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And reality is now what we make of it.
Hello all!
Today marks the final step of this kickstarter program. From the creation, to printing, to production of this game line all of you have helped us make Project... Read more
Adventures in Publication
Hello everyone!
Its been just over 7 weeks since my last update, and I wanted to get you all up to date in regards to the printing issues we had... Read more
Project Paradigm sent to print!
Hey everyone!
Over the past few weeks we have been doing the edits and revisions needed for pre-production of the Project Paradigm game book. As of today the final edits... Read more
The last weeks before shipping.
We are now just a short while away from Project: Paradigm being a finalized project in your hands. It's been a roller coaster with hurricanes, artist delays, and printer negotiations... Read more
Introduction to The Mass Action system
Good morning everyone! Today we provide you with a section of how the mass action system works as well as a quick art and information update. The first tiers of... Read more
Introduction to the Concept of Paradigm: The Basic World View
Project: Paradigm Introduction
One would say that the world is divided into duality. There is the light and the dark. There is the day and the night. There are men... Read more
Artwork and design!
Hey everyone!
Now that the last pieces of artwork changes are coming in, layout is going smoothly, and the pre-production for this project is laid out we have a solid... Read more
Heading into the curve just before the final stretch.
Hello one and all! I just got back from the GAMA game show yesterday, and I wanted to touch base to give you all an update on the Project: Paradigm... Read more
Artwork, materials, and more to come!
Hello everyone!
Layout is moving forward at a fast pace, and as the weeks go by we will have more and more updates available for you. First, with the wonderful... Read more
Artwork ready, layout design finalizing!
Greetings everyone!
In just a short while the first three tier art supporters will have their art rewards shipped out! This is your last week to do any changes to... Read more
Project: Paradigm Update
Greetings all!
Sorry about the delay in updates. The majority of the Eschaton Media team are New Jersey residents who suffered being without power for a prolonged period of time... Read more
Update, Artwork, and Book Excerpt, The Tao of Tech
Hey everyone!
Currently Project: Paradigm is having the custom artwork created based on our Kickstarter supporters. As the project continues to work through the final stages of production I will... Read more
HOLY SHIT! You are AWESOME!
With our last minute closing we ended up raising $4,700!
This is AMAZING, and I owe all of it to you!
I can't thank you all enough! Once this money... Read more
$4,000 Mark Broken!
With less than 24 hours left in the fund raiser, we have no broken the $4,000 mark for the Project: Paradigm art fund! THANK YOU ALL SO VERY MUCH!
With... Read more
Words from the co-writer, Ian
Ian Powell, the co-writer for the massive Project: Paradigm core book, tells a little about himself and why supporting this kickstarter is important to him.
The Paradigm Shifts
Greetings all!
After Paradigm events at AnimeNext and DEXCON, Project: Paradigm continues to roll forward with massive momentum! With only a few weeks left to raise as much money as... Read more
First benchmark hit!
THIS IS FANTASTIC! We have hit our minimum goal of $2,000! Thank you all so very much! Every dollar raised from this point forward will go towards improving the quality... Read more
One Week Down
Hello everyone!
We are only one week into our Kickstarter fund raiser, and yet, we are almost already out our minimum goal. This is fantastic! With over a month on... Read more
Day 1 of the new paradigm.
Less than 24 hours ago the Project Paradigm kickstarter went live, and already we have pulled in a quarter of our minimum goal! This is amazing! As one of the... Read more


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Peyton Manning has signed a new contract that was negotiated primarily for insurance reasons and doesn't alter his compensation, Pro Football Talk reported Friday.
The NFL official transaction page lists Manning as having a "renegotiated contract," but the PFT.com report said Manning's contract calls for him to be paid the same amount he was scheduled to make under the old deal—$40 million ($20 million in each of the next two seasons).
The new contract adds a clause that reflects the team's purchase of an insurance policy in the event Manning sustains a serious injury. According to the PFT.com report, the insurance would compensate the Broncos and supply a cap credit if Manning can't play.
Manning missed the 2011 season because of a neck injury that required multiple surgeries. The Broncos can avoid the $20 million payment in 2014 only if Manning suffers an injury to the same area of his neck that kept him from playing in 2011.
The neck isn't covered by the insurance policy, but the rest of Manning's body now is, the report said.

subset: commoncrawl


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Monday, May 25, 2009
Bill Wilson of Blackout Records on the "Where The Wild Things Are" compilation LP
Bill Wilson at CBGB's 20 years ago
Blackout! Records head honcho Bill Wilson answers our questions while the current poll is still pending. Put on WHERE THE WILD THINGS ARE and start moshing. -Gordo DCXX
How did the idea come together to do the "Where The Wild Things Are" comp and how did you pick the bands? Were there any bands that were supposed to be on the comp or that you wanted to be on it that never panned out?
Part of what was so appealing about hardcore to me is that it wasn't just fans separated from bands in an ivory tower. Most people contributed to the greater scene in some way. I didn't play guitar, bass or drums, and was a little too introverted to want to be a front man/singer/screamer. I was an aspiring graphic designer at the time, so I started out illustrating and doing layouts for my friends (Breakdown "brick" logo, Raw Deal "Dealer" t-shirt, and later on the Sheer Terror "Bulldog" logo.)
I liked the music from the SXE bands but despised most of the fanboy sheep. A charismatic leader leading a cult of cheerleaders reeks like high school. The whole Warzone aesthetic of "no obsessions" made more sense to me. I guess I felt more at home with the "other side" of hardcore, more in line with the NY Thrash ROIR cassette or Big City Records "One Big Crowd". The Cro Mags, AF, and Sheer Terror were my favorite bands: raw, angry bastard sons of metal and punk. The next wave of those kinds of bands didn't seem to have a voice, so I wanted to start a label.
The comp was the product of myself and Jim Gibson, a friend from Yonkers and music guru who worked at the local record store. I had the design skills and along with friends in Breakdown and Raw Deal, we both had some money saved from our part time jobs. I bought a book called "How To Make and Sell Your Own Record" at SeeHear and was off to the races.
The bands were really all friends from my days hanging out at CB's and my longtime friendship with the members of Breakdown/Raw Deal. Anthony from Raw Deal knew Outburst, Paul Bearer went to middle school with me in Yonkers, etc. Mike Sentkewitz from Raw Deal knew Norman Bates guys and I wanted them on to have diversity. My only real regret is that Underdog didn't make it on, we originally advertised them on fliers but we never got the track before we went to press.
Sick Of It All / Raw Deal DC road trip, Drago, Bill Wilson, Pete Koller and Carl Porcaro
Any stand out memories or stories regarding the compiling of the comp?
The comp came together pretty easily with people saying yes to be on it, but bands (especially hardcore bands) do tend to procrastinate. So getting the layout pages and masters took a bit longer than we'd planned. I don't really recall any standout drama – most of what I recall is me using press type to set the back cover and the work it took to learn how to do it.
What can you tell us about the classic Raw Deal shot that ended up on the cover of the record? Did you know automatically that would be the cover when you first saw it? Was there any alternate cover shots you were considering?
Wes Harvey was a friend from the scene and an illustrator from Baltimore who was in NYC for school. He did amazing crosshatched historical artwork. He did a great picture of a brawl in an alleyway that we were considering for the cover. Ultimately that became an innersleve.
Drago from Raw Deal was going out with this great photographer, Theresa Kelliher. She took some pics at an Irving Plaza show and I think that became the cover almost instantly when I saw it. Like so many others involved in the comp, she was a part of the "extended family."
Carl Porcaro (Raw Deal) and Bill Wilson on the D train from Fordham Rd. to CBGB's, 1986
A lot of people tend to refer to Revelation's "The Way It Is" comp and Blackout's "Where The Wild Things Are" comp as two of the best NYHC comps to ever come out. How do you feel about that and what compilations are some of your favorites?
It's good to know that other people feel about the record the same way I did when I was making it. I always hoped that it would fit into the great pantheon of comps, from Flex Your Head, This Is Boston Not LA, through the aforementioned ROIR NY Thrash and One Big Crowd collections. I think the Rev and Blackout! comps pretty much are a complete snapshot of that wave of hardcore.
Favorite band / track off the comp?
It's like asking a father to pick a favorite child! As far as impact- I know that Outburst "The Hardway", with that crazy mosh part and Bob Vandermark's trademark "swoosh" at the start created a very memorable beginning.
A ton of people ask me why the comp isn't available as a download or CD (a recent pressing of the LP version is available from Jim at Noiseville.) If it did come out on CD I'd want to make it a true collector's item, and I simply don't have the time to put the same effort in that I did when I was 19. I've been corresponding with Jordan from Rev about a few ideas on things but nothing concrete has solidified yet. The digital version may come out on iTunes over the summer, but I would also like to wait until they come out with more interactive digital packaging.
A "Where The Wild Things Are" favorite, Outburst at CBGB's
Thursday, May 21, 2009
Krakdown live at CBGB's 1988
We've had very little Krakdown content on here since DCXX's inception, but we're hoping that will be changing in the coming weeks. Either way, I came across this interesting Krakdown, two camera angled video on YouTube a year or so ago and tagged it as a favorite. It's not necessarily the highest in quality, but the alternating camera angles and editing definitely lets you know that someone put a little bit of effort in it, which makes in kind of cool.
To coincide with this video, just today I stumbled upon a blog called Blogged and Quartered who have compiled a pretty substantial collection of Krakdown's recorded material. If you're interested in checking out the blog and downloading 41 Krakdown tracks, here's the link: Blogged and Quartered – Tim DCXX
Wednesday, May 20, 2009
Highlights from the "Old School Hardcore Kids" group, the NYHC edition
Agnostic Front, Atlanta, Photo: Chris Gorman
Geez I remember first time I saw AF and Freddie sang. He couldnt have been more than 7 or 8 years old. – Eric Boofish Barclay
Agnostic Front at Lupos
Last Lupos Show 7/88 Agnostic Front, Murphy's Law, Scream, Hard Ons, Fidelity Jones. Show was set up by Doug from Pied Piper but promoted by the amateurs at Crossroads Productions after Doug moved back to California. AF left after three songs and we still paid them $1,200! – Brian Simmons
Cro-Mags at CBGB, 1985
God, I didn't even recognize Ray (Cappo)! Do you know the story about the time he saw some lady walking in front of him drop something and he (wanting to be a good boy) picked it up without looking and ran to her yelling "M'am m'am, you dropped this!" at the same time he looked down and realized it was an adult diaper. Of course, as the story goes, she was properly horrified, as was he…urban legend or fact?? Who knows! – Olivia Larrain
Harley being classic Harley
Underdog at the old Ritz, First Superbowl of Hardcore, Photo: Olivia Larrain
I'm pretty sure this is the Superbowl of Hardcore – The First of many so called but I believe this was the original. It was a huge show and one of the last big killer shows at The Ritz on 11th street before the move uptown to 54th street.
This has got to be during 'Over The Edge' because I vividly recall being up in the VIP section at that show with you and Leslie and maybe Alison and dashing down to the stage and diving off into a sea of kids – Feet first of course. And then scampering backstage to repeat cette process. You could really get some air with that stage being so high at The Ritz. – Sean Patrick Murphy
Token Entry with Anthony Communale, Triboro Bridge, 1985
Gorilla Biscuits at the Anthrax with Kevin Egan (Beyond) on top of the crowd, Photo: Brian Boog
Wow… that's some picture! – Kevin Egan
Tuesday, May 19, 2009
Pat Longrie – Unity / Uniform Choice, the final installment
Uniform Choice at City Gardens, Trenton NJ, Photo: Ken Salerno
Our interview with UC/Unity's Pat Longrie is at its end. This is the final installment – much thanks to Pat for being awesome and Billy Rubin for making it happen. Still Screaming… -Gordo DCXX
I wanted to chime in for this final entry as well. Like Gordo already mentioned, big thanks to Pat Longrie and Billy Rubin for making this interview happen. I found Pat's words and messages to be a true inspiration 22 years ago and after reading his answers to all these questions, I still find Pat's words to be just as inspirational. The rain begins… -Tim DCXX
UC was a touring machine. What shows stick out? Is it all a blur? Any good stories from the road? What was the band dynamic like for you guys? Was it always best to play in OC on your hometurf?
Uniform Choice loved to play live. Pat Dubar was a powerful front man, Dave was a solid bassist, Victor was as dynamic a hardcore guitarist as I have ever seen and I just loved to go berserk. I fully admit that I was no better than an average drummer but if you ever saw us live we prided ourselves on making sure the audience got its money worth and I loved to perform. As I mentioned earlier, for me it was always about being a part of something bigger than yourself.
We played on so many extraordinary bills that it does sometimes feel like a blur. I will tell you that watching Die Kruetzen at the 930 club in Washington D.C. was incredible. I remember watching the Goo Goo Dolls open up for us in New Jersey and thinking, "that singer has a real interesting voice." Minor Threat, SSD, SNFU, Dag Nasty, 7 Seconds…the list is endless and includes the greatest hardcore bands ever…period.
There were definite rolls that repeated within Uniform Choice. Outwardly, Pat and I drove the band. Together we handled the show booking, shirt designs and sales (Pat's brother Courtney printed all our stuff ), lyrics, etc., but without the dynamic song writing of Vic and Dave it would all have been for naught. Victor Maynez was an amazing guitar player and remains a very good friend to this day. His down stroke approach to strumming was what guided our sound.
Coming home and playing in front of our peers was always special. The road is exciting but can be frustrating, especially when you place your trust in unreliable booking agents. The only thing that kept Uniform Choice alive during both our tours was the fact that we brought a ton of merchandise to sell. When you drive from Vancouver to Edmonton to Calgary and only make $350.00 Canadian you better either be independently wealthy or have something to sell. It was interesting to run into people who thought selling shirts and records was blasphemy. The fact is that if we didn't we would never have been able to tour, so the argument fell on deaf ears as far as we were concerned.
A question of controversy: UC has taken a lot of heat over the years for the evolution in sound and image after Screaming For Change. How do you explain this transition, and UC's aesthetic, lyrical content, and sound growth circa 1987 and 1988? How had you personally changed from say, 1985, to 1988, and how did this impact UC?
First of all I want to make it perfectly clear that I only speak from my own personal perspective. If you are quick to bask in other's praises, yet unwilling to take criticism, justly warranted or not, and face things head on, then in my book, you are a coward. Double talk has no place in my life. I love "Screaming" and all it represented and I equally love "Staring" for the exact same reason. They were two halves of a whole. Like it or not transition is a part of everyone's life. I had something to say but chose to express it differently, that's it. We spoke of making a clone of Screaming for our second album – that would have been the safe move, but it wouldn't have been genuine and quite frankly songs like "Cut Of A Different Cause" and " I Am, You Are" were every bit as hard as anything on the Screaming album. Again, I must stress that the live performances were embraced by our audience because we always played the old with a sprinkle of the new.
I am eternally grateful for the kind words and warmth that people have showed toward Uniform Choice over the years. It is humbling to be connected in some small way to a movement that brought me so much joy. I get that some were disappointed in the sound change that took place. I even agree with some of the criticisms, but the way I look at it is that I would rather have given my blood, sweat and tears and been judged rather than sat idly by on the sidelines and safely point my self-righteous finger.
Pat Longrie with Uniform Choice at City Gardens, Photo: Ken Salerno
Unity then did Blood Days in 1988. How did this come about? Did the band ever play to support this record? Since Unity was essentially your band, how did you feel about this record then and what about now? How did the new songs on that record come about, and what was your tie with Joe Foster through the years while Unity was inactive?
I loved making music so when Dubar tossed around the idea of writing some new Unity material and re-mixing the vocals on the old stuff I was up for it. I liked playing with Johnny Mastro and I liked Joe D. Foster so it was exciting for me to get back together and be creative. For me it was about the process. I went to high school with Johnny and he was already a touring member of UC so that was a natural fit and Joe was always around the scene and had a catchy/hooky guitar melody approach. Legacy is something that always presents a double edged sword. I am proud of all the accomplishments my friends and I have mustered over the years and choose to view my life as ongoing. "You Are One" and "Blood Days" were very meaningful to me and that's how I judge them.
Tell me about Uniform Choice's tours? Please share any good tour stories! Didn't T-shirts catch on fire in the back of the van? Why did Dave Mellow leave the band? What led to the eventual break up of UC?
The first UC tour was crazy. We bought a plain white extended van with no air conditioning and crammed five people, all our equipment and 200 dozen shirts in and just took off. I guess I could say we had a proper booking agent and a plan but then I'd be lying. We did have shows lined up and we tried to confirm them from the road but it was chaos.
On the way to our first gig of the tour in Detroit I was driving 104 mph through Iowa when we were pulled over by a state trooper. I pulled over and he yelled for me to "exit the vehicle." I could see all the guys peeking through the glass at me getting screamed at by this little cop with a huge wide brimmed hat on. He started out, "Boy what in theeeeeeeee hell do you think you're doing?! It took me 20 miles to just catch up with you weaving in and out of traffic. Are you aware that you sent two cars crashing into the corn field?" I said "yes sir" and "no sir" and explained that we were in a hurry to get to a concert. He thought I was referring to the Iowa State Fair so he let us leave!
Pat with U.C., Photo: Ken Salerno
We opened up for the great 76% Uncertain at a show in Connecticut and as we began to play "Screaming For Change" we were pelted with coins from the audience. Funny as hell accept for a nickel that hit me in the teeth! Dubar rolled with it after the song and said, "next time could you please throw dollars? They don't hurt as much."
Yes indeed the t-shirts did catch on fire in the back of the camper that Mr. Dubar let us use. We also shot fireworks out the side door at anything and everything that we passed by in Tennessee. After our final song in Montreal I couldn't see the low beam coming off the stage and as I was waving goodbye I ran right into it with my forehead and it knocked me straight on my back almost unconscious. If that wasn't reason enough to laugh, it was so dark that nobody realized I was down as we began our encore!
I just got off the phone with Vic Maynez so I could properly answer the question about Dave leaving and it was pretty much how I remembered. Dave basically joined T.S.O.L. when their bassist went to jail. He always gravitated toward more of a rock sound and with no hard feelings whatsoever he simply left.
Uniform Choice just seemed to run its course. Pat moved to New York with Mind Funk and pursued that genre of music and I had graduated from college and moved on. It is interesting when I read other people's interpretations about UC, Unity or Wishingwell. Mmost are flattering and some are nasty. I'll take the good with the bad any day. If you stand up for what you believe in you better be man enough to stand true.
Now that you are a civilian where has life led you? What do you do for a living? Have you missed the creative outlet that being in a band afforded you?
I live in Southern California with my wife and three children. I owned a commercial glass company for a million years and just recently to fill a void in my creative life I chucked it and started Dragline Clothing. Check out the site if you get a chance – www.draglineclothing.com.
Many thanks to Billy Rubin, Tim and Gordo for the opportunity.
Monday, May 18, 2009
Poll results for favorite Revelation release of 1990
Zack catches his breath in front of the City Gardens crowd, Photo: Ken Salerno
I personally felt that this was a really tough poll, because in my eyes, all of these releases are particularly great. On any given day I could listen to the YOT 7″ ten times in a row, then switch over to the Inside Out 7″ or Burn 7″ and listen to those over and over again. Hell, even with the Judge "The Storm" 7″ I could listen to "Forget This Time" a dozen or so times straight. Maybe I'm just a bit insane, but most of these 1990 Rev releases are just about as good if not better than some of the 1988 releases.
Now because you have to pick one, I went with the final Youth Of Today 7″. Flawless EP from start to finish. I don't care what anyone says (and I know a lot of people will disagree), but if Youth Of Today had only stuck around a little bit longer to record a full LP's worth of this material, the shit would have been mind blowing. Sammy fully matured on the drums, Walter bringing in a taste of his song writing skills, Porcell bringing a heaviness that had yet to be heard with YOT and Cappo delivering an emotionally charged performance with the lyrics to match. Not to mention, the recording quality is probably my second favorite YOT recording sound, a notch below "Together" off The Way It Is. So yeah, I love this EP, not that I don't love all these other records, but YOT is YOT and in my book, they are second to none.
As for the winner, I don't know what I can say that hasn't been said on here already about Inside Out. We nearly dedicated a full week's worth of posts to Inside Out, so our love for them is no secret. If you missed our Inside Out thoughts and entries and need a refresher's course, feel free to go back into the archives and check that out. Definitely another flawless record and one well worthy of the top spot. -Tim DCXX
The poll results top 3
Rev 019 – Inside Out – 7″ – 131
Rev 022 – Burn – 7″ – 111
Rev 017 – Youth Of Today – 7″ – 100
Rev 018 – Quicksand – 7″ – 48
Rev 020 – Judge – The Storm 7″ – 43
Rev 021 – Supertouch – The Earth Is Flat – 43
Rev 016 – Shelter – Perfection of Desire – 25
Vic and Alex with Inside Out at City Gardens, Trenton NJ, Photo: Ken Salerno
Agnostic Front – United and Strong
A scene all divided with no unity
We gotta stick together
And fight for what we believe
There won't be a second chance
We've got to have it soon
Got to stick together
And fight 'em all now
Our friends are more important
We gotta stick together
Support one another
United and strong
Roger and Craig with Agnostic Front at City Gardens, Trenton NJ,
Photo: Ken Salerno
AF sing along, Photo: Ken Salerno
Agnostic Front, City Gardens, Trenton NJ, Photo: Ken Salerno
Stigma with AF, Photo: Ken Salerno
AF security keeping things tidy, Photo: Ken Salerno
Thursday, May 14, 2009
Billy Rubin goes to Coronado
John Stabb with Government Issue at City Gardens, Trenton NJ, Photo: Ken Salerno
Billy Rubin delivers more from his personal punk archives, a never ending vault we hope to constantly draw from here- Gordo DCXX
I am a late bloomer when it comes to technology, but I finally got an iPOD and was going crazy with it one Sunday and I burned Government Issue's "Joy Ride" Lp. I started to remember when I first got that record and in turn I remembered a really strange So Cal punk rock story.
This had to be in 1985 and I was either 15 or had just turned 16. My parents went on a quickie vacation to Coronado (San Diego). They didn't trust me to stay home alone so I was forced along for the trip. I was bored out of my mind with no one to hang out with. I was left to roam around Coronado with my skateboard (a 12" wide Alva deck, Gullwing super pro trucks and SIMS snakes wheels). While skating around the island, I found a book/record store that had a very small selection of punk records. I bought GI's "Joy Ride" and Reagan Youth's 12" with the big fold out poster/sleeve. That was cool, but it was only about 4pm and I had absolutely nothing else to do. I kept hoping to find a fellow punker to hang out with or a cute girl that would somehow be into a dork like me. I was probably on the verge of resorting to some sort of vandalism or other punk rock kind of foolishness when the most amazing thing happened.
Scream at TT's, Boston Mass, Photo: Karla Brian Simmons
I was skating on the main drag and a car came to a screeching halt right beside me. The people in the car had spotted me because I was wearing blue creepers and a Doggy Style shirt. The car was packed with a bunch of punkers and was driven by a guy named Sergei. This guy Sergei yelled over to me "Do you want to go check out a show?" He told me that SCREAM was playing at some place called Wabash Hall. I asked them if they could give me 15 minutes to skate back to the place my parents were staying and get their permission and then meet them back on the street corner. They agreed, I talked my parents into it, and went to the show.
As it turned out, SCREAM's van broke down and they didn't make the show. The upside was that at the show I met Martin Sprouse from Leading Edge zine and later Maximum RocknRoll. Later on I interviewed Martin for THINK zine. A year or two later, I had an "in" at the MRR house in San Francisco because of this chance meeting in San Diego. All of this happened because I was wearing blue creepers and a Doggy Style shirt!
At the time, Doggy Style was one of the two best bands in OC (UC being the other). Over the years I saw Doggy Style play countless shows at venues ranging from VFW halls to roller rinks to Fender's. They always played a great set and as time went on they morphed into a freak show. I've gone into the Billy Rubin punk rock archives to find some old pictures of Doggy Style performances. Notice that Brad has a strap-on dildo sticking out of his fly!
Brad X with Doggy Style, Photo: Billy Rubin
Brad X sporting the strap-on and more at Fenders, Photo: Billy Rubin
Wednesday, May 13, 2009
Jay and Nick -The history of Turning Point continued
Jay, Nick and Skip with Turning Point in D.C., Photo courtesy of: Turning Point
Jay and Nick combine forces to give us the latest installment in the history of Turning Point. You may wanna put on the seven inch while reading this one. -Gordo DCXX
Jay: We did the seven inch at some place in Atlantic City that Steve knew about. It was basically a dude's garage with a small control room built in the corner, and he had the classic Jersey Bon Jovi hair and had no idea what hardcore was, but we had a few bucks so he let us do our thing. It was pretty quick, we just set up and did it live. I think Skip re-tracked his vocals, but that was it. I'm pretty sure he set up a quick mix for the first song and just let it ride for the rest of the songs and we were outta there.
As far as the rumor about Skip's voice being harder on the seven inch because he was sick or had a cold or something, I don't remember that. He may have been sick, but I don't recall that. (Editor's Note: Tim had brought to Jay's attention that Skip had over the years said he hated his vocals on the seven inch and blamed his voice on a cold at the time of recording). Skip was always hard on himself, he was very hard to please. Throughout the band, he loved what we did, but always thought we could have done something better than what we had on tape and that mainly meant he wasn't happy with his vocals. We never had much money to really sit and tweak things in the studio back then and I thought that's what made it good really. We were doing simple songs with limited time and limited recording technology. It was raw and that was a good thing you know? But we were all still really psyched on those songs and that recording.
Darren and Hi-Impact came together because he had a copy of the demo and dug it. I think the first time I met him was at the Kennet Square show. He hadn't even started Hi-Impact yet, he was just a hardcore fan and wanted to start putting out records and he asked us to be his first release. I was like "holy shit!" That was a big deal at the time. Any band with a few tunes and a hundred bucks could cut a demo tape. The thing with a demo tape is that you might buy one at a show and take it home and if it was lame you could just record over it. A seven inch was legit. It made what we were doing in Ken's garage every weekend "real."
Skippy in Schism, Nick in Raw Deal, Turning Point in D.C., Photo courtesy of: Turning Point
Nick: To me, just having done the demo was a big deal. A seven inch really was legit. I remember Darren Hi-Impact got an order from Jello Biafra for the TP seven inch, so weird! And he framed the check. I was like, "dude, that's $3!" He was like, "I don't care man, it's cool." So strange the dude ordered it. I'm pretty sure it gone torn apart in MRR, which was great of course.
I also remember we had some issues printing the seven inch covers. They were done by a dude (Joe On Life)at his high school and there was some issue where we thought we might have to white out the curse words. I think he had to go and like hide it from the teacher or something so that he didn't get in trouble.
Jay: We were mostly playing Connecticut and D.C. and in Pennsylvania. Even after the seven inch, the response was great. Looking back on it now it gave me a false sense of what it means to play out as a live band. I mean, back then, people would just come out to pretty much any hardcore show that was happening that weekend. You went some place, and boom, you had an in-built crowd. I've been doing music for over 20 years, and you realize it isn't like that as you get older. I took it for granted then. That was great thing about hardcore, the in-built audience. It seemed too easy. Back then it was just like, "yeah, just drive up and you'll have a great show, people will know you, people will go off, people will be cool!" We just kinda came to expect that, and you realize later it isn't always gonna be that easy.
The thing too was that back then people would just call us for a show. We didn't have to actively look. I mean, not every show was just handed to us, but people called us. I remember Skippy being all psyched because Ray Cappo called him to ask if we wanted to play City Gardens with Shelter. Skippy was all pumped because Ray of Today called his house and his mom answered! She had no idea who this "Ray" guy was, but it meant the world to Skip. It just seemed as long as we kept writing decent songs and practicing everything else would just fall into place.
Nick on top of the crowd, classic TP, Photo courtesy of: Turning Point
Nick: It was so cool to be playing with bands like Gorilla Biscuits and Judge and stuff. To be playing with them was just awesome. In addition to the shows themselves, a lot of time the trips and and driving were the most fun of all. Packing everyone in Jay's van was awesome. Every weekend was like an adventure. I just always felt like such a young kid, and yet every weekend I was doing somethng so cool. Like we would play a sick show in New York or Connecicut, and afterwards stay at the GB house and be up all night hanging out with cool dudes. I would come to school on Monday and kids were like, "Whoa, dude we went to this cool party at so-and-so's house and then we stayed up until freakin' midnight! It was great! What did you do?" I was just like, "ah, nothing crazy." How was I supposed to explain that?
Even when we weren't going out of state or playing somewhere, we were having a blast. We had the Calzone Crew. (Editor's Note: We asked Nick about the origins of the "Calzone Crew" – TP and their friends). We got that nickname because we would practice on Friday nights, and then we'd go get pizza at this place called Sergio's in Moorestown. Sometimes we'd actually call in our order before even leaving so it was ready when we got there. We did this all the time, so these dudes there got to know us real well and they started to call us the Calzone Crew. The pizza was awesome and the guys were funny. The one dude we called Crazy Eyed Larry, but they were all Italian and would joke around with us. Larry would hit on girls. We'd just eat pizza all night. Once we became friends with Release, they would say how calzones sucked, so we would be like, "no man, the Calzone Crew is gonna come down hard on you" and all this stuff. When we did the seven inch we folded, hand numbered, and stuffed each one. The first 50 had a Sergio's business card inside and some handwritten notes about the Calzone Crew.
Skip and Jay hanging back stage, Photo courtesy of: Turning Point
Jay: As much as we loved playing our own shows and hanging out with our own friends, we loved seeing other bands play. That was just as much fun. We'd look at the City Gardens cards and be psyched to see who was playing. "Oh shit look who's playing in two weeks! And next month!" And that just wasn't City Gardens, it was all over. We traveled. We just loved seeing our favorite bands. Some stand out City Gardens shows I remember seeing were the different Judge and Youth Of Today shows, both of those bands were just awesome. The Judge video show was great, a lot of fun. The first time I saw Inside Out was at City Gardens, and they went on and it was like an explosion. I had never seen anything like it, just incredibly powerful, and insane. Zack was crazy, I remember thinking "this dude is gonna hurt himself."
That first 7 Seconds show still sticks out a lot. Verbal Assault opened that show and I had never heard of them before and they were awesome. We were in high school at the time and to be honest it wasn't like I was on my way to top the Dean's list or anything, but once I started to go to shows more often it really cemented that that's what I wanted to do. I wanted to play music.
Skip, Nick and Steve accompanied by Hard Karl and Greg Release at Club Pizazz, Philadelphia PA, Photo courtesy of: Turning Point
Tuesday, May 12, 2009
John Joseph New York City Urban Warfare Cro-Mag Training
John Joseph New York City Urban Warfare Cro-Mag Training from Polygraph Productions on Vimeo. John Joseph's book called "Meat Is For Pussies" on vegetarian nutrition, training and the healthy lifestyle will drop this summer on Punkhouse. Thought some of the readers would be interested in checking this out. -Tim DCXX
John Joseph New York City Urban Warfare Cro-Mag Training from Polygraph Productions on Vimeo.
John Joseph's book called "Meat Is For Pussies" on vegetarian nutrition, training and the healthy lifestyle will drop this summer on Punkhouse. Thought some of the readers would be interested in checking this out. -Tim DCXX
Monday, May 11, 2009
Isaac Golub – Keepin' It Older School
Ike Chorus chimes in with some of his glory day memories and some great classic flyers – Gordo DCXX
Going to shows in California as a young buck was scary, especially in the time span that I went, from 1981-89. Gangs were rampant, there was Sons of Samoa, Circle One, LA Death Squad, Suicidal, Skins, and plenty more. These guys would not only fight one another, they would tee off on anyone who's eyes had the smallest glimpse of innocence. I don't think I could count the amount of times if I tried that I took a Doc to the back, or a barrage of knuckles to the back of my head. The smell of blood, clove cigarettes, Aqua-Net hairspray, sweaty leather, piss, beer, and vomit was the punk rock ozone layer then. Sometimes you would taste these things as well, without choice. The clubs were always dank sewers that reminded me of what the first level of hell would be like. I can say that I probably gave at least a pint of blood and sweat in every club I ever stepped foot in over my lifetime.
I would always see guys like Big Frank Harrison and Black Darryl at these shows, it always made me feel like, "Ok… I don't know these guys, but if I get in a jam maybe they will recognize me from the Dead Kennedy's show or The Varukers show…" It was false hope, but hope nonetheless. The music was the reason for the bravery, I loved and still love punk rock. It will never be the way it was in the early 80's and that's fine. Here are some shows I went too, I wont break all of them down, I'm sure you can imagine. Enjoy the flyers.
Sunday, May 10, 2009
Highlights from the "Old School Hardcore Kids" group part II
SSD – Fuck yeah!! This is the show with Iron Cross and Government Issue. There's a great picture in the "Banned in D.C. book" as well. What a road trip that was from Boston to D.C. – Drew Stone
Early Leeway with Joe Bossler on stage. Long Island somewhere.
Me singing "Discriminate Me" for Agnostic Front. Jane Street Rock Hotel. R.I.P. Frenchy. – Mark Ryan
Minor Threat interview, Mt. Auburn VFW, back stage 3/4/1983
Black Flag – One thing I do remember are the creepy crawl kids from California menacing the kids in the pit at the New York shows. They were scary acid heads who were all about Black Flag as the band were a religion. – Brian Swirsky
Cro-Mags set list from Jane Street Rock Hotel show with the Bad Brains. The photo insert from "I Against I" was taken at this show. – Mark Ryan
Friday, May 8, 2009
Pat Longrie part IV
Pat with Uniform Choice at City Gardens, Photo: Ken Salerno
More incredible content from Pat Longrie. Again a big thanks to Billy Rubin for getting this together for us! Much more to come -Gordo DCXX
Do you remember any of the details of how/where you got the Unity EP pressed or where you got the sleeves printed? Do you remember how many were pressed? Do you remember where you first met Gavin?
Deciding to form our own record company was the easy part…actually finding the way and means to manufacture, produce, distribute and market the product was quite another task to say the least. We came across a man by the name of Tab Rex in Hollywood. He was a flamboyant record producer that knew absolutely nothing about punk rock. Dubar and I convinced him that we had some artists (UC and Unity) that could sell some units and open him up to a new audience of young people. He turned out to be a crook but we never let him manipulate our artistic vision…naive as it was.
I learned how to design sleeves, lay out pictures, typeset lyrics, pick record label colors, select colored vinyl etc. I never cared about how much money was made or lost, I only cared about the quality of the product. I remember holding the first copies of the final product in my hands and thinking, "This is ours…this is who we are and what we believe and no one can take that from us, ever."
I don't recall how many we printed initially…maybe 1000 or so, but an interesting sidebar to the trial by fire relationship with Tab Rex was the fact that he claimed to have the rights to a couple of songs by an up and coming Hip Hop outfit from South Central Los Angeles and he had a vision of releasing a 7" single with two Uniform Choice songs on one side and two tracks from this "Gangsta" rap group on the other. It never came to be but the group was NWA. Now that would have been an interesting combination.
What exactly was your involvement and role with Wishingwell? How do you remember things getting off the ground? What were the biggest difficulties with the label, your fondest memories, and biggest accomplishments looking back?
Pat Dubar and I were equal partners in Wishingwell records. We wanted to establish a label that placed the artist first. At that time the list of viable and perhaps more importantly, willing companies, that signed hardcore bands was non-existent. We were energized and motivated by the examples initiated by Dischord and Touch and Go and wanted to forge our own path.
With Unity and Uniform Choice respectively we felt we had two strong opening offerings and basically went about the task of learning how to build a company. It was both frustrating and exhilarating at the same time because we didn't have any sort of blueprint.
My motivation in the beginning was pretty simple: never put art and profit in the same sentence. Even as a kid I never had any illusions of being a big time record executive or rock star. Punk music and the people that made up the entire scene meant everything to me. My iPod is filled with Dag Nasty, Rites Of Spring, Shades Apart, Government Issue, 7 Seconds, etc. because the excitement I experienced 25 years ago in listening to, watching and meeting these artists hasn't subsided a bit. I've said this many times, but it rings true that it was a real family atmosphere in the beginning. Working with bands like Youth Of Today, Bl'ast!, Shades Apart, Apology (Mike Gitter's project ) etc. to help promote their cause was fantastic, and a real eye opener to how demanding and time consuming a record label is, and then you have the inevitability of ego clashes. The more bands you work with, the more personalities you encounter. This coupled with trying to go to school and maintain a band was challenging, but I'm proud of what we did and tried to do in establishing an alternative for those without a voice to be heard.
When was it decided upon to put Unity "on hold"? When did the focus shift to playing in UC and why? What happened with Unity between this time and doing the Unity 'Blood Days' record?
Unity didn't disband as much as it faded away. Because all the members were in high school and lived in different cities, it just wouldn't work. The Blood Days record was Dubar's idea so that he could put it on his own label "Powerhouse." I didn't mind because I thought it would be fun and probably my last collaboration with Dubar and I was pretty much correct on both accounts. Wishingwell was done and it was time to move on. Between the strain of company and band issues, it was just time to move on. (Editor's Note: More on later era Unity to come).
Pat Longrie pounding the drums with Uniform Choice at City Gardens, Photo: Ken Salerno
Unity and UC were known for introspective, PMA-fueled lyrics and slogans that bands like Minor Threat and 7 Seconds first touched on a few years prior. What was the inspiration for these big loud statements that ultimately became battlecries for thousands of straight edge kids around the world in the following waves of the scene?
Punk rock and straight edge in particular fit me. It made perfect sense in a volatile time in my life. Minor Threat's first single and 7 Seconds "Skins, Brains and Guts" spoke directly to me. I never understood why other kids, many of whom were my friends, found sanctuary in drinking, smoking and experimenting with drugs. I thought they were fools, so when I was introduced to like-thinking individuals it solidified by stance and legitimized my conviction. I had the complete support of my family and this was crucial to my comfort level. They encouraged me to follow whatever path I chose…of course my Father and uncles had a ball making fun of me when I went to gigs. They used to say, "you don't need to go out and get bruises stage diving and slamming…we'll pound on you right here in the living room!"
I wrote about my life. I structured lyrics that were relevant to me. Everyone has been a teenager and has lived through tough times filled with peer pressure, alienation and awkwardness…everyone. So I felt compelled to use hardcore as my forum. Again, I stress the importance of fellowship. I/we took a lot of shit for our anti-obsession convictions but as the movement grew, believe me, the negative element grew silent.
Even today I see chronic discontent from those who only wish to tear things down, past and present and who's only view is revisionist. Everyone is entitled to their opinion and I fully embrace those words, I just won't swallow it no matter how hard you try and make it palatable. I live through my actions, not the words of those who hide behind their version of the past. I don't care how hard you try, you will never make everyone happy. So I say fuck you if you don't like what I was, what I did, or what I have become…because I live my life exactly how I mapped it out in my dingy little bedroom all those years ago.
Wednesday, May 6, 2009
Return to the Revelation files
Original BOLD at CBGB's sing along photo from the final 7″ lyric sheet, Photo: Tim DCXX
At this point you should already know the drill. Here's another handful of original Revelation layout elements / photos that I shot on my last visit to Rev HQ. Granted I've been looking at a lot of these photos on the actual releases for the past twenty something years, but for me, seeing these original classic shots is still pretty damn cool. – Tim DCXX
One of my personal favorite Rev releases and one of my personal favorite layouts, the original cut and paste photo collage from the Chain Of Strength – "True Till Death" 7″, photo: Tim DCXX
Alex fuckin' Pain tearing up those 4 strings like only he can, another original photo from the Chain "TTD" 7″, Photo: Tim DCXX
You know this one, it's about as classic as is gets, original back cover shot from the Gorilla Biscuits – "Start Today" LP. Photo: Tim DCXX
Bidip bo! Raybeez with Warzone original pic from the best New York City Hardcore compilation ever, "The Way It Is", Photo: Tim DCXX
Original photo from Rev 23, the Ray and Porcell 7″, photo: Tim DCXX
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text: A supplier claims that a transistor has a current gain of 100. 15 transistors are measured, and are found to have a sample mean of 99.5 and a standard deviation of the sample mean 2 a) For what confidence level would the claim be valid? b) What must the sample mean be for the claim to be valid at a 90% confidence level?


text:
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Nothing thrills a bunch of second- and third-graders like a puppet show.
Except, maybe, a mop-haired, talking robot riding a motorized tricycle.
Put them together, and kids are mesmerized.
They'll even listen to information about poison control and safety tips for staying home alone.
With help from the Junior League of Amarillo, that's the program the Texas Panhandle Poison Prevention Center and Family Outreach are delivering to students in area elementary schools.
At a recent visit to Alice Landergin Elementary School, Shellie Lindley led the 45-minute presentation, introducing Samantha the Robot to a room full of curious students.
Best of Texas
Who: Junior League of Amarillo
What: Texas Tulip Luncheon and Style Show and Amarillo City Limits gala
When: Luncheon begins at 11 a.m. Friday; gala begins at 7 p.m.
Where: Amarillo Civic Center Grand Plaza
Tickets: Luncheon and gala tickets $20 each at the Junior League office, 1700 S. Polk St.
"Samantha, where's the best place to put the poison center magnet that has the 24-hour hotline phone number?" asked Lindley, a league volunteer.
"On the refrigerator," answered Samantha, whose voice and remote control movements are handled by two other Junior League members.
The lively presentation includes a puppet show, anecdotes and helpful tips, plus a take-home bag with information for parents.
"The puppets grab their attention so they listen," said Ronica Farrar, director of the Texas Panhandle Poison Prevention Center. "It's much better than just having a speaker."
Farrar said it's essential that young children know what to do in case of an emergency.
"Poisoning rates as the third highest cause of unintentional death to children under the age of 5," she said. "Household products are the most common, followed by medications."
The center receives about 70 calls a day. Three out of four incidents can be treated at home with help from professionals manning the 24-hour hotline.
Helpful Tips: Shellie Lindley of the Junior League of Amarillo and Samantha the Robot talk to students at St Andrew's Episcopal School about poison prevention.
Henry Bargas / firstname.lastname@example.com
"We save people money because they don't have to call an ambulance or go to the emergency room," Farrar said. "Not to mention the peace of mind they receive."
In life-threatening cases, she said, immediate attention decreases the severity of the poisoning.
But prevention is the key to alleviating the problem.
Elementary schoolchildren hold a special place in poison prevention, Farrar said. They tend to be more responsible at home because of their desire to be independent.
"But children are very curious," Farrar said. "And they like to imitate adults. If they see a parent smoke, take medication or drink alcohol, they'll try it, too."
Look-alikes pose a problem in many homes.
"The green Comet cleanser container resembles a generic Parmesan cheese container. Preparation H looks like toothpaste," Farrar said. "Things that look alike must be stored separately."
During the Landergin visit, Lindley showed the children that pills look a lot like candy Skittles or Red Hots. "But just one of these could kill a baby."
Another potential problem occurs when adults reuse containers to dilute pesticides and other poisonous materials.
"Parents need to keep poisons in their original containers or clearly labeled," Farrar said. "And out of reach of children."
The Junior League program also includes suggestions for kids who stay home alone.
Lindley tells the students about Anthony, a boy who started a kitchen fire while trying to cook an after-school snack.
"Don't cook anything," Samantha warned. "Leave matches and stoves alone."
Family Outreach provides information for kids to take home, including safe recipes that don't require cooking.
"What we send with them are guidelines," said Jo Beth Noble, executive director of Family Outreach, a nonprofit organization that prevents child abuse. "We encourage parents to talk to their children to come up with their own family rules."
The Junior League, which provides all funding, has taken the program to 23 schools.
"They do everything," Farrar said. "They bought all the puppets, the stage and robot, and perform all the shows - they even maintain the schedule."
This year, the Junior League team included Julie Farrar, Laura Chisholm, Shari Gunzelman, Teri Harris, Jo Bagwell and Lindley.
For more information about poison prevention, call the poison control center at 354-1633. For home alone safety tips, call Family Outreach at 372-1238.
© 2016. All Rights Reserved. | Contact Us


text:
A 35-year-old Douglas man and his two dogs escaped a vehicle fire on Glacier Highway late Wednesday night without injury, according to the fire department.
Capital City Fire and Rescue Chief Richard Etheridge said 15 firefighters responded to the vehicle fire at the Point Lena Loop Road intersection at 11 p.m. and found a Chevrolet van completely engulfed in flames.
The firefighters extinguished the fire with about half a tank of water, Etheridge said.
Etheridge said the man and his dogs were able to get out of the van in time. The man, whose name was not released, was given a medical assessment on scene. Both he and the dogs were fine, Etheridge said.
The cause of the fire is unknown, but Etheridge said the man reported hearing a noise, then smelling "something funny," then seeing flames under the hood while he was still driving.
The vehicle was towed from the scene, and damage is estimated at $8,000, Etheridge said.
• Contact reporter Emily Russo Miller at 523-2263 or at firstname.lastname@example.com.


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text:
Managing Editor
- Employer
- Macmillan
- Location
- Boston
- Posted
- Apr 10, 2013
- Closes
- May 10, 2013
- Contact
- . .
- Category
- Digital Media, Publishing
- Duration
- Full Time
Manages production editorial staff and their projects. Oversees first-printing prepress activities of complex one-, two-, and four-color college textbooks; includes versions, splits, and ancillaries (as well as media ancillaries).Requirements Major Responsibilities:• Trains PEs (including in traditional print production editorial activities, but also with production tasks in emerging technologies).• Monitors status reports from PEs and meets to review projects.• Develops internal production processes to accommodate changes in production technology and to accommodate new media.• As requirements for PEs change, manages PEs to change how they work to meet those requirements.• Coordinates with internal customers (e.g., Editorial, Production Supervisors, Central Media) about project details such as quality and schedule, printer requirements and requirements to ensure efficient transition of product from production to manufacturing and/or new media. Helps project teams set priorities.• Develops and maintains manuscript turnover requirements for editorial. Holds regular meetings with EAs and DEs to review these requirements.• Advocates for PE team with Manufacturing Managers.• Provides Production Supervisors with estimates of prepress costs; trains PEs to prepare estimates for budgeting for ATP.• Confirms the PEs are managing budgets; and are developing project plans that maintain budget.• Assures adherence to production plan via castoffs and length estimates and sample pages.• Encourages creative and flexible approaches to maintain adherence, as applicable, or to implement a better approach.Required Skills / Knowledge:Innate leadership skills to manage a team to balance attention to quality against deadline pressures; curiosity about and ability to respond to market change and new pressures on production editorial; flexibility to adapt and to communicate processes as new tasks develop in response to changes in technology or market; ability to set priorities effectively – balancing short-term view of project management against long-term view of product development; strong organizational and communication skills; natural attention to detail.Experience Needed:• Minimum 15 years book production/manufacturing experience. Educational publishing background, especially college humanities publishing, a plus.• People-management experience.• Proficiency in Microsoft Office applications, especially Excel and Word.• Knowledge of InDesign a plus.• Graphic Arts background helpful.Educational Background Required:• College Degree required.


text:
In Memory of Jeff...
April 4, 2008 - Jim Price
This Saturday night, April 5, members of the area music scene will again come together to celebrate the memory of one of Altoona's most talented guitar players, Jeff Wallack. Jeff's life was cut short by an apparent brain aneurysm on April 2, 2005 at the age of 40.
Jeff's guitar abilities amazed area audiences in the 80's and 90's, when he played with such bands as the Tom Brunner Group, Rapid Fire, Shattered China and Dash Riprock. He was a big fan of the harder guitar rock of the 70's and 80's, and sharpened his chops by playing the music of names such as Black Sabbath, Judas Priest, UFO, Iron Maiden, Queensryche, Yngwie Malmsteen and others. He inspired a lot of musicians and future guitar players; not only with his dazzling talents, but as a longtime salesperson at Jarrett's Music in Altoona, where he was always eager to share his guitar knowledge with other musicians and help beginners find their first guitars and get started on the right foot.
This Saturday night, the annual Jeff Wallack Tribute Show will take place at Aldo's in Juniata, with proceeds from the evening benefiting the St. Vincent DePaul Food Kitchen. A number of Jeff's former bandmates and contemporaries will be taking the stage, performing in their own current projects, and in special collaborations to celebrate the music that Jeff loved to perform. Felix & the Hurricanes (featuring Jeff's former Rapid Fire/Dash Riprock bandmate Bob Watters on drums), Half Tempted and The Flame Sky will all perform. Various guests will be stepping on stage along the way, including singer Steve Oswalt and bassist Joe George, both former bandmates of Jeff's in Rapid Fire and Shattered China, and many more.
Besides many expected musical highlights throughout the evening, stories about Jeff will be swapped, and memories will be shared. Those who knew Jeff will celebrate his memory, and those who never got to meet or see him will come away with a better appreciation of who he was and what he meant to this area's music scene. There will be a lot of love in the room. And it will help out the St. Vincent DePaul Food Kitchen because, as his mother said before last year's tribute show, Jeff loved to eat, and to help out others.
The show will start at 10 PM. Aldo's is located at 623 4th Ave. in Juniata. For more information, call 943-9907.
Blog Photos
Jeff Wallack, during a Rapid Fire show at Sebastiano's in Altoona on Aug. 11, 1989.
Blog Links


text:
First aid
Immediate care given to a victim of injury or sudden illness until more advanced care can be obtained.
First responder
A person trained in emergency care that may be called on to give such care as a routine part of his or her job.
Good Samaritan laws
Laws that protect people who willingly give first aid without accepting anything in return.
Damage that occurs when the body is subjected to an external force. such as a blow, a fall, a collision, an electrical current or temperature extremes.
Life-threatening emergency
An illness or injury that impairs a victim's ability to circulate oxygenated blood to all the parts of his or her body.
Non-life threatening emergency
A situation that does not have an immediate impact on a victim's ability to circulate oxygenated blood, but still requires medical attention.
Sudden illness
a physical condition that requires immediate medical attention. Some EXAMPLES include: heart attack and a severe allergic reaction.
Citizen Responders
Recognizing that an emergency exists. Deciding to act. Taking action by calling 911 or the local emergency number. Giving care until medical help arrives.
Barriers to action
The presence of bystander.......Uncertainty about the victim......The nature of the injury or illness....Fear of disease trransmission....Fear of not knowing what to do or of doing something wrong...Being unsure of when to call 911.
you can ask them to call for , meet and direct the ambulance, keep the area free of unnecessary traffic,, or help you give first,, you might send them for blankets or other supplies, they may even have valuable information about what happened or may know the victim's medical history. Bystanders can also help comfort the victim and others at the scene.
Overcoming barriers
Thinking about these barriers and mentally preparing yourself to overcome them will help you respond more confidently when an actual emergency occurs.
Is the scene safe..What happened...How many victims are there...Are bystanders available to help
Unconsciousness......Trouble breathing.....No signs of Life(normal breathing or movement) and, for Children and Infants, no pulse......Severe bleeding .... make to get CONSENT form conscious adult before you begin to give care on conscious adult
Are likely to be CARDIAC EMERGENCIES, SUCH AS: SUDDEN CARDIAC ARREST, WHERE TIME IS CRITICAL.


text:
When it comes to playing for University of Northern Colorado women's basketball coach Jaime White, every player on her team knows that it is about playing defense first.
UNC guard Kyleigh Hiser learned that lesson quickly and that is one of the reasons the young player has already earned a spot in the starting lineup a freshman.
Hiser will once again lead the Bears offense at point guard when UNC takes to the floor at 2:05 p.m. today for a nonconference game against NAIA Division II Johnson & Wales at the Butler-Hancock Sports Pavilion.
Hiser has started five of the nine games UNC has played this season and is averaging 24.2 minutes a game, fifth-most on the team. And while her numbers are anything but gaudy at 2.6 points and 2 rebounds per game, it is her defense and her ballhandling abilities that have earned her the confidence of White and Hiser's teammates.
"Well it always starts with defense, it always does," White said. "She's got to make sure she can defend people off the drive and defend the 3-point shot and make sure that she understands what we are trying to do on rotations. And she has proven that."
Making defense a priority was Hiser's mentality from the first time she stepped on campus to play for the Bears after a stellar career at Laramie High School in Wyoming where she averaged 13.7 points and 2.3 assists as a point guard, leading her team to its first state championship.
While she was a productive scorer in high school, she always valued the defensive end of the floor first and made it a priority when she came to college.
"Especially coming into college, I wanted to make that really my specialty," Hiser said. "Defense is something you can control. If you are having an off-shooting day, you can still work your butt off on defense and defense is just an effort thing. So I was going to be consistent on the defensive end."
That kind of attitude earned the respect of her teammates right away even though she was a freshman.
"Kyleigh just has the right attitude," UNC senior guard Victoria Timm said. "She wants to be competitive and she works hard. For her to come in as a freshman, it takes both our trust and the coach's trust and her trust in us, too. We have just communicated well with each other and she wants to play. For someone as young as she is to come in and play at the Division I level is pretty outstanding."
However, it is not only her defense that has earned Hiser a spot in the starting rotation. White said Hiser also gives the Bears a quicker lineup and a true point guard who takes care of the basketball.
Of the five players with the most starts on the roster, Hiser is averaging the least turnovers (1.4 per game). In a loss at the University of Denver earlier this season, she played 38 minutes and had only one turnover.
It also allows the Bears the flexibility to play their other guards like Timm and Strange at shooting guard, making the offense even more dangerous.
Although it may take away her chance to be more of a scorer for the Bears, that is just fine with Hiser.
"The points will come, but even coach White has talked to me about focusing on not making turnovers and getting a lot of assists," Hiser said. "And that is really my game. I am not out there looking to score or get a lot of points. I am looking to do what I can do to help the team win."


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Personal Description:
To my sister, a very strong lady, thoughtful and positive. She left us last Tuesday, June 8, 2010 at 2 AM at age 68.
She fought hard every day with a strong mind but the body was too weak. Her story is a shock to me and to my family.
Personal Description:
We were in France in September 2009, riding bicycle for 5 days in the Loire Valley visiting les Chateaux de la Loire and the vineyards. We rode 25 to 40 km each day. She seemed perfectly healthy, as always, with lots of energy. Two weeks after our bike ride ended she went to the emergency room because she had stomach pain and she would not retain any food. October 7th 2009 marks the day her digestive system became disfunctional. The doctors focused on the digestive system; after 2 ½ months of running many tests the diagnosis was ovarian cancer. The symptoms had misguided the doctors; this is quite common for ovarian cancer. She had stage IV. Just two weeks before going to the ER, she was eating and she had lots of energy. For the following eight months she could not eat or drink anything. It was unbelievable to us. She had a sharp decline in her condition thereafter. She had never been sick before, except for minor cold and then we saw her in the hospital unable to get out of the bed for months. She got weaker and weaker after each chemo session. They tried two different formulae.
She was the most pleasant patient in the oncologist section. The nurses loved her.
Sombol aziz will be missed so much; she will be with us every day in our hearts and in our minds.
Last updated on: 06/11/2010
I am so very sorry for your loss sweetheart!!! I am shocked she couldn't make it…
Maryam Banisi – 06/11/2010
thank you for this website Mariam joon,
may she Rest in Peace, what a grat loss for all of us.
Avisheh Mohsenin – 06/11/2010
My sincerest condolences to your family. You are in my thoughts and prayers.
Parissa Behnia – 06/11/2010
Love you Mariam jun … I will always remember her for her strength and that beautiful smile that she always displayed. Always admired her tireless energy- nothing ever seemed to slow her down.
Miss You Ame Sonbol, love you
Assal Mohsenin – 06/11/2010
Mariam joon thanks for the website. Last time I spoke to her (just around 10 days before she left us) she was not doing that bad, her voice was OK and she was having hope to get well. It's unbelievable. I love her and miss her so much.
Golara Perret – 06/12/2010
Mariam Jun, I am shocked when I heard the news. please accept my condolences for your loss. You and your family are in my thoughts and prayers.
Fariba Saremi – 06/12/2010
– 06/12/2010
So sorry for your loss Mariam Jun. It's good to know that she had a lot of energy and led an active and healthy life.
Sussan Rad – 06/12/2010
Mariam joon, I was at awe when I read the email. Again, please accept our sincere sympathies. Live long her spirit. You and your family are in our prayers during this difficult period. Love, Taraneh & Niloufar.
Taraneh Vajdi – 06/13/2010
Mariam jon, May her story help many others. So sorry for this great lost. Love, Afsaneh
sanya Avazpour – 06/19/2010
Mariam jon , Ba Drood fravsn.Be strong ,we are with you ,and her energy is with us always.
Reza shir – 06/20/2010
Mariam jon ,I really dont know what to say Iam so sorry for your lost .just be strong and this is for her.
May the road rise to meet you.
May the wind be always at your back.
May the sun shine warm upon your face;
And the rains fall soft upon your fields;
And until we meet again;
May God hold you in the palm of his hand.
Faezh Mohsenin – 06/21/2010
Mariam & Vahid Mohsenin
Please accept our most sincere condolences on the loss of your dear sister. Unfortunately for us who are left behind. Only your sister truly knows the Glory of the Heaven as she has been "blessed with eternal rest and peace "
G-d will comfort you, her memory will live forever in your hearts & mind.
Zenaida(Sorayah),Simon Reza(15),Joseph Jalil(8), & Abbas Mohsenine
below our e-mail
Zenaida & Abbas(Farhad) Mohsenine – 07/13/2010
This is exactly what I was looinkg for. Thanks for writing!
Fidelia Fidelia – 07/13/2011
Your story was really informative, tnhaks!
Barbi Barbi – 09/04/2012


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Rare recordings of conversations between the Air Force Command Center, the White House and Air Force One from the day President John F. Kennedy was assassinated are revealing new details about the day.
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Quite a morning at the Hall of Fame.
Michael Jordan addressed the "best-ever'' question by saying it was not for him to judge ... he also said "there will never be another Michael Jordan, so stop looking,'''....but I interpreted that not as braggadocio, but as his way of saying all players are individuals.
He later said Kobe Bryant and LeBron James could someday be better than he was, but come on, I'll bet even MJ knew no one was buying that.
Anyhow, a great morning except for the rain before the pep rally.
Vivian Stringer and David Robinson remain quintessential class acts (as Jordan is, too), and John Stockton gave a down-to-earth but compelling talk of what the day meant for him.
John's a man of few words, but a solid guy. Same with his coach, Jerry Sloan, who wound up talking more about his playing days with the Bulls than he did about his coaching work, which is what got him elected to the Hall.
Not surprising, what with all the Jordan-driven Chicago media in town.
|Hall of Fame Class of 2009 in their own words


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When Gov. Corbett triumphantly signed his $27.6 billion budget on June 30, he said he was trying to find alternative programs for the 70,000 people he was throwing off the state's welfare rolls.
They're still waiting.
Truth is, there is no state or federal alternative for the people receiving general assistance. That's why the program was created. The only alternative is for the governor to find his heart and restore the funds.
If he doesn't, participants will stop getting their measly $205 monthly checks next week.
The recipients are single adults, including abused women and addicts in treatment programs. They can get GA only for up to nine months over their lifetimes. Disabled persons who have waited up to two years to get federal disability also depend on GA.


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JERUSALEM, Israel -- Old Testament prophets told of a day when Jews would return to Israel from the four corners of the earth. Some Jews are now returning from the world's two most populous nations: China and India.
Recently, friends greeted seven Chinese Jewish men at Israel's Ben Gurion Airport. They flew from Beijing. Their journey marked the end of a nearly four-year bureaucratic struggle to get to Israel, but also marked the fulfillment of a biblical promise several thousand years old.
"We are witnessing the ingathering of the exiles from the four corners of the world. It's taking place before our very eyes," Michael Freund said.
Michael Freund of Shavei Israel -- a group committed to bringing Jews back to Israel -- says their arrival was prophetic.
"The prophet Zechariah in chapter 8 tells us that God promises that He will save His people from the East, from the countries of the East and from the countries of the West," Freund said.
Home video of the Jewish community shows these men came from in Kaifeng, China. This community began more than 1,000 years ago when historians believe Jews from Persia or Iraq settled in China.
Freund says their ancestors once dreamed of going back to Israel. These men are fulfilling that dream, a dream shared by the several female Chinese Jews who immigrated four years ago.
"I still remember my grandma always read her Bible like Isaiah, I think 60 chapter says Hashem (God) will like the eagle bring His people come back. And always this Word and scripture came into my mind and I think it's true," Chinese immigrant Zhang Lan said.
The men themselves were joyful.
"Today, we most happy. We very, very so happy," Chinese immigrant Xue Zei said.
But the Chinese Jews represent just one group returning to Israel.
A group of Jews coming from India three years ago represent members of the lost tribe of Manasseh. They joined other family members who had already immigrated to Israel for an emotional reunion. They were the largest group of Bnei Menashe in history to come to the Promised Land.
"Today is one of the most happiest day for the Bnei Menashe history because we never had a large group like this that made aliyah," Bnei Menashe tribe member Allenby Selah said.
The Jewish agency believes the tribe of Manasseh is located in northeastern India in the states of Mizoram and Manipur.
For many of these Bnei Menashe, coming to Israel is a life-long dream.
Several thousand Bnei Menashe remain in India and hope to come to Israel.
Shavei Israel has identified groups like the "Hidden Jews" in Poland, the Subbotnik Jews of Russia, the Benei Anousim Jews in Spain, Portugal and South America, as well as the Bnei Menashe and the Jews from Kaifeng, China.
After their arrival, the Chinese came to the Western Wall. They came to pray and begin their new life here in Israel. Organizers say they represent the first group of Chinese men to move to Israel in history.
Experts estimate 2,000 Jews live now in China and organizers of this immigration hope more of them will come to Israel.
Freund calls it and the return of other Jews worldwide a sign of the times.
"God is gathering His people in. And this is an event not only of theological significance but of tremendous historical significance as well," he said.
*Originally published November 16, 2009
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'Narrow' escapesRuthie Blum
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The "Hearts for Heroes" Builder's Ball was an emotional evening that honored veterans of the United States military and supporters of the Habitat for Heroes campaign.
Event Chairwoman Doreen Shine said the successful fundraiser, hosted by Habitat for Humanity, San Fernando/Santa Clarita Valleys and held at the Universal Sheraton in Universal City, raised more than $200,000 that will be used to build homes for veterans in the Santa Clarita Valley.
"How great is that Santa Clarita is the best place in the world to live?" Shine said.
Secretary of California Department of Veterans Affairs, Peter Gravett, Major General, retired, U.S. Army, said the Hearts for Heroes event was "very important" in efforts to assist veterans become first time home buyers.
"Most of our veterans don't need any services, they are self-sufficient, but for those veterans that do need need help, housing, health care, education, employment, this is a way to give back to our national treasures, which are our veterans."
Honored at the event with the Hammer of Hope Award were Carl and Jeri Goldman, of Canyon Country and Mike Mizrahi who accepted the award for the Southern California Gas Company. Mizrahi is the SoCalGas regional public affairs manager.
Mizrahi and the Goldmans have taken the lead in promoting the SCV Habitat for Heroes program which includes construction of the 87-home Veteran's Village and other services.
Four veterans, Renard Thomas, Jose Castillo, Joshua Towe, Manuel Montenegro and their families were featured at the event as they told their stories and what a home in the new Veterans' Village will mean to each of them.
Towe said he and his family now lives with his wife's parents in a 3-bedroom, 2-bath 1,200 sq. ft. home — "with seven people and two dogs."
"We love the idea if living in a community of veterans," he said. "A military community can become a very tight-night group. We would love to have neighbors that we can eventually call family."
Towe hoisted his young son Ethan Towe aloft at the podium as Ethan displayed a picture he drew of what he hopes his new home in the Veterans' Village will look like.
An emotional Montenegro said he hopes to give each of his children a room of their own.
"As little as that might sound my kids deserve that and much more," he said. "What is a bonus is that the neighbors will have walked in the same shoes as I have."
Monten ended his speech with the note that "war is not for everybody. But for those of us who have lived it, we appreciate everything you have done for us."
For more information about the Habitat for Heroes Campaign visit www.humanityca.org.


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Savor last 5 days of summer in Erie region
Labor Day weekend, already? It hardly seems fair. Summer, for the most part, has been cooler and wetter than we like. Even the usually weatherproof Erie Art Museum Blues & Jazz Festival endured a Saturday storm.
Now September looms with homework, NFL games, Erie Otters, crisp nights and "The Voice" apparently airing every night.
It's not too late to salvage 5 Seconds of Summer, oh, wait -- you don't want them. You want five days of summer, today through Monday. Here are a few ways to get out and have some fun before you go into a September swoon.
1 Own the street. Following two weeks off, Block Party season resumes tonight -- then disappears until 2015. This is it, in other words, your last chance to dance on State Street. Scully's Pub is your host. Malpractice, a band of medical professionals which, yes, plays "Bad Case of Loving You" by Robert Palmer, will open. They also play upbeat, high-energy cover songs by the Ramones, Fountains of Wayne, the Romantics, the Cars and more. Key West Express headlines with island-y fare (including Jimmy Buffett tunes) that are perfect for a summer sunset. The block party rolls from 6 to 10:30 p.m., and proceeds benefit Meca Inc. Also, bikers take note: The last downtown Bike Night is Friday from 6 to 10 p.m., with space reserved for motorcycles on State from Fourth to 12th streets.
2 Last seventh-inning stretch? The playoffs appear unlikely for the SeaWolves; elimination looms. That means their last home game is probably today against Bowie at 7:05 p.m. at Jerry Uht Park. You could leave with a really cool souvenir. The team will auction off the players' 20th season commemorative black jerseys during the game. Who knows how much someone will pay for likely future Tiger Steven Moya's No. 44 jersey? Assorted prizes will also be doled out as part of the traditional, season-ending Fan Appreciation Night. For details, call 456-1300.
3 Thrills. The Isley Brothers weren't singing about amusement parks on one of their earliest hits, but sing along with them if you enjoy one last fling at Waldameer Park & Water World. "Shake it up, baby. Twist and shout." How you shake, twist and shout is up to you, though. Ravine Flyer II? Musik Express? Steel Dragon? Best to shout with a friend, especially if you grab a coupon at Waldameer's website. When you buy one combo pass, you get a second for $10. And look to the sky: Waldameer will also feature a last explosion of fireworks on Sunday night; Monday is the park's last day. When it reopens in 2015, look for the biggest wave pool in miles. For park hours and prices, not to mention that coupon, visit www.waldameer.com. You can also call 838-3591.
4 Chills. Presque Isle State Park beaches close after Labor Day, so it's sink or swim time through Monday. Of course, visitors can still hit the Multi-Purpose Trail, do other park activities, or just visit the colorful park come fall. You just won't be able to dip your toes or dive into waves. Weather forecasts can change (this is Erie, duh), but so far the outlook is promising with 80s and sun through Monday. You have no excuse not to get wet.
5 Music. Not to worry if you can't make tonight's block party. Other outdoor options abound. Like wine with your blues? Duke Sherman Blues Band plays its final 2014 show at Penn Shore Winery in North East on Saturday from 5 to 9 p.m. Prefer a multi-band attack? Schickalay's on the Bay, a gorgeous, tree-lined spot, will feature Sunday Sound, Cosmic Rhythm, and Earle Sweeney and the Dirty Diamond Boys on Saturday at 2 p.m. Drinks and good food are available, too. (See page 18.) Need a dose of blazin' American-styled rock 'n' roll, a la Springsteen, Petty and more? Colony Plaza hosts Jackson Station -- which opened for Cheap Trick on Aug. 16 -- for its Party on the Plaza on Friday at 6 p.m. Special guest is Polaris, featuring Boyd Baker. Prefer Southern rock? The legendary Outlaws ("Green Grass & High Tides") close out the Bemus Bay Pops season on Sunday. Have a hankering for soul, Motown and R&B? Check out the Breeze Band on Friday at 9 p.m. at Rum Runners.
6 Fly. New York has a new ZIP code, thanks to the Giant Dual Ziplines at Peek'n Peak's Giant Dual Ziplines, which opened last week. They whisk riders about 2,000 feet at up to 40 mph; you can even race a friend as you go. The entire Aerial Adventure Course -- with platforms, ropes, zip lines, cargo nets and bridges built amid towering trees -- melds nature and athleticism in thrilling ways that didn't exist around the Erie area until May. The park features nearly 70 obstacles on eight courses that range from easy to difficult. The adventure course is open from 9 a.m. to 6 p.m., Sundays through Thursdays, and from 9 a.m. to 8 p.m. on weekends. Prices vary, so for details visit www.pknpk.com or call (716) 355-4141, Ext. 7275.
7 Be a conehead. Do it. Visit your favorite spot and grab a cone, a sundae, a float or whatever cold treat floats your boat. Ice cream tastes best in summertime. Einstein proved that after spending months on his E=mc² theory. How do you think he rewarded himself? With a Vanilla Oreo at Thomas Sweet Ice Cream in Princeton, N.J., that's how.


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text: Davenport Performing Arts Center Joe Zlomek | October 22, 2013 | Loading Map.... Davenport Performing Arts Center750 N. Washington St. - PottstownDetails 40.2551299 -75.6355906 Address 750 N. Washington St. Pottstown PA Montgomery County 19464 United States Upcoming Events No events in this location Like what you read? Get even more of it, free. Subscribe to The Post. Email Address Add Comment Cancel reply