text:
|Publication number
|Publication type
|Application number
|Publication date
|Mar 13, 2001
|Filing date
|May 21, 1999
|Priority date
|May 21, 1999
|Fee status
|Publication number
|Joseph J. Perruzzi, John T. Williamson, Edward J. Hilliard, Jr.
|Original Assignee
|The United States Of America As Represented By The Secretary Of The Navy
|Export Citation
|BiBTeX, EndNote, RefMan
|Patent Citations (14), Referenced by (8), Classifications (9), Legal Events (4)
|External Links: USPTO, USPTO Assignment, Espacenet
The invention described herein may be manufactured and used by or for the Government of the United States of America for governmental purposes without the payment of any royalties thereon or therefor.
(1) Field of the Invention
The present invention relates to a system and a method for determining a weapon firing strategy for an evading target, which system and method enable an operator to preset a single weapon against an evading target through the utilization of a man/machine interface which allows the operator to model target evasion schemes.
(2) Description of the Prior Art
Various systems have been used to analyze the motion of a target and to allow a weapon to be directed towards the target. U.S. Pat. No. 3,722,447, for example, illustrates an acoustic homing system for a torpedo. U.S. Pat. Nos. 3,883,070; 4,146,780; and 4,739,329 illustrate non-alerted/non-evading targets and weapon placement systems. None of these systems account for changes in target position as a result of target evasion.
U.S. Pat. Nos. 4,224,507; 4,796,187; 5,062,056; 5,267,329; 5,317,319; and 5,365,236 illustrate target selection and tracking systems, and are incorporated by reference herein. The target localization, tracking and classification information generated by these systems may be used in the system and method of the present invention.
Current systems preset the weapon on an intercept trajectory which assumes the target will not be alerted to the attack. The assumption is not realistic. There is minimal guidance given to combat control system operators for presetting weapons to be launched at evading targets. To increase weapon performance against an evading target, it has been suggested to fire two weapons on a lead/lag firing strategy based upon an intercept solution.
Accordingly, it is an object of the present invention to provide a more realistic method and system for determining the firing point for a weapon when a target or contact is alerted to the attack.
It is a further object of the present invention to provide a method and system as above which enables an operator to preset a single weapon against an evading target.
It is yet a further object of the present invention to provide a method and system as above which provides for an interactive mechanism for combining apriori knowledge of an evading target with subjective operator knowledge.
The foregoing objects are attained by the method and the system of the present invention.
In accordance with the present invention, a method for determining a weapon firing strategy for an evading target comprises the steps of sensing the motion of the target prior to alertment, analyzing the motion of the target prior to alertment, providing a weapon employment decision aid, determining an evasion region for the target using the weapon employment decision aid and the analyzed motion, visually displaying the evasion region, inputting operator knowledge about the evading target, and generating a representation of the probability of the location of the evading target. The weapon employment decision aid utilizes beta density functions to determine the evasion region, displays target course and speed in the form of bar graphs, and allows the operator to input information about target evasion course and speed and uncertainty levels.
A system for determining a weapon firing strategy for an evading target in accordance with the present invention comprises means for sensing motion of the target prior to alertment, means for analyzing the motion of the target prior to alertment, means for determining an evasion region for the target using the analyzed target motion, means for visually displaying the evasion region, means for inputting operator knowledge about the target, and means for generating a representation of the probability of the location of the evading target.
Other details of the method and system of the present invention, as well as other advantages and objects, are set forth in the following detailed description and the accompanying drawings.
FIG. 1 is a schematic representation of a system in accordance with the present invention;
FIG. 2 is a graph showing evasion speed density functions for different shaping parameters;
FIG. 3 is a speed bar graph display generated and used by the weapon employment decision aid of the present invention;
FIG. 4 is a course bar graph display generated and used by the weapon employment decision aid;
FIG. 5 illustrates a target probability location representation generated by the weapon employment decision aid;
FIG. 6 illustrates a weapon employment decision aid display;
FIG. 7 illustrates a representation of a torpedo run preset from instantaneous and realistic target motion models; and
FIGS. 8A and 8B are graphical comparisons of presetting with realistic and instantaneous motion models (MM).
The speed, maneuverability, and sophistication of today's threat platforms make the problem of target localization and tracking increasingly difficult. Moreover, once a target is alerted and begins evasive maneuvers, current tracking techniques have been shown to be inadequate. In locating an evading target, the use of in-situ tactical information together with empirical information can help to concentrate search efforts in regions where the target is likely to be. The present invention relates to an interactive mechanism for combining apriori knowledge of the problem with subjective operator knowledge. The weapon employment decision aid (WEDA) of the present invention accepts heuristic information about an evading target's strategies and transforms this information into data that can be used to specify a target's evasion speed and course. The WEDA is preferably formed from a computer which has been programmed to carry out the functions set forth hereinbelow. The computer forming the WEDA may comprise any suitable computer known in the art.
FIG. 1 illustrates a combat control weapon targeting system 10. As shown therein, the system 10 has two major functions—target motion analysis and weapon setting and control. Onboard sensors 12 provide measurements related to target contacts, own ship and the environment as well as intelligence data depicted in the block 14. The sensors 12 may comprise any suitable sensors known in the art such as acoustic sensors. The target motion analysis block 16 comprises a computer or a portion of a computer which has been programmed to analyze the information received by the sensors 12. As shown in FIG. 1, the block 16 receives information from the stored data block 14 as well as the sensors 12. The block 16 computes estimates of the contact state (bearing, range, course and speed) in a known manner. For example, the block 16 may comprise any of the target motion analysis systems shown in U.S. Pat. Nos. 4,224,507; 4,796,187; 5,062,056; 5,267,329; 5,317,319; and 5,365,236, which are hereby incorporated by reference herein.
The output from the target motion analysis block 16 is fed to the weapon employment decision aid 18 along with stored data from the block 14. The weapon employment decision aid as previously discussed is formed by a computer or a portion of a computer programmed to carry out the functions described hereinafter. The output from the WEDA 18, namely target mean evasion course and target mean evasion speed, is supplied to a weapon setting and control block 20 which communicates with the weapon 22. The weapon setting and control block 20 may comprise any suitable weapon setting and control means known in the art.
It is the purpose of the WEDA 18 to enable the operator to preset a single weapon against an evading target through the utilization of a man/machine interface which allows the operator to model target evasion schemes. The first step in achieving a solution to an evading target problem is for the WEDA to determine the evasion region. Bounding regions for alerted and evading targets have been defined as a function of time based on known target information and characteristics. These regions are pessimistic since they assume that the target travels at maximum speed and turns with a constant minimum turning radius. A more realistic definition of the evasion region can be achieved by using appropriate probability density functions to model the anticipated course and speed changes.
The bounding regions are generated under the assumption that target location and direction prior to alertment are known. After alertment, the target is assumed to be capable of traveling in any direction from present course and at any speed up to maximum. The maximum distance traveled by the target, defined as a radial distance R, is a function of the post-alertment time. Since target maneuvers are unrestricted, R is the radius of a bounding circle that increases with time. This growing circle defines the evasion region and bounds all possible target locations after alertment.
In accordance with the present invention, beta density functions have been developed to model the maneuvering target position as a function of alertment time. In other words, the beta density functions model both the evasion speed and course of the alerted target. It has been found that this is the most comprehensive model since both symmetrical and skewed positional density functions can be generated. For this model, any maneuver results in a position lying within the circular bounding region and the final spectrum of positions distributed over the entire evasion region.
The modeling of any type of evasion tactic is possible simply by choosing the appropriate shaping parameters in the density function. The density function for characterizing the evasion speed is of the form
where S is the target speed, Sm is the maximum target speed, a and b are shaping parameters, and B(a,b) is the beta function. The density function for the evasion course is given by
where θ is the course change, Cr is the target course before evasion, and c and d are shaping parameters. The resultant positional density function is written as
where rm is the maximum distance the contact can travel based on the evasion time t, or
These particular densities meet all of the requirements stated above. Each one is a one-dimensional, four-parameter function (minimum and maximum values for evasion speed (Smin, Smax) or course (Cmin, Cmax) and two shaping parameters for evasion speed (a,b) or course (c,d)) and can assume widely differing shapes for various values of the shaping parameters. FIG. 2 shows various evasion speed models for different shaping parameters (a,b) for the beta density function. Each one of these density functions represents a possible model of target evasion speed. For example, when a=b=1, a uniform density results, implying that all speeds between zero and Smax are equally likely. The ramp density function (a=2,b=1) would weight more heavily those evasion speeds near the maximum, while the skewed model (a=12,b=3) weights speeds near the maximum in a nonlinear fashion. The symmetrical model (a=b=5) would have a mean evasion speed at sm/2. Similar models for evasion course can be generated through the selection of the shaping parameters c, and d. Thus, an infinite number of possible evasion strategies can be modeled from the beta density functions.
The positional density function developed in the preceding section contains valuable information about evading target characteristics. But for this information to be of any use to an operator, it must be presented in a manner that can be easily understood. A major step in accomplishing this goal is to represent the density functions as target containment regions; that is, transform the three-dimensional information (x, y, and associated probability) into two dimensions where the regions describe the high probability areas. The method employed in the WEDA converts the resultant two-dimensional positional density function into a sectionalized probability map where the probability of the target being in a certain location is displayed as a color intensity. Darker intensities represent higher probabilities of target location (see FIG. 5) This technique is well suited to torpedoes since the problem is a dynamic one; that is, as the torpedo is searching the region, the target is evading, resulting in a time-varying probability region. Because the probability map sectors are much smaller than contour regions, an operator can preset a torpedo to run through the highest probability sector. In addition, this method generates the target containment region quickly, which is very critical in a dynamic situation.
The generation of FIG. 5 involves a number of steps. First a 100-percent containment circle about the current target location is computed. This containment circle is based on the target's maximum evasion speed Sm multiplied by the evasion time t (equation (4)). Next, the containment circle is divided into sectors, the number of which affects computation time and solution resolution. The system may use 200 sectors—10 radial divisions and 20 angular divisions. The probability for each sector is approximated by
where rui, rli, θui, θli are the radial and angular values of each sector and Irui (a,b); Irli (a,b); Iθui (c,d); and Iθli (c,d) are the incomplete beta functions. All values of Psi are displayed in an ordered fashion, the highest probability sector having the darkest intensity and the lowest probability sector having the lightest intensity. This procedure yields a display that allows an operator to quickly identify the most likely evading target location. Such a capability enables the operator to determine the number of weapons required, as well as associated placement coordinates, to effectively cover the target evasion region.
The WEDA 18 is designed to function in a user-friendly manner. The operator uses menus and bar graphs to construct a target evasion region while symbolically accounting for the uncertainty contained within the problem. The main obstacle in the design of the man-machine interface was the development of a scheme that would closely adhere to the operator's concept of the problem while allowing for the inclusion of varying degrees of uncertainty in the target's evasion course and speed. This uncertainty was found to be of a symbolic type that is usually expressed verbally, ranging from "I'm very uncertain as to the target's evasion course" to "I'm very certain the target will evade at course 180�." Such verbal comments indicated that operators typically worked within a finite set of uncertainties. A quantization of the uncertainty spectrum resulted in defining five levels of uncertainty (viz., very uncertain, uncertain, somewhat uncertain, certain, very certain).
After quantitizing the uncertainty levels, a method for mapping the symbolic uncertainty into a probabilistic format that could be computed numerically was developed. Various methods of representing uncertainty were examined from the fields of computer science and artificial intelligence. Analysis indicated that the type of uncertainty mapping being sought was not completely represented in any of the methods examined. Past experience in human factors techniques subsequently led to a graphic representation of the target evasion parameters and associated uncertainties. A bar graph scheme was determined to be a good mechanism for translating an operator's internal concept of target evasion and associated uncertainties into numerical statistical information.
The bar graph representation, depicted in FIGS. 3 and 4, uses various symbols as markers to indicate evasion parameters of the target. An X is used to indicate the operator's choice for "most likely evasion value" in both course and speed. Uncertainty in the most likely value is indicated by inserting "padding" (asterisks) on each side of the value. The larger the padding (i.e., the more asterisks), the greater the uncertainty; an absence of padding indicated certainty. As the padding of asterisks is entered, a symbolic description of the current level of uncertainty is displayed to the operator in the window labeled CONFIDENCE.
A mapping algorithm from graphic to statistical representation was developed. The algorithm uses the mean value, standard deviation, and mode of course and speed bar graphs to develop beta density functions containing the same statistics. The first step in conversion requires determination of the mode of the bar graph. This is a straightforward process in which the most likely value represented by X is equated directly to the mode of a beta density function. The mean of the bar graph is computed by an averaging technique, wherein all values indicated by asterisks are summed and then divided by the total number of asterisks. The standard deviation (STDV) of the bar graph is finally computed by taking each value indicated by asterisks, subtracting the mean from it, squaring it, summing all of them, dividing by the total number of asterisks, and finally taking the square root (SQRT).
When the uncertainty is nonsymmetric, the padding of asterisks is unequal about X (see FIGS. 3 and 4). In this case, the resulting density function is skewed, indicating a higher probability of values on the skewed side.
The mode and standard deviation are subsequently used to compute the shaping parameters (a, b, c, d) by employing equations (6) and (7) for speed density and equations (8) and (9) for course density are written below. This results in the solution of a cubic equation in determining the shaping parameters, and yields the target speed and course density functions for this specific evasion tactic.
The principal advantage to the WEDA 18 is that it allows the operator to enter heuristic knowledge about target evasion course and speed and that it is designed to function in a user-friendly manner. The operator uses menus and bar graphs to construct a target evasion region while symbolically accounting for the uncertainty contained in the problem. The operator may input the evasion course and speed into the WEDA using any suitable means known in the art such as pull-down menus and a keyboard.
The following is an example of the use of the WEDA 18.
This example involves a single target on an initial course of 180� with a current speed of 9 knots. The target is assumed to be alerted when the torpedo enables at a range of 3000 meters from the target. The operator can now construct the target evasion model through interaction with the WEDA. The speed bar graph is used to enter the evasion speed and associated uncertainty. In this case, the operator estimated that the target will evade at 25 knots (see FIG. 3), with a skewed uncertainty indicating higher probabilities of fast evasion speed. The tactical description yields a skewed speed density function with shaping parameters of a=8, b=6. The density function generated with these shaping parameters has approximately 55 percent of its area located between 20 and 28 knots, indicating that this is a good representation of the evasion speed entered. The operator now uses the course bar graph to enter the evasion course and associated uncertainty. Here, the operator estimates that the target will evade on a course of 0� (see FIG. 4), with more probability that the target will turn left rather than right to evade. The resulting skewed course density function has shaping parameters of c=4, d=5 and again closely represents the evasion course entered.
The aforementioned combination of the course and speed density functions results in most probable target positions being located in a sector centered at bearings 300� and a range of 1100 meters beyond current target location. This information is displayed on the WEDA's sectionalized probability map (see FIG. 6). The darker areas indicated higher probabilities of target location.
It has been found that two special cases exist when using the WEDA. The first is when the operator is very uncertain about target evasion course and speed. In this case, both beta density functions begin to approximate uniform densities, exponentially tapering off in the radial direction to zero at the boundary of the 100-percent containment circle. The second special case occurs when the mode of the evasion speed is set equal to the maximum evasion speed and the evasion course is very uncertain. In this case, the speed beta density function approximates a ramp function and the course density function approximates a uniform distribution inside the 100 percent containment circle.
It has been found that when the WEDA is employed on a submarine, the accuracy of the weapon firing point is contingent upon the fidelity of the submarine motion models which generate the target location region. These regions are a function of submarine classification (i.e. diesel, SSN, SSBN, etc.) as well as the initial submarine velocity before evasion. The regions that are generated in WEDA employ a simple motion model that only characterize submarine classification by using the maximum speed. The end result is circular regions which only vary in size from submarine to submarine by the radius. Thus, a more sophisticated motion model may be incorporated into WEDA which models the acceleration of the submarine for both speed and course changes. This motion model employs target characteristics such as turn rate, turning radius and acceleration for various submarine classes in the computation of the mean evasion course and speed. The firing point for this region would also be different from that shown in FIG. 5. FIG. 7 shows two sets of weapon presets one using the instantaneous motion model and the other using the realistic motion model. As can be seen, there is a significant difference in the torpedo run.
Table 1 shows the different weapon presets (gyro angle, run distance and run time) for the improved version for the same two different submarine types in Table 1. Parameters for each submarine are selected as a function of classification which results in regions that are very accurate for that contact.
WEDA presets using the realistic motion model
Since these parameters are inputs to the weapon order generation (WOG) algorithm, the resulting presets are also different. The value added in using the WEDA algorithm presented in this patent application can be demonstrated employing a Monte Carlo simulation. Four targeting solutions were evaluated using this simulation and the results are shown in Table 2.
Probability of Acquisition for different weapon presets
Table 2 shows the importance of using the more realistic target kinematics model in the determination of the firing solution. There is at least a 10% increase in torpedo acquisition using the evasion parameters from the realistic MM over the instantaneous MM. FIGS. 8A and 8B further support this by comparing probability of acquisition for a torpedo preset with the two motion models.
Summarizing, this added feature results in improved firing points for advanced weapons. The real time performance of WEDA has not been diminished and overall weapon performance has improved by it.
It is apparent that there has been provided in accordance with the present invention a method and a system for determining the probable location of a contact which fully satisfies the means, objects and advantages set forth hereinbefore. While the present invention has been described in combination with specific embodiments thereof, it is evident that many alternatives, modifications, and variations will be apparent to those skilled in the art in light of the foregoing description. Accordingly, it is intended to embrace all such alternatives, modifications, and variations as fall within the spirit and broad scope of the appended claims.
|Cited Patent
|Filing date
|Publication date
|Apr 23, 1964
|May 13, 1975
|Us Navy
|Method and apparatus for aiding in solution of three-dimensional fire control problems
|Feb 3, 1977
|Mar 27, 1979
|Gene Tye
|Aircraft gun sight system and method for high angle-off attacks
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|Mar 27, 1979
|Ares, Inc.
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|Oct 13, 1976
|Apr 3, 1979
|Westinghouse Electric Corp.
|System for estimating acceleration of maneuvering targets
|Oct 17, 1978
|Sep 23, 1980
|System for tracking a moving target with respect to a frame of reference of unvarying orientation and fixed origin relative to earth
|Apr 16, 1986
|Apr 19, 1988
|Motorola, Inc.
|Scaler scoring system
|Dec 24, 1986
|Jan 3, 1989
|Hughes Aircraft Company
|Method for processing image data to select a target aimpoint
|Oct 18, 1989
|Oct 29, 1991
|Hughes Aircraft Company
|Apparatus and method for tracking a target
|Aug 10, 1990
|Nov 30, 1993
|Kaman Aerospace Corporation
|Process for automatically detecting and locating a target from a plurality of two dimensional images
|Jul 17, 1992
|May 31, 1994
|Hughes Aircraft Company
|Automatic global radar/IR/ESM track association based on ranked candidate pairings and measures of their proximity
|Dec 11, 1992
|Jun 7, 1994
|The United States Of America As Represented By The Secretary Of The Navy
|Adaptive trajectory selection apparatus and method
|Mar 5, 1993
|Nov 15, 1994
|Hughes Aircraft Company
|Automatic global radar/IR/Esm track association based on ranked candidate pairings and measures of their proximity
|Apr 25, 1996
|May 20, 1997
|Hughes Electronics
|Dynamic inertial coordinate system maneuver detector and processing method
|Jun 30, 1997
|Dec 21, 1999
|The United States Of America As Represented By The Secretary Of The Navy
|Method and apparatus for directing a pursuing vehicle to a target with intelligent evasion capabilities
|Citing Patent
|Filing date
|Publication date
|Mar 27, 2002
|Dec 23, 2003
|Lockheed Martin Corporation
|Method and system for target localization
|Jan 9, 2008
|Jan 25, 2011
|Lockheed Martin Corporation
|Missile tracking with interceptor launch and control
|Jun 22, 2006
|Mar 26, 2013
|Israel Aerospace Industries Ltd.
|System and method for tracking moving objects
|Jun 18, 2013
|Ioannis BOULTIS
|Diffraction fields for guiding an object to a target
|Dec 19, 2012
|Jul 29, 2014
|Israel Aerospace Industries Ltd.
|System and method for tracking moving objects
|Jun 22, 2006
|Oct 30, 2008
|Uri Karazi
|System and Method for Tracking Moving Objects
|Nov 29, 2010
|Jun 2, 2011
|Boultis Ioannis
|Diffraction fields for guiding an object to a target
|Jul 12, 2011
|Nevada Asset Liquidators, Llc
|Method and system for target localization
|U.S. Classification
|89/41.01, 342/67, 89/1.11, 244/3.1, 342/62, 702/152
|International Classification
|Cooperative Classification
|European Classification
|Jun 22, 1999
Owner name: NAVY, UNITED STATES OF AMERICA, THE, AS REPRESENTE
Free format text: ASSIGNMENT OF ASSIGNORS INTEREST;ASSIGNORS:PERRUZZI, JOSEPH J.;WILLIAMSON, JOHN T.;HILLIARD, EDWARDJ., JR.;REEL/FRAME:010045/0024
Effective date: 19990513
|Sep 29, 2004
|Maintenance fee reminder mailed
|Mar 14, 2005
|Lapse for failure to pay maintenance fees
|May 10, 2005
|Expired due to failure to pay maintenance fee
Effective date: 20050313


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Dr. and Mrs. John Neilson of Amarillo announce the engagement of their daughter, Jennifer, to Michael Marvin Bankhead.
Bankhead is the son of Dr. and Mrs. James Bankhead of Amarillo.
The couple plan to wed March 14 at the First Presbyterian Church.
Amarillo Globe-News, Jan. 10, 2009
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Charleston County
BALIS, Rose Jenkins Townsend, 99, of Charleston, widow of Mark E. Balis, died Saturday. Arrangements by Stuhr's Downtown Chapel.
CREWS, William Benjamin Jr., 86, of James Island, an Army veteran, retired construction superintendent with R.E. Mevers Construction Co. and husband of Barbara A. Kaegel Crews, died Saturday.
GILPATRICK, Linda Sue, 54, of Charleston, a former home health care registered nurse and wife of Richard W. Gilpatrick, died Thursday. Arrangements by Stuhr's West Ashley Chapel.
GRANT, Bernard, 60, of Charleston, a custodian in the hotel industry, died Saturday. Arrangements by Palmetto Cremation Society.
GREEN, Thelma Crosby, 87, of Wadmalaw Island, co-founder of East Coast Seafood and widow of James Green, died Saturday. Arrangements by Stuhr's West Ashley Chapel of Charleston.
SKINNER, Clayton Paul, 28, of Mount Pleasant died Friday. Arrangements by The Palmetto Mortuary of Charleston.
WALL, Betty Baggott, 78, of James Island, wife of William Wall, died Friday.
WHEELESS, Robert Thomas, 77, of Charleston, a Navy veteran, retired employee of the Southern Division Naval Facilities Engineering Command and widower of Willie M. Braswell Wheeless, died Friday. Arrangements by James A. McAlister Funeral Home.
WILSON, Marion Edward, 79, of Mount Pleasant, an Air Force veteran, food broker and husband of Barbara Vaughan Wilson, died Friday. Arrangements by Stuhr's Mount Pleasant Chapel.
Berkeley County
IVES, Jimmy Lee, 67, of St. Stephen, an Air Force veteran, truck driver with Carolina Trucking Co. and husband of Gladys Potter Ives, died Friday. Arrangements by Dial-Murray's St. Stephen Chapel.
POGORZELSKI, Stanley T., 88, of Hanahan, a retired turbine planner with General Electric and widower of Jane E. Pogorzelski, died Friday. Arrangements by McAlister-Smith's Goose Creek Chapel.
PRYOR, Rebecca, 82, of Cross died Saturday. Arrangements by Eutawville Community Funeral Home.
Dorchester County
STROBLE, Ruby, 81, of Summerville, an entrepreneur and widow of Engram A. Stroble, died Friday. Arrangements by Parks Funeral Home.
Georgetown County
HYMAN, Larry O., 75, of Georgetown, a retired deputy with the Georgetown County Sheriff's Department and widower of Barbara Ann Hyman, died Friday. Arrangements by Graham Funeral Home.
BAXLEY, Wanda Cherene Powell, 58, of Pamplico, an employee of Tupperware Manufacturing Co. and widow of Kenneth Baxley, died Thursday. Arrangements by Morris Funeral Home of Hemingway.
CHAMBERS, Thomas Hilary Jr., 83, of Advance, N.C. , a Navy veteran, retired president of Goody's Manufacturing and widower of Lorna A. Angell Chambers, died Friday. Arrangements by Salem Funeral and Cremations of Winston-Salem, N.C.
GRAINGER, Stacey Rebecca Fowler, 36, of Loris, a surgical coordinator with Seacoast Medical Center and widow of Matthew O. Grainger, died Friday. Arrangements by Hardwick Funeral Home.
McFADDEN, Willie Lee, 52, of Lake City died Friday. Arrangements by Henryhand Funeral Home of Kingstree.
SIMS, Theresa G., 94, of Orlando, Fla. , widow of Roy L. Sims, died Thursday. Arrangements by Parker-Rhoden Funeral Home of Walterboro, S.C.
SMITH, Lonnie Mondell, 87, of Sumter, a Navy veteran, retired employee of the Charleston Navy Yard and widower of Mary Alsbrook Smith, died Saturday. Arrangements by Elmore Hill McCreight Funeral Home.
SOLOMAN, Mitchell Paul, 60, of Johnsonville died Saturday. Arrangements by Morris Funeral Home of Hemingway.


text:
Anthony Hopkins eats up 'Hannibal'
The sequel to the Academy Award-winning thriller "The Silence of the Lambs" will apparently move forward with its lead villain still intact. (Even if the guy's victims won't be.)
Anthony Hopkins has reportedly agreed to return to the "Lambs" fold for "Hannibal" — reprising his role as the brilliant but ravenously deadly Dr. Hannibal "The Cannibal" Lecter. No word on what the star's paycheck would be.
The Hopkins score, as reported in today's Hollywood Reporter, should come as a sigh of relief to producers who had yet to land any of the original film's leads. Jodie Foster, though not completely out of the picture, has expressed doubts about the way her stalwart FBI agent Clarice Starling was portrayed in author Thomas Harris' novel "Lambs" follow-up, also named "Hannibal." Foster says she's holding fire until reading a script.
According to reports, Foster may well like what she gets. Writer Steven Zaillian's second-draft script is apparently doing the job. The Reporter says Hopkins, Universal execs, director Ridley Scott and producer Dino De Laurentis are all happy with the rewrite.
Thus far, the picture has been considered by many to be in danger. "Silence of the Lambs" director Jonathan Demme was the first to turn down the film. When word came that Foster might be having second thoughts, speculation began as to whether a Foster-less "Hannibal" would foster any credibility among filmgoers.
Hopkins, Foster and Demme each won Oscars for their work in the 1991 original. The movie itself was tapped Best Picture.
With Hopkins apparently close to inking a deal, industry watchers will once again focus on Foster's status. The actress has reportedly still not read Zaillian's screenplay.
The picture is tentatively scheduled to go before cameras as early as next spring in both Italy and the United States.


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Volkswagen may be forced to buy back cheating diesel cars
At the average resale value, VW could be forced to pay more than $6.9 billion to repurchase the cars.October 20, 2015, 7:47 am explore: Auto
Over one-third of car sales influenced by children
If one of the kids doesn't like the shape or color of your next car, or it doesn't come with plug-in for an iPad, then you'd better be prepared for some serious pestering!September 9, 2015, 10:00 am explore: Auto
Apple scraps appointment-only policy for buying Apple Watch at stores
The new policy will streamline the retail experience for those hoping to purchase the product and offer more hands-on time with the device to a larger range of shoppers.August 19, 2015, 8:19 am explore: Tech
Twitter adds buy button to let you shop directly from app
Twitter is teaming up with Shopify -- which boasts of about 100,000 merchants using its software -- and other e-commerce software companies to expand its range.August 8, 2015, 10:09 am explore: Tech
Google's 'buy buttons' will soon let you shop right from the search results page on your phone
The buy buttons will redirect a user to a special purchasing page where one could buy the product, set delivery preference- all without leaving Google.May 16, 2015, 5:54 pm explore: Tech
'Apple remains undervalued and misunderstood'
Billionaire investor Carl Icahn, who has been vocal about his belief that Apple is undervalued, has urged the company's board to buy back more shares using its huge cash pile.April 29, 2015, 10:24 am explore: Tech
Now, shop directly from Microsoft's Bing image search results
The updated Bing image search will now provide options that let you buy the product in the image, carry out related searches, Pinterest collections and more.April 12, 2015, 8:30 am explore: Tech
Tumblr adds 'Buy', 'Pledge', or 'Get Involved' options to related posts on site
Posts that link to crowdfunding or related sites will have these features. Those with an option to buy will also show the price of the product.March 29, 2015, 8:33 am explore: Tech
Twitter users can now purchase books right from tweets
A leading book publisher is hoping that Twitter will not only help promote books, but sell them directly.December 9, 2014, 12:03 pm explore: India


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PETER SARSTEDT England's Lane
It's Sarstedt's voice that leads the way, smooth and poignant, a bit like the Canadian singer Gordon Lightfoot. Where Do You Go To My Lovely is not here but there's a similar waltz sound on Biarritz, while Altogether Now is a rocking country tune with Lee's trademark licks. The title track has a bluesy feel, and warms up nicely. As a whole, the album reminds us of Gordon Haskell's gentle Harry's Bar.
The Chronicle (July 2016)
After listening to England's Lane it is easy to see why Angel Air decided to bring this album out of the vaults. It is a fine album of folksy rock and pop, very nicely recorded with excellent musicianship and Sarstedt's silky smooth vocals. The title track begins the disc featuring soulful harmonica and bluesy/folky guitar. Other highlights include; the ultra-catchy folk pop gem that is "British Museum", the poignant beautiful folk of "Horses", the Latin tinged acoustic guitar in "You Crazy Fool" and the gorgeous accordion melody in "Biarritz", another tune in the folk tradition.
When I want something a little lighter and poignant in a folkier vein I will certainly reach for England's Lane again. I suggest you do the same.
Sea Of Tranquility (March 2016)
"England's Lane" is one of the veteran's most solid offerings. Instigated and produced by Brian Hodgson, an original Rutle, it finds Peter reconnecting his past and the present en route from UK to France and across the Pyrenees with the same lyricism and attention to detail he demonstrated on that Number One hit. There would be no Ivor Novello Award for tapping into a similar tune on the accordion-adorned "Biarritz" yet it's difficult not to become fascinated with "The Horses" and its air of freedom.
It's also hard not to recognize Peter's "ancient features" in the "Empty Pages" melodrama, whereas the pictures in "British Museum" come painted with a skank and a smile. And while some nostalgia is inescapable in such a context – an exquisite acoustic weave in "You Crazy Fool" is a dewy-eyed delight – the singer's recollections are mostly sweet, his two brothers – each a charts-denting musicians – joining in for the skiffle-spiced "All Together Now" in which Albert Lee pitches filigree flurries.
At the same time, plaintive harmonica and steel guitar give "I Need Her" and the title track a bluesy tinge, but the unhurried stanzas of "Spanish Made Easy" harbor a genuine passion. So if Sarstedt felt out-of-fashion when delivering "The Last Of The Breed," he certainly wasn't – and isn't now, when Peter's memories faded due to deteriorating health.
Where do you go to when you're down and out? Down your memory lane. 4/5 Stars
DMME.net (February 2016)
Recorded in 1997, England's Lane has long since been out-of-print. But now, nearly twenty years later, it is once again available for all to hear. The album was recorded and produced with Sarstedt's friend Brian Hodgson who many will remember as a member of The Rutles and Hogan's Heroes. Eleven smooth listener-friendly soft pop tunes here with a heavy emphasis on lyrics and vocal melodies. Warm, inviting cuts include "British Museum," "All Together Now," "Castles In Spain," and "The Last of the Breed."
babysue (January 2016)
Right from the opening title track the unique vocal could not be mistaken for anybody other than Peter. His phrasing, wit, humour, emotion and ability to paint pictures and take you to places are truly art. Listening to 'Biarritz', 'British Museum', 'Castles in Spain' and the glorious 'Spanish Made Easy' are virtually cinematic experiences. Ray Davies is the only other singer I can think of that masters that ability (Village Preservation Society being a prime example). Peter's wistful warm honey coated voice seeps into your conscience, stays there and makes the world a better place for 45 minutes and these days we could all do with that.
Whether tackling his skiffle roots on 'All Together Now' (with Albert Lee on guitar) or revisiting Marie-Claire on the closing track 'The Last Of The Breed' this remains, for me, one of his finest albums. And as a closing thought get a copy of his debut album which contains the wonderful 'I Am A Cathedral' and the FULL version of WDYGTML which they NEVER play on the radio!
ninebattles.com (January 2016)
Rampant eclecticism reigned supreme as Peter recaptures the spirit of his late sixties hit with 'Biarritz' before joining forces with his bothers Eden Kane and Clive Sarstedt for an engaging country romp entitled 'All Together Now' featuring the great Albert Lee on guitar.
Kevin Bryan, Regional Newspapers (December 2015)
Catch The Reform Club live in 2016!
1st October – Hurst Festival, Hurstpierpoint
28th October – King's Head, Lewes (9pm)
'Teapot Lane' is included on The Reform Club's latest album 'Never Yesterday', available now from Angel Air Records.
STRAIGHT EIGHT No Noise From Here / Shuffle'n'Cut / Straight To The Heart
The band's first album (No Noise From Here) is a real rockin' kinda affair while the follow-up (Shuffle'n'Cut) finds them in a more power pop vein (similar to The Cars). While we kinda like the debut album best, in all honesty all three albums have their great moments. The second disc includes four bonus cuts, most importantly the hard-to-find single "Spread It Around." We love the packaging here…each disc looks like an eight ball (one red, one blue).
babysue (November 2015)
…if the power riffs of 'I Idolise You' chimed in more with American AOR of the day than UK's post-punk, 'Nicotine Boys' taps right into it – with gusto, while Boot Kingsman's bluesy licks spice up the organ-oiled 'Take It All Back' and 'Power Cut,' the latter – a Winter of Discontent snapshot – sitting in the heart of 1980′s 'Shuffle 'n' Cut,' a rather different proposition. No 'duplication of yesterday' as stated in one of the pieces here, it starts with the bubbling 'I'm Sorry' baring the band's new pop agenda and takes 'On The Rebound' to the dancefloor in fine fashion, whereas 'I Can't Stop' are 'Satisfied' are channelling the CLASH sort of twang and vocal chops.
John Burns' sympathetic production, honed on prog, makes pieces like the anthemic 'Only You' or the elegant rocker 'Heartbreaker' sound modern even now…
DMME.net (November 2015)
Now, after three decades, their three albums are collected on two CDs, plus some bonus tracks. I must confess that I've never heard of this band and their songs are not familiar to me. It's American-inspired, melodic rock. The bonus tracks include 'Spread It Around', which was produced by Pete Townshend…
Keys and Chords (October 2015)
JENNY DARREN Heartbreaker-Best Of 1977-1980
…In fact there is much to enjoy here. Jenny Darren has the sort of raunchy rock voice that made Janis Joplin a star and the tracks on display here show her to be very much at home with the late '70s mainstream rock sound. Her version of Heartbreaker is as good as Benatar's and makes you wonder what might have been if things had worked out differently. The magnificently titled 'Grand Canyon Of My Dreams' could have slipped off a Heart album and is one of three tracks to feature a certain Nicko McBrain on drums. An interesting discovery for me and well worth checking out.
Classic Rock Society (January/February 2016)
Opener 'Heartbreaker' is the song which…yep, you read the story before. Only that this time it's Jenny Darren's version and performed as intended…Those good souls at Angel Air Records really do have a knack for 'resurrecting' either almost forgotten or underrated artists! There is a fair mix across the 19 tracks we get, incorporating rock, funky blues, bluesy rock and softer fare. Tracks 3, 7, and 17 even features Iron Maiden's Nicko McBrain on drums!
….It get's very bluesy and full-on raunchy on 'Use What You Got' and for sure Jenny uses best what she's got, which is one hell of a voice. The unique 'City Lights' skilfully fuses snazzy 70′s disco-funk with truck-loads of soul, though it is the track 'Skydiver' which in my opinion stands out the most: a fabulous rock sound glides into softer pop terrain and back again to harder rhythms, all the while we can hear cool strings and some quirky sounds backing up this little gem.
A real treat this for all you Jenny Darren fans out there, and as for the uninitiated: get a copy and allow yourself to get seduced by her truly outstanding talent.
Music-News (January 2016)
Know that Jenny opened for AC/DC, Streetwalkers, Patti Smith, and performed at Reading and Knebworth festivals, proof of perfect talent, just as 'Best Of' demonstrates.
Highlands Magazine (November 2015)
These songs have a late 70′s sound that is likely to appeal to lots of folks considering how influential the decade has become over time. Darren sure could belt out the tunes. She's been compared to Janis Joplin, and the comparison is certainly justified. She also reminds us of Tina Turner at times. Nineteen classy rockers including "Heartbreaker," "Too Many Lovers," "So Many People," and "Ladykiller."
babysue (November 2015)
So thanks to reissue (and more) specialists Angel Air, ladies and gentlemen, here is a singer who could have rivalled Janis Joplin for power, handles a track which made Pat Benatar's name, with ease and slides smoothly from rock to pop, funk to soul and so much more.
In fact Darren is now a more familiar face to followers of jazz, than she is the pointed rock this "best of" demonstrates so ably. Bringing together songs from her four albums between 1977 and 1980, this collection shows the talent and versatility of this lady to the full.
Sea Of Tranquility (November 2015)
…the fierce 'Use What You Got' could have come from Muscle Shoals, as there's a triumphant roar blaring out, whereas 'Skydiver' off 1980′s 'Jenny Darren' – yes, the second named after the artist – rolls out a Nicko McBrain-propelled acoustically-laced epic drama which somehow predicted the singer's vanishing from the public eye. Still, defiant as she is in the hard-rocking 'Ladykiller' – that should be renamed 'Lady Killer' – Jenny Darren's returning with a vengeance. Watch out!
DMME.net (October 2015)
The 19 tracks on this anthology all date from the period 1977 to 1980. At the time, Jenny played the support act for AC / DC, stood at the festivals Reading and Knebworth and supported Streetwalker and Patti Smith on tour. The musicians on most of the tracks are Jenny as a singer, Cliff Wade on keyboards, Lee Patrick on guitar, Des Tong on bass and Geoff Gill on percussion. The title track opens the set on a floating rock rhythm. 'Lay Me Like A Lady' starts slow but then turns into rock. By contrast, 'Grand Canyon Of My Dreams' is rather quiet, and a little further on is 'I Got The Feeling' which features soul elements with strings. The other tracks all are situated in the same vein…Excellent for fans of retro rock.
Keys and Chords (October 2015)
STEVE ELLIS Best Of Days
Steve Ellis is one of the great and unique British songwriters who has the capability to write good songs of his own and to pick winners from other composers. In 2004 Steve recorded this Best Of Days album, which is now released as a budget priced CD. Guest musicians include Roger Daltrey and Paul Weller…Standout tracks are 'Brand New Start', 'Step Inside', 'Nu Clear Blues', 'Requiem For A Tyrant', 'Best Of Days' and a laid back 'Everlasting Love'.
Bev Bevan (December 2015)
…"Step Inside" (featuring Weller) is a groovy number that proves infectious. "Requiem For A Tyrant" pulling out a stunning acoustic guitar line and marrying it to eerie piano to allow Ellis's voice to shine in a surprisingly fragile manner. The two tracks featuring Daltrey don't disappoint either, "Nu Clear Blues" finding The Who frontman bringing his dirtiest harmonica licks to bare in fine style, while "Yellow Rose Of Texas" is a lovely throwaway moment that induces a little grin every time you hear its twenty-five seconds or so!
However, even with that guest power elsewhere, it's the beautifully arranged "El Doomo" which seduces in a most melancholic manner and the irresistible "As The Crow Flies" which could easily have been taken to the top of the charts if David Gray had deemed it fit to record (ironically it's not the same cut as the David Gray song of the same name). However with the album's title track and "Modesty" proving almost as alluring, there's much to enjoy here. One of the forgotten, classic voices the UK has produced over the years, there's much reason to rejoice in the music of Steve Ellis and the aptly titled Best Of Days, reissued here by Angel Air, is definitely one of them.
Sea Of Tranquility (November 2015)
As a bonus you can enjoy a live version of 'Everlasting Love' where the singer is accompanied by PAUL WELLER and STEVE CRADDOCK (OCEAN COLOUR SCENE) on guitars. Recorded at the Fairfield Hall Croydon, it's a beautiful way to finish and is as successful as any other track on the album.
Highlands Magazine (November 2015)
No surprise to find Paul Weller (mod champion) featured and Steve's old friend Roger Daltrey weighing in on 'Nu Clear Blues' with a great harmonica part. It's (for me) songs like Steve's 'Little One' and the title track 'Best Of Days' that stand out, the latter being genuinely uplifting. Elsewhere minor hit 'El Doomo' gets a reworking, again to great effect. Overall a class album that rewards and deserves multiple listens.
SMART – Seventies Music And Retro Talk (October 2015)
Down to earth, the prairie pining is what 'Requiem For A Tyrant' gets high on for Steve's vocals to show their lucid transparency, but the drift gets warm in 'Turn To Stone' which fathoms the passing of years in the miles of intimate gratitude to life itself. That's what the whole of this album is all about, the songs' joie de vivre spilling over into its follow-up "Ten Commitments": that's the everlasting love. 4/5 Stars
DMME.net (October 2015)
'Everlasting Love' is simply sublime, it's a far more acoustic version than the original. We also get a live version of this number which Paul Weller contributes. Furthermore, other songs that Steve now presents in a completely different way are "Requiem For A Tyrant", "Modesty" and a very short version of the classic "Yellow Rose Of Texas".
Keys and Chords (October 2015)
…this appealing 2008 package features not one but two fine versions of 'Everlasting Love' with an understated acoustic re-vamp rubbing shoulders with a much more heartfelt live rendition recorded with Paul Weller during the latter's 'Wings of Speed' tour in 2001.
Kevin Bryan, Regional Newspapers (October 2015)
Several of the compositions carry 'Ellis' writing credits, and they include a re-working of his previously recorded 'El Doomo'. Meanwhile, 'Step Inside' has Paul Weller on guitar and keyboards (with Ellis also covering the Jam man's song 'Brand New Star'). Roger Daltrey's on another cut, and Ellis (sometimes sounding here like early Rod Stewart) is clearly respected by Daltrey and Weller – and not just for his 'mod' affiliations.
The Beat (October 2015)
…even with that guest power elsewhere, it's the beautifully arranged "El Doomo" which seduces in a most melancholic manner and the irresistible "As The Crow Flies" which could easily have been taken to the top of the charts if David Gray had deemed it fit to record (ironically it's not the same cut as the David Gray song of the same name). However with the album's title track and "Modesty" proving almost as alluring, there's much to enjoy here. One of the forgotten, classic voices the UK has produced over the years, there's much reason to rejoice in the music of Steve Ellis and the aptly titled Best Of Days, reissued here by Angel Air, is definitely one of them.
Sea Of Tranquility (October 2015)
STONE THE CROWS Teenage Licks/Ontinuous Performance
Teenage Licks is a total success as it is filled with energy, thanks to the exceptional vocal parts by Maggie Bell but also the brilliant guitarist Leslie Harvey. Teenage Licks is considered the fans' favourite album…
…Ontinuous Performance is their fourth album, substantially already finished when Leslie's accident occurred. Therefore, we hardly hear the guitar of the new guitarist, only present on the track, 'Sunset Cowboy' – a tribute to Leslie, which is very emotional. For the rest we are in familiar territory: 'King Tut' is an all instrumental and boiling in swing, Leslie soaring with his instrument during a performance of unforgettable beauty, the title inspired by the Tutankhamen exhibition at the British Museum.
Highlands Magazine (November 2015)
There's funky abandon to Les Harvey's riffs and Colin Allen's drumming that feel so relaxed in the brass-splashed paean to drugs 'Mr. Wizard,' yet their bluesy flow infuse 'Faces' and Dylan's 'Don't Think Twice' with a spiritual uplift, whereas the live rendition of Freddie King's 'Going Down' redresses the balance. But acoustic fibre of 'Seven Lakes' offers a perfect ride into the sunset, its jazzy gauze pointing to the band's swan song: 'Ontinuous Performance.' It would always be blackened by Les' untimely passing – the guitarist was electrocuted and died on-stage – yet his playing on 'Niagara,' where the ensemble interplay is at its tightest, and on 'Penicillin Blues' feels economic but fiery, while he delivers a stately, if understated, solo on the piano-driven 'One More Chance.'
Still, the punchiest tracks of the album were cut with Jimmy McCulloch, en route from THUNDERCLAP NEWMAN to WINGS, whose guitar ups the brass-spiked panache of 'Good Time Girl' and soars from the sublime harmonies of 'Sunset Cowboy' which pays homage to the CROWS' fallen hero. It was also a fall for the group as Harvey's demise sucked the soul of them and, as being cold couldn't be an option for STC, the quintet broke up soon to never return. A sad story with a great soundtrack.
DMME.net (November 2015)
…Maggie Bell's raucous vocals impress on originals like 'Big Jim Slater' and 'Faces'. Guitarist Les Harvey, horrifyingly, was electrocuted on stage before Ontinuous Performance was completed with Jimmy McCulloch replacing him on two tracks, including a tribute to Harvey, 'Sunset Cowboy'.
Blues In Britain (November 2015)
Teenage Licks, their third album, came quickly in 1971. Their sound had grown even stronger and more potent; vocalist Maggie Bell was quickly becoming one of the best female blues vocalists since Janis Joplin, and the music reflected that. The red-hot rockers of 'Mr. Wizard' and 'Big Jim Salter' were paired up with the powerful ballads of 'Faces' and 'Seven Lakes,' while a take on Bob Dylan's 'Don't Think Twice' brings a definite tenderness to the masterful lyrics…
…1972′s Ontinuous Performance is a fine record; McCulloch is an excellent replacement, and the songs are bigger, grander, and tougher. 'Good Time Girl,' 'Niagra' and 'Penicillin Girl' are their strongest numbers, showing that in spite of the losses, their continuation looked to be an admirable feat that couldn't stop the band's progression. The music buying audience agreed; Ontinuous Performance was their best selling record.
The Recoup (November 2015)
This double CD set features all the original tracks from the albums Teenage Licks and Ontinuous Performance…plus four additional live bonus tracks. Guitarist Les Harvey died during the recording of Ontinuous Performance and was replaced by McCulloch. But the band never really recovered from the loss and eventually abandoned ship. Because the popularity of Stone The Crows was somewhat geographically limited at the time, this reissue will hopefully make a whole new legion of fans aware of the band. There's a lot to sink your teeth into here. Twenty tracks in all including "Don't Think Twice," "Seven Lakes," "Let It Down," "On The Highway," "Sunset Cowboy," and "Good Time Girl."
babysue (October 2015)
…The band were fronted by Les Harvey guitar (Alex's younger brother) and the incomparable Maggie Bell on vocals. And for me and I guess many others its Maggie's vocal pyrotechnics that linger. I always thought of her as Britain's own Janis Joplin as I'm sure many did. Essentially a blues/rock band I loved, and still do that 'dirty' guitar blend with Maggie's abrasive vocal which blazes from the kick off on tracks like 'Big Jim Salter', 'Faces' and Dylan's 'Don't Think Twice', just three of the highlights of the eleven (2 live) tracks on Teenage Licks originally released in 1971.
SMART – Seventies Music And Retro Talk (October 2015)
Thanks must be made to Angel Air for making sure these recordings are once again available for fans to either discover for the first time or finally get a CD copy of their old vinyl versions. Though their first albums are the cream of the crop, there's still plenty of exciting blues rock here to enjoy, featuring the amazing skills of one Maggie Bell.
Sea Of Tranquility (October 2015)
'Teenage Licks' is the proof that this band knew how to make good music without falling into banality. Strong guitar riffs, backed by the powerful sounds of a Hammond organ, we immediately have to deal with both in the opener 'Big Jim Salter', and that a keyboard is still an instrument that generates added value is made clear in 'Faces'.
Keys and Chords (October 2015)
They did bequeath a fine body of work to posterity during their short time together however, and newcomers to Stone The Crows' gritty brand of bluesy rock would be well advised to lend and ear to tracks such as 'Penicillin Blues', 'Big Jim Slater' and the elegiac 'Sunset Cowboy'.
Kevin Bryan, Regional Newspapers (October 2015)
The band were dealt a massive blow on May 3 1972 when Les was electrocuted onstage at the Swansea Top Rank club and died. The band elected to carry on and brought in Jimmy McCulloch from Thunderclap Newman to finish the recording of the Ontinuous Performance album.
Bev Bevan, Sunday Mercury (August 2015)
Steve will be performing all over the UK as part of The Sensational 60′s Experience – see him live at the following dates:
March 2016
4th The Regent Ipswich 01473 433100
5th Alexandra Theatre Birmingham 0844 8713011
9th Belgrade Theatre Coventry 024 7655 3055
10th The Hexagon Reading 0118 9606060
11th Assembly Hall Worthing 01903 206206
12th The Concert Hall Stevenage 01438 363200
18th Westcliffe Theatre Clacton On Sea 01255 43 33 44
19th The Auditorium Grimsby 0844 8713016
27th The Spa Bridlington 01262 401400
April 2016
1st De Montfort Hall Leicester 0116 2333111
2nd Queens Theatre Barnstaple 01271 324242
8th The Forum Theatre Billingham 01642 552663
9th The Forum Theatre Billigham 01642 552663
June 2016
11th Central Theatre Chatham 01634 338338
*Herman's Hermits to be replaced by The Fortunes
Click here to order your copy of the album 'Best Of Days' now!
30th October Concorde, Eastleigh,
6th November Mercury Theatre, Colchester,
14th November Robin 2, Wolverhampton,
17th December Palace Theatre, Southend
Click here to order your copy of the new 'Live At The Liverpool Philharmonic 2013′ DVD now!
STAIRWAY Pearls Of The Deep – Best Of
We all, in truth, need a bit of ambient in our lives. Live in the fast lane forever and it will probably be a relatively short existence unless 27 is your yardstick. Jim McCarty (founder member of the Yardbirds) and Louis Cennamo know precisely where they are. This album represents absolutely first-rate 'chill out' music and every picture does tell a story. Is a music track not a story after all?
Music-News (December 2015)
Stairway released four albums before disbanding in 1995 but featured no less than Jim McCarty (The Yardbirds) and Louis Cennamo (Renaissance, Colosseum). Originally billed as a New Age band , Stairway is mainly electronic and ambient. This is a best of the four albums and I have to say, I thoroughly enjoyed its calming, thoughtful and Tangerine Dream-esque journey. Long tracks and gentle keyboard, guitars and harmonies make for a very relaxing album.
Classic Rock Society (November/December 2015)
Stairway's tenure may have been brief, but Pearls Of The Deep is a fabulous collection that serves its subject quite well. Considering the resurgence in this kind of music over the last two years, perhaps this release will be augmented with reissues of their back catalogue. There's certainly enough evidence here that makes a strong case for such a thing…
The Recoup (October 2015)
In the album opening "The Lovers" Vangelis comes to mind with its gentle electronics or even a very subdued Alan Parsons. Jane Relf's backing vocals are sublime. In "Light On A Dark Road" the peaceful acoustic guitar of Cennamo is some of the prettiest on the disc and on "Moonlight Skater" gentle flute and organ sounds accentuate an uplifting and beautiful melody. While the tunes do not differ greatly, this is one of those albums that would be perfect to drift off to. It is certainly music to ease the mind and soothe the soul.
Sea Of Tranquility (September 2015)
As dramatic swells and flamenco runs lull the strings-drenched 'Beautiful Changes' while baroque organ carries the flow of 'Moonlight Skater' – where the artists' former colleague Jane Relf delivers a vocal – it's up to Louis' acoustic guitar to tell a story on the piano-led epic 'Light On A Dark Road' whose floating transparency is enchanting…The ebb and flow give even more prominent momentum to 'Bird Of Paradise' which, again with Relf's voice, wouldn't feel out of place on the veterans' earlier work, yet 'Aquamarine' finds the eye of the hurricane in a pop song, and the buzz gets fleshed out in polyphonic fashion on the 'Base Chakra' chant from a platter the band laid down with psychologist Malcolm Stern. It's as relaxing as the calm before the storm, then, and as captivating: in other words, a tranquil wonder. 4/5 Stars
DMME.net (September 2015)
The 14 tracks are very melodic, sometimes rhythmic, and sometimes floaty. Opener 'The Lovers' pleases me at once, as do 'Looking Inside', 'Aquamarine', and 'Bird Of Paradise'. A pleasant introduction!
Keys and Chords (August 2015)


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Liverpool Fc
The EFL Cup Fourth Round draw saw 10 Premier League sides as well as six lower tier sides face off against each other. There will be two derbies in the next round with Manchester United locking horns ... [Read More]
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When is the EFL Cup draw? Arsenal, Liverpool, Chelsea and possibly Manchester United await their fate
The League Cup trophy (Getty) We're in the midst of the third round of the EFL Cup and the tournament is living up to its reputation for random results, exciting games and crazy scorelines. Last night... [Read More]
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Arizona Coyotes
Updated Dec 29, 2013 - 8:03 pm
Phoenix Coyotes assign Brule, Szwarz to AHL affiliate
The Phoenix Coyotes announced Sunday that general manager Don Maloney has assigned two forwards to the team's American Hockey League affiliate.
Center Gilbert Brule, 26, and right wing Jordan Szwarz, 22, have been sent to the Portland Pirates.
Brule appeared in three games for the Coyotes after being signed on Nov. 30. The Edmonton, Alberta, native was originally drafted by the Columbus Blue Jackets with the sixth overall pick in 2005.
Szwarz, a rookie, saw 20 games for the Coyotes this season and scored two goals on 20 shots while averaging more than eight minutes on ice per game. He was drafted by the Coyotes in the fourth round (97th overall) in the 2009 Entry Draft.
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- In-Room afternoon amenity
Sunny Paradise
Be pleased to magnify this summer experience in Capella Ixtapa with the sun´s perfect contour. Satisfy your desire to encounter the pacific ocean´s serenity.
Package Includes:
- Daily American Breakfast for two
- Daily Afternoon Amenity: Margaritas for two and a selection of snacks
- Daily Resort Credit Based on Room Category
- Ocean Front Junior Suite: $30.00 USD Resort Credit
- Deluxe Ocean Front Junior Suite: $50.00 USD Resort Credit
- Capella Ocean Front Junior Suite: $50.00 USD Resort Credit
- Capella Deluxe Ocean Front Junior Suite: 50.00 Resort Credit
- Ocean Front Penthouse Suite: $70.00 USD Resort Credit
All Inclusive
Take advantage of an all-inclusive vacation at the truly luxurious Capella Ixtapa. Everything is included in this package, allowing guests to completely unwind. Guests have access to a variety of dining venues, beverages by-the-glass, and one complimentary treatment at El Capricho spa per stay, all while relishing in the true Capella experience. Enjoy our All-Inclusive package and discover a vacation without limitations.
The package includes:
Daily a-la-carte breakfast for two
One a-la-carte lunch in our restaurant or poolside Mexican tapas
A-la-carte dinner in our Seafood Market or on the Terrace
One complimentary Spa treatment per stay at El Capricho
Complimentary beer, wine, liquors, cocktails, sodas and water
Endless Summer
Spend the weekend at Capella Ixtapa and enjoy a third night complimentary. Relax as you enjoy daily a-la-carte breakfast overlooking the Pacific Ocean. Make it an unforgettable getaway and visit our award winning El Capricho spa, where you second massage is also complimentary.
The package includes:
Upgrade upon availability
Daily a-la-carte breakfast for two
For every two nights booked, receive a third night complimentary
Receive second massage complimentary at our El Capricho spa
Pay Five, Rest Seven
Spend the whole week away from it all and only pay for five nights at beautiful Capella Ixtapa. Enjoy relaxing mornings with breakfast for two at Las Rocas restaurant. Then, venture into Zihuatanejo one evening for a special Mexican dining experience. Be sure to visit the award winning El Capricho spa and receive a second massage complimentary.
The package includes:
Pay five nights, enjoy seven
Upgrade upon availability
Daily a-la-carte breakfast for two
One Zihuatanejo dining experience
Receive the second massage complimentary
A perfect and relaxing couple's getaway
Now is the time to escape with your loved one to Capella Ixtapa. Book three nights and enjoy the fourth night complimentary as you can reconnect in paradise. Together, experience a personalized cooking class, romantic meals, and a relaxing massage — all while taking in breathtaking views of the Pacific Ocean.
The package includes:
Upgrade upon availability
Fourth night complimentary
Daily a-la-carte breakfast for two
One Couples Massage in our Auriga Spa
One Customized Cooking class with romantic dinner in our Restaurant
Experience Capella Ixtapa from an epicurean vantage point.
Allow our Chef to take you to the market for a guided tour of local flavors, where together you will create a menu. Back on property you will learn to prepare your menu with a personalized cooking class. Of course, no Mexican meal is complete without Margaritas, which you will also learn to concoct. Continue your culinary experience with poolside tapas, a dinner in our Seafood Market and daily a-la-carte breakfast.
The package includes:
Upgrade upon availability
Daily a-la-carte breakfast for two
Chef guided Market shopping tour
One Customized Cooking class
Margarita class
Poolside Mexican tapas for two
Dinner for two at our Seafood Market
A Purely Romantic Experience
Experience a very special and unforgettable journey at Capella Ixtapa. Overlooking the Pacific Ocean, nestled within a dramatic cliffside, Capella Ixtapa offers an ideal ambiance for a romantic and memorable stay. Each moment is customized to you, whether celebrating a honeymoon, anniversary or just a special moment spent together.
The package includes:
- American Breakfast for two
- A 50-minute couple's massage
- Romantic turndown amenity
- One Romantic dinner in our restaurant with one bottle of wine
Delve into Traditional Mexican Culture and Tradition
Immerse yourself in the beauty and traditions of Ixtapa-Zihuatanejo. Our five-night package features a daily American breakfast for two in our restaurant, Las Rocas. A Personal Assistant will assist you in the planning for your choice of guided island adventure or countryside tour.
The package includes:
- American breakfast for two each day at Las Rocas restaurant
- A choice between Adventure on the Island or Country Side Tour activities
- A two-for-one offer on your first visit to our award-winning spa
- Room upgrade - subject to availability at time of check-in