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text:
Patent application title: METHODS AND APPARATUS FOR FAST SEEKING WITHIN A MEDIA STREAM BUFFER
Satish Iyer (Bangalore, IN)
Satish Iyer (Bangalore, IN)
IPC8 Class: AH04N591FI
USPC Class:
Class name: Television signal processing for dynamic recording or reproducing process of generating additional data during recording or reproducing (e.g., vitc, vits, etc.) video or audio bookmarking (e.g., bit rate, scene change, thumbnails, timed, entry points, user manual initiated, etc.)
Publication date: 2011-02-10
Patent application number: 20110033168
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A method of seeking within a time shift buffer includes receiving a media
stream from a remotely located media source over a network, and
generating a time shift buffer associated with the media stream. The time
shift buffer includes a number of frames with keyframes provided at a
certain intervals. When a seek request associated with a desired time
within the media stream is received, the system determines a nearest
keyframe within the set of keyframes that is previous to and closest in
time to the desired time, displays the nearest keyframe, then considers
in turn each of the frames subsequent to the nearest keyframe until a
desired frame corresponding to the desired time is reached displayed. The
system cancels the previous examining step and determines a new nearest
keyframe in the event a second seek request is received.
1. A method of viewing a media stream, the method comprising:receiving the
media stream from a remotely located media source over a
network;generating a time-shift buffer to store a plurality of frames of
the media stream, the plurality of frames comprising a set of
keyframes;receiving a seek request associated with a specified time
within the media stream;determining a first keyframe within the set of
keyframes that is previous to and closest in time to the specified
time;displaying the first keyframe;examining each of the frames
subsequent to the first keyframe until a first frame corresponding to the
specified time is reached; andcancelling the examining step in the event
a new seek request is received.
2. The method of claim 1, wherein the examining step includes decoding each of the frames.
3. The method of claim 1, wherein the examining step includes dropping each of the frames.
4. The method of claim 1, wherein the set of keyframes have an interval of greater than about 4 seconds.
5. The method of claim 1, further including generating the seek request via a user interface including a visual depiction of the time shift buffer.
6. The method of claim 1, wherein the cancelling step is performed in response to a software interrupt.
7. The method of claim 1, wherein the media source is a placeshifting device.
8. A media player system to view a media stream received from a remotely located media source over a network, the media player comprising:a time-shift buffer comprising a plurality of frames of the media steam, the plurality of frames comprising a set of keyframes;a user interface configured to receive user input and generate a seek request including a specified time within the media stream; anda buffer seek module configured to determine, in response to the seek request, a first keyframe within the set of keyframes that is previous to and closest in time to the specified time, display the first keyframe, review each of the frames subsequent to the first keyframe until a first frame corresponding to the specified time is reached, and cancel the review of each of the frames in the event a second seek request is received.
9. The system of claim 8, wherein the buffer seek module decodes each of the frames.
10. The system of claim 8, wherein the buffer seek module includes dropping each of the frames.
11. The system of claim 8, wherein the set of keyframes have an interval of greater than about 4 seconds.
12. The system of claim 8, further wherein the seek request is generated via a user interface including a visual depiction of the time shift buffer.
13. The system of claim 8, wherein the cancelling step is performed in response to a software interrupt.
14. The system of claim 8, wherein the remotely located media source is a placeshifting device.
15. A method of searching within a media stream, the method comprising:storing a plurality of frames of the media stream, the plurality of frames comprising a set of keyframes;receiving a first time request;determining a first keyframe within the set of keyframes that is previous to and closest in time to the first time request;displaying the first keyframe; andexamining each of the frames subsequent to the first keyframe until a first frame corresponding to the specified time is reached; andcancelling the examining step when a second time request is received.
16. The method of claim 15, wherein the examining step includes decoding each of the frames.
17. The method of claim 15 wherein the examining step includes dropping each of the frames.
18. The method of claim 15, wherein the set of keyframes have an interval of greater than about 4 seconds.
19. The method of claim 15, further including generating the seek request via a user interface including a visual depiction of the time shift buffer.
20. The method of claim 15, wherein the cancelling step is performed in response to a software interrupt.
[0001]The present disclosure generally relates to user interfaces used in connection with streamed media, and more particularly relates to methods for seeking within a time buffer associated with streamed media.
[0002]Recently, consumers have expressed significant interest in "place shifting" devices that allow viewing of television or other media content at locations other than their primary television set. Place shifting devices typically packetize media content that can be transmitted over a local or wide area network to a portable computer, mobile phone, personal digital assistant, remote television or other remote device capable of playing back the packetized media stream for the viewer. Placeshifting therefore allows consumers to view their media content from remote locations such as other rooms, hotels, offices, and/or any other locations where portable media player devices can gain access to a wireless or other communications network.
[0003]In the context of media streaming, including for example conventional general purpose computers running software for streaming placeshifted media, it is desirable to allow a user to seek within the media time buffer to find a particular scene or time slot, and then continue viewing the media from that point. The user interface for such a seeking operation typically allows a user to move (or "scrub") an icon such as a play-head icon across a visual representation of a timeline associated with the media. In response, the software then goes to the nearest keyframe, decodes and drops all frames until it reaches the desired position (i.e., time), then displays the correct frame.
[0004]Such a system is undesirable in that the process of decoding and dropping frames can take a significant amount of time from the user's point of view, particularly when keyframes are widely spaced (e.g., on the order of five seconds apart). As a result, the user is not given active feedback when scrubbing the icon along the timeline, and the resulting user interface lacks responsiveness.
[0005]It is therefore desirable to create systems and methods for seeking a media stream buffer in a way that is responsive, intuitive, and provides useful real-time information to the user. These and other desirable features and characteristics will become apparent from the subsequent detailed description and the appended claims, taken in conjunction with the accompanying drawings and this background section.
[0006]According to various exemplary embodiments, systems and methods are described for seeking for a desired frame within a time shift buffer by decoupling the display of keyframes from the decoding and dropping of subsequent frames. A method in accordance with one embodiment includes receiving the media stream from a remotely located media source over a network; generating a time shift buffer associated with the media stream, the time shift buffer including a plurality of frames, the plurality of frames including a set of keyframes; receiving a seek request associated with a desired time within the media stream; determining a nearest keyframe within the set of keyframes that is previous to and closest in time to the desired time; displaying the nearest keyframe; examining each of the frames subsequent to the nearest keyframe until a desired frame corresponding to the desired time is reached; and cancelling the previous examining step and determining a new nearest keyframe in the event a second seek request is received.
[0007]Exemplary embodiments will hereinafter be described in conjunction with the following drawing figures, wherein like numerals denote like elements, and
[0008]FIG. 1 is a block diagram of an exemplary media encoding system;
[0009]FIG. 2 is a block diagram of an exemplary media encoding device;
[0010]FIG. 3 is a conceptual overview of a typical time line user interface used in connection with a media buffer;
[0011]FIG. 4 is a flowchart depicting a method in accordance with an exemplary embodiment;
[0012]FIG. 5 depicts, conceptually, a buffer seek process in accordance with the present invention.
[0013]The following detailed description of the invention is merely exemplary in nature and is not intended to limit the invention or the application and uses of the invention. Furthermore, there is no intention to be bound by any theory presented in the preceding background or the following detailed description.
[0014]Turning now to the drawing figures and with initial reference to FIG. 1, an exemplary placeshifting system 100 suitably includes a placeshifting encoder system 102 that receives media content 122 from a content source 106, encodes the received content into a streaming format, and then transmits the encoded media stream 120 to a media player 104 over network 110. The media player 104 suitably receives the encoded stream 120, decodes the stream, and presents the decoded content to a viewer on a television or other display 108. In various embodiments, a server 112 may also be provided to communicate with encoder system 102 and/or player 104 via network 110 to assist these devices in locating each other, maintaining security, providing or receiving content or information, and/or any other features as desired. This feature is not required in all embodiments, however, and the concepts described herein may be deployed in any data streaming application or environment, including placeshifting but also any other media or other data streaming situation.
[0015]Placeshifting encoder system 102 is any component, hardware, software logic and/or the like capable of transmitting a packetized stream of media content over network 110. In various embodiments, placeshifting device 102 incorporates suitable encoder and/or transcoder (collectively "encoder") logic to convert audio/video or other media data 122 into a packetized format that can be transmitted over network 110. The media data 122 may be received in any format, and may be received from any internal or external source 106 such as any sort of broadcast, cable or satellite television programming source, a "video-on-demand" or similar source, a digital video disk (DVD) or other removable media, a video camera, and/or the like. Encoder system 102 encodes media data 122 to create media stream 120 in any manner. In various embodiments, encoder system 102 contains a transmit buffer 105 that temporarily stores encoded data prior to transmission on network 110. As buffer 105 fills or empties, one or more parameters of the encoding (e.g., the bit rate of media stream 120) may be adjusted to maintain desirable picture quality and data throughput in view of the then-current network performance. As described more fully below, various embodiments are able to calculate a current encoding rate and a current network transfer rate, and are able to adjust the encoding rate as the network transfer rate changes. Changes in the network transfer rate may be identified from, for example, changes in the utilization of the outgoing buffer 105.
[0016]Several examples of encoding systems 102 may be implemented using any of the various SLINGBOX products available from Sling Media of Foster City, Calif., although other products could be used in other embodiments. Many different types of encoder systems 102 are generally capable of receiving media content 122 from an external source 106 such as any sort of digital video recorder (DVR), set top box (STB), cable or satellite programming source, DVD player, and/or the like. In such embodiments, encoder system 102 may additionally provide commands 124 to the source 106 to produce desired signals 122. Such commands 124 may be provided over any sort of wired or wireless interface, such as an infrared or other wireless transmitter that emulates remote control commands receivable by the source 106. Other embodiments, however, particularly those that do not involve placeshifting, may modify or omit this feature entirely.
[0017]In other embodiments, encoder system 102 may be integrated with any sort of content receiving or other capabilities typically affiliated with source 106. Encoder system 102 may be a hybrid STB or other receiver, for example, that also provides transcoding and placeshifting features. Such a device may receive satellite, cable, broadcast and/or other signals that encode television programming or other content received from an antenna, modem, server and/or other source. The receiver may further demodulate or otherwise decode the received signals to extract programming that can be locally viewed and/or place shifted to a remote player 104 as appropriate. Such devices 102 may also include a content database stored on a hard disk drive, memory, or other storage medium to support a personal or digital video recorder (DVR) feature or other content library as appropriate. Hence, in some embodiments, source 106 and encoder system 102 may be physically and/or logically contained within a common component, housing or chassis.
[0018]In still other embodiments, encoder system 102 is a software program, applet or the like executing on a conventional computing system (e.g., a personal computer). In such embodiments, encoder system 102 may encode, for example, some or all of a screen display typically provided to a user of the computing system for placeshifting to a remote location. One device capable of providing such functionality is the SlingProjector product available from Sling Media of Foster City, Calif., which executes on a conventional personal computer, although other products could be used as well.
[0019]Media player 104 is any device, component, module, hardware, software and/or the like capable of receiving a media stream 120 from one or more encoder systems 102. In various embodiments, remote player 104 is personal computer (e.g., a "laptop" or similarly portable computer, although desktop-type computers could also be used), a mobile phone, a personal digital assistant, a personal media player (such as the ARCHOS products available from the Archos company of Igny, France) or the like. In many embodiments, remote player 104 is a general purpose computing device that includes a media player application in software or firmware that is capable of securely connecting to placeshifting encoder system 102, as described more fully below, and of receiving and presenting media content to the user of the device as appropriate. In other embodiments, however, media player 104 is a standalone or other separate hardware device capable of receiving the media stream 120 via any portion of network 110 and decoding the media stream 120 to provide an output signal 126 that is presented on a television or other display 108. One example of a standalone media receiver 104 is the SLINGCATCHER product available from Sling Media of Foster City, Calif., although other products could be equivalently used.
[0020]Network 110 is any digital or other communications network capable of transmitting messages between senders (e.g., encoder system 102) and receivers (e.g., receiver 104). In various embodiments, network 110 includes any number of public or private data connections, links or networks supporting any number of communications protocols. Network 110 may include the Internet, for example, or any other network based upon TCP/IP or other conventional protocols. In various embodiments, network 110 also incorporates a wireless and/or wired telephone network, such as a cellular communications network for communicating with mobile phones, personal digital assistants, and/or the like. Network 110 may also incorporate any sort of wireless or wired local area networks, such as one or more IEEE 802.3 and/or IEEE 802.11 networks.
[0021]Encoder system 102 and/or player 104 are therefore able to communicate with player 104 in any manner (e.g., using any sort of data connections 128 and/or 125, respectively). Such communication may take place over a wide area link that includes the Internet and/or a telephone network, for example; in other embodiments, communications between devices 102 and 104 may take place over one or more wired or wireless local area links that are conceptually incorporated within network 110. In various equivalent embodiments, encoder system 102 and receiver 104 may be directly connected via any sort of cable (e.g., an Ethernet cable or the like) with little or no other network functionality provided.
[0022]Many different placeshifting scenarios could be formulated based upon available computing and communications resources, consumer demand and/or any other factors. In various embodiments, consumers may wish to placeshift content within a home, office or other structure, such as from a placeshifting encoder system 102 to a desktop or portable computer located in another room. In such embodiments, the content stream will typically be provided over a wired or wireless local area network operating within the structure. In other embodiments, consumers may wish to placeshift content over a broadband or similar network connection from a primary location to a computer or other remote player 104 located in a second home, office, hotel or other remote location. In still other embodiments, consumers may wish to placeshift content to a mobile phone, personal digital assistant, media player, video game player, automotive or other vehicle media player, and/or other device via a mobile link (e.g., a GSM/EDGE or CDMA/EVDO connection, any sort of 3G or subsequent telephone link, an IEEE 802.11 "Wi-fi" link, and/or the like). Several examples of placeshifting applications available for various platforms are provided by Sling Media of Foster City, Calif., although the concepts described herein could be used in conjunction with products and services available from any source.
[0023]Encoder system 102, then, generally creates a media stream 120 that is routable on network 110 based upon content 122 received from media source 106. To that end, and with reference now to FIG. 2, encoder system 102 typically includes an encoder module 202, a buffer 105 and a network interface 206 in conjunction with appropriate control logic 205. In operation, encoder module 202 typically receives media content 122 from an internal or external source 106, encodes the data into the desired format for media stream 120, and stores the encoded data in buffer 105. Network interface 206 then retrieves the formatted data from buffer 105 for transmission on network 110. Control module 205 suitably monitors and controls the encoding and network transmit processes carried out by encoding module 202 and network interface 206, respectively, and may perform other features as well. Encoder system 102 may also have a module 208 or other feature capable of generating and providing commands 124 to an external media source 106, as described above.
[0024]In the exemplary embodiment shown in FIG. 2, modules 202, 105, 205, 206 and 208 may be implemented in software or firmware residing in any memory, mass storage or other storage medium within encoder system 102 in source code, object code and/or any other format. Such features may be executed on any sort of processor or microcontroller executing within encoder system 102. In various embodiments, encoder system 102 is implemented as a system on a chip (SoC) type system with integrated processing, storage and input/output features. Various SoC hardware implementations are available from Texas Instruments, Conexant Systems, Broadcom Inc., and other suppliers as appropriate. Other embodiments may use any number of discrete and/or integrated processing components, memories, input/output features and/or other features as desired.
[0025]As noted above, creating a media stream 120 typically involves encoding and/or transcoding an input media stream 122 received from an internal or external media source 106 into a suitable digital format that can be transmitted on network 110. Generally, the media stream 120 is placed into a standard or other known format (e.g., the WINDOWS MEDIA format available from the Microsoft Corporation of Redmond, Wash. although other formats such as the QUICKTIME format, REALPLAYER format, MPEG format, and/or the like could be used in any other embodiments) that can be transmitted on network 110. This encoding may take place, for example, in any sort of encoding module 202 as appropriate. Encoding module 202 may be any sort of hardware (e.g., a digital signal processor or other integrated circuit used for media encoding), software (e.g., software or firmware programming used for media encoding that executes on the SoC or other processor described above), or the like. Encoding module 202 is therefore any feature that receives media data 122 from the internal or external source 106 (e.g., via any sort of hardware and/or software interface) and encodes or transcodes the received data into the desired format for transmission on network 110. Although FIG. 2 shows a single encoding module 202, in practice system 102 may include any number of encoding modules 202. Different encoding modules 202 may be selected based upon preference of player 104, network conditions, and/or the like.
[0026]In various embodiments, encoder 202 may also apply other modifications, transforms and/or filters to the received content before or during the transcoding process. Video signals, for example, may be resized, cropped and/or skewed. Similarly, the color, hue and/or saturation of the signal may be altered, and/or noise reduction or other filtering may be applied. Audio signals may be modified by adjusting volume, sampling rate, mono/stereo parameters, noise reduction, multi-channel sound parameters and/or the like. Digital rights management encoding and/or decoding may also be applied in some embodiments, and/or other features may be applied as desired.
[0027]In various embodiment, including those in which media is streamed to media player 104 that comprises a general purpose computer running a media application, media player 104 produces and stores a time shift buffer that includes a buffer of the streamed media received over network 110, and includes a buffer seek module (comprising any combination of hardware and software) that allows a user to search within the buffer to find a particular scene or time and then continue viewing the media from that point.
[0028]In that regard, FIG. 3 shows a simplified view of a typical user interface used to seek within a time shift buffer. In general, a timeline 304 is presented to the user such that its geometry corresponds to the extent of the media being viewed, while the buffer will typically include a subset of the total media that will ultimately be streamed.
[0029]In this embodiment, for example, timeline 304 is literally a line segment whose endpoints correspond to the beginning and end of the media. To visualize the current location within the stream, an icon 306 (e.g., a rectangular icon as shown) is displayed along timeline 304 at the location that proportionally corresponds to the position of viewed media within window 302. By moving icon 306 back and forth along timeline 304 (to the extent allowed by the buffered information, the user is able to select a particular scene or time within the buffer and begin watching the displayed media 302 at that point. It will be appreciated that the various geometries and iconography illustrated in FIG. 3 are merely presented as an example, and that timeline 304, icon 306, and viewed media 302 may be provided to the user in any number of alternate configurations and may include any number of additional user interface elements.
[0030]Referring now to FIGS. 4 and 5, an exemplary seek method in accordance with one embodiment of the present invention will now be described. The various steps may be implemented in any combination of hardware and software (collectively referred to as the "system") within media player 104 (FIG. 1).
[0031]First, in step 402, the system receives a seek request. This request may take the form of an interrupt or other software message produced, for example, via the user interface shown in FIG. 3. In general, the request will include an indication of a desired time within the buffered media stream.
[0032]That is, referring to FIG. 5, a media stream 500 conceptually includes a set of time-sequential frames 502 (502a, 502b, etc.), including key frames included within certain intervals (such as frames 502a and 502d) as well as standard frames (502b, 502c, 502e, 502f, 502g, etc.). A typical seek request then might include a request to view the media starting from a time at marker 512.
[0033]Accordingly, in step 404, the system displays the nearest previous keyframe (e.g., within the displayed media window 302 of FIG. 3). In the current example, the nearest keyframe corresponds to frame 502d.
[0034]Next, a series of steps are performed in a manner that is cancellable by the receipt of a new seek request or interrupt (e.g., a software or hardware interrupt), thereby decoupling the display of the keyframe from the consideration (e.g., the decoding and/or dropping) of subsequent frames. That is, in step 406, the next frame is decoded using the appropriate decoding method (step 406), and then dropped (i.e., not further considered) (step 408). In the present example, for example, the system would decode and drop frame 502(e). The phrase "consideration" as it is used in connection with the buffered stream of frames refers to any set of operations applied to the frames, decoding and dropping being just two such operations.
[0035]Next, in step 410, the system checks whether a new seek request has been made by the user (e.g., using the interface depicted in FIG. 3). This may also be implemented as an interrupt, as is known in the art. If a new seek request has been made (`yes` branch from block 410), the system returns to step 404 and displays the nearest keyframe, then continues as before, effectively cancelling the previous decode/drop operation.
[0036]That is, if the user requests to view the buffer at time marker 510, the previous decode/drop operation would be cancelled, and the system would display key frame 502a in place of previously displayed keyframe 502d.
[0037]Next, in step 412, the system determines whether the desired time (512) has been reached. If not, the system continues to decode and drop frames (e.g., frame 502f), or cancels the current request to address a new seek request (step 410). In this way, the process continues until the desired frame (502g, or 502c) is reached.
[0038]It will be apparent that the asynchronous nature of the display of keyframes and subsequent searching through the buffer is highly advantageous from a user interface standpoint. The user is presented with real-time visual feedback that is responsive to his input, and which avoids the delay inherent in decoding and dropping frames between keyframes. While this invention is particularly advantageous in the context of media streams with relatively high keyframe intervals (e.g., greater than about 4 seconds), the systems and methods described may be used in connection with any suitable media stream.
[0039]The term "exemplary" is used herein to represent one example, instance or illustration that may have any number of alternates. Any implementation described herein as exemplary is not necessarily to be construed as preferred or advantageous over other implementations. While several exemplary embodiments have been presented in the foregoing detailed description, it should be appreciated that a vast number of alternate but equivalent variations exist, and the examples presented herein are not intended to limit the scope, applicability, or configuration of the invention in any way. To the contrary, various changes may be made in the function and arrangement of elements described without departing from the scope of the claims and their legal equivalents.
Patent applications by Satish Iyer, Bangalore IN
Patent applications by SLING MEDIA PVT LTD
Patent applications in class Video or audio bookmarking (e.g., bit rate, scene change, thumbnails, timed, entry points, user manual initiated, etc.)
Patent applications in all subclasses Video or audio bookmarking (e.g., bit rate, scene change, thumbnails, timed, entry points, user manual initiated, etc.)
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Soaking Seeds and Nuts: Why and How
Seeds and nuts, like chia and almonds, are convenient little energy powerhouses. They contain the perfect ratio of protein, fats, and carbohydrates, and are incredibly versatile. One commonly forgotten fact is that ancient cultures soaked their nuts, seeds, and grains. Want to know more? Here's the scoop.
Seeds and nuts are covered in something called an enzyme inhibitor. This is a protective barrier, preventing germination until prime weather conditions are met (rain and lots of sun). In the wild, enzyme inhibitors ensure that the nut or seed doesn't sprout prematurely, before reproduction occurs. In the kitchen, these enzyme inhibitors prevent our bodies from absorbing and digesting all the minerals, vitamins, and proteins packed inside. The breakdown of the enzyme inhibitors is achieved simply by soaking.
Just like many health practices, soaking and dehydrating nuts/seeds takes a little extra forethought and effort, but it is a simple practice to adopt. Most nuts and seeds will shed their enzymes within 12-24 hours.
Almonds should soak the longest, and their water should be switched at 12 hours. This is because almonds are pasteurized using steam or chemicals, due to an e-coli scare a few years ago. Seeds, like flax and chia, are hydrophilic, which means they will absorb their weight (and more) in whatever liquid they are soaked in and form a gel like consistency. The best way to soak chia seeds can be found here.
While soaking and sprouting nuts/seeds can help you digest and absorb more nutrients, it is not essential. They have numerous health benefits either way. In fact, if you are seeking a simple, convenient snack, you will be hard pressed to find a better option. A handful of walnuts here, some chia on your salad there – all delicious and nutritious!
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Better than RE6?
I haven't finished RE6 but I do think its an ok game, so is this better? If so to me its worth getting, I watched Michael from RT for about 30 minutes on his new full play but it was just all the learning stuff which is kind of boring lol
Nah res 6 way better bout 10 hours longer and way less back tracking. Revelations is so repetitive and took me 6 hours to finish.
Really that sucks, I might get Resident Evil 4 HD instead since I never played it and its apparently the best.
The highlight for the game for me is the infamous RAID MODE, it's so freaking addictive you can throw Onslaught/Predator/Siege/Predator alltogether away for this!
Oh snap now I've started it, I can already see the haters crying haha...
...but that's just my honest opinion, coming from a ground zero RE fan!
...but if you take RE4 in consideration yeah I'd go for that of course!
Yeah resi 4 is up there as the best one I'd put resi2 and 3 as pretty damn close tho.
Ill get RE4 definitely since you's both agree on that, as for revelations does it really feel like the old RE's? 2-3 were my favourite and none have been like it since :(
imo, this is a far beter resi than 6.I think with resident evil 4 and 5 they moved away from what made the original games (1,2,3) so good. Personally i thought revelation feels much more like the old school games , hence i prefer it . I dont hate any resident evil im a massive fan , i just prefer the old set up of back tracking and ammo conservation.
Alos raid mode is hands down the best bonus mode for any resident evil game.Awsome but 10,000 enemies is gonna take some time.
I've haven't played the 360 version but I've completed it twice on the 3DS. Its a great game. Alot better than Resident Evil 6 which imo is the worst game of the franchise.
Besides you really can't argue on that price!
One thing I think this game lacked was a solid chase sequence a-la Nemesis in RE3 or Mr. X in RE2. Even RE6 had Ustanak, which I think was probably my favorite part of that game. Revelations had Rachael, sure, but you were chasing her a lot more than she was chasing you (and the mini-super speed Scagdeads, but they aren't quite as HOLY SHIT SOMETHINGS FUCKING CHASING ME!!!! as the other dudes I mentioned). They kind of touch on it on the higher difficulties, as I mentioned with the mini scagdead, but it's just not the same.
Enemies that put you on the edge of your seat when they aren't even chasing you in the room that you are in are truly awesome imo...and the more I think about it, the more I realize just about every RE game had one of these, except for I think 1 and maybe 5 (can't remember despite the fact that I played through it a ton of times - and getting Indiana Jones'd by a boulder doesn't count). Even ORC had some of these and you're supposed to be the ones doing the chasing in that one.
I enjoyed all the RE titles in the main series, each in their own way.
RE6 has the best Gameplay controls of the bunch, in fact I feel that it has the best 3rd Person Action controls of all games I played period.
I'm loving RE:R for the way the story is presented. Raid Mode is amazing fun & plan on playing it for a long time.
I also highly enjoy Mercs, played it a lot in RE4, loved playing it Co-op in RE5, and RE6 is slightly modified version but still fun to play, especially with the updated controls.
The only problem I have with RE6 is that all the DLC was Multiplayer & I just can't get into it. They should of just made more Campaign content and a ton of Maps for Mercs. Or made Mercs 4P, which I was hoping for over anything Multiplayer.
The only problem I have with RE:R is the Dodge technique & Sprinting, both of which are amazing in RE6. The "B" button should of been a Dodge button & Clicking in the LS should give us a Sprint move, not unlimited, but a quick boost.
I have Pros & Cons for all the RE titles I play, but I still enjoy them all & RE is one of a few franchise I have played for over 15 years & completely enjoy every time I buy a new title.
RE1: Great. Shoddy voicework, but was groundbreaking at the time for it's graphics and gameplay.
RE2: IMO best of the franchice. Multiple playable characters, a lot of extra mods (4th Survivor etc.)
RE3: Probably the most intense RE in the series. When Nemesis starts chasing... oh boy, you better haul ass.
RE4: Entirely new concept, new camera angle, different enemy type. Wasn't a big fan of the Las Plagas, but it made sense to do something entirely different. Resident Evil isn't about zombies, it's about BOW's. Had great shooting mechanics, epic as fuck cinematic QTE's (Krauser vs. Leon knife battle). That was before the QTE's were still a new thing. Good story and still had the Resident Evil "vibe" without losing it's roots entirely. Also had the "Mercenaries" mod, which was incredibly addicting, and the Handcannon was an awesome reward.
RE5: Basically did EVERYTHING the same as the 4th one. Only difference were the improved graphics. Got more action packed then the last one. Co-op was introduced, which was optional, but the crappy AI partner wasn't worth the headache. Had a LOT of unlockables and such. +10 for having the Sheva native outfit :D
RE6: What the fuck.
RE:R - Feels like a mix between classic and the new modern RE games. Utilizing the best of both worlds. Shooting mechanics + atmosphere, sound and monster design. Though the lack of RE signature gore and a PG-16 rating is kinda a letdown. But considering that females look like pornstars, it's safe to say, that they were trying to make this game sell well to teens. I hope that the next numbered ResEvil game will be similar, though more gore is sorely needed. Good horror games can't be PG-16.
I haven't played any other RE games that aren't numbered (Wii ones mostly).
There are RE movies too. IMO, the first two live action movies are great (3rd one is decent, should have ended with it). But the others? Stay away from them. CGI ResEvil movies: Degeneration and Damnation are awesome. A must see for any ResEvil fan.
RE4 was the best in the franchise, to my eye. It's hard to beat, and for sure no RE game without Shinji Mikami is going to beat it. RE4 was the perfect mix of in-game economy, resource management, brilliant pacing, surprisingly astute enemy design, plot that takes itself just seriously enough, and a madman's level design.
Yes, it was linear and more about shooting than evading. I seriously don't think that's desecration to the RE name, though - as some people claim. It's just a paradigm shift - a similar game in a completely different setting - and it really works well. The rave reviews at the time and all the HD updates on new consoles speak to how timeless RE4 is. So of course RE:R isn't going to top that. And RE5 really just is RE4 with cooperative in a completely different setting - a brilliant game, but derivative nonetheless.
And then the thing about RE6 isn't that it's necessarily bad. It's got a few interesting enemies and at least competent shooting mechanics. The graphics are also mostly gorgeous. The thing for me was that it lost almost all of its genuine weight for cheap "dramatic" weight. The beginning of Leon's campaign has you and your partner running around a deserted and mostly-infected university. Rather than an interactive in-game environment, this university feels like running around a fragile movie set. You're running down narrow hallways, and the game often rips control away from you for the scripted bump in the night, multiple times. It creates an effective dark atmosphere, but it's just completely devoid of life.
When you do finally get some enemies to fight, they're complete pushovers - the opposite of Ganados and Majini. It's not about shooting them in the knee and then going in for the knife kill. It's about drop kicking them repeatedly or blowing their brains out with a shotgun.
The character mobility doesn't help this at all. They needed to slow it down a little bit and keep the camera strictly behind the player character, a la RE4 and RE5. This creates something that feels deliberate but is still completely functional. Instead, the characters are clumsily sprinting around this deserted movie set and the camera is doing fuckall behind (or in front of) them.
It just all creates weightless, lifeless gameplay.
Additionally, RE6's story took itself way too seriously. There's always been a level of self-deprication in RE's storytelling. The oft-quoted "master of unlocking" almost became a "Jill sandwich" in the first game. "Hope this is not Chris' blood". It was all so silly that it was hard to take seriously, and the developers completely understood this. It translated well into RE4 ultimately. It was a game where the combat was solid enough that you took the game completely seriously in a combat scenario, and the story was well-told and well-paced enough that you completely understood and enjoyed what was happening, but when the characters spoke, they were full of cheesy and memorable one-liners that would be horrible if it didn't show the game's degree of self-awareness. Plus, you had epic moments like the QTE knife fight with Krauser to completely ground all the cheese in the dialogue.
In RE6, everything is serious this, serious that. A viral outbreak is happening, OH NO! We have to save them all, Helena! Chris suddenly completely forgoes his character and backstory and becomes a grungy, hateful man who shouts at his enemies. There's just almost none of the comic relief we've found in almost all the previous entries - characters who really just kind of constantly parody themselves or their stereotypes, etc. It's all super serious, guys, and the closest we come is Jake in RE6.
RE:R, in comparison, has everything RE6 needed to be good. It has deliberate pacing. It has the dark vibe. It has a story that takes itself seriously, but still has a degree of silliness in the characters. The combat doesn't see the heroes suddenly become acrobat kick-boxers, but they still aren't pushovers either. The Queen Zenobia comes to life around you, unlike the drab movie sets of RE6.
Basically, in comparing the two games, Revelations feels like watching a really satisfying movie, while RE6 feels like you're simply exploring the set.
I have to agree with Blaze and disagree with...Pretty much everybody else here.
This game is a perfect marriage of classic Resident Evil map design with modern RE gameplay. I won't deny that it's short, I mean it's a port of a 3DS game, but Raid mode is a great way of extending your time with the game, and a nice break from Mercenaries.
I think the modern RE games each have their own redeeming qualities, RE6 included, but I think what we need next is a game similar to Revelations, except built from the ground up for consoles. Something with larger environments and a much bigger map and more puzzles.
Yes the campaign is short but has reply value like all Resident Evil games, RAID mode is where it's at.
I'd say this is better than 6 but not as good as 5 & 4.
Even Alan Wake is scarier than the last four RE-Games and Alan Wake is rated USK 16 in Germany like RE Revelations.
And what about Project Zero? This game is rated USK 12 and is imo scarier than all the RE games.
most of the games have 17+ its just for gore :)
Resident Evil: Revelations is way better than 5 and 6 and Raid mode is excellent (mercs mode was getting boring) With Revelations they just need to fix the run and dodge. Raccoon city game was the worst game for me, just shit in every way.
RE6 was trying to be all things to all people and it never works out as the survival horror does not want another 3rd person shooter and the shooter game does not want atmosphere, horror, slow tense pace, they want to on rails shooting in the 1 second of gameplay, buildings blown up, (basically a Micheal bay film) and RE6 had explosions every 5 minutes or so
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SCP Cat5e UTP (unshielded twisted pair) Direct Burial cables meet TIA/EIA 568-C.2 Category 5e and ISO/IEC 11801 Ed2 Class D standards. SCP Cat5e UTP Direct Burial cables are constructed with a high quality Linear Low-Density Polyethylene (LLDPE) direct burial jacket that provides high impact protection and superior puncture resistance while retaining flexibility and strength even in harsh environments. This is a true direct burial cable unlike many other cables advertised as direct burial that use inferior PVC based jacketing.
by grandavebb
on 8/30/2013
The photo shows a foil shield. I specifically asked prior to buying, and was told this was shielded cable -- even a manufacturer's spec sheet was included to confirm it. When I got it… no shielding. The support group backtracked and said the manufacturer PDF was old and the product was in fact not shielded. I'm sure this is a fine cable for unshielded applications, but it's not what I was buying.
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22-22195 - RJ45 Crimp Tool
A versatile tool that cuts, strips and crimps RJ45 (8P8C) modular connectors in a parallel action
Great products, fast service, what more could I want.


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PracTutor The Only Adaptive Learning Platform That Is Aligned With RTI And Offers PARCC and SBAC
PracTutor The Only Adaptive Learning Platform That Is Aligned With RTI And Offers Test Based On Principals Of PARCC And SBAC
PracTutor identifies students at-risk in the initial phase itself and accelerates their learning with instruction and practice that is intensive, balanced, and personalized.
Tier 1 - Core Instructional Interventions (http://www.practutor.com/
All students in the Tier 1 phase receive high quality and scientifically segregated set of instruction. They are differentiated to meet their needs and are screened on a periodic basis to identify struggling learners who need additional support.
PracTutor takes a pre-test for each of the common core domains to ensure that each student has a unique learning path based on his/her skill set. The students then choose and learn from the educational and entertaining videos. Each video corresponds to one of the learning styles as per VARK (Video, Audio, Reading, and Kinesthetic)
When teachers monitor students' progress and get immediate alerts related to the struggling students, they provide instant remediation and help them on the individual basis.
Tier 2 - Targeted Group Interventions
In Tier 2 phase, the students identified as not "making adequate progress in the core curriculum" are provided with progressive intensive instruction that match their needs. As stated earlier these needs are identified based on the individual levels of performance and progress.
PracTutor ensures that the students who are identified as the struggling students in the core curriculum receive sufficient instructions. These instructions are in the form of videos, a step-by-step guide, along with explanations for each concept to ensure they grasp and relate to the basics thoroughly before they proceed ahead.
Teachers can group the students as per their skills and can assign the core standards to individual groups or to the whole class as per the needs of attention and intervention. The detailed reports help the school administrators and teachers to stay on the top of their assignments and progress.
Tier 3 – Intensive And Individual Interventions
In phase 3, students receive individualized, intensive interventions that target the students' skill deficits for the remediation of the existing problems. This level assists in prevention of more severe and deep-rooted issues.
PracTutor links each common core standards to the previous pre-requisite standard; this helps introduce intensive intervention by inserting the missing skills in the student's personalized learning path. The student can learn the missing skills through the set of videos and practice (with hints and step-by-step explanations)
NCTM recommends a set of in the process of creating intervention program (http://www.nctm.org/
PracTutor For Enrichment (http://www.practutor.com/
PracTutor is equally well suited for talented, proficient, dedicated, or gifted students as it is for the students that lag behind.
PracTutor takes a pre-test for each of the common core domains to ensure that each student has a unique learning path based on his/her skill set. The advanced students start with challenging core standards and are not required to complete the standards that they are already familiar with. This engages them more and helps them stay motivated.
Each core standard in PracTutor has a critical thinking practice and tests to challenge the advanced level students. These tests are application-
PracTutor For Career And College Readiness
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For More Visit http://www.practutor.com
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This Christmas, Church End Brewery has created Reinbeer ale. It's a real ale with a festive twist, so our campaign features real ale drinkers with a festive twist – as we catch them in front of some impressive pairs of antlers.
Advertising Agency: Rees Bradley Hepburn, Birmingham, UK
Creative Director: Stuart Jackson
Art Director: Paul Ray
Copywriter: Nick Carter
Photographer: Martin Brent
Published:December, 2011


text:
Anyone can submit links to news with a short description which will then appear in the sidebar and on the Community News page. Only high quality material is allowed to be posted on Live Dev Feeds. That is why all submitted User Links must be approved before appearing.
In the area of Web Development and Design the following categories are preferred:
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You can submit your links using the form below, they will usually be approved within a few hours.
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text:
In the Region/New Jersey; Luring Residential Developers Back Downtown
Published: April 23, 2000
(Page 2 of 2)
Starting rents for the units are expected to be $650 to $950 a month. There will be no income limits for prospective tenants. Mr. Alpert said he expects the project to draw middle-income people who want to move from rentals in older two- and three-family homes in Paterson to new apartments at the same rent.
In Bayonne, the $1 million state loan will be used to help construct a 4-story, 51-apartment building called Peninsula Court on a vacant site on West 25th Street between Avenue C and Broadway, the city's downtown shopping area. The Alessi Organization, a 38-year-old family-run company in Bayonne, is the developer of the $5 million project, the first multifamily project in the city in 15 years. It ''will provide much-needed middle-income housing,'' said Joseph E. Ryan, Bayonne's public-information officer.
Unlike other Hudson County riverfront cities, Bayonne was largely passed over by the mid-80's real estate boom. One reason was the lack of transportation, but that is changing. Bayonne anchors one end of a new 20.5-mile light rail system, and trains have just begun running on the first 7.5 miles along the Hudson River. Peninsula Court is within walking distance of the 34th Street rail station.
''The housing market in the city has tightened in the last few years in anticipation of the light rail,'' Mr. Ryan said. Vincent Alessi, the president of the Alessi Organization, added: ''The market has finally reached Bayonne.''
But, he added, that, ''without the state financing to kick-start the process, it would have been much more difficult'' to proceed because lenders were reluctant to enter an untested market. Along with the 15-year $1 million state loan at a 1 percent interest rate, Mr. Alessi said his company is financing the remaining $4 million from private sources, including its own money.
Mr. Alessi said he expected the project to draw ''older folks from Bayonne who sold their homes but don't want to leave,'' as well as younger people who now live in other riverfront cities, work in Manhattan and ''want to live in an apartment that is 20 to 30 percent larger and 20 to 30 percent less expensive.''
Starting rents for the studio, one- and two-bedroom apartments, with 720 to 1,150 square feet, are expected to be $750 to $1,350 a month. As in Paterson, there will be no income limits for the tenants in Bayonne. Amenities planned at Peninsula Court, designed by R. A. German Architects of Manhattan, include a 55-car parking garage. Construction is expected to begin next month and take about a year.
Photo: In Paterson, Alpert & Alpert plans to carve 39 apartments out of a building at the old Boris Kroll mill. (Mastropolo Arts)


text:
I need to validate a date inside a social security number checking function. The date format it should accept is
ddmmyyyy, for example 01012000 (first of Jan, 2000).
I have tried converting this string into
yyyy-mm-dd, and using
IsDate() function, but the problem is that sometimes the datetimeformat of SqlServer might be something else like dmy, and I cannot use the "set DateFormat ymd" inside a function because it gives this error:
Invalid use of a side-effecting operator 'SET COMMAND' within a function.
Also tried a
try .. catch block but with the same results.
So I need a way to validate
datetime, regardless of the SqlServer dateformat, in a user function.


text:
Grand Hyatt Melbourne
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Tel: +61 3 9657 1234
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Grand Hyatt Melbourne awarded Best Marketed Hotel
Grand Hyatt Melbourne is thrilled to have been awarded Best Marketed Hotel – Accommodation Division at the 2015 AHA National Awards for Excellence held in the Gold Coast.


text:
Following the dreadful performance at Venezuela's second largest port of La Guaira in 2013 when box and tonnage throughput fell 25.00% and 3.14% respectively 2014 will represent something of a recovery. In container terms, the port is set to see year-on-year (y-o-y) growth of 2.50% to reach 417,431 twenty-foot equivalent units (TEUs). Tonnage throughput is set to register a negligible gain of 0.30%.
We believe Venezuelan's President Nicolás Maduro's intervention ordering merchants to cut prices of home appliances poses downside risk to our current 2014 forecast and our medium-term projections (to 2018) at the ports of Puerto Cabello and La Guaira.
This slow growth would be insufficient to recoup lost tonnage volumes in 2013. In 2010 587,000 tonnes were handled at La Guaira, before volumes dropped by 26.6% in 2011. The lower growth rates of 2013 and 2014 reflect our concerns about the February 2013 devaluation of the bolívar, which will have a hard impact on imports of consumer goods.
The overvaluation of the currency had previously been generating a surge in imports in late 2012, and therefore activity at ports, as it had become cheaper to import goods than to buy domestically produced products. This contributed to the strong growth seen in 2012. While we had envisaged this devaluation, and had written it into our forecasts, the outcome remains somewhat uncertain.
Downside pressure is also coming from the highly tense social and political environment following the death of Hugo Chávez and the narrow victory of Maduro, his endorsed successor, in the presidential election. At this moment, we do not rule out a widespread political crisis in the near term, given the highly polarised electorate, emerging disunity within the ruling party and potential for the armed forces to step in if instability continues to heighten.
A political crisis would most likely see both consumer and business confidence plummet, and potentially result in a contraction in real private consumption. Fixed investment would also be likely to come in below our forecast, which could generate recessionary economic conditions in Venezuela; all of which would reduce throughput at the country's ports.
There are also concerns about corruption at La Guaira after the port's head of customs was arrested, along with three accomplices, and found to be holding VEF4mn in cash in his apartment. Management at the port's customs operations have said that the arrest was an 'isolated incident' and that operations at the port will continue as normal.


text:
The movie ô12 Years a Slaveö is supposed to be one of the best films of the year. Itĺs a film that teaches us a valuable lesson about our nationĺs horrific past.
Itĺs also a film I canĺt bring myself to see.
Surely Iĺm not the only movie lover fighting this internal battle: You love and even feel enriched by great movies, but the fair amount of ugliness in those movies may be too upsetting. In which case, one starts to ask, ôWhy would anyone purposely upset him or herself?ö Isnĺt there enough in the present-day real world to upset us? Donĺt we watch the news?
Maybe the real question is: Canĺt we admit a film is great while also admitting we donĺt enjoy it?
Films that rip apart your insidesáemotion arenĺt supposed to be ôenjoyable.ö Good art is supposed to strike an emotional chord, but that doesnĺt mean itĺs pleasant. ôSilent Runningö and ôOld Yellerö taught us that when we were kids.
A month ago, I was horrified to discover one of my 11-year-olds watching ôThe Boy in the Striped Pajamas,ö starring a young Asa Butterfield from ôEnderĺs Game.ö The film takes place in a concentration camp and contains one of the most heart-wrenching endings Iĺve ever seen. Moving to turn it off (too late: The last scene was already happening), I asked why she was watching this instead of a benign cartoon or something rated G. It was no big deal, she said Ś sheĺd already seen it once, and it was a great movie.
When I stopped feeling guilty for the psychological damage Iĺd likely caused my child by letting this film slip through the parental filter, I realized she was right. It was a great movie that taught a valuable lesson Ś and I will never it watch again because Iĺve become a big, sissy, softhearted parent.
Things have changed in the 20 years since I fancied myself a pop-culture know-it-all. Back then, living three years in Hollywood among other 20-somethings with sophisticated tastes, I had no problem seeing seriously depressing films, as long as someone somewhere deemed them worthy of being real ôart.ö
The last depressing movie I enjoyed was ôLeaving Las Vegas.ö (While I can say, for example, that ôHouse of Sand and Fog,ö was a very good movie, it also made me want to go to bed and pull the covers over my head for a couple days after seeing it.) Shortly after watching Nicolas Cage drink himself to death in ôLeaving Las Vegas,ö I became a father and suddenly found myself crying during cellphone commercials.
Well, maybe it wasnĺt quite that bad. But no longer was it easy to watch child characters suffer during movies. I simply reached a point where life was too short to watch terribly sad movies. I couldnĺt watch Liam Neeson as Oskar Schindler, trying to save thousands of Polish-Jewish refugees during the Holocaust in ôSchindlerĺs List.ö I missed Don Cheadle as hotelier Paul Rusesabagina, trying to rescue his countryĺs citizens from genocide, in ôHotel Rwanda.ö I planned to see Hilary Swank and Clint Eastwood in ôMillion Dollar Baby,ö until someone let slip the ending.
The post-apocalyptic tale of a father and sonĺs journey in ôThe Roadö wasnĺt an option either Ś reading the book nearly had me in hysterics by the end.
But sometimes the pull of good art is too hard to resist, so I may end up seeing ôThe Roadö after all. Iĺll just have to retoughen myself and find a way to brace myself for the ending.


text:
Free personalized radio that
plays the music you love
Selected Discography
Track List: All You Can Do
Track List: All You Can Do: Live From The Regency
Track List: Cardboard Castles
Track List: Watsky
Similar Artists
14 now still loving him and his music.
Thanks Watsky
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text:
This Epona® Lucky Horseshoe Groomer erases saddle marks and releases dried grime from your horse's coat. Shaped to bring you luck, it fits comfortably in your palm. Four serrated edges do all the work.
Take your horse's care to a new level with HandsOn™ Gloves! Made for a slip-free fit, these unique grooming gloves deliver a thorough and enjoyable experience as they massage muscles, shed hair, stimulate circulation and distribute natural oils. Perfect for sensitive areas and for contouring to the shape of the body, HandsOn Gloves can be used dry or wet.
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The Tail Tamer® Economy Brush is a hardworking staple of your horse grooming kit. Durable synthetic bristles flick away grime. Plastic back is easy to hold.


text:
Supporting virtual servers with Server Name Indication
Server Name Indication lets you operate more than one SSL-protected service per IP address.
Web users and developers are equally devoted to the goal of keeping attackers from sniffing online orders, logging credit card numbers, and plundering user accounts. Fortunately, the introduction of Secure Socket Layer, a protocol for encrypted data transmission and reliable identification, helps prevent this horror scenario by offering a means for protecting sensitive web activities such as online banking.
The https protocol integrates SSL with http for secure web communication. With the use of encryption parameters that are negotiated with the use of the DNS name of the server, https establishes a secure connection.
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Mirantis to Refactor OpenStack Fuel for Kubernetes
The company is collaborating with Google and Intel to use Kubernetes as an engine for Fuel
Canonical Joins Document Foundation Advisory Board
The upcoming release of LibreOffice will be available as a snap package
SUSE Joins the Microsoft Test Drive Program
Customers can take a free test drive of SLES for HPC on the Azure Cloud
SiFive Launches a Line of Open Source Chips
San Francisco-based chip company announces their first fully open source chip platform.
Fedora 24 Released
The whole distro gets rebuilt on glibc 2.3
Canonical Announces Cross-Distro Support for Snaps
Ubuntu Vendor tries to solve app packaging and distribution problem across distributions.
ownCloud Forked
Founder of ownCloud launches the Nextcloud project.
HP Enterprise Unveils a Futuristic Computer
Will The Machine change the way future programmers think about memory?
CoreOS Announces Distributed Storage System
The new Torus distributed storage system is available under an open source license on GitHub
Google Beats Oracle in the Android Lawsuit
Juries decides Google's use of Java APIs Was Fair Use


text:
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text: Posted October 8, 2013 Yep...it is much easier to not get an education, not get training, and then expect the gov't to guarantee you $3k a month for nothing. Of course you and the Dems woudl support that. Another entitlement. Yeah this is probably a richer who enjoys keeping everyone else pushed to the ground and poor while the rich get richer. Of course Americans would love this, we live in a country where the American dream is hardly a reality anymore. CEO-to-worker pay is ridiculous, retirement is further and further away, we work way too much to enjoy life and do the things we want to do. I'm sure people would still work, maybe just less, but that doesn't mean it would be any less productive. This could totally work in a country where people became a bit less selfish (see quote above). Share this post Link to post Share on other sites


text:
No Refugee-Bashing in My Name!
The refugee crisis is global and requires a global response. Blaming refugee for acts of terror are wrong.
Take Action Now
September 16, 2014
If signed, a new Criminal Code amendment in Gambia would increase the punishment for "aggravated homosexuality" to life in prison.
September 11, 2014
Four Asháninka Indigenous leaders from the Peruvian Amazon have been killed by suspected illegal loggers. It is likely that it was in retaliation to the leaders' activism against illegal logging....
September 4, 2014
Krishna Prasad Upadhyaya and Ghimire Gundev have disappeared in Qatar while researching the conditions of migrant workers. They may be at risk of torture and other ill-treatment.
September 4, 2014
Earl Ringo is due to be executed in Missouri on September 10 for two murders committed in 1998. His lawyers are calling on the governor to initiate an inquiry into the role of race in his case.


text:
I am happy and relieved that Arsene Wenger accepted that Yaya Sanogo was not enough and that Arsenal needed to sign another centre forward, especially with Olivier Giroud being out of action until around the end of the year. And I'm not going to be down on the Frenchman for signing Danny Welbeck either, it is the failure to sign a defender that I am more concerned about.
Tag Archives: Miquel
DONE DEAL but this defender is heading OUT of Arsenal
There is finally some action for Arsenal as the summer transfer window starts collecting glasses and shouting drink up please, it's time. But this transfer action is not really what we want to see, as it sees a player leaving Arsenal rather than one coming in.
Arsenal defence to face Man City for Community Shield?
This will be the first time in years that Arsenal have featured in the Community Shield, in fact the first time since the name change, but it will be a useful exercise for us and certainly a game we want to win, especially as it is against one of the teams most likely to challenge us for major honours.
Is Sanabria the next Barcelona starlet on his way to Arsenal?
Arsenal set to sign another Barca wonderkid! by Ash
It's a well-known fact that Arsenal have one of the best youth academies in Europe and although it shouldn't be confused with the fact that we produce lots of quality players, in fact the majority come through the ranks after joining from another club early in their development.
Arsenal exits means Wenger is planning last minute surprises!
Miquel to Leicester City by Ash
Arsenal's squad seems to be getting weaker and weaker by the day as today we have sent Ignasi Miquel out on loan to Championship side Leicester City. He is the 3rd player to be loaned out from the club this summer, also joining a whole host of players to go through the exit door and this major overhaul at the club doesn't seem as promising as we all thought.
What Wenger SHOULD be doing at Arsenal
If I were Wenger. by Jak
I am sure all of us at one point or another, or constantly for that matter, have fantasized about being Arsenal's manager. I know I always choose Arsenal in my Football Manager campaigns. So this post is about being in charge instead of being frustrated on the sidelines, for one brief moment having the power to spend this legendary 70 million transfer kitty and decide on the lives of footballers. What would I do?
Gunners defence in the firing line again!! should we panic?
Having conceded two goals in each of the Emirates cup games, the Arsenal defence is under the microscope again, as it was for much of last season. Arsene Wenger has spoken about the need for more defensive stability, but also suggested that the fitness of the players was a big reason for the Galatasaray goals, and that should not be a problem when the Premier League season starts in less than two weeks.
Arsenal youth not good enough (yet) and friendlies mean nothing
Assessing the Enirates cup by Uche


text:
Featuring Jim Cicconi, Senior EVP of External and Legislative Affairs at AT&T; Craig Sillman, EVP of Public Policy and General Counsel at Verizon and David Cohen, Senior EVP at Verizon. Moderated by Larry Downes, Project Director of the Georgetown Center for Business and Public Policy.... more
FCC Commissioner Jessica Rosenworcel mapped out her five point plan for next generation technologies, as she delivered a keynote address at the TIA 2016 Network of the Future Conference in Dallas, TX. Rosenworcel pointed out in the plan the need for higher bands of spectrum, unlicensed spectrum... more
TIA members have access to an extraordinary array of topically focused benefits. View the Solution Sets.
5G experts from Bell Labs and Current Analysis discuss the best way to densify the 5G wireless network while ensuring proper connectivity and content delivery, together with positive ROI. Watch >>... more


text:
Quotes & Info
|BPFH > SEC Filings for BPFH > Form 8-K on 2-Nov-2012
|All Recent SEC Filings
Change in Directors or Principal Officers, Financial Statem
On October 30, 2012, Boston Private Financial Holdings, Inc. (the "Company") and James D. Dawson, Executive Vice President and Senior Integration Officer of the Company entered into a separation agreement (the "Separation Agreement"). Mr. Dawson's expected departure was previously announced in the Current Report on Form 8-K filed on October 3, 2012. The Separation Agreement was delivered to Mr. Dawson on October 10, 2012, and pursuant to the Separation Agreement, Mr. Dawson had 21 days to consider and accept the terms of the Separation Agreement. Mr. Dawson agreed, executed and delivered the Separation Agreement to the Company on October 30, 2012. Mr. Dawson's employment with the Company will terminate on December 28, 2012 (the "Separation Date").
Under the terms of the Separation Agreement, Mr. Dawson will receive the
following payments and benefits: (i) continued payment of his current base
salary of $450,000, payable in accordance with the Company's regular payroll
practices for the one-year period following the Separation Date, (ii) a
supplemental payment in the amount of $850,000, payable as a lump-sum, in
recognition of Mr. Dawson's 16 years of service and significant contributions to
the Company, particularly with respect to recent bank integration efforts,
(iii) a bonus in the amount of $450,000 in lieu of any bonus payable under the Company's bonus plan for 2012, payable in a lump-sum, (iv) payment of the final installment of the special retention award granted to Mr. Dawson in August 2009 in the amount of $66,667, payable in a lump-sum and (v) certain health and outplacement benefits, including payment with respect to continuation coverage under COBRA for up to 12 months in the same proportion as if Mr. Dawson had remained employed and a lump-sum payment of $52,320 in connection with the transfer of a Long-Term Care Insurance Policy presently maintained by the Company. In addition, Mr. Dawson will become fully vested as of the Separation Date in a pro-rated number of shares of time-vesting restricted stock, calculated based on the number of days from the applicable grant date to the Separation Date . Mr. Dawson will remain eligible to vest in a pro-rated portion of outstanding performance share awards held by Mr. Dawson (based on the target award), based on the number of days Mr. Dawson was employed from the applicable grant date through the Separation Date during the applicable performance measurement period, if and only to the extent that applicable performance targets are met with respect to the applicable performance measurement period. Outstanding vested options held by Mr. Dawson will remain exercisable in accordance with the terms thereof.
Pursuant to the Separation Agreement, Mr. Dawson has entered into a release of claims against the Company, and the separation Agreement permits Mr. Dawson to revoke the agreement for a period of seven days, which will lapse on November 6, 2012. In addition, Mr. Dawson will enter into a second release of claims, substantially in the form attached as Exhibit A to the Separation Agreement, in connection with the Separation Date. If Mr. Dawson fails to execute and return this second release or revokes this release he will forfeit the right to receive certain payments under the agreement (including severance payments and the supplemental payment) and/or must return to the Company any such payments previously made. The Company has also entered into a release of claims against Mr. Dawson. Mr. Dawson has a agreed to a covenant not to make disparaging statements regarding the Company or any of their affiliates or current or former officers, directors shareholders, employees or agents.
A copy of the Separation Agreement is filed herewith as Exhibit 10.1 and is incorporated herein by reference.
(d) Exhibits.
10.1 Separation Agreement, dated October 10, 2012, by and between the Company and James D. Dawson


text:
Kobo Vox 7" eReader - Green - K080-KBO-G
Customer Reviews Write a Review
Be the first to review this item and earn 25 Rakuten Super Points™
Product Overview
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- Enjoy your music and video files on your Kobo Vox, listen to streaming music on pre-loaded RDIO® app and find hot entertainment apps in the app store
- Store up to 8,000 books on 8 GB of built-in memory, or add a micro SD card to expand storage to 32 GB (enough to hold 32,000 books)
- Enjoy your Kobo eBook on any device—download free Kobo apps for PCs, Macs, iPhone, iPad, and Android and Blackberry smartphones and tablets
|Mfg Part#
|Over 2.2 million books, including 1 million free titles
|Open platform—you're free to read eBooks on any open device you choose
|Vivid 7" multi-touch, multi-media color screen
|Web browsing, email and open access to Android 2.3 & 15,000+ apps
|Share what you're reading to Facebook® with Reading Life™
Tech Specs
|Color: Green
|Size: 7.57 in. x 5.06 in. x 0.53 in. (192.4 mm x 128.4 mm x 13.4 mm)
|Weight: 14.2 oz. (402.6 g)
|Processor: Freescale iMX51; ARM Cortex A8; 800 MHz; 512 MB RAM
|Operating System: Android 2.3
|Display: 7 in. FFS+ multimedia display with 1024 x 600 resolution
|Screen: Multi-touch screen with exceptional +/- 89º viewing angle
|Navigation: Home, Back and Menu touch sensor; Power and
|Volume buttons
|Connectivity: Wi Fi 802.11 b/g/n and Micro USB
|Audio: Built-in speaker and universal 3.5 mm stereo headphone jack
|Storage: 8 GB plus option to expand with a 32 GB Micro SD Card
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|What's in the Box: Kobo Box eReader, Micro USB cable, Power Adapter, Welcome Guide, English Software (French and Spanish coming soon)
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|Merriam-Webster Collegiate® Dictionary and more!
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text:
Hi Sutherland, great plugin. Many thanks for this contribution.
I adapted one of your functions to grab a Blip.tv video ID from a custom field (the 'hZBPgqbXeQA' bit of http://blip.tv/play/hZBPgqbXeQA for instance) and echo to my theme. Very basic (I'm a cut and paste coder!), but worked for what I was trying to achieve. Hopefully may help someone else.
function getBliptvThumb() {
global $post;
$blipID = get_post_meta($post->ID, 'Video', true);
$xml = simplexml_load_file("http://blip.tv/players/episode/$blipID?skin=rss");
$result = $xml->xpath("/rss/channel/item/media:thumbnail/@url");
$thumbnail = (string) $result[0]['url'];
echo '<img src="'.$thumbnail.'" border="0" />';
Thanks again


text:
It's been a while since I have taken the time to draw something. I decided to immortalize my wife and make her the latest edition to my sketchbook.
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Show and tell for designers
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text:
onsdag 4 april 2012 på 19:30
The Echo
1822 West Sunset Boulevard, Los Angeles, 90026, United States
Tel.: +1-(213)-413-8200
Webb: http://www.attheecho.com
Interested in joining TRP on stage as a painter or human canvas......
Email: email@example.com...All dates, venues & info below.
... ... THE RED PAINTINGS return for the ''Futureless'' USA promo Tour 2012
Welcome to the world of The Red Paintings an Orchestral Art Rock group known for their vibrant stage shows incorporating live art, human canvases, theatrics & more.
Weds April 4th // The Echo // Los Angeles, CA 18+
w/ special guests. Doors 8:30pm.
TICKETS ON SALE NOW FROM: http://www.attheecho.com/
Supports: TIMUR and the DIME MUSEUM http://timurandthedimemuseum.com/
The FUTURELESS tour brings a creative new stage show to the USA, showcasing songs from the bands forthcoming album. The live experience incorporates cello, violin, piano, drums, bass, guitar and vocals. The show is an artistic reflection on the potential outcome of conscious human neglect of our natural resources. At each show, artists and audience members are encouraged to join the band on stage to express (through painting) their individual visions through connecting with the music. In addition to painting on traditional canvases, the artists also paint on "human canvases". Each TRP stage show is a unique collaboration between the audience, art and the band, while in real time, recognizing and confronting important issues. Through this interaction, the band creates a uniquely more engaging experience.
Kommer snart - svara och rösta på hojtningar! Abonnera nu för tidig åtkomst eller få mer information.
Logga in på Last.fm eller registrera dig för att lämna en hojtning.


text:
Goat Cheese Cakes (To Top Your Salad)
Total Time
Prep 5 mins
Cook 4 mins
These are wonderful little cakes to top off a good salad. They also work well as a side to grilled veggies. Super easy to make!
Ingredients Nutrition
- 11 ounces log goat cheese, at room temperature
- 1⁄2 cup almonds, finely ground
- 2 tablespoons olive oil
- Preheat oven to 450 degrees and position your cooking rack on the upper 1/3 of the oven.
- Slice the goat cheese (crossways) into 8-10 rounds.
- Place the ground almonds on a plate (if you like ground pepper, you can add some to the almonds).
- Pour olive oil onto another plate.
- Roll the cheese rounds around in the oil.
- Then gently turn the cheese around in the almonds, making sure it's completely coated.
- Place cheese rounds onto a baking sheet and bake 3-4 minutes until lightly toasted.
Most Helpful
These turn a bagged salad into a lovely meal at an intimate bistro! Thanks for posting!
These were great! Got three thumbs up in my family. Quick to make & a nice change for my DH who's been doing low carb. However, they took longer to bake than 4 min - maybe my oven temperature's off. Made for Vegn Recipe Swap 2
These were delicious. I am not giving starts bc I think my oven thermostat is off. After 3 minutes they were almost flat and spread out. I scraped them off after they cooled and used them anyway but they were not as pretty. Tasted yummy! Sorry JB! *Made for ZWT*


text:
Rýán TúçkShared publicly -
supervisor's* titles* ending a double quote with scare quotes...GN
RCW Systems
Gaslite Square Shopping Center, 5633 Rivers Avenue, North Charleston, SC 29406
Extremely disrespectful when answered the phone, and I was hung up on in the middle of a sentence. I wouldn't recommend this poor customer service. I'm a student, we are doing a school project. The assignment was to pretend to be applying for jobs at different computer tech companies. All I needed was the Supervisor's name and what job title's that they have, even if there are none open(because it's just a school project, no one is really applying for any jobs), what positions are the people who are already working there have, so that I can pretend to be applying for that same position(Again, it's a school project). Out of all the companies I called for this project, these people were the rudest! When the woman picked up the phone, she sounded very bored and annoyed that she even got a call. While I was talking, I was constantly cut off in mid sentence to be told "well we aren't really hiring", "I know ma'am, but it's just for a school project". She sighed and kept cutting me off and eventually hung up on me. I've called other places and they were not this mean, and unprofessional. Since I'm here, I might as well recommend one of the places that I called, who has a ton of great reviews, and when I called, was very kind and polite. The man's name is Norm, and he owns a computer repair company called Delson Computer. When I called him, he was kind, and when I read his reviews while doing research for my project, I saw that he had a ton of great reviews. According to his clients on google, he works fast, the prices are fantastic and from my own experience calling him for my school project, he was very kind when he picked up the phone. I want the people at this company to know that first impressions are everything and being rude and nasty is not how you are going to attract customers, especially after seeing poor reviews like this. one star. If I could give this place zero stars, I would.
Add a comment...


text:
Video Industry News Video Company News Technology Industry News Technology Company News Novelty Industry News Novelty Company News Gay Industry News Gay Company News Legal Industry News All Company News
Released: May 06th, 2010
Running Time:
Director: Jim Powers
Company: Immoral Productions
Distribution Companies: Pure Play Media
Cast: Harmony (I), Topanga Fox, Maury, Jessica Moore, Sadie Swede, Monroe Valentine, Miguel (VII) (amateur), Angelina Valentine, Amy Brooke, Daniel (IX) (amateur), Spencer Slade, Isis Monroe, Avi (III) (amateur)
Genre: Pro-Am
This eighth volume stars a true adult film industry legend Harmony Rose in the last scene of her career. It also features Angelina Valentine whose fan Daniels flies in from Rhode Island. Sexy Euro bade Jessica Moore makes the dream come true of Miguel who is a waiter in Hollywood. Monroe Valentino picks her up lucky fan Spencer at AVN Adult Entertainment Expo in Las Vegas.


text:
Video Industry News Video Company News Technology Industry News Technology Company News Novelty Industry News Novelty Company News Gay Industry News Gay Company News Legal Industry News All Company News
Released: Jul 01st, 2006
Running Time: 143
Director: Danny Case
Company: Third Degree Films
Cast: Riley Mason, Jenavive Jolie, Rick Patrick, Cindy Gold, Niki Dark, Nadia Styles, Nikki Loren, Cory Everson, Brooke Haven, Kitten (I), Jay Ashley, Courtney Cummz, Chris Streams, Mark Wood, Daisy Marie, Candy Manson, Dawayne Dane, Rebecca Linares, Barrett Blade, Aurora Snow, Marie Luv
Critical Rating: AAA 1/2
Genre: Gonzo
Hand-heavy POV-style head is the law of the land in this series, and we have a good edition of it here. Highlights include the methodical head given by big boob blonde Candy Manson, Courtney Cummz's ever-enduring sluttery and ass tease and full-bodied Kitten's fine tongue work during their respective scenes.
Retailing: Oral.


text:
I am currently working on a plugin that I would like to have store the location to an image in a database table. Ideally I would like to be able to use functionality already in WordPress to select the image from the gallery and then push its path to a custom form in the edit post area.
Can anyone point me in the right direction of how I would use the image tools in WordPress to accomplish this?


text:
Release Date:
December 30, 2013
Rogon and Rinona are out on patrol searching for the 6-legged Sparacon who stole their CHI. Push the tail of the Rock Flinger down for pursuit mode and speed across the Chima landscape. When they spot Sparacon, activate the catapult and fling the rock into the spider's path. Duel with Sparacon and his Spider Carapace blaster on the ground, using the 5-barreled Boulder Boomer and Hammer Horn and recover the Rhino tribe's priceless CHI! Includes 3 minifigures with weapons: Rogon, Rinona and Sparacon
Manufacturer's Suggested Age: 8 Years and Up
Number of Pieces: 257
Material: plastic
Educational Focus: Creative Thinking
Languages: Spanish, French, English
Dimensions: 8.740 H x 2.990 W x 10.310 L
Product Weight: .990
Care and Cleaning: Wipe Clean with a Damp Cloth
Battery: no battery used:
Assembly Details: no assembly required
- Release Date: December 30, 2013
other Info.
- Online Item #: 15115031
- Store Item Number (DPCI): 204-00-1313
- Made in the USA or Imported


text:
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text:
I have the following query, which is using Entity Framework.
Analytic firstSent = (from a in Repository.Query<Analytic>()
where a.EntityType == "Proposal" &&
a.EntityId == Program.ActiveProposal.Id &&
a.Marker == AnalyticMarker.EmailProposalUrl.ToString()
orderby a.TimestampUtc
select a).FirstOrDefault();
At run time, I get the following error:
LINQ to Entities does not recognize the method 'System.String ToString()' method, and this method cannot be translated into a store expression.
a.Marker is a string column, and
AnalyticMarker.EmailProposalUrl is an enum value, and I want to compare that column against the name of that enum.
I understand that the conversion from an enum to a string is not supported by SQL, but why won't it resolve the value of this string and then pass the resulting string to SQL? That should work just fine.