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CIRCLES MATTER is poetry of astral pitch arising out of the din of the Bay Area. Here, we enter into a world "without construction without ground" (23), carried by mysterious traveler-poets making spontaneous associations and ruminating on the origin of fire, lightning, and sea. If we don't find the origin, we certainly find the expression, "in the vast orchard of the human voice" (23). Lucas' enigmatic lines open up fissures in the brain between presence and absence, allowing silences to seep through. Structure is always overwhelmed by the pure energy of weather, and the resultant imagery occurs on a scale at once microscopic and cosmic: "The tip of a lightning bolt is emergency red, unthreading the leaves into a canopy of smoke" (43). I found such lines taking hold in my mind like mantras, allowing me to meditate and rest before moving on as if on a long journey myself. Along the way, this poetry is a guide toward tuning the ear to the hidden sounds of the universe.
BLUES TRIUMPHANT is a hallway full of echoes and no exits. To move forward is to move into the past, drenched in white and loud with shadow. It takes me back to my home state, to those summer Bible camps, to pantomime and facade. To difference as a dirty word, a secret word. But this is not my childhood. This is the childhood of a biracial girl, and as the replay unwinds, I ask how does one survive when differencein a place where difference is outlawcan't be hidden? Where does one cast her stars...how to keep them safe? Gadson's book makes me grieve for the stories, the selves that were hidden in the small bodies passing, and sitting beside, and whispering from the bunk across from my small body. It brings me forward to a present still so locked in echo. It makes me cherish her voice, its beauty, as it spills onto each fresh page. It makes me respect all the more courage in vulnerability, protest in speech, triumph in pen.
Spoken Word is currently having another moment. Stuart Ross does not like Spoken Word (or open mics). I like Stuart Ross. What he does like is books, and book culture; he's a bonafide bibliophage, a devourer of books (and chapbooks, pamphlets, broadsides and readings (pass the hat!) ad infinitum)). FURTHER CONFESSIONS OF A SMALL PRESS RACKETEER is Ross on his soapbox both shit talking and praising the Canadian small press scene. It's a heartfelt, relatable, funny polemic about the ups and downs of being a member of a poetry community, in his case Toronto's. Ross is old school, cantankerous, funny and opinionated, and I just happen to agree with most of what he has to say, though that's not a prerequisite for enjoying this book.
Each poem in SALVAGE threatens to burst, is held together like a school of fish in a net, a net straining as it's lifted into the air, ripe and full of the sea's mysteries. Kristy Bowen writes, "It is foolish to love that which has freed you. Or that which you save. We know this, and yet, again we turn off the radio. Excite at the heft, the slightest shimmer in the net" (41). While reading SALVAGE you may catch a flash of silver in the corner of your eye and somehow find its echo in artery rush and vein slosh. Maybe you'll find yourself in the sand, washed ashore with bits and pieces still ripe with sea depth. Maybe you'll find yourself caught in the press, looking at sky through wet rope.
For a few days after I read Aziza Barnes' I BE, BUT I AIN'T, I carried it around Oakland in my hands. The volume--slim, white and yellow, wide enough that I can spread my fingers out while I'm reading it--is a satisfying body for something so dynamic and zoetic. I wanted to walk around and feel this book quietly pulsing against my body, in the park and at the lake and at the grocery store. This is a book about America and Blackness and gazes and wanting and dancing and how to survive when the world has deemed you disposable. You'll want to read I BE, BUT I AIN'T out loud, so you can sway to it and so you can catch when, mid-thought, Barnes' language swerves between the conversational and the divine. These poems are a pinwheel of brutality and joy, or maybe the pinwheel of brutality and joy is just life, and these poems are the wind.
This books rules super hard. Like crazy super hard. It's about raves and ravers skateboards and TV characters questing weekly aliens or other various monsters. RAVE ON! is a giant love poem to crews & friends across the globe. RAVE ON! features my favorite poem of 2016 "Contra Costa County," which states, "The Pacific / tastes like toothpaste / after a coke binge." Features awesome and mind altering Matthew Arnone cover art to boot.
In a world of (en)forced metaphor, Jacqui Germain breaks her own free, and they bear ghosts. Ghosts that jump from the page, up the skin of the hand, and into each cell. Haunting occurs at every level, from letter to line as Germain investigates the treachery of metaphor, its use and misuse by those in power, how that power reflects and is reflected in language. Germain presents metaphor as a self-shattering tool, and in certain hands, a weapon than can break neighborhoods and families and alienate people. Depending on who is wielding it, metaphor can even function as a crime against being. When one thing is called another, it is no longer only itself, is often misconstrued as the other. Metaphor as misunderstanding, misconception, assumption. Metaphor as an act of colonization, as a parasite, as an infection. Germain skillfully undoes, breaks bridges, returns the self to itself and metaphor to truth, shaping a book that is as beautiful as the cover art by Brianna McCarthy. Germain's ghosts have muscle. They will come ashore. They already have a stake in your heart.
HARDLY WAR must be read multiple times. Choi's mix of theory, photography, and poetry commands the question of languages and their intended (un)intelligibility. The book of poetry falls somewhere between memoir and photo essay. As a text, it is one of those rare projects where the academic and intimate feed each other. Choi creates an incredible anti-imperialist case, while managing still to feel close.
The way HARDLY WAR fits in between is due in part to Choi's relationship with her father, and his own art. He was a war photographer working in war zones between Korea and Vietnam for 30 years. At one point, he stopped photographing war altogether and began to only take pictures of flowers.
Something in the way Choi intertwines the bright pinks of flower petals or bubble gum into conversations about warships and Napalm creates an eeriness in HARDLY WAR, disturbing for the fact that their perceived continuity, wielded together by Choi, should not be so.
"In the end it was the hardliest of wars," writes Choi, "made up of bubble gum, which GIs had to show those kids how to chew."
Maybe pushing Ocean Vuong's first full-length collection is, at this point, kicking the proverbial dead horse--if you weren't convinced by Janice's endorsement last month, or by Vuong's recent profile in the New Yorker, you either hate poetry or you're wary of any writer who seems to suddenly spark into everyone's consciousness over the course of two months. I'm usually one of those people, the wary ones, but I have to say--I have to beg you, maybe--read NIGHT SKY WITH EXIT WOUNDS anyway. I, a nonbeliever, recently saw Vuong read in a crowded warehouse space in downtown Los Angeles. The crowd was buzzing with AWP energy, here to schmooze, swollen with pride because a warehouse space reached max capacity for poetry. Ocean Vuong, second to last, takes the stage. Everyone is still whispering and trying to find out which author didn't hold his liquor at the Ace last night, and Ocean Vuong says a thing about the loneliness of writing, and he thanks us, and then he starts to read. And the room goes crypt quiet. It was as fast and total as someone turning off the lights. Vuong's use of language is so tactful and delicate and violent that I suspect the crowd--myself included--felt shamed out of their casual handling of language in the time leading up to that reading. By the time Vuong read his last poem, the crowd was making the short raspy noises people make when they've forgotten that they've been holding their breaths for a long time, and the noises of people trying to politely deal with their own public weeping, myself included. None of this wild tender collective craziness is lost when you know what you're in for, or when you are reading NIGHT SKY out of a book, silently, solo. None of it. If you want the breath knocked out of you, read this book.
BABETTE is a pastiche of sound and imagery that craftily uses punctuation to demonstrate the fleetingness of its beauty without interrupting its rhythm. The deconstruction in this book allows the reader to input their own interpretation, and extract that which is lovely from its text. I felt as if my head was being pushed firmly underwater, my eyes forced open to look at the pastel-tiled mural at the bottom of the pool, and intermittently was pulled out of the water to hear a gentle voice that implicates the world as beautiful.
Monique Ferrell builds a sweeping constellation in ATTRAVERSIAMO with long lines that are filled with the tough, the tender, the held breath, hiccup sob, and exhalation. She takes on/takes in everything that plagues and everything that persists and everything that falls and rises. Each line weaves time and space as it rushes forward and crosses over barriers, and assumptions, and certainties. She writes "the mixture of dread inspiration/ and the faintest scent of hope" (18). She writes the black body, the poor body, the female body, the god and giant body, the body that doesn't get to go home because of the violence of another body: "bullets are the wind chimes that singsong our existence" (53). She writes the beauty and strength and tenderness of each body. Nations rise and fall, neighborhoods breathe and are broken and breathe again, and history haunts the water under planes and the streets of every city in her brave and vulnerable lines that grieve and wonder and embrace. The big and small are on the page but they are also in the body, the skin and bone, in the sudden absence and the carrying on. I'll keep this book in arm's reach to remind myself that "I want to be responsible" (19).
THE FOLLY OF LOVING LIFE is at turns damp and dark, occasionally feverish or glittering with mania. Not so much interlocking as interwoven, Monica Drake's first collection of stories spans several generations while remaining firmly rooted in the Pacific Northwest and more often specifically Portland. Plenty of short story collections can be read piecemeal but this is one best encountered chronologically. It provokes the sweet sensation of recognition - I kept thinking "I know that guy!" when a character would reappear in a different setting - which initially felt like a novelty and eventually felt like family. There's a satisfying diversity of viewpoints: a range of ages and incomes, levels of self-awareness or sobriety. Each story is a different shade of expectation realized or thwarted, but they're further colored by how each rubs up against every other story. Drake is a master of the idiosyncratic protagonist. They are often unsure of themselves but are so beautifully realized that we as the readers never question them even for a moment.
BELLEZA Y FELICIDAD is a book of Lisa Frank nitrous oxide fantasy poems. These are the selected works of Argentine poet besties Fernanda Laguna and Cecilia Pavón; Belleza y Felicidad is the name of their creative partnership and its manifestation as storefront/gallery/press/community space/literary movement. Belleza is important as a record of the power of female friendship among artists in a world where dudes ruin everything (see: Alt Lit). And the writing itself is weird and strong and contemporary, full of birds and goddesses and bubble letters. Laguna and Pavón have distinct voices, but their themes-magic, power, poetics, domesticity-overlap, and each makes frequent cameos in the other's work. The result is like one of those squish paintings where you blob paint in the middle of the page and then fold the page in half and when you open it you get a butterfly: two wings that bleed in different ways, a shared center.
Ocean Vuong's full-length debut leaves a large and ragged exit wound. To enter into his music is to be made vulnerable and to not be spared: "...the body is a blade that sharpens/ by cutting" (21). As the brightness of spilled orange juice sits beside the rending of the body, seagulls and constellations and an "aqua sheen" beside the smashing baseball bat, a desperate worship or devotion or prayer ripples under each line, and the blade will still fall: "maybe we pray on our knees because god/ only listens when we're this close/ to the devil" (49) and "what becomes of the shepherd/ when the sheep are cannibals?" (56). Vuong slides the reader along the string that links before and after, cause and effect, but the destination is always the same: "There's a joke that ends with-huh?/ It's the bomb saying here is your father.// Now here is your father inside/ your lungs" (60). To read this haunting debut is to continuously depart from and arrive at devastation.
SOFT SPLIT is physically tiny - about 2.5 x 3.5 inches - which shouldn't matter, but it does, because it's too small for a bag and will end up in your pocket, and you'll forget it's there, and when you remember it you'll be shot through with an illicit thrill, like when you first started buying condoms and just looking at them made you feel embarrassed and excited. You'll end up reading it in public, waiting for clothes to dry at the laundromat or riding on the train, and when the buzzer announces the end of the cycle, when the train slides to a stop you'll look up, blushing, at the non-profane around you. Ostensibly about an ambivalent woman in an early marriage, the text consists of fragments of moments ranging from domestic and banal to startlingly obscene. It's incredibly engrossing even while exploiting conventional taboos and is at once beautiful and nasty.
SILENT ANATOMIES is such a visually engaging book. Poems are paired with family photos and artifacts, written into anatomical charts and ultrasounds, and pasted on antique pill bottles. Language, anatomy, self, history--all are pieces stitched together just as they are meticulously separated and classified: "Memories tango, are tangled in plague fibers of twisted tau. All of us mangled by the nothing train that spreads from nerve to nerve. A gliding whisper without brakes." To see/hold family, self, and history in the object, to look at each objectively, to see each as unfamiliar/proof/continuance, to oscillate within and among. Each page is stunning. Each asks can the self/family/origin/history be treated, traced, dissected, and labeled like human anatomy? And can this anatomy then step off the page and breathe again? I search for what exists in the shadows of each ultrasound, the silence of each image. I ponder the life that exists in fragment within the artifact. I flip to the beginning and start again.
In ARCHIPELAGO, Alana Siegel proves her dedication to the role of poet as phenomenologist. Her poetic inquiries into the endlessly complex relationship between world and consciousness are given shape by her deep research into different religions with strong emphases on developing a science of the mind. We met up recently, and she was carrying a copy of Herbert V. Guenther's Philosophy & Psychology in the Abhidharma. The Abhidharma are texts that deal with the nature of consciousness, causality, temporality, and questions of personal identity; a fitting analogue for what Siegel attempts in ARCHIPELAGO, a book whose constant refrains are: What is image? What is time? What is language?
The difference is method. For Siegel, reading is breathing, and soundsense is a serious technique for serendipitous discovery of the truths lurking in language. Take this stanza from "A Tantric Measure":
How I hear this now is language bound. A bounty of words bound by
words. In Hebrew, the root for "anger" is also the root for "Hebrew"
as well as the verb "to pass". The story of Israel, the origin of
Hebrew, I hear now, run the narrative, prod the plot-the story of
the soul of a place, of a language that has not yet learned how to love
itself. (20)
In this passage, she contemplates and enacts the suggestive qualities of shared etymology and the ways that proximity can allow even words with different roots but similar sounds to open new possibilities for connotation. More concisely, "The letter roots freeing her" (31).
The ambiguity of knowledge as a goal drives poems like "Snow Maiden Shimmering Suffering," in which Siegel acknowledges its role as a balm, writing:
Our fields of human knowledge
Are also shields
Can be shields
Knowledge, a shroud
Can be a cool cloth
After the volcano
A memorial washing away the contortions of a face (33)
Knowledge expressed in language partakes of delineation, definition, and demarcation can be real buffers against the chaos of life. When we require its function as bridge or tinder rather than buffer, is it adequate to the task? "Each one must somehow deliver into the animal of another/The overwhelming ecstasy of sun"-a daunting task, especially when Siegel defines Hell as this: "when language thinks it knows".
Again and again in Archipelago questions arise and change form. In "She Tries To Study," Siegel asks, "What am I asking for when I say I seek the origins of language?" "Do I want to know how language was first used?" she continues. Finally, "Or am I asking to enter what is not restricted by evidence?" (44).
And yet if all this talk about consciousness and representation makes Archipelago seem cold or airy-lost in the sky, it also insists on roots, singing of a kind of spiritual reverse-parturition, in which Siegel gives us the image of a god "Forcing herself back into a word" (49) and why:
We seek a depth of speech
Why the roots of words are called
Before they were gods
They were ground (50)
Why? These are the consequences of great passion:
What Will You Hold Real Against Your Death?
Will it be some ancient esoteric text?
Or will it be a person most close to you
You hold with every last breath in you
Against what takes you from your breath (49)
If you are prepared to take part in Siegel's patient and insistent search for the beyond of the beyond-absolute reality, to look with her for the gods behind the concepts behind the words, I encourage you to do so. Of course, in addition to patience and insistence, there's also ecstasy and astonishment.
For all that's here, a word about what isn't. "'The internet is not beautiful,' I shouted" and through this act of self-quotation Siegel points to the comic hopelessness of railing against that juggernaut of surveillance and solipsism (9). This text can feel old-fashioned, likelier to have been written by a contemporary of Robert Duncan than of Steve Roggenbuck. What does it mean that Archipelapo isn't driven by the imperative to be thematically or stylistically a la mode? Perhaps more significantly, what does it mean that careful contemplation of being and mind feels counter to the poetic zeitgeist? Archipelago reminds us that other, more timeless questions, are in no way superseded by technological changes and are perhaps all the more urgent because of them.
ACTUALITIES by Norma Cole and Marina Adams takes off with "oh/live/it-/veer/in/air." Norma's words face a painting by Marina that is deep purple and something like eggplant which is both vast and entangling. In the book the words form a vertical column, not the horizontal line I have made it here but ACTUALITIES is a book of lines, as well as being one of fields and wild, intense, satisfying colors. I find I can dive into it anywhere and the lighter-than-air gestures in language, form, linearity, depth and color lift me up and draw me down into fantastic depths. It is a place I like to be--both empty and full: "The alarm sound, then stops." There is white space, negative space, lines and color color color. Things funny and profound at the same time: "I'd like to die laughing," "When will a silver birch tree grow in the kitchen?" (Strangely, I now see one from my kitchen window. Do books by your best friend predict your life?). Problems are asserted: "Siberia's boreal forests will not survive climate change." Questions are asked: "What is the nature of the relationship between elves and wild boars?" And solutions are proposed--"Go for the throat my love, already protected"--while lines and colors swirl with an almost audible richness: ""The Fermata"//*the lengthening of a note or slight pause to take a breath."
One's breath is taken and restored and then, usefully, you can dive in again.
"I picked up the smudge of the novel," writes Angel Dominguez. "I smeared my face. I asked my dreams, 'Can we please get the words out of the blood?' trying to wake up with that language, a scar." The dream is vital. The dream is falling victim to semiotics, is being forgotten. BLACK LAVENDER MILK reads as a dream journal, an ancestral history, and instruction manual on manifesting the past, if not the future. It is a flight that never lands, and a familial pilgrimage that never returns. This book is an attempt that planned to fail. This book was written in case of evacuation. Read it.
With its aluminum-like cover, Jennifer Hayashida's translation of Athena Farrokhzad's WHITE BLIGHT is striking and even blinding. To look upon its cover is to see a distorted reflection of oneself and to be devoured by that metallic white sheen. The interior is just as alarming/engaging with white words printed inside black bars upon a white page. Before reading a word, one can't help but be absorbed in the language of the book as object.
Farrokhzad investigates place/space-personal, familial, racial, cultural, regional-through a family of voices that sometimes speak together, sometimes speak against, sometimes speak alone as they come to terms (or don't) with a new land, new people, and new language. What does a person of color experience in a white-washed land? What gets lost as words, memory, and people are juxtaposed, mixed together, and broken apart? What is the cost of leaving, the cost of belonging, and who keeps the ledger? At one point, the grandmother says, "Belonging is like a mirror/ if it breaks you can repair it," to which the mother replies, "But in the reflection a shard is missing." To stay is to fracture, but to move is also to fracture, and violence in its many forms does not end; instead, it echoes out and out in memories and voices, traveling beyond generations.
As Farrokhzad explores what and who oppresses, what or who fractures, she captures the trauma of being displaced, replaced, and even misplaced. She shows how language reflects, fails, and is complicit. She asks if one can ever truly leave a place or if vital pieces of the self are buried in the soil of each new land. How does the scattered self survive? Where does it echo?
"There's something intrinsically hideous about community," says JH Phrydas in the introduction to the introduction of his book LEVITATIONS. I really couldn't agree more. But no matter how hideous community may be Phrydas returns again and again to the fact that community is magnetic, and that to participate in one (but preferably many) can be too pleasurable to resist. This book pays homage to communities, SF, Poetry, QUEER, the South, family, bar culture, theory-world etc. So many lines to choose from, but one of my definite favorites, "A rainbow of blood/ from my mouth to yours," echoes the cover design of the book itself, a faded watery rainbow in the sun. This is a great debut.
In GARMENTS AGAINST WOMEN, Anne Boyer writes: "I will soon write a long, sad book called 'A Woman Shopping.' It will be a book about what we are required to do and also a book about what we are hated for doing." If this makes you think GARMENTS AGAINST WOMEN is maybe a book about shopping, some shopping is involved, as is some cooking, some hair dye. If this makes you think GARMENTS AGAINST WOMEN is not a book for everyone-specifically, that this is a book exclusively for women- you're wrong. GARMENTS approaches the obligatory with a ferociousness that would make Hemingway faint. This work fights for moments of failure and boringness, asserting that they deserve a place in our creative landscape. Boyer manages to write clinically and devastatingly, her cross-genre prose both expansively Romantic and remote. This is a book for anarchists; parents; economists; poets; peasants and their warlords; anyone who's asked Who makes Art? On whose terms?
Julie R. Enszer's LILITH'S DEMONS is tiny-the whole collection could disappear in a pocket-yet it is heavy with reforged myth and voices that bite. Demons slide through its pages and "alter women's lives" by unleashing their tortures: anxiety, depression, compulsions, insecurity, and discontent. With each murder of woman or newborn, they deliver a terrible revenge and freedom that is their own fate, fear, and ultimate relief. The reader is swept into this brief but severe tempest, where Enszer's Lilith, creator and destroyer, punisher and perpectually punished, feared and adored, is master of all. Shaping the world to her own design, she names and dispatches each demon. What "G-d" makes, Lilith unmakes. Unapologetic, lonely but completely her own, she rules the night. So why didn't Enszer title the volume LILITH? Because the volume is absorbed in Lilith's creations, the manifestation of her power and tools of her vision, just as the reader's attention is absorbed in Enszer's creation, light as demon ash. Both make their way in the world, altering what is found. Adam, Eve, and G-d may pass from the earth and angels fall, but "unlike Eden/ Lilith's garden endures."


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subset: commoncrawl


text:
A Perl script for Automatically Collecting News Headlines
Spot Reporter
Instead of visiting news sites periodically to pick up the latest reports, most people prefer to let a news aggregator do the job.The aggregator automatically draws your attention to incoming news. If a website does not have an RSS feed,a new Perl module simplifies the task of programming an RSS feed for private use.
The sheer bulk of information on the Internet means that nobody can read it all. Visiting a couple of dozen websites a day to pick up the latest news is so time consuming that you would need to quit your job to get finished. This prompted many news sites to introduce RSS feeds with headlines and links to articles in machine-readable format. RSS is short for RDF Site Summary, where RDF means Resource Description Framework. RSS files use XML – a format that so-called news aggregators can easily parse. Articles that users have not yet read are served up as clickable headlines.
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Nextcloud Announces Raspberry Pi-Powered Home Cloud Box
Innovative system adds a hard drive and Ubuntu Core to the RPi for an IoT hub.
Linus Torvalds Confirms the Date of the First Linux Release
Linux is two weeks younger than we thought!
End of OpenOffice?
The Apache Software Foundation considers retiring OpenOffice
Adobe Gives New Life to NPAPI Plugin for Linux
Adobe won't kill the plugin in 2017
LinuxCon North America Convenes in Toronto, Canada
Linux Foundation's big event celebrates the 25th anniversary of Linux
Linux Turns 25
Linux has evolved from "won't be a professional" project to one of the most professional software projects in the history of computers.
Mirantis Joins Hands with SUSE To Offer RHEL Support; Red Hat Not Happy
Competitors get in the game with RHEL without Red Hat
Linux on Windows 10 Poses a Security Risk
Security researchers have already notified Microsoft; some fixes are available
Mirantis to Refactor OpenStack Fuel for Kubernetes
The company is collaborating with Google and Intel to use Kubernetes as an engine for Fuel
Canonical Joins Document Foundation Advisory Board
The upcoming release of LibreOffice will be available as a snap package


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I have been the latest victim of the HDFC Credit Card. There was a transaction done on my Card online in Feb 2010. I immediately informed the HDFC Credit Card Department for the transaction. they advised to send the Dispute Form which can be downloaded from the HDFC Website. I have filled the dispute form and sent it to them. I received the Credit Card Statement in June with the Late fine. I called the customer care again and talked to them about it. They told, they haven't received the Dispute Form till date. After discussion they told me to fill the dispute form again and send it. This time I have done the followup and came to know that after 21 days they have received the dispute form(submitted at Okhla Branch). After few days i again called them up and now they were saying we can't do anything now because it is more than 3 months after reporting the dispute. I am not sure in that case why they have even asked me to fill the dispute form again. After that they were called me and asked for settlement. I was not agree to this because i was not wrong at any point of time. Today(01/05/2012), I came to know that they have put my name in CIBIL which is not ethical. I have used 2 credit cards in past 4-5 years and never been late in my payments.
For making my loan processed i am forced to pay a bill of Rs. 6192/-.


text:
UN Spacy
Images on June 25th, 2011 by tiki god | Report This Post | Add to favoritespublish in
Tags: Fantasy - Science Fiction, Wallpaper
Tags: Fantasy - Science Fiction, Wallpaper
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6 Responses to UN Spacy
i think its a VF-1 from Robo Tech..
I think that's the VF-0 from Macross Zero.
Looks like its from Macross Frontier when they did the flashback/movie of Macross Zero
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text:
Today's guest post is written and recorded by Jill Foster.
Have you ever been told your stage presence was "duller than a box of rocks?"
To clarify: It's a special level of suck.
A straight-talking mentor gave that feedback years ago after seeing me deliver a speech. At the time my wounded ego just wanted to resign from public audiences altogether.
Studying stage presence and public speaking, however, became a fascination. And to this day, how to energize stage presence remains the most popular question from colleagues, students, or clients.
They are often bewildered at what to do.
Which is understandable. Causes could be rigid or feeble vocals, over-accelerated pacing, anxiety management or a sundry of things. Sometimes it's purely a content issue where certain writing vehicles can add momentum to the presentation. Much of the time, the content is solid and the stage presence needs help.
Energy, impromptu storytelling, and social apps
A colleague further framed this challenge so well and asked,
How can I make my energy more consistent from a stage presence point of view?
Presenting in front of a live audience and feedback community is stellar practice for stage presence – such as Toastmasters or Ignite. In lieu of those defined public scenarios, there's another option.
An absolute favorite and results-inspiring solution is to practice with social applications.
The goal?
Practice impromptu storytelling and externalizing your voice as often as possible with a few audio and video tools (smart phone apps included). Keep your recordings private if that's preferred.
Investing conscious energy in this exercise a few minutes a day can expand energetic capacity when facing live audiences.
Suggestions for social tools:
- Audio apps:
Audioboo.fm or cinchcast.fm are mobile and web platforms with reliable audio, a simple interface and the ability to add other types of media to your audio casts. Both have apps for iPhone and Android;
- Video and group apps:
- Viddy is emerging as the Instagram of video: it enables 15 seconds of recording with visual filters. Talk about energizing your mind and vocabulary in a hurry! It's a compelling tool with some major growth since its recent launch.
- CloudTalk is another fascinating platform with both iPhone and Android apps. It allows you to share video, audio, and text to public users or to a private group
- Blurb, a storytelling app, looks fascinating but I've yet to toy with it.
Perfection vs progress
When it comes to upping stage energy, nothing replaces the chance to practice in front of live audiences from a defined stage space. Often, waiting for perfect circumstances inhibits ultimate progress; so I vote for creating a stage-like dynamic with social tools as the above-mentioned. What do you think?!
Becoming your own best audience
Whether recording via audio or video, these tools (and you) become your own reliable audience. And the chance to practice impromptu storytelling or simply get your voice out of your head is an energetic exercise. From my personal work and through observing others too, this practice has fostered more fluid and energized presence from the stage.
Are you game to try these exercises?
What other ideas have helped you galvanize your own stage presence?
Live Your Talk founder and videoblogger Jill Foster is a speaker coach for people in technical and social tech fields (or as some say: a speaker coach for techies). She has coached CEOs, entrepreneurs, and innovators makin' it happen for stages such as TEDand TEDx, Ignite, plus a variety of keynotes around the globe.
Leave a Reply
24 Comments on "Three Ways to Improve Your Stage Presence"
You bet @StephRWong – engaging with live audiences is irreplaceable experience.
It starts with content, but I agree… energy is absolutely CRUCIAL. As someone who stands under 5'0″, I have to make the most of what I've got! 🙂
@bdorman264 Hi Bill – Thanks a lot for the kind words and sharing your speaking interests too. That's a wise point you make about practice being a work in progress. For those "um/uhs" — consider reading a favorite passage (from a book or article, etc) and reading it at a very fast pace 10 times in a row, then 10 more times at a normal speaking rate, then again – 10 more times – at an excessively slow rate.
@TishaBerg What a great background to have as a presenter. Congrats too on being open to practicing (and increasing) self awareness as a speaker with those social tools. Hope you have fun with it. On a related note, empathizing with the audience's experience can be such a challenge as a public speaker, I find. Your acting history looks like a powerful fund of expertise to draw from when it comes to practicing that empathy.
@CristerDelaCruz Fantastic point to underscore re: focus on the calibre of content first when presenting. And hey, we're near the same height so you have my admiration on that front. Sometimes I feel like a hobbit (…ode to Lord of the Rings) in comparison to other speakers. But "own it" we must still do when on stage. Thanks for sharing your "just do it" attitude.
Strong atage presence is HUGE! and so challenging and takes a ton of self confidence.
Great content can fall flat if you're just up there droning on.
I think about my best teachers and they all had great stage presence. Bueller? Bueller?
Love these tips. And I love love love your video. 🙂
Stage presence too. 🙂
@jillfoster You're welcome 🙂
@Lisa Gerber Hey hey Bueller! Thanks again for the chance to participate here in SpinSucks land and for the kind feedback.
Great call about strong content falling flat in the face of energy-less delivery too. It can be a tricky business to assess what needs to be done from a development point of view. But after seeing presenters like the teachers you mentioned, or mighty speakers like shonali – it puts into focus how penetrating an effect presence can have on audiences (good thing). What do you like presenting on the most? And when are you headed to DC?!
@Jillfoster You're welcome.
@Jillfoster Thanks for the tip; maybe it will help me overcome perpetual jet lag………………..:).
@Jillfoster Hmm, lately I've been presenting to small businesses on using LBS. I have an awesome pic that I open with, that I took – of a small stack of phone books holding up a vase of flowers in a restaurant. That's the new role of the phone book!! LOL.
Aww, I have no plans to be in DC in the near future, and my sister even lives there. maybe you'll be in Chicago sooner. ?
@Lisa Gerber ….maybe to Chicago next spring for a conference, or sooner. Love your phone book image too.
Thanks @jillfoster for all the good tips and reminders I learned from your Blog World NY session. Practice really is key. I am now going to take your advice and get myself together so I can practice by putting together a video for @tinu 's challenge!
@beekeepergroup Thank you for sharing the post. Love your concept of Beekeeper.
@Jillfoster My pleasure – really enjoyed your article and got some great tips! 🙂
@rachaelseda @Tinu Heartily look forward to your video challenge participation Rachael.
Hey Jill! I'm late to the party, but a few things. First, thank you for the video contribution! Secondly, I need to have you teach mollimegako how to do the editing like you did. Lastly, it's so hard to get up in front of people and entertain. The rapid fire Q&A is a great idea. One I'll steal when I'm helping my colleagues prep for speaking engagements.
Hey @ginidietrich thx for feedback and kind words! It was wonderful to have chance to contribute. Glad to share editing tips withmollimegako . Hope you're good.
[…] post was first published as a guest posting at the Spin Sucks blog. For strong and plentiful discussion about the social space and all facets […]


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Standing in a beer garden across from the Liberty Bell, the city's leaders vowed Thursday to lure the Democratic National Convention to Philadelphia and announced their slogan: "Let's make history again."
Ed Rendell, the former mayor and governor, would not say whether that was a sly reference to the candidate he supports - Democratic front-runner Hillary Rodham Clinton, who could be the first woman to win a major party's nomination for president.
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Rendell, Mayor Nutter, U.S. Rep. Robert Brady (D., Pa.), and others spoke at a kickoff event to anticipate next week's arrival of 18 national party officials charged with picking the 2016 convention locale.


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The Sacramento Kings hired Pete D'Alessandro as the team's new general manager, KCRA has confirmed with a source from the Kings.
D'Alessandro was the former vice president of basketball operations with the Denver Nuggets.
The news comes just about two weeks after the owner of the Kings, Vivek Ranadive, announced the hiring of Mike Malone as the team's new head coach.
The views expressed are not those of this site, this station or its affiliated companies. By posting your comments you agree to accept our terms of use.blog comments powered by Disqus


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I have told you before about my love of Cauliflower Popcorn. Well this dish combines my love of the popcorn with my husband's Homemade BBQ Sauce. These may be even more addicting! Who doesn't like BBQ sauce, right? This is a great way to get your kids to eat their veggies.
I'm not going to lie, the entire tray was gone in about 5 minutes! My 3 year old loved them! Plus, they are super easy to make.
BBQ Cauliflower Bites
Prep time:
Cook time:
Total time:
- 1 Head Cauliflower
- About ¼ cup BBQ Sauce
- Preheat oven to 400.
- Cut the cauliflower into florets. I save the scraps in the freezer so I can make my Homemade Vegetable Stock.
- Place cauliflower onto a lined baking sheet.
- Brush on BBQ sauce until the cauliflower are all covered.
- Place in the oven a bake for about 45 minutes, checking every 5-10 minutes or so to shake in order to prevent burning.


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Mark Davis clearly is serious about Sin City Raiders
By Tim Hunt | 2 comments | 1,033 views
Next Up, The Election Props -- but first this word: We're Number One!
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There's more to Irish cuisine than the mighty potato... that said we do love our spuds. Seriously though, we take food very seriously at Rí Rá, sourcing the finest and freshest ingredients locally and preparing them with the care and attention to detail we're better known for putting into our drinks.
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Ludwig Forrer
From Wikipedia, the free encyclopedia
Ludwig Forrer (9 February 1845, Islikon – 28 September 1921) was a Swiss politician and member of the Swiss Federal Council (1902-1917).
He was elected to the Swiss Federal Council on 11 December 1902 and handed over office on 31 December 1917. He was affiliated to the Free Democratic Party.
During his office time he held the following departments:
- Department of Trade, Industry and Agriculture (1903)
- Department of Home Affairs (1904 - 1905)
- Political Department (1906) as President of the Confederation
- Military Department (1907)
- Department of Justice and Police (1908)
- Department of Posts and Railways (1908 - 1911)
- Political Department (1912) as President of the Confederation
- Department of Posts and Railways (1913 - 1917)
He was President of the Confederation twice in 1906 and 1912.
External links[edit]
- Profile of Ludwig Forrer with election results on the website of the Swiss Federal Council.
- Ludwig Forrer in German, French and Italian in the online Historical Dictionary of Switzerland.
|Political offices
|Preceded by
Albert Brosi
|President of the National Council
|Succeeded by
Robert Comtesse
|Preceded by
Walter Hauser
|Member of the Swiss Federal Council
|Succeeded by
Robert Haab
|Wikimedia Commons has media related to Ludwig Forrer.
|This article about a Swiss politician is a stub. You can help Wikipedia by expanding it.


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|Women, Girls
Hi! I make lots of things. My grandmother taught me to knit when I was 4 and created a monster.View all patterns by designer (24) »
Floaty and airy, a sweet confection for spring!
Asymmetrical strips of color converge and diverge to form a unique, adaptable accessory. Wear it long and loose or looped around and tied. Styling tips included.
This gauge is recommended, not critical. As long as you are happy with how your fabric is coming out, go for whatever needle size you want to use. A looser gauge would be lovely.
This is great TV or yarn-bowl knitting, but I would not recommend this as a travel project because of the mohair-tangle factor.
I am still discovering ways to wear this. It is so light and comfortable!
22 sts and 28 rows = 4 inches
660 yards of Lace weight


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Viewing Tattoo Tag: letters
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February 13 is Mistress Day
El Paso, (ENTRAVISION).- February 13th is Mistress Day. A survey by the dating site Victoria Milan reveals that cheaters cost businesses worldwide $17 million a day in lost productivity. Other findings: – the average cheater spends 1.17 hours a day doing cheating-related things – 68% of cheaters interact with their online fling during work hours -Leer más


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Nazo TasarımShared publicly -
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Being able to fiddle with a plastic cup is enough to win Miss America these days? Wow.
Sunny may have the answers. An all new season premieres Thursday, September 17 at 10PM only on FX.
First Question Wrong On Millionaire
This video is an instant classic, this college student flies all the way from Tennessee to be on Who Wants to Be a Millionaire and gets the $100 question wrong. His reaction after he answers is absolutely priceless!
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text: Wal-Mart Returns To Its Low Price Roots ShareTwitter Facebook Google+ Email Listen Listening... / Wal-Mart has given up on the upscale end of the downscale market. The retailer suffered a two-year slide in sales. Wal-Mart says it had lost customer confidence in having the lowest price. Related Program: Morning Edition on WEKUView the discussion thread.


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seriously this is prolly one of the best animes ive seen in my life and its real cool with the military stuff and the fumoffu series after this they better make more!
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Date with Canucks draws closer
Everywhere you go with the Bruins these days, you hear the same things from players and coaches before games: The talk is about the extra meaning in facing the defending Stanley Cup champions, the enormity of the challenge, the added importance.
We think the foe to whom all of this means the most is the one visiting the Garden on Saturday afternoon — the Vancouver Canucks.
"From what I've heard, it was the quickest sellout of the season," Milan Lucic said. "I'm very interested to see what's going to happen."
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nike Archives
Off Madison Ave, SpinSix merge
September 5, 2012 by in Business News | Economy | Marketing
Off Madison Ave a Phoenix-based integrated marketing communications firm, and SpinSix, one of Arizona's leading creative marketing firms announced they have merged. Total capitalized billings of the company will be in excess of $50 million annually, supported by more than 50 staff members, making Off Madison Ave + SpinSix a drivingforce of integrated marketing in… Read More →
Fitness Apps: A Rewarding Way To Achieve Your Goals
April 25, 2012 by in Columnist Spotlight | Mobile | Tech
Yes, "there's an app for that." Some provide the most important element – FUN! They can be rewarding, literally rewarding. I'm talking about real cash and prizes. Whether you're just getting started or feel the need to accomplish more, a great software application can give you an edge to achieve your fitness goals. Many integrate… Read More →


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4 reviews | 4.8 out of 5
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Skip to comments.A Stadium's Costly Legacy Throws Taxpayers for a Loss
Posted on 07/12/2011 9:33:44 PM PDT by MinorityRepublicanEdited on 07/12/2011 9:40:59 PM PDT by Admin Moderator. [history]
CINCINNATIHere in Hamilton County, where one in seven people lives beneath the poverty line and budget cuts have left gaps in the schools and sheriffs department, residents are bracing for more belt-tightening: rollback of a property-tax break promised as part of a 1996 plan to entice voters to pay for two new stadiums.
(Excerpt) Read more at online.wsj.com ...
Hey in exchange for those $500 million from your town we will give you three low-paying dozen jobs sellings peanuts and beer 9... no 10 days per year!
What a deal!!
Government subsidizing businesses of any kind should be outlawed.
In Columbus, Nationwide Arena was built with private money. Thank God.
Cincinnati now has an African American City Manager and an African American Chief of Police. Now, Cincinnati can succeed like Detroit has.
Don't even get me started about what happened with the 2 stadiums in Seattle.
Voter to self in '96:
They wanta put two new pay-for-themselves stadiums here in Rustbelt-Landfillville? What could possibly go wrong?
A mayor and a city manager, no? The mayor was on Undercover Boss and mentioned his city manager.
They have 2 stadiums to go with their one subway and a zoo. Only in Cinci.
I'd love to see one city call the owner's bluff if they threaten to move. There are only so many cities that can support major league sports. And they'd have to be able to sucker THOSE cities into building $500 million dollar money pits.
And don't get me started on Seattle. The Kingdome was just fine. It was used for other things than sports, like the boat show. Qwest Field was built at huge expense and besides soccer, is only used for 10 home football games per season.
Copy that.
Don't get me started about the Milwaukee Brewers stadium. Four counties have paid an extra sales tax to pay for it. Guess what? Now that the sales tax has expired and the stadium has supposedly been paid for they are looking for an excuse to keep the tax.
No one one will notice, it's only .025%
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.


text:
35 years of experience
Accepting new patients
35 years of experience
Accepting new patients
711 6th St
Las Vegas, NM 87701 Phone number & directions
Las Vegas, NM 87701 Phone number & directions
License & Identifications
A medical license is required for a doctor to practice medicine in a particular state. Requirements vary by state but most require, at a minimum, post-graduate training in the doctor's specific specialty. An NPI number is a national identifier unique to an individual health care provider and is managed by the Center for Medicare & Medicaid Services (CMS).
Learn more about Dr. Frank Sanchez:
View the full profile to get information on:
- Qualifications
- What's important to you
View full profile
Patient Reviews
Have you visited Dr. Sanchez? Share your experience.
Write a Review
Write a Review
Education & Awards
Dr. Sanchez graduated from Howard University , Washington.
Home > Find a Dentist > NM > Las Vegas Dentists > Dr. Frank Sanchez, DDS
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- Additional Information
- Dr. Frank L Sanchez DDS is a male dentist, has 35 years of experience and practices in Family Dentistry.
- Where does Dr. Frank L. Sanchez practice?
- Dr. Frank Sanchez has 1 office location.
Dr. Frank Sanchez practices Family Dentistry near Las Vegas, NM.
See Las Vegas Dentists.


text:
Letter sheds light on Blue's personal trainer
A 92-year-old letter resurfaces to shine a light on an unassuming Carlton hero.
4:09pm Sep 29, 2016
Blues secure pick 3
Carlton has secured the No. 3 selection – the first pick of the Victorian-based clubs - in the inaugural AFLW draft.
1:29pm Sep 29, 2016
Season review: Jacob Weitering
In his first season at the Blues Jacob Weitering made an immediate impact, proving a calming force in Carlton's defence.
9:05am Sep 29, 2016


text:
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text:
ALBANY, N.Y. — Twelve industry professionals have received scholarships to attend the upcoming National Association for Pupil Transportation (NAPT) Summit in Portland, Ore., Oct. 30 to Nov. 4.
Ten scholarships donated by Zonar Systems went to:
• Brenda Shaffer of Chelan, Wash.
• Pat Jensen of Crescent, Calif.
• Leonard Swilley of Jackson, Miss.
• Leon Langley of Baltimore
• Yvonne Carpenter of Shoreline, Wash.
• J. Renee Davis of Houston
• Tracie Chandler of Lynnwood, Wash.
• Laura Sigmund of Inchelium, Wash.
• Peggy Whitacre of Romney, W.Va.
• Donna Haney of Santa Fe, Texas
Each scholarship will cover the cost of one conference registration. Recipients will be responsible for all other expenses, as SBF previously reported.
Priority was given to applicants who justified the scholarship as a determining factor for their ability to attend the summit.
Another scholarship was awarded to two people: Lynda Nunez of Tucson, Ariz., and Nancy Kessler of Houston. These women received a scholarship created by Peter Lawrence, director of transportation for Fairport (N.Y.) Central School District, and his wife, Linda.
The Peter and Linda Lawrence Training Scholarship will cover the conference registration fee. Applicants were required to submit a cover letter that contained a brief statement of financial need and two letters of recommendation.
The letters were required to detail how the candidate's professional capabilities and personal integrity justified receiving the scholarship. A description of why he or she wanted to receive the scholarship, what he or she hopes to achieve by attending the conference and how the training would enhance the applicant's effectiveness as a trainer was also required, as SBF previously reported.
Related Topics: conferences, NAPT
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Rankin Commercial Properties (RCP) is North Carolina's Premier Commercial Real Estate firm. RCP offers Tenant Representation, Buyer Representation, Landlord Representation, Seller Representation, Property Listing Services, Property Management, Facilities Services, Government GSA Services, Corporate Real Estate Services, Acquisition Services, Leasing Plans, Development, Construction, and a variety of contract services for commercial properties in the greater North Carolina market (Raleigh, Apex, Cary, Holly Springs, Garner, Knightdale, Morrisville, Greensboro, Charlotte, Winston Salem, Wilmington, and surrounding areas).
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text:
|My second DD awarded to this piece on 2013-03-14
|My second DD awarded to this piece on 2013-03-14
|Favorite works by other DA artists.
Dear Friends & Supporters,
My premium membership has ended.
I would very much like to have it renewed, but present financial conditions will not permit this to happen.
So i've decided to make an appeal to anyone that appreciates my work and is able to spare a few points towards this goal.
Much gratitude and blessings to all


text:
Update Web Page Design & HTML
This project was awarded to acecreative for $100 USD.Get free quotes for a project like this
Awarded to:
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Project Budget$30 - $100 USD
Total Bids35
Project Description
We are looking for an skilled graphics artist who can redesign one web page and create the HTML for this page. The current web page that we want to redesign is attached as a jpeg file.
We want the new page to make better use of layout and color. There is NO new functionality.
We are looking for a distinctive design; one that is professional, and unique, and easy for us to implement with the current code behind.
You must include a sample of your previous work. We will not consider a bidder without one.
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text:
The Distance between Panvel to Karad is 328Kms by road. 4 different operators provide bus service from Panvel to Karad with 4 daily buses. Mohan Travels Ghatge Patil Transport Ltd. are the major operators of Panvel to Karad route. On Average, Panvel to Karad travel time is 4hrs 25min and can go up to 6hrs 15min depending on the type of bus, operator and traffic conditions. The buses start from 06:00 PM to 11:15 PM in the night, which provides the flexibility to the customer. Panvel to Karad bus fare ranges from Rs.600 to Rs.900 depending on the type of bus.
Travelling from Panvel to Karad can be comfortable and easy as there are many types of buses available for travellers. Different type of buses are available in this route like A/C Sleeper, A/C Seater & Sleeper. Now that redbus has tied up with many operators, booking tickets from Panvel to Karad has become very easy.
Panvel city, in the Raigad region of Maharashtra is one on of the developing towns in the state. Panvel has a good blend of residential as well as commercial establishments. Panvel is well-connected to Mumbai and Pune, as it lies on the Mumbai-Pune expressway. It is also a seat for some big industries in Maharashtra, that belong to the Maharashtra Industrial Development Corporation (MIDC) like Larsen & Toubro, ONGC, and Reliance. Panvel is also called as the node to the Konkan region of the country. It lies about 115 km away from Pune, and 35 km from Mumbai.
Bus was late 30 mins almost.but third class blankets,not washed,dirty bedsheets,ac was not proper working...shock absorption was BAD,overall very BAD EXPERINCE...VEHICLE SEEMED LIKE 1857 made...n we felt like travelling in bullock card n i ve to mention.staff was really coopetative only happy for thatcooperative...travelling in bullock card
First time used redbus for bus booking, however experienced very bad service. Once our booking was done we just received a confirmation email and sms and the seat numbers. On the day of journey did not receive any update on the bus number its scheduled arrival. The bus was 1 hour late and since there was no communication about it from redbus we had to wait on a highway in rains. And the thing got worse when the bus arrived as it was some 18th century Neeta bus in very poor conditions. We could have gone in a much better bus and lessee fare. But alas!
Bus delay in 30-35 min. overall is good.


text:
Louise Bourgeois created "Maman" as a part of her inaugural commission of The Unilever Series in 1999 for Tate Modern Museum. Acquiring this magnificent sculpture is considered as one of the Tate Museum's historical moments. "Maman" was first displayed outside the Tate Museum of London in 2000. Several bronze casts of the fantastical "Maman" grace various museums, such as Guggenheim Museum (Bilbao, Spain), Samsung Museum of art (Seoul, Korea), Mori art Center (Tokyo, Japan), Jardin des Tuileries (Paris, France), and the National Gallery of Canada (Ottawa, Canada). The next bronze cast of the "Maman" will be placed in Des Moines, Iowa in August 2009. Article Source:http://EzineArticles.com/2429843
Depending where you travel in Canada, the size of mosquito varies. This size is commonly found around Wawa, Lake Superior region....
Wonderful picture! We had there bad weather and darkness... I could not see the eyes of the spider.
YSL, greetings Agathe
Agathe, I added the eyes....;-)
Photo taken in Byward Market - Parliament Hill, Ottawa, ON, Canada
The Maman Statue


text:
ALBANY, N.Y. — Details have been released about the 34th Annual NAPT Conference and Trade Show, to be held in Myrtle Beach, S.C., Oct. 26-30.
Attendees will have an opportunity to listen to professional and motivational speakers during the five-day event, including Dr. Cal LeMon, president of Executive Enrichment Inc., and Jon Gordon, author and human performance consultant.
The conference will also include over 50 workshops on topics such as alternative fuels, transporting students with special needs, management, bullying prevention and internal auditing.
The trade show will feature products from over 140 manufacturers and suppliers.
For more information, visit the NAPT Website at www.napt.org.
Related Topics: conferences, NAPT
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text:
Participate in This Event or find another event
Friday, May 13, 2016
6:00 p.m.
Hopkinton Middle School
88 Hayden Rowe St, Hopkinton, MA Map it
Already a participant?
Log in here
50 teams and 541 participants have raised $120,023.50
Total above may not reflect all participants, teams, and donations
Thank you for an incredible Relay event! The Hopkinton community showed its unwavering commitment to creating a world without cancer, and we are so proud of everything that we have accomplished together this year!
Fundraising will remain open until the end of August. If you have check/cash donations that you would like to process, please mail them to:
American Cancer Society
43 Nagog Park Suite 110
Acton, MA 01720
Attn: RFL of Hopkinton
Please also include a note that describes how you want the donation to be credited. (If you want the donations to be credited to your personal fundraising total, to your team's fundraising total, or to someone else's fundraising total, just let them know!)
For more information on furthering your impact through matching gifts, click here: Matching Gifts Link
Thanks again for making a huge impact in the fight against cancer. Thanks to you, the Hopkinton community, we will realize a cancer-free future. We hope to see you back next year!
Relay Resources:
The American Cancer Society Relay For Life movement is the world's largest and most impactful fundraising event to end cancer. It unites communities across the globe to celebrate people who have battled cancer, remember loved ones lost, and take action to finish the fight once and for all. With the support of thousands of volunteers like you, the American Cancer Society is helping save more than 500 lives a day. Please join us and take action against a disease that has taken too much!
Remember or honor a loved one who has battled cancer with a luminaria tribute bag »
Connect with others and find resources to help you participate in the Relay For Life movement »
Event sponsored by:
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Contact Brian Shea:
(781) 314-2633


text:
First it was Arlon Harper. Then it was Saah Nimley, folllowed by Jeremy Sexton.
By the end of the night, most of Charleston Southerns basketball players had taken their turn plundering The Citadels defense. The Buccaneers shot a sizzling 61 percent and made 14 3-points shot en route to a 101-73 victory before a raucous crowd at the CSU Field House.
Harper scored a career-high 30 points, and Nimley and Sexton scored 20 each as the 3-5 Bucs earned their first Division I victory and a split of two games with crosstown rivals The Citadel and College of Charleston. CSU lost to the Cougars, 72-67, a week ago.
The Citadel (3-4) lost its third straight game this season and fourth in a row to CSU. Mike Groselle scored 18 points and became the 30th Citadel player to score 1,000 career points.
Up by 47-33 at the break, CSU hit 10 of its first 12 shots to start the second half and zoomed out to a 74-43 lead.
The Bucs took turns getting hot against the Bulldogs 2-3 zone while building that halftime advantage.
First it was Harper, who hit his first five shots (including three 3-pointers) as the Bucs jumped to a quick 21-13 lead. Nimley scored seven points as the Bucs stretched the lead to 29-13.
The Bulldogs got the margin down to 10 at 38-28 before Sexton, who also cracked the 1,000-point mark, lit up the final 2:11. He scored nine points in that span to get the Bucs lead back up to 47-30. The Citadels Marshall Harris rattled in a trey at the buzzer to cut the halftime margin to 47-33.
The Citadel is off until Dec. 15, when it continues a stretch of six straight road games at St. Bonaventure. CSU is at East Tennessee State on Dec. 18.


text:
Professor Fred Thompson
Office Hours: Tuesday and Thursday 10:30-12:30, or by appointment, ex: 6228, home phone: 503-508-4229, firstname.lastname@example.com
The subject of this course is public cost-benefit analysis. It has three objectives:
This course reflects the view that, in the presence of a capital market where funds can be obtained at a price, the welfare of the citizenry will be maximized by the implementation of all projects offering positive net-present values. Unlike private sector cost-benefit analysis, however, government represents all the groups in a community, so the gains and losses of all these groups should be considered, not just those that accrue to stockholders. Moreover, government has an obligation to look at true social costs and benefits, not just market prices. Further, government decision makers might want to weigh benefits and costs differently if governmental activities or projects alter the distribution of income, the level of unemployment, or some other goal of policy.
Text: BGVH Tony Boardman, Dave Greenberg, Aidan Vining, and Dave Weimer Cost-Benefit Analysis: Concepts and Practice [2006 third edition], Upper Saddle River NJ: Pearson Prentice-Hall.
Grading: Project presentations will be evaluated in terms of clarity and effectiveness, plus accuracy. Class participation will be evaluated in terms of your demonstrated understanding of the issues and relevant capital budgeting concepts (cite text!), your ability to present a point of view and skill in persuading your peers to accept that perspective, and your ability to listen and react appropriately and productively to your classmates' contributions. Weights: Homework and class recitation: 40 percent; Downtown Parking Garage: 15 percent; Project 25 percent; Project: 20 percent.
Homework assignment should be submitted via ClassTools as eXcel
documents. Open GSM-603: Hand Ins; upload assignment using the
abbreviated title of the assignment and no spaces in the document
title. For example, if you were turning in Gramlich, Chapter 3,
Question 1 part a, you would upload it as G3a.doc. to
the appropriate folder. ClassTools wiil automatically identify the
sender and log the date and time of submission.
Key Links:
Cost Benefit News
Resources for the Future
GAO Home Page
Army Cost and Economic Analysis Center
Code of Federal Regulations
January 17 Introduction
January 19 Read BGVW chapter 1
January 24 Read BGVW chapter
2 (complete exercises on handout,
see answers
January 26 Read BGVW chapter 3.
January 31 Read BGVW chapter 4
February 2 Read BGVW chapter 5
February 7 Read BGVW chapter 6
February 9 Read BGVW chapter 10
February 14 Read BGVW chapter 7
February 16 Read BGVW chapter 8
February 21 Read BGVW chapter 9
February 23 Midterm Exam
February 28 CLASS LAB Work on Downtown Parking Garage
March 2 CLASS LAB Work on Downtown Parking Garage
March 7 Downtown Parking Garage (due) SELECT TOPIC for TERM-PROJECT
March 9 Read BGVW chapter 11.
March 14 Read BGVW chapter 12
March 16 Read BGVW chapter 13 [329-339]
March 21 SPRING BREAK
March 23 SPRING BREAK
March 28 Read BGVW chapter 13 [339-357]
March 30 Read BGVW chapter 14
April 4 Read BGVW chapter 15 [391-404]
April 6 Read BGVW chapter 15 [404-416]
April 11 Read BGVW chapter 17
April 13 Read BGVW chapter 18
April 18 Read BGVW chapter 19
April 20-May 2 Project Presentations
A. Review -- when government should intervene in a market economy
1. Allocative inefficiency: public goods, externalities, natural monopoly
2. Distributive equity: direct tax and transfer programs, investment in human capital, social insurance
B. Principles of Cost-Benefit Analysis
1. Welfare economics -- Pareto
2. Microeconomics -- Hicks, Little
3. Public Choice -- Wicksell, Lindahl
4. Maximization of net benefit (missing information, cost-effectiveness analysis, con straints)
C. Valuation of Benefits and Costs
1. Consumer and Producer surplus and deadweight loss
2. Demand functions
3. Inferring costs where markets do not clear
4. Inferring costs where markets do not exist (loss of life, capital values, time-saving)
D. The Mechanics of Discounting
E. Capital Budgeting with Uncertainty
1. The state-preference approach (certainty equivalents, decision trees)
2. Prices with uncertainty, multi-period investments
3. Valuing flexibility: option-valuation techniques
F. The Gains and Losses to Different Groups
1. The leaky bucket
2. Distributional weights
3. Risk aversion
G. Applications
1. Operating investments (modernizing plant and equipment, substituting one program for another, make vs. buy analysis)
2. Physical investment and the environment
3. Human investment
4. Intergovernmental grants
5. Tax expenditures
6. Social regulation
H. The politics of Cost-Benefit Analysis
Any student eligible for and desiring academic accomodations due to a disability is requested to provide documentation to Disability Services located in the Bishop Wellness Center within the first two weeks of the semester.


text:
The Berkeley MBA
for Executives Program
In our 19-month campus-based executive MBA program, you earn the same Berkeley MBA degree as in our acclaimed Full-time and Evening & Weekend MBA programs, but in an environment specifically tailored to you as a working professional at the executive level. Classes begin in May.
What differentiates the Berkeley MBA for Executives Program?
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See why our EMBA students chose Berkeley-Haas, how they are seeing business through new eyes, and why Confidence Without Attitude makes all the difference.View Profiles >
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Mike Rielly of the Berkeley MBA for Executives Program discusses the program's deep quantitative and qualitative commitment to immersive learning.Read the Post >
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How a week spent meeting founders, CEOs and VCs in Silicon Valley changed students' views of entrepreneurship – and of themselves. (6:25)Watch the Video >


text:
Majewski leads Edinboro to win in season opener
EDINBORO -- Sometimes there really is no place like home.
General McLane graduate Valerie Majewski led all scorers with 21 points in her Edinboro debut as the Fighting Scots women's basketball team opened its season with an 81-64 non-conference win over Urbana at McComb Fieldhouse on Tuesday.
The game was Majewski's first as a Fighting Scot, as the junior guard spent the previous season-and-a-half at Division I Buffalo after a high school career which saw her finish as the all-time leading scorer at nearby General McLane High School with 1,800 points.
The first half was a back-and-forth battle as neither team led by more than four points. Urbana led 40-37 at the intermission, but Edinboro quickly made a statement once play resumed.
After Urbana's Ebany Brumfield scored on a layup in the opening seconds of the second half, the Fighting Scots went on an 11-0 run that was capped by two Majewski free throws. The run turned a five-point deficit into a six-point lead, and this proved to be the difference as Edinboro never trailed again.
The Fighting Scots built their lead to 16 points with 10:14 left to play after Majewski broke away for a fast-break layup.
Hope Mancini added 20 points for Edinboro, while Aignee Freeland recorded a double-double with 16 points and 15 rebounds.
DeVonyea Johnson led Urbana with 17 points.


text:
The Amarillo YMCA will take its next step in expansion at 10:30 a.m. Friday when officials break ground on the new South Family Center, 3811 S.W. 58th Ave.
The $3 million Phase I project will include the development of the new Rotary Park baseball complex that will contain four ballfields and a building that will house a gym, a child-care/teen room combination, a workout area, locker room and showers, said Bob Brower, chief executive officer of the Amarillo YMCA.
"Our hope is we can open in January 2005," he said. "That's the target."
The Capital Campaign was enhanced in June 2002 by a half-million dollar grant from the Mary E. Bivins Foundation. That grant helped the YMCA meet other challenge grants from the Don & Sybil Harrington Foundation and the Mabee Foundation of Tulsa, Okla., officials have said.
The YMCA Baseball Committee conducted a number of fund-raisers over the last six years to raise more than $30,000 to the effort and a number of anonymous donors in the $100,000 range helped the campaign meet its goals, officials said.
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