text:
historic forgery and fraud
This page considers forgery and fraud regarding archival
or 'historic' documents, including the 'Hitler Diaries'.
It covers -
The preceding page of this profile noted Anthony Grafton's
discussion of the history of forgery and misrepresentation
in the pre-modern period, with perpetrators since antiquity
concocting charters, contracts, wills, memoirs, letters
and other documents to -
in the archives is not restricted to mediaeval clergy
manufacturing royal charters or letters from long-defunct
dignitaries such as the Emperor Constantine. Recent years
have seen a slew of fake diaries, forged letters and bogus
memoirs that are claimed to offer remarkable insights
into history or the lives of celebrities such as Howard
Hughes and Adolf Hitler.
Those documents, often of a derisory quality, have not
stood the test of time and have usually been exposed as
fictitious once available to archivists, historians and
document forensics specialists without restrictions.
They are an echo of pre-1900 publication of fake letters
and memoirs by notables such as Voltaire, Louis XIV, Marie
Antoinette, Cardinal Richelieu, Frederick II and Catherine
the Great. Consumers continue to believe preposterous
claims - whether in descriptions of supposedly authentic
items peddled
on eBay and similar sites - or in works under the auspices
of major publishers and broadcasters.
Works on classical and mediaeval forgery include Grafton's
Forgers & Critics: Creativity & Duplicity
in Western Scholarship (Princeton: Princeton Uni
Press 1990), 'Reginald Pecock and Lorenzo Valla on the
Donation of Constantine' by Joseph Levine in 20 Studies
in the Renaissance (1973) 118-43, 'Forgery and Plagiarism
in the Middle Ages' by Giles Constable in 29 Archiv
fur Diplomatik (1983) 1-41 and his Culture &
Spirituality in the Middle Ages (London: Variorum
1996), 'Forging the Past: Medieval Counterfeit Documents'
by Hitomi Tonomura in 40 Monumenta Nipponica
(1985) 69-96 and Alfred Hiatt's The Making of Medieval
Forgeries (London: British Library 2003).
Annius of Viterbo (1432-1502) obligingly discovered classical
inscriptions and manuscripts, published in works such
as his Auctores vetustissimi (1498) and Commentaria
super opera diversorum auctorum de antiquitatibus loquentium
(1498). Alas, Annius had written the manuscripts himself,
appears to have buried the inscriptions so that could
be found and confirm his other claims, and did not speak
His activity is discussed in 'Heritage and Forgery: Annio
da Viterbo and the Quest for the Authentic' by Nicholas
Temple in II(3) Public Archaeology (2002), 'When
Pope Noah Ruled the Etruscans: Annius of Viterbo and his
Forged Antiquities' by Walter Stephens in 119(1) MLN
(2004) S201-S223 and 'Inventions of Traditions and Traditions
of Invention in Renaissance Europe' by Anthony Grafton
in The Transmission of Culture in Early Modern Europe
(Philadelphia: Uni of Pennsylvania Press 1990) edited
by Grafton & Ann Blair, 8-38.
archive crime
Sir Edmund Backhouse (1873-1944) - the 'Hermit of Peking'
- manufactured Chinese imperial memoirs such as The
Diary of His Excellency Ching-shan, correspondence
and even reference works during a career that featured
arms dealing, financial swindles and donation of 17,000
items to the Bodleian Library.
Among other exploits - which led biographer Robert Bickers
to comment "we know now that not a word he ever said
or wrote can be trusted" - Backhouse 'sold' six phantom
battleships and 650 million imaginary banknotes to the
Chinese government in 1916, having previously assembled
an imaginary flotilla of cargo ships, laden with rifles
and machine-guns, whose progress from Shanghai to Guangzhou
is minutely recorded in the UK Foreign Office archives
but in fact never existed.
Hesketh Pearson's The Whispering Gallery: Being Leaves
from a Diplomat's Diary (London: Bodley Head 1926)
and Richard Pennington's more elegaic Peterley Harvest:
The Private Diary of David Peterley (London:Secker
& Warburg 1985) edited by Michael Holroyd are two
spoof memoirs.
E H Carr, one of the nastier historians of the USSR, endorsed
Notes For A Journal (London: Andre Deutsch 1955),
the supposed memoirs of Maxim Litvinov. Upton Sinclair
blessed Kurt Krueger's lurid Inside Hitler (New
York: Avalon Press 1941), supposedly a psychoanalytic
account by Hitler's doctor. Scholars now question the
authenticity of much of The Interesting Narrative
of the Life of Olaudah Equiano, or Gustavus Vassa, the
African, Written by Himself, a 1789 autobiography
by Olaudah Equiano (c.1745-1797) that is explored in by
Vincent Carretta's Equiano the African: Biography
of a Self-made Man (Athens: Uni of Georgia Press
For Backhouse see Hugh Trevor-Roper's Hermit of Peking:
The Hidden Life of Sir Edmund Backhouse (New York:
Knopf 1977).
media circuses
During the late 1940s and 50s a wave of diaries, letters
and other material attributed to figures such as Mussolini
and Hitler appeared on the market.
During 1957 for example a mother and daughter produced
thirty volumes of what they claimed were Benito Mussolini's
diaries, apparently fooling the dictator's son and an
expert, who exclaimed that
volumes of manuscript cannot be the work of a forger,
but of a genius.
volumes of manuscript cannot be the work of a forger,
but of a genius.
'Mussolini' diaries surfaced in the 1980s, 1990s and 2007.
'"Books for Idiots": False Soviet "Memoirs"'
by Paul Blackstock in 25(3) Russian Review (1966)
285-296 and Agents of Deceit: Frauds, Forgeries, and
Political Intrigue Among Nations (Chicago: Quadrangle
Books 1966) note the Cold War forgery industry, with one
perpetrator commenting
write books for idiots. Do you imagine that anyone in
the West would read what you call my apocryphal works
if in quoting Kaganovitch, Zhukov, Mikoyan or Bulganin
I tried to be faithful to the manner, sense and form
of their speeches? ... But when I portray Stalin and
Molotov in pyjamas, when I tell the dirtiest possible
stories about them - never mind whether they are true
or invented - rest assured that not only all intellectuals
will read me, but also the most capitalist statesman
... will pick up my book before going to sleep.
write books for idiots. Do you imagine that anyone in
the West would read what you call my apocryphal works
if in quoting Kaganovitch, Zhukov, Mikoyan or Bulganin
I tried to be faithful to the manner, sense and form
of their speeches? ... But when I portray Stalin and
Molotov in pyjamas, when I tell the dirtiest possible
stories about them - never mind whether they are true
or invented - rest assured that not only all intellectuals
will read me, but also the most capitalist statesman
... will pick up my book before going to sleep.
In the 1970s author Clifford Irving, fresh from the gonzo-ish
Fake: The Story of Elmyr de Hory, the Greatest Art
Forger of Our Time (New York: McGraw-Hill 1969),
manufactured memoirs
attributed to the reclusive Howard Hughes. Following Hughes'
death a forged Hughes Last Will & Testament surfaced,
the beginning of what became known as the 'Mormon Will
Case' depicted in the film Melvin & Howard.
A decade later it was the turn of Adolf Hitler, with a
media circus around authentication, publication and exposure
in 1983 of crude fake diaries from Konrad Kujau. Most
of the text didn't go beyond such gems as
all the leaders of the Storm troopers in Bavaria, give
them medals.
Must not forget tickets for the Olympic games for Eva.
all the leaders of the Storm troopers in Bavaria, give
them medals.
Must not forget tickets for the Olympic games for Eva.
The affair severely tarnished the reputation of Backhouse
and Hitler expert Hugh Trevor-Roper ("I'm staking
my reputation on it") but boosted sales for Murdoch's
One publisher commented
sells. Nazis sell. Swastikas sell - and they sell better
and better ... I've even thought of putting one on our
vegetable cookbook because Hitler was a vegetarian.
sells. Nazis sell. Swastikas sell - and they sell better
and better ... I've even thought of putting one on our
vegetable cookbook because Hitler was a vegetarian.
Berry quipped
this light the major question concerning Kujau must
be the same as that for Hitler. Not, how did he manage
to get so far? Rather, how in the end could he possibly
have failed?
this light the major question concerning Kujau must
be the same as that for Hitler. Not, how did he manage
to get so far? Rather, how in the end could he possibly
have failed?
Sunday Times subsequently offered £75,000
for the 'ripper' diaries discovered in 1992 and promoted
in Shirley Harrison's The Diary of Jack the Ripper
(New York: Hyperion 1993).
Ironically, on his release from prison Kujau declared
that he would write his memoirs but denounced The
Originality of Forgery published under his name in
1998 as itself a forgery, declaring "I did not write
one line of this book".
In 2006 his great-niece Petra Kujau was prosecuted for
forging his signature on at least 500 'fake forgeries'.
She had reportedly acquired cheap copies of works such
as the Mona Lisa - often for as little as €10
apiece - and after adding his signature sold the "original
Kujau fakes" for around €3,500, garnering more
than €550,000.
In 2005 it was revealed
that forged documents were "recently planted"
in the UK Public Record Office, ie Britain's national
archive. The forgeries - including supposed letterhead
from 1943 that was in fact produced using a laser printer,
documents replete with anachronistic terminology and paper
from an old book - were used to substantiate claims in
Martin Allen's Himmler's Secret War: The Covert Peace
Negotiations of Heinrich Himmler (London: Chrysalis
2005), marketed as
remarkable story with numerous explosive revelations
... startling new facts and perspectives, presents the
entire Nazi command in a totally new light.
remarkable story with numerous explosive revelations
... startling new facts and perspectives, presents the
entire Nazi command in a totally new light.
Ben Fenton in the Financial Times in May 2008
noted Allen's conspiracist
claim that "at some time after he saw the documents
... they had been removed and replaced with exact replicas,
clumsily forged to cast doubt on his discoveries".
Historians have raised questions about the authenticity
of documents cited by Allen in his 2000 Hidden Agenda:
How the Duke of Windsor Betrayed the Allies and 2003
The Hitler/Hess Deception. When challenged about
a supposed letter from the Duke of Windsor to Hitler,
Allen responded that it had been given to his late father
by Albert Speer, later being found in the author's attic.
Other 'discoveries' were less dramatic.
In 1976 University of Arizona Press published
I Married Wyatt Earp, the supposed memoir by
the wife of US gunslinger Wyatt Earp.
In 1993 six missing Haydn sonatas were 'discovered', authenticated,
recorded and then exposed as modern, leading Haydn expert
H Robbins Landon to comment
the most brilliant fraud ... I don't mind being taken
in by music this good. It's what Haydn would have written
in this key at this time.
the most brilliant fraud ... I don't mind being taken
in by music this good. It's what Haydn would have written
in this key at this time.
Veronica Buckley's Madame de Maintenon: The Secret
Wife of Louis XIV (London: Bloomsbury 2008) was withdrawn
from sale after revelation that it had relied on the 'secret
diaries' of the Sun King. They were supposedly found in
1997 as "a packet of yellowed papers, wrapped in
string and sealed with faded red wax" hidden "inside
a heavy old chest in a Loire valley manor house"
but were in fact a scholarly compilation by François
Bluche. His 1998 Le Journal secret de Louis XIV,
a thought experiment in imagining what the king's journals
might have been like, drew on information from
a large number of archival and published sources but did
not purport to be a true diary, unlike the concoction
from Kujau.
Lawrence Cusack was convicted in 1999 for forging and
selling supposed JF Kennedy papers from 1993 onwards,
culminating in initial acceptance by journalist Seymour
Hersh - for his 1997 The Dark Side of Camelot
- that Kennedy had established a US$600,000 trust
fund for Marilyn Monroe's mother.
Journalist Robert Fisk more mundanely discovered that
Arabic booksellers were busy selling Saddam Hussein:
From Birth to Martyrdom, a biography supposedly by
Fisk but apparently authored by Magdi Chukri.
For Irving see Stephen Fay, Lewis Chester & Magnus
Linklater's Hoax: The Inside Story of the Howard
Hughes-Clifford Irving Affair (London: Deutsch 1972)
and Irving's exculpatory What Really Happened: The
Untold Story of the Hughes Affair (New York: Grove
Press 1972). The 'Mormon Will' Affair is described in
James Phelan & Lewis Chester's The Money: The
Battle for Howard Hughes's Billions (New York: Random
House 1997).
For the 'Hitler Diaries' see in particular Robert Harris'
sparkling Selling Hitler (London: Faber 1987),
Charles Hamilton's The Hitler Diaries: Fakes That
Fooled the World (Lexington: Uni of Kentucky Press
1991) and Philip Knightley's A Hack's Progress
(London: Cape 1997).
Everyone, it seems, wants to own a little bit of history
- whether that is a letter from Jack the Ripper, Ronald
Reagan or Cleopatra - and as we noted in the introduction
to this profile the contemporary market has been fuelled
by online marketplaces
such as eBay.
A highlight was Vrain-Denis Lucas's manufacture of around
27,000 letters - snapped up by collectors - from notables
such as Mary Magdalene, Cleopatra, Julius Caesar and Lazarus
(all of whom apparently wrote in French and used modern
paper). It included a letter from Saint Jerome regarding
a letter from Christ, who indicated that French was the
'mother' language created after the Flood.
A sparkling contemporary account of that industry and
credulity is provided in Henri Bordier & Emile Mabille's
Prince of Forgers (New Castle: Oak Knoll 1998)
and Joseph Rosenblum's Forging Of False Autographs,
Or, An Account Of The Affair Vrain Lucas (New Castle:
Oak Knoll Press 1998).
The credulity of his collectors echoed the zany Jesuit
Melchior Inchofer
(1585- 1649), famous for a denunciation of Galileo and
Curzio Inghirami's 'Scarith' fraud - and for the demonstration
in his Historia sacrae Latinitatis that the angels
conversed in Latin - published Epistolae B. Virginis
Mariae ad Messanenses veritas vindicata in 1629,
defending the authenticity of a letter the Virgin Mary
supposedly sent to the inhabitants of Messina upon hearing
of their conversion to Christianity by Saint Paul. Ingrid
Rowland somewhat romantically comments that Inchofer was
sentenced to life imprisonment
a remote Jesuit house where, like many an inconvenient
Jesuit in those troubled times, he was quietly assassinated
in 1649.
a remote Jesuit house where, like many an inconvenient
Jesuit in those troubled times, he was quietly assassinated
in 1649.
recently forgers of 'founding father' memorabilia have
included Joseph Cosey (1887-1950?), Robert Spring (1813-1876)
and Charles Weisberg (d1945).
The literature on the manufacture of memorabilia and autograph
mania is extensive. Highlights include Texfake : An
Account of the Theft & Forgery of Early Texas Printed
Documents (New Castle: Oak Knoll Press 1997) by Thomas
Taylor, Forging History: The Detection of Fake Letters
& Documents (Tulsa: Uni of Oklahoma Press 1994)
by Kenneth Rendell, James Gilreath's The Judgement
of Experts: Essays and Documents about the Investigation
of the Forging of the Oath of a Freeman (Philadelphia:
American Antiquarian Society 1991) and Alan Munby's The
Cult of the Autograph Letter in England (London:
Athlone Press 1962).
revisionists and ripoffs
One aspect of forgery is giving people what they want,
whether that is glorious antecedents, a 'usable' national
culture or historical 'thrills, spills and spells'.
An example is Etienne Leon de Lamothe-Langon's 1829 Histoire
de l'Inquisition en France, a foundation for some
of the sillier contemporary claims that 5 million witches
(or even 9 million!) were burnt in mediaeval Europe, despite
demolition by works such as Norman Cohn's classic Europe's
Inner Demons: The Demonization of Christians in Medieval
Christendom (London: Paladin 1975), Lyndal Roper's
Witch Craze: Terror and Fantasy in Baroque Germany
(New Haven: Yale Uni Press 2004) and Richard Kieckhefer's
European Witch Trials: Their Foundations in Popular
& Learned Culture, 1300-1500 (Berkeley: Uni of
California Press 1976). Lamothe-Langon's grand guignol
documentation has not stood the test of time.
Of the 262 extant documents supposedly by Charlemagne
some 100 are forgeries, often from his era.
Giles Contable similarly suggests that "of 164 known
charters attributed to Edward the Confessor, 44 (27%)
are spurious, 56 (34%) are uncertain, and 64 (39%) are
He notes that
forgeries were made for altruistic, even noble, purposes,
or for obscure personal motives ... Like miracles, visions
and other works of social imagination, forgeries served
to justify profound social and personal needs and reflected
the hopes and fears, the praise and criticism of people
in the Middle Ages
forgeries were made for altruistic, even noble, purposes,
or for obscure personal motives ... Like miracles, visions
and other works of social imagination, forgeries served
to justify profound social and personal needs and reflected
the hopes and fears, the praise and criticism of people
in the Middle Ages
concentration on writing by dead white males was more
wholesome than the swag of supposed contemporary memoirs,
diaries and collections
of correspondence from figures such as Marie Antoinette
and Cardinal Richelieu.
Those forgeries have not attracted significant modern
attention but in their time were best sellers, along with
forgettable tracts such the 1836 Awful Disclosures
autobiography of Maria
Monk and Souvenirs sur Marie-Antoinette by
'Comtesse d'Adhémar', the 'memoirs' of royal mistress
Wilhelmine Encke-Ritz-Lichtenau, Frederick Lullin de Chateauvieux's
1817 Manuscript Transmitted from St Helena, by An
Unknown Channel (a supposed memoir by the former
Emperor - specifically denounced in Napoleon's will),
1789 Memoires Justificatifs de la Comtesse de Valois
de la Motte, ecrits par elle-meme or Magdalene King-Hall's
1926 The Diary of a Young Lady of Fashion in the Year
1764-1765, attributed to Cleone Knox.
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Pops Plays WC! "Beale Street Blues" seamlessy going into "Yellow Dog Blues" then "Memphis Blues".... then I put the horn away
Pops Plays WC! "Beale Street Blues" seamlessy going into "Yellow Dog Blues" then "Memphis Blues".... then I put the horn away
Too, this has been a causal factor in the demise of many instrument manufacturers. The rational profit margin is no longer there. The days of a $100.00 professional instrument are long by gone history now in antiquity.
If it's a child, I play the theme to "Sesame Street" with a couple of blues licks for the parents. In a church crowd, "Amazing Grace", or "Lord's Prayer".
"A Night in Tunisia" falls very well off the valves.
Then I might improvise a little - KNOW YOUR AUDIENCE
John Leslie Francis
Director of Bands/Applied Trumpet
Hannibal-LaGrange University
Buy my new e-book, Sound the Trumpet
My blog: www.gloryhorn.com
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I'm sure there are contracts for annual performances upon which you report how many times you've / your band / your group played each song annually in public. I really don't know of such being done through the publisher, but I just don't presently believe such is so, especially when I note the copyright notice on the first page of a published song concluded with "Used by Permission". Certainly publishers of sheet music and recording labels do purchase music from composers / lyricists upon which they expect to make a profit on the music they sell. Generally, the purchase of sheet music does not include the copyright license to perform such in public or to re-arrange it. Perhaps bands / groups / "professional musicians" (alluded) should engage the services of a competent copyright attorney and/or incorporate the band / group to avoid personal liability AND without doubt there are are several who do just that. Yep, every viable business now has massive overhead expenses. As John Ruskin stated (paraphrased), "Only the other knows the value of their services.", and as such I won't go into how much a "professional musician" should expect to earn ... but I don't know of many who are so wealthy that music is the only job they work at. Cold hard facts as such are ... and it's much more fun just to enjoy playing your musical instrument(s) and not worry about how much money you earn or who your audience is, if any.
I've got to say, I'd hate to live in a world where a couple of kids playing Christmas Carols at the local shopping centre one December get pulled up by the 'music police' and forced to hand over their hard-earned change because they hadn't paid royalties. That would have to be the quickest way to get a young enthusiastic musician to put down their horn, violin, oboe, kazoo, whatever, and head back to the X-box.
Don't get me wrong, this is an interesting topic and it's got me thinking (especially about all the gigs I've played as a drummer back in the day!) but surely there are practicalities at play. It probably changes from state to state and country to country too. I know recording is one thing but there should be (?) some leeway for public performance. Ignorance is bliss isn't it!
For the record, my church pays an annual license fee to the various publishers and we keep a copy of what we play which we submit at regular intervals. Don't ever remember writing anything down at all the pubs though...
Yamaha YTR 6335
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Ladies and Gentlemen - have a look at this link if you will APRA|AMCOS : Bringing music creators and consumers together this is the mechanism our Band uses to deal with our responsibilities under the Aussie system (careful, the US and Australian laws are different) - it costs the Band AUD$74 per year.
Yes, I remember when many members of our high school band volunteered to play with the small brass ensemble of the Salvation Army during their Christmas Kettle fund raising drive. Too, then the kettle was real and a big one and we gathered 'round the flag pole in front of the Post Office where people were then mailing big bundles of Christmas cards. Local restaurants kept us supplied with hot chocolate (which when it dries is a real mess to clean from your instrument). Ususally twice in the evening, that big kettle was full ! Looking about, one could readily count 100 shoppers going in and out of the stores on main street. Now today 3/4 of those stores are defunct and the buildings they were in all but abandoned. Now the best you'll find in many areas of the U.S. is an out of work person paid to tend a little 2 quart kettle as he/she rings a tiny out of tune bell.
Oh how I liked the Christmas parade then as our high school band marched along main street with our majorettes collecting wrapped toys marked for boys and girls of a certain age. It took a 10 ton construction truck to carry them to distribution points. Those were a wonderful CHRISTMAS memory. Yes, my teeth were still chattering when I went to church on Christmas Eve for the Cantata.
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Rock Cycle Historical Development
A selection of articles related to rock cycle historical development.
Original articles from our library related to the Rock Cycle Historical Development. See Table of Contents for further available material (downloadable resources) on Rock Cycle Historical Development.
- Mythic Heroes of Celtic Ireland
- The Celtic mythology of Ireland is best summarized as consisting of four broad cycles. This month's article deals with mythic Celtic mortals, figures who populate the stories in the second and third cycles below. Four Cycles of Irish Mythology Foundation...
Saga of Times Past >> Legend and Prehistory
- Discovery and Development of Reiki
- "The more we care for the happiness of others, the greater our own sense of wellbeing becomes." The Dalai Lama The traditional story of the discovery of Reiki is as historically correct as the biblical report of the life of Jesus - it is molded and...
Body Mysteries >> Reiki
- The Aeonic Perspective of the Enochian Temples
- The initiatory system of the Enochian Temples divides the path of initiation into four major stages, distinguished primarily by the types and sources of the influences they are sensitive to. Briefly, these stages are: 1. Lunar-planetary, focused in Yesod and...
Magick >> Enochian
- Select Cross-Cultural and Historical Personifications of Death
- This extensive introduction includes some of the more well known, along with some lesser known Death "incarnations", and I use that term loosely, as in many cultures, the Angel of Death can be quite an adept shapeshifter. We have tried to cull...
Mystic Sciences >> Necromantic Studies
- The Ancient Goddess Barbi: Historical Views from the Year 5000
- (Author's Note: Read this only if you consider laughter a sincere form of worship!) In the year 5000, historians will seek to patch together traces of the past, to discover what life was like in today's current era. Here's one humorous view of what they might...
Paganism & Wicca >> Humor
- Historical Christian Jewelry
- The art of jewelry making evolved though the centuries. In a sense, jewelry is any ornamentation or adornment on the body. Jewelry has been used not only for aesthetic reasons but also as an indication of a person's status in life.
>> Body Mysteries
Rock Cycle Historical Development is described in multiple online sources, as addition to our editors' articles, see section below for printable documents, Rock Cycle Historical Development books and related discussion.
Suggested News Resources
- Vanguard Natural Resources' (VNR) CEO Scott Smith on Q4 2015 Results
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- State finances dominated 2016 legislative session
- We know that we are in a cycle right now," said House Speaker Kermit Brown of Laramie. "However, we have a historical perspective. We know how to handle this, and we know that there ...
- Ray LaMontagne, Accompanied By Members Of My Morning Jacket, Previews New
- MMJ is nothing if not a road-tested, versatile rock band, and even though the album will be released on Friday and the combo was tight and well-rehearsed, the group and the singer were both still exploring the darker corners of the songs.
Great care has been taken to prepare the information on this page. Elements of the content come from factual and lexical knowledge databases, realmagick.com library and third-party sources. We appreciate your suggestions and comments on further improvements of the site.
Rock Cycle Historical Development Topics
Related searchesthe seven-beer snitch quotes
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includes 30 molds and supplies. Excellent condition. $9,000. Located in Portland, Oregon. Will not ship. 503-246-7778. [email protected]
Located in beautiful Northeast Connecticut, this established, 13 year old teaching studio with attached gallery has a dedicated community of students and a solid local reputation. Consistently increasing yearly profits. Located in Putnam, a small arts-focused town which draws from the surrounding 50+ miles. Asking $110k. Includes 2 electric kilns, 2 pug mills, 9 wheels, and more. Email for more details: [email protected].
Great Condition. $1500. Located in San Luis Obispo, CA. 805-471-9528. email [email protected]
Fully equipped pottery shop Old Market Omaha. Gallery, rental space, and classroom areas with 10 wheels, plus large kiln room, 3 gas, 3 electric kilns, glaze, and clay mixing area. 402-346-0560, or [email protected]
This Kiln fired less than 100 times. In excellent condition, Includes 20″ stack. Asking $16,500. [email protected]
Successful business for 20 years, owner is retiring. Great small business. Assets include: 2 large electric Skutt kilns, North Star extruder, large Brent slab roller, over 500 tile molds of original designs, custom glazes, working tables, shelving, art fair tent, art fair display, wholesale accounts and a fabulous website! Check it out: somitileworks.com Studio is leased, location in the heart of the arts district of Northeast Minneapolis. $65K. 612.964.6551
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$7,000.00; 5 sets of cup heads, back cases and rings. Includes face plates. buyer ships. Contact Tia at 928-254-1271.
like new. Comes with shelves, stilts, plate stackers, complete hood system, and safety equipment. New $20,000, asking $14,000. Simpo electric wheel $400.00. Lockerbie Model K kick wheel with motor $400.00. Located in Denver, CO. 303-333-0904 or [email protected]
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model number e23S-240 for sale. Four cured shelves, stilts, and a downward venting system. The kiln has been used approximately 120 hours. The kiln is located in Rockville MD. $500.00 or best offer. Please contact [email protected]
We've been in business for 35 years and are currently comfortably profitable. The pottery is fully equipped including 10 Skutt kilns, a punch press, extruder, slab roller, wheels, pugmill, mixer and much more. The pottery is located in a wonderful 10000+ sq. ft. building built in the early 1900's. Lots of opportunities for growth and expansion. Great opportunity for the right individual. Call Mark at 802-249-3007 for more information. $400,000.
available with compressor and specialized tooling and equipment plus 16 die rings in variety of sizes/shapes, at Barking Spider Pottery, Penland NC. Can include mold making instruction. 828.765.2670 or [email protected].
Studio Model. Asking: $2,200. List: $5,585. Excellent Condition. Mixing capacity: 150 pounds. 1.5 HP, Single Phase 240. Discounted Shipping available. Contact: Neil @ 607-587-9052.
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to manage the ceramics studio at The Canvas, a non-profit art studio and gallery in Juneau, Alaska. Position also includes teaching classes to all ages as well as full inclusion of individuals with developmental disabilities. Full description and application at: canvasarts.org
an experienced production potter capable of throwing larger pieces in consistent sizes and shapes, and troubleshooting problems. Part time position with flexible hours and potential for full time employment. Location: Oxford, PA. For more info visit http://www.eldrethpottery.com/jobopportunities.aspx or email [email protected].
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a production studio seeks an experienced production potter for throwing & assembling acomplete line of wares. Full-time, salaried with production incentives, bonuses, and profit sharing. Herndon, Virginia. Learn more at: http://www.pottersfire.com/#!opportunities/c1jit. Contact Elizabeth at [email protected].
in beautiful Hawaii! 2017 winter workshops: Adrian Arleo January 20-23, Peter Durst January 4-March 1, Susan Raber Bray February 7-23. Donkey Mill Art Center: www.donkeymillartcenter.org
at gorgeous SNC TAHOE this summer! Matt Katz, Martha Grover, Andy Ruble, Randy Brodnax and Don Ellis, Kevin Snipes, Eric Stearns. www.sierranevada.edu/workskhops 775.881.7588
2017 is coming up fast! · Foosaner Art Museum, Melbourne, FL, February 3-5 · Clay on the Coast 2017, Pensacola, FL, March 3-5 · Duluth Art Institute, Duluth, MN. May 19-21. Check my website for more info, updates and to schedule a workshop. www.vangilderpottery.com
w/ Curtis Benzle. La Meridiana, Tuscany, Italy. September 10-16, 2017. • Colored Porcelain, Translucency and Kintsugi. • Lighting, Sculpture, Jewelry and more. • Fun, Food and Fascination. Benzleporcelain.com Class Information: info@.lameridiana.fi.it Questions: [email protected]
2017 is coming up fast! · Foosaner Art Museum, Melbourne, FL, February 3-5 · Clay on the Coast 2017, Pensacola, FL, March 3-5 · Duluth Art Institute, Duluth, MN. May 19-21. Check my website for more info, updates and to schedule a workshop. www.vangilderpottery.com
January 6-28, 2017. $1,000 Best of Show; $500 Second Place. Tea+Art Gallery, Houston. Entries Deadline: December 5, 2016. 832-955-1767. For full prospectus: http://teaplusart.com/ttt17_prospectus/
– October 22 – 23 Cub Creek Studios, Appomattox, VA, Fee $200 received prior to Oct. 15 after $250. Limited enrollment, Includes lunch Saturday and Sunday and dinner Saturday. Information: [email protected] or www.cubcreek.org
Ceramics Workshops in 2016 sponsored by the NMPCA: Joe Bova "After the Flood, Animal Ranch" August 14-19. Sheryl Zacharia "Bump up the Scale, Expand Your Ideas" August 22-27. Monika Kaden "Expressive Figure Sculpture: Movement & Form" October 20-23. NMPCA "Ceramic Surfaces: Get on Top Of It" September 9-11.www.nmpotters.org for information and registration. Clay workshops sponsored by Ghost Ranch, with Barbara Campbell: "March Mudness", March 14-20. "Raku, Thinking Small," July 10-16. "Thinking Celtic in Clay," July 17-23. "Clay is Infinite, We Can Do Anything," July 24-30. www.ghostranch.org. Judy Nelson-Moore, (505)466-3070.
through September 26. Presenting 72 ceramic works by 51 artists from across the country. View and purchase works on-line: www.deltacollege.edu/div/finearts/dept/dca/gallery/ link to ART.
w/ Curtis Benzle. La Meridiana, Tuscany, Italy. September 10-16, 2017. • Colored Porcelain, Translucency and Kintsugi. • Lighting, Sculpture, Jewelry and more. • Fun, Food and Fascination. Benzleporcelain.com Class Information: info@.lameridiana.fi.it Questions: [email protected]
in La Mesa California is for sale! Looking for just the right ceramic artist with an inclination to teach, hold workshops, create, hold shows and anything else you can think of. Currently housing 17 individual potters/sculptors/hand builders on a monthly basis. Commercial lease, terms and length negotiable. Asking $25,000. www.getcenteredclay.com for photos and contact information.
Seagrove Stoneware Pottery, North Carolina. Offering two year resident apprenticeship for individual seeking the knowledge and skill to become a professional clay artist. Some prior experience required. For more info go to: www.seagrovestoneware.com
in Columbia, MO, seeks Ceramics Artist in Residence for 2017. Living quarters and studio space provided in return for teaching classes and community outreach. Must commit to full year (Jan. 9-Dec. 15, 2017). Deadline to apply is Nov. 4. For more info: http://www.schoolofservice.org/air.html
Space available: includes clay, glaze, firing. Small business training and mentoring included. Dedicated space in attached Gallery and online. More information email [email protected] or 320-587-2599.
4000 sq. ft. open co-op space available in Lake Worth, Florida. Fully equipped. Open 24/7. Monthly, yearly memberships. Contact [email protected]
Custom dies For North Star, Brent, Bailey or Scott Creek Extruders & any pugmill. Any material. Download order form at www.northstarequipment.com or email:[email protected]. Phone: 1-800-231-7896.
Developed by Sandi Pierantozzi. A set of 24 durable, flexible, templates to create a variety of Circular/Conical Forms. DVD also available. Perfect For Teachers and Potters. www.CircleMatic.com.
Real Estate
with 1/1 in-law apartment, 11.29 Acres: wooded, pasture, orange grove. Ideal slope for Wood Firing Kiln! 2-20×40 sheds, garage. 315-246-1854, Agent & potter, Cheri Haring.
Custom log home, 1200sf pottery studio, barn, views! Central AZ Mountains. 36cf Olson propane kiln included. Google: 112 N Seldom Creek Lane. Call 928-474-4554
w/art & art supplies sales in small coastal North Florida community. 2400 sq. foot commercial building. Growing business w/ great potential. $169,000. Also available, adjacent building w/retail and residential space. 850-227-4902 or 850-227-5741.
91 Acres, with a 30 year established private artist and pottery compound on a productive hay farm. This facility has a storied history working with pottery. In addition to the 2 bedroom 3 bath stone residence, there is a two story stone barn conversion incorporating a large upper studio with a fireplace, lower level work room and production area, a gallery and two story attached enclosure used at various times to house a large gas kiln, an electric kiln and cathedral height gallery. Take note of the substantial covered Anagama (wood fired) kiln with an attached crew room. Of the many other outbuildings on the property, one has been in use for clay mixing and production. Other spaces used for photography and print making. Many walking trails are maintained throughout the farm. This is a once in a life time opportunity to own a one of a kind farm in a nationally recognized Agricultural Preservation zone, just 50 min to Washington DC. Call Tim McGrath at Mackintosh Inc. Realtors 800-727-7653 or 800-292-3547 VM or [email protected] for more info and photos.
1.6 acres, front zoned residential, 2 bedroom home. Rear zoned light industrial with 2 buildings set up as pottery, gallery. Covered Raku firing setup. $120,000, Tom McCombs, Century21 HomeStar, 330-644-2413, www.TomMcCombs.com
with storefront. 4800 sq.ft. home and studio located in Oak Creek, WI. 30 minutes from Milwaukee, 1.5 hours from Chicago. 1490 sq.ft. studio with attached store and office space. 2 wheels, wired for 5 kilns with natural gas available. Home is 3 bedrooms, 2.5 bath, 2.7 garage and charming private garden. New central air and high efficiency gas furnace, with 3 solar tubes. Fireplace. Studio apartment attached. $212k: (414)762-1085 or email [email protected]
on sunny, half acre natural setting in Litchfield, Maine. Renovated 2300 sq .ft. home with open floor plan, plenty of windows, warm wood. Attached 1200 sq. ft. garage with 220 wiring, water, heat. Great environment for artists, craftsmen – kayak, swim, fish, lots of birds! $264,500. Contact owners for pictures and more info: www.coldplugs.com/Maine/mainehouse.pdf or call: (207)582-3772
former accredited art/clay school. 40 gorgeous acres near Steamboat Springs, Colorado. Main lodge, studio and student quarters, faculty apartment, barns, sheds. $1,500,000. Call/email for details and info. tel: 970/870-6423, email: [email protected]
Residential & Commercial property for sale in Annapolis Royal, Nova Scotia. Turn-key pottery studio and home. Prominent location for any business on a thriving historic farmers market. Live upstairs, work downstairs, in old world style. Large private backyard. Short stroll to the waterfront, where the Annapolis River joins the Bay of Fundy. Asking price $300,000. Interested? Visit our blog https:homestudiogallery.wordpress.com
with income producing property for sale, Midland Park, NewJersey, $660,000. Beautiful setting in an 1865 train station with two train cars. Established school for 47 years, includes all inventory, [email protected], www.wortendykestudio.com
and residence located in a 250 year old building in beautiful historic New Hope, PA. After 15 years in business I'm retiring to the country. Check out the business at www.mechanicstreetmugs.com. Asking $500K. Serious inquiries only please. Contact Joel E Roberts at 215-630-4338.
with your progress. You will throw thinner, taller, faster; whatever you desire. Guaranteed. I will teach you in your studio. Jepsonpottery.com, neverleavetheplayground.com 407-349-5587
For 25 years, Petro Mold Company has been creating molds for renowned potters and ceramists all over the world. Our innovative molds can help with your productivity and profits. We set the bar for quality standards with sculpting, mold design, and new ceramic casting services. Visit us today at www.custommolds.net or (814) 796-6635 and let us help you.
Hone your craftsmanship with this proven method. I will teach you in your studio. Your skill will grow substantially. See reference letters at: Jepsonpottery.com neverleavetheplayground.com
offers technical information and practical advice on clay/glaze/kiln faults and corrections, slip casting, clay body/glaze formulas, salt glazing, product design. Call or write for details. Jeff Zamek, 6 Glendale Woods Dr., Southampton, MA 01073; (413) 527-7337; e-mail fi[email protected]; or www.jeffzamek.com.
CORAL BAY, ST JOHN January 13-21, 2017 "Vamp Up Forms: through style and efficiency". An 8 day hands-on "pottery in paradise" workshop with Joseph Pesina at St John VI Pottery Inc. Precision Throwing; Sculptural Sense; Pushing Functionality. Cone 10 Vegetable Oil Firing. $800. For details contact : Casey Giakas (732)997-9049, Gail Van de Bogurt (340)514-6594 [email protected] www.potteryinparadise.com
Ceramics, Sushi, and Sightseeing in Japan! Two-week trip, May 17th – June 1st, 2017. Visit potteries, art museums, temples, shrines, and art studios. Hands on workshops; an incredible experience! www.sierranevada.edu/workskhops 775.881.7588
Make your own high fire flameproof cooking pots and learn how to cook in them with Chef Lucia in Tuscany. April 24 – May 6, 2017 www.lameridiana.fi.it
January 14-28, 2017. $1800 covers all expenses except airfare and personal purchases. Work with indigenous artisans, learn about ceramic water filters, explore and enjoy warm beautiful Nicaragua. www.pottersforpeace.org or Abby: [email protected]; 303.442.1253.
A year round ceramic workshop program of residential workshops with instructors of international reputation. In 2017 with Beth Cavener, Curtis Benzle, Pietro Maddalena, Adam Field and many others. At La Meridiana www.lameridiana.fi.it
GAYA CERAMIC ARTS CENTER UBUD, BALI, INDONESIA"Inspired Raku" with Candone Wharton October 16-22, 2016 One week clay workshop $1000 includes: Opening dinner, lunch daily, Instruction, materials and firings Bali excursions art studio and gallery visits.BARCELONA, GAUDI, PICASSO AND DALI 2017 "Art and Architecture in Clay" March 26-April 9 Contact: Candone Wharton [email protected] www.clayarttravel.com
Denys James, Canada 1-250-537-4906 www.discoveryarttravel.com
MOROCCO 2018, April 9 – 30. The Full Circle – Fez, Chefchaouen, Essaouira, Volubilis, Marrakech, Zagora, Meknes, Rabat, Casablanca. Studio visits, adobe architecture, tile art, Roman mosaics, traditional and contemporary ceramics, fabrics, a camel ride in the desert, and much more. www.discoveryarttravel.com
ANDALUCIA, SPAIN, 2018, November. Moorish influence on Ceramics and tile art, Art, Architecture. Seville, Cordoba, Granada, Ronda, Ubeda. Optional add on trips in Spain. www.discoveryarttravel.com


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One more game. One more time on the court. Brandon Roy — the former All-Star whose career has fallen apart because of knee issues — played the first five games of the season for the Timberwolves in a comeback attempt, but those troublesome knees have had him sidelined ever since.
Brandon Roy Hopes to Play in One More Game This Season
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Well despite the weird climate change weather and the European financial meltdown, there dosn't seem to be anything wrong with people's creative urges. It is often said that recessions bring more escapism to the creative fore – see what you think as we have a look at our favourite picks of animation, motion graphic and computer generated pieces from 2011. We will put these before an industry Jury in Jan 2012 and let you know who the winners of each category are. Your votes/comments can count towards this – so let us know what you think, or if we have left someone out…
Best Piece of Television Branding
Some great work in this category this year notably Jon Yeo's Sky 3D idents
[vimeo http://vimeo.com/29389973 w=573&h=322]
Also Double G Studios' T4 Robots
[vimeo http://vimeo.com/18625012 w=573&h=322]
[vimeo http://vimeo.com/31205203 w=573&h=322]Discovery UK's refresh
[vimeo http://vimeo.com/25871689 w=573&h=322]
and finally Channel 4's Usain Bolt Ident
[vimeo http://vimeo.com/28099069 w=573&h=322]
Commercial Graphics
In this category we have Dentsu Studio's balletically beautiful Canon Pixma ad
[vimeo http://vimeo.com/15215534 w=573&h=322]
Also Saam Farahmand's "Machine" for Soulwax is quite mindbending, but like his video for The Klaxons, it's sexy, odd and compelling
[vimeo http://vimeo.com/30905088 w=573&h=322]
Best Television Promo
We think this is a difficult category to work in because budgets are not as good as those for channel branding or commercials work – which is why strong creative ideas that look great on a budget stand out.
Nominated are Eli Zaccour's Art Revealed for BBC
[vimeo http://vimeo.com/26942170 w=573&h=322]
The Monaco Grand Prix F1 trailer by Turquoise for BBC
[vimeo http://vimeo.com/24171914 w=573&h=322]
and Creative Nut's Dexter Promo
[vimeo http://vimeo.com/19480931 w=573&h=322]
Best Outdoor Event Graphics
There are not many companies in this category that have come to our attention – luckily they are amazing so, here are a few of their works…
The Dark Room's Goodwood projections
[vimeo http://vimeo.com/28110583 w=573&h=322]
Shangri'La Projections at Glastonbury 2011
[vimeo http://vimeo.com/26127526 w=573&h=322]
and MIE's very cool 188 Bet Live Video game
[vimeo http://vimeo.com/26476759 w=573&h=322]
Best VFX
This is still an area we are developing on dotmogo and we are eager for more people to come forward with submissions for us. However there are some great contenders here already – see what you think…
Burrell Durrant Hifle's Wonders of The Universe graphics for the BBC
[vimeo http://vimeo.com/28456790 w=573&h=322]
The Mill's work on the Primeval Series
[youtube http://www.youtube.com/watch?feature=player_embedded&v=QAdq_gq_zxk w=573&h=322]
Best Animation Short
After Salesman Pete, Team Cerf's came up with another tour de force in Meet Buck – you will not believe that so much could happen in four minutes, or that a guy with a deer's head is dating a human girl – amazing!
[vimeo http://vimeo.com/17535548 w=573&h=322]
We must also mention the folks at Treat Studios – with their hand drawn high-energy creative styles. In particular their video for Crystal Antlers
[vimeo http://vimeo.com/26856392 w=573&h=322]
Best 2D animation
Sander van Dijk 's piece for Pause Fest in Melbourne
[vimeo http://vimeo.com/31646545 w=573&h=322]
A great Saul Bass inspired charity video from Brand New School and Antidote for the Only The Brave Foundation
[vimeo http://vimeo.com/28460461 w=573&h=322]
Best Experimental Graphics
this is where art in firmly in control over commerce and there are some very imaginative pieces here – we would also be open to more nominations for this category (or any category for that matter…)
Stuart Sinclair amazed us with his macro lens experiments
[vimeo http://vimeo.com/27372959 w=573&h=322]
and Tell No One amazed us with their Francis-Bacon-like Metanoia experiment.
[vimeo http://vimeo.com/24464786 w=573&h=322]
So that's it for now – let us know what you think and we will get back to you in January with the results…Season's Greetings and get some rest…(we will be)


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Ron Carter
Ron Carter's gigging and recording career spans half a century and 100s of albums, including having anchored one of the most esteemed rhythm sections in jazz history; his name is practically synonymous with his instrument. Some might consider that having reached the pinnacle.
"Well, I'm kind of like Martin Luther King, but I haven't been to the mountaintop yet , said Carter. "I'm trying to find out what the top of the mountain looks like and the only way to get there is by playing every night like it's my last chance to get this right. I think I've come close several times and the view, I would imagine, is spectacular. I'm about at the tree line right now - but I'm getting there.
The boldface items on Carter's resume are well known, one of the most prominent being his stint in the Miles Davis Quintet from 1963 to 1968, where alongside Herbie Hancock, Tony Williams and Wayne Shorter he contributed to landmark and widely influential albums like E.S.P., Miles Smiles and Filles de Kilimanjaro. The list of other jazz luminaries who've sought his talents over the years is like a portrait gallery of the music's greats.
Perhaps not as well known is the deep and thorough preparation Carter, now 68, had leading up to that period with Miles, starting with his study of cello from the age of ten and continuing through his Bachelor's degree from the Eastman School of Music in Rochester, New York and his Master's in double bass performance from the Manhattan School of Music. It was preparation that provided a foundation for Carter to proceed with confidence out into the world of the working jazz musician.
"I never questioned my ability to find work in New York, said Carter. "When I was in school in Rochester, I met Sam Jones and the late bassist Ike Isaacs, who was with Carmen McRae at the time, and they assured me that a good bassist could always work in New York and that was enough for me. I had no specific focus on being a 'famous jazz player', but I felt I had a great classical background, I knew the literature, I was learning the jazz library by working these gigs and I felt that if I could be a complete bassist, I could find work and support a family.
Carter's education has also enabled him to create some superb, if under-appreciated, music as a leader, such as his nonet recording Eight Plus (Dreyfus). It includes a cello quartet and Carter on piccolo bass. Who would have thought a string section could play such a stomping blues, as on Carter's arrangement of "A Song for You ? "I've studied composition and arranging skills, and I'm using my classical experience as another tool to make my jazz work better, he said. Though recorded in 1990 by Rudy Van Gelder, Eight Plus wasn't released in the U.S. until 2003. "I'm sorry that it didn't get more attention that I thought it deserved, said Carter. "What's lovely to me about that record is it's 15 years later and it sounds like it was recorded yesterday.
Another lesser-known aspect to Carter's life, though not surprising given his own schooling, has been his career as an educator. He recently retired after 18 years on the music faculty at City College of New York, though not before being honored with the title of Distinguished Professor Emeritus.
"That's not something that the College bestows, said Barbara Hanning, Professor of Music at City College and chair of the music department during much of Carter's time there. "It has to be applied for and then Ron had to go up before the Board of Trustees and be voted on by people outside of our little club! It was a very rigorous procedure that involved scrutinizing his work. He was a stellar and sterling colleague and one of the last things I did as chair was to be in charge of the search that hired his replacement.
That replacement happens to be John Patitucci, a formidable bassist in his own right and, like Carter once was, a collaborator with Wayne Shorter. "Ron is one of the primary reasons that I started playing the acoustic bass, said Patitucci. "His amazing sound, the architecture of his bass lines and his impeccable time feel, among other things, have made him one of the most influential bass players in the history of jazz. He continues to inspire us all.
As nearly two decades in academia would indicate, Carter believes in the importance of formal jazz education today. "There's not that much jazz available in the streets, so to speak , he said. "There's no jazz on TV, there's limited jazz on the radio and many nightclubs that were around when I was a college student have all gone. So those real basic formats of learning music and making connections with people are not in existence right now and there must be some way to continue to propagate this music since those formats are less regularly available. I think a reputable college program with a good director can be a wonderful stepping stone to replace those venues that are no longer here.
Such dedication by Carter to the musical development of younger students is something that Barbara Hanning witnessed time and again. "Ron would often, after being away, come back and land in New York at six o'clock in the morning and be at his nine o'clock class, said Hanning. "You can imagine that everybody wanted to study with him, she continued, "and he would fight with me, in a good natured way, about being able to teach a student who I didn't feel was deserving, because that student may not have passed the audition or who by choice didn't want to make performance their main thing. He kept saying to me, 'they're not going to get better if you don't give them lessons,' and I would say, 'yes, but we can't afford to give everybody lessons.' I was looking at it from a practical point of view, and he was looking at it from an educational point of view.
If Carter believes in formal classroom study of harmony and composition, he also stresses the importance for young bassists to seek out private instruction on the instrument. "I tell all bass players, get a teacher, said Carter. "It seems to me that the bassist, generally speaking, is the last guy to have had lessons on his instrument. And he's behind everyone else's skill level in harmony, theory, composition and arranging skills. So it's invaluable. I can't tell you how many bass players I've spoken with who have said, 'if I'd had a teacher long ago, dot-dot-dot,' and I say, 'well, we can still do this, give me a call.' And we get together! Unfortunately for aspiring bassists, there aren't any openings at the moment. "I have four private students, said Carter, "and that's plenty right now!
Though Carter may have left City College, his days don't seem to be slowing down that much. "I thought that when I retired from school I'd have less work, but I find now that I'm more available I'm getting more calls, he said. "So I haven't gotten to that stage in my head yet where I think scaling back is part of my plan for the future.
Indeed, Carter recently returned from a European tour with his quartet (including musical equipment and luggage lost by the airlines, an unfortunate additional stressor to being a leader) and in December plays Carnegie's Zankel Hall with his trio featuring pianist Mulgrew Miller and guitarist Russell Malone. It's not the first time Carter has used a piano-guitar-bass triohis outstanding 1994 album Jazz, My Romance (Blue Note) has Kenny Barron and Herb Ellis - and it's a format he's attracted to for several reasons.
"First, there's not another rhythmic voice involved, in terms of pure rhythm, as a drummer would be, said Carter. "Second, it increases the range of the bass for me. People don't think of drums as having pitches or definite tones, but they clearly do, he explains. "Occasionally you'll find a drum cymbal that kind of rings through and it's the wrong pitch for the tune or the bass drum or the floor tom aren't tuned correctly, and they make the bass notes just disappear. So without this sonic problem that the drums can sometimes present, it's a nice change to have the bass range fully available to me.
As close to the mountaintop as Carter is at this point in his career, he still looks across the valley to other peaks - like learning to play guitar. Of course, he can empathize with students who sometimes don't feel up to practicing. "I have one here in my apartment that's probably got cobwebs on it, he said, laughing. "I look at it and say, nah, not today. Soft-spoken, articulate, and good-humored, Carter knows that his legacy lies elsewhere. "What I'd like when they put that R.I.P. on my tombstone is for it to say, 'he was a wonderful bassist and a great friend.'
Selected Discography
Ron Carter (with Eric Dolphy & Mal Waldron), Where? (New Jazz-OJC, 1961)
Herbie Hancock, Empyrean Isles (Blue Note, 1964)
Miles Davis, Miles Smiles (Columbia/Legacy, 1966)
Archie Shepp, The Way Ahead (Impulse!/GRP, 1968)
The Great Jazz Trio, At the Village Vanguard (East Wind/Test of Time, 1977)
The Great Jazz Trio, At the Village Vanguard Vol. 2 (East Wind/Test of Time, 1977)
Joe Henderson, The State of the Tenor: Vol. 1 & 2 (Blue Note, 1985)
Photo Credit
C. Andrew Hovan
About Ron Carter
CD/LP/Track Review
- Brasil L.I.K.E by Dan Bilawsky
Live Reviews
- Ron Carter: Detroit Jazz Festival 2016 Artist-In-Residence
- Ron Carter: Always at the Center of the Action
CD/LP/Track Review
- My Personal Songbook by Angelo Leonardi
Live Reviews
InterviewsRead more articles
Ron Carter Events
Ron Carter
Rotterdam, Netherlands
Ron Carter Quartet
Blue Note New York
New York, NY
|10:30 pm
Ron Carter Quartet
Blue Note New York
New York, NY
|8:00 pm
Ron Carter Quartet
Blue Note New York
New York, NY
|10:30 pm
Ron Carter Quartet
Blue Note New York
New York, NY
|8:00 pm
Ron Carter Trio, Feat.: Russell Malone & Donald Vega
Catalina Bar & Grill
Hollywood, CA
Ron Carter Trio, Feat.: Russell Malone & Donald Vega
Catalina Bar & Grill
Hollywood, CA


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The Chancellor's Vision for Inclusive Schools sets the expectation that students with and without disabilities have the opportunity to learn together in collaborative, supportive environments. Please see this video featuring Brandon and Danny and created by INCLUDEnyc, which demonstrates the benefit of inclusive schools and communities.
On Saturday, April 5th, the Office of Special Education held a Conference for Families of Students with disABILITIES at Art & Design High School in Manhattan. The day began with an outstanding performance from a student band at P53K in Brooklyn, as well as remarks from parent leaders and DOE officials. A senior at Channel View School in Queens and student representative on the Citywide Council for Special Education, shared his compelling personal story in overcoming obstacles and being accepted to several colleges next year. Dr. Tom Hehir, a professor at the Harvard Graduate School of Education and an expert on inclusive education, gave the keynote address. The 350+ participants also had the opportunity to attend workshops on special education issues ranging from assistive technology to transition, and take advantage of a resource fair staffed by over 60 organizations. It was a successful day of learning, community building, and celebrating the exceptional abilities of all students—judging by the feedback received from participants: "It was a great afternoon and I'm energized to help my son"; "I attended both workshops and the information presented was priceless"; "The event was great and I will be coming next year!"; and "Gracias por ayudar a nuestros jóvenes a crecer y aprender." If you were not able to attend the Conference for Families of Students with disABILITIES you may now view and download the materials, resources and videos from each session.
The Summit brings together students from across NYC to acknowledge and celebrate inclusive schools. At the Summit, students with and without IEPs in grades K-12 have the opportunity to deepen their understanding of inclusion and explore how to further inclusive practices at their school.
A comprehensive guide for families of students with disabilities. It details families' roles, rights and the processes associated with Special Education identification, referral, and services.
On November 19th, 2015, the Special Education Office partnered with the Office of Student Enrollment to deliver a presentation on how families of students with Individualized Education Plans (IEPs) can be better prepared for the High School Admissions Process. The goals of the presentation are to prepare families of students with IEPs to:


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Taking into consideration the needs of various student constituencies, the Office of the Chaplains accredits a number of externally supported and student-founded religious organizations, currently including the following groups.
These organizations welcome all Willamette students to their fellowships regardless of their religious background.
1. Campus Ambassadors
Student Contacts: Matt Kenagy and Hannah Shively
Advisor: Sarah Kirk, professor of chemistry
Campus Ambassadors exists to build diverse communities through which students' lives are transformed by the power of Jesus Christ. We seek to accomplish this by meeting as a community for weekly Bible study, prayer, and encouragement. We also hold a weekly meeting for anyone interested in being trained to minister to their peers and have occasional social events, retreats, and special outreach events on campus and in the community.
2. InterVarsity Christian Fellowship
Student Contact: Dave Luther
Advisor: Mark Stewart, professor of psychology
InterVarsity Christian Fellowship is partnering with God on campus to establish witnessing communities of students and faculty who follow Jesus - growing in love for God, God's word, God's people of every ethnicity and culture, and God's purposes in the world. Whether you consider yourself a follower of Jesus or not, we invite you to "check us out." We welcome honest questions and curiosity. We believe that everything matters to Jesus, so come learn how your faith intersects with your life at Willamette!
InterVarsity offers a variety of activities and places to connect:
- Weekly small group Bible studies in Greek houses and residence halls across campus
- Fun events to meet new people and build relationships
- Conferences and retreats away from campus both semesters
- Outreach events in the community and on campus
- Daily prayer meetings - praying for each other, the campus, and the world
3. Jewish Student Union
Student Contacts: Tova Hershman
Advisors: Todd Silverstein, professor of chemistry, and Gary Ellison, assistant chaplain
The JSU provides a community through which Jewish students may come together to celebrate holidays (Rosh Hashanah, Sukkot, Hanukkah, Purim, Passover and Yom HaSho'ah) and connect with other Jewish students. JSU members work together to provide transportation to the local temple for regular services and larger celebrations of all major holidays. We also provide non-Jewish students the opportunity to explore Judaism by welcoming them at our weekly Shabbat Kiddush on Friday evenings.
4. Newman Club
Student Contacts: Jordan Ruiz and Itsel Venegas Trujillo
Advisor: Bill Kelm, systems librarian
The Newman Club exists to bring Catholic fellowship to all students, faculty, and staff on the Willamette University campus through service and faith formation. The group meets weekly, prays the Rosary, organizes service projects, and holds spiritual retreats throughout the year.


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The Rahk stops here. On Friday night, "here" was the left wing in front of the Siena bench, where Rakeem Brookins hesitated, believing a timeout was imminent, then pulled up to hit a three-pointer with eight-tenths of a second left. With one shot, the 5-foot-10 redshirt sophomore from Philadelphia stopped an 11-game losing streak, beating first-place Canisius at the buzzer, 57-54, in front of 5,986 at the Times Union Center. After having not won a ...
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Comment of the Day: Ably Fulfilling the DWI Cliche
We have some great commenters here on Hair Balls, and it's time we paid some damn attention to them.
So we'll be highlighting a Comment of the Day each morning, from the previous day's work. Maybe two comments, even.
This will all be determined by a highly rigorous scientific formula involving wit, clarity and whatever else we feel like at the moment.
We wrote yesterday about a DWI cop for the Houston Police Department who got arrested for, well, DWI. The cop told police he had had only two beers, something one reader took note of.
JB wrote:
Every DWI cop says "they always say 'only two beers.'"
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The Day the World was Shocked
The Lusitania Disaster and Its Influence on the Course of World War I
by John Protasio
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By far the most controversial sinking during the First World War was that of the Lusitania. As opposed to the loss of the Titanic several years earlier, which could be attributed to nature, the destruction of the passenger-liner Lusitania came at the hands of a German U-boat, one of many which infested the Atlantic at the time seeking destruction.
Over 1,200 people perished in this attack, including citizens from the then neutral United States of America. Although America did not declare war over this incident, the repulsion over needless loss of life put the country in psychological terms on an inexorable path toward intervention in Europe.
Many questions, however, rage to this day. Was the liner armed? Did she carry contraband (munitions) in a secret effort to aid the Allies? Did the Germans set out from the start to sink this ship? Was the Lusitania deliberately allowed to be sunk (by the supposedly protective Royal Navy) in order to draw the United States into the war?
This book answers these and other questions surrounding this emotionally charged sinking. It traces the story from the time of the vessel's construction to her demise, while providing a real-time look at the chaos on board once German torpedoes had shattered the ship. And what of the U-boat commander, who may either have made the greatest mistake in history, or had just been performing his duty? This account deals with the diplomatic repercussions of the sinking while at the same time examines the human side of the story.
John Protasio, author of three previous books on maritime disasters, has here provided an expert account and analysis of the sinking that swayed a nation—in fact, the world—into a new era, as the United States finally found that it could no longer hide behind its oceans, and instead felt compelled to assert itself as a global power.
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The Day the World was Shocked
by John Protasio
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The Day the World was Shocked
by John Protasio
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by on October 28, 2016
eBook Details
- Casemate, August 2011
- Imprint:
- 9781612000480
- Language:
- English
- Download options:
- EPUB 2 (Adobe DRM)
You can read this item using any of the following Kobo apps and devices:


text:
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text:
Rick Koerber
Liberty Reef, Utah, United States
I am a capitalist. Contrary to what you may believe about THAT word, to me it means, "a liberty minded advocate for prosperity, happiness and peace."
In more common terms, I am a civic minded entrepreneur, dedicated to advancing capitalism as the moral foundation for a revolution to sanction and complete the political achievement of the American Revolution - both in the United States and abroad.
I publish FreeCapitalist.com, broadcast Free Capitalist Radio, am the founder of Franklin Squires, American Founders University and other companies, author of the Liberty Primer and with my wife Jewel am the founder of a growing movement called the American Liberty Society™.


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