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|Absolutely no surprise: Patrice Bergeron a finalist for Selke
|04.24.14 at 1:02 pm ET
DETROIT — To the surprise of no one, Patrice Bergeron finished in the top three in Selke voting for the trophy annually awarded to the league's best defensive forward.
The other nominees were Anze Kopitar and Jonathan Toews; Bergeron will in all likelihood win, with Kopitar likely finishing second and Toews coming in third.
Bergeron won his first Selke in the 2011-12 season and just barely lost to Toews last season. With a 30-goal season, the most faceoff wins and first- and second-place finishes in Corsi and CorsiRel, respectively, this regular season, Bergeron appears to be in line for his second Selke.
"I've always been taught to play the game that way – both sides of the ice," Bergeron said Thursday. "Growing up playing junior my coach put a lot of emphasis on that, and I tried to work on my faceoffs as well.
"I came into the league and guys like Ted Donato and other older guys that were taking a lot of pride in that aspect of the game helped me through it. Obviously, with the coaching staff here now, that's something we put a lot of work on and I'm trying to get better at it."
Zdeno Chara is the main reason as to why the Bruins are such a great defensive team, but its forwards — most notably Bergeron, who plays against other teams' top lines — is why Boston regularly finishes with one of the league's top goal-differentials.
"I think there's no [surprise] about the nomination," Chara said of Bergeron. "Even before it was announced, a lot of people knew that he would be one of the finalists. [It's] well-deserved; he works really hard on both ends of the ice. He does so many things offensively, defensively that it's nice that he's recognized again. I'm sure he's probably going to be one of the favorites to win it."
Bergeron's 30-goal season was the second of his career, as he scored 31 in the 2005-06 season. Given that he never cheats offensively or risks a potential odd-man rush for the sake of a scoring opportunity, the consensus is that he could score much more if he didn't play such a responsible game.
Yet throughout his career, Bergeron has never cared to find out just what would happen if he sacrificed two-way play for scoring. That sense of responsibility is why he wears an "A" on his sweater and why the Bruins pay him handsomely. Next year, Bergeron will begin an eight-year, $52 million contract that makes him the team's highest-paid forward.
"That's the way I want to play the game," Bergeron said. "It does feel natural for me to play both sides of the ice."
|After challenging regular season, Loui Eriksson off to good postseason start with Bruins
|04.21.14 at 9:17 pm ET
When the Bruins traded for Loui Eriksson, one of the most common words associated with him was "underrated."
He'd been a 36-goal-scorer and one of the better two-way players in the game, but because of his responsible style and the market in which he'd played, the narrative was that he didn't get the credit he deserved while playing for the Stars.
So, when Eriksson was traded to Boston in the Tyler Seguin deal, he went from being underrated to facing some lofty expectations. Eriksson struggled to find chemistry with Brad Marchand and Patrice Bergeron early and suffered two concussions during his first regular season in Boston, and as such finished with just 10 goals and 27 assists for 37 points in 61 games.
Two games into the playoffs, however, the Bruins are getting a combination of the player they saw after he returned from his first concussion — a player who was finding his way and providing a great blend of finesse and smarts in front of the net — and the player who was playing more confidently down the stretch on a line with fellow Sweden native Carl Soderberg.
Reilly Smith knows Eriksson as well as any of his teammates, as the two played together in Dallas before being sent to Boston as the two main pieces acquired by the B's in the Seguin trade. In Sunday's Game 2 against the Red Wings, Smith capitalized on Eriksson's net-front work by jumping into the crease and knocking the puck into the net to give the B's a 2-0 lead. It came on a power play that followed the expiration of the first penalty of a five-on-three, but Boston still had its five-on-three unit with Eriksson in front on the ice. That goal stood as the game-winner as the B's went on to claim a 4-1 victory.
That wasn't Eriksson's only contribution. The Red Wings haven't scored against his line and he has been a major part of a penalty kill that has limited the Red Wings to just two shots on goal — none of which have gone in — on six power plays.
|Though Habs may soon await, Bruins focused on Red Wings
|at 9:07 pm ET
One major difference brought about with the change to the NHL's playoff format is the fact that in each series, teams have a 50-50 chance of knowing who they'll face next.
Usually, it isn't until the conference finals that teams know that they will play one of two teams should they advance, but with the divisional, non-reseeding format the league changed to for this season, that scenario is provided throughout the playoffs.
The Bruins and Red Wings both know that, should they win, they will face the winner of the series currently being played between the Canadiens and Lightning. Well, that series could be over awfully soon, as the Habs hold a commanding 3-0 series lead over the Bolts.
The Boston-Detroit series, on the other hand, has just begun. Tied 1-1 heading into Tuesday's Game 3, the series has at least three games to go, and with the way it has looked thus far, could go four or five more. The Montreal series could be over as soon as Tuesday night, in which case the Canadiens would both have a lot of time to wait for their next opponent and face a potential matchup against the Bruins.
"That's their series. We're worried about ours right now," Claude Julien said Monday. "Our players shouldn't worry about that. As coaches, you worry about your team but you also are allowed to watch and prepare in a certain way by watching the other series as well, so I don't think it's a big issue.
"I know that there were times in the past where we were done and we had to watch a couple of different series because we didn't know, depending on who would win, who we'd play, so there's no doubt it's a lot clearer now. We don't have to look too far to find out who our next opponents could be, but at the same time, it's about getting out of this one here, and right now it's a 1-1 tied series that, to me, has the potential to go a long ways."
|Patrice Bergeron: 'I'm not rooting for anyone except us right now'
|04.18.14 at 11:59 am ET
Every Stanley Cup playoff series got a head start on the Bruins and Red Wings. Now, on Friday night, Patrice Bergeron and the Bruins get their chance to show how ready they are after a league-best 117 points in the regular season.
"It was great to have those games and get in the mode of playoff hockey and watching it all helps to get a focus," Bergeron said Friday morning after participating in a light optional skate before Friday's Game 1 at TD Garden. "I was getting antsy just watching, for sure. You want to get out there, you want to get going. It's nice that it's finally tonight.
"I'm not rooting for anyone except us right now, so I'm just watching games and, like I said, it helps me getting focused just by watching it and being ready for tonight."
The biggest break for the Bruins and the Red Wings is that they've had a full four days off since the regular season ended on Sunday.
"I think it's good for everyone, just with the schedule we've had after the [Olympic] break," Bergeron said. "It was pretty crazy so it was good everyone to get ready and now we're looking forward to it."
|Mike Petraglia, DJ Bean on Patrice Bergeron, Daniel Paille and Bruins in Stanley Cup playoffs
|04.12.14 at 8:06 pm ET
WEEI.com's Mike Petraglia and DJ Bean assess the Stanley Cup playoff chances of the Bruins after they clinched the Presidents' Trophy Saturday with a 4-1 win over the Buffalo Sabres. The Bruins won their 54th game of the season, giving them 117 points on the season but lost the services of Daniel Paille after a big hit by Sabres defenseman Jake McCabe. Patrice Bergeron also scored his 30th goal of the season but did not play the third period after a very minor injury, according to head coach Claude Julien. Bergeron is expected to be ready when the Stanley Cup playoffs begin this week.
The Bruins offered no update on winger Daniel Paille, who left Saturday's game in the third period after taking a big hit from Sabres defenseman Jake McCabe.
Paille was slow to leave the ice and has already had two concussions this season. Patrice Bergeron also left the game, but he played the first two periods before missing the third, seemingly for the sake of rest. Bergeron sat Thursday in Minnesota, though the team said it wasn't a healthy scratch.
"With Bergy it's very minor," Claude Julien said. "With Paisy I haven't had a chance to talk yet with my trainers or to the doctors. I'll probably see later on."
The Bruins will finish their regular season schedule Sunday in New Jersey. Chris Kelly is not expected to play and Julien said that the team will likely call up multiple players from Providence to play.
For more Bruins coverage, visit weei.com/bruins.
|Bruins clinch Presidents' Trophy, Patrice Bergeron scores 30th goal in win over Sabres
|at 3:12 pm ET
Patrice Bergeron hit the 30-goal-mark and the Bruins clinched the Presidents' Trophy Saturday with a 4-1 win over the Sabres.
The B's, who sit at 117 points (54-18-9) with one game to play, will finish with the most points in the NHL for the first time since the 1989-90 season.
Bergeron got to 30 goals for the second time in his career when he took a pass from Brad Marchand and sent a one-timer past Matt Hackett to give the Bruins a 3-0 lead in the second period. Bergeron's other 30-goal season came in 2005-06, when he had 31.
Bergeron left the game after the second period, though he played the first two periods and didn't look hindered in any way. It's possible the team was just resting him.
The big scare, however, came in the third period when Daniel Paille left the game in the this period on a big hit at the blue line from Jake McCabe. McCabe was given a game misconduct for the hit (despite it actually looking clean, though slightly high), while Paille — who has already had two concussions this season — was slow to get up.
Gregory Campbell scored his eighth goal of the season when he took a first-period feed from Jordan Caron and tipped it past Hackett to give the B's a 1-0 lead. David Krejci followed by getting the rebound off a Zdeno Chara shot off the end boards and sending it in for his 24th goal.
The Sabres scored their only goal in the third period, when Cody Hodgson picked up his 20th of the season. Krejci made it 4-1 on a power play with a shot from the point that went off the end boards and hit Connor Knapp's skate on its way in.
The B's will finish their regular-season schedule Sunday in New Jersey.
– Jarome Iginla's 30-goal season is well impressive, but Bergeron hitting 30 goals is the most impressive individual achievement this season from any Bruin. The thirty goal mark is hard to hit in Claude Julien's system (Bergeron became the fourth player to do it since Julien came to town in 2007), and he made it tougher on himself by being a responsible player and not cutting any corners for the sake of goals.
An example of that came in the second period before his goal Saturday. About seven minutes into the period, Brad Marchand and Reilly Smith went deep into the offensive zone, with Bergeron staying high. With the puck bouncing around in front moments later, Bergeron stayed high rather than jumping up and giving himself a chance at a goal at the risk of an odd-man rush.
A breakdown of Bergeron's 30-goal season is as follows: 22 even-strength, seven on the power play, one shorthanded and three empty-net goals.
– Bergeron and Iginla also gave the Bruins their first pair of 30-goal scorers since Julien has been the coach. The last time the B's had two 30-goal scorers was in the 2002-03, when they had three in Glenn Murray (44), Joe Thornton (36) and Mike Knuble (30).
– The win guaranteed that the Bruins will not lose two straight regulation games this season.
– That would be pretty rough news if Paille were to have suffered a head injury on the hit from McCabe. Though a fourth-line player, Paille makes up one third of the best fourth line in the league and is a player who has been moved up when wings on other lines have been injured. He is also a plus penalty killer and was a very good performer last postseason (four goals and five assists for 13 points in 22 games).
– Another scary scene came in the third period when Torey Krug landed on Hackett, causing Hackett to remain down on the ice in pain for several minutes before leaving in a stretcher.
– The Bruins didn't need to get into the whole John Scott thing, but it happened twice. Scott went after Lucic in the second period, leading to a scuffle in which Zdeno Chara intervened and cross-checked Scott in the face. Chara and Scott got into it again late in the third period and were given 10-minute misconducts.


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* AccidentalInnuendo: ''The Oracle'''s proclamation that "inside her lock he'll turn the key" is a little... [[FreudWasRight phallic]]. At least the fact that the key metaphor is used earlier in the soundtrack with a male[[note]]Ahrima[[/note]] as the "lock" and a female[[note]]Nidria[[/note]] as the "key" makes it slightly better (or perhaps [[RefugeInAudacity even worse]]).
* AlternateCharacterInterpretation: Is Ahrima a good guy who just didn't get enough affection from his father figure, or a whiny brat who throws world-shattering temper tantrums when he's not the center of attention?
** Is Pallis a well meaning case of BigBrotherInstinct gone ''way'' too far, or a textbook example of DarkIsEvil who would tear down anyone in his way to preserve the status quo?
* CrowningMusicOfAwesome: It's a freaking [[TheMusical musical!]]
* {{Narm}}: BROTHER NOOOOOOO
** Anhura spontaneously announcing that she really wants to have Adakais's babies can raise a few eyebrows.
* NarmCharm: Could this musical have been written with characters who don't take themselves so seriously and are less prone to ChewingTheScenery? Yes. Would it have been anywhere near as fun? Absolutely not.
* {{Squick}}: ''Doctor, Doctor,'' with Dumayas plans for Anhura.
* UncannyValley: The album cover looks a little . . . unsettling.

subset: commoncrawl


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Within a short walk of Raceway Park, Rodeway Inn is within 2 miles (3 km) of Toledo Speedway. This 80-room hotel welcomes guests with conveniences like free breakfast, free in-room WiFi, and free self parking. Toledo Firefighters Museum and Tamaron Country Club are also close to this Toledo hotel.
Start your day off right with a free continental breakfast.
Rodeway Inn's 80 air-conditioned rooms provide coffee makers, free weekday newspapers, and free local calls. TVs come with cable channels and pay movies, and guests can stay connected with free WiFi. Bathrooms offer hair dryers and free toiletries. Other standard amenities include ceiling fans, safes, and ironing boards.
Property features
Rodeway Inn features a fitness center, free WiFi in public areas, and coffee in a common area. Free parking is available if you drive. The 24-hour front desk has staff standing by to help secure valuables, and answer any questions about the accommodations. Additional amenities include free newspapers, laundry facilities, and a garden.
- Free continental breakfast
- Free WiFi in rooms and public areas
- Free parking
- Fitness center
Rodeway Inn445 E Alexis Road Toledo OH 43612
Hotel Amenities
Hotel Amenities
Guests can enjoy a complimentary breakfast. High-speed wireless Internet access is complimentary. This Toledo hotel also offers a fitness center, gift shops/newsstands, and a garden. Complimentary self parking is available on site.
- 24-hour front desk
- Total number of rooms - 80
- Number of floors - 2
- Free breakfast
- Coffee/tea in common areas
- Free newspapers in lobby
- Fitness facilities
- Gift shops or newsstand
- Laundry facilities
- RV, bus, truck parking
- Garden
- Picnic area
- Safe-deposit box at front desk
- Free self parking
- Free WiFi
Family Friendly Amenities
- Family Hotel
- Free Wi-Fi
- Laundry facilities
- Cribs/infant beds (complimentary)
Available in all rooms: Free WiFi
Available in some public areas: Free WiFi
Free self parking, RV, bus, truck parking
Room Amenities
- Premium TV channels
- Pay movies
- Air conditioning
- Ceiling fan
- Free weekday newspaper
- Free local calls
- Coffee/tea maker
- Daily housekeeping
- Private bathroom
- Free toiletries
- Hair dryer
- Shower/tub combination
- Cable TV service
- Desk
- In-room safe
- Television
- Iron/ironing board
- Free cribs/infant beds
- Rollaway/extra beds (surcharge)
- Free WiFi
Where to Eat
Guests are offered a complimentary continental breakfast.
To make special requests for accessibility needs, please note them at check-out when you book your room.
- Accessible bathroom
Hotel Policies
Check-out time is 11 AM
Payment types
- Pets allowed for an extra charge of USD 15 per pet, per day
You need to know
Extra-person charges may apply and vary depending on hotel policy.
Government-issued photo identification and a credit card or cash deposit are required at check-in for incidental charges.
Special requests are subject to availability upon check-in and may incur additional charges. Special requests cannot be guaranteed.
24-hour check-in
Optional extras
- Pet fee: USD 15 per pet, per day
- Rollaway bed fee: USD 15 per night
Hotel Name
- Quality Inn North Toledo
- Quality North Toledo
- Rodeway Inn Hotel Toledo
- Rodeway Inn Toledo
We should mention
Children 18 years old and younger stay free when occupying the parent or guardian's room, using existing bedding.


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Braun to attend benefit at 8-twelve for children at Froedtert
Brewers left fielder Ryan Braun will meet guests May 22 at 8-twelve MVP Bar & Grill in Brookfield at the inaugural benefit for the SURG Restaurant Group's Fund for Children.
The fund will supply toys and other items for children in emergency rooms or waiting rooms at Froedtert Hospital. SURG partners Michael Polaski and Omar Shaikh decided to set up the fund after the community's response to help the children who lost parents in the Azana Spa shooting in Brookfield in October. The fund would help children who are patients as well as children who are waiting for word about family receiving treatment at Froedtert, according to a statement from the group. »Read Full Blog Post(1)
Bieber reminds us that he still makes music
Justin Bieber, 19, has had a problematic PR year, to say the least, with damning headlines practically on a weekly basis. Bieber abandoned his monkey in Germany! Bieber allegedly visited a brothel in Brazil! Bieber urinated in a restaurant mop bucket and cussed out a picture of Bill Clinton!
But he's trying to end his year reminding people he's actually a musician with an iTunes exclusive album, "Journals." Released Monday and reportedly only available as a bundle of songs for two weeks, "Journals" features 10 songs that were previously released on a weekly basis starting in October as part of his recent Music Monday series, plus five brand new tunes. »Read Full Article(11)
Top of the Charts: The top Christmas hits
As Christmas quickly approaches, the airwaves - and stores - are filled with the sounds of the season. So, we'll take a step away for the Hot 100 for a week to take a close look at Billboard's Holiday 100. You can find the full list of the year's biggest Christmas hits here, but first let's take a closer look at the top five below. It's a surprising mix of big stars, reality TV champions and old favorites. Strap on your jingle bells and sing along!
No. 5 Holiday Hit »Read Full Blog Post
On Tap for Today: Christmas lights and Festivus celebrations
On the Monday before a big holiday don't we all feel a little like squirmy gradeschoolers who can't wait for Christmas Eve?
Here are a couple ideas for keeping spirits bright: »Read Full Blog Post(1)


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Wednesday, September 28, 2016
J/70 - World Championship 2016 - San Francisco CA, USA - Day 1
With 18 kn, the autumn seabreeze in San Francisco is less than the wind in summer time, ideal conditions for the start of the J/70 World Championship 2016. Two races have been completed and the overall rankings have Jud Smith USA (with Ed Wright GBR) and Joel Ronning USA on top at equal points. 9 points behind follows the defending champion Julian Fernandez MEX with Bill Hardesty USA as tactician. 68 Teams from 13 nations participate.
The ranking list and the daily news.
The ranking list and the daily news.


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Hotels near Karl-Bonhoeffer-Nervenklinik S-Bahn
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- Most bookedDays Inn Berlin West
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- Best Western Hotel am BorsigturmNo Guest Reviews yet
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"Just 30 seconds walk from subway station. 20 minutes to Berlin central station. 20 minutes to the airport. Perfect place to stay. The room is clean and nice hotel staff. The hotel has minimum equipment. No air conditioner, no coffee makers. They will rent hair dryer on request. Not recommended at..."
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"2 min. walk to subway. Small and old elevator bringing you to floor 4.5 and then you walk up half a floor. Receptionist nice and helpful. Room clean. No air-conditioning. Calm. No change of towels and linen during 3 days. Access to shower and toilet a little bit strange but okay if you are in goo..."
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"The receptionist was very helpful during our check in and how to get around in Berlin and what to see. The receptionist on Sunday was very helpful too on how to get around and securing our luggage when we were away from the hotel. Both were very friendly and made us feel very comfortable."
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A Traveller, Sep 2016, AU
Map of hotels near Karl-Bonhoeffer-Nervenklinik S-Bahn
- Alexanderplatz
- Brandenburg Gate
- Olympic Stadium
- Kurfuerstendamm
- Berlin Zoo
- Messe Berlin
- Checkpoint Charlie
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- KaDeWe
- Treptower Park
- Friedrichstrasse
- Museum Island (Museumsinsel)
- Gendarmenmarkt
- Charite
- Reichstag Building
- Mercedes-Benz Arena
- Estrel Convention Center
- Humboldt University
- Spandau Citadel
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Drought Conditions Worsening Across Alabama
LONG DRY SPELL AHEAD: A number of wildfires have been reported across Alabama today; authorities are evacuating homes and businesses in West Jefferson County as firefighters battle a fast-spreading fire… The fire is affecting the McCalla area near Serene Drive and War Eagle Drive. A command post has been set up and deputies are going door to door making sure residents leave their homes. I saw two wildfires along I-65 between Cullman and Birmingham today.
Coleen Vansant with the Alabama Forestry Commission sent us this note:
"I wanted to fill all of you in on the current wildfire situation. Over the past few days we have experienced an increase in wildfire activity across central, northeast, and east central Alabama. We are in our usual fall fire season but the extended drought across much of the state, particularly from I-65 east is creating greater problems for wildland firefighters. In the past few days, dry conditions combined with low humidity and an increase in wind is creating a favorable weather environment for wildfire. Yesterday, Wednesday, September 28, 2016 the state had 38 wildfires for 282 acres. In the last seven days we have had 137 wildfires for approximately 1,540 acres. Most of these fires have occurred east of Interstate 65 and north of Randolph County to the Tennessee line.
Although we are under no burning restrictions at this time, the Alabama Forestry Commission is urging everyone to use extreme safety precautions when doing any type of outdoor burning. The best thing to do is postpone any burning until measurable rainfall is received."
Unfortunately there is little if any hope for rain over the next ten days across Alabama, so drought conditions will only worsen. Please be very careful if you are doing any outdoor burning.
COOLEST AIR SO FAR: As advertised, temperatures are only in the mid 70s across Alabama this afternoon with a fresh north breeze; tonight will be clear and cool with temperatures dropping well down in the 50s early tomorrow; colder pockets will visit the 40s. Tomorrow will be just like today; ample sunshine and a high between 74 and 77.
THE WEEKEND: Still dry; sunny Saturday and Sunday with a slow warming trend. The high Saturday will be in the 77-80 degree range, followed by low 80s Sunday. Lows will stay in the 50s.
FOOTBALL WEATHER: Looking fantastic for Friday night's high school games; a clear sky with temperatures falling through the 60s during the games (remember, they were falling through the 80s this past Friday night). Some stadiums will see 50s by the fourth quarter, and a light jacket will be in order.
Alabama will host Kentucky Saturday evening at Bryant-Denny Stadium (6:00p CT kickoff)… the sky will be clear with temperatures falling from 73 at kickoff, into the mid 60s by the fourth quarter.
Auburn hosts Louisiana-Monroe Saturday at Jordan Hare Stadium (2:30p CT kickoff)… expect a sunny sky with a kickoff temperature of 76 degrees…falling into the upper 60s by the final whistle.
NEXT WEEK: Sunny days, fair nights, highs in the 80s and lows around 60. See the Weather Xtreme video for maps, graphics, and more details.
BARBER VINTAGE MOTORCYCLE FESTIVAL: This event runs from Friday October 7 through Sunday October 9 at the Barber Motorsports Park. No real skill in a specific forecast this far out, but October is our driest month of the year, and for now we see nothing to suggest any significant chance of rain event on these three days. Get ticket information right here.
AT THE BEACH: Mostly sunny days, fair nights, and only isolated storms through most of next week for the coast from Gulf Shores over to Panama City Beach; highs hold in the 80s. See a very detailed Gulf Coast forecast here.
MATTHEW IS NOW A HURRICANE: Still looks like Matthew will make a hard right turn over the Caribbean this weekend; it should be over eastern Cuba by Monday or Monday night.
Almost all reliable model guidance keeps Matthew well east of the Gulf of Mexico… but it could very well be a threat to parts of the U.S. East Coast next week. See the Weather Xtreme video for more maps and details.
WEATHER BRAINS: Don't forget you can listen to our weekly 90 minute netcast anytime on the web, or on iTunes. This is the show all about weather featuring many familiar voices, including our meteorologists here at ABC 33/40.
CONNECT: You can find me on all of the major social networks…
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I had a great time today visiting with the 6th graders at East Elementary in Cullman… and the 3rd graders at Hayden Elementary in Blount County… be looking for them on the Pepsi KIDCAM today at 5:00 and 6:00 on ABC 33/40 News! The next Weather Xtreme video will be posted here by 7:00 a.m. tomorrow…
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A correction has been published | View article
Horney's "Are You Considering Psychoanalysis?"—The review of this book, published in The Journal, March 8, page 732, fails to include the Philadelphia Psychoanalytic Institute in the list of training institutions affiliated with the American Psychoanalytic Association. The Philadelphia Psychoanalytic Institute, we are informed by Dr. Robert S. Bookhammer, was organized in 1940 and is a recognized and approved institute for training in psychoanalysis.
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text: a 3.0 m rod is pivoted about its left end. A force of 6.0 N isapplied perpendicular to the rod at a distance of 1.2 m from thepivot causing a counter clock wise torque, and a force of 5.2 N isapplied at the end of the rod 3.0 m from the pivot. The 5.2 n is atan angle of 30 degrees to the rod and causes a clock wise toqrue.What is the net torqe about the pivot?


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We have purchased an IFB Dishwasher model-Neptune on 14/June/2009 from Vijay Sales, Thane (Tip Top Plaza branch) with 2 years on-site warranty . The machine stopped working on 11/Aug/2010. Complaint was lodged through call center. Complaint number 4923394. A person came on 13/Aug/2010 and tried repairing it without success. He mentioned that a senior would come tomorrow and fix it. For 3 days no one came. Later two persons came tried the machine and claimed to have fixed it, requesting me to try and work the machine when the electricity was restored.(In spite of my repeated requests to send the mechanic/s between 12 noon and 4 p.m. they always came after 3 p.m.) I tried to work the machine but it did not start, moreover water started coming from below the machine.
I called the call center again for redressing and requesting a change in service provider. Call center gave this telephone number 9323042442 of Mr. Shashank, IFB Area Service executive. A new complaint number: 4966635 dt:26/Aug/2010 was also given. I tried to call Mr.Shashank and after tiring number of tires talked to him about my complaint. He promised to look into the matter. There was no movement so I sent sms to Shashank on 27/Aug as: "Complaint no 4923394 dt 11-Aug & Complaint no. 4966635 dt 24-Aug. Not repaired yet. Anita Dandekar." On 3/09/2010 called the call center again for redressal.


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Mi Puerto Rico Lindo
2008 Election, Politics, Puerto Rico
Yo soy Boricua, Cangrejero de Santurce y apoyo la estadidad para la isla. Hace dos años estoy en Denver, Colorado. En San Juan no progresaba, nadie »
And nobody booed...
2008 Election, Barack Obama, Hope
This is the last political post for this election cycle. I want you to notice how when he mentions McCain there is silence unlike at the »
The Problem with Political Network News Channels
This was the main problem in 2000 when they declared Florida for Al Gore, then took it away, then handed it over to George W. Bush. »


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That's some name.
name out of an Austin Powers movie
Was Courtney Crazyfuck already taken?
Best, most appropriate name ever. She's gorgeous. Too bad she's one of the plethora of Brit models who will never show her snatch.
BTW, what the fuck is in the water on the UK? The lineup of natural, big-titted models is endless.
Ivanna…. Ivanna Humpalaut
Love that feits posts a "wake up" blog at 11am.
Comments Are Closed
Property of Barstool Sports 2015


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I know Eurovision's political and cheesy – but I still can't stop singing its praises
Published 10/05/2014 | 02:30
I confess, I am a Eurovision fan. There is no other competition that produces a more wacky, weird and wonderful feast for the eyes and ears. Mind you sometimes the ears can be sorely tested. You can say what you like about the Eurovision but it is never dull.
Sadly Ireland failed to advance to the final stages of the contest. Kasey Smith and the Irish traditional group Can-Linn, performing 'Heartbeat' was not one of the 10 acts chosen from 15 competitors to advance to tonight's final.
Smith looked stunning and sang very well but for some reason the voters preferred the butter-churner with the big boobs from Poland and the bearded drag queen from Austria.
At first I thought I was seeing things, a shadow across the television perhaps? But then I realised that no, it was in fact a man dressed up as a woman – and he was very pretty – with a beard.
Singing under the name Conchita Wurst, he (real name Tom Neuwirth) sang 'Rise like a Phoenix' and indeed he did. It was joyfully bonkers. The audience lapped it up and he received a huge cheer when the results were announced.
Despite the cheesiness of the Eurovision it still draws us in. As Irish people, we are proud of our Eurovision success. Look how well Johnny Logan has done on the back of his two wins. I still remember the euphoric feeling when he won for the second time. We were good at this. In fact, we were brilliant. It lifted our spirits and his songs are still the mainstay of many a sing-song around the country.
Then we wowed the world with Riverdance. Who could have predicted the phenomena that modern Irish dancing has become. The Eurovision made Irish dancing 'cool'. Who saw that coming? Around the country and indeed the globe, boys and girls were being heaved out of ballet and football classes to take up Irish dancing. Michael Flatley and Jean Butler had transformed the dance from rows of swirling, curly-wigged curtains into a cool, sexy, sultry dance.
This is the first time Ireland has failed to make it to the final of the competition since 2009. We were very good at Eurovision, now we're not even second rate, we're getting turfed out in the semi-finals. Smith, who sang her heart out, was bitterly disappointed: She said: "We were delighted we got to represent our country on a world stage.
"We gave it our all."
Ireland still holds the record for most wins. We first won the contest in 1970 with Dana performing 'All Kinds of Everything'. In total, Ireland has won the contest seven times, more than any other country, including an unequaled three consecutive victories in the 1990s (1992, 1993 and 1994 – the most consecutive wins accumulated by a country to date).
But it's not just the bearded drag queens and buxom maidens that are threatening our position as Eurovision kings. There is a serious political underbelly to it all.
We seemed to fare better when the voting was less political. While there was always a semblance of political voting – Malta normally gives 12 points to the UK, Spain and Portugal always vote for each other and Turkey and Cyprus never vote for one another – it has escalated to a whole new level since the addition of the Eastern bloc countries.
Terry Wogan became so frustrated with the bloc voting that he resigned from doing the Eurovision commentary in 2008. Furious he said: "At least the voting used to be on the songs. Now it is really about national prejudice. As far as the Eastern bloc countries are concerned they are voting for each other."
Certainly global tensions were high at the semi-finals this year. The announcement that Russia had qualified for Saturday night's final was met with loud booing. Russia is widely expected to lose out in the voting as a result of both its strict anti-gay propaganda laws and the crisis in Ukraine
While there is a tendency in some quarters to sneer at the cheesiness of the Eurovision, let's not forget it is a huge platform for any aspiring singer or band. The show is watched by 125 million people and has launched the careers of ABBA, Celine Dion, and our own Johnny Logan.
I'm not sure how the bearded drag queen will fare, but who knows? That's the beauty of the Eurovision, you never know what's going to happen.
Here's hoping Ireland can re-claim its crown soon, or even a little bit of the dignity of being in the final line-up will do.
Underneath it all we love it and we want to bring it back home.
Irish Independent


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Old Man GloomView in iTunes
To preview a song, mouse over the title and click Play. Open iTunes to buy and download music.
Originally formed in New Mexico by guitarist/vocalist Aaron Turner (Isis) and drummer Santos Montano, the Massachusetts-based group Old Man Gloom has since expanded into a sort of supergroup among the Boston hardcore/metalcore scene. By the time of their first album, Meditations in B, the lineup had expanded to include Converge bassist Nate Newton (guitar, vocals) and Cave-Ins' Caleb Scofield (bass, vocals). More of a recording project than an actual band -- they rarely play live, partly due to scheduling conflicts -- Old Man Gloom play a mix of heavy hardcore/metalcore songs and quieter electronic/ambient drones, at times juxtaposing these two elements, while at others blending them together in the same space. Their lyrics and packaging make repeated references to primates -- apes, chimpanzees, etc. -- and also to science, research, and (de-)evolution (among their song titles are "An Evening at the Gentleman's Club for Apes" and "Test Result: Alien Ape Distress Signal"); the band also sometimes refers to itself as "the OMG Institute." These references tend to be pretty cryptic, and if anything, seem to reveal that there is a sense of humor behind the group's intense, doom-laden sound exterior. Meditations in B came out in 2000 on Turner's Tortuga Records imprint, a subsidiary of the larger Hydrahead label, which he also runs. It was followed a year later by two simultaneously released CDs, Seminar II and Seminar III. A fifth member, Luke Scarola (electronics), came on board for the latter two records, and Seminar II also featured contributions from fellow Boston locals Steve Brodsky of Cave-Ins, who wrote lyrics for one song, and Agnostronic Blunt (aka Jay Randall of the grindcore band Agoraphobic Nosebleed) on electronics, further expanding the all-star cast. More rapid-fire releases followed, with the EP Christmas Eve 1 + 2 arriving in 2003, followed by the full-length, Christmas, in 2004. Their output slowed after that, and it would be eight years before the band emerged with a new album, unleashing their Kurt Ballou produced fifth album, No, in 2012.~ William York
Top Albums
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Years Active:
'00s, '10s


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NCIP honors for Farnam
The community of Farnam was among the major award winners Friday at the annual Nebraska Community Improvement Program banquet. Farnam won top honors in its population class (Class I up to 500 residents) for economic development.
Farnam's welcome sign also garnered first place in its population class for technology, infrastructure and planning.Farnam residents are the banquet and receiving the special awards included, l-r: Front—Doris Bellamy Betty Hoppe-Stevens, Ruth Ann Hess, Muriel Kotschwar; Middle—Jan Widick, Ricky Wach, Donna Hazen, Charley Johnson; Back—Bev Edson, Norma Darnall, Dan Widick. Left, Muriel Kotschwar is presented with the Marily Ristine Award from Nebraska Department of Economic Development director Roger Bauer. The Ristine award is given annually to an outstanding community NCIP volunteer.
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#blog #cycling #bikephotography #vintage #gazelle #juncker #dutch #bicycle
Jake Dean (Bicyclist Abroad)Trip/Ride Reports -
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Niterider Sentinel Review
The age-old adage "good things come in small packages" seems entirely appropriate here. Like many others, I too nerd-out over cool new tools
Wearing Out the Dogs
If you have young dogs you understand that the best thing to keep a dog out of trouble is keeping them well exercised! Surprisingly enough m
Der unsichtbare Radfahrer
Der Radfahrer in der Presse: gerne übersehen, oft touchiert, ohne Helm längst tot und gegen Verkehrsregeln verstoßend, die niemand korrekt e
The art of living well, or... well, living the art.
A mid-week miracle happened the other day. It was sunny and beautiful outside at the very same time that I had a few hours on my hands. It w
The Flat Tire: Outside the Box
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Walmart Fat Bikes - And the Perils of Being a Part-Time Blogger
So I was in the process of putting together a Retro-grouchy article on Walmart Fat Bikes when, taking a break to see what else is going on i
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Not quite cold enough to ride the trails, not quite nice enough to ride a road bike. The Bridgstone (tank) is getting it's workout. While I
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Coffeeneuring 2014, a challenge put on by M.G. of Chasing Mailboxes blog.
So I Went Automobile Shopping...
So I went automobile shopping the other day... I know, I know, you're probably thinking "Why would you do such a silly thing as that, a man


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Guide Picks: 5 great things to do this weekend
Photo: Jennifer Walz
WINTER SOLSTICELEBRATION: TRANSFORMATION - This event features dance, music, poetry and more that organizers say celebrate "the regenerative power of darkness and the redemptive grace of light." The event's creator, Amy Martin, is planning to retire after 20 years of producing live spiritual events, and participants from the past two decades are returning for her final Winter SolstiCelebration. Dec. 21 at 7 p.m. at Cathedral of Hope. 5910 Cedar Springs Road, Dallas. earthrhythms.org. — Dena Hill
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Press note- Sri Anurag Sharma, DGP (TS) receiving the award and certificate of recognition from Mrs.Sushma Swaraj Dt.24-6-2016
Press note TSLPRB Dt.10-6-16
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OSCAR: 'Hugo' Helmer Martin Scorsese Ponders 3D Future And How 'Taxi Driver' Would Have Benefited
Martin Scorsese long ago established himself as one of the pillars of contemporary films, an auteur steeped in the history and culture of cinema who makes movies that are usually brutal, visceral and, quite often, Oscar-nominated too. His 2006 release, The Departed, finally brought him his best director Oscar, after five previous nominations left him just short, and the film also won best picture and two more awards that night. But anyone who thinks they have Scorsese pegged will be in for a shock with his latest, Hugo. It's a children's story, based on the best-selling novel "The Invention of Hugo Cabret," and it's the filmmaker's first foray into 3D. Less surprising is that Hugo revolves around the early days of cinema, with pioneering French filmmaker Georges Méliès (Ben Kingsley) playing a prominent role. And it's figuring regularly in Oscar buzz. So, Hugo isn't entirely out of character for Scorsese. The director took a few minutes recently to talk to me about the influence of his young daughter on his latest film, his new-found embrace of 3-D technology, and what his Oscar wins in 2007 meant for his family.
AWARDSLINE: What were you looking for that made Hugo fit so well as your first family film?
MARTIN SCORSESE: The book by Brian Selznick is so compelling and beautifully done, particularly the illustrations. But the story, the mystery of it, really became interesting and I felt an affinity with the 12-year old boy, his isolation and ultimately his trying to find a reason for his life and its tragedies. Ultimately all of that gets resolved through the invention of cinema.
AWARDSLINE: You'd found a personal frame of reference? There are also themes of film preservation, a passion of yours, and the origins of cinema.
SCORSESE: That seemed to be like a natural. But really, it was mainly the young children that first got me involved with it. And the fact that it resolves itself with Melies and early cinema was something that kept drawing me back. Well, apparently it must have been that but I didn't quite realize it until I was shooting and friends in my life would say 'This is very much you.' [Laughs] While I didn't think of that, all my close friends felt it was totally natural.
AWARDSLINE: How long had you wanted to work in 3D?
SCORSESE: Since I saw my first 3D film back in 1953, House of Wax.
AWARDSLINE: As you watched 3D develop through the years, it's gone from something that jumps out at you to an immersive feel. How have you felt about the evolution?
SCORSESE: I have always been fascinated by it. Even before I saw 3D films, I remember getting a packet of 10 postcards that were stereoscopic from the late 19th century and looking at them through a little device. Then there's the wonderful View-Master which had beautiful stereo images. Not only did it immerse you in the picture, but was like a story. I was fascinated by depth and I placed such moments carefully in Hugo. There are a number of things that do pop out at you, but we tried to have our cake and eat it too. Ideally you don't realize the effect occurred. By the time it's over, you're onto something else. It was about placing you inside this boy's world; the memory of a child. If you think back at your childhood, you think about where you grew up and if you ever go back there, it's different. It has a different feel to it from what a child sees and perceives. I thought that would be amazing in 3D plus the fact that he lives in the walls of a train station with the mechanisms of the clocks – which always fascinated me. I remember a little glass ball of a clock that my grandfather had. He gave it to me. I was always fascinated because on the back of it, you can actually see magnified; the workings of a clock and since I was a child I was fascinated by that.
AWARDSLINE: The technology certainly allowed you to see the inner workings of the clocks that are prevalent in the film.
SCORSESE: I go back to that old clock my grandfather had and I still have in the house now and I was fascinated by that. I'm not mechanically inclined but I'm fascinated by the mechanisms, and what they suggest. The stories that come out of them. The measurement of time itself. Movies being the illusion of motion, and then it is seen and it is an experience that disappears–into time. And in many cases, it has strong, profound, powerful reactions that can change your life. It certainly did mine.
AWARDSLINE: There's a wonderful moment where an audience watching a moving picture for the first time scatters as a train rushes through the camera. In your life and career, what film innovation compares to that?
SCORSESE: Well, two things really. It was the use of 3D back in '53. Obviously, there are two or three films better than all the others – House of Wax, Phantom of the Rue Morgue and Hitchcock's use of it in Dial M for Murder.
AWARDSLINE: What was the other?
SCORSESE: I'm going back to theatrical experiences for this one. It was the first use of wide screen and the Cinemascope image on a wide screen at the New York Roxy theater which was really very thrilling. But the 3D I preferred, because in the first use of Cinemascope, it was rather static, but the 3D was not for some reason, particularly in House of Wax. I was always fascinated by these technical innovations and never thought I would get to make one. It was only 2 years ago that I was talking to some filmmakers in Cairo of all places, saying 3D is going to be amazing, but that it has to be in the script. I said, I'll never get to make one but that's the nature of where everything is going anyway. Ever since storytelling started, whether it was rock paintings or campfires, or the Shaman, it's been about telling stories with motion, color, sound and depth, which leaves you what? Holograms.
AWARDSLINE: And just two years after saying you wouldn't make one, we're talking about your first 3D film. What changed for you?
SCORSESE: Well, the story of Hugo. The climate of what Jim Cameron did with Avatar and 3D seemed right and the subject matter was just perfect for it. And it was time to take a chance with it.
AWARDSLINE: How did you feel after watching Avatar?
SCORSESE: There was extraordinary visual storytelling in that picture. Cameron is a great innovator and leader in cinema. It made it (3D) very welcoming. If you suggest 3D, from that point on, it was taken seriously. But I just think 3D is open to any kind of storytelling. It shouldn't be limited to fantasy or sci-fi. Look at (Werner) Herzog's use of it (in Cave of Forgotten Dreams), Wim Wenders with Pina. It should be considered a serious narrative element and tool, especially when telling a story with depth as narrative.
AWARDSLINE: Which of your movies might have most benefited from being shot in 3D?
SCORSESE: That's an interesting question. Let's see…Aviator, maybe? Maybe Taxi Driver… because of the intimidation of the main character , his presence is everywhere, a frightening kind of presence.
AWARDSLINE: What was the hardest part about getting use to shooting with this format? There must have been a learning curve, figuring out how to frame shots to take advantage of that dimension.
SCORSESE: The high depth was very helpful and beautiful to work with. The rigs we had at the time were big, and that was problematic, though we were luckily shooting in a studio so we could keep it on a crane and move it around. Now, the rigs are smaller and more flexible. As I lined up each shot, we had to rethink how to tell a story with pictures. And so each shot was a separate surprise, a separate journey, even though I designed a lot of the 3D effects in the movie way before shooting started. I just didn't want to waste the depth, even if it was a medium shot of a person speaking . This was something that [cinematographer Robert] Richardson, myself, my AD Chris Surgent, my second unit director Rob Legato. We all worked on it heavily, every day, adding to the frame, try things, making mistakes. Pull back, go forward, try something we weren't supposed to do. This was the key.
AWARDSLINE: Is it that much more challenging than shooting a 2D film?
SCORSESE: Eliminating the idea of the heavier equipment which is now getting smaller and flexible, I don't think there's very much of a difference. It shouldn't frighten the filmmaker, it shouldn't be an obstacle or an impediment. Break through it. Think differently about it. Don't let people tell you what can and cannot be done. I shot the film in the way I'm used to shooting. It's designed with editing, it's a montage at times, but imagine somebody doing one long take in two hours in 3D, where the element of space really becomes part of the very fabric of the narrative, as we tried to accomplish here in our editing? It's so unlimited. So yes, there are certain technical issues to deal with as you go ahead and work on a picture, but those are choices you make and you work it through. I wouldn't be intimidated by it. You should really try and be bold.
AWARDSLINE: Recently, 3D has been knocked as an excuse for studios to charge higher ticket prices. Now we're seeing more filmmakers like you, Spielberg, Peter Jackson and Ridley Scott shooting in it. Would you prefer to shoot all your movies in 3D going forward?
SCORSESE: Quite honestly, I would. I don't think there's a subject matter that can't absorb 3D; that can't tolerate the addition of depth as a storytelling technique. We view everyday life with depth. I think certain subject matters aren't meant for 3D but you have to go back to Technicolor; when it was used in 1935 with Becky Sharp. For about 10-15 years, Technicolor was relegated to musicals, comedies and westerns. It wasn't intended for the serious genres, but now everything is in color. And so it's just a different mindset. Granted once the technology advances and you can eliminates glasses that are hindrances to some moviegoers, so why not? It's just a natural progression.
AWARDSLINE: This is a family film with a sophisticated message. What concessions did you make so that kids would be engaged in Hugo?
SCORSESE: I have a young daughter who's going to be 12 in a few weeks. By living with her everyday, I began to see things differently. So I was always checking on how a child would perceive this, every frame, including the station inspector, all these tricks, his sense of authority which is subverted by his, at times, his ridiculousness. It was always about 'what would a child think about this scene? How would they see it?' That's why we had to heighten the look of the picture and the train station. We designed the picture to call back to a very special kind of dream-like palace that René Clair used or designed in 1930, to give a feeling of a fairy tale world, but yet to speak to a reality. The station inspector [Sacha Baron Cohen] might be funny at times, but he still has the authority to put children in the orphanage. So I always tried to see it through a child's eyes.
AWARDSLINE: Your films always factor in the discussion during Oscar season. You've been nominated five times as director before you won with The Departed. What was the most gratifying part of getting the Oscar?
SCORSESE: I made Departed as an attempt at a gangster thriller. It was really remarkable that of all the films I made, that picture was singled out. And I think I was most happy for my family. Everybody always gets up and thanks their family, but the reality is that they were so excited, including a few of my aunts. One of my aunts just passed away, she was the last of my father and my mother's world. She was excited. She was in tears. It meant a great deal to them. It's not that (the award) doesn't mean a great deal for me, but it fulfilled a long journey that many were on with me. And it was very sweet.
AWARDSLINE: You've tried to adapt the Shusaku Endo novel Silence, about 17th Century Jesuits who risk their lives to bring Christianity to Japan. It isn't commercial, it has been hard to finance, but it looks like you'll finally get your chance to make it. Why has it been so important to you?
SCORSESE: My initial interests in life were very strongly formed by what I took seriously at that time, and 45-50 years ago I was steeped in the Roman Catholic religion. As you get older, ideas go and come. Questions, answers, loss of the answer again and more questions, and this is what really interests me. Yes, the Cinema and the people in my life and my family are most important, but ultimately as you get older, there's got to be more. Much, much more. The very nature of secularism right now is really fascinating to me, but at the same time do you wipe away what could be more enriching in your life, which is an appreciation or some sort of search for that which is spiritual and transcends? That's one of the reasons why I made the George Harrison documentary. Silence is just something that I'm drawn to in that way. It's been an obsession, it has to be done and now is the time to do it. It's a strong, wonderful true story, a thriller in a way, but it deals with those questions.
AWARDSLINE: Are the questions you're asking here similar to the questions that drew you to Last Temptation of Christ?
SCORSESE: Yes, but this is a different line of questioning.
AWARDSLINE: We Catholics are always struggling for answers.
SCORSESE: There are no answers. We all know that. You try to live in the grace that you can. But there are no answers, but the point is, you keep looking. Because people tell you science tells us everything. Science doesn't! They just have discovered these Neutrinos that go faster than the speed of light. And there is this idea that once we got to a point in the mid-20th century and now the 21st century where everything is known in a sense, right? Well, we don't! We don't really know everything. I mean, yes, we don't know what happened in the Big Bang, but we understand the idea of progress. But have we really progressed? We've progressed on the outside, but what about inside? What about the soul and the heart? Without trying to sound pompous and ridiculous, I can tell you this is where my interest is.
AWARDSLINE: When a director with your accomplishments keeps challenging his beliefs and asking questions like this, does that show you've still got the capacity for growth?
SCORSESE: I hope! [laughs] I hope! That's what I'm trying for!
3-D makes me sick. And I'm sick of movies being in 3-D. Sorry!
Agree. It's so unnecessary – our brains are trained to perceive depth in a 2-D image, we don't need to be spoonfed the experience. 3-D is an expensive gimmick. Instead of being an immersive experience, it prevents immersion in the film because of the damn glasses. No matter how good the movie is, people are always conscious of the barrier between them and the world on-screen. Instead of a full screen, peripheral experience, the experience is constrained to where you look directly and by the visible edge of the 3-D glasses frame. Also, at least 10% of people experience motion-sickness or nausea as a result of watching 3-D. The science of how 3-D works doesn't sound good physiologically – it involves one eye turning inward, independently of the other – something that our eyes were not designed to do. Even Avatar, the often-cited pinnacle of 3-D was just as good in 2-D. Most films have been through the cheap 3-D conversion process are actually better in 2-D.
I'm not a huge fan of 3D, but I forget I have the glasses on almost immediately and I think most do as well, so one of us is projecting there :). Also the way your eyes focus on 3D is completely natural, it just mimics the way your eyes slightly cross as things get closer. That's how we tell distance, and it's purely natural.
What about Zombies! Surely they have changed cinema as much as 3D. How about Casino re-imagined with zombies!
I avoid 3D. It's the single biggest reason I haven't yet seen Hugo. It's pointless, it adds nothing, it makes films muddy and gloomy. It's annoying having to wear glasses over glasses, and it tends to make me nauseous. Little hint for theater owners: nauseous people don't buy as much ten dollar popcorn.
Taxi Driver in 3-D- Sorry but I just get that. While good 3-D is an interesting visual experience Id rather see movies in 2-D. My guess is that 3-D will not be the game changer the studios want it to be. Moviegoers are already paying to see films in 2d more than 3d when they have the choice.
HUGO's grosses indicate that 75% of its boxoffice was from the 3D version. Other 3D projects are also starting to show higher percentages as well. For many studios, 3D may be the insurance policy between profit or loss. It will, as always, depend on content. When scope came in, some of those films bombed – but the studios kept on making films in the format nonetheless. So, that argument really makes no sense. Some 3D projects will do better than others (economics being a big factor here) and its all in what the public really wants to see. I'm sticking with Mr. Scorcese all the way on this one.
I would love to have the opportunity to spend an hour or two in conversation with Mr. Scorsese. What an interesting guy!
Mr. Scorsese didn't think of it, but imagine "Raging Bull" in 3-D!
Why don't you colorize it as well?
'Throughout the marketing effort distributor Paramount Pictures consistently emphasized the benefits of seeing Hugo in 3D, which paid off with a 75 percent 3D share'
I Loved HUGO, but 3D will not be a game changer until they get rid of the sun glasses.
Yup, you're right. 'Throughout the marketing effort distributor Paramount Pictures consistently emphasized the benefits of seeing Hugo in 3D, which paid off with a 75 percent 3D share'
The helicopter scene in GOODFELLAS would be great in 3D (without the sun glasses)
It would be fun to have Sharon Stone throw dice at me in 3-D.
Marty said something incredibly stupid there at the end. Science doesn't pretend to have all the answers. Quite the opposite. It's religion that explains everything with magic. And neutrinos were not proven to travel faster than light. That was one experiment that is in serious dispute and probably wrong. And even if true, what does that have to do with Marty preferring the "heart and soul"?
Sorry to see a smart man devolve into fluffy thinking. Ah, artists.
So, did you miss the part where he said: "The very nature of secularism right now is really fascinating to me, but at the same time do you wipe away what could be more enriching in your life, which is an appreciation or some sort of search for that which is spiritual and transcends?" He didn't even mention the importance or necessity of religion. He simply said that he believes there are pursuits that speak to something dormant within us, that is not a solely religious (or as you smugly observe, 'magic') – many scientists speak highly of the importance of sprituality in their own work.
Ah, so rather unwitiingly you provided not an intelligent critique of the "fluffy thinking" of "artists" but a veritable masterclass in the lack of reading comprehension.
Question why didn't Paramount release Hugo 2D as well? For not every cinema in the united states doesn't have 3d. Hugo would've benefitted more with a 2d copy instead of 3d. It's like Paramount is cutting out another sizable share of audience.
As for classics like Goodfellas,Taxi Driver,and Raging Bull don't alter them at all. Goodfellas I like but in 3d? I doubt it it would work.
I read some of the earlier comments about Hugo on weekend box office. I wonder why Paramount limited the number of cinemas 1,300 for example unless Paramount is trying to have Hugo put under oscar consideration. But I don't mind Scorcese taking risks with new technology with 3d for example. Now that's what makes a bold filmmaker in my opioin.
What are you talking about? Hugo was released in 2D as well all over.
Not really. I wanted to see the film but it was only playing in 3D here (a State Capitol). I only have normal vision in one eye and cannot watch 3D properly.
Thank you Mr. Scorcese for remembering Andre de Toth and 'House of Wax'..my first 3D film also. I knew Mr de Toth and he was a master director. Kudos to you both.
I just saw "Hugo" this afternoon. What a lovely movie, what a spectacular piece of filmmaking.
BUT I just don't know who the target audience is. Children are likely to be bored. There were no families in today's matinee–maybe about 100 people at most, all over 30.
"Hugo" is for folks who love movies and movie history. I wonder if that will be enough.
The shot from the ceiling after the shootout in Taxi Driver would be good in 3D, also the fingers flying off the guy's hand when Travis shoots him. Could also give more depth and separation to Albert Brooks's hair.
Is that you Marty or the studio talking?
Too much is made of the equipment , the technology improving etc. It's the viewing experience that is lacking, the ever present thick frame of the glasses just on the edge of vision, the distortion as a viewer changes the position of their head, etc. I, for one, have never felt "in the movie" with 3D – instead I'm constantly reminded that I'm watching a movie made with 3D – and it's very distracting.
I'm amazed that someone like Scorsese would try and make the comparison between the introduction of color and 3D. The technicolor process was unbelievably bulky and hard to deal with, from the extra lighting needed to the problems in making prints. To say that there was a reluctance to accept color in the same way as 3D is a total misreading of film history in my opinion.
I have so far avoided 3D. But I'm going to try it out.
I'd love to see a Sci-Fi movie with a lot of space flight and space battles in 3D. A 3D space opera.
Be careful what you wish for. Star Wars Episode 1 is coming in 3D. Enough said.
Sorry, Marty, you had me right up until Taxi Driver in 3D. Really?!? Two words – Please don't.
Scorsese was not saying he'd like to remake one of his older movies in 3-D or that he was planning on putting out a 3-D version of one of his classics. He was just reacting to a question about which of his movies might have benefited from 3-D the most.
Two words. Shark. Jump. You know the rest.
I thought Hugo was an excellent compilation of those sorts of things that can be done very well with the current 3D technogy, and and also some of those things that the current technology isn't exactly quite fully capable of yet.
Ironically, I thought that the shots that might be called "classic Scorsese" (i.e. elaborate tracking shots) were the weakest passages in the film. Maybe a highter fps playack speed would be needed to make that sort of 3D footage work in a film like this? Or maybe that's just me.
On the other hand, the basic (sometimes almost static) 3D scenes were lush and nuanced and just freakin' gorgeous, I thought. The close-ups of the actors' faces had an intimate quality that was quietly spectacular.
Since the medium/close-up shots and visual detail and textures were so good in this film, I was glad that the movie seemed to include a bit of one of George Melies' most stactic films – "The Untameable Whiskers". Just as George Melies had to make his fantasy films using hardware that was still being invented, Scorsese has made a film about Melies using hardware that hasn't been completely invented, either. And I think that's really kinda cool.
It was a visually stunning film, I would have been shocked at anything less from the Maestro. However, the script was flat. I mean, really, really flat. There was almost no tension in the story, very little worked to propel the story forward, the jeopardy from SBC's character was minimal, the mystery was like a glass of flat champagne–there could have been magic there, but something happened that let all the bubbles out. John Logan for this one? Bad choice, unfortunately. As well, it simply didn't work as a childrens' movie, it was far too much the film history seminar and, ironically, not enough old fashioned thrills, chills, and adventure. I enjoyed the movie, I'm glad it was made, because it was so visually creative, and a tale with real emotion in it. but all in all, no. They forgot the most important thing–being certain that they had fully translated the wonder and energy of the book to the script.
Finally, from a business perspective, I find the calculation on this one absolutely inconceivable. There's no way, in a new era of more responsible film making, that this should have cost so much money. GK, et al., were blinded by the stars in their eyes.
What relevance do those questions have to do with the substantive issues; namely his artistic endeavours and his interest in 3d storytelling? None.
And what is the ultimate point of your comment? That Twilight's commericial success means it is a masterpiece? This is not a new development that the public rushes out to mindless entertainment.
While I was off for Thanksgiving I had an oppertunity to experince 3d at Best Buy with one of thier television. I did catch problems with the 3d glasses like the movie trailor to the tranformer got blurred for example. Does this happen with the cinema experince I wonder? Anyway the glasses did work but the 3d experince is lacking something.
So even I question how long this gimmick is going to last.
Paramount should consider re-releasing Hugo in 2d to recoup thier lost shares. Still Breaking Dawn Pt1 outgrossed it 2 to 1.
What kind of TV? And what was the content? They both make a huge difference. I find passive 3DTVs like LG and Vizio to provide a better all around experience. And if the demo wasn't blu-ray 3D quality it distracts from the experience.
All you 3d haters sound like crotchety old men complaining about color. Young people like 3d and the technology is getting better all of the time. We see in 3d, so it's not exactly an alien concept.
Whatever, Dufus! Seeing 3-D projected onto a flat screen is not the same as perceiving the real world in 3 dimensions. Take a survey of your friends and see how many of them complain about 3-D being a problem regardless of how young or old they are.
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U.S. stock losses escalate after midday, sending benchmark indexes into the red.
The Pink Fund provides financial assistance to breast cancer victims to ease their financial stress.
Investors should be careful not to stretch for yield in the current low-rate environment. A multi-asset income strategy mixing yield, defense and growth is a much smarter way to go
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Shares of ConAgra Foods were higher after the company posted better-than-expected earnings for the 2017 fiscal first quarter.
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Shares of Accenture were higher Thursday after posting top- and bottom-line beats for the 2016 fiscal fourth quarter.
Shares of Transocean were in focus on Thursday after activist investor Carl Icahn slashed his position in the offshore drilling rig company.


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Today's Birthday (05/20/11). Romance, creativity and profitable opportunities are yours this year. Develop partnerships for maximum benefit, and watch them grow in new directions. New business ventures do well, and there's magical time with family ahead. Enjoy!
To get the advantage, check the day's rating: 10 is the easiest day, 0 the most challenging.
Aries (March 21-April 19) -- Today is an 8 -- Passion or compassion? Your choice. Make love and romance a priority, even as you practice kindness. Accept a gift, and provide excellent service. What comes around goes around.
Taurus (April 20-May 20) -- Today is a 7 -- Keep your finances private, especially as they fluctuate. Postpone an important meeting for later. Check your budget to discover hidden resources.
Gemini (May 21-June 21) -- Today is an 8 -- Think before dipping into savings, unless it's to help someone in pain. Accept a tough assignment quickly, for a bonus. Ask the team to help out. They will.
Cancer (June 22-July 22) -- Today is a 9 -- Travel later, and focus on your deadlines. You can do well financially. Follow orders quickly. Heed a friend's advice regarding romance. Create a special evening.
Leo (July 23-Aug. 22) -- Today is an 8 -- Move quickly to get a great deal on something you've been wanting for home. Show appreciation, and it comes back multiplied. Great music inspires. Accept a pearl of wisdom from a friend.
Virgo (Aug. 23-Sept. 22) -- Today is a 7 -- A coming change is for the better. The more you get to know a friend, the better you'll like her. Don't get pushed into starting before you're ready.
Libra (Sept. 23-Oct. 22) -- Today is an 8 -- Follow your heart and tap into abundance that comes with enthusiasm and passion. Deal with an uncomfortable business situation with straight language. The truth will set you free.
Scorpio (Oct. 23-Nov. 21) -- Today is a 7 -- It turns out well, even though a loved one may not approve at first. Keep your motivations clear, and stay in communication. Stay put and avoid travel if possible.
Sagittarius (Nov. 22-Dec. 21) -- Today is a 7 -- Find the perfect thing for your home. It may be a fixer-upper and a fun project. Put a little love into something, and save money. You're inspired to take action.
Capricorn (Dec. 22-Jan. 19) -- Today is an 8 -- You're ready to make changes for the better. You have the skills required, and your wit is quite attractive. Watch out for hidden surprises. Keep listening.
Aquarius (Jan. 20-Feb. 18) -- Today is an 8 -- No gambling. Boredom could even be enjoyable. Don't listen to negative thoughts. Do listen to fresh ideas from friends. Let them help you make decisions.
Pisces (Feb. 19-March 20) -- Today is a 7 -- After the storm, you gain clarity. Destruction is part of the creative process. Your friends come through for you, and your love's empowered. It's a good time to get a message across.
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