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Item Notes:
Name: Tuborg Green
Type: Pilsner
ABV (Alcohol by volume): 4.6%
Country of origin: Copenhagen, Denmark
Introduced: 1880
Tuborg Green is a bottom-fermented lager beer. It's brewedon lager malt, a slightly roasted, bright type of malt which results in the well-known mild, fresh taste and aroma of flowers and grain. The beer is medium rich and lively with a moderate bitterness in the aftertaste.
Tuborg Brewery brief history
The story of Tuborg starts in Hellerup, north of Copenhagen, where the Tuborg Brewery brewed Denmark's first pilsner-type beer in 1880 and packaged it in bottles with a distinctive green label.It becameinstantly popular with the Danes and has since grown to become Denmark's best selling beer.
Tuborg beer types
Name: Tuborg Gold
Type: Pilsner
Introduced: 1895
Tuborg Gold is a real lady. It has elegance, dignity and a discrete appearance hiding a delightful level of sweetness. It's an exciting relationship where anything can happen.
Tuborg Gold is an international, bottom fermented luxury lager beer. It wasfirst launched in the nineteenth century for export markets, but proved to be ahuge success in Denmark.
Name: Tuborg Classic
Type: Vienna
Introduced: 1993
Tuborg Classic is a bottom-fermented Vienna beer, which was introducedin celebrationof Tuborg's 120th birthday in 1993. It was the first beer in Denmark to bear the name 'classic', and it's been a true classic ever since, becoming the third best selling brand on the Danish market.
It is brewed on lager, münchener, caramel and colour malt, which give it a slightly grainy, caramel-like aroma with underlying notes of blackcurrant. It goes well with veal, pork, chicken, grilled fish and classic dinner recipes with beef.
Name: Tuborg Classic Gylden
Type: Vienna
Introduced: 2004
Tuborg Classic Gylden is the Classic family's most civilised and youngest member. Developed in 2004 to suit the taste preferences of the Danes, it has a very mild flavour and a hint of lemon, all wrapped up in a seductive golden-red colour.
Tuborg Classic Gylden is a dark golden, bottom-fermented wiener-inspired beer with a light and fresh character. It's brewed with lager malt, caramel malt and brewing syrup which give it a mild aroma. The syrup and the use of American cascade hopscreate a fresh mild taste with a hint of lemon.
Tuborg Classic Gylden goes well with lunch dishes. Fried chicken and other fried meat accompanied by sweet sauces. Thai and Indian recipes and other medium spicy dishes.
Name: Tuborg Super Lite
Type: Non-Alcoholic Pilsner
Introduced: 1994
Tuborg Super Light is a bottom-fermented alcohol-free pilsner beer that tastes like a real pilsner. That's because it is brewed like a real pilsner, and only the alcohol has been removed. And, as an added bonus, it's also low in calories - with just 40% of the calories of an ordinary pilsner.
Name: Tuborg Special
Type: Strong Pilsner
Introduced: 1977
Tuborg Special, with its unique color, refined long lasting foam and refreshing easy to drink features, is an exceptional beer. Since 1977 it is been specially brewed for beer passionates.
Tuborg Special was the first premium beer with extra alcohol in Turkey. And with its 7.5% alcohol content and all round superior properties, Tuborg Special meets expectations and requirements of beer lovers.
Name: Tuborg LITE
Type: Low Carb Pilsner
Introduced: 2007
Launched in February 2007, Tuborg LITE is a low carb and low calory beer developed especially for the Norwegian market. It has 30% less calories and 70% less carbonhydrates than regular Tuborg pilsner, but maintainsthe same amount of alcohol.
Name: Tuborg Fine Festival
Type: Strong Pilsner
Introduced: 1955
Tuborg Fine Festival made for a Queen. It has an English name because it was originally produced for the English market to celebrate Elizabeth II's coronation in 1953. It was introduced to Denmark in 1955 where it lives a quiet, but distinguished life as a luxury beer for connoisseurs.
Name: Tuborg Påskebryg - Tuborg Easter Brew
Type: Strong Pilsner
Introduced: 1913
Tuborg's Easter Brew - or Kylle, Kylle - is a well-loved part of the Danish Easter. Its launch day - which is always a Friday in early March - is widely known as P-Day or Påskebryg Day. According to tradition, the beer is released at exactly 20:59 in on-trade outlets, while off-trade customers start selling it the following day.
Tuborg Easter Brew is a full-bodied, amber coloured beer with a slightly spicy scent and a finely balanced bitter/sweet taste. Its warmth and unmistakeable flower notes are always a welcome sign of the spring and warmer temperatures to come.
Name: Tuborg Julebryg - Tuborg Christmas Brew
Type: Strong Pilsner
Introduced: 1981
Tuborg Julebryg is a bottom-fermented, wiener beer brewed on lager, münchener andcaramel malt with English liquorice. The beer is dark-golden with a fresh aroma of caramel, grain, liquorice and blackcurrant. It'sexcellent with traditional Christmas recipes, smoked fish, grilled/fried herring, smoked ham with curly kale, roast pork and duck. Enjoy at 7-10C.
Most Danes know the blue and white advertisement for Tuborg Julebryg - Tuborg Christmas Brew. But probably not many know that the famous animated commercial, which features Santa Claus in blue clothing, is actually older than the beer itself. The commercial was originally launched in 1980 as a special holiday commercial for ordinary Tuborg pilsner, but it became so popular that for Christmas 1981 we created the special Tuborg Julebryg.
Although Tuborg Julebryg is a seasonal beer and is only on the market for six weeks every year, it is still Denmark's fourth best selling beer. It's only beaten by Green Tuborg, Carlsberg Pilsner and Tuborg Classic, which are available all year round. Its launch, known as "J-day", always takes place on the first Friday of every November and is an annual day of celebration across Denmark. Carlsberg employees drive around the bars and cafes, handing out free beer to really get the festive season started.
Name: Tuborg Fiçi - Tubrog Draft
Type: Pilsner
Introduced: 2007
Tuborg Fiçi - Tuborg Draft was released in January 2007 by Türk Tuborg andwith it's original taste and packaging it has quickly managed to gain popularity with consumers and has tripled its sales targets in the first 3 months.
The special Tuborg Fiçi botlle has won an award in the beverage category at the 20th "Golden Packaging Contest " organized by the Turkish Institute of Standards (TSE). The bottle is designed to resemble the feel of a special kind of glass that Turkish consumers enjoy drinking their Tuborg draft beer in.
Name: Tuborg T-Beer
Type: Pilsner
Introduced: 2005
T-Beer is Tuborg's easy to drink, low flavoured pilsner beer. With it's transparent bottle and easy-to-drink flavour it attracts the attention of consumers having fun in the summer time.
Name: Tuborg T-Beer Lemon
Type: Pilsner
Introduced: 2005
Tuborg T-Beer Lemon has the great taste of regular T-Beer but with an added twist of lemon.
Name: Tuborg T-Beer Mexicana
Type: Tequila and lemon flavoured Strong Pilsner
Introduced: 2007
Tequila flavoured Tuborg T-Beer Mexicana is the first flavoured beer in Turkey. This is a truly unique brand, that will have the opportunity to create a new market for flavoured beer in Turkey.


text:
Design Miami/Basel 2016: Amsterdam-based design studio Formafantasma has produced a range of objects that draw references from Rome's ancient ruins and museums. More »
Tag: Formafantasma
Design Academy Eindhoven students no longer seek fame, says Andrea Trimarchi
Milan 2016: students at Design Academy Eindhoven no longer aspire to be famous designers and instead want to work in industry, according to designer Andrea Trimarchi of Formafantasma, who teaches at the school. More »
Formafantasma bases Anticipation exhibition on Lexus concept car
Milan 2016: Italian duo Formafantasma have created a trio of installations that reference the form and materials of Japanese car brand Lexus' LF-FC concept model (+ slideshow). More »
Formafantasma bases Sportmax catwalk on medieval paintings by Giotto
Amsterdam studio Formafantasma designed a set inspired by the architectural elements in paintings by Italian artist Giotto di Bondone for Sportmax's Milan Fashion Week show (+ slideshow). More »
Light is bent, refracted and projected at Formafantasma's Anno Tropico exhibition
Amsterdam-based duo Formafantasma is hosting a solo exhibition that explores the "expressive qualities of light" at the Peep-Hole Contemporary Art Centre in Milan (+ slideshow). More »
Formafantasma uses terracotta and PVC to create "deconstructed architecture" for Sportmax catwalk
Amsterdam studio Formafantasma used lengths of translucent plastic to create "infinite loops" around the catwalk for fashion label Sportmax during Milan Fashion Week. More »
Designer cakes by Viktor & Rolf, Studio Job
and more served up during Design Miami
Design Miami 2014: cakes by designers including Viktor & Rolf, Studio Job and Alessandro Mendini were displayed and then eaten during an event hosted in Miami this week by New York gallery Chamber. More »
Formafantasma uses saxophones and a brass
pendulum to track the passing of time
London Design Festival 2014: Italian design duo Formafantasma has installed a range of unusual timepieces in the showroom of British furniture brand Established & Sons. More »
Final issues of FOMO released as project
prepares to visit Venice
Venice Architecture Biennale 2014: Space Caviar's algorithmic publishing project will be travelling to Venice for the architecture biennale, with the final issues from Milan design week now available to download – including contributions from Formafantasma and Martino Gamper (+ slideshow + download). More »
Formafantasma shows engraved glassware
at Bagatti Valsecchi in Milan
Milan 2014: design duo Formafantasma is presenting a collection of engraved drinking glasses that form new patterns when stacked together, at an exhibition curated by Rossana Orlandi in Milan More »
Formafantasma and Martino Gamper among
speakers announced for Milan FOMO talks
Milan 2014: a series of talks will launch this afternoon in Nike's Aero-static dome at Palazzo Clerici, forming part of the FOMO algorithmic publishing project organised by Joseph Grima with Dezeen. More »
Formafantasma combines crystal and copper
with ritualistic water purification range
Milan 2014: Formafantasma has created a collection of engraved crystal and copper vessels, designed to purify and serve water. More »
Formafantasma experiment with lava
to create furniture collection
Milan 2014: objects made out of lava from Mount Etna in Sicily will be presented by design duo Formafantasma in Milan next week (+ slideshow). More »
Competition: five Formafantasma
monographs to be won
Competition: Dezeen is giving readers the chance to win one of five copies of a book released to coincide with a retrospective exhibition of work by Eindhoven designers Formafantasma. More »
Design made of animal products on show
in Formafantasma exhibition
Cow-bladder lights, fish-skin stools and plastic made of beetles all feature in an exhibition of work by Eindhoven design duo Formafantasma. More »
Eindhoven design studio Formafantasma
is "experimenting with lava"
Dezeen and MINI World Tour: in our next movie from Eindhoven, Simone Farresin and Andrea Trimarchi of Formafantasma show us their experiments with unusual materials including fish skin, cow bladders, animal blood and even lava. Update: this interview is featured in Dezeen Book of Interviews, which is on sale now for £12. More »
Movie: Peroni Collaborazioni Talk
with Formafantasma part 2
Movie: in our second movie from the Peroni Nastro Azzurro talk with Italian designers Formafantasma they talk about the processes behind their projects, which include plastics made of blood and vases made of bread (+ transcript). More »
Movie: Peroni Collaborazioni Talk
with Formafantasma part 1
Movie: Italian design duo Formafantasma discuss their work and influences in this first instalment of a discussion chaired by Dezeen editor-in-chief Marcus Fairs for Peroni Nastro Azzurro's series of talks on Italian design. More »
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text:
Resident Evil Zero Screenshots for WiiOn: Wii, Cube
Resident Evil Zero is a prequel to the first Resident Evil title and follows Rebecca Chambers on the day preceding the Mansion incident.
Review Verdict Read Review
6Out of 10Back to game info
Latest Articles for Resident Evil Zero
First footage of Resident Evil Zero HD Remaster revealed
Does next year's re-release look as good as you'd hoped for?
Resi Evil Zero Wii re-release set for Jan 22
Classic survival horror game offered at a low price on Wii.
Resident Evil Classics coming to Wii
The GameCube's Resident Evil and Resident Evil Zero 'reworked' to support the Wii Remote.
Resident Evil series is Capcom's biggest
34.5 million units of the survival horror series have been sold.


text:
Dan Dawson received a bachelor's degree from Illinois State University and a master's of education in health education from Texas Tech University.
Dawson is a member of the Illinois Center for Violence Prevention, Illinois Gang Violence Association, Governor's - Illinois Prevention 2000 Advisory Council, IEPYE and many local youth-serving collaborations.
He has received numerous IEPYE Communication Awards, the Sterling Clover Award and the Illinois Cooperative Extension Service Outstanding/Innovative Award.
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Information Technology Services / About Us / News / myFSU Portal Opens to Faculty and Staff
myFSU Portal Opens to Faculty and Staff
Megan Del Debbio
04/22/2013 02:47 pm
The myFSU portal is open to Florida State University faculty and staff.
The portal is a Web-based resource that organizes in one location important online resources at FSU. The site uses single sign-on technology to enable users to log on once and access all major university applications, including HR, Blackboard and FSU Exchange email. The portal also enables FSU employees to:
- retrieve personal HR and financial data;
- manage work lists and receive notifications on management tasks;
- plan and monitor course management responsibilities; and
- access other job-specific applications and links.
Portal content is customized to the user and delivers a unique landing page to each individual. After the user logs on, a dashboard of personalized content and resources based on his or her role becomes available. Quick links offer easy access to the resources and applications relevant to the individual's role. Through the portal, faculty also have access through the portal to additional course management tools for the Fall 2013 term and beyond.
In conjunction with the portal launch, Oracle Business Intelligence (OBI) has been renamed myFSU Business Intelligence (myFSU BI) to align with other FSU systems. myFSU BI, accessible through myFSU portal, features an array of dashboards and reports as the go-to resource for advanced FSU systems reporting and information analysis.
The Faculty & Staff community within myFSU portal launched on Monday, April 22. A similar, student-targeted community in myFSU portal recently launched in early March 2013 with the new myFSU Student Central system.
You can access the portal by logging on to https://my.fsu.edu with a current FSUID and password.
If you have questions regarding the new Faculty & Staff community in myFSU portal, please email the myFSU Portal Team at email@example.com or submit a case using the FSU Service Center system for troubleshooting assistance.
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text: In this 'top secret' world of the Transformers movie I can finally show you something (well two pages) of a Transformers movie based comic that I have worked on. The book is a free give away in US cinemas when the movie comes out. It won't be available in the UK so will become a bit of a collectors item. It is sponsored by the big US retailers, TARGET (how appropriate) and is (yet another) movie prequel story featuring Bumblebee. Check it out and keep your eyes on eBay😉


text:
"Bottom Line Computer"
wrote in
>The real danger is not Sasser itself, but
people who keep posting the same article.
Stan Brown, Oak Road Systems Cortland County, New York, USA
You need any friends you can get. The only thing standing
between you and a watery grave is your wits, and that's not
my idea of adequate protection. -- /Beat the Devil/ (1954)


text:
Like it, and love that it reinforces what I'm doing with my trainer.
Rip's new article on T- Nation:
Rippetoe Throws Down
This is an absolute must read for many. I see the mistakes Rip talks about being made here all the time, like "why am I not getting stronger on CrossFit anymore?", and "bodyweight exercises are the way to get strong".
Like it, and love that it reinforces what I'm doing with my trainer.
I pretty much agree with everything Rip is saying in the article i.e.
More strength is always desirable
The main compound lifts are the best way to gain strength
An ordered routine is needed to prompt optimal strength adaptation
Interestingly enough, I'm about to start Crossfit this week (have just passed my assessment). However, I'm doing Crossfit purely to work on my endurance and recovery ability i.e. using it as GPP. I'll do it a couple of times a week, but my main focus will remain strength work (I'm using Wendler's 5/3/1).
I agree that what he has to say is for the most part true. I disagree that it is optimal in consideration of each individuals goals.
For instance this:
"Training can't be accomplished randomly, because randomly applied stresses do not create a specific adaptation. For example, squatting 5 sets of 5 once every 3 to 5 weeks, or whenever Pukie posts it, doesn't apply a stress that can be adapted to – and built upon – before detraining to the stress occurs.
This is especially true if during the intervening period many other stresses have been applied that conflict with the adaptation necessary to get better at squatting heavier sets of 5, like doing hundreds of reps of unweighted squats, for example. Or doing hundreds of reps of anything, if the performance goal is doing 5 reps or 1 rep with a very heavy weight. Or doing nothing at all, which in itself is a "stress" that will be adapted to."
He is inherently correct, but he ignores the fact that for most athletes training has to be multifaceted for both strength and muscle endurance. Or at the very least periodized to get the desired response in time for a competition. Training in the five rep range to the exclusion of all else will get you really good at ONLY that. Diversifying your rep ranges for a specific response (see I agree training requires goals) is quite legit. But, hey lets face it Rip is a "strength training coach" not an "athletic coach". Anything outside of his very specific area of expertise is probably a bit unfair to judge him on.
Oh, one more thing. I can't say for certain about squat, but its been 3 weeks since my last deadlift session and I just hit a new PR. Deconditioned? Somewhat contradictory info from him. He talks about how once built strength is the most versatile and long lasting adaptation (I agree).... and now deconditioning happens in 3-5 weeks? Maybe some of the neuroadaptive response to that particular exercise.... MAYBE.... but the strength/muscle is certainly not lost in this time. And I would think you could preserve much of the neuroadaptive response by training the movement unweighted....which would be a bit contradictory to what he states.
Last edited by Neckhammer; 04-16-2013 at 05:49 AM.
You missed Rippetoe's main point, which is: train for future progression. What role does your current training session play in the grand scheme of things? How does it get you closer to your goal (strength, agility, ultimate sexiness, etc.)? If you can only answer ''well, I'm breaking a sweat, that has to count right?'', you're probably not going to progress on the long term.
I didn't like the rules you gave me, so I made some of my own.
Strong people are harder to kill than weak people, and more useful in general. - Mark Rippetoe
Good article. Thanks. Rage Against the Machine by Steve Kamb (Nerd Fitness) is a nice companion piece, I think.
I'm starting my own little n=1 on his premise. I've been whining for months that I'm not happy at crossfit because I'm not seeing the results I want (to get stronger, as measured by barbell strength). Today I cancelled my xfit membership. I am putting on my big girl panties and going to the local strength gym (owners are powerlifters) even though I'm intimidated to step foot in there... I've got SS printed out and am going to do my best to stick to it for 2 months and see how it goes. I still need to do my slow run with the dog in the morning and will do my little routine at the park while the dog pees on stuff (10 dead hang pull ups, 25 push ups, 25 pistols in sets of 2-5-5). I'm assuming if all I do is lift 3 days a week I'll see strength gains. But I'm also curious to see how some crossfit benchmark WODs do - Fran and DT are 2 I'd like to re-do in 8 weeks just out of curiosity since I've done them recently.
"This is especially true if during the intervening period many other stresses have been applied that conflict with the adaptation necessary to get better at squatting heavier sets of 5..."
Well yeah....but if there's a method to the madness, as in an athletic goal then this is a tradeoff you may just have to make.
I totally agree that training requires goals. If you know WHY you are doing what your doing to day and if its a viable way to reach your ultimate goals for that training period then you've won.
His article is for beginning lifters just looking to gain some strength though I'm sure.


text:
My herps 'n derps aside, much as I'd love t' see an assassin or half-breed demon hunter enter Smash, I ain't too fond of 3rd party as a whole. This is Ninty's game, where Ninty characters shine. Snake and Sonic were some fine 3rd party choices, but what other characters could possibly be as good of a choice?
zero > x


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Hi! My name is Xander
I am Domestic Mediumhair from Racine, WI
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Education: He has done a flip in the air while playing on the trampline with our cat Buster.
My favorite tricks and treats are: He can climb a Christmas tree without knocking the tree over. and fish flavored cat treats
Where I hang out: Laying on the dining room chairs, so he can attack people that come by.
My favorite grubs: Tuna
My pet peeves: One of the other two cats getting to the food bowl before me.
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text: Anyone got a USB 3.0 adapter you like? This will be going in my Dell Optiplex 755, so probably needs to be a low-rise / low-profile card. Also, anyone got any GigE cards and switches they would like to sell me for personal use? I'd like to upgrade my internal network to GigE so I can share my files between my computers easier. Tired of having to make do with 100 Meg.


text:
Interest Level
Grades 4 - 8
Reading Level
Grade level Equivalent: 5
Lexile® Measure: 620L
Guided Reading: U
- Mystery and Suspense
- First Jobs and Chores
- Neighborhood Life
- Pets
- Siblings
- Friends and Friendship
- Violence and Crime
About This Book
A Dognapping Mystery Packed with Surprises!
This engaging novel features well-developed characters, lighthearted humor, and a clever heroine named Maggie Brooklyn.
Maggie is a part-time dog walker in her Brooklyn neighborhood, and she's also got a knack for noticing things that other people don't. So she's the perfect person to figure out who's been stealing the neighborhood's dogs, including Kermit, her ex-BFF Ivy's pooch. But as Maggie starts collecting clues and suspects, she's in for a surprise: Her crush, Milo, just might be involved!
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Morgan Baker and Blake Lemley exchanged wedding vows at 4:30 p.m. June 24, 2011, at St. Wendelin Catholic Church, Fostoria. The Rev. Eric Schild was officiant during the double-ring service. A reception followed at Meadowbrook Ballroom, Bascom.
The bride is the daughter of Thomas and Vicki Baker of Fostoria.
The bridegroom is the son of Denise Lemley and Donald and Michele Cochran, all of Fostoria.
Article Photos
The bride, given in marriage by her father, wore a white taffeta strapless gown with a lace-up back. The bodice featured a wrap-across sweetheart neckline draping to highlight a fitted asymmetrical waistline. Lace, beaded with Swarovski crystals, bugle beads, sequins and seed beads, embellished the bodice while a gathered taffeta overlay created a fluted side drape that revealed an embellished tulle insert. Asymmetrical draping highlighted the back of the full skirt and chapel-length train. She wore a single-tier white veil decorated with crystals, pearls and silver bugle beads along the edge.
Brooke Baker of Columbus was her sister's maid of honor. Bridesmaids were Marina Nye and Madison Stewart of Fostoria, Randi Johnson of Toledo and Rea Peyton of Fostoria and Shelby Lamb, of Fostoria, sister of the groom.
Junior bridesmaid was Alexa Frankart of Burton, Mich., niece of the bride.
The attendants wore floor-length strapless satin dresses with a lace-up back. The bodice featured asymmetrical ruching above the fit and flare skirt.
Yzabela Munoz of Fostoria, friend of the couple, and Jacob Frankart of Burton, Mich., nephew of the bride, were flower girl and ring bearer, respectively.
Dakota Bostwick of Fostoria was his brother's best man. Groomsmen were Kyle Echelberry and James Hosman of Fostoria; Troy Frankart of Burton, Mich., brother of the bride; Andrew Harman of Columbus; and Clay Lamb of Fostoria, brother of the groom.
Junior groomsman was Cameron Lamb of Fostoria, brother of the groom.
The bride is a 2007 graduate of Fostoria High School. She is attending Artisan College of Cosmetology and plans to graduate in January 2012.
The bridegroom is a 2007 graduate of Fostoria High School and is a quality assurance technician at Mennel Milling, Fostoria. He also attends Owens Community College.
A rehearsal dinner was at Waldo Peppers, Findlay.
The couple resides in Fostoria following an Eastern Caribbean cruise honeymoon.


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Christmas Candies RecipeRead Reviews Be the first to add a review
4.5 2 2
"During my childhood, my family lived in Brazil, where we relished these special treats," recalls Laura Beth Dean of Christiansburg,Virgina. Roll the caramel-like bites in nuts or sprinkles.
- 3 tablespoons baking cocoa
- 1 can (14 ounces) sweetened condensed milk
- 2 tablespoons butter
- Finely chopped pistachios
- In a small heavy saucepan, bring the cocoa, milk and butter to a boil, stirring constantly. Reduce heat to low; cook and stir until thickened.
- Transfer to a small bowl. Cover and refrigerate until chilled. Roll into 1-in. balls; roll in pistachios. Store in the refrigerator. Yield: about 2-1/2 dozen.
Originally published as Christmas Candies in Quick Cooking November/December 2004, p6
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Reviewed Jan. 10, 2011
"I rolled them in chopped pecans instead of pistachios. This gave them a slight maple flavor. Tasted like fudge. Delicious!!"
Reviewed Dec. 11, 2008
"love them!"


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Republicans have won a major political victory before they take control of the House next year. President Barack Obama has agreed to extend the Bush tax cuts for two years.
The deal also includes a surprise -- a one-year cut in the payroll tax.
President Obama announced the deal Monday evening with his trademark cool and calm demeanor.
"For the next two years, every American family will keep their tax cuts," Obama said.
But not everyone is happy about the agreement. Among Democrats, discussions about the proposed deal likely will be full of emotion and displeasure.
CBN News White House Correspondent David Brody gave more insight on the recent tax cut deal, and the political implications it could have for President Obama. Click here to watch.
Many Democrats believe the White House simply caved in to Republicans.
"It seems like it goes from zero to fold in pretty fast time," Rep. Anthony Weiner, D-N.Y., said.
Democratic anger stems from the concessions Obama made to reach a compromise with Republicans.
The agreement includes extending:
To get all of this, the president had to renege on his campaign pledge to end the tax cuts on people making more than $200,000 or families earning more than $250,000. He also had to agree to Republican demands to extend the tax cuts across all income levels.
Obama acknowledged that the deal is far from perfect and not what he wanted. But he said it's essential for the country to recover from the longest recession in decades.
"It is the right thing to do for jobs," he said. "It is the right thing to do for the middle class. It's the right thing to do for business, and the right thing to do for the economy."
Still, some Democrats quickly denounced the plan.
"How can we rationalize tax cuts for the wealthiest Americans when we're facing this type of deficit," Sen. Dick Durbin, D-Ill., said.
It's important to remember while the GOP will have more seats in January, the proposed deal must be passed by the current Congress. Otherwise, taxes will go up for everyone beginning January 1.
To help garner support among Democrats, the president has dispatched Vice President Joe Biden to sell the plan to skeptical Democrats and get them on board with the proposal.
Obama, GOP Reach Tax Cut Deal
Lawmakers Work on Tax Cut Compromise
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Are you seeking answers in life? Are you hurting? Are you facing a difficult situation?
Find peace with God, discover more about God or send us your prayer request.
Call The 700 Club Prayer Center at 1 (800) 823-6053, 24 hours a day.
A caring friend will be there to pray with you in your time of need.
CBN News Anchor
John Jessup serves as the main news anchor for CBN, a position he assumed after 10 years reporting for the network in Washington, D.C. His work in broadcast news has earned him several awards in reporting, producing, and coordinating elections coverage. Follow John on Twitter @JohnCBNNews and "like" him at Facebook.com/John.V.Jessup.
More Info


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ARTIST Stanley Pinker, who died at the age of 87 in Cape Town this month, began painting at 18. And, although he was a popular and accomplished lecturer in painting at the University of Cape Town's Michaelis School of Fine Art for many years - Marlene Dumas, considered the world's highest-paid living female artist, was among his students - he continued painting into his 80s.
For a while, Pinker, who was born in Windhoek and studied art under South African master Maurice van Essche, was uncertain that, as a white European born in a colony, he belonged in Africa and, in 1951, left to live in Europe. After 12 years, he returned and, in 1969, began working at Michaelis, where he taught until 1986.
Pinker, whose work is branded by his enjoyment of colour and humorous detail, used metaphor and seditious insinuation to navigate South African politics. This, wrote art historian and dealer Michael Stevenson in his monograph on Pinker - published on his 80th birthday, which coincided with an exhibition of works from Pinker's private collection - is what set him apart from many other artists at a time when overt reference to the political situation was prevalent.
"The struggle is everywhere to be seen in his paintings of the 1970s and 1980s, yet they are not easily classified as 'struggle art' focused on sociopolitical issues," writes Stevenson. "Pinker engages with the characters and contradictions of South African life as well as with the history of European easel painting. He uses a visual vocabulary which is unequivocally South African to explore issues of colonialism and capitalism."
A sculptor, former assistant director at the South African National Gallery and lecturer at Michaelis, Bruce Arnott met Pinker in the 1960s and worked with him for years.
"The quality of his paintings in particular was consistently outstanding," says Arnott. "Lyrical line, colour and composition, a feeling for light, wry humour and subtle pathos characterise his art. He remained at the forefront of the visual arts in SA and sustained an international standard."
A former student of Pinker's in the late 1970s, artist and teacher Mari Lecanides Arnott, remembers him as an "excellent teacher because he imparted his vast knowledge and deep understanding in the field of fine art and particularly in painting. Most importantly, Stanley encouraged students to find their unique form of expression through their paintings and, to this end, he spent many hours providing insights about painting to his students on an individual basis. I feel privileged to have been a student of such an inspiring teacher and a great painter such as Stanley Pinker. "
Strauss & Co sold the Wheel of Life, considered one of Pinker's most astute allegories of political folly, for R2,4m in 2010. Earlier this year, the auction house sold his Girl In Sunglasses for R1,44m.


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and they are talking to me about banning all hackers and cheaters from online. They are working on it, so enjoy it now you pieces of sh!#! only the people who suck at life and video games, cheat! And to add more to it, thanks to you losers hacking, in the near future nintendo is making us pay online!
I went to Wiiso .com this place is lame and noone chats here anymore! Good bye. meet me at wiiso, it's better!


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NILES - The public's tastebuds were working overtime Wednesday sampling everything from pasta, seafood and beef to candy and cakes at the fourth annual Taste of Trumbull.
The food sampling event, which was attended by more than 380 people and held at McMenamy's restaurant in Niles, is a major fundraiser for the GFWC Ohio Warren Junior Women's League to benefit the Life Enrichment Activities Program.
LEAP was established in 2005 for special needs young adults, and provides various recreational and educational programs and activities.
Article Photos
Steve James, chef / owner of the Fifth Season Restaurant / Banquet Center in Mineral Ridge, right, prepares spaghetti squash for sampling at the fourth annual Taste of Trumbull held Wednesday at McMenamy's in Niles. Assisting are Sarah and Melissa Trickett.
Tribune Chronicle / Bob Coupland
Twenty-two vendors offered Taste of Home employees everything from Syrian chicken, hamburger sliders, pastas, various appetizers and lots and lots of desserts. Local celebrities acted as judges, and attendees chose the People's Choice and Best Table Decor awards.
Attendee Sharon Klingman of Warren said, ''There is a nice variety of food to sample. The food was awesome and everything was so tasty.''
Cindy Orslene of Taste of Temptations in Cortland said people enjoy the chocolate candies and the nostalgia items like gumballs and other sweet treats.
Fact Box
The winners:
Winners of the GFWC Ohio Warren Junior Women's League fourth annual Taste of Trumbull were:
People's Choice - Ohio Inn Family Restaurant
Best Table Decor - PMG Chocolatier
Best of Appetizer Firebird's WoodFire Grill
Best of Beef - The Reef Restaurant / Sandbar
Best of Cake - TCaKz Cupcakes and Cakes
Best of Candy - PMG Chocolatier
Best of Chicken - Little Damascus
Best of Cookies - Just Pizzelles
Best of Ethnic - Ghossain's Gourmet Mediterranean Foods
Best of Pasta - Sunrise Inn
Best of Pork - Perfette's Sausage LLC
Best of Seafood - Ohio Inn Family Restaurant
Best of Vegetarian - The Fifth Season Restaurant and Banquet Center
Karen Scher of Champion and with Uncle Jim's Foods of Warren said the event gave her a chance to try the foods made at the local establishments.
''This not only helps the community and educates the public about what we do but also helps the businesses get a little recognition,'' Scher said.
Kellie Pope, event co-chairperson, and Karen Margala, president of the WJWL, said the success of the event in the past three years was the decision to continue the event again this year.
''We have done very well with this event. People love the many appetizers and desserts,'' Margala said.


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Shawn Regan
Tue, 04/22/2014
When environmental groups buy ranchers' permits, there's no need for the feds to start rustling up trouble.
Reed Watson, Peter Hill, Shawn Regan, Laura Huggins
Wed, 03/26/2014
Listen as Aaron Flint of "Voices of Montana" talks with Reed Watson, P.J. Hill, Shawn Regan, and Laura Huggins about free market environmentalism.
Matt Ridley
Thu, 09/05/2013
The death this week of Ronald Coase, one of the world's most-cited economists, comes at a time when there is lively debate about the very issue he raised: why neither markets nor government are panaceas.
Donald Leal
Mon, 03/01/2004
A Summary
Terry Anderson, Peter Hill
By Terry L. Anderson and Peter J. Hill
Terry Anderson
Sovereign Nations or Reservations?An Economic History of American IndiansBy Terry L. Anderson
Terry Anderson, Peter Hill
Terry L. Anderson and Peter J. Hill, Editors
Roger Meiners, Andrew Morriss
Two PERC researchers, reviewing the history of the banned pesticide DDT, have concluded that violation of private property rights lies at the heart of the conflict over DDT.
Daniel Benjamin
By Daniel K. Benjamin
Daniel Benjamin
By Daniel K. Benjamin Given the racket that people raise over airport noise, one would think that the social benefits of regulating airport noise must be great.


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Evoke an era of suburban life without overdoing it
Challenge: Evoke a pre-"Mad Men" era of suburban commuter life without overdoing it
Set in the Manhattan advertising world and Connecticut suburbs of the mid-1950s, even a synopsis for "Revolutionary Road" evokes iconic, nostalgic images of quaint Americana. "That became absolutely the antithesis of what we wanted to do," asserts production designer Kristi Zea. "We didn't want to hit people over the head with it. That was crucial."
Shot entirely on location in a subdued palette of the era's popular colors (cooler grays in the city and a sea of blue glass between office partitions, for example), the production had another distinctively contemporary problem: the current trendiness of midcentury modern design.
Zea elaborates on standing out by not standing out: "Our choices of furnishings weren't the high-end '50s. It was very clear that we wanted things that middle-class America would be buying at that time."
Picking the couple's house also made a big difference, since it not only triggers their unhappiness but had to accommodate a film crew as well. The production ultimately found "the perky little white house," as Zea calls it, near Darien, Conn., fudging ever so slightly on its age since period houses would have been too small to shoot inside.


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THE South African Communist Party (SACP) cannot sustain itself financially and should therefore be allowed to utilise Congress of South African Trade Unions (Cosatu) office space free of charge, according to draft resolutions prepared for discussion at the union federation's national congress.
The resolutions are "sponsored", or put forward, by two of Cosatu's largest affiliates, the National Union of Mineworkers (NUM) and the South African Democratic Teachers Union (Sadtu).
This comes as sections of Cosatu remain put out by the party's refusal to have its general secretary, Blade Nzimande, serve full-time and abandon his Cabinet post.
The proposal also comes after speculation that Cosatu affiliate the South African Municipal Workers Union, in Gauteng, had moved to kick the SACP out of its office space. There are perceptions among members of Cosatu that the SACP leadership was exerting undue influence over general secretaries in the federation, who sit on its central committee, in a bid to influence the federation's direction, on the African National Congress (ANC) succession race in particular.
In Cosatu general secretary Zwelinzima Vavi's draft political report to the congress, he writes that the SACP's endorsement of contentious decisions taken by the state indicated a "conservative" approach to the challenges facing society.
He also wrote that the party was "hamstrung by the absorption of its leading cadre into the movement", referring to Mr Nzimande.
Another problem between the party and the federation described by Mr Vavi is the SACP's interpretation of the "victory of Cde (ANC president Jacob) Zuma and the appointment of its leaders in Cabinet as a major breakthrough, which must be defended at all costs".
"This threatens to bring the pendulum back to the domination of the SACP by government … who can forget the SACP that was beholden to the state, defending GEAR (the growth, employment and redistribution programme) and driving a host of anti-worker programmes," Mr Vavi said in the draft report.
The general secretary of the NUM, Frans Baleni, and its president, Senzeni Zokwana, both rank among the SACP's top leadership. The same applies to Sadtu general secretary John Maluleke.
However, the teachers' union president, Thobile Ntola, failed to make it back on to the SACP's central committee — he is seen as an ally of Mr Vavi.
In the draft resolutions, the NUM and Sadtu recommend that all Cosatu central executive committee and provincial executive committee members from all affiliates should be members of the party and should pay a levy as prescribed by the SACP.
Another draft resolution sponsored by the two unions states that the SACP and Cosatu should convene a "conference of the left" to develop a "socialist charter for SA".
"The SACP should timely (sic) analyse the material conditions prevalent and determine how best conditions allowed for the party to consider contesting electoral power," the draft resolutions read.
The NUM and Sadtu also recommend that Cosatu resolve to "waive" or "stop charging rent" for the SACP's occupation of office space at the federation's plush, multimillion-rand headquarters in Braamfontein, while not charging rent and for Cosatu to "continue with other financial assistance that it used to contribute, or is planning to contribute, to the SACP".
"Cosatu should take the office space of the SACP as part of Cosatu's internal office space arrangements, as such each time Cosatu changes its building, the SACP should be part of the Cosatu space…" the draft resolution reads.
The two unions also want no conditions or "disclosures" to be attached to any financial assistance provided to the SACP.
The National Union of Metalworkers of SA is among the Cosatu affiliates that may oppose the draft resolutions — as irritation with the party leadership boiled over recently due to Mr Nzimande's public criticism of Numsa over its views on his deployment.
Numsa — the second-largest Cosatu affiliate — sponsored a resolution to review the federation's position on influencing the ANC leadership contest results.


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text: NWHikers.net - View topic - The Eaglet 12-30-2010 Shop FAQ Search Members / Pics Login Register Active Topics Min 1 Week Min 1 Month Trail Talk Partners Trip Report Steward/History Gear/Food/Photo Support/Links Saloon/Trade Forum Index -> Trip Reports -> The Eaglet 12-30-2010 Page 1 of 1 Previous :: Next Topic Author Message diceycustom titleJoined: 11 May 2004Posts: 2854 | TRs | PicsLocation: giving cornices a wider berth Thu Dec 30, 2010 7:53 pm I have not been out snowshoeing since Yana, JoshW. and I did Goat Mtn. back on Dec. 5th. I've been spending a lot of time on skis in the backcountry and at Stevens, so felt it was time for a little slowshoe action. Of course, the promise of blue skies made the decision to get out a no brainer! Gabriel suggested the Eaglet (Pt.3802), and I was game. Wait, 3802?? That's pretty low elevation! I was promised good views so I'm in. Left Seattle at 6am (to beat the traffic), and rolled into the Heather Lake TH around 7:45. The mountain Loop was icy and snowy so we took it easy. I've never been to Heather Lake (and I still haven't), so this was a new area for me. We hiked up the trail to the last switchback, then headed off trail up the ridge. There was an inch or so of snow the whole way up the trail and up the beginning of the ridge (1950ft). The ridge is sorta steep and brushy with blow downs but not too bad. The forest gets more open and the angle more moderate the higher you go. We put on snowshoes around 3100ft and followed the ridge to the summit. Gets a little steep towards the top, but the views take your mind off of ...well...everything! This little peak is a gem for views due to it's location and I recommend it to anyone looking for a short trip with a great payoff, plus the trail is now broken to the top, so less work for you! A couple of guys were coming up in our tracks when we were descending, which was a surprise to see anyone on this somewhat obscure peak. Anyway, no problems descending, back to the car by 1:15 Stats: about 4.5 miles RT about 2500ft gain 5hrs 15 minutes RT at a leisurely pace with 20+min on top big treespatterns Pilchuck and treeAll of Liberty ridge3 fingers bw 3 fingersmore eaglet views pilchuckGabriel on the Eagletdescending--------------I'm not always sure I like being older but being less stupid has advantages. http://www.flickr.com/photos/32121172@N00/sets/ Back to top LaybackProud Papa x2Joined: 16 Mar 2007Posts: 5521 | TRs | PicsLocation: On a Bike Thu Dec 30, 2010 8:03 pm So is this a point on Pilchuck? Interesting... Thanks for theTR. Back to top TazzMemberJoined: 27 Apr 2005Posts: 7915 | TRs | Pics Thu Dec 30, 2010 8:12 pm OMG she wrote a tr!!! Happy NEW YEAR! Back to top SnowdogMemberJoined: 21 Jul 2006Posts: 879 | TRs | PicsLocation: on (& off) the beaten path Thu Dec 30, 2010 8:33 pm sounds perfect! (I too have been spending alot of time with boards strapped to my feet- it's been epic!) --------------'we don't have time for a shortcut' Back to top diceycustom titleJoined: 11 May 2004Posts: 2854 | TRs | PicsLocation: giving cornices a wider berth Thu Dec 30, 2010 8:51 pm Layback wrote: So is this a point on Pilchuck? Interesting... Thanks for theTR. A point above Heather Lake, near Pilchuck. I stole this map from Yana's site http://www.gmap-pedometer.com/?r=4188348--------------I'm not always sure I like being older but being less stupid has advantages. http://www.flickr.com/photos/32121172@N00/sets/ Back to top daffishMemberJoined: 16 Sep 2009Posts: 245 | TRs | PicsLocation: Dreamtime Thu Dec 30, 2010 10:11 pm The Eaglet Enjoyed your pictures. This is a fun, short winter scramble. On the way up (shown on the map you linked to, at about where the pin with the number '1') is the largest blowdown I have ever seen. Remember the gigantic cedar stumps along the beginning of the trail? Now imagine that size of trunk laying uncut along the ground. I am sure it is over 10' in diameter near the base. Gigantic Cedar Blowdown--------------"Be moderate in everything, including moderation" Horace Porter Back to top the ZachsterMemberJoined: 17 Jan 2007Posts: 4712 | TRs | PicsLocation: dog training Fri Dec 31, 2010 7:57 pm Thanks for the report! Always nice to add another new peak to the to-do list! --------------"May I always be the kind of person my dog thinks I am" Back to top GamuruCartographileJoined: 20 Oct 2010Posts: 503 | TRs | PicsLocation: Granite Falls Fri Dec 31, 2010 9:35 pm I was thinking of going after Heather Lake on Sunday, but I may do this instead. Thanks for sharing the great pics!--------------Don "The definition of a mine is a hole in the ground that belongs to a liar." ~Mark Twain Back to top Display: All Posts1 Day7 Days2 Weeks1 Month3 Months6 Months1 Year Oldest FirstNewest First All times are GMT - 8 Hours Page 1 of 1 Forum Index -> Trip Reports -> The Eaglet 12-30-2010 Happy Birthday Toonces, sailBOI, mthyer, OLDUSNLT! Jump to: Trail TalkPartnersTrip ReportsStewardshipPacific NW HistoryGear TalkFood & GrubPhotography TalkSupport & FeedbackLinksFull Moon SaloonThe Trading Post You cannot post new topics in this forumYou cannot reply to topics in this forumYou cannot edit your posts in this forumYou cannot delete your posts in this forumYou cannot vote in polls in this forumYou cannot attach files in this forumYou can download files in this forum Search this topic: Use Disclaimer Powered by phpBB © phpBB Group Privacy Policy


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Theater opens holiday play
MCCONNELLSTOWN - The Playhouse at McConnellstown will close its 31st season with its own holiday production, "An Orphan's Light." The show will be presented at 8 p.m. today, Saturday, Nov. 29 and 30 and Dec. 5 through 7. There will be matinee performances at 2:30 p.m. Sunday, Dec. 1 and Dec. 8.
Written by Emmie White, "An Orphan's Light" focuses on the holiday themes of giving, hope, and charity. The production is directed by Jenn Powell and Meg Glad, both of Huntingdon.
Ticket prices are $12 for regular admission and $10 for seniors (age 60 and older) or students (age 6 and older.) For reservations, call 627-0311.
The Playhouse is located at 11680 Raystown Rd.
Jazz ensemble to perform
HUNTINGDON - The Juniata College Jazz Ensemble will perform classic jazz compositions ranging from bossa nova to hard bop to fusion at its annual fall concert at 7:30 p.m. today in Rosenberger Auditorium in the Halbritter Center for the Performing Arts on the Juniata campus.
The Jazz Ensemble is directed by Dan Yoder, lecturer in music at Juniata. The ensemble will perform compositions by famous composers, as well as a piece by Yoder.
Tickets for the concert are $5 for adults and Juniata students with ID or children under 18 are admitted free.
State plans benefit show
STATE COLLEGE - The State Theatre and Easter Seals Western and Central Pennsylvania in State College are presenting their third joint benefit concert, "Runnin' Down a Dream," on Jan. 25, 2014 at The State Theatre.
The concert will feature area musicians interpreting and covering the hits of the legendary Tom Petty.
Tickets are $25, $35 and $45. VIP tickets are available for $100 and include one $45 concert seat and one pass to the pre-concert Green Room cocktail reception at Indigo, featuring a pre-performance by the band GRAIN.
For more information, visit www.thestatetheatre. org or call 272-0606.
SAMA plans new exhibit
JOHNSTOWN - The Southern Alleghenies Museum of Art at Johnstown has announced its latest exhibition, "Surrealities: The Graphic Work of William D. Davis and Peter Milton." The exhibition features 25 works by the two Surrealist artists from the museum's permanent collection. "Surrealities" opens Dec. 20 and will remain on view through March 15.
Although they worked independently of each other, Davis (1936-2003) and Milton (1930-) are graphic artists working primarily in black and white, and in their art, each persistently explores the nature of reality and surreality.
SAMA-Johnstown is located in the Pasquerilla Performing Arts Center on the campus of the University of Pittsburgh at Johnstown. Hours of operation are 9 a.m. to 5 p.m. weekdays. The museum is open to the public free of charge.


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Who knew that the 76ers' progress would be gauged by their performance against the NBA's best team?
Yet it's difficult not to notice the Sixers' improvement, with Friday's 77-71 win over San Antonio at the Wells Fargo Center the latest example.
The Sixers (25-28) still are prone to bouts of inconsistency, but they are not the team that sputtered into San Antonio's AT&T center on Nov. 13.


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What is Ralph's reaction when he encounters the pig's skull?
At first, Ralph is just puzzled when he sees the pig's skull. Then, he becomes sick and uneasy and in rage, knocks the skull down, splitting it into 2 pieces. He takes the stick out of the ground to use as a possible weapon.
Driven by fear and hunger, Ralph manages to make contact with Samneric who are standing guard at Castle Rock. Of what do they warn him?
At Castle Rock, Samneric are standing guard. Ralph manages to make contact with them. They warn Ralph of Jack's plans to hunt and kill him.
In what ways does the tribe try to hunt down Ralph?
Jack and his tribe try to hunt Ralph in many ways. First, they send a boulder toward his hiding place. Then, they try to smoke Ralph out, by lighting the island on fire.
What or who saves Ralph in the end?
Fleeing from the fire, Jack, and his hunters, Ralph makes it to the beach, and is met by a naval officer. Jack and his hunters stop trying to attack Ralph when they see the officer, so that is what ultimately saves him. However, he would not have ran to the beach if Jack had never lit the island on fire in the first place, so Jack doing that also ends up saving Ralph.


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The results are in, and Oakdale has a new mayor.
It will be almost like Thanksgiving and Christmas rolled into one this week in Oakdale, with the annual community dinner on Thursday and Cowboy Christmas on Saturday.
We want your 'feel good' stories. The ones about people - or organizations - in the community that are working hard already to make the upcoming holidays a bit brighter. And we want to promote the efforts designed to aid those in need in our area.
The race for the second Oakdale City Council seat remains close with current council member Michael Brennan leading city treasurer Mike Murray by two votes.
On Saturday Oct. 30, Oakdale Mayor Farrell Jackson and his wife Gayle, joined the family of the late Mayor Elmo Garcia to accept, on behalf of the City of Oakdale, a tree that was donated by the family of Elmo Garcia. The day started off with a potluck luncheon at the residence of Alice Garcia and was attended by 45 family members and friends. The dedication of the Valley Oak tree (Quercus Lobata) was presented at L.B. Gilbert Park, which was the first park on the east side of Oakdale that Elmo helped initiate. Adolphe and Shirley Garcia and ...
Reducing board compensation and freezing travel and conference expenses were items approved by the Oakdale Joint Unified School District Board of Trustees at the Nov. 8 regular meeting.
The annual Stanislaus River Salmon Festival, a free, family-friendly event, is swimming into the Knights Ferry Recreation area on Kennedy Road, off Highway 108/120 this weekend.
If you would like to see Oakdale High freshman Colby Qualls draw his firearm and shoot a target, you'd better not blink.
Trench rescues are inherently dangerous and require specialized training to avoid further injury or death - that was the message received loud and clear at the two-day trench training exercise, Oct. 26-27, made possible by a generous donation by Oakdale Irrigation District.
Police arrested a trio of young men in late August on charges of trespassing and possession of marijuana after they were found in an empty home on Dominic and Pedersen. It was the first time they'd been caught but likely not the first time they'd busted into the empty residence.
Farmers were on hand to offer their two cents on the Oakdale Irrigation District's setting of water delivery fees at the Nov. 3 regular meeting of the board of directors.
The Oakdale Police Department recently rehired four officers part time using creative methods of retaining them, officers who had been given their pink slips in June due to budget cuts.
Oakdale area voters will go the polls Tuesday, Nov. 2 to pick candidates for local, state, and federal offices.
Oakdale resident and photographer Kevin Fox can now add the title "Award Winning Filmmaker" to his résumé.
Pumpkins, vendors, and a petting zoo - Octoberfest at Bloomingcamp Ranch is back on the schedule after being scuttled due to the iconic Oakdale pie shop going dark without a lease.
Page 162 of 177
The Oakdale Women's Club is meeting Tuesday, Sept. 13 at the Oakdale Golf and Country Club. The buffet luncheon will start at noon. The ...
It goes without saying that Oakdale High School is passionate about their sports, at all levels. If you ever attended an OHS sporting event and ...
One may find it hard to sit in the company of Esther White and leave not feeling as if you just had a shot of ...
Among the new faces in the halls of Oakdale schools this school year is an Oakdale High alum returning to the hallways and classrooms where ...
Page 6 of 6
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Photos, from top, courtesy of Library of Congress; by Frederick G.S. Clow; courtesy of Nantucket Historical Association
Clockwise from top: F.W. de Klerk, left, the last president of apartheid-era South Africa, and Nelson Mandela, his successor, wait to speak in Philadelphia in 1993, when they were presented with America's Liberty Medal; Martin Luther King Jr. during an appearance at the Massachusetts State House in Boston in April 1967; Nantucket's African School teacher Anna Gardner.
I&M Photo Galleries
By Barbara White
Contributing Writer
(Jan. 16, 2014) Nantucket played an important role in American civil-rights history. It was because of Nantucket that the first law in the United States was passed guaranteeing equal education to all students.
The struggle to integrate Nantucket's school system in the 1840s foreshadowed the familiar civil-rights stories of the 1950s and 1960s as Nantucket's activists used many of the strategies later used by Martin Luther King Jr. and his contemporaries in their fight for justice.
To read the complete story, pick up the print edition of this week's Inquirer and Mirror or register for the I&M's online edition by clicking here.
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Garrick Theatre, London WC2
It is hard to take yourself seriously if you cavort around in a black, figure-hugging outfit, mask and cape, cracking a whip.
No, not the latest witness in the Max Mosley trial. We are talking about Zorro, the legend immortalised on screen by Douglas Fairbanks, and now the subject of the West End's latest musical, loosely based on Isabelle Allende's book, with a score by the Gipsy Kings and a hero played with charismatic self-deprecation by Matt Rawle.
This is a difficult line to tread. Take yourself too seriously and they will laugh you off the stage. Too flippant, and nobody will care.
The dramatic price of this balancing act is that Christopher Renshaw's production is unsure whether this tosh should be comedy or melodrama. And because melodrama — here involving Zorro's adopted evil brother Ramon (a dastardly Adam Levy) and Luisa (a virtuous Emma Williams), Zorro's adopted sister — is not interesting any more, the audience is unsure whether to laugh or be bored.
But every time there is a whiff of tedium, the show bursts into life with thrilling flamenco and cracking one liners, the best of which are allocated in Stephen Clark's book to Lesli Margherita's voluptuous gypsy, Inez. "What are you going to do," she says as Zorro suits up with cape, mask and all, "entertain them to death?"
With a proper show-stopper set to the Gipsy Kings's biggest chart hit Bamboleo, the result may still be tosh, but it is tosh of a high order. (Tel: 0844 412 4662)


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Congress members, especially those on the right side of the aisle, have been on a slash and burn spree in the name of deficit and budget reduction--cutting everything from heat subsidies to little old ladies in the winter, food stamps, Medicaid, stymieing unemployment benefit extensions, public radio, Planned Parenthood and an endless array of other programs.
However the hypocrisy becomes glaringly obvious when you read of bloated profits pulled in by companies such as General Electric Co., with not one penny of tax paid.
How do you justify whining about big government, giant deficits and ballooning budgets needing urgent reduction yet awarding the fourth biggest company in the world tax exemptions of such magnitude?
GE reportedly made a staggering $14.2 billion in profits globally, 5.1 in the US, of which absolutely no taxes were paid. In fact, the federal government turned around and paid GE a $3.2 billion "tax refund."
Have you gotten a sweet deal of a tax break and tax refund lately?


text: Cambridge-based outfitter, Concepts has been showing a good resurgence of solid releases and special projects lately. After unveiling their sports-inspired Don C python snapbacks, the retailer links up with the New Balance 574 to debut a special "Fourth of July" pack. The trio arrives in a decidedly themed color palette and is mocked up in traditional suede and mesh construction. Patriotic embroidery graces the rear heel that reads, "USA MADE." In addition to the footwear release, Concepts will be celebrating the occasion with a special Back Yard BBQ on June 30. Find out more information about the release here.


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- Home
- Poetry Magazine
- As If Nature Talked Back To Me by Ange Mlinko
As If Nature Talked Back To Me
Motherhood is perfect cover; you can hide away, and no one would think to look for you. You are not a free agent, hence uninteresting. Your social self is a wraith in memory while your bodily self mucks about with a bairn in an afterlife quarantined to the physical.
I wanted to hide out, and I got my wish. No more New York City—parties, bar readings. Instead: fixer-upper with a fenced-in yard, a station wagon for diaper runs to big box stores. The car seats advertised my eligibility for the parking spots up front—reserved not for the handicapped but for "members with infants."
This is all too familiar territory. Dozens of mothers (and some fathers) are getting reputations, not to mention paychecks, from a spate of parenting books, blogs, and essays in lifestyle sections of newspapers. So when I was asked for my own take on this inexplicably titillating topic, my first thought was: "Oh no." That I had already gone on record (on Harriet, the Poetry Foundation blog) as being suspicious of "mommy poems" was one reason for my trepidation; another was the knowledge that I was treading on ground covered by so many before me: there was a crowded field at my back. I would have to inhabit this role, mother-poet, once in the flesh, and again through the literature already bodied forth. And this second experience is much like the first: intense, but also kind of boring. I don't want to read anthologies of mother poems. On the other hand, I am always interested in what individual poets write about their children, in context with all the other things they write about.
I cast my mind back to a recent anthology of poets' essays on motherhood, The Grand Permission. I remembered feeling smothered by all the talk. The glory of the quotidian. The intellectualization of the mammalian.
The one piece that spoke to me was Fanny Howe's "The Pinocchian Ideal," which later became absorbed into "Fairies" in her first book of essays, The Wedding Dress. Howe recaps the original story of Pinocchio by Carlo Collodi, in which the wooden doll is abused by his adoptive mother, the Blue-Haired Fairy. The violence of this relationship—the boy who lacks and yearns for a mother, the mother who sees he isn't a "real" child and so torments him with double-binds—stands in for the relationship a mother has with her writing. "Her bad puppet is her writing, her music, her painting, her dance, sculpture, film; it is her critique of society." It is always secondary to the flesh-and-blood child, Howe owns, but it is safer: it can be experimented with, toyed with. One's work is liberating; it is precisely the real child, the child one loves blindly, that makes one hostage to fortune. And to fear.
And this relates back to my queasiness with the whole motherhood genre. Howe nails it:
Her problem comes later when she pushes the poor work out the door and into the marketplace and tries to make it "sell."
This confusion between a thing that is made out of nothing and the market economy that prices all materials is perhaps more intense for a mother than for any other. Her awareness of the supernatural is intensified daily by the cries of the natural.
She loves her child and she adores her work.
Her crisis comes at the threshold to a world where there is a terrifying cacophony of machines awaiting both her work and her children.
As a sequestered new mother ricocheting between the writing desk and the rocking chair, leaving the house only once a day to go to the park or the grocery store, I could not read that without dread.
* * *
I was living in New York City in a neighborhood positively designated for middle-class breeding: Park Slope, Brooklyn. Just a block away, on the main drag, were shops and salons catering to new moms and tots; organic groceries; cafes where one could breastfeed over a cup of lavender-chamomile tea with a pod of other moms (like a holt of otters, urban mothers should have a group category). What was this unspoken imperative that had sent so many of us to these leafy streets of nineteenth-century, human-scale brownstones across the river from the towers and crowds engaged in what Anne Winters called "the mill-race"? This urban pastoral, with its boutiques and branded park (Prospect Park was an Olmstead creation) both marked us and divided us from the real action, the financial and sexual economy that bought and sold products and fantasies, while giving us our little bit of consumer feasting as well. Most of my friends did not have children, and that included poets. Being a mother was rarefied, exotic. It was a different lifestyle with different accoutrements. And it was a "choice" among others.
* * *
When my grandmother bore children it was wartime. She was flung inexorably westward from Minsk; she gave birth on a cave floor somewhere in Germany with bombs falling around her. I don't suppose anyone ever asked her What were you thinking? the way they might ask a pregnant woman today whose life wasn't perfectly optimized—husband, income, housing—to receive a child who would need all the advantages to stay afloat in a libertarian economy. And now, in the age of reproductive choice, where the default position seems to be: you don't have them—until you do, those of us who have embraced chance and children feel closer to one another than we do to our friends who haven't, and vice versa I suppose. A gulf has opened up, and what was once inevitable, natural, and wholly expected has become boutique: a specialty, a lifestyle, a choice. So when anthologies about "motherhood" come out, and individual poets, usually women, single out this aspect of their identity and make it central to the marketing of their work, they are participating in a larger movement that seals off both poem and identity from the mainstream. Meanwhile, it commodifies them. And—Howe implies this—because both poem and child, poet and mother, exactly stand for the embodiment of soul, it is potent: it masks the buying and selling perfectly.
* * *
(En route to the apocryphal Field of Miracles, Pinocchio has to pass through the city of Chumptrap, populated by those who have sold their treasure: "fleeced sheep shivering from cold, hens with no combs or wattles begging for kernels of corn, large butterflies who could no longer fly because they had sold their beautiful wings, tailless peacocks who were ashamed to be seen, and pheasants who toddled quietly about, mourning their glittering gold-and-silver feathers, now lost forever.")
* * *
Tangentially, meanwhile, children have become almost as burdensome to a "poetry career" as to any other career. While it seems that only a short while ago we were chock-full of superstitions about poets, the better to understand why poetry is so mysterious, so unpredictable, so difficult to write, now it's all business. No more Robert Graves and his White Goddess, the Muse available strictly to the male suitor; for that, we can be thankful. But the plethora of conferences and grants and brief residencies by which cvs—and social networks, and reputations—are built, are no less restrictive to the poet-mother who might in time need a job ("the market economy that prices all materials"). The gulf between those who are mobile and unencumbered and those who are ruled by necessity is writ everywhere in corporate America; this is just another iteration of it.
* * *
I'm leafing through The Story of English in the library. (The clean, quiet, free library is one of the main recreational sites of the suburbs.) I happen across a paragraph about the Anglo-Saxons and their poets: it is said that they "valued understatement, and liked riddles, and poems which went in circles." They loved "ambiguity, innuendo, and word-play." American culture has turned this preference on its head: the coin of currency is not ambiguity but confession. "You're hiding something!" they cry accusingly, when poets feint or pun.
Over the last half-century, poetry and memoir have served the function of self-expression, and self-expression is justified as a necessary truth-telling. "Identity" poetry has even claimed the moral high ground, since truth-telling by the oppressed is an ethical imperative. But revelation exists in dialogue with secrecy. Withholding is what gives telling its power. It's always what gets left out, in country ballads as well as sophisticated verse, that wounds the audience into inquiry. The invisible underwrites the visible; so it is our jobs as poets to gesture to the world's infinite potential at the limits of the actual. This is how we express hope and futurity.
In other words: the infinitely pregnant. The indefinitely hidden.
* * *
"In the light of the moon, a little egg lay on a leaf." The Very Hungry Caterpillar is a great favorite at the moment, my two-year-old son Gray seems to have it memorized. He gets very concerned when he reaches the end of the long list of foods the caterpillar has eaten, for there he is, the little creature, sad-faced in the illustration. "That night he had a stomachache!" "Oh no!" Gray exclaims, bending over very close, wearing a pained look. "He's sad! The caterpillar is sad!"
"Since that first morning when I crawled / into the world, a naked grubby thing, / and found the world unkind." A few months ago, I happened on Stanley Kunitz's "Hornworm: Autumn Lamentation." By coincidence, I had seen my first hornworm around the same time—it was my first foray into growing tomatoes—and the thing, thick as a man's finger and green as goo, almost turned me to stone then and there. It was covered with white—what looked like eggs. I looked it up on the Internet and learned they were parasitic wasp pupae eating their host alive. The caterpillar was en route to being a splendid sphinx moth when its future was usurped by the hymenoptera, but I wasn't supposed to pity it; gardeners hate these tomatovores. Gardeners rejoice at the wasps. The distinction of Kunitz's poem, of course, lies in its taking the hornworm's side, telling the story of creation's injustice in the hornworm's own voice.
You can't judge a work's value by whether it moves you to tears. When Gray bursts into tears at renditions of Brahms's "Lullabye" and tells me, "The song is so sad," I know that weak vehicles can stand for a tenor so vague and tremulous it is unknowable. My tears spring unbidden at the third verse of Schiller's "Ode to Joy" as well, the vision of a holistic, animate, feeling world: "All thy works with joy surround thee." I realize that the very word "creation" moves me deeply. It touches the feeling I've always had that making things was what I was for (the root of poetry is simply making) and the vision of the world as made, and continually being made, and endowed with consciousness of its making—all this was an early glimpse into the power that unifies the subterranean ground between making poems and making new human beings.
The flipside is a sort of naked terror I never felt before I had sons to feel terrified for. There's something marvelously true to experience in Laura Kasischke's work—I'm thinking of her book Lilies Without—which locates this terror beneath the surface of suburban motherhood: poems like "May," where a cherry tree planted outside a school in memory of a dead kindergartener "shrieked into blossom." In "New Dress (3)," a suburban mother and a mall security guard eerily end up in the same nightmare "screaming" during a friendly exchange over a trapped pigeon. While gothic suburbia was captured—practically trademarked!— by David Lynch a couple of decades ago, Kasischke gives it a fuller treatment from the point of view of the mother who stands between her child's innocence and death, negotiating the narrow space between them. It is a tonic to the notorious visions of suburbia as wasteland or graveyard of sexuality, as in the famous Larkin poem, "Afternoons," where "Young mothers assemble / At swing and sandpit" and
Their beauty has thickened.
Something is pushing them
To the side of their own lives.
While suburbia is—to put it mildly—unlibidinal, there's something trite at this point in Larkin's poem, something that feels too much like a man playing to others' prejudices. There's an appearance of sympathy toward the women but the melancholia is misplaced. Women with young children still have a lifetime ahead of them.
* * *
Sadness at suffering, ecstasy in creation, terror of death—it doesn't seem like boredom plays much part in this whole endeavor, though if pressed I would have to admit that my days are mostly filled with changing diapers and pouring chocolate milk.
Thou pretty opening rose!
(Go to your mother, child, and wipe your nose!)
Balmy, and breathing music like the South,
(He really brings my heart into my mouth!)
Fresh as the morn, and brilliant as its star,
(I wish that window had an iron bar!)
Bold as the hawk, yet gentle as the dove—
(I'll tell you what, my love,
I cannot write, unless he's sent above!)
Thomas Hood must have written some of the most forgettable verse on fatherhood ever ("On a Sleeping Child," "To a Child Embracing His Mother," "Lines on Seeing My Wife and Two Children Sleeping in the Same Chamber"). But he also wrote the wonderfully comic "A Parental Ode to My Son, Aged Three Years and Five Months" with its implicit dialogue between the parent's public face—all smiles and coos—and the inner curmudgeon ("I cannot write, unless he's sent above!"). A writing mother can relate, too.
Which is not to say that a tender poem is a deboned one, or that all happy poems are lies. But, say—don't poets' opuses grow with every lie?
This is the paradox. Raising children requires an existential optimism that most poets whose names aren't "Walt Whitman" haven't had since the dawn of modernity. Poet-mothers have a lot against them: loneliness, tedium, time constraints, imperious children's constant interruptions, the social pressures of PTA-world. But the apprehensions behind the poet and the mother are hardest yet to reconcile: the embattled, doubt-ridden, mortal apprehensions of the poet, versus the mother who must connect, who must have faith and promote health, who must embrace creation.
If only I could be like the Blue-Haired Fairy—the mischievous mother who tests and teases Pinocchio. And then, in my poetry, I am. And then, waking up with nameless fears in the middle of the night, I'm not.
* * *
It seems to me I've been circling around this central fact: poems like Kunitz's, or Kasischke's, or Hood's, drift into my orbit and rhyme with my life for the time being, and this is one way many people read poems—poems of "aboutness": nature poems, love poems, memories-of-grandmother poems, coming-out-of-the-closet poems. But my relationships with these poems are nothing compared to the depth of my engagement with poets who, by all outward signs, have nothing to do with my identity as such. The extent to which Larkin falls short in "Afternoons" is nothing compared to how right he is in "Aubade," and in fact he is the poet of waking up in the night with nameless fears, baby or no baby. I get hooked on poems for the music they make, not the mirror they hold up to me—but then maybe some mirrors are more surprising, more disorienting, than others. I'm aroused by strangeness.
* * *
I start to read Pinocchio to my six-year-old, Jacob. It's riveting! Carlo Collodi has been so outshined by his world-renowned creation that his personal fame must be indexed in negative territory. (Is there a moral here for poets, one that parents already know?) Soon, Jacob can't wait to find out what's next, and starts reading on his own between our sessions. Parenthood is getting good. I'm soon thinking about what next big story to tackle.
(I'm still new at this. How can I make any definite claims about a relationship and condition—motherhood—which will have a long and changing history henceforward?
Oh, how can you trust anything I say? In Pinocchio, a thousand woodpeckers descend on the puppet's outsized nose after he promises to lie no more.)
The story of an animated puppet is a kind of wish fulfillment for kids who surround themselves with stuffed animals or fall in love with dolls and talk to them and secretly feel they will one day talk back. I still remember the stories I wrote at age seven or eight about magical lands where dolls talked. The first poems I ever memorized were the prayers my mother taught me: the Lord's Prayer, the Hail Mary. These poems were also addressed to personages who never talked back. Later, of course, it became apparent that writing was a way of making the inanimate talk. Stories and poems: making hornworms talk. And it's not just about throwing your own voice. In poetry, the very language is encouraged to speak itself. We call upon a daemon in it.
("'Bravo, dunce! You speak like a printed book!' howled the rascals.")
* * *
In the end, as you know, the puppet becomes a real boy.
I sat in a hospital bed the day I gave birth for the first time, and looked at my son. He was a communiqué in the uncanny language of DNA.
Later I wrote in a notebook with my one free hand: "It was as if Nature talked back to me."
More from this issue
This poem originally appeared in the September 2009 issue of Poetry magazine
By Dan Beachy-Quick
By Desirée Alvarez
By David Harsent
Ange Mlinko was born in Philadelphia and earned her BA from St. John's College and MFA from Brown University. She is the author of four books of poetry: Marvelous Things Overheard (2013), which was selected by both the New Yorker and the Boston Globe as a best book of 2013; Shoulder Season (2010),...
As If Nature Talked Back To Me
Ange Mlinko was born in Philadelphia and earned her BA from St. John's College and MFA from Brown University. She is the author of four books of poetry: Marvelous Things Overheard (2013), which was selected by both the New Yorker and the Boston Globe as a best book of 2013; Shoulder Season (2010),...
Other Information
Browse Poemsloading...


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Easton police: Cell phones robbed at gunpoint, knife-point
Easton police say they are investigating a pair of armed robberies in which cell phones were stolen at gunpoint and knife-point.
The second of the robberies happened happened around 12:30 a.m. Sunday in the 400 block of Davis Street. Police say a 42-year-old city resident was robbed of a cell phone by two men, one armed with a shotgun.
The first robbery happened around 11:30 Friday night. A 20-year-old city resident was also robbed by two men, one armed with a knife.
Police say the suspects in both incidents are black males. Police are not saying if they believe the suspects are the same for both incidents.
Anyone with information is asked to call Easton police at 610-759-2200.
Copyright 2013 WFMZ. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Indie Roundup invites you to relive the last seven days and look forward to the near future in the ever-diverse indie film world.
Deals. A big buzz title at Toronto was the most notable deal of the week. Aaron Schneider's Get Low, starring Bill Murray, Robert Duvall, Sissy Spacek, and Lucas Black, sold to Sony Pictures Classics for distribution in North America, according to our friends at indieWIRE. Scott Weinberg called it "an excellent little dramatic piece that's awash in humanity, warmth, insight, and wit." Details on several other deals that were made, all related to the Toronto fest, can be found at indieWIRE.
Online / On-Demand Viewing. Even less-publicized fest films are getting out into circulation. Hailing from Chile, Scrambled Beer (Malta Con Huevo) premiered at SXSW in 2008, and is now available for free streaming exclusively at Babelgum. It's described as "a delirious black comedy and bizarre story about two friends named Vladimir and George who move in together and begin to see reality differently. Vladimir lives a supernatural tale of time travel, while Jorge grows obsessed and embarks on a twisted adventure." In other words, possibly the perfect movie for the beginning of fall.
Fests. My favorite festival ever, Fantastic Fest, starts tomorrow night. Unfortunately, I'll only be able to pop in over the weekend to savor a small taste of the cinematic banquet that will be served over the next seven days. Look for much more coverage right here at Cinematical.
Actors in period costume, multiple shots of rum, and foreign cities -- all after the jump!
Indie Weekend Box Office. The true story of a doomed 19th Century romance drew the biggest crowds last weekend. Jane Campion's Bright Star took in $9,984 per screen at 19 locations, according to Box Office Mojo, surely heartening all those who treasure the poetry of John Keats. His romance with Fanny Brawne is reenacted by Ben Whishaw and Abbie Cornish. In her review, our own Jen Yamato, herself a very fine poet, explained: "What unfolds is less a by-the-numbers examination of the artist, who died a pauper at the age of 25 before any of his poetry was truly appreciated, and more a tribute to the power of the well-documented love that Keats and Brawne shared ... Campion conceivably adopted this method, resulting in a film that feels like a living thing, even if its elements are fairly restrained."
From the title, 35 Shots of Rum sounds like my kind of movie; it trailed Bright Star by only a few hundred dollars in per-screen average, though it opened at just one theater. It is not, however, a boozy flick about knocking down a few adult beverages on a Friday night. Rather, the latest from director Claire Denis "focuses on an all-black Paris community of friends, relations, former and current lovers and colleagues," says Jeffrey M. Anderson, an astute observer of the human condition. "Denis never explains any of these relationships outright; sometimes she plants little seeds of knowledge and other times we just follow dreamily, hooked on glances and exchanges rather than facts. ... She's more about the acceptance of everyday moments than she is about achieving goals."
Also opening at one theater, Teza made a very bankable $8,908. Writer/director Haile Gerima "ambitiously attempts to put his native country's tragic recent history into context," Fionnuala Halligan wrote in her Screen International review. The film "follows an Ethiopian intellectual through exile in Germany and return to his home village during the turbulent early years of the Marxist regime. Taking place over three decades, this may be modestly-budgeted but it is also handsome, intelligent and watchable."
A decent number of people felt continental, traveling cinematically to Paris, written and directed by Cedric Klapisch. Eric D. Snider described it as "a sort of love letter to that city, a series of vignettes about loosely connected characters who wander into each other's lives. Juliette Binoche is probably the most recognizable member of the large ensemble cast." Opening on six screens, Paris averaged $7,753 per engagement.
Ladies and gentlemen, I wish someone would tell me how John Malkovich keeps getting cast in romantic movies. What is it about him that screams out lust and love? (I am, of course, extremely jealous, and wish to know his secret for, uh, professional purposes.) Disgrace is his latest romance, and it made $4,205 per screen at three theaters. Malkovich plays a professor in South Africa who is having an affair with a mixed-race student and gets caught up in post-apartheid politics. Ella Taylor of The Village Voice isolates the actor's appeal: "Dour, detached, and oozing general contempt, the professor of literature who runs afoul of post-apartheid South Africa in Australian director Steve Jacobs's Disgrace might have been written for John Malkovich." She also refers to his "languid creepiness." Ah, now I understand: Being John Malkovich is not always a good thing.


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Later on you get it in the Ruins of the Temple of Time in the Forest. The rest is up to you.
anyone know wer u get the second sword in zelda? coz i bought the second shield in the store so i got it and i was wondering do u get awarded the sword for completing a quest in due course? or do u have to look around for it and if so can sum1 plz tel me wer it is?
Later on you get it in the Ruins of the Temple of Time in the Forest. The rest is up to you.
Wii on 25/12/06 - Ps3 on 10/07/07
PSWii Owner
Brawl: 1976-9887-4438 Bowser Player
Where are you in the game? The temple of time is on the second half of the 40 hour game.
Thanks for the sig Bubbagump!
PM me if you want to add mii to your wii
edit: wrong info sorry
Last edited by Riviet; 01-30-2007 at 06:12 PM.
WiiChat Photo Album:
if I remember correctly, you get the second sword The Master Sword) after the 3rd temple... after you help midna and then you upgrade it later...
Soon you get STUCK as a wolf. you need to find the 2nd sword (master sword) To turn you back into human and get the power to turn into a wolf/human and warp anytime in the game!
I just got the Master Sword myself. Roughly, how far am I into the game? Please tell me I'm more than halfway.
Master Sword is literally the halfway point.Originally Posted by White Knight
Before the sword: 3 longer dungeons
After the sword: 4 smaller dungeons + endgame stuff


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List of High-End Analog Source Owners on Head-Fi Continued - Page 15
Head-Fi's Best Sellers
- 3,549 Posts. Joined 8/2001
- Location: Somewhere in the Heartland
- Select All Posts By This User
Very nice turntable if I do say so.
- 720 Posts. Joined 1/2005
- Location: Cutler bay florida
- Select All Posts By This User
Music Hall MMF 7.1
- 37 Posts. Joined 10/2007
- Location: BRGN, Norway
- Select All Posts By This User
My main analog source:
Technics SP-25 turntable
Technics SH-15B1 plinth
Technics EPA-500 tonearm
Audio Technica AT-OC9ML/II cartridge
Isonoe feet
KAB PS-1200 power supply.
In 1979 the turntable/arm/plinth cost $1306
Adjusted for inflation, that's $3927
The power supply, feet and cartridge cost a total of $974.
Edited by VIrak - 10/11/10 at 2:11pm
Still using the VPI Superscoutmaster signature w/upgraded platter.
Have upgraded around it though.Have converted the junction box to the balanced version, and added a BAT VK-P10 phonostage and BAT REX preamp.
Also have a Koetsu Rosewood Signature Platinum on the way to compare with the Dynavector XX2 MKII that has been in use for over two years.
BAT certainly make great sounding audio gear, TOM is your P10 an SE model upgrade.
Know, but I had one a couple years ago. Cant really form an opinion about which i like more since the systems are so different. Might have mine upgraded at some point but right now I'm very happy with the way things are.
Table - Pro-ject RPM 6.1 SB
MC Cart - Sumiko BP Special EVO iii
Phono stage - PS Audio GCPH
- 269 Posts. Joined 1/2009
- Location: New Orleans
- Select All Posts By This User
Nice set-up; Nothing better than spinning Blue Note on Vinyl!
- 5 Posts. Joined 5/2009
- Select All Posts By This User
btf1980, great HT/Audio setup,
- 1,021 Posts. Joined 2/2005
- Location: Middle East
- Select All Posts By This User
You have two AQ carbon fiber brushes....tell me more.
So is this a DD table? I don't see a belt?
Thanks. Currently revamping the system as we speak. Going strictly 2 channel.
It's belt driven. The belt is concealed by the platter. The platter goes over the belt, so you won't see it.


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A 7-year-old boy with hereditary recurrent brachial neuropathy is described and the disease is traced through three generations. The disease is thought to be transmitted by an autosomal dominant gene. There is a wide spectrum of severity of attacks which have a tendency to recur at long intervals to appear during pregnancy or parturition. A troublesome but generally benign course can be predicted. There is no evidence at this time to believe that treatment other than supportive care has any real value.
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