text:
|Publication number
|Publication type
|Application number
|Publication date
|Mar 15, 2011
|Priority date
|Jun 14, 2007
|Fee status
|Also published as
|Publication number
|David A. Shamma, Peter Shafton
|Original Assignee
|Yahoo! Inc.
|Export Citation
|BiBTeX, EndNote, RefMan
|Patent Citations (13), Non-Patent Citations (1), Referenced by (8), Classifications (19), Legal Events (5)
|External Links: USPTO, USPTO Assignment, Espacenet
The Internet is increasingly being used to transmit, store, view and share media files. These media files are sometimes short (e.g., two minutes or less) and sometimes much longer (e.g., several hours). The number of media files available to a user on the Internet is growing at an increasing rate. Therefore, the number of options a user of the Internet has when viewing media files is also growing at this increasing rate. A user may be exposed to more media files than he or she has time to experience and may wish to know in which portions of media files he or she will likely be most interested.
However, with current media players it is difficult and inefficient to find specific portions of media items that a user may be interested in. For example, DVD menus provide a predetermined chapter-type listing of the content of a media item, but if a user does not know in which chapter the desired content appeared, the user must still search through the entire media item. When searching using fast forward commands, the potential remains that the user may not recognize the desired material and skip over it multiple times before finally finding and identifying the desired content.
Methods and systems are described for allowing a user to quickly determine parts of a media item in which the user will be interested. In the methods and systems described, a timeline is provided for the media item and semantic icons are used as media landmarks along the timeline. The semantic icons are related to the content or a description of the content at the location in the media item corresponding to the semantic icon's location on the timeline. The semantic icons, in addition to providing some immediate contextual information at a glance, also allow a user access to annotations of the media item. Semantic icons can represent tags, users who have created or modified annotations for the segment of the media item, or other relevant information. The semantic icons may also be used to determine a relative level of interest in different parts of the media item both with respect to the user and with respect to other users.
One aspect of the disclosure is a method for generating and displaying semantic icons in a graphical user interface. The method includes receiving a request from a user identifying a renderable media item. The request may be render request or some other request that results in the display of a media graphical user interface to the user. The method identifies any annotations associated with the media item and creates a semantic icon from tags in any annotations found. The graphical user interface is then displayed to the user showing the semantic icon on a timeline as a representation of the annotation.
As part of the method, an image may be selected for use as the icon that represents the tag. The image may be selected to represent the content of the tag and may or may not be related to the media type of the tag. For example, a semantic icon does not need to include an image of a speaker or headphones nor include the text "audio." As described further herein, the selection of a semantic icon may include transforming the tag via a transformation selected from a speech-to-text algorithm, an image recognition algorithm, and an image stylization algorithm and matching the transformed tag to the image.
The method may include receiving a user selection of the semantic icon, such as a mouse-click on the semantic icon, and displaying the tag in response to the user selection. Depending on the type of selection, a different action may be performed. For example, receiving a de-selection of the semantic icon from the user may result in removing the display of the tag from the graphical user interface in response to the de-selection.
The method also includes illustrating the semantic icon with a width corresponding to a size of a segment of the media item defined by the annotation.
Another aspect of the disclosure is a method for changing the semantic icon based on the user providing the annotation or the number of users that have annotated the media item. The method includes receiving a request from a first user to associate an annotation with a media item. Information about the first user is obtained and an icon is created from the information about the first user for use in a graphical user interface. The icon may have been supplied by the user or may identify the first user. The graphical user interface with the icon on a timeline at the appropriate location is then displayed to second users in response to requests for graphical user interfaces for the media item.
The icon may be created or selected based on the identity of the first user. If the first user is a member of a community or group of users, an image may be selected for the icon which represents the community or group. Alternatively, this may only be done if a quorum of users have annotated the same location of a media item.
Another aspect of the disclosure is a graphical user interface presenting information about a media item. The graphical user interface includes a timeline element and a semantic icon disposed along the timeline element depicting an attribute of an annotation to the media item. The graphical user interface also includes a media item presentation window that presents the media item beginning at a time associated with the annotation if the semantic icon is selected by a user via a first type of selection. A callout element may also be displayed that presents a tag associated with the annotation and that is displayed if the semantic icon is selected by the user via a second type of selection.
The attribute depicted by the semantic icon may be the tag associated with the annotation by the contributing user. Alternatively, the attribute depicted by the semantic icon may be the identity of a contributing user who created the annotation. The semantic icon is displayed at a location on the media timeline dictated by the annotation and may have a size that corresponds to a size of a segment defined by the annotation.
These and various other features as well as advantages will be apparent from a reading of the following detailed description and a review of the associated drawings. Additional features are set forth in the description that follows and, in part, will be apparent from the description, or may be learned by practice of the described embodiments. The benefits and features will be realized and attained by the structure particularly pointed out in the written description and claims hereof as well as the appended drawings.
It is to be understood that both the foregoing general description and the following detailed description are exemplary and explanatory and are intended to provide further explanation of the invention as claimed.
The following drawing figures, which form a part of this application, are illustrative of embodiments systems and methods described below and are not meant to limit the scope of the disclosure in any manner, which scope shall be based on the claims appended hereto.
The following description of various embodiments is merely exemplary in nature and is in no way intended to limit the disclosure. While various embodiments have been described for purposes of this specification, various changes and modifications may be made which will readily suggest themselves to those skilled in the art and which are encompassed in the disclosure.
As described above, the Internet is increasingly being used to transmit, store, view and share media files. Entire online communities are developing which allow uploading, viewing, sharing, rating and linking to media items. These communities may use tags to describe or categorize media items.
The term "media item" as used herein may include any media file, now known or later developed, including video files, games, audio, streaming media, slideshows, moving pictures, animations, or live camera captures. A media item may be presented, displayed, played back, or otherwise rendered for a user to experience the media item.
A user may create an annotation to a media item by associating a tag with a portion of the media item. For example, the user may associate a tag with a particular time in the playback of a media item or with a segment (e.g., a scene) of the playback of the media item and the resulting annotation may include the tag, the media item and the time associated with the tag. Annotations may include a time marker (e.g., data indicating a time in the media item) identifying a point or information identifying a segment within a media item. For example, two time markers may be used to mark a start time and/or an end time for playback of the media item.
As used herein, the term "tag" includes any type of information capable of describing or identifying a media item. Examples of tags include text strings, hyperlinks, images, other media items (e.g., video clips), avatars or other icons, emotion icons ("emoticons"), or other representations or designations.
Media landmarks refers to marks on a timeline which are used to represent annotations associated with a point or segment of the playback of a media item corresponding to the location of the media landmark on the timeline. A media landmark may be used to call attention to a particular time and/or to visually depict relevant points of interest within a media item. The user may use a media landmark as a point from which to request playback of the video file via selection of the media landmark. Alternatively or in addition, a user may access additional information about the annotation (e.g., display more tags or the entire text of an annotation) through the media landmark. As described further below, media landmarks may be shown to a user as semantic icons that visually represent the tags or other information associated with the annotation.
The media GUI 100 shown includes a media item presentation window 102 (e.g., a window that displays the visual portion of a video playback), media item playback control elements 104, and media item presentation timeline 106. This basic layout of media item presentation window 102, media item playback control elements 104, and media item presentation timeline 106 is generally known to those with skill in the art, and the particular layout and composition of these elements in
Semantic icon 116 is a media landmark that visually depicts the content of a tag contained in an annotation associated with the segment of the media item corresponding to the location on the timeline 106 at which the semantic icon 116 is located. To create a semantic icon, the content of a tag is extracted and an image is selected to represent the extracted content. For example, the semantic icon 116 which includes an image of a cyclist riding a road bicycle may be created from a text tag such as "road biking" or "cycling" through a matching algorithm or list that matches the text tag to the image. The content of media tags may be extracted through parsing of the media tag using an algorithm such as a speech-to-text conversion algorithm, an image recognition algorithm (e.g., facial recognition), and/or an image stylization/abstraction algorithm. Such algorithms are known to those with skill in the art and any suitable method of matching annotations to images may be adapted for use in creating semantic icons.
Semantic icons can also depict the content of other types of tags, such as media tags, by illustrating the media type (e.g., a speaker for a tag in the form of an audio file or a frame of video for a video file commenting on the segment/location in the media item).
As shown by semantic icon 110, a semantic icon may also be used to visually depict the existence of annotations from a user or a group of users who created and/or contributed to the annotation or tags in the annotation. Semantic icon 110 is generically shown as a simple "smiley face" and is an example of an avatar used by a user as an online representation. Avatars may be personalized by a user and may actually or metaphorically represent the user to others online.
Semantic icons may represent groups of users through any of several means. A group of users may choose representations, such as a group photo, a name of the group, logo or a favorite image of the group. The methods and processes of selecting the semantic icon to represent a media landmark based on the user or users who have contributed to an annotation are described further below.
In the embodiment shown, semantic icons 110, 116 are being used as media landmarks located on the timeline 106, indicating a relevant position or positions of the content of the media item accessed through each semantic icon. In the embodiment shown, semantic icon 116 represents a segment of a media item corresponding to the content between two time markers, a starting time marker and an ending time marker. The semantic icon 116 represents these two time markers by showing an elongated rectangle covering the corresponding segment of the timeline element 106. Semantic icon 110 may represent an annotation with a single time marker, however, in the embodiment shown, it is depicted on the timeline with a wider width than a single line to allow for easy selection of the media landmark by a mouse.
In an embodiment, all time markers 110, 116 may be initially displayed as the same size, regardless of whether they are associated with a point in the media item, a small segment of the media item or a large segment of the media item. A user action, such as selecting the semantic icon 110, 116 may cause the icon to change shape in order to provide additional information about the point or segment to the user, including expanding or contracting to illustrate the size of an underlying segment.
In the embodiment illustrated, the semantic icon 116 is being selected by a mouse pointer 112. There may be several types of selections by the user of a semantic icon. For example, selections may be mouse-related (e.g., using a mouse pointer 112), keyboard-related, or may use some other form of user input. Mouse-related selections by a user may include mouse clicks on a semantic icon or may be a mouse-over of the semantic icon as known by those with skill in the art. In addition, a mouse-related selection may be a combination of clicks or a combination of clicks and mouse-over selections.
Changes in the GUI in response to a selection of a semantic icon by a user may revert or otherwise be undone based on a de-selection. De-selection by a user may include an additional selection by the user, such as an additional mouse click or combination of clicks. De-selection may include removal of a selection by the user through, for example, a user moving a mouse pointer 112 off of the semantic icon. De-selection by a user may occur after a period of time with no further selection by a user, for example, after a mouse-over by a user, a period of time passing without a mouse-related selection by the user.
In addition, certain selections of a semantic icon 110, 116 may initiate playback of a media item. For example, a double mouse-click of a semantic icon may initiate playback at a time marker contained in the annotation represented by the semantic icon. In another example, the passing of some predetermined amount of time after a mouse-over of a semantic icon 116, without the subsequent removal of the mouse pointer 112 from the semantic icon 116, may start the playback of the media item.
In one embodiment, playback is initiated through one type of selection may be playback in the form of a preview and may only last as long as the selection (e.g., mouse-over) continues. Playback may also open a separate window and may be initiated by a different selection by the user of a semantic icon.
In the embodiment shown, a callout 114, sometimes also referred to as a balloon, containing tags is being displayed in response to a selection of the semantic icon 116 by the mouse pointer 112. A selection that opens a callout 114 may be distinct from a selection that starts playback or preview of the media item, as described further above. The tags displayed are the tags of the annotation represented by the semantic icon 116.
The callout 114 shows several types of tags that may be used in an annotation. For example, in addition to the text tag (shown as "Road Biking"), there is a hyperlink, and a second media window 122 for displaying media tags (e.g., video clips, image captures, other images, avatars, and/or emoticons). In various embodiments, the media window 122 may have separate controls and/or may automatically initiate playback of the media tag. Media tags may also be audio tags, such as commentaries or audio clips related to the media item. Similar to the display of media tags in the media window 122, audio tags may be played back upon selection of the semantic icon 116.
Different types of tags along with the easy access provided to them by the GUI 100 allow users added flexibility in expressing relevant descriptions of a media item. As media items become more complex, more personalized, and more commonly used as means of personal expression and communication, the flexibility of annotation to the media items becomes more useful to a user who wishes to annotate a media item. By using other media as annotations, media items may be compared to other media, personal experiences may be shared, and feelings or experiences which users have trouble putting into words may be used to depict or reference a part of the media item being annotated.
In the embodiment shown, based on the request received, a semantic icon is created in a create icon operation 204 from tags contained in the annotation which the semantic icon is representing. The create icon operation 204 may include retrieving one or more pre-selected semantic icons from the media item or from a datastore containing information about or associated with the media item. The operation 204 may also search for and identify any annotations accessible by the system generating the GUI for the media item. For example, in an embodiment, upon receipt of a request to display the GUI, the system may access a meta data database containing annotations and search for annotations or semantic icons in the database associated with the designated media item.
As described further above, algorithms known to those with skill in the art may be used for extracting information from the tags of the annotations. Such algorithms may only be used if there are a multitude of annotations or if the user, previously or with the request, has provided some form of criteria indicating how semantic icons should be selected for display to the user. This information may then be used for creating 204 a semantic icon.
Information used for creating 204 a semantic icon may come from one tag or from more than one tag. For example, a semantic icon depicting a backyard barbeque scene may be created 204 from a text tag "BBQ" that is associated with a point in the media item. A similar semantic icon may be created 204 from an audio tag, based on a speech recognition analysis, that states, "This is why I can't wait for barbeque season." Information extracted from either of these tags may indicate that the user who created the tag was referencing barbequing at the particular time in the media item marked by the annotation.
Information may be taken from two dissimilar tags and used in combination to create a semantic icon. For example, the same text tag "BBQ" and a video tag of people throwing a ball in a park may lead to a semantic icon which combines information extracted from the two tags. Information extracted from the text tag may indicate that the tag was referring to barbequing, summertime, outdoor recreation, Memorial Day, the Fourth of July, and/or social gatherings. Information extracted from the video tag may indicate that the tag was referring to outdoor recreation, summertime, social activities, and/or ball sports (e.g., football, baseball). In combining information from two tags, predictive or interpretive algorithms may be used to determine whether there are attributes between the two tags that would support a homogenous semantic icon. In the above example, either an image depicting a barbeque scene in a park or an image of people playing catch near a picnic table may be a sufficient combination of the two sets of information from the two tags.
When information is combined from more than one tag, the priority or weight of the information need not be treated equally. The information may be weighted differently based on how exactly the information was extracted from the tag. For example, an image recognition result may be weighted less heavily, due to a low degree of confidence, depending on the algorithm used, than a text tag because the text tag likely does not need to be interpreted via an algorithm. As another example, information from tags which are repeatedly or commonly created for an annotation may be weighted more heavily than information from rarely used or less popular tags.
Tags may be in many formats (e.g., video, audio, text) and different extraction methods and algorithms may be used to extract information from the tags. For example, the information extracted may be extracted to any useable format for selecting an image for creation into a semantic icon. The image may be formatted, resized, down-sampled to create the semantic icon.
The image may also be combined with other images selected from information extracted from tags. For example, using the tags discussed above which indicated ball sports and barbeques, two images (e.g., a baseball in a glove and a hotdog in a bun) could be combined into a single semantic icon. The images may be stylized similarly, for example, both reduced to line-drawings of similar sizes and with similar shading colors.
After the semantic icon(s) for the media item are created, a GUI that includes the semantic icon(s) on a timeline is created and displayed to the user in a GUI generation operation 206. If the GUI is generated by a remote device, other than that which is to display the GUI to the user, generation operation 206 may include transmitting the GUI to the user's device. For example, if the user is accessing the media item via a media server, the media server may be responsible for generating some or all of the GUI displayed to the user.
In the GUI, a semantic icon for an annotation may be placed along the timeline at any one of the time markers of the annotation (e.g., start time, end time), at a time marker of a particular tag, or in between any two time markers. As discussed above, the width of the semantic icon may be extended to span the extent of an annotated segment from a start time marker to an end time marker. Also, annotations with only one time marker may be represented by semantic icons that have a size designed to allow easy visual recognition and selection by a user.
If transmitted to the user's device, some or all of the GUI may be transmitted directly or indirectly to a user. The amount transmitted need only be that much necessary for the user's device to generate the final GUI. For example, the GUI could be transmitted in the form of a web page to be displayed in its entirety by a browser or, alternatively, the information may be transmitted which is necessary for the user's device to populate a GUI template.
After a GUI is generated and displayed, a user may interact with the GUI by selecting a semantic icon. If the user selects a semantic icon, that selection is detected by the user's device in a receive selection operation 208. In an embodiment, the receive selection operation 208 may include communicating the selection to a remote device that may have generated the GUI originally. The various types of selections and de-selections which may be received from a user have been discussed above.
Based on the selection of the semantic icon, a tag may be transmitted 210 to a user. As described further above, a callout may be presented to a user based on the user's selection of a semantic icon. The callout may present tags associated with the annotation to the user. The callouts and presentation of the tags are discussed further above. The tags transmitted 210 may be of any format (e.g., text, video, audio, image).
Information is then retrieved about the user who sent the request in an obtain user information operation 304. The information may be retrieved based on a user identification ("user ID" or login name) or other indication of the user provided with the initial request. The information may be a link to or location of further information about the user, such as a link to the user's personal information. The information about the user may be an avatar of the user, a user profile, preferences, blog entries, or other elements of the user's history.
The user information obtained may also be information associated with one or more communities that the user is associated with. For example, if the user is associated with a department (e.g., human resources, facilities engineering, etc.), this may be determined from the user identifier and an image associated with that department may be retrieved for use as a semantic icon in the icon creation operation 306 discussed below.
In addition to information directly associated with the user, the user information obtained may also include information associated with the activity in which the user was involved when the request to create the annotation was received. For example, a user may be a moderator of one forum discussion and may be represented by one avatar in that forum while the user may have another avatar in a different forum where the user is a novice user. This specific information may be used to the exclusion of the other information about the user.
The information about the user is then used to create a semantic icon in an icon creation operation 306. For example, an avatar of the user may be modified by other personal information of the user. In addition, to create the semantic icon, information about the user may be combined with information extracted from the tags created by the user. Any personal information about the user may be used to select an appropriate image for the semantic icon. For example, if a user is a dog enthusiast, a semantic icon representing the user or a group of users may refer to dogs in some way. As another example, a group of users may be referred to by the group's name, an image associated with the group or contact information for the group (e.g., the semantic icon or the tag displayed via a semantic icon may include a link or an email address allowing communication with the group).
After the semantic icon is created, a GUI containing the semantic icon is generated and displayed in a generate GUI operation 308. The generate GUI operation 308 may include any and all of the operations described with respect to the GUI generation operation 206 described with reference to
In the method 300, the same user or a different user may subsequently wish to associate one or more additional tags with a previously defined segment or point of the media item. This is illustrated in the method 300 shown by a receive subsequent tag request operation 310. In the receive subsequent tag request operation 310, a subsequent request to associate a tag with a previously defined segment or point of the media item is received. The new tag is associated with the segment or point and may be stored in an annotation database for future use, along with the identification of the user making the request.
The receive subsequent tag request operation 310 may be repeated multiple times and tags may continue to be created based on these requests. Eventually a sufficient number of users may create tags for a segment of a media item that the semantic icon selected by the icon creation operation 306 may change as a result.
In the method 300 illustrated, this is illustrated by the modify icon operation 312, which could also be a simple repetition of the icon creation operation 306 after receipt of many different tags over time.
In an alternative embodiment, the modify icon operation 312 may specifically use the number of tags and/or the number of different users who have supplied tags for a segment or point of the media item when selecting a semantic icon. In the embodiment, a threshold number of users, which may be referred to as a quorum of users, is defined and only those segments tagged by at least the quorum of users are displayed on the GUI and/or displayed via a semantic icon. The quorum may be a set number, a number combined with a particular rate (users tagging over a period of time), or a user-defined number set by the user who created the annotation.
In the method 300, semantic icons may be created differently for different users. For example, users in one community may be displayed semantic icons based on annotations provided by other community members. Similarly, depending on whether there is a quorum of community users, semantic icons may or may not be displayed to a user. For example, if the user is a member of a specific drumming community, the user may be able to see semantic icons generated based on annotations provided by a small quorum of other members of the drumming community. However, a user that is not a member of the community may not be provided with the same semantic icons because the quorum of drumming community members is less than a quorum determined for users with only a general interest.
Quorums for community users may be determined by the community administrator. Alternatively, members of a community may be provided with a display community landmarks control element on the GUI that, upon selection, displays some or all of the media landmarks created by members of the user's community. The community may also provide its own images for use as semantic icons. These images may be associated with different predefined tags known and commonly used by the community members.
Those skilled in the art will recognize that the methods and systems of the present disclosure may be implemented in many manners and as such are not to be limited by the foregoing exemplary embodiments and examples. In other words, functional elements being performed by a single or multiple components, in various combinations of hardware and software or firmware, and individual functions, can be distributed among software applications at either the client or server level or both. In this regard, any number of the features of the different embodiments described herein may be combined into single or multiple embodiments, and alternate embodiments having fewer than or more than all of the features herein described are possible. Functionality may also be, in whole or in part, distributed among multiple components, in manners now known or to become known. Thus, myriad software/hardware/firmware combinations are possible in achieving the functions, features, interfaces and preferences described herein. Moreover, the scope of the present disclosure covers conventionally known manners for carrying out the described features and functions and interfaces, and those variations and modifications that may be made to the hardware or software or firmware components described herein as would be understood by those skilled in the art now and hereafter.
While various embodiments have been described for purposes of this disclosure, various changes and modifications may be made which are well within the scope of the present disclosure. Alternative embodiments of methods and systems described herein are also possible in which some or all of the operations are performed in a different order or distributed between different devices than those described above. Numerous other changes may be made which will readily suggest themselves to those skilled in the art and which are encompassed in the spirit of the disclosure and as defined in the appended claims.
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|U.S. Classification
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|International Classification
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Owner name: YAHOO! INC., CALIFORNIA
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|Aug 20, 2014
|Fee payment
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|Apr 18, 2016
Owner name: EXCALIBUR IP, LLC, CALIFORNIA
Free format text: ASSIGNMENT OF ASSIGNORS INTEREST;ASSIGNOR:YAHOO! INC.;REEL/FRAME:038383/0466
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|Jun 1, 2016
Owner name: YAHOO! INC., CALIFORNIA
Free format text: ASSIGNMENT OF ASSIGNORS INTEREST;ASSIGNOR:EXCALIBUR IP, LLC;REEL/FRAME:038951/0295
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Owner name: EXCALIBUR IP, LLC, CALIFORNIA
Free format text: ASSIGNMENT OF ASSIGNORS INTEREST;ASSIGNOR:YAHOO! INC.;REEL/FRAME:038950/0592
Effective date: 20160531


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The following items were taken from Lincolnwood Police Department reports. An arrest does not constitute a finding of guilt.
Criminal damage
Someone used an unknown object Sept. 25 to shatter parts of a windshield to a vehicle that was parked on the 6500 block of Lincoln Avenue, police said. Circular-shaped holes similar in size to a hammer head were found in the windshield, police said.
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Police said three vehicles were broken into Sept. 26 on the 6700 and 7000 block of Keating Avenue, as well as the 6900 block of Kolmar Avenue. Among the stolen items reported to police were a Burberry shirt, phone chargers, a pair of women's shoes, five...


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Date: 1921 ca.
Description: Group portrait of four people standing in front of a wire fence on the edge of a cliff, with trees and a valley in the background. Walter Alexander stands...
Date: 1959
Description: Wisconsin Lieutenant Governor Philleo Nash, a Democrat, riding on an elephant during the annual Circus Parade.
Date: date unknown
Description: Elevated view of Devil's Lake and surrounding area from a bluff on the east side of the lake. A man is standing on top of the rock formation near the cente...
Date: 1925
Description: View across water of a deck truss bridge over the dam at Mirror Lake. Timme Mill is on the left side of the lake. There are boats in the foreground, and th...
Description: Three children playing under a fallen tree outside of Hillside Home School, an early progressive school operated by Ellen and Jane Lloyd Jones, aunts of Fr...
Description: Devil's Lake Vicinity; Cleft Rock on East Bluff. Man sitting on rocks at right. Second man peering through rock gap at left.
Date: 1877 ca.
Description: "The Grand Regatta, at Devil's Lake, June 21st & 22nd, 1877." A stereograph showing spectators gathered behind the starter's cannon on Devil's Lake.
Date: 1965 ca.
Description: Color postcard of the bathing beach at Devil's Lake State Park with a view of the East Bluff. The lake, bluffs and sky are visible in the background. Many...
Description: Devil's Lake Vicinity; boulder on top of a cliff at the foot of Devil's Doorway. Man sitting on rock ledge.
Date: 1948-08-14
Description: Prairie du Sac's 110th birthday float in Sauk County's Wisconsin Centennial Parade in downtown near park.
Date: 1930
Description: A woman stands with two white dogs among the trees at Effinger Park. The park features benches, a pump, a lawn swing, a gazebo and three cabins.
Date: 1906 ca.
Description: The land and house were donated to the village. The club house is still in use (1964) as a publicaly owned building for recreation and meetings. Image show...
Date: 1887
Date: 1908 ca.
Description: Three boys pose in front of Hillside Home School near Spring Green.
Date: 1933-07-28
Description: Colorized postcard in the Tall-Tale style. Two men standing on the shore are pulling a third man's leg out of a enormous fish's mouth. Two automobiles and...
Date: 1910 ca.
Description: A man and boy wearing hats and overalls stand on a ferry docked at the shoreline. On the ferry is a car. The far shoreline and low hills are in the backgro...
Description: Man with horse and cart on Main Street. A brick commercial building on the right includes a hardware store and general merchandise store.
Description: Devil's Lake vicinity. View of the Cliff House courtyard and croquet court. Three men and one woman playing croquet. Two women on second floor balcony: one...
Date: 1925 ca.
Description: An unidentified young woman in old-fashioned dress holds flowers as she stands in front of entrance of the Trimpey house at 719 Oak Street.
Date: 1940 ca.
Description: A group of 14 hunters poses in front of seven field dressed deer which hang from a rack made of metal pipe. There is a barn in the far background, left, an...
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The Best Thanksgiving Leftover Recipes
Do you still have Thanksgiving leftovers? Here are some great recipes for you to use up all of those leftovers!
Do you still have Thanksgiving leftovers? Here are some great recipes for you to use up all of those leftovers!
How do you pace yourself to continue the onslaught of food well past Thanksgiving Day? Music, of course! Check out the Slaughterhouse playlist to enjoy over your Thanksgiving weekend!
According to The Thanksgiving Calorie Counter, I will need to walk 17.7 miles in order to walk off my caloric intake on Thanksgiving.
Happy Thanksgiving to you and your family! This Thanksgiving and every Thanksgiving, I always try to remember those special things that I'm thankful for in my life.
It's coming up today at 5pm during the 10 @ 5 Free Flight, and we will also play it Thanksgiving Day at noon
As a bonus......Here is a live version from 2005 at the Farm Aid Concert...
The Cherpumple is a cherry pie, pumpkin pie and apple pie baked into cake layers... Because, why not?
Eagles @ Lions - 12:30pm on FOX
The tumultuous Eagles team heads to Detroit to take on the disappointing Lions. A win would put the Eagles a half-game back of the lead in the NFC East, while a loss could be another nail in the coffin for Chip Kelly...
This Thanksgiving, we're giving you something extra to be thankful for: a 2nd helping of your favorite classic rock artists! Enjoy back-to-back songs from the greatest bands of all time while you cook your Thanksgiving feast.
As we prepare for another Thanksgiving I was feeling nostalgic. I was thinking about the days when after my family finished Thanksgiving dinner and before the afternoon football game came on, you only had a few channels on TV to choose from...
What are your favorite parts of Thanksgiving dinner?
Thanksgiving is just a few days away, and I know you are looking forward to eating some nice juicy turkey on Thursday.
Well just because you're going to enjoy it, don't assume the turkeys will...
It seems like every year more and more retailers say they are going to open on Thanksgiving Day, to get a jump on sales for Black Friday. Well, here's a list of store that WILL NOT be open on Thanksgiving!


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Boone, Line, Diggs limited for VikingsAlex Boone and Zach Line returned to practice Friday on a limited basis, and Stefon Diggs was added to the Minnesota Vikings injury report.
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Bradford comfortable, different than TeddyMinnesota Vikings head coach Mike Zimmer made it clear that Bradford is no longer learning the offense. He is comfortable with it, but his strengths are different than Teddy…
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|Reviews for Silver Lining
| AngelFox23 chapter 2 . 10/12/2007
This was a really good chappie I'm so looking forward to the next one.
| ArtemisWest chapter 2 . 10/12/2007
I like!
| Jester08 chapter 2 . 10/12/2007
Fabulous chapter! I loved the Deidara/Sakura interaction! I can't wait for more, so update soon please! _
| sometime.usagi chapter 1 . 10/12/2007
I absolutely loved Perception, and am thrilled that you've chosen to continue the story with Silver Lining! The first chapter was hard to read (made me very emotional so I'm sure it was very hard to write) but very necessary if I get where you're taking Sakura and Deidara. Second chapter was so well written, it flowed very nicely and I feel that the storyline will pick up speed now that our nins are back together.
Very much looking forward to the next chapter!
| signalbox chapter 2 . 10/12/2007
I love the way you write Sakura and Deidara's interactions. Excellent chapter. I'm definitely looking forward to the next one! :D
| TheLupineRebel chapter 2 . 10/12/2007
oh my fucking god YOU ROCK! i loved the chapter! keep updating or i will eat you! *_*
| XxTenshiNamidaxX chapter 2 . 10/12/2007
aw it comes out on so good!
| Smoogy chapter 1 . 10/12/2007
YES. I'm so excited for this story! Perception is/was amazing, so I expect this will be just as good. :] It's a sad beginning (KAKASHI D:), but somehow you managed to pull it off without making it look like you randomly decided to kill everyone off. :X
-hops around in happiness-
| periwinkle chapter 1 . 10/11/2007
oh my gosh! A SEQUAL! a good one in fact! my, my, so much death! It reminds me of harry potter ( i can't wait for the next chapter!
| XxTenshiNamidaxX chapter 1 . 10/11/2007
its so but its good. hope u update soon ja.
| anonymous chapter 1 . 10/11/2007
| kat chapter 1 . 10/11/2007
can't wait, can't wait, can't wait!
great chapter- do update soon! :D
| SvenskaAmerican chapter 1 . 10/11/2007
I can't beleive you're actually doing a sequel to Perception, SO AWESOME! And this chapter was a great first start not to mention ! Omg, I actually cried when I read how everyone died T~T not at first, but after I read how Sai died and what he did, I was balling! And I can see you're still using those big words ;) ha, I was already confused on the second sentence! And I almost cried when I read this paragraph:
'There was always work for someone with her varied skills, but there were no real wars and no epidemics, and healers were not in great demand at the moment. The nature of work offered seemed to run in cycles, and lately it seemed as though everyone who was looking to hire ninja were looking for assassins. She did not claim to be innocent of such dealings, and she did not deny what she was behind false morality, but she was not one of those who could kill for money no matter the target or how trivial their offense to the employer was. No matter how desolate, no matter how desperate and hungry she got, she would not cross that final line. There would always be another job, somewhere, if she looked hard enough. She would not sink so low. They would be ashamed of her if she did.'
That last sentence almost had me crying! I miss the Akatsuki so much T~T! *sniffle* But anyways, great chappy! More creative writing from you that I LOVE, and looking forward to it in the future! And I'm guessing that was Dei at the end of the chapter, because I really doubt it was someone like Naruto who came back from the dead with big angel wings to come and say 'hi' -.- frankly that would just be kinda creepy... anyways LOVE IT! Keep up the good work You're authorism is still better than ever! *bows down* I am not worthy...
~lonely blue moon~
can't wait to see the next chappy! Update when you get the chance!
| Captain Lila chapter 1 . 10/10/2007
Wow. Can't wait to see what happens next. Update soon. :D
| Nozomi chapter 1 . 10/10/2007
Wasn't expecting that.
Well, at least she won't be 'dumping Kakashi for Deidara' or any crappy stuff like that.
You are great writer and a shitty plot like that would have ruined you.
...In my eyes anyway.
And you didn't do that, so you still rock.
Great chapter, despite the...horrible-ness in it.
Looking forward to whatever you have next.


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The State Liberals have introduced legislation that will force the Weatherill Government to reveal any ministerial directives to the NRN boards, in particular those jacking up the NRM levy, to end Labor's habit of sneaking NRM tax increases in through the backdoor.
Read more >
The State Liberals have welcomed the passage of amendments to the Dog and Cat Management Act, nearly three years after a bipartisan committee supported the changes that have finally, reluctantly been accepted by the Weatherill Government.
The State Liberals will be applying the blowtorch to embattled Water Minister Ian Hunter in State Parliament today regarding the massive increases in the Natural Resources Management Levy.
The State Liberals are deeply concerned for the health of residents of Beverley who have been living in the TCE contamination zone.
The State Liberals are calling on the Weatherill Government to end its procrastination on protecting companion animals from appalling exploitation and pass the Animal Welfare (Companion Animals) Amendment Bill 2014 when Parliament resumes
The State Liberals have accused the Weatherill Government of repeating the mistakes it made in its handling the Clovelly Park contamination scandal with the threat posed by TCE contamination identified in Beverley.
The Weatherill Government has once again pushed up the price of water for South Australian households and small businesses despite the fact it received a $64 million budget windfall from SA Water last year.
The State Liberals will move to amend Weatherill Government legislation that increases the fine for a dog found 'wandering at large' by 300 per cent.
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The author of Are You There God? It's Me, Margaret has been privately battling breast cancer.By Kat Stoeffel
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More Tutorials
200 Comments
June Martin
This is a brilliant tutorial. I am new to using After Effects, one of the first things I learnt to do was create a spinning object, I found the following guidance really helpful as well. goo.gl/xXQVUC
is there a cs4 version for this download
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It's very hard. I can not make it. TOT I want an easier way than this .
(I'm Thai use google translate.) FB. Kanami Logi
(I'm Thai use google translate.) FB. Kanami Logi
Seanzare Griffin
It's Funny Because I just got AE and i had absolutely had no idea what I was going with this and i didn't even watch this tutorial. When I saw the advance spin fx,i just thought it was very pretty, so i was hey I'll just use it since free. Then when i started working on, i had no clue what i was doing at all. I was literally all over the place. But then i accident place one of the blocks on a primary spin out and i didn't know how to take it off so i just left it there, and when i did the ram preview it became a totally different this and i was like Whoa! So I Thank you for making this, i just wish i watched the tutorial before hand by hey. If You want to see how it turned out. Check out my youtube channel. https://www.youtube.com/watch?v=V1IPmr593Sc
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143. Advanced Spin FX
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This review is from: KINGWIN Power Force PF-850 850W ATX 12V v2.2, EPS 12V v2.91, and SSI EPS SLI Ready CrossFire Ready 80 PLUS BRONZE Certified Modular Active PFC Power Supply
Pros: I bought this power supply from a local store, and it's been running great, so far it keeps my gfx card running great. And it has pretty good price too, I would totally recommend the Power Force, Kingwin does make solid power supplies, it's a great buy.
Cons: No lights, but I can live with that, as long as it gives me enough juice.READ FULL REVIEW


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Sport technology and style collide in the most perfect of ways in the FL12 from Body Glove. The flexible nylon frame and extra-soft temple tips ensure a comfortable, no-slip fit, while Hydrophobic coating repels dirt, sweat, and oil, and polarized lenses reduce glare for optimum optical performance. materials: Flexible nylon frame. 1.0 mm Polarized lens. measurements: Lens width: 65mm. Lens height: 33mm. Bridge: 15mm. Arm: 135mm. item details: 100% UV Protection. Polarized. Hydrophobic coated lens repels water and dirt. country of origin: China.
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ChefTalk.com › Culinary Schools, Cookbooks & Cookware › Cookbooks › Bon Appetit, Y'all: Recipes and Stories from Three Generations of Southern Cooking
Bon Appetit, Y'all: Recipes and Stories from Three Generations of Southern Cooking
Featured Review
What happens when you take a girl, steeped in the southern culinary tradition, and send her off to France for formal training?
On the face of it, that sounds like it could produce a chef with a unique culinary worldview. Which is how Virginia Willis, author of Bon Appetite, Y'all, describes herself. "My own style of cooking," she says, "combines my Southern heritage with classical French training. The result is a mélange of new Southern and new American cooking with a heavy dose of classic French techniques."
My dictionary defines "mélange" simply as "a mixture." And Willis's style is, indeed that, a mixture of all her culinary influences. What's it's not is a particularly creative or exciting mixture.
The first---of a dozen---dishes I made from the book was her Pecan Lamb Chops. This consists, at base, of taking some loin lamb chops, running them through a three-dip breading of which ground pecans is the final coating. She then pan frys them until browned, and finishes them in the oven.
Is it tasty? No doubt about it. But if this represents either new Southern or new American, I'm getting ready to move---both from the south, and from the country. To me, it's just an everyday method of cooking chops. Certainly nothing I need consult a $33.50 book for.
Similarly, her take on game hens, what she calls "Mama's Orange Glazed Cornish Game Hens," is tasty enough. It's just not worth the effort that goes into producing it. If you want to work extra hard, follow her steps, forcing herbed butter under the skin. Or, instead, just baste the roasting birds with the same butter mixture. The final results will be the same.
Of those recipes I've tried, about half are like that: the final result is good many times good enough for company as well as everyday. But nothing spectacular. The rest weren't worth the bother.
Take Baker's Potatoes, her take on the classic pommes boulangere. Substitute parsley for the thyme she uses, and it's a long way to go just for boiled potatoes precut in the style of Hasselback spuds.
There are cases, too, where she makes a minor changes, but, rather than offering it as a modification, calls it something else. Then the two recipes are placed enough apart so, maybe, you won't notice. On page 187 she has a recipe for Green Beans with Tomatoes, which, truth to tell, is not a bad side dish. Three pages further, however, is a recipe for Green Beans Provencal which, basically, is the same dish minus the crumbled feta used in the first one.
The book is rift, too, with typos and missing directions. One of the more egregious instances is her Chicken & Tasso Jambalaya, a recipe where it's obvious no attempt was made at proofreading. At one point, the chicken is slightly colored in a skillet, then removed to a plate. Other ingredients are then added to the skillet, and the whole thing put in the oven. However, at no point in that recipe does she indicate that the chicken is supposed to go back in. And she tells us to bake for 40-45 minutes, but doesn't provide a temperature at which to do so. If you happen to enjoy raw chicken and rice, follow her directions exactly. Otherwise, add the chicken back in when you bake the dish.
Each of the recipes is preceded by an intro that either provides some biographical material behind the dish, or discusses the ingredients, or talks about its antecedents. Some of these are really interesting, while others contribute little to the literature of the subject except bulk. And they tend to be repetitious.
There are some cookbooks in which the running text, alone, is worth the purchase price. This is definitely not one of them.
What makes the book particularly disappointing is that, given Ms Willis's background, we reasonably expect better. She began her career as an apprentice to Nathalie Dupree, has cooked for music and Hollywood stars and at least one President, and has worked side-by-side with such culinary celebrities as Bobby Flay, Martha Stewart, and Julia Child. Along with her degrees from both L'Academie de Cuisine and Ecole de Cuisine La Varenne, those are impressive credentials.
Sadly, those qualifications just aren't reflected in Bon Appetit, Y'all.
Recipe from book: Mustard-Crusted Pork Loin with Herb Pan Sauce
Bon Appetit, Y'all: Recipes and Stories from Three Generations of Southern Cooking
By: Ten Speed Press
|Virginia Willis
|Dewey Decimal Number
|illustrated edition
|Ten Speed Press
|List Price
|Ten Speed Press
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|Ten Speed Press
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Mariah Carey reveals the cover of her first album in four years (plus acres of flesh)... and she's called it 'Me. I Am Mariah... The Elusive Chanteuse'
She is a mother to two young children and is in her forties.
But Mariah Carey proves she is looking as good as ever in her sizzling new album cover for Me. I Am Mariah... The Elusive Chanteuse, her first LP in four years.
The 44-year-old showed off a figure that will be the envy of many women half her age as she posed with her arms behind her head in a skimpy swimsuit in the picture she uploaded to her Instagram page.
Scroll down for video...
Mother's pride: Mariah Carey posted this image of her new album cover on her Instagram page on Wednesday
Mariah looks absolutely sensational in the shot, which seems to have been taken on a sun-kissed beach.
And it seems the idea for the album has been years in the making, for the title comes from a painting she created as a toddler.
In a YouTube video in which she discusses her platter, she says: 'On the back cover of this album is a personal treasure. This is my first and only self portrait.
'I drew it when I was three and a half and entitled it, me I am Mariah.
'Please don't judge me for such a simplistic title, come on I was only three and a half.
Personal treasure: But it remains to be seen whether fans will think they have struck gold due to Mariah's decision to include her 'only self portrait' as the album's back cover
'It was a creative visualistion about how I saw myself with the purity of a child's heart before it was broken.
'She also an in depth explanation into why she included the childhood picture, saying: 'I've kept this drawing private for so long.
'But because this album is a reflection of some of the peaks and valleys that have made me who I am today I've decided to share it with those of you who actually care and have been here for me through it all.
'Been through a lot but Ive always known me. I am Mariah.'
There was also an element of historical revisionism going on as she boasted about her array of alter egos.
Fabulous at 44: Many women half her age will be green with envy at the star's fantastic figure
The singer said: 'Along the way there have been a couple of nicknames and I've inadvertantly embodied many personas.
'Lately they've been calling me The Elusive Chanteuse. I like it'
Chanteuse is a word of French origin meaning a female singer, especially in a nightclub or cabaret
She will be hoping her new album helps kickstart her career again, as the last time she topped the singles chart was in 2008 with Touch My Body, while she was last in the top ten the year after with Obsessed.
Mariah's last album was 2010's Merry Christmas II You, while her last serious album was the previous year's Memoirs of an Imperfect Angel, and while both went gold, she has not had an LP go platinum since 2008's E=MC².
But while the diva was revelling in showing off her sexy side, she also shared a heartwarming moment for her fans to enjoy.
Mum's the word: She also shared this image of her children's third birthday posted by husband Nick Cannon
For retweeted an image of herself celebrating the third birthdays of her twin children Monroe and Moroccan posted by her husband Nick Cannon.
The 33-year-old America's Got Talent star wrote: '(Today) was amazing! Happy Birthday to my greatest blessings in the world and Happy Anniversary to to the beautiful woman who gave them to me! having the babies, I realise that 90 percent of losing weight is my diet.'
He also joked that his son was 'Run and I'm DMC' as they pulled mean faces while gurning at the camera.
Run DMC: Nick joked he was the former while son Moroccan was the latter
Making faces: And his daughter Monroe had some extra help as hers was painted
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Separate names with a comma.
Looks cool but at the same time looks like a waste of system resources.
I need a new droid to be able to keep up with this emulator.
I was playing legend of Zelda during class. lol
Correction sorry I just fount out that he did finish n64oid. Nvm
I don't mean to really bash on any one or complain, but I honestly think the dev was trying to squeeze the money out of people. The emulator was...
They need to slow down I can't upgrade my phone every year at least not yet. Imagine how much these companies are making now. I remember when...
More and more android users are joining the Verizon 3g network and I don't think Verizon will increase the rates, perhaps 4G will be expensive....
you flashed over without any reset?
They are pretty interesting to say the least the reason it caught my attention because it was pretty unique compared to other roms.
I really want to create themes for the droid and all its various rom's but I don't have the time to mess with all the stuff that come with the...
I just tried this out... 2 words AWWWWW!!!SOMEEE!!
If we could work out the bugs and apply it to sapphire that would make my life complete lol.
Promotional Wallpaper
We should team up and make a supper awesome theme! or themes!
This theme is more sleek and artistic. I like it. If I could port themes I would do this one.
if you like blackdroid's roms check out UD extreme 7.0
If you want a really good rom I suggest sapphire .8.4 or 1.0 both are good a lot of people...
Any news on ported version 1.0 for saphire 1.0
Haha sweet! I'm can't wait. Thanks!!


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The Consolations of PhilosophyFrom the author of How Proust Can Change Your Life, a delightful, truly consoling work that proves that philosophy can be a supreme source of help for our most painful everyday problems.Perhaps only Alain de Botton could uncover practical wisdom in the writings of some of the greatest thinkers of all time. But uncover he does, and the result is an unexpected book of both solace and humor. Dividing
The Consolations of the Forest
Alone in a Cabin on the Siberian TaigaA meditation on escaping the chaos of modern life and rediscovering the luxury of solitude. Winner of the Prix Médicis for nonfiction, The Consolations of the Forest is a Thoreau-esque quest to find solace, taken to the extreme. No stranger to inhospitable places, Sylvain Tesson exiles himself to a wooden cabin on Siberia's Lake Baikal, a full day's hike from any "neighbor," with his thoughts, his
Literary Strategies of Resistance from Boethius to Primo LeviBoethius wrote The Consolation of Philosophy as a prisoner condemned to death for treason, circumstances that are reflected in the themes and concerns of its evocative poetry and dialogue between the prisoner and his mentor, Lady Philosophy. This classic philosophical statement of late antiquity has had an enduring influence on Western thought. It is also the earliest example of what Rivkah Zim
How We Will All Benefit from the New World OrderIn the next twenty years the world economy will enjoy one of its strongest periods of growth. Greater innovation and technical change will increase opportunities. Life expectancy, income and educational standards will rise. The West's share in the global economic cake may get smaller, but there will be more cake than ever before.These are the predictions of Gerard Lyons, a leading international
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