text:
Jackson County inmate dies after being punched
Sheriff says another inmate punched Moore
A Jackson County jail inmate has died after being punched by another inmate at the jail.
Sheriff Mike Byrd said Anthony Eugene Moore, 46, died Monday. He had been taken to the hospital Sunday.
Moore was struck in the face by another inmate, identified by Byrd as 19-year-old Dionte Jones. Byrd said Jones had been talking on a phone, arguing with a family member. Moore walked by as the call ended. Byrd said Jones knocked Moore unconscious with a punch to the jaw.
The Mississippi Bureau of Investigation, Jackson County's criminal investigation division, and the Jackson County District Attorney's Office are investigating.
Moore was struck in a day room where inmates can gather, watch TV and use the telephone.
Copyright 2013 by The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Hi Guys, please bear with me as I know this has been covered before but the solutions confuse the hell out of me.
I have just downloaded PMS. Whenever I play mkv files it is constantly jittering and I don't know how to solve it. I have played an AVI file and it played fine.
I have a quad core I5 with 4gb ram running windows 7 64 bit and my network speed is 75mbs dl and 15mbs ul ( if thats relevant)
Please help

subset: commoncrawl


text:
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Doc Severinsen and His Big Band, featuring the former bandleader of "The Tonight Show," will perform at Missouri University of Science and Technology later this month.
The audience will hear a mix of pop, jazz, ballads and big band classics during the performance at 7:30 p.m. Monday, Sept. 30, in Leach Theatre of Castleman Hall, 10th and Main streets in Rolla.
The show is part of Missouri S&T's 2013-14 Campus Performing Arts Series.
Tickets are $40 for adults and $30 for youth 18 years and younger. The first 75 tickets for Missouri S&T students with student ID are free. Additional S&T student tickets are $10.
Tickets may be purchased from the Leach Theatre box office, located in the vestibule inside the main entrance to Leach Theatre, facing 10th Street.
Box office hours are from 9 a.m. to 4 p.m. Monday through Friday. Tickets may also be purchased online at leachtheatre.mst.edu/cpas/cpas13-14/docseverinsen/.
Leach Theatre will offer discounted tickets through its Back Row Club one hour prior to the event, should tickets remain for the show. The seats in the last row of the theater will be sold for $10 each prior to the performance.
Doc Severinsen and His Big Band is sponsored in part by Phelps County Bank, KMST radio station and Phelps County Regional Medical Center.
For more information about the Missouri S&T Campus Performing Arts Series, call the Leach Theatre box office at 573-341-4219.
Location, ST | website.com


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Dear Alumni, Texas A&M - Corpus Christi Faculty/Staff, Friends, and Supporters:
Texas A&M - Corpus Christi athletics department appreciates the fan support. This stimulates and encourages our student-athletes and fuels our entire organization. We must be cautious not to let enthusiasm for athletics lead us into conflict. National Collegiate Athletic Association and the Southland Conference have rules that must be followed in order to avoid these conflicts.
The NCAA definition of "a representative of the athletics interests" is very broad. The intent is to capture the people who are vested in our athletics program. There are a number of activities regarding contact with student-athletes and prospective student-athletes that could put Texas A&M University Corpus Christi at risk for NCAA violation.
All universities with NCAA Division I membership are charged with the responsibility to exercise "institutional control" of its athletics programs. The Compliance Office is committed to maintaining institutional control of its athletics programs.
Please take time to review this page and its contents, as it is very pertinent in keeping Texas A&M University Corpus Christi compliant with the NCAA and Southland Conference. Should you have any questions or concerns contact the Texas A&M - Corpus Christi Athletics Compliance Office.
The Compliance Office trust that you share this same vision for athletic success by helping us abide by NCAA and Southland Conference rules.
Texas A&M Corpus Christi Athletics Compliance Office
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Circa 1900
A fine silverplated bronze Gothic Revival sanctuary lamp with a frosted and wheelcut glass shade. Due to the antique nature of this fixture, there may be some nicks or imperfections in the glass.
Current height: 55"
Minimum height: 44"
Overall: 10" diameter
Can be UL listed for use in dry environments
Single Edison socket, maximum 75 watts
1 fixture total available.
On display at our Greenwich showroom.


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How To Buy A Tennis Racquet
New high-tech materials, larger heads and longer racquets have
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Sunday, 08/10/1997
Deer Creek Music Center, Noblesville, IN
Soundcheck: Dog Log, Paul and Silas, Funky Bitch (slow), She Caught the Katy and Left Me a Mule to Ride, Star Trek theme jam (Page on Theremin).
Set 1: GinBathtub Gin -> Sparkle > DwDDown with Disease > Dirt, CTBCars Trucks Buses, Billy Breathes, SOAMeltSplit Open and Melt, Bye Bye Foot > GinsengGinseng Sullivan, HoodHarry Hood
Set 2: Cities -> GTBTGood Times Bad Times -> Rotation Jam -> Rock A William -> BowieDavid Bowie
Encore: Cavern
· Third Stone From the Sun and Larks' Tongues in Aspic, Part Two teases in Split Open and Melt
Noteworthy Jams: Split Open and Melt (highly recommended), Harry Hood (highly recommended), Cities (highly recommended)
Average Song Gap: 10.56
Performers: Trey Anastasio, Page McConnell, Jon Fishman, Mike Gordon
Notes: The long, involved Rotation Jam to set up Rock A William started when Page went to the theremin for a solo. Soon after, Trey took up the keys and Mike went to play guitar. Page eventually picked up Mike's bass. After they jammed a bit longer, Mike went to join Trey on the keys. Trey then joined Fish on the drums. The two of them played on the same drum set and Mike took a piano solo. Trey eventually kicked Fish off the drum stool, and Fish picked up Trey's guitar. SOAM contained a Third Stone from the Sun tease as well as a Larks' Tongues in Aspic Part Two jam.
Song Distribution:
2 Billy Breathes
2 Stash
2 Lawn Boy
1 Farmhouse
1 Hoist
1 Rift
1 A Picture of Nectar
1 Junta
Songs by Debut Year:
This show was part of the "1997 Summer U.S. Tour."
Here comes the joker / we all must laugh / cause we're all in this together / and we love to take a bath.
Deer Creek is more than just a concert: its an event. This is a result of many factors, including the numerous places to camp nearby. It feels like you are camping in the middle of nowhere, while many of theses campsites are actually the private homes of kind local Noblesville residents. These camping locations themselves become the scene, with great vibes and few hassles.
The main reason the venue is held in such high esteem is the caliber of shows that have occurred here in the past. A typical Deer Creek show is never typical. I was lucky enough to see Dead play here from 91 through 94, as well as Phishs debut in 95. Inside the pavilion is the best sound, always crisp and clear. While its great for the audience, its also a favorite among the musicians who play here.
This is a smoking first set that tops most second sets as far as setlist. Four powerhouse jams carry the set with a rare Bathtub Gin opener (only the sixth one ever), Down with Disease, Split Open and Melt, and Harry Hood. The SOAM has a large, spacey section, foreshadowing versions played in 99. The Hood is one of the best versions of the tour, and one of my all-time favorites. There is a point deep in the jam where Mikes bass becomes prominent, sounding moody and reflective. This mood eventually changes, and as the music converges you will be feeling good.
We were lucky enough to have second-row seats for this one, but by set break everyone had collapsed the seats of the first five rows and it became standing-room only. The set opened with the Talking Heads Cities, catching me off guard. We were celebrating, but most people seemed to have no idea what was going on. This song was rare (the first East Coast Cities in three years) and after Ventura I didnt expect to see it a second time on the tour, and certainly not as an opener.
The song starts out with a slow groove, and has a very spatial sound. As Trey develops a solo, Mike pushes the jam along. At six minutes, the song takes a turn as Mike changes the tempo and Fishman tightens up. This jam slowly becomes funkier, as Trey weaves in and out of the locked rhythm section. At eleven minutes, Trey begins to layer his guitar with a sound reminiscent of Free.
At fourteen minutes, the jam collapses. Trey then begins to strum a beautiful rhythm pattern, one that I have subsequently heard at other shows in different songs. It is defiantly a semi-composed jam that the band is familiar with. After Treys intro, and on cue, Mike starts up a flowing bass line and the rest of the band dive in behind him. Page begins to overlay nicely sparse chords, leading to a long beautiful piano piece over Treys rhythm. At twenty minutes, the jam begins to peak. As Trey begins to turn up the fuzz, Fishman breaks down the beat and becomes focused on the one.
At twenty-three minutes, the one smoothly becomes the opening notes of Led Zeppelins Good Times/ Bad Times! The audience went crazy, and the energy in the pavilion was intense. The jam out of GT/BT is very similar to the early jam on Cities, again with laces of Free. At twenty-nine minutes, Page gets up from the keyboards and takes a solo on the Theremin.
The music then turns spacey as Trey sets a delay loop on his guitar, and instigates an instrument-switch jam! In Pages absence, Trey takes over on keyboards, and Mike takes over on guitar. At thirty-three minutes, Page ends this highly experimental Theremin space jam, and takes over on bass.
Mike soon puts down the guitar and kicks Trey off the keyboards. Trey walks over to Fishman, ready to switch instruments. The crowd loved every minute, and the noise built in anticipation of Fishman coming to the front of the stage. But nothing happened! Fishman just kept drumming, acting as if Trey was not even there. It was bizarre, and felt like we had hit a skip in the record. This moment of Trey hovering over Fishman was stuck.
This is when I started to analyze things, mainly because I had all the time in the world. This was going to be Fishmans first time to coming to the front of the stage in the fifteen shows so far this tour. Although he had sung Bye Bye Foot three times, thats not a cover song with a vacuum solo! His last cover song performed in the U.S. was Syd Barretts Bike on 11/7/96. Another thought was Fishmans dress. He hadnt worn it all tour. He came out on stage every night in a three-piece suit. Was he looking for respect with this new look? Was he giving up on the goofy cover songs and playing a vacuum?
It is my theory that the band instigated this instrument-switch jam in a sure attempt to get Fishman to the front of the stage. I believe he had no idea this was going to happen, and in retaliation he was contemplating not getting up from the drums. As time passed, I was able to watch the band's facial expressions closely from the front row. Page kept looking over at Mike, both looking annoyed. Their music even begins to convey this sense of annoyance.
Where I end and you begin / I want to find that line / and cross it back and forth / until it's erased. So how would this deadlock end? Would Fishman get up and sing? What would happen if he didnt get up? How long would Trey wait, and just stand there? Eventually someone would have to give, right? I started to think about how stupid Trey might look if, after standing there all this time, he walks back over to the guitar. These were the things I was thinking about, and vocalizing to my friend. You could feel the tension growing on stage. The audience was confused.
Over seven minutes later (at forty minutes), Fishman bows down from the duel and gets up. What had just happened? My favorite aspect of this sequence is that for one brief moment, Fishman was in total control of the band with the other members at his mercy. Although they may have instigated this switch, they underestimated the ease of ambushing Fishman.
To my delight the band broke into Rocko William; this is the first time they played it in the U.S. Fishman picked up the guitar while Mike remained on keyboards and Page on bass. Fishmans humorous singing talents are at their best on this song, and his guitar playing is pretty funny as well. I would give anything for a photo of the band on stage during this song. For most of the song I exaggerated worshipping Fishman to help fulfill his Johnny B. Goode fantasy. It was so much fun!
At forty-six minutes into the set, the song comes to a close and the opening beats of Bowie begin shortly. I do not remember this, but from the tapes it sounds as if Trey starts the opening drum beat of Bowie before handing over the sticks. This would make sense because this is where things get even more peculiar. Fishman's (and the rest of the band's), first attempt to start the main section of David Bowie is purposely flubbed by Trey. Ill never forget the evil look Page gave Trey, as if to say "dont involve us in your games." The main section of David Bowie just happens to begin with a sequence that is started by Trey. Suddenly it was clear, Trey turned the tables on the band and now they were eating out of his hand. Fishman made a number of attempts to get the song started, but they were stuck in the pre-Bowie space babble, with Trey nowhere to be found. At fifty-one minutes into the set, it appears that the song is going to start, but Trey fools them again and the music falls apart.
Over nine minutes later and suspiciously a few minutes longer than Fishmans previous antics, my theory grows more evidence. In reflecting on these events over two years later, I feel even stronger about my interpretation of the events that happened at this show. Until now, I had never broken down the set by minute and I had no idea that Treys hold up of the band was longer than Fishmans. The music before Rocko William and after David Bowie is not like normal Phish space segments. There is essentially nothing going on with the band for seventeen minutes of the set. Why would the band waste so much time on this argument in front of the audience? What statement was Fishman making by not getting up? Who was it directed at? And what was Treys follow up all about? Was he really getting even with Fishman by outdoing him by a few minutes? Unfortunately, we will probably never have the answers to these questions.
David Bowie suffers as a result. Trey sounds uninspired, while Mike and Page carry the song to its end. (The set ends at seventy minutes.) This is one of my favorite songs and this version is still very disappointing. Even more frustrating is the fact that it had the potential to be a monster ending to one of the hottest shows of the year. Although I find the whole shenanigan a little disturbing now that I know they wasted seventeen minutes, at the time of the first incident I was rooting for Fishman and on cloud nine.
The Cavern encore seems a little fitting. I have no idea what the song means, or what anything I had just seen means. Oddly, when Trey sang, Take care of your shoes, someone decided not to take the advice and threw a pair on stage.
Cities is absolutely excellent, the Ramble On-Esque jam towards the end is the sound of summer boiled down into 5 beautiful, breezy minutes. The drop into GTBT is a trip if you think you're hearing Ramble On, but it fits in perfectly. The biggest hiccup of the set in my opinion is that Trey seemed to think they were going to ride the breakbeat of the "I know what it means to be alone!" segment out into a funky jam, a slight miscommunication ensues but they recover nicely. Fish is throwing down some awesome beats, Trey unleashes some scintillating evil riffs and eventually the theremin kicks in. Lke most theremin jams, they get into some cool spaces that don't sound much like normal Phish. Great stuff.
Now for the bone of contention.
In 1997, Fishmans suit and lack of mums and vacuum was viewed as an expression of a maturing band who wasn't into shenanigans. Forget Europe and all the batshit crazy stuff that happened there, forget Walfredo and Rock A William. Fishman wore a suit and had no time for jokes!
So in the middle of maybe the 2nd weirdest set of the US Tour up until that point (va beach 2, though this one out-weirdos it eventually), Trey abandons his guitar about 12 minutes into GTBT, goes to steal suited up Fish's drums and Fish won't let him! This doesn't feel like a stunt to people? Or a James Brownian tension heightener before the greeziest man in show biz takes center stage? Nevermind that the Rotation Jam sounds totally awesome. It was all in fun! Rock A William makes its US debut and absolutely SLAYS. I'd take this over a vacuum solo 100/100 times.
The other 60% of "dead time" in the set is even more excellent. One of, if not THE longest Bowie intros ever, complete with an old school digital delay loop jam dragged out and twisted into a psychedelic masterpiece.
Don't sleep on this show. It's different, and that's what we see them for, isn't it? There's nothing like the Pranksters 4 days later bringing the show to a staggering halt for awhile. Just crazy improvisation bursting out of what is basically a 3.5 song set.
I'd give this show a 4.5/5 on any scale. One of the most unique second sets ever, one that proves that Phish didn't have to lose their sense of humor in order to lose themselves in the improv. And didn't need to skimp on the jams in order to have good gimmicky fun.
So, those are the must-hears, but this show also has a nice Bathtub Gin opener, a flowing Down with Disease, a Billy Breathes with a BEAUTIFUL Trey solo, and Harry Hood's darn near perfect as far as I can tell.
The second set, as some folks above have mentioned, is a different kind of creature, but give that David Bowie a listen. There aren't many like that one, where Phish takes their sweet time getting to the song, and set up some interesting sound scapes in the process. As for Good Times Bad Times>Rock A William, you know, it was more about the moment when it was done, not about hearing it 14 years later on tape, but how many Theremin solos have you heard from Page? Give it one listen, I won't hold it against you if you don't give it two.
Great show, highly recommended.
they came out guns blazing with a nice bathtub gin opener. page destroyed the keys in the intro. after a pretty typical but solid bathtub gin, they find their way into sparkle. i lively sparkle leads into a nice first set down with disease. this one does not go out too far, but it entertains none the less. dirt is a nice little cool down, and ctb gets the crowd up and moving again. this momentum is promptly killed by billy breathes. a good song, but maybe not the best spot for it. soa melt makes up for it though. they really hit a free rolling, hendrix'esque jam before they roll into bye bye foot. good to get fishman on stage. ginseng was a nice up beat break before they delved into a monster harry hood. gordon sounded very strong on this hood.
the cities set opener is a real barn burner. they take this one way out there going through funk, to space, and back up to rock and roll before slamming into good times bad times. this good times gets into a very cool weird jam, especially when page moves to the theremin. unfortunately, they move to the rotation jam, which causes some weird inner band turmoil. you can read the review pulled from the phishing companion. it about covers the rest of the set.
there are some great jams in the first set, especially the back half. meanwhile, the quality in the second set is very much front loaded. cities kills!
set 1
bt gin, melt, hood
set 2
cities>good times bad times
A must hear version at all costs!
Bye Bye Foot Im glad I got to be there for this little Fishman delight. This was the last of 4 total times played. Im not sure why this never developed beyond Summer 97.
The 2nd set is very hot and cold throughout. Cities and Bowie are obvious highlights, both being over 20 minutes. Back in these days it took the band longer to get to that place of total improvisational bliss. Im not entirely sure these got there but they are still nice to listen to and great reminders of the buzz surrounding these late Summer 97 shows.
The Rotation Jam was very fun to watch more than anything. Listening back Im not sure there is anything worth documenting here. Rock A William was actually pretty funny at the show. This is another Fishman creation and the last of 5 total times played. So yeah, this was a big night to retire some of Fishs compositions.
Good Times Bad Times in deed on this night. From the dark jam in Bathtub it was clear this was not going to be an ordinary show. This was my first show since the holiday 96 run and it was obvious to me at least that this band was in a big transitional period. I love the Summer 97 shows. This was the most explorational phase in their 30 year (at the time of this review) career. As with any exploration you are not always going to find gold and rainbows along the way. However, it is the path taken that defines the outcome er something like that. Fall 97 was just around the corner but still a thousand miles away.
This goes down as one of the most UNIQUE shows I've ever seen, along with the "Merry Pranksters" show a few days later in NY and the "Phil" show in 99 at Shoreline.
In many ways, the 1st set was superior to the 2nd; with a monterous SOAM, Bathtub Gin, and a rare 1st set Hood.
The 2nd set is much more memorable, however, with the long, crazy rotation jam, culminating to what? .... Rocka William? I was not familiar with this song as they had only played it once or twice before and I had not yet heard the tapes. But... it was awesome! Fishman is not a great singer, as we all know, but he sounds great when paired with the right song, and this was one of those.
So I did some research and I think I found what it (kind of) sounds like: All I Want Is You by U2 (1988). I heard it on the radio and I immediately thought of the 8/10/1997 Cities. So if anyone else has a comment I would like to hear what they have to say about that.
- There's a Ramble On jam/tease in the Cities, from about 18-20 minutes on the AUD recording I have. It's at least Trey & Mike doing it so I think it can be labeled a jam instead of a tease.
- The Good Times Bad Times is unfinished.


text:
TRUCKEE, Calif. — On Saturday and Sunday, June 23 and 24, amateur radio operators from Auburn, Truckee and surrounding areas will construct and operate a working amateur radio field station at the Logger Campground at Stampede Reservoir near Truckee. This exciting nationwide event known as "Field Day" is intended to prepare and train ham radio operators in emergency communication skills consistent with their role in natural disasters and civic emergencies. This educational 24-hour event begins Saturday at 11 a.m. and is open to the public.
An interactive list of Field Day sites in our area can be found at http://www.arrl.org/contests/announcements/fd/locator.php
Call Jim Venneman, WX6V, at 530-823-6268 or via e-mail using firstname.lastname@example.com for details.


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Perhaps it's the pristine location, the classic beauty, or the history that has evolved here. Or maybe it's the fact that one cultivates a sense of contentment throughout every season at Stowe. Now, with the advent of Stowe Mountain Lodge, this unique New England ski town in Vermont reaffirms its place as a renowned destination for discerning world travelers.
For over a century Stowe has attracted the world's most discerning travelers, who have cherished the beauty of the area's covered bridges, sparkling lakes, rambling woodlands and majestic peaks. Having opened in June 2008, Stowe Mountain Lodge sets a new standard of luxury and aesthetics for the East Coast's most magnificent resort. Built in the new "Vermont-Alpine" style, Stowe Mountain Lodge offers a truly luxurious setting, while still paying respect to the Vermont traditions of utilizing local artisan products and embracing the tranquility of nature.
The six-story, 139-room lodge draws on the architectural tradition of turn-of-the-century summer camps created by the great families of New England. The lodge's exterior features a picturesque façade of woven timber and shingles that draw upon the natural harmony found in nature, as well as stone veneer created from local quarries, and expansive glass to bring the beauty of the lodge's outdoor surroundings to the indoors.
The interior design further emphasizes the fresh and contemporary take on natural beauty, enabling guests to experience Vermont lodging through a mélange of old and new, rustic and romantic. Interchanging natural Vermont woods and stones, birch bark columns and detailing provides a simplistic backdrop to lively, contemporary folk art pieces. The color palette of the local seasons - vibrant reds, deep oranges, warm yellows and soothing greens - in varying patterns and textures found in the upholstery of inviting furnishings.
Each room has been custom-designed as a respite from the hustle and bustle of every day life, with warm tones, plush furnishings and soothing amenities. All rooms are framed by oversized windows and outdoor balconies, allowing guests to take full advantage of the remarkable mountain landscape of Mt. Mansfield and Spruce Peak.
Timberline StudioThe Timberline studios, are generous accommodations offering expansive mountain views of the famed Mt. Mansfield. Each room is equipped with a King -sized bed with luxurious bamboo linens plus an additional sleeper sofa. Most studios feature kitchenette with stovetop, microwave, dishwasher, Cuisinart cookware and Simon Pearce dishware as well as stone-framed fireplaces, custom marble-finished bathrooms with separate relaxation tubs, LCD flat screen television with DVD player, Ipod docking station and MP3 hookup ,complimentary high-speed wireless internet access and an outdoor private terrace.
Our Ridgeline studios are approximately 515 square feet.
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text:
Southern Crescent to play Feed & Seed in Fletcher
Published: Friday, February 22, 2013 at 1:21 p.m.
Last Modified: Friday, February 22, 2013 at 1:21 p.m.
FLETCHER, N.C. – The Feed & Seed at 3715 Hendersonville Road, Fletcher, will host Conservation Theory at 7:30 tonight, and two bands on Saturday — Southern Crescent at 6:30 p.m. and The Neighbors at 7:30 p.m.
For more information, call 828-216-3492.
Reader comments posted to this article may be published in our print edition. All rights reserved. This copyrighted material may not be re-published without permission. Links are encouraged.


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Connecticut GOP's hopes to win U.S. Senate seat grow dim
By SUSAN HAIGH Associated Press
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"Revolution" Ends, "TMNT/Batman:TAS" Begins in IDW's November 2016 Solicitations
Comic Books
Showing results 76-115 of 138
DC Comics has provided a five-page preview of "Action Comics" #898 by Paul Cornell and Pete Woods, which hits stores tomorrow. In "Black Ring" Part 9, Lex Luthor gets his rematch with Larfleeze!
Dan Abnett and Andy Lanning take over BOOM! Studios' "Stan Lee's Soldier Zero" with issue #5 and CBR News spoke with them about new adversaries, sibling dynamics, epic science fiction and working with Stan Lee.
Doug Zawisza gave "Action Comics" #897 4.5 stars saying of Paul Cornell and Pete Woods' latest chapter in the saga of Lex Luthor, "with Cornell guiding Luthorâs path, I donât see [my] enjoyment diminishing any time soon."
DC Comics has released a five-page preview of "Action Comics" #897 by Paul Cornell and Pete Woods. The issue features a showdown between Lex Luthor and the Joker, and is on sale January 26.
An A-list team of creators including Damon Linelof, Richard Donner and Alex Ross bring the Man of Steel back home from his cross-country journey to "Action Comics" where Doomsday and Lex Luthor await.
Courtesy of BOOM! Studios, CBR presents an exclusive, extended preview of "Stan Lee's Soldier Zero" #4, by Paul Cornell and Javier Pina. The issue, with covers by Trevor Harisine and Kalman Andrasofszky, hits stores January 19.
Today, DC Comics announced that "Action Comics" #900 will receive a variant cover painted by Alex Ross, a dramatic reinterpretation of the original "Action Comics" #1 cover by Superman co-creator Joe Shuster.
DC Comics has released a preview of "Batman and Robin" #19, the final issue from Paul Cornell and Scott McDaniel with covers by Patrick Gleason and Gene Ha. The bizarre story of The Absence concludes February 12.
DC has unveiled David Finch's cover for "Action Comics" #900 featuring the return of Superman to the title, which has been a Lex Luthor showcase for nearly a year, in a 50 page story by Paul Cornell and Pete Woods.
CBR's series of writer-on-writer interviews with some of DC Comics' biggest new names wraps as Paul Cornell grills Scott Snyder on the psychological underpinnings of "Detective Comics" and writing with Stephen King.
BOOM! Studios have announced Dan Abnett and Andy Lanning, otherwise known as DnA, will replace Paul Cornell on "Stan Lee's Soldier Zero" when the writer departs the series after issue #4.
Part three of CBR's writer-on-writer interview series rolls on with Nick Spencer talking with Paul Cornell about characters, politics and faith as they discuss everything from "Action" to "Batman And Robin" and beyond.
DC Comics has released a preview for "Batman and Robin" #18 featuring Paul Cornell and Scott McDaniel's new villain, The Absence, as she squares off against the dynamic duo. The issue hits this Wednesday, December 15.
Greg McElhatton takes a look at "Action Comics" #895 by Paul Cornell and Pete Woods and bestows a four-star review for the "sly sense of humor running through the issue that makes 'Action Comics' a lot of fun."
DC Comics has released a preview of "Batman and Robin" #17, the first of a three-issue arc by Paul Cornell and Scott McDaniel. The issue, featuring covers by Guillem March and Gene Ha, hits stores November 24.
DC Comics has released a preview for "Knight and Squire" #2. Written by Paul Cornell with art by Jimmy Broxton and a Yanick Paquette cover, Britain's answer to Batman and Robin return Wednesday, November 10.
Courtesy of BOOM! Studios, CBR presents an exclusive preview of "Stan Lee's Soldier Zero" #2 from the creative team of Paul Cornell and Javier Pina, hitting stores Wednesday, November 17.
Hugo-nominated British writer Paul Cornell spoke with CBR News about his upcoming run on "Batman and Robin," sharing details about the new supervillain he's adding to the Dark Knight's rogues gallery along the way.
Steve Lyons brings his knack for out-of-this-world stories to the DC Universe in January with âSteel.â Lyons talked with CBR about the one-shot, his first foray into American comics.
James Hunt gave the much anticipated "Action Comics" #894 3.5 stars, calling the Death guest-starring issue "quite good in most ways that count," but ultimately "[missing] the high standards it courted."
DC Comics has announced Paul Cornell and Scott McDaniel will step in for three issues of "Batman and Robin" as Peter J. Tomasi and Patrick Gleason's planned debut on the title has been delayed. ROBOT 6 has details.
DC Comics has released a preview of "Action Comics" #894 featuring Neil Gaiman's Death. Written by Paul Cornell with Pete Woods on art, a back-up by Nick Spencer and RB Silva and a Dave Finch cover, the issue hits October 27.
DC Comics exclusive writer Paul Cornell spoke with CBR TV about making the jump from Marvel to DC, the growing popularity of "Doctor Who," his current run on "Action Comics," "Knight and Squire" and much more.
Paul Cornell spoke with us about his upcoming "Action Comics" annual starring Lex Luthor, how the supervillain's story ties into Nick Spencer's Jimmy Olsen co-feature and when he'll finally write the Man of Steel.
DC Comics has released an advance look at "Knight and Squire" #1, written by Paul Cornell with art by Jimmy Broxton and covers from Yanick Paquette and Billy Tucci. Explore the DCU's Britain on October 13.
BOOM! Studios has released an advance look at Stan Lee's "Soldier Zero" #1, created by Lee, written by Paul Cornell with art by Javier Pina and covers by Dave Johnson, Phil Noto and more. The issue hits stores in October.
DC Comics has released a preview of "Action Comics" #892 featuring Lex Luthor taking on Deathstroke courtesy of the creative team of Paul Cornell and Pete Woods. The bad guys throw down August 25.
This week, THE BAT SIGNAL shines on writer Paul Cornell who discussed his October-launching six-issue "Knight and Squire" miniseries featuring DC Comics' British version of the Gotham-based dynamic duo.
BOOM! Studios writers Mark Waid, Chris Roberson, and Paul Cornell all took to the Comic-Con stage to talk with fans about their new superhero projects and what it's like working with "The Man" himself, Stan Lee.
DC Comics has released a 5-page preview for "Action Comics" #891 by the creative team of Paul Cornell and Pete Woods with a David Finch cover. The issue hits stores this Wednesday, July 28.
The writers of the Super-family line of titles took the stage to discuss their plans for the Man of Steel, Lex Luthor and Supergirl and CBR News was there with all the info. UPDATED 8/11/2010
BOOM! Studios announced its three Stan Lee-created titles during a press event at CCI. CBR was there to bring you the details, including comments from Lee's so-writers, Mark Waid, Paul Cornell and Chris Roberson.
CBR News spoke with Paul Cornell about âSoldier Zero,â the first of three BOOM! Studios titles created by Stan Lee that were announced today at Comic-Con International in San Diego.
With Neil Gaiman's blessing, writer Paul Cornell is bringing Death of The Endless into his run on "Action Comics" and he spoke to CBR about how the crossover came about and what it means for his villain-centric run.
With Paul Cornell's first comic as a DC exclusive creator ready to hit stores, the writer known for his takes on British superheroes explains how he'll make America's longest-running comic book a supervillain punch-up.
The writer who made his name on cult Marvel hits like "Captain Britain & MI-13" moves lock, stock and barrel to DC with his incoming run on "Action Comics" getting the ball rolling towards its 900th issue.
Dan Didio & Jim Lee spoke with CBR about the current state of the entire DC line, including the death of Ryan Choi, Vertigo characters that are and could be, WildStorm's licensing ambitions and share exclusive art.
Archives: All | Comic Books | TV/Film | Video Games | Web Comics


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This weekend is the weekend many families with students have been waiting for all year. Missouri's Back to School Sales Tax Holiday began on 12:01 a.m. Friday, Aug. 2, and runs until midnight on Sunday, Aug. 4. During this time period, items such as computers, school supplies, clothing and many other items as defined by the state statute are exempt from state sales tax. However, some local jurisdictions, by enacting an ordinance 45 days prior to the holiday, may choose not to participate in the program.
Most clothing purchases are included in the program, but accessories such as purses, scarves or sunglasses are not.
Computers and peripherals are also covered, such as laptops, hard drives, keyboards. Monitors and printers, as well as some software, are also included in the tax holiday.
Additionally, school supplies such as notebooks, book bags, crayons, pencils, binders and many other items are included in the list of eligible items.
For more information, please visit the Missouri Department of Revenue's website on this issue: dor.mo.gov/business/sales/taxholiday/school.
Always feel free to contact me throughout the year with any comments, questions, or issues by calling my office at (573) 751-5713 or by visiting my website at www.senate.mo.gov/brown.
Thank you for reading this and for your participation in state government.
Location, ST | website.com


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Obama calls for 'meaningful action' after shooting
Published: Friday, December 14, 2012 at 4:16 p.m.
Last Modified: Friday, December 14, 2012 at 4:16 p.m.
WASHINGTON (AP) — A tearful President Barack Obama said Friday he grieved about the massacre at a Connecticut elementary school as a father first, declaring "our hearts are broken today. He promised action to prevent such tragedies again but did not say what that would be.
The scene in the White House briefing room was one of the most outwardly emotional moments of Obama's presidency.
"The majority of those who died were children — beautiful, little kids between the ages of 5 and 10 years old," Obama said.
He paused for several seconds to keep his composure as he teared up and wiped an eye. Nearby, two aides cried and held hands as they listened to Obama.
"They had their entire lives ahead of them — birthdays, graduations, wedding, kids of their own," Obama continued about the victims. "Among the fallen were also teachers, men and women who devoted their lives to helping our children."
Said the president: "Our hearts are broken today."
A gunman opened fire inside an elementary school where his mother worked, killing at least 26 people, including 18 children. The shooter blasted his way through the building as young students cowered helplessly or were gunned down.
Reader comments posted to this article may be published in our print edition. All rights reserved. This copyrighted material may not be re-published without permission. Links are encouraged.


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Share your comments on 4 Tips for Finishing Around the Basket below back to the article page.
how are you supposed to get around people that are 6"0 and taller?and that always block your shot!
throw it higher nd softer
this is cool advice but were is the baby hook.
What they forgot, and maybe cuz all these moves are primarly for fast break is the pump fake. If your 5'4 and 6'3 dudes are under the basket, they cant help but try to block. pump fake, step around, layup.
Another thing to remember is to not get too fancy. A lot of young players try to do crazy acrobatic layups when finishing at the basket. Don't be afraid to take contact when you go up for a layup. If you get hit, just go to the free throw line to get your 2 points.
Tucker your right except for the fact that getting hit in the air runs the risk of injury, and sometimes that injury means the downfall of your team.
injuries happen in basketball theres nothing anybody can do too avoid it.
and these are good moves, and they actually work, so for all you young players out there work on this stuff, it will pay off for u in a couple of months
and svcards53 the way too beat taller people is most of time time big men are aggressive so use the up and under move just pump fake then when he jumps dip under and u got an easy basket.
thanks a lot for the advice
Great! This helped so much. Now I bet ill get double the points.
Great advice.
Or you could fake your shot but that might not work because your defender might be right there but you could try it to make it more simple. I can not think of any way for those big and fast 6 foot but that might help. You can trust the article too.
@SVCARDS53 the best way to beat a guy who is way bigger in the post is to either get them to commit to one side and then go the opposite derection, or shoot a reverse layup, since those are nearly impossible to block. I know, I am one of the 6' people you are talking about.
If you want to learn to finish at the rim watch a video clip of Derrick Rose, go to youtube and type in derrick rose and find the one bye xfactor541. Rose is a tremendous example of the body control and strength needed to finish at the rim. DO NOT HOLD THE BALL AT YOUR HIP that is exactly how defenders can get at the ball. Hold the ball out level with your right shoulder for a righty layup and left shoulder for a lefty layup. Hold the ball at your shoulder and spread your elbows in an upsiide down V. This way ref's can see the people hacking at the ball and it is much easier to absorb hits and finish with the ball already up. Lastly, you must be sure to keep your shoulders square to the rim to mantain strength and balance in the air. Practice by driving into someone with a pad and learn how to finish through hits. Another good way to practice is to pull a basketball hoop over to a trampoline and practice jumping high being hit and mantaining balance in the air to finish.
Nice advice how to do a floater or a reverse, only one addition: If you go reverse, use your outside arm to put it in. For example your left arm if you're doing a layup from the right. If you do so, you protect the ball, so you get fouled if he tries to block you.
ACTIVE is the leader in online event registrations from 5k running races and marathons to softball leagues and local events. ACTIVE also makes it easy to learn and prepare for all the things you love to do with expert resources, training plans and fitness calculators.


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Topic: New discussion category?
What do you think about creating a category (like the general discussion, good news) for "where are you?" Maybe that would give people a place to connect? You could create threads for regions "northeast", "southwest" etc. and people could put their locations in the appropriate region?
Just a thought...
My comments, suggestions, and opinions are based only on my personal experience as a cancer survivor. Please consult a physician for professional guidance.


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- Oct 4:
- By the numbers: ALDS Game 1, Oakland A's vs. Detroit Tigers
- Oct 4:
- Yoenis Cespedes lone bright spot in Oakland A's loss
- Kawakami: Detroit Tigers' fast start silences Oakland A's, big crowd
- Oakland A's lose Game 1 of ALDS, 3-2 to Detroit Tigers
- Antsy A's and their fans ready to get loud
- ALDS notebook: Oakland's Coco Crisp says the A's need to have short memories after Game 1 loss to Detroit Tigers
- Justin Verlander might be peaking at the right time
- Dennis Eckersley says A's need to win Game 1 vs. Tigers
- A's Game 2 starter Sonny Gray hopes to keep up with Pittsburgh's Gerrit Cole
- Dan Otero becomes key cog in Oakland A's bullpen
- Oakland A's not planning to play little ball against Tigers
- A's-Tigers game times for Games 3-5 of ALDS
OAKLAND -- A's fans jumped, screamed, high-fived and danced around the Oakland Coliseum on Friday -- and that was well before the 6:38 p.m. first pitch.
"I couldn't sleep last night, this is like Christmas for me," said Brandon Robison, a Manteca resident. "I've been waiting for this all year."
A sea of green-and-gold tailgate parties filled the parking lots before Game One of the American League Division Series, pitting the Oakland Athletics against the Detroit Tigers in a rematch of last year's thrilling five-game set.
Robison and his friends, Ted Perry and Tommy Basile, arrived at the ballpark at 66th Avenue and Hegenberger Road at noon, joining thousands of die-hards lining up as the parking lot gates opened.
There, the Central Valley buddies carried out their tradition of tailgating with tons of food and drink before screaming themselves hoarse at the game, adding to Oakland fans' growing reputation for being the loudest in baseball.
"I've never seen a stadium that goes as crazy as this one," Basile said.
More than any other sport, baseball thrives on tradition, and Athletics teams and their fans have spent 46 seasons developing some of their own. In a town known for its foodies, A's tailgates had a distinctly East Bay flavor. Many a grill featured classics such as burgers, hot dogs and beer, but plenty of others offered pulled pork dripping in barbecue sauce or carne asada and al pastor stuffed in tacos and quesadillas that were washed down with margaritas.
Visitors walking through the endless rows of fan parties heard Oakland musical artists, such as M.C. Hammer and Tower of Power, blaring from portable speakers.
Alex Gil, who tended to his grill hours before the game, said he looked forward to celebrating a Coliseum feature -- the reopening of the third-deck seats, which A's officials have covered with tarps since 2006.
"The tarps are off, which means more fans and more noise," Gil said as barbecue smoke swirled around him. "It's going to make a difference."
Indeed, the game had not even begun when public address announcer Dick Callahan greeted A's fans, and included "a special welcome to those of you in the third deck." The sellout crowd of 48,000-plus fans cheered in approval.
The crowd kept roaring throughout the game, even after the A's fell behind 3-0 in the first inning.
That faithful devotion is not new, said Velma Bender, a lifelong A's fan and Vacaville resident. Through all 46 seasons in Oakland, in lean years and good, Athletics fans keep believing, Bender said.
Bender, in fact, believes a small rock she found at a Peninsula beach is the key to the A's second-half success. The silver-dollar-size stone contains an etched white symbol resembling the 'A' that has adorned A's hats for decades. After Bender found the rock, the A's went on a tear, going 21-6 before clinching the AL West division championship.
"I found it at Moss Beach and Brandon Moss got really hot after that," Bender said, smiling.
Does she really think there's a connection?
"I believe, I believe," she said. "I really believe."
Sometimes the A's have made it hard to believe, especially because they have frequently lost in the postseason's first round during the Billy Beane era.
Fairfield resident Shandretta Davenport said she hopes this is the year that the "down-to-earth A's fans who create a vibe that is family-friendly at the Coliseum" finally get rewarded.
Before the game, Davenport and many other fans noted that the team's tradition is filled with winning. The franchise has made it to the postseason 17 times since 1971. That is third-best in all of baseball, trailing only the New York Yankees and the Atlanta Braves. In Oakland, the Athletics also have won four World Series titles -- the second-most in MLB in that time. The most recent came in 1989, with a four-game sweep of the Giants.
A's fans on Friday said they are due for Oakland's fifth championship.
"We're ready for another World Series, so we can shut up those Giants fans across the bay," Ted Perry said as he surveyed the packed Coliseum parking lot. "It's been too long. It's Oakland's time now."
Contact Chris De Benedetti at 510-353-7011. Follow him at Twitter.com/cdebenedetti.


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Some Fargo business owners are giving gift cards to employees who lost their jobs when one of the city's largest employers shut down last week.
PRACS Institute had 316 workers. The company conducted research for the drug, dermatology and cosmetic industries through inpatient and outpatient studies.
The Forum newspaper reports (http://bit.ly/10asbue) that Maxwell's restaurant and Artisan Home Furnishings each offered $50 gift cards to PRACS employees.
Workers at the Fargo company say they were told last week that their jobs were terminated and the firm is headed for bankruptcy.
PRACS Institute founder James Carlson says he is trying to salvage the company, but gave no details.
The company had operated in Fargo for three decades.
Location, ST | website.com


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|Length Overall
|52' 5''
15.98 m
|Dry Weight
32,380 lbs.
14,687 kg
4.27 m
|Tested Weight
3' 7''
1.09 m
|Weight Capacity
|Draft Up
|Person Capacity
|Draft Down
|Fuel Capacity
481 gal.
|Air Draft
|Water Capacity
100 gal.
|Length on Trailer
|Max Headroom
|Height on Trailer
|Bridge Clearance
|Trailer Weight
|Total Package Weight (Trailer,Boat & Engine)
|Prices, features, designs, and equipment are subject to change. Please see your local dealer or visit the builder's website for the latest information available on this boat model.
|Std. Power
|2 x 615-hp Volvo Penta D12 EVC
|Tested Power
|Currently no test numbers
|Opt. Power
2 x 675-hp Volvo Penta D12 EVC
2 x Caterpillar C12-710 Diesel 710mhp
2 x Volvo Penta D12-715 EVC Diesel 715mhp
An inviting swim platform and sun-drenched cockpit make the Targa 52 a perfect boat for splashing around in the sea before catching rays. The flag says France, but this boat's from Old Blighty.
Not Just a Dayboat
Americans like their yachts crammed with berths, but Med-style express yachts are usually more for day-boating than cruising; the cabins are more for changing out of wet swimsuits and for naps than for sleeping a bunch of folks. Traditionally, Italian, French and Spanish yachtsmen go home at night, or moor near a comfortable hotel and sleep ashore. With such owners, only the crew stayed aboard.
But the last decade things have been changing in the Med. The Fairline Targa 52 GT is a good example of that evolution. Like most top-line Med boats today, it has sumptuous accommodations below, with a big cockpit for relaxing and entertaining on deck. The helm is covered with a sliding sunroof, so even the helmsman can work on his tan.
Mediterranean boaters live on deck, and the Targa 52's cockpit and helm provide seating, dining and refreshment facilities. And big sunpads, too.
A New Generation
The Targa 52 GT isn't a new model, but Fairline has recently updated it with what the company says are "significant interior and exterior modifications" that create a New Generation Targa 52. Compared with earlier models, the new 52 GT has redesigned heads, a new saloon table, more décor options (fabrics and woods) and an optional cockpit wet bar with refrigerator.
The helm area is covered by a sliding roof; close it, and the cockpit becomes an on-deck saloon. Those are Recaro helm and companion seats on electrically adjusting pedestals.
Design and Construction
Bernard Olesinski did the Targa's design and structural engineering; he's one of the U.K.'s top naval architects, and has drawn some of that country's finest yachts. To ensure a smooth ride and efficiency, he combined sharp forward sections with 20 degree deadrise aft. By integrating the swim platform, Olesinski gave the boat a longer waterline length for improved performance, especially at lower power settings. Propeller tunnels permit mounting the engines further aft while also maintaining efficiency by reducing the shaft angle. Lower draft is also a side benefit, not as important in the deep Mediterranean, but handy in the shallow coastal waters of England at low tide or the U.S. and Bahamas. Full-length molded spray deflectors keep things dry on deck.
Interior design, layout and detailing is by the Fairline Design Team.
An upgraded standard electronics package now includes the latest Raymarine E120 at the helm and a 26" LCD TV with electric lift mechanism below decks.
Construction is rugged. Isophthalic gelcoat backed by fiberglass mat in isophthalic resin protects against osmosis, important in areas where the boat will stay overboard all year. The main laminate is uni- and bi-directional glass fabric and traditional woven roving. Polyurethane foam coring stiffens the deck; integrally molded stringers support the bottom. The hull and deck are both bolted and bonded to create a strong almost-monocoque structure. In short, this is a boat that will hang together whether in the balmy summertime Med or the boisterous North Sea off Scotland.
A cockpit grill and wet bar are optional. There's a refrigerator underneath.
The Targa sleeps six in three staterooms, a master forward with a queen pedestal berth and two twin cabins, side by side, amidships. We like cabins with twin beds as it is a convenient setup for families who might not be able to pair up at night, as so many interior designers seem to expect. The beam of the boat is 14' which means the cabins are not that wide, but nevertheless Fairline has been able to shoehorn in four beds.
Both heads are forward of the open saloon, which is unusual but not unworkable – folks sleeping in the twins will have to live without ensuite heads, not that big a deal. However, their comings and goings at night might disrupt the owner sleeping in the master, adjacent to the guest head.
The heads utilize the space-saving "beam-me-up-Scotty" shower tubes which allow the builder to efficiently use space and are certainly preferable to a wet head. Remember, Fairline has packed a lot of accommodation into this boat.
Since Fairline has had this layout for sometime, we assume it has stood the test of time with owners.
Fairline has an alternative layout in which the port mid cabin has an "L"-shaped arrange for the bunks. Regular readers know that we prefer this over and under plan for small cabins. If it is good in one of the cabins, why not put it in both?
The layout of the New Generation Targa 52 GT is the same as on older models, with three staterooms and two heads. The décor is upgraded.
The saloon is open, with easy passage between companionway and master cabin forward. The galley includes a counter for serving; note the TV under it. In a pinch, the dinette can sleep a couple of extra guests. There's not a lot of natural light, but that's characteristic of an express cruiser – the only daylight comes from ports in the hullside and an overhead hatch.
There's lots of stowage space in the master cabin, including drawers under the berth. A hatch lets in daylight; there are portlights behind the slats on either side of the berth, too. The mirrored headboard makes the space seem bigger; note the TV, reflected in the mirror.
The Targa 52 is available with a range of engine options, including twin Volvo Penta D12-715s or D12-800s, and twin Caterpillar C12-710s. We haven't tested the boat ourselves, but Fairline says it tops out at 36 knots with the D12-800 Volvos, and is only a knot slower with the smaller diesels.
Top speed is 35 or 36 knots, depending on which of the three engine packages you choose. All versions use standard drives – no pods are available.
No matter what engines you choose, Fairline rigs them with dripless shaft seals, stainless alloy shafts and bronze props. But also included, and too often omitted from modern yachts, is a useable, high-capacity manual bilge pumping system with changeover valves to handle various compartments. Electric pumps are reliable, but if the power goes out and the water rises, a manual pump can come in very handy.
So what's the bottom line? The price of the Targa 52 is set in pounds Sterling, and therefore varies with the exchange rate in other currencies. There may also be taxes. In the U.K., figure on spending around GBP 600,000 and up for a new boat. However, the base price includes everything, even crockery and flatware for the galley. There are also some new 2009 models still available: At press time the Fairline dealer in Norwalk, CT, USA, for example, had in stock a new 2009 model Targa 52 GT with the Volvo D12-800 engines. Asking price was $1,149,000. To find your nearest Fairline dealer, check the company's website.
This is why you spend more than a million bucks for a boat.
If you're looking for a large Euro-style express cruiser coupe with three sleeping cabins and plenty of room topside, then the Fairline Targa 52 should be on your short list. The price is certainly competitive with other European-built boats in class.
At 32,380 lbs. (14,718 kgs.) the boat is relatively light for a 52-footer. That light weight, together with its 14' beam should make this boat fast in class with any given engine combination. The cabin arrangement won't please everyone, with the heads forward and guest cabins aft, but that is the major compromise in this boat. (All boats have a compromise or two, remember?) On the other hand, the layout is fine for kids and family.
As we said at the outset, many boaters will want the vessel primarily for dayboating, water sports, sunbathing and zipping from port to port to see and be seen. It's certainly an ideal Med dayboat, with ample bunny pads for and aft, an ample galley where lunch can be prepared and plenty of air conditioned places for guests to take a nap and recharge for an active evening at night.
The beautiful lines of the Fairline Targa 52 GT are hard to beat.
|Marine Electronics
|Air Cond./Heat
|Head: Fixed
|Exterior Features
|Transom Shower
|Boats More Than 30 Feet
= Standard = Optional
|Warranties change from time to time. While BoatTEST.com has tried to ensure the most up-to-date warranty offered by each builder, it does not guarantee the accuracies of the information presented below. Please check with the boat builder or your local dealer before you buy any boat.
Full Warranty Information on this brand coming soon!
|Pricing Range
|Prices, features, designs, and equipment are subject to change. Please see your local dealer or visit the builder's website for the latest information available on this boat model.


text: In addition to Osamu Tezuka, Katsuhiro Otomo is the creator most responsible for popularizing anime and manga in the Western world. Akira, his landmark achievement, revitalized the anime and manga industry, building an entire new anime empire on the groundwork laid by Tezuka. Otomo's other famous work is Domu, which began being serialized in 1980 and ran for two years. Next came Akira, which ran to over 2,000 pages serialized over eight years (1982–1990). The anime adaptation was released in 1988. Following the success of Akira, Otomo continued work in film as a director and screenwriter. Inducted 2012


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The question of "what's the matter with kids today?" + probably been with us for millenniums, but it was certainly the top of mind in 1963 when the lyrics for the song "Kids" from the movie "Bye Bye Birdie" asked that question and concluded, "why can't they be like we were, perfect in every way?"
That movie also featured another song, called "Telephone Hour," that depicted teens gossiping about each other's love lives, including at least a couple of minor digs that some might consider to be an early form of cyberbullying.
If the movie were shot today, "Telephone Hour" would likely be replaced with a song that showed kids texting and using Facebook and smartphone apps, including Instagram, Snapchat and maybe Ask.fm, where kids can ask questions that sometimes elicit mean answers. But the theme wouldn't change. Adults would still be worrying about today's generation of youth.
Well, to invoke the title of a much more recent movie, I for the most part think that "The Kids Are All Right."
I'm basing this conclusion on results of a number of surveys, including a recent one on teens and privacy from the Pew Research Center and Harvard's Berkman Center, as well as a paper published earlier this year by David Finkelhor of the Crimes Against Children Research Center.
Over the past couple of weeks, Pew and Berkman have released the results of a survey that found that 70 percent of teens have reached out for advice on how to manage their online privacy. And this may come as a surprise -- they are almost as likely to turn to a parent for advice (41 percent) as to a friend or peer (42 percent).
The survey also found that most teens know a thing or two about privacy and that many "draw on their own wits, observations and knowledge to manage their privacy online and on social media," by experimenting with menus and settings on social networking sites and apps.
"Of teens who use Facebook, 60 percent say their profile is private, 25 percent say its partially private and 14 percent say its public. The rest 'don't know.' So 85 percent of teens have a private or partly private profile," said the study's co-author Amanda Lenhart.
The survey found that 82 percent of U.S. teens have a mobile phone and/or a tablet and that 71 percent of these teens have downloaded an app. More than half of them (51 percent) have avoided certain apps due to privacy concerns, while 26 percent of those teens have uninstalled an app "because they found out it was collecting personal information that they didn't wish to share."
And what about bullying and cyberbullying? I keep seeing articles about an "epidemic" of bullying and cyberbullying as if the numbers have skyrocketed. But as Finkelhor pointed out in his paper, physical bullying and "peer victimization" actually declined over the past several years.
A youth risk survey conducted in Massachusetts showed a 22 percent decline in bullying on school property between 2003 and 2011. Nationally, school-related violent victimizations among 12 to 18-year-olds declined by 74 percent between 1992 and 2010
Cyberbullying or, being "harassed online," did go up from 6 percent of online teens in 2000 to 11 percent in 2010, but that's still far below many estimates I've seen and far from epidemic proportions. According to Finkelhor, "the increase in online harassment is probably best seen simply as growth in the usage of electronic media for all kinds of socialization including its negative forms." In other words, kids are spending a lot more time online and increased social interaction brings about more opportunity for negative interactions.
Just how many kids cyberbullied others or have been cyberbullied depends on your definition of the term. In their paper, "Cyberbullying myths and realities," authors Russell A. Sabella, Justin W. Patchin and Sameer Hinduja point out that "some researchers use very broad definitions of the problem that include every possible experience with any form of online aggression. Others focus only on specific types of harm, such as humiliation or threats to one's physical safety."
Their paper points out that, depending on the study, the number of youths who admit to having cyberbullied others ranges from about 4 percent to 20 percent. But even if you take the high-end of that range, that means that 80 percent of kids haven't cyberbullied others. That's important to keep in mind and it's important for adults to not perpetuate the myth that bullying and cyberbullying are common and therefore "normal," because what's normal is often thought of as being OK and it's important to remind young people that bullying is neither normal nor OK.
So, going back to that "Bye Bye Birdie" song, it's fair to say that today's young people are not "perfect in every way." But based on recent studies, the majority of them treat each other reasonably well and seem to be a bit more privacy conscious than some adults give them credit for.
Disclosure: Larry Magid is co-director of ConnectSafely.org, a nonprofit Internet safety organization that receives funding from Facebook


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Building homes for disabled vets
San Diego homebuilding charity breaks ground
Someday soon, this dusty Lakeside corner will become a row of neat townhouses that disabled U.S. military veterans call home — not just rental homes, but forever homes with wheelchair ramps or handrails in the shower.
San Diego Habitat for Humanity broke ground Wednesday on its first-ever housing project focused on wounded warriors.
It's a new direction for the national nonprofit group, which traditionally serves poor families who might not otherwise qualify for a mortgage.
Calling the initiative "Building for the Brave," Habitat for Humanity officials said this is likely the first of a series of projects for San Diego County's disabled veterans.
They join the efforts of other nonprofit groups that are doing everything from offering low-cost, short-term apartments for injured combat veterans to signing over foreclosed houses to recent Purple Heart recipients.
The San Diego region is home to more than 30,000 Iraq and Afghanistan war veterans, one of the largest concentrations in the nation.
A few of those veterans may soon reside in Lakeside. By next summer, what's now a dirt lot will hold four townhouse units, with four bedrooms each.
"There was a house on this site that was termite-infested, and we needed to take it down," said Lori Holt Pfeiler, executive director of the San Diego Habitat for Humanity chapter. "We looked at the opportunity and said, 'What can we do? How can we serve?' What better thing to do for the region than to look at how we can serve veterans and the wounded veterans."
Habitat officials are still seeking candidates for these units. They've held informational meetings at Camp Pendleton and San Diego Naval Medical Center in Balboa Park, but the application process is open through the group's website, sdhfh.org.
"We hope to find the families soon, so we can tailor to their needs," Pfeiler said.
For disabled veterans, the organization may have to modify its usual "sweat equity" requirement.
Founded in 1976, Habitat for Humanity builds housing around the United States for needy families who are willing to pitch in on the work. The San Diego chapter is 25 years old and has built 187 homes in that time.
Usually, the organization has three major requirements. Clients must earn less than 80 percent of the region's median income, which was $68,300 for a three-person household last year in San Diego. For a wounded veteran living on disability payments, this criteria might not be hard to meet.
Clients must also be willing to shoulder a zero-interest mortgage, which for the Lakeside project expected to be about $1,080 a month. And, they must volunteer 250 to 500 hours working on the construction site.
In the case of wounded military veterans, family members may be the ones swinging the hammer. Or, the veteran may log hours at Habitat's office or its Mission Valley retail store, Pfeiler said.
Another new military-oriented project by Habitat is called Repair Corps. Nationally, the Home Depot Foundation has donated $2.7 million to help more than 260 veterans make repairs to their dwellings.
In the San Diego region, Home Depot gave $135,000 to fix nine homes at up to $15,000 each. Habitat officials decided to raise money to expand the effort to at least 13 residences. Work began in November, said Repair Corps Superintendent Dale Maxwell.
In Lakeside, volunteers from Cox Communications dug the first holes for fence posts and sawed the first four-by-fours on Lakeshore Drive, a busy street corner next to a freeway overpass.
About 15 volunteers will labor at the site each day until the job is done. This volunteerism is how Habitat for Humanity is able to build low-cost homes.
The group's San Diego branch has faced upheaval and controversy over the past two years.
An almost entirely new board of directors was installed in December 2011 following an investigation into the charity's handling of $700,000 in donations related to the 2007 wildfires.
Officials have acknowledged that the money had been misspent, though it paid for other charity projects. At one point, County Supervisor Dianne Jacob called on District Attorney Bonnie Dumanis to investigate.
Pfeiler, a former Escondido mayor, was named executive director in May.
Jacob spoke at Wednesday's event.
"Habitat for Humanity San Diego has had kind of a rough go of it over the past couple of years," she said. "To me, this groundbreaking today represents a rebirth of this organization, a renewal, a refocusing on what's important."


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The Market's Rough Rotation
The stock market is caught in what analysts call a sharp rotation, and it isn't much fun.
Former market leaders such as biotechnology and Internet-related stocks have fallen 25% and more from early-year highs. Many once-strong small stocks have taken hits, too. Money is shifting to safer, dividend-paying stocks such as utilities and telecom stocks.
Broad indexes, meanwhile, have been in a rut all year. The Dow Jones Industrial Average hit a record 16583.34 Friday, but it is up just seven points, or 0.04%, since the end of December.
The big question: How bad can the selling get? In some past rotations, trouble for the highflyers brought down the broad market. In others, the broad market held up well. After studying the historical data, many analysts and money managers think this rotation still could damage the broad market, but not as badly as in some past cases.
"I think it is going to be one of the headwinds that prevent us from motoring higher from here," said Leo Grohowski, chief investment officer at BNY Mellon Wealth Management, which oversees $185 billion in New York. He says stocks can rise a modest 4% this year and continue rising next year, but like many people, he worries that the process could be bumpy.
Ned Davis Research in Venice, Fla., has conducted several studies of past market rotations and found two varieties: the really nasty and the merely difficult.
Since 1989, the bad ones were in times of economic trouble, meaning the early 2000s and 2008. Then, each sharp decline by market leaders led a drop of 27% to 48% in the S&P 500 Index. But from 1989 to 1999, when the economy was more stable, rotations away from market leaders led to more-modest broad-market declines: 5% to 12%, with one of 17%.
"It is an early-warning sign that the market is vulnerable because the psychology is starting to change. It means expectations got overblown," said Lance Stonecypher, Ned Davis's chief sector strategist. But when economic underpinnings aren't stretched, it usually isn't a disaster, he said.
The studies reinforce his firm's view that the S&P 500 could briefly fall 10% or more later this year, in part because the Federal Reserve is slowly ending the bond-buying program that has helped support markets. But because a recession doesn't appear to be looming, stocks should then rebound, Mr. Stonecypher said.
Will Geisdorf, global strategist at Ned Davis Research, used different methods to study big market-leadership shifts back to 1983, and came to a similar conclusion. In five cases from 1983 through 2006, only one heralded a severe decline, and that was the technology-stock collapse of 2000.
"That case had the least in common with current market," Mr. Geisdorf said. Declines were heavier and faster then, market leaders were more overvalued and they represented a bigger share of the market.
Paul Hickey, co-founder of Bespoke Investment Group in Harrison, N.Y., found one case in particular that looks like the current one: a 1995 plunge in highflying computer-chip stocks.
The semiconductor stocks then weren't a dominant part of the market, making that case similar to that of the biotechnology and Internet stocks today, he said.
In 1995, computer-chip stocks fell more than 35% before they rebounded. If this year's fading highflyers follow a similar path, they could face more selling, Mr. Hickey said. But the S&P 500 rose 34% in 1995, unfazed by the chip stocks. Few expect similar gains this year, but the 1995 experience offers solace to money managers.
Mr. Hickey also looked at periods when small stocks slipped and the S&P 500 didn't initially follow. The S&P 500 generally kept rising in the following months. In instances when it fell, it was rarely by more than a few percentage points. Even small stocks tended to recover after a few months.
Bank of America Merrill Lynch, meanwhile, found stocks, commodities, interest-rates and the dollar are acting much as in 2005 and 2006. Back then, stock indexes didn't peak until October 2007. If the comparison proves accurate, trouble could lurk, but not immediately.
Of course, sifting through market history is an inexact science at best. The analysts who do these studies all warn that they offer reference points, not predictions.
No one knows how much pressure investors will feel to sell in coming months. If some widely held stocks fall heavily and investors using borrowed money get demands for more collateral, they could be forced to sell other holdings, provoking a broader decline.
But analysts and money managers see little sign of that yet.
Birinyi Associates, based in Westport, Conn., looked at recent market-leadership swings between companies with fast earnings growth and those with slower growth but more attractive stock prices. It found that the growth stocks had lost momentum in February but had begun recovering it in April.
That means that, although the most overpriced highflyers are still suffering, growth stocks as a group already are doing better.
The immediate outlook could be more uncertain because the flow of market-related news is quieting, said Mr. Grohowski of BNY Mellon. Most first-quarter earnings reports are out and the next Fed meeting is more than a month away. While a recovering economy and low inflation should support the market in coming months, stocks are no longer are cheap and big gains could be hard to manage, Mr. Grohowski said.


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STOCKTON – A man walking in the 2400 block of Burlington Place around 11 p.m. Sunday told police he heard numerous gunshots and fell to the ground.
He was taken to a local hospital for treatment of a non-life-threatening injury, police reported. They found several shell casings but have no suspects nor any suspect description.
Location, ST | website.com


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We're so happy to announce that Monica's Miami-inspired eyewear designs were selected as a part of The Council of Fashion Designers of America and Luxottica/Vogue Eyewear partnership that supports brands that have their sights set on optical eyewear.
(Such as ourselves.. ; )
For the second consecutive year, the CFDA partnered with the eyewear label on a program under which Monica and two other designers were chosen to conceptualize and create sunglasses to be sold exclusively at Sunglass Hut come September.
The inspiration behind Monica's designs:
" MIAMI – Bathed in pastels and faded glory as well as new promises, there is something that resonates with me. South Beach feels like a continual party on the beach long after the party is over. Eyewear tells your story, yet keeps your secrets. Here the idea is bold and fun, never anonymous."
We're sure her time spent with her aunt in Miami had something to do with it too, check her out poolside… even then she was all about the bold, fresh, and modern style!
Botkier has always been a very "New York" brand but we're so happy and excited that Miami has become our muse during this amazing opportunity and experience.
To get all the juicy details about the project check out WWD here: http://bitly.com/dHDl0k and look for the shades later this year in Sunglass Huts nationwide!


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Center for Thoracic Oncology
Diseases & Conditions
Pleural Diseases - Diagnostic Procedures
How are Pleural Diseases Diagnosed?
In addition to taking a detailed medical history and performing a physical examination, your surgeon may order tests to detect pleural diseases, including:
- Arterial Blood Gas
- Biopsy
- Blood Test
- Chest x-ray
- Computed Tomography (CT) scan
- Magnetic Resonance Imaging (MRI)
- Positron Emission Tomography (PET) scan
- Stress Test
- Thoracentesis
- Ultrasound
Doctors order CT scans when they want to see a 2-dimensional image of your body, including a view of the lymph nodes. If contrast dye is used to improve the computer image, you may need to avoid eating or drinking for 4 to 6 hours before the test. Be sure to tell your provider prior to the test if you have any allergies or if you have kidney problems.
Magnetic Resonance Imaging (MRI)
This test uses a magnetic field, radiofrequency pulses, and a computer to produce detailed images of body structures in multiple places. You may be asked to drink a contrast solution for better imaging, and you will most likely lie on a moving table as pictures are taken. MRI is a more detailed tool than x-ray and ultrasound and for certain organs or areas of the body, it provides better images than CT. MRI may not be recommended if you have a pacemaker or other metal implant.
Positron Emission Tomography (PET) Scan
A PET scan is used to detect cellular reactions to sugar. Abnormal cells tend to react and "light up" on the scan, thus helping physicians diagnose a variety of conditions. For the PET scan, a harmless chemical, called a radiotracer, is injected into your blood stream. Once it has had time to move through your body, you will lie on a table while a scanner follows the radiotracer and sends three-dimensional images to a computer screen. Patients are generally asked to wear comfortable clothing and refrain from eating for 4 hours before the scan. Tell your doctor if you are pregnant or breastfeeding. Patients with diabetes should discuss diet guidelines with their physician for the hours leading up to the scan.
A stress test is used to gain more information about how your heart functions during exercise. Your physician will monitor your heartbeat and blood flow as you walk on a treadmill, and will then be able to diagnose any problems as well as plan treatment.
What are pleural diseases, their symptoms, and causes?
Learn how pleural diseases may be treated


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Yesterday evening, while I sat at this desk dreaming up cultural content for the pages I am in charge of, Twitter began turning up news of protesters being fired at and pelted with stones – but not run over by armored vehicles, not beaten repeatedly after they were dead, nor thrown into the Nile as bloodied corpses. Not yet. The location was outside the Radio and Television Union Building, along a stretch of the Nile known as Maspero.
This fact (of protesters being fired upon) along with some of the slogans suggested that the march under attack was Coptic. I in fact knew that most of those tweeting from the location of the shootings were Muslim, but every Coptic protest since 11 February had included Muslims. Ironically, no Arabic term has been coined that might translate CNN's far more civil "pro-Coptic," which is also the more accurate by far.


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November 1, 2005
Columbia County commissioners have voted unanimously to combine Columbia County's fire departments. News 12 is on your side with how this may improve coverage where you live.
All of Columbia County will soon have round the clock coverage for the first time. The North Columbia Fire Department that serviced rural Columbia County will go away and the entire area, excluding the areas of Harlem and Grovetown, will be under the county department.
Commissioners say that the seventy percent of the county that falls into the rural area will be better off because they will have 24-7 coverage by staff stations.
It is the end of a long fight for North Columbia Fire and Rescue. Lieutenant Chris McCalister is a volunteer and after Tuesday night he will work for the McDuffie County department.
"We're firemen and we want to continue doing that service," McCalister said.
Martinez-Columbia Fire and Rescue will take over the old territory, including Appling, Winfield and Leah. Emergency Services Director Pam Tucker says they will also bump their number of stations from eight to ten.
"This just equalizes the services for the same service everybody's paying," Tucker said.
Chief Paul Cooper from Martinez-Columbia tells the commission he will hire twenty new paid firefighters. But there is no limit on the number of new volunteers he can bring on in addition to the seventy he already has. They just have to meet the minimum qualifications.
Chief Thomas McFarland from North Columbia says the meeting went just as he expected.
"They're gonna work out the kinks and work out a plan that will help our side and their side," McFarland said.
The volunteers that go to Martinez-Columbia will have ongoing training.
Lieutenant McCalister says the firefighters from North Columbia will be an excellent addition. The next step is to work out the transition. There is equipment and land from the old stations that need to be placed. The Columbia County government will meet about this next week.
They've approved it, but it will take a little while to implement. It will be official on January 1, 2006. This includes the consolidation and the end of pay-per-call in Harlem.


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good luck in the wind. i keep with 174 g putter. i tried the ol' straddle putt and got decent control(left\right) but like u said, hit front basket. it never felt right to straddle. i might as well been jupmshot puttin'. lately ive been trying to lean forward as much as possible and it has helped me out. take into consideration that i am a very inconsistent putter. the old bald barber scenarioBradbalk wrote: I was considering trying a lighter putter for a little extra glide.
harryPutter wrote:WHatever! I had a stuffed BBQ chicken pizza that was the best pizza I've ever had. Apparently it was a Haris knockoff but all their lunch specials were $4.20. Thats an out-of-town POV.
strokersix wrote:I purchased some 150 class DX sharks to give out for my 7 year old's birthday party. Since I putt with Sharks I thought I'd give them a try myself. They definitely float more than the 175-180 Sharks I usually use. I've only played with them in the front yard so far but next round I'm going to give one a try. I think they might be useful for tight approach shots through the woods. I was sure to purchase a couple more than needed for the party guests!
Then again, you probably shouldn't listen to someone who putts with a Shark!
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You are a fan of dans project ? Come to discover the best forums dans project on the internet and share your experience with a community fan of dans project . You can also build a forum dans project and create your online discussion.
The forum for the Super Smash Bros Crusade fangame.
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kaytekay wrote:
haha when sage was naming the people in gruvis malt was this kid yelling out all different names and flailing his arms? i think i was right near you guys.
MCSquizared wrote: eyo.
many many thanks for the words of praise. i had a fucking ball.
cr, grand buff, and gruvis all killed it. and sage somehow reminded all of us of our attention spans' true potential. the man had thousands of people roped for like an hour and a half or something crazy like that. nobody flinched. jesus.
also, watch me win showtime at the apollo this saturday. it's on after snl on nbc.
prolifik wrote: Embryo: and he looked like the big guy from ICP without the makeup.
eggplant xanadu wrote: Climb Trees was dope,those fuckers sounded like Jel!