfield tussle with Touré and provided the platform for Barcelona to launch attacks.
Getty Images
18/22 Alexis Sanchez 6/10
Chilean ran show at Wembley on his last visit to these shores and, while unable to get on the scoresheet, made contribution before being taken off.
Getty Images
19/22 Andres Iniesta 8/10
As ever quickly emerged as the focal point of all the Spanish side's attacks. Slid ball through to Messi for penalty and kept possession with ease.
20/22 Cesc Fabregas 6/10
Outmuscled by Zabaleta after being put through by Messi. Unlucky to see effort ruled out for offside as Barça upped the tempo with their extra man.
Getty Images
21/22 Xavi 7/10
Forced Hart to work with shot from outside area and sidefooted another effort over the bar. Calmness personified in possession.
22/22 Lionel Messi 7/10
Rediscovering his best form after injury lay-off, taking his tally to six in four games from the spot after drawing a foul from the hapless Demichelis.
Getty Images
"Maybe I said some things I didn't mean so I apologise for what I said.
"Also I want to clarify what I said, I didn't make any serious accusations to anyone, not to the referee, not to UEFA, not to anyone.
"I always say refereeing is a very difficult profession because they have only have a fraction of a second and after people compare their decisions with eight television cameras.
"It is not my way to act to criticise the referee, but in that case it was not a good day and he decided the game - but not with the intention to benefit Barcelona or damage Manchester City. He was in a bad day with very bad luck."
Pellegrini faces Uefa charge
The City manager did reiterate that he was not happy with the performance of the 39-year-old Swede, claiming he had a "bad day" in which he criticised his performance from start to finish.
"I felt from the beginning his criteria was not the same for both teams," Pellegrini continued.
"I think he had a bad day - everyone can have a bad day - but I didn't say that intentionally he didn't give fouls for us or did give fouls for Barcelona.
"I said from the beginning it was not the same criteria. I repeat, a bad day, not dishonest."
What caused Pellegrini to explode so shamefully?
He then attempted to back-track on his criticisms that someone who is used to refereeing in the Swedish league was allowed to take charge of such a high-profile match, using the example of world class striker Zlatan Ibrahimovic to prove that a good player – and good referee – can come from a nation whose domestic league is not widely received as the most competitive.
"To say because he was always refereeing in the Swedish league, and that maybe it was better for so important a game to have another kind of referee - it is another thing I didn't think," Peelegrini claimed.
"It is not an offence to Sweden or the Swedish people or referees.
"Sweden is a country that has a lot of good players, they have one of the best in the world in Zlatan Ibrahimovic and it can also have a good referee.
"I am sure this is a good referee because UEFA is always evaluating all the referees and if he is not a good referee, he is not in the UEFA staff.
"The thing I said in that moment doesn't mean what I think.
"I didn't say any serious accusation about Sweden, just that it was not the most important league in Europe and that is not an offence, I think."
Finally, Pellegrini attempted to lessen the effect his comments had when claiming that Eriksson was trying to right a wrong, after giving a controversial decision against the Catalan side during their group stage fixture with AC Milan.
City must play Wigan just three days before Barca
The 60-year-old claimed he was thinking out loud in regards to what he said, and that his comments weren't an attack on Uefa nor Eriksson himself, but more of a self-observation.
"The third thing I said was that it was not a good idea that a referee that damaged Barcelona against Milan to referee the game, because if the same thing happened in the Barcelona box and Barcelona lost the game 1-0 with that penalty and one player sent off, all around Barcelona they would say the same referee did it again," he explained.
"It is my idea. I am not in charge of referees. I think it is important managers do what they have to do, the referees do what they have to do and the staff in charge of deciding the referees do what they have to do.
"I repeat, I didn't have any serious accusation, not against UEFA, not against the referee, not against Sweden, not against anyone.
"So it was my way of thinking and I was angry."
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Rockstar have let us know that various big gaming sites will today be releasing online previews of The Ballad of Gay Tony. Some sites have already published theirs and we'll update this post with links and details etc.
See the 12 new screenshots in our gallery.
UPDATE: 7 more new screenshots have been added to our gallery. In addition, some websites got exclusive shots - these can be seen at: IGN #1 and #2, GameSpot, 1UP and TeamXbox.
The Ballad of Gay Tony online previews
Started by Chris , Sep 16 2009 04:30 PM
1 reply to this topic
Posted 16 September 2009 - 04:30 PM
Posted 16 September 2009 - 07:57 PM
Nice. A giant NOOSE tank (as can be told by the logo on the side of the tank).
Hopefully it's more than a riot tank and it would be awesome to drive that thing.
Hopefully it's more than a riot tank and it would be awesome to drive that thing.
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I have a question. Why this sentence is related with passive voice "When will lunch be ready?". I found it in the exercise section "Check your grammar: ordering"
Best regards.
As you watch the video, look at the examples of passive forms. They are in red in the subtitles. Then read the conversation below to learn more. Finally, do the grammar exercises to check you understand, and can use, passive forms correctly.
We use the passive, rather than the active, to show that we are more interested in a certain part of the sentence. The passive is usually formed by the verb to be + past participle.
Can you give me some examples of the active and passive?
Yes, of course. Here's a passive sentence:
My room is being cleaned.
'My room' is the main focus of the sentence. The active form would be 'The cleaners are cleaning my room'. This sounds strange because it is obvious that, if you are in a hotel, cleaners would clean your room. So we sometimes use the passive to avoid stating the obvious.
OK, that makes sense. Are there any other uses?
We also use the passive when we don't know who did something, or when it isn't important.
It's the biggest outdoor elevator in the world, so I've been informed.
It doesn't matter who told me.
I think loads of films have been made there.
The important thing is the films, not the film-makers.
Can you use a passive and also say who did the action?
Avatar was made by James Cameron.
Is the passive formal?
No, not necessarily. It can be formal or neutral or informal.
I hope to find everything clean and tidy … you've been warned!
But we often avoid the passive in very informal spoken language, for example, by using they.
They based the scenery in Avatar on the landscape here.
We don't know exactly who they are, but we can guess that it's the people who made the film.
I think I've heard people use you a lot too when they don't refer to anyone in particular.
Yes, very good! That's another way of sounding more informal. You is a bit different; it means 'people in general'.
Parcels can be collected from the Post Office between 9 a.m. and 5 p.m. (more formal)
You can collect parcels between 9 a.m. and 5 p.m. (less formal)
One last question, what about the passive with get? Is that informal too?
Yes, when we're speaking informally we also often use get rather than the verb be.
He was sacked from his job. = He got sacked from his job.
But be careful, not all verbs can be used in the passive with get - only verbs for talking about an action or a change.
She was knocked off her bike by a bus. = She got knocked off her bike by a bus.
Charlie Chaplin was loved by millions.
Charlie Chaplin got loved by millions.
Phew, OK. I think my brain has been fried by all this!
Ah, OK, we'll stop. But look - you're using the passive correctly already!
I have a question. Why this sentence is related with passive voice "When will lunch be ready?". I found it in the exercise section "Check your grammar: ordering"
Best regards.
Hi armandoaq,
Thanks for pointing this out. You're completely right! That sentence is not a passive. I have removed it from the online exercise and worksheet now. Thanks a lot for your help!
Joanna (LearnEnglish Teens team)
wow!Really difficult.Tomorrow i have got cat exam.I'm scared but the video helped me :)
thanks British Council
Good luck with your exam - we hope it went well :)
Best wishes,
Tina (LearnEnglish Teen Team)
Im a 16 year old student from Estonia and i ran into a situtation with my teacher in english class. We are studying passive voice right now and we had a sentence 'That question has never been asked from me.' I thought it was the correct form but our teacher insisted it was 'That question has never been asked to me.' So i just wanted to ask the professionals. Whats the right form?
Hi Anette99,
Your teacher is right - you can't say 'That question has never been asked from me.' Possible options here are to us to or of instead of from. Alternatively you could say, 'I've never been asked that question before.' To me, this option sounds a bit more natural than your original sentence.
I hope that helps. Best wishes, Jo (LearnEnglish Teens Team)
I don't understand well but I have a great passion to learn english.
Here is more opportunities to improve englsh, thanks LearnEnglish Teens team
Hi Dalmar,
Welcome to LearnEnglish Teens. We're pleased you're using our website to help you improve your English.
Best wishes, Jo (LearnEnglish Teens Team)
i'm feeling really good to study passive forms.
This exercise is very good.
The vedio was really helpful.. It helped me in clearing my school test
Hi Thangabali. Glad to hear that. Well done :)
Jonathan (LearnEnglish Teens Team)
what about past simple passive .How can we use it ?
its simple
use was or were with past participle form
Hi 3lx__
There are examples of the passive form in the past in the video. Have you read the explanation that is under the video? You will see examples like Avatar was made by James Cameron. If you want more information about the passive form you can have a look here: http://learnenglish.britishcouncil.org/en/quick-grammar/passives I hope this helps.
Best wishes, Jo (LearnEnglish Teens Team)
I like this video :)))
"Hotarubi No Mori E" was the last anime movie that I've watched. The film was directed by Takahiro Omori on September 17, 2011. It was based on a shoujo manga written by Yuki Midorikawa. I really love this movie, it's about a sad love story between a human girl and a yokai (a spirit in Japan). This movie made me cry everytime I watched it. :'D
This website is fantastic. It has helped me to be fluent and improve my English skills. I am really happy.
I have also scored the highest in my English test. Thank you Learn English Teens !
Hi Jeniffer,
Thanks so much for your comment. It is really nice to hear your positive feedback about the site. And congratulations on your test result!
(LearnEnglish Teens team)
A few days back I watched Little women filmed by oscar nominated Winona Ryder.I've read the book and the story's allover inspiring as it is in the book.The actresses are really pretty and better than the plain Jane Eyre in the film Jane eyre thought it's reasonable for that film.My pick is the conservative Meg from the beginning but I found Jo more spiritful and outpoken ,<which I personally like>however,I enjoyed both the film and book.
This video is really helpful. I am very interested in watching and reading it. Thank you so much for creating this website to help anyone can learn English as well.
Hi kenzo. Thanks a lot for the nice comment! We hope you keep enjoying using the site. :)
Jonathan (LearnEnglish Teens Team)
this video is nerdy
i don't like this video
Hi njone199,
Thanks for your comment. Why don't you like the video? It's always useful for us to hear your opinions on the material on our site so if you tell us a bit more about what you don't like that would be great.
Best wishes, Jo (LearnEnglish Teens Team)
The pronunciation is a bit difficult like when she says
You've been warned ! = youf been woont
is that right
Hi Momin! Yes you're right. It does sound like that. Well noticed! Listening to lots of English and noticing things like that is a great way to improve your own pronunciation, as well as your listening skills.
Joanna (LearnEnglish teens team)
really difficult D:
It is really hard. You should think one hour how and where to use passive.
A recent book I've read THE JURRASSIC PARK by Micheal Crichton has been filmed ages ago. I actually read the book after watching the film which was released to the public back in 1993. It has been filmed in the Hawaiian island of Kauai. I really love both the film and the book involving the concept , the dinosaurs been brought back using genetic science. Both sequel films are interesting as well. I also heard that they will be releasing the last film of the series - JURRASSIC world on June 13, 2015.


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23.10.2016 - ROUND REVIEW – Handball Club Lada advance to the third round of the Women's EHF Cup through away goals after a thriller in Norway, while Germany and Denmark got all their teams through.
10.04.2016 - SEMI-FINAL REVIEW: TuS Metzingen left no doubt in their semi-final but Dunaujvaros lost a big lead and only qualified through away goals
03.04.2016 - ROUND REVIEW – German and Hungarian teams are closer to advancing to the final of the Women´s EHF Cup after away wins Sunday.
28.02.2016 - ROUND REVIEW: Dunaujvarosi close a three-goal deficit in double header against Astrakhanochka to reach the Women's EHF Cup Semi-finals alongside Brasov, Randers and Metzingen.
25.02.2016 - ROUND PREVIEW: This weekend the Women's EHF Cup features the second act of German drama and a Hungarian-Russian double header.
29.03.2013 - French winger is the latest star to head to Skopje
20.03.2013 - Randers coach promises that his team will be better for their Main Round experience in the future
08.03.2013 - The battle for semi-final berths intensifies
05.03.2013 - Danish right back signed two year contract with Budućnost.
02.03.2013 - Spanish international retuns to the Women's EHF Champions League participants after one season away.
01.03.2013 - Preview for the Women's EHF Champions League Main Round, Match Day 4
27.02.2013 - Danish international, Kathrine Heindahl, signs a two year contract with the Women's EHF Champions League participant
20.02.2013 - Budućnost coach Adžić rejects thoughts on the top four break-through.
12.02.2013 - Randers see a way back despite a poor start to 2013
11.02.2013 - Hunagrian champions made another step towards semi-finals of the Women´s Champions League.
06.02.2013 - The dream of winning the EHF Women´s Champions League drives Brazilian goalkeeper Chana Masson from Randers HK to Danish league rivals Viborg HK.
26.01.2013 - EHF Champions League winners from 2011 beat Randers HK 25:19 in the Scandinavian derby.
25.01.2013 - The last tests before the Scandinavian encounter in the Women's EHF Champions League Main Round turned out differently for Larvik and Randers.
21.01.2013 - Randers line player sees her team as underdogs in the Main Round.
14.01.2013 - Danish champions lost against EHF Cup Last 16 participants
08.11.2012 - Randers suffered the fifth defeat in a row in the combined total of domestic and European competitions


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American Players Theatre (APT)
At Spring Green, Wisconsin
By Dan Zeff
Spring Green, Wisconsin – The most delightful theater-going experience of the summer has to be attendance at an American Players Theatre production in the outdoor Up-the-Hill Theater on a mild afternoon or balmy evening. The open stage is surrounded by trees and lush foliage, like a permanent setting for "As You Like It" or "A Midsummer Night's Dream." Even the bats that occasionally flit over the stage at night enhance the rustic touch.
This season the APT is presenting five plays in the 1,148-seat outdoor theater and four in the intimate 201-seat indoor Touchstone Theatre. During one very full weekend I caught three plays that provided an appropriate sampler for the pleasures the company offers to visitors. I saw a Shakespeare comedy (brilliant), a Shakespeare tragedy (very good), and a classic English comedy (good, with reservations). Now celebrating its 35th season, the APT understands how to best utilize its inimitable setting. A visitor may have seen the plays before, but never in such an idyllic locale.
Chicagoland theatergoers will recognize the names of numerous participants in the APT company, both on stage and behind the scenes. The acting company includes Marcus Truschinski, Matt Schwader, and Tracy Michelle Arnold. William Brown is a major director, both here and in the Chicago area. The design staff is filled with familiar names. And judging from the number of Illinois license plates in the theater parking lot, visitors from the northeast part of the state form a significant percentage of the ticket buyers.
I saw "Much Ado About Nothing," "Romeo and Juliet," and "The Importance of Being Earnest." The Up-the-Hill lineup expands in August with the addition of Anton Chekhov's "The Seagull" and George Bernard Shaw's "The Doctor's Dilemma," all running in repertory. At the Touchstone Theatre, the company is or will be presenting David Mamet's "American Buffalo," Joan Didion's one-woman play "The Year of Magical Thinking," Tom Stoppard's "Travesties," and "Euripides's "Alcestis."
If you have time for only one show at the APT, make it "Much Ado About Nothing." Granted this is one of Shakespeare's funniest and most irresistible comedies. But director David Frank and his marvelous ensemble have added touches and insights that will delight and surprise viewers, no matter how familiar they are with the comedy.
"Much Ado" is primarily a verbal sparring match between the highborn Beatrice and he dashing military officer Benedick. The crackling wit rolls off the tongues of Colleen Madden and David Daniel in a cascade of snappy insults and put-downs until their characters finally recognize that they love each other, brought to this startling realization through the machinations of their friends. In successive scenes, their friends lure the concealed Beatrice and Benedict into overhearing how much each is secretly pining for the other. Even in an ordinary production, the scenes are virtually foolproof comedy, but Frank stages them with a visual flair so creative that the term "laugh riot" comes to mind.
The production superbly resolves a couple of problems built into the play. One is the presentation of the inane constable Dogberry, too often performed as a vaudeville buffoon who panders to the audience for laughs. James Pickering gives Dogberry a kind of faux dignity that preserves the comic element while establishing Dogberry as a human, if extravagant, comic character. I've never seen the role acted better.
The production smoothly shifts gears from the wit and laughter of the first half to the darker second half, after Hero is betrayed and presumed dead. With subtlety and insight Frank has guided the transition so the audience isn't distracted by the play's 180-degree mood swing from comic to serious.
Even the supporting characters come alive in fresh ways. Brian Mani, a company stalwart for years, adds surprising substance to the rendering of Leonato. Cristina Panfilio manages to make a saucy charmer out of Margaret, normally just a plot tool. Panfilio has acted in Chicago but I don't recall seeing her, which is my loss. Roles should be found for Panfilio among the major Chicago companies to properly showcase her merits, especially as a stylish comedian. She is the real deal.
"Romeo and Juliet" gets a radiant reading and if it's maybe half a step behind "Much Ado," it's only because the comedy is a more mature work. The APT production profits from a wonderful performance by Melisa Pereyra as Juliet. For once we get an actress who really looks and acts like a passionate love-struck girl in her early teens (a striking achievement for the actress who is married and has a long list of acting credits). Pereyra dominates the play but gets plenty of help from Christopher Sheard's Romeo. There is real chemistry between the two and the spectator easily buys into their love-at-first-sight romance. Director James DeVita has injected plenty of physical passion between the young lovers. They are, after all, hot-blooded teenagers.
The revelation in the production arrives near the end when Juliet's nurse and her parents discover the girl apparently dead on the morning of her marriage to Paris. The intensity of their grief was so overwhelming that the audience sat stunned and silent. The scene is usually just a bridge to the final moments when the young lovers die in each other's arms in the Capulet funeral vault. But the heightened emotions of the discovery scene almost made what followed an anti-climax.
As in "Much Ado," the supporting performances are essential adornments to the production's success. John Pribyl gives a superb in-depth performance as Friar Laurence, moving that character into the heart of the action. Tracy Michelle Arnold and James Ridge are outstanding as Juliet's parents and Colleen Madden, the Most Valuable Player of the festival for me, again is triumphant, this time as the feisty nurse.
I had the highest hopes for the revival of Oscar Wilde's "The Importance of Being Earnest." This may be the funniest play in the English language, and its director is William Brown, a master of language driven high comedy. Much of the humor does come through, but I had issues. For example, for some reason, Miss Prism is played as a youngish German governess with a thick accent, instead of the traditional elderly and dowdy country lady. In a Germanic guise, the character just isn't funny. As a frumpy old lady, she is.
There is an over abundance of mugging in the acting, especially from Marcus Truscinski's affected and pompous Algernon. The actors sometimes joshed directly with the audience, breaking the rhythm of the play in exchange for a few easy laughs (Wilde's genius doesn't need this kind of nudge nudge wink wink comic assistance). Sandra Day generally is an effective Lady Bracknell. The character is an intimidating no nonsense figure who is constantly saying funny things without outwardly being aware they are funny. She certainly is unflappable and Day occasionally raised her voice in emotion, which I found jarring.
On the plus side are excellent comic performances by Kelsey Brennan as Cecily and Cristina Panfilio rising to fine comic heights as Gwendolyn, the uber sophisticated city girl. Matt Schwader is very good as the tightly wound John Worthing but in general the two young actresses upstage the men from the second act on. Apparently most of the viewers in the large audience were coming to "Earnest" for the first time and they reacted with delight and belly laughs to Wilde's cynicism, wit, and wordplay. Clearly, the majority of attendees would not have agreed with my criticisms.
As always, the festival goes out of its way to be user friendly. The parking is free, as are the shuttle buses that take patrons up to the theater and back to the parking lot. The ticket prices remain remarkably low ($44 to $70) considering the quality of the theater. Spring Green doesn't have much to offer visitors in terms of sightseeing but there is Taliesin, the Frank Lloyd Wright estate, a short distance away as well as the astonishing House on the Rock. Both attractions are musts for first time, or even repeat, visitors to the festival. And there is a beautiful golf course at the House on the Rock Resort, the elite hotel in the area and just a couple of minutes from the theater.
For information about the 2014 festival, call 608 588 2361 or visit www.americanplayers.org.
"Much Ado About Nothing" runs through October 5. It gets a rating of 4 stars.
"Romeo and Juliet" runs
through October 4.
It gets a rating of 3 ½ stars.
"The Importance of Being
Earnest" runs through September 27.
It gets a rating of 3 stars.
Contact Dan at firstname.lastname@example.com. July 2014
Like Dan on Facebook. Become a Friend!!!!
on the American Players Theatre
By Dan Zeff
SPRING GREEN, Wisconsin—It would be accurate to call the American Players Theatre a summer theater, but that calls up images of revivals of "Hello, Dolly!" starring an aging television star between series. The APT can more properly be identified as one of the best classics theaters in North America. It just happens to perform from late spring through early autumn.
The APT opened its first show in 1980 in Spring Green, a rural community in the beautiful rolling landscape of southern Wisconsin about 30 miles west of Madison. The company rapidly earned a reputation for serious theater for serious playgoers who enjoy the ambience of pastoral surroundings and a relaxed life style.
The APT presents five productions a season, two or three of them plays by William Shakespeare, with the works of George Bernard Shaw running second in popularity. The theater insists it is language driven, hence the reliance on Shakespeare and Shaw, though an occasional later 20th century piece is scheduled.
This season the company is presenting two Shakespeare productions, "A Midsummer Night's Dream" and a condensation of the two parts of "Henry IV" into "Henry IV: The Making of a King." The 2008 lineup is filled out with Eugene O'Neill's "Ah, Wilderness!," Shaw's "Widower's Houses," and a rarely staged eighteenth century comedy called "The Belle's Stratagem."
The APT performs in a single theater, an open-air amphitheater that seats about 1,100 customers and on a pleasant night provides an idyllic woodland backdrop. The acoustics are splendid, allowing audiences to catch every word from the stage without the curse of electronic amplification. The sight lines are flawless and the ticket prices exceptionally reasonable, as little as $36 for a weeknight performance.
The APT offers seven performances a week, with Saturday and Sunday matinees during the peak season. The company has begun construction of an indoor theater, to be ready next year that will seat 200 people, just right for intimate productions as well as being weatherproof. Not that the weather is as dicey as one might expect from an outdoor theater. The APT typically loses only three performances a season to rain and has liberal exchange and refund policies in case the elements intrude. Theater amenities include free parking, a startling perk for Chicagoland visitors who face extortionate parking fees to see a downtown show.
For 2008, the two Shakespeares and the O'Neill are playing now, with the Shaw and "The Belle's Stratagem" joining the repertory in mid August. The theater has a strong Chicago presence artistically, both in the acting company and backstage. This season two of the directors are James Bohnen and William Brown, both with distinguished directorial records in Chicagoland theater.
In spite of the Chicago artistic input, the APT currently draws less than 10% of its audience from the Chicagoland area, an untapped resource the institution is attempting to address. Presently the majority of customers come from the Madison area, but the theater figures that audience is about maxed out, while the Chicago area could be a cash cow if the APT could get the word out south of the state line.
Spring Green is only a 3 to 3½ hour drive, depending on the departure point from Chicagoland. That's a third of the time it takes to drive to the Stratford Shakespeare Festival in Ontario. People may hesitate because of gasoline prices, but gas costs about 50 cents a gallon less in Spring Green than in CookCounty.
I saw two of this season's productions, "Ah, Wilderness!" and "Henry IV," and I was impressed. Many members of the core company have been with the APT virtually from its inception. The ensemble is particularly rich in mature male performers, though two of the best performances I enjoyed were by young men.
"Ah, Wilderness!" is O'Neill's only comedy, a nostalgia piece that portrays with warmth the childhood he never had. Like "Long Day's Journey into Night," the play takes place in a New England household shortly after the turn of the last century. But instead of the heighten tensions of that great American tragedy, "Ah, Wilderness!" gives us a family that is loving, human, and endearing.
"Ah, Wilderness!" is basically a coming of age play about teenager Richard Miller, who learns a lot about life during an extended Fourth of July holiday. This is a mellow, audience friendly play but it's not sure fire. The show could turn corny and excessively sentimental, or play for easy laughs. There is a danger of patronizing the innocence of the characters rather than enjoying their company.
Under the unerring direction of John Langs, the production hits all the right emotional notes. Even a stock scene like a father haltingly trying to explain the facts of life to his son come across with humanity and affection.
The casting is perfection, headed by Chicago actor Steve Haggard, who delivers an indelible performance as young Richard, the lad's feelings and hormones in turmoil. Haggard could easily have turned Richard into a sitcom caricature but he renders the young man with sympathy and understanding. Talk about a breakout performance!
The supporting company features Ken Albers in an exquisite low-keyed comic performance as the alcoholic Sid Davis, but the entire cast evokes every character with unaffected realism. This may no be the most challenging of plays, but it's tremendously rewarding for audiences lucky enough to witness acting and directing at this level.
"Henry IV" is a solid attempt to encompass both parts of "Henry IV," concentrating on the political intrigues surrounding the court of the British king. Much of Part II is pared away, which means no Justice Silence, very little Justice Shallow, and not much lowlife tavern comedy.
The success of any "Henry IV" rides on the actor playing Sir John Falstaff, and the APT has a winner in Brian Mani, who creates a Falstaff with all the old reprobate's wry humor, street wisdom, chicanery, and self delusion. Director James Bohnen ends the play with Falstaff not a man broken by Prince Hal's renunciation, but a survivor still standing and expecting a call to the good graces of his royal protégé, a brilliant final touch.
The weakness of the production comes from the miscasting of Matt Schwader as Prince Hal. Schwader has done fine work in Chicago theater but vocally and in dramatic weight he isn't quite up to the prince. That makes him an inadequate match in his dealings with Falstaff and the Hotspur of David Daniel, maybe the best Hotspur I have ever seen. The supporting cast is generally very good, making good on the theater's credo to present dramatic language in a cleanly spoken style.
The pleasures of the APT experience extend beyond playgoing. The Spring Green area has plenty of visitor attractions to soak up the daytime hours before an evening performance. The most essential is a visit to Frank Lloyd Wright's Taliesin East complex, where guided tours take you through the grounds and major buildings of the Wright studio. If you are fortunately enough to draw a guide named Bryan, you will learn an enormous amount about Wright and his architecture in a comprehensive and entertaining fashion.
The other famous attraction in the area is the House on the Rock, which will fascinate many visitors and drive many others crazy. The House on the Rock is like walking into an enormous attic of collectables gathered over a lifetime by one's eccentric and wealthy grandparents.
The house is a string of connected rooms jammed with posters and mechanical orchestras and models and manmade objects of every description, all jammed into displays without explanation and only minimal attempts at thematic order. Many of the exhibits are extremely valuable, some are nostalgia trips, and some look like junk.
The problem for visitors is the sheer volume of stuff on view. There is a danger of sensory overload and indeed several members of my party had more than enough 30 minutes into the self guided tour. I thought the place was fascinating but it requires judicious sampling to avoid mental and visual indigestion.
The Spring Green area also has winery tours and the usual selection of antique stores and curio shops. The handsomely appointed House on the Rock resort offers a beautifully maintained 27-hold golf course. The town even has a first class restaurant called the Bank that, on the evidence of my dinner there, can stand comparison with the elite of Chicago dining establishment.
For more information about the American Players Theatre, visit www.playinthewoods.org
Contact Dan: firstname.lastname@example.com .


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Hourly - Expert ($$$) - Est. Time: More than 6 months, 10-30 hrs/week - PostedSkills: Translation English Turkish Translation
Hello! We are a Swedish company specializing in training and coaching sales-force of automotive companies. Teknosell was founded in Sweden and our headquarters is located in there - in Gothenburg, where our CEO stays. I'm writing to you from Poznan (Poland) where our main office is. Most of managing directors, program managers, program specialists, trainers and coaches work here. Since we develop our training globally we have our program specialists in different parts of the world (like Brazil, Thailand, Australia etc.) You can obviously check us out on our website: http://www.teknosell.com At the moment we are looking for a skilled EN->TR translator. The initial stage, when the largest amount of materials need to be translated (later ongoing smaller batches will need translation), involves around 40,000 words (20,000 of which are repetitions across different files and parts of files) that we would need to be translated by different deadlines. It involves translations of MS PowerPoint documents which later are used to create many short instructional films. In the slide area there is the screen text, while in the notes area there is the script for voiceovers. The nature of the text is best described by sales/marketing for a training participant audience. If you are interested, please reply as soon as you can, so we can start with sample text translations. Also I will be able to provide you with more details regarding this project. Thank you!


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Rise chords by Shawn McDonald, added: April 22nd, 2011
Profile History
+ --------------------------------------------------------------------- +
| Ultimate Guitar Tabs Archive - your #1 source for tabs! |
| http://www.ultimate-guitar.com/ |
| |
| Over 1,000,000 guitar, guitar pro and bass tabs! Also lessons |
| news and guitar forums! |
+ --------------------------------------------------------------------- +
Shawn Mcdonald- Rise
There weren't any tabs/chords anywhere that I could find so I just watched him
play on youtube. Not sure what he does exactly for the "A7sus4" but this sounds sort of close.
Great song
Capo 3
Pattern is Asus4, G6, A7sus4, Asus4, Asus4/E and repeat
Asus4 G6 A7sus4 (I think) Asus4/E
Tuning is DADGA.
The version of the chords I play (set to the tuning above)
Asus4 G6 A7Sus4 (I think) Asus4/E
OK, here's the correct tab: Drop-D tuning (DADGBE)
Dadd9 Em G6 A7add9
The key to spotting someone playing in the drop-D tuning
is to watch for the G being played on the fifth fret. drop-D tuning usually implied a song in the key of D, and the G chord is extremely common in songs in the key of D.


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Planes, Trains and Automobiles: Getting ConnectedManufacturing
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Former DuPont scientist jailed for downloading trade secrets
A former DuPont scientist in the US has been jailed for stealing the company's trade secrets.
This Article Covers
Risk management
A former DuPont scientist in the US has been jailed for stealing the company's trade secrets.
Former DuPont employee Gary Min was sentenced in a US court to 18 month's jail and ordered to pay a £15,000 fine after downloading trade secrets onto his laptop.
Your exclusive guide to CIO trends
A collection of our most popular articles for IT leaders from the first few months of 2016, including: - Corporate giants recruit digitally-minded outsiders to drive transformation - Analytics platforms to drive strategy in 2016 - Next generation: The changing role of IT leaders.
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Min downloaded thousands of documents unrelated to his job at DuPont shortly after being given a job offer by a rival company. He continued to download documents on to a corporate laptop given to him after he joined that company, the court heard.
"DuPont fully supports the sentence handed down to former employee Gary Min for theft of trade secrets. As a science company, DuPont takes aggressive measures to protect its unique and confidential technologies," said DuPont.
"Although we are troubled that Mr Min violated the trust placed in him, the criminal and civil actions brought against him demonstrate the actions that we will take to preserve the integrity of our proprietary science and technology for the benefit of DuPont shareholders and customers," DuPont said.
DuPont brought in the FBI to investigate the high number of certain documents being downloaded in 2005. Min was charged in 2006.
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InfoSec Europe 2012: A look at IT security skills in the current climate
Tim Wilson, deputy head of ICT at NHS City & Hackney, on ISO 27000 compliance
Input from the business vital to risk management in infosec, says CISO for Steria UK


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