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Hannah, Matthew (University of Oregon, February 23, 2016)[more][less]Peppis, Paul Hannah, Matthew 2016-02-24T00:07:51Z 2016-02-24T00:07:51Z 2016-02-23 http://hdl.handle.net/1794/19663 In "Patria Mia," his 1913 series of essays in New Age magazine, Ezra Pound uses a metaphor for modernist cultural production that informs and structures this dissertation. "If it lie within your desire to promote the arts," he writes, "you must not only subsidize the man with work still in him, but you must gather such dynamic particles together; you must set them where they will interact, and stimulate each other." Salon hostess Mabel Dodge Luhan, in Movers and Shakers, announces a similar transformation in interpersonal relations: "Looking back on it now, it seems as though everywhere, in that year of 1913 . . . there were all sorts of new ways to communicate, as well as new communications." I argue that these new forms of communication and interaction described by Pound and Dodge not only characterize the early twentieth century but also empower transnational experiments in literature, art, and politics that we now call "modernism." Because of dramatic and wide-ranging developments in communications and travel technologies, modernists in the early years of the twentieth century cooperated and communicated regarding their experiments in new dynamic ways that make modernism an especially collaborative project. Before the Great War casts a dark shadow over the promises of modernity, editors, writers, artists, political radicals, hostesses, and intellectuals met in small private salons, published in alternative periodicals, and joined avant-garde movements. Reading these collaborative events illuminates the interactivity that crystallizes modernism as a cultural mode of production. To analyze collaborations in the development of modernism, I construct network graphs that visualize the webs of interaction I study. Rather than rely solely on diachronic readings of modernist texts, these visualizations provide a synchronic model for modernist cultural production as simultaneous connections, constituting a modernist totality. To analyze these network graphs, I apply concepts from network theory and sociology, two disciplines that begin in the modernist moment. Thus, this dissertation is both a theory of cultural production and an effect of that cultural production. The network is itself a modernist concept. en_US University of Oregon All Rights Reserved. Cultural Studies Digital Humanities Literary Theory Modernism Network Theory Sociology of Culture Networks of Modernism: Toward a Theory of Cultural Production Electronic Thesis or Dissertation Ph.D. doctoral Department of English University of Oregon
Dobler, Robert (University of Oregon, September 29, 2014)[more][less]Wojcik, Daniel Dobler, Robert 2014-09-29T17:53:25Z 2014-09-29 http://hdl.handle.net/1794/18430 The experiences of grief and mourning in response to loss are fundamentally transformative to the self-identity of the mourner, necessitating an array of ritualized behaviors at the communal and individual levels. These rituals of mourning both create a space in which this transformation may take place and provide the structure that can direct that transformation. My focus is on historical and emerging forms of vernacular commemoration, by which I refer to material forms that are created by, acted upon, or in other ways utilized by a person experiencing grief in the service of regaining a sense of stability in the aftermath of loss. The re-integration of the bereaved, through mourning, back into society in new relation with the departed is often assisted by these vernacular memorial forms. My analysis focuses on three specific forms of commemoration: spirit photographs, ghost bikes, and memorial tattoos. These are vernacular forms of expression in the sense that they have emerged from and cater to individual needs and desires that are not satisfied by the more official and uniform materials and processes of mourning, such as the funeral service and subsequent visits to a gravesite or contemplation of an ash-filled urn. The power of these memorial forms rests in the adaptive and restorative abilities of memory to retain the lost relationship and to pull it forward and reconstitute it in a changed state as enduring and continuing into the future. When faced with the sudden death of a loved one, the traditional rituals that surround modern death may seem too rigid and homogenized to satisfy the wide array of emotions demanding attention in the bereaved. This is where the vernacular rituals and new forms of commemoration discussed in this dissertation spring up and make themselves known. Highly individual, yet often publicly and politically motivated, these new American ways of interpreting death and performing mourning represent the changing needs of contemporary mourners. As death has become increasingly hidden away and discussion of it rendered taboo, the need for personal and direct interaction with the processes of grief and mourning have become more and more important. en_US University of Oregon All Rights Reserved. Commemoration Folk Art Folk Belief Grief Mourning New American Ways of Death: Anxiety, Mourning, and Commemoration in American Culture Electronic Thesis or Dissertation 2016-09-29 Ph.D. doctoral Department of English University of Oregon
Vasavada, Megan (University of Oregon, October 3, 2013)[more][less]Spillman, Deborah Vasavada, Megan 2013-10-03T23:31:47Z 2013-10-03T23:31:47Z 2013-10-03 http://hdl.handle.net/1794/13240 This dissertation draws on studies of gift exchange by cultural anthropologists and social theorists to examine representations of gifts and gift giving in nineteenth-century British novels. While most studies of the economic imagination of nineteenth-century literature rely on and respond to a framework formulated by classical political economy and consequently overlook nonmarket forms of social exchange, I draw on gift theory in order to make visible the alternate, everyday exchanges shaping social relations and identity within the English novel. By analyzing formal and thematic representations of gifting over the course of the nineteenth century, in novels by Jane Austen, Charles Dickens, and George Eliot, I consider the way that gift exchange relates and responds to the emergence of capitalism and consumer culture. I trace two distinct developments in nineteenth-century gift culture: the first, the emergence of an idealized view of the gift as purely disinterested, spontaneous, and free, and the second, the emergence of a view of charity as demoralizing to the poor. These developments, I contend, were distinct ideological formations of liberal economic society and reveal a desire to make the gift conform to individualism. However, I suggest further that these transformations of the gift proceeded unevenly, for in their attention to the logic and practice of giving, nineteenth-century writers both give voice to and subvert these cultural formations. Alongside the figure of the benevolent philanthropist, the demoralized pauper, and the quintessential image of altruism, the selflessly giving domestic woman, nineteenth-century novels present another view of gift exchange, one that sees the gift as a mix of interest and disinterest, freedom and obligation, and persons and things. Ultimately, by reading the gift relations animating nineteenth-century novels, I draw attention to the competing conceptions of selfhood underlying gift and market forms of exchange in order to offer a broader history of exchange and personhood. In its recognition of expansive conceptions of the self and obligatory gifts, this dissertation recovers a history of the gift that calls into question the ascendency of the autonomous individual and the view of exchange as an anonymous, self-interested transaction. en_US University of Oregon All Rights Reserved. Austen Jane Dickens Charles Eliot George Gift exchange Nineteenth-century British Novel Novel Gifts: The Form and Function of Gift Exchange in Nineteenth-century England Electronic Thesis or Dissertation Ph.D. doctoral Department of English University of Oregon
Miles, Martina (University of Oregon, August 18, 2015)[more][less]Wheeler, Elizabeth Miles, Martina 2015-08-18T23:03:32Z 2015-08-18T23:03:32Z 2015-08-18 http://hdl.handle.net/1794/19261 Pain is a physical experience that is often imbued with metaphorical significance. Understanding better how pain operates as a cultural signifier can reveal assumptions about the status of different bodies and subjects. Even though pain is a nearly universal phenomenon, there is currently a dearth of sustained inquiry into pain as a literary, physical, and social phenomenon. What critical analysis there is about pain often metaphorizes the experience and forgets the lived, material realities of pain. At the same time, pain is a factor in virtually all cultural and social interactions, influencing everything from medical care to community acceptance. Thus, uncovering the functions of pain is a necessity. This dissertation reads for the ways pain forges intercorporeal relationships between bodies through the process of co-suffering, offering a new way of looking at the grotesque body. Using examples from a broad range of science fiction texts, from popular non-fiction science writing to superhero comics to novels to television, this dissertation explores the various ways that normative and non-normative pain response is witnessed and perceived. Putting forth a theory of co-suffering as a form of attention to and embodied translation of pain language, this dissertation examines the various ways in which listening to the voice of pain creates intercorporeal kinship between bodies. Through this kinship, bodies become subjects and gain access to community. Ultimately, this dissertation shows that, while pain can foster such kinship, predictable and standard pain responses are necessary for creating co-suffering. Thus co-suffering can be emancipatory, as it helps marginalized bodies gain subjectivity, but it can also be a way for cultures to enforce rigid behaviors on subjects, as it requires that bodies conform to those standard pain responses. en_US University of Oregon All Rights Reserved. Disability Pain Science Fiction Pain in Parallel Places: Interventions in Disability Studies and Science Fiction Electronic Thesis or Dissertation Ph.D. doctoral Department of English University of Oregon
Howard, Robert Glenn (University of Oregon, 2001)[more][less]Howard, Robert Glenn 2008-02-10T03:23:08Z 2008-02-10T03:23:08Z 2001 0-493-36010-7 http://hdl.handle.net/1794/149 Adviser: Daniel Wojcik. xiii, 299 leaves A print copy of this title is available through the UO Libraries under the call number: KNIGHT BL37 .H69 2001 Since the advent of the public World-Wide-Web in 1992, networked computer communication has rapidly become integral to the daily lives of many North Americans. Many researchers in the humanities and social sciences debate the potential power and nature of the effects of these new forms of communication. Some scholars see dangers in the changing forms of "media literacy," but others see the Internet engendering new levels of democratic debate at grassroots and personal levels. However, much of this research still lacks the basic methodological rigor necessary to make reasonable claims about actual individual human communicative behavior on the Internet. By melding the behavioral ethnographic methods of folklore studies and socio-linguistics to postmodern methods of rhetorical analysis, this dissertation explores the general hypothesis that Internet media encourage the use of negotiative rhetorical strategies in the everyday expression of vernacular religious belief. By participating in the specific Christian Fundamentalist discourse known as Dispensationalism, this dissertation establishes methods for locating and classifying particular Internet expressions based on their revelatory, experiential, and/or negotiative rhetorical strategies. The hypothesis is explored through a series of five cases related to Protestant Dispensationalism: early American Puritan and Quaker autobiography, 1994 and 1995 Christian e-mail lists, the 1996 and 1997 e-mail campaign of the "Heaven's Gate" religious group, and 1999 and 2000 amateur Dispensationalist web-site builders. Based on e-mail, web-site, questionnaire, and face-to-face interview data, the results of this research have shown that the hypothesis overestimated the power of the Internet to encourage negotiative attitudes in deeply religious individuals. Although the Internet expressions of belief seem to have taken on a style of negotiation, little actual negotiation about religious beliefs or values occurred on the Internet among those documented. Instead, there was a constant exchange of similar ideas which seem to primarily function as attitudinal posturing. Though strong positions were taken and expressed to large and diverse audiences, only a very few individuals were willing to adjust their previously held beliefs as a result of their experiences with Internet communication. 16056809 bytes 1473 bytes 621373 bytes application/pdf text/plain text/plain en_US University of Oregon University of Oregon theses, Dept. of English, Ph. D., 2001 Internet -- Religious aspects Religion -- Computer network resources Dispensationalism Passages divinely lit : revelatory vernacular rhetoric on the Internet Thesis
The Pen, the Scaffold, and the Sword: Representations of Labor and Class Conflict in American Historical Fiction After 1945Henson, Nicholas Allan (University of Oregon, 2012)[more][less]Henson, Nicholas Allan 2012-10-26T18:35:26Z 2012-10-26T18:35:26Z 2012 http://hdl.handle.net/1794/12478 279 pages The Pen, the Scaffold, and the Sword traces sympathetic representations of class, labor, and radicalism in American literature from post-war modernism through the rise of postmodernism. I investigate two distinct but interrelated questions: How have authors writing after 1945 used history to represent labor and radicalism in their work? Furthermore, how have these historical representations explored avenues for resistance by exploited workers and their supporters? I use critical approaches to postmodern literature that have emphasized the proliferation of previously unheard narratives focused on race, gender, and sexuality as they are presented against dominant white male representations. However, I turn to class and labor as complementary avenues for critically investigating similar unheard historical narratives. I argue that by depicting specific labor conflicts each of these texts present counter histories to standard or popular historical narratives that have ignored the breadth and importance of class conflict in U.S. history. These texts retell the stories of historic labor struggles to rejuvenate an awareness of class and labor issues in contemporary readers. In doing so, they establish counter narratives meant to be read against common conceptions of the past. I contend they change reader perceptions of history and contemporary social and political issues by demanding we abandon totalizing conceptions of history and emphasize contingent or limited representations instead. Chapter I establishes the parameters of the project. Chapter II turns toWallace Stegner's Joe Hill (1951) and its often ignored sympathetic portrayal of labor. Chapter III focuses on the 1954 film Salt of the Earth and its communication of historical lessons as a basis for future social reforms. Chapter IV compares Denise Giardina's coal mining novels Storming Heaven (1987) and The Unquiet Earth (1990) with Upton Sinclair's work in King Coal (1917) to examine the former's emphasis on agency and environmentalism. Chapter V compares Thomas Pynchon's exploration of history through the motifs of the frontier and families in Against the Day (2006) and Vineland (1990) with Owen Wister's work in The Virginian (1902). Finally, Chapter VI examines historical fiction in the age of postmodernism though an examination of E.L. Doctorow's Ragtime (1974). Committee in charge: Elizabeth Wheeler, Chair; Forest Pyle, Member; Suzanne Clark, Member; James Earl, Member; Daniel Pope, Outside Member en_US University of Oregon University of Oregon theses, Dept. of English, Ph. D., 2012; rights_reserved The Pen, the Scaffold, and the Sword: Representations of Labor and Class Conflict in American Historical Fiction After 1945 Thesis
Luttrell, Eric G. (University of Oregon, September , 2011)[more][less]Luttrell, Eric G. 2012-03-28T00:07:43Z 2012-03-28T00:07:43Z 2011-09 http://hdl.handle.net/1794/12089 xi, 266 p. This dissertation employs recent developments in the cognitive sciences to explicate competing social and religious undercurrents in Beowulf. An enduring scholarly debate has attributed the poem's origins to, variously, Christian or polytheistic worldviews. Rather than approaching the subject with inherited terms which originated in Judeo-Christian assumptions of religious identity, we may distinguish two incongruous ways of conceiving of agency, both human and divine, underlying the conventional designations of pagan and Christian. One of these, the poly-agent schema, requires a complex understanding of the motivations and limitations of all sentient individuals as causal agents with their own internal mental complexities. The other, the omni-agent schema, centralizes original agency in the figure of an omnipotent and omnipresent God and simplifies explanations of social interactions. In this concept, any individual's potential for intentional agency is limited to subordination or resistance to the will of God. The omni-agent schema relies on social categorization to understand behavior of others, whereas the poly-agent schema tracks individual minds, their intentions, and potential actions. Whereas medieval Christian narratives, such as Bede's Life of St. Cuthbert and Augustine's Confessions, depend on the omni-agent schema, Beowulf relies more heavily on the poly-agent schema, which it shares with Classical and Norse myths, epics, and sagas. While this does not prove that the poem originated before the conversion of the Anglo-Saxons, it suggests that the poem was able to preserve an older social schema which would have been discouraged in post-conversion cultures were it not for a number of passages in the poem which affirmed conventional Christian theology. These theological asides describe an omni-agent schema in abstract terms, though they accord poorly with the representations of character thought and action within the poem. This minimal affirmation of a newer model of social interaction may have enabled the poem's preservation on parchment in an age characterized by the condemnation, and often violent suppression, of non-Christian beliefs. These affirmations do not, however, tell the whole story. Committee in charge: James W. Earl, Chairperson; Louise Westling, Member; Lisa Freinkel, Member; Mark Johnson, Outside Member en_US University of Oregon University of Oregon theses, Dept. of English, Ph. D., 2011; rights_reserved Medieval literature British and Irish literature Comparative Philosophy, religion and theology Language, literature and linguistics Pagan Beowulf Cognition Monotheism Polytheism Religion Persistent Mythologies: A Cognitive Approach to Beowulf and the Pagan Question Cognitive Approach to Beowulf and the Pagan Question Thesis
Asay, Timothy (University of Oregon, January 14, 2015)[more][less]Ginsberg, Warren Asay, Timothy 2015-01-14T15:58:03Z 2015-01-14T15:58:03Z 2015-01-14 http://hdl.handle.net/1794/18728 When an author produces a frame narrative, she simultaneously makes language both a represented object and a representing agent; when we imagine framed speech, we imagine both the scene its words represent and a mouth that speaks those words. Framed language is thus perfectly mimetic: the words we imagine being spoken within the fictional world are the same we use to effect that fiction's representation. Since its first function is to represent itself, the framed word acts both to push us out of the frame into our own temporality and to draw us into fictional times and spaces. This dissertation explores how first Dante and subsequently his successors, Boccaccio and Chaucer, deploy this structural feature of frames to engage difficult philosophical and theological disputes of their age. In the Divine Comedy, framed language allows Dante to approach the perfect presence of God without transgressing into a spatial conception of the divine. Intensifying Dante's procedure in his House of Fame, Chaucer forecloses the possibility of representation; he transforms every speech act into an image of its utterer rather than its referent, thus violently thrusting us back into the time we pass as we read. Boccaccio--first in his Ameto then in the Decameron--eschews this framed temporality in favor of the temporality of the fetish: while his narratives threaten to dissolve into their basic linguistic matters, the erotic energy of the people that populate those narratives forces them to cohere as fully imagined spaces and times. Finally the Chaucer who writes the Canterbury Tales fuses his initial reading of Dante with Boccaccio's response to it; he constructs the Canterbury pilgrims as grotesques who each open up a limited angle of vision on the time and space they collectively inhabit. These angles overlap and stutter over one another, unsettling the easy assignations of identity any given pilgrim would enforce on a tale or agent within the narrative. In doing so, Chaucer makes the temporality within his Tales strange and poignant in a way that fully mimics our own experience of extra-narrative time. en_US University of Oregon All Rights Reserved. Boccaccio Chaucer Dante Frame Narrative Phenomenology Time The Phenomenology of Frames in Chaucer, Dante and Boccaccio Electronic Thesis or Dissertation Ph.D. doctoral Department of English University of Oregon
Norton, Steven (University of Oregon, February 23, 2016)[more][less]Gopal, Sangita Norton, Steven 2016-02-24T00:15:02Z 2016-02-24T00:15:02Z 2016-02-23 http://hdl.handle.net/1794/19678 This dissertation is a postcolonial analysis of four films: The Gods Must Be Crazy (1980), Dances with Wolves (1990), The Last Samurai (2003), and Avatar (2009). While previous scholarship has identified the Eurocentric worldview of early 20th-century ethnographic film, no book-length work has analyzed the time consciousness of turn-of-the-21st century films that feature portrayals of the colonial encounter. By harmonizing film theory with postcolonial theory, this dissertation explores how contemporary films reiterate colonial models of time in ways which validate colonial aggression. This dissertation concludes that the aesthetics of contemporary popular cinema collude with colonial models of time in such a way as to privilege whiteness vis-à-vis constructions of a primitive other. Contemporary primitivism works through the legacy of classical Hollywood style, nostalgia for the western film, the omnipotence of the white male gaze, and a reverence for technology. en_US University of Oregon All Rights Reserved. Avatar Cinema Masculinity Postcolonial Time Primitivism and Contemporary Popular Cinema Electronic Thesis or Dissertation Ph.D. doctoral Department of English University of Oregon
Rondot, Sarah Ray (University of Oregon, February 23, 2016)[more][less]Hames-Garcia, Michael Rondot, Sarah Ray 2016-02-24T00:08:13Z 2016-02-24T00:08:13Z 2016-02-23 http://hdl.handle.net/1794/19664 This dissertation explores how life narratives created by trans*-identified people (transsexual, transgender, genderqueer, and other non-binary identities included in the term's asterisk) imagine new categories by re-working familiar stories; trans* life narratives are thus indispensable for comprehending how gender, identity, and self shape each other across social contexts in relation to dominant cultural narratives and embedded epistemologies. Prevailing U.S. ideologies (created and maintained through medical and media discourses) conceive of trans* identity through a binary formation, reinforce trans* people as objects who exist for nontrans* consumers, and rationalize trans* people as trapped within improper bodies or liberated within surgically constructed new ones. In opposition, twenty-first century narratives by filmmakers Jules Rosskam and Gwen Tara Haworth, autobiographers Jennifer Finley Boylan and Alex Drummond and YouTube digital storytellers Ky Ford and Skylar Kergil imagine trans* identity as productive – the goal is not to explain or justify gender diversity but to embrace it and to continue to widen its collective scope. The twenty-first century narratives I analyze reconceptualize trans* identity as viable with or without medical intervention and articulate a whole, continuous subject rather than a subject split between pre- and post-transition. Evoking a new historical moment, these life writers and media producers celebrate their identity in spite of or even because of the transphobia they experience. In so doing, radical trans* life narratives exemplify how medical models and popular media fail those who they purport to protect and represent. Gender is an identity as well as a social and historical process, which is constantly open to investigation. If laying claim to an identity makes subjects, as Michel Foucault argues, the process also occurs bi-directionally: identities come into existence through the act of naming and narrating them. As more individuals articulate what it means to be trans*, personal and collective knowledges will expand to include a range of diverse subjectivities, some of which have yet to be narrated into existence. en_US University of Oregon All Rights Reserved. Autobiography Digital Storytelling Documentary Histories of Medicine Trans* Transgender Radical Epistemologies in Twenty-First Century Trans* Life Narratives Electronic Thesis or Dissertation Ph.D. doctoral Department of English University of Oregon
Wardell, Kathryn Brenna (University of Oregon, June , 2010)[more][less]Wardell, Kathryn Brenna 2011-07-28T17:02:50Z 2011-07-28T17:02:50Z 2010-06 http://hdl.handle.net/1794/11457 viii, 261 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. My dissertation analyzes the rake, the libertine male, a figure whose liminal masculinity and transgressive appetites work both to stabilize and unsettle hegemony in the texts in which he appears. The rake may seem no more than a sexy bad boy, unconnected to wider social, political, and economic concerns. However, my project reveals his central role in reflecting, even shaping, anxieties and desires regarding gender and sexuality, race and ethnicity. I chart the rake's progress from his origins in the Restoration era to the early twenty-first century. Chapter II examines William Wycherley's comedy The Country Wife in concert with John Dryden's Marriage à la Mode and Aphra Behn's The Rover to analyze the rake's emergence in seventeenth-century theatre and show that his transgression of borders real and figurative plays out the anxieties and aspirations of an emerging British empire. Chapter III uses John Gay's ballad opera The Beggar's Opera, a satiric interrogation of consumerism and criminality, to chart the rake in eighteenth-century British theatre as Britain's investment in global capitalism and imperialism increased. My discussion of Opera is framed by Richard Steele's early-century sentimental comedy The Conscious Lovers and Hannah Cowley's late-century The Belle's Stratagem, a fusion of sentiment and wit. Chapter IV hinges the project's theatre and film sections, analyzing Oscar Wilde's fin-de-siècle comedy The Importance of Being Earnest as a culmination of generations of theatre rakes and an anticipation of the film rakes of the modern and post-modern eras. Dion Boucicault's mid-century London Assurance is used to set up Wilde's queering of the rake figure Chapter V brings the rake to a new medium, film, and a new nation, the United States, as the figure catalyzes American tension over race and gender in early twentieth-century films such as Cecil B. DeMille's The Cheat, George Melford's The Sheik, and Ernest Lubitsch's Trouble in Paradise. My final chapter reads contemporary films, including Jenniphr Goodman's The Tao of Steve, Chris Weitz and Paul Weitz's About a Boy, and Gore Verbinski's trilogy Pirates of the Caribbean for Disney Studios, to assess the ways in which millennial western masculinity is in stasis. Committee in charge: Dianne Dugaw, Co-Chair; Priscilla Ovalle, Co-Chair; Kathleen Karlyn; John Schmor en_US University of Oregon University of Oregon theses, Dept. of English, Ph. D., 2010; Rake Film Gender Men Restoration Homoerotic Masculinity Theater British and Irish literature Gender studies Film studies British and Irish literature Masculinity in literature Masculinity in motion pictures English drama -- History and criticism English literature -- Themes, motives Masculinity -- History The rake's progress: Masculinities on stage and screen Masculinities on stage and screen Thesis
Jacobs, Bethany (University of Oregon, January 14, 2015)[more][less]Thorsson, Courtney Jacobs, Bethany 2015-01-14T15:55:38Z 2015-01-14 http://hdl.handle.net/1794/18699 In this dissertation I argue that despite the liberatory promises of mid-century American social justice movements, women's literature in the late 20th and early 21st centuries treats motherhood as a dystopic and economically marginalized subject position. In genres as disparate as science fiction and gang narrative, authors Octavia Butler, Yxta Maya Murray and Suzanne Collins engage problematic ideologies of maternal love, asserting, through their renderings of fictional maternal characters, that mothers are powerless in contemporary society. This pessimism contrasts with the view of woman of color (WOC) feminist writers of the 1980s, who participated in social justice movements by asserting their own politics and including mothers in their liberatory vision. Audre Lorde's biomythography Zami (1982) is emblematic of their optimism, which imagines a regenerative possibility for mothers. I begin this dissertation with an exploration of Zami in order to ask how and why later texts appear to unwrite this transformative potential of the maternal as envisioned by earlier WOC feminists. Thus, Lorde serves as a lens through which I examine the increasingly despairing attitude of women writers toward the maternal. I argue that the shared focus on the maternal among such dissimilar writers demonstrates that in American women's writing, mothers are a crucial literary subject across sexual, gendered, racial and ethnic lines. By drawing on critical race theory, WOC feminism, queer theory, and maternal theory to examine interlocking formal and thematic elements--unreliable narrators who sanctify motherhood, reworking of the sentimental, the ironic use of both saintly and devouring mothers--I expose writers' dystopic reworking of the meanings of motherhood. The breadth of texts I read prompts an interdisciplinary approach, with close attention to socio-historical context; thus reading Butler's ironic black superwoman in Lilith's Brood gains coherence when placed in the light of 1960s Black Nationalism, which traded on the trope of a Black Matriarch in order to blame women for black social ills. I argue that maternal oppression is essential to the nature of women's identity in contemporary American women's literature, wherein being human for women includes the expectation to be a mother, in often brutally oppressive contexts. en_US University of Oregon All Rights Reserved. critical race theory gender studies maternal studies Refusing Mothers: The Dystopic Maternal in Contemporary American Women's Literature Electronic Thesis or Dissertation 10000-01-01 Ph.D. doctoral Department of English University of Oregon
Hayt, Anthony (University of Oregon, June 17, 2014)[more][less]Karlyn, Kathleen Hayt, Anthony 2014-06-17T19:44:50Z 2014-06-17T19:44:50Z 2014-06-17 http://hdl.handle.net/1794/17925 This project details the ways in which the classic slasher films of the 1970s, and their post-9/11 remakes, are representative of the individual and complex world views out of which each set of films were borne. The remakes manipulate gender roles including those of the Final Girl and the mother; genre conventions, including increases in domestic melodrama and pathos; production models, including the use of star actors, directors, and producers; sexuality and presentation of the sexualized female body; and race, especially in fine differences between white and non-white characters. In doing so, the post-9/11 films reveal a conservative cultural climate that strives to show recovery of the nuclear family unit after trauma, unlike the originals which are more nihilistic in tone and portray families as either absent or deeply flawed and unrecoverable. en_US University of Oregon All Rights Reserved. Feminism Horror Film Melodrama Motherhood Remakes Slashers Remade in Our Image: Gender, Melodrama, and Conservatism in Post-9/11 Slasher Remakes Electronic Thesis or Dissertation Ph.D. doctoral Department of English University of Oregon
Spann, Britta, 1979- (University of Oregon, September , 2009)[more][less]Spann, Britta, 1979- 2010-05-10T21:59:14Z 2010-05-10T21:59:14Z 2009-09 http://hdl.handle.net/1794/10356 ix, 267 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. In English literary studies, classical epic poetry is typically regarded as a masculinist genre that imparts and reinforces the values of dominant culture. The Iliad , Odyssey , and Aeneid , after all, were written by men, feature male heroes, and recount the violent events that gave rise to the misogynistic societies of ancient Greece and Rome. Yet, in the twentieth century, women poets have found inspiration for their feminist projects in these ostensibly masculinist poems. The four poets in this study, for example, have drawn from the work of Homer and Virgil to criticize the ways that conventional conceptions of gender identity have impaired both men and women. One might expect, and indeed, most critics argue, that women like H.D., Gwendolyn Brooks, Louise Glück, and Anne Carson invoke their classical predecessors only to reject them and the repressive values that they represent. Close readings of these poets' work, however, demonstrate that, far from dismissing the ancient poems, Helen in Egypt , Annie Allen , Meadowlands , and Autobiography of Red are deeply invested in them, finding in them models for their own social critiques. The work of these four poets emphasizes that the classical epics are not one-dimensional celebrations of violence and traditional masculinity. Indeed, the work of Homer and Virgil expresses anxiety about the misogynistic values of the heroic code to which its warriors adhere, and it urges that war and violence are antithetical to civilized society. In examining the ways that modern women poets have drawn from these facets of the ancient works to condemn the sexism, racism, and heterocentrism of contemporary culture, my dissertation seeks to challenge the characterization of classical epic that prevails in English literary studies and to assert the necessity of understanding the complexity of the ancient texts that inspire modern poets. Taking an intertextual approach, I hope to show that close readings of the classical epics facilitate our understanding of how and why modern women have engaged the work of their ancient predecessors and that this knowledge, in turn, emphasizes that the epic genre is more complex than we have recognized and that its tradition still flourishes. Committee in charge: Karen Ford, Chairperson, English; Paul Peppis, Member, English; Steven Shankman, Member, English; P. Lowell Bowditch, Outside Member, Classics en_US University of Oregon University of Oregon theses, Dept. of English, Ph. D., 2009; H. D. (Hilda Doolittle), 1886-1961 Carson, Anne, 1950- Brooks, Gwendolyn, 1917-2000 Gluck, Louise, 1943- Classical tradition Epic tradition North American Women Classical studies Canadian literature American literature Gender identity in literature Reviving kalliope: Four North American women and the epic tradition Thesis
Sipley, Tristan Hardy, 1980- (University of Oregon, June , 2010)[more][less]Sipley, Tristan Hardy, 1980- 2010-12-22T01:18:26Z 2010-12-22T01:18:26Z 2010-06 http://hdl.handle.net/1794/10911 x, 255 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. This dissertation examines transatlantic, and especially American, literary responses to urban and industrial change from the 1840s through the 1930s. It combines cultural materialist theory with environmental history in order to investigate the interrelationship of literature, economy, and biophysical systems. In lieu of a traditional ecocritical focus on wilderness preservation and the accompanying literary mode of nature writing, I bring attention to reforms of the "built environment" and to the related category of social problem fiction, including narratives of documentary realism, urban naturalism, and politically-oriented utopianism. The novels and short stories of Charles Dickens, Herman Melville, Rebecca Harding Davis, Charlotte Perkins Gilman, Upton Sinclair, and Mike Gold offer an alternative history of environmental writing, one that foregrounds the interaction between nature and labor. Through a strategy of "literal reading" I connect the representation of particular environments in the work of these authors to the historical situation of actual spaces, including the western Massachusetts forest of Melville's "Tartarus of Maids," the Virginia factory town of Davis's Iron Mills, the Midwestern hinterland of Sinclair's The Jungle, and the New York City ghetto of Gold's Jews without Money. Even as these texts foreground the class basis of environmental hazard, they simultaneously display an ambivalence toward the physical world, wavering between pastoral celebrations and gothic vilifications of nature, and condemning ecological destruction even as they naturalize the very socio-economic forces responsible for such calamity. Following Raymond Williams, I argue that these contradictory treatments of nature have a basis in the historical relationship between capitalist society and the material world. Fiction struggles to contain or resolve its implication in the very culture that destroys the land base it celebrates. Thus, the formal fissures and the anxious eruptions of nature in fiction relate dialectically to the contradictory position of the ecosystem itself within the regime of industrial capital. However, for all of this ambivalence, transatlantic social reform fiction of the late-nineteenth and early-twentieth century provides a model for an environmentally-oriented critical realist aesthetic, an aesthetic that retains suspicion toward representational transparency, and yet simultaneously asserts the didactic, ethical, and political functions of literature. Committee in charge: William Rossi, Chairperson, English; Henry Wonham, Member, English; Enrique Lima, Member, English; Louise Westling, Member, English; John Foster, Outside Member, Sociology en_US University of Oregon University of Oregon theses, Dept. of English, Ph. D., 2010; Capital Built environment Ecocriticism Marxism Realism and naturalism Fiction Urban space Transatlantic studies Modern literature Environmental studies American literature -- History and criticism British literature -- History and criticism Irish literature -- History and criticism Second nature: Literature, capital and the built environment, 1848--1938 Literature, capital and the built environment, 1848--1938 Thesis
Hart, Hilary, 1969- (University of Oregon, March , 2004)[more][less]Hart, Hilary, 1969- 2008-02-10T03:22:56Z 2008-02-10T03:22:56Z 2004-03 http://hdl.handle.net/1794/297 Advisor: Mary E. Wood. xii, 181 leaves : ill. ; 29 cm. Print copy also available for check out and consultation in the University of Oregon's library under the call number: PS374.S714 H37 2004. The nineteenth-century American sentimental novel has only in the last twenty years received consideration from the academy as a legitimate literary tradition. During that time feminist scholars have argued that sentimental novels performed important cultural work and represent an important literary tradition. This dissertation contributes to the scholarship by placing the sentimental novel within a larger context of intellectual history as a tradition that draws upon theoretical sources and is a source itself for later cultural developments. In examining a variety of sentimental novels, I establish the moral sense philosophy as the theoretical basis of the sentimental novel's pathetic appeals and its theories of sociability and justice. The dissertation also addresses the aesthetic features of the sentimental novel and demonstrates again the tradition's connection to moral sense philosophy but within the context of the American elocution revolution. I look at natural language theory to render more legible the moments of emotional spectacle that are the signature of sentimental aesthetics. The second half of the dissertation demonstrates a connection between the sentimental novel and silent film. Both mediums rely on a common aesthetic storehouse for signifying emotions. The last two chapters of the dissertation compare silent film performance with emotional displays in the sentimental novel and in elocution and acting manuals. I also demonstrate that the films of D. W. Griffith, especially The Birth of a Nation, draw upon on the larger conventions of the sentimental novel. 6583129 bytes 2272 bytes 255584 bytes 8801 bytes application/pdf text/plain text/plain text/plain en_US University of Oregon University of Oregon theses, Dept. of English, Ph. D., 2004; Griffith, D. W. (David Wark), 1875-1948 -- Criticism and interpretation Stowe, Harriet Beecher, 1811-1896 -- Criticism and interpretation American fiction -- 19th century -- History and criticism American literature -- Women authors -- History and criticism Women and literature -- United States -- 19th century Sentimentalism in literature Rhetoric -- Study and teaching -- History Speech -- Study and teaching -- History Motion picture acting Silent films -- United States -- History and criticism Sympathy in literature Emotion in literature Race in literature Sentimental spectacles : the sentimental novel, natural language, and early film performance Thesis
Nicholl, Kaila (University of Oregon, 2012)[more][less]Pyle, Forest Nicholl, Kaila Nicholl, Kaila 2012-12-07T23:10:21Z 2012-12-07T23:10:21Z 2012 http://hdl.handle.net/1794/12504 I explore Wordsworth and Byron's use of a mediating "other Being," or a third-person narrative voice, that functions as a "guide" through their autobiographical texts. After establishing this poetic voice, both poets employ their "other Being" to navigate spaces of ruin. Founded on fragments of memory and experience, as well as mediatory gaps, the poetry of Wordsworth and Byron illuminates the autobiographical poet's struggle with textual self-representation and the sustention of a poetic subjectivity that often substitutes for the poet's own. Through the rhetorical device of prosopopoeia, Wordsworth and Byron find distinct ways to create a voice that will continue to "speak" for them in the lines of their text. While The Ruined Cottage represents a version of Wordsworth's understanding of breakdowns and poetic subjectivity, Byron's Childe Harold's Pilgrimage III and IV push Wordsworth's boundaries even to their limits and turn the autobiographical "other Being" into a "tyrant spirit." en_US University of Oregon All Rights Reserved. Lord Byron William Wordsworth Some Other Being: The Autobiographical Phantom in Wordsworth and Byron Electronic Thesis or Dissertation
Evans, Meagan (University of Oregon, July 11, 2013)[more][less]Ford, Karen Evans, Meagan 2013-07-11T19:57:27Z 2013-07-11T19:57:27Z 2013-07-11 http://hdl.handle.net/1794/12946 Traditional feminist readings have valued women's writing that voices silenced experiences. In contrast, other twentieth-century theoretical formulations regard absences, refusals, and silences as constitutive of aesthetic practice rather than as imposed upon it. This dissertation attends carefully to how U.S. women writers approach the nonlinguistic, accounting for how they have been silenced as well as for the kinds of silencing that women poets themselves perform. It argues that U.S. women's experimental poetry is driven by contradictory relationships to language and silence: in one strain, gendered cultural repression spurs American women poets to push language into new territory, often figured as speaking out. But in another mode, female identification with the nonrational or nonlinguistic, whether externally enforced or strategically inhabited, impels women to develop poetic silences in order to resist the impositions of language on a feminized other. Meeting these simultaneous and opposed goals--creating poetic forms capable of greater expressive range while signaling the inadequacy of linguistic expression--necessitates formal experimentation. My primary claim that an unresolved ambivalence toward the nonlinguistic drives innovation dictates an emphasis on formal technique, including syntax, rhyme and meter, sentence and stanza structure, and figuration. This attention to poetic particulars grounds my contextualization of the work of each poet I consider--Emily Dickinson, Lorine Niedecker, and Gwendolyn Brooks--in relation to her own life, to broader literary and cultural histories, and to poststructuralist theories of language. The first chapter of my dissertation explores the role that early American, particularly Puritan and Transcendental, attitudes toward wilderness shape poetic motivations both to extend and limit the reach of language throughout the nineteenth and twentieth centuries. In subsequent chapters, I evaluate how those motivations change in the context of Dickinson's nineteenth-century spirituality, Niedecker's modernist and postmodernist anxieties about the role of the poet, and Brooks's engagement with the politics and aesthetics of black nationalism. Reading U.S. women's poetic innovation as simultaneously breaking and cultivating silences opens a dialogue among historically feminist understandings of silence as oppressive, theories that put silence at the heart of poetic impulse, and avant-garde theoretical conceptions of linguistic experimentation as a feminist project. en_US University of Oregon All Rights Reserved. Emily Dickinson experimental Gwendolyn Brooks Lorine Niedecker poetry women Sounding Silence: American Women's Experimental Poetics Electronic Thesis or Dissertation Ph.D. doctoral Department of English University of Oregon
Speaking, Silently Speaking: Thomas Shepard's "Confessions" and the Cultural Impact of Puritan Conversion on Early and Later AmericaYoung, Alexander (University of Oregon, 2012)[more][less]Sayre, Gordon Young, Alexander Young, Alexander 2012-10-26T01:42:43Z 2012-10-26T01:42:43Z 2012 http://hdl.handle.net/1794/12337 My dissertation reappraises the Puritan conversion narrative's influence on early and later American literature. It centers around the accounts recorded by the Reverend Thomas Shepard, minister to Cambridge's first church, and looks at how New England's earliest settlers represented their spiritual encounters. My study argues for Puritanism's continued cultural relevance by explaining how the inter-personal, social, and expressive energies that informed Puritan spiritual confession is both sustained and evolves in the 17th, 18th, 19th, and 20th centuries. Chapter I accounts for the social, historical, and intellectual contexts in which the Puritan conversion narrative took place and outlines the scholarship it has received. Amid this scholarship I offer my analysis in Chapter II, pointing to the performance's formal, doctrinal, and expressive requirements to explain how believers delivered successful narratives and how they pushed the bounds of the religious doctrine that informed their accounts. Chapter III re-imagines the experience of Puritan conversion. It considers the performance from an affective framework and argues that the ambivalence endemic to spiritual assurance provoked in believers a psychogenic and narratological discord that promoted a form of self-understanding in which believers were unsure of themselves even as their spiritual communities were certain that their conversions were complete. Chapter III concludes by assessing the literary consequences of this relationship with reference to Benjamin Franklin's en_US University of Oregon All Rights Reserved. America Conversion Culture Narrative New England Puritan Speaking, Silently Speaking: Thomas Shepard's "Confessions" and the Cultural Impact of Puritan Conversion on Early and Later America Electronic Thesis or Dissertation
Wilde, Jenee (University of Oregon, August 18, 2015)[more][less]Hames-Garcia, Michael Wilde, Jenee 2015-08-18T23:05:53Z 2015-08-18T23:05:53Z 2015-08-18 http://hdl.handle.net/1794/19279 While studies of lesbian, gay, and transgender communities and cultural production have dramatically increased, research on bisexuality remains highly undervalued in humanities and social science disciplines. To challenge this lack of scholarship, this doctoral dissertation applies both textual and ethnographic methods to examine bisexual representation in non-realistic or "speculative" narratives and to explore the insider perspectives of bisexual people who are also science fiction fans. The overall trajectory of chapters follows a progression from grounded research and analysis to theory and application. First, I explore bisexual worldviews through ethnographic research in overlapping sexual and fan communities and through textual analysis of a 1980s bisexual fanzine. Next, I establish theoretical and methodological foundations for a new sexual paradigm, called dimensional sexuality, and work to intervene in interpretive methods that may restrict readings of sexuality in cinematic narratives. And finally, I test dimensional sexuality as an interpretive mode by offering dimensional readings of science fiction television and novels. From one direction, the project seeks to understand bisexuality as a position from which to theorize sexual knowledge. A major claim is that bisexual epistemology offers an alternative to dominant monosexual frameworks. Specifically, the multivalent logic of bisexuality refutes the "either-or" structure of heterosexuality and homosexuality. By embracing the logic of "both-and," bisexuality as a category of knowledge enables the reorganization of sexuality within a non-binary, non-gender based multidimensional framework. From another direction, the project demonstrates the productive textual and social spaces offered by speculative narratives for questioning what we "know" about gender, sex, sexuality, and other intersections of social identities. Science fiction bears a deep structural affinity with the dialectical thinking found in critical theory. By asking "what if" questions that challenge our assumptions about "what is," non-realistic narratives estrange us from the "known" world, interrogate our assumptions about the world, and make visible ideas and experiences outside of the norms we use to interpret what is "real" in a particular social and historical moment. As such, speculative narratives enable us to imagine sexual and gender possibilities beyond the episteme of the moment. en_US University of Oregon All Rights Reserved. bisexuality dimensional sexuality ethnography queer studies science fiction television Speculative Fictions, Bisexual Lives: Changing Frameworks of Sexual Desire Electronic Thesis or Dissertation Ph.D. doctoral Department of English University of Oregon
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Systems and methods for interacting with access control devices
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[caption id="attachment_2412" align="aligncenter" width="500" caption="First Lady Michelle Obama delivers remarks to the National Military Family Association Military Child Summit at Georgetown University in Washington, D.C. May 12, 2010. (Official White House Photo by Chuck Kennedy)"][/caption]
Yesterday, First Lady Michelle Obama spoke at the National Military Family Association Summit in DC. The focus of the summit was military spouses and children, and we're thrilled to say that she cited the Sesame Street/USO Experience as her "favorite" partnership to support military kids! Here is an excerpt from her remarks:
"One of the great lessons of recent years is that you don't need to be a military expert to help. You don't necessarily need to build something new to help. You can keep doing what you're already doing and connect your work to the priorities of military families. Consider the Sierra Club, which partnered with the NMFA to create Operation Purple – summer camps that have made a difference in the lives of tens of thousands of military kids. Or my favorite, Sesame Street, which has partnered with the USO to reach more than 100,000 military families and helped kids cope with some very challenging situations.
There are so many organizations with skills and interests that can be shared with military families, and we need to get them involved.
This is a challenge to every community in America." Click here to read a full transcript of the First Lady's comments.
The Sesame Street/USO Experience continues touring throughout the US in 2010. Below is the schedule for June. Check with your base's MWR for ticketing information. We hope to see you there!
[caption id="attachment_2413" align="alignright" width="208" caption="Megan Noe poses with her son Henry in front of the Sesame Street/USO Experience for Militar Families poster at Natcher Gym on the Fort Knox Army base in Kentucky, April 10, 2010. (USO Photo by Pat McDonogh)"][/caption]
MCAS Beaufort - South Carolina - June 2 - 2:00 p.m. and 6:00 p.m.; June 3 - 2:00 p.m. and 6:00 p.m.
NSB Kings Bay - Georgia - June 5 - TBD
NAS Jacksonville - Florida - June 6 - 2:00 p.m.
NS Mayport - Florida - June 10 - 5:00 p.m. and 7:30 p.m.
Fort Benning - Georgia - June 12 - 2:00 p.m. and 4:30 p.m.; June 13 - 11:00 a.m., 2:00 p.m. and 4:30 p.m.
Fort Rucker - Alabama - June 16 - 2:00 p.m. and 6:00 p.m.; June 17 - 2:00 p.m.
NAS Pensacola - Florida - June 19 - 2:00 p.m. and 4:30 p.m.; June 20 - 2:00 p.m.
Keesler AFB - Mississippi - June 23-24 - TBD
NAS JRB New Orleans - Louisiana - June 25-26 - TBD
Fort Polk - Louisiana - June 29-30 - TBD
More from the USO
Oct 18, 2016
Making the Terminal Come Alive: USO's Unique Approach at Sigonella Gives Deploying Service Members a Much-Needed Escape
With little space for a traditional center – and weary military travelers often spreading throughout the terminal for hours while waiting for training flights or deployments – the USO spread its services throughout the terminal at NAS Sigonella.


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8010 Pine Hill Drive
East Lake-Orient Park, Florida, 33617
Commute to Downtown Temple Terrace
Most errands require a car.
A few nearby public transportation options.
About your score
8010 Pine Hill Drive has a Walk Score of 47 out of 100. This location is a Car-Dependent neighborhood so most errands require a car.
This location is in East Lake-Orient Park. Nearby parks include Rivermills Park, Biltmore Park and Woodmont Park.
Explore how far you can travel by car, bus, bike and foot from 8010 Pine Hill Drive.
8010 Pine Hill Drive has some transit which means a few nearby public transportation options. Car sharing is available from RelayRides.
Bus lines:
6 56th Street
0.0 mi
39 Busch Boulevard
0.2 mi
Car shares:
This location is in the city of East Lake-Orient Park, FL. East Lake-Orient Park has an average Walk Score of 26 and has 22,753 residents.Learn More About East Lake-Orient Park


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ESPN "A few days ago, when results of the All-Star balloting were announced and Jackie Bradley Jr. was named as a starting outfielder for the American League, Boston Red Sox manager John Farrell declared it a triumph for a player and an organization that continued to believe in one another through..." July 08
NESN "All good things must come to an end. Jackie Bradley Jr. got more than halfway to Joe DiMaggio's 56-game hitting streak and tied Johnny Damon for fourth on the Red Sox's all-time list, but the center fielder's streak ended at 29 games Thursday in an 8-2 loss to the Colorado Rockies. Bradley had..." May 27
Fenway Nation "With a hit tonight, Jackie Bradley, Jr. will catch two Red Sox legends for the second-longest hitting streak in team history. Both Nomar Garciaparra and Tris Speaker hold 30-game streaks for The Carmine Hose—Nomah in 1997 and Speaker in 1912 (the year Fenway Park was opened). If JBJ connects..." May 26
MLB.com "One more hit, and Jackie Bradley Jr. will be halfway to history. The Red Sox outfielder enters today's matchup against the Rockies at Fenway Park with a 27-game hitting streak, almost half the way to Joe DiMaggio's Major League record of 56 games, set nearly 75 years ago. DiMaggio's streak ran..." May 24
Boston Herald "The Indians made Jackie Bradley Jr. work for the fifth-inning single that extended his hitting streak to 27 games on Sunday afternoon. They walked him again his first time up, giving him his sixth walk in his first 10 plate appearances of the three-game series. Indians pitching coach Mickey..." May 22
CBS Sports "The breakout season for Red Sox outfielder Jackie Bradley Jr. continued Saturday with an infield hit in the bottom of the sixth inning, extending his MLB-best hitting streak to 26 games. " May 22
SI "The Red Sox have the majors' most potent offense this season, thanks in large part to the game's hottest hitter: Jackie Bradley Jr. On Wednesday, the 26-year-old centerfielder collected hits in both ends of a doubleheader with the Royals, extending his hitting streak to 24 games, the longest in..." May 19
SB Nation "At the start of 2015, Jackie Bradley Jr. looked like he was one more failed attempt in the majors away from being passed over or traded by the Red Sox. He was awful in a short stint as a rookie in 2013, and then had the worst OPS+ of anyone with at least 400 plate appearances in 2014. Throughout..." May 10


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Join FREE | Login
+ Celebrations
+ How-To
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Grands!® Chicken and Biscuits Casserole
Baked Chicken and Rice
Cheesy Chicken Enchiladas
Chicken Fettuccine Casserole
Cheesy Chicken and Rice Casserole
Chicken Pot Pie with Biscuits
A creamy sauce coats tender rotini, moist chicken and colorful vegetables.
Mushroom fans may want to prepare this casserole using cream of mushroom soup.
© 2016 ®/TM General Mills All Rights Reserved


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Epiphany Lutheran Church - Mother's Day Out
Our website has moved to:
Please update your favorites menu.
You should be redirected to the new website in a few seconds,
otherwise please click the link above.
Epiphany Lutheran Church 5515 West Broadway Pearland, Tx 77581
Dear Parents,
The school year end is upon us, and it seems to have gone by in a flash! The kids will enjoy the last few weeks of MDO with more fun activities and pizza!
Farm week was so much fun! Children were able to pet, hold, and brush the animals. Thank you Nightsong Petting Zoo for bringing your furry friends to visit! The kids (and teachers) had a blast on the hayride! Thank you Danny Underwood (Farmer Dan) for making sure we had a hayride to enjoy!
All classes will periodically have picnics and popsicles on pretty days throughout the month!
On Wednesday and Thursday, May 20 & 21 all classes in the AFLC building (rooms 101 - 104) will enjoy a WATER DAY! We will have lots of water activities set up outside, a "car wash", popsicles and more! In case of rain, we will have activities and fun in the gym. More information to come from your teachers.
Our last days of MDO will be Thursday & Friday, May 28 & 29. These are NOT early release days!! To celebrate the end of school, we will be having pizza parties! Please pay your teacher $3 to cover pizza, dessert and drinks.
We want to thank you all for your patience during our restoration of the classrooms. The kids were SO amazing and went with the flow! Lots of them told us that this was the best time ever! It was like a week of game days!
Tentative fall 2015/2016 OPEN HOUSE is scheduled for Thursday, August 27. First days of MDO are Tuesday and Wednesday, September 1 & 2. Please refer to our website for additional updates, as well as a link to our SHUTTERFLY site. www.epiphanypearland.org/mdo. MDO updates are also on our FACEBOOK page. Just go to our FACEBOOK page and LIKE us! J
A reminder for children returning in the fall: Our policy states that CHILDREN THAT ARE 3 YEARS OLD MUST BE IN THE PROCESS OF ACTIVE AND POTTY TRAINING. CHILDREN ENTERING THE 4 YEAR OLD CLASSES (AFLC building, rooms 101 & 104) MUST BE COMPLETELY POTTY TRAINED.
VBS registration opened Sunday, April 26. You can register online (shiningthelight.org) or fill out forms located in the narthex. VBS is scheduled for June 15-19 for children ages 3 yrs (that are fully potty trained) thru 5th grade. Questions about VBS, please call the church office at 281-485-7833
We want to thank you for sharing your children with us. We had a fun year at MDO and look forward to seeing most of you next year. Best of luck to those moving on to Kindergarten! God's blessings for a safe and fun summer!!
Becky Broussard, Pam Van Maaren and DeeDee Bulerez


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Live Prices Not Available
To show you the most accurate prices, TTPM only displays our pricing tool on products which we've reviewed in the past three years.
The Washable Sidewalk Kaleidoscope 3D Activity Set comes with eight pieces of dual-colored chalk, a wide writer tool, eight stencils, a how-to booklet, and a pair of 3D Special FX glasses. Once kids have colored their chalk art creations, they can put on the glasses and see their artwork pop out in 3-D. The bottom lenses give a 3-D effect, and the top lenses give a 3-D kaleidoscope effect. Turn the dial on the glasses to watch the 3-D artwork spin.
The Washable Sidewalk Kaleidoscope 3D Activity Set merges 3-D technology with traditional sidewalk chalk play. This activity set gives kids a cool new way to view their chalk art creations.
The Washable Sidewalk Kaleidoscope 3D Activity Set is for ages 4 and up.
The chalk washes away with water.
This may not appeal to all kids who may find the motion disconcerting.
The kaleidoscope glasses should not be worn unless kids are staying in one place to draw as they will distort vision.
DC Super Hero Girls Action Flying Supergirl
from Mattel
Coop Reactorz Soccer Ball
from SwimWays
E-Z Grip Soccer Ball
from Tucker Toys
E-Z Grip Football
from Tucker Toys
Nerf N-Strike Elite Terrascout
from Hasbro
Nerf Mega Mastodon
from Hasbro
SpyX Night 'Nocs
from Mukikim
Tricycoo 4.1
from Joovy
SkyPaper High Velocity PPL-1 Paper Plane Launcher
from The Bridge Direct
Lava Ball
from Waboba


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Barista Guild of Europe
Barista Guild of Europe (BGE) is an association of SCAE (Specialty Coffee Association of Europe)
dedicated to developing the role of the barista within Europe.
Its primary goal is to foster community and professionalism among people
whose income derives from making cups of specialty-grade coffee.
BGE in 2016
The new working group has some exciting new projects in store for you, based on the following 3 goals BGE will focus on in 2016:
- Spreading Education (beyond CDS)
- Career Support
- Sustainability
In addition to next year's editions of CoLab (in Antwerp and Barcelona) and Barista Camp, and more Dialogue, we've already started working on Jobshub, our online resources, tips and tricks on how to get hired, as well as new opportunities. Bring on 2016!
This was Barista Camp 2015!
This year's Barista Camp, held in Riccione 23-26 September, saw 127 delegates from 25 countries arriving to Hotel Corallo to receive hands-on training with the equipment, small wares, and coffee provided by our partners. Relive some of the great moments of Camp, and our other events, through our picture galleries - or read these 5 reasons why you should join us next year.
CoLab: 2016
The jam-packed program for CoLab:Antwerp containing a tour of The Port of Antwerp; six Tamper Tantrum speakers; an evening with The Barista League; and a premier tasting event with Emma Sage from World Coffee Research was recieved with high praise.
BGE are busy working on the program for the second 2016 CoLab event in Barcelona this November. In the meantime you can check out all the fun we had in Antwerp here.


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F. Edwards Rushton Award
Award Description
The F. Edwards Rushton CATCH Award recognizes an outstanding CATCH grantee
whose CATCH project has developed over time and expanded beyond its original
goals to positively impact child health.
Named in honor of Francis Edwards Rushton, Sr, MD, FAAP, this award honors pediatricians who have advanced the medical home and children's access to healthcare and other needed services through a CATCH project.
2015 Award Winner
Joan Jeung, MD, FAAP
2014 Award Winner
Tom Faber, MD, MPH, FAAP
2013 Award Winner
Marsha Raulerson, MD, FAAP
Past Nominees
Phyllis Agran, MD, MPH, FAAP
Kelli Hodges, MD, FAAP
Michelle Huddleston, MD
Milan Edward Ivancic, MD FAAP
Cynthia Mears, DO, FAAP
Elisa Nicholas, MD, MSPH, FAAP
I. Leslie Rubin MD, FAAP
Kacie Lummen Sims, MD, FAAP
Carole Stipelman, MD, MPH, FAAP
David T Tayloe, Jr., MD, FAAP
Jeannie Visootsak, MD, FAAP
Beth Volin, MD, FAAP


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down for 4 weeks in a row...................... only i would but it at 32
That's what happens when you try to make a quick buck. Extend your horizons. Buffett often holds his shares even after a 50 percent decline. If you had an investment thesis to begin with, you wouldn't be panicking.
care to offer an investment thesis for FB then. I think we're 2 good Qtrs away from 50+ but I'm sure that could be said for a lot of companies.
That being said, I'm still surprised that with News Feed redesign, NFLX deal, more kids on FB in summer checking on school friends etc, Zuck ranked at #1 CEO by employees, whatever else...surprised that nothing caused FB to go up...not even a little.
This stock's action is very odd to me.
Sentiment: Strong Buy
pi$$isses me arf TOO!!! stuck at 29$ Twist my gut dump mode of 4 wks.. BrrrroakBrokRup!! flatuant reaction . Ate soul food for dinner yesturday
Mark has 99% approval rating for best CEO. Just on TV.


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AWC Scholarship for Women in Computing
Provided by: Association for Women in Computing - Ann Arbor Chapter
March 15, 2016
The AWC Scholarship for Women in Computing is available to female students enrolled in an accredited institution of higher education located in Washtenaw County. To be considered, you must be pursuing a career in a computer or technology - related field and have a minimum of two semesters of course work remaining after receipt of the scholarship. Certificate seeking students are also eligible to apply.


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UniverSoul Circus
Twitter UpdatesFollow @RJStadium
- @crusadermom3 We don't sell tickets here at the stadium. You would need to purchase tickets here: https://t.co/kc5ZvqZ4EW
- Wednesday Oct 26 - 4:00pm
- @taylorzoppi Sorry about the confusion, for Buccaneers games all ages must have a ticket to enter the game.
- Wednesday Oct 26 - 12:47pm


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Video: 50 immigrants flee truck pursued by police
Deputies caught 31 of the immigrants, and estimate that at least another 15 got away
The Daily Mail
JIM WELLS COUNTY, Texas — The dashcam on a Texas police cruiser has captured the moment 50 illegal immigrants poured out of a box truck after they were smuggled across the border.
A sheriff's deputy in Jim Wells County, outside Corpus Christi, spotted the truck and pursued it in a brief chase on July 9. When the truck stopped on a rural highway, the back door opened and dozens of people flooded out. Deputies caught 31 of the immigrants. Another 15 to 20 escaped.
"That's a lot of people. And if you put the math to it, at $4,500 a person — which is the average going rate — multiply it times just 45 that's a lot of money," Rodrigo Ramon, Jim Wells County sheriff's deputy told KIII-TV.
Full Story: The moment 50 illegal immigrants pour out of box truck after it is pulled over by police
Recommended for you
Video: Man leading police pursuit stops at In-N-Out for food
Join the discussion
PoliceOne top 5
3 Video: Suspect shoots Calif. squad car during pursuit as civilian rides along
4 Officer involved in fatal Milwaukee OIS arrested for sexual assault


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Special Beginnings has been open for 19 years and identified a need to provide limited ultrasound services within the scope of the Certified Nurse Midwife to our clients. In the course of investigating this potential service, we realized that the law governing birth center operations specifically prohibited use of ultrasound.
So, we hired lobbyist Karen Fennel, RN, to approach legislators for support of a bill that would change this practice restriction. We found support in the Senate from Senator Reilly who introduced Senate Bill 600. In the House, Delegate Angela Angel sponsored House bill 1303. We gathered support from the community, the American College of Nurse Midwives and our consulting physicians at Annapolis OB/GYN and then testified during committee hearings.
Our bill passed in both the House and the Senate on the first vote! The bill was signed on May 10, 2016, at the State House in Annapolis. In the picture, you see Ann Sober, RN, Director of Special Beginnings, and Karen Fennel, RN and lobbyist, with our Governor and state leaders during the signing of the bill.
We continue our mission to provide our clients with choices in their care during pregnancy, birth and beyond. If that means taking on the state and local government, then we are up to the task!


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This week in the NFL features some great games. One of the biggest questions is "Can Tebow beat the Jets?". A win would give the Broncos a chance to win the AFC West.
If the Eagles beat the Giants, who will win the NFC East?
The Detroit Lions are on a slippery slope right now. A couple more losses and the season that started out with such promise will be lost.
The Bills, Bengals, Falcons, Jets, and Cowboys all have question marks around them and their season. It's time for teams and players to put up or shut up.
You typically get your weekly picks from an "expert" who has never played a down of football. It's time to get your picks from an expert. ME.
Maybe we should create a Bleacher Report competition for the rest of the season. The B/R "experts" and I can pick games against each other and we will see who comes out the winner.
As usual, don't be mad at me, the facts are the facts. I just simply state them. Leave a comment!


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And making wise-ass remarks.
Oftentimes they coincide.
Love funny movies, my favorite move is Super Troopers. I also like action movies and can deal with romantic comedies. I will usually refuse to watch scary or gory movies.
I don't watch a lot of tv, but I do follow a few shows which are: Dexter, The League, The Office, How I Met Your Mother, Game of Thrones, and Breaking Bad.
As for books I gravitate towards fantasy books. I've really enjoyed The Lord of the Rings series, The Hobbit, and the Harry Potter series when younger. I'm currently reading A Song of Ice and Fire series (game of thrones) and loving it!
Favorite food has to be a good cut of steak, well salted and cooked medium rare. I've recently become obsessed with tacos al pastor and I love craft beer.
2. Credit Card
3. My Milwaukee radio
4. Coffee
5. Fast Food
6. Energy Drinks
I'm not sexist, just done lots of observational research.
Hopefully you think we have a lot in common.
You're intelligent enough to pick up on my thinly veiled sarcasm; I feel like this isn't asking a lot.
I'm a realist; I expect that I'll have to send the first message anyways so this section seems pointless.


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Replacement Rotary Cutter Blade 28mm 2 Pack
Item # 140100
Be the first to Write a Review
Item Description
Replacement Rotary Cutter Blade 28mm by Fiskars contains two replacement blades for 28 mm rotary cutters. These blades features stainless steel razor edges to provide a smooth clean cut on a variety of fabrics. Blades fit the Fiskars 28 mm rotary cutters and most other brands of the same size.
Sailrite recommends using the Cutting Mat to help keep the blades sharp.


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Danville (Ky.) Boyle County linebacker Lamar Dawson wanted to enter his senior season with a pared down list of favorites to consider. The nation's No. 95 ranked prospect has now trimmed his list o...
Lamar Dawsons list is down to seven
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Subscribe today to read the full article and get everything Rivals has to offer.
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