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IMSLP:Score submission guide/General Information
How to Complete the General Information Section of the Work Page
This is the official style guide to filling in the general information section on work pages throughout IMSLP. The goal is to standardize this section to allow for automatic translation of this section languages other than English, and to permit automated searches on field names. One of the more important things to keep in mind about the General Information section is that it applies only to the composer's own version of the piece - never to an arrangement by someone else.
The fields are listed in the order in which they display on the finished page, but they may appear in a different order while the page is being edited. Note: Older pages will not contain all these fields, but they can be inserted manually, e.g. by typing |First Performance= at the start of a new line.
If the information for any field is unavailable, please leave it empty. Never use "n/a" or "none".
Work Title
Give the title of the work as it appears in the page title, but omitting key signatures and opus/catalogue numbers.
Alternative Title
Titles for the work that found in the first edition or in standard reference sources, if they differ from the Work Title.
- Different titles in the same language should be separated by spaces and a semi-colon.
- Titles in different languages should be placed on separate lines with
.
- Examples:
- The Marriage of Figaro
Die Hochzeit des Figaro ; Figaros Hochzeit
- The Marriage of Figaro
This is filled in by default, and cannot be edited.
Opus/Catalogue Number
If they exist, give the most commonly-used number first, with others separated by spaces and a semi-colon.
- Always include the prefix "Op." (with no spaces) when giving the opus number
- Ensure that the punctuation and spacing of catalogue prefixes is consistent with other works by the same composer.
- Examples:
- Op.15a
- Op.90 ; D.899
Give the key signature for the whole work (if there is one), not individual sections or movements. If there are multiple sections, use the {{Sb}} template for see below
Use either the Key template or the {{flat}} and {{sharp}} templates for flat and sharp keys.
- Examples:
- C major
- B♭ major
- G♯ minor
Number of Movements/Sections
State the number and type of sections within the work.
- For works that are continuous without any breaks, "1" can be used without further description.
- For works that were unfinished by their composer, or which have been partly lost, add " (unfinished)" after the section number
- Examples:
- 4 movements
- 10 numbers
- 5 chapters
- 4 volumes in 8 parts
- 3 acts and 4 scenes (unfinished)
The titles of the individual sections may be listed underneath, starting each line with a colon ( : ) , and numbering them as they appear in the score (or a hash (#) can be used for incremantal numbering). Key signatures and numbers of bars/measures can be given if known
- Examples:
- 4 movements:
- 1. Adagio—Allegro non troppo (B minor, 354 bars)
- 2. Allegro con grazia (D major, 179 bars)
- 3. Allegro molto vivace (G major, 547 bars)
- 4. Adagio lamentoso (B minor, 171 bars)
- 4 movements:
If the structure of the sections is complicated, consider putting this at the bottom of the workpage (outside the general information section), or moving it to the discussion section of the workpage.
Year/Date of Composition
The exact dates when a work was started and completed are often difficult to establish, even when a composer's manuscript is dated precisely, since works may be subject to frequent revision at times of performance and publication. For this reason it is advisable to give just a year or range of years of composition, instead of the exact month and day.
- Use the en dash, without spaces, to separate start and end dates. You can use {{subst:EN}} to create an en dash, or see Wikipedia how to produce this on your keyboard
- Use "ca." (not c.), without a space, to indicate an approximate date (from the Latin word circa) - avoid for composers dead less than 70 years or composers whose death date is unknown (see note below)
- Use "by" or "after" if start or end dates of compostion are unknown - avoid for composers dead less than 70 years or composers whose death date is unknown (see note below)
- The symbol "(?)" after a date means that the information preceding it is doubtful
- The term "revised" means that an existing work was subsequently altered by its composer
- Examples:
- 1925
- 1863–65 [= begun in 1863 and completed in 1865]
- 1863–65(?) [= probably begun in 1863 and completed in 1865]
- 1863/65 [= begun no earlier than 1863, and completed no later than 1865]
- 1871 or before [= start date unknown, but completed no later than 1871]
- 1732 or later [= begun no later than 1732, but completion date is unknown]
- 1869, revised 1870, 1880
Note: IMSLP's copyright autotagger reads the composition date in this field as an alternate in the absence of a publication date. It is therefore best to avoid the use of any letters or other symbols in front of the year date for items where the composer has been dead less than 70 years, the composer's death date is unknown, or when the publication date is less than 120 years ago.
First Performance
If the date of the first performance of the work is known, it should be given here. The place, occasion and names of performers may also be given if known.
- Dates should be given in the format YYYY-MM-DD, according to the western (Gregorian) calendar.
- Names of cities should come after the date and be separated by the " in " (including spaces)
- The concert venue or occasion, if included, should come after the city, separated by a comma
- Examples:
- 1824-05-07
- 1824-05-07 — Vienna
- 1824-05-07 — Vienna, Kärntnertortheater
- If exact dates are unknown then only the year, or the year and the month may be given
- Examples:
- 1750
- 1863-05 [= May 1863]
The names of the performers, if included, can be separated from the place of performance by a colon (:), or you can use a
 to start a new line.
- List any soloists first (in score order), followed by the name of the orchestra/ensemble, and lastly the conductor.
- Identify the role played by the performer in parentheses after their names.
- Names should be separated by a semi-colon or comma, followed by a single space.
- Link the names of the performers if they have their own IMSLP category, using the {{LinkName}} template.
- Examples:
- 1909-11-28 — New York, New Theater: Sergei Rachmaninoff (piano), New York Symphony Society Orchestra, Walter Damrosch (conductor)
- 1791-09-30 — Vienna, Freihaus-Theater auf der Wieden: Benedikt Schack (Tamino), Emanuel Schickander (Papageno), Anna Gottlieb (Pamina)
Year of First Publication
If the date of the first publication of the work is known, it should be given here.
- The place of publication, publisher, plate numbers, and numbers of pages may also be given if known, in the form "Year – City: Publisher. Type of score, number of pages, Plate number"
- The symbol "(?)" after a date means that the information preceding it is uncertain
- Use the en dash, without spaces, to separate start and end dates, or ranges of plate numbers. You can use {{subst:EN}} to create an en dash, or see Wikipedia how to produce this on your keyboard
- If a work was published in different forms (such as full scores and vocal scores) give this information before the plate number. Start a new line with
 for each different form of the work
- If a publisher page exists on IMSLP, include a link to that page.
- Examples:
- 1802
- 1810–1815
- 1897 – Mainz: B. Schott's Söhne
- 1894 – Leipzig: Bosworth & Co.,
- 1900(?) – Braunschweig: Litolff. Plate 1542
- 1878 – Moscow: P. Jurgenson. Vocal score, 249 pages. Plates 3302–3323
1880 – Moscow: P. Jurgenson. Full score, 357 pages. Plate 3901.
Note: IMSLP's copyright autotagger reads the publication date in this field for determination of copyright status along with the composer's death date. It is therefore best to avoid the use of any letters or other symbols in front of the year date for items where the composer has been dead less than 70 years or the composer's death date is unknown.
The authors of text (librettists) used in the work are very important, as they can affect the work's copyright status. A work can have more than one librettist.
- Give the names of all the librettist(s) for the work, including any translators, and the authors of literary works who are named as the source of the libretto
- Check each name against the list at Category:Works by librettist, and use the form of their name listed there, if it appears
- Link the names of the librettist(s) using the {{LinkLib}} template (even if they are not yet listed at Category:Works by librettist)
- Include the years of birth and death, where known, in parentheses after their names
- The Lied, Art Song, and Choral Texts Page can be helpful in identifying librettists and their dates
- Use the en dash, without spaces, to separate birth and death years. You can use {{subst:EN}} to create an en dash, or see Wikipedia how to produce this on your keyboard
- If the text comes from an identified literary source, give the title of the source and its year of publication, if this is known
- Use "traditional" or "unknown" if the author of the text is unidentified
- Examples:
- Johann Conrad Lichtenberg (1689–1751)
- Friedrich Rückert (1788–1866)
- Lorenzo Da Ponte, based on Pierre Beaumarchais: La folle journée, ou le Mariage de Figaro (1784)
- Heinrich Heine (1797–1856), translated by Mikhail Mikhaylov (1829–1865)
- Norwegian traditional
- Unknown
- If individual parts of a work have different librettists, then repeat the list given under "Number of Movements/Sections", but replacing the titles with the names of the librettists
- 1. Nikolay Ogarev (1813–1877)
2. Vasily Zhukovsky (1783–1852)
3. Mikhail Lermontov (1814–1841)
- 1. Nikolay Ogarev (1813–1877)
This is only required for vocal works that have texts, or for literary works.
- Give the name of the language as it is known in English (for instance, "German" not "Deutsch")
- If a work includes the same text in more than one language, list them in the order in which they appear, separated by spaces and the "/" symbol.
- If individual sections of a work use different languages, so that all of them are needed to perform or read the work in full, list them in the order in which they appear, separated by spaces and a semicolon, and identify the sections in parentheses.
- Use the language(s) of the first edition, and not any later translations. The Lied, Art Song, and Choral Texts Page can be helpful in identifying the original language
- Examples:
- French
- German / English [= both languages are used in parallel, with the German text shown above the English]
- Swedish (Nos.1–3 and 5) ; Danish (Nos.4 and 6) [= in a cycle of six songs, Swedish is the language used in four of them, and Danish in the remainder]
- Polish / German (Nos.1–3) ; Czech / German (Nos.4–6) [= in a cycle of six songs, Polish was used in the first three, and Czech in the last three, with German translations given in the first edition for all six songs]
The name of the person or institution to whom the work is dedicated (if there is a dedication). This can be given in the form it appears in the score, with clarification given in brackets if necessary. If the dedicatee is a musician with their own category on IMSLP, then include a link to that category, using the same spelling of the name.
- Examples:
- Dr Eugenio Egas
- "To my wife" (Elisabeth Bortkiewicz)
- "K.R." (Grand Duke Konstantin Konstantinovich of Russia)
- The Philharmonic Society of London
- Franz Liszt
- John Smith and Henry Jones
If the individual parts of a work are dedicated to different persons, then repeat the list given under "Number of Movements/Sections", but replacing the titles with the names of the dedicatees.
- Examples:
- 1. Mariya Kondratyeva
- 2. Anna Davydova
- 3. Anna Merkling
Average Duration
This should be given in whole minutes, with the word "minutes" written out in full.
- For short pieces. ranges should be used instead of fractions (e.g. "2–3 minutes" not "2.5 minutes" or " 2'30 ").
- If the piece lasts less than a minute, then seconds can be used instead.
- Examples:
- 5 minutes
- 1–2 minutes
- 100 minutes
- 20–30 seconds
Timings for individual movements (as specified in the previous section) can also be given, if they are known.
- Examples:
- 40 minutes (15 + 10 + 15)
- 125 minutes (45 + 25 + 30 + 25)
This field is no longer used, and it can safely be deleted from any pages where it is found.
Piece Style
This is filled in automatically, based on the overall style set for the composer. It can be changed for an individual piece, using the descriptions shown on the Browse by composer time period page.
It is important to give correct and precise information in this section.
- Names of instruments and ranges should be given in English, normally in the sequence shown below, in lower case, separated by commas, without using the word "and":
- Voices (solo) — voices [unspecified], sopranos, mezzo-sopranos, contraltos, altos, tenors, baritones, bass-baritones, basses, narrators;
- Choruses — mixed choruses, female choruses, male choruses, childrens voices;
- Woodwinds — piccolos, flutes, alto flutes, bass flutes, flutes d'amore, recorders, oboes, oboes d'amore, English horns, bass oboes, chalumeaux, clarinets, bass clarinets, basset clarinets, basset horns, saxophones, bassoons, contrabassoons;
- Brass — horns, trumpets, cornets, saxhorns, trombones, euphoniums, tubas, bass tubas;
- Folk instruments — accordions, bagpipes, cimbaloms, concertinas, dulcimers, erhu, flageolets, harmonicas, musettes, ocarinas, pan pipes, pipa, sheng, toy instruments, vuvuzelas, xiao flutes, zithers
- Percussion — timpani, drums, cymbals, triangles, celestas, glockenspiels, tubular bells, bells, marimbas, vibraphones, xylophones
- Strings (plucked) — arpeggiones, guitars, lutes, barytons, banjos, ukeleles, mandolas, mandolins, harps
- Strings (bowed) — violins, vielles, violas, tenor violas, violas da gamba, violas d'amore, viols, violones, cellos, cellones, double basses
- Automated instruments — mechanical instruments, mechanical organ, electronic instruments, ondes martenot, synthesizer, theremin
- Keyboard — claviers, clavichords, harpsichords, lute-harpsichords, pianos, piano left hand, piano right hand, piano 3 hands, piano 4 hands, piano 5 hands, piano 6 hands, 2 pianos 8 hands, toy pianos, pedal pianos, organs, organ 4 hands, harmoniums
- Basso continuo — continuo
Chamber Works
For chamber or vocal works where each performer has a unique solo part:
- Separate the names of instruments with a comma followed by a space, without using the word "and".
- Use numbers to group two or more instruments (e.g. "3 trombones", but don't use "1" before a single instrument name)
- Give instruments in lower-case letters (except for "English horn")
- Keys for transposing instruments may also be given in parentheses after their names. For example: "clarinet (B♭)"
- Alternative instruments, where one instrument may be completely replaced by another, should be indicated by the word "or". For example: "flute or violin, piano" means that the work can be performed either by flute and piano, or by violin and piano.
- Optional instruments, which can be omitted, should be listed in parentheses. For example: "flute (+ piccolo), oboe" means that the piccolo part is optional. The words "ad lib." may also be used.
- Examples:
- piano
- violin, cello or viola
- 2 violins, viola, cello
- 2 flutes, 2 oboes, English horn, 2 clarinets (B♭), bass clarinet (B♭)
Orchestral Works
For larger works involving the orchestra or large ensembles:
- List any vocal parts first, starting the line with the word: "Voices" (in italics), and a colon.
- Details of soloists should come before the chorus, separating both with spaces and the " + " symbol.
- The names of characters in stage works should be followed by their voice parts in parentheses, and separated from each other by spaces and a semi-colon
- For choral works, the letters S, A, T and B (without spaces) may be used in parentheses to represent the soprano, alto, tenor and bass parts of a chorus. For example, "mixed chorus (SSATTB)" means that the chorus comprises 2 soprano and 2 tenor sections with single alto and bass sections.
- Examples:
- Voices: 2 mezzo-sopranos, baritone + mixed chorus (SATB)
- Voices: Count Almaviva (bass) ; Countess Rosina (soprano) ; Susanna (soprano) ; Figaro (bass) ; Cherubino (soprano) ; Marcellin (soprano) ; Bartolo (bass) ; Basillo (tenor) + mixed chorus (SATB)
- In the case of concertos or concertante piece featuring one or more solo instruments with orchestral accompaniment, start a new line with the word: "Solo" (in italics), and a colon.
- Separate the names of solo instruments with a comma followed by a space, without using the word "and".
- Examples:
- Solo: piano
- Solo: violin, cello, piano
- Start a new line with the word "Orchestra" (in italics), and a colon.
- List the instruments in the sequence of woodwind + brass + percussion + keyboard + strings. (Harps should be included with the strings).
- Use numbers to group two or more instruments (e.g. "3 trombones", but don't use "1" before a single instrument name)
- Give instruments in lower-case letters (except for the special case of "English horn")
- The word "strings" should be used instead of the standard orchestral compliment (violins I, violins II, violas, cellos, double basses), to save space
- Keys for transposing instruments may also be given in parentheses after their names. For example: "clarinet (B♭)"
- Instrumental doubling may be indicated by a "/" symbol between the instrument names. For example: "3 flutes/piccolo" means that one of the flute players also substitutes on the the piccolo during the performance
- Optional instruments, which can be omitted, should be listed in parentheses. For example: "timpani (bass drum, cymbals) + strings" means that the bass drum and cymbal parts are optional. The words "ad lib." may also be used.
- Examples:
- Orchestra: 2 horns, strings
- Orchestra: piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets (B♭, A), 2 bassoons + 4 horns (F), 2 cornets (B♭, A), 2 trumpets (B♭, A), 3 trombones, tuba + timpani, triangle, tambourine, side drum, cymbals, bass drum, tam-tam, glockenspiel + piano + harp, strings
- Orchestra: piccolo, 2 flutes, 2 oboes, 4 clarinets (1 in E♭, 3 in B♭), 2 bass clarinets (in F, B♭), 2 bassoons + 4 horns (1 in E♭/F, 3 in E♭), 2 trumpets (in E♭), 2 cornets (in B♭), 3 trombones, euphonium, 2 tubas + snare drum, cymbals, bass drum
The word "Orchestra" (without italics) should be used if a listing of the individual parts is unavailable.
This field should only be used by members of the IMSLP categorization project team. If you think a work has been incorrectly categorized, contact a team member.
Related Works
If the current work is based on another work, or if its music was used later in other works, then that can be mentioned here in the form of a list (starting each new line with "
"). The {{LinkWork}} template can be used to link to other work pages, if they exist.
- Examples:
- Adapted from the second movement of the String Sextet No.1, Op.18, by Johannes Brahms
- Based on themes from the opera I puritani by Vincenzo Bellini
- Arranged by Bach from the Concerto for 2 Violins and Cello in D minor, RV 565, by Antonio Vivaldi
External Links
Links to other sites should be placed here, in the form of a list (starting each new line with "
")
- Examples:
- Wikipedia article [[wikipedia:<url text after http://en.wikipedia.org/wiki/>|Wikipedia article]]
- The Lied, Art Song, and Choral Texts Page
Extra Information
Any relevant information that does not fit into the above headings can be placed here
- Examples:
- The concerto may be attributed to Johann Caspar Seyfert
- Mozart's Requiem was unfinished at the time of his death. Unless otherwise stated the scores below relate to the completion of the work by his student Franz Xaver Süssmayr (1766–1803)
IMSLP has quite a few works that exist in multiple versions, mostly where a work has been revised by its composer, or where different people have attempted to reconstruct an unfinished work (like Mozart's Reqiuem). Because these different versions (and arrangements of them) can appear on the same page, each of the available performing versions should be assigned letters "A", "B", "C" (etc.), and these letters should be used with the Version template to make it clear which version is being talked about in the headings and the general information section. For example:
- Year/Date of Composition : 1869 A ; 1870 B ; 1880 C (standard version)
- Year of First Publication : 1871 B – Berlin: Bote & Bock. Full score, 201 pages. Plate 9325.
The version letter should always come before the information it relates to, separated just by a single space. Headings should include the word "Version" before the version template, but this should be omitted in the general information section.


text:
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Arimidex drug description and what Arimidex is used to treat
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The Food and Drug Administration or FDA has categorized Arimidex as D in the pregnancy guide. This means that taking the drug will harm the unborn child. It should also be avoided for women who are breast feeding or allergic to it. Women who have illnesses like heart and liver disease as well as women who have not yet completed the menopausal stage must consult with their physicians first before taking the drug. Normally, Arimidex must not be taken with tamoxifen and other drugs which are medications for estrogen since it might not work properly as expected. The drug is taken once a day within the span of 5 years. It should be noted that any activity which requires the person to be awake and alert must be avoided as much as possible like driving for long periods of time.
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People who bought Arimidex also bought:

subset: commoncrawl


text:
JVCC PT-22 Packaging Tape is a 2.2 mil thick polypropylene film packaging tape coated with an acrylic adhesive. Used for carton sealing, color coding, splicing and identification applications. This is an overstock product available in 73 inch (72mm) wide white only. Ships on a 3 inch diameter plain white core. Because it is an overstock special from our converter please note the item is non-returnable.
Please note that tape rolls are NOT guaranteed to be splice- free. Tape rolls are typically cut to standard tape industry metric-cut sizes - or approx 5% narrower than the nominal size (i.e. 24mm per 1-inch of nominal width ordered).
Please contact us to inquire about pricing for full-cut widths (e.g. a 6 inch roll cut to exactly 152mm instead of 144mm).


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In Their Own Words – Prayers for Nick
The other day someone asked me to "say a little prayer that the Colts win the Super Bowl." Was he kidding? As a parent of a child with autism, my prayers are reserved for my son. On the off-chance that there really is someone up in heaven that is listening to me, why would I pray for a Super Bowl championship (not that we aren't fans – we have held season tickets for more than 15 years)? No, my prayers are reserved for Nick. I'd rather pray that he talks in sentences. I'd pray that he makes a friend. I'd pray that he could have a conversation with me. I'd pray that he doesn't have to put his fingers in his ears to block out the noise when we visit a museum, a movie or any indoor event. I'd pray that he would be able to read. I'd pray that he could live a normal life – go to college, fall in love, have kids of his own.
Last week was my husband's birthday and we went out for lunch with his mom. At the end of the meal, they brought him a dessert adorned with a lit candle and my mother-in-law asked what he would wish for. My husband and I, both affected by the poor economy, are out of work, so she figured he'd wish for a new job. But no, we looked at each other and he said that wishes are always reserved for Nick. How could we even choose a wish for just us? What could we possibly wish for that would be more important than adding to Nick's life (okay … in this case a household income might be a good idea!) But, what if by some miracle these things really do come true? We can't NOT do it for him! So, if an eyelash falls – it's a wish for Nick. Throw a penny in the fountain – another wish! Falling stars, wishbones, necklace clasps, dandelions, ladybugs … wish, wish, wish.
Does any of it really come true? Probably not – so why do we keep doing it? It's like buying a lottery ticket – a few minutes of hoping that his quality of life will change fast and miraculously. Hope is that feeling in your heart of good things to come. We all hope for a better tomorrow and if hoping keeps you going, then I'm all for it.
Isn't it odd that I've never (really, never) wished or prayed that Nick didn't have autism. It has never been about what was, but rather what could be. We went through the first couple years of his life testing him for everything – was it apraxia, a hearing loss; how about Fragile X? Why, or why wasn't, this adorable little munchkin progressing like he was supposed to? Always looking forward, is there a way to fix it?
As Nick's parent, I'm often struck by how ordinary life seems. Day in and day out, Nick lives with his family and we understand and love him. So, on this week before the Super Bowl, I reflect on these prayers and wishes that we all say. I'm sure that there are thousands of people throughout Indianapolis that will be saying prayers on Sunday for the Colts. But, I hope they don't forget to put things in perspective. Do these guys – making millions, living in big houses, and driving fast cars – really need our prayers? With all the sadness in the world, reserve those prayers and wishes for the people in need.
In the end, I won't pray for the Colts to win the Super Bowl although I will be watching the game and cheering them on. No, instead they will have to rely on the same things Nick does – hard work, practice and dedication to get them through.
This "In Their Own Words" essay is written by Karri Alberti.
If you have a story you wish to share about your personal experience with autism, please send it to email@example.com. Autism Speaks reserves the right to edit contributions for space, style and content. Because of the volume of submissions, not all can be published on the site.


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Agenda 2012: Product Preview
Words & Photos: Laura Austin The Agenda trade show was going on in our neck of the woods so I decided to make my way up to Long Beach to check out some of of the product hitting stores next season. You'll notice that most of the goods in here aren't exactly what you would be wearing on-hill, but unless you belong to a nudist colony or have some weird snowboard outerwear fetish, there are other seasons when you'll be wearing something other than snow gear. In the gallery above is a mix of everything from street wear, to bags, to electronic accessories, and eyewear that you can expect (or request) to see in your local shops in the upcoming seasons. Start putting together your wishlists now. Let us know what you like and what you don't like in the comment section below.Read More


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TALLAHASSEE, FL – Travelers should expect heavy traffic in South Florida on New Year's Day as Florida State University and Northern Illinois University fans converge on Sun Life Stadium for the Discover Orange Bowl next Tuesday.
The Florida Department of Transportation (FDOT) encourages travelers heading to or around Sun Life Stadium to use the 511 Traveler Information System before hitting the road to stay up-to-date on crashes, congestion, construction and more.
The 511 system provides information on all of Florida's interstates, toll roads and other major metropolitan roadways, including those near the stadium, such as I-75, I-95, I-595 and Florida's Turnpike. Callers also can use 511 for free phone transfers to Florida's airports, seaports and neighboring 511 systems in Georgia and Louisiana.
There are four convenient ways for travelers to receive traffic updates, including:
FDOT reminds all travelers to check 511 before hitting the road, have a passenger check 511 while driving or pull over to avoid distracted driving.
For traffic updates via Twitter, FDOT encourages travelers to follow the Florida 511 Twitter feeds covering Southeast Florida and its roadways including:
Consistent, Predictable, Repeatable


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Many schoolgirls have suffered ill-effects from receiving the Cervarix injection / cervical cancer vaccine
The UK Government introduced a systematic program of vaccination in April 2008 to protects girls from the sexually transmitted human papillomavirus which causes 70 per cent of cervical tumours.
When the Government introduced the Cervarix vaccination programme last year, some campaigners dubbed it a "promiscuity jab". The vaccine was developped by Galxosmithkline.
In total the drug safety watchdog Medicines and Health care products Regulatory Agency (MHRA) has recorded so far about more than 2,000 suspected reactions but these were overall mild, with dozens of girls recording rashes, pain in the arm, and allergies.
A support group says it has received dozens of calls from parents who believe their daughters have been damaged by the vaccine.
The parents of one teenage girl given the jab last autumn believe it was to blame for repeated seizures which have left her with brain damage and psychosis.
The report prepared by the MHRA earlier this month also discloses cases in which teens have suffered convulsions, eye rolling, muscle spasms, seizures and hyperventilation soon after being given the jab.
The analysis by the MHRA, drawn up this month, found 2,107 patients had reported some kind of suspected adverse reaction to Cervarix. Several reported multiple reactions, with 4,602 suspected side-effects recorded in total.
Jackie Fletcher, founder of Jabs, a support group for families whose children have fallen ill after immunisation, said she had taken dozens of calls from parents who believed their daughters had been damaged by the cervical cancer vaccine.
She said: "We have spoken to parents whose daughters have had seizures, paralysis, blurred vision, severe headaches and the loss of feeling in parts of their body.
"Doctors will try to convince parents that these problems are in their child's mind, or have nothing to do with the vaccines, but we don't think there is sufficient evidence to show Cervarix is safe."
Medical safety experts insist the benefits of the vaccine outweigh the risks.
A spokesman for GlaxoSmithKline, which makes Cervarix, said the drug had to undergo rigorous testing, with over 70,000 doses used in trials before a licence was granted.


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Lindsay's transition to center for Alabama has been smooth
Published: Tuesday, October 8, 2013 at 3:30 a.m.
Last Modified: Monday, October 7, 2013 at 10:54 p.m.
They have played one full game together and part of another, but so far you wouldn't know that center Chad Lindsay and quarterback AJ McCarron haven't played together longer.
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That's a good thing because they'll be together for at least a few more games.
"He's done a great job," McCarron said. "He's doing a really good job of communicating, four down odd. I know that he doesn't have as much game experience as (Ryan) Kelly, so I try to help him as much as possible. He's been doing a really good job. He's like a tree stump in there. He's a big boy. He's done a really good job, though. Proud of him."
Lindsay said he already has a bit of chemistry with McCarron, something important between a quarterback and his center.
"Definitely, the center-quarterback relationship is big, just because the center reports to the QB, like where my point is and everything," Lindsay said. "It's what gets it rolling. It goes from quarterback to center and then we go."
Every week as the team prepares, studying game film is a key component. But the Crimson Tide is finding that what the players study isn't exactly what they're seeing on game day.
"Every team has played us different this year," McCarron said. "We really haven't faced a team that — even though they might show one thing on film, they really haven't done what they've done to everybody else. Everybody's swapped it up. Even Georgia State, they came out playing something totally different.
"When we got in two by two and they blitzed the guy over the slot receiver almost every time, and they had never shown that. So every team is going to probably do something different. You always see it early in the game and then try to adjust to it after that, so it's really kind of hard for us to have an idea on one thing we want to do."
When that happens the onus falls on the offensive line to pick up blitzes it hasn't prepared for.
"Usually that's how it is at Alabama, here," Cyrus Kounadjio said. "The past few years, defenses that we go against, they never really do the same thing that they did. They usually have something special for us, almost every game.
"That's why we have rules and try to stick to those rules. Usually the rules, like slide protection and man-side, slide-side, all the rules basically cover everything that could be thrown at us."
Besides his stellar play on the field, Christion Jones has become known as the team's funny man, including a Nick Saban impression.
"Oh, yeah, Christion has a great personality," DeAndrew White said. "He's a funny guy. He's very talented on a football field and he's a comedian.
"He do a lot of good impressions — a Ray Charles impression, he (does) a good Nick Saban impression. He's a funny guy."
Jones has a team-high 20 catches for 232 yards and two touchdowns.
Quarterback Blake Sims got his most extensive playing time last Saturday, completing 14 of 18 passes for 130 yards and a touchdown.
Saban said Sims continues to make progress as a passer.
"We wanted him to play quarterback in our offense, which I thought he did a very good job of," Saban said. "I would just say in his continued development, we had a couple of illegal procedure penalties, whether it's consistency in cadence, command, that type of stuff, consistency in performance.
"He has improved to a large degree as a passer, his judgment has improved as a passer, and I think he has to continue to have confidence in his ability to pass and know that he doesn't have to make plays with his feet all the time, which I think this last game helped him in that regard."
Alabama's Oct. 19 home game against Arkansas is set for 6 p.m., the Southeastern Conference announced Monday afternoon.
The game will air on ESPN or ESPN2.
The Alabama coaching staff selected nine players of the week for their performance against Georgia State, led by starting left tackle Cyrus Kouandjio.
Kouandjio was joined by AJ McCarron and DeAndrew White for the offense.
Xzavier Dickson, C.J. Mosley and A'Shawn Robinson were the defensive choices, and Cade Foster, Dee Hart and Dillon Lee were honored for their special teams play.
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We've seen a slight break in rising gas prices, but they're creeping up again.
AAA puts the Augusta average at $2.69, well below the national average of $2.93.
President Bush says one answer is decreasing the dependence on foreign oil...so today, in our News 12 Gas Gauge, meteorologist Adam Clark checks out one alternative.
There are several options out there, but some say ethanol is the alternative energy source with a future.
So what are the pros and cons?
It's called E-85, which means it's 85% ethanol and 15% gasoline. There aren't many places that sell it here in the CSRA. That may change with time, but as Sprint Mart gas station owner Henry Colley says, we're not there yet.
"Ethanol costs more per gallon than gasoline," Colley says. "Two reasons is, there is very high demand, and there's very limited production."
Ethanol is made almost the same way as moonshine...from fermentation. Making moonshine is of course illegal...but making your own energy source is perfectly legal.
Countries like Brazil use ethanol made from sugar cane. The US can make it from our abundant crops of grain and corn. What's keeping us from going to ethanol is the lack of technology and infrastructure.
"It's definitely going to be probably our most available source of energy if we can get the infrastructure to get the production down right, and that will require some more basic research," says Thomas Crute, Ph.D., professor of chemistry at ASU.
Right now only flex fuel vehicles can take E-85. GM, Ford, and Daimler-Chrysler are producing more vehicles that can run on either pure gasoline or E-85.
How can you tell if your car can use E-85? Just pop open your gas cap and look on the inside, or you can look in your owner's manual.
So how does ethanol stack up against gasoline? You get better gas mileage from gas, but ethanol has a higher octane rating and burns cleaner. Gasoline is not as expensive to make. But ethanol emits less pollution and is a renewable fuel source.
It will take some time to make and ship ethanol more economically. To help speed up the process, the federal government is offering tax credits for producers and suppliers.
With more research and development, we could be using E-85 sooner than you think.


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9 Easy Ways to Detox Your Home
You've had "spring cleaning" on your to-do list for weeks now, but it hasn't happened yet. Don't despair; as with meditation and yoga, now is the perfect time to begin again (and again … ).
It is also a perfect time to detox your home environment. We spend much of our time indoors with our windows closed, so it is even more important to be mindful of healthy air quality. Consider this: The average home contains 500-1,000 chemicals resulting in indoor air quality that is two to five times more polluted than outdoor air. Yikes!
Here are nine easy ways that you can detox your home, so you and your family and enjoy a healthier spring:


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The annual legislative event for Advocacy in Faith was conducted Feb. 3 and 4 at the First United Methodist Church, Topeka. Legislative Event for Advocacy in Faith is co-sponsored by United Methodist Women of Kansas East and West Conferences, Church Women United of Kansas and Kansas Ecumenical Ministries.
This was the first year for a two-day event, which began at 6 p.m. Sunday with a worship service by Kansas East Conference United Methodist Women. It was followed by a keynote address "Gone to Meddlin" by Dawn Please-Bailey, Southwester University, Winfield. Following refreshments, the group of about 60 broke into small groups and attended one of three focus groups.
Monday was a full day session opening with worship by Kansas West Conference United Methodist Women and a keynote address by Leonard Zeskind, author of Blood Politics and several other books.
The 2013 theme was "Seeking Racial Justice," based on the scripture, "Your people shall be my people" in Ruth 1:16. Chairperson Aurelie Sanders welcomed the legislative update participants, who spoke on current issues that will be facing the 2013 Kansas Legislative session.
Following a box luncheon, which was attended by 38 legislators and about 100 women from around the state, attendees selected two of 11 focus groups to attend. Representative Clark Schultz and Representative Don Schroeder were luncheon guests of Shirley Ade and Anita Jost. Regrets were received from Senator Jay Emler.
Immigration is the topic of the 2014 Legislative Event for Advocacy in Faith event.
Location, ST | website.com


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Catherine Zeta Jones Gossip
Catherine Jones gossip, latest news, photos, and video.
Smutty Roundup: Julia with a fringe, Michael & CZJ, and Coach Taylor
FameFlynet, Splash, Grant Lamos IV/ Getty Images
Check out Julia Roberts on the set of The Secret In Their Eyes yesterday in Pasadena with her husband, Danny Moder, and a fringe. It's been over a year since we've seen Julia at the movies. August: Osage County was the last time. And by the time this film comes out, it could be another year. Full Story
Michael and Catherine "working on it"
I found this phrasing pretty interesting, didn't you? I mean, it's not the boilerplate divorce statement: "best for us to part company, we still care, please respect our privacy at this time". They say they're taking time while they 'evaluate and work on their marriage'. Full Story
Oscar Lipsynch: Catherine Zeta-Jones
Christopher Polk/ Michael Buckner/ Kevin Winter/ Getty
I couldn't come up with it in 140 words or less on Twitter in time but my point is -- did you have a reaction to the fact that Michael Douglas and Jane Fonda make more sense than Michael Douglas and Catherine-Zeta Jones…? Many of you thought it was damage control that they showed up together just as rumours spread last week that they're in trouble. Full Story
The Globes Singer: Catherine Zeta-Jones
Handout/ Getty
I haven't seen CZJ out in a long while, and I know part of that was because she had some stuff to sort out, and I am delighted that she took the time to do so and that she looks as gorgeous as she ever did. Because I am basically a navel gazer, when she came onscreen the first thing I said was "Hey it's my wedding dress!" It's not exactly, but really close, and I was so focused on this doesn't-matter detail that I missed the singing altogether. Full Story
Bruce & a fringed Zeta
Did you see RED? I liked RED! Am I dumb? Was I blinded by the Mary Louise Parker? I am partial to Mary Louise Parker. They're making a sequel now and she's in it, though not pictured. Rather, here's Bruce Willis with Catherine Zeta-Jones on the set of RED 2 today. That's a harsh fringe. Full Story
Without Irony
I don't think we can talk about this until you've seen it. So here, please watch. The new Rock of Ages trailer. I'll wait for you on the other side. If you're looking for someone to snark on it, you'll have to click away. I can't snark on it. Because I LOVE IT. I love it without irony. Full Story
A phone for my ma
Catherine Zeta-Jones is shooting a movie with Gerard Butler, Uma Thurman, and Jessica Biel in New Orleans. She hit up the New Orleans Jazz Festival with her mother, and also Jimmy Buffet's wife Jane. CZJ is "listed" at 41. If you didn't know it was her, and you just looked at her phone, and the way she's tricked it out, would you think she was 41? Or would you put her closer to 65, living in Florida, going to bingo? Or 61, Chinese, hitting up the casino even in a wheelchair? This is what my ma did on Mother's Day. Full Story
Angelina, Brad...and Javier
When asked recently by Elle (thanks Benita!) whether or not he makes the ladies fall in love with him on set, Javier Bardem downplayed his own sexy beasty-ness and instead decided to mancrush all over Brad Pitt: "No, no. I'm not Brad Pitt. Full Story
Zeta has an LA Face
Do you remember LA Face? Click here if you need a refresher on LA Face. Dude, Catherine Zeta-Jones is walking around with LA Face. A bad case of LA Face. LA Face was on display last night at the Tony Awards where she won Best Actress in a Musical. LA Face and Whitney House sweaty face. Full Story
A united front
She's from that school where they teach you to always stand by and stick it through. Catherine Zeta-Jones was well trained in this respect, especially when there are other sh-tty situations to contend with. The Zetas of the world, they don't crumble in crisis. She steels herself and moves ahead. Full Story
Photo Assumption: Michael & Zeta
It's been a while since they've been officially out together in public despite living in high profile New York. Catherine Zeta-Jones is working on Broadway and Michael Douglas was shooting Wall Street 2 with the terrible title. Last night the couple stepped on a carpet – first time what seems like a long time. Full Story


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Craftmade LK49CFL-AWD Antique White Distressed Three Light Ceiling Fan Light Kit
Craftmade Ceiling Fans Sale
Save 10% on Craftmade ceiling fans & indoor lights. Use coupon CRAFT10 at checkout.
Offer Ends 8/31/2016
Technical Specs
|Specification Sheet
|Bulb Base
|Medium (E26)
|Bulb Type
|Compact Fluorescent, Incandescent
|Number of Bulbs
|Watts Per Bulb
- 3 Light Fan Light Kit
- Compatible with Craftmade fans
- Requires 3 Medium Base 13 Watt CFL Bulbs (Included)
Additional Craftmade Links
- View Manufacturer Warranty
- Shop All Craftmade Products
- Shop All Craftmade Complete Light Kits Collection Products
Our SKU: LK49
This product is listed under the following manufacturer number(s):
- Aged bronze
- Antique White Distressed
*Denotes a finish or option that has been discontinued
6 Questions from the Community
The Craftmade LK49 should not be used with an outside ceiling fan.
Can this be used on an outside Craftmade ceiling fan?
A. The Craftmade LK49 should not be used with an outside ceiling fan.
The light kit is 17" wide.
how wide is this light kit
A. The light kit is 17" wide.
The Craftmade LK49 is 12"
how wide is this light kit
A. The Craftmade LK49 is 12"
It will fit any Craftmade ceiling fan.
Will this fit any ceiling fan?
A. It will fit any Craftmade ceiling fan.
The Craftmade LK49 is not designed to work on any brand other than Craftmade.
will the light kit fit Hunter fans?
A. The Craftmade LK49 is not designed to work on any brand other than Craftmade.
The Craftmade LK49 measures 8.75"h x 17.5"W
What are the dimentions of this product?
The Craftmade LK49 measures 8.75"h x 17.5"W
Craftmade Complete Light Kits Collection
Other Products In The Craftmade Complete Light Kits Collection
Craftmade LK37
Five Light Ceiling Fan Light Kit$145.00-$145.00(4)
Craftmade LK35
Three Light Ceiling Fan Light Kit$99.00-$99.00
Craftmade LK44
Three Light Ceiling Fan Light Kit$105.00-$105.00
Craftmade LK404
Four Light Ceiling Fan Light Kit$65.00-$65.00(4)
Warranty Info
Craftmade warrants against defects in materials or workmanship for a minimum of TWO (2) YEARS from date of purchase for use, and agrees to repair or, at our option, replace a defective unit without charge.
IMPORTANT: This Warranty does not cover damage resulting from accident, misuse or abuse, lack of reasonable care (as listed on the instructions), the affixing of any attachment not provided with the product, alteration of any attachments factory installed, loss of parts or subjecting the fixture to any but the specified electrical service.
This warranty does not cover failure of bulbs due to accidents, abuse, misuse, vandalism, power surges, and acts of nature such as lightning damage or any bulbs purchased separately and installed by the consumer or any damage to the fixture caused by a separately purchased bulb.
No responsibility is assumed for any special incidental or consequential damages. Damages occurring during transit are not covered by this warranty.
To obtain warranty service, mail sales receipt as proof of purchase-date, and a brief explanation of the nature of the defect, to P.O. Box 1037, Coppell, TX 75019. You will receive, by mail, a Return Goods Authorization number issued by Craftmade, and returned freight prepaid.


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In March 1890, two years after installing his kilns at Saint-Amand-en-Puisaye in the Nièvre département, Carriès received the commission he had always dreamed of: an enormous door surrounded in stoneware tiles dividing the studio of the fabulously wealthy American Winaretta Singer, future Princess Edmond de Polignac.
She agreed to this plan for a monumental door on the basis of a drawing by Eugène Grasset, a friend of the sculptor. The door was to be decorated with animals in the medieval style, but Carriès let his imagination transform the project and it was swiftly invaded by the strange beings which featured in his nightmares.
It was a huge task and the self-taught potter learnt on the job. He hired workers who carried out experiments with different clays, glazes and firings. When he died in 1894, he had finished the full-size plaster model of the Door, but had not been able to complete all the stoneware tiles. Scarcely one third of the 600 irregularly shaped tiles envisaged exist in stoneware.
This tile was to occupy a very specific position as the only figurative element positioned on the rear of the Door to watch visitors entering Winaretta Singer's studio. Its terrifying appearance is emphasised by skilful glazing, with the opaque eyes contrasting with the transparent glaze of the face: it is truly the Guardian of the sanctuary.


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The Warriors are reportedly open to the idea of sending shooting guard Klay Thompson to Minnesota as part of a trade that would net forward Kevin Love in return.
Thompson's father, Mychal, heard about a trade scenario involving Klay and believed it to be such a strong possibility that he spoke on his ESPN LA 710 AM radio show of being "kind of depressed" and began envisioning how his son would fit in with Minnesota.
The blockbuster deal according to Mychal's source with "inside information" would involve Klay, David Lee and a future first-round draft pick being shipped to Minnesota in exchange for Love and guard Kevin Martin.
Reached after the radio show, Mychal said his source was someone from ESPN rather than his son or the Warriors. ESPN.com and USA Today later reported citing sources that such a deal was being discussed.
"It's disappointing because Klay and I have been talking about this all summer and the possibility of this happening as far as him and Kevin (Love) being together on the same team along with Steph Curry, and he was really looking forward to that," Mychal said on the radio.
"He thought that if you added Love to the Splash Brothers, (Andrew) Bogut and (Andre) Iguodala and you tweak the bench, they had a chance to get to the West finals next year. So he was really pumped up."
Love, 25, is a three-time All-Star who would add another major talent alongside Curry and fulfill new coach Steve Kerr's wish of having a power forward who could shoot from outside. The 6-foot-10 Love was fourth in the NBA in scoring, averaging 26.1 points this past season. He also grabbed 12.5 rebounds per game and was tied for eighth in made 3-pointers.
Love, who could opt out of his contract after the end of next season, has expressed a desire to go to a team that could win after having never reached the playoffs in six seasons with Minnesota.
Mychal said he was depressed because a trade involving Klay would cost his son the opportunity to play with Love as the two grew up together in Oregon and played on the same Little League team. For Klay, Mychal said he would have to talk Klay "down off the ledge" if the trade took place.
"And the positives I'll tell him are you get to play with Ricky Rubio, who is one of the best passers in the game. You're playing for a good coach in Flip Saunders," said Mychal, who was Saunders' college teammate at Minnesota and the Golden Gophers' all-time leading scorer.
"Now you're a team that's hoping to make the playoffs, so he'll take a step back career-wise as far as the playoffs are concerned. But we'll see what they can do if this happens with (Nikola) Pekovic at center, Rubio and Klay in the backcourt, (Corey) Brewer and Lee up front. Is that a playoff team in the West or a possible playoff team?
Speaking by phone after the radio show, Mychal said of how he and Klay were reacting to trade talks, "It's anticipating, a little bit of anxiety." To Mychal, that the Warriors would be open to trading him for Love wasn't anything surprising.
"You have to understand this is a business," said Mychal, who was traded multiple times during his NBA playing career. "Outside of LeBron (James) and (Kevin) Durant, everyone else is tradable. Everybody else you're open for business."
Earlier this month, Klay made a similar comment to a blogger while in Turkey, saying "Your job is never secure in this league unless your name is LeBron James or Steph Curry."
Mychal later told 95.7 The Game that while he understood the appeal of adding Love, he would not trade Klay if he were the Warriors and hoped his son would stay.
"I'm on my knees praying," Mychal said.
Klay, 24, ranked second in the NBA in 3-pointers behind Curry, averaged a career-high 18.4 points and received votes for the NBA All-Defensive second team in his third year with the Warriors. He is eligible for an extension beginning in July.
For more on the Warriors, see the Inside the Warriors blog at ibabuzz.com/warriors. Follow Diamond Leung on Twitter at twitter.com/diamond83.


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Short 9 hole course in Iowa Falls on the PDGA site but not on here
Lot like Crivaro for distance but better holes with lot more trees, I shot 8 down but could not find 5's tee until we were done and a couple rec players showed me where it was. Wish I had my camera batteries charged so I could have taken a few pics.
Fausch there is a tourney there Sat July 2nd maybe the "Caper" should make an appearance


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LG Readies US Smartphone Push with T-Mobile
South Korean handset maker LG Electronics is making a renewed push into the U.S. smartphone market by teaming up with T-Mobile, in its attempt to regain its long-lost market share in the U.S.
LG, the world's fifth-largest cellphone maker by shipments, this week released a new Android-based smartphone called Optimus L9. It has a 4.5-inch screen, a speedier dual-core mobile processor and supports fourth-generation wireless technology. The phone runs on Google's Ice Cream Sandwich OS. The phone also features what it calls 'QTranslator,' which recognizes 44 languages and automatically translates words and phrases into 64 different languages when users place their cameras on them.
LG or T-Mobile haven't disclosed the pricing of the smartphone.
Andrew Morrison, vice president of product management at T-Mobile USA said in a statement the smartphone will be available with T-Mobile's unlimited nationwide 4G data plan.
LG, once known in the industry for its Prada and Chocolate phones, has lost momentum in smartphones as it failed to come up quickly with compelling handsets to compete with Apple's iPhone and Samsung's Galaxy smartphones. In North America, its share of the handset market fell to 14.2% in the first half of this year from 21% in 2009, according to market research firm Strategy Analytics. Its handset business is still mired in losses – in the second quarter, it posted an operating loss margin of 2.6%.
But analysts say the partnership with T-Mobile may pay off later this year.
"LG's smartphone line-up has improved a lot over the past years. The latest smartphone may help its handset division return to a profit in the fourth quarter of this year," said Sophia Kim, an analyst at LIG Investment & Securities.
LG declined to comment on its earnings. The company is scheduled to release third-quarter results on Oct. 24.
LG last month rolled out its high-end smartphone, Optimus G, in South Korea. It plans to sell the smartphone in Japan later this month and in the U.S. and other regions in November.


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via Personal Recipe 1716945:
Happy Birthday Mike!!! I know I´m late but I had no Internet access for more than one week...
Happy birthday mike! Have fun with that guitar, looks great! :)
How much do you want for it? hahahahaha
Ohh :'3 Billie, you are the best friend in the world!!
Soooo lucky Mike!!! Can you give one to me too? my b-day was last week!!! it would be appreciated hahahahahhahaah xDD
OMG!!! I want her!
Happy Birthday Dos! Wow! An amazing gift to an amazing person from an amazing person. Congratuations! :-)
I love you mike♥
Nice! Happy b-day Mike
holy sh*t I don't wanne know the price of that beauty :D HAPPY BIRTHDAY MIKE!!


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by Denis Boucher - October 28, 2012 12:25 PM UTC
Dr. Denis Boucher explains his role with the Quebec League's Victoriaville Tigres this season as they try and bounce back from an early playoff exit.
If you're physically fit, you can call yourself an athlete, but being a good hockey player takes a lot more. Furthermore, building a great team is a mission that requires more than we can imagine.
by Denis Boucher - May 28, 2012 2:40 PM UTC
Having the most power isn't always the best thing for your game in the long run - you have to be able to keep it up.
As intensity rises during the playoffs, players with the highest fitness levels will have the best performance and recovery process. The higher their fitness levels, the better their chances of exhausting the opponent and winning.
by Denis Boucher - April 6, 2012 9:50 AM UTC
Dr. Denis Boucher writes why he thinks mental toughness isn't real and why you shouldn't ignore stress and emotion.
We often hear the term "mental toughness." This expression has a certain "ring" to it, but when it is used in contrast to other concepts in sport psychology, such as stress, thought and emotion management, the notion of "weakness" is somehow introduced.
by Denis Boucher - January 21, 2012 10:39 AM UTC
Dr. Denis Boucher explains his methods used to help in finding optimal training techniques with the Flyers.
Over the past few months, my associate François Ruel and I have been working on the development of a new on-ice testing protocol for hockey players, using biosensors and accelerometers (you can read a little bit more about the subject in my article: The Development of On-Ice Testing, published here on thn.
by Denis Boucher - January 1, 2012 11:30 AM UTC
Getting the head healthy after a brain injury is obvious, but we can't forget to ensure the rest of the body has recovered as well.
I think most of us are well-aware of the short-term impairments and long-term damage that result from concussions. However, science still has much to learn on this subject.
by Denis Boucher - August 27, 2011 10:50 AM UTC
Dr. Denis Boucher returns with pointers on how always training at a high intensity level can actually hurt your results.
The goal of training is to increase your fitness level enough to respond to an effort on the ice with the lowest possible energy expenditure.
by Denis Boucher - May 21, 2011 10:13 AM UTC
Dr. Denis Boucher explains how crunch time can take you off your game unless you are able to separate yourself from the situation.
Time is running out fast. If your team doesn't win the game, you're done, eliminated. The skills you have mastered, such as passing the puck, shooting at the net, being in the right position at the right time, anticipating the opponent - all those "little things" you normally do with ease are suddenly much more difficult to do.
by Denis Boucher - April 1, 2011 4:22 PM UTC
A team that works together succeeds together, but each individual has his own idea of how to accomplish that goal.
Team cohesion: What does it really mean? Where does it come from? How do we build it? How do we keep it over time in an ever-changing environment? I should perhaps address the basic question: What is a team? A team is a group of individuals (players) working together to reach a common goal.
by Denis Boucher - February 21, 2011 10:35 AM UTC
Dr. Denis Boucher explains how you can train your brain to react to certain situations and improve your on-ice game.
As an athlete, you spend many hours a week training to improve your fitness level and, hopefully, your performance. Even if you're one of the fittest athletes in your field, you may find you're no match for the athlete next to you if you don't have a capacity that is very under-recognized, but highly valuable: attention.
by Denis Boucher - January 21, 2011 3:00 PM UTC
Dr. Denis Boucher, Ph.D., explains how the effectiveness of supplements can be overblown and even hinder results if not used properly.
In sports, performance matters. As athletes and coaches hear about new supplements that can provide a competitive edge, they are easily tempted to try them.
by Denis Boucher - November 5, 2010 12:00 PM UTC
Dr Denis Boucher, Ph.D., explains how simply training won't guarantee you'll reach optimum speed and that brain activity plays a large role.
In most sports, speed is the gold standard of performance. Speed gives you the edge. However, to get faster, athletes mainly train their muscle mass, as if being fast is only a matter of muscle power.
by Denis Boucher - October 8, 2010 9:45 AM UTC
Dr Denis Boucher, Ph.D., discusses the importance of on-ice testing and how it can help athletes train for specific improvements.
Imagine a laboratory built into a chest band that would allow us scientists to capture a huge amount of data while hockey players are skating.


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2.5-2 Accomplice Testimony
Revised to December 1, 2007 (modified November 6, 2014 )
In weighing the testimony of an accomplice who is a self-confessed criminal, you should consider that fact. It may be that you would not believe a person who has committed a crime as readily as you would believe a person of good character. In weighing the testimony of an accomplice who has not yet been sentenced or whose case has not yet been disposed of or who has not been charged with offenses in which the state has evidence, you should keep in mind that (he/she) may in (his/her) own mind be looking for some favorable treatment in the sentence or disposition of (his/her) own case or hoping not to be arrested. Therefore, (he/she) may have such an interest in the outcome of this case that (his/her) testimony may have been colored by that fact. Therefore, you must look with particular care at the testimony of an accomplice and scrutinize it very carefully before you accept it.
There are many offenses that are of
such a character that the only persons capable of giving useful testimony are
those who are themselves implicated in the crime. It is for you to decide what
credibility you will give to a witness who has admitted (his/her) involvement
and criminal wrongdoing, whether you will believe or disbelieve the testimony of
a person who by (his/her) own admission has committed or contributed to the
crime charged by the state here. Like all other questions of credibility, this
is a question you must decide based on all the evidence presented to you.1
1 This instruction is derived from State v. Marra, 222 Conn. 506, 524-25 (1992). It may be inappropriate to include in the "accomplice testimony" instruction that "[e]ach accomplice's testimony is an admission by him against his own natural interest in not incriminating himself" and therefore may be "evidence of his testimony's reliability." Id.
Generally, the court should not instruct the jury on the credibility of a particular witness, but the Supreme Court has recognized three exceptions: the complaining witness, an accomplice, and an informant. See State v. Patterson, 276 Conn. 452, 470 (2005); State v. Ortiz, 252 Conn. 533, 561-62 (2000).Under the accomplice exception, "where it is warranted by the evidence, it is the court's duty to caution the jury to scrutinize carefully the testimony if the jury finds that the witness intentionally assisted in the commission, or if he assisted or aided or abetted in the commission, of the offense with which the defendant is charged." (Emphasis in original; internal quotation marks omitted.) Id., 562; see State v. Miller, 150 Conn. App. 667, 677, cert. denied, 312 Conn. 926 (2014) (it was plain error not to give the instruction even though the defendant did not request it or take an exception). A defendant is not entitled to an instruction on accomplice testimony unless there is sufficient evidence that the witness was, in fact, an accomplice. State v. Stevenson, 53 Conn. App. 551, 574-77, cert. denied, 250 Conn. 917 (1999); State v. Sanchez, 50 Conn. App. 145, 153-59, cert. denied, 247 Conn. 922 (1998).


text:
This is an excerpt from EERE Network News, a weekly electronic newsletter.
March 22, 2006
New Wisconsin Energy Act Boosts Efficiency and Renewable Power
Wisconsin Governor Jim Doyle signed into law on March 17th the Energy Efficiency and Renewables Act, which increases the state's requirement for the use of renewable energy. The new energy legislation, Senate Bill 459, requires 10 percent of the state's electrical supply to come from renewable energy resources by 2015. It replaces an earlier law that required 2.2 percent renewable power by 2011. The act sets tougher standards for state agencies, requiring the six largest state agencies to draw on renewable power for 10 percent of their power needs by the end of next year, and 20 percent of their power needs by 2015. It requires the state to pursue additional funding for the research and development of agricultural digesters, and it also calls for a pilot program to test the feasibility and cost-effectiveness of burning leftover corn plants to heat residences.
In terms of energy efficiency, the act requires Wisconsin utilities to directly support energy efficiency programs, ensuring annual expenditures of $85 million a year to promote energy efficiency. It also increases funding to local governments for energy efficiency projects, requires the state to update building codes to include higher energy efficiency standards, and requires the state to set higher energy standards for state building projects and purchases. See the governor's press release and the full text of Senate Bill 459 (PDF 163 KB). Download Adobe Reader.
Senate Bill 459 reflects many of the recommendations of the governor's bipartisan Task Force on Energy Efficiency and Renewables, which submitted its final report to Governor Doyle in October 2004. Coincidentally, the bill also follows many of the recommendations of the "Clean Energy-Environment Guide to Action," a recent publication of the U.S. Environmental Protection Agency (EPA) that aims to help states implement clean energy. See the governor's task force report (PDF 1.66 MB) and the EPA publication.


text:
- Apr 23:
- Boston bombing suspect's wife is 'nice,' 'sweet' American convert to Islam
- Boston bombing victim Martin Richard, 8, laid to rest privately
- Older Boston bombing suspect frequently visited jihadist websites, U.S. officials say
- Apr 21:
- Top cop says Boston bomb suspects likely planning more attacks
- Governor: Video shows Boston bomb suspect placing backpack
- Police: Boston bomber may have been killed by his own brother
- Apr 20:
- Doctor: Boston suspect had so many wounds he couldn't tell which was fatal
- Authorities arrest two in town where Boston bombing suspect may have lived
- Boston bombing suspect hospitalized following arrest
- Apr 19:
- Boston bombing suspect Tamerlan Tsarnaev's mother-in-law sickened by attack
- Boston Red Sox, Bruins postpone games during manhunt
- Boston bombings: Television can only 'hurry up and wait'
- Boston bombing suspects' sister says she doesn't know what got into them
- Boston bombing suspects' uncle, 'ashamed,' asks nephew to turn himself in
- Boston bombing suspects spent night in Honda before carjacking a Mercedes
- Boston manhunt: MIT police chief says slain officer Sean Collier was dedicated, well-liked
- Boston manhunt: Chronology of chaotic search for suspects in marathon bombing
- Boston bombing suspect Dzhokhar Tsarnaev captured alive, police say
- Boston bombing suspects: Who are the two brothers?
- Boston bombing suspect Dzhokhar Tsarnaev captured alive, police say
- Police: Suspect who killed MIT cop is dead; second suspect tied to Boston bombing
- Apr 18:
- Boston bombing suspect on video sought; Obama at memorial: 'You will run again'
- Apr 17:
- Boston bombing: Feds deny reports of suspect in custody
- Source: Authorities recover Boston bombing pressure cooker lid
DARTMOUTH, Mass. -- Boston Marathon bombing suspect Dzhokhar Tsarnaev was at the University of Massachusetts Dartmouth this week after the explosions killed three people and wounded more than 180 others, his classmates told The Associated Press on Friday.
The university evacuated its campus Friday morning after confirming that Tsarnaev, the at-large suspect in the bombings, is a registered student there.
Robert Lamontagne, a university spokesman, declined to comment beyond confirming that Tsarnaev was registered there. He would not immediately say when Tsarnaev enrolled, what he was studying or whether he lived on campus.
His father told The Associated Press that his 19-year-old son was studying medicine. The rural UMass-Dartmouth campus, about an hour's drive south of Boston on the state's South Coast, has a medical school and pre-med program.
Students said Tsarnaev lived on the third floor of the Pine Dale dormitory. Harry Danso, who lives on the same floor, told the AP he saw him in a dorm hallway this week.
"He was regular, he was calm," said Danso, who described Tsarnaev as a quiet kid who would sometimes ask him for a homework assignment.
Sonia Ribeiro, 19, of Boston, was in a philosophy class with Tsarnaev. She also said he was on campus this week, although not in class.
"He was laid back. I would never expect this at all from him," she said.
Law enforcement officials and family members identified the suspects as Dzhokhar Tsarnaev and his older brother Tamerlan. They were ethnic Chechen brothers who had lived in Dagestan, which neighbors Chechnya in southern Russia. Tamerlan was killed in a shootout with police while Dzhokhar escaped.
Florida Addy, 19, of Lynn, lived on the same dormitory floor as Dzhokhar Tsarnaev last year. She called him "drug" -- the Russian word for friend, pronounced "droog" -- and said they would sometimes hang out together in his room.
She said he spent a lot of his time with other kids from Russia and that a few times she accompanied with him to the apartment of some Russian students he knew in New Bedford, not far from campus. She said he would always speak Russian in the apartment, although he usually didn't speak it around her.
He was quiet, friendly and a little mysterious, but in a charming way, she said. He usually wore a hoodie or a white T-shirt and sweatpants, she said.
Addy said she just learned he had a girlfriend who did not attend UMass Dartmouth. The last time she saw him was last week when she bummed a cigarette off him, she said.
"He was nice. He was cool. I'm just in shock," she said.
The school said in a statement that it evacuated campus "out of an abundance of caution," amid a manhunt for Tsarnaev.
FBI agents, SWAT teams, a Massachusetts State Police armored truck and two helicopters were seen on the campus.
Smith reported from Providence, R.I. Associated Press writers Bob Salsberg and Pat Eaton-Robb contributed to this report from Boston.


text:
|Battery Type:
|No. of Tools:
|For detailed specifications, please see specifications for individual models included in the combo kit.
|Power Type:
|Shipping Weight:
|14.68 lbs.
Do you have questions about this product?
Get answers from real customers and in-house experts with AnswerBox.
Q:How to take trimmer off to use blowers
2 answers
A:The trimmer and blower are 2 separate items.
A:The trimmer and blower are separate.
Q:How do i apply for extended warranty as the store did not have the forms to fill out
1 answer
A:Please contact the manufacturer direct at 1-800-544-6986 for warranty information.
Q:How many lines of string?
1 answer
A:The NCC218 includes one spool of string
Q:I bought the cordless trimmer and sweeper outdoor combo kit last summer. It was used by me twice, my husband has a fuel operating one which is to heavy to use by me. I took your trimmer out just last week, I was cleaning it and the handle broke at the base is there a way to fix it or can you replace it? I bought it at Lowes and they suggested that I contact you. CAN YOU HELP ME. Thank you Dolly Ott
1 answer
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Q:It has batteries, yet the ads says electric a couple of times....are these cordless or electric ??
2 answers
A:The product is battery powered.
A:It is a cordless unit.
Q:What replacement spool number goes with this trimmer?
1 answer
A:The replacement spool for the trimmer is AF100.


text:
- Sunday Mostly sunny, with a high near 20. Wind chill values as low as -2. Blustery, with a north wind 19 to 24 mph decreasing to 13 to 18 mph in the afternoon. Winds could gust as high as 33 mph.
- Sunday Night Partly cloudy, with a low around 7. North wind 6 to 11 mph becoming light and variable in the evening.
Location, ST | website.com


text:
Lets look at John Terry's sins and punishments shall we..
Can you say DOUBLE STANDARD?
What a colossal loadn of #$%$
Oh my gosh......an elbow to the face.........is there a suspension for that ?????????
Reckon not.........huh????????
Complete Bul-----!
It was obviously Liverpool had it been Chelsea no charge
Dear oh dear.
It's interesting reading the comments on, say, the Guardian or BBC websites and then reading the comments on the Liverpool website. If LFC and its fans wanted the slur "always the victim, it's never your fault" thrown at them they couldn't go about things any better.


text:
Q How about a short break from complaints about trash, speeding, cellphones, SUVs, etc.?
Rick Douglas
San Jose
A Rick has a fond spot in Roadshow for this comment he once sent:
"In an article about the Insight vs. the Prius, you rate the Prius as 'sexy'. I don't think so! The Prius is about as sexy as my 82-year-old grandmother in her nightgown holding a glass of water with her teeth in it. No, not sexy! No way!"
OK, I've stopped laughing. Now what's on your mind?
Q My question relates to the system that determines the freeway numbers in our area, especially the "80" numbers. I've always wondered why there are so many "80" numbers, such as the 280, 580, 880, etc. Why is this number so common here?
And why aren't they in sequence? I don't think there is a "180," for instance. And why did poor old "80" only end up with just two numbers?
Rick Douglas
A Primary routes like I-80 have just one or two digits, while interstate routes that feed and extend it are given an extra digit. I-80 is fed by 280, 380, 680, etc. The number 180 can't be used because it's a route in Fresno that was there before the interstates.
There are 280s, 380s and 480s all across the country where I-80 goes. California's auxiliary interstates are a little different because we're up against the ocean. Throughout the country these auxiliary interstates are usually beltways and do not cross state lines.
There are similar freeway names with I-5 as the main route -- I-405 in Los Angeles, I-705 in Long Beach and I-805 in San Diego.
Q Once in Reno on Interstate 80, I saw a sign saying I-580 half a mile away. I thought my eyes had gone bad! I checked Mapquest and found I-580 from I-80 in Reno to Carson City. So, we have two separate I-580s, one in California and one in Nevada. What is going on here anyway?
Richard Peterson
A Duplicate route numbers exist in many states. Otherwise you'd run out of numbers. Two decades ago the Nevada Department of Transportation and the Federal Highway Administration agreed on "Interstate 580" and began referring to the stretch of U.S. 395 from Reno to Carson City as 580. Signs went up a couple of years ago.
The designation as an interstate guaranteed federal funding. For this same reason, Highway 17 was changed to I-880 from Valley Fair to Oakland 30 years ago.
Q Highway 65 runs from Marysville to Roseville with a 300-mile gap before it picks back up in Southern California. Were there actually plans once to complete this highway? Bet that would be a multi-hundred-billion-dollar project today.
A Yes, there were. In the early days, the Legislature laid out a highway system that was intended to connect all county seats. Then they started building, but it took time and there were gaps. As time went on and the state developed, population centers changed and the gaps on some routes were not completed.
Look for Gary Richards at Facebook.com/mr.roadshow, follow him at Twitter.com/mrroadshow or contact him at firstname.lastname@example.com or 408-920-5335.


text:
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- FABRIC: 100% polyester knit
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- CARE: Machine wash


text:
There's a new catering business in town. Chef J. Randy Pacheco has relocated his business, All About Catering, from Eagle County over to Summit County. Pacheco has been in Colorado for nearly 40 years and has been cooking for 30 of them.
"I've been wanting to expand to Summit County," Pacheco said. "I know a lot of people there, I hang out a lot there. It's where I want to be."
Pacheco started his catering company in 2011, after graduating from the Culinary School of the Rockies in Boulder. Previously, he had done catering work, but mostly for friends and family. His motivation for going to culinary school, he said, was to refine his technical skills, to add to his hands-on experience.
"There's a big leap from having a dinner party at home with 20 people as opposed to catering a dinner for 100 people," he said. At the school, he improved his techniques. While many of his classmates were training to become chefs in restaurants, he kept the goal of a catering company in mind.
"I always wanted to be a caterer, because I think there is a difference between a catering chef and a restaurant chef," he said, explaining that each deals with food in a different way. "I really love to entertain people and making people happy through food."
Food and cooking have been a part of Pacheco's life for about as long as he can remember.
"Food has always been my passion," he said. His first experiences were in the kitchen with his mother and sister. He enjoyed following them around, learning by watching and then experimenting on his own, something he still does.
"I experiment with a lot of things, make a lot of concoctions," he said. "I think a person has to make those different things and try different things, or else you'll never know. You have to try different things in life."
His first job, at age 15, was as a dishwasher at a restaurant. Although the dishwashing itself wasn't all that fun, it was a start. At that time, however, Pacheco still wasn't sure he could make a living with his cooking. He attended University of Colorado Boulder, where he graduated with a degree in psychology, which he says still comes in handy.
"It goes hand in hand, almost, having a degree in psychology and food," he said. "You can tell a lot about people through food."
Pacheco went on to work with other companies and businesses, but he could never forget about food. Eventually, the dream of his own catering company could not be ignored.
"I wasn't happy. I need to do something that I'm passionate about," he said. "I might not make as much money, but I know I'll be doing something I'm passionate about."
Now, with All About Catering, Pacheco feels he's doing just that.
All About Catering ranges across the service spectrum from catering a small event or gathering to catering an entire wedding.
"It's not just about food; it's about taking care of people," Pacheco said. "I always try to give them something that's memorable."
Pacheco said he's willing to make any style of food that his customers want, although is specialty is American cuisine, because that's the food he grew up making and what he loves to eat himself. He also loves to go out to restaurants and try the food that other chefs are making.
"I try to go to a different restaurant every weekend," he said. "There's a lot of good food out there, for sure."
When he cooks, he prefers to make whatever he can from scratch, using fresh ingredients.
"I try to cook as much as possible with fresh, seasonal food. Even if it's in the winter, the vegetables that I use are seasonal," said Pacheco, who believes eating healthy is an industry trend that's really going somewhere. "It's extremely rare for me to use anything out of a box or a can."
Overall, Pacheco considers an event a success if people enjoy the food and enjoy themselves.
"It's a concept that's more than just food," he said. "I try to cater to people. With 'catering' people automatically think 'food,' but to me, catering is a concept of taking care of people."
For more information, visit the All About Catering website at www.allaboutcateringinc.com or call (970) 409-8684.


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That showtime has passed. Please try next available showtime.
Italy, 2012, 76 Minute Running Time
Genre/Subjects: Art/Filmmaking, Crime, Documentary, Literary
Program: Contemporary World CinemaLanguage: Italian English Subtitles
DIRECTOR: Paolo Taviani, Vittorio Taviani, Pablo Trapero
Producer: Grazia VolpiEditor: Roberto PerpignaniScreenwriter: Paolo Taviani, Vittorio TavianiCinematographer: Simone ZampagniPrincipal Cast: Cosimo Rega, Salvatore Striano, Giovanni Arcuri, Antonio Frasca, Juan Dario Bonetti
Octogenarian filmmakers Paolo and Vittorio Taviani (Padre Padrone; Night of the Shooting Stars) take to a new world with this dramatized documentary of an inmate production of Shakespeare's Julius Caesar. Rome's maximum-security Rebibbia prison, home to mafiosi serving time for murder and drug trafficking, is a setting for catharsis that Aristotle would be proud of, rife with pity and terror and the nobility of suffering.
Auditions in which inmates deliver their own personal data—first with intense grief, then in anger—are a powerful indication of what's to come. Whether it's simply the theatricality of Italian culture or this particular group of men, the level of performance is surprisingly high. But the standout is Salvatore Striano, who portrays a passionate, tormented Brutus. Striano was actually pardoned in 2006, and has worked as an actor since then. He returned to Rebibbia for this production, for which he is the emotional anchor, the central character in both the film and this simplified version of the play.
The Taviani brothers have created a stylized story that maintains a staged feeling throughout—in rehearsals, side comments and the final production. What the film lacks in spontaneity it makes up for in the intertwining of history and literature with these actors' troubled spirits. The camera spies on men who've lived a life of criminal loyalty as they speak with searing passion and solidarity about assassination. Caesar Must Die, which won the Golden Bear at the 2012 Berlin Film Festival, is less about art imitating life than it is pure voyeurism, as criminal amateur thespians step into major roles they understand from their own lives.
Click here for Information on Group Rates
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text:
Hi there,
at the moment i have 3 different HDDs where my HD-Movies are stored, all are shared and works fine. But is possible to combine those 3 seperate folders to one,
so PSM will display all movies in one folder instead of 3 folders (Movies_1, Movies_2 and Movies_3) ?
I know that there is a media library function, but i would like to add all HD Movies into one folder and my TV shows in a second folder...


text:
All Users: Tag: "wikia search
Items the TTIW community has Tagged as: "wikia search
You can browse through the Items and if you like them you can add them to your lists. If this is not what you are looking for, use the search form below. And Remember to Tag your Items!


text:
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Shop a fabulous range of plunge bras from our collection at Figleaves. Our bra range has a fabulous range of cup sizes and we also stock narrower and wider back sizes, so you're sure to find your perfect fit. Our plunge bra selection includes practical solution underwear ideal for a low cut top or dress, or you'll also find ultra sexy plunge bras in bright shades and luxury fabrics to make you look fabulous and feel amazing.


text:
Nettie L. (Nell) Johnson Byers, 92
Published: Thursday, November 15, 2012 at 4:30 a.m.
Last Modified: Wednesday, November 14, 2012 at 6:10 p.m.
Nettie L. (Nell) Johnson Byers, 92, of Saluda, the last of her generation, passed away peacefully at the Elizabeth House November 13, 2012. She was a native of Polk County and the youngest daughter of the late Joseph A. and Mary Ann (Molly) Holbert Johnson. She was the wife of William Grover Byers who died October 9, 1996. She was a member of Friendship Baptist Church of Saluda.
She was preceded in death by seven brothers, Dallas, Willis, Edgar, Alvin, George, Joe Lynn and Ray Johnson and five sisters, Cinderella Johnson, Roxie Holbert, Alma Thompson, Atlas Thompson and Ada Nesbett. She is survived by her four children, Stan Byers (Karen) of Weaverville, Patricia Pollard (Bill) of Raleigh, Kay Murphy (Wayne) and Margaret Woods (Sherrill), both of Hendersonville; eleven grandchildren and their spouses; 19 great grandchildren and 1 great great grandchild.
A graveside service will be held Friday, November 16, 2012 at 11:00 AM at the Saluda Cemetery with the Rev. Tom Hayes and Rev. Hank Vetger officiating. The family will receive friends at Friendship Baptist Church Fellowship Hall immediately following the service. An online register book is available for family and friends by visiting www.thosshepherd.com. Thos. Shepherd and Son Funeral Directors is in charge of arrangements.
Reader comments posted to this article may be published in our print edition. All rights reserved. This copyrighted material may not be re-published without permission. Links are encouraged.


text:
This website is no longer being maintained
at this location.
As of March 6, 2007 it moved to:
This site will continue to exist here till December 30, 2007.
If you are linked to this site please establish a link with the new site.
For information about the University of
Dayton's Academic Support Program
contact Dean Lori Shaw.
For information about Professor Randall's
Academic Support Services for Minority Students
go to The JD Project, Inc.
Copyright @ 1997, 2004
Vernellia Randall. All Rights Reserved


text:
foil 1
verb[with object]
1Prevent (something considered wrong or undesirable) from succeeding: a brave policewoman foiled the armed robbery
More example sentences
- A courageous have-a-go hero was threatened with a wooden pole after foiling a late-night theft attempt.
- The security company which foiled the abduction of a baby from a maternity hospital is to create 200 new jobs in a nationwide expansion.
- At around 11 am that day a pensioner foiled another attempted scam by a man and woman in Central Avenue, Gravesend.
1.1Frustrate the efforts or plans of: Errol Flynn was a dashing Mountie foiling Nazi agents in Canada
More example sentences
- My plan was foiled when I asked my sister if she'd accidentally called me, and she said 'Must have, you're in my calls list!'
- Last night a basketball game foiled my efforts to watch the third from the last 'Buffy The Vampire Slayer' episode.
- But thanks to us alert Icelanders (well, me at least) this evil plot is foiled yet again.
1.2 Hunting (Of a hunted animal) run over or cross (ground or a scent or track) in such a way as to confuse the hounds.
Example sentences
- What's more fun to watch than a trained dog foiling bad guys?
- At the other end Foy was foiled twice before Kilheeney's cross was scrambled clear, as the game swung from end to end.
- They tried to get close to the animal but were foiled by the frustrated beast.
Middle English (in the sense 'trample down'): perhaps from Old French fouler 'to full cloth, trample', based on Latin fullo 'fuller'. Compare with full2.
Words that rhyme with foilboil, Boyle, broil, coil, Dáil, Doyle, embroil, Fianna Fáil, Hoyle, moil, noil, oil, roil, Royle, soil, spoil, toil, voile
For editors and proofreaders
Syllabification: foil
foil 2
1Metal hammered or rolled into a thin flexible sheet, used chiefly for covering or wrapping food: aluminum foil
More example sentences
- When the photon hits an object, that object recoils - you can measure this using a thin sheet of foil in a vacuum.
- Line a baking sheet with aluminum foil and brush with olive oil.
- Tom carefully arranged the bacon on a sheet covered with aluminum foil.
2A person or thing that contrasts with and so emphasizes and enhances the qualities of another: the earthy taste of grilled vegetables is a perfect foil for the tart bite of creamy goat cheese
More example sentences
- Qualities such as these make goddesses a perfect foil to counter new forms of cultural colonisation.
- 'Sutton is the perfect foil for a more mobile striker, and in his Blackburn days Shearer performed that role,' the defender states.
- He was a great 'reacter,' which made him the perfect foil for Stan and Ollie.
contrast, complement, antithesis, relief
2.1A thin leaf of metal placed under a precious stone to increase its brilliance.
Example sentences
- Metal foils are available, with embossed aluminum most popular.
- Additionally, I love combining the pewter with other metal foils such as copper and brass foil, as well as using metal paints and glass beads.
- The final inclusion is a thin foil case badge saying simply 'Geared by MSI'.
Middle English: via Old French from Latin folium 'leaf'.
For editors and proofreaders
Syllabification: foil
foil 3
A light fencing sword without cutting edges but with a button on its point.
Example sentences
- Each adversary was dressed in a white jacket, the buttons of their foils were dipped in liquid; that of Lapiere's red, Le Brun's black.
- The very design of the Italian foil and épée is based on the rapier prototype.
- What is the compelling reason for beginning your fencing career with the foil?
- Example sentences
- Put another way, you could equip 8.5 classical foilists for the cost of 3 Olympic foilists.
- The modern sabreur plays a game of priority of one cut over another cut and like the foilist, creates situations and provokes responses from the opponent to allow him to score points.
- The visitors took the first leg, before Oxford came back with strong displays from the foilists and épéeists to wrap up the contest.
Late 16th century: of unknown origin.
For editors and proofreaders
Syllabification: foil
foil 4
Each of the winglike structures fitted to a hydrofoil's hull to lift it clear of the water at speed.
Example sentences
- Roller-furling headsails should be removed from the foils not only do they create windage but the chance of their unrolling is great.
- Because the foils are fine they react very well indeed - the positive side of having the ballast in the hull.
- The greater the pressure, the smaller the diameter the ruptured foil would be.
For editors and proofreaders
Syllabification: foil
What do you find interesting about this word or phrase?
Comments that don't adhere to our Community Guidelines may be moderated or removed.
= trending


text:
Papa John's Pizza in Sarasota robbed at knifepoint
Published: Sunday, August 10, 2014 at 8:12 p.m.
Last Modified: Sunday, August 10, 2014 at 8:12 p.m.
SARASOTA COUNTY - Sheriff's deputies are searching for a man with a knife who robbed a Papa John's Pizza in Sarasota.
Shortly after 6 p.m. Sunday, the robber entered the store at 3846 S. Tuttle Ave. and brandished a small, fixed blade, possibly a hunting knife. He demanded money from an employee, then fled south across Bee Ridge Road on a bicycle.
Deputies describe the culprit as white, in his 40s, 6 feet to 6 feet 2 inches, thin with dark hair with a slight mustache and a goatee. He wore a plaid, green shirt, blue jeans, sandals and a lime-green baseball cap. They recovered the bicycle and some clothing a short distance away.
Anyone with information about this case is asked to call investigators at (941) 861-4900 or to leave an anonymous tip with Crime Stoppers at (941) 366-8477 or sarasotacrimestoppers.com.
Reader comments posted to this article may be published in our print edition. All rights reserved. This copyrighted material may not be re-published without permission. Links are encouraged.


text:
Victor "Vic" Mausling, age 82 of Mountain Lake, died Sunday, March 10, 2013
at his home.
Visitation is 4-8 PM Thursday, March 14, 2013 at Sturm Funeral Home in Mt.
Lake and resumes at church, one hour before the funeral.
The funeral will be 10:30 AM Friday, March 15, 2013 at St Matthew's Lutheran Church in Butterfield,
Pastor Matthew Natsis officiating.
Interment is at St. Matthew's Cemetery in Butterfield.
Arrangements are with Sturm Funeral Home in Mt. Lake, MN.
Online condolences may be sent to the family at www.sturmfh.com
A complete obituary will appear in next week's
Location, ST | website.com


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On Tuesday, Jan. 29, the Lansing basketball teams will host a military appreciation night.
Anyone with a valid military ID will get into the Lions' home games against Tonganoxie that night free of charge.
The girls' contest begins at 5:45 p.m. while the boys will tip off around 7:15 p.m.
For more information, contact the school at 913-727-3357


text:
Argentina, 2003, 100 Minute Running Time
Genre/Subjects: Comedy, Family Issues
Program: Focus on Nation Cinema: ArgentinaLanguage: Spanish English Sub-Titles
Ariel is a handsome, confused young man searching for his identity while spinning his wheels as a clerk in his mother's lingerie shop in a second-rate Buenos Aires shopping mall. Life inside the mall is much like life in a small town, whose inhabitants know a little or a lot about one another's lives. Ariel wants to know more, especially about why his father left the family before he was born. The absent father is held in high regard among the "mallsters" for nobly having gone to Israel in 1973 to fight in the Yom Kippur war, but that explanation doesn't ring true for Ariel. In his search for answers, including his quest for a European passport, Ariel dives into a tangle of family history that sets his brain reeling. In the end he meets his father. After a meal and conversation together, the two walk away from the camera through crowded streets, their arms draped casually around each other.
Writer/director Daniel Burman, like Ariel an Argentinian of Polish-Jewish descent, draws from his own life experience in this, his second in a loose trilogy of dramatic comedies starring Uruguayan actor Daniel Hendler (as three different Ariels). Hendler won the 2004 Berlin Film Festival's best-actor award for the role, and Lost Embrace was awarded Berlin's Silver Bear. Burman has said identity is an issue that obsesses him. His movies have been featured in many festivals around the world. In 2002, he co-produced Walter Salles's dramatization of Che Guevara's motorcycle road trip, The Motorcycle Diaries. Born in 1973, Burman has been cited as one of the most talented young filmmakers of today's New Argentine Cinema. He is a founding member of the Academy of Argentine Cinema.
Sponsored by:
DIRECTOR: Daniel Burman
Producer: Diego Dubcovsky, Daniel BurmanEditor: Alejandro BrodersohnScreenwriter: Marcelo Birmajer, Daniel BurmanCinematographer: Ramiro CivitaPrincipal Cast: Daniel Hendler, Adriana Aizenberg, Jorge D'Elia, Sergio Boris, Diego Korol, Atilio Pozzobón
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