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Adding text, bar, and stroke
Adding text, bar, and stroke
Yet again, here I am in Firefox. In this exercise, we're going to build this graphic right here, complete with tiny little photograph, text bar and stroke. I just want to make sure you know how to put these kinds of graphics together. So I'll go and switch back to Photoshop. I've saved out the smaller version of the images, 590x260 photo.tiff, found inside your 12_for_Web folder. I've also got this other image opened right here called 590x280 with text.psd, found inside that same folder.
All it contains is the text and nothing more. When you open it up, you are going to get this familiar text warning, because once again, I've use Rotis for this text. But all you need to do is click OK. We're not going to be editing the text. It's going to look just fine when we're done. All right, so we need to move one photo into the other. I'm going to do that by grabbing my Move tool this time around, because I want to make sure that the image snaps in the place properly. I...
Adding text, bar, and stroke provides you with in-depth training on Design. Taught by Deke McClelland as part of the Photoshop CS5 One-on-One: Fundamentals
- Subjects:
- Design Photography
- Software:
- Photoshop
- Author:
- Deke McClelland
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Tuesday's NYRR Open Runs in Brooklyn Bridge Park and Silver Lake Park are cancelled. Check out our warm-weather running tips.
I am a sucker for the Olympics. How could you not want to watch athletes who trained their entire lives for this one moment? Who dedicated every waking hour to achieve the perfect triple axle, or for Shaun White to go for his third Olympic medal? Their dedication, the struggles and sacrifices of their families, and their striving for perfection to their craft is mindboggling.
As you prepare for your big moment on March 16, think of Derrick and his Olympic moment. Think of the kids in our programs who have so little in life yet deserve so much. Think of all the training and dedication and hard work you have put into this one day. And rejoice. Rejoice because you are helping these kids have a better life and rejoice because you are running 13.1 miles to your own Olympic victory.
2016 TCS New York City Marathon Training Gear, and more on sale at our online store!

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Armed nomadic herdsmen are now posing a deadlier threat to Nigerians than any terrorist group.
The situation is murky, but it is certain that al-Shabab remains undefeated and is still a real threat, not just to Somalia, but to the region as a whole.
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If you were "The Nobody"... What would you do? Are there any offers out there to the Nobody? Where does he go if he wanted to emerge?
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If I were the Nobody I believe I'd have to do much of the learning on my own, inside. It would be hard to trust anyone or anyone's knowledge. Hence I would not look for any secret society or anything like that. If possible, I'd pick info from some of those, just what I need, it would reach my eyes and hands if I needed to learn it.
I'd have to be quite careful to what is coming from 'their' machine and what comes from the 'source' machine.
I'd try my best to be one with the flow. I would be careful exposing myself to others.
Basically, I'd follow my own plan as I uncover all the puzzle pieces.
I'd pray. I'd know. I'd meditate if it was appropriate. I'd do my best to help. I'd work not to get frustrated when I can't do what I wanted to do, or thought I wanted to do.
I'd wait. I'd have patience. I'd try to know the best time. -flow baptism-
But most importantly, I'd have fun while doing what should be done.
well said sir... well said... he does need to work on paitence... just cause something says you were paitaint before you were, doesnt mean you are now... its hard for him...
as far as going with the flow, that is fun for the nobody... he generally does this. And has fun making jokes about everything and himself too.
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An epic space opera film series created by George Lucas. Use this tag when asking questions about Star Wars. If you're asking about a particular movie, also tag the question with the tag for that movie (for example [a-new-hope] or [the-empire-strikes-back] etc)
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Was the plan ever for Chewbacca to speak English (or Galactic Basic)?
On various making-of specials and DVD/BR extras you can find footage from the set of the original Star Wars movies where Chewbacca speaks English. I'm not sure but it may be just Peter Mayhew in the ...
116 views
Only the Sith deal in absolutes?
This is a pretty well known quote from the Star Wars movies. But isn't it a bit paradoxical? It in itself is an absolute, and it was said by a Jedi (Obi-Wan if I recall correctly?). If this holds ...
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Was the twist in The Empire Strikes Back leaked to the public before the movie's release?
There has been an unprecedented amount of leaks available for the latest Star Wars movie, The Force Awakens, including spoilers for all the twists and plot points. This made me think of The Empire ...


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Baristanet is a network of local news sites covering seven towns in New Jersey.
Baristanet was founded in 2004 by Debbie Galant and Liz George as a site on their town of Montclair, N.J.. It was one of the first successful startup local news blogs.
In July 2010 the site expanded to cover three other New Jersey towns as The New York Times ended its local blogging initiative there. As of 2011, the site had four full-time employees, a number of part-time staff and other contributors. Galant left the site in 2012 to teach journalism.
The site was profitable by late 2005 through local classified and display advertising.
Baristanet has partnered with the Newark Star-Ledger to produce a print guide to Montclair.
In 2006, Baristanet created a map of local housing teardowns using a Google Maps API and uses SeeClickFix to create maps of local issues. The site also helps run a parenting-oriented site called Barista Kids, a partnership with another local site.
EveryBlock is a site owned by Comcast that collects and sorts local news data and hosts community conversation on a block-by-block level. The site ran from 2008 to 2013 — owned most of that time by msnbc.com — before closing and being relaunched in 2014 by Comcast. The site was launched in 2008 by Chicago-based journalist and developer Adrian…


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The median home value in Chino, CA is $424,444.
This is
higher than
the county median home value of $224,900.
The national median home value is $177,414.
The average price of homes sold in Chino, CA is $424,444.
Approximately 66.04% of Chino homes are owned,
compared to 26.65% rented, while
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Chino real estate listings include condos, townhomes, and single family homes for sale.
Commercial properties are also available.
If you see a property you're interested in, contact a Chino real estate agent to arrange a tour today!
Learn more about Chino Real Estate.
Real Living Pacific Realty
27281 Las Ramblas
Mission Viejo, CA 92691
Email Us | Visit our Real Estate Website


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Articles tagged kingsley
18 Feb 2010 // 9:08 PM
A haunted-house spooker mixed with an obsessed-detective noir, Shutter Island is not a great film. But that doesn't mean it isn't one of Scorsese's best, and one to be remembered.READ more
//Mixed media
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"The symbols that the artifact in Spirits of Xanadu uses are esoteric -- at least for the average Western gamer. It is Chinese culture reflected back at us through the lens of alien understanding.READ the article


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Tracing Requests
Updated: August 22, 2005
Applies To: Windows Server 2003, Windows Server 2003 R2, Windows Server 2003 with SP1
In Windows Server 2003 (Service Pack 1 or later) IIS includes the following tracing features. These features leverage the Event Tracing for Windows (ETW) infrastructure.
IIS Currently-Executing Requests Tracing: This tracing feature provides general statistics and details about all requests executing on the server at the moment tracing was started. If the CPU on your server is spiking or if requests become unresponsive, currently-executing requests tracing can help you understand which URL is being requested, which application pool the URL resides in, and other similar details. This feature does not include the option to specify which components or URLs to trace. For more detailed information, see Currently Executing Requests Tracing.
IIS Request-Based Tracing: This tracing feature tracks HTTP requests in IIS components. Request-based tracing can help you target the IIS component processing a request when the request failed or became unresponsive. Request-based tracing allows you to define either a specific URL or a group of URLs to trace. Request-based tracing events can be viewed in real time, but the feature can return a substantial amount of data (depending on server traffic), so it is much more practical to view the data in a trace log. For more detailed information about request-based tracing, see IIS Request-Based Tracing.
This section includes the following information:
How to Create a Provider File for Request-Based Tracing: Describes how to create a simple text file that defines which IIS components to trace and how much data tracing should return.
How to Trace Requests in IIS: Describes how to trace various IIS components, called providers, using IIS request-based tracing.
How to Trace Requests for a Specific URL or Set of URLs: Describes how to trace requests for a specific URL or set of URLs using request-based tracing.
How to Trace All Requests Currently Executing in IIS Worker Processes: Describes how to trace requests that are executing inside an IIS worker process using the currently-executing requests tracing command-line feature.
How to Trace Requests Using the Performance Logs and Alerts MMC: Describes how to use the Performance Logs and Alerts MMC to trace IIS providers on demand or according to a schedule.
How to Process and View Trace Log Files: Describes how to process and view trace log data using Log Parser 2.2 and the DumpTraceReqs.js sample script.


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Category Archives: Mojito
Winter Classic
Winter Classic
Here's a fruity, spiced medley of crisp raspberry, soft oak-aged Canadian whisky, tart lemon and fiery ginger to warm your winter nights.
1 oz Canadian Club Classic 12 year
½ oz Bols Cherry Brandy liqueur
4-5 fresh raspberries
1 oz fresh lemon juice
Top with ginger beer
Garnish with a lemon wedge
Place the raspberries in a mixing glass and muddle until raspberries have been broken apart. Add a scoop of ice and pour in all ingredients except for the ginger beer. Shake until well mixed and chilled. Double strain into a glass with new ice. Top with ginger beer and place garnish on the rim.
Double-straining involves using a Hawthorne strainer (the one with the spring) and a fine strainer.
Canadian Club Classic is aged 12 years in oak barrels, which imparts the spirit with mellow wood flavours.
Coconut Mojito
Cruzan Coconut Mojito
Today is National Mojito Day! Perfect timing with summer heat is in full swing, there is no better time to sit back and relax with a minty mojito. Combining classic mint with sweet coconut, this refreshing mojito will be sure to help you see why the mojito is so celebrated.
1oz Cruzan Aged Light Rum
1/2oz Cruzan Coconut Rum
8-10 Mint Leaves
2 Lime Wedges
1 tsp Sugar
Top with Coconut Water
Garnish with a Mint Sprig
Muddle Mint, Lime & Sugar, top with Rums and ice. Shake 2 times to mix. Add Coconut Soda/Water to top up. Place garnish on rim and enjoy!
Anastasia's Garden
Anastasia's Garden
A new year is nearly upon us, which is a good time to celebrate with a brilliantly refreshing cocktail, Anastasia's Garden. Flavours of sweet strawberries and fragrant basil combine with premium vodka and some carbonation to dance on your tongue. Pressing refresh never tasted so good.
1oz Russian Standard vodka
4 basil leaves
3 ripe strawberries
3oz soda (or champagne)
Garnish with a basil leaf
Cut the tops off the strawberries and place directly into a glass. Give the basil leaves a smack to awaken them and place on top of the strawberries. Muddle until the berries are all pressed. Fill with ice and pour in the vodka. Top with soda or champagne and stir gently. Place a basil leaf or sprig for garnish. Enjoy!
The carbonation not only gives your taste buds some fun, it also helps release the fresh fruit and herb aromas.
If using a champagne, choose a dry or Brut champagne. Another substitution is sparkling white wine
Ginger Mojito
Ginger Mojito
Spice up your summer cocktail experience with the Ginger Mojito. Sweet rum and sour lime go great with fresh mint and a spicy hint of ginger.
2 ginger slices
6 mint leaves
3 lime wedges
2 oz. Brugal Anejo Rum
Top with ginger ale
Mint leaves and ginger slice for garnish
In a mixing glass, place lime wedges, ginger slices and mint leaves. Press with a muddle to release the oils and juices. Add ice and pour in Brugal Anejo Rum. Shake to mix and chill, then pour into a glass. Add more ice and top with ginger ale. Finish with a garnish of a mint leaf and ginger slice on the rim.
Feeling like it needs more spice? Add more ginger slices or substitute ginger beer for the ginger ale.
Desire something a little on the sweeter side? Add a half ounce of simple syrup.
Using an aged rum like Brugal Anejo adds more flavour to your mojito than a white rum.
Silver Berry cocktail
Silver Berry
If your only experience with tequila is in a shot glass with salt and a lime wedge, you're missing out. Fresh agave tequila mixed with ripe strawberry and raspberry, balanced with a hint of lime, creates a refreshing drink. Even if you're not a tequila fan, cocktails with tequila can change your mind.
1 oz. Sauza Silver Tequila
1/2 oz. Triple Sec Liqueur
1 ripe strawberry
1 raspberry
2 lime wedges
Lime wheel fruit flag garnish
Cut a large strawberry in half and place in a glass along with a raspberry and lime wedges. Muddle until all ingredients have been pressed.
Add ice, pour in Sauza Tequila and Triple Sec. Shake to mix and strain into a glass with new ice.
Garnish with a fruit flag.
To make a fruit flag, cut a lime slice and place a cherry in the middle. Pin together with a cocktail pick.
When using fresh fruits it is important to make sure they are ripe and full of flavour. If you happen to buy fruit that isn't juicy, you may need to add more to achieve the same flavour profile.
Micah welcomes bartending questions or comments by email at email@example.com
For more cocktails visit askmybartender.com
Follow on Twitter: 2askmybartender
Read more: http://www.theprovince.com/life/Cocktail+week+berry+good+tequila/6674563/story.html#ixzz1w7VQaWjW
Coco Mojito
Relax and refresh with a light tropical flavoured mojito. Fresh mint, lime citrus and coconut create this cocktail that's not too sugary sweet. It's perfect for those warm sunny days to come!
2 oz. Cruzan coconut rum
½ oz. simple syrup
6 mint leaves
2-3 lime wedges
3 oz. coconut water
Sprig of mint for garnish
Muddle limes, mint, and simple syrup. Add crushed ice and pour into Cruzan coconut rum. Stir to mix ingredients. Add more crushed ice and top with coconut water. Garnish with mint sprig.
Simple syrup is made with equal parts of sugar and water.
Cruzan coconut rum is naturally flavoured so the tropical taste is enhanced by mixing in coconut water.
Crushed ice is nice in mojitos because it helps to keep the fresh muddled ingredients in the lower portion of the glass.


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|59 reviews in total
To venture a remake of Clouzot's "Les Diaboliques" (1955) -- a film
that needed no remake in the first place -- only one thing was crucial:
a very creative filmmaker with a very personal style, so as to put away
comparisons with the classic French film. Someone like Kubrick, Von
Trier, Amenábar, Chabrol, Jeunet...
Instead we have Chechik's ludicrous, inept direction, making the experienced crew's efforts simply bomb: the cinematography is flat, the music is predictable, the script is stale, the pace is sloooow, and he manages to withdraw bad performances from EVERYONE in the cast, including the usually reliable Kathy Bates, besides achieving the incredible feat of making Isabelle Adjani look like she's just escaped from Madame Tussaud's, and cruelly exposing the unmistakably limited talents of Sharon Stone (who manages to look like a dominatrix in the role of a Catholic school teacher!!) and Chazz Palminteri.
When a film is THIS bad, considering the names involved and the amount of money spent, it's really an insult to everyone, most of all to the audience (of course). After this bomb, you'd think Hollywood directors would just leave classic thrillers alone -- but Gus Van Sant went on to commit the catastrophic remake of "Psycho".... Don't waste your time - just don't watch it, especially if you are a fan of the original film or of the stars!!! My vote: since IMDb doesn't allow zeroes, 1/10 is more than it deserves.
Oscar Wilde was one of the great wits of his age, but he was allegedly
not averse to appropriating other people's bons mots. It is said that
after his friend and rival James Whistler had made a particularly
apposite remark, Wilde sighed and said "I wish I had said that!".
Whistler's reply was "You will, Oscar, you will". The American film
industry has a similar attitude to other people's films to the one that
Wilde had to other people's conversation. When the European-
particularly the British or French- film industry comes up with a
particularly admired film, Hollywood gives a collective sigh and says
"We wish we had made that!" You will, Hollywood, you will!
Recent years have seen a glut of remakes of European films, but, admittedly, the results of this creative plagiarism are by no means always bad. The plot of "Sommersby" may have been blatantly lifted from "Le Retour de Martin Guerre", but it is still a good film in its own right. Moreover, I was one of those who thought that Luc Besson's "Nikita" did not lose much in translation when it was remade as the Bridget Fonda vehicle "The Assassin". Sometimes, however, Hollywood manages to come up with a remake that is so inferior to its original model that the two films do not deserve to be mentioned in the same breath. "Diabolique" is a case in point.
Henri-Georges Clouzot's "Les Diaboliques" was one of the classic thrillers of the fifties, as good as the best of Hitchcock's work. Jeremiah Chechik's remake borrows the same basic plot of the original, but transfers it from 1950s France to 1990s America. At the centre is the sadistic headmaster of a private school, a man who brutally mistreats not only the boys in his care but also his wife and even his beautiful mistress. The wife and mistress,tired of his mistreatment, plot together to murder him and to dispose of his body in the filthy school swimming pool, but when the pool is later drained the body has disappeared. As in the original, there is a sudden, surprise twist at the end. Chechik also, however,introduces elements that were not in Clouzot's film. The wife, Mia, here becomes a former nun, who has renounced her vows after losing her faith, but is still haunted by guilt. There is a suggestion of a lesbian relationship between Mia and the mistress, Nicole. Chechik also introduces a major character, in the form of a female detective, with no equivalent in the original film.
"Diabolique" has come in for some sharp criticism, largely because it is a remake of a classic. It is a mediocre film rather than a horrendously bad one, and if we did not have its famous predecessor to compare it with, it would doubtless be seen as just another banal and unsuccessful crime thriller. Nevertheless, I think that the criticism it has attracted is justified. Chechik must have known that one of the perils of remaking a film is that your work will be weighed in the balance against the original, and woe betide you if it is found wanting. And, compared with Clouzot's, Chechik's film is wanting indeed. He lacks the French director's sense of pacing and ability to convey suspense, with the result that his film is slow-moving where the original was brisk and flabby where the original was taut.
I was also disappointed by the acting. Isabelle Adjani can be a fine actress in her own language, as she showed in "La Reine Margot", but I have not been impressed with her in English-language films, and here her character never came to life. Sharon Stone was slightly better as the hard-bitten, sluttish Nicole, but this was not really one of her better performances and did nothing to alter my view that she has not always chosen the best vehicles in which to show off her talents. Chazz Palminteri's headmaster was almost too unpleasant to be believable, and Kathy Bates seemed wasted as the detective. Watching Clouzot's film I was glued to the screen with anticipation as I wondered how the film would end; watching Chechik's, my attention was rather glued to my watch as I wondered when it would end. 4/10
Poor Isabelle Adjani. She is one of the most beautiful women in the world
and one of the finest actresses alive.(See "The Story of Adele H" for proof
of both of these claims.) Yet somehow her agent (or whoever is responsible
for these horrible decisions) keeps casting her in the worst American films
he can possibly find. Did somebody say "Ishtar?"
The American version of "Diabolique" is a perfect example of how Hollywood can ruin a classic film. The original 1955 French film is a subtle, fun, nail-biting mystery that builds to a wonderful ending. In this silly remake, director Jeremiah Chechik takes out the fun and subtlety, throws in some nudity, then "builds" to that same, tired "bad guy trying to kill the good guy" ending we have seen a million times before. Please!
If and when Isabelle Adjani is cast in a decent American movie, she will become the biggest star in the world. Until then, our loss is France's gain.
Known primarily for light Comedy Features Jeremiah Chechik thought of a
change-of-pace and adapted for his third entry into directing the famous
novel "Celle Qui N'etait Pas" by Pierre Boileau and Thomas Narcejac, which
also served as model for the French Crime-Classic LES DIABOLIQUES from
by Henri-Georges Clouzot. With an interesting cast of four fine character
actors in the leading roles and a budget of 30 million dollars in his
Chechik came up with a uneven, slow-moving, pale and glossy Thriller about
tyrannical school-master who is drowned by his long-suffering wife and
mistress and thrown into the School Pool, but strangely disappears. Before
the film's release there were much rumours about creative differences
between the director and Miss Sharon Stone, the latter one aiming for a
black comedy and Chechik shaping a crime movie on his own. Well, both
You can hardly judge a movie by its trailer, because sometimes the latter one can be much better than the movie it is promoting. Take for example DIABOLIQUE: The first moving pictures I saw from it were very stylish and appealing, like the drunken Palminteri, the Whiskey-Glass falling down in slow-motion, the out-of-the-water-perspective-shot of Palminteri looking at the two women who pull his head into the water etc. etc. etc.
But finally watching the film was hugely disappointing. I think I wouldn't have been that dissatisfied hadn't I seen the perfectly structured original just a couple of months ago on TV. Jeremiah Chechik & Co. turned the brilliantly structured and genuinely haunting thriller into a stupid, below-average Hollywood thriller that relies too much on its star power.
Hey, our teacher is lying naked on the floor! The film begins with a little boy (Adam Hann-Byrd) looking one rainy night through his bedroom window into the opposite bathroom window of his naked teacher Miss Mia (Isabelle Adjani) who suddenly has a heart attack and fells on the floor. Shocked he runs out of his accommodation into the other to save her (or maybe to see the chick naked... yeah!). Meanwhile Mias husband Guy (Chazz Palminteri), the principal of the boarding-school, comes into the bathroom looking at her without any reaction. Then his mistress and her colleague Nicole (Sharon Stone) shows off and gives her the medicaments to stop the pains. Okay, that's the situation. Guy is an emotionless, sadistic bad guy of the highest order, who to the viewer's surprise can keep his wife and mistress under control. But the sensible, heart-troubled Mia is fed up with him and so is her cool, cynical friend, colleague and rival in one named Nicole. They both decide to kill him and make it appear like he drowned himself.
Hey, our teacher is killing her husband! Mia and Nicole leave for the school holidays and move into a apartment, where Guy shows off depressed about Mias decision of getting divorced. She gives him something to drink with narcotics in it. After Guy is drowned by both women they put the dead body into a big case, drive it back to school and throw it into the school pool. But the next day, when the pool is cleaned the body's missing...
Jeremiah's Genre Vacation. Chechik was already a acclaimed and award-winning director of commercials and music clips when he entered the film business making his way through the Chevy-Chase-Comedy NATIONAL LAMPOON'S CHRISTMAS VACATION (1989), the audience-friendly Romantic Comedy BENNY & JOON (1993) starring Johnny Depp and Mary Stuart Masterson and the Fantasy-Comedy TALL TALE (1995) with Patrick Swayze. So far, so... acceptable, but how could he think of helming the US remake of a French classic that was almost perfect in its own rights and couldn't be topped or even reached. So the comparison between Clouzots and Chechiks interpretations of the same story is inevitable. Chechik focuses very much on the stylish visuals and atmosphere of his film pushing it sometimes to a kind of gothic nightmare placed in a old, shadow-filled, dark boarding-school, cool-as-ice-light filter on the actors, especially dead-cold Sharon Stone, and good art direction, made even more accessible by unsubtle slow-motion scenes and unusual camera angles. But these things don't make the already highly suspenseful story any better or worse. Surprisingly Clouzots tight creation of the not-so-wealthy-boarding-school with its dark gaits is far more effective. Clouzots visuals don't harm the story nor the excellent cast, so that every detail of the clever plot and the intriguing characters could be fleshed out. That's focused storytelling at its best with every single frame fitting into the story. But Chechik doesn't seem do care about pacing or character development and focuses on stupid plot details to make it logical for "stupid" American audiences, which weighs down the whole film, especially in the unbelievably bad third act. Add to that a mediocre mystery-score by Edelman and you will fall asleep halfway through. In the end Chechik is in the wrong genre, whether it is a black comedy or a thriller.
Catherine Tramell without a ice-pick and Queen Margot without a crone. The teaming of Sex symbol Sharon Stone, who just had turned through her excellent work in Martin Scorseses epic gangster movie CASINO into a Oscar-nominated, serious actress, and internationally popular Isabelle Adjani, a versatile and talented performer, looks attracting on the paper, but not onscreen. Miss Stone does her Catherine-Tramell-routine from her most famous film BASIC INSTINCT (1991) in the role of Nicole, who in the original was played by the beautiful Simone Signoret. Stone is cool, cynical, calculating, clever and bitchy, but doesn't appear nude. So Isabelle Adjani has to do that job. While Stone's performance as bitch dressed in tasteless clothes and smoking lady-like is so broad that it's almost great fun, Adjani is a huge disappointment looking as ugly as she never looked before with her black hair hanging down in front of her face like big curtains and her face incredibly pale and in terms of acting disastrous. What a waste of beauty and talent! But she should be used to this kind of treatment by Hollywood after forget-about-appearances in Walter Hills THE DRIVER (1978) and Elaine Mays flop ISHTAR (1987). In the original Clouzots real-life-wife Vera excels as sensible beauty who slowly gets crazy and frightened. Add to this unhappy pairing of good actresses some other wasted performers like Chazz Palminteri, who after doing the intense-as-usual a**hole-routine turns into a stupid Michael-Myers-copy, and Kathy Bates, who is to a certain degree solid fun, and useless appearances by Adam Hann-Byrd (LITTLE MAN TATE, 1991), Spading Gray (SWIMMING TO CAMBODIA, 1987) and Allen Garfield (THE STATE OF THE THINGS, 1982).
Adaptation equals creative death. Don Roos who scripted the race-relation-drama LOVE FIELD (1992) starring Michelle Pfeiffer and the sexy thriller SINGLE WHITE FEMALE (1992) took on the task of updating Clouzots flawless and tight script. The best thing he could have done was to note some costume, setting and dialect changes into the original script and hand it over to the director, but that - sadly - isn't the way Hollywood does its adaptations of European movies. So what we get here are too many subplots weighing down the actual plot, like for example a filmmaker-couple who are ordered to make a commercial for the school, some fine ideas like turning the Columbo-lookalike-detective from the original into a clever, ironical heavy-set Ex-Detective suffering from breast cancer, and finally one of the worst finales to be found in any film of the decade. It's neither thrilling nor funny, just increasingly stupid.
A tyrannical school principal terrorizes his fragile wife with heart
and his cynical mistress as well (both are teachers in the couple's private
school). The two women plot to kill him, but after the murder their plan
starts to fall through. The body disappears, then more and more signs
apparent to prove: he is alive.
The real mystery is why anyone had to remake a classic French thriller that was imitated so many times before, why it had to be done so terribly, cast so wrongly and acted in such unsubtle way - and why anyone on earth should care the whole stuff.
This movie is worse than bad. The credits do not include the fact that it is based on the wonderful earlier version, from 1954, or the book it was based on- and maybe it's just for the best. A terrible movie; the most unsubtle movie I ever saw. And somehow, the beautiful Isabel Adjani doesn't look so good in English. The plot in this version isn't realistic, the ending is pathetic, the twists are shallow. This movie deserves all the bad words in the English language. I gave it a 1, which it deserves only for Adjani's clothes. One of the worst movies of 1996, perhaps of all time.
*** This review may contain spoilers ***
The classic French thriller Diabolique has a sturdy story, which is one
reason why it is a target for remakes. The film was remade for American
television twice - first as Reflections of Murder (featuring Tuesday
Weld, Joan Hackett and Sam Waterston) and later as House of Secrets
(with Melissa Gilbert and Bruce Boxleitner). To be honest, both of
those remakes are certainly interesting to watch, if lacking in the
suspense and novelty of the original. Reflections is fairly faithful to
its parent, while House of Secrets maintains the bare bones of the
storyline and throws in a different setting and some elements of
voodoo. If you have not seen the original, the enjoyment level of both
those films will be elevated.
The same cannot be said for the first dunderheaded attempt to cinematically remake the French classic for American audiences. Keeping the original name, story and setting would seem a step in the right direction, but the film fails due to some incredibly foolish choices.
The action takes place at a private boys prep school overseen by the hateful Chazz Palminteri. In between stealing funds from the school, Palminteri enjoys subjecting wife Isabelle Adjani - who suffers from a weak heart - to assorted cruelties. In his spare time, he engages in S&M with ice queen blond teacher Sharon Stone. The two women - tired of his abuse - decide to murder him, drop his body in the disgustingly filthy school pool and make it appear that he drowned in a drunken accident. Naturally, nothing goes according to plan.
The best thing about this film is probably the casting of Sharon Stone in the role made famous by French actress Simone Signoret. If anyone embodies some of the same cunning and sensuality of Signoret from the original in a modern actress, it would be Stone. Unfortunately, the screenplay and everything around her fails to support her in any way.
The changes made to the screenplay are not improvements. While a remake need not be slavishly faithful to the original, it should not completely go off the beaten path the way that this film does, particularly in its finale. The shock twist ending of the original may no longer be fresh, but the shaggy dog pseudo-feminist tilt tacked on to this latest effort seems to come completely from left field and is a blatant misfire.
If Stone was an inspired choice, the remainder of the cast is less so. Isabelle Adjani, looking puffy and listless, is completely underwhelming as the abused wife. At no point does she engage our sympathy and she often seems entirely too lacking in energy to be remotely terrified. This may well be the most laid-back "frightened" performance one has ever seen on celluloid.
Kathy Bates shows up as a detective investigating Palmineri's disappearance and driving the women to distraction. Her performance is immensely enjoyable and she seems to be having a good time. As a cancer survivor, she gets to crack completely inappropriate jokes and attempts to lay the groundwork for the "we're all sisters under the skin" meme that creeps into the film's finale. Unfortunately, her character and performance belongs in a completely different (and one would argue better) film.
And the casting of Chazz Palminteri as the abusive schoolmaster is a disaster. Palminteri, providing the same performance here as he does in his guise of the reliable Mafia hit man roles in which he specializes, is laughably miscast. As tough as he comes off, Adjani could arguably physically match him and Stone could step on him without blinking twice. Not only that, but we have to believe that there was something that attracted these two attractive women to him and kept them in his orbit when they could easily have moved on. Palminteri, resembling a large trout, and playing a man with the charisma of a barracuda, seems an impossible prospect for these women. We have to believe that one lovely woman would fall for him (much less two) and no gigantic leap of faith can make this happen.
Director Jeremiah Chechik has absolutely no idea how to maintain suspense or an atmosphere of foreboding. The scene shifts are klutzy and obvious. The pacing is often laborious, which allows the viewer time to mull over the complexities of the plots and double-crosses played out before us and realize how absurd the entire scenario truly is - something that the original (as well as its TV remakes) never allowed the viewer time to contemplate. This material needs a skilled hand, but what is provided is a clumsy sledgehammer.
The original is noted especially for its shock ending. This remake seems initially to be going for the same thing and then suddenly backtracks - with remorseless characters suddenly developing consciences and people conducting themselves in ways not previously indicated in their respective behavior. By the time all of the leads end up in a watery fight, one realizes what a foolish level to which the film has sunk. One is sternly advised to locate either the original French classic or one of its TV counterparts before descending to this entry.
Diabolique (1996) Sharon Stone, Isabelle Adjani, Chazz Palminteri, Kathy Bates, Spalding Gray, Shirley Knight, D: Jeremiah S. Chechik. Revamped version of the 1955 French thriller, with Palimenteri as a tyrannical boys-school headmaster done in by the joined forces of his mousy wife (Adjani) and icy blonde mistress (Stone) in a murder plot they wrongfully assume is foolproof. First-rate performers can't serve justice to this diabolical debacle, which doesn't start off too bad, then goes astray. This unspeakably bad rip-off trashes the classic original with too many `oh, come on' moments, ridiculous red herrings and twists of its own, and a finale right out of a slasher flick. Bates is even gone to waste as a retired detective who's investigating the case `for something to do'. Running Time: 107 minutes and rated R for nudity and sexual content, violence, and some language. * ½
I saw that 'Diabolique' was showing on a cable movie channel, and I had
heard great things about it, and so I was prepared to be impressed and
intrigued, and to improve my 'cultural literacy' in the process.
Instead, what I got was a draggy, lifeless 'film noir' remake with Sharon Stone and Chazz Palmintieri. The frustrating thing about the movie was that it was JUST GOOD ENOUGH and kept JUST ENOUGH of the elements of the original plot to make me hope that things would improve somehow. So I kept watching it. But it never did.
I am not Sharon Stone's biggest fan, but I acknowledge that she gave a compelling performance in "Casino", and that very few actresses past or present could have played her role better. (Joan Crawford or Betty Davis, maybe). And she's a black hole of bitterness and anger here -somehow sexually inviting and repellent at the same time. That doesn't make for comfortable viewing. There's the same problem with the lesbian undercurrents between the wife and the mistress - it ought to be titillating or erotic, but it's just stale and nasty. And Chazz Palmintieri is a great character actor( see 'The Usual Suspects' or "Bullets Over Broadway"), but the character he plays is such a flat-out son-of-a-bitch that you really don't want to watch him.
But the real the problem with the film is that they were going for dread and suspense, but the pacing and rhythms of each of the individual scenes was way off - empty and interminable. So the viewer wound up feeling dread and BOREDOM instead. That doesn't make for 'recommended film viewing'.
I still hope to seek out the original one of these days, so at least the remake didn't spoil anything. And some one else might like this version just fine on its own merits, depending on how big a Stone fan they are (it is really her movie - her character drives the events in the plot).
Guy Baran (Chazz Palminteri) is the dean of an old school inherited by
his wife, the teacher Mia Baran (Isabelle Adjani) that has heart
disease. Guy is an abusive husband and has a love affair with his
mistress Nicole Horner (Sharon Stone), who is a school teacher in the
same school. One day, Nicole and Mia plot a scheme to murder Guy and
Mia spikes his whiskey and he faints. Then Nicole and Mia drown him in
the bathtub and dump his body in the swimming school. Then Nicole dumps
her keys in the swimming pool expecting that the school janitor finds
him when he drains the pool. However there is no body in the pool and
Nicole and Mia believe that someone knows the truth. When the snoopy
retired Detective Shirley Vogel (Kathy Bates) investigates the
disappearance, Mia freaks out and is near to destroy their alibi. What
might have happened to the body of Guy Baran?
"Diabolique" is a poor and unnecessary American remake of a 1955 French classic directed by Henri-Georges Clouzot. The director Jeremiah S. Chechik succeeds not only in destroying the story and the atmosphere of the original film with clichés and a boring slow pace, but also in wasting a great cast with names such as Sharon Stone, Isabelle Adjani, Chazz Palminteri and Kathy Bates. Isabelle Adjani, for example, looks like a moron and not a fragile wife. The conclusion is a mess. My vote is three.
Title (Brazil): "Diabolique"
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Final Fantasy VIII
The game that keeps going, and going, and going...By Kyle Turner Score:
Jan 23, 2005 10:55AM PST
The side quests are redundant and far too numerous. to the point that probably at least one disk worth of data overall can be contributed to side quests, many of which you'll never know are an option if you don't read a walkthough and spoil the story.
Oh right, the story. Did I meantion the game is four disks long? Unless you plan to sit in one place and play this thing for a couple dozen hours at one time (not counting sidequests ;), you'll never be able to follow the convoluted plot through four didke, spereate story arcs and character groups, seperate timelines, across the globe, and into space. Yes, space.
What remained of the original gameplay formula, the early bits of the story, and Square's beautiful CG cut scenes are the only saving graces in thise game, and you won't see enough of any of them in the third and fourth disks. Sometimes it seems like Square likes to make long games just to make long games. This is one that should've ended in disk two, after the FIRST climax and plot resolution. Little did I know there would be several more...
See all Final Fantasy VIII Reviews >


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Seasalt and Pepper brings upscale Mediterranean seafood to the Miami River
Go for the views and the swanky setting, stay for the fresh seafood.
The who: Hospitality vet Stephane Dupoux (Nikki Beach, Pearl, Buddha Bar Resorts) teams up with Carlos Miranda and chef Alfredo Alvarez (Giacosa) to open Seasalt and Pepper, an upscale spot on the Miami River.
The space: A two-building complex on the Miami River with warehouse-like windows that give the dining room an indoor-outdoor feel. The space was once Howard Hughes' seaplane hangar and has original rigging intact.
Indoors has an upscale nautical vibe with porthole windows, ropes, a navy and white color scheme and a striking chandelier-style piece by artist Carlos Betancourt combining a copper fish, oars, a trophy, a chair and spears.
The dock: Spans 250 feet with an additional space across the river. The restaurant plans to use a Venetian gondola to ferry guests who dock their rides on the other bank.
Celebs: Beyonce, Jay-Z, Ryan Philippe and the Estefans have already stopped by.
The dishes: Seafood-focused Mediterranean. Prices are high with starters $12-$18 and mains $24-$48.
Dinner starts with puffy, fresh-baked pita and segues to small plates like octopus tenders and radicchio stuffed with goat cheese. Larger dishes include capellini with bottarga, anchovies and white asparagus; lobster risotto; and homey wood-fired Alaskan black cod and chicken casseroles.
Desserts include orange blossom pavlova with passion fruit curd and the Seasalt PB & J with ricotta cheesecake and peanut butter crunch.
The bottom line: Go for the views and the swanky setting, stay for the fresh seafood.
More Information
Seasalt and Pepper
422 NW N River Dr, Miami
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- 4 new Miami restaurants to try in June
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- Where to find fast, healthy Mediterranean street food


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Special Summer Offer: 4 for 3 — Buy any 4 items, get the lowest priced item FREE! · For a limited time only!
Plant Silhouette by Dave Brullmann
Plant life Mini Mural Mini Wall Mural, 175cm x 115cm View all Wall Murals…
175cm x 115cm (69" x 45") Mini Wall Mural
Plant Photography Mini Mural: Silhouetted plant images such as this have been popular for a while now, but the image on this Dave Brullmann mini mural is particularly exquisite. In fresh, natural green tones set against a white background, the delicate branches and leaves of the plants can be clearly seen in beautiful detail. A more neutral alternative to feminine flowers, this mini mural looks stunning and creates a great focal point on the wall.
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Striae Distensae
- Author: Samer Alaiti, MD, RVT, RPVI, FACP; Chief Editor: William D James, MD more...
Striae distensae, a common skin condition, do not cause any significant medical problem; however, striae can be of significant distress to those affected. They represent linear dermal scars accompanied by epidermal atrophy.
See the image below.
Striae distensae affect skin that is subjected to continuous and progressive stretching; increased stress is placed on the connective tissue due to increased size of the various parts of the body. It occurs on the abdomen and the breasts of pregnant women, on the shoulders of body builders, in adolescents undergoing their growth spurt, and in individuals who are overweight.
Factors leading to the development of striae have not been fully elucidated. Striae distensae are a reflection of "breaks" in the connective tissue. Skin distension may lead to excessive mast cell degranulation with subsequent damage of collagen and elastin.[1] Prolonged use of oral or topical corticosteroids or Cushing syndrome (increased adrenal cortical activity) leads to the development of striae. Genetic factors could certainly play a role, although this is not fully understood.
In a letter to the editor of the Journal of Investigative Dermatology, Tung et al conducted genome-wide association analysis and found evidence that implicates elastic microfibrils in the development of nonsyndromic striae distensae.[2]
Approximately 90% of pregnant women, 70% of adolescent females, and 40% of adolescent males (many of whom participate in sports) have stretch marks.
Stretch marks affect persons of all races.
Striae affect women more commonly than men.
Stretch marks affect adolescents, pregnant women, and patients with excessive adrenal cortical activity.
Striae distensae are usually a cosmetic problem; however, if extensive, they may tear and ulcerate when an accident or excessive stretching occurs.
Adolescents with striae can expect their striae to be less visible with time.
Treatment with tretinoin, flashlamp pulsed dye laser, and chemical peels significantly improves the clinical appearance of early, active stretch marks.
Sheu HM, Yu HS, Chang CH. Mast cell degranulation and elastolysis in the early stage of striae distensae. J Cutan Pathol. 1991 Dec. 18(6):410-6. [Medline].
Tung JY, Kiefer AK, Mullins M, Francke U, Eriksson N. Genome-wide association analysis implicates elastic microfibrils in the development of nonsyndromic striae distensae. J Invest Dermatol. 2013 Nov. 133(11):2628-31. [Medline].
Kang S, Kim KJ, Griffiths CE, Wong TY, Talwar HS, Fisher GJ, et al. Topical tretinoin (retinoic acid) improves early stretch marks. Arch Dermatol. May 1996. 132(5):519-26. [Medline].
Goldfarb MT, Ellis CN, Weiss JS, Voorhees JJ. Topical tretinoin therapy: its use in photoaged skin. J Am Acad Dermatol. 1989 Sep. 21(3 Pt 2):645-50. [Medline].
Kligman A. Topical tretinoin: indications, safety, and effectiveness. Cutis. 1987 Jun. 39(6):486-8. [Medline].
Al-Himdani S, Ud-Din S, Gilmore S, Bayat A. Striae distensae: A comprehensive review and evidence-based evaluation of prophylaxis and treatment. Br J Dermatol. 2013 Oct 11. [Medline].
Goldberg DJ, Marmur ES, Schmults C, et al. Histologic and ultrastructural analysis of ultraviolet B laser and light source treatment of leukoderma in striae distensae. Dermatolog Surg. 2005. 31(4):385-7. [Medline].
Fox JL. Pulse dye laser eliminates stretch marks. Cosmetic Dermatology. 1997. 10:51-2.
Jimenez GP, Flores F, Berman B, Gunja-Smith Z. Treatment of striae rubra with the 585-nm pulsed-dye laser. Dermatol Surg. 2003. 29(4):362-5. [Medline].
McDaniel DH, Ash K, Zukowski M. Treatment of stretch marks with the 585-nm flashlamp-pumped pulsed dye laser. Dermatol Surg. 1996 Apr. 22(4):332-7. [Medline].
McDaniel DH. Laser therapy of stretch marks. Dermatol Clin. 2002. 20:67-76. [Medline].
Suh DH, Chang KY, Son HC, Ryu JH, Lee SJ, Song KY. Radiofrequency and 585-nm pulsed dye laser treatment of striae distensae: a report of 37 Asian patients. Dermatol Surg. Jan 2007. 33(1):29-34. [Medline].
Goldman A, Rossato F, Prati C. Stretch marks: treatment using the 1,064 nm Nd:YAG. laser. Dermatol Surg. May 2008. 34(5):686-91.
Hernandez-Perez E, Colombo-Charrier E, Valencia-Ibiett E. Intense pulsed light in the treatment of striae distensae. Dermatol Surg. 2002. 28(12):1124-30. [Medline].
Kim BJ, Lee DH, Kim MN, Song KY, Cho WI, Lee CK, et al. Fractional photothermolysis for the treatment of striae distensae in Asian skin. Am J Clin Dermatol. 2008. 9(1):33-7.
Alexiades-Armenaka M, Sarnoff D, Gotkin R, Sadick N. Multi-center clinical study and review of fractional ablative CO2 laser resurfacing for the treatment of rhytides, photoaging, scars and striae. J Drugs Dermatol. 2011 Apr. 10(4):352-62. [Medline].
Naein FF, Soghrati M. Fractional CO2 laser as an effective modality in treatment of striae alba in skin types III and IV. J Res Med Sci. 2012 Oct. 17(10):928-33. [Medline].
Lee SE, Kim JH, Lee SJ, Lee JE, Kang JM, Kim YK. Treatment of striae distensae using an ablative 10,600-nm carbon dioxide fractional laser: a retrospective review of 27 participants. Dermatol Surg. 2010 Nov. 36(11):1683-90. [Medline].
Yang YJ, Lee GY. Treatment of Striae Distensae with Nonablative Fractional Laser versus Ablative CO(2) Fractional Laser: A Randomized Controlled Trial. Ann Dermatol. 2011 Nov. 23(4):481-9. [Medline].
Ryu HW, Kim SA, Jung HR, Ryoo YW, Lee KS, Cho JW. Clinical improvement of striae distensae in Korean patients using a combination of fractionated microneedle radiofrequency and fractional carbon dioxide laser. Dermatol Surg. 2013 Oct. 39(10):1452-8. [Medline].
Obagi ZE, Obagi S, Alaiti S, Stevens MB. TCA-based blue peel: a standardized procedure with depth control. Dermatol Surg. 1999 Oct. 25(10):773-80. [Medline].


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Crazy Substitute Teachers
Enjoy, NG4.02 / 5.00 958 Views
Vacuum Salesman
This dude and his Megazord vacuum cleaner3.97 / 5.00 2,259 Views
Markiplier Animated | Mark Of The Survey Corps
This took far too long to make...3.96 / 5.00 2,517 Views
Very excelent!
that one was wiked.
will there be a 000002?
Hmm, maybe, thanks
Just as I thought....
....all your other stuff is good and thanks to Phil Collins you can "wear my hat"! 5
God damn...
That was astounding. Danny, once again your work amazes me. Graphics and humor seem to be your expertise.. Remember theres a spot on parodyguys for your flash work anyday. Keep up the good work!!
Great Flash!!!!! All I have to say is that was funny, crazy, and outstanding off to watch part 2!!!!! Good Job!!!!!
But still pretty good! Although it lacks much of a storyline, the plot waqs still interesting enough in it's self. The animation was smooth with an excellent style that puts most animes to shame. Very loveable characters and great matching sounds/music. I was surprised that the Savior Model 000001 died at the end, but it was still kinda funny. I have viewed the sequels to this already, but I didn't appreciate them as much as this. Still, I expect great things from you in the future. Good luck with your future animations!


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Sword of the Valiant - The Legend of Sir Gawain and the Green Knight
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Unfortunately, most of the movie is unremarkable, to say the least. O'Keefe is an acceptable Gawain and you couldn't ask for a better actor to play the Green Knight than Connery, but the lackluster script and direction, combined with what must have been a sorry budget, doom their efforts and those of everyone else involved in the film. Sets and costumes are adequate, but the plot is convoluted and rather boring and not at all faithful to the great source poem. Indeed, much of the plot is apparently inspired by the tale of Gawain's cousin, Yvain, instead. The climax makes little sense and betrays the original tale, while the ending is supposed to be melancholy but just disappoints like so much of the rest of this film. Perhaps worth a look for curiosity's sake or for the very good first act if you don't expect too much.
I remember first seeing this film in the 80's when it aired on of one of the cable channels. Back then I was into Medieval/Fantasy films like Beast Master, Conan, Legend, Excalibur and The Sword and the Sorcerer. This film fell in nicely with those titles, and I remembered thinking, even back then, that it probably wasn't a high production value film. But at least it had Sean Connery in it, along with a few other actors, that I liked and had seen in other movies. Well the 80's have past now and I've grown older and wiser. After viewing Sword of the Valiant last night with my daughter, who is going to be in a play based on Sir Gawain, I can see how this film is not one of the best from its genre. However, I still think it has some good points to it and I'll make a list of the reasons why it still deserves three stars.
Number one, there are several well respected actors in this film including Sean Connery as the Green Knight, Miles O'Keeffe, (Gawain) John Ryes Davies, (The Baron) Peter Cushing, (The Baron's Advisor) Trevor Howard (Gawain's King) and an actor who shows up in a lot of films as a villain, but doesn't get much credit for it. Ronald Lacey, who plays Oswald, Gawain's competing nemesis for Lilith. I found Ronald Lacey to be one of the best characters in the story. In fact, I thought that when I first viewed this movie years ago. I still think he's one of the best characters in the film today. He really brings Oswald alive and knows how to be the kind of guy you love to hate.
Beyond the acting, the costumes are well done. I also liked the fantasy elements.Read more ›
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I love Sean Connery and he is the gallant Sir Gawain in this movie. Wonderful family adventure movie of this mythical character! Highly recommend.Published 2 months ago by Lorene Faith
I bought this to show students after reading the story. The movie deviates from the story quite a bit, but is still enjoyable.Published 7 months ago by Bill
One of Sean Connery's greatest performances, and one of my all time favorite movies.Published 8 months ago by F. Sloane
I remembered the movie being much better back when it first came out.Published 15 months ago by J. L. Van Hooser
A classic arthurian story full of magic, that captures the essence of the knights quest. I would consider this dvd a must have companion, if you own or love John Boorman's... Read morePublished 24 months ago by Michael Morales
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Underground Tours-
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Get kitted out with your hard hat and battery lamp, then descend 140m underground to discover the harsh realities of coal mining through the centuries…More info
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Description and Features
Now 100% Cordless! Made from premium spun lace fabric that helps absorb noise, the Premier Double Cell Light Filtering Cellulars look great and they're durable. With your choice of 32 gorgeous colors, like Lily of the Valley and Pumpkin Spice, your space will look chic, stylish, and sophisticated. No matter the color you choose, the backside will be white, helping you conform to common HOA regulations. They also come standard with color-coordinated components and fabric-covered rails for a cohesive look.
You can choose from several lift styles, including a standard cordless Lift & Lock™ system, a cordless top down/bottom up Lift & Lock™ system, and remote-controlled motorization. With the Premier Double Cell Light Filtering Cellulars, you can customize the look of your windows right from the comfort of your own home.
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- 1/2 inch Double Cell Construction
Recommendations and Limitations
- UV Blockage - 99%
- Includes all mounting hardware.
- Standard inside mount brackets are top mounted. Side mounting brackets available upon request.
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Black Lesbian Dating in North Miami Beach
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Music Interviews
In 10 Songs, A Pair Of Brothers Beat Tracks Across History
Ethan Johns' sophomore album, The Reckoning, follows the tale of two brothers as they travel across the 1850s American frontier. Johns developed the idea for the epic 19th century journey while traveling himself. Listen to Johns' story, and his music, at the audio link above, check out a hand-picked playlist of his favorite songs on Spotify.
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