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Registration is open for theô 2016 Black Hillsô Photo Shootout
September 30th to October 2nd!
The Black Hills Photo Shootout is a photography festival which brings photographers from across the country to South Dakota for photography, education, sightseeing, camaraderie, and fun. ô The event showcases the natural beauty of South Dakota along with the photography expertise of highly respected professional photographers. ô The Shootout is organized and managed by Outdoor Photo Workshops (OPW) in conjunction with numerous photography professionals.ô With this partnership, we are able to mesh the expertise of instructors who have a variety of photography backgroundsô with the expertise of a professional photography workshop and tour leader to create a fun and educational photography festival.
The first question we often get, and you may even be asking, is, ãSo, why South Dakota?ã The Black Hills area of South Dakota is one of North Americaãs hidden gemãs for outdoor and nature photography, abounding in wildlife, beautiful scenery, and ô imagery of the old and new west. ô While we really thought about keeping this photography treasure all to ourselves and our cameras, instead we have developed the Black Hills Photo Shootout. Through this event we are able to showcase the beauty and diversity the area has to offer both visitors and residents while providing attendees a great weekend packed full of informative workshops, great networking opportunities, unbelievable outdoor photography subjects, and most of all, fun!
Thank you to our 2016 Black Hills Photo Shootout Sponsors! ô
We couldn't do it without you!
Friday, September 30, 2016
|Buffalo Roundup Photo Workshop (Pre-Shootout Workshop)
|Photography 101 (included!)
|Between 4:30-7:00 PM
|Photo Shootout Welcome and Special Instructor Panel Presentationô (included!)
Saturday, October 1, 2016
|Workshop Session 1ô (included!)
|Lunch ãnã Mingle & Photography Funô (included!)
|Portfolio Reviews
|Workshop Session 2ô (included!)
|Happy Hour – Brews & BBQ (attendance included!)
Sunday, October 2, 2016
|Workshop Session 3ô (included!)
|Lunch Photography Presentation & Q&Aô (included!)
|Workshop Session 4ô (included!)
Monday-Wednesday, October 3-5, 2016
|Wild Horses and the Badlands Photo Workshop – Teddy Roosevelt National Park
(Post-Shootout Workshop) ô ô *Full
|Photography After Dark and Long Exposure Daytime Photo Workshop – Teddy Roosevelt National Park
(Post-Shootout Workshop) ô ô *Only 2 spots left
|***$50 discount available for taking BOTH Post-Shootout workshops at TRNP!
Your full weekend workshop registration includes the following:
- Photography 101
- Photo Shootout Welcome and Special Instructor Panel Presentation
- 1 Admission to Each of the 4 Workshop Sessions
- Saturdayãsô Lunch ãnã Mingle & Photography Fun
- Saturday Happy Hour – Brews and BBQ
- Sundayãs Lunch Presentation
Your half weekendô workshop registration includes the following:
- Photography 101
- Photo Shootout Welcome and Special Instructor Panel Presentation
- 1 Admission to each of the 2ô Workshop Sessions on EITHER Saturday OR Sunday
- Saturdayãsô Lunch ãnã Mingle & Photography Fun and Happy Hour – Brews & BBQô OR Sundayãs Lunch Presentation
All sessions have limited space and will be filled on a first-come, first-served basis based on online registrations.
Schedule is subject to changes, cancellations or additions.
Workshop Information
Black Hills State University (BHSU) in Spearfish, SD will be our main hub for the Shootout. Classroom sessions and all special events will be held here. Outdoor sessions will all meet at BHSU and carpool to the workshop locations which vary in distance from BHSU,ô from being right around the corner up to an hour away, depending on location. We promise theyô will be worth the drive!ô All workshop locations and exact times along with directions will be provided at check-in.
Outdoor Workshops
Outdoor workshops are held outside in the field and led by experienced photographers.ô The instructors will provide participants with knowledge of the area and instruction on specific topics.
Studio Workshops
Studio workshops will be conducted indoors in a classroom/studio type setting led by experienced professionals. ô There will be photography time during the workshop.
Classroom Workshops
The classroom workshops are held indoors in a classroom setting and led by experienced professionals.ô The instructors will provide participants with instruction on specific topics. There will not beô photographyô opportunities.
Session 1 – Saturday Morningô Workshops
Animals in Action: Retrievers on the RunInstructor: Mike Wolforth
Photographing animals can seem like barely controlled chaos, working with a creature that has their own agenda can make you feel like you are fighting to keep up with them. If you're unfamiliar with shooting action or have found yourself frustrated by out-of-focus or motion-blurred photos, this class will hone your skills for all types of animal action photography. We have the opportunity for a special photo session at a world renowned retriever training facility with their very photogenic and …
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Images of the West: Cowboys in ActionInstructor: Becca Shelbourn
One of the most popular requests we get for workshops is to add more cowboy and western photography sessions. ô So this year we have partnered up with a working ranch nestled in some of the prettiest scenery the area has to offer! ô This workingô ranch sprawls across deep canyonsô andô rolling hills, dotted throughout with creeks, woods and ponds. ô This is aô a great opportunity to photograph authentic cowboys and cowgirls, horses, and scenes of the Westô on a real ranch setting in a beautiful …
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Inside the Photographerãs StudioInstructor: Jerry Rawlings
The great thing about studio photography is everything is under your control to get the photos you want. The hard part, though, is you have to control everything to get the photos you want… In this class we will introduce you to the concepts and equipment used in studios to make portrait, commercial, and fine art photos that really grab people's attention. You will get a crash course in how to work in the studio environment, the different equipment used …
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Lighting Up the Night: Light Painting for Night PhotographyInstructor: Jim Caldwell
In this fun and informative workshop you will learn the tips and techniques to get unique images using long exposures and lighting tools. Light painting is a technique where the photographer works in a darkened environment, and by using common flashlights can light the scene over time and in a manner that would be difficult or even impossible to do using conventional lighting or strobes. This hands-on workshop will cover: theories of good lighting, equipment needed for light painting, tips and techniques, demonstration of the two major approaches to light painting.
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Photos in Motion: Videography for PhotographersInstructor: Jeffery Garland
Now that most of our DSLR cameras do such a good job with video, we find ourselves wanting to do more and more videography, but sometimes donãt know all of the proper techniques to get them to turn out right. ô Learn the basics of outdoor videography using your video capable DSLR or point and shoot, including settings, tools, and techniques for capturing and processing basic video using DSLRs. Topics include preparation before a shoot, lens selection, shooting settings, shooting techniques, …
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Smart Shots with SmartphonesInstructor: Fred Rodgers
Droids and iPhones are quickly replacing the common point and shoot as the go to camera for millions of photographers. After all the "best camera" is the one you have with you, and we have our smartphones with us all of the time. The latest generation of phones have great cameras built in, it's just not always easy to know how to take control of them to get the picture you want. In this class you will learn how to …
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The American Bison: Icon of the PlainsInstructor: Dick Kettlewell
One of the most fun and rewarding parts of nature photography for us is getting to meet the heroes of wildlife conservation, the people who are working to save, protect and restore wild animals around the planet. Dan and Jill OãBrien are two of those people, and this year we have the opportunity to visit their ranch to view and photograph the bison herds that roam the beautiful South Dakota grasslands there. ô There is also the possibility of photographing antelope …
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The Grab Bag Mystery WorkshopInstructor: Jason Hahn
So, um you're really putting me on the spot here. ô Is this just a filler spot because I didn't get around to picking a workshop and I'm hoping Nicole won't notice I put this here. ô Or is it the coolest workshop ever that I don't want people to get in fist fights over when it gets booked up so I am hiding its name? ô Or am I hoping no one signs up for this one so I can sleep in, …
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Session 2 – Saturday Afternoonô Workshops
Abstract PhotographyInstructor: Jeffery Garland
Want to get crazy creative and learn to "see" in a whole new way? Then itãs time for you to unleash your creative potential through abstract photography! Photography is usually about capturing an imageô of something that we know and can recognize like people or landscapes. In abstract photography we focus on creating moods and sensations from unique combination of shapes, colors, patterns, light, or motion. Itãs the idea of taking your subject and transforming it into something that creates emotion …
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Composition Concepts: Art Isnãt by AccidentInstructor: Dick Kettlewell
ãIt is an illusion that photos are made with the cameraãÎ they are made with the eye, heart and head.ã ã Henri Cartier-Bresson ãA composition is an arrangement, built out of parts, that aims at seamlessness.ã ã Eric Maisel As photographers we can be very conflicted artists, having to balance the technical/logical side of our brains, with the artistic/creative sides, as we use technology to realize our creative visions. Your goal as a photographer is more than just getting the …
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Daytime Long Exposure PhotographyInstructor: Jim Caldwell
Daytime long exposure photography is a unique way of capturing landscapes for a totally different look. Using long exposure (several seconds to even minutes) will smooth out running water such as waterfalls and rapids, turn rough choppy water into a smooth surface, create streaks in clouds which can border on the abstract, allowing you to capture busy populated scenes by virtually eliminating people and moving vehicles. The workshop will feature several ways to capture long shutter exposures during daylight hours …
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Images of the West: Cowboy PortraitsInstructor: Becca Shelbourn
One of the most popular requests we get for workshops is to add more cowboy and western photography sessions. So this year we have partnered up with a working ranch nestled in some of the prettiest scenery the area has to offer! This working cattle ranch sprawls across deep canyons and rolling hills, dotted throughout with creeks, woods and ponds. This is a a great opportunity to photograph authentic cowboys, cowgirls, horses, and scenes of the West on a real …
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Lions and Tigers and BearsãÎ and MoreInstructor: Fred Rodgers
Join us for a photography tour of the Spirit of the Hills Wildlife Sanctuary in the northern Black Hills of South Dakota. ô The Sanctuary sits on 200 acres of rocky, forested terrain and is currently home to over 300 animals of 40 different species including tigers, leopards, bears, African lions, foxes, mountain lions, coyotes, lynx, an ocelot, a caracal, and myriad domestic animals including dogs, cats, pigs, goats and horses. ô This experience will provide you with the opportunity to experience …
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Need for Speed: Drag RacingInstructor: Chad Coppess
Smoking tires, flashy colors, and blazing speed, just part of what makes the fastest motor sport in the world a one-of-a-kind photography experience. Every weekend of the year at locations all around the country people gather to race just about any kind of vehicle you can imagine. On this workshop, we will photograph one of the ultimate spectacles of speed and power… drag racing! ô We will teach you how to photograph motor sports of all kinds For this workshop we …
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Spearfish Canyon: Off the Beaten PathInstructor: Steve Babbitt
Spearfish Canyon's scenic byway is arguably one of the prettiest stretches of road anywhere. While it gives visitors easy access to views of iconic waterfalls, fall colors, and the towering canyon cliffs, there is much more to be seen for those willing to venture away from the roadside. On this workshop we will take you to some of the locals' favorite places in Spearfish Canyon off of the main road, where we will focus on taking photos of the stunning …
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Telling the Story: On the Streets of DeadwoodInstructor: Jerry Rawlings
Steeped in history, the town ofô Deadwood blends the history of the Old West with a modern vacation town. ô This makes it a perfect place to learn the art of street photographyô and how toô tell stories of both the past and present in your images. ô As you explore this area, your instructor will provide you tips and techniques on how to createô street images that have impact, andô capture the people, culture and history of this unique location. Type: Outdoor Photo Workshop Activity Level: …
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Session 3 – Sunday Morning Workshops
American Icon: ã47 Chevy TrucksInstructor: Mike Wolforth
Some people collect comic books, some like coins, and for others it may be camera gear. And some people collect antique 1947 Chevy trucks and then invite a group of photographers to come on over and photography their collection. We really like those people! On this workshop we will have the opportunity to photography this collection of an American classic, in all kinds of styles and condition. 1947 saw Chevrolet's first major truck redesign following World War II, the Advance-Design …
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Animals in Action: Falcons in FlightInstructor: Dick Kettlewell
One of the most fun and rewarding parts of nature photography for us is getting to meet the heroes of wildlife conservation, the people who are working to save, protect and restore wild animals around the planet. Dan and Jill OãBrien are two of those people, and this year we have the opportunity to visit their ranch set among the beautiful South Dakota grasslands. During this workshop you will get an introduction to "BIF" photography, aka "Birds in Flight". Dan …
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HDR Done RightInstructor: Fred Rodgers
High Dynamic Range (HDR) photography can be a fantastic way to get thoseô images whereô your camera can't captureô both the highlights and shadowsô in aô scene. But it is not without its critics, and can be a complicated technique to master. ô In this class we will teach you what HDR is, when it's the best option for a photograph,ô and the details on how it is done. ô Just as importantly, we will teach you when not to HDR, common pitfalls to avoid, and how …
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Images of the West: Everything EquineInstructor: Becca Shelbourn
One of the most popular requests we get for workshops is to add more cowboy and western photography sessions. So this year we have partnered up with a working ranch nestled in some of the prettiest scenery the area has to offer! ô This working cattle ranch sprawls across deep canyons and rolling hills, dotted throughout with creeks, woods and ponds. This is a great opportunity to photograph horses and scenes of the West on a real ranch in a beautiful …
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Photography After Dark: Night Skies and the Blue HourInstructor: Jeffery Garland
When the sun sets most photographers put away their cameras, but the night sky offers wonderful opportunities for amazing images. ô Thinkô star trails, the milky way and even the aurora borealis (northern lights). ô But photographing the night sky requires a whole new skill set and camera settings. ô During this workshop we will teach you how to capture those stunning night sky scenes, so you will be ready the next time theô sun sets and the stars shine! Type:ô Outdoorô Photo Workshop Activity Level:ô Low to …
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RiverscapesInstructor: Jim Caldwell
There is something about moving water that is just irresistible to photographers, whether it's a fast flowing creek or a slow and serene river. ô On this workshop you will learn the techniques and concepts ô to capture those amazing photo opportunities just waiting for you in your local rivers, streams, lakes or wetlands. Weô will cover aô number of technical, creative, andô field techniques to help you create dramatic and powerful riverô images,ô including;ô understanding light, reflections, recommended filters and equipment, using shutter speed for "dreamy …
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Transforming your Photos: Creating Photoshop ArtInstructor: Jason Hahn
Photoshop, itãs a big program with a lot of features to learn, but used correctly can truly transform your photos. In this class you will go beyond basic photo development to learn Photoshopãs more powerful features that you can use to make your photographs into whole new works of art. Techniques we will cover including compositing, layer blending, masking, filters, adjustment layers, brushes, and much more! Let your creativity take hold, learn how to completely transform your images, and make …
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Waterfalls of Spearfish CanyonInstructor: Steve Babbitt
The waterfalls of Spearfish Canyon make for some of the most iconic and stunning landscapes available in the Black Hills. We will photograph two of the three major waterfalls in the Canyon, Roughlock Falls and Spearfish Falls. Surrounded by fall color (cross your fingers!), these make for stunning subjects. Type: Outdoor Workshop Activity Level:ô ô Moderate. Light hiking to photo locations on uneven terrain is necessary but car access is good to most locations. Spearfish Falls requires a short hike down a …
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Session 4 – Sunday Afternoon Workshops
Advanced Landscape TechniquesInstructor: Dick Kettlewell
Creating a great landscape photo is one of the greatest challenges in photography. ô In this class, you will learn key concepts and techniques to take your landscape photos to the next level. ô Learn advanced techniques such as panoramics, multi-row panoramics, hyper-focal distance, filters, lighting techniques and more. Type: Outdoor Photo Workshop Activity Level: ô Moderate Things to Know: ô What to Bring:ô ô Tripods are recommended. ô Sunscreen isô also recommended. Wear comfortable walking shoes you donãt mind getting dirtyô or wet.
Art of the Black and White LandscapeInstructor: Mike Wolforth
Join us on this landscape photography workshop where you will learn how to find and use the best light to make expressive black and white photographs. Your instructors will cover elements of composition, technical settings, the quality of light, and how to pick scenes that produce the great best black and white landscape opportunities.
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Black Hills BackroadsInstructor: Jerry Rawlings
Away from the main thoroughfares, a network of beautiful backroads snake their way through theô Black Hills. ô They offer access to stunning photo sites, from rushing streamsô andô rocky outcrops, to golden aspen stands and historic ghost towns. ô On this workshop you will travel off the beaten path, rolling through spectacular hill country, fall foliage, andô beautiful creeks, to explore one of the many ghost towns hidden throughout the Black Hills. ô From fall landscapes to glimpses of the past, on this workshop you will …
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Hidden Worlds: Nature Up CloseInstructor: Fred Rodgers
Finding beauty in the littlest things, that is what Macro Photography is all about. ô In this class youãll learn how to capture great close up images,ô opening up a world of photography possibilities wherever you go. ô This workshop will coverô how to light, focus, and compose your macro images, as well as selecting the right gear and how to use it. ô You also learn key techniques in closeup and macro photography including How to expose when only inches from your subject How …
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Images of the West: From Saddle to SlumberInstructor: Becca Shelbourn
One of the most popular requests we get for workshops is to add more cowboy and western photography sessions. So this year we have partnered up with a working ranch nestled in some of the prettiest scenery the area has to offer! This working cattle ranch sprawls across deep canyons and rolling hills, dotted throughout with creeks, woods and ponds. This is a a great opportunity to photograph authentic cowboys, cowgirls, horses, and scenes of the West on a …
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Outstanding Outdoor PortraitsInstructor: Jeffery Garland
Ready to get greatô results when taking photographs of people outdoors? ô In this workshop you will learn how to make creative and compelling portraits in the great outdoors, using the latest tools and techniques. ô We will cover key concepts such as lighting, what to look for when making an image, posing techniques, lens selection, selecting and composing your backgrounds, location selections, and getting it rightô in camera to minimize your time spent post processing. Whether you want to get great images of …
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Patterns in NatureInstructor: Jim Caldwell
There are an infinite number of photographic possibilities surrounding us at all times; we just need to learn how to ãseeã and how to best capture these possibilities with our cameras. ô The ãPatterns in Natureã workshop was created to help photographers develop their creative vision and capture images that will amaze and inspire no matter whether you are a beginner or a pro. ô Your instructorô will work closely with each photographer to demonstrate lighting, composition, exposure, and techniques in …
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Taking the Phrustration out of PhotoshopInstructor: Steve Babbitt
Photoshop, just saying the name stirs up a lot of feelings in photographers. Itãs a big program with a lot to learn, but used correctly can truly transform your photos. In this class weãll help you change your outlook on Photoshop from feeling overwhelmed or frustrated to confident and creative!
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Happy Hour – Brews and BBQInstructor: The Photo Shootout Crew
Saturday, 6:00pm-??? Happy Hour specials at Crow Peak Brewing for anyone wearing a Black Hills Photo Shootout name tag. ô Free to attend, purchase your own beverages on site. A catered BBQ dinner, held at Crow Peak Brewing, will also be available for $11. ô Dinner will include: pulled pork, rolls, smoky baked beans, and homemade coleslaw. Things to Know: Attendance is free for all Shootout participants. Purchase your own beverages at a Happy Hour discount. ô Since it will be catered, if …
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Photo Shootout Check-inInstructor: The Photo Shootout Crew
Friday, between 4:30-7:00pm. Check-in to receive your name tag with your personalized schedule, the event program, a goody bag, and your 2016 Black Hills Photo Shootout t-shirt and hat (if pre-ordered). You can also grab dinner during this time at the BHSU Dining Hall until 6:00pm, or elsewhere in town.
Photo Shootout Welcome and Instructor Panel Presentation (included!)Instructor: The Photo Shootout Crew
Friday, 7:00pm. We will be kicking off the 7th annual Black Hills Photo Shootout with a welcome and a special panelô presentation by our Photo Shootout instructorsô atô 7:00pm atô BHSU! Learn and laugh with our photography pros as they tell you about their careers and adventures, as well as techniques for gear, photography, and life as a photographer. Please join us on Friday night for an amazing presentation along with some great doorprizes for Shootout attendees! Things to know:ô This event is included with …
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Photography 101 (included!)Instructor: The Photo Shootout Crew
Friday, 3:00-4:30pm. Photography 101 is for beginners with little or limited experience in photography. ô It is also for photographers looking for a refresher on concepts and settings. A large part of this course is focused on Exposure and Composition. ô We will discuss the different shooting modes used in DSLR cameras and being comfortable with shooting in manual. ô By being comfortable with the basics, weãll help you get the most out of yourô Photo Shootout weekend. Type: Classroom Workshop Activity Level:ô Low. …
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Post-Shootout Workshop – Photography After Dark and Daytime Long ExposureInstructor: Jim Caldwell
Monday-Tuesday, October 3-4. On the night photography nature photo workshop we will take you to Theodore Roosevelt National Park (TRNP) which is an amazingô place to photograph duringô the night because of the lack of light pollution and the wonderful landscape. As we photograph during theô night, we will also provide each photographer with in-depth instruction on night photography techniques, engaging in one on one instruction, discussion, and critiques in the field and off. Each nightô will be filled with great photography opportunities of …
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Post-Shootout Workshop – Wild Horses and the BadlandsInstructor: Jason Hahn
Monday-Wednesday, October 3-5. On the "Wild Horsesô and the Badlands" nature photography workshop we will take you to Theodore Roosevelt National Park (TRNP) which is one of the best places in the United States to photograph wild horsesô and the incredible scenic beauty of the North Dakota prairie and Badlands. From powerful stallions to friskyô young colts to the thundering of the band as they race across the Dakota landscape, its hard not to be in awe of, and inspired by the wild …
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Pre-Shootout Workshop – Buffalo RoundupInstructor: The Photo Shootout Crew
Friday, 6:15am-? (up to as late as 2:00pm). Watching over 1,000 buffalo pound by you is a sight every photographer should experience. There are only a few places left in the world to experience such an event and Custer State Park is the best. During itãs annual Buffalo roundup, you will photograph the buffalo from our own private viewing area in the North Viewing area as park staff and local cowboys bring the herd into the corrals for sorting, vaccinating …
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Saturday Lunch ãnã Mingle and Photography Fun (included!)Instructor: The Photo Shootout Crew
Saturday, 11:30am-2:30 pm. Saturday at lunchtime we will be having a Lunch ãnã Mingle along with Photography Fun! Everyone is encouraged to attend as we will have a variety of fun photography activities. Regardless of skill level, itãs fun for all, and all for funãÎ and maybe a few prizes! Things to know This event is includedô for Shootout attendees! Food is available at the BHSU dining hallô from 11:am-1:00pm, which is where the event will be held. Or you can pick …
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Saturday Portfolio ReviewsInstructor: The Photo Shootout Crew
Saturday,ô 12:30-1:00pm, 1:00-1:30pm, and 1:30-2:00pm.ô Ever wanted to know how to take your photography to the next level? ô Want professional feedback on your imagery? ô Sign up for a portfolio review and get feedback and input from the pros. ô You will have ô§ hour with the workshop pro of your choice who will give you their undivided attention and input on your imagery. This is one of the best ways to advance your photography and learn what ideas and techniques to apply …
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Sunday Lunch PresentationInstructor: The Photo Shootout Crew
Sunday, 12:30-2:30pm. We will all meet on Sunday during lunch for a presentation by all of the Black Hills Photo Shootout instructors. ô There will be time for questions at the end. Besides the fantastic presentation, we will have some great doorprizes, so donãt miss out! Things to know:ô This event is includedô for Shootout attendees! Food is available at the BHSU dining hallô from 11:am-1:00pm, which is where the event will be held. Or you can pick up some ãto goã food on …
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2016 Black Hillsô Photo Shootout Registration
To register for the Black Hillsô Photo Shootout, please click the link below. ô If you have any questions, please feel free to contact us by clicking on the Contact Us page. ô We look forward to seeing you at this yearãs Black Hills Photo Shootout!
Please note: When you click the ãSign Me Up!ã button, you will be redirected to the Outdoor Photo Workshops website for registration.
Full Weekend Registration ã $225
Things covered by the full weekend registration fee:
- Photography 101
- Fridayãs Welcome and Instructor Panelô Presentation
- 1 Admission to each of the 4 Workshop Sessions (over 30 to choose from)
- Saturdayãsô Lunch ãnã Mingle and Photography Fun
- Saturday Night Happy Hour – Brews and BBQ
- Sundayãs Lunch Presentation
Student Registration (full weekend) ã $112.50
- *Must be a full time student, proof of student status required. Pleaseô Email Nicoleô with documentation of student status prior to registering to receive your discount code.
Half Weekendô Registration ã $149
Things covered by the half weekendô registration fee:
- Photography 101
- Fridayãs Welcome and Instructor Panelô Presentation
- 1 Admission to each of the 2ô Workshop Sessions onô EITHER Saturday OR Sunday
- Saturdayãsô Lunch ãnã Mingle and Photography Fun andô Saturday Night Happy Hour – Brews and BBQô ORô Sundayãs Lunch Presentation
Student Registration (half weekend) ã $74.50
- *Must be a full time student, proof of student status required. Pleaseô Email Nicoleô with documentation of student status prior to registering to receive your discount code.
Things NOTô covered by the registration fee:
- Lodging
- Food
- Travel to and from sessions
- Park entrance fees
- Portfolio Reviews
- T-shirts and hats
- Tips for models (human and animal) and animal handlers
- BBQ dinner and drinks at Happy Hour – Brews and BBQ
- Pre or Post Shootout Workshops
- Other add-onãs
- Other fees as noted
Cancellation Policy
- There is a $35 fee for cancellations prior to Septemberô 1. ô After Septemberô 1, 50% of the registration fee will be charged for any cancellation. ô There are no refunds for cancellations the week of the event (but please let us know if you canãt make it so we arenãt worrying about you).
Black Hills Photo Shootout FAQ's
Who can attend the Photo Shootout? Anyone with an interest in photography at any level is welcome. The goal of each workshop is to provide you with both great learning and photography opportunities. ô While some topics may be a little more advanced, we encourage youô to ask questions throughout the event. ô There is also a Photography 101 Seminar on Friday (included) for anyone who is new to photography or would like a refresher before going out in the field for their workshops. The photo workshops is aô chance for people of all levels to mingle, learn and enjoy photographing in the Hills.
What is the Shootout registration fee and what is included and not included with that?ô The full weekend Shootout registration fee is $225. The fee includes Photography 101,ô the Friday Welcome and Instructor Panelô Presentation,ô one admission to each of the 4 four workshop sessions, the Saturday Lunch 'n' Mingle & Photography Fun, and the Sunday Lunch Presentation. There is also a half weekendô registration which includes the morning and afternoon photography workshops on EITHER Saturday OR Sunday as well as all of the activities on Friday. ô The cost for the one day registration is $149. ô The lunchtime session on the chosen day is also included. The registration fee does not include entrance fees to parks, food, lodging, transportation, portfolio reviews, food or drinks at the Happy Hour – Brews & BBQ, tips, pre or post workshops, or any other optional add-on. If an event has an admission fee or additional fee, it will be noted in the "Things to know" section within the description, to the best of our knowledge at the time.
Is there a discount for students? There is a 50% discounted student registration fee of $112.50 for the full weekend and $74.50 for the half weekendô option. ô Students must be full-time and proof of student status isô required. Please email Nicoleô withô documentation of student status prior to registering to receive your discount code.
How can I get an awesome 2016 Shootout t-shirt? You can order your discounted Shootout t-shirt during registration. ô As long as you order your shirt prior to September 1st, you can pick it up at check-in on Friday night with no shipping charges. ô There will be anô extremely limitedô number of shirts available at the event, so if you want one, you will need to pre-order it when you register for the event. ô After the date we place the order, if there are extra shirts available, they will be listed on the website, so if it allows you to place the order, you will receive the shirt. ô Photo Shootout hats are also available in 3 colors!
Where will classes be held? The Black Hills State University in Spearfishô will be our main hub for the Shootout, where all events will be held or leave from. Outdoor sessions vary in distance from Black Hills State University from being right around the corner up to an hour away, depending on location. ô We promise they will be worth the drive though!
Where should I stay?ô The 2016 Shootout will be based around Spearfish, South Dakotaô in the northern Black Hills, so you will want to look for lodging near there. ô The Black Hills does cover a good sized area, so you should check driving times between locations. Here's a starting point for hotel and lodging reservations in the Black Hills.
- We have a block of discounted rooms reserved at the Fairfield Inn & Suites by Marriott – Spearfishô which is downô the street from BHSUô (where all events will be held or leave from).
- Fairfield Inn & Suites by Marriott – Spearfish – 2720 1st Ave. E, Spearfish, SD 57783, (605) 642-3500
- The discounted rate for Photo Shootout participants is $85 for a 2ô queen or 1 king room. ô When you call, tell them you would like aô room listed under the Black Hillsô Photo Shootout for the special rate.
- Breakfast is included at no charge and they will have cold breakfast available at 4:30am for us on Saturday and Sunday mornings and will start the hot breakfast at 6:30am.
What airport should I fly in to? Rapid City (RAP) is the closest airport which is just over an hour away.
Is transportation provided? No, participants are expected to provide their own transportation. However, each workshop meetsô up with the rest of their group in the parking lot at BHSU and carpools from there. For some workshops, participants might be encouraged or required to carpool due to limited parked, vehicle entrance fees, and to save gas. Participants should be aware of travel times between areas. We will provide directions for each of the workshop locations upon check-in.
What should I bring with me to the Shootout? Here is a link to a suggested pack list for the Shootout. ô Please keep in mind that each workshop is different, so you will want to make sure you have the appropriate gear and clothing for the workshops you have registered for and that you keep an eye on the weather before heading out.
Meeting Expectationsô Our goal is to meet (and hopefully exceed!) your expectations during the Photo Shootout.ô After every eventô we send out an evaluation.ô We want honest feedback on what we are doing great on so we can continue and what we need to work on to make the eventô even better.ô For that reason, if there is ANYTHING that is not meeting your expectations DURING your workshop, please talk with anô instructor RIGHT THENãÎdonãt wait for the evaluation, it is too late for us to do anything about it then.ô If you tell us during the workshop, we are going to do our darndest to make things right.ô We want honest answers on the evaluation, but if we take care of everything during the event, the evaluation can be fantastic and still be honest!
Can I take 2 workshops in Session 1 and/or Session 3 if one of them is a nighttime photography workshop since it will be done before the other workshops in that session start?ô We have had several people ask if they could take one of the nighttime photo workshops along with a regular morning workshop, so basically 2 workshops in one session since the times are different enough. You asked for itãÎ you got it!
Two workshops in one session applies only if you are interested in:
ã Session 1, Saturday Morning: Lighting Up the Night: Light Painting for Night Photography PLUS ANOTHER Session 1, Saturday Morning workshop.
ã Session 3, Sunday Morning: Photography After Dark: Night Skies and the Blue Hour PLUS ANOTHER Session 3, Sunday Morning workshop.
If you would like to take one of the workshops listed above along with any other workshop during the same session (which would start after the nighttime workshops have ended), you can do so in either or both sessions for $40 for each additional workshop. There must still be space available in any workshop you want to add.
Please keep in mind that you will be coming back from the night workshop and in many cases going directly to meet the group for your next morning workshop. The nightime workshops will go from approximately 2:00-5:00am (exact times will be listed in the event program). YesãÎ we will make sure you have time for a quick potty break, but you may want to bring breakfast or a snack with you.
If you have already registered for a workshop and want to add a workshop, you can go to the link below and add the workshop you havenãt signed up for already and we will add it to your schedule. This will only work if you are interested in taking one of the night photography workshops as all other workshops will overlap with other workshops in that session except these.
If you haven't registered at all for the Photo Shootout, you will need to go through the regular registration process first, then to add either or both of the additional workshops in Session 1 or 3 (remember, one MUST be a nighttime workshop), prior to checking out, copy the link(s) below into your browser and add it to your cart with your registration. If you want to add an extra workshop in both sessions, click one link, add it to your cart, then come back to this and copy the second link and add it to your cart.
Additional Session 1 – Saturday AM Workshop
Additional Session 3 – Sunday AM Workshop
Local Information:
- Google Map to BHSU
- BHSU Campus Map
- South Dakota Department of Tourism
- Black Hills & Badlands
- Sunrise and Sunset Timesô (Sunrise is 6:54amô and sunset isô 6:35pm in Spearfishô during the event)
- South Dakota Magazine
- South Dakota Arts Council
Shootoutô Sponsors and Supporters:
Other Information:
Is tipping okay or expected? If you are attending a workshop where there are models (human or animal) or animal handlers, we do highly recommend tipping these people. Tipping of your instructor is never expected, but always appreciated.
Are meals provided? No, none of the sessions include meals. Some of the socials might have snacks, but you should plan on eating meals on your own.
What will the weather be like? ô It can be many things. But for the norm that time of year will be sunny and dry during the days – highs in the 50-60s. At night, cool to cold in the higher elevations. However, we can have a heat wave or even snow that time of year, so check the forecasts before you pack! ô We always recommend dressing in layers that you can add or remove as the weather changes throughout the day.
What time zone will we be in? ô We are on the western side of South Dakota which is in the Mountain time zone. Model Releases All participants are responsible for supplying/obtaining any needed model releases or property releases for their photographs. ô No forms will be available at the workshops. Taxesô The state of South Dakota charges a 6.5% tax on all products and services, even if they are paid for online prior to arrival. Other Information Photographers will retain all rights to their images taken during the weekend. The Black Hills Photoô Shootout and it's partners claim no ownership of any images from any photographers attending the Shootout.ô ô
What is the Registration Deadline? We don't have a deadline for the event as long as we still have workshops available. ô However, there may be earlier deadlines for things like special events and t-shirts. ô While there is not a registration deadline, please understand that we do have to print things like nametags 1-2 weeks before the event, so if you register after they are printed, your nametag will be handwritten (with fair warning that I have terrible handwriting!) When will the 2017 Black Hills Photo Shootout be? September 29-October 1, 2017!
Are there any other Photo Shootouts in other areas? The Tampa Bay Photo Shootout will be in February 2017ô in Tampa Bay, Florida. ô We hope to see you there!w
Our Instructors
We have a phenomenal group of professional photographers/instructors leading the events throughout the weekend! Check out their bio and website by clicking on their name below.
Thank you for your interest in sponsoring the Black Hills Photo Shootout! ô The Black Hills Photo Shootout brings photographers from across the country to South Dakota for photography, education, sightseeing, camaraderie, and fun. ô The event showcases the natural beauty of South Dakota along with the photography expertise of highly respected professional photographers. Our 7th annual event will be held from September 30-October 2, 2016 in Spearfish, South Dakota. This year we are expecting hundreds of photographers from across the country. ô Each year, photographers travel from more than 20 states for this event.
Participants will have the opportunity to attend a welcome and instructor panelô presentation, four photography workshop sessions, and several other informational and social events throughout the weekend. The event is sponsored and run by Outdoor Photo Workshops, a well respected leader in professional photography instruction.ô Their event planner and instructors will coordinate all of the details for this one-of-a-kind event making it a memorable experience for all. We hope you will consider partnering with us for this fun, unique event. ô For more information about the event, please visit www.ThePhotoShootout.com. ô If you have any questions about the event or your sponsorship, please contact Nicole at (813) 956-8702 or ô email Nicole. Thank you and we look forward to partnering with you at the Shootout!
Please click the link below for completeô sponsorshipô information: ô Sponsorship Packet 2016.
Thank you to our 2016 Black Hills Photo Shootout Sponsors! ô
We couldn't do it without you!


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Caught in the Web Stumbles to Find a Point
Striking an awkward balance between cornball message-making melodrama and kooky mistaken-circumstance comedy, Caught in the Web finds director Chen Kaige (Farewell My Concubine, The Emperor and the Assassin) vainly stumbling about in search of a tone or point.
In this increasingly muddled tale, secretary Ye (Gao Yuanyuan) learns that she has fatal (albeit asymptomatic) cancer, which leads her to grumpily refuse to vacate a city bus seat for an elderly passenger. This incident is caught on cell phone camera by a fledgling reporter (Wang Luodan), thereby turning Ye into a viral video villain and sparking all sorts of complications involving her corporate-bigwig boss Shen (Wang Xueqi), his wife (Chen Hong), a TV news producer (Yao Chen), and a jaded reporter (Mark Chao) with whom Ye falls in love.
That romance is as laughably contrived as the film's interest in plumbing its chosen themes — of media ethics, gender warfare, and the irresponsibility fostered by our TMZ and Internet culture — is disingenuous.
Amid much overacting, Kaige addresses the subjectivity and unreliability of images through this-isn't-what-it-looks-like scenarios that would make Jack Tripper groan.
Even those lame bits, however, aren't as insufferable as a waterworks-courting finale that irrevocably transforms the story into so much soap opera mush.
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BAY CITY, MI — The 2014 Wednesdays in the Park series kicked off with a zealous tribute band that brought the audience to its feet.
The weekly summer concert series held in Wenonah Park featured a show titled "Your Generation" by the band Fifty Amp Fuse on Wednesday, June 18.
As reminiscent tunes filled the park, Joanie Bischoff danced to the popular Aerosmith song, "Dude Looks Like a Lady."
"The music is impeccable," Bischoff said. "There's so much diversity and yet we all know it."
Your Generation fuses six decades of American and British rock and pop music. The eight-piece band performs its musical set playing covers from Queen's "Bohemian Rhapsody" to Beyonce's "Crazy in Love."
"We love this band," Detroit resident Linda Brotzman said. "We see them in Detroit all the time."
First-time Wednesdays in the Park attendee Armando Velasquez brought his 1-year-old son, Leonardo Velasquez, to take in the music.
"He loves to dance and he is very observant," Velasquez said. "He's been paying attention to the music."
Early on in the day, Wednesday had scattered showers and was steadily covered in a blanket of grey skies. The damp day, however, didn't stop the show from going on.
"We have a right to party," said long time Wednesdays in the Park attendee Dot Rifenbark. "It doesn't matter if it's raining."
Bay Arts Council, the nonprofit organization that sponsors the weekly concerts throughout the summer, continues to develop and offer events like the Wednesdays in the Park Summer Concert Series by giving free admission, but accepting donations for the entertainment.
"Being by the river on a summer night, doesn't get much better than this," Rifenbark said.
The concert series continues next week with a performance by the Bay Concert Band.


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Study minor characters in the iliad
Deity favoring Trojans. Daughter of Zeus and Leto. Sister of Apollo. Goddess of the hunt and the Moon.
Trojan. Son of Hector and Andromache. Real name is Scamandrius. Astayanax means "lord of the city."
Trojan ally. Priest of Apollo. Father of Chryseis. His prayers to Apollo caused the plague on the Greek troops in Book 1.
Trojan warrior. Son of Priam. Brother of Hector. Impersonated by Athena to encourage Hector to face Achilles.
Trojan fighter famed for swift feet. Sent on a night raid only to be killed by Diomedes and Odysseus.
Deity associated with Greeks. Son of Hera. God of fire and metal working. Creator of Achilles' new armor and shield.
Greek, mortal. Thersites is called the most horrible of the Greeks by Odysseus in Book 2. Thersites is the Greek man who takes it upon himself to criticize Agamemnon. For this, Odysseus beats him with Agamemnon's scepter.
Greek, mortal. The name given to the two men named Ajax (Telamon and Oilean) when they are referred to together.
Strife (Eris):
Trojan supporter, a deity. This god is identified as the sister of Ares in Book 4. Her Greek name is Eris.
: One of the three major names used to refer to the Greeks in the Iliad. The other two are the Danaans and the Argives. None of these names can be translated as 'the Greeks', because the Greek word for this concept was Hellenes.
Trojan, mortal, son-in-law to Priam. Imbrius is Priam's son-in-law from a nearby region who is killed by Teucer in book 13.
A deity, brother of Death. This god is featured chiefly in Hera's betrayal of Zeus in Book 14. He is the 'twin-brother of death' because sleep is the closest state to death.
Polydorus (1)
Trojan, mortal, brother of Hector. The Trojan Polydorus is killed by Achilles. This spurs Polydorus' brother, Hector, to attack Achilles.
Trojan, mortal, wife of Priam, mother of Hector and Paris. Hecuba is the strong matriarch of Troy who shares in the burdens of war with her husband and sons.


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International Conference, 16-18 February, Moscow
Call for Papers
Organizers: Center for the Study of Religion, Russian State University for the Humanities; Center of the Religious and Church History, Institute of Universal History, Russian Academy of Sciences; Forschungsstelle Osteuropa an der Universität Bremen; Centre d'études franco-russe de Moscou
Since two last decades there have been many studies in the history of religious policies and Church-State relations in the Soviet Union; the massive archival material has been revealed and explored. There have been much fewer research on "lived religion," religious practices, and everyday religiosity throughout the seventy-plus years of the communist rule. This conference will address these issues.
The conference will cover the entire Soviet period and all religious traditions.
We understand "lived religion," "everyday religious practices" as including the sum total of religion-bound experiences, ideas and social behavior; both within and outside the frame allowed by the political regime; both formal and informal religiosity; both collective and individual forms.
The central problem of the conference will be theoretical understanding of the content and real dimensions of secularization within the Soviet "modernity project:" What happened to religion: crisis, marginality, preservation in closed subcultures, or transformation and reappearance in other forms? To what extent all these processes were part of a "universal "secularization trend" or were they rather results of the repressive policies?
To confront this issue, we will explore how social, economic and political settings, in their historical dynamic, impacted everyday religiosity; how the evolution of religion co-related with milestone historical events and processes of the Soviet history.
The conference will also explore issues of relevant research methods; creating a set of appropriate theoretical categories; and defining chronological sub-periods within the Soviet history.
Here follows a tentative list of issues to be addressed:
• The movements of religious reform/renovation of the early 20th century and its impact in religious practices of the Soviet period.
• The impact of repressive government policies on shaping religious practices; religious responses: eschatological reactions; creating new forms of survival, reproducing old traditions, etc.
• Conformist, adaptive, protest and other types of responses to "Soviet modernity."
• Typology and analysis of religious subcultures and niches emerged in the Soviet Union; exploring "popular", "elite", "official", and "alternative" religiosity.
• Transformation of the sacred space under repressive policies: temples, sacred places/objects, their worship and their suppression.
• Urban and rural religious practices; urbanization as a factor of religious change.
• Practices at the inter-religious borders: preserving identity, growing tensions, and/or inevitable interaction and alliances?
• Consequences of the Soviet religious experience in the post-Soviet societies.
The conference is planned for February 16-18, 2012, in Moscow, at the Russian State University for the Humanities (RGGU). Paper proposals must include name, affiliation, title and an abstract of no more than 200 words. The applications should be sent no later than October 15th, 2011 at the email: email@example.com.
Organizing committee of the conference: Nikolai Shaburov, Nadezhda Beliakova, Ludmila Zhukova, Peter Chistiakov, Ksenia Sergazina, Nikolai Mitrokhin, and Alexander Agadjanian. Contact us by above email or by phone at the Center for the Studies of Religion, RGGU: 7-499-2506340.


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Weird and wonderful dining rooms
Spot and stripes in blue
Stripes and spots can be a little dazzling but when teamed with a simple colour scheme the effect is striking. We love the bright blue plastic and glass furnishings, and the contrast between the floor and the large French windows.
Want to see some more weird and wonderful decorating ideas? Check out our favourite quirky living rooms and 10 even quirkier kitchens. Whatever you do, don't forget to share your decorating tips and tricks on our Facebook page and via Twitter.
Chosen by
Photograph by Jake Curtis


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|Mo Moorman
When Jockey signed Tim Tebow in July 2010, the brand hoped to harness the power of his then-celebrity stature. When Tebow's status reached a truly elite level, Jockey and agency Cone Communications needed all hands on deck for "Tebow Time." Mo Moorman, director of PR and social media at Jockey, provides 10 tips for brands who use celebrities as spokespeople:
Be specific in your legal agreement with exactly what is expected of the celebrity. Establish the number of appearances and number of production dates.
Set a regular communication schedule and determine the approval process. Often you'll work with a celebrity's management team, not directly with the celebrity.
Establish guidelines for approved media outlets, journalists and bloggers. Celebrities often have preferences about the media with which they interact.
Clarify the celebrity's role at appearances. Ensure he or she is comfortable with your expectations long before the event takes place.
Get access to the celebrity's calendar. You'll want to be able to leverage some, and avoid other, commitments.
Provide message training before any celebrity appearance for your brand—and with some frequency otherwise
Get to know the celebrity's other endorsement deals. Look for opportunities for co-branded campaigns.
Share your brand's news and highlights with the celebrity. Stay top-of-mind and demonstrate your commitment to the person.
Stay current with your celebrity's activities. Follow them on Twitter, create Google alerts for mentions of them (with and without your brand's name)
Keep it real. At the end of the day, these are real people with real feelings and real needs. Treat them like a real person and you'll usually get the same in return.
Follow Bill Miltenberg: @bmiltenberg


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XION Gaming Series mATX Tower Case - 2x 5.25" Drive Bays, 3x 3.5" Drive Bays, 4x PCI Slots, 3x USB Ports, 2x Audio Ports, 2x 120mm Fans, White - XON-560-WTItem#: A406-0561 | Model#: XON-560-WT
Currently Out Of Stock!
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XION Gaming Series mATX Tower Case Product Details
XION Gaming Series mATX Tower Case
Install all your latest components inside the XION Gaming Series mATX Tower Case. This tower casing is designed to fit your Micro ATX and Mini ITX motherboard and numerous of its well-matched components. It offers space for two External 5.25" Drive Bays, three Internal 3.5" Drive Bays, 2 audio ports, and 3 USB ports. It is already provided with two 120mm fans and comes in a white shade. You can house all of your PC components inside the durable Tower Case. Purchase the XION Gaming Series mATX Tower Case now!
What It Is And Why You Need It:
- mATX Tower Case; fits your Micro ATX and Mini ITX motherboard and numerous of its well-matched components
- Two 5.25" external drive bays; install optical drives and hard drives
- Three 3.5" internal drive bays; supports hard drives and floppy drives
- Three USB ports; connect up to four separate devices to your future PC system
- Two 120mm fans; circulate air within the casing
Additional Resources: Product Manuals
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Manufactured by: Xion USA
Warranty provided by: Xion USA
UPC No: 842431021885
Mfg Part No: XON-560-WT
Box Size:
( Length:16, Width:9, Depth:20)
Shipping Weight: 11.9500 pound(s)
Dimensional Weight: 13pounds
What is Dimensional weight?
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Slipped Disk
Q: I have a PC with a built-in Zip drive. All's been swell until recently, when I realized a 100-megabyte Zip disk doesn't cut it anymoreyou try cramming a bunch of MP3s and Adobe Illustrator sketches on there! Can I upgrade to a bigger Zip without spending a fortune?
Sure can, but don't be too quick to assume Zip's necessarily the way to go. Those playing-card-sized disks were dandy in the mid to late '90s, especially compared to floppies and their pathetic 1.44 MB storage caps. But we're in the CD era nowadays, replete with cheap burners and sub-$1 media. Zip technology's keeping pace in terms of storage, but the disk prices are, and always will be, killers.
Mr. Roboto understands you're probably a Zip loyalist at this point, with a library's worth of disks, and thus rather curmudgeonly about making a switch. If so, best to snatch up a new, souped-up drive pronto. Zip maker Iomega (iomega.com) came out with a drive last autumn that spits out 750 MB disks; it'll still read your antiquated 100 MB disks, too, so no worries about an onerous transfer process. There are three different 750 MB drives, including one that's simpatico with USB ports. (It works a lot quicker, however, with the newfangled USB 2.0 or FireWire ports; invest in a $50 PCI adapter card if you're not big on time wasting.) Buy one before June 14 and you're eligible for a $50 rebate, which will bring your tab down to around $130, or $150 if you go for the FireWire-compatible model.
Not a bad deal, but you get walloped on the media costs. Iomega's Zip technology is proprietary, which means they've got the disk market corneredthere's no Brand X competitor to ratchet down the price. So best-case scenario, as part of an eight-pack ordered online, a 750 MB disk goes for $10. Yes, they're reusable, but so are 700 MB CD-RWs, which in a 10-pack can be had for as little as 90 cents perless, even, if you're willing to ask around Canal Street.
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The economical storage route, then, is to abandon the Zip entirely and purchase a CD-RW burner. If your PC has an internal slot, look for one with an EIDE interface, like the entry-level Samsung SW-252 (currently $58 at pcconnection.com). A serviceable external unit will run you double that or more; none other than Iomega offers Mr. Roboto's favorite crop of USB burners. Regardless of the make, settle for nothing less than a listed rewrite speed of 24x, and a write speed of 48x or above.
Should you crave even more room to stow your sketches, Iomega's also got a special going on 20 gigabyte, USB 2.0 hard disks ($150 through mid June). Or you can go super-nuts and plunk down $235 on a 120 GB version, enough for 20,000-plus albums and some Illustrator sketches to boot.
Hard disks, alas, are too bulky for many road-warrior types. Far svelter is a USB memory stick, a wisp of a gizmo that can tote up to a gigabyte's worth of data, though 128 MB versions are more popular. This isn't a cheap way to go, as a 1 GB stick can set you back $500, not including the additional $25-$50 for the hardware reader. But it's a solution to consider if you foresee yourself getting deep into digital photography, as many cameras (especially Sonys and Konicas) now feature memory stick ports.
Let's not get any fancier than need be, though. Bottom line, switching to CD-RWs is the smart penny-pincher's move. You may miss the Zip's easy click-and-drag copying, and the disks' near-legendary hardinessit's a beautiful thing to live without fear of scratches and dings. But over the long run, you'll probably be happier with some extra quid in your pocket. Unless you're a fabulously wealthy wastrel, in which case you're probably reading the wrong column.
Mea culpa, dear readers, but Mr. Roboto's e-mail's been on the fritz for several days now. Your questions and comments, kind and otherwise, will be answered once the Voice's e-mail genies work their magic. Hasn't been all terrible, though, as the downtime's allowed Mr. Roboto to log hour upon hour playing New World Order (Strategy First), a simple yet addictive frag-fest, à la Counter Strike. Nice, easy workout for the spankin' new video card, and a better anti-frustration remedy than the old standby of chewing ice.
Input questions at firstname.lastname@example.com.
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Featured Golf News
Tiger As a Cub
I once volunteered for a two-year gig on the Seattle Municipal Golf Advisory Committee in 1992. My intentions were honorable - I wanted all-new irrigation systems for the city's three 18-hole golf courses, while getting the operations of the facilities away from the city, which viewed the courses as cash cows and rarely made capital improvements - this during a time when golf was hot.
What could be wrong with that? Two birds with the same number of stones - redo the watering systems and fairways/tees; set up a heretofore unrealized scenario in Seattle: Improve historic golf courses and upgrade 500-plus acres of golf property in a city with limited physical space, phenomenal physical attributes, a rich history in the game.
Two years later, we did that, compelling Seattle officials to endorse a nonprofit operational arrangement for 81 holes spread from the South End to up past Northgate. Unfortunately, the nonprofit was dumped for mismanaging funds, raising green fees a disturbing 60 percent during its thankfully brief tenure, and not making the improvements it was formed to do. Essentially, Seattle golf during this period was in the middle of the Pacific: no tsunamis but deep in the doldrums - all while setting adrift thousands of golfers.
(Today, Seattle's municipal program is evolving for the better, having a chance to succeed thanks to folks who, unlike their predecessors, know and care about golf.)
This distant-past period of my golf volunteering was, in the long run, painful. But there were perks. One was having the chance to meet and marvel at the player who would soon take the sport of golf to a whole 'nother level. My B&W photos on 35-millimeter film are evidence I was there when Tiger first came to Seattle.
As part of our outreach to junior golfers - and to show the city the game was more than another slab on the pork barrel - we arranged a visit to Jefferson Park (Fred Couples' kiddie course) by a 16-year-old golfing phenom named Eldrick "Tiger" Woods.
The arrangements were made through Jefferson Park's Fir State Golf Club, one of the nation's oldest African American golf associations. The club's home course - designed by Tom Bigelow, the architect of fabled Medinah No. 2 and subject of a recent biography - is slightly longer than 6,000 yards and a par of 70. One of America's first municipal golf courses offers some very fine views of Lake Washington and the Cascade Mountains from its perch atop Beacon Hill in Seattle's south end.
The urban neighborhood around it harbors a bag-full of characters, and some pretty serious golfers.
A Tiger Roams Jefferson Park
About a dozen yellow school buses transported young, overwhelmingly black kids: what seemed like thousands of screaming, excited kids disgorged beside the temporary grandstands we'd set up. The event was held on Jefferson's short course, a pseudo par-3 of about 14 acres off Beacon Avenue.
In those days, Tiger and Earl were inseparable. Earl, the grizzled Vietnam vet, was a martinet. But never in a bad way. He was one of the millions of ex-GI fathers who wanted the best for their kids. Tiger, save for an amazing ability to hit a golf ball where he wanted and for whatever distance, was just like the rest of us: trying to cope with a persistent and often pessimistic dad.
Earl's shtick at Jefferson Park was like the other exhibitions the father and son staged that year. By then, they had it down pat. He held the microphone and emceed, telling the kids to nodding parents to stay in school and say no to drugs (how come these subjects are intertwined?). Mind your parents.
Once past these public service messages, the best part began.
Earl started it by walking about 60 yards from his son. Tiger then began firing shots at his father, the grandstanded kids watching intently and wondering whether the kid with the golf club was going to bean his father. From his in-the-line-of-fire vantage, Earl commanded his son to try different ways to hit a golf ball, gradually retreating closer to Beacon Avenue on the course's east side as the clubs' loft degree got lower. Like an automaton, Tiger executed cut shots, hard hooks, gentle fades, slices, soft draws, back-spinners, dead balls, and low-running scooters.
(Funny how what comes around had already gone around at this old Seattle golf course. Twenty years prior, Couples mastered these very same shots while creatively picking Jefferson Park's driving range. At that time, Couples' father managed Jefferson Park, and one of his 12-year-old son's primary duties was retrieving range balls. Instead of actually bending over and exerting them into a bucket as some kids would do, the popular player who'd later be known as "Boom-Boom" slapped the balls with a 9-iron back toward the concrete-mat tees. Freddie hit balls located by the range netting, right- and left-handed, bending them every which way but loose to their assigned place.)
Tiger made all those shots and more, obedient, as always, to his father.
As the program wore on, Earl stood about 200 yards out - about 6-iron distance (even then) for his protégé. Earl then moved underneath Jefferson Park's stately fir trees, telling Tiger to unleash the 1-iron and hit across the diagonal expanse of the rectangular-shaped course.
After two shots loudly slammed against the cars parked on Beacon Avenue, Earl emerged from the trees, yelling, "Stop, Tiger, Stop!" Earl knew well the power his son could unleash, and wanted everyone there - especially the youngsters - to share this knowledge, even if it meant dinging some unlucky sedans.
The exhibition ended, and Tiger milled amongst the kids, treated like a teen idol. It was apparent even then that golf had a new hero. And, as it turned out, someone who meant even more to the game.
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With the number of movies being turned
into video games before and during the NES days, it would only make
sense that game developers would soon turn their attention to
popular TV shows. We got stuff like ALF on the Sega Master System,
as well as Knight Rider and Airwolf on the NES. And let's not
forget those game shows like Wheel of Fortune and Jeopardy appearing
on just about every major console, personal computer, and hand-held
you can think of. Just like with the movie-to-game conversions,
developers eagerly snatched up the licensing and rights to turn
their TV show(s) of choice into a game. But the level of
faithfulness to the look and feel of said entertainment show would
greatly depend on the diligence of the game creators themselves.
Such games made by Acclaim, for instance, conjure up memories of choppy animations, frustrating controls, and an overall crappy presentation all together, and there was plenty of it going around. To put it bluntly, most TV-to-game creations were steaming mounds of monkey crap. But on occasion, a more seasoned developer would get their paws on a movie/TV license and actually do a decent job on it in most aspects. Take the good folks at Konami (AKA: Ultra Games) for an example. It seemed that almost every game they created was an original idea or a legitimate emulation of an entertainment medium. They continued this track record in 1990 when they released Mission: Impossible (M:I) on the NES-- a game based particularly on the 80's revival of the series. For the most part they did it justice; the game resembled the series in more than just name only. In fact, if there was a major downside to the game, it was that they did it a little too much justice. Let's just say the game holds up to its title...a lot.
The game starts off much like its live action counterpart. It even comes complete with the famous theme song and intro, as can be seen if you wait before pressing "start" on the title screen. Things get off to a rather authentic beginning with a short mission briefing followed by the famous "this message will self-destruct in five seconds" bit. Your mission, should you choose to accept it, is to rescue a kidnapped scientist and his secretary from a terrorist group known as The Sinister Seven. Three IMF (Impossible Missions Force) agents have been chosen to handle the assignment-- Max Harte, Grant Collier, and Nicholas Black (all characters from the revived series). Max is your weapons expert, armed with a rifle and a supply of remote detonation explosives. Grant is quick on his feet, makes good use his fists, and comes equipped with canisters of sleeping gas. He also has an expertise in technology, which makes him invaluable when you need to get past code-encrypted security systems. Nick, using his trusty boomerang for self defense, is the master of disguise in the group. He can mask himself over to blend in with the enemy and thereby avoid getting attacked while the costume lasts. You can switch between any one of them at virtually any time by pausing the game and selecting their avatar. After playing the game for a bit, you'll soon realize that all three agents are essential to have at your disposal if you want the greatest chance of success in any given area. This pronounced focus on teamwork is both good and downright frustrating, but I'll come back to that issue later.
M:I is played from an overhead prospective very reminiscent of Metal Gear and Snake's Revenge. If the character you are currently controlling loses his health points or is otherwise apprehended, he is considered to be "caught", and will not be available until you reach the next mission area. Part of the game requires that you avoid attracting any unnecessary attention from the local authorities. Therefore, randomly attacking people in a non-provoked manner with automatically cause one of your IMF teammates to get arrested, as symbolized by a helicopter suddenly appearing and taking them away. The only time you can attack a "normal" person is if they start chasing after you, indicating that they are actually members of the opposing force. For instance, if some guy in a trench coat starts pursuing you, feel free to beat the punk down. Is that lady approaching about to shank you? Whip out Max's rifle and drop that heifer. In the first mission area, people are all over the side walk, so the average player would probably just try walking in the middle of the street. But even that can prove to be a grave error, because you'll also have to look out for cars quickly appearing on the screen. You'll get a warning "honk" but that's about it. In fact, I remember being really annoyed when playing the game for the first time because I found it a real balancing act to reposition my character when I'm being chased by some false pedestrian, only to get hit by a crazy motorist. However, as you play the game more, it becomes easier to spot trouble a little further ahead and adjust accordingly. For what it's worth though, there is much humor that can be derived from watching your agent go flying across the screen after getting hit by a vehicle.
Throughout most areas, you'll also find undercover informants who will usually provide clues or warnings that you'll need to know in order to complete your tasks. Some may also provide you with items like an I.D. badge to get past certain security systems. The real action begins when you step into actual enemy territory. You get to contend with pretty much anything you can think of. Get ready to duke it out with various types of patrol guards, fire bomb-throwing henchmen, even robot sentries. In addition to them, you'll also have to deal with traps such as laser beams, moving walls, and forced air coming through vent ducts. Almost every room/section in the game has 3 or 4 really annoying enemies to fight with. At first, it might not seem so bad when you're just going up against unarmed patrol dudes. In my opinion, each and every enemy can be a pain to deal with just by themselves, especially if you're using the wrong IMF character in certain parts of the game. And this is where Konami drives a thorn in my side. Now don't get me wrong-- the teamwork aspect of this game was an admirable effort because it encourages the player not to just go for that one "good" character and forget about the rest, but it also bumps up the challenge curve to a higher degree than most will be willing to play through, including myself.
The abilities and subsequent weaknesses of your heroes can be likened to playing rock/paper/scissors. While Max can drop an enemy from a mile away, he is also the slowest of the three agents. Grant can quickly sneak around and is great for taking on the simple non-armed enemies, but he won't likely last very long in an area with gun-toting foes. Nick has his disguising ability, but it only works for roughly 10 seconds before wearing off-- an aspect I find to be most annoying. In addition, Nick only has a maximum stock of 5 disguises. Enemies are often placed in such a way that you would theoretically need the combined abilities of at least two of your guys at once. It makes for some truly frustrating moments when there are multiple bomb-throwers, machine gunners, or other types of enemies within a given area. The chances of a fair fight are nearly non-existent on more occasions than just a few.
At this point, I'm sure that most of you reading this review might be under the impression that this is a poorly crafted game. Well, it's not. The game's mechanics are far from broken. On the contrary, the controls are very simple and work well. The overall content and characteristics of the game are not only faithful to the TV series, but also has that visual and audio appeal that plainly bares the earmarks of a Konami title. Each location is sharp and well defined with various objects placed in a way that you can tell what's what (and where), and the music goes perfectly with the action happening around you. So, this interpretation of M:I isn't to be taken as a half-hearted effort; instead, I think it could better be described as a misguided one. The nearly non-stop in-your-face hardcore challenges presented in the game end up burying the finer qualities that can only be paid attention to once you've either figured things out on your own or consulted a strategy guide to help you along the way. Consider my words here to be more of a friendly warning than an outright denunciation.
I wouldn't expect to see Mission: Impossible hit the Virtual Console any time soon. It didn't make a huge splash when it was released, and the steep difficulty only served to alienate most of those who plunked down the cash for it back in the day. The game is generally easy to find in stores and websites specializing in retro games, and it shouldn't cost you very much once you hunt down a copy. If you manage to beat the game, you can at least walk away with the satisfaction of knowing that you conquered one of the most difficult games in NES history.
Good luck Jim.


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Skip to comments.Property values fall, yet taxes go up
Posted on 09/25/2011 7:15:52 AM PDT by Libloather
Property values fall, yet taxes go up
Charles Thomas
Friday, September 23, 2011
(CHICAGO) (WLS) -- Cook County property tax bills will go out next month, and homeowners will be asked to pay more for having less.
Even though most property values have dropped over the past three years, most property tax bills will be going up again.
Falling property values and rising property taxes have turned the American dream for many into a nightmare in virtually every county in the state.
Nowhere in Cook County have home prices fallen more dramatically than in the northern and northwestern suburbs -- anywhere from 10 to 14 percent since houses there were last assessed.
Skokie homeowner Jill Dillard says any property tax increase will be difficult to accept.
"When your house isn't worth as much as it was but yet you have to pay more in taxes, it just doesn't seem right," said Dillard.
(Excerpt) Read more at abclocal.go.com ...
My town did similar.
Our homes all dropped about $100,000 in value since last town valuation (2006). My neighbors took solace, thinking they would have a reduced property tax bill. I LMAO.
And of course the town simply raised the rate per thousand to get same (or more) revenue.
You don't think the hacks would ever make cuts?
A couple years ago, here in Summit County, Ohio, they dropped the value of my house byb$1,500,,,, and raised the value of my lot by $10,000.
That happened to us here in Jefferson Parish, LA. Our local newspaper had a big headline a few weeks ago saying that property values were at 2004 levels, yet our property tax bill that we received shortly thereafter had gone up.
And again I ask, will there ever be a day when the multitude of lazy, apathetic, ignorant, brain-dead citizenry of this country figure out that liberals are the cause of this continuing calamity?!
And you better cough up the loot or risk losing the house. Not to worry - it's all for the common good.
G-d forbid they take it out of the public school budget...
Ah naivte is a wonderful thing to watch. Of course the costs for government services go up when there is the expectation that more money is available. That is how it works, and that is why the government is such a lousy customer on behalf of the public. The guys in charge were put in charge to keep increasing the take and the dole out to those on the take. It is everywhere in every transaction every government engages in. And now the jig is up because we ran out of money 8 years ago, and now have run out our credit line as well.
Chicago elects democrats. They are getting what they deserve.
Unfortunately, Pima County (where I live) elects democrats too...but many of the democrats don't own property.
Since the long-term Obamugabe plan is to turn the government into the landlord, this makes abundant sense. A small part of the people won't be able to pay the tax, then there will be a lien, etc. with the property finally seized.
Maybe a large corporation or union will then administer the properties —some entity that is backer of The System.
This is all about transferring private wealth into public coffers —witness GE, GM. etc.
Same deal.
EVERYONE is rich - in Obamaland! Whoohoo!
Yea, how's that hope and change crap working out for you?
Republicans are doing the same thing all over the country. When it comes to the greed of govt there are no political parties. There are only grasping corrupt politicians no matter what names they call themselves.
We are in Maricopa. Our property taxes did go down this year.
there is no limit to the greed of public servants.
public parasites would be more accurate.
Who is John Galt?
Yep. And the real icing on the cake is that they figure values will go backup and they can keep the higher rates.
If values go back up, you will get doubly reamed out.
Here in Texas, both property values and taxes continue to rise. Every year, but one, of the past two decades my taxes have risen over 10+% (fuzzy math and rounding up over the "legal" limit). There hasn't been a lull in construction here and more out of staters and illegals are moving in.
Actually, rates do tend to drop when values recover. However, the drop is never nearly as much as the original increase, so property taxes do in fact continue to rise indefinitely.
This same controversy is huge here in Aiken County, SC.
Properties were recently revalued and many, many, tax payers are very upset. County officials have held three meeting with tax payers. All were filled to overflowing with pissed off people.
If you want to protest your assessment, you normally have 90 days to do it. The outcry is so overwhelming this time that officials have extended the protest period an additional 90 days.
Imagine: Your stock price goes down, and your dividend goes UP.
YEAH RIGHT. But for Uncle Sam, that's a reality.
Did a government program end up not working? In the private sector, you STOP that program. In the public sector that's a reason to fund it MORE.
The reason it's called "real estate" is that it used to be, literally, "property of the Crown."
Because of property taxation, the modern situation is not that much different, except that the "Crown" is now "City Hall."
Mine went down this year, but there will be an election in Nov to try to raise the rates "for the children" again. It failed in a close vote in 2010, but the schools have rightly, I think, judged that in an off year, only those who want money for their kids will turn out to vote. If so, my taxes will go up next year..."for the children".
I think $2500 on a 235K home is plenty, but I'm sure others will not. After all, if you believe what the schools are saying, this raise is all that stands between great schools and total collapse. The idea of looking for savings doesn't seem to mean much to our schools here...
Here in California we have to go to the state to try to change the law.
Fortunately in my county they allowed me to have my property reappraised (not required under Prop 13) so that I could pay a lower rate for a few years.
In the short run Californians have saved a lot from Prop 13, but in the long run more and more power has been given up to the state and taken away from local authorities.
property taxes went down in florida too, course we do have an awesome governor
property taxes went down in florida too, course we do have an awesome governor
No slur on your gov, but your property taxes are county and local. Your valuation and millage rates are set by the local taxing authorities and the water management district.
When I left Florida in February of 06, Polk County raised rates by nearly 25%. As well as quadrupling the so called impact fees on new homes.
also there is something in the florida constitution that protects homesteaded homeowners that limits property tax increases to 3% a year
The lion's share is still county and local.
The 3% limit is on increased valuation of your property. Not the millage rate.
Out of curiosity, pull out your property tax bills for the last 5 years and see what your assessed value has done. My expectation would be that it hasn't gone down to the same degree that your market value has. If it has gone down at all.
Scott signed a bill that caps the amount of property tax that the independent fiefdoms here in Florida called "Water Management Districts" can charge homeowners.
I think they were saying the bill would reduce property taxes by 30% for homeowners.
And because they're liberals fleecing liberals, they just passively sit there and politely say 'it doesn't seem right'.
If it were conservatives doing this they'd be organizing riot squads and calling for resignations and recall drives.
They unfortunately deserve this, they elected leadership that said to solve our problems, we will greatly increase taxes on people and business, and greatly increase our borrowing to pay off certain debts, today.
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The Status of Women in Tennessee Counties (2005)
Full Report, Individual County Snapshots
The Status of Women in Tennessee Counties report offers an economic profile of women in each county of Tennessee and examines how women's rights and equality vary among the counties. The report presents data and overall rankings in two categories of women's economic status: employment and earnings and economic autonomy. Indicators of women's status in each category make up the composite rankings of the counties.


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18 A certain ruler asked him, �Good teacher, what must I do to inherit eternal life?�
19 �Why do you call me good?� Jesus answered. �No one is good�except God alone.
20 You know the commandments: �You shall not commit adultery, you shall not murder, you shall not steal, you shall not give false testimony, honor your father and mother.�[a] �
21 �All these I have kept since I was a boy,� he said.
22 When Jesus heard this, he said to him, �You still lack one thing. Sell everything you have and give to the poor, and you will have treasure in heaven. Then come, follow�me.�
23 When he heard this, he became very sad, because he was very wealthy.
24 Jesus looked at him and said, �How hard it is for the rich to enter the kingdom of God!
25 Indeed, it is easier for a camel to go through the eye of a needle than for someone who is rich to enter the kingdom of God.�
26 Those who heard this asked, �Who then can be saved?�
27 Jesus replied, �What is impossible with man is possible with God.�
Top 10 sermons on Luke 18
- Easter - THEY DIDN'T UNDERSTAND
- The Peril of Proud Praying!
- A Blind Man Meets a Healer
Copyright � 1973, 1978, 1984, 2011 by Biblica, Inc.�
Used by Permission of Biblica, Inc.� All rights reserved worldwide.


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December 06, 2013 MUSC employees contributed toys that will help more than 5,000 children through its 10th annual Angel Tree Parade.
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All Rights Reserved.
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SALEM - Virginia Mae (Hilliard) Cannon (fka Floyd), 95, of Salem, died at 5:45 a.m. Monday at Essex of Salem No. 1.
She was born on Aug. 17, 1917 in Salem, the daughter of the late Walter Sr. and Ella (Brown) Hilliard.
She retired in 1981 as a dietician at the Salem Community Hospital Dietary Department after 20 years. She had also worked at Hendricks Candy and the Atlantic and Pacific (A&P) Grocery Store. Virginia has also lived in Florida and Kentucky. She was a long time member of the Holy Trinity English Lutheran Church.
She is survived by her children, Crail William Floyd of Mansfield, Thomas Walter Floyd of Palm Bay, Fla., John Wendell Floyd, David Wayne Floyd and Sarah Lynn Kleinman, all of Salem; 13 grandchildren and 12 great grand children.
In addition to her parents, she is preceded in death by her second husband Donald Cannon in 1979.
Services will be held at 2 p.m. Thursday at the Arbaugh-Pearce-Greenisen and Sons Funeral Home with Pastor Connie Sassinella officiating. The burial will follow in Grandview Cemetery.
A time of visitation will be observed from noon to 2 PM on Thursday at the funeral home.
You can sign the guest book and view the obituary at apgreenisenfh.com.


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View this article only in English | Portuguese
Poetry From the August 2013 issue: Brazil
live bird
attentive to.
Tense in
the instant
–immobile flight–
full presence
bird and
(white, open
and alive
Immobile bird.
Live bird
"Vigília" © Orides Fontela , from the collected poems Poesia Reunida [1969–1996] (São Paulo: Cosac Naify; Rio de Janeiro: 7 Letras, 2006). By arrangement with the publisher. Translation © 2013 by Stefan Tobler. All rights reserved.
pássaro vivo
atento a.
Tenso no
— imóvel vôo —
plena presença
pássaro e
(atenção branca
aberta e
Pássaro imóvel.
Pássaro vivo
Orides FontelaOrides Fontela
Orides Fontela was born in 1940 in São João da Boa Vista, in the interior of São Paulo, and died in 1998. She studied philosophy at the Universidade de São Paulo (USP). In 1969 her first book, Transposição, was published, followed by four more collections. Her third collection, Alba (1983), won the Jabuti Prize, one of the most important prizes in Brazil. In France, a large selection of her poems appeared in translation under the title Trèfle (2000). In 2006 the Brazilian publishing house Cosac Naify published her collected poems, Poesia Reunida.
Translated from PortuguesePortuguese by Stefan ToblerStefan Tobler
Stefan Tobler is the founder of And Other Stories, the publisher who launched Deborah Levy's Man Booker Prize shortlisted Swimming Home and Carlos Gamerro's acclaimed The Islands, along with many more award-winning books. It works with networks of writers and translators to handpick the best of international literature for its subscribers and all lovers of fine writing. Stefan Tobler is also a literary translator from Portuguese and German, most recently of Rodrigo de Souza Leão and Clarice Lispector.
This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution by contacting us at firstname.lastname@example.com.


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GOALTENDER Ilya Bryzgalov has done precisely what the Flyers had hoped he would: Shore up a position that has been a big trouble spot for the team.
In fact, Bryzgalov has been even better than that. In leading the Flyers to victories in their first two games, he has provided them not just immediate stability but a glimpse into what could well be the beginning of a new era.
He beat the Bruins, 2-1, in the season opener (the very Boston team that swept the Flyers from the playoffs last year), and he came back and shut out the Devils, 3-0.


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Voices by Jean Simmons, Christian Bale
Entertaining though Shrek, Finding Nemo and other terrific contemporary cartoons maybe, they are so busy being hip and happening that a certain childlike magic is sometimes missing. That would be the magic of the imagination, of being transported to a world different from our own rather than one that spoofs the neurotic and chaotic way we live today. That missing sense of wonder is on display in Howl's Moving Castle, the latest animated adventure from Japanese director Hayao Miyazaki (Spirited Away).
Based on a novel by Diana Wynne Jones, this fairy tale follows Sophie (Emily Mortimer), its plucky teenage heroine, as she falls for enigmatic Howl (Bale), a dashing wizard. When a wicked witch (Lauren Bacall) transforms Sophie into an old crone, Sophie (Simmons, after the character ages) takes refuge—a war looms—in an enchanted castle. The dwelling belongs to Howl, though he fails to recognize a wizened Sophie.
The story grows more complicated (sometimes too much so) but the heart, humor and luscious, mostly hand-drawn animation remain constant. Castle should delight both children and adults, though with bombs raining down during battle scenes and Howl's tendency to morph into fierce, anthropomorphic creatures, smaller children will find parts a little scary. (PG)


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on October 18, 2012 - 10:58 PM
LOCKPORT – Police officers in full-dress uniforms. A cadre of local officials. A bagpiper playing "Amazing Grace."
It could have been the funeral for a fallen soldier or a famous dignitary, but Thursday's ceremony came at the edge of the woods near the Niagara County Jail, where some 1,400 county residents, many unidentified, who died in the long-gone County Almshouse lie in mostly unmarked graves.
The ceremony, which included the dedication of a marble memorial bench at what used to be the entrance to the abandoned cemetery, marked the completion of efforts by People Inc., a Western New York human service agency, to restore the graveyard.
Work through the summer by the agency's volunteers and Buffalo State College anthropology students, with assistance from Calamar Development, succeeded in clearing the brush, saplings and poison ivy from what is believed to be the entrance to the plot. It's where the workers at the Almshouse, also known as the Poorhouse, buried the facility's dead from 1830 to 1916.
It lies several hundred feet north of Niagara Street Extension, across the road from the jail, which stands on the site of the 19th century "pest house" where those with contagious diseases were housed.
This is the fourth cemetery in Western New York restored by People Inc., which has become involved in honoring the resting places of those who today would be the clients of agencies like it. People Inc. President James M. Boles, County Manager Jeffrey M. Glatz and Undersheriff Michael J. Filicetti joined in unveiling the bench, donated by Orleans Monument Co. of Lockport.
County Historian Catherine Emerson said local officials long recognized the need to care for handicapped, ill and destitute individuals. The Town of Cambria, which once covered all of what is now Niagara County, appropriated $100, the equivalent of $1,455 today, for the purpose in 1808.
But the care of the poor was contracted out to the lowest bidder, a system that Emerson said "led to abuse." In 1824, New York State passed a Poorhouse Law, mandating that all counties operate such a facility.
Niagara County opened its poorhouse in 1829, and it remained on Niagara Street Extension until the county infirmary on Davison Road opened in 1915.
Thursday's ceremony included the reading of one name from each year of the burial list from 1861 to 1916, as well as references to babies and others who died anonymously. "Before the 1850s, there are not good records," Boles said.
The use of a ground-penetrating radar unit from Buffalo State established that the cemetery measures about 300 feet on each side. Most of it has not been cleared. "When we came here last year, I didn't know what we were going to do, because a cocoon [of brush] had grown over it for 96 years," said Dave Mack-Hardiman, People Inc. training director.
Most of the graves were marked with ordinary flat stones with no engraving. There were a few engraved gravestones, including a sizable but now-damaged marker for Sophia Wilson and Lewis W. Merritt of Newfane, a mother and son, and for Louis Spencer, an African-American man who died in 1884. His connection to Wilson and Merritt is unknown.
"We are going to make the death records accessible to people who want to research their ancestors," Mack-Hardiman said.
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