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Convenient supplement storage
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Product specification
This unique and exclusive Myprotein PowerTower is perfectly tailored towards supplement storage and transport. The PowerTower provides three individual portion containers, ideal for your daily servings of both powders and tablets (AM, Mid-day, and PM). Each individual 180ml container can be attached and securely screwed in place, providing an airtight container. A lid is included to securely seal the top container. Made from high quality, food grade plastic. If three containers aren't enough, simply buy more and add them as you go.
Special Features
Best for
Let's talk dimensions
- 80 x 80 x 150 mm
Please note that the labelling on this product is provided in English as a minimum. French, Italian, German, Spanish, Danish, Swedish and Finnish may also be present on a product by product basis.
Add a serving of each of your daily supplements to a container, attach and screw the containers in place.
Where reviews refer to foods or cosmetic products, results may vary from person to person. Customer reviews are independent and do not represent the views of The Hut Group.
(338 reviews)
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The Tower itself is a good product and very useful. But in my eyes it should be designed that it fits into the blender bottle. That would be quite more practical in due to place-saving!
Useful tower of pots but would be more useful if it came with a couple of extra lids so it could be used as separate tubs too
This should come with two lids, so you can take one segment with you and leave the rest of the tower sealed. However, once I realised it just came with one, I ordered another set. Problem solved!Goes Well With:All powders
I use these on a daily basis and are handy if you are away from home all day. Excellent product. I will be buying more to make my tower bigger haha(:Goes Well With:Any supplement.
The towers are very easy to use and can hold 100g in each tub. Just feel them up the next before, throw them in your bag and you have 300g of protein if needed. The plastic is solid- so will not easily break and the screw lid fits on tight which gives you confidence that when you want your protein it will not be all in your bag!
Useful little tubs that hold around 3 scoops worth of powder each. Great when travelling/lunch boxes when you don't want to carry huge amounts of powder with you. Also useful for snacks like nuts and dried fruit.Goes Well With:Any dry powder, Nuts, dried fruit
I use this mainly when going to the gym. I fill one tub with BCAA 4:1:1 and one tub with post workout to mix at the gym. It's also great when I'm staying over at my girlfriends, to use at work or when I'm going away for a few days.Goes Well With:Protein, BCAA, Creatine, Whatever
Can't believe I haven't bought this before, so much better than the pots under those smart shakers, none of your powders get trapped in the screw thread with these as its all on the outside!!
Amazing little product, easily stored, and massively effective allows me to carry all the supplements for a full 12 hour shift. Amazing
These PowerTowers are really good for storing small amounts of powder to keep in the kitchen or travel with but aren't that effective for the diet protein powders as you can only store 1 serving in one pot so might want to invest in more stacks if you're planning on storing diet powders in them. Overall a really neat little way to store powders or pills, not great for larger amounts but if you want a small solution, this is perfect.Goes Well With:Powder and Pill Supplements
I use the Power Towers either for travelling, or at home, to prepare portions of all kinds of 'ingestables'. Not so much powder supplements, but also pills, nuts & seeds, or dried figs. It would be nice to buy lids and boxes separately, as towers comprising three units with one lid for each day do not always match my requirements. So selling boxes and lids as distinct items would allow greater flexibility. Still. They are a good way of allocation measured quantities for days in advance.Goes Well With:Creativity
Absolutely fantastic item for taking protein and my pre workout to the gym
These are super handy for take my BCAA and protein powder to the gym. Great value for money.
I absolutely love these tubs! They're great for organising both vitamins and my protein powder for the day!Goes Well With:Vitamins and protein/meal replacement powders
Just perfect for carrying around, takes up next to no room
Good handy size for one scoop shakes easy to clean and doesn't leave that funny smell/taste to you powder that others do
Always handy to have, carry my protein powder, tablets and creatine in it and never spills or goes anyway!
Very useful to store in your bag and use as and when you need Goes Well With:Bcca Whey protein
Great addition to any gym bag. I took plastic bags with my supplements in before...not now, the tower holds all my supplements in one place. I take intra and post workout sups with me on every gym visit, no more messing with plastic bags. Just fill them, screw them together and away you go...all your sups in one place! Another one is going to be ordered soon!! Just make sure the containers are square on before you screw them together!Goes Well With:Any gym bag and supps
Love these stackable containers. Extremely handy when away competing and need to have more than one shake and you don't want to be taking your bag of protein. Only downside is would be great to have more than one lid.
Very handy for transporting BCAA, protein powder and supplements to gym.
I have been using this to carry around measures proteine shake powder that I can mix when I want to. I just wish we could get An extra lid or two to be able to use them individually if need be but not bad at all.Goes Well With:Gym bag, food management bag and so on
This item is a true god send. I can now take my powder where ever i go and it fits nicely in my handbag due to the stacking design
Perfectly good nice and tight no spills or leakages does exactly what you want it to do
Nice size to take powders & pills to the gym. Also great to store prepared powders in and take during the day. Goes Well With:Powders
Bought this on a whim so I didn't have to bring separate shakers with pre workout and post workout shake with me to work. Has definitely paid off in convenience. Very solid and space efficient as store bcaa powder in the third tub.
Such good quality especially for the price! Great size and useful for protein, nuts and I even use it for yoghurt. Highly recommend
Excellent product screws tight with no leaks and makes having pre measured scoops handy with you all the time.
These are so convenient for travelling! I used to put my protein powders in a little sandwich bag, then I would have to snip a corner off and pour it into the shaker, which was messy and a lot of hassle. These are amazing, there is only one lid, but that doesn't bother me, as I just usually stack two and use them and leave the other container at home. No spill, secure, safe! Goes Well With:Protein powder
A great accessory for bringing your supplement around and consuming on the go. Highly recommended for anyone who has a busy schedule. You can do out your servings the night before. Makes life a lot easier. :)Goes Well With:- Myprotein PowerTower - All Supplements
Great quality and easy to use. Not too big either
I train twice a day so it's really handy to have spare pre/intra/post workout supplements in dinky pots that screw together rather than a load of pots/containers/finding your pills at the bottom of your sweaty gym bag... I've just ordered another set and a pill box too. Happy days. Goes Well With:Any powder/pill supplements, haven't tried with liquids so no idea if it's leakproof.
These are excellent to put my supplements in and have helped clear my worktop up , they stack well and look fab
If you travel like I do between 2 cities every week then this is one of the most useful things ever. I always take some preworkout and some maltodextrin and omega 3 capsules with me. Very useful!!
Handy product to keep pills/protein powder/snacks in. If you only need it for pills its quite big but i use it for nuts/berries aswel!
Perfect for transporting my BCAAs, Pre-workout and servings of other powdered supplements etc around with me!
Brilliant little tubs to keep all your aminos and other pills in all together and you can just keep adding to them
This is great for people like me who want to be able to carry just the right amount of what you need with you
Received this free with an order, nice and handy but it's annoying that you have to have all 3 together and can't just use them seperatley (hence only 4 stars). Overall it's useful but I wouldn't have bought it myself. Goes Well With:Taking sups with you during the day
I use these to bring Protein, supplements and nuts to work, very handy and compact. Goes Well With:Protein powder, Nuts and small snacks, supplements
why take a full tub to the gym, just add what you need in to these smaller tubs that lock together all the supplements you need in lot less space.Goes Well With:All powders, nuts dried fruit and pills
perfect for me. Go gym then gaelic football need to carry my protein around with me majority of the day, they do the perfect job
Perfect product for if you are out and about
Great little design and idea. Good quality. Very simple and effective Goes Well With:Proteins, pre workout, any powder or tablet that fits inside
this 3 tower holder can hold 3 lots of protein so for when your on the go. Goes Well With:powder
Nice little container that I can throw in my gym bag so I won't forget to take my protein with me.
Really happy with this Great product. Very easy to carry protein
No taste and no mixability on this product ahah, but very functional !!! thank you!!
Good cheap storage containers for your protein powder
Reasonable quality for the price. Only one lid which makes it only usable as the full stack. Using the full stack works fine for me though but the option to use as 3 separate containers would be nice. Good product


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"A stone-cold blast, the kind of twisted thriller that will keep you turning the pages until four in the morning."- Details
"An intense and compulsive thriller. Thomson is a linguistic acrobat... a master of mood and character."-The Times, London
Soft!by Rupert Thomson
View All Available Formats & Editions
Former bouncer Barker Dodds wants nothing more than to flee his violent past in his native Plymouth for an uncertain new existence as a barber in London's colorful East End. Waif-like Glade Spencer drifts through life as a waitress at a fashionable Soho restaurant, a devoted daughter to her estranged, caravan-dwelling father, and a
Former bouncer Barker Dodds wants nothing more than to flee his violent past in his native Plymouth for an uncertain new existence as a barber in London's colorful East End. Waif-like Glade Spencer drifts through life as a waitress at a fashionable Soho restaurant, a devoted daughter to her estranged, caravan-dwelling father, and a long-distance girlfriend to an unpredictable American lawyer. And ambitious soft drink branch manager Jimmy Lyle is eager to please his new American boss with a revolutionary marketing strategy for Soft!, one that promises to make the new orange-colored beverage a soda sensation for the twenty-first century.
It is under that effervescent orange glow that these three disparate souls intersect, as each learns "there is nothing soft about the soft drink industry." When unsuspecting "Soft! ambassador" Glade begins to unravel from her subconscious obsession with a product she's never tried, Jimmy's top-secret campaign threatens to spill into the daily papers, and Barker once again finds himself employed as a thug-for-hire. At turns harrowing and darkly humorous, Soft! is a magnificently surreal story, one that New York Times critic Michiko Kakutani calls "Rupert Thomson's most powerful novel yet."
Editorial Reviews
"A stone-cold blast, the kind of twisted thriller that will keep you turning the pages until four in the morning."- Details
New York Times
There's nothing to praise in this novel. Here's a metaphor: Consider a lunch counter where the burgers are small and overpriced and the soda jerk surly. It's not the worst eatery in town, but why on earth should anyone eat there? Now Soft! is a novel, not a dive, of course. And Rupert Thomson probably spent a year of his life writing it -- how can he just be written off? Especially when his third novel, Air & Fire, was a masterly retelling of Joseph Conrad's Nostromo. Thomson's last book, The Insult, was a little dull, but not too dull that a reader didn't want to finish it.
But that's the thing! A few readers must finish every book they start. But many don't. Unless they're reviewing the title, they throw the book down if it doesn't engage them by page 50. Well, the first 50 pages of Soft! are like a glass filled with flat Coke. They concern a small-time English hood named Barker Dodds doing small-time hood things. The next 50 pages are even flatter, following a new uninspiring character, waitress Glade Spencer. Then the story begins yet again on page 115 when a British advertising executive (a "Senior Brand Manager" named Jimmy) gets a brainstorm about how to market a new soft drink called, ah-ha, Soft: What if you take a group of everyday people and subliminally program them to love Soft? Not just to love it, but to become evangelists for the product? Talk about word of mouth! But how would you hypnotize them? Pay unsuspecting citizens to sleep in a "laboratory" as part of a "sleep research" program. Then while they're conked on drugs, pump their brain with subliminal advertising.
The bulk of the novel is a dull noir concerning the British advertising industry. A reader is reintroduced to Glade Spencer. She's been brainwashed. She desperately craves Soft. Not only that, she craves all things that are orange like the Soft can. When news of Soft's unique and criminal advertising strategy is about to be made public, Barker Dodds is hired to silence the waitress.
Thomson probably started writing a novel about Jimmy and brainwashing and soda pop. Then he created the waitress character. Then the thug. Thomson fell in love with the thug first. Then Thomson thought the waitress seemed promising. Just who the hell was the protagonist of this novel anyway? So Thomson restructured Soft! Maybe if the thug and the waitress were engaging characters, or if Thomson's prose weren't so bland here, the book would have worked. But it doesn't. If you want to know the truth, many readers will not get past page 30 in Soft! A good line appears on page 132: "It was the first time in his life that Jimmy had ever seen a jaw actually drop." But good Christ! Why spend both $24 and two hours of your life just to read, "It was the first time in his life that Jimmy had ever seen a jaw actually drop"?
Attached to the uncorrected proof of this book is a list of "acclaim from the U.K.," where Soft! was called "brilliant" and "gripping." Thomson is a "linguistic acrobat." What novel were these Brits really reading? These reviews are mentioned to suggest that my negative reaction is a Yank thing. After all, there are no British equivalents to Elmore Leonard, let alone James M. Cain. Graham Greene? Please. Case closed. On a national level, there's always the master, Alfred Hitchcock. But movies are movies and books are books. And Soft! is as exciting as its title without the exclamation mark. But we shouldn't write Thomson off. Air & Fire is too admirable a book. Still, this reviewer refuses to elevate some slightly interesting scene (such as one that occurs near the end, when a house cat is set afire) in order to suggest that a novel of such meager merits is worth anyone's time and American money. -- Salon
Product Details
- 9780375702204
- Publisher:
- Knopf Doubleday Publishing Group
- Publication date:
- 01/28/2000
- Pages:
- 320
- Product dimensions:
- 5.16(w) x 7.97(h) x 0.66(d)
Meet the Author
Rupert Thomson is the author of four previous novels, three of which—The Five Gates of Hell, Air & Fire, and The Insult—are available in Vintage paperback editions. He lives in London.
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The Cummins Foundation
The Cummins Foundation was created in 1954, 35 years after Cummins was founded. It was one of the early corporate foundations and is part of the global giving arm of Cummins Inc. It makes grants primarily in Cummins' communities around the world and for projects that engage Cummins employees.
Grants and Programs
Grant requests to The Cummins Foundation for Cummins' communities should be developed and submitted through the Community Involvement Teams.
The Foundation funds only 501(c)3 non-profit organizations or equivalent charitable international organizations.
The Foundation does not fund:
- Medical or disease-related organizations
- Capital campaigns
- Individuals or business start-ups
- Product donations
- Religious activities, in whole or in part, for the purpose of furthering religious doctrine; faith-based organizations must provide service to all clients regardless of denomination
- Projects or services that could be considered to benefit the Company.
Foundation programs include:
- Matching Grants: Employees' charitable contributions are matched by the Foundation through the North American United Way campaign and Company-established global matching programs. These programs give Cummins employees options to donate to local organizations and projects that are meaningful to them.
- Community Development Grants: Grants used by qualifying community partners to make an impact in the communities where Cummins does business. Requests are made by Community Involvement Teams on behalf of the community partner and should provide opportunities for employees to engage with the community partner in a meaningful way, as well as demonstrate capability for long-term sustainability. The Foundation will only consider non-profit organizations that are non-discriminatory in their policies and practices with regard to physical or mental abilities, gender, race, age, sexual orientation, ethnic origin and/or creed.
- Incubator Grants: Grants designed to provide start-up funds for projects in two categories: 1) energy efficiency and 2) water conservation, protection and access. Incubator Grants are designed to support employee projects that involve technology applications or the use of technical skills to solve environmental problems in the communities where Cummins does business.
- Architecture Grants for Bartholomew County: Investing in a vibrant and economically viable community in our headquarters location of Columbus, Ind., has long been an important objective for Cummins. The Cummins Foundation will recommend architects and provide funds for the design portion of the architect fees for selected public projects to encourage architectural excellence in Bartholomew County. To learn more, please click here [LINK].
In addition, Cummins has two international foundations in India and Mexico: Associacion Filantropica Cummins (AFIC), Mexico andCummins India Foundation (CIF), India.
Contact Information:
The Cummins Foundation
500 Jackson Street
Columbus, IN 47201
Fax: (812) 377-7897
Email: email@example.com
Foundation Reports:
2014 Foundation Tax Return
2013 Foundation Tax Return
Cummins has a long history of corporate responsibility, based on the framework of linking the impact on our stakeholders to responsible business decisions. In addition, Cummins has invested talent, passion, and resources into trying to solve problems in our communities and society as a whole since the Company's inception in 1919. Cummins firmly believes a company is only as healthy as the communities where it does business.


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August 2015
I enjoy riding my son to school on our bikes and then I roll over to the local mountain and run (meander) up to the top...
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When I released the Tribute To Ray Charles album for Christmas…
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Whenever my family and I drive into the gates of Woodfordia a…
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This month always begins with celebrating my daughter's birthday…
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I love chocolate. I love sacred gatherings and I love spending time with my family.
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This year is all about being in the flow. I don't want to rush anything and I am focusing on allowing room for things to develop naturally, without force. A time for space and bravery.
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Birling Gap and the Seven Sisters
Walk, go rockpooling or simply relax in the sun
Amazing archaeology at Birling Gap
The hilltop enclosure of Belle Tout, on top of the Seven Sisters cliffs above Birling Gap, is an archaeological mystery and could be one of the UK's most important Prehistoric monuments. A dig this September aims to uncover these secrets before they erode into the sea. .


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Monday, January 11, 2010
Influencing Comics #6: Once Upon a Time in an American Graphic Novelist's DVD Player By Neil KleidBlame my father; He made me watch it. Dad, you see, had a history of picking bad movies, and therefore I questioned his vehement recommendation. Every time our family descended on the local video store to grab choice films for Saturday night viewing fare, Dad inexplicably chose the one movie nobody wanted to see. And by "nobody" I refer to the great communal nobody of the entire suburb of Oak Park, Michigan, evident by the fact that all copies of said movie remained abandoned on the shelf, unloved, unwatched, unrented.
Dad's based his skewed idea of how good a movie could be completely on the number of copies ordered by the store. Titanic could not be worth the time based on the plentiful copies out at the time or waiting to be snapped up. According to Dad, the movies with only one or two boxes resting on the shelf were truly worth our time —rare films like Windtalkers or Slipstream, each represented by two dusty boxes hoping to go unnoticed while sandwiched between blockbusters. These were his meat, justified by the fact that fewer copies meant less availability meant hidden gems. Slipstream, for the record, was no hidden gem.
My point being, Dad picked duds and urged us to seek out said duds despite their obvious box office failure, invisibility and absence from marketing venues, award shows and often, movie theatres themselves having gone straight to DVD (or that great, lost rewindable medium, videotape). Phone calls home or conversations around the dinner table often led to debates on his poor choices over the years, and his persistence in getting us to reconsider "classic" films he felt were worth our time. Cast a Giant Shadow was the constant refrain, like horrible jungle drums in the distance, heralding another round of "Not interested"/ "You're missing out" that we hoped would never result in Dad actually heading out, renting the movie and forcing us to watch. But there were others. Many, many others. And amid the cream of his crop swam Sergio Leone's nearly four hours long epic, Once Upon a Time in America.
Four hours? For a mob movie I'd never even heard of? You could watch two of the Godfather flicks in less that time (assuming, of course, you skimmed the "good" parts of G3, which there were admittedly few) or Goodfellas twice. Four hours equaled four episodes of The Sopranos, a time commitment even I, a student of mob history and lover of all things underworld, could not fathom during the course of my productive day. But a funny thing happened… during years of laughing off and avoiding my father's self-appointed (or so I thought at the time) "classic" must-see list, several friends convinced me to sit down and finally watch one of them, The Great Escape. And you know what? I didn't hate it. In fact, it became one of my favorite movies now, and like a good son, I reached out and apologized to Dad for not watching it sooner. In response, he urged me to try others like The Magnificent Seven (which I did, and enjoyed), Cast a Giant Shadow (didn't, no regrets) and of course, Once Upon a Time in America.
The last one tweaked my interest, especially as I'd recently finished Rich Cohen's book Tough Jews, the story of Murder Incorporated and history of the Jewish underworld in East New York. The time commitment was tough to get around, though… and then, as if a message from on high, I found myself out of work. Between interviews and a burgeoning comics career, there were vast periods of time where I, in fact, had nothing to do and so I bit: I rented Once Upon a Time in America, not knowing a thing about it, the characters, cast or anything other than that it was a Jewish mob story set in New York, and figured I'd watch in shifts. Of course, I finished it that night. Later that week, I wrote the first scene in the graphic novel that was to become Brownsville.
The story follows a group of Jewish hoodlums that grow up on the Lower East Side, form a gang, and rise through the ranks of organized crime. It covers years, beginning in the Twenties and ending in the Sixties, bouncing back and forth via flashbacks dredged up by former hoodlum David "Noodles" Aaronson, an exiled mobster who's returned to the old neighborhood after years away. Noodles —menacingly and melancholically portrayed by the great Robert DeNiro—follows the path of least resistance out of the Jewish ghetto, joining up with several pals (notably, James Woods' Max, Noodles' questionable best friend) to build names and fortunes, falls in love with beautiful dancer Deborah (played by Elizabeth McGovern and a young, flirtatiously appealing Jennifer Connelly) and winds up with a one-way ticket to prison. Rather than spoil the story for interested readers, I'll merely point you in the direction of an all-star cast including Joe Pesci, Burt Young and Treat Williams; a gripping, epic journey of men who could have had it all and lost it; a snapshot of an era now lost, neighborhoods and businesses gone and forgotten to urban decay; a score that insinuates inside your head and makes you tear up each time you hear it; and a twist you probably see walking it's way up Delancey, but shift to the edge of your seat waiting for its arrival.
Leone, notable for spaghetti Westerns like A Fistful of Dollars and The Good, The Bad and the Ugly, turned down the chance to direct The Godfather to instead capture a time in American history where all bets were off and opportunity lurked around the corner if you could roll a drunk, escape a bull, fleece a shop, make a name and build an empire. But during the course of the four hour epic (the minutes of which fly by once you dive right in, I swear), as viewers follow poor Noodles from happy youth to hardened adulthood to bitter exile and then faded years, Leone shines a spotlight on the fairytale aspect of his film's title: Once Upon a Time. Yes, ladies and gentlemen… this America exists no more. Between the Twenties and Sixties, America grew up, warred, died, privatized and decayed. Friends fell to the side, businesses flourished and then failed, like Fat Moe's family business — a diner turned speakeasy turned diner again—once fat and happy, has fallen on lean times, as has Moe himself.
The hidden subtext, there to see if you think of the turbulence of time and what was happening as the film does, clicks into place and lets the viewer understand that Noodles' early days are no more than a distant fairytale; a bedtime story he remembers in flashbacks and snippets, long obscured by failure, betrayal and heartbreak. It's about friendship and ethnicity, social class and missed chances… it was Leone's final film and it inspired me to produce my first real book. Brownsville, while a love letter to a world of Jewish gangsters a post-Holocaust Yid like me never knew, is also about fathers and sons, friendships and betrayals, and an America that exists no more. Following the intertwined lives of Allie "Tick Tock" Tannenbaum and Abe "Kid Twist" Reles, it shines a light on the differences in social class that led each man down the road he traveled, from entry into the mob all the way to entry in the Federal Witness Program where they ratted out pals and father figures in the mid-Forties.
The differences between Once Upon a Time in America and Brownsville are vast —one is fiction, the other is not—but Jake and I noticed enough similarities in theme, character and evolution to inject Leone's tale into ours. Noodles is no wide-eyed, likeable Allie, nor is he vicious, rabid Reles, but his story is close enough to the men that walked the streets of Brooklyn and the Lower East Side, looking for a way out of the ghetto. Jake, whose attention to detail borders on obsessive (who draws every brick in a wall, or stitches immaculate herringbone patterns into a suit?), used Fat Moe's family diner as a visual basis for the diner in early Brownsville scenes — and, in fact, the character of Yiddel seen in the showdown between Mendy Weiss and Pretty Amberg partway through the book, though based on an actual person, was visually based on Fat Moe himself.
Brownsville's final scene, where poor old, acquitted Allie returns to Brooklyn after years away, remains my testament to lonely, lost Noodles' homecoming from exile… back in a land that doesn't even remember him, walking streets where his dead friends once roamed, long replaced by the inevitable flow of modern progress. Passionate for a man who long struggled with the idea of ever watching the movie, no? Once Upon a Time in America does that to you, stirs up passion and emotion, and despite the long running time, beckons you back for repeat viewings. Not even thirty years old, it feels timeless and while I cannot urge you enough to check it out, my Dad truly deserves the credit for the inspirational recommendation and influence of what I hope will one day become a "classic" graphic novel. That being said, Dad, there's no way in hell I'm sitting through Cast a Giant Shadow unless there's a graphic novel idea in there somewhere.
Neil's POD novel Coffin, will be available soon.
6 comments:
- AnonymousApril 21, 2010 at 7:03 PM
The magic of Once Upon A Time In America is it's ability to linger long in the memory. So many great scenes set to Morricone's beautiful music create a cinema that all the CGI money can buy will never touch.ReplyDelete
Saw it in 1984, butchered and broken but like the America it celebrated and mourned for, still was able to offer up its hard earned beauty. Perhaps no other director's work more mirrored their creator than those of the Great, that's right, Great Sergio Leone. His films have been cut and desecrated by the very country they were intended for and he has been ridiculed as a hack and pop artist.
40 years later, Leone is considered one of the Masters of Cinema and all 7 of his films considered classics of modern cinema with 3 being outright Masterpieces. God Bless you Sergio Leone, we are not worthy.
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All right, now that we have applied our gross color cast compensation, let's fine-tune that compensation so that it's exactly what we need it to be or as close to the original scene as possible. I'm working inside of a progress document here called Gross compensation.psd and it's found inside the 04_cast_lighting folder. Let's go ahead and once again double click on that Curves adjustment layer and I'm going to switch over to the B channel, that's where we are going to start things off because yellow is really where the action is happening, mostly we have got to fine tune the yellow information here because we are dealing with an incandescent light source, light coming in from above so it's very warm and we have got these little bits of purple going on, that's the color that's really informing the scene the most.
So, it needs a little bit of additional work. So what I'm going to do is I'm just going to click right there in the center of the graph that is the horizontal center of the graph so that we get an Input, we are lifting an Input value of 0 and it's setting the Output to 22 and what I want to do is I just want to elevate the yellows inside this area right here, notice if I drag inside this column, you can see the little bouncing balls right there on that point. In fact if I wanted to I will Backspace, what I could have done is just Ctrl+Click or Cmd+Click in the center of that column to lift that point and then I'm going to elevate it as they say, I'm going to make sure the Input value is 0 and I'm going to elevate the Output value to about 24.
Notice that, that gives us a little bit of additional yellow action. It pops the yellows inside of these columns. So, part of this is making this look like a deliberate modification, so it's not just kind of flaccid yellow, I really want it to pop, I want it to be fairly vivid, even though this is a neutral surface. And so we are making our environment very clear here and our lighting as well. Now I'm going to Ctrl+Tab to that white point value there and I'm going to press the right arrow key a couple of times in order to move that Input value to 59. So, we are mapping 59 to 127 at this point and what we are doing is, we are dragging the highlights down into the right this time in order to compensate for the amount of yellow that we have added by making the highlights just ever so slightly more cobalt and that's going to help with things like this guy's white jersey.
It's going to bring that back into neutrality and then I will Ctrl+Tab to the black point and just check it out and actually when I look at the shadows inside of this image I'm thinking they are pretty much okay, they are neither too yellow or too blue/cobalt there, looking fairly neutral where the B axes is concerned. So, let's get out of the B axis we are done. Let's go over to A and see if we might do a couple of things with that. I'm once again going to lock down the middle point right here and so I'm just clicking right there at that horizontal middle point, it's a vertical line of course but its in the middle horizontally and that sets the Input level to 0 and I'm then going to take the Output level up by pressing the up arrow key a couple of times in order to bring out that carpet, notice it's looking a little sort of low saturation at this point and if we press the up arrow key a couple of times, its going to pop a little bit better and then I'm going to Ctrl+Tab up to the upper right hand point.
Now, we can start moving this guy around, this white point, I can start moving it around in order to adjust for the crimson inside of the scene because it feels like the scene is getting a little green. So, I can bring back some of the crimson color, some of the lavender by dragging this point over to the right and this actually looks pretty darn good. Now, if you are feeling like your scene is still little too green which you might, you could Ctrl+Shift+Tab back to the middle point there. On my screen it looks a little bit too green inside of this area, on a properly calibrated screen it should look good, I'm working on this PC screen that's wandering just a little bit but it should look pretty good on your screen if it's calibrated, but you never know some of these decisions are subjective as well.
If you want to defeat some of the green inside the columns you would raise this center value up and that's going to make the columns more and more crimson and so it's going to defeat that turquoise. Now, I'm going to send that back down to -7 that's what I wanted and then I'm going to Shift+Ctrl+Tab to the first point here, I think we could still do better where the carpet is concerned and we are emphasizing the greens inside the shadow detail a little too much like these banisters for example. So, I'm going to press Shift+Right Arrow, actually a couple of times until I get the Input value to -33.
So I'm going to fool around with the right and left arrow keys until I get that value to -33, which is outputting the -128 and then I think we have some fairly balanced colors going on. The only thing that worries me a little bit is this guy's jacket, this orange jacket. It's just so hot by comparison to everything else in the scene. We have other little orange items that are very hot and this little yellow cap as well. But this guy is such a prominent part of the scene; he's right dead center. So I'm going to Ctrl+Click on him, Cmd+Click in the Mac in order to lift him. There is his point right, that's the point I got for Ctrl or Cmd+Clicking and then I'm just going to press the down arrow key a couple of times in order to reduce that orange slightly and you will see the orange reduce on the fly every time you press the down arrow key, it's very, very sensitive, that's it, looks pretty good to me.
I'm going to click OK in order to accept that modification. This is what the scene looked like before we fine tuned it, so not terribly different but enough different that this is certainly better, definitely warms up the scene and just to give you a sense of what he had before this is our terrible original color cast in bad contrast and everything and this is the much improved version of the scene so far. We still have a few items to take care of like this yellowness back here in the highlights and this weird purplish, lavender stuff, that's going on inside the column.
We will begin to address those issues in the next exercise.


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Did you miss Phillip Phillips live on Good Day? Here is your chance to see his interviews from Tuesday morning!
Phillip Phillips will be featured as a guest in an exclusive broadcast interview live on FOX 31 NEWS GOOD DAY Tuesday, February 7 at 8am. FOX 31 NEWS GOOD DAY Reporter and Producer Melanie Kendall sits down with Leesburg native and Season 11 American Idol Contestant Phillip Phillips in an exclusive broadcast interview to talk about his Idol audition and his journey to get there. "Phillip Phillips had performed on GOOD DAY many times before he tried out; it was so exciting to watch him get a golden ticket to Hollywood on American Idol, and we can't wait to have him back on GOOD DAY again on Tuesday," said FOX 31 NEWS GOOD DAY Reporter and Producer Melanie Kendall.
Albany Star Winner Phillip Phillips impressed the American Idol judges in Savannah, Georgia with his audition of "Superstition" by Stevie Wonder and "Thriller." "You're very, very special," said American Idol Judge Jennifer Lopez. Phillip was one of forty-two contestants from the Savannah auditions to make it thru to the "Hollywood Rounds," airing Wednesday, February 8; Thursday, February 9; and Wednesday, February 15 on FOX 31. "Phillip has been a regular guest on GOOD DAY, and we are so proud for him, his family, and this community for their outpour of support," said FOX 31 President and CEO Brenda Holloway. "We're extremely excited about this season, and we look forward to following his progress and journey on American Idol."
FOX 31 News airs weeknights and weekends at 10pm and always available on-line at mysouthwestga.com. FOX 31 WFXL-TV is Southwest Georgia's local FOX Affiliate and is owned by Barrington Broadcasting Group, LLC, a Chicago based broadcast company with 24 television stations in 15 markets. For more information about FOX 31 WFXL-TV, please visit www.mysouthwestga.com.
AMERICAN IDOL is produced by 19 Entertainment, a division of CKX, Inc. and FremantleMedia North America, Inc. The series is created and executive-produced by Simon Fuller, CEO, XIX Entertainment, and executive-produced by Cecile Frot-Coutaz, CEO, FremantleMedia North America, Inc.; Ken Warwick, Executive Producer, FremantleMedia North America, Inc.; and Nigel Lythgoe, CEO, Nigel Lythgoe Productions. AMERICAN IDOL has been No. 1 among Adults 18-49 for the past eight consecutive seasons. For more information, please visit americanidol.com.


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First printing, a trade paperback. Updated fables, drawn from the animal life of Virginia and Arizona, and inspired by traditional fables from Aesop to LaFontaine to Joel Chandler Harris, illustrated with woodcuts by the author. Near fine. .ISBN # 0-87358-502x
Bookfever.com - Selling books on the internet, by mail order, at book fairs, and at Antiques Upstairs in historic downtown Jackson, California, since 1992. Over 50,000 books and magazines in stock (over 4,000 signed or inscribed by the author) - many more than are listed on our website, so please do not hesitate to contact us if you cannot find what you are looking for.FIND US ON FACEBOOK
updated 9/20/2015 8:54:42 PM
|TOLL FREE (877)-BOOKFEVer or (209)-274-6960


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Retailers can now use Facebook's Canvas ads for branding
The ads had been focused on driving results, such as a sale or app download. Now merchants can use Canvas to help build their ...
Retailers can now use Facebook's Canvas ads for branding
The ads had been focused on driving results, such as a sale or app download. Now merchants can use Canvas to help build their ...
Amazon: Where more than half of online shoppers go to search
Search engines and other e-retailers lose share as shoppers increasingly turn to Amazon for product searches, a Bloomreach survey finds.
Sign up for IRNewsLink and get daily reports delivery to your inbox. Sign Up Now
Sponsored by 2013 Social Media 300
IBM is paying $440 million for the firm.
In its latest move to provide more technology for helping retailers understand and market to consumers, IBM Corp. today said it will pay about $440 million in cash for DemandTec, which sells web-based technology that compiles consumer purchasing data across retail channels. Retailers, for example, can use DemandTec's software to predict how consumers will respond to possible changes in pricing and merchandising.
The acquisition adds to IBM's Smarter Commerce initiative, which IBM defines as a business unit that provides digital technology and services to help retailers compile consumer buying data, analyze it and develop marketing and merchandising programs. Smarter Commerce also contains other companies IBM has acquired over the past two years, including web analytics provider Coremetrics, online marketing firm Unica Corp. and Sterling Commerce, a provider of order management software.
Earlier this year, IBM launched Coremetrics Lifecycle, web-hosted software that helps retailers understand customer buying interests over a long term and then craft effective marketing campaigns across multiple channels, including e-mail, online display advertising and social media. Cloud-based software resides on vendor-provided web servers, freeing the user from having to invest in its own server infrastructure.
"IBM Smarter Commerce is redefining how brands buy, market, sell and service their customers in ways that their customers want," says Craig Hayman, general manager of industry solutions at IBM. "Bringing science to the art of pricing and promotion is a big part of this strategy, and the combination of DemandTec and IBM will help marketing and sales executives in retail and other industries drive more revenue and increase profitability."
Industry analysts say DemandTec brings IBM a capability it needs to better compete against other leading technology providers. "IBM has made it clear that they're getting into the software solution space and DemandTec is a valuable asset in that space," says Nikki Baird, managing partner of research and advisory firm Retail Systems Research LLC. "Not only does it add an important capability to IBM's portfolio, which they'll need to compete against Oracle, JDA, and SAP, it makes it harder for technology providers like Manhattan Associates and RedPrairie to address that missing piece in their own portfolios."
DemandTec serves about 450 companies worldwide in retail and consumer products manufacturing, covering categories including grocery, drugs, convenience stores, consumer electronics, office supplies, apparel, department stores and quick-serve restaurants. The company is based in San Mateo, CA, and has more than 350 employees.
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Phase One release the first 100 megapixel medium format camera
100 megapixels full frame 645
16-bit colour depth
15 f-stops dynamic range
1 hour noise free exposures
Phase One Certified Pre-owned SALE
Ultimate image quality has never been more attainable.
The Phase One Certified Pre-owned Camera Systems provide
current technology at a reduced price.
Factory Refurbished models now available!
Phase One XF IQ180 refurbished $33,000 inc GST
Phase One XF IQ150 refurbished $25,900 inc GST
Phase One IQ150 645DF+ refurbished $19,990 inc GST
Phase One P45+ 645DF+ refurbished $14,500 inc GST
Phase One Blue Series Lenses
Phase One have announced 3 new
Blue Series Lenses
Schneider Kreuznach 55mm LS f/2.8.
Schneider Kreuznach 80mm LS f/2.8.
Schneider Kreuznach 150mm LS f/3.5.
Mamiya Leaf Credo 40 Kit
For a shot time, get the amazing quality of the Credo 40 for a great price,
or finance from only $11 per day*
Kit includes:
Credo 40, 645DF+ camera & Schneider 80mm f2.8 leaf shutter lens.
Only $16,500 inc GST
*Terms & conditions apply.
Ready for 100MP
Introducing the newest Blue Ring lenses for Phase One
The 35mm LS and the 120mm LS are the latest additions to our
high-resolution lens range. With a range of lenses designed to resolve even
beyond the limits of current sensor technology, our new Schneider Kreuznach
blue-ring lenses are ready for the future.
Phase One XF IQ3 Camera Systems
Phase One have designed the modular XF Camera System to supply the
worlds leading photographers with an extraordinary way to
stand out with amazing image quality and superior creative tools.
Phase One XF IQ3 100 Megapixels
Phase One XF IQ3 80 Megapixels
Phase One XF IQ3 60 Megapixels
Phase One XF IQ3 50 Megapixels
Introducing Profoto D2. The world's fastest monolight
Freeze action at up to 1/63,000 of a second, shoot bursts of 20 images per second, use HSS to sync with camera shutter speeds as fast as 1/8,000 of a second, and shoot fast and easy with TTL. The D2 will redefine the definition of speed in monolights.
The D2 is the combination of the stability and robustness that Profoto is renowned for, with the industry leading technology that today's working photographers demand.
Read more about the Profoto D2 here or contact us on 03 9091 2111 for more information and pricing.
Announcing the Ultimate Camera System – Phase One XF IQ3 100
World's First 100MP CMOS Medium Format Digital Back
As if 2015 wasn't big enough with the release of the new XF Camera platform and several new lenses, Specular is excited to announce the arrival of the new IQ3 100 Megapixel from Phase One.
Moving things even further along to help the world's most demanding photographers really stand out, the IQ3 100MP represents the latest and greatest in imaging technology. it truly is the Ultimate Camera System.
Phase One IQ3 100MP Key Features:
- 100 megapixel full frame 645 sensor
- 16-bit colour depth
- 15 f-stops of dynamic range
- 1 hour noise free exposures
- HDMI out for live view
- Electronic First Curtain Shutter
Watch below as VP of Phase One R&D, Lau Nørgaard introduces the IQ3 100MP.
Leaf Credo compatibility with the Phase One XF camera
The Phase One XF Camera System was designed to be an open platform, enabling the world leaders in photography access to amazing optics and superior creative tools. The XF camera now offers support and compatibility with the Mamiya Leaf Credo range of digital backs.
The XF Camera combined with a Leaf Credo back offers you control, performance, precision and reliability, allowing you to focus on your creativity. Extraordinary image capture becomes a natural practice through the systems ease of use and direct control.
Phase One XF camera is compatible with:
- Mamiya Leaf Credo 80
- Mamiya Leaf Credo 60
- Mamiya Leaf Credo 50
- Mamiya Leaf Credo 40
If you are a Credo owner you need Firmware version 2.02 for Credo 50, or Firmware version 4.01 for Credo CCD backs (40/60/80).
Contact us on 03 9091 2111 for more information and pricing.
Capture One Pro 9 Now Available
Capture Your Creativity and Deliver Superior Image Quality
Capture One Pro 9 takes the the world's best raw converter to a whole new level to give you even better image quality, tethering capabilities and workflow management.
Capture One Pro 9 gives you the ability to render precise colors and incredible detail with support for leading high‐end cameras. It contains flexible, digital asset management, a growing list of adjustment tools and fast, responsive performance in one customisable and integrated solution.
Highlights at a glance: Capture One PRO 9
- Each license is now for 3 workstations
- NEW Flow & Air Brushing masking as well as Straight line brushing
- NEW Color Editor Interface
- NEW Contrast Engine
- NEW – Re-scaling engine
- Non-destructive workflow
- Battery status indicator
- Luma curves and local adjustment curves
- Capture One colors when using DNG files
- NEW sortable keywords and libraries
Upgrade to Capture One Pro 9 Single User Licence: $165
Capture One Pro 9 Single User Licence: $473
CALL us on 03 9091 2111 to upgrade now.
To download the trial Capture One Pro 9 click go to download. To learn more about the world's most powerful tethering and workflow software click here.
Phase One XF Camera new features announced in Update 1
October 20th 2015 – Phase One have released a new firmware update for the XF camera. One of the key features of the XF camera is that new features can be added simply through the process of a quick firmware update.
The XF Feature update 1 delivers the latest XF camera system functionality, including:
– Focus confirmation with the waist level finder shown on the XF top screen
– Seismographic monitoring in low vibration mode: capture is delayed until zero vibration is recorded within the set maximum delay.
– BullsEye leveling tool on the XF top screen. This provides easy levelling of the camera in horizontal position.
– Histogram on XF top screen.
– New setup and calibration of the Hyperfocal-point.
– XF live view focus step from Capture One.
– IQ language localization of the user interface for international markets
– IQ input of copyright information for RAW file metadata
– General stability and bug fixing
The firmware of the XF camera system implements the core functionality of the XF camera system. The firmware keeps the XF camera system moving forward by implementing new and clever requests from the market, and it sees to utilizing the camera system hardware with the latest advances to deliver stability and performance.
Phase One new Blue Ring Series Lenses
Phase One announce 3 new lenses in the Schneider Kreuznach "Blue Ring Series", 55mm LS f/2.8, 80mm LS f/2.8 and 150mm LS f/3.5. These lenses join the 35mm LS f3.5 and 120mm LS f/4.0 Macro lenses and are also ready for 100 megapixels and beyond.
These Leaf Shutter lenses are designed together with world-renowned optics manufacturer, Schneider Kreuznach of Germany. Building on decades of experience in high-resolution optics the Leaf Shutter lenses delivers some of the sharpest lenses in the world, built for today's systems as well as the future. With an integrated Leaf Shutter, the range of Schneider Kreuznach lenses delivers industry leading flash synchronization speed of up to 1/1600th of a second.
The Future of Digital Medium Format has Arrived – Phase One XF
The new standard in Digital Medium Format has arrived with the Phase One XF Camera System. Phase One have completely re-engineered the key elements of a camera system to produce the fastest, most robust and most stable digital medium format camera ever. Featuring aero grade mechanicals, cutting edge electronics and an all-new autofocus system, the XF represents over two decades of digital imaging expertise and Phase One's relentless push for image quality.
Highlights of the XF Camera System include:
- New Autofocus Platform – The Honeybee Autofocus Platform (HAP-1) is a fully in-house developed autofocus system which features a high-resolution CMOS AF sensor and unique floating-point architecture which is set to redefine digital medium format AF.
- OneTouch User Interface – OneTouch UI is inspired by clean, functional Scandinavian design and provides a seamless, fully customisable interface which allows the photographer to personalise their camera for any shooting situation. OneTouch is controlled through the beautiful, tactile dials, buttons and touch sensitive screens on the Phase One XF.
- New IQ3 Digital Backs – The IQ3 range from Phase One feature high bandwidth interfaces allowing for seamless use of the various OneTouch UI features. The IQ3 range includes the world's first 80MP sensor capable of 60 minute exposures. The IQ3 80MP Digital Back is joined by the IQ3 60MP and IQ3 50MP models and build on the foundation set out in the IQ2 range.
- New Leaf Shutter Lenses – Phase One and Schneider-Kreuznach have developed two new leaf shutter lenses in a 35mm and 120mm focal length. Both lenses are designed to resolve at beyond 100MP ensuring that they not only get the most out of today's sensors but that they will perform well into the future.
- New Modular Viewfinders – A solid glass prism is the brightest in its class and comes as standard on the new XF Camera System. An all-new waist-level viewfinder is also available, rekindling one of the classic photographic perspectives. Thanks to the HAP-1 autofocus system the waist-level finder is also able to perform light metering.
For more information, or pricing, contact us : Specular 03 9091 2111 or click here to email us
Medium format digital … taken to a new level
Credo 50 at the new home of Mamiya Leaf in Australia
The Credo 50 sports the Sony 50 megapixel CMOS chip, it's 14-bit image quality along with 14 f-stop dynamic range and the famous Mamiya Leaf colour management, make this is a camera one that has very wide appeal.
The combination of the Credo 50 with the Schneider range of leaf shutter lenses and the Mamiya digital services focal shutter lenses, that's on option of 17 digital lenses to choose from.
Here's some of the new features of the Creo 50 digital back :
- 50 megapixel CMOS chip (44x33mm) with ISO 100 – 6400
- Video like Live View
- 14 f-stops dynamic range
- Long Exposure up to 60 minutes
Call now for a demo or to hire! For more information, a demo or pricing, contact us : Specular 03 9091 2111 or click here to email us, the new home of Mamiya Leaf in Australia.
Portable, powerful, cordless lighting… with TTL
Profoto B2 250 AirTTL
Profoto has released an entire new system of compact off-camera flash (OCF) and Light Shaping Tools, designed for fast and easy on-location photography.
The Profoto B2 250 AirTTL is revolution of functionality and portability for photographers. Shoot with TTL and High Speed Sync up to 1/8000 second.
Connect one or two flash heads. Use the B2 alone or sync it with one or several other Profoto Off-Camera Flashes. Shoot with a bare head, or choose from the widest assortment of Light Shaping Tools available and shape the B2's already beautiful light into any light you can imagine.
Here's some of the new features of the Profoto B2 AirTTL :
- With TTL and HSS (High Speed Sync).
- 2 fully asymmetrical outlets.
- Lightweight and compact flash heads with powerful LED modeling light
- Exchangeable high capacity Lithium-Ion battery.
- Power range over 9 f-stops (1-250 Ws) adjustable in 1/10th f-stop increments
- Fast recycling of 0.03-1.35 seconds.
- Built-in AirTTL fully supports wireless operation up to 300m.
Profoto B2 units have arrived. Call now for a demo or to hire! Contact us : Specular 03 9091 2111 or click here to send an email.


text:
From Destination:
0.77m / 1.24km
Rates From:
Sea Side Street, Ajran Al Ajran,
Mahboula, 13081, Kuwait
Phone: +965 23700300
The BEST WESTERN PLUS Mahboula is located on Ajran al Ajran Street, in the Mahboula area of the city. The hotel consists of 18 floors, with a range of facilities including a car rental office, a swimming pool with men and women's changing and shower... More
Panoramic view on the Gulf sea, complimentary High speed wireless internet, free local calls
|Complimentary Breakfast
|High Speed Internet
|Room Service
|Restaurant Onsite
From Destination:
13.53m / 21.78km
Rates From:
Block 9, Sayed Yaseen Street, Bld 37,
Salmiya, 556, Kuwait
Phone: +965 25761555
The BEST WESTERN PLUS Salmiya, is the second branch in Kuwait of a world-famous, well-trusted brand chosen by millions each year, and a representative of the largest hotel chain all over the world. The hotel is located in the heart of the business and... More
|Fitness Center
|High Speed Internet
|Room Service
|Airport Shuttle
|Restaurant Onsite
* Rates are based on selected occupancy and dates. Rates may change depending upon final dates, room type, and guest occupancy.


text:
ConocoPhillips 'Best Opportunity,' Howard Weil Says
By Ben Levisohn
Thinking of buying an oil company? You could do worse than ConocoPhillips (COP), according to the folks at Howard Weil.
Agence France-Presse/Getty ImagesHoward Weil's Blake Fernandez explains why he prefers ConocoPhillips to other oil companies like Total (TOT) and Chevron (CVX):
After years of portfolio rationalization, concerns re: dividend coverage, etc. the asset base is now poised to deliver 6- 10% cash flow CAGR through '17 from a combination of 3-5% production growth and 3-5% margin expansion. Additionally, our confidence in the Company's unconventional prowess is increasing based on the recent analyst day presentation, higher production targets and efficiency gains in the underlying assets…
We feel COP has the best opportunity to grow beyond its current valuation multiple as cash flow and EPS increase over the coming years. Once the Company reaches cash flow breakeven (anticipated around '16 depending on commodity prices) we see an opportunity to re-rate the stock from a dividend yield perspective (COP 3.4% vs. U.S. IOC's 3% & E&P peer avg 1.4%). We are upgrading from Sector Perform to Sector Outperform based on relative attractiveness to the group. Combining ~10% upside in share price appreciation potential with ~3.4% dividend yield, we believe COP offers ~14% total return from current levels.


text:
Starting out as an experiment in story telling, this itty bitty installment is a prelude to what will likely be more stories to come.
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text:
Welcome to Glock Talk
Why should YOU join our Glock forum?
- Converse with other Glock Enthusiasts
- Learn about the latest hunting products
- Becoming a member is FREE and EASY
If you consider yourself a beginner or an avid shooter, the Glock Talk community is your place to discuss self defense, concealed carry, reloading, target shooting, and all things Glock.
Businesses that dress deer
Discussion in 'Hunting, Fishing & Camping' started by Beware Owner, Jun 17, 2010.


text:
Prestigious printmaking conference sees record attendance
The Southern Graphics Council International conference, which is being hosted this week by the University of Wisconsin-Milwaukee and the Milwaukee Institute of Art & Design, has seen the highest attendance in its history.
The annual conference has attracted 2,060 artists from around the world to Milwaukee, said Jessica Meuninck-Ganger, the head of printmaking at UWM's Peck School of the Arts and one of the people who helped attract the conference to Milwaukee. »Read Full Blog Post(1)
Violent Femmes bassist Brian Ritchie remembers Lou Reed's influence
Arguably the Milwaukee band that's had the largest influence on rock music is the Violent Femmes.
And the band with the largest influence on the Femmes was the Velvet Underground, Femmes bassist Brian Ritchie said. »Read Full Article(15)
Lou Reed dies at 71, was lead singer of Velvet Underground
New York — Lou Reed, the great punk poet of rock 'n' roll who profoundly influenced generations of musicians as leader of the Velvet Underground and remained a vital solo performer for decades after, died Sunday. He was 71.
Reed died in Southampton, N.Y., of an ailment related to his recent liver transplant, according to his literary agent, Andrew Wylie, who added that Reed had been in frail health for months. Reed shared a home in Southampton with his wife and fellow musician, Laurie Anderson, whom he married in 2008. »Read Full Article(20)
Bel Canto Chorus, MSO join for night of sacred music
The Bel Canto Chorus and Milwaukee Symphony Orchestra joined forces at Christ King Parish in Wauwatosa on Saturday for a colorful evening of two 20th-century sacred works.
Bel Canto music director Richard Hynson led the combined ensembles in thoughtful, moving performances of Duruflé's "Requiem," from 1947, and Poulenc's "Gloria," which premiered in 1961. »Read Full Article
Chris Tomlin shows his passion for Christian music
Chris Tomlin did the old "how many first timers? how many veterans?" audience poll at the start of his Milwaukee Theatre show Saturday night. Not surprisingly, the majority of cheers in the largely full theater were from the newbies. Tomlin's "Burning Lights," released in January, was just the fourth contemporary Christian music album ever to top the Billboard charts.
What's interesting is that, unlike fellow chart-topping Christian artist TobyMac, Tomlin went No. 1 while being far more explicit about God. Saturday's concert was even halted for a 40-minute sermon by Tomlin's pastor (and the head of his record label) Louie Giglio. »Read Full Article(4)
Trick-or-treat weekend: Milwaukee-area times, by community
For most Milwaukee-area communities, trick or treat is Sunday — but don't worry; they're all done in time for the Packers game tonight.
Go to Tap Milwaukee's list of Milwaukee-area trick-or-treat times to find out when to expect ghouls and goblins in your neighborhood. »Read Full Article


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Victoria Justice's Best Pre-18 Looks
Amanda Hasaka
| February 16, 2011 - 3:57 pm
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To the Editor.
—Spanish-speaking people constitute a large and increasing portion of the US population. Data from 1976 through 1977 show almost 12 million Hispanic people in this country; the number who are fluent only in Spanish is unknown. The pattern of language use among Spanish-speaking immigrants is unique and suggests that Spanish is the most persistent of foreign languages in this country.1 There is evidence that the language barrier is being recognized with increasing frequency by providers of health care. Furthermore, attention is turning away from traditional folk beliefs and toward language and other cultural factors as barriers to medical care access for Hispanic patients.2,3The Bexar County Hospital District and Audie L. Murphy Memorial Veterans Medical Center provide major teaching facilities for the University of Texas Health Science Center at San Antonio, including some 70 residents in the Department of Medicine. The county hospital system provides
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Best route map between Cordele, GA and Tallahassee, FL. This route take about 119 Miles.
The distance and estimated time is placed on the right depending on the status of the road.
, 06:27
* You can see Cordele, GA and Tallahassee, FL photos above. We provide this photos from Google Panoramio service.
* Cordele, GA weather as celsius: °C
* Tallahassee, FL weather as celsius: °C
* Weather information on route, provide by Open Weather Map.
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