text:
Author Affiliations: Departments of Dermatology, Baylor College of Medicine, Houston, Tex (Drs Browning and Metry), University of California, San Francisco (Dr Frieden), Hospital de la Santa Creu I, Sant Pau, Barcelona, Spain (Dr Baselga), and Northwestern University, Evanston, Ill (Dr Wagner).
Tufted angioma (known in Japanese literature as angioblastoma of Nakagawa) is an uncommon, histologically benign, vascular tumor. Lesions typically present during infancy or early childhood and are most commonly reported to persist and/or expand over time. Congenital presentations are rare, as are reports of spontaneous regression.
We present a series of 5 histopathologically confirmed cases of congenital tufted angioma that spontaneously regressed during infancy or early childhood. We also review the literature, focusing on both congenital and early-onset cases in infants.
We recommend that observation for potential regression be considered for otherwise uncomplicated congenital or early infantile cases of tufted angioma.
Tufted angioma (TA), also known in the Japanese literature as angioblastoma of Nakagawa, is an uncommon, histologically benign, vascular tumor that most often manifests during infancy or early childhood. It shows characteristic histopathologic findings, with lobules or tufts of capillaries in the dermis. Within the tufts are benign spindle cells, which appear to push against the adjacent vessels, giving them a slitlike appearance. On low-power microscopy, the tufts have the appearance of cannonballs in the dermis.
Most cases of TA are sporadic, although familial cases have been rarely reported.1,2 There is no sex predominance, and the clinical presentation is variable. Lesions most often present as solitary tumors or large, infiltrated plaques that are dusky red or violaceous in color. Other characteristic features include increased lanugo hair, an overlying port-wine–like stain, nodularity, or cobblestoning. Tufted angiomas are most commonly reported to persist, often slowly enlarging over years, and may be tender. Kasabach-Merritt phenomenon (KMP) seems to be a rare complication of TA, more common to the kaposiform hemangioendothelioma, although these 2 lesions are considered by many to be within the same spectrum.
Congenital cases of TA are unusual, as are reports of spontaneous regression. We present a series of 5 histopathologically confirmed cases of congenital TA, 4 of which completely regressed clinically during infancy and 1 that had partially regressed clinically by the time the child was 4 years old. We also review 10 prior reports of congenital or early-onset TA.
In Table 1 we present 5 new cases of congenital TA that spontaneously regressed, 4 during infancy and 1 by the time the child was 4 years old. Biopsy specimens were taken from all patients, and histopathologic findings from all specimens showed classic features of TA. Complete regression of the TA during infancy was observed in 4 patients, 3 of whom had residual skin changes. One patient exhibited partial regression by age 4 years. None of our cases was complicated by KMP. One patient received an intralesional corticosteroid injection whereas the other 4 were observed without intervention.
Ten reports of congenital or early-onset TA, all confirmed by histologic results, have been previously published in the literature3- 7; 4 of the lesions were congenital, 5 developed within the first 3 months of life, and 1 was noted by age 9 months. Tenderness or pain was noted in all. None were complicated by KMP. Eight of the 10 patients showed complete or partial regression. The 2 lesions that did not regress were noted to be less tender over time.
Tufted angioma is uncommon but not rare; there are more than 200 reports in the English and Japanese literature.8 However, presentation at birth is unusual, and reports of spontaneously regressing TA even more so; there are only 4 cases confirmed by histologic results reported prior to the series described herein. Regression may be a phenomenon more common to lesions that present at birth or early infancy because there are even fewer reports of spontaneous regression in patients with later presentation. In contrast, to our knowledge there is only 1 report of a congenital TA that failed to improve over time.9 Other than early onset, we found no other clinical or histopathologic features more common to spontaneously regressing vs persistent lesions.
In the cases reported herein and in prior cases, regression occurred over months to a few years. Most cases completely regressed, whereas in 3 cases partial regression was observed, with decreased induration and tenderness. Prior to regressing, slow growth often occurs (Table 1). Three of our patients had residual skin changes following complete involution, although this finding is not described in previous reports and is common to other spontaneously regressing vascular tumors such as infantile hemangioma and rapidly involuting congenital hemangioma. One child had cutaneous atrophy with prominent vasculature following involution of the TA (Figure). Another child had a residual erythematous macule following involution. The third child had an overlying eczematous dermatitis after resolution of the TA. Although it is hypothesized that local secretion of growth factors important in angiogenesis, such as interleukin 8, play a role in the development of TA,10 the mechanism for regression is unknown.
A, Tufted angioma (TA) involving the right temple at age 3 days; B, the same child at age 5 months following rapid involution of the TA with mild residual erythema, and C, at age 2 years with further resolution of the erythema, revealing cutaneous atrophy with prominent underlying vasculature.
The differential diagnosis of TA includes infantile hemangioma, vascular (particularly venous) malformation, infantile myofibroma (hemangiopericytoma), and malignant vascular tumors, such as infantile fibrosarcoma. The congenital presentation of a TA makes it particularly challenging to differentiate clinically from rapidly involuting congenital hemangioma.11 Comparative clinical and histopathologic features of TAs and rapidly involuting congenital hemangiomas are listed in Table 2. Biopsy of tissue specimens is often necessary for definitive diagnosis of TA.
Potential indications for treatment of TA, similar to those for other benign vascular tumors, include vital organ or functional compromise, significant symptoms, or need to improve appearance. We did not observe KMP in any of our cases or those reviewed; it seems to be a rare complication. Surgical excision is generally the treatment of choice for TA. For those lesions not amenable to surgery, particularly when complicated by KMP, medical therapy (generally systemic corticosteroids or vincristine sulfate) may be used.4
In conclusion, spontaneous regression of TA may occur and seems to be a phenomenon possibly more common to congenital or early infantile presentations. Whether such lesions represent the same entity as acquired, persistent cases or is a variant is unknown. We suggest that physicians consider observation for otherwise uncomplicated congenital or early infantile cases of TA before considering intervention, particularly surgical intervention.
Correspondence: Denise Metry, MD, Department of Dermatology, One Baylor Plaza, Houston, TX 77030 (firstname.lastname@example.com).
Financial Disclosure: None.
Author Contributions:Study concept and design: Browning and Metry. Acquisition of data: Browning, Frieden, Baselga, Wagner, and Metry. Analysis and interpretation of data: Browning, Frieden, Wagner, and Metry. Drafting of the manuscript: Browning and Metry. Critical revision of the manuscript for important intellectual content: Browning, Frieden, Baselga, Wagner, and Metry. Study supervision: Browning, Wagner, and Metry.
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text:
Dissecting network traffic
wireshark, libpcap, packets, packet sniffer
Building a network flight recorder with Wireshark.
Wireshark [1], the packet sniffer formerly known as Ethereal, is a must-have for system administrators. If you've ever had to troubleshoot a network problem or needed to watch a transaction with a server, then this is the tool for you. Like most (all?) network data capture programs for Linux, Wireshark relies on libpcap, which provides a system-independent interface for capturing packets; therefore, you do not need to write custom routines for every packet sniffer (tcpdump, Snort, Wireshark, etc.). As long as your OS (e.g., Linux, *BSD, HP-UX, Solaris, Windows, etc.) and software support libpcap, you can sniff packets to your heart's content.
Installing libpcap and Wireshark
Libpcap comes with most operating systems, and Wireshark is almost always included (at least on Linux and BSD). Wireshark is sometimes split into two separate packages: one consisting of the back-end utilities like tshark and mergecap, and the other consisting of the graphical user interface (GUI). On Fedora and most related systems, you can simply run yum:
yum install libpcap yum install wireshark-gnome
Debian is just as easy:
apt-get install libpcap0 apt-get install wireshark
One problem with using a vendor-supplied version of Wireshark is that most vendors ship really old versions of Wireshark (e.g., Fedora 11 ships v1.1.3). However, the 1.2 series (and v1.3.0, which might be out by the time this article prints) has a lot of new features, such as protocol support, bug fixes, and GeoIP integration (more on this later). To build Wireshark from source, you'll need to download it, so you can either pull the latest stable version [2], or, if you're feeling brave, you can get one of the latest automated builds from SVN [3]. Once you have unpacked it, the installation is pretty simple:
./configure make make install
To compile Wireshark, you will need to address some dependencies. At a minimum, you'll want libpcap; I also suggest installing GnuTLS, PCRE (Perl-Compatible Regular Expressions), and GeoIP if you want to use any of the advanced features.
Running Wireshark
Unfortunately, to run Wireshark and capture live data, you need to run it as root. Wireshark has had security problems in the past (more on this later) that allow remote attackers to execute code by sending malicious data, which Wireshark processes. Two ways to avoid running Wireshark as root are relatively simple. The first is to use a packet capture program, such as dumpcap or tcpdump, and then later examine the capture files while running Wireshark as a regular user.
The second method is to run Wireshark as root, but within a contained environment. While running Wireshark within a VMware server-based virtual machine, I originally assumed that Wireshark would only see network data to and from that specific virtual machine. Why I thought this isn't clear (just being hopeful, I guess). In fact, because libpcap accesses the kernel and thus the network card at a low enough level, it will see all network traffic to and from that physical interface. Thus, you can run Wireshark in a VM and easily sniff network traffic. The downside of this is that any rogue user with root access to a VM (at least under VMware Server) can see all the network traffic to the underlying physical machine and any guest VM using that interface.
Libpcap Capture Filters
Capturing network traffic on anything but the most quiet of networks is a lot like drinking from a fire hose. The good news is that almost all programs that use libpcap to capture data also accept filter libpcap filter commands (and sometimes, like Wireshark, support their own filters as well). The bad news is that libpcap's filter set is relatively limited, primarily supporting network addresses and ports (because it is protocol aware). At a minimum, you can use it to minimize the amount of data you're writing to the hard drive or forcing Wireshark to process. For example, to capture web traffic in libpcap, you could use the following syntax:
dst port 80 or 443
The tcpdump man page covers libpcap filter syntax in depth.
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subset: commoncrawl


text:
La Luz del Mundo, or Light of the World, a primitive Christian church, traces its restoration to 1926 in Mexico.
Much has changed in society since that time, but the church, at 730 N. Williams St., holds to its ideologies.
One distinction of La Luz is that women wear veils in church, a practice they say is in keeping with the Bible.
"We teach that the Word must not be transformed or reformed," church spokesman Carlos Montemayor said. "Christ said: 'Heavens and Earth shall pass away but my Word (will) never pass away.'
"For many years, the churches understood that in the beginning," they had to respect their bodies and God in his house of prayer, Montemayor continued. "In the Bible, 1 Corinthians 11:3-6 clearly states that a man must uncover when praying and then that women must cover up.
"To this day, most churches tell the man to uncover but they don't follow the next verse," Montemayor said. "For 1,900 years, all were doing it, but now they feel that it is outdated."
Monsignor Rex Nicholl, pastor of Our Lady of Guadalupe Church, 1210 E. 11th Ave., agrees.
"It was a custom at one time in the Catholic Church," Nicholl said. "Probably you'll still find some traditional Catholics in some parts of the country that maintain that, but it was a custom that just sort of faded away.
"For example, in the Hispanic/Latino communities, they have mantillas (veils)," Nicholl said, raising his hands to his head, "and things like that. Women used to wear hats. You don't see hats anymore. At the time, when they wore hats, they would make sure that they wore it into church or a scarf or something like that."
Men and women sit separately in La Luz del Mundo churches.
"The orderly way in our services is because the place of reunion is a house of prayer and the prayer is an individual act," Montemayor said. "Up to this day, many Jews follow that order in their synagogues.
"After our spiritual service we enjoy family fellowship. Also, everybody understands (that) in department stores that there are sections for men, women and children."
Why would the order be wrong in church, Montemayor asked?
Charles Meyer, pastor at Beautiful Savior Lutheran Church, 3500 S. Bowie St., has noted a change.
"Historically, in the Lutheran Church, as late as 40 or 50 years ago," it separated sexes. "But the church I grew up in, in Seattle, never did that," he said. "It's the new world you live in, probably."
The Lutheran Church traces its origins to Martin Luther in Germany but it spread through northern Europe and Scandinavia.
"I see no need for it (separation), myself," Meyer said.
Nicholl agrees.
"I'd say for many centuries, the church has not, at all, encouraged that and certainly not required it because we're one people of God," Nicholl said. "We're a community of faith. Men, women and children, the families, nearly always, are together and that expresses the reality of the church, that we are a family of families. That's what the church is."
La Luz del Mundo offers thrice-daily worship.
"Since the beginning, the believers daily (sought) for God," Montemayor said. "The three services (are) a very convenient way for the members, who always have a place of worship. It is in their freedom to choose all or one of the days or hours to seek for God, even that he is everywhere.
"Christ said: 'Where two or three are congregated in my name, I will be there.'"
Every Catholic church offers daily worship.
"Ours is at noon. Some are early in the morning. Some churches have two or three daily services," Nicholl said. "For example, this Thursday we'll have an 8:30 (a.m.) Mass with the children from our school and then there'll be a 12:10 (p.m.) Mass as well.
"Then there'll also be other kinds of services throughout the week depending on the season of the year."
As for not having instruments in church, Montemayor again points to the Bible.
"We believe in worship of God in spirit and truth," Montemayor said. "For that, we don't need instruments. Anybody who follows the Gospel knows that after Christ there is no mention in the Bible of their use in church."
The first and most beautiful instrument of the church happened to be the human voice, Nicholl said.
He doesn't understand why the Light of the World Church would not use instruments.
"I think it aids the beauty of worship," Nicholl said. "It helps the worshipper to sing more if they have live instruments to sing with. Certainly, we didn't have organs forever because that's a relatively modern instrument.
"But before that there were stringed instruments that people used for worship and the Catholic Church has always used that, as far as I know."
However, Loran Harper, minister of Comanche Trail Church of Christ, 2700 E. 34th Ave., agrees with La Luz's position on instruments.
The Church of Christ's practice is based on restoration theology, in which the modern church restores early-church practices.
"We know, historically, the early church did not use instrumental music," Harper said. "So, we choose not to as well."
He prefers the voice alone.
"I like it because of its simplicity. I think Christian worship ought to be simple," Harper said.
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Thompson beats Japan's top heavyweight in Battle at the Boat 83 | Slideshow
Federal Way boxer Vincent Thompson defeated Japan's number one heavyweight to remain unbeaten in his professional career.
Thompson (9-0, 2 KO) won a unanimous decision in the main event against Masatake Takehara (6-5-3, 2 KO) in Battle at the Boat 83, held Aug. 27 at Emerald Queen Casino in Tacoma.
Thompson jabbed away while maintaining his trademark speed through eight rounds. Takehara threw fewer punches, but put on the pressure by consistently stalking into Thompson's space.
By the seventh round, Takehara showed signs of tiring as Thompson softened him up a bit, at one point landing a rather fierce left to the Japanese champ's ribs. The fighters went full throttle toward the final bell in the eighth round. The three judges scored the fight 80-72 in favor of Thompson, a crowd favorite.
"I pretty much figured out his style in the first round," said Thompson, who shed a few pounds since his last fight, now weighing in at 235. "I was really pacing myself and trying to slow it down."
Takehara's fight with Thompson was his second bout in the U.S. He is one of a handful of heavyweight boxers in Japan. According to local trainer Mack Kurihara, who spoke on Takehara's behalf, Saturday's matchup was "make or break" for the Japanese boxer's career.
Earlier this month, Thompson and boxing trainer/commentator Teddy Atlas spent a week in Moscow, Russia. Atlas is known for training Michael Moorer to a world heavyweight title in 1994. In Russia, Thompson sparred and trained with Alexander Provetkin (22-0), who defeated Ruslan Chagaev on Aug. 27 for the vacant WBA world heavyweight title.
Aside from a little sightseeing, Thompson said he practiced some of the Russian fighters' boxing fundamentals while impressing them with his speed. He added that his Russian hosts were gracious and welcoming.
On Nov. 5, Thompson will face Tacoma heavyweight Jonte Willis (8-1-1, 3 KOs) at Emerald Queen Casino. Willis told Saturday's crowd to expect a great fight.
"This has been a long time coming," said Willis, who was knocked out by Canadian heavyweight Shane Andreesen in June. "This will be one of the best fights the Pacific Northwest has seen in a long time ... It's time for the Pacific Northwest to get a better show."
The fighters even exchanged a few words on the stage following Thompson's victory Saturday night.
"I told him, 'Man, I ain't even worried about you,'" Thompson said. "I'm ready for anybody."
Thompson's last victory came June 6 against Kelsey Arnold (4-8-2, KO) of Lexington, TN, in the main event of Battle at the Boat 82: Fight Night to the Playboy Mansion. Thompson kept up the pressure and had the edge through all six rounds to win the 60-54 unanimous decision.
Fight card: Battle at the Boat 83
(Click here to see a photo slideshow courtesy of Federal Way photographer Todd Dearinger.)
• Semi-main event: Los Angeles boxer Oscar Andrade (7-0, 3 KO) remained undefeated following a unanimous decision over Michael Lucero (12-17-2, 4 KO) of West Linn, Ore. Both fighters banged away until the final bell. Andrade had an edge with his height and reach, including a solid left hook, but Lucero was tough, even as Andrade consistently drilled his head in the later rounds. After six rounds, judges scored the fight 59-54, 60-53 and 60-53.
• Light welterweights: In the fourth bout of a solid undercard, Aaron Schupp (2-2-2, KO) of Corvallis, Ore., faced Edgar Zubia (1-0-1) of Hobbs, N.M., in a four-round majority draw that elicited groans from the crowd. Schupp landed more solid punches despite Zubia's quicker moves as the fighters went the distance. The moment the final bell rang, the two fighters embraced in a show of sportsmanship. Two judges scored the fight 38-38 even, one judge scored 39-37.
• Super middleweights: After a slow first round, Tacoma boxers Mike Gavronski and Darren Anzai picked up the pace into a thrilling slugfest. In the fourth round, the sweat was flying with each punch. Gavronski (3-01, 2 KO) pummeled Anzal (2-4, 2 KO) against the ropes before landing the knockout blow. The ref held the wobbly Anzai to his feet until a stool was brought across the ring. Gavronski is a four-time Washington Golden Gloves champ.
• Welterweights: Randell Corpuz of Yakima won a unanimous decision over Nalo Leal of Airway Heights, Wash., in an entertaining four-round battle. Corpuz (1-1) knocked Leal (4-12-1) off-balance early. Corpuz consistently landed solid punches throughout the exciting brawl. Leal's razzle-dazzle and taunting weren't enough to overcome Corpuz, who earned scores of 39-37 from three judges and 40-36 from a fourth judge.
• Cruiserweights: In the night's opener, Tommy Davis of Yreka, Calif., knocked out Jose Rico of Lancaster, Calif., 41 seconds into the second round with a nasty upper cut that sent Rico collapsing into the ropes. Davis (1-0) is a mixed martial arts fighter who won his pro boxing debut against Rico (0-1).
Coming up
The Guns N' Hoses charity boxing tournament is slated for 7 p.m. Sept. 17 at Emerald Queen Casino in Tacoma. The event features local police and firefighters boxing in three-round bouts. Proceeds benefit charities including the Pacific Northwest Amateur Boxing Association, which works with local gyms by funding programs for at-risk youth in an effort to keep them off the streets. Tickets start at $25. To learn more, visit www.halquistproductions.com.
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text:
"Habibi," a story of forbidden love, is the first fiction feature set in Gaza in over 15 years.
190 backers pledged $21,755 to help bring this project to life.
"Marjoun and the Flying Headscarf"
Thank you to all of the HABIBI backers! Thanks to you, we were able to complete our film, show it in Gaza, and distribute it around the world. The film... Read more
HABIBI in the New York Times and more
Thanks to you, we premiered HABIBI at the Venice Film Festival and Toronto International Film Festival.
There's a nice mention of HABIBI in today's New York Times, regarding our latest... Read more
Susan Youssef Crowdfunding HABIBI on Kickstarter
Check out Susan Youssef's blog on Kickstarter! For all those wanting to know the process behind this campaign:
Successfully raised $21,755 with 190 backers
Project launched


text: Imagine a Website called www.clearskin.com that touts a miracle drug that banishes facial blemishes. The drug is praised on the Website by a man identified as Roger Taschereau, M.D. You are trying to decide whether to recommend the medicine in a speech you are preparing. What is your evaluation of the Website up to this point? What additional steps should you take before recommending the drug?


text:
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Public Hearing on Proposal for Special Event Parking and State Street Capitol Garage-Lower Level Parking Rate Modifications
August 23, 2016 | The Madison Transit and Parking Commission (TPC) will hold a public hearing on a proposal to modify the special event...
Lane Closures--University Avenue & Segoe Road Intersection
August 22, 2016 | On Wednesday, August 24th from 9:00 a.m.
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August 17, 2016 | Beginning Monday, August 22nd at 7:00 a.m., Payne and Dolan will begin asphalt resurfacing of Gammon Road between Moraine...
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August 17, 2016 | OutReach Pride Parade will close several downtown streets on Sunday, August 21st.
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August 12, 2016 | The City of Madison is one of six municipal areas nationwide that have been awarded a U.S. Department of Labor (DOL) Women's...


text:
Love brings hope to Next Act Theatre's 'Grace'
When the lights come up on Craig Wright's "Grace" - now at Next Act Theatre, under David Cecsarini's direction - a man is holding a gun to his head, having just murdered the woman and man sprawled nearby. We can guess what happened with this love triangle. But how? And why?
With the whodunit out of the way, "Grace" tries to answer those questions by taking us back three months and starting over. During the ensuing two hours, we'll move forward in time toward that climactic scene with which the play began. »Read Full Article
Singles Scorecard: Hear new songs from Ariana Grande, Nicki Minaj and Jessie J; Lady Gaga and Tony Bennett; and Alt-J
Lady Gaga and Tony Bennett are joining forces for a new album. Associated Press photo by Andy Kropa. »Read Full Blog Post
Scripps, Journal merge broadcast, spin off newspapers
Journal Communications and Cincinnati-based E.W. Scripps are merging broadcast operations and spinning off newspaper operations, it was announced Wednesday.
According to a Journal Communications release: »Read Full Blog Post(1)
Vans Warped Tour at Summerfest grounds
Two days before Chicago becomes the center of the music-fest universe for Lollapalooza, the 19-year-old Vans Warped Tour took over the south end of the Summerfest grounds Wednesday with 86 bands. Here's some of what went down.
Big lineup, bigger line: When the gates opened at 11 a.m., lines stretched back to the furthermost corner of the parking lots. Fortunately, there was a dude right inside preaching Eastern philosophy to any passers-by who were stressing. »Read Full Article
New WISN movie subchannel same as WDJT's MOVIES
WISN-TV (Channel 12) is adding an all-movie channel starting Monday.
The channel, called MOVIES! Milwaukee, previously aired as MOVIES! on Channel 49.3 by Weigel Broadcasting. Weigel introduced MOVIES! at Channel 49.3, in May 2013. »Read Full Blog Post(3)
Milwaukee Chamber Theatre turning 40 with special season
Given Milwaukee's thriving theater scene, it's hard to imagine the landscape in 1975, when Montgomery Davis and Ruth Schudson launched the Milwaukee Chamber Theatre as what was then only the second year-round Milwaukee theater company — along with the Milwaukee Repertory Theater — hiring Equity actors.
Under artistic director C. Michael Wright — to whom Davis handed the baton in 2005 — the Chamber is celebrating its 40th birthday with a five-play season titled "Something Old, Borrowed and New," in which past Chamber hits will share the stage with new plays. It all gets underway with "Master Class," a collaboration with Milwaukee Opera Theatre and Carroll University beginning Aug. 7. »Read Full Article
PB&J gelato wins Wisconsin State Fair Golden Spork Award
A PB&J gelato dessert took all three awards in judging Tuesday for the second annual Golden Spork Awards sponsored by the Wisconsin State Fair.
Scrutinizing eight finalists, a panel of celebrity judges chose the Dolce Panino from La Coppa Artisan Gelato for Best Tasting, Most Creative and Grand Champion designations. »Read Full Article(1)
15 acts to see at Lollapalooza in Chicago
Ten years ago, Lollapalooza died. »Read Full Article(2)
Reading the John Updike stories: 'The Stare"
I'm reading and commenting on a story from The Library of America's "John Updike: The Collected Stories" each Wednesday until I finish the collection or give up. »Read Full Blog Post
On Tap Today: Walking with the mayor
Be thinking of your favorite song! You can request beloved tunes tonight at River Rhythms, where dueling pianos (with a playlist 400 songs long) will enter into a showdown. That's tonight, right on the river as always.
Or, how about some R&B at the Washington Park bandshell, some summer sounds in Hubbard Park or live music at the lakefront? »Read Full Blog Post


text:
Olá Peter bonito cenário,e o seu amigo lá vai caminhando à frente.Abraço, Eduardo
What a beautiful path to walk along! I love the colours in this photo. Was it taken in winter? Cheers, Anne
Hi Ann
This section of the Canal is quite a contrast from the previous 2km, which is heavily industrial.
You are right the photo was taken in January of 2006, and sometimes the winter sun makes a lovely light to walk in, and of course makes a good photo.
Best Wishes Peter
Thanks Bob
Can't blame that misplacement on being in the Swan with two Necks!
Regards, Peter
Hi again Bob
You mention Hanch Hall and here it is!
All the Best Peter
Beautiful photo, Peter! I love the English canals. Best wishes, May
Photo taken in Handsacre, Rugeley WS15, UK
Position disputed


text:
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text:
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Working Conditions
Carole Condé and Karl Beveridge, Kajsa Dahlberg,
Duane Linklater → John Hampton, Juan Ortiz-Apuy, Joshua Schwebel
Curated by Sam Cotter
June 23 – August 6, 2016
Working Conditions brings together the work of artists questioning where they stand and what they stand amidst. Acknowledging that the studio exists at the intersection of many ecologies, the artists place themselves in relation to factors beyond their place of production, looking at the power dynamics, blind spots and measures of success contained in the economies and ecosystems surrounding them. Their interactions negotiate complicities, rights and responsibilities while pushing at the blurry boundaries between art and life.
In Working Conditions, the act of asking a question is framed as a tool to confront reality: taking stock of both one's position and the conditions around them. Here production is linked to conversation and negotiation, assembling becomes a means of disassembly and concrete answers dissolve into a search for better questions.
Within the exhibition, the term "working conditions" becomes twofold: signalling evaluation, as the artists look outward to understand the mechanics of work and labour framing their practice, and introspection, as the artists form their personal terms of engagement or the conditions under which they are willing to work. Looking at a diverse range of subjects—from the moderators of Wikipedia to the producers of video equipment, from the precarious economies of artist-run centres to the family breakfast table and beyond—the artists in Working Conditions ask how their actions influence and are influenced by the world around them.
A dialogue between Gabrielle Moser and Helena Reckitt in OnCurating that was just published:
Feminist Tactics of Citation, Annotation, and Translation: Curatorial Reflections on the Now You Can Go programme
2016-05-24 to 2016-06-24
No play
Feminist Training Camp at nGbK
21 May - 24 June 2016 // Opening: 20 May 2016
Foto: Merja Hannikainen
Wake up! This is station 2016 on your dial. If you can't find it then you're in trouble, sister.
– Born in Flames, 1983
Wassan Ali, Bini Adamczak & Konstanze Schmitt, Anna Bromley, Cinenova Feminist Film and Video Distributor / Karolin Meunier & Sandra Schäfer, COOL FOR YOU, Kajsa Dahlberg, Athena Farrokhzad, Feministische Gesundheitsrecherchegruppe Berlin / Julia Bonn & Alice Münch & Inga Zimprich, Feminist Repair Café / Elisa Garrote Gasch, Annie Goh, Minna Henriksson, International Women's Space, Karolina Kucia, Las Hipókritas, Lowkick Tag Team, Peer Projekt / Hydra, Iris Rajanayagam, Noha Ramadan, reboot.fm / Diana McCarty, Naomi Rincón Gallardo, Sabrina Saase & Lanca, Nora Sternfeld, Dominika Trapp & Virág Bogyó, MC Xuparina, Andrea Zarza & Miranda Iossifidis a.o.
A message from the future is warning us that time is running out.
In the past years Europe's colonial continuities and deeply rooted fascist practices have come to the fore in ever more frightening ways. Resistance is now crucial. We urgently need to revive old and develop new feminist and anti-fascist strategies of resistance and survival.
What training do we need?
No play proposes a structure, a temporal, spatial and social architecture that turns the exhibition space of nGbK into a resource, a site of activity and exchange in the shape of a Feminist Training Camp.
The Training Camp stems from a queer understanding of feminism with a strong emphasis on grassroots models of collective organization, knowledges based in lived experience and the handling of daily oppressions. A space for disagreement and negotiation that can create a situated public considered political. For this, an intersectional understanding of how categories such as gender, race, class, ability, and sexual orientation are intertwined in oppressive power structures is necessary.
2016-05-21 to 2016-06-23
Galleri Riis
Memory of a Landscape
Curated by Henrik Andersson
May 21 – June 23, 2016
Sahar Al-khateeb, Henrik Andersson, Maher Abdul Aziz, Kajsa Dahlberg,
Jasmin Daryani, Silje Figenschou Thoresen, Hamish Fulton,
Elisabet Hasselberg Olsson, Saskia Holmkvist, Matts Leiderstam, Carl Erik Ström
Rödbodtorget 2, Stockholm
I will be screening a couple of my films as part of this fantastic project by Clara López Menéndez and Andrew Kachel
A new job to unwork at
Organized by Clara López Menéndez and Andrew Kachel in the LACE Project Room
Participants include Andrew Kachel and Clara López Menéndez (organizers), Rafa Esparza, Shoghig Halajian, Dylan Mira, Lee Relvas, Patrick Staff, and alexia welch.
Opening reception March 9, 2016 – 7:00-10:00pm
Exhibition dates: March 9, 2016 – April 17, 2016
Wednesday March 16, 6:30pm
Reach, Grasp, Move, Position, Apply Force – HD Video, 40 minutes, 16:9, Kajsa Dahlberg 2015
Wednesday March 23, 6:30pm
The All-Around Reduced Personality (Die Allseitig reduzierte Persönlichkeit – Redupers) – 35mm to Digital, 95 minutes, 4:3, Helke Sander, 1978
Wednesday April 6, 6:30pm
The Nightcleaners – 16mm to Digital, 90 minutes, 4:3, Berwick Street Film Collective, 1970-1972
more info at anewjobtounworkat.tumblr.com/
2016-02-27 to 2016-03-06
I'm part of this great event in Oslo next week. Hope you can come!
Extended Stipendiatforum
29 February - 6 March 2016
Atelier Felix and Akademirommet
Kunstnernes Hus, Oslo
Stipendiatforum is hosting a weeklong forum at Kunstnernes Hus from February 29th to March 6th, 2016. The forum is organised in sessions where participants are encouraged to alternate between practical formats and approaches to thinking practice.
With a focus on sharing of methods, techniques and pedagogies we are perhaps able to shift and/or sharpen our individual attention or collective awareness. If so, where and how do we find ourselves and our work in the intersections of formal, political and therapeutical art practices?
The forum meetings will take place in Atelier Felix, a new round table room in Kunstnernes Hus, and the screenings etc. will take place in Akademirommet in the same building. The program is open for the general public to engage in. Please note that certain parts might have limited places. First come, first serve. For details please contact firstname.lastname@example.com or firstname.lastname@example.com.
Stipendiatforum is a semi autonomous forum for the research fellows at the Oslo National Academy of the Arts (KHiO). Since 2013, the forum has invited different guests for a day or two in conversation in different homes, sidewalks and meeting rooms. The intention has been to share and engage in each other's practices through conversation that develops with time, care and within an informal structure.
Emily Roysdon, Malin Arnell, Melinda A. Meyer, Angela Melitopoulos, Marc Herbst, Anders Paulin, Arkadi Zaides, Liv Bugge, Jesper Alvær, Lisa Torell, Ingri Fiksdal, Ingvild Holm, Raphaël Grisey, Mike Sperlinger, Tale Næss, Susanne Winterling, Eddie Esmail, Tina Jonsbu, Jørn Mortensen, Janne-Camilla Lyster, Rike Frank, Finn Iunker, Merete Røstad, Venke Sortland, Pernille Holden, Kai Johnsen, Brynjar Bandlien, Gunhild Mathea Olaussen, Anders Paulin, Ane Hjort Guttu, Kajsa Dahlberg, Bull.Miletic, Paula Cobo-Guevara, Edvine Larssen, Silje Marie Aker Johnsen, Mai Hofstad Gunnes
2015 - 12 - 15
Maja Čule, Kajsa Dahlberg, Katerina Duda, Mihael Giba, Hrvoje Hiršl
Curatorial concept: Martina Kontošić
The phenomenon of suffocation of public space by intensely communicated content defines contemporary society, together with the ways in which the very society treats this phenomenon. The precarization of the system is in full force; even those more successful, if they are attempting to preserve full moral integrity, enter exceedingly disadvantageous relations of invested labour, free time and financial compensation.
Heroic exhaustion is partly an auto-ironic construct of the protagonist of artistic scene which refers not only to the physical and mental exhaustion of those included, but also to the exhaustion of ways and spaces which are used for greater visibility of artistic activity. An intensive struggle for public space is being fought, both for physical spaces or locations of still existing cultural magazines and papers, as well as for the space for transferring messages and competing for the attention of the audience whose concentration is growing weaker. By analysing approaches to communicating the desired message, the exhibition presents artistic positions of different critical intensities directed towards the system they are a part of. The key element is the control over personal freedom of agency which is endangered by the general precarization of employment. By exhibiting various methods of artistic work, we are influencing not only the interpretation of the notion of heroic exhaustion which becomes not only ironic, but also an accommodating description of current state of a generation imprisoned within inevitable changes of social and economic relations.
The exhibition is a part of the collaborative project This Is Tomorrow. Back to Basics: Forms and Actions in the Future of What, How & for Whom/WHW, Zagreb, Tensta Konsthall, Stockholm and Latvian Center for Contemporary Art / LCCA, Riga, with the support of the Creative Europe Programme of the European Union.
2015 - 12 - 13
Laura Guy and I are doing the workshop as part of the NOW YOU CAN GO seminar:
# Intimate Acts: A feminist workshop
Sun 13 Dec, 10.00am-13.00pm
The Showroom, 63 Penfold Street, NW8 8PQ London, United Kingdom
A half-day workshop exploring collective acts of annotation, translation, and recontextualisation in relation to feminist reading and writing.
"Intimate Acts" is an attempt to produce a collective political language through a series of practical activities organised around extracts of existing text. The workshop will consider how strategies of citation, translation, annotation and appropriation can be put into the service of a feminist politics and what is at stake in doing so.
Reading transforms the meaning of a text. Sometimes this transformation manifests as a material intervention. For example, annotations generate an alternative text in the margins of an original. Underlining passages, we single out extracts to return to at a later point, share with others, or else deploy in a different context. Quotations articulate things that matter at the time. They help to give form to our own feelings, desires and demands. Reading allows us access to languages other than our own and in turn gives written language over to circulate as a new set of possibilities.
Feminism has often emphasised experimental forms of literature. It has politicised reading through collective reading groups and by developing radical approaches to translation and distribution. Feminist writers have worked to show how language shapes us and have invented strategies in order to reconfigure, disrupt or undermine what Gertrude Stein once referred to as "patriarchal poetry". In doing so, feminist literature and theory has made traditional forms of language speak otherwise in the on-going pursuit for self-knowledge and self-determination.
Participants are asked to bring a book with them in which they have underlined a short passage of text.
Booking available through Eventbrite
2015 - 12 - 01 to 2015 - 12 - 13
A programme of events considering feminist thinking, art and activism, taking place across The Showroom , the ICA , Space Studios and Raven Row , (1–13 December, London 2015).
Image: Anna Valeria Borsari, Autoritratto in una stanza, documentario [Self-Portrait in a Room, Documentary], 1977, still from video. Courtesy of the artist and Archivio Cavallino, Venice.
More info about that and the whole seminar here:http://nowyoucango.tumblr.com/
Juxtaposing historical with contemporary positions, the series explores feminist concepts of generation and genealogy. It asks whether practices of consciousness-raising and collectivity might help us to combat the fragmentation, exhaustion and anxiety that we experience under networked capitalism. The programme draws inspiration from Italian feminisms, including the work of collectives formed in the 1970s: Rivolta Femminile (Female Revolt), Libreria delle Donne di Milano (Milan Women's Bookstore Collective), and Lotta Femminista (Feminist Struggle).
A touchstone is the work of Carla Lonzi, the writer and cofounder of Rivolta Femminile, and her refusal of power and rejection of masculine creativity that exploits female supportive activity. This process of 'deculturation' entailed Lonzi's withdrawal from her roles as an art critic, as a feminist leader, and from her relationship with her lover, the sculptor Pietro Consagra, which she documented in a dialogue between them called Vai pure (Now You Can Go).
Now You Can Go grows out of the Feminist Duration Reading Group which meets monthly at Space Studios in London. The programme has been developed by participants from the Feminist Duration Reading Group including Angelica Bollettenari, Giulia Casalini, Diana Georgiou, Laura Guy, Irene Revell and Amy Tobin, and is coordinated by Helena Reckitt with Dimitra Gkitsa.
Supported by the Arts Council of England, Grants for the Arts.
With additional support by Goldsmiths' Annual Fund, Goldsmiths' Art Department, and the Women's Art Library at Goldsmiths, University of London; EWVA European Women's Video Art in the 70s and 80s' (DJCAD, University of Dundee); IASPIS; and Electra.
2015 - 11 - 14
From Here To Afternoon/Reach, Grasp, Move, Position, Apply Force
As part of the finissage of Mikhail Lylov and Patrik Haggren's show From Here to Afternoon there will be a screening of Reach, Grasp, Move, Position, Apply Force at D21 Kunstraum Kunstraum in Leipzig.
Reach, Grasp, Move, Position, Apply Force follows the development of film and video technology through time management systems, an invention that historically served to increase the efficiency of labor as well as to establish pathologies of neurophysiology. This recent work of Kajsa Dahlberg seeks to understand the way that these motions, measured in time, today are a source of conflict in conglomerate companies like Amazon and Apple, but also in freelance work, and questions their utility for strategies of both control and resistance. The film may also be considered a reflection on the conditions of artistic practice.
Screening and discussion at 16:00
From Here to Afternoon borrows its initial gestures from an early 20th century photographic technology for motion study applied by North American labor engineers and adapted by Soviet neurophysiology. In the works of the exhibition's artists, techniques for externally taking control over movements of individual and collective bodies come across their counter-techniques, as when processes toward movement's formalization in the organization of work, are utilized in the organization against subjection. These tactical relations between capital and labor, state and individual always leave readable or reconstructible traces, that the exhibition attempts to demonstrate as possible ways of looking for counter strategies behind the images of past resistances.
With works by: Elke Marhöfer, Romana Schmalisch, Liz Magic Lazer, Alice Creischer and Andreas Siekmannn, Arseniy Zhilyaev.
2015 - 11 - 06
Fotografisk Center cordially invites you to the opening of the exhibition:
Rewriting Histories
06.11 – 20.12.2015
Akram Zaatari, Andrea Geyer, Benj Gerdes & Jennifer Hayashida, Benjamin Tiven, Inuk Silis Høegh, Katya Sander, Kajsa Dahlberg, Lasse Lau, Lin + Lam, Matthew Buckingham, Michelle Dizon, Naeem Mohaiemen, Nanna Debois Buhl, Pia Arke & Anders Jørgensen, Raed Yassin, Rania Rafei & Raed Rafei, Regina José Galindo, Robert Ochshorn, Sergio De La Torre, Stéphane Gérard, Sarah Vanagt & Katrien Vermeire, William E Jones
Thursday, November 5th at 5pm – 7pm
The exhibition will be opened by visual artists and curators Lasse Lau &
Benj Gerdes
Rewriting Histories examines how history can be retold from a contemporary perspective through film and video works, slide installations and photography by internationally renowned Danish as well as international artists. The exhibition focuses on history and the archive - a theme in art - that with recent political events has received renewed attention and relevance. Rewriting Histories – conceptually staged in an intriguing visual language - is curated in collaboration with artists Lasse Lau and Benj Gerdes at Photographic Center.
2015 - 11 - 06
Fernisering, Danske Grafikeres Hus fredag d.6 november kl.17-20
A Feminist Culture Reader undersøger den enorme indflydelse feministisk tænkning har, og har haft, på forskellige generationer af billedkunstnere, i et nationalt og internationalt perspektiv.
A Feminist Culture Reader byder på værker af kunstnere med vidt forskellige (feministiske) positioner, der hver især giver et indblik i eksistens set igennem køn, traume og (kunst)historisk materiale.
A feminist Culture Reader består af en solo udstilling af Peter Brandt, samt en gruppeudstilling i Danske Grafikeres Hus. I forbindelse med de to udstillinger vises en række satellit udstillinger rundt omkring i byen, der skaber en dialog om udstillingernes tematikker på tværs af institutioner.
Mer info: www.feministculturereader.dk
2015 - 11 - 04
2015 - 10 - 20
Jakten på tid i arbetets rörelser - Kajsa Dahlberg
Tisdag 20 oktober 2015, kl 18.00
BAR10, Konstepidemin, Konstepidemins väg 6
I serien Arbetarkonst: System som "Methods –Time Measurement" (MTM) markerade på slutet av 1940-talet ett radikalt brott i synen på kroppsarbete genom att fokusera på mänskliga rörelser. I filmen Reach, Grasp, Move, Position, Apply Force undersöker Kajsa Dahlberg genom videotekniken hur dessa rörelser knutna till tid idag förhandlas inom alltifrån gigantiska företag som Amazon och Apple till budfirmor och frilansare. Filmtiteln beskriver samtidigt Dahlbergs konstnärliga metod för arbetstidsundersökning.
I samarbete med BAR10 och tidskriften Paletten
Tisdag 20 oktober 2015, kl 18.00, BRA10, Konstepedimin, Göteborg
2015 - 09 - 14
Interview with: artistoftheweek.dk #57
2015 - 09 - 4 - 2015 - 09 - 6
September 4-6, 2015
MABL -Mobile Artist's Book Libraryvisits Istanbul to present and collaborate with Swedish and Turkish artists' books and related artists. The aim is to exchange thoughts, ideas, artistic methods and works and not theleast to initiate possible future collaborations with artists and organisations on location. As a follow up and continuation of the project and the exchange in Istanbul MABL is invited to Plattan Library at Kulturhuset in Stockholm later this fall 2015.
In conjunction with the opening of the Istanbul Art Biennal MABL runs a three dayprogrammed presentation at Aciliyet Mektebi/School of Urgency and the bookstore Robinson Crusoe 389 at SALT Beyoğlu. Also includingan event at BAS in Karakoy. MABL presents parts of its collection of artist's books and publications juxtaposed with parts of BAS collection. BAS is an artist run space in Istanbul initiated by Banu Cennetoğlu where artists' books and publications arecollected, displayed and produced.
The program includes specially invited artists from Sweden and Turkey presenting works in the shape of books, sound, objects, performance, as well as talks and walks.
Participating artists and organisations in Istanbul:
Merve Ertufan
Elmas Deniz
Meriç Algun Ringborg
Banu Cennetoglu
Nihan Somay
Açiliyet Mektebi
Beata Berggren
Helena Eriksson
Kajsa Dahlberg
Ulla West
Tina Eriksson Fredriksson
2015 - 07 - 13
Dirty Looks
Bureau of General Services Queer Division
208 West 13th Street #210
New York
Your Words Give Me a Headache
July 13 at 7 pm
Curated by Clara Lopez
2015 - 06 - 04
4 – 26 July 2015
CAC Bukovje Landskrona present:
Two exhibitions for the Kilometre of Sculpture, Võru, Estonia: "Working Drawings And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As Art (After Bochner)" and "Small Good Things (Artworks We Like That Fitted In Our Suitcases)"
Artists: Bengt Adlers, Conny Blom, Mel Bochner, Kalle Brolin, Vasja Cenčič, Martin Creed, Kajsa Dahlberg, Jeremy Deller, Ditte Ejlerskov, Milanka Fabjančič, Vadim Fishkin, Tomaž Furlan, Johan Furåker, Alexander Gutke, Felix Gmelin, Carl Michael von Hausswolff, Ištvan Išt Huzjan, IRWIN, Janez Janša, Janez Janša and Janez Janša, Stine Marie Jacobsen, Lisa Jeannin, Žiga Kariž, Clay Ketter, Jukka Korkeila, Anna Ling, Anna Lundh, Miltos Manetas, Jonathan Meese, Peter Miller, Kristina Müntzing, Jesper Norda, Björn Perborg, Magnus Petersson, Adrian Piper, Klara Sax, Lina Selander, Emelie Sjunnesson, Nataša Skušek, Nina Slejko Blom, Nedko Solakov, Mladen Stropnik, Annika Ström, Stefanos Tsivopoulos, Leon Zuodar, Serkan Özkaya, Ulla West, Johan Wik.
2015 - 05 - 29
29.05 – 27.09.2015
The Welfare State contains new and existing works by eight artists of different generations: Francisco Camacho Herrera, Josef Dabernig, Kajsa Dahlberg, Róza El-Hassan, Donna Kukama, Artūras Raila, Anne-Mie Van Kerckhoven and Stephen Willats. It also contains visual and textual material from the four cultural archives in Flanders: Amsab and the Liberal Archive in Ghent, KADOC in Leuven and ADVN in Antwerp.
Curator: Anders Kreuger
The welfare state is an abstract notion. But also very concrete. Political, but also bureaucratic. What does it have to do with art?
The welfare state operates with regulations, rights and obligations that apply to everyone in the same way, requiring individuals to identify themselves as members of society first and foremost. In this sense, the welfare state is the antithesis of art. Many artists support the welfare state in both theory and practice, and they are fascinated by rules as such, but they have little interest in following rules formulated by others than themselves…
The welfare state is an emancipatory political project, although it was first invented as a way of keeping class struggle and revolution at bay. It is hard to disassociate the European welfare state from the darker elements of recent history, such as militarism, colonialism and the degradation of the natural environment. Yet the welfare state, as a model for social cohesion and political stability, is now gaining ground in new parts of the world, notably in East Asia.
The exhibition The Welfare State does not look back with nostalgia at the welfare state in its 'classical' form as a utopian blueprint for an egalitarian (and homogenous) society in postwar Western Europe. It does not invite artists to 'illustrate' political and social engagement. But it does ask some fundamental questions. What is the 'imaginary' of the welfare state? Does it have a 'form'? Can it be 'shown'?
The Welfare State is accompanied by a printed publication, and by an ambitious discursive programme. During the spring of 2015 M HKA organises a series of public seminars in collaboration with the researchers at the Herman Deleeck Centre for Social Policy at the University of Antwerp. Public forums are organised on 30 May 2015 at Cinema Zuid in Antwerp, in collaboration with CAHF (Contemporary Art heritage Flanders) and in September in Brussels, in collaboration with the Flemish-Dutch House deBuren.
2015 - 05 - 18
We Can (Not) Work It Out: A Curatorial Inquiry into the Danish Radio Archive is a practice-based PhD thesis written by Trine Friis Sørensen, a curator and a PhD candidate at Department of Arts and Cultural Studies, University of Copenhagen.
The thesis is based on the commission of two artists, Kajsa Dahlberg and Olof Olsson, to produce artworks in relation to the DR Archive, the thesis inquires into the archival questioning that the artworks produce, and furthermore proposes a way to conduct research through curating.
Also read Trine Friis Sørensen essay Judith Shakespeare – Undead or Alive? On Kajsa Dahlberg's Artist Book A Room of One's Own / A Thousand Libraries in the publication Notes On Location
2015 - 05 - 06
Friends and friends of friends join!
An invitation to read together on the eve of the UK General Election.
On 6 May 2015, please join us on the steps of Trafalgar Square (directly outside the National Gallery) at 6.15pm for a 6.30pm start.
We will be reading artist Zoe Leonard's manifesto "I want a president…" (1992) alongside an updated version for 1 hour, after which we will reconvene in a local park or pub (depending on the weather) to celebrate.
Bring yourselves, your lovers, your comrades, your family and friends.
Join the event on Facebook
This is part of a series of readings that have been organised internationally and which were first initiated by a group of artists, Malin Arnell, Kajsa Dahlberg, Johanna Gustavsson and Fia-Stina Sandlund, in dialogue with Zoe Leonard and in response to the 2010 election in Sweden. The readings are politically independent. More information on the project can be found here and here and here.
2015 - 04 - 09
THE PRECARIAT AND THE WELFARE STATE: a double-angled investigation
Seminar, Thursday 9 April 2015, at University of Antwerp in cooperation with M HKA.
On Thursday, 28 May 'The Welfare State' will open at M HKA.
The project includes an exhibition, with contributions by artists from different countries, as well as an ambitious programme of lectures and other public events organised in collaboration with a number of different partners in Belgium (academics, archives, cultural organisations).
'The Welfare State' aims at formulating pertinent thoughts about society and about art and society, and to address different aspects of the overall topic in different ways, creating meaningful combinations of art and non-art.
A first event of this kind will take at the University of Antwerp on April 9, on the topic of the precarious worker.
Last year saw the publication of a book ominously titled "The Precariat: The New Dangerous Class". It contends that precariousness is becoming the new normality in globalised labour markets. Its author, Guy Standing, was not the first academic to reach or aspire bestseller author status with such claims. Academics and journalists alike have long been lamenting the decline of the fulltime, steady job in the wake of the turmoil brought by deindustrialisation, cut-throat global competition and skill-biased technological change.
This seminar examines this alleged trend from an academic as well as an artistic angle.
Ive Marx from Antwerp University will provide an introduction to the academic prophets of gloom and doom in the world of work.
Swedish artist Kajsa Dahlberg will screen a rough cut of a new video on the negotiation of time in labour. For more than a century, film has been used in experiments to understand and optimise our movements. Systems like the Methods–Time Measurement marked a radical shift in attitudes towards manual labour by focusing on the efficiency of human movements. Dahlberg uses the production of the video itself as a starting point to examine the negotiation of time in labour today, from Amazon warehouses, Apple manufacturers in China to smaller-scale service industries such as freelance translating and parcel delivery.
Anders Kreuger, curator at M HKA, will moderate the discussion by referring to the thoughts articulated by other participating artists in the 'Welfare State' exhibition.
2015 - 03 - 16
Goldsmiths, Department of Art, Research Symposium
16th and 17th March, 2015
This two-day research symposium considers the resonance of feminist art, thinking and collectivity in contemporary life. Riffing on Amelia Jones' concept of 'queer feminist durationality,' it explores feminist legacies, potentials and pitfalls to examine how tactics and strategies from earlier movements and projects are being re-examined and redeployed today. Concerned with the dangers of romanticising earlier struggles and succumbing to Left melancholy, the symposium looks at how feminisms in art and curating contribute to a constellation of cultural production. Such speculations open up the differences in intention and reception across place, time and context.
Kajsa Dahlberg (Berlin and Malmö), Claire Fontaine (Paris), Laura Guy (Goldsmiths), Rehana Zaman (Goldsmiths), Helena Reckitt (Goldsmiths), Louise Shelley (The Showroom, London), art historian Catherine Grant (Goldsmiths), Nina Power (University of Roehampton).
At Goldsmiths College, Richard Hoggart Building, rooms 325-326,
New Cross, London
2015 - 01 - 19
REPRINT appropriation (&) literature
Annette Gilbert, a scholar in comparative literature at the Freie Universitaet Berlin, have written this fantastic book on appropriation litterature in which my piece A Room of One's Own / A Thousand Libraries is one of the examples.
Since the 1960s, writers have radically challenged the notion of originality and creativity in literature. They stopped writing new texts for their books and instead drew upon pre-existing books: canonical texts of world literature or intellectual history are transcribed by hand, edited, altered, alphabetically arranged or simply copied and republished under one's own name. By now Appropriation Literature amounts to a critical mass that has generated its own tradition. The present anthology is the first to give an international overview of the phenomenon, presenting 126 books and projects by over 90 authors.
2014 - 10 - 18
2014 - 09 - 17
2014 - 07 - 14 - 2014 - 07 - 20
A week-long salon with 11 artists, curators and theorists at Skomvær Lighthouse organised by FRANK.
The salon was held at Skomvær Fyr in the Lofoten islands in Northern Norway, where Katarina Bonnevier, Liv Bugge, Malene Dam, Mathias Danbolt, Vika Begalska, Berivan Erdogan, Ester Fleckner, Jason Rosenberg, Sille Storihle, Elin Vister, Elijah Yakovenko and myself spent an amazing week together, sharing work and research. More at: f-r-a-n-k
2014 - 06 - 16
A a night walk during daytime through Tiergarten in Berlin on June 16 2014.
2014 - 04 - 10 - 2014 - 04 - 14
Is It Really working? A Physical Symposium/Crash Course has recently taken place within the framework of my MA thesis project for the Master in Curatorial Studies at CCS Bard.
The symposium/crash course occurred between April 10th and 14th 2014 and comprised a series of closed and open conversations and workshops among artists and culture agents coming from different fields of artistic production. The idea was to gather around a discussion concerning the current conditions of culture production, with the current situation for artists, curators, and other art workers in the area of NYC as a starting point. The lenses through which we departed in our conversations is a sense of commitment to political positions informed by feminist and queer politics, with the constant problematization and questioning that such political affiliations entail.
The core group that was invited to participate in this experimental platform was formed by Vanessa Anspaugh, Malin Arnell, Amelia Bande, Gregg Bordowitz, Kajsa Dahlberg, Andrew Kachel and Alhena Katsof. Arnell and Dahlberg, despite not being directly invited with the allocated budget for my project, were able to participate since they were also part of my classmates shows, Carla Acevedo-Yates and Andrew Kachel. Through a form of informal collaboration between us, they all were able to take part in these conversations, informing with their thoughtful formulations of their experience, the scope of the problematics brought to the table.
2014 - 02 - 28
Voluspå marks the 100-year anniversary of the Norwegian suffrage movement. 2013 has been a year for celebrating women, feminism and equality, and through the book FRANK comments on the centennial and questions the established narration of feminist history. It serves as an exploration of this lineage in Norway and Sweden through the lives and works of artists and writers. The book features Vanessa Baird, Katarina Bonnevier, Kajsa Dahlberg, Mathias Danbolt, Marie Høeg, Hilma af Klint, Carl Larsson, Klara Lidén, Wencke Mühleisen, Claes Oldenburg, Henrik Olesen, Sidsel Paaske and Martin Skauen.
Cac-Conceptual Art Center Bukovje
The Feverish Library (continued)
19 January – 23 February 2013
Opening Saturday 19 January, 6 – 8.30pm
Karl-Marx-Allee 45, 10178 Berlin, +49 30 2408 8130
email@example.com, www.capitainpetzel.de
PDF Broschyr 100 år
Poster procuced as part of the public art comission at the Government building R6 in Oslo, Norway. The piece One hundred years in a workday is a 7,5 hour long videoloop installed at the entrance of the building. Inaugurated on December 3rd 2012.
Curator: Martí Manen
Telling everything, Not Knowing How comes around to the view of narrativity with the intention of asking what can be done and what can be told from the art side, which role plays the emotion within the narrative and also which fiction, reality, political and social contents appear within the contemporary creation.
Art is a great plataform from which to explore narrativity. The pressumption of content we face when viewing an artwork enhances an emotional connection when narrating and explaining stories. Within the contemporary art fields there exists a willingness to explain, to establish a rather literary dialogue with the person viewing the artworks. But, at the same time, it appears to be necessary to ask ourselves the reasons, questioning the forms, investigating the genealogies and becoming conscious of the moment we live in order to observe what is happening in the communication field. The languages and the readings of art are constantly modified, each artist and each viewer alter the conception of what is an artwork, what is transmitting or how it is received. There are not strict rules, hence the poetic escaping possibilities are multiple. In a social context, where there is rather not space for the investigation of possibilities, understanding art as a place from where to build other forms is desirable. And, if we incorporate emotions as key element, the affection capacity is positivily altered.
Telling everything, not knowing how is shown as double format exhibition. On the one hand, the exhibition is displayed at CA2M with works which incorporate narrative possibilities as well as questioning the fact of how to explain. On the other hand, a novel written by the curator of the exhibition.
The novel embodies the complete set of works displayed in the exhibition, accompanied by others, within a plot which becomes the conceptual and discursive base of the project. Two characters from the book wander around their recently obtained maturity, after knowing the death of the Cuban-American artist, Felix Gonzalez-Torres, main reference in the incorporation of narration in art from an emotional, political and personal aspect, highlighting his willingness to share, without having to enter into the private side. The death of Felix Gonzalez-Torres is the starting point of a double journey structured by means of artworks. A novel which offers a kind of approximation different from the physical exhibition and it is, in fact, one of the pilars of the narrative. To make use (and to pervert) of the novel as exhibition venue allows working at once with the artwork as well as with information, with ideas and emotions, and with theory and practice. The writing of the novel stretches some roles to the limit: the curator makes use of the artworks from an absolute subjectivity aiming to create a narrative structure in fiction, the artworks become literary and reading material, visitors of the museum become readers, while the readers of the novel are tourning around an exhibition that take place within the book pages.
The novel, specially published for this project, is available both at CA2M as well as in bookstores.
The physical exhibition at CA2M presents a set of key works which will talk about narrativity and contemporary art, examples on how to explain, to deconstruct a story, to analyze and to work the characters, parallel readings to the documentary and what is understood as cinematographic, as well as a formal contact with literature and the definition of story.
A number of installations, film and video projects, photographies and text-based artworks coexist in a permanent dialogue where stands out the need to interact with the public.
Eija-Liisa Ahtila (Finland), Rosana Antolí (Spain), Rosa Barba (Italy-Germany), Keren Cytter (Israel), Kajsa Dahlberg (Sweden), Lilli Hartmann (Germany- Great Britain), Rosalind Nashashibi / Lucy Skaer (Great Britain), Christodoulos Panayiotou (Cyprus), Job Ramos (Spain) and Alex Reynolds (Spain).
The project is presented in two interrelated formats: on the one hand, we have the exhibition with key works that open up various narrative possibilities and, on the other, we have a novel.


text: Stanley Cup Video: Hit was a 'little bit late': Canucks coach Add to ... The Globe and Mail Published Tuesday, Jun. 07, 2011 4:41AM EDT Last updated Tuesday, Jun. 07, 2011 4:41AM EDT Bruins forward Nathan Horton was taken off the ice on a stretcher, strapped to a backboard, after a frightening collision with Canucks defenceman Aaron Rome. Canucks coach Alain Vigneault says the incident is unfortunate. Watch More Video: Canada has dominated the World Cup of Hockey Team Canada critical of Game 1 performance despite win Stampeders say they will celebrate the life of Mylan Hicks Arnold Palmer's impact on the world of golf Marlins President: 'No Words' for How Team Feels Golfing legend Arnold Palmer dead at 87 Team Canada still has room to improve at World Cup: John Tavares Video: Champion triathlete gives up a chance to win a race to help his younger brother Kaepernick protest takes prime time spotlight Russia stages own 'Paralympic Games' after Rio ban Swimmer Aurelie Rivard hoping for gold at Rio Paralympics Regina's new $278-million Mosaic Stadium, in numbers Barcelona youth soccer team consoles Japanese opponents Colin Kaepernick's coach, teammate respond to anthem controversy 100-year-old woman runs 100-metre race in Vancouver 'Battle of the Brides' showdown in Russia Brooke Henderson: Canadian Open just 'another week' on tour Welcome home: Warner, Drouin and more meet inspired Olympic fans De Grasse all smiles as crowds welcome him back to Toronto Smiles and cheers greet Canadian athletes in return from Rio Comments AA More Related to this Story Video: Bruins break out massive win Video: Green Men take Beantown Video: Canucks ready to face Game 4


text:
SnowSeekers has only started to explore this western U.S. state. Known for its epic snow and laid back lifestyle, any snow seeker headed for a winter holiday in Montana is sure to be pleased.
The town of Whitefish plays host to the ski resort carrying the same name. It's found in Northern Montana close to the Canadian Border and 160 km south of Fernie, British Columbia.
Whoa! Kicking Horse Mountain Resort leads skiers and boarders to the snow
Winter is here and the snow is in the mountains. Click here for winter driving tips and get their safe.Read more
Build your epic ski bucket list, win prizes and more! Learn more
Not sure what resort to visit next? Our Resort Recommender will tell you where to go, based on what you want. Check it out


text: I think this is the most 'light-hearted' of all the nocturnes - it always makes me feel good by the time I get to the end. There's a few slips, inaudible notes, and unclear ornaments, but...I know...enough with excuses. This is the best I could do. Comments appreciated. Chopin Nocturne Op. 37, No. 2


text:
Top Definition
Acronym for "'Come Fuck Me' boots," often referring to long, black, leather boots that make women extra sexy.
My feet are sore after a night on the town wearing my CFMB, but the boys sure loved it!
Willst tarafından 25 Mart 2006, Cumartesi
Trending Now
Can you define these popular missing words?


text:
December 2004
One of the keys to successful enlargement will be the effective and well-balanced representation and integration of the new Member States in the institutional architecture of the Union. This is the purpose of chapter 30 on institutions, which mainly covers the composition and functioning of institutions and bodies established under the Treaties or secondary legislation.
The fundamental question of how to prepare the institutions for enlargement so that the Union can operate effectively with up to 27 Member States and maintain its decision-making capacity was addressed by the Nice Intergovernmental Conference in December 2000 and is dealt with in the Treaty of Nice as well as in the protocols and declarations attached thereto. Following the successful second Irish referendum on 19 October 2002 and the completion of the ratification process by the end of this year, the Treaty of Nice is likely to enter into force by February 2003.
The EU's negotiating position is based on the following:
As regards the number of seats in the Parliament and the voting system in the Council, transitional arrangements are needed and have been agreed to cover the period between the date of accession and the later entry into force of the new provisions for Parliament after the June 2004 elections and for the Council. The changes are the following:
For the envisaged accession of 10 new Member States on 1 May 2004, the relevant provisions under the Nice Treaty referring to a Union of 27 had to be adapted to a Union of 25, whilst maintaining the principles established in the Nice Treaty. The new provisions enter into force only after a transition phase of some months. The changes to Parliament, Council and Commission after the next enlargement can be summarised as follows:
The new Member States will also be adequately represented in accordance with the existing applicable rules in the Court of Justice and Court of First Instance, the Court of Auditors, other organs and bodies established by the Treaties (including the European Central Bank, the European Investment Bank and the Euratom Supply Agency) and committees, agencies and other bodies established by secondary law. Furthermore, the national languages of the acceding countries will be recognized as official languages to be used by the European institutions.
State of Play
In line with the road map for accession negotiations, the Chapter was provisionally
closed with five countries in April 2002 (Bulgaria, Cyprus,
Lithuania, Poland and Romania) and with four countries in
June 2002 (Estonia, Malta, Slovakia and Slovenia). After
the remaining key institutional issues were solved for the
ten acceding States at the European Councils in Brussels
and Copenhagen, negotiations on this Chapter were closed
on 13 December 2002 with all ten acceding States, including
Czech Republic, Hungary and Latvia. The chapter has also
been definitely closed with Bulgaria and Romania in December
Compliance with the acquis
Contrary to other chapters most of the acquis in this chapter does not require specific legal approximation and implementation measures by the candidate countries prior to accession. New Member States will exercise their rights, on the same terms as other Member States, through participation in the EU institutions.
Cyprus (New Member State)
Czech Republic (New Member State)
Estonia (New Member State)
Hungary (New Member State)
Latvia (New Member State)
Lithuania (New Member State)
Malta (New Member State)
Poland (New Member State)
Slovakia (New Member State)
Slovenia (New Member State)


text:
20k Facebook likes in fastest time
This project was awarded to sn66 for $30 USD.Get free quotes for a project like this
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Project Description
need 20,000 facebook likes in quickest time may be within 2 days ..
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- Forbes
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- Wall Street Journal
- Times Online


text:
Power underware for herteos, the briefer the better. A trick to wear at first, but the benefits are enormous. None but the intimate ones have to know.
Bill shows a lot of confidence since he ditched boxers and started wearing a spandex thong.
por Hugo the Great 05 de Outubro de 2006
Butt Floss. like knickers, but the ass bit is a thin bitt of material that disappears up your crack. Popular with teenage males.
1. Do you wear thongs?
2. What a ho, look at that thong
2. What a ho, look at that thong
por Igg 15 de Julho de 2003
its some underwear u stick up ur ass!
dude, is she wearing a thong
por sabrina da pina 24 de Julho de 2003
meaning cool, awsome, fantastic, or amazing.
A type of undies that go up the bootay.
A type of undies that go up the bootay.
That joint was thong!
This thong is riding.
This thong is riding.
por Briana 23 de Fevereiro de 2005
"butt floss" iz what most women wear. itz uncomphy but the guyz LOVE it
my thong showed when i shook my ass
por Olivia 29 de Fevereiro de 2004
The secret word for when you see a person with their thong showing, mostly on girls.
I see her T Hong, its bright pink!
por kyle<3thong 07 de Junho de 2005
Buttfloss underware. Girls wear them to make themselves look sexy and be "cool", but instead they look like trash especially when it is sticking out of their pants. Contrary to popular belief, they do not prevent you from having a panty line, but just give you a different one. they are basically panties that don't actually cover your ass which defeats one of hte main purposes of wearing underware.
"hey did you see that girl over there? she looks like total trash with her thong sticking out of her pants like that. if i ever wear one of those, shoot me."
por Naleilei 06 de Setembro de 2005


text:
News By Tag
Industry News
News By Location
Industry News
Saint Luke's Neurological Consultants integrates experienced physician group under health system
Physicians treat stroke, vast range of neurologic conditions
SLNC serves as the clinical practice division of the Saint Luke's Neuroscience Institute. The partnership allows Saint Luke's Health System to better integrate neurology with its other health care disciplines and to provide greater continuity of care for patients.
"I'm excited about adding Saint Luke's Neurological Consultants, and all of the positive changes at Saint Luke's Neuroscience Institute, because they allow us to continue to progress toward our goal of becoming one of the leading neuroscience centers in the nation," said Marilyn Rymer, M.D., medical director, Saint Luke's Neuroscience Institute.
"For years, the physicians with Neurological Consultants have been the backbone of the Neuroscience Institute. In addition to providing excellent, round-the-clock care for stroke patients, these doctors treat a vast range of neurological conditions. By coming under the Saint Luke's Health System umbrella, they'll benefit from the system's strong infrastructure and new efficiencies to improve patient care even further," she continued.
Health care reform and other marketplace forces are compelling physicians to more closely align with their health care systems. "It's important that we move toward a fully-integrated model that meets our needs today and tomorrow," Dr. Rymer said.
The three founding members of the neurology group — Dr. Rymer, Irene Bettinger, M.D., and Charles Weinstein, M.D.,—have been affiliated with Saint Luke's Hospital for more than 30 years. Today, the 11-member group covers a broad range of neurologic conditions. Dr. Weinstein is the group's CEO. SLNC physicians have offices at all four of the Saint Luke's metropolitan Kansas City hospitals and receive neurological consultations from more than 70 hospitals in the region.
"This is a good move for Saint Luke's and for our patients," said Kevin Thorpe, senior vice president. "Our goal is to deliver the most efficient, effective, and seamlessly integrated care to our patients."
Saint Luke's Neuroscience Institute recently announced plans to renovate and relocate to the hospital patient tower formerly occupied by Saint Luke's Mid America Heart Institute. Proposed renovations will allow for growth of current centers of excellence including care for patients with stroke, epilepsy, and brain tumors as well as for expansion in new treatment areas such as minimally invasive spine surgery.
The Neuroscience Institute regularly meets and exceeds benchmarks for outcomes in a number of areas including a success rate for stroke intervention of 30 percent. (The national average is 5 percent). The Institute is also the region's only adult Level 4 comprehensive epilepsy center, includes the specialized care of the region's only fellowship trained neuro-oncologist offering brain tumor treatment, and its neurovascular center treats more aneurysms than any other area hospital.
In addition to their work at the Saint Luke's Neuroscience Institute, the SLNC physicians will continue to provide neurology services at most of the Saint Luke's Health System hospitals around the region.
# # #
Saint Luke's Health System based in Kansas City, Mo., consists of 11 area hospitals in northwest Missouri and eastern Kansas, and several primary and specialty care practices. We provide a range of inpatient, outpatient, and home care services.
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text:
Zementis, Inc. is a leading software company focused on the operational deployment of predictive analytics and was recognized by CIO Review as one of the "Top 20 most promising Big Data companies in 2013". Its ADAPA® and Universal PMML Plug-in scoring engines are designed from the ground up to benefit from open standards and to significantly shorten the time-to-market for predictive analytics in any industry. For more information, please visit Zementis.
The Zementis Universal PMML Plug-in (UPPI) offers a scalable decision engine and standards-based deployment platform for predictive analytics on Hadoop/Hive. With PMML, the Predictive Model Markup Language industry standard for predictive analytics and data mining applications, UPPI makes it easy for predictive solutions to be deployed & executed in Hive, delivering massively parallel scoring, enterprise-grade performance and high scalability by utilizing the Hadoop platform.
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Yarn Ready - Apache Hadoop YARN is the data operating system for Hadoop 2, YARN Ready certification indicates your application or tool is integrated with YARN.


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Welcome to Wilson Library, home of collections about the arts, humanities, social sciences, and many other special collections.
The library has wireless access throughout the building, plenty of room to study, and a coffee shop on the basement level.
From Our Collections
Check out the latest From Our Collections display, "April Showers Bring May Flowers" This month, we feature books either about flowers or with flowers in the title. The display can be found in the basement of Wilson Library, and you can see pictures from our past displays at the Wilson Library Pinterest page.


text:
Originally Posted by JAKE196
that would be sad but he wouldnt have to sell if it doesnt reach his quote price
i bet not a lot of ppl actaully bid and it sells for like $1000 lol.
omg orange box hurry up and install. >:-(
Wii games: Super Mario Galaxy, Metroid Prime 3, Resident Evil 4, Zelda TP, SSX: Blur, Excite Truck, The Godfather, and Mario Kart Wii
PC games: Call of Duty 4, Halo 1, UT3, F.E.A.R., and The Orange Box.
PS3 games: Ratchet and Clank F.T.O.D., Resistance 2, Wipeout HD, and MGS4.
Originally Posted by JAKE196
that would be sad but he wouldnt have to sell if it doesnt reach his quote price
im gonna sell my teacher 2 ebay. who`s buyin? just playin..lolmaybe my cousin lewis...."CLICK"
let's all put our money together, win him, then leave bad feedback
good idea lets do it!
your user name is the wiener
Last edited by gidget; 03-21-2008 at 01:22 PM.
Damn thats all I need
A extra life
Mind you life boxies tend to be hard to find in real life
Spoiler Alert!
TNOG.ORG - Games events in Manchester
MikeDBloke - PSN
I was into weird games before people knew what they where
@D_Bloke - My inane prattle
What some people will do for attention
-Leader of the Link/Wolf Army
-Link/Wolf Army Clan-Clan Leader
-The Best Super Smash Bros. Brawl Player Ever
-MoH:FrontLine- Stealing the Show World Record Holder
SSBB Friend Code: 4382-1667-7009
Wii Number: 6915-7734-3285-1184
Click here to level up my card!
Originally Posted by Da_Wiinner
He really should get professional help. He's a psycho.
I hope its free p&p
The very existence of flamethrowers proves that sometime, somewhere, someone said to themselves, You know, I want to set those people over there on fire, but Im just not close enough to get the job done.
- George Carlin


text:
After elections, Nepal searches for a unified path forward
The surprise results of Nepal's elections are now giving way to the next, perhaps more challenging, step of piecing together a coalition to write a new constitution and move toward abolishing the monarchy. In the recent election, the Communist Party of Nepal (Maoist) won the most seats — 220 out of 601 — in the Constituent Assembly that is tasked with writing the constitution and deciding on the political framework for the Himalayan nation. Nepal has been ruled by a Hindu king for more than 200 years.
Separatist vote threatens Bolivias progress
In a blow to the revolutionary Bolivian government of President Evo Morales, overwhelmingly elected in 2005 as the nation's first indigenous president, a much anticipated autonomy referendum in Bolivia's Santa Cruz department gained approval by an estimated 80 percent of voters on May 4.
Vieques: Celebration and commitment
Hundreds of people stood waiting outside the gates of Camp Garcia, the U.S. Navy's firing zone in the island municipality of Vieques. They were waiting until 12:01 AM, May 1, the first full day when the Navy would no longer be in control of Camp Garcia.


text:
Holyfield's End Nears: I Don't Have Much Fight Left in Me
Four-time world heavyweight champion Evander Holyfield (44-10-2, 29KOs) is finally nearing the end of his career. Holyfield, who turns 50 next week, told BBC Sport that he's finally nearing the end of the road. Financial troubles have kept Holyfield fighting for the last few years and the boxing has scheduled an auction to sell off some of his prized possessions. Holfyield turned pro in 1984 and during his long career he became the undisputed heavyweight and cruiserweight champion.
"Right now I'm winding it down, I can't get the fights I want," said Holyfield. "I haven't made it official but the time is coming that I will. I don't have that much fight left in me."
"It's not sad at all [about the auction], I wouldn't do it if it was sad. All that stuff just represents the things that I did. The more stuff gets out there the more people will realize what I accomplished in 41 years of boxing. People wouldn't get the opportunity to see it if it was in my home. I've still got more than enough stuff for my kids and my grandkids.
"I make money, I'm a money magnet. But the money wouldn't hurt. But I'm not concerned about what anybody else thinks, I try to do the right thing and that's it."
[quote=el***;12599265]holyfield has like 10 kids by like 8 different women or something ****ing ridiculous like that. Comes down to responsibility, that is part of being an adult. And holyfield is supposed to be some kind of part time preacher, as…Comment by ddangerous on 10-13-2012
Glad to hear he's finally talking about hanging them up. Should of 10 years ago. Please take Toney and Jones with you.Comment by sdcluser on 10-13-2012
dude is gonna continue to fight even if he doesn't know his full name. For real. Biologically, he is winning. That's wide family tree with many potential boxers in da future. Good job Evander.Comment by subhuman on 10-13-2012
[QUOTE=Frank Ducketts;12599411]Stfu you fake ass self righteous degenerate.[/QUOTE] Uhh no, he's pretty much right. Holyfield had the chance to live the American dream, better yet, the American fantasy but he blew it all away.Comment by Frank Ducketts on 10-13-2012
[QUOTE=Medved;12598626]Once he gets his child support bill he be fighting again. You can only go bankrupt so many times :lol1: Dude is pathetic, I hate people like him who [B]HAD[/B] something all of us DREAM we had (ie tons of…Post a Comment - View More User Comments (17)


text:
Added by bestflightssa Subscribe 0
Published 18 Apr 2011
http://bestflights.co.za/internationalflights/barbados - Visit for more information about Barbados. Barb...
http://bestflights.co.za/internationalflights/barbados - Visit for more information about Barbados. Barbados is an island country in the Caribbean and its name means "bearded ones". The island has been an independent country since 30 November 1966, after its long association as a British colony. What to see / do * Harrison's Cave * Swimming with Sea Turtles * The Atlantis Submarine * The Barbados Museum * The Barbados Wildlife Reserve * Welchman Hall Gully Events * Agrofest – A 2-day festival to celebrate agriculture. * Barbados Jazz Festival – A week of internationally renowned musicians performing at various venues. * Barbados Windfest – A three day wind- and kite surfing competition. * Cropover – One of the biggest festivals with many major related events. * Holder's Season – An assemblage of music, comedy and theatre from around the world. * Holetown Festival – A weeklong celebrations with street fairs, performances, arts and crafts and a beauty pageant.


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From the look of your comments, I'm assuming that you chose to reply before you finished reading the rest of the conversation...Originally posted by Concerned:
When it comes to the killing of the horses…HOW CAN WE OVERLOOK THIS?
75% of inmates in the prison system admit to abusing – torturing and killing animals of all types, before they MOVED ON to human beings. Can we forget such names as Jeffrey Dahmer, David Berkowitz (son of Sam), Albert DeSalvo (the Boston Strangler) Patrick Sherril, Carol Edmund Cole (her first violent act was strangling a puppy) - and the list goes on and on. All these people started with animal abuse or the killing of animals. Check out Animal Abuse Statistics on line … it's a real eye opener, as to how serious animal abuse is and what it leads to. It's an issue that needs to be addressed the very first time it happens. Read about it.
We can't just keep on blaming "the wrong crowd" for the actions of others. If ALL crimes were treated as the crimes that they are, and people had to serve time for ALL their crimes, that we would not have as many people in "the wrong crowd". What message do we give these violators . . . go ahead . . . steal – kill – burn houses – cheat – do drugs – drive drunk . . . " Our court systems are too full" so you'll get only a little fine and a serving time sentence that will be drastically reducec to almost nothing . . . So WHY NOT KEEP ON DOING WHAT YOU'RE DOING? The penal system may not rehabilitate people, but people need to know that there will be REAL consequences when they commit a crime.
I also feel sorry for the police men, and the veterinarians and all others who are called in on these crimes. They spend all this time, putting their lives in jeopardy, documenting, following procedure and what happens? The vet spends their time treating abused or wounded animals, spends time with documenting and they watch the violators walk away with a "slap on the wrist" and on their way to become repeat offenders.
As for the Texan getting upset with those of us who prefer not to put our names to our letters … Why should I trust someone who has stole, set fires to cabins and KILLED innocent animals, not to make me the next target?
Glen Younger's words, (on the message board) "But, horses can be replaced, cabins can be replaced, stolen items are just things." shocked me. That horse was a living thing, loved like a family member. The actions of these criminals affected the lives of so many in ways we can't imagine. They feel violated and in a emotional turmoil. His words about giving them (the criminals) a "second chance" . . . Were they thinking of a second chance when they fired a bullet into that second horse?
The "hang 'em high" is not the intention of the petition. Though it is obvious that many people who signed this petition are fed up with our court system, watching so many crimes go unpunished. If you listen to the radio, it has become a big laugh, listening to the long list of crimes of these repeat offenders, how according to criminal guidelines, they would serve 125 years and they get out with a fine, 1 year sentence, and probation. I am sorry for the families of these criminals, but I think the Tomahawk community and surrounding area is making a statement. As someone else has stated: "Too many times the Lincoln County court system has failed the community." We want justice. Plain and simple—Justice!
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text:
Lectures and Conferences
Bucks offers a variety of lectures and conferences open to the public.
Research Conference - December 4, 2015 - Composition, Foreign Language, Literature, Social/Behavioral Science, Business Studies, Arts
Faculty of the Future - May 29, 2015 - Open to educators and administrators who are committed to improvement in all areas of higher education.
Lectures, Demonstrations, Etc.
Kevin Kruse Lecture - Why NOW is the Best Time in History to Become an Entrepreneur. Kevin Kruse is a serial entrepreneur who has started and sold several multimillion dollar businesses.
Arts at Bucks The Department of the Arts' annual Celebration of the Arts in April and May.


text:
- Product:
- Missoni Flame Black
- Family:
- Missoni
- Manufacturer:
- Bolon
- Architonic ID:
- 1232176
- Country:
- Sweden
- Launched:
- 2013
Key facts
Bolon joined with the Italian fashion house Missoni to create the collection, Bolon by Missoni in 2012. The collection is based on Missoni's classic patterns and generous range of colours, which Bolon has combined with the latest weaving technology. This high confident, playful, and visually striking collection is available in three designs –Optical, Bayadere and Flame – with each design offered in a variety of colours. In total, there are no less than thirteen different versions with the latest colour additions in the autumn of 2013.


text:
HourlyLess than 30 hrs/week
Intermediate LevelI am looking for a mix of experience and value
TechRunner is a technology agency to Hospitality specializing in Network Design, PBX Telephony (Asterisk), and IP Surveillance.
We are currently looking to develop an Asterisk integration with a hotel PMS system, so voicemail can be automatically wiped upon check-out and the last name of the guest would appear as caller ID to lobby. The PMS system is called Roomkey.
Asterisk running on QNAP server.
We would also like the applicant to have experience or a high level of interest in studying network design (Cisco Meraki), PBX Telephony (Asterisk , Cetis), and IP Surveillance (Axis, Grandstream).
In your cover letter, please detail how you would create the integration from Asterisk to Roomkey. Note: we're currently using Cloudessa for our Radius server, but perhaps we can use the QNAP.
Must provide accreditation from this school: http://cetisgroup.thesipschool.com/courses/view
About the Client
United States
Santa Monica 11:50 PM
Jobs Posted
62% Hire Rate, 1 Open Job
Over $30,000
Total Spent
33 Hires, 10 Active
Avg Hourly Rate Paid
6,091 Hours


text:
Seriously Strong.
12 GA Industrial Storage Cabinets and Workspace Solutions
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