text:
Hotel Grand Park-Inn - New Delhi
Your hotel has its own restaurant serving breakfast, lunch, dinner and brunch where you'll find a selection of items to try. Free WiFi and high-speed (wired) Internet access is available.
Hotel Grand Park-Inn - New Delhi
Hotel Info: 1-877-214-4288from $35
- Economy Room
- Superior Room
- Deluxe Room
- Family Room
- Suite
- Triple Room
Also popular with travelers from the USA
At a glance
Key facts
Hotel size
- This hotel has 20 rooms
- This hotel is arranged over 4 floors
- Check-in time starts at noon
- Check-out time is noon
- Express check-out
Required at check in
- Credit card or cash deposit required
- Government-issued photo ID required
- Minimum check-in age is 18
Travelling with others
- Children (5 years old and younger) stay free when occupying the parent or guardian's room, using existing bedding
- No cribs (infant beds)
- No pets or service animals allowed
- Free WiFi and wired Internet access in public areas
- Free WiFi in rooms
- Airport shuttle (available 24 hours) *
- Free self parking
- Area shuttle *
In the hotel
- Restaurant
- Coffee shop/café
- 24-hour room service
- Coffee/tea in a common area
- Use of nearby fitness center (discount)
- Business center
- Conference space size (feet) - 150
- Conference space size (meters) - 14
- One meeting room
- 24-hour front desk
- Concierge services
- Tours/ticket assistance
- Dry cleaning/laundry service
- Laundry facilities
- Free newspapers in lobby
- Luggage storage
- Number of buildings/towers - 1
- Year Built 2006
- Safe-deposit box at front desk
- Rooftop terrace
- Television in common areas
- In-room accessibility
In the room
- In-room climate control (air conditioning)
- Air conditioning
- Ceiling fan
- Minibar
- Slippers
- Blackout drapes/curtains
- Soundproofed rooms
- Turndown service
- Premium bedding
- Individually decorated
- Individually furnished
- Private bathroom
- Shower only
- Designer toiletries
- Hair dryer (on request)
- 32-inch LCD TV
- First-run movies
- Premium TV channels
- Desk
- Free newspaper
- Free WiFi
- Phone
- Free bottled water
- Daily housekeeping
- In-room safe
- Connecting/adjoining rooms available
Special features
DiningRoof Top - This restaurant serves breakfast, brunch, lunch, and dinner.
Hotel Grand Park-Inn - New Delhi's small print
Also known as
- Grand Park-Inn
- Grand Park-Inn Hotel
- Grand Park-Inn New Delhi
- Hotel Grand Park-Inn
- Hotel Grand Park-Inn New Delhi
- Grand Park Inn
- Hotel Grand Park New Delhi
- New Delhi Park Inn
The property has connecting/adjoining rooms, which are subject to availability and can be requested by contacting the property using the number on the booking confirmation.
Only registered guests are allowed in the guestrooms.
For transfers, guests must contact the property 72 hours prior to arrival at the number on the booking confirmation.
Optional extras
Late check-out can be arranged for an extra charge of INR 1250
Rollaway beds are available for INR 1000 per stay
Airport shuttle service is offered for an extra charge of INR 700 per vehicle (roundtrip)
Area shuttle service is offered for an extra charge
We have included all charges provided to us by this hotel. However, charges can vary, for example, based on length of stay or the room you book.


text:
realmagick.com The shrine of knowledge.
Respiratory Rate Measurement
A selection of articles related to respiratory rate measurement.
Original articles from our library related to the Respiratory Rate Measurement. See Table of Contents for further available material (downloadable resources) on Respiratory Rate Measurement.
- What is hypnotic trance? Does it provide unusual physical or mental capacities?
- 2.1 'Trance;' descriptive or misleading? Most of the classical notions of hypnosis have long held that hypnosis was special in some way from other types of interpersonal communication and that an induction (preparatory process considered by some to be...
Parapsychology >> Hypnosis
- Harding, Deborah
- Deborah Harding began gardening alongside her parents when she was just able to walk. She lives in Ohio with her husband and two daughters. She writes articles on herbal concerns for magazines and web-zines, and gives lectures and workshops on growing herbs...
Real Interviews >> Authors
- Survivalists' Guide for the New Millennium: Chapter 4
- THE TRANSFORMATION OF CATERPILLAR TO BUTTERFLY It is not difficult to see that the whole Agenda behind owning a bigger home, a newer car and more land is one of ego. This is an orientation toward the building of an empire of material wealth, in a vain...
Philosophy >> Survivalists Guide for the New Millennium
- A Treatise on Astral Projection
- There are certain aspects of the astral dimension and the projection process that are very complicated. Much of it is misunderstood and it can all be very confusing at times. This series of articles attempts to shed a little light on the subject, and...
Parapsychology >> Astral Projection
- A Treatise on Astral Projection, Part 3: The Rope Techniques
- A key ingredient to the new projection techniques is an invisible, imaginary ROPE hanging from your ceiling. This ROPE will be used to exert dynamic pressure at a single point on your astral body to force its separation from the physical. The ROPE technique...
Parapsychology >> Astral Projection
- Resurrection of the Higher Self
- In July of 1989, a controversial article crossed the managing editor's desk of an equally controversial magazine. This article was never actually published in the quarterly publication, then known as The Magical Blend , even though it was well documented by...
Body Mysteries >> Psychoactive Substances
- Astrological Emphasis: Gemini, 2001
- General | Love | Work | Health Gemini: May, 21st- June, 21st. This article applies to Geminis during 2001. An Air sign. The Gemini person is blessed with a great intelligence General An Air sign. The Gemini person is blessed with a great intelligence and has...
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- Major side effects included drowsiness, diarrhea, decreased appetite, fatigue, fever, vomiting and upper respiratory infection.
- Palo Alto Health Sciences raises $1.9M for FDA-cleared sensor, tablet-based
- "They use this technology and protocol to test whether or not, if you train people to breathe in a way that is functional, it can help people to breath with a normalized respiratory rate and also increase their level of carbon dioxide.
- New study: Overdose deaths from sedatives have surged
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Great care has been taken to prepare the information on this page. Elements of the content come from factual and lexical knowledge databases, realmagick.com library and third-party sources. We appreciate your suggestions and comments on further improvements of the site.
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subset: commoncrawl


text:
Think of Bay12 as your one-stop shop for websites, ready to face any challenge and help your business thrive and grow online.
We specialise in taking your project from conception to reality, from brainstorming your new site with you - over a real or virtual cup of coffee, to phase designs, beta testing and its final release we are with you every step of the way - we will produce what you need.
Why not tell us how we can help you?
This is the exciting bit, the bit where we get to drink coffee and talk about what your website and business in general needs and how we can amke it happen. We will match our goals with yours and raise your ambitions. We then scurry away and hatch a plan to take your company to the forefront of its industry.
Ahh, the design stage - this is where coffee is drunk, pens are chewed and boxes are drawn.
We create mock-ups matching your specifications, be it for a web site or app - we match your needs but more importantly, your customer's needs.
To ensure this process runs smoothly - you are kept in the picture throughout.
Now we really flex our muscles, design has set the scene - development is where we make the magic happen. All our websites and apps are coded to the highest specs and tested on all devices to protect your site, ensuring in 5-10 years time it's still up and running.
Thought that was it? You can't get rid of us that easily! We'll provide you with constant support throughout the entire process, including when your site has gone live (or you just can't figure out what to have for dinner tonight) we'll be on call to sort out any snags squash any bugs and discuss an future changes you might need.
Early on in the year we were approached to develop Remington's launch of the new "Virtually Indestructible Clipper" called the Man Cave, with the view to get interaction and conversions from an online audience.
The results lead to a popular YouTube campaign, and a growth in products sold online.
A leading opticians in Doncaster, they approached us needing something "special" with a bit of glamour and a boutique-ish feel, as well as an easy way to gain customer appointments and to provide valuable and digestable information.
Results within 6 months lead to more walk-ins and appointments booked online, and a high placing on Google search.
Everyone's favourite club (maybe just our developer's), they required an improvement to their online service to their huge site traffic users. Digitisation of the season ticket waiting list, which lead to a more convenient online service for fans.
Improvements were also made to the membership card and fan voting systems to boost sales and user interaction online.
A place where you can buy fantastic printed album art for your home (these would look great in any office!), this e-commernce site's main aim was to be a nice, friendly website which appealed to a young audience who want a niche product.
After seeing our work - want to join the list? Simply email us email@example.com to get in touch.


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Dorothy M. ConnerJune 29,2013Dorothy M. Conner
BENNINGTON Dorothy M. Conner, 77, died Wednesday, June 26, 2013, at the Centers for Living & Rehabilitation in Bennington.
Arrangements are pending with the Mahar and Son Funeral Home in Bennington.
A full obituary will be published in a future edition of the Rutland Herald.MORE IN ObituariesDorothy Royce rites
CHIPPENHOOK The private graveside service for Dorothy Royce, 93,... Full StoryDonald A. Staib
WARDSBORO Donald A. Don Staib, 83, died Sunday, Oct. Full StoryLewis J. Hanfield
MIDDLEBURY Lewis John Hanfield, 61, died Saturday, Oct. Full Story
- Most Popular
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text:
Erin McGrain
We rely on our partner organizations, the Center for Responsive Politics and the National Institute on Money in State Politics, to uniquely identify individuals' campaign finance and lobbying activity. If data appears to be missing, it may be that they have not identified all influence activity for this individual. If the data is completely different than you expected, it may be that you're looking at a different person with the same name.
In these cases, we suggest searching the raw records in the campaign finance Data section, which provides extra information about each contribution, such as the donor's city, state and employer. This information should allow you to judge for yourself if the contribution came from the person for whom you searched.
Click here for campaign contributions with the name "Erin McGrain".
Some of this data may be out of date
State influence data from the National Institute on Money in State Politics changed in format and availability during the 2013-2014 election cycle. While we work to integrate their new style of data release, state-level campaign finance data for the 2014 cycle and beyond will be unavailable. We apologize for the inconvenience, but heartily recommend trying out their snazzy new site at FollowTheMoney.org!
Campaign Finance$-21 Given
Figures are based on itemized contributions reported to the Federal Election Commission and state agencies. Please note that:
- contributions under $200 are not reported, and so are not included in totals.
- only contributions from individuals and organizations to candidates are included. Various accounting measures and more exotic contribution types are excluded.
- contributions are matched based on organization and recipient name reported within each election cycle. Contributions using an incorrect or non-standard version of the name may be missed.
- corporate name changes and mergers may cause figures to differ from those of the Center for Responsive Politics.
- organization totals include known subsidiaries of the organization.
For more information, please see our campaign finance methodology page. Lobbyist bundling data is described on our lobbyist bundling methodology page.
Due to refunds and other accounting issues, aggregate totals for this time frame were negative.
Lobbying by Erin McGrain
Lobbied with the Following FirmsPatton Boggs LLP, Squire Patton Boggs
Most Frequently Disclosed Lobbying Issues
- Taxes,
- Fed Budget & Appropriations,
- Housing,
- Transportation,
- Economics & Econ Development,
- Education,
- Small Business,
- Homeland Security,
- Medicare & Medicaid,
- Urban Development
Clients of Firms Erin McGrain Worked ForDII Industries Asbestos PI Trust, Hillside Family of Agencies, Kaplan, Strangis & Kaplan, Wayne County, MI, Armstrong World Industries Asbestos Settlement, Babcock & Wilcox Asbestos Settlement, Owens Corning Fibreboard Asbestos Personal Injury, Saint Mary's College of Indiana, US Gypsum Asbestos Personal Injury Settlement, Western Asbestos Settlement Trust


text:
OSHA Proposes $105K Penalty After Missouri Worker's DeathOSHA said in a release Thursday it found Stahl didn't use certain machine safety procedures to prevent the February accident.
Minimum Wage Raise May Exclude Workers With DisabilitiesA committee of St. Louis Aldermen passed a bill to exempt workers at disabled workshops from the city's upcoming minimum wage hike.
Mayor Parks Urging Residents to Protect Out-of-Town Workers"Lets have our citizens look out for those people, lets have our citizens look out for each other," Mayor Alvin Parks told KMOX.
$25,000 Reward For Robbery Of Letter CarrierMan grabbed mail and ran, still at large.
Man Dies at St. Charles Sewer PlantThe name of the victim has not been released at this time.
Man Charged With Robbing Salvation Army WorkerHappened outside Florissant thrift store Tuesday.
UPDATED: Dump Truck Backs Over, Kills Highway WorkerOccurred in 158 mm on I-55.
UPDATED: Charges Filed In Murder Of Pizza DelivererImo's driver was shot in Hillsdale Saturday.
Worker's Body was Found TetheredMan's body found in the same area where a worker fell on Wednesday morning.
Search for Bridge Worker To Resume ThursdayWas operating a manlift that toppled into the water.
Worker Burned Over 90% Of His BodyReport: Cut into barrel marked "flammable".
UPDATE: Worker Rescued After Falling Into Grain BinRescue efforts continue at the Center Ethanol plant in Sauget, Illinois.


text:
MINNEAPOLIS - Supervalu here said last week it does not contemplate any management role for representatives of Yucaipa Cos. if the investment firm follows through on its intentions to acquire up to $680 million worth of the distributor's common stock, or about 12% of the total shares outstanding. Industry analysts told SN any involvement by Yucaipa could potentially strengthen Supervalu's management capabilities while it integrates the Albertsons properties and could ultimately enhance the ...
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nope.. 39mm is a great size.
post #10936 of 48312
3/4/12 at 5:48pm
Great old Heuer's. Love the Ferrier Torby!
1. That green sub is nice Dino. Like the diff color.
2. 39mm is a really nice size for an understated dress watch like an explorer
3. those vintage heuers are beautiful
Love the vintage Heuers. The dials are really striking and the case shapes are very cool !
39mm is not a big deal on a 7" wrist. My wrist is less than 7" and I can comfortably wear a Sub, Explorer 2, or Daytona, all of which are 40mm and there is no overhang or anything to suggest they are too big. Its a comfortable size. Good luck with the Explorer.


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The 10 most anticipated titles at the 2012 Cannes Film Festival
Brad Pitt, Marion Cotillard and Robert Pattinson star in upcoming films
Next gallery »The house Wes Anderson built: A look at the director's singular troupe
« Previous galleryIn Contention's Top 10 Cannes Film Festival losers
It seems odd to be welcoming Cronenberg to Cannes mere months after he brought "A Dangerous Method" to Venice; long may this newfound productivity continue. It's especially gratifying given that his last film, for many fans, was a minor disappointment -- typically smart but surprisingly starchy given the potentially tangy subject matter. The Don DeLillo adaptation "Cosmopolis," however, should find him on more typically wild form: an absurdist tale of one billionaire's odyssey across New York to get a haircut, it's Cronenberg's first self-penned script since 1999's "eXistenZ." The cast, meanwhile, is irresistibly eclectic: Robert Pattinson gets to show us what he's really made of in the lead, with Juliette Binoche, Samantha Morton, Paul Giamatti, Jay Baruchel and Mathieu Amalric all in support. Bring it on.
-Guy Lodge


text:
The President of The Florida Bar
William J. Schifino, Jr.
Print Photo
|Welcome to The Florida Bar website, designed for Bar members to access virtually all Florida Bar information and services while also serving as an excellent source of information to the general public.
On This Page
Messages from the President
Social Media Channels
President's Pages (Journal)
The President's Contact Information
Officers of The Florida Bar
Past Presidents of The Florida Bar
Introduction to the President
William J. Schifino, Jr., President of The Florida Bar, 2016-2017
Schifino is managing partner in the Tampa office of Burr & Forman LLP and is a Board Certified specialist in business litigation. He focuses on litigation and trial practice, including securities litigation and arbitration, professional malpractice litigation, employment litigation and intellectual property litigation. He also is on the firm's Executive Committee.
Schifino earned his J.D. degree from the University of Florida College of Law and his B.A. from Tulane University. After law school, he worked for Taub & Williams, P.A., then helped establish Williams, Schifino, Mangione & Steady, P.A., where he was a founding shareholder, president and then managing director before the firm combined with Burr & Forman in 2012. Schifino recently completed an eight-year term as a member and chairman of the Thirteenth Judicial Circuit Judicial Nominating Commission.
Schifino has been active in Big Brothers/Big Sisters of Greater Tampa and as a director of the corporate board of the Boys & Girls Club of Tampa Bay, Inc. He is on the Board of Trustees for the University of Florida Levin College of Law. He also spent many years as a youth league softball and baseball coach. He and his wife, Paola, have two daughters and a son.
Full Biography
President's Bar Journal Profile
Messages from the President
Wednesday, Oct. 5, 2016
Dear Florida Bar Member:
With Hurricane Matthew heading toward the eastern coast of Florida, I wanted to take a moment to contact you on behalf of The Florida Bar and the Board of Governors to let you know that our thoughts and prayers are with you, your staff, your families and all Floridians in this dangerous storm's path. We wish you the best as you prepare and hope you remain safe.
The Florida Bar is monitoring the track of the storm and court closures around the state. The Florida Supreme Court's website at floridasupremecourt.org has a dedicated page for reported court closures and you can also visit floridabar.org for the link. The Florida Bar's Facebook and Twitter accounts will also post updates as they come in, so please follow those as well.
To ensure the safety of our staff, The Florida Bar is closing its branch offices in Miami, Ft. Lauderdale and Orlando, for Thursday, October 6, and Friday, October 7, and those offices will reopen on Monday, October 10 (contingent on the track of the storm). The main headquarters in Tallahassee and Tampa branch will remain open, unless the hurricane's path changes significantly.
For your information, the Florida Division of Emergency Management has created a website for emergency plans at flgetaplan.org for your family or for your law practice. Please use caution and make sure that you are following proper evacuation and other emergency instructions for your area.
Thank you and be careful out there!
William J. Schifino, Jr.
Florida Bar President
June 2016 General Assembly Swearing-in Ceremony at Annual Convention
The President's Schedule
Current Schedule
Social Media Channels
Social Media Channels
President's Pages
President's Pages
The President's Contact Information
William J. Schifino, Jr.
Burr & Forman, LLP
201 N. Franklin St., Ste. 3200
Tampa, FL 33602
Phone: (813) 221-2626
Fax: (813) 221-7335
Officers of The Florida Bar
|President-elect 2016-17
Michael J. Higer
Berger Singerman LLP
1450 Brickell Ave., Ste. 1900
Miami, FL 33131
Phone: (305) 755-9500
Fax: (305) 714-4340
| Executive Director
John F. Harkness, Jr.
651 E. Jefferson Street
Tallahassee, Florida 32399-2300
Phone: (850) 561-5758
Fax: (850) 561-5826
Past Presidents of The Florida Bar
[Revised: 10-10-2016]


text:
Payday 2 Crimewave Edition review – Heist takes
PayDay 2 is the leader of the pack when it comes to the "heist simulators," but its remaster falls flat.
LEGO Jurassic World review – It's not Pterrible
We take a look at the latest in the long line of LEGO games, Jurassic World.
The Crew Review – Shift happens
Is The Crew the racing game of the year? Ha, not even close. Read our review to find out why.
OlliOlli review – Kick-Flippin' cool
Little indie skateboard game OlliOlli is perhaps the perfect game for Sony's PlayStation Vita.
Phoenix Wright: Ace Attorney – Dual Destinies reviewI have to admit, I'm a huge fan of misdirection. I love it when a game (or a book or even a movie) starts off in one direction, lures you in, and while you're confident that you have a fair understanding of its motives, it rattles your cage. It leaves you in a state of contemplation. It's not as simple or as mundane as a lazy plot-twist, but rather the art of hiding deeper philosophical questions behind a façade of...
Hands on with Tearaway – bringing the Vita to life
Tearaway is one of the finest, most inventive gaming experience you'll have this year.
Sonic: Lost World (3DS) review
Sonic the Hedgehog is back…and well, we rather wish he wasn't, really.
Atomic Ninjas review – pint-sized pirate killers
Want some pint-sized ninja action in your life? This is Atomic Ninjas.
Open Me! review – Something sesame
We review Open Me! a decidedly bizarre augmented reality game for the PlayStation Vita.,
Lost Planet 3 review – Leaving you cold
We take to frozen EDN III to find out more about the icy Lost Planet 3.
Splinter Cell: Blacklist review
We review Sam fisher's latest escapades in Spinter Cell: Blacklist.
Dead Island Riptide – Swing for the Head!
Dead Island Riptide brings backs zombies and ilsands – and unfortunately, many of the same old complaints and technical issues.


text:
A few years ago, a friend of mine split off from the group after an all-day adventure ride and headed home. But he never made it. As darkness fell, his ...Read More »
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Minimalists may cringe, but the options for electrical gear that an owner of today's traveling motorcycle might take along are enormous. Heated clothing and a GPS—very likely. What about bike-to-bike ...Read More »
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The Raptor-i from Vertix does all that's expected of a top-quality Bluetooth helmet communication system, and a bit more. The lightweight control unit fits onto the side of a helmet ...Read More »


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Artist: Vicky Beeching
Album: Eternity Invades
Genre: Christian
God so loved loved this world
That He gave His Son
Whoever would put their trust
Put their trust in Him
Would live forever would live forever
O I was dead but now I live
O all my sin has been forgiven
O now with all my heart and soul I say
Thank You for my salvation day
I so love love Your world
That I'll give my life
So they would yes they would
See Your sacrifice
And live forever would live forever
Here we are rescued and ransomed
Sing it out this is our anthem
Shout it out we'll live forever
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Friday, May 6, 2016
SON OF SAUL (Laszlo Nemes, 2015, Hungary)
"Son of Saul is a fiction in many respects, but the fiction is the truth." – Claude Lanzmann
Saul Auslander has been reduced to a drone, a Sonderkammando who has become the hand of the Nazi killing machine, bled of his empathy, compassion… and hope. But does he still retain his humanity?
Director Laszlo Nemes has crafted a masterpiece by pulling focus so tightly that we experience almost everything solely from one limited perspective which eschews all Holocaust tropes. Nemes and his DP Matyas Erdely set the frame limits at Academy ratio 1:37:1 and forbid any establishing shots. There are very few medium long shots and when the camera pans left or right it quickly focuses once again upon Saul's visage. The depth of field is so limited that we never quite focus upon obviously horrific events. Nemes refuses to exploit the Holocaust: there are no lingering close-ups of piles of bodies, overt crying and wailing victims or murdered children in red jackets. All of these things (sans red jacket) exist in this film but are rendered as routine and peripheral.
Nemes like his protégé Bela Tarr utilizes extreme long takes and a roving camera often following his protagonist from behind while walking or running. Erdely masterly frames everything in close-up to medium close-up even while Saul is in motion. And the entire film is in motion as Saul constantly moves and works, unable to stop for fear of being singled out for execution. As powerful as the imagery is (even the images we tangentially perceive) it's the sound design that is the building block of the realism. Dozens of disparate languages and dialects haunt the film often without a visual source. Or the chugging of arriving trains or the ventilation system of the crematorium as it pumps out the fatal pesticide. Neither the crack of gunfire nor the rumbles of explosions are exaggerated and even the awful scene of flamethrowers burning victims alive has a subdued brittle realism. This is an anti-Hollywood film. This is an anti-SCHINDLER'S LIST film.
The film opens out-of-focus until a character (who we learn is our protagonist) walks towards the camera and stops in close-up. Without an establishing shot it's chaotic and confusing and difficult to tell what is happening. This becomes the structure for the entire movie. But we soon understand that Saul is shepherding a new trainload of Jews to the crematorium. As he helps these confused victims undress and neatly hang up their clothes and organize their belongings, we begin to directly experience the cruelly efficient Nazi killing apparatus: most victims believe this to be a shower and are encouraged that they will come back out to retrieve their belongings. When the crematorium door is closed and the generators thump to life we don't hear as much as feel the bulk of the dying victims crushing one another, pushing towards the door, climbing upon each other in a gruesome frenzy to survive. We only see Saul's blank expression as he stands by the door waiting to pull out the corpses and load them onto the elevators towards the ovens. And here is the vilest evil of the Holocaust: in making the victims complicit in their own destruction.
Nemes refuse to condemn or judge Saul or any other Sonderkammando; he is only depicting the acts. He is humanizing the Jews in these "Special Units" without making any excuse for their behavior or allowing melodrama to intrude for an emotional reconciliation. Saul remains quite impassive and difficult to read. Nemes underscores this at the very beginning of the film (even before the opening shot) when the text states that the word Sonderkammando is a German word. This divorces their title from Jewish authority: that is, they are labelled by the Nazis and have become what they have been forced to do.
The plot of the film is beside the point. Saul discovers a boy who briefly survived the Zyklon B before being murdered by Joseph Mengele (who is never explicitly named). He believes that this dead boy is his son. He is driven by the need to bury this boy with a Jewish ceremony and keep it from the ovens. We wonder if it is indeed his son as other prisoners dispute this telling Saul he never had children. In the face of this seemingly unending tragedy we also become curious as to why this one act is so important to him. Saul's search for a Rabbi drives the narrative but these motivations are not the focus of the film: Nemes wants us to see how this film is about the Holocaust not what happens (because we know what happens as we know what Saul's fate must ultimately be). Nemes creates tension about a potential revolt and the need of a smuggled package but our expectations are once again subverted.
Saul is among a group of prisoners who escape the camp but are tracked down to a decaying barn in the middle of a forest. The group-speak promises to join the Polish Resistance and continue the fight against the Nazi tyranny but Saul is focused upon one thing: the ghostly child tentatively framed in the doorway. And in a striking departure the narrative exits Saul's perspective and we follow the child running through the woods until he's grabbed by German soldiers. Pushed aside, the child runs through the thick woods as gunshots echo in the distance. Saul has met his death with a sublime smile, his humanity somehow intact.
Final Grade: (A+)
Thursday, May 5, 2016
SHOAH (Claude Lanzmann, 1985, France)
Claude Lanzmann records the testimony of survivors who walked through the valley of death at Chelmo, Treblinka, the notorious Auschwitz-Birkenau, and the Warsaw Ghetto: a violent chronicle captured in spoken words thus breathing life into history.
Lanzmann's emotionally explosive exposition eschews historical film clips such as Resnais utilized in NIGHT AND FOG: piles of rotting corpses, mounds of hair, or the blackened ovens thick with human ash. These images are graven into the collective consciousness (at least, anyone with a conscience) and Lanzmann instead allows his subjects to add context, to tell their tale in their own words, to resurrect a past that must never be forgotten: for it is the curse of humanity that we forget. Lanzmann allows the stories to unfold slowly but he presses for testimony even when his subjects shy away from details, for these are the truths that must be revealed to future generations.
The camera often strays from the person speaking to depict the scene of the genocide as it appears at the time of filming, 30+ years after the crime. A peaceful clearing surrounded by sullen trees was once the sight of 400,00 deaths; a muddy road was once the cold steel rail towards a final destination of choking gas; or a small village of simple hard-working townsfolk who witnessed the deportation and execution of thousands of Jews. This brings the black and white past into the future and colors it red with the blood of innocents. One particular scene joins past and present as a Nazi document is being read as a voice-over; an order concerning the need to improve vehicle efficiency to include floor drains for easy cleanup after its "cargo" has been destroyed. The camera focuses upon a modern box truck thrumming through traffic and we see that it is the same German vehicle manufacturer: Sauer.
Lanzmann also secretly interviews a few Nazi perpetrators, old men who hide behind ignorance and who have grown to believe their own lies in order to allay guilt and remain human. One soldier was a guard at Treblinka and goes into detail about the working of the gas chambers and crematorium…but fails to take any responsibility though he was a factor in the Final Solution. Another was in charge of the railroad scheduling that took millions to their deaths by boxcar but claims no knowledge of the specific cargo, only that he was a paper-pusher. Though the facts are intriguing, it is what these men don't say that weighs heavily upon the narrative and reveals the cancer that destroys their souls.
From the barber who cut the hair of women about to be executed to the Pole who sneaks into the Warsaw Ghetto and witnessed the inhuman atrocities, or the local elders who heard the screams while tilling their fields to the vehement Christians who still vomit their contempt of the "murderers of Christ", Lanzmann has crafted a document of truth as remembered by those who survived: by telling he transcends the propaganda of the image.
Final Grade: (A+)
Saturday, March 12, 2016
AU HASARD BALTHAZAR (Robert Bresson, 1966, France)
The wise little donkey Balthazar struggles through his innocuous life and becomes a saint among sinners, while Marie's downfall is a stark contrast, her vice is her lifelessness. Director/writer Robert Bresson's diminutive parable reaches epic proportions as his lens captures the ignoble origins of rural life and finally attains the majesty of salvation.
The story begins with Marie adopting a foal she names Balthazar: she and her friends even baptize the baby donkey in a playful ritual. Marie and Balthazar form a bond of love, though both will be held in physical and emotional bondage for the remainder of their lives. The donkey accepts his hard existence but finds ways to subvert his captors, whether it's by tipping a cart or breaking the bridle, braying and kicking, while Marie surrenders to her nowhere fate, always depending upon others and soon becomes victim to selfishness. Marie spurns the one boy who professes his passion and runs away with Gerard, the leather jacketed "bad boy" who uses her up…and casts her out like trash.
Marie becomes addicted to the adrenaline of ecstasy, and wanders through a stormy night willing to sell her body for a warm bed. Her father is an egotistical man locked in his own world of pride and self-denial, unable to accept reality or offer forgiveness: Marie has learned well.
Bresson captures the raw power of life force, the harmonic resonance that synchronizes living beings, whether they are Homo Sapiens or Equus Africanus Asinus. In one touching scene, the donkey escapes from a cruel taskmaster and finds its way to the manger where it once knew happiness, and Marie hears its cry and comes to his aid. We begin to see Balthazar as an intelligent and compassionate animal as he makes his way through the difficult terrain of his life, and he becomes blameless in his hardships…unlike Marie. Both fall by the sword and become portions for foxes, though Marie is offered a choice: her violent fate remains ambiguous while Balthazar has no chance at all. Finally, a tiny suffering life is shepherded from the mountaintops to the Elysium fields.
Final Grade: (A+)
Monday, February 22, 2016
HANGMEN ALSO DIE (Fritz Lang, 1943, USA)
The diabolical Reinhard Heydrich bleeds his Nazi propaganda into the occupied Prague streets, assassinated by the Czech Resistance who refused to surrender to an occupation of mass murderers. Fritz Lang rebels against his German heritage and directs a pure and concise piece of World War Two propaganda, decrying the fascist consumption of Europe by portraying the heroic defiance of the Czech's gunpowder treason.
Unfortunately, the film is more interesting as a historic document viewed in the black and white of nostalgia and revisionist history: made during WWII, the narrative fails to explore the truth about Hitler's cold-blooded retort…the murder of over 1,600 Czech citizens and the razing of two villages. The performance by Brian Donlevy is sterile and expressionless, his dialogue as exciting and emotional as a cue card. The staged direction detracts from the suspense as the narrative becomes too contrived, the plan to frame Czaka just too unbelievable because it relies on coincidences and implausible unforeseen reactions. The intelligent performance by the Gestapo Inspector adds a devious element that creates some frisson, but the Nazis and their sympathizers are effeminate caricatures, drunken slobs, or very stupid. Bertolt Brecht's story delves into the subconscious and duality of the protagonist's actions as he must weigh the needs of the many against the few, but the words are crammed into a thick narrative and becomes heroically preachy.
Fritz Lang's direction is restrained except for a few expressionist scenes, as long dark shadows stalk the walls of the interrogator's chambers, or the long silent walk down a narrow alley with death close behind. In retrospect, a strong political film that questions the morality of murder, examines the concept of Justice, but falls flat as suspenseless and poorly acted.
Final Grade: (C)
Saturday, February 6, 2016
PICKUP ON SOUTH STREET (Sam Fuller, 1953, USA)
The brash and maniacal pickpocket Skip McCoy, who soft hands hit like bricks, knocks out Candy's sweet tooth. Director Sam Fuller's communist exposé is as subtle as a punch in the jaw, dirty as one-room flophouse, and laced with profane dialogue as keen as a Tattoo shop's bloody needle.
The mundane plot device is a roll of microfilm unknowingly lifted from Candy's purse; just another mark for three time loser Skip McCoy who gets more than money: his life now becomes a desperate negotiation as flammable as nitrate. Fuller centers his narrative upon the seedy characters that inhabit this dank underworld of society, the predators who live in the rush of the moment with violent death as their obligatory destination. Candy is a prostitute who vainly attempts to separate herself from an abusive boyfriend, her last favor to finalize some shady business deal.
Fuller begins the film with a claustrophobic tenseness aboard a rushing subway, cutting to extreme close-up and crowded medium shot, his visual exposition clearly introducing the setup: two detectives stalking Candy. Then in wanders the wild card, a pickpocket who by happenstance lifts her wallet and gets the big score. Fuller expertly cuts to medium shot and again to close-up of Skip's hands massaging the purse, wicked eyes searing the screen, as the clacking of steel assaults the soundtrack. As a neat aside, look for the soldier from the Big Red One, Fuller's regiment during WWII, as an extra aboard the congested train. Skip makes his escape and the police bring in Moe, an elderly woman who sells inexpensive silk ties as a front, like nooses upon those deserving of their fate, but her information doesn't come cheap. Thelma Ritter as Moe steels the film, imbuing it with a graceful humanity, a woman of character and charm who only wants to be buried in a real cemetery and not a Potter's Field. Richard Widmark as Skip is a brutal and leering man, full of selfish desires. His nemesis is Captain Tiger of the NYPD who knows another minor conviction will put this scumbag away for life. And poor Candy is a woman who has lost her flavor, but never her morals.
Fuller wants to show that there is indeed honor among thieves, but patriotism to the collective government who punishes them is running on empty. Though criminals, the anti-heroes of the story remain honest to their own testimony, and once Skip understands that Candy sacrificed herself for him, and Moe sadly did the same, he is out for vengeance. Fuller depicts the tough talking police as a streetwise gang, professionals who are becoming the very thing they prosecute. But even these losers look down upon Communists who wish to betray their country, and the hierarchy from police to criminal to Red is fundamental. But more importantly, Skip and Candy get the last word and remain true to themselves…while Moe is buried with respect.
Final Grade: (B)
Thursday, February 4, 2016
IKIRU (Akira Kurosawa, 1952, Japan)
Watanabe is sick to death of his pointless existence wrapped in a funereal shroud of redundant bureaucracy; in death he is finally reborn. Director Akira Kurosawa paints a compassionate portrait of a terminal man who carries the weight of his regretful past, not on his shoulders but in the malignant pit of his stomach.
Kurosawa opens the film with an X-ray and omniscient narration explaining that Watanabe is a doomed man: we see inside of the protagonist before we see outside. Cut to: Watanabe hunched over a small desk, stacks of paper dominating the composition which makes him seem tiny and insignificant. He slowly stamps papers without comprehending them (or caring to) while his subordinates go about their job in anxious silence. Kurosawa conveys Watanabe's apathy in one sublime shot: he opens a drawer and takes out a yellowing document: "Ideas to make the Public Affairs Office more functional". But he wipes clotted ink off the stamp with the crumpled paper and tosses it away. Like he has tossed the past 25 years of his life away. A young girl begins giggling and the others look surprised and try to hush her. This outburst of emotion is forbidden, Watanabe asks her to read the joke which made her laugh. But the primeval substance of the joke seems to pass directly through her empty boss; he looks down and gulps more medicine.
Kurosawa explores the inner life of the protagonist and is concerned with his reaction in this extraordinary circumstance, much like Dostoevsky. He explains his past only in conjunction with his cancer, but his sickness is more than physical. Kurosawa utilizes flashbacks in order to show us Watanabe's patriarchal failings, and this device is only used when he is contemplating his deceased wife. He uses the past as an excuse saying; "I did it all for my son", but the young girl from his department admonishes him, "Every parent uses the children as an excuse."
Watanabe soon discovers what he most feared: he has a short time to live. But Kurosawa isn't concerned with this knowledge because this isn't a story about his cancer: it is a story of a human being facing mortality at a specific time. No more lies or self-delusions. It is about living in the now. Watanabe goes on a drinking spree and enjoys the superficial physical pleasure but soon grows tired (and sick) of it. He then focuses upon the young girl and does everything to make her happy, but she grows frightened of the attention. This Platonic relationship is misunderstood by his son and the hidden fault line between them shifts, creating an emotional earthquake. But it's the wisdom of the innocent girl who finds her peace making toys for children, for doing something that affects others, that propels Watanabe towards his salvation.
Early in the narrative, a group of women complained about a sewage pond that was giving their children rashes. Kurosawa's meticulous and dynamic editing cuts from Public Affairs, to Engineering, to Parks and Recreations, etc…until the women are back where they began. It is an excruciating condemnation of government bureaucracy, the dehumanization of the people they're supposed to help. Now Watanabe takes up their cause to clean up the morass and build a park: now he begins to live.
The films structure is elliptical; that is, immediately after his epiphany we are transported in time to his wake, learning he died in a park. His co-workers sit around and congratulate themselves on the park they built, but others know it was Watanabe who was responsible, who was the driving force. As each one delivers their insight, we are shown Watanabe and his unflinching desire to see his plan come to fruition. It seems cruel that he did all the work and politicians will take all the credit, until we understand that the credit is meaningless: all that matters is that the park was built. And Watanabe's accomplishment has value even though only a few recognize his participation.
The polluted pond is now a playground. What once brought sickness now brings happiness. He didn't change the whole world, but he rearranged the part that mattered. And that's a fitting epitaph for anyone.
Final Grade: (A+)
Tuesday, February 2, 2016
TOKYO DRIFTER (Seijun Suzuki, 1966, Japan)
Tetsuya is a samurai hit man who values duty above all else, trying to walk the path of enlightenment through the dark night of his soul. Seijun Suzuki's absurdist neon noir is a pantheon of trite clichés deconstructed and stripped bare, revealing a narrative element that burns like a noble gas.
Suzuki dismantles genre expectations in the very first reel, beginning the film not in black and white (like a "serious" noir-ish melodrama) but in a blown-out monochrome bled of all color. The anti-hero Tetsuya is introduced as a victim of a rival gang, as he seemingly allows them to pummel him into physical submission. We soon learn that loyalty kept him from fighting back, as his master Kurata attempts to go straight and place the life of crime behind them both. Of course, this becomes impossible so thus we have conflict and a plot involving a property deed worth millions and egos worth their weight in souls.
Suzuki's twisting plot threads weave a syncopated narrative tapestry, like a torch song missing random key notes. The use of disorienting jump cuts streamlines the anecdotal economy, disallowing extraneous character development as the viewer is expected to understand by proxy. In one scene, Suzuki instigates a daring rescue as Tetsuya saves his femme fondue from a rival gang with an adrenaline car crash…only to cut in the middle and reveal the two of them at a local arcade, with no reference to the previous action. Suzuki takes us from point A to C with few establishing shots or movement during the films 82 minute run time.
Drenched in big neon glitter, the anti-hero traverses Tokyo's brothels and Western style clubs with stylized transitions, set designs flooded in Day-Glo colors that seem to merge with actual location shots. This duality creates a surreal and dreamlike world for Tetsuya to wander, and the quicksilver action sequences are like James Bond on acid. Both maddeningly brilliant and beautiful. Suzuki ends the film with a betrayal leading to a white hot oblivion though Tetsuya always remains true to the one thing that matters most. Himself.
Final Grade: (B+)
Sunday, January 24, 2016
NIGHT MOVES (Kelly Reichardt, 2013, USA)
Three Eco-terrorists play dam busters with little regard to the repercussions of their explosive act of violence. Kelly Reichardt explores the emotional and intellectual landscape of three radicals whom are chillingly not far removed from ordinary peaceful protesters.
The plot concerns Josh, Dena and Harmon as they plan to blow up a hydroelectric dam because of its environmental impact. Their goal seems to be a purpose in and of itself: that is, the act is the purpose and not the outcome. They feel justified in destroying this artificial construct without considering the destructive fallout to the environment and the potential to harm other people. Thus the characters fail to consider the irony of their actions. Director Kelly Reichardt tells an anti-action story: instead of relying on the typical conventions of the Action genre she brings the story into sharp focus, her lens peering into the dark silences and mundane routines of three lives about to change dramatically. From purchasing the titular boat named NIGHT MOVES to securing 500 pounds of fertilizer to build the bomb, Reichardt portrays how typical and rather easy this task becomes which makes the story all the more frightening! When it comes, the explosion is only heard off-screen, which allows a detachment between the act and its implications.
Director Kelly Reichardt also drains the story of melodrama by refusing to reveal or exacerbate the relationships between the characters. It's never explicitly mentioned that Josh and Dena are a couple (or in the process of becoming one) though they are often shown together. Reichardt takes this implication and undermines this trope by keeping the information out of the story. We only learn that Dena comes from a rich family when they are talking about paying cash for the boat. So is she just a hanger on or a romantic interest? When Josh discovers Dena and Harmon screwing he seems a bit disappointed but again, this is only through subtle body language and not confrontation.
The final Act becomes incredibly tense as the three split and vow to have no contact with one another. The camera focuses tightly upon Josh who is afraid that Dena will succumb to her guilt and confess their crime. Turns out, an innocent man was killed by the flood waters and day by day the newspapers and newscasts are filled with stories of this man's life and family. This drives Josh past the point of endurance as he is driven to one desperate fatal act. He becomes fueled by self-preservation and not idealism; Josh tracks Dena down and makes sure she remains quiet…forever.
Reichardt frames the murderous act in extreme close-up forcing the audience into a violent conspiracy: here, she does not give us the luxury of emotional detachment or objectivism. Dena's gurgling sound as Josh strangles her to death is gruesome but strangely the killing seems rather mundane, like the earlier "gunpowder" plot. We are given clues that Dana probably told her friends (it lead to Josh being kicked out of his commune). Josh takes off and is last seen in another part of the state, looking for work. But it seems he is destined for a mobile life of paranoid conspiracies…but it may be better than no life at all.
Final Grade: (A+)
Friday, January 22, 2016
Korova Award Winners: Best Films of 2014!
02. BLUE RUIN (Jeremy Saulnier, USA)
03. NIGHT MOVES (Kelly Reichardt, USA)
04. IDA (Pawel Pawlikowsky, Poland)
05. GRAND BUDAPEST HOTEL (Wes Anderson, USA)
06. TWO DAYS, ONE NIGHT (Dardenne Brothers, France)
07. UNDER THE SKIN (Jonathan Glazer, UK)
08. A GIRL WALKS HOME ALONE AT NIGHT (Ana Lily Amirpour, USA)
09. WILLOW CREEK (Bobcat Goldthwait, USA)
10. ONLY LOVERS LEFT ALIVE (Jim Jarmusch, UK)
Monday, January 11, 2016
THE MAN WHO FELL TO EARTH (Nicolas Roeg, 1976, UK)
Newton falls like the proverbial apple; a tree of knowledge offering a poisonous gift whose adverse reaction ensnares him in the garden of Earthly delights. Director Nicolas Roeg eschews science fiction formula and creates an art house film with a complex narrative, utilizing very few establishing shots to delineate time and place while disgorging surreal montage that create a lonely dreamlike atmosphere. He crosscuts between Newton and Dr. Bryce, a teacher whose sexual appetite devours his life, which foreshadows Newton's downfall and betrayal.
Roeg, a master cinematographer himself, again teams up with Anthony Richmond (DON'T LOOK NOW) and together they capture the isolation and separation, both physiological and spiritually, of a stranger in a strange land, whose plan to save his world goes askew: homo superior dominated by the brute force of a government who tastes of the apple…but must destroy its seed. David Bowie is expertly cast as the phlegmatic alien, his disparate eyes and copper hair adjoined with his gently chiseled visage and contrasted with his firm resolution. The mysterious Thomas Newton hides behind his nomenclature and corporate assets; his true self eventually unmasked by the woman he loves and the man he trusts.
The opening scenes reveal shadow men that relentlessly stalk Newton, and this ambiguous conspiracy is eventually actualized without exposition: we must fit together the broken pieces and independently glean some internal consistency. Time seems subjective to Newton, as he never ages while the world passes quickly, his mistress and cohorts growing into old age while he remains the young non-American. He soon capitulates to the vices and bodily desires of his earthly bondage, a weapon that his captors use to control and conquer. Prodded, injected with drugs, experimented upon and abused in captivity, his usefulness expires and he outlives the warders, walking once again into anonymity.
His home world dying, he uses his remaining fortune to record a hymn to his family with the hope that the radio transmission will be received and understood: a hopeless goodbye, like Major Tom's desperate plea.
Final Grade: (A)
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Free agency awaits the NFL impatiently as the labor situation drags on—soon, hopefully, the process will begin.
Every team has holes and needs, no matter how strong or weak the team is, and look for all 32 NFL teams to have some degree of activity should free agency begin.
That being said, every team must make one acquisition in the upcoming free-agent period, and here is a comprehensive review of all of these acquisitions.


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Mediterranean Pasta
Number of Servings:
4, 4oz servings
Difficulty Level:
Product Type:
Diet Type:
Recipe Source:
- 1 Package Pasta Zero Spaghetti or Chinese Noodles
- 1 Tbsp olive oil
- 2 Tbsp onion, minced
- 1 clove garlic, minced
- 1 oz Kalamata olives, pitted and sliced
- 4 Tbsp red/green bell pepper, 1/4" cut
- 2 mushrooms, sliced
- 3 Tbsp tomatoes, diced
- 2 Tsp oregano
- salt and pepper, to taste
- 2 Tbsp Feta cheese, crumbled
Preparation Method:
Drain and rinse pasta with cold water, set aside.
Heat olive oil in a sauté plan over medium high heat. Add garlic and onions and cook until translucent. Add vegetables, cooking until vegetables reach desire doneness. Add oregano, season with salt and pepper and mix in ½ of the feta cheese.
Stir pasta into sauce to heat noodles. Once heated through top with remaining feta cheese and serve.
Nutrition Facts:
Calories 90, Calories from Fat 60
Total Fat 7g, % DV 11%
Sat Fat 1.5g, % DV 8%
Trans Fat 0g
Cholesterol 5g, %DV 2%
Sodium 530mg, %DV 22%
Total Carb 5g, %DV 2%
Dietary Fiber 2g, % DV 8%
Sugars 1g
Protein 2g


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The Guide from The Software Bureau with everything you need to know to get your business Mailmark ready and capitalise on the most cost effective way to mail.Download Mailmark Guide
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One easy to use visual interface for all data processing requirementsDiscover more +
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Data processing, sometimes referred to as data cleansing, data hygiene or data quality software describes the technology used to audit and improve the quality and consistency of a name and address data file. Often used by organisations involved in the supply of direct mail and postal solutions, data processing software can involve among other functions the deduplication or removal of duplicate records, merging multiple data files, and suppressing records to exclude particular recipients from being mailed.Data Glossary +
Postal sortation, sometimes referred to as Mailsort or mail sort involves the process of resequencing a list of recipient mailings into geographically relevant areas as stipulated by the postal service provider. Mailing services providers who employ sortation software benefit from reduced mailing costs.Data Glossary +


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5 Things To Know About Dell's PowerEdge Server Updates
The latest versions are aimed at enterprise customers with highly virtualized data centers, and that need big data and analytics capabilities. (From ITBestOfBreed.com)
First Look At Apple's Three New MacBook Pro Versions
Apple Thursday debuted the biggest overhaul to the MacBook Pro in years. Here are the key things to know about the updated versions.
An Exclusive Club: Honoring The 2016 Triple Crown Award Winners
CRN honored the winners of the 2016 Triple Crown Awards at the Best of Breed Conference in Atlanta this week.
10 Blockbuster Internet Of Things Products, Partnerships At IoT Solutions World Congress
All eyes were on IoT Solutions World Congress in Barcelona this week, where vendors unveiled their newest IoT Things products across the hardware, analytics and security spaces.
Coverage From BoB Conference 2016
The Best of Breed Conference 2016 gathers industry executives from CRN's Solution Provider 500, Tech Elite 250, Next-Gen 250, Fast Growth 150 and Managed Service Provider 500 communities to examine the future of the channel.


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Festiva Orlando Resort - Kissimmee
- Swimming pool
The following facilities will be closed from 06 September 2016 to 24 September 2016 (dates subject to change):
- Swimming pool
During renovations, the condominium resort will make every effort to minimize noise and disturbance.
This condominium resort offers free self parking, ATM/banking and an elevator (lift). Relax in the seasonal outdoor pool during your stay. The leisure facilities include a spa tub.
Multilingual staff can provide tour/ticket assistance. Free WiFi is provided so you can check your in-box whenever you like.
Festiva Orlando Resort - Kissimmee
Hotel Info: 1-877-214-4288from $79
- Deluxe Suite, 1 Queen Bed with Sofabed
- Executive Villa, 2 Bedrooms
- Executive Villa, 1 Bedroom
Also popular with travelers from the USA
At a glance
Key facts
Hotel size
- This hotel has 192 rooms
- This hotel is arranged over 3 floors
- Check-in time 4 PM-midnight
- Check-out time is 10 AM
If you arrive at the property after hours, you'll need to check in at an alternate location: Security Guard Shack
Required at check in
- Credit card deposit required
- Government-issued photo ID required
- Minimum check-in age is 21
Travelling with others
- Children (18 years old and younger) stay free when occupying the parent or guardian's room, using existing bedding
- Pets allowed (dogs and cats only) *
- Specific rooms only, restrictions apply *
- 2 per room (up to 40 lb)
- Free WiFi in public areas
- Free WiFi in rooms
- Free self parking
- Free RV/bus/truck parking
- Casino shuttle *
- Theme park shuttle *
Other information
- Resort fee included
In the hotel
- Barbecue grills
- Outdoor seasonal pool
- Outdoor pool
- Use of nearby fitness center (discount)
- Spa tub
- Basketball on site
- Golf lessons available nearby
- Golfing nearby
- Pool umbrellas
- Computer station
- Front desk (limited hours)
- Tours/ticket assistance
- Multilingual staff
- Number of buildings/towers - 8
- Elevator/lift
- ATM/banking
- Safe-deposit box at front desk
- Designated smoking areas (fines apply)
- Accessible bathroom
- In-room accessibility
- Roll-in shower
In the room
- In-room climate control (air conditioning)
- Air conditioning
- Ceiling fan
- Coffee/tea maker
- Iron/ironing board
- Washer/dryer
- Sofa bed
- Sofa bed size queen
- Balcony or patio
- Separate dining area
- Separate living room
- Private bathroom
- Hair dryer
- Cable TV channels
- DVD player
- Free WiFi
- Free local calls
- Full-sized refrigerator/freezer
- Microwave
- Stovetop
- Cookware, dishware, and utensils
- Dishwasher
- Connecting/adjoining rooms available
- Access via exterior corridors
Festiva Orlando Resort - Kissimmee's small print
Also known as
- Festiva Orlando
- Celebration World Resort Kissimmee
- Festiva Orlando Resort
- Festiva Orlando Resort Condo
- Festiva Orlando Resort Condo Kissimmee
- Festiva Orlando Resort Kissimmee
- Festiva Resort Orlando
- Orlando Festiva
- Orlando Festiva Resort
- Festiva Orlando Kissimmee
The property has connecting/adjoining rooms, which are subject to availability and can be requested by contacting the property using the number on the booking confirmation.
Pet-friendly rooms can be requested by contacting the property at the number on the booking confirmation.
Noise-free guestrooms cannot be guaranteed.
Some facilities may have restricted access. Guests can contact the property for details using the contact information on the booking confirmation.
The name on the credit card used at check-in to pay for incidentals must be the primary name on the guestroom reservation.
Mandatory fees
Deposit: USD 50.00 per stay
The charges below are included in the total price displayed:
- Resort fee
Resort fee inclusions:
- Pool access
- Business center/computer access
- Internet access (may be limited)
- Faxes
- In-room coffee
- Self parking
- Parking
- Lending library access
Inclusions may be listed elsewhere on the page as free or for a surcharge.
Optional extras
Late check-out can be arranged for an extra charge of USD 50.00
Pets are allowed for an extra charge of USD 84.75 per pet, per stay
Casino shuttle and theme park shuttle service is offered for an extra charge
We have included all charges provided to us by this hotel. However, charges can vary, for example, based on length of stay or the room you book.


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Contract Status: Sponsor: 2017; Driver: 2017
2,000 Fans Get to "Ride with Trevor" in Talladega: The AdvoCare Ford driven by Roush Fenway Racing driver Trevor Bayne will have a different look this weekend at Talladega Superspeedway as the faces of 2,000 race fans will adorn the blue and red Fusion as part of a "fan mosaic." "It's pretty neat to see this many people on our AdvoCare Ford," said Bayne. "It really shows how great of a fanbase we have and how supportive they are of our race team and everyone at AdvoCare. I can't thank AdvoCare enough for giving the fans this opportunity. Hopefully we will keep all these people's faces clean and get a great finish on Sunday."(RFR), see an image of the car on the #6 Team Schemes page (10-20-2016)
Roush Fenway campaign for breast cancer awareness in October: Roush Fenway Racing will again utilize its award-winning 'Driven' Marketing program in support of National Breast Cancer Awareness month in October. The 'Driven for a Cause' campaign will use various elements to highlight cause awareness and support throughout the month. All of Roush Fenway's race cars will carry special 'pink ribbon Driven logos' in each of the month's events. In addition, Greg Biffle will run a special pink Ford EcoBoost paint scheme on his #16 Ford Fusion at Charlotte Motor Speedway on Oct. 8. Other Roush Fenway Racing Fords will feature special pink numbers during the Charlotte event. During the month of October, team owner Jack Roush will don a pink 'Driven for a Cause' shirt on NASCAR Sprint Cup Series race days in an effort to bring more awareness to the cause. At Roush Fenway's Annual Fall Fan Appreciation Day on Thursday, October 6, fans will be invited to participate in the pink-themed 'Driven for a Cause' selfie-booth, complete with pink props. Fans who utilize the social media platform Snap Chat and are onsite for Fan Day will also have the opportunity to use a special geofilter with the 'Driven for a Cause' logo. All participants are encouraged to share these photos with family and friends on social media using the #DrivenforaCause hashtag. Roush Fenway is offering 'Driven for a Cause' merchandise, with a percentage of the proceeds going to Carolina Breast Friends.(Roush Fenway Racing)(10-3-2016)
New pit crew coach at Roush Fenway: Roush Fenway Racing has decided to reassign longtime pit crew coach Andy Ward, replacing him with Scott Bowen, a current RFR employee and an ex-pit crew member. Ward has been at RFR for many years and has produced some very good pit crews. Roush Fenway Racing released the following statement regarding the move: "We continuously evaluate our race team operations at Roush Fenway, and as part of a mid-season restructuring we have implemented a change in the department structure with our pit crew teams. We have placed Scott Bowen, who previously was our head of purchasing, in charge of our pit crew operations. Scott is a longtime employee of Roush Fenway, and worked as an over-the-wall pit crew member for several years. We believe this change will prove beneficial in our continued effort to improve on-track performance."(PitTalks/NASCAR.com)(9-29-2016)
Bayne, Cassill complete Ironman: #6-Trevor Bayne and #38-Landon Cassill spent their off weekend in Dublin, Ireland competing in an Ironman 70.3. It was Bayne's first Ironman and Cassill's 5th. The Ironman 70.3 consists of a 1.2 mile swim, 56 mile bike ride and 13.1 mile run.
Bayne finished in 5 hours, 25 minutes and 10 seconds, 479th overall. He swam in 35:15, biked in 2:44:37 and ran in 1:57.28.
Casssill finished in 5 hours, 2 minutes, and 38 seconds, 216th overall. He swam in 30:56, biked in 2:35:51, and ran in 1:46:52.
Bayne Ready for Double-Duty at Watkins Glen: This weekend's events at Watkins Glen International mark the first time since the conclusion of the 2014 season that Trevor Bayne, driver of the #6 AdvoCare Ford Fusion, will compete in both the NASCAR Sprint Cup Series (NSCS) and the NASCAR XFINITY Series. Bayne, a two-time winner in the NASCAR XFINITY Series, will pilot the #60 AdvoCare Ford Mustang for Roush Fenway Racing. "Double-duty will definitely be fun this weekend at Watkins Glen," said Bayne. "It's been a while since we've raced in the XFINITY Series and I'm really excited to have AdvoCare on board for both races this weekend." Bayne has recorded two top-10s in the NASCAR XFINITY Series at Watkins Glen and is currently 28 points behind the 16th and final position in the Chase for the Sprint Cup grid.(Roush Fenway Racing)(8-3-2016)
Drivers hopeful new rules mean better racing at Michigan: Optimism remains high for the lower downforce rules package in place for Sunday's FireKeepers Casino 400 at Michigan International Speedway. "Well, I think that we made a pretty good step forward with the move we made from the 2015 to the 2016 package," said Scott Miller, NASCAR vice president of competition. "For aerodynamics in making more competitive racing and closer competition, more passes for the lead. In most cases all the metrics we looked at have been better in those areas. So this is just another step toward, again, creating closer competition and great racing that the fans and the media and everybody wants to see. We want to see that really bad, and I think this direction has been something that's been embraced by the drivers, and actually we've worked together with them to land here and try this for this year as a potential way to move forward with closer competition."
Friday's practice and qualifying sessions saw higher speeds through both the corners and down the straightaways with average speeds topping 200 mph. However, while reaction has been mostly favorable, there is still much to be observed before gauging whether the rules are successfully reaching goals.
"And as far as today, I think it's difficult to visually see the difference, but when you look at the data from the cars, the speed trace is significantly different, the mid corner speeds are down a lot, the entry speeds are up a little," Miller explained. "And from some of the driver comments, having to use the brakes pretty hard and maybe even thinking about needing brake cooling and everything at a big track like this is a departure from where we've been before, and we're really hoping that those things actually produce a really, really good race on Sunday."
But as of now, it's still very much a guessing game. "What I'm anticipating is hopefully a lot of slipping and sliding; a loss of momentum, and the ability to stack up some guys and to get a big run from third, fourth, fifth on back," Kurt Busch said. "That's what we hope we see and that we don't have a leader that just gets out there and then we're not able to chase him down. And then the restarts are going to be that much more exciting because of the lack of downforce and how stable will the cars be side-by-side? Nobody knows that yet."(Motor Racing Network)
AND NASCAR Sprint Cup owner Jack Roush was not happy with the series' decision to use new rules to the aerodynamic package to further reduce downforce and sideforce for this weekend's FireKeepers Casino 400 race at Michigan International Speedway. "It's different from what it was, no doubt," said the 74-year-old Roush of the new rules package. "Nobody had been on the race track with this package before. Everybody is struggling to find out where the sensitive adjustments are. The car has not been as loose as we expected. We thought that the problem would be flying out from underneath of you, loose on exit and entry. The entry has been a little bit of a problem, but the exit and center has not been a bigger problem than normal." Roush's three-car team of Ricky Stenhouse Jr. (12th), Trevor Bayne (13th) and Greg Biffle (18th) all qualified outside the top-10 Friday.(Detroit News)(6-12-2016)
Ford working with Roush to improve: Ford Performance boss Dave Pericak is convinced Roush Fenway Racing will soon return to victory lane. The legendary Ford NASCAR team has not won a race since [Sonoma in 2014]. Team owner Jack Roush and his current Cup drivers Biffle, Trevor Bayne and Ricky Stenhouse Jr. are as dedicated as ever to turning things around, said Pericak, who took over as global director of Ford Performance from Jamie Allison last year. "I've been in the job for over a year and I've said we've been going to fix Roush," said Pericak, chief engineer of the Ford Mustang from 2008-2015. "The cars this year have speed in them but the team has had trouble executing on pit road. I think they've definitely ... shown a trend of improvement."
"As it is today, Jack Roush is not happy about the situation," said Pericak, who will leave Tuesday for France to oversee the Ford GT40's return to the 24 Hours of Le Mans sports car classic. "But he's 100% committed to improving the team and his spirits are high."
Pericak will be at MIS [Friday] to observe NASCAR's new lower down force package for the track. "It will be a wait and see thing," said Pericak of the aerodynamic package which NASCAR believes will promote closer and better racing with more passing. "I think we are headed in the right direction and we're hoping for better racing. At the end of the day, I think it allows drivers to drive the car." Ford drivers have been using a state-of-the-art simulator in Charlotte, N.C., running the lower down force package for MIS.(Detroit Free Press)(6-10-2016)
RFR Fan Day, Friday May 26th: Jack Roush, Bubba Wallace, Ryan Reed and Gray Gaulding. NASCAR Sprint Cup Series drivers Trevor Bayne, Greg Biffle, Ricky Stenhouse Jr. and Chris Buescher are scheduled to appear at RFR Fan Day in Concord, NC on Thursday, May 26. Autograph sessions will kick off at 10 a.m. with Jack Roush and the Roush Fenway NASCAR XFINITY Series drivers, Bubba Wallace, Ryan Reed and Gray Gaulding. NASCAR Sprint Cup Series drivers Trevor Bayne, Greg Biffle, Ricky Stenhouse Jr. and Chris Buescher will sign autographs at 11:15 a.m. Autograph session tickets will be on a first-come, first-served basis, beginning at 8 a.m. RFR is located at 4600 Roush Place, Concord.(5-18-2016)
Roush not likely to move back to 4 cars soon: Now that the organization is headed back in the right direction when it comes to their performance, Roush president Steve Newmark said Sunday the focus is on the immediate future of fighting for a Chase berth and not what their driver lineup is going to be. With three drivers running full-time in the XFINITY Series, three more under their banner in Cup, and Chris Buescher on loan to Front Row Motorsports, decisions will soon have to be made of who is running where. When the company felt [Buescher] was ready to be in Cup instead of running a third year in the XFINITY Series, they coordinated with Bob Jenkins and Front Row, who Buescher was already familiar with, to compete in their camp. In a perfect world, admitted Newmark, Roush will get him back under their roof sooner rather than later. "There's a combination of factors that will go into that," he said. "Ideally, we'll have him in one of our cars in the next few years, but I think the focus right now is we got to get him running better in the 34." Under NASCAR's new ownership rules of only being able to run four full-time cars, plus the addition of the Charter System this year, Roush has been in a box. The chance of ever going back to four full-time cars looks slim, but Newmark won't close the door on any possibility. "Jack would rather run 10 cars; he would run as many cars as he would be enabled," Newmark joked. "It really will depend exactly on the driver, sponsorship, and then now you also have to have a charter, so I don't think we would run a (fourth) full-time, but you never know."(Popular Speed)(5-16-2016)
Bayne's Darlington Throwback scheme released: Roush Fenway Racing and Trevor Bayne unveiled the paint scheme the No. 6 AdvoCare Ford Fusion will run this September at Darlington Raceway for the second season of the track's The Tradition Continues throwback celebration. The #6 AdvoCare Ford will carry the same red, white and blue design as Mark Martin's #6 Ford did during the 1996 and 1997 NASCAR Sprint Cup Series seasons. "It's an honor any time you are mentioned alongside Mark Martin," said Bayne. "He obviously contributed a lot to Roush Fenway and this organization, so to carry a paint scheme that he ran for the second year in a row is really cool. Our team has been working really hard and running well this season, so I'm hopeful that we can make Mark proud." Last season Bayne paid homage to another successful Martin paint scheme, sporting the colors Martin donned in 1998, on his way to seven wins.
"It's going to be really cool to see that car on the track again at Darlington," said Martin. "It's always been one of my favorite paint schemes and we had a lot of good times taking that car to victory lane and leading a lot of laps during that time. I look at it as a tribute to all the guys that put the hard work in on those cars and gave us the opportunity to go out and compete each week."(Roush Fenway Racing). See an image of the car on the #6 team paint schemes page.(4-26-2016)
Bayne scores first top-five since 2011 Daytona 500 win: #6-Trevor Bayne won the 2011 Daytona 500 in his second NASCAR Sprint Cup Series start, but that he hadn't scored a top-five since then - until Sunday's Food City 500 at Bristol Motor Speedway. Bayne qualified 10th and ran near the front until a commitment-line violation on Lap 149 sent him to the rear of the field. Undeterred, Bayne drove back through the field and took advantage of late restarts to finish fifth, his first top-five result after a drought of 99 races."It was a lot of battling back," Bayne said after the race. "We went through a lot of adversity to get there, but we just didn't give up. We had a really good race car. That's what paid off. You can't come back if you don't have good race cars, and we've got that now. I need to minimize my mistakes going forward, but we were able to make mistakes and get back to a top-five finish. I kept getting on the bottom on restarts every time, but it came back to me at the end. We were able to start on the top those last three, and that's really what got us in the top five."(NASCAR Wire Service)(4-18-2016)
100th Cup start for Bayne: #6-Trevor Bayne will make his 100th career NASCAR Sprint Cup Series start on Sunday afternoon. In 99 previous starts, Bayne has recorded one victory, the 2011 running of the Daytona 500. Upon taking the green flag Sunday, Bayne will become the 197th driver to start 100 NSCS races.(Roush Fenway Racing)(3-31-2016)
Roush Yates already prepping for Stewart-Haas addition: The addition of Stewart-Haas Racing to Ford in 2017 will mean an increased workload for Roush Yates Engines, the company that supplies Ford power to teams in all three of NASCAR's national series. But it means much more than the 60 or so additional engines the supplier will have to produce, according to CEO Doug Yates. "For us, that's four more top-notch cars, opportunities to win races and championships," Yates said Saturday at Atlanta Motor Speedway. "But the work starts now because we've got to get ready for next year." Yates, son of famed engine builder and former team owner Robert Yates, said his company currently has approximately 250 engines in its fleet for Sprint Cup teams. "We'll start building them up but next year, with four cars will mean about 60 more engines... Today we build about 750 Cup, XFINITY and Truck engines a year. At our road race shop we build about 250 a year. Obviously we will have to add some people. We feel like we have a good process, we just have to add volume." The benefit, he said, is it will be "a good opportunity to allow us to bring on more resources for the R&D side, more testing, more engineers. Just add depth to every department. It's exciting.(NASCAR.com)(2-28-2016)
Roush cars forced to change rear gears: During the first practice, #6-Trevor Bayne and #16-Greg Biffle experienced rear gear issues. The rear gears were replaced and both Bayne and Biffle will start from the rear of the first Can-Am Duel on Thursday.(Motorsport)(2-18-2016)
February 14th Marks the Anniversary of Roush Fenway's entry into NASCAR: While across the world, Feb. 14th annually marks the celebration of St. Valentines Day, the date holds a different significance for Jack Roush and the Roush Fenway Racing team. It marks the anniversary of Roush's first foray into the world of NASCAR; his first race at the highest level of automobile racing and a day that would serve as the launch pad for one of the most successful organizations in professional sports history. Competing with a backup car not even built for a superspeedway, Roush and his newly formed team covered only 19 laps before overheating and finishing 41st in its debut Daytona 500 on Feb. 14, 1988. Humble beginnings for a team which 29 years later has accumulated a NASCAR record 322 wins and hoisted championships in all three of NASCAR's highest levels of competition.
"We wrecked our car in the twin qualifying race and had to run a car that was built for a smaller track," said Roush of the day. "We went with what we had and of course did not yield the results we would have liked for your intro to NASCAR that day."
"We made the race on time," said driver Mark Martin, who piloted the #6 Stroh's Ford Thunderbird in Roush Fenway's inaugural season and held the ride for the next 19 seasons. "Then we got wrecked in the Twin-125's and we didn't have a backup speedway car, so we used the Atlanta car for the race. We didn't last 20 laps."
The results would quickly improve however, with Roush and Martin winning a pole that season and earning 10 top-10 finishes. The next season Roush Fenway won six poles, earning 19 top-10 finishes and its first win in 1989, breaking through to the win column in the fall at Rockingham. Roush Fenway would go on to earn its first NASCAR championship in 2000 and its first Cup championship in 2003. Ironically, 25 years later Roush would earn his historic 300th NASCAR [Cup, XFINITY & Trucks] victory in the 2012 Daytona 500; the same event his car had lasted only 19 laps a quarter of a century earlier. Today, Roush's teams have competed in 5,579 NASCAR events, holding the record for most NASCAR wins, most NASCAR wins in the Nationwide Series and most NASCAR wins in the Truck Series.(Roush Fenway Racing)(2-15-2016)
Roush Fenway makes crew chief changes: Roush Fenway Racing solidified its crew chief lineup for 2016 on Friday. Team sources confirmed to Motorsport.com that veteran Bob Osborne will oversee Chris Buescher's development during his Sprint Cup rookie season at Front Row Motorsports, piloting the #34. Osborne, 41, returned to the pit box last season as Trevor Bayne's crew chief following a three-year sabbatical due to health-related issues. The Penn State graduate enjoyed tremendous success with Carl Edwards. Together the pair posted 18 wins, 86 top-fives and 142 top-10 finishes and nearly won the 2011 Sprint Cup Championship. Buescher, the current Xfinity Series champion, was expected to make the move to Cup with Scott Graves, who has since left the RFR for Joe Gibbs Racing. However, given Osborne's experience at the Cup level as well as his 17 seasons with Roush, Buescher couldn't ask for a better crew chief to ease him through the transition in his rookie season. Matt Puccia, 38, will direct Bayne's effort and the #6 team. Puccia joined Roush in 2004. His first stint as a Roush crew chief came two years later with Edwards in the truck series. He's spent the last five seasons with Greg Biffle in Cup. Initially, Puccia was potentially slated for the #6 Xfinity team with Darrell "Bubba" Wallace. However, the organization elected to stay the course with Seth Barbour who replaced Chad Norris in the crew chief role following the Watkins Glen race in August. Wallace, 22, finished seventh in the point standings in his first full season on the NXS tour.(Motorsport)(1-8-2016)
SRI Performance Purchases Roush Yates Performance Products: Roush Yates Performance Products announced that it has reached an agreement with SRI Performance in which SRI will now own, operate, and manage the performance parts distribution business previously owned and operated by Roush Yates Performance Products. With this new agreement, beginning January 1, 2016, SRI will operate out of two locations in Mooresville, NC. Each location will represent a distinctly different product offering.(roushyatesparts.com)(1-5-2016)
Roush Fenway Racing Bolsters Competition Effort: Roush Fenway Racing has bolstered its competitive efforts with three key personnel additions to its NASCAR team. Kurt Romberg, Dr. Kent Day and Vojin Jaksic have each taken on high-level roles within the team that captured its eighth NASCAR championship in 2015. "It takes great talent to win in this sport and we are very pleased with the additions we have made on the competition front," said team owner Jack Roush. "We recognize the importance of putting the appropriate personnel into place, as we continue our relentless pursuit to put the best and most competitive race teams on the track."
Kurt Romberg, who spent the last 15 years heading up aerodynamics at Hendrick Motorsports, joins the team as the Technical Director of Aerodynamics. Romberg worked with General Motors and Petty Enterprises before becoming the chief aerodynamicist at Hendrick.
Dr. Kent Day will serve as Manager of Simulation. Day, who holds a Ph.D. in Mechanical Engineering from Clemson University, brings over two decades of experience to Roush Fenway and has held technical director positions with Team Penske and RCR and most recently specialized in vehicle dynamics at MWR.
Vojin Jaksic returns to Roush Fenway Racing as the research and development/special projects manager after serving in similar positions at MWR and Joe Gibbs Racing. Jaksic previously worked at Roush Fenway Racing from 2005 until 2011.
The additions are part of a strategic plan to expand organizational capabilities and follows the hiring of industry veterans Mark McArdle and Kevin Kidd to lead engineering and Sprint Cup competition last season.(Roush Fenway Racing)(12-15-2015)
Congrats to Trevor and Ashton Bayne: on the birth of their daughter, Elizabeth Kate, on Thursday morning. The news was announced on Bayne's Instagram account.(12-10-2015)
Roush Fenway Racing restructures: Change is coming to Roush Fenway Racing. After the dissolution of the #1 XFinity Series team following Elliott Sadler's departure, RFR "right-sized" its NXS program on Monday. However, despite the release of a significant number of employees, others will be hired as RFR restructures its organization. Kent Day, who holds a Ph.D. in Mechanical Engineering from Clemson University and most recently worked at MWR following his tenures at Richard Childress Racing as technical director and Penske Racing as chief engineer. Day will oversee Roush's simulation program. Kurt Romberg has also been recruited by RFR. Romberg was the chief aerodynamicist at Hendrick Motorsports for 15 years. He worked at General Motors and Petty Enterprises prior to joining HMS. Someone with knowledge of the situation told motorsport.com the net loss of personnel would likely be 25 workers.(Motorsport)(11-24-2015)
Mark Martin no longer working with Roush Fenway UPDATE: NASCAR Sprint Cup Series veteran Mark Martin, who was hired last July as a driver development coach for Roush Fenway Racing, is no longer with the organization. Asked Friday on Twitter if he would be working with RFR's crop of young drivers in the upcoming season, Martin responded, simply, "No." Martin, who drove for Roush Fenway from 1988-2006 -- the vast majority of his Sprint Cup career -- said at the time of his hiring as a driver development coach that he was happy to be reuniting with the organization where he earned 35 of his 40 career Sprint Cup wins. It was announced in mid-January that Martin, 56, has joined forces with late model dirt-racing legend Scott Bloomquist to field two entries in the Lucas Oil Late Model Championship in 2015. Bloomquist and up-and-coming driver Jared Landers will drive the two team cars, respectively, with both carrying sponsorship from Batesville, Ark.-based Mark Martin Automotive Group.(FoxSports)(2-7-2015)
UPDATE: Mark Martin explained in a tweet Saturday morning why he no longer is working in a driver development role with Roush Fenway Racing. Martin tweeted: "I didn't want to go to the races. I've done enough of that for now. Except for dirt track." Martin answered a fan's question Friday on Twitter confirming that he was no longer serving as a coach for Roush. Saturday, he answered another fan's question as to why he wasn't coaching Roush's drivers.(NBC Sports)(2-8-2015)
Roush and AdvoCare to Bring Iconic #6 Back to Sprint Cup in 2015: Roush Fenway Racing has announced it will again field its iconic #6 Sprint Cup entry in the 2015 NASCAR season, with 2011 Daytona 500 winner Trevor Bayne piloting the car. The Ford Fusion will have full multi-year primary partnership from AdvoCare, which currently sponsors Bayne in the NASCAR Nationwide Series. "I'm both excited and humbled to be a part of bringing the #6 back to the NASCAR Sprint Cup Series," said Trevor Bayne. "And to be able to make that move with AdvoCare makes it that much more special. They are a true partner that aligns with my foundation and core values in every way. I know the history of the #6 and what it means to Jack (Roush) and the entire Roush Fenway organization and our goal is to continue to add to its rich legacy in the sport."
"There will always be a special place in my heart for the #6," said former Roush Fenway driver Mark Martin. "It's the number we used when Jack and I first went racing in 1988. There is so much history associated with that number and with the trials and successes that we went through as we helped build RFR into a premiere NASCAR team. I'm very proud of what we were able to accomplish during that time together; a part of me will always be the #6, and I'm happy to see it return with Jack, Trevor and AdvoCare next season."
"AdvoCare is excited to move to the Sprint Cup Series with Roush Fenway and Trevor next season," said Mike Vaught, AdvoCare director of sponsorships. "Roush Fenway is a great partner, and Trevor and his wife Ashton are great ambassadors for AdvoCare. We are looking forward to the #6 car racing in the Sprint Cup Series in 2015, carrying the AdvoCare colors.
The #6 was Roush Fenway's first NASCAR entry and served as the flagship team for the organization during its first 20 years. In 1988 when Jack Roush started what would become the winningest team in NASCAR history, he enlisted Martin - a young and hungry driver from Batesville, Ark. - to sit behind the wheel of his #6 Ford. Roush's attention to detail and commitment to winning, combined with Martin's unbridled desire to succeed would help the two forge one of the most successful combinations in NASCAR history. The duo combined for 35 wins and forever etched the number's historical significance in NASCAR history.
"That number brings back a lot of memories," said team owner Jack Roush. "It reminds me of all the battles we fought to get to where we are today; the victories and the defeats. Success in NASCAR does not come easy. It comes at a price and requires a great deal of passion, sacrifice, dedication and hard work. To me the #6 exemplifies all of that. It's been a goal of the organization to put the #6 back out there on track in the Sprint Cup Series and I'm pleased to have AdvoCare behind us as we make the move with Trevor to full-time Cup racing," added Roush. "AdvoCare is a first-class organization from top to bottom. They have been a great partner in the Nationwide Series and I'm confident they will be there with us step-by-step as we make the move up and put the #6 back on track on Sundays."
Bayne is no stranger to the NASCAR Sprint Cup Series or famous numbers, having competed part time in the series with the legendary Wood Brothers since 2010. Bayne drove the historic #21 into victory lane in the 2011 Daytona 500, in one of the most memorable moments in NASCAR history. "I am kind of getting used to filling big shoes," added Bayne. "Having driven the Wood Brothers #21 for the last few years in the Sprint Cup Series has been a great experience. I'll always hold special the opportunity to drive for the Wood Brothers. Those guys are true legends in the sport and I can't say enough about the unforgettable relationships I forged there and of course our huge win in the Daytona 500."(Roush Fenway Racing)(5-24-2014)
Martinsville Speedway
Martinsville, VA
NBCSN, 1:00pm/et
Motor Racing Network (MRN)
SiriusXM Radio Channel 90
Friday, October 28, 2016, 4:40pm/et
TV: NBCSN, October 28, 4:00pm/et
Live Radio online at motorracingnetwork.com
Happy Hour Practice:
Saturday, October 29, 2016, 12:00pm/et
TV: NBCSN 12:00pm/et
Born in OCTOBER
24 Dave Blaney, Jim France, Brian Vickers, Tracy Leslie, Jeff Price, Bill O'Dea, Andrew Turner, Patrick Lawler
25 Mike Hofmann, House, Ward Burton, Jon Wood, Ryan Preece, Taylor Lane Stricklin, Maggie Martin, Eric Maycroft
26 Jimmy Pardue
27 Anne B. France, Robin Miller, Dick Trickle, Tommy Baldwin Jr., Butch Hylton, Richard Brickhouse, Michael Lance
28 Joe Ruttman, Deborah Renshaw, Krissie Newman
29 Teresa Earnhardt, Chris Buescher, Billy Woodruff, Steadman Marlin, Joseph "Papa Joe" Hendrick, Bob Dotter, Coleman Dollarhide, Roseanne Adamczyk, Nicole Belber, Sandy Adamczyk
30 Linda Rudd, Al Pearce, Tony Bettenhausen Jr.
31 Rodger Brane, Mike Casto, Kip Childress
Born in NOVEMBER:
1 Jay Adamczyk, Joshua Marco, Doug Ingerson, Eric Vance, Larry Flynt
2 Larry Pearson
3 Derrike Cope, Tony Gibson, Bryan Mullett, Steve O'Donnell, Greg Sacks
4 Jason Bowles, Charley Pressley, Destinee Zastrow, Boone Stutz
5 Elton Sawyer Jr., Doug George
6 Bryan Reffner, Clay Rogers. Rodney Orr
7 Judy Allison, Matthew Bodine, Gilbert "Pops" Gentle, Andy Houston, Dick May, Cody Ware
8 Jason Burdett, Ed Berrier, Jim Inglebright, Teri MacDonald, John Bisci, Donny Lia, Ingrid Vandebosch, Joey Elliott
9 Rick Carelli, Nancy Sterling, Bill Kimm, John Holman, Ed Otto
10 U.S. Marines [1775], Britt Goodrich
11 Mike Hembree, Barry Bodine, Chris Horn, Rob Morgan, Loni Richardson
12 Ryan Buscaglio, Tom Ehret, Wally Dallenbach Sr., Larry Hedrick, Gene Haas
13 Drew Blickensderfer, Karen Friddell, Katie Wallace, Tim Kuhn, Jeff Hallowell
14 none
15 Gene Haas, H.B. Bailey, Steve Lane, Sean Cotten
Win a trip to the season-ending race at Homestead-Miami Speedway by cooking your chili in the Bush's Chili Beans Cook-Off [ends 10/22]
Win a 2016 Chevy Silverado or a trip to Las Vegas for Champion's Week [ends 10/24]
Win a meet and greet with Danica Patrick and be a part of her team[ends 11/1]
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text:
How 'The Dark Knight Rises' Should Have Ended
"How 'The Dark Knight Rises' Should Have Ended," by HISHE, is more like "Why 'The Dark Knight Rises' Sucks": the deep, growly Batman voice; the fact that everyone knows Batman's identity, no one shoots Bane when he's ripe for shooting, and Comm. Gordon sends all of Gotham's police force underground at the same time. Not to mention Talia's death, which has to be one of the lamest death scenes by an actress who's won an Academy Award. (Come on, Marion. It's time that we began to laugh and cry and cry and laugh about it all again.)
Here it is:
My own review of "Dark Knight Rises" raises similar, if less humorous points.
The Dark Knight Rises, Batman, HISHE, Christian Bale, Christopher Nolan, Joseph Gordon-Levitt, Marion Cotillard, Anne Hathaway
Posted at 10:38 AM on Sun. Aug 26, 2012 in category Batman
Posted at 10:38 AM on Sun. Aug 26, 2012 in category Batman
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Boil 1 tbsp. Korean ginseng – improves the function of sexual glands in men and women, used for impotence. Another consequence of crowding may be the absence of this close – after all, we all know about the negative effects of alcohol on male erection. Let your relationship is based on trust and understanding, but few people can like regular contemplation of his beloved, and even more beloved, not in the most sober and adequate condition. L.
? Pound onion seeds with honey 1:1, is 1 teaspoon three to four times a day. Parsley strengthens the urinary system, in the summer it should eat every day, and not once. Folk remedies to increase potency Traditional methods to increase potency not recommended for use as an independent method, but they can be a great addition to medicines. By results of researches of the American scientists in the area of sexuality, the time to achieve orgasm in men and women are different. Then pour it all into a saucepan.
Steep 10 minutes, strain. By results of researches of the American scientists in the area of sexuality, the time to achieve orgasm in men and women are different. Very well for potency helps freshly prepared with herbs tea: mint, St. The desired solution can be prepared in advance. Cooked strain the broth through a sieve and pour into a glass jar. These include: Horny goat weed Korotkova – contains icariin, which helps to cope with erectile dysfunction and is a natural analogue of viagra. It is a psychological and physiological deviations, and the manifestation of psychosomatic disorders. And one last caveat: it has been noticed that sex sober and slightly drunken varies; no need to enter the habit of making love with the person only after drinking a glass of the second, because after a while this practice you can be disappointed in such a relationship. But in addition to innate qualities, strength required and can be purchased, giving his life for more opportunities and confidence. and pour a glass of warm water.