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Carol Ray Busby, 78, of Amarillo, died Sunday, Oct. 14, 2001.
Graveside services will be at 11 a.m. Wednesday in Llano Cemetery with Windell Taylor, chaplain of VA Medical Center, officiating. Arrangements are by Schooler Funeral Home, 4100 S. Georgia St.
Mr. Busby was born in Tahoka. He served in the Armed Forces during World War II from 1942 to 1946. While serving in the Army he worked as a heavy equipment operator.
He fought in New Guinea and Luson. He was awarded the American Theater, Asiatic-Pacific Theater, Phillipine Liberation Ribbon, Good Conduct Medal, Meritorius Unit Award and the Victory Medal.
He farmed in South Dakota from 1950 to 1953. He married Adaline Rudd in Miller, S.D., on Aug. 30, 1954. He worked for Trico Industry in Los Angeles for 20 years. He moved to Amarillo in 1986.
Survivors include his wife, Adaline; two sons, Steve Busby of Amarillo and Greg Busby of Springfield, Mo.; a daughter, Paula Busby of Amarillo; three brothers, David Busby of Hobbs, N.M., Leroy Busby of Lubbock and Doyle Busby of Sturgis, S.D.; four sisters, Shirley Brown of Hereford, Marie Mount of Lubbock, Marge Morris of Wilson and Norma Jo Coleman of Hereford; and two grandchildren.
Visitation will be from 7 p.m. to 8 p.m. today at the funeral home.
The family suggests memorials be to BSA Hospice, P.O. Box 950, Amarillo, TX 79176-0001.
Amarillo Globe-News, Oct. 16, 2001
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Scott Colley: Music Architect
He's also recorded steadily, something many bassists can't say. From 1996 to 2002, he had a new recording of his own nearly every year. He's at it again with Architect of the Silent Moment released earlier this year on Cam Jazz, which displays his considerable writing talents, as well as a strong collaboration with a group of his peers. Colley seems to be growing as a writer and a bassist. The new music is strong in its concept. It doesn't really carry a theme in one bag, but probes different feelings in different ways. It's heady music, but not overly so.
Not Just Jazz
Besides, it's all just music to Colley, when it comes to the wide variety of projects he's been involved in as a leader and sideman. It's not always "jazz per se, and that's OK too, even thought he was an admitted jazz snob growing up playing the bass in his native Los Angeles.
"I listen to a lot of different kinds of music. From my standpoint, I listen to a lot of different music and I like to allow different elements to come in as they will, says Colley. "The things that I listen to today, the things I've listened to in the past, the emotions and experiences I'm having today, I want to be reflected somehow in the music.
The new music demonstrates that. All compositions are by the bassist, except for Andrew Hill's "Smoke Stack, but even that is arranged with a unique twist. In compositions like "Usual Illusion, "Strip Mall Ballet, and "Window of Time, the rhythm of Colley, pianist Taborn and drummer Antonio Sanchez can get intenseand not with a thousand notes from the session leaderand still, the melodies seem to ride on top, musical and imaginative, often carried out by Ralph Alessi's inventive melodism and Taborn's deft touch and artistic sense. Even Binney's searching sax and Gregoire Maret's outstanding harmonica get a chance to add to the colors sought by Colley. The bassist is superb throughout the session.
"During the process of recording and working on stuff I ask a lot of questions of the individuals I'm playing with, different ways to approach it, just to get different ideas, says Colley. "Because the people that I play with, everybody involved in the project, are good friends and good musicians. I very much value their thoughts and input.
Colley, 43, has played on more than eighty albums. It all started with his love for music as a youngster, picking up the bass, digging jazz and listening to people like Oscar Pettiford and Paul Chambers. Later folks like Charlie Haden came into the picture. So did other forms of music, from Ornette Coleman to pop, and eventually music from other cultures. He studied at California Institute for the Arts with Haden, but says he focused on composition and opened his eyes to other things outside the jazz department. Gigging with venerable pianist Jimmy Rowles was key in his development, and after Cal Arts he worked with Carmen McRae, Dizzy Gillespie, Clifford Jordan and Art Farmer and many others while making his home in the Big Apple. A run with Hancock was also key.
Not long after he went to New York and got busy, he started recording under his own name, creating Portable Universe (Freelance, 1996), This Place (SteepleChase, 1997), Subliminal (Criss Cross, 1998), The Magic Line (Arabesque, 2000) and Initial Wisdom (Palmetto, 2002).
Architect of the Silent Moment
All About Jazz: Is there a significance to the title of your new CD, Architect of the Silent Moment? It's kind of unusual.
Scott Colley: We were having a party here and there was like thirty people in the house. A friend of mine said something ... he was trying to talk about two subjects at once, and somehow he created a sentence that he said loudly at the party. I can't remember what it was. It wasn't profane. It was profound in some way that it made everyone at the party stop talking. I said at that moment that he was the architect of the silent moment. That's how that came about. Maybe not as profound as someone would think, at the time [laughs].
AAJ: The music is mostly yours. How much do you write? How big a thing is that in your life, to make sure you have time to write? Does it come to you easily?
SC: I think about composition a lot. In terms of any level of spontaneous composition, basically everything I do there is some level of composition involved. I deal with so much music that has structures, but a lot of the projects I do are primarily improvised. I tend to write in spurts, and not every day. When things come to me and, generally, deadlines spur on these times when I write a lot. It's not as consistent as I'd like it to be. It revolves around my schedule of different collaborative projects that I'm involved in and all the other stuff that I'm doing.
With this project, I did spend a lot of time thinking about the overall shape of the record, who I wanted to be involved in the record. I generally will always think of individuals firstwho I want to be involved and what kind of sounds I want to create. Then try and write for them specifically. I did start thinking about it almost a year before we recorded it. Then we went on the road for almost a month, with the quartetRalph Alessi, Craig Taborn and Antonio Sanchezbefore the record was done.
AAJ: You did a bunch of records in a row. There aren't too many bass players that have that kind of opportunity. Is that something you want to do more of, or want to keep doing? Has that been a goal of yours, to not just play with other folks?
SC: I like the process both ways. I like interpreting other people's writing and collaborating with people. But I also like to write. I like to mix the two. I would like to do more writing. But it doesn't necessarily change the way I approach the music once I go to play it. I'm still thinking of it as a collaboration, either way. It's doesn't necessarily change the way I approach playing, whether it's my record or somebody else's record. I'm still thinking in terms of texture, what's needed at a certain moment, whether I feel the need to lay something down as a groove or play something melodic, or what. I still think of it the same way.
AAJ: Is it harder as a bassist to get to lead projects like that?
SC: It's just different. If there's something that I really wantsay cue a different section with a musical cueI'll think about it from how I might structure it as a bassist. But it does take definitely a lot of faith in those that you're playing with, if they're playing the melody and I'm playing the bass role. It's important to structure it how you see the individuals respond to it. Generally, I'll write the music and have a specific idea of how I want it to go. But then when I go to play it, I abandon some of that and allow individuals to explore things in a way that they hear them. Generally, I'll be pleasantly surprised. It's kind of a release. You have a certain idea how it's supposed to go, but once you go and do it you hope that they'll surprise you somewhere.
During the process of recording and working on stuff I ask a lot of questions of the individuals I'm playing with, different ways to approach it, just to get different ideas. Because the people that I play with, everybody involved in the project, are good friends and good musicians. I very much value their thoughts and input.
Music Versus Sound
AAJ: The disk has a lot of different sounds. You're not thinking in terms of mainstream or swing. Do you even think in terms of jazz, or more in terms of sounds? I know you want the improvisation there. Do you say, "I'm making a jazz record?
\SC: No, not at all. Obviously my background comes from a lot of experience in that area, but I listen to a lot of different kinds of music. From my standpoint, I listen to a lot of different music and I like to allow different elements to come in as they will. The things that I listen to today, the things I've listened to in the past, the emotions and experiences I'm having today, I want to be reflected somehow in the music. Especially when I'm sitting down to write something, having ideas about structure, I want to abandon those labels. At least in my mind. Other people can put them on. That's fine. But for me, I don't think in those terms.
AAJ: What do you think of the final product?
SC: I'm off to some new projects. But I'm very pleased with it. In terms of the overall structure, I did make some changes, but when I wrote the music I had a pretty clear idea of what the sequence should beespecially how it would begin and endand then some of the things in the middle moved around after we had played it some. I really like the way it's come out.
It's the second record that I've done where I actually had the time to structure it in a way that I think a recording should be done, in terms of conceiving of the music, deciding who was going to be involved, taking the time to write the music, then touring with the music; kind of digesting it, working with it, then recording it, rather than the other way around. Frequently, we end up doing two or three rehearsals, getting to the music, then you record it, then you go on tour. Then you start to discover new things about the music which you would have played on the recording.
With this record, I feelespecially in terms of the compositions that have odd meters, 15 and 9 and metric things going onin terms of the rhythm section with Antonio and Craig Taborn and Iwe were able to figure out a lot of things before we went to record. I think that comes through on the record. Especially with those guys, because they're so incredible with any kind of odd forms. They create so freely on difficult forms.
AAJ: I think that concept comes off very well.
SC: I also wanted to mention that David Binney produced the record with me and he made an incredible contribution to it. That's very evident on the record. Especially in terms of texture and some of the collage things too. Working with him is always great because we've known each other for such a long time. I trust him so much. Musically, he knows what my aesthetic sense is too. It was a really great help to have him involved.
AAJ:You guys always seem to be on the same page with everything that's on there.
SC: One of the surprises that came from the record was when I was doing Andrew Hills' "Smoke Stack, because he did it with two bass players and he's a pianist. I decided to go with two piano players and a bassist, and I'm a bsas player. I knew it would work out, but one of my favorite moments on the record is hearing Craig Taborn and Jason Moran play together.
Beginnings Part II
AAJ: Is the bass the first instrument that you liked, or did you play something else first?
\ SC: Acoustic bass was my first instrument. I started playing when I was eleven and was in the elementary school orchestra. I played for a while, then I got bored; the parts they were giving me weren't too challenging. I kind of picked it up again when I got into junior high school on Los Angeles. Eagle Rock High School was where I went to school. I had a great band director named John Rinaldo who kept an amazing jazz program going there despite the cutbacks in Los Angeles at the time. So I got an early opportunity to play in some small groups and a lot of big band jazz from the time I was thirteen. I studied with Monty Budwig, who was a great teacher out there, a great player and friend. From there, I went to Cal Arts [California Institute for the Arts].
AAJ: The music on the radio in those years wasn't jazz. Did you also absorb a lot of pop and rock music of the '60s and '70s, or were you tuned into jazz?
SC: I kind of discovered the different elements of pop music later, strangely enough. I'm a jazz purist. My older brother is a drummer. He would give me a lot of albums to listen to. People who I was playing with at the time would give me a lot of records to listen to. So my early learning was completely by ear.
When I was thirteen, I started working two nights a week at this club in Pasadena. I had that job for three years. The older musicians would say, "Here's some records. Learn these songs by next week. Each week I had better learn those songs [chuckles]. It was a great experience for me because I learned to play by ear. When I was sixteen and seventeen, I started to understand theoretically what I was doing. I realized harmonically and rhythmically if I was going to take the next step, I needed to begin to understand what was going on. Not only the bass, but every instrument and how they interact, and about arranging and composing stuff. That didn't come until later. But that way of learning early on and relying on your ear from the beginning was an important step.
AAJ: Who are some of the bass players that you liked?
SC: One of my favorites was Paul Chambers at that time. Oscar Pettiford. Charles Mingus. I was kind of a purist until I heard Jaco [Pastorious] live in concert, right after the Heavy Weather (Columbia, 1977) record [Weather Report]. It made me realize that there's a lot of music out there. I was kind of keeping myself from exploring, because I had this idea it was only a certain era of music that I was interested in. I still really love the stuff I listened to when I was thriteen. And I still listen to it today. But from listening to Weather Report and Ornette Coleman's classic quartet, my tastes just kind of expanded out from there. It's still expending, hopefully.
AAJ: California Institute for the Arts is where Charlie Haden was.
SC: Charlie's still up there sometimes. I'd gone up there just because Charlie was there. I didn't know anything else about the school. They had just started the jazz program. I wasn't really planning on going to school. I just wanted to go out and play. But I'd loved Charlie's playing for so long I went up there. From there, I realized all the things that the school has to offer. Music from all over the world. Composition. For the first two years there, I didn't play that much with the jazz department. It was an incredible place for me at that time.
AAJ: You were probably playing in clubs during that time. Was there any gig that really got you involved in the scene, or was more important than others in your career?
SC: I played a fair amount with Jimmy Rowles, which was pretty incredible, because he had such a knowledge of standards. He had this incredible way of voice leading. Even if he knew that I didn't know a song, the way he would play and set up the chords, I could play songs that I'd never heard of before. It sounded like I knew what I was doing. [chuckle] His voice leading and the way he did things was so logical. When he wanted, he could lead me around. It was an incredible experience.
There were a lot of musicians, but somewhere in the middle, my third year at Cal Arts, I auditioned with Carmen McRae and started touring with her. That's when I moved to New York. I was still working with Carmen, touring. Somehow I managed to finish Cal Arts, but I'm not really sure how [chuckles].
New York and Carmen McRae
AAJ: What was the experience with Carmen ['86-'90] like?
SC: It was amazing. Especially in terms of ballad playing and her patience with a lyric or melody was really amazing. It opened up a lot of things for me. From her I met Clifford Jordan and started playing with him. Art Farmer. A short tour with Dizzy Gillespie that we did. Some other people. When I moved to New York I had a little bit of work with different people.
AAJ: How was New York when you first got there?
SC: Initially, it was kind of disappointing. [chuckles] In terms of the energy and everything it was incredible. I was running around listening to all the music I could hear. In terms of new music, it was kind of the height of the "young lion phase and what was going on at that time. It had the feeling of being fairly conservative in scope. I think that has changed dramatically. I think the musicians involved in that have changed dramatically for the most part. Now I feel much more encouraged by what's going on in New York. Maybe it's just my perspective, but it seems to me that there are a lot of people writing interesting music from all over the world. To me, that's really exciting. It's the reason why I came to New York.
A lot of the people that I met at that time that I were drawn to were Dave Binney, Adam Rogers, Bill Stewart, Chris Potter and Brian Blade. So many other musicians that I still play with today were people that I was drawn to the first month that I moved to New York. They are still people that I will occasionally do projects with, back and forth.
I think it's a really interesting time to be in New York.
AAJ: It was really getting structured for a while, a matter of, "how much can you play for a while.
SC: There were distinct cliques of musicians. There was the old Knitting Factory and that thing. Then there was the more conservative element that was getting a lot of press at that time. That was my perception at that time. Now there seems to be a lot more interaction between different genres, the way people interact and the way people think about music. I think now perhaps younger listeners, people growing up in the '90s and '80s, have listened to lots of different kinds of music, so when they go to a performance that has a lot of different elements, they're kind of used to it. I'm not sure that was the case then.
From my standpoint, I see a real sense of community among musicians. There's openness for a lot of ideas. I think that's the key to creating interesting music and music that's relative to what's happening in the time you're living; to be open to what's going on and to be open to ideas and search for new possibilities.
Herbie Hancock
AAJ: That's kind of what you express on your record. Different things, not all of it from wood-shedding, but from other things. What was it like being with someone like Herbie Hancock, who is an icon?
SC: He's obviously one of a kind. He embodies a lot of the stuff we're talking about in terms of openness. Working with Herbie, I don't think he ever said anything specifically like how to play a certain thing. A lot of the structures that we would work on were very opened-ended, and we would all contribute to different parts of the material of the music and work on it together. It was very much a collaboration working with him. From the very beginning, I jumped into a trio with a relationship between him and Terri Lynne Carrington that was musically really strong, with an approach to rhythm that was very elastic and breathed. To determine what my place was in the music, you're kind of going, "Should I lay it down, or should I play in an open way?
It ended up being a lot of both. He would not say anything, but "Sound great. Or he'd go, "Did you like it when I did this, or did you like it when I did this. He comes from Miles [Davis] and Wayne [Shorter] and that approach, which is that it's up to you to find yourself in this music. It's up to each individual to determine that. He's very patient that way. He'd rather hear you explore new things and mess up than to try and play the same thing each night really cleanly. That might sound great as a show, but it's not really exploring the music. He was great in that way.
Current Projects
AAJ: What kind of projects are you involved in now, besides just getting this new music out?
SC: I'm getting ready to tour with a new trio, a European tour in March. That's Mark Turner, Antonio Sanchez and I. After that I'm hoping to do some work with this band that recorded [his new CD]. I'm not sure if we'll tour with the whole group. Probably not with two pianos. And starting to think about what the next record is going to be.
AAJ: Probably not something you're rushing into. Something you're ruminating on?
SC: Trying to ruminate, yeah. [laughs]. Attempts to ruminate. We'll see what that's going to be. I'm not really sure yet.
AAJ: Does the state of the business ever bother you?
SC: It's challenging. It's perspective. I'm not really sure if it's better or worse than it used to be. Aside from the music and really expanding on the music, the aspect of business and logistics for me can be very challenging. Especially being a bassist and trying to travel. But I've been very fortunate. I've hooked up with a lot of great musicians who care about ... I'm drawn to people who musically are interesting, but I also travel with people who've become my friends over the years. With that, people want to take care of each other.
When you're in a situation in a band or a collaborative project where everybody cares about everybody elsenot just their own needs but what everybody needsa lot of good things can happen. It's a very difficult thing to try and get this music out there. If you can get in situations where everyone involved is really trying to make it happen, then it helps a great deal. A sense of community.
I have the great fortune to have a wonderful wife who also has a music management company, so I get little bits and pieces of advise. A lot of that is more from a therapeutic standpoint. It's a difficult business to negotiate for sure, because it's not really that clear cut on so many levels.
Final Thoughts
AAJ: We talked about bass players earlier. But compositionally, or other players who aren't bass players, who are ones that you've leaned from, enjoyed or were influenced by?
SC: For a long time I haven't really listened to bass players much, especially in terms of solo ideas or melodic ideas. I tend to listen to a lot of horn players, or piano players who don't have same types of physical limitations that there are in the bass, and try and take those and figure out how I can play them on the bass, or at least imply that I'm playing those ideas. The instrumentalists that are able to play broader harmonies. That's something I've thought about for along time is to try to create solos or melodic ideas that don't sound too much like a bassist played them.
On the other hand there are bassists that, from a compositional standpoint, I really enjoy. Dave Holland's work. Ben Allison, I think is an excellent composer. You look at composition as being a bassist, but studying harmony and rhythm and trying to use the background of being a bassistthe strengthbut I also try and create compositions that don't sound, hopefully, like they were written by a bassist. The function or freedom or texture I'm trying to create in a particular moment ... again, I want to be something that comes from what I feel needs to come at this moment, rather than it should be this way.
Selected Discography
Scott Colley, Architect of the Silent Moment (Cam Jazz, 2007)
Donny McCaslin, Soar (Sunnyside, 2006)
Alex Sipiagin, Returning (Criss Cross, 2005)
Adam Rogers, Apparitions (Criss Cross, 2005)
Jim Hall, Magic Meeting (ArtistShare, 2004)
David Binney, South (ACT, 2003)
Andrew Hill, Day the World Stood Still (Stunt, 2003)
Scott Colley, Initial Wisdom (Palmetto, 2003)
Chris Potter, Traveling Mercies (Verve, 2002)
Greg Osby, Symbols of Light (A Solution) (Blue Note, 2001)
Scott Colley, The Magic Line (Arabesque, 2000)
Scott Colley, This Place (Steeplechase, 2000)
Scott Colley, Portable Universe (Freelance, 2000)
David Kikoski, The Maze (Criss Cross, 1999)
Andrew Hill, Dusk (Palmetto, 1999)
Scott Colley, Subliminal (Criss Cross, 1998)
Tim Ries, Imaginary Time (Moo, 1997)
Pat Martino, All Sides Now (Blue Note, 1996)
T.S. Monk, The Charm (Blue Note, 1995)
Roy Hargrove, Approaching Standards (Jive/Novus, 1994)
Chris Potter, Concentric Circles (Concord, 1993)
Jon Gordon, Jon Gordon Quartet (Chiaroscuro, 1992)
Fred Hersch, Forward Motion (Chesky, 1991)
Carmen McRae, Any Old Time (Denon, 1986)
About Scott Colley
CD/LP/Track Review
- Empire by Mark F. Turner
- Empire by John Kelman
- Architect Of The Silent Moment by Budd Kopman
- Architect of the Silent Moment by Fred Bouchard
CD/LP/Track Review
- Architect of the Silent Moment by Stephen Wood
Scott Colley Events
Joshua Redman: Still Dreaming
Wortham Theater Center
Houston, TX


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Ferrellgas Partners (NYSE: FGP ) has beefed up its core assets with an acquisition. The company bought the propane operation of Western Petroleum, a privately held company based in Utah. The terms of the purchase were not disclosed.
The acquisition is a geographically strategic one for Ferrellgas, as Western Petroleum's customer base is in parts of Utah, Colorado, and Wyoming. This region has been "long targeted for growth," Ferrellgas said in the press release announcing the purchase.
The firm has been on an acquisition streak lately. This most recent buy is its fifth since the beginning of its current fiscal year last August.


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Children's LiteratureGregory is an artist who likes to make big pictures. The start of his summer vacation feels like a huge empty space. Bulla fills the emptiness with a close knit community of trust and caring. There are no strangers in Gregory's town, and the neighbors share their unique talents to help each other succeed. The story's main focus is a neighborhood effort to save an old man's home. There is also an interesting message about the power of art to make dreams come trueeven though they do not always look exactly as imagined. The plot is flawless. It describes a tough realistic world without undue sentiment. The text is clear and concise without one word more than needed to tell the story, and the simple language layers hope and sadness like one of Gregory's paintings. This recommended title is a "Stepping Stones" chapter book. It has a happy ending for an imperfect world. 2005 (orig. 1998), Random House Children's Books, Ages 9 to 12.
Tina Dybvik


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@JoshuaCooper: Per the #preds, Mike Fisher sustained a ruptured Achilles tendon. Out 4-6 months
@JoshuaCooper: Per the #preds, Mike Fisher sustained a ruptured Achilles tendon. Out 4-6 months
12 team keeper league points only
pts: g=1 a=1 w=3 so=2 Cap 87.4m Cap Hits
starting roster 12f, 6d, 1g Current Cap 86.45m
Malkin, Tarasenko, Thornton, T. Johnson, Stepan, Monahan, Backes, Ladd, Fleischmann, Zuccarello, Kadri, Scheifele
Yandle, Streit, Brodie, Hamilton, Franson, Lindholm
Severson, Enroth
Well we know Thornton won't go there so who do the preads turn too now? Ribeiro? Lecavlier?
Vinny! Please.
HHG - Amish Flyers
10 team roto keeper (keep 17) w/50-man minors
5-Time League Champ
F: Perry/Backstrom/Benn/Voracek/DSedin/Neal/Sharp/Hartnell/Backes
D: Letang/Yandle/Keith/Hedman/Shattenkirk
G: Rinne/Schneider/BElliott
F: Palat/Fabbri/Rantanen/Goldobin/Ho-Sang/Spooner
D: Klingberg/Ghost/Pouliot/Matheson/HLindholm/Beaulieu
G: FAndersen/Mrazek/Hellebuyck/Domingue/Brossoit
and there is now a 90% chance that one of Derek Roy and Mike Ribeiro get signed by the Predators.
12 Team Keeper League, 14 Keepers (max 2 goalies), 10 prospects, Start 2C, 2LW, 2RW, 3 Utility, 4D, 2G
Stats: G, A, P, +/-, PIMS, SOG, STP; W, SO, SV%, GAA
C: Kuznetsov, Scheifele, Barkov, Bonino, Nielsen
LW Panarin (C), Huberdeau, Palat, Coyle (RW)
RW: Kucherov, Drouin (LW), Pastrnak (LW), Silfverberg, Vrbata, Aho
D: Klingberg, Josi, Shattenkirk, Pietrangelo, S. Jones
G: M. Jones, Gibson, Markstrom
Prospects: Vasilevskiy**(G), Sorokin (G), Eichel**(C), S. Bennett**(C/LW), Ehlers**(LW/RW), Marner (C/RW), Barzal (C), Meier (RW), Laine (RW), Montour (D)
- Must be activated before the end of: *the 2016/17 season **the 2017/18 season
Where there Thornton to Nashville rumours out there somewhere?
I like the opportunity this may give Craig Smith to step into the 1C role. Somebody please correct me if I'm wrong, but I believe Laviolette coached him at the Worlds and gave him some quality ice time alongside Paul Stastny. I had Smith as one of my sleeper picks for next season, and this injury to Fisher early opens the door for him to have a breakout season.
All I am picturing right now is Carrie Underwood walking around in a little nurses uniform taking care of poor Mikey.
10 Team, Points Only, Cash League
25 Man Roster (no position), top 20 point getters count at end of month
Keep 20/25 at seasons end, Cut 5 to FA for redrafting
Goalie points W=2pt L=-1pt SHO=2pt
Stamkos, Tavares, JaBenn, Couture, Wheeler, Eriksson, Turris, Steen, Letang, Kucherov, Byfuglien, Burns, Zuccarello, Hoffman, JSchwartz, Fabbri, Boedker, KPalmieri
G-Rask, Halak
"Cleavage is like the sun. You can look, but dont stare.. Unless youre wearing sunglasses."
So ... who's optimistic about their James Neal predictions now?
Pittsburgh Penguins -- NHLFL 2015-16 Champs
12 Team Yahoo H2H Salary cap Dynasty
3C, 3LW, 3RW, 3F, 6D, 2G, 5BN (IR) + 25 AHL + 10 juniors (60 total)
G, A, PTS, PIM, PPP, SOG, Hits, Blk, FW // W, GAA, Saves, Sv%, SHO
C: Stamkos, Backstrom, Eichel, Kesler, Fabbri
LW: Hall, Simmonds, JvR, E.Kane, Galchenyuk
RW: Carter, Draisaitl, Little, Williams, Jagr
D: Byfuglien, OEL, Parayko, Theodore, Nurse, Petrovic
G: Gibson, Allen, Vasilevskii
Bench: Puljujarvi, Dvorak, Konecny, Aho, Ritchie, Kapanen // [Weber] Pouliot, Carrick, Miller, Koekkoek, Wideman, Johns
So how the hell does this happen? From cutting the lawn? Raking? Carrie's fault? Is it Carrie's fault? Carrie?
The Best Fantasy Hockey Site
14 Team Keeper, points only, best 12 skaters 3 dman 2 G count. Playoffs count.
F - Crosby, Wheeler, Zuccarello, Brassard, Marchand, Tavares, Kesler, Gagner, K.Hayes, Perron, Kunitz, Nelson, Lee, Kreider, Scherbak, Tlusty, Bertuzzi, Weal
G - Anderson, Halak, Stalock, Talbot, Pickard
D - Yandle, Kronwall, D.Pouliot, Letang, Larsson, Stralman, Gostisbehere
Or all the pukka Rinne worship as well
16 Team Dynasty Weekly H2H Fantrax (starters in bold)
(C) Krejci, Spezza, Koivo, Statsny Faksa
(LW) Zetterberg, Duclair, Ehlers, M Domi Belesky, M Martin
(RW) Pastrnak, Oshie, Larkin, Toffoli S Reinhart, Brouwer
(D) J Honka, Seabrook, Goligoski, D DeKeyser, Vatanen, Parayko L Schenn, S Johns
(G) Ward, Lack
Prospects- W Nylander, C Dvorak, I Barbashev, C White, T Rattie, M Dal Colle, A Mantha, R Barber, L Crouse, M Barzal, C Keller, L Brown, C Fischer, B Point, J Forsbacka-Karlsson
http://www.nhl.com/ice/news.htm?id=728417"Everything is tracking to date, but the bottom line is still a 4-6 month injury," general manager David Poile told newspaper. "Optimistically, Thanksgiving and end of November. That's an optimistic target."
UHL Pittsburgh Penguins
24 Team Fantrax Salary Cap H2H Dynasty League
G, A, +/-, PIM, PPP, SHP, GWG, SOG, Hits, Blks, FOW
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27 Man Minor Team
C- Tavares, Stepan, Granlund, Bjugstad, Couturier
LW- Ryan, Perron, Ennis, Killorn, Spaling
RW- Wheeler, Simmonds, Coyle, Wingels, Shaw
D- JJ, Schultz, Cowen, Muzzin, Bortuzzo, Stanton
G- Lehtonen, Rämö
F: Lehterä, Wennberg, McNeill, de la Rose, Fast, Leivo, Arnold, Archibald, Lindström
D: Gelinas, Beaulieu, Koekkoek, McCabe, Johns, Gryba
G: Berra, Talbot, Brossoit, Ullmark, Lieuwen, Rynnäs
*UHL Champion 2014*


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Grafton acquires 2 more parcels for downtown development
The Village of Grafton continues to assemble a large downtown redevelopment site, with its Community Development Authority approving the purchase of two more parcels.
The authority will pay $173,000 for the parcels, which total 0.37 acres, at 1005 Beech St. and 1421 Wisconsin Ave., Village Administrator Darrell Hofland said Thursday. The authority's board approved the purchase from BMO Harris Bank at its Wednesday night meeting.
In November, the authority voted to buy three nearby parcels totaling 0.7 acres from North Shore Bank for $300,000.
The village also wants to buy an adjacent former lumber yard totaling 2.2 acres. The authority would assemble all of those properties, along with a 1.2-acre parcel already owned by the village, to create a redevelopment site.
The village's master plan calls for a mix of apartments and commercial use, such as stores and restaurants, for over 5 acres south of Beech St., between Wisconsin Ave. and the railroad tracks.
Developer Robert Zellmer had hoped to create a project at the lumber yard site.
Those plans came to a halt with the 2008 recession. Zellmer, former president of Milwaukee-based Action Heating & Cooling Inc., died Sept. 28 at the age of 77.
The recession hurt other downtown Grafton developments, leading to a funding shortfall for the village's downtown tax incremental financing district.
A redevelopment of the former lumber yard and the other parcels would help generate more property tax revenue for that tax financing district. The district received a boost in September with the settlement of litigation on a long-delayed condo project.
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Business Wire
Recent national business updates from the Associated Press


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Sausage Breakfast Casserole
Total Time
Prep 15 mins
Cook 20 mins
Not sure where I found this recipe, but it's a Sunday morning favorite at our house.
Ingredients Nutrition
- 1 1⁄2 lbs pork sausage
- 1 (8 ounce) package crescent rolls
- 4 eggs, beaten
- 3⁄4 cup milk
- 1 cup mozzarella cheese
- 1 cup cheddar cheese
- salt & pepper
- Lightly grease a 9x13 inch pan.
- Press cresent rolls in bottom of pan.
- Bake at 425 degrees for 8 minutes.
- Brown sausage on med heat, drain & crumble.
- Combine sausage, eggs, milk, cheese and salt & pepper.
- Pour over cresent rolls.
- Bake at 425 degrees for 15-20 minutes.
Most Helpful
This was very good and something different than the same breakfast. The only thing is that the bottom layer of crescent rolls were a bit too dark, almost burned. I think next time I will reduce the time of baking the crescent rolls to about 5 min. Other than that, its a keeper! Thanks for sharing!
I thought this was great although I did think it needed more eggs, I would probably double the amount to 8 next time. I didnt think it needed much seasoning as we like to use spicy breakfast sausage. I might try adding some frozen hashbrowns next time. Thanks for a great recipe!


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Core Conditioning Flow • 10.1.2016


text: News - Department of Philosophy In 'News' News Back to 'Philosophy' Latest stories PERFECT March talks DescriptionProject PERFECT will be giving a series of talks in March 2016.Date:01/03/2016 Alternative concepts of God: essays on the metaphysics of the Divine DescriptionNew book by Professor Yujin Nagasawa and Andrei Buckareff.Date:05/02/2016 Is there a clear line between madness and sanity? DescriptionLisa Bortolotti and Richard Bentall discuss in a podcast for Philosofa.Date:20/01/2016 God Over All DescriptionWilliam Lane Craig's five Edward Cadbury Lectures on divine aseity and a public lecture on the Kalam cosmological Argument for the existence of God are now available.Date:18/01/2016 PERFECT February talks DescriptionProject PERFECT will be giving a series of talks in February 2016.Date:14/01/2016 PERFECT January talks DescriptionProject PERFECT will be giving a series of talks in January 2016.Date:04/01/2016 Are Delusions Bad for You? DescriptionLisa Bortolotti's article on The Forum makes the final round of the 3 Quarks Daily Philosophy Prize 2015.Date:18/12/2015 When is optimism good for you? DescriptionLisa Bortolotti to present a paper at the Centre for Cognitive Science Research Seminar.Date:20/11/2015 "Them and Us" no longer: mental health concerns us all DescriptionLisa Bortolotti presents the latest Birmingham Brief. She talks about the new all-party campaign for equality for mental health, and about how project PERFECT hopes to contribute to challenging the stigma associated with mental illness.Date:10/11/2015 Professor Lisa Bortolotti features in Birmingham Heroes campaign DescriptionProject PERFECT led by Professor Lisa Bortolotti is being featured in the new Birmingham Heroes campaign launched in November 2015, aimed at highlighting research that matters across campus.Date:02/11/2015 Displaying 21 to 30 of 266 Previous 1 2 3 4 5 … Next The Department and staff also have a number of regularly updated twitter feeds: School of Philosophy, Theology & Religion Ethics at Birmingham Project PERFECT BeautyDemands Professor Heather Widdows Professor Lisa Bortolotti Dr Scott Wisor


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|Middle Blocker
|Tarpon Springs, Fla.
|High School:
|Tarpon Springs
- 2016 Georgetown Classic All-Tournament Team
- 2016 Kansas Invitational All-Tournament Team
- Big Ten Defensive Player of the Week (8/29/16)
- 2016 Maryland Invite All-Tournament Team
- 2015 Kristen Dickmann Invitational All-Tournament Team
- 2015 DC Classic All-Tournament Team
- ACC Freshman of the Week (9/7/13)
As a Senior (2016): Has started all 14 matches (48 sets) ... leads team and Big Ten with 1.83 blocks per set, which ranks second nationally ... third in NCAA with 88 total blocks ... notched six blocks at #3 Wisconsin (9/24) ... posted 12 kills on a .579 clip and nine blocks vs. Oklahoma (9/16) ... hit 12 kills on a .668 clip vs. Georgetown (9/10) ... tallied eight kills on a .667 clip along with three aces, five digs and eight blocks vs. Princeton (9/9) ... posted five kills and seven blocks vs. #4 Kansas (9/2) ... notched nine kills and 10 blocks vs. Arkansas (9/2) ... set a career high with 14 blocks against Sacred Heart (8/27) while adding three digs and two service aces ... hit four kills and five blocks vs. Delaware State (8/27).
As a Junior (2015): Started all 34 matches (122 sets) ... notched eight kills, two aces and eight blocks vs. Iowa (11/26) ... tallied 14 kills at Iowa (10/30) ... posted six kills and six blocks vs. Rutgers (10/24) ... notched five kills and five blocks at Michigan State (10/14) … made six blocks at #18 Purdue (10/3) ... tallied five kills, one service ace, three digs and two blocks at Oklahoma (9/18) ... recorded nine kills on .538 hitting, one service ace and four blocks vs. George Washington (9/12) ... notched seven kills and six blocks vs. George Mason (9/6) ... notched eight kills on .615 hitting and three blocks vs. Western Carolina (9/6) ... recorded four kills, four service aces and five blocks at Howard (9/5) ... posted five kills and two blocks vs. Kent State (8/29) ... notched seven blocks and three kills vs. Hofstra (8/29) ... recorded nine kills on .643 hitting, three service aces and five blocks against Duquesne (8/28) ... recorded four kills and five blocks vs. Morgan State (8/28).
As a Sophomore (2014): Saw playing time in 99 sets (27 matches), including 24 starts … second on the team with 0.91 blocks/s (90 total) … made 100 kills on the season, averaging 1.01 per set … notched six kills and four blocks against Northwestern (11/29) … made a season-high seven kills at Iowa (11/26) while adding three service aces and nine blocks … made two service aces and a career-high 11 blocks against Minnesota (11/19) … notched five kills, two service aces and four blocks at Rutgers (10/25) … recorded six blocks versus Michigan State (10/17) … recorded five kills and seven blocks against Liberty (8/30) … made season debut at Elon (8/29), notching six kills.
As a Freshman (2013): Steadily emerged as one of the top blockers in the ACC, leading the best blocking corps in the conference and 15th-best in the nation...appeared in 115-of-121 sets...led team with 153 blocks (1.33 blocks/s), which ranked 28th nationally...141 block assists ranks seventh in Maryland single-season history...second on team with a .244 hitting percentage...posted 97 total kills...named ACC Freshman of the Week (9/7)...notched four blocks in season-opener at George Washington (9/30)...totaled four kills versus Ole Miss (8/31)...posted eight blocks versus LIU (9/7)...tallied four kills and eight blocks against Marshall (9/21)...had eight kills and six blocks versus Virgnia (10/4), before posting a career-high 12 kills and five blocks against Virginia Tech (10/6)...notched eight blocks versus Syracuse (10/18)...posted five kills at #14 North Carolina (10/25) and career-high 11 blocks at NC State (10/26)...tallied five kills (.833 pct.) and eight blocks versus Wake Forest (11/10)...posted eight kills (.429 pct.) at Boston College (11/15)...notched career-high with 12 blocks at Pittsburgh (11/22), before matching the effort with 12 blocks vs. #14 North Carolina (11/24).
Before Maryland: Led Pinellas County with 466 kills as a senior to help Tarpon Springs to win its second consecutive district title and a spot in the regional semifinals … an all-state selection and state all-star game MVP as a senior … earned Tampa Times 2012 Player of the Year honors … a first team All-Pinellas County selection in 2011 and 2012 … helped the team to a regional championship and a spot in the final four of the state tournament as a senior, the first time in 20 years Tarpon Springs advanced to the state semifinals … recorded over 1,000 career kills with 875 coming in the past two seasons … qualified for Junior Nationals with Pinellas Heat … played on the Florida Women International Junior High Performance Team in 2012.


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Wisdom in TransitionBRILL 2008; US$ 173.00
This volume considers a major shift among Jewish sages during the Second Temple period, as certain authors moved from an earthly focus to a belief in individual immortality. Egyptian instructions and the book of Proverbs are examined for necessary background. The colorful responses of Qoheleth and Ben Sira to an emergent belief in the afterlife are... more...
Why Me GodJason Aronson, Inc. 1997; US$ 45.99
Why Me, God? is the first English-language book that melds traditional Jewish perspectives about suffering with practical suggestions for coping. Chapter by chapter, this book provides real strategies to deal with all manner of suffering from loneliness, to suicide, to terminal illness, and everything in between, each chapter is full of useful... more...
Die Konzeption des Messias bei Maimonides und die fr�hmittelalterliche islamische PhilosophieDe Gruyter 2009; US$ 202.12
Moses Maimonides (1138?1204) supported a concept of the Messiah which was radically new within the Jewish tradition. The author of the present volume examines whether and to what extent this concept can be traced back to Early Medieval Islamic philosophy. She devotes particular attention to the religio-philosophical, philological, historical... more...
After the HolocaustCambridge University Press 2009; US$ 24.00 US$ 19.68
This book is a new and thoughtful examination of the experience of suffering. more...
101 Things Everyone Should Know About JudaismF+W Media 2005; US$ 9.95 US$ 8.16
What's the difference between Reform and Orthodox Judaism? What does it mean to keep kosher? And what are mizvot ? Compact and comprehensive, 101 Things Everyone Should Know about Judaism touches on all these basics and more. You'll learn all you need to know about this ancient religion and culture - from the significance of the Torah and Talmud,... more...
The Jewish GospelsThe New Press 2012; US$ 17.99
In July 2008 a front-page story in the New York Times reported on the discovery of an ancient Hebrew tablet, dating from before the birth of Jesus, which predicted a Messiah who would rise from the dead after three days. Commenting on this startling discovery at the time, noted Talmud scholar Daniel Boyarin argued that some Christians will find... more...
(God) After AuschwitzPrinceton University Press 1998; US$ 99.95 US$ 79.96
The impact of technology-enhanced mass death in the twentieth century, argues Zachary Braiterman, has profoundly affected the future shape of religious thought. In his provocative book, the author shows how key Jewish theologians faced the memory of Auschwitz by rejecting traditional theodicy, abandoning any attempt to justify and vindicate the relationship... more...
Journey to HeavenUrim Publications 2011; US$ 7.99
A number of the basic tenets of Jewish belief regarding the afterlife, resurrection, immortality, judgment, messianism, and the world to come are laid out in this fascinating and accessible volume. Beginning with the Bible?s references to Sheol and its allusions to resurrection, this survey explores immortality and bodily resurrection in Second Temple... more...
The Significance of SinaiBRILL 2008; US$ 173.00
Presents ancient and modern Jewish and Christian views of the revelation at Sinai. This title includes essays which show that Sinai as the location of the revelation soon became less significant than the narratives about it. more...
60 Questions Christians Ask About Jewish Beliefs and PracticesBaker Publishing Group 2011; US$ 18.00
Respected scholar and Messianic Jew answers sixty common questions Christians have about Jewish people, culture, practices, and the Jewish background to the New Testament. more...


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AFTER EARLIER critical reviews, the green light is burning brightly for the first clinical trial of true gene therapy.
If all goes according to a plan developed by the Human Gene Therapy Subcommittee, the study is likely to start in the fall. The main hurdles are expected to have been jumped by the end of this month, when the subcommittee meets again.
The subcommittee's parent body, the Recombinant DNA Advisory Committee, is meeting at the same time (July 30) and is expected to approve the subcommittee's recommendation then and there. The study still will require approval by the Food and Drug Administration and also will have to be approved by the acting director of the National Institutes of Health, William Raub, PhD.
The study, which will be done at the National Institute of Health's Clinical Center by W. French Anderson, MD, of the National Heart, Lung, and Blood Institute, and
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When should I book my DJ? Potential clients frequently ask me 'how far in advance do I need to book a DJ'? Seems like a straightforward question with an easy answer, but it's is not so simple. The answer to that question depends on the number of guests … Continue reading
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Wedding DJ Toronto
DJ Services Thought I'd run through a typical wedding day for DJS. Of course the package I'm using that day, time of function, as well as the location of the venue will play into this. This is also assuming I have the wedding itinerary and special songs ready to go. … Continue reading
DJS So I was thinking about my career as a dj over the weekend while at my event at the Royal Ambassador. It was a beautiful evening about 9:30pm and the sun was just going down. We had arrived at the venue for 10am to set up as we had … Continue reading


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Lubbock voters will decide today whether to approve a $24.2 million bond package that school officials say would pay for better technology in classrooms and other improvements.
Some 3,000 people already cast their votes in the early-voting period that ended Friday. Patti Flanagan, budget director for the Lubbock Independent School District, described the early turnout as "light to moderate."
The possibility of snow and rain could hurt voter turnout today.
If approved, the bonds would add about 4 cents to the LISD's tax rate over the next three to five years. In the first year, the rate would increase 2.5 cents, which would push the district's average homeowner's bill up about $20 a year.
The bond package has drawn support from the Lubbock Chamber of Commerce, which hailed the technology improvements as essential to the future of the local work force.
Critics of the bond issue point to higher local taxes, and members of the tax watchdog group SPARTAN believe the district should pay for improvements out of its existing budget.
The bonds would pay for construction of a new dance/gymnastics building for O.L. Junior High, renovation and expansion of science labs at Dunbar Junior High, expansion of locker rooms at Lowrey Field and renovation of several other athletics fields and facilities.
Also included in the bond package is technology and electrical wiring for all 56 campuses. Other plans include the purchase of new computers and accessories, computerized library systems at 14 elementary schools and upgrading the Lubbock High School technology education program.
Dan McKay can be contacted at 766-8707 or firstname.lastname@example.com
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text: r Denise | Digital Scrapbooking at Scrapbook Flair Home Galleries Groups Challenges Blogs Forums Members Downloads MarketPlace Store Archive Join Login offline Joined: Aug 14, 2006 Last Logon: Jul 24, 2016 Denise's Home Page www.scrapbookflair.com/_Denise A big hello from Southern California! I'm Denise and I enjoy creating pages for all my favorite people and favorite moments. Making friends who share the passion is very rewarding and I love chatting with you all and getting to know you and your creative ideas. I am still learning this craft and am not a very artistic or creative person. If anyone has suggestions or tips for any of my pages, I WOULD LOVE COMMENTS THAT HELP ME IMPROVE A PAGE!!!! I WELCOME ALL YOUR SUGGESTIONS. :) Denise is from Pasadena, CA, USA 1 2 Denise's Scrapbooks A dress for every occasion Alphabet Book - ABCD Alphabet Book - EFGH email it » view all Denise's scrapbooks Denise's Favorite Scrapbooks » view all Denise's favorite scrapbooks Denise's Friends Denise has 531 friends » view all Denise's friends Denise's Fans Denise has 252 fans » view all Denise's fans Renew/Upgrade Membership Gallery Award Gallery Groups Blog Friends Favorites Tags Post and Share this page on Blogs and other Websites by copying and pasting this link: http://www.scrapbookflair.com/_Denise Denise's home page has been visited 12239 times. About Us Bookmark Contact Us Designer Members FAQs Fan Mail Help Link to Us Membership News Privacy Search Site Rules Suggestion Box Tell a Friend © 2006-2016, Patent Pending, Aurora Digital Imaging, Ltd. Beta 5.0 The most fun digital scrapbooking site on the Internet. Free digital scrapbooking software, scrapbook templates, scrapbook embellishments and backgrounds. Beautiful scrapbook prints and photobooks.


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Fixed PriceBudget: $100
Start DateApril 22, 2014
We need a sensorless motor control by using ic L6230. Please see the attached Datasheet of L6230 and make the schematics design using a microcontroller to control the L6230. And make the programming for microcontroller such as L6230 can be used to drive a BLDC Sensorless motor. Also we need one output signal from MCU before it starts motor such as we can power on external power supply for motor.
Also we need one button for Start, Stop, Speed Up, Speed Down. If you have some knowledge in making Remote Cbrontrol so you is very welcome to give suggestions on creating a onboard sensor for remote control.
Remember in this project you doesn't have to create PCB Layout. You only make schematics & programming.
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Rob Ford Mumbles Something About Not Resigning
He wishes he could defend himself.By Dan Amira
He wishes he could defend himself.By Dan Amira
The police have been following Ford as well.By Dan Amira
And he was "livid."By Delia Paunescu
It's replaced opium as their drug of choice.By Delia Paunescu
There's video, obviously.By Caroline Bankoff
Multiple outlets report that Jeff Bezos bought the Washington Post thanks to an errant click.By Dan Amira
For art! Or something!By Dan Amira
He inadvertently posted it to Instagram while showing off a new tattoo.By Joe Coscarelli
The former prime minister was sentenced to seven years he'll probably never serve.By Joe Coscarelli
"He put it in his pocket, and three KGB guys got around him and walked out."By Delia Paunescu
Literally.By Delia Paunescu
Not looking good ...By Joe Coscarelli
More hash-selling than crack-smoking, but it's still pretty wild.By Caroline Bankoff
The alleged crack-smoking mayor has defenders.By Dan Amira
He claims it's a Toronto 'Star' conspiracy against him.By Dan Amira
Rob Ford has gotten into approximately 1 million controversies.By Dan Amira
He falls off a horse.By Dan Amira
Although the suggestion was made.By Dan Amira
So now they'll just start shooting.By Dan Amira
"G-Dawg splashes tax cuts like P Diddy with champagne but banks miss out on the bling."By Joe Coscarelli


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No end to frustrationApril 04,2013
No end to frustration
In your editorial dated April 2 published in the Times Argus titled Again the culture war, in my mind I could see you holding your head and banging your head against the wall. Two restrictive abortion laws, one passed in North Dakota and the other passed in Arkansas, cause this slightly irrational behavior. In an effort to give you a heads up, it will never end as long as we have conservative Christians, Jews and Muslims and others who can look at abortion rationally for what it is, the violent termination of innocent human life. Abortion is legal, but to many, wrong, and this will continue indefinitely. I hope this helps with the head banging.
Thomas Prindiville
BarreMORE IN LettersThe people of Washington County are very fortunate to have Bill Doyle as their state senator. Full StoryI would like to make everyone aware of the type of representative Tommy Walz of Barre really is. Full StoryCarl Etnier is running for House as a Progressive, seeking to represent Middlesex and East... Full Story
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The name Ju Uyen Nhi must sound very familiar with many Vietnamese audiences. She has won the first prize of the show "Little Familiar Face" ... Read more
|Kai Philip Borwell :
"I really like the private class. The teachers are very supportive. When I raise a question about something I don't understand, the teachers always help me to understand better. UEC also has a lot of good books, I can borrow the books to read to improve my English"
|Ju Uyen Nhi :
"I really like to study at UEC because the teachers are very fun and enthusiastic. I can also study with students from other countries. I really love UEC"
|Jinto Ando Borwell :
"I like the group class at UEC. I can study with many friends. I also get to play fun games that help me to improve my English. I really like the games Hang Man and Stop the Bus. I also study a lot of grammar that helps me to prepare for the International School's admission test."
|Chi Nhan :
"I really like the study environment at UEC, UEC is very big and beautiful. The classrooms are well equipped and the teachers always pay attention to each student. I really love the teachers here. The program made me improve my English very much. The school is always clean and neat. The books at UEC are very good and have very good information"


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6 / 273 inSan Miguel de Allende
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Nestled along the Gulf Coast of Central Mexico, the charming town of San Miguel De Allende is a beautiful and often overlooked vacation destination. Come here for a post-card perfect romantic escape, a family vacation, or a getaway with friends. The long strips of white sand beach, palm trees, and golden sun will make you want to plan your next trip here before you even leave.
Rather than stay in a cramped hotel room, book a private vacation rental for your stay in San Miguel De Allende. Each morning, enjoy breakfast on the balcony of your condo or villa. Spend your days exploring the local museums and art galleries downtown, playing golf on a champion caliber San Miguel De Allende golf course, or indulging in an afternoon at one of several award-winning San Miguel De Allende spas. Be sure to save some time to hike the trails of the forest reserves and wildlife refuges in the area, go sailing, and go dolphin watching along the coast too. In the evening after the sun goes down, sample the world-class restaurants and live music venues of the energetic San Miguel De Allende nightlife.
Here are a few additional suggestions for your trip:
No matter what time of year you plan your visit, you'll have no trouble finding the perfect vacation rental that offers all the amenities you need to relax in style and host your family and friends. A luxury condo or villa is often less expensive than a hotel and offers more space and privacy. While you're visiting San Miguel De Allende, be sure to explore nearby destinations like Tulum and Merida as well.


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Nostalgiac for the 50s and 60s: The Era of High Taxes in America and High Economic Growth 1 commentAug 15, 2011 8:13 PM
I have just finished reviewing the slides of a presentation on the history of taxation in America and I am going to note some of my thoughts and observations on the high marginal tax rates that existed during the 1950's and 60s. You can view the presentation at the link below.The authors of this presentation seem to claim that high taxes can be good for economic growth and they point to the 50s and 60s as evidence to prove their claim. While I recognize that the US economy grew rapidly during the 50s and 60s in spite of the high marginal tax rates of 91% and 70% for the top earners, I don't think we can expect that such high marginal rates would produce the same type of economic growth now as they did during that period.First, by 1950 the US had racked up an enormous debt compared to its GDP, which was used to fund primarily three things: 1) the large infrastructure projects of the New Deal during the Great Depression, 2) the second world war effort, and 3) the reconstruction efforts in Japan and Western Europe immediately after the war. The nation had taken on huge amounts of debt, but unlike today, most of that debt was held by individuals and firms inside of the United States and not by foreigners. The high tax rates were used to pay back the debt, but the payments on the debt went right back into the US economy as most of the debt was held within the United States. If the US were to implement high tax rates today in order to pay down the debt, it's hard to see how those higher tax rates would benefit the US economy internally as such a large portion of that money would be leaving the country to pay foreign creditors.As the debt was paid down, the tax rates remained high, but the economy continued growing rapidly. The federal government remained a large part of US GDP, but as the 50s and 60s roared on, the government embarked on a spending campaign driven by the cold war. The government spent billions (trillions if we adjust for inflation) on infrastructure and research and development projects. The interstate highway system was built, water works were constructed, nuclear power plants were erected, airports were built, etc.The technology that evolved from this era was nothing short of revolutionary: civilian nuclear energy, advanced jet engines that enabled civilian aviation, intercontinental ballistic missiles (ICBMs), the transistor and semiconductor technology, computer languages, satellites, advanced radar, and ultimately space exploration, which culminated with one of America's proudest moments with the moon landing in 1969. I don't believe that the private sector could have successfully funded these kinds of R&D projects that require decades of work without the federal government's assistance and the motivation and fear of communism created by the cold war.
If the US were to embark on this kind of R&D spending campaign today, I do believe that more revolutionary technology could result from such spending, but unfortunately, I don't see that in the cards at this point given the cognress' focus on cutting spending. The deep cuts to our space program (NASA), which was once the technological envy of the solar system, confirm my view.The demographic difference between the baby boom era and now cannot be ignored. The population growth rate of the USA peaked in 1963 at about 2.2% and has now fallen to about 0.9%. People were having lots of children in the 50s and 60s and we cannot forget about the constant in flow of immigrants that our country has seen throughout most of its history. The median age was about 27 and has now risen to 37 and is on pace to continue rising as the population ages. The result will be that any excess federal spending is more likely to go to pay for entitlement programs including social security and medicare than it is likely to fund infrastructure and R&D spending.If America were to implement higher marginal tax rates such as those that were in place during the 1950s and 60s, it is hard to see how that would lead to rapid economic growth given the differences between the two periods. Perhaps, it could lead to something of a renaissance in health and medical sciences as the demand for improved medicine would rise as the population got older, but I am still unsure how it would lead to rapid economic growth given the demographic change that is underway.Back To MktNeutral's Instablog HomePage »
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I think this is a very important discussion in the context of how a developed economy should adapt to the 21st century economy. It appears that there are generally two approaches:
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Boston Celtics' Kevin Garnett walks to the bench after being taken out during the second half of an NBA basketball game against the Indiana Pacers Wednesday, March 6, 2013, in Indianapolis. Boston defeated Indiana 83-81. (AP Photo/Darron Cummings)


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"For years, mining companies could pay off a few people, mine, leave the poison residue for the locals, and go away rich. A realist would call that stealing. A neocon would call it normal business."If the government gets enough money from them, why don't they spend any on clean up for their people? So who's stealing from who?


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Top Definition
n. someone who is completely witless. a low level nincompoop who rarely sees things in perspective. Shallower than the dead sea and perchance saltier too...
n. someone who is completely witless. a low level nincompoop who rarely sees things in perspective. Shallower than the dead sea and perchance saltier too...
wrong lane mork, you just bowled allen a gutterball...
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A character played by Robin Williams in the T.V. show "Mork and Mindy".
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Dysport WORTH IT RATING* DETAILS
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Best Plastic Surgeon in Atlanta - GA
Dr. Robinson is not onlya very skilled professional but a physician who really cares. There are many many things about him that are great but one of the best is he will tell you if you do or do not need a service. If he feels it is not in your best interest he will advise you against it. This is... READ MORE
28, Aging Fast, Dr. Emer to the Rescue! - San Francisco, CA
Dr. Emer has incredible talent when working with Botox/Filler for men (particularly young men). He has done a few procedures for me, and I always look young, natural and fresh. I'd recommend him to anyone. If you are looking to try Botox or Filler for the first time, his conservative approach... READ MORE
Dysport - Englewood, CO
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Beware - Evans, GA
I had always been a Botox user and had gone for my usual treatment but the doctor recommended Dysport. which I hesitated but decided to try. For three months I walked around not able to move my neck and it looked as though I had had a stroke My left arm was constantly in pain. After three... READ MORE
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DYSPORT - Who Can You Trust? - Manassas, VA
I tried botox last year and the surgeon was fantastic, sadly he was overseas. I came here and had a "Dr Mitch" in VA beach who ended up being a eye Dr and never said he wasn't a cosmetic surgeon (my fault for not triple checking) it didn't work and I lost $$. I tried dysport last week and was... READ MORE
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I got a dysport injection on September 1st, had a little headache when I got home, no big deal. The injection did take effect faster than botox and the results are great... BUT on September 9th I was laying on my couch watching tv when suddenly out of nowhere my throat started to close up, my... READ MORE
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Budget Will Always Include Dysport Injections when Needed - Jacksonville, FL
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80 Plus Units of Day Sport at $15 Each and Poor Results - Dedham, MA
46 yo male, with developing crows feet. Decided to get Botox. Dr David in Dedham, MA- a BCCS recommended dysport. I. said great lets do it. Started with 15 units each side. After 2 weeks, and not seeing much results I went back. He did another 15 in each side. Two Weeks later, and again... READ MORE
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Thursday, 2 July 2015
Friday, 6 February 2015
Goats For Votes!
To raise awareness and get students to register to vote, my student union brought in goats. The idea was simple, if you registered to vote, you got to stroke a goat. I didn't particularly want to stroke a goat and I didn't have my national insurance number on hand to register there and then but this did get me thinking and got us all talking about the importance of having your say in the coming elections. So feel free to browse through my photos and if you feel so inclined, just click here to register.
Posted by The Student at 12:49 No comments:
Labels: 2015, campus, diary, elections, for, goats, register, student, students, the, thestudentdiary, uea, uk, union, university, vote, votes, voting
Tuesday, 27 January 2015
Wednesday, 14 January 2015
Two Ingredient Pancakes
Pancake are delicious whether for breakfast or just as a snack and these pancakes are my absolute favourite. Not only are they tasty, they are high in protein; low carb; contain natural sugars; avoid waste by letting you use your super ripe bananas and you can eat a whole plateful guilt-free because all that really goes into them is one banana and two eggs. Now of course other ingredients have been added to enhance the flavour and some fruit for a lovely twist as well as for decorative purposes but banana and egg are at the core of this recipe.
I heard about this breakfast/snack from blogilates, put my own spin on it and I have never gone back. I seriously don't even know how to make regular pancakes any more! If you want to see the recipe and follow along with my pictures just look below.
Posted by The Student at 05:31 2 comments:
Labels: 2, banana, blogilates, clean, eating, healthy, ingredient, pancakes, recipe, thestudentdiary, two
Friday, 2 January 2015
2014 Boxing Day Sales Haulbook
Posted by The Student at 09:30 4 comments:
Labels: boxing day, Christmas, fashion, haul, haulbook, Leah, newlook, primark, sales, shopping, thestudentdiary, topshop
Thursday, 1 January 2015
2015 Fitness Preparation
One thing I knew that I wanted to get back into this new year is fitness because I have definitely been slacking. So in my countdown to the new year and the new me I decided to just start moving from the beginning again and that involved returning to the basics, sit ups, push ups etc and that is what I did. Below you'll find the super quick, super simple workout I did to get myself into the habit of moving again. It is very simple, I just wanted to mention that again in case you missed that, it simply involves doing ten reps of a list of exercises.
Wednesday, 31 December 2014
2015 New Year's Resolutions
It's that time of the year again where people write lists of things they hope to do in mostly futile attempts to change their lives and I am about to hop right on that band wagon for like the tenth time in my life and write out my new year's resolutions. You see it just seems to be some inherent part of human nature to want to improve ourselves in some way and it is that often senseless annual ritual that I want to be part of this year like a lot of years in my life but this time with some success. I'm sick and tired of the same old same old and I am going to do something about it.
Posted by The Student at 14:16 No comments:
Labels: 2015, campus, college, diary, new, resolutions, student, the, thestudentdiary, uni, university, years
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Over the years I have reached out to family, friends and fans for support with my music. This time however, with a heavy heart, I am reaching out to you all to support my younger brother, Brendan, in his time of need. He was recently diagnosed with cancer, specifically, Ocular Melanoma. We are devastated and still coming to terms with the news. It's at times like this that music can play a very positive and powerful part with healing. I have set up a Go Fund Me campaign and as of today, for every donation made towards my brother's cancer treatment, each person will receive a free download of my single, 'Life is Beautiful'. It takes a village to heal and make positive change. Thank you deeply for listening and be sure to spread the love!!
Finding home...
She has been described as a free spirit. Most will say her voice sounds like angels dancing. Her musical journey started in New Zealand as a young girl but life had other plans. Despite the many detours she has taken along the way, Shelley Mac is finally home.
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