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Students Learn the "ins and outs" of the Fashion industry from Top Designers and Business Leaders
The New York City Department of Education (DOE), the New York City Housing Authority (NYCHA), the Council of Fashion Designers of America (CFDA), Mercedes-Benz Fashion Week producer IMG Fashion, and Lincoln Center today welcomed 125 public high school students, 15 of which are NYCHA residents, who are interested in entering the fashion industry to hear from top designers and industry leaders at the second annual Life in Fashion Forum.
Panel members included Patrick Robinson, Executive Vice President of Global Design for the Gap; Lubov Azria, Chief Creative Officer of BCBG Max Azria Group; Lori Goldstein, Stylist; and Terron Schaefer, Executive Vice President and Chief Creative Officer for Saks Fifth Avenue. The event was held at the David Rubenstein Atrium at Lincoln Center and moderated by Teri Agins, a columnist for the Wall Street Journal and author of "The End of Fashion."
"The Life in Fashion Forum is a great opportunity for our students to learn more about careers in the fashion industry, broaden their horizons, and participate in the excitement of Mercedes-Benz Fashion Week," said Schools Chancellor Cathie Black. "The City's fashion industry employs over 165,000 New Yorkers and we are thrilled to encourage our public high school students to become the industry's next generation of designers, retail buyers, patternmakers, merchandisers, and fashion publicists."
"Only in New York can we give our students access to unique and exciting events such as, The Life in Fashion Forum," said Deputy Mayor for Education and Community Development Dennis Walcott. "I am grateful to Lincoln Center, CFDA, and IMG Fashion for partnering with the NYC Department of Education and the NYC Housing Authority to inspire and reach out to our students who are interested in pursuing a life in fashion."
"The New York City Housing Authority appreciates the partnership of Lincoln Center, the CFDA, IMG and Mercedes-Benz Fashion Week," said NYCHA Chairman John Rhea. "Their support lets our youth know that the swirl of events on and off the runway could be a part of their future as contributors. The beauty of creating new opportunities for our youth lies in broadening their horizons and educating them on how to pursue a career path that engages and inspires them."
"Now that Mercedes-Benz Fashion Week made the move to Lincoln Center in September 2010, I am proud to see the West Side spirit of openness and cooperation that embraces all the members of our community," said New York City Council Member Gale A. Brewer. "To New Yorkers, Mercedes-Benz Fashion Week is important for more than eight days. This collaboration between IMG, Lincoln Center, NYCHA, and our local public schools is big news for us and for our kids. I thank Mercedes-Benz and the other event sponsors for recognizing that here on the West Side the tents of Fashion Week at Lincoln Center are big enough for both the stars of today and the undiscovered ones of tomorrow."
"The Life in Fashion Forum is a terrific opportunity for Lincoln Center and Mercedes-Benz Fashion Week to partner with our local community and help empower the next generation of fashion professionals right here in New York City," said Director of Fashion at Lincoln Center Stephanie Winston Wolkoff. "We are excited to pursue more partnerships like this in the future and to work actively with our neighbors in supporting and enriching the community."
"This forum is a remarkable opportunity for New York City students interested in pursuing fashion careers and a shining example of the good we can do through creative community-industry partnerships," said Senior Vice President and Managing Director of IMG Fashion Worldwide Peter Levy. "IMG is honored to have been a part of this event and hopeful that we'll see some of these students back at Mercedes-Benz Fashion Week in the near future."
Life in Fashion Panelists:
Lubov Azria, CCO, BCBGMAXAZRIAGROUP. After relocating to the United States from Kiev, a love of design and natural talent for illustration led Azria to pursue a degree at the Fashion Institute of Design and Merchandising. Azria joined BCBGMAXAZRIAGROUP as a Designer in 1991 and was named Creative Director in 1996, the same year the company's core brand, BCBGMAXAZRIA, first debuted its runway collection during New York Fashion Week. Leading a team of nearly 200 designers, patternmakers, and associates, Lubov and her husband Max Azria, both CFDA members continuously evolve their three brands, BCBGMAXAZRIA, Max Azria and Hervé Léger.
Lori Goldstein, Stylist. Over the last twenty years Lori Goldstein has been identified by her iconic collaborations with notable photographers such as Annie Leibovitz, Mario Testino, Solve Sundsbo, Nathaniel Goldberg, Inez van Lamsweerde & Vinoodh Matadin. Her work has been published in magazines worldwide including Vanity Fair, Elle Decor, Vogue Nippon, V Magazine, and W Magazine. Her unique collaboration with Steven Meisel has resulted in over 60 covers for Italian Vogue as well as advertising campaigns for Versace, Dolce Gabbana, Jones NY, The Gap and Juicy Couture. In 2008, she launched her own exclusive line for QVC: Logo Instant Chic.
Patrick Robinson, EVP of Global Design, Gap. Robinson is a graduate of the Parsons School of Design and has been a member of the CFDA since 1994. He has held senior design and leadership roles at Perry Ellis and Anne Klein, served as design director at Le Collezioni White Label by Giorgio Armani and headed up design at Paco Rabanne. Robinson was selected in May 2007 to serve as executive vice president of design for Gap Adult and Gap Body. In August 2008 he was promoted to executive vice president of global design where he oversees all elements of global design for Gap women's and men's apparel, accessories, and intimates lines.
Terron E. Schaefer, EVP & CCO, Saks Fifth Avenue. Prior to joining Saks Fifth Avenue, Schaefer held the position of Senior Vice President of Marketing for Warner Bros. Worldwide, where he led all marketing functions. He has broad international marketing and fashion expertise that includes award¬-winning branding, product positioning, and advertising campaigns for world-class organizations such as Saks, Bloomingdale's, Harrods, Macy's, and Doyle Dane Bernbach.
Mercedes-Benz Fashion Week producer IMG Fashion and Lincoln Center sponsored The Life in Fashion forum with the support of The Council of Fashion Designers of America (CFDA) at the David Rubenstein Atrium in Lincoln Center. The first Life in Fashion forum was held in September 2010. The Panel was a result of a partnership between the New York City Department of Education, the New York City Housing Authority, and Lincoln Center. Mercedes-Benz Fashion Week will begin on February 10th, 2011 and end on February 17th, 2011.


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Applies to: Windows 7, Windows Server 2008 R2
Volume-licensed Windows products require activation. If you are using key management service (KMS) to activate your Windows client and server products, then you need to set up a KMS host. Volume editions of Windows client and server products have the KMS client setup key preinstalled, but require activation with a KMS host. This demo shows you how to set up a Windows KMS host on a Windows Server 2008 R2 machine.
Length: 5:09

subset: commoncrawl


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• Ten hypertensive patients with poor responses to standard antihypertensive therapy were treated with the calcium channel antagonist nifedipine in an attempt to obtain better BP control. The drug was highly effective in significantly lowering BP immediately (average decrease, 58/29 mm Hg) and after three to eight weeks of maintenance therapy (average decrease, 49/27 mm Hg), with no significant change in heart rate observed at either time. No adverse interactions between nifedipine and other concurrent medications, including digoxin and β-adrenergic blockers, were noted. Drug-related side effects of tachycardia or flushing necessitated the withdrawal of nifedipine therapy in two patients. We conclude that nifedipine may be safely employed in an outpatient setting as a useful adjunct to current antihypertensive drug regimens.
(Arch Intern Med 1984;144:985-987)
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No New Friends!: Watch Drake Get Denied Trying To Party With The Heat In Their Locker Room AKA "Lebron's Room" [Video]
- By Bossip Staff Categories: Crazy Videos, Entertainment, Multi
That is a Roc Nation Locker room… and sensitive Drizzy looks butt hurt!
We have a picture and the video of Drake parlaying with the Heat and Gabby Union on the next page doe!


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Get an overview of this hotelNew York hotel in Queens, near LaGuardia Airport
Near LaGuardia
Directly across from the LaGuardia Airport and a short distance from JFK International Airport, Manhattan, and Long Island. Citi Field, Arthur Ashe Stadium and Queens Center Mall are within 2 miles.
Shuttle service
LaGuardia Plaza Hotel offers 24-hour complimentary shuttle service to and from LaGuardia airport and nearby subway station for Manhattan-bound trains. The hotel also features an indoor pool, a spa tub, and a fully-equipped fitness center.
LaGuardia Plaza Hotel guestrooms offer complimentary wireless Internet, cable TV, and coffeemakers.Would you like to give us feedback? Share it! Opens in a new window
LaGuardia Plaza Hotel104-04 Ditmars Blvd East Elmhurst NY 11369
Hotel Amenities
Hotel Amenities
LaGuardia Plaza Hotel offers complimentary airport transportation at scheduled times, accessible by a call to the front desk from the hotel's courtesy phone in baggage claim. A complimentary subway shuttle takes guests to the nearest train station, 1.5 miles (2.4 kilometers) south; the front desk can provide information on bus routes for the return trip.
The Pavilion Grille serves full breakfast from 6 AM to 11:30 AM for a surcharge. Elements Lounge mixes cocktails and prepares light fare, lunch, and dinner in a space warmed by a fireplace. In addition to a fitness center, the hotel includes a pool area with a deck, indoor pool, and spa tub. A business center is on site, with complimentary wireless Internet access. The hotel also provides full packing and shipping service.
- 24-hour business center
- 24-hour front desk
- Free airport transportation
- Free area shuttle
- ATM/banking
- Bar/lounge
- Breakfast available (surcharge)
- Coffee shop or café
- Free newspapers in lobby
- Computer station
- Concierge services
- Conference center
- Conference space
- Conference space size (feet) - 12500
- Conference space size (meters) - 1161
- Dry cleaning/laundry service
- Elevator/lift
- Fitness facilities
- Free WiFi
- Gift shops or newsstand
- Indoor pool
- Laundry facilities
- Long-term parking (surcharge)
- Luggage storage
- Meeting rooms 15
- Multilingual staff
- Number of buildings/towers - 1
- Number of floors - 7
- Number of meeting rooms - 15
- Number of restaurants - 2
- Porter/bellhop
- Safe-deposit box at front desk
- Sauna
- Self parking (surcharge)
- Free shopping center shuttle
- Smoke-free property
- Spa tub
- Total number of rooms - 358
- Tours/ticket assistance
Family Friendly Amenities
- Area shuttle (complimentary)
- Cribs/infant beds (complimentary)
- Free Wi-Fi
- Indoor pool
- Laundry facilities
- Microwave (on request)
- Refrigerator (on request)
- Rollaway/extra beds available
Available in all rooms: Free WiFi
Available in some public areas: Free WiFi
Long-term parking (surcharge), Self parking (surcharge)
Room Amenities
- Air conditioning
- Bathtub or shower
- Cable TV service
- In-room climate control (air conditioning)
- Coffee/tea maker
- Free toiletries
- Free cribs/infant beds
- Daily housekeeping
- Desk
- Dial-up Internet access (surcharge)
- Flat-panel TV
- Free WiFi
- Hair dryer
- Iron/ironing board
- Microwave (on request)
- Pay movies
- Phone
- Premium bedding
- Premium TV channels
- Private bathroom
- Refrigerator (on request)
- Rollaway/extra beds available
Where to Eat
Pavilion Restaurant - Located in the lobby, this restaurant offers a full breakfast from 6 AM to 11:30 AM, as well as light fare.
Elements Lounge - Lobby lounge prepares light fare, lunch, and dinner, with a fireplace and a big-screen TV.
To make requests for specific accessibility needs, complete the "Special or Accessibility Requests" section of "Trip Preferences" when you book your hotel.
- Accessible bathroom
- In-room accessibility
Hotel Policies
Minimum check-in age is 21
Check-in time starts at 3 PM
Special check-in instructions:
Check-out time is 11 AM
Payment types
- Pets not allowed
You need to know
Extra-person charges may apply and vary depending on hotel policy.
Government-issued photo identification and a credit card or cash deposit are required at check-in for incidental charges.
Special requests are subject to availability upon check-in and may incur additional charges. Special requests cannot be guaranteed.
- The name on the credit card used at check-in to pay for incidentals must be the primary name on the guestroom reservation.
Parking height restrictions apply
- Deposit: USD 50 per night
- Cleaning deposit: USD 200.00 per stay
Optional extras
- Fee for full breakfast: USD 17.50 per person (approximately)
- Self parking fee: USD 30 per night (in/out privileges)
- Refrigerator fee: USD 20 per stay
- In-room microwave fee: USD 20 per stay
Hotel Name
- Hotel LaGuardia Plaza
- LaGuardia Plaza
- LaGuardia Plaza Hotel
- Crowne Plaza East Elmhurst
- LaGuardia Plaza Hotel - New York East Elmhurst


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"SodaStream Fizz Home Soda Makers" is not available for sale online.
This item may be discontinued or not carried in your nearest store. Please call your local store to check in-store availability before heading there. For informational purposes, the product details and customer reviews are provided.
- Fizz Chip also allows you to monitor the carbonation level as you press the carbonating button, so you can make your favorite fizzy drink just the way you like it.
- Fizz and flavor to your taste, without high-fructose corn syrup or aspartame (sweetened with Splenda).
- Enjoy regular, diet soda and energy drinks, or create your own seltzer or flavored sparkling water at a fraction of the cost of store bought beverages.
- Includes one reusable 1L BPA free carbonating bottle with a fizz-preserving cap and one 60L CO2 carbonator that makes up to 60 liters of fizzy beverages.
- Includes Sodamix variety pack.
- 11 1/2" x 7 1/2" x 18 1/4" H.
- Two-year warranty.
- Note: These products are compatible with 60-liter and 130-liter carbonators and require a customer signature upon delivery.
SodaStream Fizz
Introducing Soda Stream. The revolutionary home soda maker that lets you turn water into soda in seconds. Discover a smarter way to enjoy soda. No lugging bottles and cans from the store. No wasted storage space, and no empties to recycle or throw away.
Soda Stream is truly Earth friendly. It saves the average family over 2,000 bottles and cans from landfills each year. And the best part is you save money every time you use it.
Soda Stream is quick and easy to use. Fill Soda Stream's BPA-free carbonating bottle with cold water. Secure it to your Fizz home soda maker. Then press the carbonating button until you hear three loud buzzes to add the fizz.
Soda Stream's unique fizz chip indicates the fizz level as you carbonate and shows you the amount of gas remaining in your cylinder so you know when it's time to exchange.
Enjoy your fresh glass of sparkling water. Add a capful of Soda Stream's concentrated soda mix to the carbonating bottle. Shake gently and enjoy a refreshing glass of your favorite delicious Soda Stream soda.
Soda Stream offers a wide variety of more than 50 delicious flavors, including regular flavors with no high fructose corn syrup, diet flavors with no aspartame, and natural flavors sweetened with pure cane sugar and no preservatives or artificial flavoring.
Female: Tastes exactly like Diet Coke.
Female: Tastes like Sprite.
Male: Tastes great. I love it.
Female: Even better than Pepsi.
Female: Tastes exactly like what I paid a lot of money for.
Male: Can I get one now, or do I have to wait?
Male: Yes. Yeah.
Female: That's amazing.
So stop lugging, storing, and throwing away cans and bottles that are so harmful to our environment and enjoy the fun of making your own fresh soda at home while saving money every day.
Soda Stream. A smarter way to enjoy soda.


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Lorne Grosso: More Than Just Wins
Tuesday, 02.8.2011 / 10:08 AM CT / Minnesota Wild | Hockey Day Minnesota
By Michael Sonday - Special to Wild.com
Hockey Day Home: All the latest Hockey Day Minnesota news and features
Hockey Day Feature: The Story of the Minneapolis Novas
Wild TV: Relive last year's Hockey Day Minnesota
Hockey Day Food Drive: Find out how you can help.
Hockey Day Feature: Hill-Murray goalie Tim Shaugnessy showed his skills last year, and will again on Hockey Day
Hockey Day Feature: Mario Lucia and Seth Ambroz are Minnesota natives dreaming about June's NHL Draft.
Hockey Day Feature: HDM a habit for Aaron Ness
Hockey Day Feature: Cancer Can't Stop Emilio Rodriguez of East Ridge
Hockey Day Feature: The Miracle's "That Guy" - Part 2
Is It In Your Blood?: Submit your backyard rink photos for a gift card from The Home Depot and Wild tickets
Wild TV: How To Build a Backyard Rink - Part 1 and Part 2
In 1966, the number one song when then was Good Vibrations by the Beach Boys. The top-grossing movie in theaters was Hawaii, staring Julie Andrews. Minnesota Wild Head Coach Todd Richards was born in October of that year. It was also the year that Lorne Grosso started his career been behind the bench at Rochester Mayo High School.
Forty-four years and 621 wins later, Grosso is Minnesota's newest record holder for most victories by a high school hockey coach, surpassing the legendary Willard Ikola in the process. Although winning comes naturally for Grosso, he's one to value the effort more than the results.
"At times, I have more fun losing than winning because I see that the kids are playing up to their ability," Grosso said. "If we play our best and happen to lose, I am fine with that."
While this is not exactly the coaching mentality of Vince Lombardi, who coined the phrase, "winning isn't everything, it's the only thing", it's been an effective policy for Grosso. During his tenure as coach at Mayo, Grosso has compiled a record of 621-399-25. As the years pass by and the wins stack up, Grosso has noticed the game change but his fundamentals of coaching have stayed the same.
"The equipment is better, the kids are bigger, and the game is faster," he noted. "But you try to teach them the same things that will make them successful. You try to get them to improve and develop. As far as the coaching aspect, it's pretty much the same game."
Grosso has been a fixture of Minnesota hockey since his playing days at the University of Minnesota, where Coach John Mariucci teamed him on a line with Roy Nystrom, the current coach at Albert Lea High School. Grosso and Nystrom have been friends and rivals ever since. With Rochester Mayo and Albert Lea both playing in the Big Nine Conference, they get plenty of time to talk shop.
"Roy and I are best friends, when our teams play each other we get together, talk hockey and have a cup of coffee," Grosso said. "Whenever we see each other, we have a pretty good time."
Nystrom has had some coaching success of his own, winning 534 career Minnesota high school hockey games. He has 94 additional wins from his coaching days in North Dakota, before he took over the Albert Lea program.
"Neither of us keep track of statistics," Grosso said, "We both didn't even know how many we had until it was brought to our attention last season that we were approaching 600."
The humble Grosso, who has advanced his team to the Minnesota State High School Hockey Tournament seven times, downplays the importance of his record-setting win total, crediting the hundreds of players who have worn the green and gold of Mayo and called him coach.
"Win or lose, your kids are the ones that get you to where you are. I have never scored a goal or an assist," Grosso said. "I have coached some great kids, a couple that have become Olympians like (Jim) Johannson and (Eric) Strobel. Others have played Division I hockey, and others that went on to play at the junior level. All I want is to get every kid to his maximum potential."
What does Grosso get in return for coaching these kids for endless hours every winter?
"All the kids are ages 15 though 18, so being around them gives me energy. They make me feel young, and keep me in my teenage years," Grosso explained.
While his players are his fountain of youth, the question still looms on when Grosso plans to hang up the whistle.
"My wife always asks me when I'm going to retire, and I tell her that I can't because I have some really good kids coming up next year," joked Grosso.
He added, "I say that every year."


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David Brazil Interviews Marianne Morris
DB: Your text may already communicate all that you wish to express about its soil in biography, but I still have to ask—what brought you to Iran, when were you there and for how long? did you end up learning any Farsi?
MM: I went to Iran for three weeks, in September 2009. The trip was part of a year-long writing scholarship, a project I had envisioned as a means of helping me through a particular stumbling block in the writing process. I just couldn't see a way out of fetishizing the political other—this was a kind of fallout from the 2003 invasion of Iraq, which saw contemporary poetry flooded with piles of foreign bodies. I chose Iran partly because of Bush-Cheney rhetoric that was swelling around the idea of a third world war in 2008, with the aim of going there, being there, breathing there, and trying to understand it as a place separate from the cloud of current affairs rhetoric that I anticipated it would become.
I had initially enrolled for a six-week Persian language course at the University of Tehran, aiming to immerse myself in the city and to get a feel for the workings of Farsi. No reason was given for the failure of my student visa application - the woman on the telephone actually laughed at me when I asked, 'But how will I be able to attend my course?' I had been warned that the Embassy could randomly refuse an application, and particularly one of a lone woman. But when I finally did make it to Tehran, three months later, a tour operator told me that almost no foreigners had been permitted to enter the country at that time because the government was anticipating the events that would follow the June election.
Had I been granted entry to Iran during that time, I would have been in Tehran during the June elections and the 're-election' to the presidency of Mahmoud Ahmadinejad—which was followed by huge demonstrations in support of the opposition candidate Mir-Hossein Mousavi. Foreign media were banned from covering these demonstrations—dozens of protesters were shot and killed by the Basij, thousands of activists were arrested, and there were rumors about torture and rape in jail all over the internet.
So no – no Farsi, sadly! A few little words and phrases. I regret this badly.
DB: What's the relation between being "cured of memory" & "not [being] capable of forming a future tense either"? How much of politics is a problem in grammar?
MM:I love this question. I have been thinking a lot lately about the correlation between revolution and the future tense, as if material political change depended on the ability to imagine the future, maybe even moreso than working with what's already there. I think this is an important thing to keep in mind when thinking about Occupy and understanding why it is able to persist, even in the face of brutal crackdowns.
Gabriel Garcia Marquez says that a person only retraces their footsteps when they're about to die—and I think there's a certain fatalistic impulse in attending too closely to the past. So the poem that talks about not being capable of 'forming a future tense' is a kind of lament about a political subjectivity that isn't physically engaged, and which I am pretty sure I wrote from the depths of the Iran Democracy Project archives of pre-1980 U.S.-Iranian diplomacy, which as I learned, is where real political engagement goes to die.
DB: In your reading in Berkeley in 2011 you said, "Fuck the ancient Greeks." Were you thinking of any ancient Greeks in particular? Would you rather root for the Persians? how about the modern Greeks? How about petrol bombs against astunomoi, February 2012?
MM:Oh dear, how rude. I am so not punk. I am actually pretty fond of a number of Ancient Greeks, Plato and Sappho among them. I think maybe it's just that the Ancient Greek ideal city-state of polis would benefit from a mother. I have been working on a poem for a couple of years now that attempts to address the faulty elitism of polis, the city space which excludes everyone except the male heads of households, but which nonetheless still retains important ideas for contemporary thinking about political engagement (for example, in its conceiving of speaking and acting as equally valuable). And I'm about to contradict myself, but I also get frustrated when I see so much Ancient Greek thought sneaking into modern theory—Jacques Rancière I am looking at you—at least partly because one of Plato's best ideas in The Phaedrus is that writing is just a little kid who needs its daddy to hold its hand because it is immutable and doesn't know how to speak to anyone, and the reiteration of Ancient Greek thought in the present time seems like a perfect metaphor for this hand-holding. I have many imaginings about a poetry of live address that can and does know how to speak and who to speak to.
DB: I am really glad to read your response, if only because I am also really preoccupied with thinking through what polis does (or what it can) mean, taking on board (as you observe) the fact that ancient democracies were constituted on the backs of women & slaves. What in other words is the future of a political life that declares that this is not ok? (The bad conscience of our age, still so clearly founded upon exploitation, sneaks back in here.)
"dressed as law / dressed as God—" ; what are the future vestments?
MM:Love and permission.
DB: "literal once more in the foggy protest"—for those of us in the streets or otherwise attempting to engage in praxis where does art stand, in what relation? Or is this a dumb question?
MM:There are no dumb questions. That is a big question. That is all of the questions at once, with bazookas. I can only answer insufficiently. I think I would have to come back to the question of imagining. There's a phrase from Jürgen Habermas' Philosophical Discourse on Modernity that I absolutely love: 'subjectivity liberated from the imperatives of purposive activity'. This is often the spirit in which I make art, and I think that art and protest have something of this in common. All art can be viewed as a form of social resistance because of the demands it exacts on its maker. Artists are usually the ones who are challenging social norms, whether through the statements they make, their structures of earning a living, their relationships with people and with their own work, or more broadly in the way that they see: an artist is someone who pushes on the boundaries of what is acceptable or 'normal', and in this sense they push on the boundaries of present tense as well. Protest is a metaphor for this, or they are metaphors for each other. I think that some of the most inspiring art I have seen this year has been on protest signs, which is to say that art can be conceived as a literal form of ammunition: it lends political movements hope, colour, and energy with which they can defend themselves against the grey suck of police violence, corporate collusion, and the creeping feeling that it would be easier to stay at home. The best compliment you can give a writer is to tell them that their work made you want to GET UP AND DO SOMETHING.
DB: "selected omissions publish themselves"—are there emergent now forms of visibility? basically, does the present consist in conditions which lend themselves to things formerly unseen or unseeable, now being seen?
MM:Yes, the present tense of the writing practice is always a re-evaluation of past and (hopefully) a renewing sense of understanding and consolidation. There can never be a sense that any of this is 'finished', but there are moments of light along the way. Those are some of what makes the writing process rewarding: an occasional sense that what's gone before (often seemingly haphazardly) has in some inchoate fashion been an accumulation of knowing. I have been thinking a lot lately about writing as knowing, and in that sense, the present tense act of writing often uncovers or assimilates aspects of the past that did not initially see themselves as belonging together, or knowing how to speak to each other.
DB: "the state of the world on a given day formulated in the press release "—are we amidst a phase change in sociability, in the cosmopolitan, in language, in our experience of time? Do their consolidations have fatally unforeseen consequences?
MM:I want to just say yes, always, because I am not sure where to put a marker on a section of time that would qualify the idea of us being amidst it. But certain aspects of now, most especially the online aspects of now, have changed and are changing our ability to understand the world, not least because the Internet provides a space for the circulation of unofficial but reliable information. If we only read newspapers we would have a pretty messed up view of the world, it's all partisan, funded, stage-managed. The protests we've seen in Russia this year for example have been unprecedented, and this is largely due to the kinds of unofficial information and organisation that the Internet makes possible—if Russians had no means of understanding their political situation other than through state television and heavily mediated radio and print sources, there would be no place to develop that sense of opposition as a collectivity, which is the space that the Internet provides. As for fatally unforeseen consequences, I worry about how such a great deal of our communication, such a very great deal of our self-expression, has been archived through email and social networking by companies. I mean, Google's motto is 'don't be evil', which is a creepy way to acknowledge how much power ownership of such an archive constitutes.
DB: If dualism was born, do we think it can die?
MM:This is an important question. I think that maybe dualism has means of morphing into something else, but that the division of self-and-other is completely fundamental to subjectivity. I think maybe it only dies in certain experiments that attempt to view the self at a distance, outside of time, maybe the cloud of syntax surrounding the idea of spirit, or in certain perceptions of consciousness, which are usually only visible in brief glimpses and generally impossible to think about as a permanent way of being. Even if consciousness can get away from duality and see the world limitlessly, there is always that snapping back into subject and object. The theoretical notion of difference is sort of appealing to me in this regard, because it says that instead of holding our attention on whatever constitutes a given subject/object, we might be able to look to the things which separate, define, and differentiate them.
DB: Are there techniques to become aware of limit? Can writing have a use of delimiting this edge? ("You can see it—I cannot" said Heidegger to his pupils ...)
MM:'Techniques to become aware of limit' should be the title of something. I am wondering whether maybe I want the techniques to become aware of limitlessness, or that I worry that default writing techniques are ones that highlight limit and that the harder thing is to get away from that. I suppose that those things are somewhat equal in being aware of each other. Formal limits are one way of ensuring structure but I don't think that such constraints have to translate over into conceptual limits, i.e. I think of conceptual limits as barriers to thought, before I can conceive of them as brackets delineating poetic space. I'm not sure that the conceptual and the formal are united in that way. I mean, they have a relationship, but I don't think that they have to be working together towards the same goal. Form and concept can mock each other, for example. I think that, if writing has any chance of dissolving into a limitless place, then it's through performance and address—in the breath of reading, and in the community constituted by poetry readings. I had always thought of the one and the many as rigidly separate categories which can interact but remain separate and delimited in their interactions, until I heard Sean Bonney performing 'Letter on Poetics' (from his book Happiness), in which he discusses the collectivization of individual subjectivity, and which somehow made me suddenly see the process as alchemical, a becoming, the I dissolving into a many, where the specificity of the I is—not lost—but temporarily transformed into another entity.
DB: "fuck loving what you are"—having decided this, what then?
MM:Oh god. Apocalypso. The disorder of not loving is a permanent revolution, as if you could conceive of your own body at every second as the infinite regeneration of cells into present tense. 'Loving what you are' is like having an unhealthy relationship with your own ego. People often talk about each other as having large egos, and meaning that this is a bad thing. But I think that all people do have large egos, and necessarily so, because if they didn't, they wouldn't know how to put a foot down into the world. Ego, by definition, is large. I think that the Qasida, where that line comes from, is trying to establish a healthy relationship between its subjectivity and its ego—that is, to be able to see where it begins and ends, rather than getting caught up in it. I feel like I go most wrong when I let my ego fling me back and forth, as if I was the pendulum-swing on a metronome, not knowing that I was the pendulum-swing on a metronome. I'd rather be able to sit back and look at the metronome and know the speed at which the pendulum is swinging.
DB: We want to "know not seems," "strike through the mask," but what if "seems" seems to be the only route of access to a thing that's maybe real? Back to use of art & politics of representation, stuck with this tool and no other (apparently) to "access any plurality"—leads to what? Vertigo? Or infinite tact? Or something else?
MM:This is a hard one. It's very layered. The phrase 'know not seems' is from Hamlet. His mother Gertrude is telling him that his grief 'seems particular', because he is so cut up about the death of his dad and moping around the castle constantly, ruining everyone's perpetual day. She's basically telling him to get over it. He responds, "Seems, madam! Nay it is; I know not 'seems.'" In other words, he's defending his grief. He's saying, I don't 'seem' that way, I'm not just doing the trappings of woe, I am actually cut up about stuff, leave me alone. I wanted to end the poem in this way as a kind of remonstrance or reminder to myself to think about pain that I could understand, and that I could feel. And this was to be a kind of shield against fetishism. I don't know if it worked, but after I came back from Iran I hit a very low point of depression and illness, which ended up being the beginning of attending to the hurting things that I could reach, i.e. in myself, things that I had not been able to think about previously. And I think that was very much tied up with the fact that the aim of this trip was getting closer to a something, so as to be able to feel it in my own body. The writing is maybe a transcription of this movement. What I mean is that there is no seeming route through to the real. There is only a direct line of feeling. Everything else is...well. Performance. AND BUT WE NEED PERFORMANCE. Because, of course, Hamlet is also an actor...
It seems to me that where I had been going wrong in the poetic construction of my subjectivity before the Iran trip was in perceiving plurality as something that could be 'accessed' at all—when really I should have been thinking of it as a becoming—a present participle! A GERUND, no less! So indeed, it's as you said earlier: 'politics is a problem in grammar'.


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Explortambos is a primitive camp in the deep virgin Rainforest reserve of the Napo River, a two-hour walk from our nearest Explornapo. The new Tambos have a maximum capacity for 16 explorers who share this experience, sleeping in individual shelters with mosquito netted beds (shelters for couples are also available), eating meals cooked on an open-hearth fireplace and using the Tambos as the departing point for newly opened trails.
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Here is a message for Rhode Island Gov. Lincoln Chafee, who is now focused on climate change: Newsflash: the only climate change happening is Rhode Islanders leaving for Florida.
Please stay focused on the economy and unemployment.
Karin Gorman
The writer is director of Rhode Islanders for Immigration Law Enforcement.
Location, ST | website.com


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Amrita Arora, Karan Khanna in Monopoly
Tuesday, July 10, 2007
Director producer Nileish Malhotra has signed pretty and bubbly Amrita Arora to play the lead opposite Karan Khanna for his forthcoming film Monopoly-The Game of Money.
"We needed a young, pretty and talented girl for the role. Amrita is the perfect fit for this character," comments Nileish Malhotra.
Recently Director Nileish Malhotra had visited British Columbia (Canada) for Location Scouting for his film Monopoly- The Game of Money, where he met the Honorable Gordon Campbell, Premier (Chief Minister of British Columbia) Canada and the Honorable Iona V. Campagnolo (Lieutenant Governor Of British Columbia) Canada. Both of them promised him full cooperation for his forthcoming film to shoot in British Columbia.


text: Communities are measured by the quality of their schools. How will the "community" of Marietta be measured after the May 3rd vote on the School's Emergency Levy? In just a very few days voters will decide the quality of the education it is willing to provide for the children of our city. The teachers, school board members, school administrators and I don't get to decide. You do. What is at stake is the quality of life in Marietta, the value of your homes, and the future of the 3064 children we teach every day. That being said, the decision is still yours. As the Superintendent of Schools I will respect whatever the decision is, and I will continue to do my very best to provide a safe and productive learning environment for our students each and every day.


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Play Safe Fence (6 panels)
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Connect as many or as few panels as you need. Panels can be left in place outside or removed as needed. Made from a weather resistant outdoor mesh fabric and assembled with galvanized steel poles.
Toddlers can tip some free standing play yards over. Use the Play Safe Fence to create a no-tip play yard. Our 29.5" tall Play Safe Fence is extremely secure when mounted into the ground sleeves. The six panel set will create a play area of over 20 ft. Add on the two panel extension set and your little one (or pet) will have over 37 square feet to play! For outdoor use only.
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Join Emmy nominee for her role in The Good Wife, Carrie Preston, as she chats with fans on Tuesday, Aug 27, 2013. Be sure to watch the Primetime Emmy Awards, Sunday September 22, on CBS!
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Nancy Dealey 1928 - 2013
Friend and beloved Aunt, Nancy Dealey, passed away January 8, 2013. She left a legacy of love and service to her family, friends, church and community.
Nancy was born June 28, 1928 in Seattle, WA. She graduated with a nursing degree from the University of Washington. Nancy worked for hospitals and churches in California and Washington, retiring as a Psychiatric Nurse from Virginia Mason.
In retirement, Nancy actively supported environmental causes, especially "The People of Puget Sound" environmental group. Another big undertaking was helping to create the new library for her church, St. John the Baptist Episcopal Church. She enjoyed exploring her family history, writing, birding and gardening.
Nancy is survived by her nephew, Michael Dealey of Arlington, Texas, niece, Donna Dealey White of Federal Way, WA, great-nephews Ryan, Zachary, Daniel, Campbell and Michael, and great-niece Lauren Dealey.
Those who knew her loved her sense of humor, generosity and desire to serve God. She will be greatly missed.
Services will be held Saturday, February 2nd, 2pm at St. John the Baptist Episcopal Church, 3050 California Ave. SW, Seattle WA 98116. All are welcome to join us in celebrating Nancy's life.
Published in the West Seattle Herald on February 1, 2013
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Nature knows what to do, but lately — especially when it comes to farming, gardening and landscaping — we've gotten away from following her lead.
On Saturday at 2 p.m., during the Eagle-Vail Community Garden's workday, learn about a water conservation technique called hugelkultur that mimics nature. Hugelkultur is a permaculture technique. Permaculture shows us how to observe the dynamics of natural ecosystems and apply that knowledge to a vegetable gardens, ranches or farms.
"Hugelkultur is essentially a low maintenance, self fertilizing raised bed that also serves as a water conservation technique," said Shawn Bruckman of The Ground Up. "It is constructed out of logs, woody debris and organic matter in the shape of a steep mound. And then you plant on top and on the sides of the mound."
Bruckman and her partner, Sam Gervais, will lead the workshop on hugelkultur Saturday. They will teach about the many benefits a hugelkultur mound can provide while participants build and plant on it.
"Another cool benefit of hugelkultur is that it helps us utilize pine beetle kill and unwanted woody debris in a productive self-sustaining fashion that increases drought resistance and soil biodiversity," said Bruckman, who is still looking to collect logs and untreated wood material of any shape and size for the workshop.
The hugelkultur workshop is part of a larger workday at the Eagle-Vail Garden starting at 9 a.m. The garden is building a new perennial area with money awarded from a Colorado Garden Show grant. The area will feature five themed gardens: "A Sensory Garden (Garden for Emotions)," a "Grand Entrance of Annuals" surrounding the gate, "Habitat Gardens" to attract pollinators, a "Colorado Native Plants Garden" and a "Beer and Wine garden," growing hops and grapes. The garden welcomes the community to come and help build.
For more information, contact Eagle-Vail Community Garden president Cassie Pence at 970-401-3656. To donate wood, contact Shawn Bruckman at 970-331-2810.


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JOHNSON COUNTY, Ky. (WKYT) - We're learning more about a couple found buried on their farm last month.
Police found the couple after receiving information about how the couple died, and where their bodies would be found.
The Johnson County Coroner has now confirmed Larry and Sandara Blanton died of blunt force trauma.
The couple's son, Willie Blanton, was named a person of interest in the case. His girlfriend, Amanda Fannin, reached a plea deal with investigators. She was previously named a person of interest in the case, as well. As a part of the deal, we're told she will not be charged. In return, Fannin will testify and give a full statement about her knowledge of the couple's disappearance.
As a part of the deal, Willie Blanton will not face the death penalty if charges are filed against him. A grand jury is expected to hear the case against Willie Blanton by the end of March 2013.


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Dukes Sweep Bonnies, 7-0, In A-10 Finale
April 2, 2004
Sr. Bonaventure, N.Y. - Duquesne University's women's tennis team completed their Atlantic 10 regular season with a 7-0 win over the Bonnies Friday at the tennis courts on St. Bonaventure campus. The win raises the Dukes record to 9-8, 5-8 this spring and 2-3 against conference opponents.
Senior Alina Klinova and freshman Jackie Hughes grabbed three-set wins at number 1 and 3 respectively while senior Katie Riedinger (#2), sophomore Diana Stein (#4), freshman Alicia McNamara (#5) and junior Sarah Shanahan (#6) won straight set matches.
The duos of Klinova and Shanahan, Riedinger and junior Julie Wagner, and Hughes and fellow frosh Ciara McDermott allowed just two points as they swept all three doubles matches.
Duquesne returns to Pittsburgh for a non-conference match with Youngstown State on Tuesday, April 6th at 3:00 p.m. at the Oxford Athletic Club in Monroevillle, Pa.


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Hurricane Preparedness Center - Springfield, IL
- WebMD Physician Directory of Springfield Doctors
- Related Hurricane Preparedness Articles
- Springfield Emergency Contacts
- Nearby Springfield Hospitals
- Find a Local Pharmacy on RxList - Springfield
Springfield Doctors and Specialists for Hurricane Preparedness
Hurricane Preparedness
Introduction to preparing for a hurricane
All Atlantic and Gulf of Mexico coastal areas are subject to hurricanes. A reliable estimate of expected annual property loss due to hurricanes is $5 billion. The Atlantic hurricane season lasts ...
Other Related Hurricane Preparedness Articles
Emergency Contact for Springfield
- In case of Emergency, call 911
Nearby Springfield Hospitals results
- 1St Johns Hospital
800 E Carpenter St
Springfield, Illinois 62702
(217) 544-646
- 2Memorial Medical Center
701 N 1st St
Springfield, Illinois 62781
(217) 788-300
- 3Andrew Mcfarland Mental Health
901 E Southwind Rd
Springfield, Illinois 62703
(217) 786-699
- 4Taylorville Memorial Hospital
201 E Pleasant St
Springfield, Illinois 62568
(217) 824-333
- 5Abraham Lincoln Memorial Hosp
200 Stahlhut Dr
Springfield, Illinois 62656
(217) 732-216
- 6Passavant Area Hospital
1600 W Walnut St
Springfield, Illinois 62650
(217) 245-954
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DOWNLOAD: Donation Tracking Form
Restaurants are constantly bombarded with requests for donations to a variety of charities and fundraisers. Unless you have a system for tracking these commitments, you'll end up an easy target for an ever-increasing number of causes.
This form can help you keep track of donations and redemptions by providing a log of each commitment. By having a history of donated items you'll be able to anticipate upcoming requests and budget accordingly. You'll enjoy the added benefit of being able to tell donation seekers that you have a monthly budget and that requests must be made according to your policy.
Summary of features & benefits:
The Donation Tracking Form is downloadable in Microsoft Excel® file format.
© 2016 RestaurantOwner.com All Rights Reserved. Reproduction without permission prohibited.


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3 out of 4 members of the Podcast enjoyed "The Haunting in Connecticut", can you guess which one didn't?
To this day I still get excited when driving on the Long Island Expressway and I pass the sign for Amityville. The 1979 movie "The Amityville Horror" made the house at 112 Ocean Ave something like a local celebrity. When I was a kid those two front windows of the house frightened the crap out of me way more then Freddy or Jason could. From what I understand people still drive by the house and even stop to take a look and I don't really blame them.
We had the chance recently to talk with Peter Cornwell from the SXSW cultural festival, on his experiences directing Lionsgate's upcoming release "The Haunting in Connecticut". Here's what happened.
I had heard that the true story behind "The Haunting in Connecticut" had been turned into a TV special at some point, but hadn't taken the time out to try and find it. A reader sent this in to me today, so here it is guys. You can just have your boss bill me directly for the loss of man-hours due to you watching ALL EIGHT PARTS.


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FEB 27, 2013 - San Francisco Chronicle
A Must Read - Share
Cablevision challenges channel bundling
TELEVISIONSuit challenges cable bundlingCablevision's antitrust lawsuit against Viacom, filed this week in Manhattan, is a bid to upend the television industry by challenging the bundling of cable networks, a practice that's led to rising cable bills and ballooning channel lineups.
The market increased following more evidence that the Fed will keep interest rates low, housing will keep recovering and shoppers aren't pulling back on spending, even with a payroll tax hike.
Christie said the measure will help New Jersey's struggling casino industry
Read More
Editor's Picks
Hey you have no friends!!! Get to work and start inviting friends to help build your Comunitee. Click Here to invite friends.
© 2011 Comunitee, Inc.


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ESSEX - Kenneth Sitz, 55, died April 18, 2003, of injuries sustained in an automobile accident near Bloomfield.
Born Nov. 2, 1947, in Detroit, Mich., son of Clarence Sitz of Essex and the late Delphia L. Sawyer Sitz, he served with the U.S. Navy during the Vietnam War and was a lifelong resident of Essex.
He is also survived by one sister, Nancy Wood of Dexter.
One sister, Debra Lynn Sitz, also preceded him in death.
Visitation is from 5 to 8 p.m. today at Watkins and Sons Funeral Home in Dexter, where services are scheduled for 11 a.m. Tuesday. The Rev. Mike Brown of Essex will officiate.
The India Team Military Honors Group will conduct full military honors at the Essex Cemetery.


text:
Steve Morse Guitar Player from Deep Purple. His current side project is Flying Colors with Drummer, Mike Portnoy, has a new live CD/DVD out in stores. He has also played with Kansas & Dixie Dreggs.
Simply confirm your registered email address below and click "Reset Password." We will immediately email you a link back to the site where you can enter a new password for this account.
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From Catholic rebellion to Civil War, what happened during the latter years of the reign of Charles I that caused people to take up arms against their fellow citizens? This free course, The origins of the wars of the three kingdoms, looks at the background of the wars between England, Scotland and Ireland and how the king's actions led to the rift between royalists and parliamentarians.
After studying this course, you should be able to:
- describe developments in the British Isles that led to the outbreak of war
- assess the debates between historians about the cause of the wars
- understand how to use evidence from church records to learn about changes in religion and society.
- Duration 12 hours
- Updated Wednesday 27th January 2016
- Introductory level
- Posted under Social & Economic History, Ireland – Age of Revolution
- Current section: Introduction
- Learning outcomes
- 1 Overview
- 2 Thinking about the causes
- 3 How did relations between the king and his subjects break down?
- 3.1 Charles I and the eleven years' personal rule in England and Wales
- 3.2 Financing government
- 3.3 The king and the church
- 3.4 Personal rule or tyranny 1629–40?
- 3.5 Scotland, the prayer book and the bishops' wars
- 3.6 The Short Parliament and the early months of the Long Parliament
- 3.7 Ireland and 1641
- 3.8 Back to England
- 4 Taking sides
- Conclusion
- Keep on learning
- References
- Acknowledgements
Study this free course
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The origins of the wars of the three kingdoms
This course focuses on the seventeenth-century crises in the British Isles that led, in the 1640s, to the Civil Wars between parliamentarians and royalists in England. In the so-called Whig interpretation of British history, the 'Glorious Revolution' of 1688 is the fountainhead of orderly progress. But this is a very English view. Scotland experienced both wars against England and a protracted religious civil war. Ireland saw a Catholic rebellion in 1641 turn into a concerted campaign to render Catholics economically and politically impotent.
To complete this course fully you will need to buy Exploring History 1400–1900: An Anthology of Primary Sources edited by Rachel C. Gibbons, ISBN 978-0719075889. This book will be referred to as the 'Anthology Document' throughout this course.
This OpenLearn course is an adapted extract from the Open University course A200 Exploring history: medieval to modern 1400-1900 [Tip: hold Ctrl and click a link to open it in a new tab. (Hide tip)] .
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Top Definition
When a man lies on his back and his beloved woman will do a handstand over his dick and proceed to do a push-up and suck him off to completion.
After taking gymnastics lessons, Kelli decided to give her man The Ayars Push-up.
লিখেছেন- AnonymouSMNW 8 de অক্টোবার de 2007
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Can you define these popular missing words?


text: Can somebody out there help me with the plugin Add From Server? I'm trying to upload a large ebook file (17.6 MB) onto my WordPress site to sell in my e store but can't upload any more than 7MB into the library. I downloaded and installed Add From Server but I don't understand where the file will be stored and where to upload it from. I'm totally new to blogging and don't get the language. Anyone??? A Step by step guide in simple language would be appreciated.


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i am trying to get my menu bar or display to be smaller.. the width across is perfect but the height of the menu is to long and expands into the slider with my drop down part of the menu. i am editing with css file..www.gaentmag.com .. with the canyon theme... the menu code is below:
[CSS moderated as per the Forum Rules. Please just post a link to your site.]


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By CHRISTOPHER PETROWSKI
The murders of Nicole Brown Simpson and Ronald Goldman took place on June 12, 1994, and the resulting investigation and eventual trial of the suspect, NFL Hall of Famer O.J. Simpson, became one of the hottest topics of conversation for the next couple of years and continues to arouse interest and passions 20 years later.
John Paolucci, a retired New York Police Department crime scene detective and current independent forensics investigator, has put together a presentation entitled "O.J. Today. Could the 'CSI effect' have swayed the jury?" He gave his talk at the Larchmont Public Library on April 12.
Paolucci spent a good portion of his career looking at exactly the kind of evidence presented at the Simpson trial and was involved in many major cases in New York. He has also been recognized for his service by the mayor of New York City and by the president of the United States.
Among his many cases, he searched for bodies and DNA evidence in the John Gotti investigation and was involved in the case of the alleged sexual assault and attempted rape by Dominique Strauss-Kahn of a maid at the Sofitel hotel in New York City.
In the Strauss-Kahn case, Paolucci explained that, in the course of collecting biological evidence from the hotel room of the five-star Sofitel, the police used a particular kind of light to expose semen and blood stains. At one point, the police lab asked him if they could stop testing a particular piece of carpeting. Their reason for the request was "so far, we found semen from five different males and none of them are the accused."
Paolucci's advice to the audience was, "When you stay at a hotel, never use a comforter on the bed. Those things light up like a Christmas Tree."
In his presentation, Paolucci doesn't discuss the racial aspects of the Simpson case, nor does he critique Judge Lance Ito or lead prosecutor Marcia Clark; he sticks to what he is an expert in, forensics. His main point is, in 1994, "juries had to be educated about DNA evidence and today—because of the CSI type shows on television—they have to be nullified about it."
What he means by that is today's jurors come to court knowing a lot about DNA evidence and are expecting a "smoking gun" and a dramatic presentation, similar to the kind they see on TV.
Paolucci quotes Dr. Edmond Locard, a pioneer in forensics who was known as the Sherlock Holmes of France. Locard said, "Physical evidence cannot be wrong, it cannot perjure itself, it cannot be wholly absent. Only human failure to find it, study and understand it can diminish its value."
Paolucci contends that, "the Simpson jury's failure to understand [physical evidence]" was what got Simpson acquitted of the Brown and Goldman murders. He contrasted other real life forensics and those found on TV by comparing all the very good looking actors with the looks of real-life investigators and talked about how, on the shows, things like fingerprints usually have a match in police records and are admissible in court.
In reality, Paolucci said, usable fingerprints are only found about 5 percent of the time and 95 out of a 100 of them are of no help to an investigation.
Paolucci also explained DNA is collected and tested in new ways that are much more exact, but require far less material. In 1994, a whole vial of blood was needed and the Simpson defense team was able to suggest that some of that blood could have been taken from the lab and planted by police to frame their client. Today, DNA is taken by
swabbing the mouth of the suspect and only a minute quantity is needed for matching.
DNA testing in 1994 could narrow a suspect's sample down to one in so many million. Today that DNA could single out a person from trillions of others, meaning it includes not only the current world population, but everybody who ever lived. Also, today's testing would have allowed a piece of used chewing gum at the murder scene to be identified.
That level of testing did not exist 20 years ago.
Paolucci does point out a couple of things that possibly would have made it harder for Simpson's defense team to suggest police misconduct.
He explains the same detectives who arrived at the Bundy location, where the bodies were found, also went to the Rockingham location, where Simpson resided. He said a separate team should have been dispatched so no cross contamination could have occurred.
In Paolucci's article at crimemagazine.com, he writes, "Failure to control police personnel causes investigators to be distracted, and this confusion could be responsible for the crime scene technician to miss significant evidence, such as a bloody fingerprint from the rear gate of the Bundy crime scene that was never collected."
This particular piece of evidence is what Paolucci believes should have made the prosecution's case as it contained the victim's blood in the suspect's fingerprint, which could have only occurred if the suspect was at the murder scene either during or after the fact.
This evidence was removed by a locksmith who was hired by the family after the murders.
Paolucci is currently the president of Forensics 4 Real Incorporated. He trains students and law enforcement in forensic evidence and crime scene investigations. He also provides consultations with movie and television writers, directors and developers working on true crime shows and dramas.
Paolucci's website is:


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Ranch-Direct Grass Fed Beef
Our vision at SonomaBeef.com is to serve Bay Area families & communities with ranch-direct grass fed beef. We like the idea of cattle being used locally & maximally to their intent. Thus, we only slaughter when we have a complete beef sold. No waste.
The current cattle market is complicated with the majority of cattle going to feedlots with thousands of other animals. There they are fed heavily on fattening additives, grain, antibiotics, steroids, hormones and supplements to add weight to the animal prior to slaughter. It is impossible to track the chain of custody. . . and, in the unfortunate event that there is a recall, hundreds of thousands of pounds of beef are simply discarded. We feel this is an abysmal waste of life (and energy).
Grass fed beef is different than the box meat industry standard available at supermarkets. The most noticeable difference is color. Natural grass-fed beef is greyer and the fat has a yellow hue. The color is from dry curing (rather than putting fresh meat in plastic wrap to cure in the supermarket, this beef will be properly cured for 3 weeks). The yellow hue is evidence of the beef converting grass into vitamin K. This type of fat is the good fat with omega 3 and 6, and other healthy benefits. The fat within the meat (which cannot be cut away) is non-saturated. The white fat produced by grain fed beef is saturated. Even when cut lean the fat within the meat is saturated. In the end, you will notice other differences: superior taste, texture as well as lower cooking temperatures required.
The cattle are vaccinated. They maintain a rigid vaccination program to ensure the health of the herd. This vaccination program accords with the USDA regulations and is consistent with every piece of beef (unless USDA certified Organic). They are not given antibiotics, steroids, hormones or supplements or growth additives. Our cattle are provided with supplemental hay during the winter, most of which we grow ourselves.
USDA allows for certified organic cattle to be fed grain: it does not allow for vaccinations, antibiotics, steroids, hormones or additives.
A whole beef can be purchased, butchered, cured, and cut for $3500.
For more specific purchase information please see our ordering information.
We can also make special arrangement for whole beef, sides, quarters and organ meat for those true carnivores amongst us. In these cases the purchaser can specify cutting directly. The meat would be cured and waiting at the butcher for instructions.
Please be conscientious and realistic about your capacily to store meat (freezer space). The typical freezer above refrigerator is between 2-3 cubic feet. One cubic foot will hold about 40lbs of beef.
This meat will be professionally cut and wrapped and should keep for a year or more in a freezer.


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Morrow likely won't be back in time for Bobcats
SACRAMENTO — Warriors guard Anthony Morrow said he doesn't think he will be back by Friday, though he's hoping to be on the court for the return of his former teammate, Charlotte swingman Stephen Jackson.
"That is going to be an exciting game," Morrow said with a smile.
The Warriors said Morrow would be out one to two weeks with a sprained right knee. Friday makes two weeks since he sustained the injury against Milwaukee on Jan. 15. But Morrow has done little more than light jogging and shooting, although he started doing lateral work on Tuesday.
Morrow said he expects his knee to be sore for a while even after he returns. Still, he said he would be ready for the Three-Point Contest on All-Star Saturday (Feb. 13) if he's invited. He still hasn't heard from the NBA, which will announce the participants a week from today. Morrow said he would even be ready for the Rookie Challenge on All-Star Friday, which pits the league's notable rookies against notable sophomores. He said he and second-year Warriors forward Anthony Randolph deserve an invitation but acknowledged it was unlikely.
But Morrow's focus is on the 3-point contest, which he thinks he can win. If Morrow doesn't get invited, forward Vladimir Radmanovic said he's going to retire in protest.
"At some point," Radmanovic said, drawing laughs from his teammates. "I'll retire eventually."
He wound up starting and playing seven minutes in the first half, going scoreless on one field goal attempt.
"I'm happy when anybody comes back," Warriors coach Don Nelson said before the game.
Curry said he isn't worried about missing out on downtime, pointing to the four off days he'll have after the game.
"It's going to be fun," Curry said, "and I can still get rest."
Curry entered Tuesday's game ranked in the top five among rookies in six categories: fourth in scoring average (13.4), third in assists (4.6), first in steals (1.88), second in 3-point field goal percentage (43.5), second in free throw percentage (85.0) and third in minutes (33.7).


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Friday links: A Top 25 football list for 2014 is out
Wow. Make that: Double wow. How is that for a Friday? A "double wow." Pretty cool, huh? The cause of my double-wow: There is a 2014 Top 25 already out. And, here it is. The highest ranked Big Ten team? Do you have to ask—or click on the link? C'mon. But it is kinda cool to see Minnesota at No. 24. But, there are only three Big Ten teams in this way, way, way too early Top 25 from NationalChamps.net.


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Cheaper and better than a week in a motel; what's not to love?
- Vertical walls make the best use of interior space, while 7-foot standing space allows for plenty of headroom
- Windows on each side enhance visibility and ventilation
- Full mesh roof allows air circulation, reduces condensation, and allows for stargazing
- 75D StormShield polyester fly includes pockets to store storm guy-outs and lines when not in use
- E! Power Port lets you bring electrical power cord inside tent through a dedicated zippered port
- Gear loft and multiple interior pockets organize small items
- Item #ERK0133
Tech Specs
Tech Specs
- Reviews
What do you think about this product?
Have questions about this product?
Stand up and Camp
- Familiarity: I've put it through the wringer
This tent is tall enough for most people to stand in and enjoy a morning stretch! I love how simple it is to setup and how large and spacious it is for the price. It is decent in wet conditions but I wouldn't want to be in it during a monsoon! Very heavy but PERFECT for car camping when space isn't an issue.
Good tent
- Familiarity: I've used it several times
Really like the tent. It's a good size, easy to put up and take down. Love the fact you can stand up inside.
Are the seams taped or are they sealed? or nothing
Is there a footprint / ground cloth that fits this well?
I tried to look online, and I don't believe a footprint is made for this tent. However, you could easily go to walmart or a hardware store, and by some tyvek and make a lightweight durable footprint for this tent! It would work just as well as a manufactured footprint.