text:
DJ Dain (Andrew Bowers) is an internationally acclaimed, award-winning composer, producer and DJ specializing in Mashups, Summer Jams, and feel-good tracks unearthed from Dance Music's basement. He mixes sets that sound like 2manyDJs hijacked one of Dr. Dre's samplers that's being haunted by the ghost of Frank Zappa. He also produces Nerdcore Hip-Hop under the guise of DJ Skull Kid. If you're looking for a performance DJ who brings the creative energy of a rock-star, he's your man.
Press play to try again.
You can get it here.


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Accepting new patients
417 W 246th St
Bronx, NY 10471 Phone number & directions
A medical license is required for a doctor to practice medicine in a particular state. Requirements vary by state but most require, at a minimum, post-graduate training in the doctor's specific specialty. An NPI number is a national identifier unique to an individual health care provider and is managed by the Center for Medicare & Medicaid Services (CMS).
Learn more about Dr. Rubem Pochaczevsky:
View the full profile to get information on:
- Qualifications
- What's important to you
View full profile
Patient Reviews
Write a Review
Prepare before visiting Dr. Pochaczevsky
Metastatic Melanoma Patient Education Learn all about metastatic melanoma symptoms and treatments by reading Vitals patient education guide.Before Visiting Dr. Pochaczevsky Learn More
|More Patient Guides & Topics
Skin Cancer
Breast Cancer
Hodgkins Lymphoma
Prostate Cancer
Pulmonary Embolism
Specialties & Research
Dr. Rubem Pochaczevsky, MD is board certified in Nuclear Medicine and Radiology.
- He has special expertise in 7 areas:
- Cancer
- Colonic Diseases
- Intestinal Diseases (Duodenal Diseases)
- Kidney Stones (Kidney Calculi)
- Nuclear Medicine
- Polyps
- Vein inflammation (Thrombophlebitis)
Education & Awards
Dr. Pochaczevsky graduated from Universidade Do Estado Do Rio De Janeiro.
Dr. Pochaczevsky has 7 hospital affiliations:
- Montefiore Medical Center
- Montefiore Medical Center: Moses Division
- Spanish
Similar doctors nearby
Dr. Josef Fox
Dr. Theodore Stent
Dr. Serge Somrov
Dr. Leslie Kory
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- Additional Information
- Dr. Rubem Pochaczevsky MD is a male Nuclear Medicine Specialist and practices in Nuclear Medicine and Radiology.
- Where does Dr. Rubem Pochaczevsky practice?
- Dr. Rubem Pochaczevsky has 1 office location.
Dr. Rubem Pochaczevsky practices Nuclear Medicine and Radiology near Bronx, NY.
See Bronx Nuclear Medicine Physicians and Bronx Radiologists.

subset: commoncrawl


text: You are here: Home > Course > Beverages > Milkshakes & Smoothies > Kesar Pista Milk Shake Kesar Pista Milk Shakeby Hpatel7 09 Dec 2003 Tweet Added to 6 cookbooks This recipe has been viewed 22637 times A popular milk shake recipe, kesar pista milk shake is lip smacking and yet healthy. The delectable milk shake is flavoured with kesar(or saffron) and soaked and crushed pistachio. A perfect cooling and nutrient dense beverage option, especially for children. Add your private note Kesar Pista Milk Shake recipe - How to make Kesar Pista Milk Shake Tags No CookingMilkshakes & SmoothiesBrain Boosting RecipesProtein Rich Recipes Preparation Time: 0   Cooking Time: 0   Total Time: 0 mins     Show me for servings Ingredients 100 gms pistachios, soak them in water for about 1 hour)50 almonds (badam), soaked in water for 2 hours a pinch saffron (kesar) strands50 gms sugar3 cups milk Method Take a pan and heat the milk , let the 3 cups simmer in very low heat , let it simmer until the milk becomes 1 1/2 cup.Grind the almonds , along with the pista , and the saffron until they form a smooth pasteAdd the ground paste to the milk and then stir them well.Let the milk come to a boil for about twice.And remove them from the stove, and when the milk comes to room temprature.Place them in the refrigrator. serve them cold. Other Related Recipes This recipe was contributed by Hpatel7 on 09 Dec 2003Know more about this member, Click Here


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(Senior Secondary affiliated to CBSE Dlhi. No: 930238)
Aluva - 6
Phone :
0484 - 2629462, 2629314, 9447752946
E-Mail :
Ideal Public School was established in 1992 under the purview of "Thaikkattukara Muslim Jama-ath Educational Charitable Trust". The school is affiliated to Central Board of Secondary Education (CBSE) New Delhi. The syllabus followed is also that of the CB.SE. The textbooks used are those prepared by the National Council of Educational Research and Training (N.C.E.R.T). The medium of instruction is English. The academic year begins on middle of May and close on end of March every year .
There are 1209 students spread over 43 classes from LKG to XII. The Staff strength of the school comprises of 64 teachers and 22 non teaching members. Ideal Public school has given top priority to academic excellence. The Performance of every child is under constant observation.
News reading, Amazing facts, Thought for the day and speeches on various topics are included as part of the Morning Assembly to make the students familiar with the current affairs.
Ideal public school has given special emphasis to extra curricular activities to facilitate the development of individual talents and healthy competitions among the students.
The School stresses on its st udents to take active part in all kinds of extra curricular activities, ranging from Craft workshops to athletics and indoor sports, in order to bring out their creative faculties and help them develop.
The school has a mission to achieve all round personality development of children and prepare them to excel in the modern competitive world as global citizens.
The school believes that the youngsters are the future nation builders and it is our responsibility to motivate, guide and inspire children to aspire for higher goals retaining moral values and having a foresight for improvising and upgrading their present situations for prosperity and growth of the society.
KG : 9.30a.m. to 3.00 p.m.
Classes 1 to XI : -
Monday - Thursday :9 a.m. to 3.45 p.m.
Friday : 9.a.m. to 4 p.m.
LKG to Class II
BOYS – shorts and Shirts
Girls – Pinafore with Shirt
Classes III to X
Boys –Pants and Shirt
Girls – churidar set with Coat
Grey scarf for Muslim girls
Black shoes with grey socks
All students shall wear House wise uniform on Wednesday Black PVC sandals may be worn on rainy days.
8.00 am to 4.30 pm


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Bedroom Wardrobe Designs, When you want to choose your bedroom designs , the first thing that comes to your mind is bedroom furniture choice, of course the most important bedroom furniture items are the bed and the wardrobe or "armoire" as some call it. In this article, we help you to …Read More »
Teenagers Bedroom Ideas, 35 Cool Ideas
Teenagers Bedroom Ideas, If your child grown up and became teenager, so he has now a different personality and special character. Of course your teenager wants to have the bedroom that is suitable for this change, and that express on his personality, taste, and his way of live. So your teenager …Read More »


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Outpatient Drainage of Pleural Effusions and Ascites
Approximately every 3rd cancer patient suffers from pleural effusions or ascites. The symptoms: dyspnoea, pain and exhaustion. These patients receive palliative treatment as the primary disease is often incurable. The aims: alleviation of the symptoms and remaining in the customary home environment.
These aims can be achieved with the ASEPT® drainage system from pfm medical. A tunnelled permanent drainage catheter is implanted in the pleural cavity or in the peritoneal cavity in the case of ascites. This intervention can be performed on both inpatients and outpatients and the patient can return to the customary home environment. This is where the ascites are drained every 1-2 days by means of drainage bottles which are easy to use. The special thing about this is that the patient or his relatives will be able to carry out the drainages after being instructed by examined nurses from pfm.
The benefits of the therapeutic principle
- direct alleviation of the symptoms during the drainage
- self closing valve with secure screwed connection
- low infection rate
- in the case of a pleural effusion: 59% of the patients become a spontaneous pleurodesis after 1 month
The ASEPT® system comprises catheters with all of the implantation accessories which are required for the pleural cavity or peritoneal cavity respectively, in addition to bottles for outpatient drainage with volumes of 600 and 1,200ml. pfm medical invoices the drainage bottles direct and the catheters can be directly obtained from the implanting physicians.
pfm medical tpm gmbh
Dr. Andreas Helten
Wankelstraße 60
50996 Köln


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The Goose Creek offense is overwhelming. The Gators average 524 yards and 49.8 points a game in an offensive attack that has produced three players who have rushed for at least 1,000 yards.
But don't forget about defense. Defense wins championships and coach Chuck Reedy is just as pleased with his players who don't make headlines for their offensive theatrics.
"The defense is really playing well," said Reedy, whose team puts its 38-game winning streak on the field on the line Friday when South Pointe visits for a second-round Division II-AAAA playoff game. "The defense is playing at a championship level."
The Gators beat Dutch Fork, 35-21, on Sept. 27 and have allowed two touchdowns or less in five of their last seven games. The Gators humbled Wade Hampton, 76-0, last week for their first shutout of the season.
The defense suffered some key graduation losses. Defensive end Gerald Turner signed with the South Carolina Gamecocks, defensive tackle Mike Myers signed with East Carolina and linebacker Jalen Stevens signed with the University of Connecticut.
There was plenty of potential on defense to begin 2013, but it was untested.
"Coming into the season, we knew we would have a good offense," Reedy said. "We knew we had to get better on defense, and we've had. We've gotten better and better each week."
The Gators are allowing only 3.8 yards per carry and 131 yards rushing per game. The secondary has been solid too, allowing 150 yards passing per game. The Gators have been opportunistic with 12 interceptions and 15 fumble recoveries.
Omar McCrae heads up the secondary with 84 tackles, five interceptions and nine deflections.
"We take pride in the way we play," McCrae said. "We're physical in practice and we carry it over to the game. It doesn't come easy. We work hard."
Linebackers Daylin Julius and K.J. Wood have been solid with 135 and 107 tackles, respectively. But the player who really stands out on defense is 6-6 end Kalan Ritchie, who moved from tight end midway through the season. He's been selected to play in the Shrine Bowl of the Carolinas and has come on strong with 33 tackles, including nine against Dutch Fork. He puts good pressure on quarterbacks and has recorded three sacks and five hurries.
"We really didn't have an impact guy in the front eight until we moved Kalan," Reedy said. "Here's a guy who is dominant. He is a difference-maker."
Ritchie noticed all the attention the offense received.
"Now that I'm playing defense, the defensive side wants some credit, too," he said. "I liked making the move to defense. I always had the idea in my head, and they finally let me do it. It's a win-win situation.
And for the Gators, it's been that way for 38 straight games.


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Top Definition
Crazy french man who talks in third person and doesnt know proper english, Might i add he has been playing Counter-Strike since 1.4 and his wonid is 7052..
Hey thorn.
"thorn hey says, how today is?"
"thorn hey says, how today is?"
بواسطة Spiderface يناير/كانون الثّاني 23, 2003
Trending Now
Can you define these popular missing words?


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How does the Australian Open heat impact players & equipment? A sports science breakdown on the last day of stifling temperatures.
The following two tabs change content below.
Administrator for Midwest Sports - For information contact firstname.lastname@example.com
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Club was sic last night, we all be D.I.B
af WeeDrew 8. februar 2015
DIB is an acronym for Do It Buddy
Lindsey has a new D I B!
af Veronica Brokenberry 22. december 2014
Universal law to gaining property or ownership of an item/object. Must call dibs, even after birth
I call dibs on jt's thigh
af Gburton23 12. januar 2010
Doing it big.
Hey, man, did you see me D.I.B.ing it on the dance floor last night with that dime-piece?
af Legendary Verses Crime Sick 24. maj 2011
D.I.B.S is an acronym for Do It Big Syndrome
Look at that stack of benjamins.. you got D.I.B.S
af CRP 10. oktober 2005
Any computer that talks. Dib is short for DIgital Bitch.
The self-serve checkout aisle is full of dibs. Your phone company uses a dib to answer the phone
af mark718 29. april 2012
Creamy chocolate covered ice cream balls. Comes in different variety of flavors
Dude let me get a Dibs
Get your box
Get your box
af Marglar lvl 57 battle mage 9. august 2008


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Get an overview of this hotelLuxury hotel with 2 outdoor pools and restaurant
Situated in the mountains, this luxury hotel is within a 10-minute walk of Bartinney Wine Estates and Camberley Wine Farm. Zorgvliet Estate is 0.9 mi (1.5 km) away.
Hotel Features
2 outdoor pools, a restaurant, and an outdoor pool are available at this hotel. Free WiFi in public areas and free self parking are also provided. Other amenities include a bar/lounge, coffee/tea in a common area, and 24-hour room service.
Room Amenities
All 12 individually decorated rooms feature free WiFi and 24-hour room service. For a bit of entertainment, guests will find flat-screen TVs with satellite channels and DVD players, and other amenities include furnished balconies and minibars.Information missing or incorrect? Tell us!Opens in a new window
Clouds EstateHelshoogte Road Stellenbosch Western Cape 7560
Renovations & Closures
- Parking area
Hotel Amenities
Hotel Amenities
Clouds Estate features 2 outdoor swimming pools and an outdoor pool. The hotel offers a restaurant. A bar/lounge is on site where guests can unwind with a drink. High-speed wireless Internet access is complimentary.
Event facilities measuring 1200 square feet (111 square meters) include a meeting room. This luxury hotel also offers a terrace, tour/ticket assistance, and barbecue grills. For a surcharge, the property provides an area shuttle within 50 km and a roundtrip airport shuttle. Onsite self parking is complimentary.
Clouds Estate has designated areas for smoking.
- Free WiFi
- Year Built 2002
- Area shuttle (surcharge)
- Coffee/tea in common areas
- Breakfast available (surcharge)
- Number of floors - 2
- Number of buildings/towers - 2
- Airport transportation (surcharge)
- Concierge services
- Total number of rooms - 12
- Bar/lounge
- Barbecue grill(s)
- Front desk (limited hours)
- Tours/ticket assistance
- Number of outdoor pools - 2
- Luggage storage
- One meeting room
- Designated smoking areas
- Laundry facilities
- Garden
- Terrace
- Restaurant
- Conference space size (feet) - 1200
- Conference space size (meters) - 111
- Pool sun loungers
- Free self parking
- Outdoor pool
Family Friendly Amenities
- Outdoor pools
- Outdoor pool
- Free Wi-Fi
- Laundry facilities
- DVD player
Available in all rooms: Free WiFi
Available in some public areas: Free WiFi
Free self parking
Room Amenities
- DVD player
- Daily housekeeping
- Bathrobes
- Free WiFi
- Individually decorated
- Furnished balcony
- In-room safe (laptop compatible)
- Phone
- Minibar
- Coffee/tea maker
- Free bottled water
- Free toiletries
- Hair dryer
- Satellite TV service
- Flat-panel TV
- Blackout drapes/curtains
- Air conditioning
- Room service (24 hours)
- Separate bedroom
- Rollaway/extra beds (surcharge)
Where to Eat
Full breakfasts are available for a surcharge and are served each morning between 7:30 AM and 10:30 AM.
Clouds restaurant - This poolside restaurant serves breakfast, lunch, and dinner. Guests can enjoy drinks at the bar. Reservations are required. Open daily.
24-hour room service is available.
Nearby Things to Do
2 outdoor swimming pools are on site along with an outdoor pool.
The recreational activities listed below are available either on site or nearby; fees may apply.
- Hiking/biking trails nearby
Hotel Policies
Check-in time starts at 2 PM
Minimum check-in age is 16
Check-in time ends at midnight
Special check-in instructions:
Check-out time is 11 AM
Payment types
- Pets not allowed (service dogs only)
You need to know
Extra-person charges may apply and vary depending on hotel policy.
Government-issued photo identification and a credit card or cash deposit are required at check-in for incidental charges.
Special requests are subject to availability upon check-in and may incur additional charges. Special requests cannot be guaranteed.
Only service animals are allowed
No cribs (infant beds) available
Optional extras
- Breakfast fee: between ZAR 90 and ZAR 175 for adults, ZAR 90 and ZAR 175 for children (approximately)
- Airport shuttle fee: ZAR 300 per person (one way)
- Early check-in fee: ZAR 3500
- Late check-out fee: ZAR 3500
- Rollaway bed fee: ZAR 350.00 per night
Hotel Name
- Clouds Estate
- Clouds Estate Apartment Stellenbosch
- Clouds Estate Stellenbosch
- Clouds Estate Hotel Stellenbosch
- Clouds Estate Hotel
We should mention
Children 11 years old and younger are not permitted at this property. Only registered guests are allowed in the guestrooms.
National Rating
Quality Graded by the Tourism Grading Council of South Africa (TGCSA) – South Africa's official quality assurance organization.


text:
OSHA News Release - (Archived) Table of Contents
OSHA News Release – Region 8
U.S. Department of Labor
Region 8 News Release: USDL 03-595-DEN
October 23, 2003
Contact: Rich Kulczewski
Phone: (303) 844-1302
LONGMONT, Colo. -- ConAgra Foods of Longmont, Colo. was recognized today by the U.S. Department of Labor's Occupational Safety and Health Administration (OSHA) as a Voluntary Protection Program (VPP) site for excellence in their safety and health program.
The Voluntary Protection Program is the Labor Department's premier initiative to promote and recognize excellence in occupational safety and health The company has been designated a VPP "Merit" site, meeting all the safety and health elements for the program, which far exceed minimum OSHA standards.
"Noteworthy aspects of ConAgra Foods' program are its safety training and computerized preventative maintenance system," said Herb Gibson, OSHA's area director in Denver. "Management fosters good ergonomic practices and supports a buddy system through its VPP committee to mentor employees on hazard identification."
Gibson and Terry Mitton-Terry, OSHA's regional VPP manager, today presented a VPP flag and plaque to ConAgra Foods employees' at a ceremony at the Longmont plant.
VPP offers companies a unique opportunity to move beyond traditional safety programs by recognizing participants that successfully incorporate comprehensive safety and health programs into their total management systems. Requirements for earning VPP status include a high degree of management support and employee involvement in health and safety; a high-quality worksite analysis program; hazard prevention and control programs; and comprehensive safety and health training for all employees.
Each of these elements must be effective, in place and operational for at least one year before a business applies to join the program. A rigorous, week-long onsite OSHA evaluation verifies that the company has achieved excellence in safety and health.
Area businesses seeking more information about the VPP may contact Terry Mitton-Terry, VPP manager for OSHA's Denver office at (303) 844-1600 (x 317).
The Occupational Safety and Health Administration is dedicated to saving lives, preventing injuries and illnesses, and protecting America's workers. Safety and health add value to business, the workplace and life. For more information, visit www.osha.gov.
|OSHA News Release - (Archived) Table of Contents


text:
Welcome to Awards, Scholarships & Fellows
Recognize your colleagues by nominating them for our prestigious awards, including Fellow. Undergraduate and graduate students: apply for scholarships and fellowships.
Awards Policies
Award committee members may not be a nominee, nominator or reference for the award for which their committee is responsible. They can participate in all other awards. View the ASA, CSSA, and SSSA Executive Committees and Boards of Directors specific policies regarding their eligibility.
View award recipients through 2015:
2015 Award Ceremony Photos on Flickr>>
ASA Past Award, Fellow & Scholarship Recipients
CSSA Past Award, Fellow & Scholarship Recipients
SSSA Past Award, Fellow & Scholarship Recipients


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ASA 2013, Washington DC, LIFE AND DEBT: RACE, THE AMERICAN HEALTHCARE SYSTEM, AND RACE-BASED MEDICINE
United States
Call for Papers Date:
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As the cost of health care increases in the U.S., individuals and entire communities are faced with how to deal with the often crushing debt that comes with lack of access to quality preventive care, the inability to access affordable health insurance to cover care, and environmental conditions that contribute to a litany of chronic physical and mental health ailments. Lower-income minority communities are at greatest risk of bearing a disproportionate level of the disease burden in this country as well as the ensuing debt associated with caring for these illnesses. Some would argue that this debt negatively influences the ways in which our society assigns meaning and value to the lives of these individuals and communities.
The racial health disparities that have arisen from centuries of economic, environmental, social, and political inequality have resulted in billions of dollars targeted towards research, development, and marketing of race-based pharmaceuticals and other treatments that focus on individual bodies as opposed to approaches that focus on structural impediments to improved health for these communities. Yet, as far back as the early 20th century, DuBois demonstrated that health disparities between Whites and Blacks were driven by the poorer economic, social, and environmental conditions faced by the latter group as opposed to biological differences between the races. If race is indeed a biological fiction, what explains the increased focus on race-based medicine in the past two decades?
This session focuses on the political economy of race-based medicine in the U.S. As such, it seeks papers exploring the underlying logics, consequences, and ethics of the push towards race-based medicine, whether in the form of targeted drugs, race-based biomedical hotspotting, or other race-specific healthcare protocols. Does race-based medicine itself impose an additional debt burden to the communities it targets? How might such a push further entangle the nation's Black and Brown subjects in a web of debt and indebtedness that increasingly contributes to their economic and social disenfranchisement? Does this result in a concomitant moral debt on the part of our government to its minority subjects?
Please submit paper abstracts 350-500 words to Leslie Hinkson at: firstname.lastname@example.com by January 19, 2013. (Conference is Nov 21-24, 2013)
In your submission, please include • Paper Title (maximum of 15 words per title)
• Contact and biographical information including: first name, last name, affiliation, e-mail address, and a 350 word biographical statement
Further information on the American Studies Association meeting can be found at: http://www.theasa.net/annual_meeting/page/annual_meeting_general_information/ Information on paper and session submissions can be found at: http://www.theasa.net/annual_meeting/page/submit_a_proposal/
Leslie HInkson, Sociology Department, Georgetown University
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Richard SmedleyShared publicly -
Less than 15 hours to go! Open Source Permaculture: help to build the most comprehensive free resource for Permaculture education!
▶ $1, $5 and $25 donations DO make a difference!
▶ $1, $5 and $25 donations DO make a difference!
Help create Urban Permaculture Book, Q&A site and Wiki for everyone!
8 comments
A little horticulture / permaculture teaching, but mostly writing / project managing Free Software (AGPLed Credit Union / microfinance software), a bit of writing, and a bit of hosting and server monitoring.
It all more-or-less balances out :-)
It all more-or-less balances out :-)
Add a comment...


text:
As 8:30 p.m. Saturday rolls into local time zones around the globe, iconic buildings and cultural sites, from Big Ben to the Eiffel Tower and the Parthenon, will go dark.
For one hour - Earth Hour, as the event has been dubbed by its founder, the World Wildlife Fund - nonessential lighting will be turned off to draw attention to the threat of climate change, and to encourage action.
In Philadelphia, the light strip across the Peco building will be turned off, said spokesman Ben Armstrong - right after the lights tout the company's Smart Ideas energy efficiency program.
In Atlantic City, casinos will pull a few switches, too, at Caesars, Harrah's, Bally's, and Showboat. Plus Harrah's in Chester.


text:
|Women, Men, Girls, Boys, Petite, Tall, Plus-sized
I've been crocheting for a number of years now. I started out to find something to keep my hands busy while watching TV-better than snacking. I very quickly became addicted. When I found myself ...
I've been crocheting for a number of years now. I started out to find something to keep my hands busy while watching TV-better than snacking. I very quickly became addicted. When I found myself altering patterns I decided it was time to start designing my own. I began crocheting children's hats for Halos of Hope in 2010. They are a great organization that sends soft hats to chemo centers all over the USA. I hope my silly hats can bring some happiness to a child fighting a terrible disease. Please check them out at halosofhope.org.
Join my Crochet by Darleen Hopkins Newsletter list: http://crochetbydarleenhopkins.com/newsletter/
Smoochy! Smoochy! Who can resists this adorable Kissy! Kissy! Fish Face Hat. Easy+/Intermediate pattern, perfect for beginning crocheters who have completed a few projects and are ready to learn some new techniques or the experienced crocheter looking for a fun hat pattern.
Hat is worked in a continous spiral. A tutorial on how to blend the color change jog is provided as well as a tutorial on magic circle/adjustable ring.
Three sizes to fit most toddlers to adults; crochet an entire ocean full!
Modeled hat in purple and green is crocheted with Caron Simply Soft and an H hook. Yellow and red hat is crocheted with Bernat CottonTots and a G hook.
BONUS: Now every purchased Crochet by Darleen Hopkins pattern comes with the Crazy Frog Hat! The Crazy Frog pattern has been added to the Kissy! Kissy! Fish Face pdf. Learn more about him here: http://www.craftsy.com/project/view/crazy-frog-hat/59709
Please note, this pattern is copyrighted and may not be reproduced or redistributed. Completed hats may be sold but please credit Darleen Hopkins as the designer. If selling online, a link to my shop is appreciated. www.ravelry.com/stores/CrochetByDarleenHopkins
Stated in pattern. Gauge checkpoints given.
215 yards of Worsted weight


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My Account X
Guide Series Women's Long-Sleeve V-Neck Sleep Tee
Item # 737580
Key Features
60% cotton, 40% rayon jersey-knit fabric
Deep V-neck opening for feminine styling
Rolled cuffs seal in body heat for warmth
Small chevron-shaped pocket at left chest
Our Price $19.99
Sale Price $7.94
Availability:Sold Out
Prices, promotions, styles and availability may vary by store and online.
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Product DescriptionWhether you're relaxing around the house or settling down for a good night's sleep, the Guide Series Long-Sleeve V-Neck Sleep Tee will keep you warm and incredibly comfortable. Knit from a super-soft blend of 60% cotton and 40% rayon jersey fabric, this cozy sleep shirt features a deep V-neck opening for feminine styling; rolled cuffs to seal in warmth; and a small chevron-shaped pocket at the left chest. Imported.


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The store has encountered a problem processing the last request. Try again later. If the problem persists, contact your site administrator.
Handy Crepe Medium White - 2. 5cm X 1. 6m
Cotton crepe bandage includes fastening clip
$6.95 or 695 points
Home Delivery
Click & Collect
Handy Crepe medium is a white light support crepe bandage
- Product Type
- Bandages
- Storage & Disposal
- Store in cool, dry, well-ventilated area away from strong oxidising agents. Observe specific labelled storage requirements. Disposal: in accordance with local waste regulations.
- Warnings
- Always read the label. Use only as directed. If symptoms persist see your pharmacist or doctor.
Customer Reviews
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Home Delivery Or Click & Collect
If your online order is over $89 (including GST) we will ship your order free of charge.
All Click & Collect orders are free of charge. For all other orders a $7.50 shipping fee will apply.


text:
Alexis is the executive chef overseeing all of the restaurants in the Grupo Vidanta hotels, including Grand Luxxe and Grand Mayan. He is a man that is passionate about food. He has a wealth of information when it comes to the cuisine of his homeland, Mexico.
Read Whole Story
It's the hangover helper of your ancestors.
"Grilling fast and grilling good" is the name of the game at this meat-on-a-stick street food stop.
Don't the simplest combinations result in exploding mouthfuls?
From Earth911's Kathryn Sukalich:
Spices that you've had around longer than a year or two won't do much for your food, according to The Spice H...
Mash it, roast it, stuff it, soup it: there's only so much you can do with a winter squash. If squash, potatoes, beets and Brussels sprouts have become a tedious mainstay at your table, it's time to get out of your winter vegetable rut.
Confident with a latke recipe, I surveyed my spices. I immediately thought of one of my favorite Indian street foods, aloo tikkis - fried patties of spiced mashed potatoes and onions.
When health and nutrition expert Joy Bauer visited me on Mondays With Marlo, she told me that she is learning new facts about health and nutrition eve...
The holiday season has arrived, and with Turkey Day just around the corner, we're getting into the spirit with a handful of easy-to-make cocktails
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Reverse Tubal Ligations With Dr. Monteith – Testimonial #1459
"Thank you for making our little Monteith miracle possible."
Posted 13th February, 2013
Dear Dr. Monteith
Thank you so much again for making our little Monteith miracle possible! Every time we look at her we know we made the right decision in having my tubal reversed and are so glad we were in such capable hands for that. She was delivered via repeat c-section February 4th 2013. Recovery is going great for both Mom and Baby!
Shellianne N.
Dayton, Ohio
Doctor who performed your surgery: Dr. Monteith
Date of your tubal reversal: 12/01/2011
Positive pregnancy test: 06/01/2012
Date of Baby's Birth: 02/04/2013
Baby's Name: Jenna Michaela
Baby's Gender: Female
Baby's Weight: 8 lbs 11 oz
Baby's Length: 20 1/2 inches
Number of pregnancies since TR: 2
Outcome of previous TR pregnancy: miscarriage
More Information on Monteith Miracles
2 thoughts on "Reverse Tubal Ligations With Dr. Monteith – Testimonial #1459"
Just wondering, how do you have a tubal reversal on 12/01/2012 but have a positive pregnancy test on 06/01/2012. That doesn't add up to be right!


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This plan is available in the following counties:
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CBNNews.com - JERUSALEM, Israel - On Monday, some 200 former residents of the Gush Katif Settlement Bloc in the Gaza Strip demonstrated in front of the Knesset.
Marking 1,000 days without homes or employment, the diverse crowd of farmers, teachers and businessmen, evacuated from their communities in August 2005, said the government has dragged its feet since the expulsion.
"We want the government to give us what we had [in Gush Katif]," 40-year-old Yael Schwartz told The Jerusalem Post.
"We had houses. Give us houses. We had jobs. Give us jobs," she said.
Schwartz' husband, Yossi, said the former residents of Gush Katif communities aren't looking for a handout.
"It's not the money. What they took from me, I want back," he said.
Of all the families expelled from their homes, only 70 are in the process of building new homes and only a few of them are ready for occupancy.
Source: The Jerusalem Post
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Marsh wrens inhabit freshwater and saltwater marshes, usually nesting in association with bulrushes, cattails, and sedges or on occasion in mangroves (Welter, 1935; Bent, 1948; Kale, 1965; Verner, 1965). Standing water from several centimeters to nearly a meter is typical of the areas selected (Bent, 1948). Permanent water is necessary to provide a food supply of insects necessary to maintain the birds and as a defense against predation (Verner and Engelsen, 1970). Deeper water and denser vegetation are associated with reduced predation rates (Leonard and Picman, 1987).
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Bob Corrigan commented on "Habitat":
There are pages of references for each of the entries in this EPA document - so many that I doubt it would be meaningful to list them all here. They are included in the source document.
Katja Schulz commented on "Habitat":
Also, please add the references in the References box.
Cyndy Parr commented on "Habitat":
Bob, even though you link to the article source on these it would be a good idea to add the bibliographic reference so people can evaluate it without having to click on a tiny link or two.


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No. 9 Florida State (1-0) got the 2013 campaign started on the right foot Friday afternoon defeating Rhode Island 11-5 in front of a great opening day crowd of 5,354 on Mike Martin Field inside Dick Howser Stadium.
Sophomore Jose Brizuela paced the Seminole offense with two hits and four RBI, while senior captain Justin Gonzalez and junior Marcus Davis each drove in two runs as Florida State was victorious on opening day for the 15th year in a row.
John Nogowski, Stephen McGee, John Sansone, Davis and Brizuela all scored two runs a piece in leading Florida State to its fourth straight victory over Rhode Island. Nine of the 11 runs scored by the Seminoles on Friday came on two outs.
Making his second consecutive start on opening day, Brandon Leibrandt went 5.0 plus innings allowing four runs on five hits as he walked one and struck out six in earning the victory.
"When you start an opening day with a lot of new guys, you are a little bit cautious of what to expect," said head coach Mike Martin. "After the nine innings I just saw, I was very pleased with the way we played. We had some very good at-bats; we showed good poise on the mound."
"Definitely good to get out of there with a 'W'," said Leibrandt on earning his second straight victory on opening day. "Anytime you do that you are doing something right."
The Seminoles gave Leibrandt an early lead scoring four runs in the first two innings including a three-run first highlighted by a pair of hits by two newcomers. Gonzalez drew a one-out walk in the first inning and scored all the way from first when freshman D.J. Stewart ripped a double to the gap in right center for his first collegiate hit and RBI. After Nogowski reached on a fielder's choice, Davis cleared the bases with a two-run shot for his first collegiate hit. The junior college transfer took a 2-1 offering from URI's Mike Bradstreet (0-1) over the fence in right to give FSU a 3-0 lead.
"Marcus is certainly a strong young man," added Martin. "He is a very hard worker. He got him very late (in the signing process). He will continue to get better. DJ really hung out a month's wash with that one. That is a guy who has really worked hard defensively in becoming a total baseball player. I was very pleased with his first game."
The long ball by Davis marked the second straight year that a Seminole newcomer hit a home run in his first collegiate at-bat on opening day. Brizuela matched the feat last year when he hit a two-run home run to right in the second inning against Hofstra.
"He started me off with a change-up and then he missed with two fastballs and I got into a hitter's count," said Davis. "I was trying to make the best of the next pitch. I was looking fastball and he actually gave me one. It was a great feeling; you don't realize how loud these fans get. It was pretty awesome."
FSU added to its lead in the second when Sansone drew a one-out walk and scored on a two-out triple down the line in right off the bat of Gonzalez.
Leibrandt would make the early lead hold as he retired the first four batters that he faced before giving up a one-out triple to Pat Fortunato in the top of the second. But the sophomore southpaw would work around the extra base hit striking out catcher Shane O'Connell and then forcing designated hitter Derek Gardella to groundout to second to end the inning.
The Rams would cut the deficit in half in the third thanks to a little two-out magic of their own. Mike LeBel brought home Rhode Island's first run of the game on a two-out bloop single to right. Jeff Roy would score the second run of the inning when URI successfully converted a double steal. LeBel swiped second and when the throw went through to Gonzalez covering the bag, Roy broke from third and slid ahead of the tag from McGee.
The Seminoles added two runs in the fourth to extend their lead to 6-2. Brizuela opened the inning with a single to center and moved to second when Sansone was hit by a pitch. After a sac bunt by Josh Delph moved both base runners 90 feet, Gonzalez drove in his second run of the afternoon when Brizuela scored from third on a groundball to short. URI shortstop Tim Caputo decided to throw the ball to third but Sansone beat the throw to the bag and ahead of the tag. The freshman second baseman would score two batters later on Nogowski's two-out, two-run double to right.
FSU pushed a run across in the fifth without recording a hit taking advantage of four walks all issued by URI reliever Steve Moyers. McGee led off the inning with a walk and scored on a two-out wild pitch.
"The offense behind me was everything you could ask for tonight," added Leibrandt. "It was great to see that, a lot of guys putting good swings in; it was encouraging to see."
Rhode Island made things interesting in the sixth scoring twice off Leibrandt to cut the lead to 7-4. Chris Famiglietti drew a leadoff walk and came around to score four pitches later when LeBel took a 2-1 offering from Leibrandt out of the park to left. Jameis Winston almost made a tremendous leaping catch at the wall but the ball went just beyond the reach of the freshman outfielder. That would be the final pitch for Leibrandt as he left the game after throwing 73 pitches.
"Brandon pitched well," added Martin. "I probably should have gotten him (out) after that long inning that we had (in the bottom of the fifth). When a guy sits over here in this weather for probably 20 minutes, it's something you don't prepare for. I should have probably gotten him out at that point."
Brizuela put the game out in the sixth unloading on his second career grand slam to give the Seminoles a commanding 11-4 advantage. FSU loaded the bases after Brad Applin hit three consecutive batters (Nogowski, Davis and McGee). After a strikeout to Winston, Brizuela took a 2-2 offering over the fence in right center for his third career home run and second straight on opening day.
"He is a guy we are hoping continues to improve and becomes a tough out," said Martin on Brizuela. "He's got a year under his belt and we expect him to get better. But what he gave us tonight was a little more than we expected."
"I'm just trying to get a good pitch to hit," said Brizuela. "It was a great at-bat; the guy had good stuff. The pitch before he threw a high fastball and I checked my swing, so I settled back and was thinking he was going to throw me a change-up. He made a good pitch; it was really low but luckily I put a good swing on it and hit a home run."
Bryant Holtmann came on in relief of Leibrandt and threw 2.0 shutout innings. The sophomore southpaw was nearly perfect allowing just one walk to the seven batters that he faced.`
Robby Coles saw his first action as a Seminole and worked the eighth as he gave up two walks and struck out a batter. The junior college transfer's career got off to a great start as he struck out the first batter that he faced.
Luke Weaver pitched the ninth and allowed a run on one hit as he walked one and struck out two.
"The buzz around college baseball is that we are going to be relying on our pitchers and we have a great staff but we have some great hitters too," said Davis. "I think everybody came out today trying to proof that and we were able to get a good, solid win."
"Rhode Island was very prepared tonight," said Martin. "Their pitchers were excellent, their defense was good. Heck, we made the only error of the night. I was very impressed with URI."
The Seminoles and Rams will turn right around for game two of the three-game series on Saturday, February 16 at 2:00 p.m. Senior right hander Scott Sitz will be on the mound for FSU and will be opposed by senior right hander Sean Furney.
Saturday's game will air live over the internet on Seminoles.com All-Access, while fans can also listen to the game live on the All-Access player. Locally, fans can listen to the game on 100.7 FM. As always, Seminole fans can follow the Noles on twitter @FSU_Baseball and remember to like the Seminoles on Facebook (www.facebook.com/FSUBaseball). Live stats for Saturday's game will be available via gametracker.


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Boston University Tanglewood Institute
|This article contains content that is written like an advertisement. (September 2014) (Learn how and when to remove this template message)
|Boston University Tanglewood Institute
|Lenox, Massachusetts
|Summer music program for advanced high school-aged musicians
|Lenox, MA
The Boston University Tanglewood Institute (BUTI) is recognized internationally as a premiere summer training program for aspiring high school-age musicians and is the only program of its kind associated with one of the world's great symphony orchestras. Under the guidance of distinguished professionals and in the presence of the Boston Symphony Orchestra (BSO), young people devote themselves to an artistic experience without parallel. The high artistic standards, rich culture of learning, and diverse programs make BUTI a unique opportunity for young artists, a starting point on the path to a future in classical music.
- 1 History
- 2 Programs
- 3 Alumni
- 4 External links
In 1966, the music director of the Boston Symphony Orchestra, Erich Leinsdorf, invited Edward Stein, Dean of the Boston University College of Fine Arts, to create a summer training program for high school musicians as a counterpart to the BSO's Tanglewood Music Center (TMC). Leinsdorf's vision was of a program to challenge young musicians to perform at the highest level and allow them unprecedented access to the Tanglewood Music Festival. Stein approached Wilbur Fullbright, the newly appointed director of the Boston University School of Music at the College of Fine Arts. Fullbright's enthusiasm for the project transformed Leinsdorf's dream into reality, and the Boston University Tanglewood Institute opened for its inaugural season in July 1966.
The Tanglewood Music Center, established in 1940 by the legendary Boston Symphony Orchestra music director Serge Koussevitzky, provides a broad range of intensive musical learning and experience for emerging professionals of exceptional ability. The students of the Boston University Tanglewood Institute (BUTI) share rehearsal and performance spaces, and attend a selection of TMC master classes, rehearsals, and activities – many led by BSO members. BUTI students also enjoy free, unlimited access to all performances of the BSO and the TMC. This all makes for an exceptionally stimulating atmosphere.
Affiliated Ensembles and Organizations[edit]
Muir String Quartet[edit]
Winner of the 1981 Naumburg Chamber Music Award and 1980 Evian International String Quartet Competition, the Muir String Quartet first appeared on the scene in 1980, and was greeted with rave reviews and an extensive feature in the New Yorker. The quartet was also featured on the internationally acclaimed PBS broadcast, In Performance at the White House for President and Mrs. Reagan. Formed in 1979 following graduation from the Curtis Institute of Music, the Muir String Quartet's principal chamber music teachers were Felix Galimir and members of the Guarneri and Budapeset Quartets.
In its commitment to advancing contemporary American music, the Muir Quartet has had commissioned works written for them by such distinguished composers as Joan Tower (Night Fields), Sheila Silver (From Darkness Emerging), Richard Danielpour (Shadow Dances and Psalms of Sorrow – featured on CBS Sunday Morning), Richard Wilson (Third String Quartet), and Charles Fussell (Being Music – based on poetry of Walt Whitman). The quartet also gave the World Premiere performance of the Native American collaborative work, Circle of Faith, featured on National Public Radio. Recently premiered works include those by esteemed American composers Richard Danielpour (Feast of Fools – for bassoon and string quartet), Lucas Foss (String Quartet #4), Ezra Laderman (String Quartets #9 and #10), and Joelle Wallach (String Quartet #3), and Ronald Perera's first Quartet. In 07-08, in addition to their annual appearances at Rhode Island College, the Quartet continues its series at Boston University, and performs throughout the North America, along with fall concerts in the Netherlands.
The Muir Quartet has been in residence at Boston University's College of Fine Arts since 1983, and gives annual summer workshops at the Boston University Tanglewood Institute (BUTI). The Muir Quartet has also given master classes at schools nationwide, including the Eastman School of Music, the Curtis Institute, Oberlin Conservatory, and the Shepherd School of Music at Rice University. Since 1989, the quartet has taught, coached, and administered the Emerging Quartets and Composers Program in Utah with eminent composer Joan Tower. This program is now part of the Muir's role as resident chamber ensemble with the Deer Valley Festival, in partnership with the Utah Symphony/Opera.
Vento Chiaro Woodwind Quintet[edit]
Vento Chiaro has served on the faculty of the Boston University Tanglewood Institute's Young Artists Wind Ensemble since 2002. As an award-winning ensemble, Vento Chiaro is captivating audiences across the country with their visionary artistry. After winning the Saunderson Award at the Coleman Chamber Music Competition in April 2000, the LA Times declared, "the day of the woodwind quintet may be dawning." Vento Chiaro went on to receive the Silver Medal at the Fischoff Chamber Music Competition in 2000 and was a semi-finalist at the Concert Artists Guild Competition in 2001.
Founded in 1997 at the Peabody Conservatory in Baltimore, MD, Vento Chiaro relocated to Boston in 1999 and is now the Ensemble-in-Residence at the Longy School in Cambridge, MA. In addition to their Longy appearances, the ensemble has performed several times on WGBH's radio program hosted by Richard Knisley and at Symphony Hall (including the 2000-01 Centennial Celebration) and across the Eastern Seaboard at such venues as The Settlement School in Philadelphia, PA and ArtScape in Baltimore, MD.
Their varied repertoire ranges from the standards to arrangements of orchestral favorites and newly written works. A part of the ensemble's mission involves working with musicians and students of all levels. Every spring, Vento Chiaro works with Longy's Preparatory Composition students, reading their works, offering suggestions, and ultimately performing their music. The ensemble was the Quintet-in-Residence at the 2001 International Clarinet Connection.
Axiom Brass Quintet[edit]
As the only Brass Quintet in 27 years to ever win the prestigious Chamber Music Yellow Springs Competition (2012), and the only American ensemble to ever win the Preis der Europa-Stadt Passau in Germany (2012), Axiom has also been named winners of the 2008 International Chamber Brass Competition and prize-winners of the 2010 Fischoff Chamber Music Competition, the Plowman Chamber Music Competition, and the Jeju City International Brass Quintet Competition in South Korea. The Axiom Brass is dedicated to enhancing the musical life of communities across the globe and educating the next generation of musicians.
Axiom's commitment to education and their blend of virtuosic performances and dynamic teaching have inspired young audiences around the nation, earning the ensemble the 2011 Fischoff Educator Award. Their educational concert "Let's Make Music" has captivated thousands of elementary and middle school students in the U.S. Since 2011 the ensemble has been featured as brass quintet-in-residence for the National Brass Symposium, sharing the stage with principal brass players from the Chicago Symphony, Boston Symphony, Cleveland Orchestra, New York Philharmonic, Philadelphia Orchestra, Los Angeles Philharmonic, and Atlanta Symphony.
Internationally recognized for their groundbreaking programming, their repertoire ranges from jazz and Latin music to string quartet transcriptions, as well as original compositions for brass quintet. Axiom Brass' performances have captured the hearts and imaginations of their audiences, leading the ensemble to national radio and television appearances as well as concerts in Asia, Europe and across the U.S. Axiom's dedication to brass repertoire has led the ensemble to commission and premiere several new works, including recent premieres of Celestial Suite by James Stephenson and For Then and Now by Laurence Bitensky. For Celestial Suite, Axiom Brass partnered with the New York Philharmonic Brass Quintet, the Chicago Symphony Brass Quintet, the Chicago Chamber Musicians and the Fischoff Chamber Music Society, as well as with the Digital Visualization Theater of the University of Notre Dame and Professor Keith Davis.
Highlights of Axiom's past seasons have included: concerts in Dominican Republic, Germany, Portugal, Spain, South Korea and Japan, a four-week residency at the Grand Tetons Music Festival, the release of their debut album New Standards, clinics and performances at the 2009, 2010 and 2012 Midwest Clinic, their New York debut at Symphony Space, masterclasses at The Juilliard School, Northwestern University, Manhattan School of Music, New England Conservatory, Boston University, as well as recitals, masterclasses and solo appearances with orchestras and bands around the U.S. In 2013-14, Axiom will continue its rigorous concert schedule, taking the ensemble on their first tour of South America, as well as concerts in Europe, Asia and around the USA. In October, Axiom will give the American premier of J. Vincent Egea's Fantasia Flamenca and the world premier of Raimundo Penaforte's new composition for brass quintet and orchestra under the baton of David Lockington and the Modesto Symphony. This season will also mark the release of two new albums, Sacred Brass, which will include the world premiere recording of Celestial Suite, and Astor, featuring original arrangements of Astor Piazzolla's music.
Axiom Brass is an Ensemble-in-Residence at the Music Institute of Chicago, the Boston University Tanglewood Institute and Rush Hour Concerts' Back of the Yards program.
Young Artists Orchestra[edit]
The Young Artists Orchestra has earned a reputation as the preeminent summer orchestra program in the nation, exposing instrumentalists to the expectations and standards of a professional-level symphonic orchestra. Under the guidance of professional conductors, artists/teachers, and BSO members, students experience high-quality training through the intensive study and performance of orchestral and chamber music repertoire. The discipline, focus, and energy of performing at an advanced level is the tradition and magic of a summer at Tanglewood.
Daily rehearsals of the orchestra are exhilarating, covering a varied repertoire of both standard and contemporary works. Each concert is presented by the Young Artists Orchestra in a public concert on the Tanglewood Main Grounds in either Ozawa Concert Hall or the legendary Koussevitzky Music Shed. Orchestral techniques, balance, texture, interpretation and historical background are all addressed in the context of the full orchestra and separate sectional rehearsals. Seating in each section rotates with every concert.
Chamber music provides an important and dynamic compliment to the orchestral experience. Coached by experienced artists faculty members, students are assigned to chamber music groups for preparation and presentation of various works on the Tanglewood Main Grounds as well as throughout the Berkshire community. Guest artists from the BSO and TMC faculty are frequently on hand to coach chamber music as well. Master class guests in chamber music have included Lynn Harrell, Daniel Muller-Schott, John Harbison, Norman Fischer, James, Buswell, Nico Muhly, and Marc Johnson.
Solo repertoire and technique are given special attention in guest master classes as well as question and answer sessions with BSO guest artists. In recent summers artists have included visits with Joshua Bell, Hilary Hahn, Yo-Yo Ma, and Midori, and classes with Pinchas Zuckerman, Christian Tetzlaff, Daniel Hope, Lynn Harrell, and Daniel Muller-Schott.
Master classes have also been given by additional distinguished artists such as James Buswell, Norman Fischer, Pamela Frank, Richie Hawley, Kim Kashkashian, David Krauss, Adam Luftman, Chris Olka, Bayla Keyes, Michelle LaCourse, and Peter Zazofsky.
Because of BUTI's unique relationship with the BSO, many of the orchestra players also are available to offer students master classes. Recent BSO artists include: Steve Answell, Edwin Barker, Ronald Barron, Cathy Basrak, John Ferrillo, Edward Gazouleas, Tim Genis, William Hudgins, Daniel Katzen, Ben Levy, Tom Martins, Ikuko Mizuno, Suzanne Nelsen, Toby Oft, Kevin Owen, Richard Ranti, Mike Roylance, Robert Sheena, Richard Sebring, James Somerville, Owen Young, and Elita Kang.
Young Artists Wind Ensemble[edit]
The Young Artists Wind Ensemble is an exceptional and challenging program for young instrumentalists. The objective is to foster the development of every student's artistic and creative potential. The Young Artists Wind Ensemble is the nation's premiere summer youth music ensemble of its type and draws outstanding wind, brass, and percussion players from across the globe. It provides opportunities to study and perform works from the repertoire of great literature composed from the sixteenth through the twenty-first centuries.
Under the guidance of outstanding wind conductor and pedagogue David L. Martins, director of the wind ensemble at Boston University, and internationally renowned wind ensemble conductor H. Robert Reynolds, the Young Artists Wind Ensemble students study instrumental works in a broad range of styles, including pieces for full wind ensemble, chamber music, and solo performance under the guidance of artist conductors and teachers such as Vento Chiaro and Axiom Brass Quintet. Students participate in two full wind ensemble concerts and four chamber music recitals during the summer. All concerts are presented in Ozawa Hall or elsewhere on the Tanglewood Main Grounds.
In an effort to prevent stress-related injuries and performance anxiety, BUTI is pleased to offer Alexander Technique classes to the Wind Ensemble program. Led by Betsy Polatin, Assistant Professor in the School of Theater at Boston University, these important sessions provide students with an introduction to the basic principles of Alexander Technique, in small groups, with a special focus on the specific issues of concern unique to each instrument group in the ensemble.
Master classes for all instruments are given by members of the Boston Symphony Orchestra and distinguished visiting artists. Recent guests have included Daniel Katzen, Ronald Barron, Mike Roylance, Linda Toote, Richie Hawley, Robert Sheena, Richard Ranti, Tim Genis, John Heiss, David Krauss, Dan Grabois, and the United States Marine Band Percussion. Students are invited to attend selected master classes presented by the Tanglewood Music Center. BUTI students also have the rare opportunity to observe and listen to the rehearsals and concerts of the Boston Symphony Orchestra and other artists and ensembles rehearsing and performing at Tanglewood each summer.
Young Artists Vocal Program[edit]
The Young Artists Vocal Program has been an important stepping-stone for young vocalists seeking to enroll in one of the competitive music schools and/or conservatories. Many vocal program alumni have gone on to be winners of prestigious competitions and are successful professionals in opera, oratorio, and recital.
As one of the leading summer institutes for advanced young singers, The Young Artists Vocal Program nurtures and encourages the development of gifted high-school-aged singers geared toward professional studies. The intensive curriculum provides a conservatory model of training in the components essential for well-educated singers: vocal technique, musicianship, and performance.
Emphasizing the importance of solo training, daily voice classes, taught by dynamic and eminent vocal pedagogue Phyllis Hoffman, and alternately by master teachers Penelope Bitzas and James Demler, focus on healthy vocal technique and performance practice. In addition, each student receives one weekly private lesson and a repertoire coaching session from experienced staff instructors. Solo vocal training culminates in recitals presenting each student in performance.
Each student sings in the Young Artists Chorus, conducted by Ann Howard Jones. A protegee of the late Robert Shaw, Dr. Jones is recognized for her expertise in conducting technique, rehearsal procedures, and performance practice. Daily rehearsals culminate in the performance of works representing a broad range of styles and periods, from Renaissance motets to 21st-century choral masterpieces. The full chorus of 75-85 singers performs each season with Dr. Jones in Ozawa Hall and in the Koussevitzky Music Shed for Tanglewood on Parade.
Students are assigned to carefully selected opera scenes at the start of the program. Each scene meets several times a week in musical and staging rehearsals that address the fundamental skills needed to be a successful singer-actor. Two opera-scene programs are presented during the final week of the program.
Equally essential for the development of young singers are the courses provided in music theory, music history, sight-singing, foreign language diction, movement, and acting. Students are placed in level-appropriate classes. Stage and screen actress (and BUTI alum) Lauren Ambrose recently offered a class in movement and acting.
The program is enriched each year by frequent master classes. Most recently, distinguished BSO guest artists Christine Brewer, Stephanie Blythe, Renee Fleming, Jane Bunnell, Marcus Haddock, and Heidi Grant Murphy met and worked with BUTI singers. Master teachers, such as Phyllis Curtin, Penelope Bitzas, Sharon Daniels, Simon Estes, and Jerrold Pope have led classes and classes focused on movement and acting have been offered by Lauren Ambrose and Judith Chaffee also offer classes during the program.
In recent summers, the Young Artists Chorus has performed in the Koussevitzky Shed with the Boston Pops under the baton of John Williams for Film Night at Tanglewood, and has sung with the Boston Symphony Orchestra, conducted by Seiji Ozawa and John Williams. Collaborations with the Tanglewood Music Center included performances conducted by Robert Spano, Craig Smith, and Stephan Asbury.
Young Artists Composition Program[edit]
Directed by highly regarded ASCAP composer, teacher, and pianist Martin Amlin, The Young Artists Composition Program offers talented high school composers the unique opportunity to focus for six weeks solely on exploring and refining their compositional skills. The challenging and stimulating environment includes exposure to all Boston Symphony Orchestra concerts and the resources of the Tanglewood Music Center. Students also attend rehearsals and performances of the Festival of Contemporary Music at the Tanglewood Music Center and meet visiting composers throughout the summer – a rare chance to learn and hear firsthand from some of the world's leading composers.
Student composers attend daily classes in analysis, score-reading, and compositional techniques. Weekly private lessons are enhanced by classes in music theory and aural skills. Each week, composers write pieces for a small ensemble; these pieces are read and recorded at the end of the week, providing the students with a valuable archive and learning tool. The BUTI Young Artists Orchestra also has a reading session of composers' works. A full evening concert showcases pieces composed during the summer. Additional performance opportunities are available in chamber music and through other BUTI programs.
Recent visiting composers to BUTI include John Harbison, David Del Tredici, Michael Gandolfi, Nico Muhly, Marti Epstein, Richard Cornell, Joshua Fineberg, Jonathan Newman, and Eilliot Carter. Special events are also arranged with the Composition Fellows of the Tanglewood Music Center, exchanging ideas with guest composers, faculty and students.
Young Artists Piano Program[edit]
The Young Artists Piano Program is a high-level, intensive summer program for advanced high school age pianists. Admission to the program is highly competitive, with a class size of 15 students per session. The program offers young pianists private lessons, master classes, and a variety of performance opportunities. Students enhance individual development through the study of technique, style, tonal quality, and repertoire. Each year the program attracts students from around the world, most recently including students from Israel, Brazil, Chile, China, Korea, Germany, Italy, United Kingdom, and Canada.
Boaz Sharon, professor, international recording artist, and master teacher, directs the Young Artists Piano Program. Professor Sharon is Chair of the Piano Department at Boston University and a visiting Professor of Piano at China Conservatory in Beijing. He is active as a master class guest as well as a judge for major piano competitions around the world.
Clara Jung-Yang Shin, Associate Director for the Piano Program, teaches at Korean National University of Arts while actively performing throughout Europe, Asia, and North America.
Each summer, visiting guest artist faculty offer opportunities to work with them through master classes and private lessons. The past summers have included several dynamic and world-renowned piano artists/teachers: Professors Zhe Tang and Tang Zhi, piano faculty members at the Shanghai Conservatory, Professor Yuan Sheng from the Central Conservatory of Music in Beijing, and Professor Jay Pengjie Sun from Xinghai Conservatory in Guangzhou. THIS SUMMER, Professor Sharon will be joined by returning guest artist Professor Gila Goldstein, Israeli born pianist and faculty member at Boston University and Hyuong-Joon Chang, Professor of Piano and Director of the International Piano Academy, Seoul National University, Korea.
Students receive weekly private lessons and perform in master classes. While all master classes focus on technique and performance practice, occasionally the entire session can be devoted to one specific composer. Guest artists such as Emanuel Ax, Kirill Gerstein, Claude Frank, Anthony di Bonaventura, Tatyana Dodochkin, Frank Glazer, Maxim Moglievsky, Paul Posnak, Sergey Schepkin, Lang Lang, and Garrick Ohlsson have conducted master classes with BUTI pianists and provide opportunities for question and answer sessions.
Along with solo repertoire assignments, several students are selected each session to collaborate with members of the Young Artists Orchestra in piano chamber music for study and performance.
There are a variety of solo recital opportunities all summer including community outreach concerts throughout the Berkshires as well as on the BUTI campus and the Tanglewood Main Grounds.
Young Artists Harp Program[edit]
The Young Artists Harp Program is a full-immersion program providing young players a comprehensive overview of all facets of harp playing. Students receive weekly lessons with world famous artist/teacher Ann Hobson Pilot, former principal harp of the Boston Symphony Orchestra, and her assistant director for the seminar. Lessons focus on technique, the interpretation and performance practices of standard harp repertoire, and the study of the important orchestral excerpts required of every serious harpist. Students in the program also perform chamber music, participate in harp ensemble, and are enrolled in music theory classes. In daily classes, students are coached in preparation for future auditions and competitions, and practice repertoire for a harp recital given in the final week of the program.
Guest artists such as Paula Page, Alice Giles, Elizabeth Morse, and Elisabeth Remy Johnson give master classes during the session. Each summer, harpists enjoy a rotation between the Young Artists Orchestra and the Young Artists Wind Ensemble as members of those large ensembles.
Each season, harpists are chosen from the Harp Seminar to participate in the Young Artists Orchestra and/or Wind Ensemble.
Two-Week Workshops[edit]
- The Flute Workshop addresses a broad range of important topics related to flute performance. Under the direction of outstanding artist/teacher Linda Toote, principal flutist of the Boston Lyric Opera, participants receive individual attention during regularly scheduled master classes and coaching sessions, with time given each day for individual practice. Classes will focus on the foundations of the instrument such as tone, technique, intonation, phrasing, dynamic control, articulation, scales, arpeggios and vibrato.
- John Ferrillo, BSO Principal oboe, and Robert Sheena, BSO English horn/oboe, offers oboists the opportunity to learn from the best! Both Mr. Ferrillo and Mr. Sheena provide instruction in many areas critical to good oboe and English horn playing. These will include, but are not limited to, the important fundamentals of "long-tones", slow scales, Barret and Ferling etudes, and orchestral and recital repertoire. Daily classes, lessons, and master classes will be devoted to practice techniques, breath and embouchure control, audition preparation, and instrument maintenance. Specifically, Mr. Sheena will devote some class time to the English horn as well as the oboe. Classes will also cover many aspects of reed-making: knife-sharpening, gouging, tieing, and scraping. Students are expected to bring the appropriate equipment and supplies for reed-making sessions.
- Under the direction of Boston Symphony Orchestra bassoonists Suzanne Nelsen and Richard Svoboda (principal), the Bassoon Workshop will present a comprehensive pedagogical approach to bassoon playing and performance in a fun and relaxed environment. Directors will work with individuals in private lessons and master classes working on solo repertoire, orchestral excerpts, and chamber music with the goal of exploring every aspect of being a bassoonist as well as preparing individuals for future auditions. Daily class sessions will cover a variety of topics: technique, musicality, orchestral excerpts and chamber playing. Reed classes will cover blank-making and reed adjustment.
- Ethan Sloane, eminent soloist, recording artist, and teacher, directs the Clarinet Workshop and provides a collaborative yet challenging atmosphere for learning where participants will explore clarinet techniques, repertoire, and musical styles. Classes will address a broad range of topics related to clarinet performance: tone production, articulation, intonation, breath, reed adjustment, practice techniques, recital/audition preparation, and other specific technical and musical issues.
- Standard solo literature studied will include works by Mozart, Weber, Brahms, Schumann, Hindemith, and Saint-Saens and orchestral excerpts, in preparation for college and solo auditions, include the major symphonic works of Beethoven, Brahms, Schubert, and Mendelssohn.
- Students will work individually with Professor Sloane in daily technique classes and repertoire master classes. Guest artists for master classes on specific topics typically join Professor Sloane each summer. Past guest artist/teachers have included Larry Guy, Paul Green, and Vincent Marinelli.
- "Auxiliary instruments will also be discussed: Eb clarinet, bass and contra-bass clarinets and all students will have the opportunity to participate in a Clarinet Choir. Students receive individual coaching sessions with an accompanist in preparation for a solo and clarinet ensemble workshop recital at the conclusion of the workshop period.
- A typical week will include up to twenty hours of classes and coaching. Mornings and afternoons will be devoted to sessions addressing a broad range of topics related to clarinet performance: tone production, articulation, intonation, reed adjustment, practice techniques, recital/audition preparation and other specific technical and musical issues. Special master classes will be given by guest artists.
- World-renowned saxophonist Kenneth Radnofsky directs the Saxophone Workshop with Assistant Director, Boston University Saxophone Lecturer, Jennifer Bill. Students will participate in seminars, private lessons, chamber music, solo performances, and master classes. Seminars will focus on finding and developing musical and artistic expression concurrent with the development of technique and musicianship. The workshop will cover all aspects of playing including reed selection and adjustment, intonation, practice techniques, recital and audition preparation, modern saxophone techniques, and saxophone quartet playing.
- The workshop will also address all aspects of saxophone performance, including the study of masterworks by Bach, Rachmaninoff, Creston, Ibert, Albright, Denisov, and Lauba. In addition, each student will have the opportunity to perform on the family of saxophones: soprano, alto, tenor, and baritone saxophone.
- Students each receive weekly private lessons with the workshop director and assistant director as well as individual time with an accompanist. The program will conclude with a saxophone solo and ensemble student recital.
- Directed by Terry Everson, outstanding pedagogue, soloist, chamber and orchestral musician, the Trumpet Workshop addresses all aspects of trumpet playing and technique, including warm-up routines, breathing, set-up, intonation, phrasing, articulation, and embouchure. Both standard solo repertoire and orchestral excerpts are covered in the workshop. Students also play in trumpet quartets and larger trumpet ensembles. Students participate in daily master classes with material drawn from solo, chamber, and orchestral literature. Each student works with the director in a weekly performance class to practice audition and recital techniques in an informal setting.
- The complete trumpet family is discussed and reviewed during the workshop. Master classes by guest artists are offered throughout the session and provide students an opportunity to work with artist/teachers such as David Krauss, Adam Luftman, and other distinguished guests. Students have the opportunity to work individually with a coach/accompanist in preparation for master classes and the closing solo and ensemble trumpet workshop recital.
French Horn
- The French horn workshop offers students the unique opportunity to work with Eric Ruske, distinguished soloist, recording artist, and pedagogue. The workshop addresses all aspects of horn playing ranging from basic technical aspects to style and musicianship. Students participate in daily master classes, working individually with Mr. Ruske, on both solo and orchestral repertoire.
- Each summer students are assigned, in advance, the complete set of orchestral parts for symphonic repertoire that are prepared to be worked on in a sectional setting. These works have included: Bruckner, Symphony No. 4; Schumann, Symphony No. 3; Brahms, Symphony No. 4; Strauss, Till Eulenspiegel lustige Streiche; Mahler, Symphony No. 1; Beethoven, Symphony No. 3; Brahms, Symphony No. 3, and Strauss, Don Juan.
- Students are also expected to prepare and present in master classes solo repertoire of their choice. Each summer Professor Ruske is joined by guest artists/teachers such as Daniel Katzen, Richard Mackey, Richard Sebring, and James Sommerville. Students receive weekly coachings with an accompanist. Performance classes and informal recitals will provide students the opportunity to prepare for auditions and recitals. Performance classes are audio and video taped for review and discussion with Mr. Ruske and the workshop participants.
- The Trombone Workshop, led by Don Lucas and Gabe Langfur, internationally recognized performers and master teachers, is for serious trombonists who wish to develop and strengthen their technique and musicianship through two weeks of intensive study.
- Mornings will be focused on discussing the fundamentals and technical aspects of trombone: sound, rhythm, intonation, articulation, balance, vibrato, embouchure, air control, and slide technique. Afternoons and master classes offer students the opportunity to work one-on-one with the director and guest artists on solo repertoire and orchestra excerpts. Master classes are also structured to teach students better practice techniques and focus on achieving successful results in auditions, recitals, and ensemble performances. Guests have included Ronald Barron, Norman Bolter, Toby Oft, Steve Lange, James Markey, Thomas Riccobono, Gregory Langfur, and David Stein.
- Students will be part of a trombone ensemble, which will be rehearsed and directed by Mr. Lucas. Students will work with an accompanist on solo repertoire in preparation for master classes and the final solo and trombone ensemble workshop recital.
- Professor Lucas will offer daily instruction in slide technique, embouchure, air control, and orchestral excerpts. Master classes are structured to prepare students for auditions and recitals. Students develop ensemble skills in trombone choir and chamber groups, coached by professor Lucas, and perform in weekly recitals and performance classes.
Tuba and Euphonium
- Boston Symphony Orchestra principal tuba Mike Roylance, directs the Tuba/Euphonium Workshop. Through individual attention in daily classes, the workshop addresses the technical and musical aspects of playing the tuba and euphonium. Each day will be spent working on fundamentals, technique, musicianship, and performance skills. Master classes offered by the director and guest artists will focus on technique, solo repertoire, orchestral excerpts, and audition preparation.
- As an integral part of the workshop, students will be organized into quartets and a tuba/euphonium choir working on standard works as well as new compositions for these instruments. With the guidance of Mr. Roylance, weekly performance classes provide opportunities for students to develop and refine their stage presence and audition and recital skills. The program will conclude with a student solo and ensemble tuba and euphonium workshop recital.
- The Percussion Workshop led by Director Tim Genis, principal timpanist of the Boston Symphony Orchestra, and Assistant Director Kyle Brightwell, percussionist of the BSO, offers accomplished percussionists an opportunity to work with some of the most prominent artist/teachers in the nation.
- The workshop covers a wide-range of topics including: snare drum, timpani and mallet technique, as well as equipment maintenance, such as wrapping mallets and changing timpani heads. Mr. Genis also offers instruction in the preparation of standard orchestral excerpts for auditions. Mock auditions are held at the end of the workshop period that are videotaped for review and feedback by students and faculty.
- Members of the Boston Symphony Orchestra percussion section as well as invited guest artists, offer master classes throughout the workshop period. In addition, video sessions with discussion by both workshop participants and professional percussionists provide useful feedback and direction.
- Along with individual practice, students have the opportunity to play in chamber groups and large ensembles culminating in a Percussion Workshop Recital featuring all of the members of the workshop in a variety of large and small ensembles.
String Quartet
- The String Quartet Workshop is highly competitive and intended for advanced players who have had considerable chamber music experience. Under the direction of eminent pedagogue, chamber musician, and violinist Peter Zazofsky, students devote two intensive weeks to learning major works from the string quartet repertoire.
- Students are placed in a string quartet prior to the start of the program and work with coaches twice daily in preparation for a recital at the end of each week. Students are assigned to a new group and work for the second week of the program.
- Each day begins with a string "orchestra" reading a different quartet, covering all of the assigned works for that week. These reading sessions allow the entire group to become familiar with all of the quartets that will be performed and allows the director the opportunity to address specific technical and artistic challenges of each work being prepared. Quartet coaching sessions take place each morning and afternoon in preparation for a recital at the end of each week.
- Students participate in master classes both individually and as part of an ensemble, playing and being coached in front of the rest of the students in the workshop. Students will also have the unique opportunity to observe coachings of the String Quartet Program at the Tanglewood Music Center. In the past, members of the Juilliard String Quartet, the Emerson String Quartet, and various members of the Boston Symphony Orchestra have led these sessions.
Double Bass
- The Double Bass Workshop, under the direction of Boston Symphony Orchestra member Todd Seeber, is an exciting and intensive two weeks, addressing the fundamentals of technique such as intonation, posture, strokes, facility, sound production, scales, and vibrato. The workshop offers students an opportunity to work on solo repertoire and orchestral excerpts in preparation for college or ensemble auditions as well as to explore new repertoire and technical studies for the instrument.
- Students work and perform throughout the seminar to improve musicianship, listening, practice skills, ear-training, and ensemble playing. Daily classes preparation of orchestral repertoire that all bass players should know, mock auditions, demonstrations, sight-reading and solo master classes with the director and guest artists.
- Students have the opportunity to coach with an accompanist on solo repertoire and participate in double bass chamber ensembles in preparation for the concluding workshop student recital.
Many students at the Boston University Tanglewood Institute go on to have many successes in their musical careers, including:
- Lauren Ambrose, actress
- Kenneth Amis, tuba, Empire Brass
- Alexandra Bacon, Vice President-Vocal Division, Barrett Vantage Artists
- Andrew Balio, principal trumpet, Baltimore Symphony Orchestra
- Mason Bates, composer
- Jeffrey Beecher, principal double bass, Toroton Symphony Orchestra, Silk Road Ensemble
- Ethan Bensdorf, Acting Associate Principal Trumpet, New York Philharmonic
- David Bernard, Music Director, Park Avenue Chamber Symphony
- Karin Bliznik, principal trumpet, St. Louis Symphony Orchestra
- Frederick Bronstein, President and Executive Director, Saint Louis Symphony Orchestra
- Jennifer Cameron, soprano, Dallas Opera
- Harry Connick, Jr., jazz vocalist and pianist
- Oliver de Clercq, principal horn, Vancouver Symphony
- Joseph Conyers, assistant principal double bass, Philadelphia Orchestra
- John Deverman, Director of Orchestra Personnel, Chicago Symphony Orchestra
- Disa English, principal oboe, Barcelona Symphony Orchestra
- James Gaffigan, associate conductor, San Francisco Symphony
- Kirill Gerstein, solo pianist, winner of the 2010 Gilmore Artist Award
- Gary Ginstling, General Manager, Cleveland Orchestra
- Paul Haas, Artistic Director and conductor, Sympho
- Heidi Turner Harris, associate concertmaster, Saint Louis Symphony Orchestra
- Richard Hawley, principal clarinet, Cincinnati Symphony Orchestra
- Georgia Jarman, soprano, International Artist
- Katherine Jolly, coloratura soprano, New York City Opera
- Joseph Kaiser, tenor, Metropolitan Opera
- Yumi Kendall, assistant principal cello, Philadelphia Orchestra
- David Korn, male soprano, New York City Opera
- David Krauss, principal trumpet, Metropolitan Opera
- Andrew Litton, Music Director, Bergen Philharmonic Orchestra
- Adam Luftman, principal trumpet, San Francisco Opera
- Missy Mazzoli, composer
- Andrew McCandless, principal trumpet, Toronto Symphony Orchestra
- Jennifer Montone, principal horn, Philadelphia Orchestra
- Nico Muhly, composer
- Jonathan Newman, composer
- Steve Olsen, Vice Chancellor, University of California Los Angeles
- Robert Paterson, composer
- Steven Sacco, composer
- Paul Serna, tenor, Houston Grand Opera
- Jeffrey Sharkey, Director, Peabody Institute of the Johns Hopkins University
- Amanda Stewart, associate principal trombone, New York Philharmonic
- Rebecca Young, associate principal viola, New York Philharmonic
- Josh Page, Tenor, Forte Tenors
- Aaron Copland, Composer
- Leonard Bernstein, Composer & Conductor
- Yo Yo Ma, International Musician, Cellist
External links[edit]
Coordinates: 42°21′24″N 73°17′23″W / 42.35667°N 73.28972°W


text:
Separate names with a comma.
Discussion in 'In-Car Entertainment' started by Roswell, Nov 6, 2005.
As subject really.
Do I have to remove the whole glovebox or can I cut it from the front?
Glove Box should come out simply by removing 5 bolts - certainly did on my A4 which I've been playing with this afternoon.
Would recommend removing it as it'll make it easier and safer to work on - you'll end up with a better job I reckon and probably let holes in your hands.
Good luck
Came out easy on my TT and S4 so I don't see why the A3 should be different.
you might want to mod the phatbox to fit the glove box. Ie remove it from its metal housing.
I would put it in the boot where nature intended!.. New glovebox is about £130 and there is not much room behind it on the A3.
Personal choice though..
you might want to mod the phatbox to fit the glove box. Ie remove it from its metal housing.
Yeah, I've taken the big aluminium looking bit off but where the glovebox slopes down at the back there isn't enough room to fit what's left of the Phatnoise in!!
Is your Glovebox cut at the back Lees3?
I dont think that is his install unless he drives a LHD?..
The ones I have done are on the RH side of the GB, drop the GB and cut the back out the same size as the phatbox.
The phatbox site slighty proud, but the door closes perfectly
Cool...thanks again craigyb!!
Is that a beige head unit?!! /ubbthreads/images/graemlins/smile.gif


text:
Need an Accident Chiropractor?
Injury Chiropractor For Accidents in Chandler, AZ
Great Choice Chiropractic is proud to have Dr. Hauser, a Board Certified injury chiropractor in Chandler, AZ who offers treatment for pains caused by various accidents. Accidents on the road are inevitable, but saving the person from any considerable physical complications is possible with the care provided by our chiropractor in Chandler, AZ.
Sometimes, the car may appear to be only slightly damaged, while the occupants can suffer soft tissue injury. As the body adapts, symptoms may not appear until weeks or months later. Whiplash is the most commonly received injury from a car accident when the vehicle is struck from behind or collides with another object. This causes the head to be suddenly jerked back and forth. The resulting injuries can contribute to headaches, dizziness, blurred vision, pain in the shoulders, arms and hands, reduced ability to turn and bend, and low back problems. When these happen, it is time for you to seek chiropractic care.
Accident injuries left untreated may result in osteoarthritis, which is a type of arthritis that develops earlier than usual – much earlier than people who have not been involved in car accidents. Our certified chiropractor in Chandler, AZ determines the range of damage the car accident has caused, and offers treatment to the injuries.
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Dr. Hauser's expertise in whiplash treatment is backed by this training from the prestigious Spine Research Institute of San Diego. He also obtained an advanced certification in Whiplash Injury Biomechanics and Mild Brain Traumatology, and a member of the American Institute of Personal Injury Physicians. By using a technology that treats the damaged area in your body, our chiropractor can help to reduce tissue damage and prevent further complications.
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Our treatments use the latest in chiropractic care technology that is trusted by many patients here in Arizona. We attend seminars regularly and annually to maintain our credentialing and keep our certification current which keeps Dr. Hauser's name listed on the official website of Activator.
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text: A common-source amplifier utilizes a MOSFET for which VA=12.5 V and is operated at VOV = 0.25V. What is the value of its (gm ro)? The amplifier feeds a load resistance RL = 15K ohm. The designer selects RD=2 RL. If it is required to realize an overall voltage gain Gv of -10V/V what gm is needed? Also specify the bias current ID. If, to increase the output signal swing, RD is reduced to RD = RL, what does Gv become?


text:
Joseph Moore, 26 is charged with attempted sodomy and attempted sexual assault.
The alleged crime involves a victim twelve years of age or younger.
Moore failed to show up at an arraignment hearing in Coos County.
"Coos Bay police received a warrant and they knew that the defendant was living in a residence in Missoula, Montana. They faxed over the warrant to their office and Missoula PD went to his location and subsequently arrested him," Officer Patrick Smith with the Coquille Police Department said.
Moore was living with a relative in Missoula, MT.
The Coos County district attorney would not talk about the case because there may be additional charges against Moore.
If Moore is convicted the likely hood of him ending up on the Oregon state sex offender registry is low.
Only about 5 percent of Coos County's 446 registered sex offenders are in public databases.
Moore will be taken to Coos County jail.


text:
Trial Begins For Man Accused of Shooting Christy Martin
by David P. Greisman
The trial of Jim Martin for allegedly stabbing and shooting his wife — famed female boxer Christy Martin — was set to begin today in Florida, according to the Orlando Sentinel.
The 68-year-old man is facing charges of attempted first-degree murder and aggravated battery causing bodily harm, the newspaper said.
The alleged attack happened in November 2010. Jim Martin is accused of stabbing Christy Martin three times and then shooting her.
Christy Martin, 43, survived the attack, recovered and returned to the ring in June 2011, losing via sixth-round stoppage to Dakota Stone due to a fractured right hand, according to BoxRec.com. The defeat dropped her record to 49-6-3 with 31 knockouts.
David P. Greisman is a member of the Boxing Writers Association of America. Follow David on Twitter at twitter.com/fightingwords2 or on Facebook at facebook.com/fightingwordsboxing, or send questions and comments to [email protected]
[QUOTE=nycsmooth;12034478]I read nothing of a stabbing, he shot her once on the calf after she said she was homosexual , was leaving him 4 a woman she had been seeing for a long time...apparently he was ticked off 2 4…Comment by montakristo on 04-23-2012
Nycsmooth.. so this guy tortures and tries to kill her and you find some way to try and justify it and talk **** about the victim? by the way, she was the one in the ring risking her life to…Comment by EL ANIMAL on 04-23-2012
wow thats crazy i never even heard of thisComment by hitmanjosh on 04-23-2012
It don't matter what money she blu or what female she love, no woman deserves this type of hate crime. Mr. Smooth needs to go to jail and get poked in the BU-TAYComment by nycsmooth on 04-23-2012
I read nothing of a stabbing, he shot her once on the calf after she said she was homosexual , was leaving him 4 a woman she had been seeing for a long time...apparently he was ticked off 2 4…Post a Comment - View More User Comments (5)