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The Tuck School of Business at Dartmouth is currently looking to fill the following faculty positions:
It is axiomatic in many fields that one must learn from history in order to avoid repeating it. In business, students and professionals learn much from recent history, from peers and mentors, from case studies, and from experience—but all too infrequently do economic actors step back for a panoramic view of the landscape of political economy across time. Absent the perspective of the large-scale boom and bust cycle, it is exceedingly tempting to believe that each new wave of growth and development is somehow fundamentally different from those that came before it, and immune to the pitfalls that have turned boom to bust before. History provides valuable lessons, and educated leaders in the world of business should understand that context and be able to apply the lessons of the past to the decisions that shape the present and the future.
Position Description
The Kadas T'90 Distinguished Professorship is designed to further Tuck's commitment to maintaining an excellent faculty and interdisciplinary learning environment. Through the distinction it confers upon its successive holders, the distinguished professorship is intended to recruit, retain, or reward faculty who are regarded as profound intellectual voices of their era, whose teaching is true to the highest standards of Tuck's educational mission as a world-class school of business. This distinguished professorship is intended to recognize outstanding records in both research and teaching with a preference for a focus on global political economy and markets, institutions, economic cycles, and financial crises with a historical perspective.
The Kadas T'90 Distinguished Professorship will be held by a member of the faculty of the Tuck School of Business at Dartmouth. The Dean of the Tuck School will nominate potential incumbents following Tuck's established procedures for appointments to endowed professorships. Download the position description (PDF)
Application Procedure
Candidates interested in this position should contact Leslie Tait, Assistant to the Associate Deans, at firstname.lastname@example.com.


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Musical Prodigy Kuha'o Makana Case is a talented young man with a uniquely triumphant story.
"When I go to the church on Sundays I usually hear a wonderful person up there," said Case. "And I thought of wanting to play the piano because of the powerful hymns that they play and it's just incredible."
One could also say, as incredible as 16-year-old Case's story.
Case is a naturally gifted performer, who taught himself how to play piano at the ripe age of 12 simply by listening to the world around him.
"It is imprinted, inside my head is where all the notes are imprinted," said Case.
Case only has to hear a song twice, in order to play it. A gift of sound so far-reaching, his videos are viral sensations on YouTube.
"I feel very inspired by the people I don't even know and the people that come hear me play the piano," said Case.
Which is why his family friend Barbara Merrill, insisted he collaborate with Clarkston High School students to play a concert while he's visiting.
"What an opportunity for people to hear him," said Merrill.
And when an audience gathers Saturday night in Clarkston, he'll hear them listening because Case, in fact, cannot see. Instead of reading the notes on a page, he feels the music.
"I see no limits," said Case.
Through the sound of each piano key, in every song he plays.
"Music is a key," said Case. "It's a talent, it's important, it's your gift, use it."
When Kuha'o Makana was prematurely born, he wasn't expected to live. Yet here he is, defying any boundaries set before him.
"That name in Hawaiian means extraordinary gift," said Merrill. "And he was very aptly named because he is an extraordinary gift in himself."
"I see no limitations wherever we go," said Case.
Case is performing Saturday night at 7:00 p.m. at the Clarkston High School auditorium with other local students. The performance is free and open to anyone.
Head to our Facebook page, where we've linked his YouTube channel for you to see more of his incredible work. Just search KLEW News and like the page to join.

subset: commoncrawl


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Juarez vs. Thompson Fell Apart Due To Financial Issues
By Rick Reeno
Sources close to the situation have advised BoxingScene.com that super featherweight contender Rocky Juarez (29-10-1, 21KOs) never verbally agreed to face Sergio "Yeyo" Thompson (26-2, 24KOs) on May 18th at the Hotel Grand Oasis in Cancun, Mexico. The fight was going to be the co-feature to Shane Mosley vs. Pablo Cesar Cano.
We reported earlier that Juarez was not going to fight Thompson on card.
From what BoxingScene was told, Juarez was willing to face Thompson when the fight was being discussed as a Fox Deportes headliner on May 3rd in Las Vegas.
After Mosley-Cano was finalized, promoter Pepe Gomez of Cancun Boxing wanted to switch the fight to the Mosley-Cano card.
Juarez, who was being offered $15,000 for the fight, wanted a bump of $25,000 to face Thompson on his home soil. The two sides were unable to reach a financial agreement and Thompson will now face a new opponent.
prepe Gomez is 1 cheap guy...he has a 3k arena w/2 or 3 forms of TV & this is what he offers....good boxers need 2 stay outta Cancun...I doubt Mosley won't get more than $50k...Post a Comment - View More User Comments (1)


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That's a nice and honest attitude! I guess you will have better chances to become a consistent trader than most who guess they are. The point is: There will come a time when you will have drawdowns. Something like an ego squeeze, lol. If a trader is too confident, that's when his account is blown away.
how many people have this title
I think this is a good service. Many people will be interested in this community by sharing their experience for all newbie. We know that, Forex trading is for many people is a new activity, and it will be an additional support for taking decision bur or sell.
This is a good warning for new trader. You know that many newbie is usually over confidence with their effort to be a trader but they are not aware this.
Great information
anybody tell me how to gain points in this board?
I read the first 8 pages of this thread and I came to a conclusion.
The number of people who keep at it until they are successful are really really low.
Most have only 2 or 3 posts to their names before they disappear.
And another interesting pattern emerges. They keep asking the same questions.
Oh and in risk of not following the crowd, I have to say what a wonderful and insightful site babypips school has been.
Its no doubt one of the best online. I am glad to have discovered it three or so years ago. I hope to be profitable and do this as a full time job.
And finally, the most important statement, be rest assured this wont be my last post as I have a ton of questions to ask.
Have a good weekend friends. !
Hi.. I am new to your forums and I am searching online for forex trade and found your site more interested and decided to join your forums. Plz help to gather more info on this topic. thanks!!!!
Good afternoon, FX-Men. I would like to start contributing what I can; however, I would like to paste my charts in a similar format as used on the site. What platform or charting software is being used throughout the site? Thanks!!


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Caroline CostelloShared publicly -
Add a message to your video
Just saw your 10 greatest travel inventions ever story and it was a damn disgrace. Easily one of the worst excuses for journalism I have ever seen. There was no news value in it whatsoever. Could have been written by a 5-year-old. I'm just amazed that you didn't stick, air and water in between jets and credit cards.
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Milwaukee Film announces 2013 Collaborative Cinema project
A University of Wisconsin-Milwaukee senior and a Franklin High School junior will direct and write this year's Collaborative Cinema production for the Milwaukee Film Festival.
Milwaukee Film announced Tuesday that the project, "Love You Still," was written by Franklin High School junior Katie Theel. Michael Viers, who's graduating from UWM's Department of Film, Video, Animation and New Genres, will direct. The movie will be filmed in late June with a full-scale professional crew, and will have its premiere at the 2013 festival. »Read Full Article
Free beer, bands attract crowd to local label's SXSW showcase
When it comes to pulling off a successful showcase during the South by Southwest Music and Media Conference, a prime location in downtown Austin, Texas, is a key factor.
Except when it isn't. »Read Full Article(1)
Skylight Music Theatre finds power in 'Hydrogen Jukebox'
Just before intermission at Friday's opening performance of "Hydrogen Jukebox" — Skylight Music Theatre's production of a song cycle featuring Philip Glass' music and Allen Ginsberg's poetry — the ornate Cabot Theatre hosted a backroom poetry reading.
Clutching a poem and speaking into an old-fashioned microphone, baritone Dan Kempson channeled Ginsberg reading from "Wichita Vortex Sutra," written as Ginsberg traveled through Kansas during the height of the Vietnam War. »Read Full Article
MSO Pops, Cherish the Ladies show St. Patrick's Day spirit
Nothing says "Happy St. Patrick's Day" quite like an evening of Irish music and dance, particularly when the group performing is Cherish the Ladies and singer Cathie Ryan.
The Milwaukee Symphony Orchestra Pops, led by guest conductor Michael Krajewski, joined forces Friday with the internationally acclaimed, all-female group for a high-energy evening of Irish music — both traditional and recently written — and dance. »Read Full Article
Jennifer Nettles right at home in solo show at Riverside Theater
What path would Jennifer Nettles, the big-voiced half of the country-pop super duo Sugarland, take with her first steps toward solo stardom?
The first answer to that question came in January with the release of her debut album, "That Girl." The Rick Rubin-produced disc both employed and harnessed the potency and emotional depth of Nettles' voice and four years of songwriting reflection. »Read Full Article
Hank the dog connects with Brewers owner, others
Milwaukee Brewers owner Mark Attanasio calls Hank the Brewers dog his favorite new mascot.
"This is the start of my 10th season, and the first time People magazine ever wanted to interview me was about Hank," Attanasio said. »Read Full Article(18)
SXSW 2014 Reviews: Mary Lambert, Aloe Blacc, A Great Big World, Phantogram, Typhoon
From a kid-approved Phantogram set to an Aloe Blacc dance party in a parking lot to a moving Typhoon performance set in a church, here's some of what I caught at the South by Southwest Music and Media Conference Thursday.
PHANTOGRAM »Read Full Article


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On Fri, Sep 16, 2016 at 9:43 AM, Jacques Le Roux < jacques.le.r...@les7arts.com> wrote:
> Hi Devs, > > There are mixed opinions about putting or not the ASL2 header in OFBiz > README files. > > One one hand we can read at http://www.apache.org/legal/sr > c-headers.html#faq-exceptions that README files don't require a header > > But to protect our work we can decide to put a header in all README files > (with or w/o suffixes). It's all or none to be consistent. > > Since License is an important matter I think a vote is necessary to define > our policy. > > So please vote > > [+1] include a header in all README files > > [-1] do not include a header in any README files > > [0] Undecided > > I will close this vote in a week, thanks for your time ! > > Jacques > > In my opinion this vote is not valid and should be cancelled. My reasoning is the following: the result of this vote may be against the ASF license policy and as a project we are not allowed to change the ASF license policy by vote. In fact our codebase is licensed by the ASF and not by OFBiz. Why am I saying that the result of this vote may be against the ASF license policy? If we decide to "not include a header in any README files" then we will violate the following [*]: "A file without any degree of creativity in either its literal elements or its structure is not protected by copyright law; therefore, such a file does not require a license header. If in doubt about the extent of the file's creativity, add the license header to the file." In fact it would be difficult to state that the following file (for example) does't contain "any degree of creativity": http://svn.apache.org/viewvc/ofbiz/trunk/README.md?view=markup In fact it contains useful documentation that was contributed by different people who spent time crafting its content. When in doubt, we should add the license header (as stated in the document that Jacques and I referenced); or we can omit it if we judge that the file doesn't contain any degree of creativity. But definitely we can't blindly decide by vote for all the files matching a name (i.e. README) as proposed by Jacques in this vote. Since deciding on a case by case may be tricky and even subjective, my *personal* preference would be to add to all the files the license header. Kind regards, Jacopo [*] http://www.apache.org/legal/src-headers.html#faq-exceptions


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Roni Size
~ Person
Legal name: Ryan Williams (drum n bass DJ/producer aka Roni Size/Firefox/Mask)
Also performs as: Firefox (UK jungle/d&b producer Ryan Williams, aka Roni Size), Mask (UK drum n bass producer Ryan Williams)
Roni Size (born Ryan Owen Granville Williams, 29 October 1969, Bristol) is a British record producer and DJ, who came to prominence in 1997 as the founder and leader of Reprazent, a drum and bass collective. That year they won the Mercury Prize for their album New Forms.
He resurrected Reprazent in 2008 with the release of a deluxe edition of New Forms on Universal.
Showing official release groups by this artist. Show all release groups instead, or show various artists release groups.


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Mentioned this in another thread but I think it's worth mentioning in here.
I'm not sure why Wings fans dismissed Nabokov so easily. He's a former Calder winner who took a pre-Thornton Sharks team to game 6 of the WCF a few years back. He's an oustanding positional goaltender with a quick glove hand and was second in the league in shutouts despite sharing the duties with Toskala for most of the year.
Expect more of the same.
Sharks in 5...
SamadelphiaMember Since 25 Apr 2007
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There is no way Arkansas can keep Bobby Petrino after everything that has unfolded this week. While he is on administrative leave, it is pretty clear that is just code for "our lawyers are researching that we can fire him with just cause and not have to pay his contract."
He tried to lie his way out of everything until realizing all the details were neatly stacked in a police report that wouldn't allow him to weasel his way out of this one.
While I am not here to offer advice on how to get away with having an affair, I do think rule No. 1 is no man should ever hire the 25-year-old blond that he is cheating on his wife with. But with that said I am glad it was a "previous" relationship that ended as soon as his motorcycle crashed on Sunday.
While it is too late for Arkansas to hire a coach for this upcoming season, this is a list of who they should hire after the 2012-2013 season ends.


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dot lizardShared publicly -
That's what I get for visiting G+. I get annoyed by bullshit, then I try to disconnect from the bullshitter who bullshits it, and next thing I know, I've shared bullshit!
The Price of (Delivered) Weed
In the interest of transparency, and to help illustrate why we've implemented a $5 per-delivery fee, here's a breakdown of what it costs to
La chata | Free webfont | Diseño de tipografía gratis | @font-face
Descarga esta fuente gratis, diseñada por mi, para usarla en la web. Las webfonts son la mejora con más estilo de las acontecidas con el HTM
JAY Z Magna Carta
"We need to write the new rules" – JAY Z JAY Z's new album "Magna Carta Holy Grail" comes to Samsung Galaxy* fans first. Be among the first
TuneWiki - Lyrics for Music
Play your music or radio with scrolling lyrics INTRODUCING LYRIC ART Create Lyric Art with your photos and lyrics Let lyrics tell a great st
Read books on your phone, including thousands of free Kindle books.The Kindle app puts over a million books at your fingertips. It's the app
Flickr - Apps on Android Market
Official Flickr Android App. The best way to share your life in photos – now available on Android! Take beautiful photos with our in-app cam
JMSN - Fallin' (Audio)
Produced/Written by JMSN ©White Room Records †Priscilla† iTunes Link: http://bit.ly/jmsnpriscilla All this darkness won't turn light And all
Golden Joystick Awards 2011
Go and vote - you might win a prize!
MCNSA: an on-line Minecraft gaming community.
Drowning Doesn't Look Like Drowning
This enlightening article on what drowning looks like may change the way you watch your children the next time they go swimming.
Guest Post: A Doctor on Transvaginal Ultrasounds – Whatever
A friend of mine is a physician who wants to speak about transvaginal ultrasounds but whose position makes it precarious to speak publicly a
When design kills: The criminalization of walking
A child is struck by a driver and killed when crossing the street on foot with his mother -- and she is the one who is charged with vehicula
Romney 1. To defecate in terror. 2. Former Governor Mitt Romney
Santorum 1. The frothy mix of lube and fecal matter that is sometimes the byproduct of anal sex. 2. Senator Rick Santorum
Noahpinion: The liberty of local bullies
I have not been surprised by any of the quotes that have recently come to light from Ron Paul's racist newsletters. I grew up in Texas,
Are ads preventing your posts from being shared?
Yoast: RT @dannysullivan: Does Google Only Listen If the New York Times Calls Them Out? http://t.co/2I9kU24 -- pretty much exactly how I fee
The Legislation That Could Kill Internet Privacy for Good
An overzealous bill that claims to be about stopping child pornography turns every Web user into a person to monitor
The Shoze Blog: brorwser wars
ארכיון הבלוג. ▼ 2011 (11). ▼ יוני (5). Ivy Kiriban; brorwser wars; grouchy creature; what makes an image work? character driven. ◄ מאי (6).


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New version up.
So, it seems quite a few people experienced difficulties with the patcher. While it still requires admin and .net 4 runtime it should now be willing to tell about what went wrong. ALSO! duel system. You can now /duel other players, this requires that you both be in each others friend lists however.
Next patch will include gratuitous amounts of spiders!
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After many rumours, All Saints confirmed last month that they're back together and making new music.
Following the release of their first single "One Strike," last week, the group finally blessed us on Friday with visuals to accompany it.
The black and white video for the song that references the end of Nicole Appleton's marriage to Liam Gallagher, concludes with the ladies standing together, suggesting they are now stronger than ever.
As for the phrase "One Strike" it's about "how your life can just change in one instant," Shaznay Lewis told i-D in an interview last month.


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Jonesborough apartment owner: "Jesus picture was spared from fire"
JONESBOROUGH, Tenn. - Crews are investigating an apartment fire in Washington County, Tennessee.
The fire started Tuesday afternoon at 3908 Old Jonesboro Road.
Emergency Management Director Nes Lavotch and Jonesborough Firefighter Jesse Rice told News 5 the fire was contained to one apartment.
The owner of the apartments told the Mormon Missionaries living in the damaged apartment and the one above it will live in other housing until repairs are made.
Owner Rena Flathau said, "The thing I was most surprised by was the picture in the window of Jesus. He wasn't affected but the blinds right behind it [the picture] were burned, but his picture was completely fine. So that was amazing. We are thankful to have help today to get them [the victims] where they need to go".
Flathau believes the fire started in the kitchen. She said the occupants were not home at the time. Jonesborough Firefighters plan to search for an exact cause.


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TV liberates polygamous family
Brady Williams and his five wives were a bit apprehensive before the airing of a pilot episode in September, but they said it felt liberating to be open about who they are and what they believe.
"It really is like coming out of the closet," said Brady Williams, 43.
His wives feel the same way, including his second, Robyn Williams, 40, who said: "I feel more free to just be who I am and not be so afraid."
The show, "My Five Wives," airs Sunday on TLC. It chronicles the life of Brady Williams, his five wives and their 24 children who live in a small rural community outside Salt Lake City dominated by a branch of the fundamentalist Mormon church.
The family once belonged to the group, known as the Apostolic United Brethren, but withdrew during the mid-2000s after re-evaluating their core beliefs. Now, they practice polygamy not because they think they must to get to heaven, and avoid hell, but because they prefer the lifestyle.
Their show begins airing in a social and political climate that has softened significantly toward plural families in recent years.
A federal judge in Utah struck down key parts of the state's polygamy laws in December, marking a victory for the Williamses and hundreds of other polygamous families in the state.
The ruling decriminalizes polygamy, making only bigamy -- holding marriage licenses with multiple partners -- illegal.
The family that brought that lawsuit against the state of Utah, Kody Brown and his four wives from TLC's "Sister Wives," is credited with helping create greater acceptance for plural families.
Their show, which debuted in 2010 with footage of the family at their house in northern Utah, was groundbreaking in demonstrating to viewers across the country that not all polygamists are child predators like Warren Jeffs, the imprisoned leader of a polygamous sect on the Utah -Arizona border.
The Williams family members said they don't expect viewers to be surprised by much, other than maybe how similar they are to non-polygamous families. It's normal times five, the family jokes. Viewers will see tears, joy and quarrels, they said.
TLC is banking on viewers being fascinated by the unique dynamics of a plural family: regular family sit-down meetings among the adults where Brady Williams follows an agenda written on a notepad; side-by-side multiplexes where they live; and nightly family dinners where the children line up like kids in a school cafeteria to get their food.
Then there's the always-intriguing dynamic among the wives who share a husband. In the first episode, Brady Williams suggests the women work out their issues directly with one another rather than always coming to him, only to see it lead to hurt feelings and shouting.
Among the topics discussed by the family during the season is a possible move out of Utah, maybe even to Washington state.


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The Mets remain very willing to trade the National League Cy Young winner, with one club official suggesting Tuesday that there's still as much as a 50 percent chance that R.A. Dickey gets dealt. As for the American League Cy Young winner, it appears that David Price is much more likely to stay put.
Trade Price? the Rays Would Rather Move Shields or Hellickson
From CBSSports.com
Use your ← → (arrow) keys to browse more stories
Jared Wickerham/Getty Images


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Langston Galloway and DeAndre' Bembry snapped out of recent slumps, and that provided St. Joseph's with one of its most important basketball wins of the season.
With Galloway scoring 24 points and Bembry adding 18, the Hawks defeated Virginia Commonwealth, 69-62, in an Atlantic Ten matchup Saturday night at Hagan Arena.
After losing to A-10 leader St. Louis on Wednesday, St. Joseph's knew it had little margin for error in terms of NCAA tournament consideration
The Hawks are 16-7 and 6-3 in the A-10. VCU, a team highly likely to make the NCAA tournament, saw its six-game winning streak snapped as it fell to 19-5, 7-2.


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Eyrie Pinot noir Reserve 09
$59.95 regular/ $53.95
Any 12 bottles or Build Case
Eyrie Willamette Valley Pinot noir 2013
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Black Cap Pinot noir 2010
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Eyrie Pinot noir Daphne Reserve 2012
$79.95 Regular
94 points Josh Reynolds, Vinous: "Vivid red. Explosive, sharply focused, mineral-laced aromas of black raspberry, cherry pit, Asian spices and candied flowers. Stains the palate with intense red and dark berry preserve flavors that gain flesh and a smoky nuance with air. Shows outstanding power and vivacity on the finish, which is framed by velvety tannins that fade slowly into the wine's dense fruit. The interplay of richness and vivacity here is striking."
94 points Wine Advocate: "From the highest elevation of the incline, the 2012 Pinot Noir Daphne Reserve is an intermittent release because of the cool climate and wind exposure, notwithstanding its "thin bony soils." From vines planted in 1974, it has a very intense, very pure bouquet with blackberry, small dark cherries, minerals and a touch of violet. The palate is medium-bodied with supple, lithe tannin encasing pure dark cherry and red cherry fruit. There is real backbone here, very linear and focused with an intense finish like someone holding a penetrating gaze for a minute. You'll blink first."
Moderate reddish-purple color in the glass. A very generous wine with vivid aromas of red berries and rose garden. More body and intensity than typical for Eyrie Pinot Noirs, featuring copious dark red berry and cherry fruit with a subtle note of oak, finishing dry with impressive length and show of black raspberry flavor. A special wine made in the Eyrie style but amplified, changing with every sip and showing impeccable balance. Flat-out great. - Rusty Gaffney, PinotFile
124 cases made.
The vines used to make the Daphne Pinot noir are in a 1 1/2 acre block of Pommard clone Pinot noir, planted at the top of the Dundee Hills by John Schetky in 1974. One of the highest-elevation vineyards in Dundee at 860 feet, it only produces enough fruit for wine in occasional vintages.
From the winery: Daphne's rocky soils, high elevation and densely planted vines combine to create an intensely flavored expression of Pinot noir, simultaneously earthy and vibrant. Typically forming part of our Estate blend, in vintages 2001, 2008, and 2009 the excellence of the Daphne Vineyard barrels led us to declare it a single vineyard reserve and to bottle it separately. This very limited cuvee (1480 bottles) is dedicated to Daphne and John Schetky for their wise advice and enduring friendship over the years.
Wine Advocate 92 Points: Vivid ruby. Vibrant black raspberry and Asian spice aromas are underscored by minerals and a hint of potpourri. Fresh and precise, with lively strawberry and raspberry flavors, tangy underlying minerality and a silky texture. Soft tannins add shape to the spicy, floral finish. Very graceful pinot with an alluring, understated character and the balance to age.
2008 Vintage
Wine Advocate 94 points: The 2008 Pinot Noir Daphne Vineyard was sourced from a 1974 planting of 1.5 acres. Medium ruby in color, it sports an enticing nose of rose petal, spice box, incense, underbrush, cherry, and raspberry. Medium-bodied on the palate, it exhibits exceptional volume and concentration, already complex flavors, and several years of aging potential. It should see its 20th birthday in fine form. - Jay Miller
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The dark days of broadcasting from your console are gone. Goodbye extra hardware and complicated setups. With Twitch on PlayStation®4, you can now broadcast your game with the touch of a button. You're welcome.
Our new PlayStation app gives you the full Twitch experience. You can watch, follow, or interact with any broadcaster or game live on Twitch. Available now for PS4. PS3 and Vita coming this fall.
Instantly broadcast your gameplay to Twitch by pressing Share on the DUALSHOCK®4 controller.
Friends and fans can watch your live PS4™ broadcasts across any Twitch device or on Live On PlayStation.
Connect your PlayStation camera for picture in picture broadcasting or add sound with the PS4™ microphone.
Read your Twitch chat while broadcasting your game. It's all on one screen and in real-time.
Live and recorded video of top games, players & esports events
Full chat support with all your favorite emoticons (PS4)
Ability to follow channels and games you want to keep tabs on
Special section to help you discover PlayStation 4 broadcasters


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| View Exclusive AAUP Compensation Survey Data |
A program is helping low-income students at seven community colleges discover new avenues of financial support, in hopes of increasing college completion.
Federal regulatory agency releases an overview of ways to help private student loan borrowers, but doesn't make specific suggestions on Congressional action.
At a Senate hearing, Education Secretary Arne Duncan and Republicans suggest they could find common ground on changing student loan interest rates to a market-based formula.
As total student debt passed $1 trillion last year, more than 35 percent of repaying borrowers under age 30 were at least 90 days late on their payments. The first three months of 2013 were the worst on record for student loan defaults. A college education still pays, but rising tuition, low graduation rates and burgeoning debt levels are pushing postsecondary credentials out of reach for too many students. Meanwhile, the government is expecting to earn a $34 billion dollar profit on federal loans next year.
Congress is about to make things worse. Last spring, students fought and won a battle to prevent interest rates on subsidized Stafford loans, loans with lower interest rates on which the government pays the interest while students are enrolled, from doubling. Yet Congress only fixed the problem for a year. If our leaders in Washington fail to act again, over 7 million students would see their interest rates jump from 3.4 percent to 6.8 percent on July 1. That adds $1,000 to repayment per year of school for someone who borrows the maximum amount each year – an extra $4,000 for a student who graduates in 4 years. Students are fed up with manufactured crises and Band-Aid policies. We need a comprehensive solution that permanently fixes how the federal government sets interest rates for student loans. But the current long-term proposals fall far short.
Proposals Fail to Solve the Problem
One leading reform idea, embraced by both Senate Republicans and President Obama, would replace the current system, fixed interest rates set by Congress, with rates that vary with market conditions but are fixed over the life of the loan – like a mortgage. Students would pay less when overall interest rates are low, and more when overall interest rates are high. The rate would change over time, with no need for Congress to get involved. Allowing for some flexibility would be fairer to borrowers and provide the kind of comprehensive long-term fix that students need. Overall interest rates are currently at historic lows: the federal government can borrow for less than 2 percent on a 10-year Treasury note, but federal loans to students are set at rates ranging from 3.4 percent all the way up to 7.9 percent.
With a market-based rate, though, comes the risk that interest rates will shoot upward. If Treasury rates were to rise to say, 10 percent -- which happened in the 1980s -- not only would this substantially increase costs for students, but it could deter students from going to college at all. A market-based rate with no cap is simply wrong for students.
Which is why the devil is in the details. Senate Republicans, who want to use student borrowers to pay off the deficit, start with a rate set at the 10-year Treasury bill plus 3 percent, a rate that will inevitably rise further with the market. They would also allow interest to grow while students are in school, fueling more student debt, and using the money to reduce the deficit. Previous rounds of deficit reduction followed by sequestration have already slashed the federal education budget. Students need reform that makes college more affordable, not less.
The president's budget proposal is also disappointing. It changes rates to a market-based rate, but provides no cap on how those rates could go. This approach keeps rates low now but pays for it by letting rates rise later. It also subjects those rates to the whims of the market – who could have predicted today's low rates?
A better approach would combine a market-based rate with a strong cap and have borrowers pay back loans based on their income. Under this model, interest rates would track market conditions when issued, but would be fixed over the life of the loan.
The fixed rates and a strong cap would balance flexibility with the need to provide certainty to students. Borrowers would know their expected monthly payment as soon as they took out their loans. A dramatic interest rate spike would never seriously threaten educational investment. Finally, the annual adjustment of a market-based fixed rate removes Congress from the rate setting process -- something everyone can appreciate.
A change to interest rates alone, though, will not curtail rising defaults in a tough economy. That is why we need broader reform to the student loan system. We need better counseling, better loan servicing, and importantly, a simple system that puts students into income-based repayment (IBR). By having students pay back their loans based on what they earn, we would ensure that students graduating in tough economic times would not pay more than they could afford. IBR does not replace an interest rate cap because it does not limit total debt owed or the time required to pay it back. Rather, it limits monthly payment amounts, an essential tool for stemming the default tide that ruins credit ratings and livelihoods.
Finally, we need comprehensive federal and state reforms that will truly address the underlying driver of student debt -- the rapidly rising cost of college.
Last year Congress worked together to avoid a self-inflicted crisis only to face another one 12 months later. We need to address rising college costs and increase school accountability, but we also face a looming deadline to take action on student loans and ensure an affordable, stable system for years to come. And if comprehensive student loan reform proves politically impossible, we must at least come to a short-term agreement that keeps rates low for students and leads us on the path toward that long-term solution.
As we approach the July 1 deadline, one thing is clear: students can't afford for Congress to default on its responsibilities.
Aaron Smith is co-founder and executive director of Young Invincibles, a nonprofit, nonpartisan youth advocacy organization.
The Obama administration unveiled its new College Scorecard with much fanfare this month. Highlighted to college-bound students as a way to "get the most bang for your educational buck," the Scorecard is intended to serve as a consumer guide for higher education. The first section of the Department of Education's new College Scorecard features the average net price of attendance at the selected institution. To guide users, the scorecard categorizes these average net prices as low, medium or high.
There's just one problem: no student is average.
Consider a low-income applicant to the University of Pennsylvania, a school with a high sticker price. At Penn, a full-price student pays $59,600 (including tuition, room & board, and other fees) and a low-income student with a full scholarship pays $0. The average net price across these two students is $29,800. (As it happens, Penn's reported average net price is $20,592.) Just like high sticker prices, high average net price can mislead students from modest circumstances looking for affordable college options. Many colleges – particularly prestigious schools with high sticker prices – are committed to building socioeconomically diverse student bodies. At such schools, students' individualized net prices can vary significantly depending on their financial circumstances.
Would-be college students can access this kind of information before they decide where to apply to school. The Higher Education Opportunity Act of 2008 (HEOA) required all postsecondary institutions receiving Title IV funding to post net price calculators (NPCs) on their websites by October 2011. Using NPCs, students can identify their likely cost of attending different institutions – a number that often varies widely between students based on their state of residence, academic performance, personal income, assets, the number of family members also attending college and a variety of other factors. An individual student's net price is often different from both the school's full-fare "sticker price" and the average net price.
The administration seems to be focusing on the College Scorecard, so we hear little about the net price calculators these days. Like the College Scorecard, NPCs offer key financial information to students and families prior to application and matriculation. The College Board's 2012 study revealed that more than half of college-bound seniors from lower-income and middle-income families still rule out colleges on the basis of sticker price, but with the advent of NPCs, students from all backgrounds can identify affordable college options before they decide where to apply.
This innovation has the potential to turn college advising on its head. Instead of discussing financial aid after students have received acceptance letters in senior spring, counselors can help students build application lists in junior spring that take financial aid into account. With the Scorecard's average net prices, high schools students are left with yet another one-size-fits-all ranking of affordability; in short, it is not much better than the starting "sticker price."
To demonstrate the relative importance of individualized net prices, let's take a look at the projected cost of college for Cristina Moreno, the narrator of the 2004 film "Spanglish" and a first-generation low-income minority college-bound student. Here, we have compared Cristina's individualized net prices with the average net prices for three schools: University of California at Berkeley, New York University and Hampshire College.
For low-income students like Cristina, the College Scorecard misses the mark – sometimes by a big margin. As with sticker prices, these average net prices can indicate to low-income students that they will find neither financial support nor a warm welcome at selective schools.
Ultimately, the White House College Scorecard serves two important purposes: it provides policymakers a high-level view of the affordability of a school, and it provides students a more user-friendly portal to access existing summary data. Though the average net price might be helpful to policymakers trying to manage the overall cost of education in America, students making the biggest investment of their lives need easy access to detailed, individualized information. The Center for American Progress – which issued criticism of the draft College Scorecard in 2012 – praised the new version for including a link to each school's NPC. Even so, parents and students would need to visit each school's individual NPC – adding time and repetition to an already complicated college search – and then decode the distinctive results pages generated by calculators built by the numerous vendors in the space.
Despite the advantages of using net price calculators to identify affordable schools, the CollegeBoard's 2012 study revealed that only 35 percent of college-bound high school seniors used NPCs during their college search. Initial efforts to promote NPCs included a video contest and substantial press coverage, but many college access professionals and counselors still aren't aware of the net price calculators, let alone the federal requirement.
A report issued by The Institute for College Access and Success (TICAS) in October 2012 asserted that "net-price calculators are still not reliably easy for prospective college students and their families to find, use, and compare," noting (among other issues) that many schools post NPCs on obscure web pages.
Theoretically, links to all NPCs have been available since 2011 on the Department of Education's College Navigator, but the list posted there is far from accurate; in 2012, our team spent more than 500 hours identifying the correct links for all 7,000+ schools and campuses receiving Title IV funding. A quick check of the College Scorecard's NPC links revealed the University of West Alabama's NPC link actually directs users to its homepage, but at least the calculators garnered a spot in the new system.
Regrettably, in drafting the HEOA, Congress missed an opportunity to create a centralized system based on the individualized net price concept. HEOA did not compel schools to adopt a specific net price calculator, and the implementation of the NPC requirement has yielded more than a dozen different calculator types with hundreds of variations. To generate of individualized net price results across all schools in a College Scorecard type system, the federal government would need to compel the adoption of a universal net price calculator format and amend HEOA. Such a requirement would place an additional burden on college financial aid offices, but would certainly benefit students seeking a bigger bang for their buck during the college selection process.
At College Abacus, we are closing the gap between legislation – and its goals – and the actual needs of students, parents, and counselors around the United States. We are taking on the task of aggregating the net price calculators into a single, student-friendly tool. With the help of a grant provided by the Gates Foundation's College Knowledge Challenge, we expect College Abacus to expand from its current group of 4,000+ schools to include all US colleges and universities by September 2013.
Given the 1 trillion dollar student loan crisis, students need help identifying colleges that they can afford. The College Scorecard may have stimulated conversation on this critical issue, but it is unlikely to serve our most vulnerable students in their pursuit of affordable higher education.
Abigail Seldin is the CEO and co-founder of College Abacus, and an ABD DPhil in anthropology at the University of Oxford.
Without enough state aid dollars to make college affordable, Colorado is shifting the focus of its grant program from affordability to encouraging credit completion.
Drawing on 50 years of studies, two economists urge policy makers to simplify delivery and design and link aid to performance in college -- conclusions other scholars challenge.
A study suggests that guaranteeing a Pell Grant for low-income students as early as the eighth grade could increase college access and completion.
Grants tied to enrollment, persistence and grades bolstered full-time study but did little to increase credits earned by low-income students, study finds.
Only days away from the 2012 election, one thing is abundantly clear -- Americans are deeply worried about our system of higher education. In fact, almost 90 percent of Americans believe that higher education is in crisis. The success of this generation, and of the U.S. economy, depends on whether we can rise to meet our challenges in higher education over the next four years.
The higher ed crisis is a product of both longer-term disinvestment and a failure to structure our current programs around key goals like access, completion, and job placement. Between 2000 and 2010, state and local funding per student for higher education fell by 21 percent. This follows decades of declining investment and fuels massive tuition hikes, which have hit students hard.
Higher education policy wonks and economists generally agree that a degree is still worth it, but that choice is not always so clear to the individual student. In our surveys and conversations with students across the country, they voice concerns over rising costs, complicated financial aid systems, little guidance, and the uncertain job prospects after school. Despite the problems, about four in five young adults believe that getting an education is even more important to their success than it was to their parents'.
From a national perspective, our biggest lever to improve higher education and help students is federal financial aid. Reforming our financial aid system changes incentives for students, families and schools, and can, if done right, put us on a path to a more successful higher education system. If reform is done wrong -- without student input, for example -- it could hurt the very students we are trying to help. But we owe it to ourselves to try for real change. Higher education is too important to settle for the status quo.
Successfully reforming federal financial aid requires a student-centered approach to drive real impact and minimize adverse consequences. Having surveyed and talked to thousands of students from across the country, we have laid out four key principles that should guide reform efforts:
1. Financial aid must provide meaningful access to all students and families.
About 84 percent of young adults believe that making college more affordable should be a priority for Congress. Our government currently provides critical Pell grants to lower and middle-income students because they need it the most, but we know that college is not yet affordable for all Americans. We can do more. Reforms to grant and loan programs must ensure that higher education is accessible for all students, particularly low-income students and those from communities with historically low enrollment and completion rates. For example, we must fill the impending Pell Grant shortfall.
2. Promote a transparent system that allows students and their families to act as well-informed consumers.
Access to grant aid increases enrollment, yet too few individuals fully understand the aid available to them. Complicated applications, meager advice, low information and an opaque marketplace frequently prevent students from enrolling or finishing school. Those that do graduate too often make choices along the way that raise costs and student debt. Change can start by proving better consumer information for students and families. By making it easier for students and families to compare college prices and outcomes, we can drive competition to help bring down tuition in the long run. For example, we should streamline and simplify federal student loans so borrowers automatically default into income-based repayment.
3. Hold all stakeholders accountable for the goal of graduating students with jobs, not debt.
We know that our college graduation rates are far too low. Federal financial aid does help. In a recent study, about 4 in 5 Pell grant recipients said that their grants increased the likelihood of completing school. Aid should be even more targeted to help students complete, and all stakeholders benefiting from aid, including schools, must be accountable for that goal.
Accountability does not end, however, with graduation -- students must be connected to jobs and careers that provide an opportunity to succeed and, at the very least, to pay off student debt. This generation believes in the value of hard work, and we know it is ultimately our responsibility to work hard and succeed. However, stakeholders should be judged on whether they take every opportunity to connect hard-working students to jobs during school, and encourage graduation with a meaningful degree and manageable debt. For example, we should restructure federal work-study to better connect students to jobs, and we should reward colleges that have more low-income graduates successfully paying back the principal on their loans.
4. Make smart, innovative investments to prepare this generation for tomorrow's economy.
The federal deficit and the Budget Control Act have increased pressure on Congress for across-the-board cuts, including further cuts to education. But we cannot simply cut our way to prosperity. When we asked young adults whether Congress should cut Pell Grants in order to address the deficit, three-quarters were opposed. Indeed, young people understand that investing in higher education is crucial for the economy: 88 percent of young people agree that increasing financial aid and making loans more affordable for post-secondary education and training helps make the economy stronger. Policymakers looking to address deficits in the name of our future should listen to the generation affected by those choices. With limited resources, policymakers must 1) invest adequate dollars in aid, and 2) efficiently distribute limited dollars. Importantly, student-oriented innovations in our federal aid system could help to increase the efficiency of those investments. For example, we should re-examine the ways in which our tax structure helps build campus gyms or attempts to incentivize college savings among families who save anyway, and spend that money instead on shoring up Pell Grants.
The political landscape in 2013 won't be easy to navigate, regardless of what happens next week. As policymakers head back to Washington post-election and step into the next Congress, we will have to deal with a looming fiscal cliff and budget battle, expiring tax cuts, the approaching reauthorization of the Higher Education Act and No Child Left Behind. But the next year does offer a real opportunity for major reforms to our higher education status quo: it is clear that some level of change to the federal aid system is inevitable. And with the cost of college rising at scary rates, our graduation rates lagging, and student debt mounting, a comprehensive look at our federal aid system should be a top priority. Young Invincibles will be laying out a detailed policy proposal for comprehensive change to the federal financial aid system in November, only a couple weeks after the election, to help guide Congress and the president.
Change is both necessary and challenging. Students must lead the way to ensure that no one claims the mantle of "reform" or "finding efficiencies" but really means "cut." Instead, with evidence-based, student-led, and student-centered reforms and investment, we can attain greater enrollment, higher graduation rates, better job placement, and a generation prepared for tomorrow's economy. The time for financial aid reform is now.
Aaron Smith is co-founder and executive director of Young Invincibles.
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HitFix Interview: Mark Duplass talks 'The League' and 'Cyrus'
Busy writer-director-star discusses fantasy football, his FX comedy and 'Cyrus
Actors do TV shows for many different reasons, but Mark Duplass gave me a rather unique explanation when we spoke.
"'The League' is me going off and having sex with a beautiful, gorgeous woman who expects nothing of me other than smiles and fun," Duplass explains.
The first thing you have to know is that he's not being literal. Duplass is, in fact, married to Katie Aselton, his co-star in the FX fantasy football comedy.
However, with "The League," Duplass is a hired gun, just one part of the expert ensemble assembled by creator Jeff Schaffer and Jackie Marcus Schaffer. Granted that "The League," with its heavy emphasis on improvisation, puts more pressure on its stars than most shows, but it's still a relatively low commitment compared to Duplass' other job.
Along with brother Jay, Duplass has been writer, director, producer and occasionally star of a run of independent-minded dramedies including "The Puffy Chair," "Baghead," "Cyrus" and the upcoming "Jeff Who Lives at Home," festival-friendly features that have gradually increased in budget without losing their DIY charm and rhythms.
With "The League" returning for its second season on Thursday (Sept. 16), HitFix caught up with Duplass to discuss his Other Woman and more.
Click through for the full interview...
HitFix: It feels as if the show is really clicking from the opening episodes of the second season. Did it feel like there was a new comfort level at this point?
Mark Duplass: It's funny. We definitely talked about, on the first day of shooting, for us, on the actors side, it felt like we had never left. It was a year later, but we felt like we were just doing it yesterday. I think that speaks to the comfort level. Also, we've become a lot closer friends in the off-season. We know each other's rhythms and ways probably a lot better now than we did when we were just starting the first season. There's a lot of thing contributing to that. Also, Jackie and Jeff know how to write for us now. They know what to give us, what we do well. So the whole thing's just growing from a lot of different angles.
HitFix: When the show started, how well did you know the guys?
MD: Not at all. We dropped down into our first scene and we'd all spent like an hour or two together.
HitFix: As you say, the Jackie and Jeff have had the chance to learn to write for your voice. What do you think they've learned about your voice that maybe they didn't have in the beginning?
MD: Pete's an interesting character, because he's kind of unflappable. He doesn't put in a lot of effort and he does really well in the league, but something we'll discover for him this season is that after he goes through his divorce, we discovered something that I can bring to this character, which is that he seems unflappable, but there's a definite fallibility there and I've sort of made my career either as an actor or as a writer-director, on the foibles and the sort of loveable losers of the world, so I think you're going to see a little bit more this season of Pete's buttons and that's going to take him from being so calm, cool and collected and into a little bit of a s***storm.
HitFix: Was Pete too confident last year for you to feel comfortable with him?
MD: No, I was comfortable with it, perfectly. I think it's just situationally we've found good pickles to put him in. So he's still very much the same guy, it's just that we've found a lot of good places to stick him in that make him more uncomfortable.
HitFix: Do these guys actually have room to grow as people on this show, or is it really about keeping these types steady?
MD: We talk about that a lot, actually, because it is a situational show and Ruxin is Ruxin in a lot of ways and Pete is Pete in a lot of ways and that's true for all of the characters. But it's been interesting for my character, having the divorce finalized in the first season and now trying to go back into the dating pool and seeing what that's like to be single. So while his life situation is that quote-unquote that he's "dating," there is a little bit of growth there in terms of "Where do I fit in here?" But the essence of "The League," in general, is kind of the relationship between these guys and those dynamics, while they expand and have their little changes, they're pretty set in stone.
HitFix: So you enjoy the situational aspect and you wouldn't want things to become, I dunno, more serialized with the characters?
MD: I don't think so. For me and my personal taste for what this show is, it seems like we're going to have a nice, long life in the way that we make this show. The show is made on a budget. In a lot of ways, it's kinda like the independent film version of television. We don't ask for a s***-ton of money and because of that, they like us and they keep us going. The more things get serialized, I think that's towards it becoming finite. As much as I love shows like "Friday Night Lights," it had to end, on some level. The more situational we can stay with this thing, I think we're going to have a longer life.
HitFix: You come from an ultra low-budget film world. Relatively speaking, how high or low frills is "The League" compared to one of your movies?
MD: That's a good question. Obviously it's much more more high frills that something like "The Puffy Chair" or "Baghead," but compared to "Cyrus" or "Jeff Who Lives At Home," the sets feel pretty similar in terms of the spirit of the people. Nobody's really there to get rich, but everybody's making a living and doing well. You know? That middle class zone? For some reason, the food is just infinitely better on "The League." I can't figure that one out yet. I've never really been able to nail that. The one thing that I would say is a little bit different is that we move a lot faster on "The League" than we do on my movies. The camera crew on "The League" is like this highly specialized task force unit on how to make scenes look good when you only have 40 minutes to shoot. We shoot an episode every three to three-and-half days, so that's a lot. On my sets, we have a little bit bigger camera team, we take a little bit more time with it, but otherwise the spirt is very similar.
HitFix: What are the advantages and disadvantages of making a TV show that fast?
MD: We realized this season that this is a very specific thing that we do. It's unscripted television, but it also has enough of a storyline and a narrative that you actually have to make sure that you're driving plot as well. What ends up really happening is that yes, we work without a script, but the script ends up coming together right there in the middle of the scene. So you have to be really really on-it and it's f***ing exhausting. It's not just coming up with jokes. You're coming up with hopefully something funny that relates to your character and also drives the narrative forward, so your brain is like tick-tick-tick-tick-tick and meanwhile you're in the middle of a scene. So what's great about that is that when the moment happens and and you get it and it's an exciting, invigorating process. The negative is just the exhaustion factor of it. But I think that for the feel of the show, the off-the-cuff sense of it, the irreverence, it's the right way to do this show. I don't think the show would be better, honestly, if we took more time with it, writing some of those lines. That being said, I think if we took less time, we might not be able to get done what we need to get done. I, actually, even though it's stressful and tiring, think it's a good way to do it.
HitFix: Could you talk me through the exact mechanics of how you balance that absence of script, but also that need to impose a narrative on it?
MD: We'll have, say, one of those bar scenes with the five of us there. We'll be setting up the storylines for the show. We'll know that, for example, there are three storylines going on, say one with Ruxin and one with Andre, and we'll know what those are and we'll have a general idea of who is going to take what elements of that story. But we'll start off with a take that's usually a giant piece of garbage and then Jeff and Jackie come in and help us refine it and then what ends up happening is that usually somewhere around take three, or maybe four, it all comes together. It's cool, because it comes together in that moment and you've got it on film, as opposed to maybe rehearsing it and then going, "Ooops. I kind of wish we were shooting that." It will mostly be the order of how things happen. A lot of it's on the actors to find ways to organically segue from one element of the story into the other. Then usually someone will come up with something completely out of left field a joke or an insight into the character that will shift the scene a little bit. So it's this little bandying back and forth between the actors' take on the scene and Jeff and Jackie's take on the scene and it's kind of like arts and craft. You just throw stuff in there and then all of a sudden, it just happens.
HitFix: You guys all come to the show with different comedic and acting backgrounds. How does do those backgrounds gel within this process? And does it gel better now than it did when you first started?
MD: It works so well now. I thought it worked well last season, but it's really good now. A lot of it goes into who gets what material. Because a lot of times a joke comes up and we're like, "Who should have this?" As actors, we all have certain strengths. I feel like I'm very good at moving the narrative forward, playing the straight man and then having the occasional zinger here and there. Nick Kroll, nobody can deliver a ridiculous joke like Nick Kroll and make it seem organic, so whenever something scathing or outlandish comes up, we know. Even if Paul Scheer comes up with the joke, all eyes go to Nick, it's like "That's a Ruxin joke." And we just shuffle it over. Lajoie as Taco, he's a great exposition tool for us, because he's kinda the village idiot, so he can ask questions about what's happening and he can also make a joke out of it. Paul has a very good writer brain. He always has good ideas for all of us. It's just a very nice flow to it. Nobody's gobbling up all of the jokes so they can look best on the show. It's kind of that creative Communism thing.
HitFix: You mentioned Paul's writer's hat, but on your films, you wear or co-wear all of the hats. What does it feel like for you to only wear the one main hat?
MD: It is very clearly the sensation of vacation. It sounds like a joke, but I am there to serve the show and occasionally some of that writer or director-y stuff comes in, but Jeff and Jackie are very capable of what they're doing. They're better at doing this type of comedy, this kind of fast-paced, punched up, really joke-driven organic comedy than I am. My stuff is a little more character-dramedy based, so I'm not necessarily the authority on how to write-direct this show, by any means. So for me, it's the only thing in my life where I do mostly just one thing. I just function as an actor there. I show up on set and they dress me and they feed me and I'm making a whole new group of friends and I'm creative and loose and then I go home. It's hard to explain, but it's like my little creative affair. My writing-directing career is my marriage and it's so rewarding and wonderful, but complex and it requires so much work. And "The League" is me going off and having sex with a beautiful, gorgeous woman who expects nothing of me other than smiles and fun. And thank God it's not illegal!
HitFix: Had you been actively looking for that sort of creative relationship outside of your marriage?
MD: I've always always had it with my acting. I had it when I did "Humpday." I had it when I did "Hannah Takes the Stairs" and "Greenberg." But I didn't realize how much I would enjoy it, I guess. It's rounded out my life in a very good way. I love the movies that Jay and I write and direct. He and I would be the first people to tell you that as casual as they appear, we destroy ourselves trying to make them look that way. So this is just a very nice thing.
HitFix: Does doing this give you new approaches for when you and Jay go out to make that next movie?
MD: It does. I actually learn a lot from Jeff and Jackie and the style of the show. I've definitely learned some things about which scenes should be improvised and which scenes shouldn't. And Jay and I are learning more and more that not every scene should be improvised in the same way and that's helped us move, not only more quickly, but just to get better stuff. Sometimes things as little as -- not to give away too much -- but there's a scene in an elevator coming up in this season. And I've always been like, "God, I'm never gonna write a scene in an elevator. How the f*** do you shoot in an elevator?" And I learned how to do it! Because Jackie and Jeff, they figured out a really cool way to do it and I'll borrow a lot of stuff for my movies later on. It's cool, because I get to be a little bit of an understudy for the ways that they make things and steal things here and there.
HitFix: As a lark, can you see yourself wanting to move up from understudying to direct an episode of "The League"? Or are you totally happy where you are?
MD: I'm totally happy where I am and, to be honest, it's hard for me to imagine anyone else directing the show. It moves so quickly. Jeff and Jackie are such a great team together. They're so fast. When I'm directing a scene in one of my own movies and I hear the actors do their thing, Jay and I come in and we know exactly what to do with it. We know exactly how to make those emotional turns. I see Jeff in that exact same role with this show. He comes in and it's just like, "Boom. Switch. Move this over. Cover that part. Here we go." And I'm just like, "Yeah. He's right." They know what they're doing and they're gonna be on-set anyway, so I see no reason why they wouldn't keep doing them all.
HitFix: Now for some reason, I don't know the answer to this and I haven't heard it or read it anywhere else. Do you play fantasy football? Do any of you play fantasy football?
MD: OK, so here's your scoop: We all play now. We're in a league together, which is fun. That gives us lots of good material. Here's who's good: Steve [Rannazzisi] is amazing. Steve has been doing this for years. I actually went to him early on, Nick and I were more like fans from the '80s and '90s and we weren't as up on the 2000s and the lists of players, so Nick and I were totally hitting up Steve like, "We understand this and how it works, but we're just delinquent on the last 10 years and what's been going on, basically." He filled us in on all of that. Paul and Katie and Jon were pretty clueless at first and, interestingly enough, Katie and Paul last year when they started, they just got way into it. Too into it, honestly. Paul went off for his wedding and they left their phones at home on the honeymoon, but the one thing he was allowed to do was check his lineup. It was some bizarre life-immitating-art stuff. And as far as we understand, Jon Lajoie and his relationship to fantasy football *is* Taco and his relationship with fantasy football. We sent out the e-mail to sign up this year and he's still the one who hasn't responded yet.
HitFix: That's got to be an insane challenge, doing improvised dialogue about fantasy football without, at least initially, know the players and how they fit into the game?
MD: It's the great challenge. I remember that when I was doing "Humpday," all I did all day long was think about relationships and emotions and people, so my bank was full. I just got to draw on it naturally. For this show, we have to fill our banks with stuff and then learn how to access it quickly. We're getting better and better at it as the days go by, but there's also the added challenge that we're shooting the show earlier than the actual season happens, but we're trying to air it during the season, so we're making guesses on the way we think that things will go, but we'll shoot multiple versions talking about this team in the playoffs or this other team in the players and hopefully as the season develops, we try and edit it and make it match up as best we can.
HitFix: I definitely felt like these first couple episodes felt smoother and more connected, fantasy-wise than much of last season.
MD: I think we're getting better at it and I think we're also learning how to do it and what things will generally apply. Last season, we used some very specific things and they had to be cut because they didn't match up. So now we're using things that can be general knowledge-applied to whatever transpires in the season.
HitFix: So obviously this show could, on some levels, be about anything that guys get obsessed over. It doesn't need to be fantasy football. But do you think that there are aspects of it that *do* end up being fantasy football specific?
MD: That's a tough question because on one hand, there's the answer of, "Yes, it has to be fantasy football, because Jeff and Jackie know it intimately and they've been playing in leagues forever and it does come top-down from them." So it's their specific love and knowledge of fantasy football that makes the show what it is. But in a global sense, I think the thing that really works with fantasy football is that it's a broad subject that a lot of people, they either understand it and are obsessed with it, or they don't understand it and they think that all of those other people are morons. So I like that aspect of it, the curiosity that people have about it, that sort of grown-up Dungeons & Dragons feel to it that's just this side of absurd. That helps a lot with the audiences connecting to it. Some people really get these guys and other people look at them and go, "What is wrong with them?" And on a macro perspective, it's a nice little metaphor for the disillusioned 30-year-old in America right now who is just like: Life is fine. There's nothing so wrong with it that makes them want to eject themselves completely from their lives -- i.e. get a divorce, quit their jobs, blah blah blah -- but they're not totally fulfilled and there's something about this little game and this little way of becoming victorious, I mean the numbers of people who play the game speak for themselves. It's just something that people feel like they need. Luckily for us, it's a very tragically comedic thing to explore.
HitFix: Excellent. Since we're talking, I want to ask quickly about "Cyrus." What did you think of the way it was rolled out this summer? I saw it at Sundance and thought it was this perfectly accessible mainstream comedy and then it was sort of treated as something more quirky and esoteric.
MD: In all honesty, we would have liked to see the movie go out a little further and a little more aggressively, but that being said, I'm half in agreement with you. I don't think "Cyrus" is a totally easy, mainstream comedy like, say, "The Other Guys," that could have gone out and pleased everyone, but I do think it could have reached a lot more people than it did. But I know Fox Searchlight and I respect their decision and there was a certain point with this movie where they said, "Well, we didn't spend a lot of money on it and we didn't spend a lot of money promoting it and we're already in profit. We could spend a s***-ton of money taking it into the suburbs..." I think they could have taken it out wider, but I think they were worried, honestly, that if they did, they might lose money on it. And their perspective is, "Let's take a profit here and not go crazy." Because the independent film business is risky now and maybe that's how Searchlight has become what they've become. They know when to stop and when to go. As a filmmaker and, quite frankly, my ego might have liked it to go a little further, but we're all happy with the result.
HitFix: I just imagine it's the kind of movie a bunch of people are going to discover on DVD and go, "Oh. I could have seen this in theaters. It wasn't so scary."
MD: Yeah, I think that is going to happen. And the DVD push is coming and Searchlight is saving some money to run a nice Academy campaign for us. All that stuff is very good. It's hard to say, man. Could it have worked bigger? Maybe. But then there's another part of me that's like, "Everybody's going to see it on DVD anyway, so whether they see it in theaters or on DVD, who gives a s***?" It'll be fine.
HitFix: And this was your first experience having this kind of back-and-forth with a studio.
MD: It was. For whatever it's worth, I've always believed in being conservative, so I don't disagree with Fox Searchlight. When we took out "The Puffy Chair," we all agreed, "We're not spending more than $100,000 on this movie." We spend $72,000 promoting it. It made $250,000 in the theaters. So we actually posted a profit theatrically. I believe in being fiscally responsible with with independent film. So there's a part of me that's like, "Great! The weekend this movie comes out on DVD, we're in profit for 'Cyrus.'" So I like that. But maybe it could have been a lot bigger.
HitFix: Hey, profit means people will want to work with you again.
MD: Exactly. I think that there's something to that. Maybe we would have lost money if we'd try to go bigger. There are a lot movies that have made a lot more box office than "Cyrus" has that are still in the hole because they spent too much trying to get it out there.
"The League" returns to FX on Thursday, Sept. 16.


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Go4thegoal Foundation
Rating: 4.97 stars 118 118 reviews
215 Cuthbert Blvd., Suite 150 Cherry HIll NJ 08002 USA
Go4theGoal is a 501(c)(3) Pediatric Cancer Foundation dedicated to providing the necessary resources patients and families need to battle a child's cancer. Go4theGoal offers financial assistance, grants special wishes, and funds hospital based support programs. Since 2007, Go4theGoal has also granted over $1,000,000 to innovative researchers looking for cures. Through its three national campaigns, National Pediatric Cancer Awareness Day, Spring Into Action 4 a Cure, and Lace Up 4 Pediatric Cancer(r), Go4theGoal strives to bring communities together to raise awareness and support for local children battling cancer.
Target demographics:
children and families battling pediatric cancer
Geographic areas served:
the United States
financial assistance, granting special wishes, funding hospital support programs and renovations, and funding over $1,000,000 in innovative research.
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Reviews for Go4thegoal Foundation
I am working with Go4theGoal for my senior project. It really is a great organization, and people get really excited when they find out how easy it is to get involved and how much of their donation is actually going to helping kids with cancer. I hope to continue volunteering long after my senior project is over!
1 person found this review helpful
Here at Children's Hospital Colorado when the Kart-4-Kids pulls up to a patient's door something magical happens.
It never fails to pause a cry, ease a procedure, or prompt a patient (who might not otherwise be inclined) to hop out of bed to lauch a serious shopping spree. It always produces a laugh or a smile in what might be a "rough" day, it can give a family a much welcome change up to Chipotle for dinner, and even provide a small but so much appreciated assist for a family who might not be able to afford some small necessity that we might take for granted.
Working with the people from The Go-4-the-Goal Foundation has been an incredible. experience. It doesn't matter if you are talking to them on the phone, communicating thru email, or personally spending time with them in an onchology unit, the feeling is always the same. These are the most caring, dedicated, and effective people you could ever hope to team up with. They just plain "get it".
1 person found this review helpful
Go4theGoal is a great organization to work with! To see how much the work they do, and how much they help children and families affected by cancer, is very fulfilling! Go4theGoal really does make a difference in, not just their community, but hundreds of communities across the country!
1 person found this review helpful
My name is Hunter Zampa, and I am a teen chef. I have been featured on Rachael Ray vs Guy Fieri Kids Cookoff, The Rachael Ray Show, and even won the Food Network show Chopped! I recently did an event with Go4theGoal called the Kid Chef Cookoff. We raised over 15,000 dollars for a boy with leukemia in my hometown, and Go4theGoal was the best. We would have not been able to do what we accomplished without the help from Beth, Heather, and everyone else from the charity. I would love to do another event with Go4theGoal, and had an amazing time working with them!
I am on the board for FCProvidence Soccer Club in PA. We decided to support Pediatric Awareness Month in September. I found Go 4 the Goal by searching for the gold sock with the gold ribbon. What a great way to generate awareness. The kids wore them to all of their games during the month of September. In addition, Go 4 the Goal sent us merchandise to sell to raise funds for a very important cause. It was great to get the children and families involved in this effort. Even families from the opposing teams not only contributed but also thanked us for supporting such a great cause.
Go 4 the Goal also allows you to choose where the funds go, which was very important to us. They were a pleasure to work with by providing all of the information and materials, as well as excellent communication.
I am very pleased to have had the pleasure to support such a great case and to partner with this amazing organization.
Barb Kernen
FCP Marketing
1 person found this review helpful
My husband and I coach for Barberton Youth Soccer and we heard about this program through a newspaper article. The reason why we got involved in this wonderful cause is a few years ago our oldest son was having some health issues, we took him to the doctors the him some blood work, the warned us what they were testing for and one of the things on the list was childhood cancer. We waited a week for the results it was the longest week of our lives, it turned out he had mono. I can't imagine what these young cancer patients and their families go through. We love that Go 4 the Gold gives back to children right in our own community.
Thank you for letting our team participate in such a wonderful cause.
Brian and Stacy Carpenter
I am the parent of a young survivor, and was moved to help when I found out my son's hospital would benefit. He is now a healthy soccer player, so this was a perfect way give back. Go 4 the Goal was very easy to work with and prompt in responding to questions. They provided posters, literature, balloons - everything we needed for a smooth fundraiser. The shoelaces were very well received by the families who were eager to support the cause.
It is such an honor to have been blessed with the friendship of the Stefanacci family. Their graciousness and goodness is so heartwarming. Go4TheGoal is helping thousands of children affected by cancer achieve their goals...especially when it is so hard for them to keep up with their schoolwork and classmates. As I treasure the memories of sitting side by side with Richard (as his homebound instructor), I know Richard is guiding the Go4TheGoal Foundation with his spirit.
This season the Ivy League participated in a conference wide Go4TheGoal Lace-up weekend. Following the Ivy Conference meeting the Ivy League enthusiastically agreed to support a proposal to generate awareness for the Go4TheGoal Foundation.
During the opening weekend of Ivy League play each University wore their laces and home sites decorated their fields. Personally, the Princeton Tigers were extremely excited to wear their laces and headbands to help generate awareness for an outstanding cause. The players were thrilled to support an organization that represents something truly meaningful. The events of this weekend had impacts throughout the department as various coaching staffs asked how they too can become involved with the Go4TheGoal Foundation.
The Princeton Tigers will continue to support the Go4TheGoal Foundation, as they are touched by the mission of this phenomenal organization.
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1 person found this review helpful
I have been involved with Go4theGoal since it's establishment in 2006 and the much needed support they provide for cancer patients and their families is incredible. One of the most wonderful things about Go4theGoal is that all funds raised stay local which allows everyone involved in a Go4theGoal fundraiser to really feel like they are making a difference. Everyone working at Go4theGoal is completely selfless and their hard work and dedication to the cause is remarkable. Go4theGoal has grown immensely over the last eight years and the impact they have on people's lives will only continue to grow as they do.
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" i m happy "..... fr th changes wit n ME :)
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Bruce Reilly: Hundreds of thousands of New Yorkers are expected to live under a regime of total authority, and simply go about their business when 90% of the time the police find no illegal behavior.
Vietnam Is Back in Town
Jerry Lembcke: Just as perennial announcements that "Freud is dead" or "God is dead" signal that they're anything but, the recurring claims that America is over and done with the war in Vietnam are just as certainly premature.
Save Our Schools and Vietnam War Protests
Mark Naison: Within three or four years, revolt against testing and privatization may well cripple many school systems.
Loving or Leaving America: A Brief History
Michael Sigman: The origin of "America Love It or Leave It" is murky. It was popularized by gossip guru and Joseph McCarthy sympathizer Walter Winchell, who, among other abuses of power, helped keep entertainer/activist/national treasure Josephine Baker out of the country we're all free to love.
Dr. King's Stance Against the Death Penalty
David A. Love: Executions in the U.S. are part of a racially-coded system of retribution. Poor people and members of racial minorities are more likely to receive a death sentence, as are those who are charged with murdering a white victim.
No One Liked Vietnam Protesters, Either
Simon Hall: Public opinion, at least as measured by opinion polls, was incredibly hostile toward the antiwar movement even as support for the war in Vietnam waned.
Is Obama the Best Republican President Since Lincoln?
Tina Dupuy: Historians agree the best Republican President was also the first: Abraham Lincoln. Who's second runner up? Which President has represented Republican values best? Easy. President Barack Obama.
MLK Would Oppose Today's Wars
William Loren Katz: Would Dr. King have called for withdrawal from Vietnam and, had he lived, not called for a withdrawal from Iraq and Afghanistan? Would he have failed to see parallels that are as obvious as they are frightening?
The Pentagon and the King Legacy
William Lorenz Katz: Was not Martin Luther King, Jr. reaching beyond Vietnam when he warned of "approaching spiritual death" and called for "a significant and profound change in American life and policy" and insisted "we as a nation must undergo a radical revolution of values." Was he only speaking of Vietnam when he said, "War is not the answer?"
Heroism, Cowardice, and the National Tragedy of Hidden Guilt
Charles Hayes: Today I feel very differently about the Vietnam War than I did in my youth, but my own feelings of guilt during that time give me a unique kind of insight into the psychology of courage and commitment. America has never had a shortage of courageous citizens willing to take up arms and fight to the death for reasons and causes beyond their own understanding. Arlington Cemetery in Virginia serves as proof. But my sense of the decades since the end of World War II is that America has and is experiencing a courage crisis of shameful origin and of tragic consequence.
It's Plain Whose Country the Government-Haters "Want Back"
Berry Craig: It makes most Republicans and Tea Baggers hopping mad when somebody suggests that outright racism, or pandering to racism, underlies most of their anti-government rhetoric. But there is no denying the GOP is what the Democrats used to be — mostly the white folks' party.
Martin Luther King and the Chicano Movement
Rosalio Munoz: As could be expected, the corporate media is building a mood of pessimism about the possiblities for progressive change, they did so for King and the movements he led, but he was undaunted and we shouldn't be in this years struggles. Si Se Puede! ¡Feliz cumpleaños Martin!
LA Progressive: 22 to 29 November, 2009
Medicare in Crisis: The Devastating Impacts of a Corporate Health Care Bill. But now the dust is starting to settle, and the Congressional vision for health care in the U.S. is emerging. Instead of being "progressive," it will amount to a massive, corporate-inspired attack on American workers, the elderly, and the poor. -Shamus Cooke False […]


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text:
Also known as kentucky waterfall NOT tennesee waterfall......ya jackass
автор: mullet catcher 30 декабря 2002
(noun) In reference to a person only being stroke worthy.. like the ability of a mullet hairstyle to evoke stroking but pretty much nothing else..
Man1: Did you see that chick.. shes a total mullet..
Man 2: yeah and her friend..
Man 2: yeah and her friend..
автор: TheMainLexx 5 февраля 2010
Some old slag who needs alot of work on her face and hair !
Miss Harflette is a mullet
автор: thegingeronee 10 сентября 2009
Also known as a 10 90
That guy had a good mullet but his girlfriend had a real 10 90
автор: zng 26 февраля 2006
(Pronounced 'moo-lay')
A Mullet that has been styled to look sophisticated.
A Mullet that has been styled to look sophisticated.
It looks like a mullet, only very stylish and sophisticated. Henceforth, it shall be known as mullét.
автор: Jademonkey 16 ноября 2005
A mullet is when you have some nasty hair and you are dark and you are a teacher and it gets in your way because you don't know what to do.
Wow look at that mullet in her backpack.
автор: KE Flowe AKA ferari 7 января 2005
A mullet on an Asian: "Mekong Mudflap" or "Ho-Chi Mane"
"Cream of Some Young Guy over there is representin' witha Mekong Mudflap."
"Number 6 Beef and Broccoli's got himself a bad-boy Ho-Chi Mane."
"Number 6 Beef and Broccoli's got himself a bad-boy Ho-Chi Mane."
автор: Freak Nastay 25 февраля 2003


text:
Have you ever had to...
Social Situations
General Gun Discussions
> Have you ever had to...
February 23, 2011, 07:44 PM
throw away $300 + in ammuntion for any specific reason?:uhoh::(
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February 23, 2011, 07:46 PM
I can't see any reason why anyone would have to...
February 23, 2011, 07:57 PM
Um...no, can't say that I have. How about you?
The Lone Haranguer
February 23, 2011, 08:04 PM
throw away $300 + in ammuntion for any specific reason?
There is a story here somewhere. :scrutiny:
Unless it sat in salt water or something and got extremely corroded, or some similar catastrophic event, I can't think of any reason to throw away ammo. :confused: I did find myself in a situation where I had a "stash" of ammo but no gun in that caliber to shoot it in, but I took it to a gun show and sold it.
February 23, 2011, 08:05 PM
No, I did however consider it.
My downstairs flooded several years ago and the chest that I stored my ammo in was underwater for about 3-4 hrs (or so). It took a couple of days before I got a chance to go through my ammo and dry it out. I considered throwing it away but it was a lot of ammo so I figured I would try to salvage it (I did throw away all of the .22LR though).
I shot up all of my flood ammo over the next year or so and had 2 or 3 misfires out of a couple of thousand rnds of 9mm, 40S&W, .38spl, 357 Magnum, .308, 12 ga and 20 ga. I had a mix of everything from Silver Bear to Remington. I even had some reloads. It all went bang except possibly 3 rnds of Silver Bear in 9mm. Considering that I had a couple of cases that was underwater I don't consider this as a strike against this 9mm. Even the reloads made it through ok. I expect ammo to perform after being wet or even briefly submerged but I didn't expect such good results after hours of being underwater.
I did make sure that I was the only one shooting this stuff and it was all shot slow fire.
February 23, 2011, 09:00 PM
i never have had to
February 23, 2011, 09:06 PM
I have heard stories about Katrina-damaged ammo but fortunately I don't live in that area.
I did throw away an old box of .380 acp that had cases that didn't want to stay whole...
February 23, 2011, 10:51 PM
There is a story here somewhere.
And I'm waiting for it....anxiously
February 23, 2011, 11:02 PM
Patriotme - I would have tried shooting the .22 for target practice. If it "FtF", junk that round.
I have 500 round bricks wrapped in plastic wrap, then in foil, then in a plastic water-proof ammo can. The ammo is stored in an unheated detached garage and I've shot some of the Winchester Wildcats that are over 15 years old. So far, no squib loads, no FtF, etc.
February 23, 2011, 11:38 PM
Threw away an entire trash-can full of factory ammo 2 summers ago. In the 80's my Dad was getting ready for TEOTWAWKI, the ultimate SHTF type deal. When the world didn't end it was kind of forgotten about in the back of his storage barn. After he crossed the river a couple years ago we were cleaning out some of his stuff and found this heavy plastic trash-can, years before the mice has turned it into a mouse condo. Mice have rather poor waste management plans, and pretty potent urine... there was a LOT of ammo in that can.
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