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Here's Culture24's regularly updated guide to the best exhibitions in London during 2016
© Tate
Paul Nash and the Pre-Raphaelite photographers at Tate BritainAt Tate Britain it's all in the concept for Conceptual Art in Britain (1964 – 1979) (until August 29) which features the work of key conceptualists including Keith Arnatt, Conrad Atkinson, Michael Craig-Martin, Hamish Fulton, Margaret Harrison, Susan Hiller, John Hilliard, Richard Long, David Tremlett and Stephen Willats – among many others.
And with the British heyday of conceptual art straddling the sixties and seventies, one of the highlights is surely Bruce Maclean, in a fine pair of flares, taking the piss out of plinth-based sculpture – years before the fourth plinth had ever even dreamed of.
The gallery follow up with Painting with Light: Art and Photography from the Pre-Raphaelites to the Modern Age (until September 26) which celebrates the "spirited conversation" between early photography and British art. A feast of sumptuous photographs and paintings from the Pre-Raphs, Aesthetic types and British Impressionists awaits you.
Meanwhile in the Duveen Galleries, The Tate Britain Commission 2016 sees Pablo Bronstein (until October 9) create a new work for the heart of the gallery, which fuses the Argentinian's love of architectural drawing with dance interventions. Later in the year it's business as usual as the Turner Prize Exhibition (September 27 2016 – January 2 2017) heads back home to London with the announcement of the winner on December 5.
Autumn sees one of Britain's greatest twentieth century painters return to the gallery for a major exhibition that will be one of several great painting shows in London in 2016.
Paul Nash (October 26 2016 – March 5 2017) will journey from his early symbolism through the iconic works of the First World War, the interwar period and his involvement with Surrealism and his post-war landscape series. A major show, about a major figure.
© Courtesy of the artist and Galerie Chantal Crousel, Paris © Photo Sébastien Normand
Georgia O'Keeffe and the new look Tate ModernOver the water at Tate Modern it's a truly whopping great year with new galleries and spaces effectively heralding a new Tate Modern. Created by world-leading architects Herzog & de Meuron, the new extension comes courtesy of the conversion of the old Switch House and will increase Tate Modern's display space by 60%.
The new look Tate Modern will be unveiled with a complete re-hang, presenting new international perspectives on modern and contemporary art on June 17 2016.
On the exhibition front the gallery starts off with a show all about marketing, art, self-promotion, identity and, inevitably, selfies. (until June 12) explores the relationship between photography and performance via the work of some big hitters like Cindy Sherman, Marcel Duchamp, Yves Klein and Yayoi Kusama.
Next up is the Beirut born, Palestinian, London-based artist Mona Hatoum (until August 21) – who gets a deserved major retrospective of her work which has evolved from performance and video to major installations and sculptures.
The major summer exhibition is Georgia O'Keeffe (July 6 – October 30), which promises to be an in-depth retrospective and the first "important solo institutional exhibition" of the Modernist artist's glowing landscapes and "feminizing" flower canvasses in the UK for a generation.
Alongside O'Keeffe, the gallery shows Bhupen Khakhar (June 1 – November 6) an exhibition of mutli-layered works by the late great Indian narrative painter who embraced tradition and experimentation in equal measure.
© Georgia O'Keeffe Museum. Gift of The Burnett Foundation © Georgia O'Keeffe Museum
The fascinating Afro-Cuban artist and global modernist Wilfredo Lam (September 14 2016 – January 8 2017) is the subject of the now customary EY Exhibition in the autumn.
Lam, whose work has many elements; East and West, Surrealism and tradition, Africa and the Caribbean, is best known for his polymorphic abstractions that effortlessly fuse Cubism and abstraction with Afro-Cuban religion and traditions. Developed with Centre Pompidou in Paris it will be the first museum exhibition of Lam's work in London since 1952.
Tate Modern sees out the year with a giant of 20th century post war art in one of its new spaces. Robert Rauschenberg (December 1 2016 – April 2 2017) will follow each chapter of the American artist's six-decade career with major works including "loans that rarely travel".
Among them will be the Combines; Rauchenberg's famous hybrids between painting and sculpture, as well as his graphic screenprints which signaled his early commitment to political activism.
© The National Gallery, London
Carravagio at the National - States of Mind at the WellcomeSpring at the National Gallery brings Dutch Flowers (until August 29) which celebrates flower paintings from Holland in the collection before an intriguing exhibition by the National Gallery's artist in residence, George Shaw, reveals the work he has produced (presumably using his customary Humbrol enamel) in response to the collection.
George Shaw: My Back to Nature (until October 30) draws on Shaw's own experience of walking in the forest near his home town as a teenager, with the feeling that "something out of the ordinary could happen at any time there, away from the supervision of adults".
The summer show, Painters' Paintings: From Freud to Van Dyck (June 22 – September 4), attempts to explore the connections between artists and the paintings they possessed. It takes its inspiration from works in the collection once owned by artists including Lucian Freud, Matisse, Degas, Lawrence, Reynolds, and Van Dyck.
For autumn Beyond Caravaggio (October 12 2016 – January 15 2017) looks at the way Caravaggio's work influenced his contemporaries and followers giving rise to the international movement known as 'Caravaggism'.
At The Barbican the first artist in 2016 to take a tilt at their famously curved art gallery, The Curve, is Pakistani artist Imaran Qureshi whose (until July 10) is a series of exquisite miniature paintings, drawing upon The Curve as a motif.
In the main art gallery (until June 19 2016) is a vibrant portrait of modern Britain seen through the lenses of international artists - wryly curated by Martin Parr.
For summer the Icelandic artist Ragnar Kjartansson (July 14 - September 4) offers up his performances, films and paintings for an emotional journey that swings playfully between romantic melancholy and light-heartedness.
Autumn in The Curve sees the immersive and mercurial installations of Bedwyr Williams (September 29 – January 8) occupy the space for what will undoubtedly be a characteristically oddball take on everyday life and the world at large.
Up in Kings Cross The Wellcome Collection's first new exhibition of 2016 is States of Mind: Tracing the Edges of Consciousness (until October 16) an intriguing look at the slippery subject of human consciousness and "the phenomena around its edges".
The Wellcome's early summer exhibition, This Is A Voice (until July 31) is an acoustic journey exploring the human voice through emotions, intonations and meaning with the help of a diverse range of artists ranging from Laurie Anderson and Marcus Coates to Meredith Monk and Henry Chopin.
Later this year, Bedlam: The asylum and beyond (September 15 2016 - January 15 2017) traces the rise and fall of the asylum through the lens of its proverbial home, Bethlem Royal Hospital. Patient art, contemporary artistic responses and archive material help tell the story.
© by Permission of the Trustees of Dulwich Picture Gallery, London
Shakespeare back from the dead at the British LibraryOver the road, The British Library's Shakespeare in Ten Acts (until September 6 ) marks the 400th anniversary of the Bard's death and casts new light on how he became the cultural icon he is today through ten key performances.
Expect diary entries, playbills, costumes, the only surviving play-script in Shakespeare's hand and one of only six authentic Shakespeare signatures, among the many treasures.
The art and science of maps are then the focus of 20th Century through Maps (November 4 2016 – March 1 2017), which includes Cold War, MOD maps re-imagining England as a post-nuclear battleground and Josef Goebbels' demographic maps of the USA - designed to see at a glance where there were significant concentrations of people with German-Austrian backgrounds.
The British Library is also a key location for the London-wide celebration of the 40 years of Punk, with Punk 1976-78 (May to September 2016) showcasing a range of fanzines, flyers, recordings and record sleeves from the British Library's collections alongside rare material from the Jon Savage Archive at Liverpool John Moores University.
Also look out for Utopia at the British Library (May 24 – October 2), a free display in the Sir John Ritblat Treasures Gallery exploring the history of Utopia, featuring an original first edition of the text and handwritten letters by Thomas More.
© RCP and John Chase
John Dee's Lost Library magically re-appearsStaying on the books theme, one of the most hotly anticipated exhibitions of the year is at the Royal College of Physicians where Scholar, courtier, magician: The lost library of John Dee (until July 29) is delving into the personal library of the Elizabethan courtier, mathematician, magician, astronomer, astrologer, imperialist, alchemist and spy. Complete with his magical accouterments and doodles.
There's another Shakespeare exhibition at Windsor Castle whose Shakespeare in the Royal Library (until January 1 2017) examines aspects of the playwright's life, work and influence, and celebrates his longstanding connection with Windsor and the royal court.
Down in the East End, The Whitechapel continues its exploration of the theme of technologies for the latest installment of their ongoing Artists' Film International programme featuring Eva and Franco Mattes whose Dark Content Episodes 1, 2, 3 (2015) is a series of videos about Internet content moderators. Tor Jørgen van Eijk also weighs in with some analogue computer feedback to create a a kind of dark techno rave backdrop film. (both until June 5)
Karin Sander, Igor Jesus and Igor Bošnjak (June 7 - August 7) then pick up the baton with a trio of filmworks including some arty, scratchy archive stuff and a Tarkovsky-esque topographical exploration of a single oil painting.
Summer brings the wildly colourful canvasses of Mary Heilmann: Looking at Pictures (June 8 - August 21) in which the Californian, New York based artist has added her trademark ceramic sculptures, chairs and even a film.
Alongside, the post minimalist light works of fellow American Keith Sonnier's Light Works (June 10 - September 11) will make for a refreshingly vibrant summer at the Whitechapel.
© Trustees of the British Museum. © The Estate of Winifred Knights
Winifred Knights in Dulwich - Botticelli at the CourtauldDulwich Picture Gallery has another great painting show lined up for the summer with Winifred Knights (1899-1947) (June 8 - September 18), which brings together the great paintings of one of the most original, pioneering British artists of the first half of the 20th century. The exhibition will reunite all her completed paintings for the first time since their creation, including the apocalyptic Modernist masterpiece The Deluge (1920).
While you're there Making Discoveries: Ruben's Ghost (until July 3) is the latest display to look beneath the paint, this time via a life-size X-ray of the Gallery's painting Venus, Mars and Cupid by the Flemish painter Peter Paul Rubens.
At The Courtauld Gallery, Regarding Trees (June 18 – September 25) display of drawings, ranging from the early sixteenth to the mid nineteenth centuries, explores artists' enduring fascination with the tree.
© Victorian Spiritualists' Union Melbourne, Australia
Georgiana Houghton's Spirit Drawings and The Rolling Stones
The big summer show is an intriguing one, featuring as it does the bold colours, fluid forms and dense rich patterns of Georgiana Houghton: Spirit Drawings (June 25 – September 25).
Whatever their inspiration they appear to anticipate the abstraction of early 20th century art by several decades.
Rodin's Dancers 1900 – 1917 (October 20 – January 22) sees out the year with the first major exhibition to explore Rodin's fascination with dance and bodies in extreme acrobatic poses and focuses on the series of small scale experimental sculptures known as the Dance Movements, which were found in the artist's studio after his death.
At the Saatchi Art Gallery, summer sees The Rolling Stones roll down High Street Ken and into the gallery for Exhibitionism (until September 4), which combines over 500 original Stones' artefacts, with "striking cinematic and interactive technologies" to offer the most comprehensive insight into the band's fascinating fifty year history.
Backed by Mick, Keef, Ronnie and Charlie, it features never-before-seen dressing room and backstage paraphernalia, rare instruments, original stage designs, iconic costumes, rare audio tracks and video footage as well as personal diaries, poster and album cover artwork.
© Archives Elle/HFA Courtesy of the Terence Donovan Archive
Judy Blame at the ICA - Terence Donovan at the Photographers' GalleryIn April Chinese artist Guan Xiao (b.1983) (April 20 – June 19) brings his sculpture and video exploring ways of seeing and their influenced by digital image circulation ti the gallery
During the Summer, the ICA presents the first solo exhibition with British stylist and accessories designer, Judy Blame (b.1960) (June 29 – September 11), revealing his distinct make-do-and-mend aesthetic that made him a key part of the Punk movement and subsequent 80s club scene, acknowledging him as one of the most influential designers today.
In September, the ICA presents a major solo exhibition by artist James Richards (b. 1983) (21 September 21 – November 20), recognising the significance of his unique approach to sound and video work amongst a generation of British artists.
Also worth checking at the ICA are the Fox reading Room displays, which includes
Detroit: City of Techno (26 July – 2 October) takes a studied look at Detroit in the late 1970s and 1980s and the musical and environmental influences behind its early experiments with techno.
South of the river, on the Peckham Road, the "elegant" South London Gallery has an intriguing summer show, Under the Same Sun: Art from Latin America Today (June 10 - September 4), which brings together highlights from the Guggenheim, New York's collection of recently acquired Latin American works, spanning installation, painting, performance, photography, sculpture, and video.
At The Photographers' Gallery, Terence Donovan, Speed of Light (July 15 - September 25) features the iconic photographer's classic and well-known vintage prints, rarely seen video works, magazine spreads, notes, sketches and photography gear.
© National Media Museum, Bradford
Fox Talbot at the Science Museum - Picasso at the NPGThe (until June 26) showcases the work of the four hopefuls, Laura El-Tantawy, Erik Kessels, Trevor Paglen and Tobias Zielony and Made You Look, Dandyism and Black Masculinity (Jul 15 - Sep 25 2016) is Ekow Eshun's exploration of photographers whose imagery depicts black masculinity as performance, play and invention.
In The Science Museum's Media Space, they are taking us back to the beginning with Fox Talbot: Dawn of the Photograph (until September 11), a major new exhibition about the photography pioneer William Henry Fox Talbot, drawing on one of the world's most comprehensive and important collections of his work.
In the Guildhall Art Gallery, they showcase the work of the City of London's photographer-in-residence since 2013, for Unseen City: Photos by Martin Parr (until July 31) as he captures the pomp, ceremony and unguarded moments in the City of London.
The National Portrait Gallery's (until June 26) is a once-in-a-lifetime opportunity to see a selection of masterpieces on loan from the State Tretyakov Gallery in Moscow focussing on the golden age of Russian artistic and literary production between 1867 and 1914.
William Eggleston, Portraits, (July 21 - October 23) features 100 works surveying the photographer's entire career from the 1960s to the present day and is the most comprehensive display of his portrait photography ever.
The big autumn show is Picasso Portraits (October 6 2016 – February 5 2017) a major exhibition of over eighty works focusing on Picasso's portrayal of family, friends and lovers.
© David Hockney. Photo, Richard Schmidt
Hockney back at the RA - Botticelli at the V&AA short hop away, The Royal Academy's (until June 15) is a focused survey of the Venetian Renaissance during the first decade of the sixteenth century with around 50 works by celebrated artists such as Giorgione, Titian, Giovanni Bellini, Sebastiano del Piombo and Lorenzo Lotto. The exhibition also considers the influence of Albrecht Dürer who visited Venice in 1505 – 6.
The RA's Hockney landscapes exhibition was one of the most talked about painting shows of 2012, and the great man returns in 2016 for David Hockney RA: 79 Portraits and 2 Still Lifes (July 2 – October 2). After immersing himself in the Yorkshire landscape Hockney took a rest from painting, returned to LA where he eventually rediscovered his passion for portraiture.
The show features his subjects – all friends, family and acquaintances – including office staff, fellow artists, curators and gallerists such as John Baldessari and Larry Gagosian. Each work is the same size, showing his sitter in the same chair, against the same vivid blue background and painted in the same time frame of three days.
If it provokes even a smidgen of the excitement caused by the landscapes show, it will be a smash.
Autumn at the RA ushers in an intriguing James Ensor exhibition curated by one of our foremost painters. Intrigue: James Ensor by Luc Tuymans (October 29 2016 – January 29 2017) features some of the 19th century Belgian painter's most theatrical, satirical and macabre paintings selected by his contemporary Belgian admirer.
Alongside, the RA takes a world view of one of the most New York of artistic movements, in Abstract Expressionism (September 24 2016 – January 2 2017), which features works by Kline, Pollock, Rothko, Newman, Still, de Kooning, Smith, Reinhardt and Gorky, as well as lesser-known – but no less influential – artists.
Beauty is the theme at The V&A whose (until July 3) explores the enduring impact of the Florentine painter Sandro Botticelli (1445-1510) from the Pre-Raphaelites to today.
Knickers at the V&A - Giacomo Manzù at the Estorick
© Paul Strand Archive, Aperture Foundation
y (until July 3) is a major retrospective of the work of American photographer and film maker, Paul Strand (1890-1976), and the first in the UK since the artist's death.
Undressed: A Brief History of Underwear (until March 12 2017) sees the V&A return to fashion for a show that promises to highlight its sensual, sexual appeal.
The exhibition explores dress reformers and designers who argued for the beauty of the natural body, as well as entrepreneurs, inventors and innovators who have played a critical role in the development of increasingly more effective and comfortable underwear.
In the autumn Opus Anglicanum: Masterpieces of English Medieval Embroidery (October 1 2016 – February 5 2017) looks at the art of luxurious English embroideries that were the hallmark of English craftsmen in the medieval period. As well as the exquisite craftsmanship of the pieces the exhibition will explore the world in which they were created.
And while the rest of London celebrates punk the V&A heads back to the previous decade for You Say You Want a Revolution: Records & Rebels 1966-70 (September 10 2016 – February 26 2017) a major exhibition examining the optimism, ideals and aspirations of the late 1960s, expressed through music, fashion, film, design and political activism.
At the Fashion and Textile Museum, Missoni Art Colour (until September 4) explores the creative process of Italian fashion house Missoni and the textiles of Ottavio and Rosita Missoni in the context of 20th century fine art.
At The Queen's Gallery, Buckingham Palace Scottish Artists 1750-1900: From Caledonia to the Continent (until October 9) brings together paintings, drawings and miniatures collected by monarchs from George III to Queen Victoria.
Maria Merian's Butterflies (until October 9) features the exquisite butterfly studies made by the German artist and entomologist Maria Sibylla Merian when, in 1699, she set sail for Suriname, in South America.
Portrait of the Artist (November 4 2016 - April 23 2017) showcases self-portraits by world-renowned artists including Rembrandt, Rubens, Artemisia Gentileschi, Lucian Freud and David Hockney together with images of artists by their friends, relatives and pupils, including the most reliable surviving likeness of Leonardo da Vinci by his student, Francesco Melzi.
Finally, 2016 has already been another vintage year at the Estorick Collection of Modern Italian Art in Camden, where The Experience of Colour Astrazione Oggettiva (until July 31 2016) reveals how, in the 1970s, a group of painters from Italy's northern Trentino region published their 'Manifesto of Objective Abstraction'.
As well as reacting against what they considered to be the superficiality of contemporary culture, Mauro Cappelletti, Diego Mazzonelli, Gianni Pellegrini, Aldo Schmid, Luigi Senesi and Giuseppe Wenter Marini came up with a disciplined yet abstract approach to colour and its optical and perceptual effects.
From August 2016 the Estorick and its gardens will undergo extensive renovation, reopening in January 2017.
Have we missed something? Leave a comment below.
Explore more of our regional guides:
The best exhibitions to see in the East of England in 2016
The best exhibitions to see in the Midlands in 2016
The best exhibitions to see in the North in 2016
The best exhibitions to see in Scotland in 2016
The best exhibitions to see in the South East in 2016
The best exhibitions to see in the South West in 2016
The best exhibitions to see in Wales in 2016


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Again, crap coding and still Useless!!!
Again, crap coding and still Useless!!!
Its funny when someone spams up things trying to make some kind of point when they can not get something to work. How about a post that states your problem in detail so someone could help you.
Seems to me if you are so upset as to post useless rants in support forums that a theme change might be in order. Saves everyone time.
Duplicate post too - http://wordpress.org/support/topic/theme-custom-community-crap-theme?replies=2
Reubz, knock it off. it's fine not to like things, and share that here, but these are support forums. If you're not going to be willing to engage in a discussion and attempt to find a solution for your woes, you're not going to be happy here.
This topic has been closed to new replies.


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StartUpHire is the place to find Sales jobs in and near Versailles. Review the list of Sales Versailles career opportunities to the left. These Sales jobs represent some of the most rewarding careers available.
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Location xRemote-Indiana - IN US (Primary) Education Bachelor's Degree Category Sales/Marketing Shift Type Standard Business Hours Employee Type Full-time Willingness to Travel 50-75% Interactions is changing the way leading companies communicate with their customers by6/12/2016 Indiana, IN Save This Job


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To The Editor:
Murder or not, there was no excuse for mobs destroying neighborhoods. Mob rule only discredits the group or race involved. No one will trust them for years to come. The death of Michael Brown was just an excuse for criminal activities, not a protest as the media tried to show.
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text: The food looked as though it had been sitting out for days and tasted just as bad. Half of the containers were empty and never refilled while we were there. Poor service, couldn't get refills of tea and it wasn't that busy. Asked for manager but none came to us. We saw employees standing around talking and laughing instead of... More


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Please watch.Posted: July 18, 2016 Filed under: Uncategorized 3 Comments
I'm 33% of the way toward being fully funded—an artist who earns her living wage from individuals who value her work, and not from corporations and institutions that serve the status quo. I ask you, if you've ever benefitted from anything you've read on this blog in the last eight years—
(the anti-résumé, posts on self-care in social media, gender in theatre, data in theatre, diversity in literature, my travels in Iran, how to travel to Iran, non-monogamy, finding an agent, parental death, mansplaining, romantic love, living in Belize, creative control, childlessness, work ethic, day jobs for artists, body image, branding while female, self-cutting, harassment, sexual harassment, how to get published, learning a new language, depression, what it's like to be at TED, discrimination in pop culture criticism, grief, writing practice, trans students at all-women colleges, living wage, self-doubt, new economic models, process porn, or hey, if you just came for the dresses!)
—then PLEASE WATCH THIS VIDEO.
In just under three minutes, it says everything I ever want to say about how economic models for artists are broken, how to fix them, my place in that equation, and YOUR place in that equation. Please watch. Please share. Please Patreon. I love this blog so much, but I can't continue to write it unless I start making a living wage for my work. And then—I promise!—I will get back to blogging about things that aren't Patreon😉 Thank you.
Patreon | Instagram | Twitter | Facebook | The Girl in the Road
A new model for publishing short fiction.Posted: July 11, 2016 Filed under: Uncategorized 4 Comments
Hey yall. I'd like to share with you the new model of short fiction publishing I'm developing.
As most of you know, I'm on Patreon. And recently I came up against a problem with my original model, where I only published via established markets: even though I was placing my work regularly at great places—TED, Tor.com, Kaaterskill Basin, The Magazine of Fantasy and Science Fiction, Outlook Springs—the publishing world didn't and couldn't move at the pace I wanted to write, or at a pace that resulted in a steady income, as was my aim. That was no individual's fault—it's just how the system works at present.
So I asked my patrons what they thought about self-publishing. They basically said, Go for it, as long as your stories are still vetted by an experienced editor. (Here are all the survey data, password: "melovedata.")
With my patrons' good will, then, I wrote to a handful of writers and editors to ask whether they were interested in the following model:
- Every 1-3 months, I send them a new story, and they receive a flat assessment fee just for looking at it (currently $25 apiece, paid out of my Patreon income).
- Those who are willing to edit it, with public credit and attribution, get back to me with some initial thoughts for how they'd shape the story.
- I choose an editor, send them a contract, and pay them a fee for their work (currently $125, also paid out of my Patreon income). The contract also includes 15% of all future income from that story, including film options.
- The finished story is exclusive to my patrons for a minimum of one month, after which it may be published elsewhere, like a traditional market or Kindle Singles.
And that's it. What's new about this model is that it puts the writer in control of the publishing model, instead of at its mercy. So far, it's gone beautifully. The editors I reached out to were gracious and game. My first self-published story will be out by the end of the month, available exclusively on my Patreon, edited by the award-winning novelist, short story writer, scholar, and editor Dr. Kat Howard. (I will say that it felt very strange to choose among such excellent suggestions from multiple editors; I hated saying no to anyone. Then again, this is exactly what editors have to do all the time, when faced with a pile of good stories and limited space.) Ideally, what I want is for multiple writers to go this route, which would then sustain a population of freelance editors, and these one-off pairings would then become eligible for awards, anthologies, etc., just like stories published in the traditional way.
So! If you find this model useful, copy it. Spread it far and wide. Let's see what happens.
Patreon | Instagram | Twitter | Facebook | The Girl in the Road
A list of work for which my patrons are paying me a salary in June and July.Posted: June 30, 2016 Filed under: Uncategorized 2 Comments
Here is the work for which my patrons have paid me a salary during the month of June. All of it would have gone almost or entirely unpaid, otherwise, and therefore, would not have been possible without their support.
- Ten thousand words of writing practice, otherwise known as morning pages.
- Writing morning pages in Spanish every Sunday, and so keeping up my skills until I can afford an immersion course.
- Two comprehensive revisions of The Nameless Days, the first of my novel trilogy set in Belize. The first volume takes place in the world of the ancient Maya, shortly after the collapse of the urban centers, and required enormous amounts of research.
- Preparing The Nameless Days for submission, including penning a summary of the whole trilogy, and making a schematic overview.
- Writing the script, making the posters for, and co-producing the Patreon video for my theatre company, Little Green Pig.
- Drawing up the Patreon budget, strategy, and projections for Little Green Pig.
- Three strategy meetings with Dana Marks, Managing Director of Little Green Pig, for our Patreon launch.
- Giving three interviews about Little Green Pig's Patreon launch.
- Giving an interview for my friend Julia Collins (aka Jeopardy Julia!)'s forthcoming podcast for teenaged women.
- Collaborating on a new model of short fiction publishing with a pool of freelance editors.
- Reading and giving feedback on a new novel manuscript for a fellow author.
- Advice to fellow artists on Patreon, crowdfunding, publishing, and economic models.
- Publicizing my story published on Tor.com, "Traumphysik," as well as the TED Ideas essay and the Forum Theatre season announcement.
- Writing 42 postcards to patrons, both at the $5 level (art postcard) and $2 (local postcard) level.
- Installing 100% more shelf space in my study to accommodate my research and reference library.
- Social media posts, read by ~14,000 readers across seven platforms, on artistic practice, living wages for artists, direct giving, gun violence, nationalism, feminism, gentrification, and self-care on social media.
- Twenty hours of exercise.
- Finishing Girls and Game of Thrones, both of which are not only entertaining but extremely useful to my writing.
- Two days off, during which I went out to lunch, walked in Eno River State Park, and read Sofia Samatar's The Winged Histories.
And here is the work I'm planning for the month of July (though with the novel on submission, all of this is subject to rearrangement). Again, for this work, I would otherwise receive no or almost no pay. Without my patrons, I would not be able to do this work.
- Ten thousand words of morning pages, with paginas en español every Sunday.
- Discussing sale and publication of my novel trilogy with acquiring editors at publishing houses (it's finally submission time!).
- Meeting with potential Patreon sponsors (small businesses, philanthropists) in Durham.
- Editing, making, and distribution of a new exclusive story to patrons entitled "A Very Canadian Birthday."
- A fair fee to a freelance editor for their work on "A Very Canadian Birthday."
- Revising my short story "Alexandria" for The Magazine of Fantasy and Science Fiction and my short story "Night Train to Madurai" for another editor who has requested it.
- Finishing a new short story about first contact with aliens, working title "Axis Naught."
- Collaborating on a photo series with a local photographer.
- Writing a series of essays on the future of theatre as an art form, tentatively titled Theatre as Hyperlocal, Theatre as Multivariate, and Theatre as Unhaveable.
- Coalition-building in Durham for support of Little Green Pig's Patreon campaign.
- Crunching statistics for Little Green Pig to prepare a handout for potential donors in Durham.
- Holding a private info session about Patreon for Little Green Pig company members.
- Holding a public info session about Patreon for the greater public on Durham's Third Friday Art Walk.
- Meeting with local artists to discuss the possibility of a Durham-wide Patreon network.
- Social media posts, read by ~14,000 readers across seven platforms.
- Taking my birthday off (July 13) to go kayak in Saxapahaw, eat Ethiopian food, and bring a huge sheet cake to my favorite bar.
To summarize: I am doing creative work and organizational work that current capitalist economic models do not monetize. I'm finding a way to monetize them, through Patreon. My patrons pay me a salary for this work, and in exchange, get exclusive stories, postcards, audiobooks, and insider accounts of my process. If you value the work I do, please consider joining! Thank you so much.
Patreon | Instagram | Twitter | Facebook | The Girl in the Road
Traumphysik.Posted: June 29, 2016 Filed under: Uncategorized Leave a comment
Gorgeous cover art by Keith Negley.
Friends: today I have a brand new story up on Tor.com, edited by the Hugo Award-winning Ann VanderMeer. It's about a brilliant young physicist stranded on a Pacific atoll during World War II…and what happens when she starts to chronicle the laws of motion in her dreams.
And if you like it and want to read more of my stories, join my Patreon—I have a new story dropping in just a couple weeks!
Patreon | Instagram | Twitter | Facebook | The Girl in the Road
Self-care on social media.Posted: June 9, 2016 Filed under: Uncategorized 9 Comments
I posted this on Facebook a few months ago, and wanted to repost it here, because I think it's extremely important, especially for women, people of color, and other persons often put in the position of having to explain or defend their life experiences: You can set your boundaries on social media. If people don't observe them, you have no obligation to engage them further. And if you want to borrow my words to make this clear to your own social media circles, feel free to quote me. Love.
"Since I've now lost two (male) friends who posted argumentative comments on my thread about Hillary, after I stated explicitly that I was not looking to engage in debate on it, then reiterated that point to them privately and respectfully after I deleted their comments, to which they responded badly, let's make something perfectly clear:
My page is not a public forum. It is my forum that happens to be in public. It is not a newspaper that needs to be "balanced." It does not owe anyone else space. Facebook currently does not allow posts with comments disabled; if it did, I'd have used that option for the latest post, as bloggers do all the time when they don't have the mental or emotional energy for debate. In the meantime, I have every right to curate threads—for whatever reason I want, because it's my space; but my overriding concern is protecting myself, my time, and my energy in a patriarchy that is hostile to women. This isn't some flippant thing I decided overnight. It's a conscious choice after years of dealing with men on demand, on their terms, for their edification.
So if I see a argumentative comment on a post where I've explicitly asked for no engagement, I don't read it, and it takes me half a second to delete it, regardless of content. Unfair? Censor-y? Whatever. I've seen women in public space burn out over and over because they feel obligated to give everyone their time, and are attacked when they don't. We can't afford more women burning out. Guess what: I choose to get back to my wonderful life instead of indulging you. I choose to be happy. A woman serving herself and her own needs is a radical act in our society, and it overrules your compulsion to express your pet digs. If you want to call it "censorship," be my guest, except that there are literally thousands of social media opportunities any person in the U.S. has to express their opinion, especially if they're white men. What you call censorship, I call curating a microcommunity that reflects a world I want to live in. One wherein—at the very least—when a woman states her boundaries, she is respected."
Patreon | Instagram | Twitter | Facebook | The Girl in the Road
How do artists make a living wage?Posted: May 25, 2016 Filed under: Uncategorized 2 Comments
The short answer is: they don't. I don't, and would like to. I write about the modern artist's dilemma, warts and all, in my new essay for TED, and what I'm doing to solve it. My new economic model is my Patreon. Come look! We're building the future o'er there.
Patreon| Instagram | Twitter | Facebook | The Girl in the Road
I got rejected from Juilliard in the final round. Here's my application essay.Posted: May 9, 2016 Filed under: Uncategorized 3 Comments
…and I'm not posting it to fault Juilliard somehow, but just because I believe in radical transparency about what an artist's life looks like. (See my anti-résumé for more on that.)
One of the reasons I wanted to go was to explore and enact the ideas I have about theatre. I think they're rare and bold and would transform the field. Juilliard has a Big Name that would have been really useful to me. They strongly encouraged me to reapply, which I appreciate. I'll see how I feel in a few months. Can I change the system from inside it or outside it? Inside or outside? This is a constant question for me. What doesn't change is the fact that the field is broken. (If you think it's all peachy as-is, go away. My work is not for you.)
So instead of relying on institutional permissions and platforms, I'm going to write my ideas down here, on my blog, in a three-part series over the next month or so. If you find merit in the ideas, please share them. If you want to work with me, get in touch.
But for starters, here's my Juilliard application essay, verbatim. It's a primer on everything I believe about theatre. Thank you for reading.
"Creation is my epistemology. I learn things by making them up.
Right now, I'm trying to learn what theatre does that no other art form does. Whatever it is, I think the vast majority of contemporary theatre doesn't do it.
What feels crucial to me is that the evolutionary root of theatre is ritual: the gestures, sounds, and practices that the earliest humans used to create sublime space in the midst of mundane space, to access the infinite through the finite.
In other words, the unique currency of ritual—and therefore theatre—is the live human body.
Because of that, the effect of good theatre is also most felt in the body. I call it the feeling of "radical presence," also called duende by Lorca. Sometimes I walk out of a show so full of energy that I have to burn it off by beating my fists on the wall or running around the block. I can name only a handful of times I've ever felt it—a performance at the Shi'a zurkhaneh in Yazd, Iran; a reading of Fixing King John in a theater lobby on a Sunday afternoon; a Catholic Mass on the island of Aitutaki; a retelling of Anne Frank in a condemned Durham garage. I came away wanting to scream. And I came away wanting to make theatre that makes people want to scream.
In contrast, the vast majority of theatre I've seen just produces glossy simulacra of radical presence. The priorities are safety and replicability. So I'm not interested. I'll just go watch a good film or television show, like most people do. I won't say U.S. theatre is dying as a whole, but I can and will say with confidence that because so much theater fails to do what only theatre can do, it's an art form now almost completely peripheral to the cultural mainstream.
But I think strong leadership can reverse that. And I want to be one of those leaders. That is part of my long-term plan as an artist.
To do that, I want to identify what makes theatre theatre, and no other art form, and championing that in everything I write for the medium. I want to do that at Juilliard. What I need now is structured mentorship from industry professionals, fellowship with other progressive-minded playwrights, access to like-minded leaders in the field, and opportunities to see as many shows as possible in New York.
I'm only applying to Juilliard. I want to attend for the reasons just mentioned, but also because, with Little Green Pig Theatrical Concern, I've been lucky to have written all my plays for a specific ensemble of actors. I firmly believe a playwright works best that way. I want to continue that at Juilliard and, more broadly, to build an intimate community of collaborators I trust in New York. That, too, is essential to my long-term plan as an artist and leader.
Thank you for your consideration."
Join my community of patrons!| Instagram | Twitter | Facebook | The Girl in the Road


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Ihave a hilux duelcab 4wd petrol, no brakes, I have bled front disks, checked the amount of pad on them. Tis ok, I have also adjusted rear drums as per guidelines. Still no brakes, I have no visible leaks anywhere. What can I do?
Friday, October 26th, 2012 AT 7:54 AM


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'Ready For War': 1,000 Police Officers Mobilized In Advance Of Grand Jury Ruling In Ferguson
CREDIT: AP Images
Missouri Governor Jay Nixon said that he will call the Missouri National Guard, should violence erupt after the grand jury decision in the case of Darren Wilson. During a press conference on Tuesday, Nixon also said that more than 1000 law enforcement officials have completed 5,000 hours of specialized training over the past two months, in preparation for the verdict, which will be announced any day now.
In addition to the use of the National Guard, three police agencies including St. Louis County Police, city police, and highway patrol will follow the same command, if Darren Wilson is not indicted and protesters take to the streets. Many departments have invested in new riot gear.
Nixon also said that law enforcement officials have been in talks with "churches, schools, [and] businesses" to "listen to people's concerns and develop strategies to specifically address them."
"These measures are not being taken because we believe violence will occur but because we have a responsibility to plan for any contingency," Nixon said during a press conference on Tuesday. "Violence will not be tolerated. Residents and businesses of this region will be protected."
He also explained that he wants to maintain public safety while allowing people to speak peacefully.
But members of the community are interpreting a different message. According to Michael Brown's cousin, Ty Pruitt, "The police are getting ready for war when they should be getting ready for a trial. That to me means they've already made their decision. We still feel terrible. Right now we feel about the same way we felt when [Brown] was lying dead in the middle of the street for four and a half hours."
Activist Ashley Yates of Millennial Activists United also expressed concerns with Nixon and his plan. "Until the governor chooses to truly address the systemic issues that the murder of Michael Brown brought to the surface for many Americans, no press release or commission board will truly help this community move forward from this tragedy."
Meanwhile, Brown's parents, Michael Brown Sr. and Lesley McSpadden, spoke before the U.N. Committee Against Torture on Tuesday, calling for global intervention in America's policing tactics. The couple asked a panel to recommend that "racial profiling and racially-biased police harassment across the jurisdictions surrounding Ferguson" stops, and for the Department of Justice to "conduct a nationwide investigation of systematic police brutality and harassment in black and brown communities, and youth in particular," adding that the "methodology and findings of this investigation must be made publicly available."
"Whatever the grand jury decides in Missouri will not bring Michael back," Brown said. "We also understand that what you decide here may save lives."


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Essex Agricultural Society
207 Boston Street, Route 1, Topsfield, MA 01983
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Located at the Topsfield Fair Grounds, enjoy activities throughout the year; celebrate the oldest running agricultural fair that takes place in early October.
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Continuing Education Credits (CEUs)
Continuing Education Credits
Amigos has been accredited as an Authorized Provider by the International Association for Continuing Education and Training (IACET), 1760 Old Meadow Road, Suite 500, McLean, VA 22102. In obtaining this approval, Amigos has demonstrated that it complies with the ANSI/IACET Standard which is widely recognized as the Standard of good practice internationally. As a result of their Authorized Provider accreditation status, Amigos is authorized to offer IACET CEUs for its programs that qualify under the ANSI/IACET Standard.
Each qualifying course will list the available number of IACET CEUs in the course description in the Amigos course catalog. For these qualifying courses, each learner who has met the completion criteria for the class will receive a certificate of completion listing both contact hours and CEUs. Contact hours reflect the actual in-class time and one CEU equals 10 hours of in-class time, minus any administrative time spent in class.
Amigos Library Services maintains the permanent record of CEUs earned for each learner who successfully completes a qualifying course. A computerized record is created and maintained once a learner registers for a course. For each course completed, the student's record will include:
- Student's name and numerical identifier
- Course title
- Date(s) of the course
- Number of CEU awarded
These records are kept for seven years.
Release of Learner's Records
All Amigos learners have the right to review their educational records. To request a copy of your individual educational record, submit a request form available at http://www.amigos.org/files/ceu_transcript_form.pdf. The form must be signed and sent to the Amigos registrar by mail, fax, or email. Within three weeks of receipt of your request, the Amigos Registrar will send your record including all courses for which you have registered and/or attended. Records are released only to the individual student.
Student Notification
Students who have not successfully met the requirements to earn the CEU will be notified by the registrar by e-mail within two weeks of the close of a class.
Please contact Chris Brown at Amigos, 1-800-843-8482, ext. 2843, or email@example.com, with any questions about Amigos' training.


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Meetings and Materials
2016-2017 Meetings:
More information coming soon
The HMS Academy Simulation Interest Group continues to serve as a resource to support simulation programming across the HMS community, and to provide a forum for collaboration across affiliated simulation centers.
The Student Simulation Interest Group (supported by the faculty Interest Group), maintained biweekly "on-demand" educational sessions for a group of approximately 100 students over the course of the year. These sessions continue to provide opportunities for senior students to develop as "teaching assistants" in support of simulation programming across pre-clinical courses.
Quarterly meetings continue as part of a city-wide simulation consortium, held in collaboration with CIMIT and the Center for Medical Simulation. This year also saw completion of the HMS Clinical Skills Center, which modernized and expanded on-campus simulation resources. Interest Group members remained active in publishing and peer-review of the simulation-based literature.
The Interest Group will continue to serve as a resource to support curricular reform. As part of that process, the group will work to complete a simulation needs analysis, with plans for design and testing of simulation-based "flipped classroom" activity. New faculty development programming will be formalized, including expanded teaching/support roles for Student Interest Group members.
05/04/2016 Meeting: Agenda
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To create and nurture a diverse community of the best people committed to leadership in alleviating human suffering caused by disease


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An Evening of Mexican Jazz and Tango - Eugenia Leon with La Camorra Quintet
* Additional fees apply. No coupon or promo codes necessary to enjoy the displayed discount price.
The last date listed for Eugenia Leon with La Camorra Quintet was Thursday September 2, 2010 / 8:00pm.
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Roaring Nights: L.A. Zoo's Adults-Only, After-Hours Summer Concert Series
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Featured review from Goldstar Member
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Very disappointed that Eugenia Leon cancelled her performance ... we drove from San Clemente to Long Beach in traffic, only to find out when we arrived @ the theater that Eugenia was not performing. We had no real choice, but to turn around & return to San Clemente or to stay & watch Son De Madera
( Eugenia's replacement ). We opted to stay ... they were AWESOME & we enjoyed them tremendously ! However, we feel that it was inexcusable on the part of Eugenia's management team or whomever was responsible for her visa to not arrange everything correctly & in a timely manner.
This was supposed to be a very special event for myself & my Mexican-born husband.
Eugenia León's style is sultry, sophisticated, and intimate. She has recorded 22 albums exploring the traditional music of México and Latin America, jazz and world music. Her most recent album, Pasional, spent months on México's top 40 charts.


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The same populations of brain cells encode memories that occur close together in time, according to new research.
Adjustable Brain Cells
February 18, 2016|
Neighboring neurons can manipulate astrocytes.
February 18, 2016|
Neighboring neurons can manipulate astrocytes.
February 17, 2016|
What does blood oxygen level–dependent functional magnetic resonance imaging actually tell us about brain activity?
February 17, 2016|
Simple versions of brain organoids could serve as new models for testing the effects of drugs, researchers reported at this year's AAAS meeting.
February 9, 2016|
Plants may trick bacteria into attacking before the microbial population reaches a critical size, allowing the plants to successfully defend the weak invasion.
February 3, 2016|
Scientists design diagnostics to improve the detection of current infections.
February 1, 2016|
Meet some of the people featured in the February 2016 issue of The Scientist.
February 1, 2016|
Companies make the antibodies, but it's up to you to make sure they work in your experiments.
February 1, 2016|
In yew trees, Taxol-producing fungi function as an immune system to ward off pathogens.
February 1, 2016|
Scientists perform plant-genome modifications on crops without using plasmids.
February 1, 2016|
Medication to prevent prematurity in humans harms cognitive flexibility in rats.


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Upcoming Courses
Bills of Lading and Carriage of Goods by Sea Act (COGSA)
Thursday 4th August, 9.30am - 4.00pm
£250 + VAT, per person - Limited Spaces
Dangerous Goods Awareness - Introductory
Thursday 18th August, 9.30am - 4.00pm
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Thursday 25th August, 9.30am - 1.00pm
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Dangerous Goods Awareness - Introductory
Thursday 22nd September, 9.30am - 4.00pm
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Trade Journal
Education Commitee
The following items were discussed during last nights meeting * HMRC change in priorities due to to BREXIT and with new timescales * Trade routes * Article 50 and how this may affect trade * Correct use of documentation in preparation for the transfer of AEO during 2019 If you would like to...
Customs UCC
UCC - LEGISLATION - THE NEXT STAGE IS THE WORK PROGRAMME BELOW WHICH WILL DEVELOP ELECTRONIC SYSTEMS The UCC LEGAL PACKAGE is composed of the following legal acts: THE UNION CUSTOMS CODE The Union Customs Code [1] (UCC) was adopted on 9 October 2013 as Regulation (EU) No 952/2013 of the European Parliament...
Shipping News
MSC POH LIN COCAINE SHIP ALLOWED TO LEAVE ITALY Mediterranean Shipping Company (MSC) has responded to news that an Italian captain onboard its vessel, MSC Poh Lin, has been arrested in Italy on suspicion of cocaine trafficking linked to the mafia. MSC Poh Lin arrived in Gioia Tauro from South America last week....
Transport TMCPC Exam Results
CONGRATULATIONS TO THE STUDENTS WHO HAVE PASSED THEIR TRANSPORT MANAGERS CPC EXAM. YOUR RESULTS ARE ON THE WAY TO YOU BY EMAIL! THE PASS RATE IS 75% ON ALL EXAMS TAKEN IN JUNE. The next exam date is Tuesday 9th July 2016. Felixstowe Trade and Enterprise College is a registered CILT(UK) centre (Chartered Institute...


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Synonyms of suitor in English:
2 the colonies became rival suitors for the location of the capital of the state
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High school football: San Juan still the team to beat in 2A South football
Most Popular
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In Sports
By James Edward, Deseret News
Published: Monday, July 30 2012 1:00 a.m. MDT
Throughout all of last season, San Juan looked like an unstoppable force poised for a third straight 2A state championship.
Kanab is gonna be a solid team in 2A this year. Jenson and Nielson have the
potential to make a lot of noise on offense. Stebbins anchors a big, strong O
line from his guard spot. They've also got two solid running backs that
look to put in some More..
DeseretNews.com encourages a civil dialogue among its readers. We welcome your thoughtful comments.
— About comments
James Edward is a sports writer at the Deseret News, serving as the prep editor and Real Salt Lake beat writer. A graduate of the University of Utah in 1998, he has been a full-time sports writer of the Deseret News since more ..


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Wolves' Adelman out for game against Hawks
Timberwolves coach Rick Adelman will miss Tuesday's game because of personal reasons.
By JOAN NIESENFS North
MINNEAPOLIS — Minnesota Timberwolves coach Rick Adelman will miss Tuesday's game against Atlanta in Minneapolis for personal reasons.
The coach was absent from Monday's practice and Tuesday's shootaround, and the announcement that he'd be absent Tuesday night came just three hours before tipoff. Assistant coach Terry Porter will serve as acting head coach. No word has been given as to when Adelman will rejoin the team; it will travel to Oklahoma City late Tuesday night after the game against the Hawks.
Porter has spent two full seasons and one partial season as a head coach. He led the Bucks to the playoffs in 2004 and then missed the postseason the next year before being released. In 2008-09, he coached the Suns for 51 games to a record of 28-23.
The Timberwolves sit at 15-15 under Adelman this season, having lost six of their past nine games. They face an Atlanta team coming off an 89-81 loss Saturday to Boston. The Hawks have lost three of their past four games.
Adelman missed one game last season, a Dec. 27 defeat in Milwaukee, to attend his mother-in-law's funeral.
Follow Joan Niesen on Twitter.


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by Tim Conkling
For: pc, mac, ios, android
about Tim Conkling
Recently-indie developer creating "Antihero", an asynchronous-multiplayer strategy game about running a thieves' guild.
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Victorian-Era Strategy Game 'Antihero' Lets You Stab, Sneak, and Steal Your Way to the Top, Next Year
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A Guildy Pleasure | Read It


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Last Friday, before leaving his office as Mayor of London, Boris Johnson opened London's new "Crossrail" Cycle Superhighways, as the new Mayor Sadiq Khan was declared that evening.
Cities of the Future
An op-ed by Mikael Colville-Andersen of Copenhagenize Design Company.
Cities of the Future
Traffic diverters can be designed as a hybrid of permeable greenways and woonerfs to make walking and biking easier, safer, and even more pleasant than driving.
Part bike, part car, part solar power, part human power - the Elf is a pedal-powered mini-car that just finished a "massively successful" Kickstarter drive and could be coming to a street near you very soon.
Fast Company Co.Exist
Maria Fernanda Cavalcanti, a resident of Brazil, writes that folding bicycles "...have been catching the attention of urban cyclists everywhere."
The National Capital Planning Commission invites the public to weigh-in on five proposals for improvements to the Ellipse, the large public park between White House and the National Mall.
Fast Company's Co.Design


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A long retaining wall is braced by wood shores set at an angle of 300 and supported by concrete thrust blocks, as shown in the first part of the figure. The shores are evenly spaced, 3 m apart.
For analysis purposes, the wall and shores are idealized as shown in the second part of the figure. Note that the base of the wall and both ends of the shores are assumed to be pinned. The pressure of the soil against the wall is assumed to be triangularly distributed, and the resultant force acting on a 3-meter length of the wall is F = 190 kN. If each shore has a 150 mm × 150 mm square cross section, what is the compressive stress σc in the shores?


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Self-Organized Origami Structures via Ion-Induced Plastic Strain
Ion processing of the reactive surface of a free-standing polycrystalline metal film induces a flow of atoms into grain boundaries, resulting in plastic deformation. A thorough experimental and theoretical analysis of this process is presented, along with the demonstration of novel engineering concepts for precisely controlled 3D assembly at micro- and nanoscopic scales.
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Most Popular
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By Sarah Thomas, Deseret News
Published: Tuesday, Aug. 20 2013 10:40 p.m. MDT
Here's an in-depth look at the Diamond Ranch Diamondbacks football team heading into the 2013 season.
"We did really well in summer league. This year, we have boys who are excited about football; they are ready to play."
Coach Robbie Dias
DeseretNews.com encourages a civil dialogue among its readers. We welcome your thoughtful comments.
— About comments


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Trade Lesson: Calculation Signals Valero Is A Short 0 commentsJan 29, 2013 12:55 PM
Calculating key levels is something only the best, elite traders and investors do accurately. Now it is available to the public. I have been teaching my members how to calculate master levels for years and they have become some of the most elite investors and traders in the world.
In this lesson, I will briefly go over the calculation for the Valero Energy Corporation (NYSE:VLO) chart. Before we get into that, VLO reported solid earnings today. As refining margins have soared, so have their profits. The stock is trading at $41.98, +3.17 (8.17%). The high of the day was $42.95. The high of the day is important, I will explain why shortly.
The way we will calculate the max move, master level on VLO is actually quite simple. First, if you are in the markets you must realize the markets have a natural symmetry to them. While the average investor looks at a chart and cannot make sense of it, a pro will always see a pattern emerge. A great example of the symmetry in the markets would be Fibonacci. Let's analyze the past history on Valero to dictate the current move.
On June 4th, 2012 Valero was trading at $20.00 per share. It started to run higher, never having a significant pull back until reaching a high of $34.36 on September 14th, 2012. This run was a massive move of $14.36. Once it hit that high, a solid pull back took place, taking the stock back down to $28.07.
On November 2nd, 2012 the next run started. As it blasted higher, many tried to short, all failed. How high would it go? When do you know the top is in? Here is the secret the retail investor wishes they knew. Remember, symmetry is key.
The Key: Take the same $14.36 from the first move and add it to the low starting point of the second move. This will map out where the stock will top out. If you add $14.36 to $28.07 you get $42.43. That level was hit today perfectly. The stock has already started to pull back. The top is in.
Please note the chart below. This lays it out perfectly.
Gareth Soloway
InTheMoneyStocksBack To InTheMoneyStocks' Instablog HomePage »
Instablogs are blogs which are instantly set up and networked within the Seeking Alpha community. Instablog posts are not selected, edited or screened by Seeking Alpha editors, in contrast to contributors' articles.Full index of posts »
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Draft and Trade Talk Message Board
Team A gets: J.Verlander & M.Holliday
Team B gets: I.Davis, M.Trumbo, Y.Darvish
Anybody got a problem with a veto here?Sort: Newest | Oldest | Most Replied Expand all replies
I would not veto the trade it is to early in the season to do so.
Ultimate WarriMURR Ultimate WarriMURR Apr 3, 2012 10:08 PM Flag
Fuck the OP! Fuck, fuck... FUCK the OP!
If it's a public league.. NO VETO
If it's a private league.. VETO
- 1 Reply to Bobby
public league....
No Veto- Yu can be CY Young this yr/ who knows???
And maybe Dice K???
This thread is funny, op makes a thread to try and justify a stupid unnessary veto, someone from his league brings up a even more ridiculously one sided trade in the commissioner's favor, he doesn't deny the trade happened, he goes on to make up shit and be butt frustrated that no one agrees with him. Put all your players on the bench, exit that league.
League ID#: 55745
League Name: League 2
Password: baseball
Custom League URL: http://baseball.fantasysports.yahoo.com/league/fantasybaseball20122
here is what i know about the league... feel free to look
Darvish is owned in 90+% of leagues, Ike Davis is owned in 70-80%, Trumbo is owned in roughly 60%.
I say shit I don't mean all the time when doing trades, its called strategy.
First of all, who are you? 2nd of all, I didn't draft a guy way ahead of where he should have been drafted then a week later say he was lucky last year and trade him away for 2 guys that are only owned in 45% of yahoo leagues!
Just so everybody here knows, the guy complaining about this trade made this trade a week ago:
He gets: Prince Fielder, Martin Prado, and Aaron Crow
He gives up: Billy Butler, Ryan Madson, and Jim Johnson
but since he's the commissioner he approved it before anyone saw....practice what you preach douche.
- 2 Replies to Spencer
Oh wow. Now THAT should be vetoed, no question, I would walk out if that doesn't get reversed.
dude....if thats true then hes right!
Erik Archer Erik Archer Apr 3, 2012 7:56 PM Flag
I wouldn't veto because Darvish could be dank, Holliday has stunk during the first two months going on three seasons now, and all the smarties know that Ike and Trumbo are going to be more valuable than their draft price. It's fair value for Verlander.
- View More Messages
Expert Fantasy Advice
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Receivers lead the way atop Brandon Funston's initial rankings heading into the start of training camps. … More »
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Mostly MLB Notes: Talking Encarnacion and a look around the league
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"We are young/heartache to heartache."
Nobody knows about young love, and young heartbreak, better than the characters on Glee. Which is why it's so shocking that the Fox musical comedy has not yet covered Pat Benatar's iconic hit "Love Is a Battlefield."
15 bubble shows: Which will survive?
Thankfully, that wrong will be made right on Tuesday's new episode (8/7c, Fox) when Kurt (Chris Colfer) and Blaine (Darren Criss) perform the tune, and we've got your first listen to their angsty and awesome rendition. But why is "Klaine" singing such a sad love song? The engaged couple will be "tested," as the name of the episode hints, when Blaine puts on the freshman 15. (It happens to the best of us, buddy!)
Listen to the track now and tune in to Glee to see whether Kurt and Blaine will also bust out some of Benatar's iconic dance moves from the music video:
Glee airs on Tuesdays at 8/7c on Fox and don't forget to check out gleethemusic.com.
View original Exclusive Glee First Listen: Kurt and Blaine Cover Pat Benatar's "Love Is a Battlefield" at TVGuide.com
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With all the talk about mergers and buyouts this lil bit of info hits kinda close to home as the title of Microsoft is shutting down ensemble studios the age of empires dev studio right after of all titles Halo wars hits stores shelves.Some may ask why this is important to me andsers are simple a) Im from Dallas so this is a local industry hit. B) I know a few artists there and from what it sounds like MGS wants to engulf ensemble's artists like all the others I am happy that a friend made the jump in time. Many are forming a new studio to .C) Im a game art major over at collin county in Plano tx so less job opens since the dev studio closes. These kinda things amy mean the new studio could end up in cali or washington this is not a problem for me alone talented students form utd guild hall and art inst looking for local jobs are effected.(Realises he over hyped c. But the tx film and visual fx community has been trying to bring people and studios in for a while. Sure rich Perry is a moron ill grant u that i didnt vote for him and he just "got" into office you shouldnt let him effect your views for the film and viusal effects board. Worst speaker ever for something like e3. Sry off track. Heard he got bad reivews to lil Rofl.)
I get this filling Micorsoft is scared over its own OS beatting it in game sells which is kinda lame microsoft is still making money due to vista sells on the PC platform. If this is the future of deals with publishers mainly ms many more dev studios looking to publish their hard work may end up like this as a part of these kinda of ventures. Not trying to Blow a horn or fanboyism but I just find it funny how this kinda thing happesn around gearbox drama with halo 4 rumpors going around. My best wishes to the dev team and their families working there during this project.
heres the links to the articles you may find interesting:


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text:
, Volume 168, Issue 1, pp 593-600
First online:
Mechanisms of carbon and nutrient release and retention in beech forest gaps
- Rainer BrummeAffiliated withForest Ecosystem Research Centre, University of Göttingen, Institute of Soil Science and Forest Nutrition
Rent the article at a discountRent now
* Final gross prices may vary according to local VAT.Get Access
Fluxes of CO2 and N2O were measured along a microclimatic gradient stretching from the centre of a gap into a mature beech stand using an automated chamber method. Simultaneously the regulating factors like soil water tensions, soil temperatures, nitrate concentrations were measured along the gradient. The daily mean values of the fluxes of CO2 and N2O were divided into classes of temperature and furthermore subdivided into classes of soil water tension to assess the significance of each regulating factor.
Soil respiration at the centre of the gap was 40% lower compared to the rooted mature stand. The difference was explained by root respiration. At both sites soil respiration was primarily controlled by the soil temperature with an average Q10 value of 2.3 over the different classes of temperature and soil water tension. Soil water tension reduced the soil respiration by up to 20% only by soil water tension above 400–600 hPa at the mature stand. The formation of N2O was reduced when the soil temperature was below 10°C or the soil water tension exceeded 200 hPa. Therefore the N2O emission was 6 times higher at the unrooted centre of the gap due to the high moisture content in the growing season. Higher nitrate concentration doubled the N2O emission at the unrooted edge of the canopy and resulted in losses of 6.4 kg N ha-1 within six months. Above 10°C and below 200 hPa the N2O emission depended strongly upon the temperature with varying Q10 values over the different classes of temperature and soil water tension. High Q10 values up to 14.4 have been calculated below 14°C and were explained by several processes with synergetic effects.
Key wordsCO2 emission gaps N2O emission Q10 values root respiration temperate beech forest
Reference tools
- Title
- Mechanisms of carbon and nutrient release and retention in beech forest gaps
- Journal
Plant and Soil
Volume 168-169, Issue 1 , pp 593-600
- Cover Date
- 1995-01
- Print ISSN
- Online ISSN
- 1573-5036
- Publisher
- Kluwer Academic Publishers
- Additional Links
- Topics
- Keywords
- CO2 emission
- gaps
- N2O emission
- Q10 values
- root respiration
- temperate beech forest
- Industry Sectors
- Authors
- Rainer Brumme (1)
- Author Affiliations
- 1. Forest Ecosystem Research Centre, University of Göttingen, Institute of Soil Science and Forest Nutrition, Büsgenweg 2, 37077, Göttingen, Germany


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This paper describes an algorithmic development for the design of stable infinite impulse response (IIR) digital filters with equiripple passbands and peak-constrained least-squares stopbands. Central to the development is a re-formulation of the design problem as an iterative quadratic programming problem where the stability and equiripple passbands and peak-constrained requirements are met by imposing a system of linear inequality constraints while the LSS property is satisfied by minimizing a weighted least-squares type objective function
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Effortlessly Stylish Holidays
Advertising Agency: BJL, Manchester, UK
Creative Directors: Gary Fawcett, Lisa Nichols
Art Director: Gary Fawcett
Copywriter: David Forster
Photographer: Tim Bret-Day
6 comments
Gorgeous photography, but whats going on with her leg? Motion blur, unecessary...
love the photograhy and art direction. however, all the models look really bored. elegantly bored mind you, but bored all the same. as a traveller seeking a great holiday, i want to know i'm going to have fun. not pay exhorbitent amounts of money to be bored, but look good. i can do that right here. wait, i am doing that right now.
this proves yet again that mere fancy photography cn never save such debacles, which lack a basic idea!
btw, where's her reflection in d water?
~ old habits die hard, older ones never do ~