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- 5 Best RCA RCT6773W22B Voyager II 7 quot 8GB Tablet 1024 X 600
Operating Android's sweetest system software however, Android 5.0 (Lollipop), you may enjoy even more of just what the Google Play retail store needs to offer Use the tablet's integrated Bluetooth functionality to link and also that join suitable devices FEATURES: 1.4 GHz Quad-Core processor Android 5.0 Operating System (Lollipop) 1GB DDR of system moment 7.0" Touchscreen Screen Type: Capacitive Touch Display Resolution: 1024 x 600 Built-in WiFi Front 1MP live webcam Micro USB 2.0 port Headphone jack Microphone port Network Connection: 802.11 b/g/n Wireless LAN 8GB onboard storage space memory, added memory via microSD card port Operating System: Google Android Rechargeable lithium-ion battery Battery Life: 6 Hours Media Formats: prominent media layouts Package Contents Tablet Battery Air Conditioning Adapter
Best Tablet Pc
- The MIIX 310 comes with an optional LTE, which means users can access the internet wherever they have cellular data.
- The Lenovo MIIX 310 has a detachable keyboard that gives you access Laptop and Tablet modes.
- The MIIX 310 comes with a 33 WHr battery that delivers up to 10 hours of battery life. That's a 10% increase over the previous generation.
- Touchscreen
- Detachable Keyboard
- Built-in WiFi and Bluetooth v4.0
- This Certified Refurbished product is tested and certified to look and work like new. The refurbishing process includes functionality testing, basic cleaning, inspection, and repackaging. The resulting product includes all relevant accessories, comes with a minimum 90-day warranty, and may arrive in a generic box. Only sellers who meet a high performance bar may offer Certified Refurbished products on Amazon.com
- Intel Atom Z3735F Quad-Core 1.33GHz CPU
- 1.83GHz Burst Frequency, 2MB L2 Cache
- Free Priority ship in USA * New 2 in 1 Tablet laptop Intel Atom Z3735F 1.33 GHz Processor (2 MB Cache)
- 10.1-inch HD IPS LED-backlit touchscreen (1366 x 768), multi-touch support
- 2GB RAM +32 GB Nand Flash extendable to 128GB with Micro SD Card
- Convertible 2-in-1 notebooks with four viewing modes: tablet, tent, stand, and laptop, Software: 1-year Office 365 Personal subscription
- 11.6" IPS HD 178-degree wide viewing angles with touchscreen display
- Intel Braswell Dual Core N3050 1.6GHz (Turbo up to 2.16GHz)
- Windows 10 and Android 4.4 KitKat Dual Boost, Free Switch
- Intel Z3736F Quad Core, Max 2.16GHZ, 2GB DDR3L RAM + 32GB eMMC ROM, Support TF Card, Max 128GB
- 8 inch IPS Full HD Screen Display, 1920 x 1200 resolution, 283.02 PPI
- Intel Atom Z8300 1.6 GHz Processor
- 64 GB Solid-State Drive
- Comes pre-installed with Word Mobile, Excel Mobile, and Powerpoint Mobile for productivity on the go.
- One-Drive - Cloud storage that lets you easily access and share your documents, photos, and more from any device
- Performance Technologies like InstantGo let you boot up and resume quickly.
- Ultimate multimedia experience: Featuring a stable MTK Quad Core CPU and Google Android 5.1 Lollipop OS, NeuTab new model K1 ensures an impressive smooth gaming and ultimate multimedia experience.
- Endless entertainment and amazing 3D gaming experience: With 1 GM RAM and 16 GB Nand flash, you can download all your favorite apps seamlessly. With mini HDMI port, you can easily connect your tablet into just about any TV and start streaming your favorite content and turns your game playing a much more enjoyable experience.
- Beautiful Widescreen Display: Ideal for watching HD movies, playing games, browsing the web, or reading and you experience rich graphics, bright colors, and crisp text. Widescreen displays exceptional detail and the bigger screen makes the games buttons easier to press and tapping a more accurate experience.
- This Certified Refurbished product is tested and certified to look and work like new. The refurbishing process includes functionality testing, basic cleaning, inspection, and repackaging. The product ships with all relevant accessories, a minimum 90-day warranty, and may arrive in a generic box. Only select sellers who maintain a high performance bar may offer Certified Refurbished products on Amazon.co
- Light and Portable and Convertible - transforms into 4 modes; Windows 10-32bit; Intel Quad Core Z3735F Processor 1.33GHz; Dual HD cameras for photos and face-to-face chat: 2.0MP front and rear cameras with 1600 x 1200 resolution
- 2GB DDR3L SDRAM; 32GB internal storage plus microSD slot -Expand storage up to 64GB with a microSD card (sold separately). Also SDHC compatible ; Intel HD Graphics
Related Tablet Pc
Reviewed by Jennifer Matthew on
best tablet
Rating: 8 out of 10


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Phoenix's Madison Clarke to Compete at New Balance High School Tennis Championship
This week teen tennis stars will have the chance to take their net-side skills to the national level, including Phoenix's own Madison Clarke.
The Xavier College Preparatory junior will be joining 127 other young promising athletes representing 33 states as they compete for the title of the first-ever New Balance High School Tennis Championship presented by the United States Tennis Association (UTSA), Monday, July 21, through Thursday, July 24, at Harvard University's Beren Tennis Center.
For those who have followed Clarke's high school athletic career, her spot in the national championship may not come as much of a surprise. The Phoenix native has won the American Family Insurance Arizona high school girls tennis player of the year award for two years running and consecutive state championships for the Xavier team, including the state singles title at the 2014 Arizona State Tennis Tournament.
See also: Scottsdale MMA Fighter Terrin Yazzie Takes Pride in Navajo Roots
Upcoming Events
The Sound of Music
TicketsTue., Oct. 18, 7:30pm
Flight of the Conchords Sing Flight of the Conchords
TicketsFri., Oct. 28, 8:00pm
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Masters of Illusion
TicketsFri., Nov. 18, 8:00pm
The New Balance High School Tennis Championship is presented by the USTA and plays out in a 64-player compass draw format. Winners will receive wildcard spots in a junior event presented by the International Tennis Federation (ITF) leading up the 2014 US Open, Monday, August 25, through Monday, September 8.
For more information on New Balance High School Tennis Championship, visit nbtennischampionship.com.
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The Style Gallery is a great new way for you to view, love, and share outfit photos. It's meant to showcase
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Top Definition
Sons Of Admirals are a British pop and new media band composed of Charlie McDonnell (Charlieissocoollike), Alex Day (Nerimon), Tom Milsom (Hexachordal) and Ed Blann (Eddplant). All the members of the group are YouTube celebrities in their own rights and have a combined viewership of 600,000 and more than 67 million video views between them. They released their first single, a cover of Cat Stevens' Here Comes My Baby on 14 June 2010 on YouTube and iTunes. Within 48 hours of its release the single had attained a top 100 position in the UK iTunes download chart.
Sons of Admirals is the best band ever!
boo_me2 tarafından 26 Eylül 2010, Pazar
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Master: Jack
I sms Lin at Batu Caves on last week, finally have chance to try her after getting her contact long time ago. I asked her is she free at 10pm. She say ok, wait for me 😀 She guided me to her place and asked me to ring her when I am there. Once I reached there, I ringer her and she told me go up to which floor.
Once I reached her floor, she opened the door slowly, saw her in her tight dress showing her big big breast, looks super delicious by just looking at their shape. When I stepped in, her house was clean and tidy. She leaded me to her room, asked me to undress, asked me what type of massage oil I preferred. I told her something not too smelly. She started to massage my legs and back. He massage was so gentle and comfortable.
After massage completed, I asked her to do FJ. She said yes but I need to reward her. I started to kiss her, undress her shirt and bra, slowly kiss down to her breast, suck her nipples. She moaned abit, I asked can I remove her pant, she nodded her head. While at the same time, her hand stroking my little brother. Immediately I put my face to her pussy, start using my tongue to lick and suck. She moaned even louder and keep saying so nice. After 10 minutes, she got the organsm and want me to stop. Now it is her turn to give me BJ. She suck it gentle and slowly, until my little brother solid hard.
Then she put the cap on it, slowly inserted inside her tight pussy. And she started to ride like cow girl. Because of this I straight away pancut and she say why so fast, lol (she really good in riding so becareful brothers) . She rest awhile on my body, then clean my little brother,chit chatted for while. after resting for 15 mins, she ask me whether want one more time, I say why not but I want to pancut your mouth, and she agree, and there's go the blow job queen show, her blowjob is really good and you will not stand for longer than 5 mins if this is your first shot in her session. Finally, unload all in her mouth.
Then we went for shower, paid off and bye bye.
Location: Batu Caves
Name: Lin
Original: Indonesia Malay
Age: 30+
Look: 5/10
Body: 7/10, maybe 155cm
Breast: 10/10, 34C maybe, big breast lover must try
Pussy: Clean, shaved
Massage: 8/10
BJ: 11/10 like motor, literally motor
Kiss: Can kiss
FJ: 9/10, enjoy with moaned, very cooperative
WTR: Definitely
Damage: RM200 (Massage+FJ)
Location: Batu Cave
Category: NL
Remark: She all races, 1 Malaysia 🙂


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1 Introduction
[2] The West Antarctic Ice Sheet (WAIS) contains enough ice to raise eustatic sea level by over 3 m [Bamber et al., 2009], and the Amundsen Sea sector of the WAIS is susceptible to accelerated retreat due the presence of a bedrock topography that lies well below sea level and deepens inland and the absence of buttressing from substantial floating ice shelf barriers [Mercer, 1978]. Satellite observations show that glaciers draining this sector are retreating [Rignot, 1998b], thinning [Shepherd et al., 2001; Shepherd et al., 2002; Shepherd and Peacock, 2003], accelerating [Joughin et al., 2003], and losing mass [Rignot, 2008]. Observations of ice shelf thinning [Shepherd et al., 2004] in the face of increased glacier discharge and a numerical simulation of glacier response to external forcing [Payne et al., 2004] suggest that the surrounding ocean is the source of this imbalance. The Pine Island Glacier (PIG) is a major tributary of the WAIS Amundsen Sea sector. Satellite observations of relative tidal motion show that the PIG hinge line retreated by up to 25 km between 1992 and 2009 [Rignot, 1998b; Joughin et al., 2010]. This retreat corresponds to a reduction in ice thickness of around 90 m at the glacier terminus considering the recent geometry [Vaughan et al., 2006], a value that is consistent with direct observations of thinning acquired by satellite altimetry during the same period [Wingham et al., 2009].
[3] The potential sea level contribution due to ice mass losses from the Amundsen Sea sector over the 21st century is a source of considerable uncertainty [Meehl et al., 2007]. A hypothetical scaling of glacier discharge rates [Pfeffer et al., 2008] indicates a potential 21st century sea level contribution in the range 4 to 15 cm from the PIG alone [Pfeffer et al., 2008]. However, an extrapolation of the recent PIG volume trend acceleration [Wingham et al., 2009] provides a much smaller estimated contribution of around 2 cm by the year 2100—a value that is consistent with the 1.8 cm likely estimate of a basin-scale model of the glacier response to ocean forcing [Joughin et al., 2010]. Moreover, although changes occurring in the vicinity of the PIG grounding line are expected to cause thinning inland for decades to come [Payne et al., 2004; Joughin et al., 2003], and the presence of an extended region of lightly grounded ice at the glacier terminus has promoted rapid retreat in recent years [Corr et al., 2001], the glacier and bedrock geometry farther inland impedes further retreat in numerical simulations—even allowing for an increase in ocean melting [Joughin et al., 2010]. Here we use satellite radar interferometry and satellite radar altimetry to analyze the rate of hinge-line retreat and thinning to establish whether the glacier has reached this anticipated state of relative stability.


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Develop a column, write album reviews, cover live shows, or conduct interviews.


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Hot topics in Development Softwareborland c++ bricxcc delphi code formatter math delphi delphi sql formatter lazarus code formatter pascal delphi synapse bricx command center c++ builder
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Bricx Command Center (BricxCC) is a highly popular Windows-based IDE for programming LEGO programmable bricks using NQC as well as MindScript, LASM, C++, C, Pascal, Java, and Forth. Program the new NXT brick using NBC and NXC.753 weekly downloads
Jedi Code Format
The Jedi Code Formatter is an open-source code formatter for the Borland Delphi Object-Pascal programming language. The formatter can standardise all aspects of Delphi Object Pascal and Delphi.NET source code formatting, including indentation, spacin62 weekly downloads
GNU Gettext for Delphi, C++ and Kylix
GNU GetText translation tools for Borland Delphi and Borland C++ Builder60 weekly downloads
Porting log4j to Delphi and Kylix12 weekly downloads
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Mock object library for Delphi/Kylix/Free Pascal. This library enables the easy creation and use of Mock objects for unit testing. Independant of the unit testing framework.10 weekly downloads
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Visual Synapse are component wrappers around the Synapse tcp/ip libraries. It wraps a few common internet protocols, like HTTP, UDP, DNS, ICMP, TCP and SMTP to multi-threaded components that can be used with Delphi, Kylix, Freepascal and C++ Builder.9 weekly downloads
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"JEDI Math" is a free mathematical library developed under the MPL for Delphi, Kylix, FPC and Lazarus. The library provides routines for matrices/vectors, regression, geometry, physics, equation rendering and raytracing among others.7 weekly downloads
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A FrameWork to develop Pascal Applications. This includes Integrated Development Environment (Rapid Application Development -RAD-), Virtual Machine, Web Services (Pascal Server Pages -PSP-) and too many tools11 weekly downloads
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DPF(Delphi Plugin Framework) is a general-purpose plugin framework intended to help building scalable, extendable Delphi applications with low cost of maintenance. The framework is specially designed to be easily included into Delphi project of any kind.10 weekly downloads
EstSearchDialogs is a Delphi component set to create powerful search functionality in your application by building a SQL statement and visualy configuring how your user may search on the query result. Use BDE, DB Express, ADO, IB Express, Zeos or custom.4 weekly downloads
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Fusion OS is a Open Source Operating System, mainly licensed under the MPL 1.1. Parts of it are licensed upder the GNU GPL or other open source licenses. Fusion OS is based on the ReactOS project, and we contribute any bugs found in ReactOS back to them1 weekly downloads
Delphi - Firebird Application Framework
Paquetes para desarrollar nuevos proyectos que incluyan configuraciones en archivos ini, control de accesos, log de errores con eurekalog, informes usando FastReports, conexión a Firebird 2 usando Fibplus y presentación de datos con controles Devexpres1 weekly downloads
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DURIAN is a Free Delphi Web Application Server for make interactive dynamic web documents in the Pascal server-side html-embedded scripting language for Windows (Delphi) and Linux (Kylix).1 weekly downloads
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Le projet Atlantis est une collection de composants et de bibliothèques pour Lazarus. The Atlantis project is a collection of components and libraries for Lazarus.
Free Pascal Compiler for IL
A free pascal compiler targeting the Microsoft .NET and Mono platform; Full compatibility to the Borland Delphi.NET compilers is one of the main goals.
NLSO, Natural Language Support Objects
NLSO Natural Language Support Objects, a Natural Language dependent resource manager designed to minimize localization workload See http://comchatter.com for an example of what can be achieved using language neutral design
OPAD - Object Pascal Agent Development
to be changed before
Pascal wrapper for JPeg2000 Jasper library
XNC - Extreme Numeric Compression
XNC - Extreme Numeric Compression is used to store integer or floating-point numbers in compressed, binary form. Use XNC to persist high volume scientific or plant monitoring data. Compression ratios of >15 x can be achieved over plain text formats.


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Montgomery Throw - 170Montgomery Throw - 170
Free Standard UK Delivery
£190.00 190.00 ( 8 reviews ) Feefo logo
- Luxurious bedding
- Material: 70% wool, 30% acrylic
- Dimensions: 130x190cm
- Earthy tones of brown and blue
- Also available in multicoloured brown
- Made in Italy
- Throw presented in Missoni Home branded gift box
This Missoni Home Montgomery throw has a vibrant multi coloured zig zag design in cool shades of blues & browns. Luxuriously soft to touch, the throw is made from 70% wool and 30% acrylic. Measuring 130x190cm, this vibrant Missoni Home throw will brighten up any bedroom or is great for updating a sofa. It comes beautifully presented in a Missoni Home branded gift box, and makes a great luxury gift idea for someone special.
- Supplier code: 1M3PL99027
- Barcode: 8033050836215
- Free Standard Delivery to UK Addresses*
- UK Next Working Day delivery is £5.95
- UK Saturday delivery is £9.95
- UK Sunday delivery is £9.95
Recent reviews
Our designer selected this throw and I can see why, it is absolutely gorgeous.
It is beautiful, well-made and a perfect compliment to our decor.
Beautiful throw, as shown on website maybe better


text:
Cities can tell you where you can and can't park, and they can decide which areas of town are zoned for which types of commercial uses, but can a city determine where a food truck can park based solely on the type of food it makes? [More]
Car Owner Tries To Drive Vehicle Away During Snow Emergency Tow
When you live in an occasionally snowy urban area and own a car, snow emergencies are an inevitable occasional annoyance. They impose different alternate-side parking rules so plow crews can clear heavy snow accumulation from the sides of roads, towing vehicles that remain in the way. One woman in St. Paul, Minnesota tried to rescue her car, then learned that you can't actually drive a car hooked to a tow truck. [More]
Strip Mall Next To Dairy Queen Boots Non-Customer Cars, Angers Ice Cream Seekers
The owner of a strip mall next door to a Dairy Queen in Illinois is no longer messing around. When people who are visiting the Dairy Queen in Wilmette make the mistake of parking in the lot of a neighboring strip mall, they're going to end up paying for a very expensive ice cream cone. The owner of the mall has cracked down on parking, and has started booting cars using the lot. [More]
After Two Decades, Burger King Has Enough Of Little Old Ladies Using Parking Lot For Free
While the dispute between an NYC McDonald's and some loitering elderly customers comes to an end, there is another feud brewing a few hours to the northeast. [More]
Homeowners Association Spends $300,000 In Legal Fees Over A Pick-Up Truck
A homeowner in Florida was awarded $187,000 in legal fees from a years-long court battle over the right to park a pick-up truck in his driveway. Now the homeowners association is going to have to pick up the tab for $300,000 in fees.
Verizon, NYPD Don't Care About Fires
Once again, Verizon has been caught leaving its vans parked in front of fire hydrants.
Hidden Cameras Catch LA Valets Breaking All Kinds Of Laws
An excellent piece of investigative journalism by NBC Los Angeles catches valets all over the city putting up fake no parking signs, jamming meters, and using customers' cars to shuttle valets around.
Yellow Lines Painted Under Parked Car To Give A Ticket
You manage to find that perfect parking spot, the road completely unmarked, no signs around anywhere. You happily jump out of your car, glowing with the smug self-satisfaction that can only come from getting one over on City Hall.


text:
Read an Excerpt
God Was Here, and I was Out to Lunch
By JAMES W. MOORE
Dimensions for LivingCopyright © 2001 Dimensions for Living
All rights reserved.
Don't Miss ...
The Call to Discipleship
* * *
Scripture: Mark 1:16-20
This is a true story, but one that may make you say, "Only in California." Larry Walters was a thirty-something truck driver who lived in Los Angeles. He lived in one of those neighborhoods where all of the houses looked alike, and where each of the yards was surrounded by a chain-link fence. Every Saturday afternoon, Larry had a ritual. He would sit in a lawn chair, sip a cool beverage, and just relax for a couple of hours. This is what he would do every Saturday afternoon in his backyard.
One Saturday, however, Larry got a bright idea. He decided that he would tie some helium balloons to his lawn chair, enough to float himself about one hundred feet or so over his neighbors' yards. It should be noted at this point that Larry was not an aeronautics engineer. Therefore, he didn't really know how many helium balloons it would take to elevate him to the desired height of one hundred feet.
So Larry purchased forty-five weather balloons and filled them with helium. Then he packed some sandwiches, prepared his cool beverage, and took along a BB gun so that he could shoot out one or more of the balloons if he got too high. Next, with the help of his neighbors, he tied the balloons to his lawn chair. (Let me digress just long enough to say: "Don't try this at home!")
At the appropriate signal, the neighbors let go of the ropes that tethered the "balloon-chair." Larry immediately rocketed up to 11,000 feet! No kidding! He was so shocked and so frightened, that he never got a chance to shoot any of the balloons out with his BB gun; instead, he was too busy holding on to the lawn chair.
Larry was first spotted by a DC-10 pilot flying into Los Angeles International Airport; he had zipped up into one of the busiest flight patterns in the world. The DC-10 pilot radioed the tower that there was a man on a lawn chair at 11,000 feet, and that he had a gun! Planes were immediately rerouted around the spot where Larry was floating. Rescue craft were sent up, and eventually they got Larry safely back down to the ground with his lawn chair. He was, of course, quickly surrounded by reporters who had rushed out to get the story on this bizarre (even for California) event. Reporters asked Larry, "Were you scared?"
"No," Larry said.
"Would you do it again?"
"Well, why did you do it in the first place?"
Larry replied, "Well—you can't just sit there!"
Now, strange as it may seem, when I first heard the story of Larry's big adventure that Saturday afternoon in Los Angeles, it made me think of the first chapter of Mark, where Jesus came to Simon, Andrew, James, and John at the seashore and called them to be his disciples. In effect, Jesus said to them: Don't just sit there doing the same old things, performing the same old rituals, living the same old life. Break out of the drudgery! Do something good—exciting—come and follow me!
Please don't misunderstand me. I am not applauding Larry and his lawn chair and helium balloons. Obviously, that was a dangerous and crazy thing to do. He could have been killed. He could have caused all kinds of problems, and in fact, he did. He could have hurt someone else. Indeed, his exploits that day could have produced a major calamity. But even though he went about it the wrong way, what is significant to notice here is this: There was something stirring deep down inside of Larry, telling him that just sitting there was not enough. There is more to life than just sitting there.
This is precisely the way Simon, Andrew, James, and John must have been feeling that day when Jesus walked into their lives. They were suffering under Roman oppression, with Roman soldiers swaggering about, barking commands that must be obeyed "or else." They were working hard as fishermen, but much of the fruit of their labor was going to pay Roman taxes. And on top of that, the Temple authorities were giving them a rough time and demanding more and more of their resources. Life was a difficult grind for them. They were "going through the motions," but they felt defeated and apathetic and hopeless. They felt bored and trapped in this vicious cycle and could see no way out. Let me ask you something. Have you ever felt that way? Do you feel that way right now?
A businessman checked into a hotel late one night. He decided that he would stop in the lounge for a few minutes before going up to his room. Later that night, he called the front desk and asked, "What time will the lounge be opened in the morning?" The night clerk answered, "9:00 A.M." About an hour later, the man called again with the same question: "What time will the lounge be opened in the morning?" Again the clerk said, "9:00 A.M." The man called a third time, and a fourth, and every hour throughout the night. Each time the night clerk would answer: "9:00 A.M."
At 7:00 A.M. the hotel manager arrived, and the night clerk reported that everything had gone all right, except for this crazy man who kept calling the desk every hour asking what time the lounge would open. Just then the phone rang again. This time, the manager took the call. Sure enough, it was the same businessman, calling again with the same question about what time the lounge would open. The manager said, "Look here! The night clerk tells me that you have been a nuisance all night long, asking the same question. I am telling you for the last time, the lounge will be open at 9:00 A.M. You can't get in 'til then." To which the businessman replied, "Get in? I don't want to get in, I want to get out!"
In our world today, a lot of people feel trapped like that, and sadly they think that all they can do is just sit there. Psychologists tell us that as long as we live, there are two kinds of desires working within us, battling for our allegiance. One is the desire to give up and quit on life, to throw in the towel and congeal into some final self. The other is the desire to keep on moving forward, to keep on striving, to keep on learning, to keep on growing. And this is the calling of every Christian. This is the desire that keeps us young in spirit and beautifully alive. We must be constantly on guard against congealing. Or in other words, "You can't just sit there!"
This is clearly what the call to discipleship is all about—that it's not enough to just sit there, that the key to life is to stand up and follow Jesus. Frederick Buechner, in his book Wishful Thinking: A Theological ABC ([New York: Harper & Row, 1973], p. 62], expressed it so well as he described those early disciples.
The first ministers were the twelve disciples. There is no evidence that Jesus chose them because they were brighter or nicer than other people. In fact the New Testament record suggests that they were continually missing the point, jockeying for position, and when the chips were down, interested in nothing so much as saving their own skins. Their sole qualification seemed to have been their initial willingness to rise to their feet when Jesus said, "Follow me."
Their song was not so much "Lord, We Are Able,' as it was "Lord, We Are Available."
Now, what we learn from Simon, Andrew, James, and John is this: If you want to be available to follow Christ and to serve him and to be his disciple, you can't just "sit there." Let me show you what I mean with three thoughts.
First of All, Don't Just Sit There in Defeat
Before Jesus came along, that is exactly what those early disciples were doing. They felt defeated. I mean, what could they do? They didn't have the power to take on the Roman army. They didn't have the power to take on the Temple authorities. So they just wallowed in a spirit of defeat until Jesus came and delivered them.
Phillip Childs, a pastor with Parakletos Ministries in Decatur, Georgia, tells an intriguing story about a class of fourth graders in a public elementary school. The children were hard at work. The ten-year-old students were furiously writing, filling their pages with a list of "I Cant's": "I can't kick the soccer ball past second base." "I can't do long division with more than three numbers." "I can't get Debbie to like me." Their pages were full, and they showed no signs of letting up.
Every student was writing his or her "I Can't" list. The teacher was also doing the same: "I can't get John's mother to come for a teacher conference." "I can't get my daughter to put gas in the car." "I can't get Alan to use words rather than fists." Why were they dwelling on the negative instead of writing the more positive "I Can" statements? Soon, the answer came.
The teacher stood up and said, "Okay, children, let's do it!" The children ran forward and put all of their "I Can't" lists into a shoe box. The teacher then grabbed a shovel and the shoe box and marched outside. The students followed close behind. They walked to the farthest corner of the school yard, and, one by one, they all took turns with the shovel. They were digging a grave!
When the grave was ready, thirty-one ten-year-olds stood there as their teacher placed the shoe box at the bottom of the hole. They covered it with dirt, and then the teacher said, "Boys and girls, please join hands and bow your heads." They did, and the teacher gave the eulogy.
Friends, we are gathered here today to honor the memory of "I Can't." While he was here with us on earth he touched the lives of everyone, some more than others. We have provided "I Can't" with a final resting place and a headstone that contains his epitaph. He is survived by his brothers and sisters, "I Can," "I Will," and "I'm Going to Right Away." They are not as well known as their famous relative and are certainly not as strong and powerful yet. Perhaps some day, with your help, they will make an even bigger mark on the world. May "I Can't" rest in peace and may everyone present pick up their lives and move forward in his absence. Amen. (Phillip B. Childs, "The I Can't Funeral," North Texas United Methodist Reporter 31 [January 22, 1999]: 1)
What a great moment this was. These students would never forget this. But they weren't through yet. The group went back to the classroom and had cookies and popcorn and fruit juice. The teacher cut a large tombstone from brown paper. She wrote the words "I Can't" at the top and "Rest in Peace" at the bottom, and then she wrote the date. She hung the tombstone on the bulletin board for the rest of the year, and on those rare occasions when a student would feel defeated and say "I can't," the teacher would simply point to the "Rest in Peace" sign. The student would then remember that "I Can't" was dead and buried, and he or she would then resolve to try harder.
Jesus would like this story, I believe, because that is what he was saying to those first disciples: "You can do it." I will help you. Don't just sit there in defeat. Come on now. Get up and follow me." The apostle Paul would probably like this story too, because one of his most famous quotes says it all: "I can do all things through [Christ] who strengthens me" (Philippians 4:13).
The point is clear: The choice is ours. We can wallow in defeat, feel sorry for ourselves, and say, "We can't do anything about the complex problems that surround us"; or we can hear the call of Jesus and respond with courage and optimism and faith. To those early disciples long ago, and to you and me here and now, Jesus is saying, "Don't just sit there in defeat! Get up and come and follow me! You can do it. I will help you,"
That's number one: Don't just sit there in defeat.
Second, Don't Just Sit There in Apathy
There's an old Smothers Brothers routine in which Tom seems worried. His brother, Dick, says to him, "What's the matter, Tom? You seem despondent."
"I am," replies Tom. "I'm worried about the state of American society."
"Well, what bothers you? Are you worried about poverty in our nation?" says Dick. "No, that doesn't bother me," replies Tom.
"I see—Well, are you concerned about the danger of nuclear war?"
"No, that doesn't bother me."
"Are you upset about the use of drugs among our youth?"
"No, that doesn't bother me," says Tom.
"Well then," says Dick, "if you're not bothered by poverty, or war, or drugs, what are you worried about?"
And Tom responds: "I'm worried about our apathy!"
Well, Tom Smothers, in his unique way, may well have put his finger on one of the big problems of our time: apathy! This was also a big problem in Jesus' time. People felt down and out, with nowhere to turn, and so many of them just quit on life.
That is precisely what apathy is—it's quitting on life; it's just giving up and throwing in the towel, A punster friend of mine told me this week about the apathetic owl, who "just doesn't give a hoot anymore!" To be apathetic is to be uncaring, unconcerned, unexcited, unmoved, and untouched. It is the opposite of faith and hope, the opposite of love and commitment.
Last fall in Fort Lauderdale, Florida, a series of unusual messages appeared on billboards and buses. The agency in charge of the advertising campaign said that an anonymous donor was footing the bill. The messages were reported to be messages from God, and they caused quite a stir in town.
Here are some of the messages:
"Let's meet at my house Sunday before the game." (signed) God "
"C'mon over and bring the kids." (signed) God "
"What part of 'Thou Shalt Not' didn't you understand?" (signed) God "
"We need to talk." (signed) God
"Keep using my name in vain and I'll make rush hour longer." (signed] God
"Loved the wedding; invite me to the marriage." (signed] God
"I love you—I love you—1 love you." (signed) God
"Will the road you're now on get you to my place?" (signed] God
"Follow me." (signed) God
"Big hang theory? You have got to he kidding!" (signed] God
"My way is the highway." (signed) God
"You think it's hot here7." (signed) God
"Tell the kids I love them." (signed) God
"Have you read my No. 1 best-seller? There will be a test." [signed) God
"That 'love your neighbor' thing—I meant it!" (signed) God
That anonymous donor who put those messages up was trying in his own way to tell us what the New Testament says: "Don't just sit there in defeat and in apathy, get up and follow Jesus. You can do it! He will help you!"
Third and Finally, Don't Just Sit There in Indecision
There is an old joke that came out of the former Soviet Union many years ago about a Russian who stood on the street corner in Moscow and shouted, "Down with Khrushchev!" He was arrested on the spot and sent to prison for ten years. While he was in prison, he had a change of heart and came to see Nikita Khrushchev in a different light. The only problem was that while he had been in prison, the times had changed, and Khrushchev had been deposed, kicked out of office, and publicly denounced.
When the man was released, he went back to that same street corner in Moscow. He wanted to give a public testimony to his rehabilitation. This time, he shouted, "Hooray for Khrushchev!" and promptly got ten more years in prison, which only goes to show that "timing is everything!"
And this is one of the key things to notice in the Gospel of Mark. Jesus said, "Follow me," and immediately Simon, Andrew, James, and John dropped everything and followed him.
The question for us today is this: When is the best time to decide—to make up our minds—to follow Jesus? The answer is, Right now! Don't just sit there in defeat, in apathy, in indecision. The time is now. This is your moment. Get up now and follow Jesus. You can do it. He will help you. God is here, nearer than breathing, and God is calling you. Don't miss the call to discipleship!CHAPTER 2
Don't Miss ...
The Spirit of Christ
* * *
Scripture: Matthew 5:13-16
A friend recently sent me a story about a mother who was preparing pancakes for her two sonsone Saturday morning. Kevin and Ryan just loved pancakes. In fact, they loved their mom's pancakes so much that on this particular Saturday morning they began to argue (as brothers will do) over who would get the first pancake. Five-year-old Kevin and three-year-old Ryan were not only fussing; they were also pushing and shoving, trying, each one, to be first in line and get the first pancake.
Their mother saw the opportunity for a moral lesson, so she said, "Boys, boys! Calm down! I want to ask you a question. If Jesus were here with us this morning, what do you think he would say?" No answer. "Well," she continued, "I'll tell you what he would say. He would say, 'Please let my brother have the first pancake; I can wait.'"
In reply, five-year-old Kevin said, "Great idea, Mom!" and then he turned to his younger brother and said, "Ryan, you be Jesus!"
Excerpted from God Was Here, and I was Out to Lunch by JAMES W. MOORE. Copyright © 2001 Dimensions for Living. Excerpted by permission of Dimensions for Living.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.


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Rick Castle (Nathan Fillion) - My kind of man--smart, funny, adorable and super nerdy!!!!!
"I'd like to introduce you to Richard Castle and friends. Girl, this is going to rock your little TV-lovin' world." The latest from Sandra D. Bricker: Rise & Shine! Releasing on 5/1/14! Order your copy today! #riseshine
nathan fillion. be still my heart.
"Sometimes the hardest things in life are the things most worth doing. It's because we haven't them out yet, doesn't mean we won't" Richard Castle; Castle TV show
"detective kate beckett, NYPD. richard castle, just NY"
Introducing Mr. and Mrs. Castle ~ ! I love how Beckett wore awesome flowing pants instead of a dress
Castle, Beckett, Esposito, Ryan, Lanie, Alexis, Gates & Martha
I ship so many couples. Some in books, some in movies, some in tv shows. But every time it seems to come down to these two idiots, my heart melts and all the others go out the window.
'Heat Wave' by Richard Castle Book 1 from 'Castle' Yeah, I read books from a fake author based on a TV Show...Love Castle!
I love that even tho he isn't a cop they gave him a safety vest that says "writer" for his acutal job.


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RICHBURG, S.C. - Chester County officials are celebrating after years of failing to land a giant manufacturing plant.
Singapore-based Giti Tire announced last week it will build its first North American plant near Richburg, hiring 1,700 people to make passenger and light truck tires.
Before the June 16 announcement, Chester County Supervisor Carlisle Roddey said that he felt like always the bridesmaid, but never the bride. Chester County has come close, but eventually lost out on three major manufacturers in the past several years.
"It's like working a puzzle. There's one piece you need to find, and we found it. Giti was the piece we needed," Roddey told The Herald of Rock Hill.
The county has been shopping the 1,100-acre site on State Highway 9 near Richburg that Giti Tire chose for a long time, and several companies were close to choosing it, officials said.
But South Korean tire maker Hankook brought its $800 million, 1,800-worker plant to Clarksville, Tennessee. Japanese tire maker Yokohama is building a $500 million plant with 2,000 employees in West Point, Mississippi. Toray Industries of Japan chose Spartanburg for its $1 billion, 500-worker plant to make plastic resins and carbon fiber composite materials.
Long before then, Chester County fought hard to get Nissan or Mercedes-Benz plants to its site near Interstate 77, but the deals could never be finalized.
Chester County Economic Development Director Karlisa Parker said the snubs were devastating. Nut she said she learned something from each of them that helped the county land Giti Tire.
All the work came to an emotional peak back in March when on an ATV with one of the owners of Giti Tire, Parker promised Chester County would embrace the foreign company.
Parker said she cried tears of joy when the owner said her people would embrace Chester County too.
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The Rise and Inevitable Fall of Lucas Petit
Scottish Storytelling Centre
20th September
Script: Stagecraft: Performance:
The Faustian pact is a well trodden road in theatre and art in general but, as a subject I have particular interest in, I am always willing to see a new interpretation. Here we have an ordinary bloke being lead astray by a camp jakey who may or may not be the Great All Mighty. It begins in a light enough vain, instantly recalling the Peter Cook / Dudley Moore classic Bedazzled (thankfully not the awful remake). The music is strong melodically and intelligent, recalling a burlesque or dance-hall feel with a contemporary twist, and the set design is as irreverent as it is creative. Set becoming props, props becoming costumes, all in a superbly imagined 2D cartoon style. So all in all the play is an audio and visual treat (and a particular mention must go to Nicola Sturgeon's superb cameo). As for the plot we are soon launched into a fast paced adventure and barely have time to breath before our protagonist begins his dark descent. The interesting twist is that it's God, not the other guy, who's doing the corrupting this time. Apparently sick of Beelzebub having all the fun.
As the play continues it is fairly evident that the writer has teeth and doesn't seem to think a great deal of this every man who has been caught up in this divine dual. Every hope of redemption seemingly dashed. The Lego Movie this ain't. However the cruel wind it blows is a refreshing change from the tepid breeze of many modern productions trying too hard to please. Some of the gags can be a little obvious at times, local and cultural references thrown in all too frequently for a cheap laugh, but over all the writing remains witty and brutally insightful. Though I didn't agree with many of the stances took by the play and found the comedy a little bit heavy handed at times (not averse as I am to the occasional tepid breeze), with the right audience this play would, and did the night I was there, go down a storm. So if you like your comedy to reassure you that everything's all right, Lucas Petit might be worth avoiding, but if you'd prefer something with a little more bite then I suggest you seek it out in a town near you.
Reviewer : Steven Vickers
An Interview with Laura Pasetti
THE MUMBLE – Hi Laura – so can you tell me what 'A Bench on the Road' is all about, & what inspired you to create a play about it
LAURA – The play explore 100 years of Italian immigration in Scotland from the women's perspective. Narrations, music and physical theatre give voice to many women that between 1850 and 1950 left Italy in search of a better future for their families. The play is divided in frames as each scene is like a living painting, Italian and English languages intertwine creating an interesting mixture of sounds and expressions. I was inpired to create the play by the story of my first friend in Scotland when I arrived at the age of 15 to learn English. She was an Italian Scottish woman and she introduced me to the story of immigration as I wasn't aware that so many Italians lived in Scotland.
THE MUMBLE – There seems to be an awful lot of research gone into Bench – where did you source you materials
LAURA – The play was commissioned by the Italo Scottish Research Cluster- University of Edinburgh. It because of their archive and the support of many academics like Pedriali, Pirozzi , Colpi and Ugolini that I was able to write the play.
THE MUMBLE – Bench is a multi-media presentation, can you go into more detail about we have to expect.
LAURA – The play has been framed in Kantor style where the images s are strong and express the core of the stories; the marriage of ancient Italian and Scottish folk songs support the presentation of each frame. The costumes are designed in the shade of grey and sepia, like an old photograph to give a clear "image from memory" to the spectator.
THE MUMBLE – You have seven actors playing the voices of the women. Who are these, & where are they from
LAURA – Vanda De Luca is Italian Scottish, Anna Carfora is Italian and lives in London, Nicoletta Maragno is from Italy. The three Scottish actresses are Scottish: Sian Mannifield, Helen Cuinn, Pamela Reid. The accordionist who is also doing actions on stage with the actresses and playing an important role is also Scottish: Caroline Hussey. I mus say there are an AMAZING cast. This is one of the main reason why I left Italy and founded an international company: to offer opportunities to actors of different nationalities to work together. I travel a lot myself when I was younger, in search of more opportunity to grow and improve as an actress. Actor are constantly under training and if they don't understand this, they will be extremely unhappy. Researching is one of the main duty of an actor. I noticed that when I was working in Russia with German and Russian actors, we were very open, productive and the creative process unfolded easily. I wanted to do more of this kind of work and after my last trip to Russia I founded Charioteer Theatre.
THE MUMBLE – What is your personal background in theatre, Laura,& how did you come to be in Scotland
LAURA – I started as an actress in 1990 after the degree at Piccolo Teatro di Milano Acting School. The director was Giorgio Strehler. I immediately started to tour internationally and I think that I was pretty successful in my acting career. I won the Milano 90 Award as best emerging actress then the Virginia Reiter Award and then the Anna Magnani Award. I had the privilege to work with the best Italian directors and to have rewarding experiences abroad. I then became a writer, a director and an acting coach. I love teaching actors. I consider myself a real CAPOCOMICO, like in the tour companies of comedians in 1500, I lead my company artistically but I also drive the van on tour.
THE MUMBLE – So you are taking your play across Scotland – what do you hope that your prospective theatre-goers will get out of 'A Bench on the Road'
LAURA – Possibly a new intake on a piece of Scottish and Italian history. I hope that they will perceive the play as a journey through which they can reflect on identity and sense of belonging.
Citizen's Theatre
14 Sep 2016 to 8 Oct 2016
Script: Stagecraft: Performance:
The death of ecstasy-victim Leah Betts in late-1995 cast a gloomy shadow over substance abuse in the UK two decades ago. While the perils of party drugs distressed a scintilla proportion of the country, the perception of drug users, and substantially harder, more addictive narcotics, were counter-balanced by Irvine Welsh's book 'Trainspotting' in 1993, Harry Gibson's theatre production in 1994, and Danny Boyle's film in 1996. This was to become one of the most vital stories narrated during the 1990s, studying the lives of four friends as they delve into the drug culture of Leith during the late 1980's in an effort to escape from the hopeless world they find themselves living in.
Courtesy of Citizens Theatre itself, the lives of Mark Renton, Simon 'Sickboy' Williamson, Francis Begbie, and Danny 'Spud' Murphy returned to the hallowed main stage of Glasgow's Citizen's Theatre after a notable absence, guided at the wings by revered director Gareth Nicholls, whose previous productions include 'Into That Darkness' and 'Blackbird'. In terms of both novel and picture, Trainspotting holds a place in the heart of most 30-somethings who badly wish to see every element of its reputation succeed, preserving its creditable stock and prolonging for future generations.
Reprising the roles made famous onscreen by the likes of Ewan McGregor and Robert Carlyle, tonight's cast had the unenviable task of staying true to both book and picture, whilst also lending its own black humour into proceedings. Playing the lead as Renton was Lorn MacDonald, a tall, skinny, ranting sphere of machismo who required only twenty seconds before the first mention of drugs entered the fray during the opening interview sequence alongside Spud, played by Gavin Jon Wright. The youthful energy cascaded by both actors was a genial welcoming into a forbidden world, rousing the audience with the unmistakable twang served up by author Welsh. The grubby, insanitary stage was laid out for the introduction of Sickboy performed by Angus Miller, and Mother Superior played by Owen Whitelaw; the latter of which made a stunning appearance from the inside of a couch. It was Mother Superior, dressed in effeminate clothing and twirling around the stage which chiefly grabbed the eye, a large departure from Peter Mullen's robust performance in the film, whilst serving up a homoerotic, scene-polluting number at the same time Alison, played by Chloe-Ann Tylor, Sickboy, Renton and Spud tightened the tourniquets around their arms in preparation for the first, slow junkie dance. The injection scenes are, as one should expect, fairly harrowing – an intelligent use of illumination and rumbling sounds flooding with the actors' gasps and groans. This is no glorification of drugs, despite what the monologues ladled by Renton may have imposed upon the audience.
It is testament to author Welsh's dramatic writing that frequently the highlights of the performance whittled down to the lone dialogues delivered by the cast, adopting narrator roles to the audience. From Sickboy's gross attack on Shane the pitbull to Alison's uterine lining complimenting a bowl of soup, the cast were at their foremost when the stage was reduced to a chair and a voice. That is not to dismiss the impact that a busy stage offered when a nightclub scene flooded with pulsing dancers alternated between standing, sitting, gyrating, and swaying, both in the foreground and in the background, during Renton's first unsuspecting meet with schoolgirl Diane, also played by the talented, afore-mentioned Tylor. Having previously reviewed Tylor during a performance of The Strange Case of Dr Jekyll and Mr Hyde, I was privy to what a convincing actress the Royal Conservatoire of Scotland graduate can be, and there was no anti-climax tonight as she teased, toyed, and delivered a wicked temptress performance. Renton's chameleon-personality simmered throughout this scene, flitting between politics and music in an effort to win Diane's affections, while an animated bevvy of dancers maintained the youthful energy in front of a shrewd sex scene.
Dark comedy is etched throughout Trainspotting, glittering in the shadowed piss-soaked curtains while Spud regales a story of an unfortunate accident and Renton's realisation that he has become a sex offender, but the tenebrosity of Alison's baby Dawn's cot death is an acutely distressing scene. These moments often allowed the cast to ignore their audience and concentrate on those under the dimmed lights, with Owen Whitelow's turn as Mother Superior often more savage than his second role of the evening, the renowned Francis Begbie; none more so than when he rages with a black bin-bag intended for the deceased infant.
In his secondary role as the ill-fated Tommy, Angus Miller flits between his characters with an ease which enables the audience to establish which turn is being performed instantly, regardless of Tommy's double-denim fashion being an obvious cursor. Although the nod to Tommy's demise is clearly affiliated with the picture (in the book no such thing happens), director Gareth Nicholls remains faithful to scenes from Welsh's initial written creation addressing Renton's soldier brother and Begbie's alcoholic father with a susceptivity which addresses a true representation of industrial working class people. Recently, producer Harry Gibson was quoted in The Herald saying "Trainspotting was a punk book and a punk play", and this quality ebbs through the imagery, the dialogue, and the DIY ethos conjured by lead Renton's ambitions, consistently putting himself first before friends or family. Whether it be the colourful pink lights and confetti cannons during Renton's AIDS test or the tense, psychotic attempted murder of Renton by Begbie at Leith Central Station, the stage craft flowed with Welsh's words, Gibson's vision, and Boyle's sensory depictions. Not forgetting the glorious compositions spun throughout the evening by Michael John McCarthy, webbing and weaving dialogue between sounds of horror and unbridled elation which captured each fitting mood, this was a truly triumphant return to the Citizen's stage.
A special mention to Gavin Wright's turn as the unfortunate but eternally-likeable Spud – every twitch, shuffle, facial expression and response was received with glee and captured everything and more that the audience have associated with the character. Preconceptions are a difficult thing to shake off but rest assured that this play will win you over and reignite your love for the film prior to the sequel which is due for release in early 2017. Choose life, choose Trainspotting at the Citizens.
Reviewer : Stephen Watt
An Interview with Andy McGregor
The Rise and Inevitable Fall of Lucas Petit, by Andy McGregor, is just about to embark on a nationwide tour. Its creator, Andy McGregor, managed to squeeze out an extra few minutes from his hectic preparations for a cheeky interview with the Mumble;
The Mumble – Hello Andrew – you must be excited about your forthcoming tour of Scotland with a certain Lucas Petit – but who is he?
Andy – Lucas is a downtrodden, middle-class man who has lost any zest for life that he once had. His wife hates him, he's bored at his work and his only joyful experience is when he is alone and munching on a fudge donut from the B&Q cafe. The play focuses on him finding a briefcase that appears to have magical qualities. A stranger, who claims to be God, pushes him to take the case and, in doing so, Lucas starts to live a new life but (as keen observers will be aware if they have read the title of the show) ultimately it leads to his downfall. It's like Macbeth. But with briefcases. And with words people can understand.
The Mumble – Love 2.0 was a great success nationwide, will you be tapping into the same kind of vibe again
Andy – Very much so. We are keen to get those people who enjoyed Love 2.0 to come and check out this show and bring a pal or two. We've upped our ante this year with a top class production team and the play has a larger journey than Love 2.0 which was focused on two teenagers. This show is part cabaret and part caper, it never stops moving.
The Mumble – I have heard that there is a certain cinematic undertow to Lucas Petit, could you elaborate on that
Andy – Sleeping Warrior's ethos is to make shows that can only be theatre. So we have had a lot of fun in taking some stereotypical move ideas (such as a training montage) and seeing how we can make that work theatrically. Probably my favourite section of the show is based on the film Entrapment. Lucas has to make his way through a series of lasers to get to the alarm system – I think we've found really pleasing ways of achieving effects like this. If anyone has been to see The 39 Steps, then it's a similar vibe to that. But with briefcases.
The Mumble – So just like Love, this play is being funded by Creative Scotland again. How does the money help you get your playout there.
Andy – It would be impossible for us to tour this show without CS funding. I don't think people realise exactly how much money it costs to put on even a small-scale show like ours. There are so many people involved in making a piece of theatre and the materials are so expensive, that financial support is always required to put something on.
The Mumble – Can you tell us a little about your cast – have you worked with them before?
Andy – I worked with Darren Brownlie on my show Vinyl Idol (that I co-wrote with Debbie Hannan) that was on as part of the Play Pie and a Pint mini musicals season this summer. He is playing the questionable 'deity' and it's a brilliant performance he turns in, showcasing all his singing, acting and dancing talents. I've never worked with Ashley Smith before and it's been a great pleasure. She may be known to some people from her role in Scot's Squad, she has to play numerous characters throughout and we have a lot of fun in seeing her change from one outrageous creation to another. And finally we have Lucas, who is played by Al Hankinson. He brings a real warmth and quirkiness to the character and can move his body in ways I've never seen a human move there body before! It's a multi-talented cast who are working great together.
The Mumble – So whats the future for Sleeping Warriors
Andy – Can't really think about that just now! We need to keep ourselves focused on this show, try and get as many people to see it as possible and then I can start thinking about the future. Which won't involve briefcases.
Macrobert Arts Centre, Stirling Fri 16 & Sat 17 Sep
Scottish Storytelling Centre, Edinburgh Mon 19 & Tue 20 Sep
Eastwood Park Theatre, Giffnock Wed 21 Sep
East Kilbride Arts Centre, East Kilbride Thu 22 Sep
Beacon Arts Centre, Greenock Fri 23 Sep
The Brunton, Musselburgh Sat 24 Sep
Theatre Royal, Dumfries Mon 26 Sep
The Mill Theatre, Thurso Wed 28 Sep
Falkirk Town Hall, Falkirk Wed 5 Oct
Harbour Arts Centre, Irvine Thu 6 Oct
Aros, Skye Sat 8 Oct
Eden Court, Inverness Sun 9 Oct
Tron Theatre, Glasgow Wed 12 to Sat 15 Oct
The Letter
A Play, A Pie and A Pint
Oran Mor
Sept 12th- 17th
Script: Stagecraft: Performance:
The Letter, written by Stuart Paterson and directed by David Mackay, is a religious romp that concerns itself with stereotypical roles found within society at large but reflected in the antics of the three characters. Meet Deacon Orlov, sanctimonious and ever judgmental in his holier than now attitude to all and sundry : it is His way or the highway and he'll take no prisoners. Contrasted with alcoholic Father Anastasy who will chat to anyone for a vodka and Father Andrey wondering where his parenting skills failed him and we have a rather colourful insight into this letter writing trio. David Mackay stepped in to play Father Andrey last minute and was excellent in his portrayal of the bumbling indecisive deacon.
More smiles than guffaws, the farcical plot unravels at a pleasing adagio tempo to reach its climax which is surprising and unexpected but altogether welcomed. Deacon Orlov, played by Laurie Ventry (Gangs of New york, Hector and River City), the rambunctious, self-righteous patriarch overseeing his minions is played with gusto and aplomb imparting his acerbic comments to the audience like an Andy Murray ace. Billy Riddoch (Trainspotting, Shallow Grave and Silent Scream ) was in top form , back for his third appearance in A Play, A Pie and A Pint since his first visit back in Season one in So Long Sleeping Beauty. He endearingly is delighted to be back in the real ' WEST END'. With thirty years acting and twenty directing, David Mackay's ( My Name Is Joe, Ae Fond Farewell ) collective fifty years experience is a testament to the wealth of thespian talent Glasgow has to offer which we are lucky enough to be recipients of at Oran Mor .
Reviewer : Clare Crines
Theatre Royal, Glasgow
6th – 10th September 2016
Script: Stagecraft: Performance:
Rapture Theatre Company, proud to be Scottish, have adapted Shakespeare's Hamlet to a contemporary Glaswegian backdrop and worked with John Byrne – our contemporary Shakespeare – on his adaptation of Checkhov's Uncle Vanya which Byrne titled Uncle Varick set in 1960's Scotland. With an intriguing backlog I was excited and intrigued to be reviewing this rehash of the 2003 play Democracy written by Michael Frayn. Better known for his intelligent books The Tin Men (1965), The Russian Interpreter (1966)and Sweet Dreams(1973) Frayn, now in his eighties, has had flops and triumphs in his forays into theatre, Noises Off (1982) being his most acclaimed to date.
This slice of cold war espionage did not hook me in due to the banality of the acting and the monotony of costume. Ten white men in suits, all with impressive film and tv credits, struggled to keep the audiences attention. The long drawn out acts found the woman in the row in front of me falling asleep over two seats and I struggled hard not to follow in her footsteps. The problem here was the fact that I couldn't empathise with the Stasi mole Gunther Guillaume (Neil Caple) who was in pursuit of his dry boss Chancellor Willy Brandt (Tom Hodgkins). The elusive Mischa that sent the workers into a state of fear didn't work for me either , though that was entirely due to the fact that my dog shares that name.
Director Michael Emans' regurgitation of Michael Blakemore's slick premier at The National Theatre in 2003 really is not worth the stamina needed to stay engaged. The colour of the evening was provided by the stage lights and the much needed interval. I'd give this a body-swerve if I were you.
Reviewer : Clare Crines
Behind the Barrier
Oran Mor, Glasgow
September 5-10
Play / Pie / Pint
Script: Stagecraft: Performance:
Behind the Barrier is a meeting of two Scottish broadcasting heavyweights – & when the peroxide mind of Muriel Gray meets the dramaturgical ninja that is Morag Fullerton, then we should expect a production of some quality. Luckily, they did not disappoint, & as we stand behind the barrier watching two women watch spectating at a marathon, we enter a curious yet poignant world. Gray's wit seeps out of every second line, but the retrospective scenes offer a completely different avatar of her genius. Julie & Pat are the two women; Julie a middle-age mother of three whose husband is running the marathon – somewhere between the Kenyans & the fancy dress, but definitely after the club runners – while Pat is a sporty young un.'
Each actress was excellent in her part, but I did notice a lack of chemistry between them on stage, which was this play's only drawback. Otherwise, it is an excellent hour of theatrical entertainment – a parallelian play which keeps leaping about thro' time, but not confusingly, for there is a deftness to the timing of each leap. Gray's chit-chatty comedy is brilliant throughout; bang-on at times – kids are only useful these days for changing fonts – cheeky at times, as when she described a 'Pompeii in your pants,' & her overall take on the situational play – stuck in a lift, soldiers in a trench kinda vibe – is refreshing. Yeah, a great start to this season's PPP.
Reviewer : Damian Beeson Bullen
Dark Tales
Script: Stagecraft: Performance:
Dark Tales is a horror come thriller by Tim Arthur. Played out in a dark, upper level room of the Pleasance Courtyard with gladiatorial type seating, this was sure to be an eerie tale of jitters and scary moments. With a well-crafted and realistic stage set, you can see that this is a production that has thought of it all. With brick walls, cabinets, library shelves of books, a singular desk, and a few chairs scattered around, we are drawn into the murky world of Alex Crowley, a lecturer with an ambition to write chilling horror stories. With Mr. Crowley as the main character he is soon put in his place by Lucy and Jack, two of his highly strung students. As the tale becomes unhinged the darker side of the three menacing characters is revealed …
The strong acting and convincing dialogue allows the viewer to become engulfed in the deceitful relationship between the characters. With the first quarter of the play setting the scene, the story becomes apparent…. Jealousy, lust, manipulation , love, anger, revenge and hatred are just a few of the stomach-churning emotions that are highlighted in Dark Tales. The fight for one women's love soon drives the two bickering rivals to a duel of verbal insults. Like a balloon waiting to burst, you become obsessed with anticipation as spooky music starts clawing its way across the backs of the audience. Sit tight and don't move, even a twitch could be fatal…
The tension builds… The voices get louder… The insults become threats… finally, with the truth at large, the three objectives become clear. Hitting you head-on, like a deer in the headlights of your car, your are stunned and shocked as to what was about to happen.. Enchanting yet twisted, disturbing yet relieving, this is not a show for the faint-hearted. The performance, delivery and execution of the acting was superb, grasping and holding the audiences attention the actors were a joy to watch. With Crowley's goal accomplished the tale comes to a dramatic and sinister end. Never turn your back on your enemy or friends ? Theatrical horror tales at its very best….
Reviewed by Raymond Speedie
The View from Castle Rock
The stark simplicity of the wooden pews in St.Mark's Unitarian Church created the perfect atmosphere for the story of Alice Munro's Scottish ancestors leaving for a better life in Canada. Smoke curled around the solid wooden props like shrouds of distant memories, and the call of disembodied voices began to take us back in time. To the eighteenth century, to be exact, to tell the story of plucky migrants, the Laidlaw family from Ettrick Valley in the Scottish borders. The exuberant band of five actors from local Stella Quines Theatre Company began to emerge from all corners of the church, clutching Nobel-prize winning Canadian author, Alice Munro's 'The View from Castle Rock', ready to bring two of the stories to life in front our eyes. They tossed the books aside as they launched into embodying the tale, taking it in turns to piece together their dramatic journey across the ocean in search of a better life.
As in many old churches, the acoustics heightened the beautiful sound of the choir, the Castle Chorus. All of the members were talented actors and singers, and each came to the fore in their own unique way. Lewis Howden was the most memorable as old James, the grouchy, heavy-set patriarch of the family, intent on making this journey and dragging along everyone with him. Bearded and red-faced, his rants were almost comical, with his heavy accent and his obdurate, domineering ways. The audience laughed, most of being them Edinburgh folks, when he takes his son up to Edinburgh Castle to see the enticing view of 'America', when of course, it's only Fife!
Agnes, played by Sally Reid, took the limelight next, with her 'pregnancy apron' quickly transforming her into the expectant sea voyager and feisty wife of Andrew. She came into her own in this scene, heavily pregnant and frustrated, and full of speeches about men with 'such a great notion of themselves'. Alice Munro is well known for bringing a women's perspective into her stories, and this is highlighted by the fact that the members of the Stella Quines company and their associates are almost all female, except for the male actors themselves. From the award-winning playwright, Linda McLean, who has adapted the material for the stage, to the designers, the producers and the directors. We see the inner turmoil of Agnes, and feel her pain as she gives birth on ship, attended by a weirdly convincing pair of 'Edinburgh ladies', complete with an upper-middle class Morningside accent delivered by bearded Lewis Howden himself . A hush descended as we witnessed an unexpected intimate moment snatched between Agnes and the doctor attending the birth, as he stands behind her and lovingly strokes her hair.
The energetic physical antics of the members kept us enthralled and entertained. They used the space of the church really well, and surprised us by popping up in unexpected areas to shout, sing or create a network of dialogue or chorus between them all. They wove an invisible net of words around us all, giving us a very visceral sense of being wrapped up in the story along with the characters. They had limited props, but used them in conjunction with the sound effects to create magic. One ancestor was a famed runner, and there was a hilarious scene when his trousers fell off to the sounds of sheep bleating. When Young James disappears on board ship to Mary's utter despair, we all share in the search for him, as they frantically run shrieking into the audience.
Alice Munro's beautiful descriptions of Newfoundland enchant us as they reach their long-awaited destination, sharing their excitement on 'the day of wonders' at reaching 'Nova Scotia', indeed their and many others' 'new Scotland'. We're disappointed but understanding of Old James now terribly homesick and feeling out of place. They display the typical adjustment to a new land, with its concomitant culture shock and generational conflict; Old James disgruntled and threatened by his grandson Young James, with his unfamiliar accent and mannerisms. The new environment affects them all in different ways; especially Agnes, now disappointed she has held herself back with marrying unromantic, uninspiring Andrew, when there are so many handsome officers anxiously seeking a wife. Mary, particularly, transforms from a wilting, skittish young girl with bizarre facial expressions, to a lively if quirky young woman. I grew to love her character, with her fierce loyalty and affection towards her nephew, James, and her extreme facial contortions that perfectly expressed her disposition.
When a baby dies on board, the solemn procession holding the tiny corpse underscores the precariousness of these long journeys, and how many tragedies must have happened, and indeed, still happen. So many talks and performances I've seen this year have been linked to the present refugee crisis in some way, attempting to bring some historical perspective and evoke a sense of empathy in the audience by likening it to the similar trials of their own ancestors. Scotland's diaspora numbers more than 50 million people who claim Scottish ancestry. This unusual collaboration between the Edinburgh Book Festival and the Stella Quines Theatre Company created an impactful personal tale of migration that we can all relate to; wherever we're from and wherever we're might be going.
Reviewer : Lisa Williams
Anything That Gives Off Light
A strange play this one, a half-breed born out of a cross-oceanic dramaturgical bonding session. On one side we have the Scots, & the other their diasporan descendants amidst the Appalachian mountains of Virginia. Of its conception, Bob Leonard, chair of the MFA directing & public dialogue programme at Virginia Tech, told the Mumble how Rachel Chavkin, artistic director of TEAM,'played me like a trout in a stream, enticing me with the company's desire to speak to present-day descendants of the Scottish diaspora about the cultural legacies of their heritage & how they understand the principles of democracy in terms of their own lives in the ridges & valleys of Appalachia. I was hooked.
Their creation is a strange one. Chuck all the stereotypes cliches about Scotland in a bucket & draw them out one-by-one to be discussed systematically by a couple of Scottish lads & an American woman (Jessica Almasy). Where the lads especially had some chemistry, the woman had talent, so as a watch it wasn't too bad. Add to this some pretty talented, punk-looking musicians & some neat stagecraft & you've pretty much got the picture. Funny at times, like having a brillo-pad brushed roughly against your brain at others, the overwhelming feeling I got from watching the play was, 'why did you bother?' An unintervaled hour & an half of my life that I will never get back.
Reviewer : Damian Beeson Bullen


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October 1, 2016
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Throwback Thursday: Arizona Highways, September 1968
From the issue: "'Riggs Flat Lake — Jewel in the Pinaleños' by Darwin Van Campen." Read More
How About a Little Poetry?
There was a time when Arizona Highways published poetry submissions in the magazine. We don't do... Read More
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The number of bald eagles in Arizona continued its upswing in 2016, the Arizona Game and Fish... Read More
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RT @kjzzphoenix: .@azhighways recommends 'relatively undiscovered' Sycamore Canyon in June issue https://t.co/Bd1E9wDHoC—
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what is your favorite brand of hot sauce?
mine is Valentina, but I love trying new ones......so tell me your favs.
I am a baby, I actually like Franks Buffalo sauce, and I add melted earth balance to it too! Ha ha, it is yummy though!
crystal hot sauce. it's the only one that was ever in my house growing up. it's what my mom made her buffalo sauce with and i don't think i could ever use another at home. when i go out to chipotle or qdoba i like green tabasco sauce.
just like a lot of people on here I'm a huge fan of sriracha sauce---
also, I really like the habanero salsa by the desert pepper trading company. RAWR it's sexy.
to be quite honest though, there isn't a lot of spicy sauces that I DON'T like... I love love love hot spicy foods in all forms, shapes, and sizes :)
I like Frank's as a sauce, Tabasco for heat with smoke, and Sriracha for a more sweet-intense-heat.
I have sriracha in my fridge but my all time favorite is Elyucateco!! But, since I cut way back on nightshade veggies, my bottle lasts a lot longer!
The Chili Habanero green sauce.
This stuff and not only for the name. XD I'm also a mahoosive fan of sriracha... though most people I know call it 'chicken hot sauce' because the brand most common around here has a rooster on it... Huy Fong, I think? Tabasco's chipotle hot sauce is tasty, too.
Man, I should start making my own hot sauce. I'm nearly as fanboyish about it as tea!
Trader Joe's Chili Pepper Sauce - I don't know how I'd live without it!
It's slightly smokey. I use it on anything Mexican (and we eat Mexican food a LOT).
I make a sauce that replaces my old habit of sour cream on everything: a bit of Veganaise, some dill, garlic, and onion powder, and some of the chili pepper sauce. I can't even imagine burritos without it.
If you haven't tried it, DO!
Cholulu with the wooden ball as the topper! I LOVE this stuff. When I go to a Mexican restaurant I get my own salsa bowl because I load it up with this delicious sauce. Mmmmmm....
I'm using plain old sambal oelek now. forget the vinegar!
When I can get it, Vermont Pepper Works Chocolate Chipotle. I just checked, and it's vegan!! http://www.vermontpepperworks.com/our_products.htm seriously, try their stuff it's all AMAZING!
Just ordered the 5 pack, again ;D
When I can get it, Vermont Pepper Works Chocolate Chipotle. I just checked, and it's vegan!! http://www.vermontpepperworks.com/our_products.htm seriously, try their stuff it's all AMAZING!
Just ordered the 5 pack, again ;D
I think I may have found a new favorite hot sauce. I'll have to order some when I get a chance.
I just tried Tabasco chipolte hot sauce and it is the bomb!!!
That stuff is good... I tried it at the restaurant Chipotle... Yum
CHOLULA! It's my absolute favorite...I'll use Frank's as a backup.
Hate Tabasco...I can't stand the pure vinegar flavor.
Also, there's a local brand where I go to school. Fly Creek Hell's Kitchen Habanero. It's made and bottled at a cider mill...soooo good. I buy it online when I'm back home.
A true hot sauce fan cannot possibly choose only one sauce as a favorite. I use different types of hot sauces on different items.
These are my favorites (in no order):
Ebesse Zozo extra-hot (this is a crazy African hot sauce my friend gets me when he goes to Shambhala)
Frank's Red Hot
These are all different styles of hot sauce that taste great in different situations. For example, I use Frank's Red Hot, Tabasco or Crystal (or something composed of vinegar and cayenne) on any type of potato (baked, fried, roasted). In latin dishes, I go with something along the lines of Tapatio, Cholula or Valentino. Srirachi works well in all Asian flavors, on veggies and on PIZZA!!! I will put Ebesse Zozo on pretty much anything, though. I love love love love that stuff!! And when I feel like adding some extra heat without adding too much extra/unwanted flavor, I will just add some hot indian chili powder to a dish. Deeeeeeeee-lish.
I always go with Franks Red Hot, I've actually never tried anything else. It's got a nice burning sensation that goes really well with avocado and carrots and tomatoes. >:D
I love regular Tabasco on about anything. Pizza, rice, noodles, you name it. I like the green Tabasco in my chili and similar dishes.
Texas Pete I slather on anything potato. I love that spicy vinegary taste.
Otherwise I like Cholula and trying local made Habanero hot sauces (like this one that's made in Asheville, NC, it made me come close to crying, haha).
I pretty much like all things spicy, yum, yum! I am so glad I am making tofu tacos this week, since this thread makes me want to get all spicy.
Franks is good on beans, southwestern food but is kind of mild to me.
Siracha and sambal oelek is good on all things Asian.
I use a lot of fresh hot chilis usually of the Thai style, and red pepper (on all things Italian), and cayenne for added heat.
Just found two new faves :)>>>
Dave's Insanity Sauce: starts out mild good flavor then a sudden explosion of heat.
Liquid Stoopid: I LOVE THIS. Instant giant bomb of insane heat. Within milliseconds, you feel the most intense heat I've ever gotten from a hot sauce, along with a beautiful smoky flavor.
Also, I just came up with this sauce:
Ripe mangos
1 roasted habanero (or two if you want it extra hot)
1/8 teaspoon sea salt
juice of 1 lime
1 teaspoon sugar
Blend and refrigerate for a few days before using. :D
Love this. I remembered this recipe and tried to make it from my head. I did not remember it called for roasted peppers or sugar. It's fine without those steps.
This is very good and super hot. So hot I'm going to freeze half of it for later, as a little will do me. I'm going to add it to my cajun rice and beans I'm having for lunch tomorrow.


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A Rather Large, Television-Shaped Head
Features of This Trackpunk influences
a political satire lyric
a clear focus on recording studio production
mixed acoustic and electric instrumentation
melodic songwriting
dirty electric guitar riffs
an emotional female lead vocal performance
electric pianos
the subtle use of a horn section
humorous lyrics
vocal harmonies
emphasis on instrumental arranging
These are just a few of the hundreds of attributes cataloged for this track by the Music Genome Project.show more
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