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Lake Harding (also known as Bartlett's Ferry) is located on the Chattahoochee River 15 miles north of Columbus, and is part of Georgia Power's Chattahoochee Hydroelectric Group of lakes that also include: North Highland, Lagdale, Riverview, Goat Rock and Oliver.
Constructed in 1926, Georgia Power operates this 5,850 acre reservoir on the Chattahoochee River above Lake Goat Rock. Lake Harding forms the boundary between Alabama and Georgia for 12 miles. The lake is fed by Flat Shoal, Blanton, Sand, Oak Mountain, Halawakee, and Osanippa creeks. There are many islands on the lake, Great island is the largest. Tom Houston Island (aka Kudzu or Chimney Island) is also worth noting. It is distinguished by an old chimney which is the only remnant of Tom Houston's home on the island.


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USA Synchro Announces Annual WinnersINDIANAPOLIS – USA Synchro announced its annual award winners at the United States Aquatic Sports banquet, held Sept. 18 in Dallas. Mary Killman (McKinney, Texas) who is currently a member of the U.S. National Team received the 2010 USA Synchro Athlete-of-the- Year Award, while Jackie McDaniel of Spring Valley, Calif., received the Lillian MacKellar Award.
The USA Synchro Athlete-of-the-Year Award is presented to the athlete who has made the most significant and positive impact on the sport during the most recent competitive season. Earlier this year, Killman was crowned the national solo champion at the 2010 U.S. National Championships and has also been competing on the U.S. National Team that just returned home from the FINA World Cup in Changshu, China.
Killman got her start in the Dallas area while training with the Pirouettes of Texas. After four years of competing, she moved to Santa Clara, Calif., to further her career. She has since made five National Team appearances.
The Lillian MacKellar Award is USA Synchro's most prestigious honor, given for unselfish service to the sport without the thought of personal gain and with particular emphasis on working for the benefit of the athlete.
Jackie McDaniel has been a volunteer with USA Synchro for nearly 30 years. She has served as the National Scoring Chair as well as played key roles in the scoring room at the 1995 FINA World Cup and the 1996 Olympic Games. She continues to score many of the USA Synchro National Championships and has served as the meet host for many USA Synchro events.
Congratulations to Mary Killman and Jackie McDaniel!
Please contact Taylor Payne at email@example.com or 317-507-3410 for more information concerning USA Synchro.


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UNGA Debate on Right to Water Highlights Impact of Climate Change
27 July 2011: The UN General Assembly (UNGA) held a debate on the human right to water and sanitation, during which a number of speakers highlighted that climate change constitutes an obstacle to the enjoyment of this right, stressing the particular situations of small island low-lying States.
The debate took place on 27 July 2011, at UN Headquarters in New York, US. In his opening address, Joseph Deiss, UNGA President, recalled that, in July 2010, the General Assembly adopted a resolution on the human right to water and sanitation, which he said was an important first step towards the explicit acknowledgment of that resource as a human right.
Egypt said States must take all necessary measures to extend human rights, including the right to clean water and sanitation. He added that Egypt's efforts were challenged by funding, climate change, population growth and other factors, and indicated that his Government had adopted an integrated national plan to address these challenges. Senegal stressed the need to address climate change and drought in order to achieve the right to water, calling for increased assistance.
Cuba called for enhanced cooperation in the face of climate change, calling for the creation of mechanisms that are not dependant on the international financial institutions.
Saint Vincent and the Grenadines expressed support for the UNGA resolution by which the Assembly had recognized the right to water and sanitation as a human right. He underlined that his country's achievements in terms of ensuring the realization of that right, considering its limited resources, illustrate the importance of political will. He emphasized the urgency of "looming threats" to achieving the right to water, namely climate change and desertification. He added that his country often resorts to transporting water by ship and said sea-level rise would have a disastrous effect. He concluded by calling for mainstreaming the issue in the global agenda.
Maldives explained that her country's main source of water is shallow groundwater, underscoring its extreme vulnerability to water scarcity. She called for considering the legally binding right to water in the context of sea-level rise, climate change, and other critical phenomena. [UNGA Press Release] [UN Press Release]


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MUSKEGON, MI – Few issues tap the emotions like "climate change" and what to do if it is real.
On one side are the 16 percent of the population who are "alarmed" that if something is not done to stop the burning of fossil fuels and the release carbon dioxide into the atmosphere, modern life as we know it will change drastically – and not for the better.
On the other side of the argument are the 8 percent of the nation who are "dismissive" of the fact that the climate is changing and more so that human activity might be the cause. Climate change advocates create doomsday scenarios to scare people for political and philosophical ends, some say.
A climate-change believer and policy-change advocate says everyone has to find a personal, emotional point of reference to be engaged. Jennifer Hill – a member and presenter of the global Climate Reality Project – found her personal realization in August 2012 back on her family's farm in Garden Prairie, Ill.
By late August through her childhood, the corn in Garden Prairie was so tall you can't see the horizon until harvest, she said. That was not the case in 2012 when she was back for her parents' 50th wedding anniversary.
"You could see over the corn because of the drought," Hill told a noontime audience on Tuesday, Dec. 10 at the Grand Valley State University's Michigan Alternative and Renewable Energy Center in Muskegon. Hill was the first of four speakers in the GVSU climate and energy lecture series.
"I can't tell you how that affected me," Hill said of the comparison to her childhood she chalks up to the effects of climate change. "It motivates me to do this."
The Climate Reality Project is a group that puts 15,000 scientific presenters before groups around the globe to have a conversation about the science behind climate change and the warming of the earth. The science, however, moves those pro and con into the political realm with drastically different public policies on energy.
Current public policy polling shows that 45 percent of the country is "alarmed or concerned" about climate change, while 21 percent are "dismissive or doubtful." That leaves 25 percent "cautious" and 9 percent "disengaged."
"This is a global issue but all of us have to do our part," Hill told the Muskegon audience. "We have to have a better conversation. We need to change laws more importantly than changing light bulbs. We have to begin putting a realistic price on carbon and we haven't been doing that for many years. We need to raise the resources to address some important questions."
For some climate change advocates, that means a market-based "cap and trade" energy policy relating to fossil fuels and the release of carbon dioxide – or "greenhouse gases" -- into the atmosphere. Others would advocate a more direct tax on carbon to be used to switch to a carbon-free economy with renewable energy such as solar, wind and bio-fuels.
But to begin the political debate, a large portion of citizens must buy into current climate science. Hill and The Climate Reality Project have a presentation that begins with basic chemistry and physics and goes into climate science that began in the late 1800s.
"This science is not new," Hills said but added that the level of understanding continues to improve. "Scientists are in a constant conversation with each other trying to figure out the why and how."
Hill and climate change advocates present the "hockey stick" chart of carbon dioxide in the earth's atmosphere showing a normal range until the past 20 years when it shot up dramatically. Carbon dioxide works like a blanket to trap heat generated by the sun and reflected off the earth, explained Hill, who has a master's degree in environmental and urban planning from the Massachusetts Institute of Technology and has been a science center instructor at institutions throughout the nation.
The carbon dioxide levels have ranged below 300 parts per million for thousands of years based on studies of arctic ice among other indicators, she said. Just recently, carbon dioxide levels shot up to 400 parts per million and could reach 600 in 40 years at current rates.
Hill said "human fingerprints" from fossil fuel use are all over the current rise, including the explosion in the burning of fossil fuels as Third World countries develop more-modern economies and lifestyles.
The heating of the atmosphere, land and oceans creates the conditions that allows for weather events such as the massive Hurricane Sandy in the fall of 2012 on the U.S. East Coast. The melting of the polar ice caps has created variations in the jet stream and slowed the movement of storms that have caused more rain in one area and no rain in others, Hill said.
Climate science isn't perfect, but it has informed the world enough to act, she said.
"Just because we do not know 100 percent of everything doesn't mean we shouldn't act," Hill said at the GVSU renewable energy center. "Places like this center are critical to figuring out how we are going to cope. It will be an enormous shift of resources to make the needed changes."
The GVSU climate and energy lecture series continues Jan. 14 with a presentation on solar power in the Great Lakes region, Feb. 11 on Africa and the next renewable energy frontier and March 11 on global sustainable energy goals.
Dave Alexander covers business and local government for MLive/The Muskegon Chronicle. Email him at firstname.lastname@example.com and follow him on Facebook and Twitter.


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By Mike Rizzuto
Sun Times Editor
The Acadiana High School Wreckin' Rams proved to be too much for the Lake Arthur Fighting Tigers in the Midland High School Spectacular Basketball Tournament consolation game on Tuesday, December 30th, 2008, as they used a fourth quarter explosion to take a convincing 56-33 win.
Lake Arthur was in the ball game until that pivotal fourth period, when the Rams made a 17-2 run to change a competitive game into a blowout.
Lake Arthur and the Rams were tied 11-11 at the end of one period, and the Tigers trailed Acadiana by just one point at half, 23-22.
The Rams got a little more breathing room in the third stanza by outscoring the Tigers 16-9 to take a 39-31 lead into the final frame of play.
No Tiger players hit for double digits against the smothering defense of the Rams, but Nick Klein managed nine points, while teammates Durrell Prudhomme and DeAngelo Thompson added eight and seven tallies. Darius Mitchell and Brad Armentor scored five and four points respectively to round out the Tiger offensive output.
D.J. St. Julien led Acadiana with 13 points, while teammates Kendrick Stansberry and Ian Boudreaux hit for 12 and 11 markers respectively.
Lake Arthur hit on seven field goals, four three-pointers, and was seven of 11 from the free throw line.
Acadiana pumped in 17 field goals, four three-pointers, and were a poor eight of 20 from the charity stripe.
Klein led the Tigers with three three-pointers, while Prudhomme clicked on one.
With the loss, the Tigers claimed fourth place and fell to 11-4 on the season.


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Waste Electrical and Electronic Equipment (WEEE) and waste batteries must never be placed in your waste disposal or recycling bins. WEEE is taken back free of charge at electrical retail outlets on a one-for-one like-for-like basis. There is a bin for small batteries in your local store. Local authority civic amenity facilities also take back WEEE and waste batteries free of charge. WEEE and waste battery recycling is free. For more detail please see our Policy Pages at www.littlewoodsireland.ie/help/en/weee-directive.page.


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.500 Whelan Mauser
Ammunition, Gear, and Firearm Help
Handloading and Reloading
> .500 Whelan Mauser
March 12, 2008, 05:57 PM
Can someone provide me some info on this. It's not in "Cartridges of the World". It was to some degree common in Alaska in the '20's.
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March 12, 2008, 06:08 PM
thats a good one, I have never heard of it...
what can you tell us to get started?
March 12, 2008, 06:16 PM
I've never heard of it either.
Somehow, Whelen, Mauser, & .500 just don't seem right.
Whelen was big into 03 Springfields, 30-06's & 30-06 based wildcats, and helping to invent the .22 Hornet.
And a .500 bullet would be bigger around then the case-head of a 30-06.
SO you would have sort of a "reverse" bottleneck!
1920's would have been pre-.348 Winchester, so getting an American made case that big would have involved wildcatting some old rimmed black-power round.
Vern Humphrey
March 12, 2008, 07:38 PM
Are you sure you don't mean the .40 Whelen? This was the first, and didn't set the world on fire.
The problem is, when you neck the .30-06 case up to .40 cal, you don't have enough shoulder left to adequately headspace it.
The solution, if you want to go that way, is to have your reamer made up with a sharper shoulder -- more like the Brown-Whelen shoulder.
March 12, 2008, 08:53 PM
That's what I was thinking too.
The .400 Whelen would have been more in keeping with the time frame in question, and what Whelen was doing at the time.
Bad Flynch
March 12, 2008, 10:09 PM
Well, the very first of the Whelen cartridges was the .35 Whelen and it is still probably the best. It was made by necking up a .30-'06 to take a 35 caliber bullet. It is a very successful cartridge, even today. Someone else, not Col. Whelen, made it up and named it in honor of the Col.
Soo thereafter came varuations on the theme: .375 and .400. Elmer Keith got into the act and tried the .333 OKH.
The .400 had a few problems, most notably was that the shoulder was so narrow that it had a hard time maintaining the cartridge headspace. That, considering that only reloads could be had and that some reloads would naturally be low in pressure and not hold cartridge dimensions well.
The .400 pretty much died a naturaly death. You can read about it in Phil Sharpe's loading book.
March 13, 2008, 01:00 AM
I am pretty sure the 500 Whelen was never very common anywhere. The 400 Whelen just barely functions in the 06 case and not very well (the previously mentioned headspacing issue)or it would be more popular then it is. Fred Zeglin used to have a good rundown of what was possible for the various cases on his website.
Even the 50 Alaskan was VERY RARE and did not come into being until 20+ years after the time frame that you mention. The only 50's that would fit the time frame were the 1886 Win rounds or the earlier single shot rounds. Maybe the 577 Snyder in a Martini (which would make sense)?
As far as bolt rounds I have no idea, but would appreciate you sharing any info you find. Where did you hear about this round? If it truly was in a bolt rifle it would have undoubtedly remained popular in that part of the world up to today.
March 13, 2008, 02:23 AM
Note that I spelled it Whelan--that wasn't an error. Russel Annabel mentions it several times in his writing. I'm not saying 'ol Rusty was perfect, but he was pretty on line. Plus, every story was published in "Outdoor Life". Back in the 40's, 50's and 60"s, "Outdoor Life" was a class magazine, not prone to errors, especially repetitive. I'm not at all sure that the rifle that Rusty referred to was at all related to Col. Townsend Whelen. But it could have been. The .35 Whelen came about in 1922, and Rusty starts referring to it right about then, but possibly earlier. You have to deduce the date based on his claimed age at the time and his birthday (1907). In stories he wrote where he claimed to be 19, he first refers to it. He calls it "the wickedest weapon available in those pre-magnum days". Several of his stories mention it. I thought of the Whelen cartridge deal, to my knowledge based on the '06. No way an '06 can have a .500 slug. I reckon that is maybeso what stimulated my curiopsity. I'm still curious.
March 13, 2008, 02:35 AM
I don't know where they would have gotten the brass, except maybe from the Newtons? Will try to find out, my cartridge books are presently about not where I am at. Best easy way to find out would be to ask over on the wildcat or big bore forums at accuratereloading.
Good Luck.
March 13, 2008, 02:53 AM
Good thought! Off the Newton case it may have been possible.
Bad Flynch
March 14, 2008, 02:23 PM
>No way an '06 can have a .500 slug<
Well, considering that the case head on a .30-'06 is 0.473" across, then stuffing a bullet of 0.508-0.510" in the case would give it a reverse taper or reverse shoulder. When those arrangements were tried last, they didn't work well, at all.
March 14, 2008, 02:58 PM
The .400 Whelen was the first and only cartridge the widely traveled hunter developed. it is about a straight case 06 with only the merest shoulder. Elmer Keith (surprise!) liked it but mentioned the problems with headspacing.
The .35 Whelen was a tribute to Col Townsend Whelen. He never had one or used one, IIRC. It was released as a Remington cartridge some time later.
Wil Terry
March 14, 2008, 03:20 PM
Mr Howe, GRIFFIN&HOWE, most certainly DID make a 35WHELEN for Col. Townsend Whelen. REMEMBER, this cartridge goes back into the 1920'S and Howe named it after his pal Col. Whelen who was the superintendent of FRANKFORD ARSENAL at the time.
[ ...if I remember it all correctly at this late date...]
March 14, 2008, 03:55 PM
Mr. Terry, that's a pretty bold statement, especially since you took the liberty to change the spelling I gave and explained. I've already said that I don't think it has anything to do with Townsend Whelen. Of course it couldn't have been made on an '06 case. That's obvious, but I believe maybeso it could have been on a Newton case. I pretty strongly believe it did exist, as I have seen it referred to in old writings more than a few times. Still hoping someone out there has the skivvy on it.
Wil Terry
March 15, 2008, 05:04 PM
There were a bunch of 'em all gone and forgotten now. The 35 caliber one was the only one to survive to modern times.
PS: Col. Whelen furnished ALL the 30/06 brass used in the experiments as he was the Chief, cook, and bottlewasher at FRANKFORD ARSENAL, the U. S. of A.'s government ammunition plant where almost ALL--ALL!!!---of the ammunition experimenting going on in this country was being carried out.
March 15, 2008, 06:14 PM
I've done a google search and looked at accuratereloaders site and can't find anything on a .500 Whelan. I suspect that if Cartridges of the World doesn't have anything on it, it most likely doesn't exist.
The other poster, Wil Terry is one of the most knowedgeable gun guys around. If HE hasn't heard of it then i doubt it was ever made.
That being said i hope that moose can come up with an article or other proof that the round was made. There is good documentation of rounds made in the past. It should have come up on a google search if it ever exsisted.
March 16, 2008, 08:50 PM
Can't disagree with most of your comments, Mr. Ratshooter. I have seen it, the .500 Whelan, referred to several times in articles by Russel Annabel in "Outdoor Life" back in the 50's, 60's. That is why I was/am curious about it. I also have been unable to find anything on it, but there are those references to it. Mr. Terry is hung up on Whelen cartridges associated with Townsend Whelen. I doubt you could find 10 people that don't know that all the Whelen cartridges were made off an '06 case. A .500 obviously wasn't. This one is also not spelled Whelen; it's Whelan. Mr. Terry apparently doesn't want to hear that nor consider anyone other than Townsend Whelen.
The Newton case is a possibility. It was around in the 20's (1913, I believe) and has (had) a base diameter of .523. Granted, it still would need to be nearly a straight case with a .500 bullet, but feasible.
March 17, 2008, 04:49 PM
Well Mr. Moose i guess the ball is in your court. If you have an old article you can scan in and post it would help also.
I sent an E-Mail the Wolf publishing hoping one of the writers would know if this round existed. This is the answer i received:
"I haven't been able to find anything on the .500 Whelan, anywhere. John Barsness"
Notice he spelled the name correctly. I hope you know who he is also.
Between John Barness and Wil Terry if those two haven't heard of it then i'm sure at at loss as to how to verify its existance.
Let us know if you find something.
March 17, 2008, 05:30 PM
With all due respect, if it's not in Cartridges Of The World, and Mr Terry and Mr Barsness have not heard of it, I doubt the existence or at least significance.
Some of the writers in the 60's were trying to keep up with Elmer Keith and others of significant stature. Their writings were sometimes less than factual. There was one writer (forget the name) that made up about 90% of his stuff.
March 17, 2008, 05:37 PM
From P.O.Akley book Volume Handbook for shooters and Reloaders
.577/450 Martini-Henry
British Military cartridge and a large number of the Enfield-Martinis were imported...
.505 Barnes Supreme. This cartridge could be made on an Enfield action and fired a 600 gr. bullet It was based on a .460 Weatherby case which would have come later.
I realize these are not on the Mauser action as stated above
Just for information
March 18, 2008, 01:43 AM
Annabel used the name Mauser with regard to the cartridge, but didn't actually say it was a Mauser rifle, though one would get that idea. He was writing about this in the 20's, so of course there weren't .460 WB's, but, there were Rigby cases, and a .460 WB is just a .416 Rigby case with a belt added. Mr. Ratshooter, I have no way to send you a copy, but if you'll read some of Russel Annabel's old stuff, you'll read about it. It is mentioned in several of his Alaska articles that I've read, and I haven't read them all by any means. These were before he left and went to Mexico. This may be a dead end, as Rusty's deader than hell, has been for nearly 40 years. But I'd sure like to know what he was talking about. Barnsness is a pretty knowledgeable guy, so if you know him, maybeso you could discuss it with him in more detail, mentioning the source (Annabel, not me). I don't know the man, or I'd contact him myself.
Vern Humphrey
March 18, 2008, 10:01 AM
How about scanning the article and posting it here -- or at least the part where he describes the cartridge?
March 18, 2008, 12:59 PM
I guess many of you never read the gunzine articles of the 50s and 60s where there was a new wildcat cartridge touted every month. Most were also never heard of again. PO Ackley was one of the wildcatters and there were a few more.
Vern Humphrey
March 18, 2008, 01:05 PM
The question is not "were there lots of wildcatters" but rather "was there a .500 Whelen?"
March 18, 2008, 01:39 PM
The guy said Whelan, not Whelen. To my knowledge, "no," but there could have been based on the new "cartridge of the week" developed by the wildcatters.
March 19, 2008, 01:52 AM
Mr. Humphrey--I don't have a way to do that. At any rate, he doesn't really describe or discuss them; simply mentions that his hunter was using a .500 Whelan Mauser--more than once, more than one hunter, more than one article, incidently. Actually, one was a woman! All he ever said in-so-far as discription was "the wickedest thing going before the time of magnums". He does refer to "significant" recoil! And Big G, it was in the 20's, not the 50's or 60's that he was talking about.
There were cases in existance at the time that could handle a .500 bullet. I've also considered that it could be a printing error and that indeed it was a .400 Whelen, but it seems strange that the printing error would occur more than once, and in different articles. Obviously, if I knew the answer, I wouldn't have asked the question!
Vern Humphrey
March 19, 2008, 11:14 AM
Well, I wish there were some way we could read the articles -- this is really a mystry.
March 19, 2008, 09:06 PM
Sorry I can't help on that aspect. I well remember reading all his stuff when I was younger in the 50's and 60's. They have mostly all been compiled into book form (4 books), and that is where I have been re-reading them lately. The books go all the way back, way before the 50's. Excellent reading, whether I ever find out about the .500 Whelan or not.
March 20, 2008, 12:20 AM
Hello moosehunt thanks for replying. I looked on google (my new source for all info) and couldn't find any Annabell writings. I believe there was someone else doing research on his writings but nothing posted i could read for free.
I have an old Guns and Ammo annual from about 1980 with a R.A. article titled "Little Gun, Big Medicine" talking about using the 22 caliber pistol in Alaska. Past that i have no more info.
Also i not a friend of John Barsness he just answered the question i sent to Rifle Magazine. I would like to meet the guy though, thats for sure.
March 20, 2008, 03:20 PM
moosehunt--where can the books be purchased.
I also remember reading his articles in the 50's and 60's. I enjoyed his style of writing.
March 21, 2008, 09:56 AM
Oh yeah - a lot of the stuff I read in the 50s and 60s were old articles dating back to the early part of the century. Elmer Keith, PO Ackley, and Townsend Whelen were old writers.
March 21, 2008, 02:44 PM
ADKWOODSMAN--I got mine from Safari Press, but I think maybeso they are sold out. I reckon one could check places like Barnes & Noble. The books:
Volume I Alaskan Adventures The Early Years
Volume II Adventure Is My Business
Volume III Adventure Is In My Blood
Volume IV The High Road To Adventure
Volume V The Way We Were
Excuse me, I said there were 4 books. Obviously there are 5.
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Art Nouveau Gallery
Art Nouveau Gallery
348 NW 29th Street
Miami, Florida FL 33127
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Art Nouveau Galeria
Calle 73 con Ave 3 H
Edif. San Francisco de Paola P.B.
E-mail address :
Website :
Other Artists represented by the Gallery:
Paul Amundarain
Biography :
Paul Amundarain One of the youngest artists in our gallery, Amundarain's work stems from two well assented platforms in Venezuela's artistic landscape: the tradition of abstract geometry on one side, and the reflections about the city of Caracas as a topographic landscape, on the other. His largest series of assemblages titled Urban skins and Anarchical skins are a visual synthesis of what Caracas looks like from above, intending to analyze and reflect upon the social circumstances and irrationality that prevail in this chaotic urban development. Amundarain departs from the overhead shots taken from the city's barrios (slums) as a model, and dissects its landscape formed by the geometric shapes of the roofs of millions of ranchos (favelas). He uses Aluminum triangle and square blade-alike shapes that overlap the bi-dimensional surface and produces volumetric assemblages that suggest not only the violence, but also the unruly and massive informal habitable solutions of poverty. In other bodies of work, Amundarain is reflecting upon Venezuela's conflictive street violence to generate paintings, sculptures and installations, thinking about the unfortunate popular culture icons of violence in the context of their own reality, in which the whole city becomes a crime scene at large. It is quite common in today's Caracas to find its urban landscape scarred with physical evidences of this violence, such as the traces left from bullets in street signs, protection barriers on roads, and damaged infrastructure that present vestiges of thuggery. In his series Impact, Amundarain perforates aluminum painted gold surfaces with real bullets, or as in Formal Subtraction where he removes highway safety barriers that have been damaged by car crashes or bullets, and alters them into sculptures, not before intervening them with paint or chroming their surfaces. With his work, Amundarain is commenting about the social scenario of a system that has progressively falle
Antonio Asis
Biography :
Antonio Asis studied at the Escuela Nacional de Bellas Artes where he obtained his doctorate in 1950, From 1950-1956 he conducted geometric and constructivist research. Upon his arrival to Paris in 1956, Asis met and worked closely with artists such as Agam, Soto, Schaeffer, and Vasarely and began to center his art on a two-part kinetic focus. Asis began to concern himself with the relationship between colors in order to obtain a form of optical melange and kinetic vibration. Asis' work has been featured in numerous exhibitions throughout Europe beginning in 1965 including Lumiere et Movement in Paris (1965), Cinetisme, Spectacle, Environment, (1968), Biennale mediterraneenne d'art contemporain, Italy (1983), Los Cineticos-Kinetic Art at the Museo Centro Nacional de Arte Reina Sofia, Madrid -Spain (2007), and most recently North Looks South: Building the Latin-American Art Collection, Museum of Fine Arts, Houston-USA.
Exhibition :
Solo Exhibitions 2007: Sicardi Gallery, Houston - Texas 1995: Expression Visuelle, Galeria Arte Struktura, Milan, Italy 1995: Expression Visuelle, Galerie Claude Dorval, Paris, France 1989: Atelier Antonio Asis-Oeuvres des annees 50 a 70, Hotel Drouot, Paris, France, November 17 1983:Galerie J. & J. Donguy, Paris, France, January 13 - February 12 1975: Asis, Galleria la Polena, Genova, Italy, June 19 - July 15 1972: Maison de la Culture, Rennes, France 1971: Estudio Actual, Caracas, Venezuela, June 1970: Galerie Krebs, Bern, Switzerland, March 17 - April 11
Detailed Description :
While interested in vibrant harmonies, Asis has also explored the possibilities of dominant monochramy. He has also in time become interested in the idea of geometrical elements such as spheres and spirals, as well as in space. Antonio Asis lives and works in Paris, France.
Espace Meyer Zafra,
Rafael Barrios
Biography :
Rafael Barrios studied in Canada, the United States and Venezuela. His career dates from an early age. He studied drawing and painting at the Museo de Bellas Artes, Caracas, Venezuela, winning his first award with the Prize of "National Youth Painting" in 1963.Upon completing his basic studies in Venezuela and Canada, won the J. Walter Thompson International scholarship to study at the Ontario College of Art in Toronto, Canada, where he graduated with honors in "Pure Art" and "Communication and Design". In 1981 won a Post-graduate scholarship in Fine Arts and " Monumental Technology" at the University of New York, USA. In his career as an artist Rafael Barrios has performed work as an Art Director for UNESCO. Also worked as an art consultant for film maker creations in "Latin Touch" Movie; Sets Director for Chris Von Wangenheim in Vogue and Esquire Magazines in New York, USA; Professor of "Tridimensional and Advertising Designs", Neumann Foundation Design Institute, Caracas, Venezuela; Sets Director, for the presentation of "Dance Today" at Expo-Sevilla, Spain; Set-Director, Fashion Designer Herve Leger, "Carrouselle du Louvre", Paris, France.
Exhibition :
Rafael Barrios has has numerous, individual and collective showings in the United States, Europe, South America, in other Latin American countries and in countries of the Middle East. His work is displayed in permanent collections such as the Art Gallery of Ontario and Carmmen Lammana Foundation in Toronto, Canada; National Art Gallery, Caracas, Venezuela; Museum of Contemporary Art Sofia Imber, Caracas, Venezuela, and in private collections such as the King Don Juan de Borbon, Spain, Princess Gloria Von Thurrell Untaxis, Germany.
Detailed Description :
In 1973 the renowned futurist Marshall McLuhan expressed in a lecture at the University of Toronto, "Rafael Barrios' work is fresh fruit for thought". Rafael Bariios plays with shapes altering the laws of geometry and creating volumes in space. His sculptures are characterized by breaking with the orthodox directionality, accessing new possibilities for perception. The dizzying rise of virtual works themselves seems to rise about defying the laws of space, alleviating the body's expose to gravity. Rafael Barrios' works are identified be their dynamics, by their lightness; by force and by the magnetism that prints with the intention that each of them comes to mind. "His sculptures range in form, shape, color and dimension ...creating art that alters our perception and state of mind" According to the artist "the work is about dislocating our perception in such a way that our mind's eye will insist that you are seeing something that you are not", "The sculptures are virtual, contemplative, geometrical and participatory, designed so that they may visually develop in our mind's eye and be appreciated from anywhere in innumerable visual possibilities.
Milton Becerra
Biography :
Milton Becerra (born Tachira, August 10, 1951) He began exhibiting his works in 1970, while still a student at the Cristóbal Roja School of Plastic Arts in Caracas, from which he graduated in 1972. In 1976, after a second solo exhibition at the Contemporary Art Museum of Caracas, Milton Becerra made a series of interventions in the landscape. Milton Becerra's first works appeared during the 1970s within this context. These works are located in diverse suburban areas of Caracas –in the imprecise boundaries that separate the metropolis, the forest or the pastures high up, in the banks of streams or in the last streets and rows of houses of the city, at Colonia Tovar or at La Mariposa dam. Although it is strictly a matter of actions and interventions, these pieces end up being a series of photographs which, more than a document, constitute an initial artistic and poetic approximation to that vision of nature and the territory as sacred spaces, conducive to mystical experiences and intersected by a memory of cultures of peoples who have been silenced or have disappeared. This starting point will later characterize, very profoundly, the body of his work
Milton Becerra
Lia Bermudez
Biography :
Lía Bermúdez (born August 4, 1930 in Caracas) is a Venezuelan sculptor. She began her studies at the School of Applied Arts in Caracas (1944–1946) and moved to Maracaibo. There in 1947, she continued her studies at the School of Visual Arts of Julio Árraga. She was a student of the masters Julio Narváez and Francisco Maragall. Major exhibitions: Centro de Bellas Artes, Maracaibo, Zulia State, 1957, Ateneo de Valencia, Carabobo State, 1966, Gallery of Visual Arts, University of Zulia, Maracaibo, Museum of Modern Art of Latin America, Washington, DC, 1979, Museo de Arte Contemporáneo de Caracas, 1989. In 1992, this museum presented a retrospective of her work. She been awarded the Order of the Liberator Knighthood, an award from the University of Carabobo, Zulia Governor's Award, Order of Maracaibo City in the first class, Order of Francisco de Miranda, Ana Maria Campos decoration and the National Prize of Plastic Arts of Venezuela 2007 amongst others.
Carlos Cruz Diez
Biography :
He began his research on color alongside the Kinetic Movement of the 60s. His reflection on art has expanded our ideas about color to the point where today we can understand that perceptions of chromatic phenomena do not necessarily have to be associated with form. Cruz-Diez has conceived his proposition by what he qualifies as spatial structures, "Chromostructure" or media for chromatic events, giving origin to what we know as "Physichromie," "Transchromie," "Induction Chromatique," "Couleur Additive" and "Chromosaturation." These are the focus of all his research and works — works in which he shows that color, when it interacts with the observer, is transformed into an autonomous event capable of invading space without the aid of form, without narrative or symbols.
Espace Meyer Zafra,
Astrid Fitzgerald
Biography :
Born and educated in Switzerland and England, Astrid Fitzgerald emigrated to the Unites States and to New York where her keen interest in abstract art was ignited working for the eminent architect Philip Johnson. She acquired skills in painting and printmaking at the Art Students League, F.I.T. and Pratt Institute, and her work was recognized through an award for a design for the New York Theater mural competition. Soon after, she began to paint large geometric canvases, some inspired by Joseph Albers' Color Interaction Theory. Subsequently, her growing interest in Philosophical Geometry, in particular in the Golden Ratio, propelled her work in a new direction. Her works have been shown in 18 countries in solo and group exhibitions, and represented in many public, private and corporate collections, among them the Museum of Geometric & MADI Art, the Aldrich Museum of Contemporary Art, and corporate collections including the Marcel Breuer Building, Boca Raton, UBS Securities, and I.M. Pei & Partners. A major installation was selected to represent the United States at the 2002 Artcanal exposition in Le Landeron, Switzerland.
Joao Galvao
Biography :
João Carlos Galvão was born in Rio de Janeiro in 1941 begins his first studies in painting in 1951. Studies in Nacional de School Fine Arts, University of Brazil between 1964 and 1966 He moved to Paris where he follows the Sorbonne sociology course with Jean Cassou art and attends the workshops of Sergio de Camargo, Victor Vasarely and Yvaral
Espace Meyer Zafra,
John Henry
Biography :
John Henry (Kentucky, US 1943) John Henry's large-scale abstract public sculptures have been shown extensively throughout the United States and worldwide. For more than four decades Henry has worked within the parameters of Constructivism, Minimalism and Geometric Abstractionism. The majority of his pieces deal with the idea of scale, equilibrium and geometric structures that interact with each other, mainly long rectangular shapes that are in tension and hold themselves in space, creating rectilinear elements that are arranged like tri dimensional drawings raising up elegantly in space, as if defying gravity and stopping motion. His sculptures, are characteristically painted with solid monochromatic colors or keep the patina of the original material, and are usually made of welded steel or aluminum. John Henry's scale grows from pedestal sizes and wall pieces, to medium and large public scale monumental structures. His work, specially his large format installations, question the relationship between art, landscape, space and their interaction with the surrounding space, creating visual landmarks that are open in many cases, to public interactions. John Henry's sculptures permanently reflect upon order and chaos, nature and human, art and life. John Henry attended the University of Kentucky, University of Chicago and the Art Institute of Chicago, where he earned a BFA in 1969. He received an Honorary Doctor of Arts from the University of Kentucky in 1996. As a visiting professor of sculpture, Henry has taught at the University of lowa, University of Wisconsin, University of Chicago and the School of the Art Institute of Chicago. He was a founding member of ConStruct; an artist run gallery that promoted large-scale sculptures exhibitions throughout USA. He is currently Distinguished Professor of Art at Chattanooga State College. Some recent honors include recognition on the floor of the Tennessee State Senate in 2004, and in 2005 the honorary rena
McCormick Gallery,
Margulis J.
Julio Le Parc
La Cometa,
Roberto Lombana
Carlos Medina
Biography :
Exhibition :
He enrolls in the Escuela de artes Plasticas Cristobal Rojas, and graduates in 1975. 1975 His first solo exhibition, Piedra, Hierro y Dibujo, Sala anexa of the Museo Contemporáneo de Caracas 1976 He is apponted profesor of sculpture at the Escuela de artes Plasticas "Armando Reveron" in Barcelona, Venezuela 1978 He moves to Italy thanks to socholarship by FUNDARTE to continue his studies 1984 He returns to Venezuela and settles in Caracas 1988 He participates in the group exhibition "la imaginación de la Trasparencia", Museo de Bellas Artes, Caracas, Venezuela 1991 He is awarded the Premio Galeria de Arte Nacional in the V Bienal Nacional de Escultura Francisco Narvaez 1992 He wins the Premio Antonio Herrera Toro in the L Salón Arturo Michelena, Ateneo de Valencia, Venezuela 1993 "Cilindros", Galeria Lozada 7 Lozada, Valencia, Venezuela 1994 FIA, Namia Mondolfi, Caracas, Venezuela 1997 He installs Spatial Circles in the Capital Plaza mal, Barquisimeto, Venezuela "Cilindros", Estudio 99, Barquisimeto, Venezuela 1998 "Hojas", Estudio 99, Barquisimeto, Venezuela He installs the Monument to Sisai, El Cuji, Venezuela 1999 "Circulos y Cilindros" , Estudio 99, Barquisimeto, Venezuela Museo de Arte Contemporáneo de Caracas Sofia Imber, he participates with "Diagonal Drop I 2001 "La Escultura del Espacio", Museo de arte de Coro, Venezuela 2004 "Tensiones", Alternativa Sala de Arte, Caracas, Venezuela 2005 "Gotas y hojas", Galeria de Arte Altamira, Caracas, Venezuela "Nosotros", Centro de Arte El Atillo, Caracas, Venezuela 2006 "Papeles", one man exhibition, Museo de Arte de Caracas Sofia Imber, Caracas, Venezuela 2007 "Papeles y Aceros" Museo de Arte de Coro, Coro, Venezuela Museo de Arte Moderno, San Felipe, Venezuela 2008 Centro de Arte Lía Bermúdez, Maracaibo, Venezuela 2009 Museo de Arte de Tovar, Tovar, Venezuela Museo de Arte de Mérida, Mérida, Venezuela Galería Mu
Ascaso Gallery,
Jonidel Mendoza
Rogelio POLESELLO
Biography :
Rogelio Polesello (26 July 1939 – 6 July 2014) was an Argentine painter, muralist and sculptor. He was best known for making Op art (or optical art) known in Latin America. He won two Konex Awards; one in 1982 and another in 2012. He was born in Buenos Aires.[1] Rogelio Polesello studied at the Escuela Nacional de Bellas Artes Manuel Belgrano and the Escuela Nacional de Bellas Artes Prilidiano Pueyrredón, both in Buenos Aires. In 1959, he joined the Asociación Arte Nuevo, founded by Aldo Pellegrini and Carmelo Arden Quin. The paintings he included in his first solo exhibition at the Galería Peuser (Buenos Aires, 1959) followed the aesthetics of Op Art and were based on Gestalt theories. Their geometric forms, generally in black and white, added to or subtracted from the whole according to perceptive principles that produced specific optical effects. Polesello died from a heart attack on 6 July 2014 in Buenos Aires. He was 75.[2]
Arturo Quintero
Biography :
ARTURO QUINTERO (Caracas, Venezuela, 1964) Departing from a strong influence in Geometric Abstraction and Op Art, along with MC Escher's impossible spaces, Arturo Quintero has built his body of work upon mathematical calculations to create volumetric geometrical shapes arranged on the wall and in architectural spaces. He is a passionate researcher of mathematical theoreticians and philosophers such as Plato, Galileo, Archimedes and Euclid, and is interested in scientific studies about mathematics, the cosmos, patterns and harmonic relations that exist in our natural and constructed world. Quintero creates his works in series and his pieces generate virtual movement produced by all possible solid shapes, like rectangles, rhombuses, trapezes, circles, spheres, squares and triangles, which are painted with bright shades of colors of lacquered acrylic. His works alter our perception and produce movement for the spectator's eyes, establishing a continuous and playful relation, whose kaleidoscopic effect responds to Quintero's interest in altering our perception as viewers. In his artwork, he inquires into the phenomena of light, color, movement and geometry in space, as well as the relations that shapes establish between each other through placement, form and color. He continuously establishes patterns to study proportions either by rupturing pure geometric shapes or by creating mandalas or more organic shapes. Quintero graduated in 1986 as an Industrial Designer and is a self-taught artist. He began showcasing his works in 2001 and since then has exhibited in galleries in his native Venezuela, and in Colombia, United States and Italy. He participated in the First Emerging Art Biennial at the Museo de Arte Contemporáneo de Caracas in 2012. His work is represented in the collection of El Universal newspaper and in several private collections in Caracas.
Hector Ramirez
Biography :
The work of the Venezuelan artist Héctor Ramírez (Edo. Monagas, Venezuela, 1955), which straddles Kinetic and Op Art, is based specifically on the optical phenomenon of the virtual construction of volume, and on the perception of movement generated by the human eye as it examines the medium and large-format monochrome works. Besides his interest in physics and mathematics, the study of geometry and the interaction between the human eye and the line, the artist's work poetically concentrates the energy of creation. Ramírez is concerned with one of the big questions of science – How did everything begin? – and he draws above all on one of the various different theories on the Big Bang, which analyzes the origin of the great explosion based on a sphere of light as the primal generator of everything that happened next. From that first sphere of light, we transport ourselves to another sphere, the material one on which we live: Planet Earth. For Ramírez, both models are imprinted on everything that we are, from the conception of the universe to the composition of the atoms, and it is there that the artist conceptually constructs his artistic practice.
Jesús Soto
Ascaso Gallery,
Evelyn Aimis Fine Art,
Federico Uribe
Biography :
Born in Bogota, Colombia, Federico Uribe lives and works in Miami. His artwork resists classification. Rooted in the craft of sculpture and paint, it rises from intertwining everyday objects in all possible and surprising ways, but still with a formal reference to the history and tradition of classical art
KM Fine Arts | Chicago - Los Angeles,
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Art Nouveau specializes in contemporary Latin American Art, from masters such as Carlos Cruz Diez, to emerging artists. The gallery counts with a large collection of Geometric Art.
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The summary below is from the full report titled "Anomalies of the Inferior Vena Cava in Patients with Iliac Venous Thrombosis." It is in the 1 January 2002 issue of Annals of Internal Medicine (volume 136, pages 37-41). The authors are A Obernosterer, M Aschauer, W Schnedl, and RW Lipp.
Blood containing oxygen and vital nutrients is pumped to various parts of the body through blood vessels called arteries. After the body absorbs the oxygen and nutrients, blood returns to the heart and lungs through blood vessels called veins. Deep veins in the legs and pelvis join to form a large vein in the back of the abdomen (inferior vena cava), which carries blood from the lower part of the body to the heart. (The inferior vena cava is usually a single large vein that forms from many smaller veins in the early stages of development of a human embryo.) Sometimes adults get blood clots in their veins, a condition known as deep venous thrombosis. The blood clots usually form in the veins of the calves and the thighs, but they occasionally occur in the veins in the pelvis. Inferior vena cava vessels that developed abnormally might increase the risk for blood clots in the pelvic veins, but no one has any proof that this idea is correct.
The researchers wanted to see whether adults with clots in the deep veins of their legs and pelvis have abnormal inferior vena cava vessels.
The researchers studied 97 adults with blood clots in the deep veins of their legs.
The adults had special sound wave tests (duplex ultrasonography) to detect blood clots and abnormal blood flow in their veins. If ultrasonography showed clots in the veins of the pelvis, the patients had special x-ray dye tests (ascending venography) to examine their inferior vena cava vessels. If the venograms showed no blood flow through the inferior vena cava, the patients underwent a special computer-assisted imaging technique (magnetic resonance imaging [MRI]) to show detailed images of the anatomy of the inferior vena cava.
Thirty-one of the 97 patients with blood clots in their legs also had blood clots in their pelvic veins. The anatomy of the inferior vena cava vessel was abnormal in 5 of the 31 patients who had pelvic vein clots. The average age of the 5 adults with abnormal inferior vena cava vessels was 25 years. The average age of the other 92 people was 53 years. Two of the 5 people with abnormal inferior vena cava vessels had repeated episodes of blood clots in their legs or pelvis.
The study involved adults who were referred to radiology for special tests that look for blood clots. There may be people with abnormal inferior vena cava vessels who either do not develop blood clots or do not get tested for blood clots. Thus, this study cannot tell us how often abnormal inferior vena cava vessels are actually associated with blood clots.
Physicians should suspect abnormal inferior vena cava vessels when an adult younger than 30 years of age has blood clots in the veins of the pelvis. Such adults may have high risk for repeated episodes of blood clots.
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News In Brief – November 16, 2010
Tenth Thiel Memorial Scheduled For July 1-2
BEAVER DAM, Wis. — The 10th annual Sue Thiel Memorial will feature an expanded two-day schedule next year, including five divisions of racing July 1-2 at Dodge County Fairgrounds Speedway.
The IRA Sprint Car Series, Midwest Sprintcar Ass'n, Mid-American Stock Car Series late models, midgets and modifieds will each compete in features during the event. More than $70,000 in prizes will be handed out.
Industry Roundtable At PRI
LAGUNA BEACH, Calif. — Motorsports leaders from around the world will converge on the PRI Trade Show for the annual Industry Roundtable Dec. 8 at the Orange County Convention Center in Orlando, Fla. Among those taking part in the roundtable are IndyCar Series CEO Randy Bernard, American Le Mans Series CEO Scott Atherton, I-55 Raceway owner Ken Schrader and Executive Vice President and General Manager of New Hampshire Motor Speedway Jerry Gappens.
Three Added To NEAR 2011 Class
EAST WINDSOR, Conn. — Pioneering New England modified star Danny Galullo, early car owner Louie D'Amore and racer Buddy Bardwell have been added to the New England Auto Racing's 2011 Hall of Fame class by the organization's veterans committee. The trio will join nine (Punky Caron, Dan Meservey, Russ Nutting and Jerry Dolliver; car owners Rich and Ray Garuti, Stanley Matczak, Vic Kangas; and Speedway Scene publisher Val Lesieur) previously selected nominees at the 14th annual induction banquet Jan. 30 at La Renaissance Banquet Hall. Ticket forms will be available at www.near1.com in the coming weeks.
Racer Of The Week
Carl Edwards returned to his winning ways in dominating fashion last weekend at Phoenix Int'l Raceway in Avondale, Ariz. Not only did Edwards win Saturday's NASCAR Nationwide Series race, but he also won Sunday's NASCAR Sprint Cup Series event from the pole after leading every practice session throughout the weekend.
Nuts & Bolts
Former Charlotte Motor Speedway and Richmond Int'l Raceway executive Lauri Wilks has been hired to oversee the NASCAR Hall of Fame sales and marketing efforts for the Charlotte (N.C.) Regional Visitors Authority…NASCAR Sprint Cup competitor Kurt Busch has entered the third running of the Polar Bear 150 for the Frank Kimmel Street Stock Nationals Nov. 27 at Rockingham (N.C.) Speedway…The second annual Lakeshore Motorsports Trade Show and Sale will take place Jan.15 in the Merchants building near the Manitowoc (Wis.) Expo…Page Jones will serve as grand marshal for the 70th running of the Turkey Night Grand Prix at California's Toyota Speedway @ Irwindale Nov. 25…Rick Paya Motorsports will expand to a two-car operation in the American-Canadian Tour for late models next year, fielding cars for Brian Hoar and Austin Theriault…Phyzix Synthetics, a division of Phyzix Automotive, will manufacture and distribute a line of NASCAR-licensed automobile maintenance fluids and be known as the official professional maintenance fluid of NASCAR…Andy Green, a Royal Air Force pilot and holder of the world land speed record, will be the grand marshal for the Grand Am Rolex Series Rolex 24 at Daytona Int'l Speedway in Daytona Beach, Fla., Jan. 29-30…The Northeastern Midget Ass'n awards banquet will be held Saturday (Nov. 20) at Whites of Westport in Westport, Mass…The USARacing Pro Cup Series banquet will be Dec. 15 at the Vintage Motor Club in Concord, N.C…The U.S. F2000 National Championship Series doubleheader scheduled for July 30-31 next season at Autobahn Country Club in Joliet, Ill., has been canceled…Fulton (N.Y.) Speedway officials have created a new crate engine small-block modified class that will compete regularly at the three-eighths-mile clay oval next season…Total Seal Piston Rings will sponsor the Total Seal Dirt Racing Series, formally known as the Southwest Dirt Racing Ass'n…Scott Shelton won the Mazda Shootout and will receive a fully funded ride in the SCCA Mazda MX-5 Cup Series next season.


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Hi Tina,
I am a recovering binge eater too. I am currently working on a Low carb, high fat, moderate protein paleo plan that is helping me get in longer clean periods. Why don't you join us over at the EMF thread, so you can get some support from the group.:)


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Morning Glory Memories Growth Chart
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With a built-in growth chart and room for photos, this beautiful decor accent from Krylon collects memories as your child grows.
- Krylon Indoor/Outdoor Paint - Ivory (#51504)
- Krylon Indoor/Outdoor Paint - Emerald Green (#52016)
- Krylon Indoor/Outdoor Paint - Rich Plum (#51914)
- Krylon Indoor/Outdoor Paint - Ballet Slipper (#53534)
- Krylon Indoor/Outdoor Paint - Sun Yellow (#51806)
- Krylon Indoor/Outdoor Primer - White (#51315)
- Krylon Easy-Tack™ Repositionable Adhesive - Clear (#7020)
- Krylon Short Cuts® Hobby/Craft Paint Pens - White (#SCP913)
- Krylon Indoor/Outdoor Paint - Mountain View (#53548)
- Krylon Indoor/Outdoor Paint - Blue Ocean Breeze (#51512)
- Morning Glory Companion (3 step stencil plates) Stencil
- (W) 5 1/2" × (D) 1/2" × (H) 4' pine wood board
- 1 3/4" Wood pole rings
- 1/2" Cup Hooks
- Large Picture Hanger
- Sand paper
- Low-tack masking tape
- Kraft paper
- Tape measure
- Pencil
- High tack glue
- Scissors
- Paper Towels
- To prepare board: Sand wood and remove sanding dust with a damp paper towel. Apply 2 to 3 thin coats of white primer to wooden board and wood pole rings. Let dry. Set rings aside.
- To paint board: Apply 2 to 3 thin coats of Ivory. Let dry. Cut craft paper to cover front and back sides of board and tape down, leaving side edges exposed. Apply 2 to 3 thin coats of Blue Ocean Breeze to sides. Let dry.
- To apply stencil: Spray Easy-Tack Repositionable Adhesive on back of first stencil plate. Wait five minutes, and position at top of board. Cover rest of board with craft paper and tape down. Apply 2 to 3 light coats of Blue Ocean Breeze on leaf cut outs and Sun Yellow on flower center cut outs. Let dry.
- Repeat step 3 with second stencil plate using one light coat of Emerald Green on leaf cut outs.
- Repeat step 3 with third stencil plate using one light coat of Rich Plum and overspray with one light coat of Mountain View on flower cut outs.
- Reposition third stencil plate again and apply two light coats of Ballet Slipper on flower cut outs.
- Repeat steps 3 through 6 on middle and lower half of wooden plank.
- To make height graduations: Use tape measure and paint pen to mark height graduations on sides.
- To make frames: Apply 2 to 3 thin coats of Blue Ocean Breeze to primed wood rings. Let dry. Add floral detail by positioning flower stencil on ring and apply rich Plum, Mountain View, and Ballet Slipper. Glue photos to back of rings. Use cup hooks to hang frames.
For more project ideas, please visit www.krylon.com/projects.
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text: Progeria is a rare, fatal genetic condition characterized by an appearance of accelerated aging in children. Its name is derived from Greek and means "prematurely old." Progeria affects approximately 1 in 4 - 8 million newborns and there are an estimated 200-250 children living with Progeria worldwide at any one time.


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ISU's star forward hurt herself during the weekend tournament in the Bahamas.
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(9k JPEG) White and gold colored Trifari earrings in a daisy design. Clip backs. Approximately 1" long. $10.00 Stock Number 002cj018.
(48k JPEG)Trifari pendant necklace in white and gold. Pendant is gold and white in a stylized Oriental design, 4 3/4" long. The chain is comprised of large white links, 26" long. $20.00 Stock Number 002cj020.
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Women's Norrona Svalbard Midweight Pant Features:
Wind-resistant, durable and quick drying hiking pants made of woven polyamide 175 gr/sqm. Lighter than cotton or Soft Shell pants, highly breathable, rain-repellent and durable. Practical features for outdoor activities include articulated knees, multiple pockets, custom-fit waist adjustment system and inner stretch pocket to secure small items.


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Excited about how FINCA's changing lives one woman, one family and one community at a time? Want to tell your family, friends and colleagues – and the world – about how FINCA International provides a hand up, not a handout, to help millions fight poverty with dignity and the right financial tools? Then use your social media networks to promote our cause and encourage people to follow us online. Or send a link to your favorite client story so your friends and family will learn, first hand, what a difference FINCA International makes in the lives of hardworking people living in the most challenging environments. Or do something as old school as sending them a link to our homepage.
There are so many simple ways you can advocate for creating a world without poverty. Choose your way and tell the world about FINCA!
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Get Inspired By Some Of Our Greatest Donor Stories
FINCA's donors are loyal, dedicated and creative in their support for our mission to alleviate poverty through life-changing financial inclusion services. And nothing pleases us more than sharing their efforts with visitors to our website. We hope you enjoy reading about their efforts and experiences in the field.


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A Tribe Called Quest
A Wolf in Sheep's Clothing
Black Sheep
Wait! Don't give up on rap! Open your ears to these two fun, innovative albums.
With a jumpy solo by jazz bassmaster Ron Carter, the second disc by Quest kicks off on an original note and then stays fresh. Instead of basing their music on the same old tired funk, this New York City trio stitches together unpredictable sounds, especially jazz. One of the more conventional songs, "Check the Rhime," draws on pop music, combining a catchy bass line from a Minnie Riperton song with a distinctive horn melody by Average White Band.
Quest's free-form lyrics don't require careful study. It's the delivery that matters. Good friends Q-Tip and Phife generate a rare chemistry as they trade raps over deejay Ali's offbeat beats. Q-Tip, with a slightly husky voice, exudes confidence and charm, while Phife comes across as a completely unpretentious regular guy.
Clearly influenced by Quest, Black Sheep's Dres and Mista Lawnge (pronounced Long) are childhood friends who rap in a gentle style, backed by some infectious jazz. When it comes to lyrics and vocal delivery, they outdo their mentors. Dres and Lawnge have a knack for crystal-clear articulation that can put a sardonic spin both on straightforward and pun-packed phrases. "U Mean I'm Not," a hilarious sendup of the N.W.A. gangsta style, parodies the voice of a thug who pummels and shoots his own mother because she breaks the yolk in his breakfast egg. "Black with N.V. (no vision)" effectively describes the alienation of a young black man who tries to succeed in business.
A few of the Sheep's songs get mired in sexism, obscenity and adolescent fantasies. Dres and Lawnge have the skills to avoid such easy attention-grabbers. Deftly merging rap and pop, the Black Sheep count not as outcasts but as leaders of the rap pack. (Quest: Jive; Sheep: Mercury)
Picks and Pans Review: The Low End Theory
updated 12/16/1991 AT 01:00 AM EST
•originally published 12/16/1991 AT 01:00 AM EST


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This is a concise, easy-to-read, and easy-to-comprehend collection of essays that cover a large variety of dermatologic conditions and surgical treatments of diseased skin. An added advantage of this book is that it reviews other important and pertinent subject matter, such as the use of local anesthetics, the effectiveness of various topical skin cleansers, and sur gical preparations. It even discusses the treatment of cardiopulmonary emergencies.
Although the contributors are mainly from departments of dermatology, general surgeons, plastic surgeons, and thoracic surgeons have been used to create this "how-to-do-it" workbook. Its strength lies in the accurate presentation of a wide variety of dermatologic conditions and treatments in an up-to-date, concise, and detailed fashion. Its weakness is that it encourages office surgery practices and reconstructive surgical modalities. From the point of view of someone in the field of plastic and reconstructive surgery, these aspects are dangerously beyond the scope of practicing
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Documents for the Sixth Meeting of the Adaptation Fund Board Released
May 2009: The Secretariat of the Adaptation Fund (AF) has prepared documents for the sixth meeting of the AF Board, which will take place from 15-17 June 2009, in Bonn, Germany.
At the June meeting, the Board is expected to decide on a number of issues in order to finalize the Provisional Operational Policies and Guidelines for Parties to access resources from the Fund, including on the report on fiduciary standards and the template for the submission of project and programme proposals. The AF Board will also review the invitation letter to eligible parties to submit proposals for funding.
Among other agenda items, Board members will consider the Trustee presentation on the monetization of Certified Emissions Reductions (CERs) and address budgetary matters, the logo of the Fund and the AFB work plan. In addition, the Board will discuss draft Terms of Reference of the Board committees on Ethics and Finance, and on Project and Programme Review established at the previous meeting. [Meeting Website]


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Students examine how arsenic seeps into groundwater in Bangladesh.
Students study the potential impact of green-roof fungi on the environment.
At Barnard, students majoring in the sciences or other research-intensive subjects have take part in research projects at levels usually reserved for graduate students.
Longtime political science professor and human rights scholar
Barnard anthropology professor talks about the scholarly journal Environment and Society
Religion scholar will be inducted into one of the nation's most prestigious honorary societies
Biology professor studies presence of fungi on New York City green roofs
Congratulations to Barnard seniors and recent alumnae who have been awarded Fulbright grants this year.
New Science vs. Conventional Wisdom


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Photo by Leah Rae Photograpy.
On July 8 & 9, 2015, Poetic People Power presented its 13th annual show. #AntiSocial: The Dark Side of Social Media premiered new poems about social media, how it's become more toxic in recent years, and how it's affecting our behavior, relationships and society. Through this informative and entertaining spoken word show, poets explored topics including public shaming and sexism online, the psychological effects of social media, government and corporate surveillance, and how companies like Facebook and Twitter are changing the way we think, conduct business, and interact with others. For 13 years, Poetic People Power has creatively explored social and political topics, offering insight and solutions to issues that affect our everyday lives.
Poetic People Power is an ongoing project that combines poetry and social change. We present informative and engaging poetry shows about important issues that affect our everyday lives. In addition to our annual shows, we also bring our work to schools, festivals, and perform at non-profit fundraisers.
Here's what the press is saying:
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Green Specs II
A methodology for evaluating environmental impacts of building
materials and products.
By Meg Calkins, ASLA
For every building product or material, there is a complex web
of environmental impacts that ripple across the country, and sometimes
around the world. The manganese to color the brick made in Iowa,
for example, came from China, and if not handled properly during
manufacture and installation, it can cause disorders of the central
nervous system. The unit paver contains only enough ground, granulated
blast-furnace slagan industrial by-product from steel processingso
as not to affect the color, and the iron oxide pigment for the poured-in-place
concrete in Illinois came from Mexico and is sealed with a product
that contains volatile organic compounds. It is impossible to track
all the environmental effects of building materials, but it is possible
to discover the major ones and to specify materials and products
to minimize the environmental impacts.
This article suggests a methodology and questions to ask of manufacturers
and distributors to better understand the environmental life-cycle
impacts of materials and products. To illustrate the benefits and
limitations of the methodology, a sample analysis and comparison
of three paving assemblies has been performed. The questions are
not intended to produce one right answer as to which product is
bestthat is a nearly impossible task, and different projects
will have differing priorities. Instead, the questions are designed
to bring the major environmental impacts and hazards to light in
order to assist with product selection.
…To read the entire article, subscribe to LAM!
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ASLA Online
636 Eye Street, NW, Washington, DC 20001-3736
Telephone: 202-898-2444 Fax: 202-898-1185
©2002 American Society of Landscape Architects. All Rights Reserved.


text:
Let's hear it for Jay Leno! He mentioned A RIDE ALONG THE LINCOLN HIGHWAY last night near the end of his monologue on the TONIGHT SHOW. Said it was a good show! Tried to make some lame joke about men using that phrase as a euphemistic phrase for some sexual shenanigans. It bombed but who cares about his joke? The mention is all that counts.
And I was watching Letterman.
October 31st, 2008 ·
Tags: Road Diary
2 responses so far ↓
That is so awesome! I'm not up late enough to watch Leno (or my favorite, Conan) anymore, but I would have squealed out loud if I would have heard that as it aired!
I know you're up to more than 150k results when "A Ride Along the Lincoln Highway" is googled. I wonder how many people googled it after hearing Leno mention it!
What would it take to collect enough sponsors to drive the entire Lincoln Highway by an electric car
The highway made history now it is time to do it again


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Verve Cat Repeller Spray
£6.49 per L
Verve Cat Repeller Spray
£6.49 per L
- Home Delivery Order by 7pm (2pm Sunday) for next day delivery (excluding Sunday)
- Click & Collect Order by 7pm (4pm Saturday & Sunday) for next day Click & Collect - Select store
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- 45 day returns policy. Read our returns policy
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Product Details
Product Information
This cat repeller spray from Verve deters cats from fouling. You should always read the manufacturers instructions before using this product.
- Guarantee - 1 year
Features and Benefits
- Formulated with effective Natural Active ingredient, welfare-friendly
Technical Specifications
|Spray evenly over the area where cats are not wanted. Repeat treatment every 48hrs until cats are deterred or move to a new habitat
|225 m²
|Pack quantity
|Seasonal usage
|All year round
|Litre capacity
Health and Safety
Please note that this item has additional safety or regulatory datasheets available. The product may have possible health and safety hazards covered in these documents. Refer to the container for full information and always follow the instructions.
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How to identify and treat weeds
Dealing with weeds is an important part of caring for your garden. If left unchecked, they can quickly overwhelm, disfigure or kill your plants – rapidly undoing all your hard work.
By knowing how to spot, as well as manage weeds, you'll be able to help your other plants thrive. So let's get started with removing those weeds.
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Verve brings you a complete collection of garden care products that will help you to make the most of your garden, balcony or allotment, with the peace of mind that you are doing your best to care for your very own patch of nature. Our broad range covers everything from lawn care and plant food, to weed, disease and pest control. In fact we've got everything you need to care for your lawn and plants, as well as keep those unwanted visitors at bay. If you're looking for a lush lawn, burgeoning borders, or a wonderful window display; let Verve feed your imagination.
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This insecticide and fungicide concentrate from RoseClear™ kills aphids within 24 hours and fights existing infections of blackspot, powdery mildew and rust. it also protects plants against further infestation and disease. You should always read the manufacturers instructions before using this product. Guarantee - ...
A concentrated lawn weed killer that kills weeds without harming the grass For best results use between April and November Easy mix liquid concentrate makes application quick and convenient 28 days Coverage=667 m²
Specially formulated for killing tree stumps, with a strong and highly effective systemic action For best results use between March and October Dispense directly onto the cut surface of the stump 28 days
Ideal for targeting weeds without harming the grass For best results use between April and November Ready to use, simply spray onto desired area for convenient and easy application 28 days


text:
Jim McKelvey didn't start out as a mobile payments visionary, he was an entrepreneur and glass artist who needed a convenient way to take payments for his work. But the company he founded in 2008 became a major disruptive force at the point of sale�with rumors that it'll hit $1B in revenue this year�and newly launched Square Cash is taking on PayPal and banks in the P2P payments arena.
Hear what the Square Co-Founder has to say about "The Future of Mobile Payments" when he takes to the conference main stage Card Forum & Expo on April 25. Still a director at Square, McKelvey has turned much of his attention to venture investing and advising tech startups, with a particular passion for fintech and St. Louis. �He professes not to be focused on whether Square will complete its rumored IPO this year, telling Bloomberg TV just after Christmas, "What Square's trying to do is solve problems for merchants. As long as we have the resources to solve real problems we'll be doing the right thing."
He goes on, thumbing his nose a little at the VC world. "What's the exit strategy? We're all going to be dead. The exit strategy is a huge distraction. And if you look at that you're asking all the wrong questions," McKelvey said.
Want a sneak peak at what McKelvey gets excited about? View the BloombergTV interview. Or, crack a smile at these nuggets of wisdom he let fly during the show.
"Don't think because you've got money to invest you know what you're doing."
"My biggest mistake has always been chasing opportunity. What I do instead these days is I look for problems."