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The University of Mary Washington in Fredericksburg, Virginia, recently made the list for Great Value Colleges and the Fiske Guide to Colleges. The university is a strong state supported college with the main campus in Fredericksburg and satellite campuses in Stafford and Dahlgren. It also has added several graduate level programs to the numerous undergraduate programs offered at all campuses.
Formerly Mary Washington College, named for George Washington's mother and whose family home was nearby, has been a pillar of education in the region and across the state. In the past it was known for education and humanities but has since built state of the art science labs, communications systems, and a GIS lab.
According to a recent article in the Free Lance Star, Mary Washington is "often considered the South's most reputable public arts and sciences institution. It is ideally located between the thriving metropolitan areas of Richmond and Washington, D.C. and boasts a "real world" orientation that best prepares students for life after graduation. Staff and faculty strive to work closely with students, and the 83 percent freshman retention resoundingly proves that fact. Serious students respond well to the rigorous academics, and 74 percent of entering students graduate within six years. Named after George Washington's mother and founded in 1908, the university continues to carry on a tradition of civility and academic excellence, made possible by more than 40 majors and programs in the sciences and liberal arts. The university also holds students to high standards of honor with an elected peer council."
Students at Mary Washington enjoy visiting professors, study abroad opportunities, and a wide variety of liberal arts and science programs of study. There are many clubs and activities as well as a great location for networking with Washington DC, Northern Virginia, and Richmond. It is also conveniently located along the I-95 corridor which makes the campus an easy reach destination. For more information, visit www.umw.edu


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Every spring in Nashville, Cheekwood Botanical Gardens is filled with beautiful flowers in bloom. Spring has arrived at Cheekwood this March with new exhibits for the family to enjoy. Spring 2014 will feature Cheekwood in Bloom with weekend activities and music for family fun. New exhibits will be opening in the spring and will be there for guests to enjoy during the beautiful Tennessee weather.
One of the exhibits that opens in March 2014 will be on location until March 2015 which gives locals and visitors plenty of time to stop by and observe the wonderful creations. North Carolina native Patrick Dougherty is the artist in residence and has brought his outstanding 'Stickwork' to the Botanical Gardens.
Opening March 22, 2014 until May 25, 2014 is Modern Twist which will showcase Japanese art in Bamboo. The showcase will feature never before seen works of art with the use of bamboo and educate visitors in the use of bamboo.
April 19, 2014 will be the Spring Art Hop which will include numerous activities for children in the Easter Egg Hunt, Crafts and Live music. This will be the 22nd year the Hop will be held at Cheekwood and has become a tradition for local residences and visitors alike.
Cheekwood Botanical Gardens is one of the hidden treasures of Nashville and should not be missed.

subset: commoncrawl


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"I can no longer see."
Those words echoed in America and my hearts, tearing them to pieces. How could this happen? America blamed himself for the whole thing. Just like how he had taken it upon himself to protect England in the first place. Seeing him change from a confident, happy guy to this is probably one of the scariest things I've seen while in here.
"Alfred, please don't beat yourself up. You only did what you thought was right
" I started, trying to comfort him.
But he would hear none of it. I finally convinced him to go cool off in another room. I had feelings going through me too after all. I wanted to help, but there was only so much I could do for him when I wasn't exactly a hundred percent either.
"Are you still here?" England asked, looking around. As if it'd do any good.
"Yeah, I'm here."
"Why aren't you saying anything?"
I swallowed a lump in my throat.
"I don't know what to say to you."
My words seemed to hurt him a lot.
"I just... I don't know what to make of all this." I started up again, voice shaking. "Part of me is furious with you for doing something so stupid. Part of me is glad that this is all that happened; that you just lost your sight instead of your life. Because if you died... I..." I shook my head, fighting back tears. "And then part of me feels guilty for feeling that way. I feel selfish. How dare I feel happy because you're still here though you can't see? I can't imagine how awful it must be... And then I feel like I should've been there, should've stopped you somehow."
He chuckled sadly. "You're starting to sound like America."
"Shut up! He was only trying to protect you. And if I'd known what he knew, I would've done the same. Just because you're tired of him being the hero doesn't mean you have to be one!"
"... I'm sorry." He murmured. I looked into his lifeless eyes. They looked so sad, so scared, so lost. That breaks me. Tears roll down my face.
"Sorry doesn't do us any good now." I start, trying to control the shakiness of my voice. "Anyway, you shouldn't be sorry. You got rid of the thing and you're still here. That's uh... pretty impressive. For that, I'm proud of you."
He blushed a little. "Yeah, I was pretty proud of myself too till Japan pointed out there could be more than one."
I'm still a little pissed at Japan for that. I know it's a possibility, but why'd he have to bring it up? That would mean England did what he did in vain... I shake my head.
"Maybe, maybe not. Even if there is, there's one less because of you." I placed my hand on his, finally putting my own feelings aside to comfort England. I guess you could say that's my way of apologizing for going off on him. After all, even in this crazy place, I'm still me. And apologizing isn't in my character.
I blush as I consider something. Maybe I wasn't going to apologize, but there was something else I had been hiding, something I felt I needed to get off my chest.
"Hey, England."
"Do you wanna know why I came along with you guys to this madhouse?"
"You are kind of a wimp, aren't you? Sure, I'll bite."
"I came because I thought it'd help me get closer to you."
He blushed. "What?"
"I thought we'd only see some 'ghost adventures' type shit at best here. And I hoped that you, being the gentleman you are, would comfort and protect me. And when we got out, we'd uh..."
I blush, unable to finish my sentence.
He turned his head away, trying to hide the blush on his face. "Stupid, you don't have to put yourself in uncomfortable situations to get closer to people. All you have to do is ask." he mumbled what I think was "Even though I think that's adorable.", but I'm not sure.
"And how exactly would I do that? Come out and say it? Seems kind of bold, don't you think?"
"Well, it happened anyway, so I guess I don't have to." I chuckled slightly at his embarrassment.
"I just... I wish it didn't have to happen like this. If I never told you how I felt for the rest of my life, I'd be fine with that. I'd do just for you to be safe."
"If only it were that simple... Wait. How you feel about me?"
"Yeah. Haven't you figured it out yet?
"Forgive me, but trying to decode your strange behavior isn't exactly on the top of my priority list at the moment."
"Jeez, you're dense."
"Well, are you going to tell me or not?"
I broke. I started sobbing, which startled him.
"Bloody Hell! Why are you crying? I'm sorry, okay? You don't have to answer."
"It's... It's not that." I blubbered.
"Then what is it?"
My cheeks turned red, matching my eyes.
"It's because I love you."
His face turned red at that. "You... You love me? But wait, I don't understand. Why does that make you cry?"
"Because I didn't realize it till you left to fight that monster. When I thought I might lose you forever, I was so scared... I couldn't think. I thought before maybe it was just a crush. But when you just disappeared, my heart started pounding, and for a second, just a second, I thought to myself, "If he dies, that's it for me. I'll give myself to that thing". I didn't want to keep fighting if you were gone. And then I realized... I love you, England. "
England's hands somehow found their way to my face, wiping the tears away.
"Come now, I'm not worth losing your life. I would never want you to do that."
"I know that, idiot." I still hadn't stopped crying, but him touching my face gave me enough of a warm fuzzy feeling that I calmed down a little. "And I don't want you throwing your life away for us either. For all I know you've done it before, and I don't think I could handle it again."
"I'm so very sorry I caused you pain. If there's anything I can do to make it up to you
"Just take care of yourself. And let others take care of you too. Like it or not, you have to depend on us now."
"You have my word."
I wanted to believe him then and there, but I had to give it time. "I got to go. I'll be back in a few seconds."
I turned, looking startled.
"I, uh
I love you too."
My tears became tears of joy and I pulled him into a tight hug. After a little while he gently pushed me back and started feeling on my face.
"England, what are you doing?"
He seemed startled by my question, letting go of me and blushing. "Um... Well... I was trying to find your lips..."
My eyes widened and I blushed. "W-Why?"
"Because I... Uh... I wanted to..."
"Kiss me?"
There was an awkward silence as we looked away from each other, embarrassed.
"Well, I mean, I could kiss you..."
"No! I wanna be the one to initiate it!"
I wasn't sure why it was such a big deal to him, but I took one look at his adorable face, all pouty and flustered, and found myself unable to say no. Who could?
"Okay." I giggled, a little giddy. "How's it gonna work?"
"Just lean in until I can feel your breath."
"Uh... Okay." I replied, wrapping my arms around his neck. I scooted closer and I leaned in until my lips were inches from his.
"Like this?" I nervously asked, voice barely above a whisper.
"Yeah..." He answered in an equally hushed tone. After a small pause, he closed the gap between us.
In that moment, as cheesy as it sounds, the world faded away. We forgot everything that had transpired in this Hell.
He wasn't blind.
We weren't fighting some crazy killer alien in a mansion.
Everyone was alive and well.
Eventually we parted, our foreheads touching and a big goofy smile on our faces.
"Bet you're glad you came now!" an obnoxious voice teased. We both turned to see (well at least I did) America, who apparently was feeling better.
"Uh... how long have you been standing there?" I asked, dying internally of embarrassment.
"I never left. Thanks for the cuteness, it really helped lift my spirits."
"Git! I liked you better when you were sulky and quiet!" England yelled in America's general direction.
"Not as much as you like her, I bet!"
England got an anime vein on his head.
"I really mean it guys. It's nice to finally have some good news. In fact, I think I'll go tell the others and spread the joy!"
Before either of us could protest, he was gone, though we could still hear his voice saying, "Hey guys! Guess who finally hooked up?"
England looked like he wanted to kick America's ass. "That damn wanker! I..."
I interrupted him with another kiss, which scared him at first but he gladly returned it.
"Save it for when we're not fighting for our lives, okay, Iggy?"
Hetaoni Blind!EnglandxReader one shot by kushamisaruWatch
©2012-2016 kushamisaru
Yeah yeah, I know this has been done a thousand times, but I felt like I had to do this. After all, this scene is what made me an England fangirl >///< It's also the first thing I've written since freshman year ( 4 years ago) that I don't absolutely hate and think is garbage, though I'm not in love with it nor do I think it's a priceless gem.
Did you notice how even though I say it's an EnglandXReader oneshot I use first person pronouns and never the reader's name? Yeah, that was intentional. It still counts though... right?
Comments, Critiques, and Faves are all appreciated!
Edit: Holy crap. in the span of less than a day, this has gotten more faves, comments, downloads, and (I think) views than anything else I've done. Thank you guys so much for the love!
Did you notice how even though I say it's an EnglandXReader oneshot I use first person pronouns and never the reader's name? Yeah, that was intentional. It still counts though... right?
Comments, Critiques, and Faves are all appreciated!
Edit: Holy crap. in the span of less than a day, this has gotten more faves, comments, downloads, and (I think) views than anything else I've done. Thank you guys so much for the love!
I was between being excited and sad when I saw the title...
I was between being excited and sad when I saw the title...
The saddest thing about Hetaoni is that it'll likely never be finished
It's fine I'm alright now I liked the story a lot
...Blind? nooooooooooooo
*hugging Blind iggy close* T_T WHHHHHHHHHHYYYYYYYYYYY you idiot! who will watch Doctor who with me now!?!
*reads* Coolio what happens in the game? *Plays the game* Just finished playing the game.....*Crying* I WANT TO KNOW WHAT HAPPENS!!
Join the club. We have jackets.
Do they haz de cool hoodies? *looks up with teary puppy eyes*
Whoa.... H-h-how ADORABLE! (That was my version of fangirling.)
*cries to a corner.* so beautiful...
I love this. I almost cried when England went blind. That monster is messing with the wrong fandom. *Pulls out ak 47* Lets kill that thing.
Sorry, me and the commenter below got rid of them already
Glad you liked it though!
Glad you liked it though!
cute!!!! i wish i was there i would call all of my friends and get u guys some help fighting that THING.....
I would too...
A fluffy one shot in the messed up world of HetaOni? I LOVE IT! Great story! Keep it up!
well that's not good...
Daw~ Cute^^
I hate HeraOni so much, yet I love it too.
This was amazing.
Also, where can I watch it? I can find walkthroughs of the game and whatever, but is it a show too?
This was amazing.
Also, where can I watch it? I can find walkthroughs of the game and whatever, but is it a show too?


text:
Tag: David Hassoun
The past week has brought a series of announcements from Adobe that has elicited myriad speculation and concern from the Flash Platform and Adobe community. As a leading Adobe Solutions provider for Flash Platform solutions, RealEyes wants to address these announcements and how we see their impacting our focus in the technological ecosystem.
Before we begin this analysis, from our vantage point, the largest issue with these announcements is the way in which they were communicated—to the public, to partners, everyone. There was much good news in what Adobe announced; unfortunately, their public relations team chose to focus largely on what was being deprecated, which colored the resulting dialog.
We'd like to take a moment to refocus this conversation for our customers and community. Contrary to popular debate, Flash is NOT dead. And here's why:
Adobe Focus on Mobile Applications
Adobe announced that it would be more aggressively contributing to HTML5, with future Flash Platform development to focus on personal computer and mobile applications. Great! Our clients who are developing mobile experiences are universally doing so with the intention of making installable applications. More Adobe focus in this area will only enhance the experiences that we are able to work with them to deliver.
The Flash Platform is still the best way to develop mobile application experiences intended to be deployed across the major application marketplaces: Apple, Android, and Blackberry.
However, what got the most attention in this announcement was that Adobe is discontinuing development of Flash Player for the mobile browser. While this got many people up in arms, declaring the general demise of the Flash Player, we at RealEyes can respect this decision and see the validity of it. For Adobe, the return on investment for this runtime simply wasn't there, and with the fragmented nature of Android (and a few other issues that contribute to delivering an application to all browser, OS, and mobile hardware configurations) the continued development of the mobile Flash Player would be exponentially complex.
For application developers, the mobile Flash Player was never as good a runtime as the desktop one.
So, how is the discontinuation of mobile Flash Player affecting our clients? Really, it isn't.
Because mobile device users are more likely to look exclusively toward installable applications for rich media content—and RealEyes' Flash Platform applications largely deliver rich media content—our customers have been developing applications built using the Flash Platform and relying less on the mobile web. Mike Chambers does a nice job of discussing the differences in how users consume rich content on mobile devices compared to the desktop, and we agree wholeheartedly that this is the way to go.
Because Flash Player doesn't have the same ubiquity on mobile devices as it does for desktop browsers RealEyes was already advising our clients to create fallback experiences for their Flash content for mobile browsers. For most of them we could achieve the same functionality in HTML as in Flash (video being the exception as you'll see below). Why not forgo Flash entirely and have a single HTML codebase to support? Seems like a decision that makes good business sense.
Not that we aren't sad to see mobile Flash Player go: we are.
If only because we don't want the web to have missing plugin alerts. Having the Flash Player plugin available to Android and Blackberry mobile browsers was a convenience that offered a great marketing pitch, but, truthfully, delivered very little. This is due, in large part, to the fact that the majority of the web was design for the desktop and was not meant for (nor is it very functional for) mobile phones – period, full stop.
In truth, we've seen just a very few Flash applications developed specifically for the mobile browser. We at RealEyes have developed just one of these for commercial release. And this application was built before AIR for Android and was always intended to be a stop-gap until this runtime was available.
Now, tablets make a better use case for Flash's place in the mobile ecosystem; however, the number of tablets that support Flash is under 30% of market share. Given this and Apple's seemingly prohibition on Flash, the Flash Player was just never going to achieve the same ubiquity as it has on the desktop for tablets, or for mobile phones for that matter.
Adobe Supports HTML5 Development
As Adobe is a multimedia creation company it will want to be at the forefront of whatever technology is defining exceptional user experiences for multimedia delivery. And, for a few years now, Adobe's been looking toward HTML5. Unfortunately, the announcement from Adobe that contains the information about the discontinuation of the mobile Flash Player makes it sound like Adobe's just jumping on HTML as a development platform. That's just not true.
Even more unfortunate in the present debate is a perception that Steve Job's thoughts on Flash have somehow won and that this was just fallout from an Apple v. Adobe war. Not so fast. Apple and, to some degree Microsoft, have done much to market HTML5 development to the point that its perception overpromises what it can deliver. Although Adobe has been working to educate its community about the benefits of the Flash Player over HTML5 and was backed by legions of developers, animators, designers, and content creators, they couldn't overcome the tactics of a such powerful and cunning marketing machines. While standing its ground on the mobile Flash Player, Adobe was, in many ways, able to achieve what critics said was not possible with Flash Player on mobile devices.
So, if Steve didn't win, who did?
Well, Adobe is still poised to win and … more importantly so is its community of developers and customers. Look at tools like Adobe Edge and the new mobile enhancements to Dreamweaver. Also, with Adobe's acquisition of PhoneGap, Adobe developers are poised to deliver the best HTML5 experiences out there. Yeah, it's not Flash … but that's OK. While it seems like Adobe's making a sharp turn toward HTML5, from where we sit, they are more fully committing to a direction that Macromedia, and then Adobe, started in some time ago. Remember the HTML and Flash being friends video from Adobe MAX last year?
And, with other recent innovations for mobile AIR such as the availability of native extensions, the future of mobile development is exhilarating for any Flash Platform developer. We're hopeful that Adobe will use this opportunity to sharpen their focus on native mobile functionality and continue the path of making the Flash Platform the best choice for developing multi-platform mobile applications with a single code base.
However, the perception that Adobe's making a rash decision is very damaging and something that we're working with our clients to help them understand. The reality of the situation is that not much has changed; however, poor communication, horrible messaging, and virtually no community outreach from Adobe regarding this messaging has made the perception the accepted reality in the short term.
And, if that weren't enough news for one week …
Adobe Really Open Sources Flex
In clarifying its future plans for the Flex SDK, Adobe announced that the Flex SDK will be contributed to an open source foundation. The good news in this move is that the Flex community is mature enough to take on the governance of this robust framework moving forward. This wasn't the case in February of 2008 when Adobe released Flex 3 as open source (Adobe had been planning to open source it since April of 2007).
For several years now, Adobe has been moving towards a more open standard with their development and this decision to contribute the Flex SDK to an open source foundation isn't something that's Adobe has done in isolation, and not just to the Flash Platform. Some other projects that are on this path are:
- PhoneGap
- BlazeDS
- Flex SDK
And, in reading Adobe's clarification to this open source announcement, we see even more reason to be excited. They are also open sourcing tools that support Flex including an experimental one (Falcon JS) that cross-compiles MXML and ActionScript to HTML and JavaScript. Now, that's exciting! And, we're sure that more is on the horizon. Maybe HTML and Flash can be friends after all.
And, let's be honest, the original model that Adobe used to open source Flex didn't go as planned. While Adobe always said they welcomed contributions from the community to grow and improve the Flex SDK, the process for getting a change accepted was unclear and many community contributions were rejected for any number of reasons (valid or invalid). Adobe simply did not have the process or the resources to handle the influx of developers who wanted to contribute. It was a frustrating situation for the Flex development community (and arguably Adobe as well).
So, the vibrant Flex community answered back earlier this year by creating the Spoon Project to better organize and test Flex SDK modifications submitted by the Flex community. It proved to be an excellent model, drove innovation of the Framework, and was an initial step toward the full open source move that Adobe just announced.
Who's governing the future of Flex? We are!
In case the nuance in what's different now versus Adobe's 2007 decision to open source Flex isn't apparent, the major difference is that the Flex community will extend the Flex code base without needing Adobe's permission to do so. A new governance, following Apache's well-established community rules, will be formed to determine the future direction of the codebase.
Since our inception RealEyes has been in close contact with Adobe's Flash Platform team, we're excited for this change in governance. RealEyes has always been super excited about the Spoon Project, and our Development Manager (Jun Heider) is very active in this community as the Infrastructure Chairman. We've seen that this is truly a community-driven initiative that is supported by Adobe to increase the volume, speed (and maybe even the quality) in which the Flex framework can grow.
We are excited to contribute further to the future of Flex and confident that, like other successful open source communities, the language will continue to evolve.
Also … Flex isn't all of the Flash Platform
Sadly, many of the announcements that we've been talking about, including the open sourcing of Flex, led many to say that Flash is dead. That simply isn't true. Let's talk about what the Flex framework actually is: a particular framework used to structure Flash Platform development. Do you have to use it to develop Flash Platform applications? No. And, to be honest, RealEyes doesn't use Flex in every Flash Platform project because sometimes that framework can make applications to "heavy". If performance is of paramount concern for a Flash Platform application, Flex often cannot replace pure ActionScript.
Flash and Flex are not going away. Adobe is still committed to developing tooling to support development for the Flash Platform. Further, Adobe hasn't open sourced the Flash Player, the most installed piece of software in the history of the internet. Adobe plans on steadily contributing to the Flex SDK in its open sourced project and we are working with the Flex community to make us contributors as well.
Adobe and Enterprise Applications
In a week of poorly handled communication, probably RealEyes' largest concern was Adobe's statement that "In the long-term, we believe HTML5 will be the best technology for enterprise application development." Ouch. Big enterprises have invested millions upon millions of dollars in the development and maintenance of Flash Platform applications. At the very least that statement can erode the confidence that large companies (or companies of any size, really) have when building systems based upon Adobe technology. Something that we feel is probably a bit of an over-reaction.
Also, without context this statement is very misleading. Currently, HTML5 does not have full functional parity with the Flash Platform. A few days after making this statement, Adobe clarified it by indicating what it intended as a timeframe for HTML5 to be able to truly complete with Flash Platform development: three to five years. That timeframe could be heavily extended when considering corporate browser adoption timelines.
There's no enterprise that can wait three to five years for functionality.
As Adobe stated, "Flex has now, and for many years will continue to have, advantages over HTML5 for enterprise application development – in particular:
- Flex offers complete feature-level consistency across multiple platforms
- The Flex component set and programming model makes it extremely productive when building complex application user interfaces
- ActionScript is a mature language, suitable for large application development
- Supporting tools (both Adobe's and third-party) offer a productive environment with respect to code editing, debugging and profiling and automation.
We see all that as being the case and some more:
- Enterprise clients tend to have slower adoption rates for software, meaning that not all enterprises support the advanced HTML5 features that exist.
- In particular, the video capabilities in HTML5 are not as robust as what is available in the Flash Platform including multicasting with integrated hardware acceleration and advanced security models.
- The testing issues for supporting browser fragmentation can be daunting to enterprises, compared with supporting a Flash Platform application that can be deployed across desktop browsers with consistent display and functionality.
RealEyes will continue to recommend Flex and Flash Platform development to our clients where it makes real business sense to do so. That said, there are reasons to use HTML over (or alongside) the Flash Platform, and we have plenty of clients we support who do that as well.
The Impact to RealEyes
So, what does all of this mean to RealEyes? In the short term, it has meant a challenge to bring context to Adobe's announcements and dispel rumors and misinformation to our clients. In the long run, it probably doesn't mean a lot.
We have already been on a path of technology diversification with continued focus and adoption of HTML5, its supporting technologies, and native mobile development. Many of us are in the technology space because we enjoy the challenge of evolving our skills as the industry grows. However, for the next few years, we anticipate that the Flash Platform will continue to be our predominant focus.
Our development specialty has been in delivering industry-leading streaming media solutions and multiscreen development. Flash and AIR are still the best solutions for this and will be for a while. The timeline for that largely depends on Adobe and, as a valued Adobe Solutions Partner, we will continue to support them in as educated and balanced way as possible.
We are actively involved in the future of the Flex framework through the Spoon Project and excited about the potential for future growth for that project. We are now even more apt to contribute to the betterment of this already robust framework for the benefit of the Flex community.
Finally, RealEyes has always helped our clients to choose the best technology to power a given project and we will continue to do this. And, as HTML5 becomes a more comprehensive solution, we will likely recommend it more frequently. It is truly about what is right for the current and future on a case by case basis. Our clients and projects will continue to be industry leaders, no matter the technology behind them.
Now, we can't see all of the news in a positive light. And not all of it is positive – certainly not for the 750 Adobe employees who were laid off and their families. However, this degree of restructuring in the fourth quarter isn't unprecedented for Adobe. We've seen this over the past couple of years. This year, as in years past, we lost meaningful relationships with Adobe employees that we've been happy to collaborate with on community and development projects. We at RealEyes have close contact with Adobe and tend to focus on how individuals shape the platforms, products, and communities that we work with instead of quarterly earnings and fiscal projections. While adjusting to this restructuring, we wish all of the affected employees only the best in their next moves and hope that they will continue to make positive contributions to the technical community they have helped to shape.
Additional Links:
There's a great deal of excitement in the AIR here at RealEyes Media as the premiere Adobe conference of the year-Adobe MAX 2011, rapidly approaches! This Saturday, October 1st, the epicenter of design, media, and development will be Los Angeles California, as Adobe settles in for the 3rd year in a row at the L.A. Convention Center, and the beautiful Nokia Theater L.A. LIVE. The Adobe MAX conference has always been the place to listen to and meet world-renowned speakers, learn about the latest tools and techniques, and connect with potential clients, new partners, and old friends…and this year is no exception!
If you've ever been to MAX, you know that Adobe pulls out all the stops for this event. Keynote addresses are given by the biggest names in tech and entertainment. In case you haven't already heard, the musical entertainment for this year's MAX Bash will be provided by the band Weezer!
A chance to learn from the best
Whether you're a designer, developer, or business strategist, MAX is an environment that deepens your expertise, and ultimately makes you more productive in your work. Every skill and experience level is welcome during this Five-day learn-a-thon. Whether you're someone who's never opened Photoshop, or you're interested in creating high-tech video players destined for multiple devices, there's something at MAX for you.
Learn about multiscreen development with Realeyes' own David Hassoun, John Crosby, and Jun Heider
The last few years have seen a steady upswing in multiscreen application development, and MAX has responded to this trend by providing developers, designers, and entrepreneurs with the best resources for learning how to rise to the top in this environment.
Realeyes Media is pleased to announce that Jun Heider, David Hassoun, and John Crosby will be speaking at MAX! Be sure to check out the following sessions:
David Hassoun & John Crosby – Video Player Development for Multiple Devices
"Learn how to create compelling, robust, and high-performing video player experiences for desktops, tablets, and smartphones including HTML5 and Adobe AIR for iOS. This lab for developers will step through what's needed to develop and optimize the video experience across all devices. Using Adobe Flash Media Server on the back end, you'll use Adobe Flash Builder and Open Source Media Framework to create video players that just work. Explore how to tune hardware acceleration with Stage Video to optimize battery life."
- Are you attending this session? Would you like early access to the sample files? We can help out. Sign up here to download the files.
- Register for Adobe Max 2011
Jun Heider – Multiscreen Project Best Practices
"Prepare to take the next step in multiscreen development. Review important considerations in planning multiscreen projects geared toward efficient code reuse and workflow. Also, see how to structure projects to match the strategy chosen to fit the application's use case. By the end of the session, you'll walk away with an understanding of how to start architecting your multiscreen Adobe Flash Platform applications and build them using Adobe Flash Builder."
- If you're attending this session you can sign up here to receive the presentation materials from Jun's session.
- Register for Adobe Max 2011
These guys know their stuff, so if you're interested in developing applications that are destined for multiple screens, be sure to attend their sessions, ask questions, and meet them in person-you won't be disappointed!
Can't make it to MAX? Attend "Mini-MAX"!
Here in Denver, the Rocky Mountain Adobe User Group traditionally provides an annual "mini-MAX", for those who couldn't make the trip out to California. Those that were there give us their take on the conference, providing us with a remote insite into MAX's highlights. Join us on 11/08/11 at Casselman's – 2620 Walnut Street in North Denver, CO, as well as every 2nd Tuesday of the month throughout the year to talk all things Adobe!
Open Source Media Framework (OSMF) simplifies the development of media players by allowing developers to assemble components to create high-quality, full-featured video playback experiences. This open framework enables development focused on web-based video monetization, with lower costs and faster turnaround. – osmf.org
From building a simple player, to understanding plug-in development and use
Recently, Adobe Developer Connection posted a three-part series of articles entitled "Mastering OSMF", by David Hassoun and John Crosby of Realeyes Media. The series, in addition to being divided into its three main sections, is broken down further into 11 walkthroughs which take the reader through various scenarios; from building a simple player using OSMF, to incorporating custom plug-ins into OSMF-based media players. A brief overview of the series:
Mastering OSMF-Part 1: Working with the Flash Platform
Part 1 gets you started with the basics of OSMF, and introduces the Strobe Media Playback media player, a precompiled SWF provided by Adobe that you can use in your projects. You also learn how to build a simple media player using OSMF, and to then how to break out the player's controls to manage them independently. Finally, you learn how your player can be configured to handle different types of media using the MediaFactory class, and the generic MediaElement class.
Mastering OSMF-Part 2: Creating and customizing your player
Part 2 expands upon concepts discussed in Part 1, and explores the complex layout and container functionality that OSMF offers you as a developer. Also discussed are serial and parallel complex compositions, which allow for the customized presentation of media that needs image overlays, for example, or for multiple clips that need to be presented sequentially.
Mastering OSMF-Part 3: Working with plug-ins
The final installment in the series goes into the use and creation of plug-ins within your OSMF-based applications. In Part 3 you learn about the potential plug-ins used with OSMF have to create vastly more powerful and functional media players. Advertising integration, and analytics gathering are but two functions served by the use of plug-ins in OSMF.


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Lace, ivory, buttons all the way down the back, elbow length sleeves, medium train.
Bought at a boutique in Provo, Utah.
Has a bit of a fit and flare with a gorgeous neckline.
Only worn for my wedding – about 3 hours total.
- Alterations: Alterations: sleeves were originally cap-sleeved but I had them extended to elbow length. Alterations were done at the boutique where I purchased the dress, they used the same fabric. No damages or stains.
- Preservation Method:
- Terms of Sale: All Sales Final
- Original Owner: Yes
- Has Original Receipt:
- Location: Greenville, SC
- Will Ship to: Anywhere at Buyer Expense
- Payment Methods Accepted: Other
Please read our BUYER'S GUIDE before purchasing a dress online.


text:
Hotels in Shipton under Wychwood - 5 places to stay
B&Bs | Late deals | Oxfordshire
Lamb Inn
Set in the picturesque village of Shipton-under-Wychwood, The Lamb Inn is a beautiful Cotswold stone inn. The property is unlike any other, with five unique and luxurious en-suite guest rooms. A delightful restaurant and inn, with ... More | visit website
The Shaven Crown
Steeped ... More | visit website
Courtlands Bed & Breakfast
A ... More | Double Room: £70.00-£80.00 | visit website
Other Places to Stay near Shipton under Wychwood
Hillborough House (0.74 miles)
The Swan at Ascott (1.40 miles)
A quintessential Cotswolds pub and restaurant with five ensuite rooms, equidistant between Oxford and Cheltenham, right on the Oxfordshire Way with its wonderful walking, and close to picture perfect Burford. ... More
Bould Farm (2.63 miles)
Mill House Hotel (3.36 miles)
An oasis of tranquility dating back to the Domesday Book
For those seeking an ideal Cotswold country house experience, The Mill provides the perfect answer. Located in Kingham, named by Country Life Magazine as England's favourite ... More | visit website
Kings Head Inn & Restaurant (3.45 miles)
Tollgate Inn (3.63 miles)
A Grade II listed Georgian farmhouse dating back to 1720 and built from characteristic ... More | visit website
Cotland House B&B (3.70 miles)
The Kingham Plough (3.78 miles)
The Kingham Plough is a 4* Free House, located opposite the Village Green, in Kingham mid-way between the Cotswold Market Towns of Stow on the Wold, Moreton in Marsh and ... More
Swan Inn (3.81 miles)
Manor Cottages (4.02 miles)
Brit Quote:
On this day:


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Northwest Missouri State, the defending NCAA Division II champions, will have its spring game on April 12 as an early tuneup for training camp, when Vashon Wolverines star defensive end Kenny Harrell will become part of the Bearcats program.
Missouri Western University, for which Gateway Jaguars star defensive lineman Jabari Wayne has signed for next season, will have its spring game on April 19.
Meanwhile, the University of North Dakota, which has signed Soldan defensive standout in lineman Demon Taylor, will have its spring game on April 26. Apparently the college football calendar of activities rarely end. For that reason Public High League football stars like Harrell and Wayne, who will be incoming freshmen on their respective teams in summer training camp have to be more conditioned than ever before because the incumbents have already been through spring drills.
Harrell, a 6-foot-4, 205 defensive end star from Vashon, realizes he will have to come into training camp in topnotch condition, given the nature of college football's year-round activities these days.
"Yes I know I have to be in extra good condition," says Harrell. "I know I'm going up against guys on another level. Right now I'm running track this spring to stay in shape and my coach is a personal trainer, so I'm really staying in shape."
The same holds true for Wayne, in terms of staying in shape this spring. But the 6-foot-4, 260-pound standout, is playing a football-related sport.
"I'm playing for Kirkwood (South St. Louis County) in a rugby league," notes Wayne. "I know it could be some (injury) risks but I'm not really worried about getting hurt."
By the same token, Wayne doesn't feel as though he will be significantly behind the returning players as a result as his not being eligible to compete in spring practice.
"I don't feel like I'll be at a disadvantage even though I'll be coming in a freshman," saysWayne. "I'll just come into camp and work my hardest and compete as well as the other players."
Because his high school team, the Jaguars didn't have someone logging statistics on a play-by-play or daily game basis last fall, Wayne's numbers like those of all his teammates, are incomplete. As a junior, he was credited with 43 tackles and eight sacks, although some of those game stats. were missing as well.
However, Missouri Western head coach Jerry Partridge saw enough of his production, skill, size and potential to extend him a scholarship to the Griffons program, which is located in St. Joseph's near Kansas City.
"Wayne is a great athlete with a man's body," says the Griffons head coach, who's team posted an 8-3 mark last year.
Wayne's high school coach, Jason Dulick, moreover, acknowledges how immeasurably versatile he was at Gateway, which gives him an even upside because of his physical dimensions.
"Jabari (Wayne) has great size and strength," raves Dulick. "College coaches love the potential that Jabari has. Jabari played a number of different positions for us. He played fullback, offensive tackle, defensive end, defensive tackle and some linebacker for us."
Fortunately for the Jagaurs, they had such an imposing utility player who was needed all over the field in a 3-8 campaign in which the club had to endure a litany of early-season injuries and play with a lot of inexperienced athletes.
"Even though we had a disappointing season there is always going to be room for improving," explains Wayne. "We were a young team with a lot of inexperienced players. Also with me coming from a PHL school, I'm going to show all the recruiters that the PHL produces great players like myself.
Wayne admits the coaches like his physical presence.
"My body size is what the coaches love about me and my size," said Wayne. "With my body size and athletic ability, I feel I can be a lot better."
Of course you don't have to go back that far to find the last great Gateway Jaguars defensive lineman to star on the collegiate level: That would be former University of Missouri standout Sheldon Richardson,who went on to capture the American Football Conference's defensive rookie of the year award last season for the New York Jets.
' "Success doesn't come easy"' is what Sheldon once told me and that's what Gateway football is all about," notes Wayne. "It's about reaching your max potential. With Sheldon's success in the back of my mind, he makes me thrive to try to become of the best."
But while Wayne and Harrell will have to wait until the pads come on in August to compete against returning and new players, four of Wayne's Gateway teammates the last few seasons, will start training camp pretty much on par with everybody else. None of their teammates will have a leg up on them, at least in terms of Missouri Baptist game experience.
. That's because Missouri Baptist, a West St. Louis County school, is ushering in an era of football for the first time. To that end, the program signed three linemen and an all-purpose back/ receiver: linemen Mark Cooley (6-2,250), Nehemiah Ford (6-2, 285) and Booker Thomas (5-10,255) and skill-position star Zach McBride (5-10, 165).
Dulick says the coaches there, which includes former Gateway head coach Charles Coe as an offensive assistant, are getting some talented, hard-working performers. As noted, McBride's numbers appear modest on the surface, but only because the school didn't have someone charting play-by-play statistics. Nevertheless McBride rushed for at least 506 yards and accumulated 430 receiving yards while scoring 12 touchdowns.
"Zach was our best athlete on the team," says Dulick. "Zach was our go-to guy and we tried to find ways to get the ball in his hands.Zach has nice size and good hands and will be a good fit at Missouri Baptist. He was our playmaker all season."
When healthy, the aforementioned linemen who will be joining McBride at Missouri Baptist were also extremely productive, which was much more prevalent the season before when they blocked for two 1,000-yard plus rushers in Michael Ball and Corbin Mason, both of whom graduated that season. Dulick said Cooley was the leader of the group.
"Mark served as our captain this year and has excellent leadership qualities," says Dulick. "Mark also has great size and strength. Mark is a four-year varsity player and used his experience to lead the team this year."
On Ford Dulick says range and flexibility made him a quality lineman.
"He was probably our most versatile athlete," notes Dulick. "Nehemiah has the whole package: size, strength and speed. He also missed the first two games of the season but came on strong in the end."
But while some linemen had versatility and agility, Dulick says Thomas was simply the most overpowering and dedicated of the interior crew.
"Booker was probably our strongest player," says the coach. "Booker was very dedicated and lived in the weight room in the offseason. Booker has quickness and speed and could pull on trap blocks and had the strength to drive his man off the ball. The defensive line coach at Missouri Baptist loves Booker's size and strength and thinks he could be a good fit with the program."
Presumably University of North Dakota head coach Kyle' Bubba' Schweigert also believes that Soldan's lineman Demon Taylor (6-4, 280) is a good fit for that program, after signing the Taylor, who had 79 tackles, six sacks and four fumble recoveries. So how did a North Dakota coach have interest in a St. Louis player, given the long distances in between. It turns out Schweigert had been in the Missouri-Illinois region the last 10 years.
"The coach was recruiting Taylor when he was coaching at SIU (Carbondale)", explains Vernon Whitley, Soldan's athletic director. "So when he got the job at North Dakota, he kept recruiting him."
Schweigert was defensive coordinator for the Salukis the last decade and coached three All-Americans during that time in the process. Whitley said the distance doesn't worry Taylor as much as the weather.
"I think he was more worried about the cold weather and the snow than how far away it is," jokes Whitley of Grand Forks, North Dakota.
In fact that's probably why the spring game at North Dakota is scheduled for late April. After all, when the team continued spring drills this week, there was still plenty of snow piled to the side of the field. Temperatures are finally expected to hit the 50s today, which should melt more of the snow.
But whether it's North Dakota, Northwest Missouri or Missouri Western, among others, football scrimmages and activities have become the new rite of spring.


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Grand Canyon river-rafting guides were having a good season this year. And then the calendar turned to October.Read More »
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Gov. Jan Brewer is seeking a big funding boost for the Arizona Office of Tourism so it can step up efforts to market the state.Read More »


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SanDisk (NASDAQ:SNDK) is set to release earnings on Wednesday after the market closes, and investors will have a lot of numbers and information to go over. Some investors may be wondering if it's time to take some shares off the table, after the stock has run up over 50% year to date. The company faces strong competition from Micron Technology (NASDAQ:MU) in enterprise storage and flash memory, and both have made acquisitions to strengthen their market positions. Meanwhile, the next iteration of the Apple (NASDAQ:AAPL) iPhone could represent another opportunity for SanDisk to grow revenue in the second half of the year.
Here are three things for investors to focus on when SanDisk reports.
More color on Fusion-io
Last month, SanDisk agreed to acquire Fusion-io for $1.1 billion in cash. Although the deal isn't expected to close until this quarter, investors should look for additional color in comments from management in the upcoming earnings release.
Investors should look for more information on how SanDisk plans to integrate Fusion-io's products with its own in order to expand the acquired companies customer base. Currently, Fusion-io's customer base is heavily concentrated in a few big players such as Apple. SanDisk has the size and customer base to expand that.
Additionally, management ought to give some color on how Fusion-io expands the company's opportunities in the enterprise SSD market. The memory market is becoming increasingly concentrated with the big names snatching up smaller players. Last year, Micron bought Elpida to strengthen its DRAM division.
Shifting focus to improve margins
SanDisk has dramatically improved its gross margin over the last two years. The improvement can be attributed to its shift in product mix toward more enterprise SSDs. Last quarter, SanDisk's cost per gigabyte decline 23% year over year, while average sales price declined just 7% year over year. As a result, gross margin improved significantly.
For the second quarter, management expects gross margin to come in between 47% and 49%. That's lower than the first quarter, as management expects the product mix to shift more toward embedded solutions. The Fusion-io acquisition may help shift the balance again in the second half, but for the second quarter, expect slightly lower gross margin.
The midpoint of management's guidance -- 48% -- still represent a huge improvement over the 45.8% gross margin the company posted in the second quarter last year. As long as management hits the mark on this one, and gross margin continues to improve year over year, investors should be very happy.
What does management say about the future?
Lastly, investors should pay close attention to management's guidance for the third quarter. SanDisk's big run has come as earnings growth accelerated. That run seems to be over, with analysts expecting a mere 15% increase in earnings in the second quarter after a 71% increase in the first quarter.
Investors should pay attention to management's guidance for the third quarter. Currently, analysts expect to see earnings decline over this period. In the coming quarter, SanDisk could benefit from the upcoming iPhone 6 launch. The company makes flash memory for Apple's smartphone, and this next iteration is expected to be a major update. As a result, unit sales expectations are higher than ever.
SanDisk isn't the only company benefiting from the iPhone 6. Micron's Elpida should make the DRAM for the device as it has in its predecessors.
Even with the help of Apple, SanDisk may have trouble growing earnings past last years high levels. The embedded solutions products will still add significantly to revenue, but the margins are thinner than on SanDisk's SSDs.
Will investors pay the price?
SanDisk currently trades at a premium valuation compared to its peers. Its trailing P/E ratio of 22 is well above Micron's P/E of 13.8. As such, even a small amount of disappointment in SanDisk's earnings report could cause a harsh drop in the stock price. Investors holding on for the long haul ought to pay attention to how management plans to grow into its valuation through Fusion-io and its expanding gross margin.
Leaked: Apple's next smart device (warning, it may shock you)
Apple recently recruited a secret-development "dream team" to guarantee its newest smart device was kept hidden from the public for as long as possible. But the secret is out, and some early viewers are claiming its everyday impact could trump the iPod, iPhone, and the iPad. In fact, ABI Research predicts 485 million of this type of device will be sold per year. But one small company makes Apple's gadget possible. And its stock price has nearly unlimited room to run for early in-the-know investors. To be one of them, and see Apple's newest smart gizmo, just click here!
Adam Levy owns shares of Apple. The Motley Fool recommends Apple. The Motley Fool owns shares of Apple. Try any of our Foolish newsletter services free for 30 days. We Fools may not all hold the same opinions, but we all believe that considering a diverse range of insights makes us better investors. The Motley Fool has a disclosure policy.


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|Shooter Games: The Range Public discussion forum for all shooter games.
|Thread Tools
|22nd January 2011, 04:11 PM
|#21 (permalink)
>> TOG public FPS forum º ned's FPS maps/mods xfire Team
>> ned.theoldergamers.com
|22nd January 2011, 11:47 PM
|#22 (permalink)
So cool
Totally brings back my youth - and the reason I used to love playing FPS's
I've got to just point something out here - I haven't laughed in a game promo trailer for years - and it's not because I lost my humour-glands.... Modern gaming desperately needs a shot of Duke!!!
Hail to the King baby!!
|5th May 2011, 02:35 PM
|#24 (permalink)
Minimum Specifications
OS: Windows XP/Vista/7
Processor: Intel Core 2 Duo @ 2.0 Ghz / AMD Athlon 64 X2 @ 2.0 Ghz
Memory: 1 Gb
Hard Drive: 10 Gb free
Video Memory: 256 MB
Video Card: nVidia GeForce 7600 / ATI Radeon HD 2600
Sound Card: DirectX Compatible
Recommended Specifications
OS: Windows XP/Vista/7
Processor: Intel Core 2 Duo @ 2.4 Ghz / AMD Athlon 64 X2 @ 2.6 Ghz
Memory: 2 Gb
Hard Drive: 10 Gb free
Video Memory: 512 MB
Video Card: nVidia GeForce 8800 GTS / ATI Radeon HD 3850
Sound Card: DirectX Compatible
Initial installation requires one-time internet connection for Steam authentication; software installations required (included with the game) include Steam Client, Microsoft DirectX, Visual C++ 2005 Redistributable (ATL), Visual C++ 2008 Redistributable, and AMD Dual Core Optimizer. (AMD optimizer required only for specific AMD processors to run the game correctly, but installs for all of them.)
SOURCE Duke Nukem Forever PC Specifications Released - Voodoo Extreme
|1st June 2011, 04:39 PM
|#25 (permalink)
I am guessing quite a few TOG members will be purchasing this game due to the fact that a lot of us played the original to death and loved it.
I have been looking at pre-ordering, but am a little confused with all of the different pre-order deals. Do all copies come with the DLC (unlockable content) that EB Games are offering with the King Edition?
Some retailers are offering pre-order bonuses such as DLC content
Others are offering a Duke baseball cap (JB HIFI)
And others don't mention any kind of addition content.
Some of the deals so far:
ozgameshop.com - Game only? (free delivery) $43.99 AUD
EB Games - King Edition with DLC $98.00 AUD
JB HIFI - Game only? with bonus Duke Nukem baseball cap $89.00 AUD
Steam - Game only? Currently 10% off @ $71.99 USD (reduced from $79.99 USD)
So where are you guys going to purchase the game from?
Sig created by Juganort
|1st June 2011, 05:38 PM
|#26 (permalink)
Grabbed it through Steam - not fussed what it does or doesn't come with - just so long as it gets here
And yes, played it to death "back in the day" My first (and most memorable) multi-player experience!! The hilarity from shrinking your mate and trying to stomp him to death... ahh those were the days
|1st June 2011, 06:41 PM
|#27 (permalink)
Amazon here, I'm getting the balls of steel edition $89 but look at all the swag!
Makes the local copies look like the rip offs they are.
"If a job's worth doing, no further justification is required." - Alice: Madness Returns
"It takes just as much work to achieve failure as it does to achieve success."
|1st June 2011, 06:56 PM
|#28 (permalink)
Sig created by Juganort
|4th June 2011, 11:10 AM
|#29 (permalink)
Anyone who bought Borderlands through Steam now has access to the Duke Nukem demo
I'm downloaded, but haven't had a chance to look at it - Info here at Internodes Games on Net: Games On Net :: General News: Duke Nukem Forever Demo Released for First Access Club Members
There's also a new trailer there too
|Thread Tools


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Soft Flesh And Orgies Of Death: Fiction, Features & Art From Classic Men's Adventure Magazines
by Pep Pentangeli
14 used & new
4.0 out of 5 stars
All the "Soft Screeming Flesh" You've Ever Wanted!
Feb. 27 2016
Verified Purchase
What's this?
This review is from:
Soft Flesh And Orgies Of Death: Fiction, Features & Art From Classic Men's Adventure Magazines (Paperback)
This is one of 3 books that reproduce a selection of the warped stories and art that formed the content of the (s)exploitational "Men's Magazines" that populated the magazine racks back in the 1950's - 60's. In their original incarnation - these were pulpish publications with cheesy newsprint interiors and lurid color cover art that typically depicted men and/or women suffering some sort of horrific abuse. The subject matter covered in the stories varied from tales of 'man against nature' wilderness adventures to (in the aftermath of WW II) war horror recollections of grim battles and even grimmer tortures at the hands of the Nazis and Japanese warlords. Additional sensational plots were gleaned from accounts of 'real-life' murderers and 'human monsters' of yore, plus lots of scary exposes dealing with modern slavery, drugs, gangs, juvenile delinquents, rampant nymphomaniacs, and the like. All in all it was pretty over the top stuff that has, now in retrospect, become a rich source for kitschy nostalgia.
It's a little ironic that this most sleazy and reviled of pulp hardcore has NOW been given a first class re-introduction to the world! The yellowed newsprint has been replaced by thick glossy paper stock as a medium to reproduce the words and graphics that one often hardly dared to be seen looking at back in the day! This slick presentation is welcome for the picture reproduction - but seems a little overblown for the accompanying prose. Most of the illustrations that are provided are in B&W. Some reviewers have 'wished' that they were printed in color - BUT - the original interior artwork was actually mostly printed in B&W! There was a special style of painting that was developed for these magazines - with the artists working in gray toned tempra paints - that is unique to the genre - and it IS nice to have so many of these B&W illos made available for viewing again!
There IS a section in each of the books (towards the front & back covers) that reproduces some of the cover art work in full color. My 'complaint' with this section is that, rather than re-printing the cover as it originally looked, the editors have chosen to 'zoom-in' on only a (detail portion of the cover! While this does present some nice close-up detail of the artist's 'technique' - the over-all image cannot be appreciated! This is the situation for all 3 of the books currently in print.
Fortunately, for those who really want to see more of the artwork - there are some other books (recently published) that focus in primarily on the cover art. One of the best examples is the volume: "It's A Man's World: Men's Adventure Magazines" (available from Amazon!) that gives a great overview of the entire Men's Magazine phenomenon and reproduces literally hundreds of 'shocking' covers - organized by subject matter. "It's A Man's World..." is definitely the better of the books dealing with this weird sub-slice of period publishing - it is much broader in its' analysis and information on all aspects of the genre. BUT - if you find yourself wishing you could still read some of the crazed content that the covers allude to - this series of 'facsimile reproductions' gives you that opportunity.
Don't expect any Pulitzer Prize quality writing in these compilations of sleaze - but there's lotsa 'screaming tormented virgins' and 'blazing gun heroic adventure' to be 'enjoyed'. For me it was a bit of a trip down memory lane back to the days when I was just a young lad too nervous to even pick this jaundiced product up off the shelf. Now it just makes a great 'conversation starter' in our current age of anything goes mega-porn. All the whip-wielding nymphos and tormented maidens seem almost like a return to a simpler, happier time. Recommended - if you like this sorta bent stuff.
Super Eruption [Import]
Offered by thebookcommunity_ca
7 used & new
1 of 1 people found the following review helpful
3.0 out of 5 stars
Glad it was cheap!
May 30 2015
Verified Purchase
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This review is from:
Super Eruption [Import] (DVD)
"Super Eruption" is a made for the SyFy Channel product that chronicles the effects of a potential eruption of the massive volcanic caldera that houses Yellowstone National Park. Personally, I love a good disaster flik and am particularly drawn to scenarios that involve volcanic and/or tsunami action. "Super Eruption" definitely delivered lotsa lava action, but was pretty flawed in many areas of its' basic plot development and editing - thus detracting from its' enjoyment level.
Perhaps one of the most disturbing elements, for me, was the fact that the film was obviously NOT shot in Yellowstone Park - or even America. As is the case with much SyFy Channel product the end credits revealed that the production took place in Eastern Europe and the landscape just didn't look 'right'. I have visited Yellowstone and know what it looks like - this factor alone made it hard to get into the feel of the film. The acting was all reasonably well done, but the story line was so 'by the numbers', that it just didn't build any kind of suspense or intrigue and, ultimately, relied on some rather improbable twists that totally destroyed any credibility in the plot. The CGI effects were pretty decent throughout but they felt sorta 'wasted' due to the sloppiness of the screenplay.
A vastly superior take on the same Yellowstone eruption premise was realized in the Knowledge Network generated docu-drama "Super Volcano" which is available on DVD, and the Yellowstone sequence in the film "2012"also gives much better 'bang for the buck'. Still - "Super Eruption" wasn't the worst thing I've seen come out of the SyFy pipe and it could be recommended for some light weight diversion by fans of the genre.
Pain Or Pleasure? [Import]
2 used & new
2.0 out of 5 stars
Nov. 29 2014
Verified Purchase
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Pain Or Pleasure? [Import] (DVD)
Purporting to be an introduction to the world of fetish and BDSM this DVD was long on talking and short on action. Perhaps its' one redeeming value might be that it does make the world of fetish seem approachable by portraying the world of dominance and submission as a sort of glorified tool for individuals to work thru their sexual hang-ups.
Via a series of interviews with people involved in the fetish scene topics such as rope bondage, domination, foot fetish and the like are skimmed over by both professional dominatrix and submissives. There is certainly nothing 'offensive' in this production, and no nudity either.
If the goal was to make the world of kink and fetish appear bland and (almost) normal - then this DVD succeeds! - which (sadly) is to say it rather sucks if the viewer is looking for some arousing content. Can't really recommend it as anything other than the most basic primer on the subject for those who haven't a clue. Save your money.
Killer Mermaid [Import]
16 used & new
3.0 out of 5 stars
Pretty Fishy
Oct. 2 2014
Verified Purchase
What's this?
This review is from:
Killer Mermaid [Import] (DVD)
"Killer Mermaid" starts off promisingly enuf!... A young couple are making out on the Adriatic sea shore - the girl takes off her top and goes into the clinch with her BF - BUT - suddenly HE is lured into and under the water by a mysterious haunting melody and the shocked girl is simultaneously dispatched by an, unseen, on-shore psycho killer. This duel threat scenario of land-based AND water-based killer(s) is an interesting concept and sets the stage for all the subsequent action - wherein the usual group of young people with a variety of socio/sexual entanglements get picked off one by one as the plot progresses. At the same time this is indicative of the, sort of, schizoid approach that this film demonstrates, as it moves forward, that I found tended to detract from its' potential success. Is it a slasher flik OR is it a killer mermaid flik?!?
While there WERE a few original concepts & creepy moments - much of the movie seemed derivative & pretty 'by the numbers'. For starters - it was hard not to make comparisons with Spielberg's JAWS as 'Killer Mermaid' utilized so many of its' sorta 'over-used' techniques in attempting to provide thrills & chills... such as: the numerous underwater scenes with pulsating music alluding to the unseen aquatic threat - the grizzled old 'Quint'-like mariner who spins a long-winded scary tale of doom, and the key characters who ultimately end up in a vulnerable little boat on the sea anticipating an attack from the deep! Personally, I found it a little disappointing that so much time was devoted to the land based murderer - I was expecting and hoping for more mermaid action!
On the 'plus' side: the cast was attractive (lotsa skimpy bikinis!) and the dialog, albeit banal, was delivered adequately - though there was a LOT of verbal exposition that sorta slowed things down on several occasions. The 'mermaid' was pretty effectively realized AND had an unusual feature... a remarkably nice butt! - not the 'classic' asexual fishy lower extremities one typically sees in mer-creatures - this one has an attractive pink 'booty' B4 the tail begins! She was pretty gorgeous... when she wanted to be. It was also nice to see x-ploitation alumnus Franco Nero resurrected to fulfill the role of 'Nikos' - the sage old salt who tries to warn the young folk away from danger. The locations were interesting and definitely added to the 'sinister' feel of the film.
On the 'negative' side of the equation, however, I would again note the formulaic nature of many of the plot devices and the manner in which the story is told - not many surprises here! There are some fairly massive incongruities in the action and the, previously mentioned, tendency to try to 'explain' things in long winded soliloquy that generally slackened the pace and tension of the proceedings. Also - for fans of such - there ultimately was very little 'skin' on display beyond the brief opening sequence - Heck! even the 'topless' mermaid hardly revealed her upper torso to much advantage... apparently relying more on her 'siren song' to lure the men into her deadly embrace.
Over-all I found this eastern-European stab at horror to be OK - but with a little more originality and imagination it coulda been so much more... a bit more screen time for the titular mermaid wouldn't have hurt either. Perhaps more of a 'renter' than 'a keeper'- in my opinion - BUT worth a look! Widescreen format - English language - some nice extras.
Young & Beautiful [Import]
Offered by Fulfillment Express CA
17 used & new
5 of 5 people found the following review helpful
4.0 out of 5 stars
Sleep-walking Through Her "Sexual Awakening"
Sept. 16 2014
This review is from:
Young & Beautiful [Import] (DVD)
As this film "Young & Beautiful' began to tell its' story of the sexual (mis)adventures of a lovely young (17 year old) French maiden "Isabelle" it (initially) reminded me of another recent French film that explored the world of young women and prostitution: "Student Services"(see my review of same for more on that film). In both movies the, rather disaffected, heroine of the tale dabbles in the 'play 4 pay' lifestyle to earn a little spending cash and both are seemingly emotionally quite distant from the intimate acts they are performing and the people that they are performing them with. But, whereas the plot of "Student Services' never went much beyond the rather mono-dimensional self loathing evinced by its' lead female "Young & Beautiful" takes some interesting twists and turns and presents a much more complex set of characters and circumstances and is ultimately, I feel, a more engaging and successful film because of that fact.
Perhaps this is partially due to the purported 'age' of the lead character - who determines to lose her 'cherry' on her 17th BD (and does!) then sets out to market herself on the internet as an 'escort' - all this while she is still, technically 'under-age', living at home with her family. It is ultimately this interaction w/ the complexities of the various family members that gives the film its' soul and poignancy. The Director does a fine job of revealing the various story elements and personalities slowly and providing just enough information about them to make them real without becoming moralistic or overindulgent about any of the proceedings.
The gorgeous ingenue lead actress (Marine Vacth) effectively portrays the (typically teenage) rather self-centered young woman who is coming to grips with her own physical sexuality but doesn't have much of a handle on the emotional aspects of it yet. She makes a very convincing 17 year old and rewards the viewer with many scenes sans clothing as she plies her trade - all of the sex scenes are tastefully presented - nuthin' gratuitous or XXX! Ultimately this is a film dealing with the complex nature of human sexuality and family relationships - I found it to be refreshingly candid and non-judgmental in addressing these topics (doubtless a Euro/French touch!) and would recommend it as an intriguing viewing experience for just about anyone. French language with English subs.
L'Immortelle [Blu-ray] [Import]
10 used & new
1 of 2 people found the following review helpful
5.0 out of 5 stars
Enigmatic Cinema Personified
Aug. 25 2014
This review is from:
L'Immortelle [Blu-ray] [Import] (Blu-ray)
"L'Immortelle" is one of several recent releases of films written and directed by French writer and film-maker Alain Robb-Grillet. In North America it appears that the Redemption DVD authoring group have secured the rights to distribute his works - while in England the British Film Institute (BFI) has the honor. Redemption has issued 5 films/disks 'individually' while the BFI has presented them in a nice 6 film retrospective box-set ( a format that is ultimately less expensive per film. The BFI set is , however, in the Euro Region 2 PAL format and requires a 'region-free' DVD player to view
The majority of Robb-Grillete's works have been generally un-available for 'home viewing' for decades. - this current collection presents some of his earliest works from the 1960-70's period when he was first trying his hand as a Director, after achieving his initial recognition for scripting the French art-house classic: "Last Year At Marienbad". "L'Immortelle" was, in fact, his first solo directorial outing and it continues to feature many of the surreal and enigmatic elements that were explored in '...Marienbad".
After viewing a body of Robb-Grillete's works, and reading some analysis of his films by cinema scholars, a pattern begins to emerge that helps the viewer to appreciate where he was coming from and what he was trying to achieve. Such background info is really helpful, because without it his films may initially seem very disjointed and abstract - even by art-house standards. Robb-Grillete enjoyed 'playing with' the peculiarities inherent in format of cinema and using , and abusing them, to his own ends to create a film experience that challenges the viewer's normal expectations for how a film should evolve. He pretty much ignores the concept of a linear plot progression in most of his scenarios and his plots and characters constantly fold back in upon themselves providing multiple viewpoints and time frames that ultimately provide a very surreal experience. One should not expect everything to wrap up tidily at the end of the show but one may expect the film to 'stick with them' for a while after viewing due to the enigmatic nature of the images and concepts presented - almost like a 'waking-dream'.
Alain Robb-Grillete, & his 'partner' Catherine (who makes regular appearances in his films) were both noted for their "outre' " sexual preferences that leaned in the BDSM direction, and many of his films featured elements that portrayed this personal penchant for S/M symbolism and lifestyle. Not surprisingly - this flirtation with 'forbidden' sexual practices often drew the ire of film censors and some of his film's were 'banned' in certain countries for many years - contributing to his obscurity and the (previous) difficulty in accessing his works. Ironically (and despite all the '50 Shades of Gray' allusions on the box cover) "L'Immortelle" actually contains virtually no images or references to these themes of sexual dominance & submission!... nor any 'nudity' within its' contents - whereas later films ( such as 'Trans Europe Express', "Successive Slidings of Pleasure", and "Gradiva' for example) provide a hefty dose of the aforementioned.
That info notwithstanding - "L'Immortelle" is one of the 'spaciest' most intriguing movies I have seen in a long while and qualifies as a genuine surreal experience. It is practically useless to try to describe its' 'plot' because it doesn't really have one, yet the film mesmerizes the viewer with a hypnotic quality that is quite unique. Beautifully filmed in B&W in exotic locales in Istanbul, Turkey the characters, and audience, are caught up in Robb-Grillete's dream-like spell. This is a great intro to this creative film-maker's work and a pretty psychedelic viewing experience. Highly recommended! French language w/ English subs.
Jailbait [Import]
7 of 7 people found the following review helpful
4.0 out of 5 stars
Bend Over And Spread 'Em
June 5 2014
Verified Purchase
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Jailbait [Import] (DVD)
"JAILBAIT" provides a very acceptable, albeit rather 'by the numbers' modern foray into the venerable WIP genre of exploitation movies. Pretty much all the 'stock' action that one has come to expect and enjoy from the incarcerated females scenario are present: a 'wrongfully accused' heroine, the de-rigeur humiliating body cavity search, lotsa communal showers, a despicable warden, inter-racial tensions, lesbian love-ins, bad cafeteria food, AND full nudity abound.
The lead actress (Sara Malakul Lane) does a credible job as the sexually abused teenager (with outstanding cello playing skills!) who gets 'sent up the river' after accidentally killing her lecherous step dad while he is in mid molestation mode - though her purported 17 yr old persona is somewhat challenged when she removes her clothes (which she does A LOT!) to reveal a body that looks like it's got a few more years on it than advertised (but is VERY pleasing to behold, nonetheless!). She's got great freckles, and can even act - as her 'character' must come to grips with the brutal realities of prison life.
The plot moves forward with a satisfying predictability and decent performances all around - nothing really 'new' here - but then why mess with a successful formula?! A light weight and enjoyable viewing experience if you are a fan of women in the slammer flix.
Pompeii (Bilingual)
~ Kit Harington
13 used & new
2 of 4 people found the following review helpful
4.0 out of 5 stars
Spartacus V/S Vesuvius
May 18 2014
Verified Purchase
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Pompeii (Bilingual) (DVD)
I'm a big fan of films that feature volcanic catastrophe (both real and imaginary) and the infamous tale of the Roman city of Pompeii that was buried by the eruption of Mount Vesuvius in 79AD holds a special place in the lexicon of cinematic treatments for this genre. Previous re-enactments of the story have been made several times, perhaps most notably with multiple versions of "The Last Days of Pompeii" - wherein some involving storyline of human entanglements is interwoven with the ultimate eruptive spectacle whence the studio SPFX crew get to unleash a lot of impressive destruction on the 'characters' and film audience.
This most recent re-telling of the saga seemingly looks to take advantage of the current state of the art in volcanic CGI effects to provide an eruption of unprecedented realism and visual impact (which it does manage to do pretty effectively!) BUT I found the rest of the film to be pretty formulaic as the director attempts to develop some engaging sympathy for the fore-doomed characters whose lives it chronicles up to their pre-determined historical climax. This version presents a rather simple tale of revenge as a 'barbarian' youth from a Celtic 'horse tribe' has his family wiped out and is carried away to the slave pits (shades of Conan the Barbarian) by the evil Roman conquerors and ends up becoming a gladiator in Pompeii. Along the way his equine skills bring him to the attention of a beautiful aristocratic Pompeiian lady with whom he ultimately develops a love affair - AND a bro-mance, of sorts, with a rival massive 'Nubian' gladiator who is 'fighting for his freedom'. Add to the mix the thoroughly smarmy Roman Senator who is also lusting after the lovely maiden and the stage is set for some interpersonal fire-works. The 'fun' thing about Pompeii based films is that you just know that all the puny human interactions are gonna get interrupted, big time.
Once Vesuvius starts to do its' thing the screen definitely 'lights up' with some impressive pyrotechnics - but - there have been so many similar spectacular CGI 'eruptions' in recent disaster flix (such as the Yellowstone sequence in '2012' or the volcano 'god' in 'Wrath of the Titans') that there isn't much 'new' to be experienced - despite the film's promo hype-line that: "you've never experienced anything like THIS before!" Personally, I have read a lot about the actual Pompeii (even had the pleasure of visiting it!) and from that perspective came my biggest pros and cons for the movie. On the positive side - this version of Pompeii does a fantastic job of digitally recreating the ancient city with great accuracy. Areal perspectives of the city show it exactly as it was laid out and the set designs at street level also are very authentic in depicting the look of the dwellings and life in those times. On the negative side of reality - there is a glaring error in the way the demise of Pompeii is presented. In the film Pompeii is shown being engulfed by a giant pyroclastic cloud of super-heated material sweeping rapidly over everything. Pompeii was, in actual fact, covered by a persistent 'rain' of pumice stone that rapidly (over the course of several days) 'buried' the city and its' remaining inhabitants in an ironically 'gentle' but deadly crushing embrace! The pyroclastic phenomenon actually occurred a bit to the north of Pompeii where it wiped out the seaside city of Herculenium. Amidst all the raining fire balls, tidal waves, and earthquakes it becomes a bit incredulous that the lead characters continue to battle one another for the hand of the maiden and the director pulls out every cliche to have the bad guys keep popping up in 'Terminator'-esque fashion to add more tension to a situation that is already about as tense as could possibly be imagined.
It's an interesting side-note of historical fact that the real rebel gladiator 'Spartacus' did 'take refuge' from the Roman army in the caves upon Mt Vesuvius (well prior to its eruption). In a peripheral vein... I read an xlnt novel entitled 'Pompeii' by British author Robert Harris - wherein the lead protagonist was an aquatic engineer sent to Pompeii to determine the cause of irregularities with the City's complex water system (a foretelling of the volcanic event). This presented an intriguing character and action that was equally as involving and more 'interesting' than the rather 'stock' vengeful gladiator / frustrated love affair re-hash that this film based it's plot upon. It also provided a nifty 'escape clause' for the hero & heroine. Too bad that the producers couldn't have had a little more imaginative vision.
Ultimately, I would recommend this version of 'Pompeii' mostly for its''production values' and CGI volcanic effects - worth adding to the collection, but maybe after the prices come down a little. The best (and most authentic) recounting of the Pompeii tale I've seen is the documentary piece produced by the Discovery Channel for TV entitled "Pompeii - The Last Day" (available via Amazon) - IT gets the facts straight, has amazing production values, and manages to develop way more empathy for its' characters in its short run-time... Fellow volcano-philes may wish check IT out.
~ Linnea Quigley
Offered by Paragon OS3
5 used & new
3 of 3 people found the following review helpful
4.0 out of 5 stars
What People Won't Do For A Shot At Stardom!
Jan. 13 2014
Verified Purchase
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Auditions (DVD)
Like others, undoubtedly, I was made aware of this strange little conglomeration of 'auditions' via the rap that Full Moon producer Charles Band has included on all of the recently released "Grindhouse Collection" DVDs. Band 'purports' that the 'tape' was compiled from the out-takes of a series of casting call 'auditions' held for an 'adult' feature he was contemplating, back in the day. With the exception of the 'discrepancy' surrounding the stated age of an ingenue Linnea Quigley (pulling a Tracy Lords underage stunt) and a couple of appearances by individuals who appear to be just TOO weird to be real... I pretty much took Band at his word that this IS/WAS an actual 'audition' experience... or at least SOME of it was.
Regardless - watching the parade of male and female Hollywood 'hopefuls' strip down and perform (often embarrassingly) intimate acts for 'the camera' is definitely amusing and amazing - what people won't do for a shot at fame (or a few bucks)! The highlight(s) of the whole affair are the lovely young actress wannabes who disrobe (completely!) at the urging of the unseen 'directors' orders and demonstrate their willingness to do just about 'anything' to get a part.
As others have stated - the visual quality of this (full-screen) DVD is not great - looking pretty much like it was unceremoniously duped off an old VHS tape. I've (unfortunately) noted this tendency to poor transfer quality on many of the Full Moon "Grindhouse" product - some are good and some suck. Overall - I found "Auditions" to be a fun watch - regardless of its' 'authenticity'... and would recommend it for some light-weight entertainment.
Gainsbourg (Version fran�aise) [Import]
15 used & new
5.0 out of 5 stars
Xlnt Intro to Franco Phenom
Jan. 13 2014
This review is from:
Gainsbourg (Version fran�aise) [Import] (DVD)
I came to view this film via the somewhat oblique route of tracking down movies featuring the lovely Euro uber Model/Actress: Laetitia Casta. As a North American resident my only previous awareness of Serge Gainsbourg was through his (back in the day) romantic/musical connections to Brigitte Bardot (of whom I, among millions of others, am a big fan!) - I knew he was a French singer/composer and pretty goofy looking and that was about 'it'. Since this film featured the gorgeous Ms Casta playing BB I just had to check it out! In retrospect - I'm glad I did - because not only did it provide one of the most satisfying filmic turns for Laetitia that I've seen to date, but it also provided a fascinating introduction to a European mega pop star of prodigious talent and personality.
It might be noted that this DVD offering is a 2 disk set - the second disk contains a 20 min featurette on the 'Director' of the film - French artist Joann Sfar. Sfar is apparently a huge fan of Gainsbourg and he previously produced a 'graphic novel' that chronicled Serge's life, and upon which he based this, his (premiere!) film making effort. The images of Sfar sketching in his own artistic notebooks mirror Gainsbourg's own early forays into art (which he ultimately abandoned in favor of music) and demonstrate the degree to which his art was influenced by Gainsbourg.
Altho this is an inaugural Directorial outing for Sfar it certainly doesn't show - the film is not only thoroughly professional in every aspect but unusually inventive in how it presents its' story. The lead actor (Eric Elmosnino ) who portrays the adult Gainsbourg is excellent in the role and all of the actresses who play his lofty love interests are equally attractive and entrancing - as noted: Laetitia makes a very convincing BB! The movie covers a lot of ground - conveying pretty much all the notable stages of Gainsbourg's life: from precocious adolescent, through his pop ascendancy, into ultimate superstar burnout. One can imagine that Euro-viewers of this biopic would be humming along with the string of musical 'hits' that are portrayed within the film, as the plot & years progress. While N. American audiences might not have this same 'connection' to the material - the film still provides an engrossing and interesting experience and introduction to a major musical talent. I really enjoyed it! Technically - the film is presented in widescreen format - French language w/ English subs - numerous 'extras'.
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"Orange Is the New Black" hit fans by storm last year and helped make binge-watching television shows a cool thing to do. The Netflix-only series is set to make a comeback this summer with Season 2. There are a lot of unknowns that will be addressed in the second season and fans are looking forward to more information about some of the popular characters. According to a March 15 report from Today, there is a new head honcho in prison and she is going to give Red a run for her money. Things between Red and Vee will get crazy, prompting a change in the way things flow.
Season 2 of "Orange Is the New Black" is going to feature both back-stories and flashbacks. There are so many characters fans have yet to know about. "Crazy Eyes" will be heavily featured and she is set to be released from prison. Lorna's story will evolve and fans will get a peek at what made her act the way she does. For fans wondering about Piper and Larry, the good news is there is still some hope for their relationship and they may work through things.
The second season of "Orange Is the New Black" is set to hit Netflix June 6. There will be 13 episodes and it promises fans more meat than Season 1. Fans everywhere are excited to watch the second season and see more about the characters and where things will be headed once Vee arrives.
To be among the first to receive news from the Chicago TV Examiner, please subscribe here or at the top of the page. It's anonymous and completely free. You can contact the Chicago TV Examiner by emailing firstname.lastname@example.com.
Suggested Links
- 'Pretty Little Liars': The entire cast to tweet live during Season 4 finale
- 'General Hospital' spoilers: Elizabeth finds out the truth about Ben
- TNT's 'The Private Lives of Nashville Wives' has potential to be a huge hit
- ABC's 'Resurrection' heats up Twitter with series premiere
- Emily Dees Boulden and Nicole Noles want to 'Swank-over' Southern California


text: You will be head over heels for these saucy little numbers! They will perfectly compliment any outfit for any occasion! Make sure to add these to your collection, they definitely are a must have! The features for these heels include a patent faux leather upper with a strappy design, open toe, chain accents, stitched trim, back zipper closure, smooth lining, and cushioned footbed. Approximately 5 3/4 inch heels and 2 inch platforms. Style: shoes-heels-ami-kyle-04bluemlt Brand: AMI Clubwear


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Tuesday, August 26, 2008
Casey's Restaurant, Toronto, ON
We haven't all gotten together since the weekend in Dunsford in June. It was good to catch up.
8 comments:
- Lyn said...
Wow, you take pix of your food too, and I thought I was strange (no wait my family does, that's it, lol)
- 27 August 2008 at 02:45
- OldOldLady Of The Hills said...
You Gals look like you are having a great time together! Nothing like getting together with Good Good Friends!
- 27 August 2008 at 04:39
- Sarah said...
That's great that you all still get together. It's nice to have good friends like that.
- 27 August 2008 at 09:23
- Teresa said...
Fun times. I'm part of a group as well, the holidays have cut into our fun. Theres is nothing better then getting together with a group of good friends and having a gab fest.
- 27 August 2008 at 10:26
- Tina said...
chicken palm looks yummy yummy!
its nice to get together with all your mates especially in a group- its more fun i think ;)
- 27 August 2008 at 13:43
- Kareen said...
Hi there, thank you for your message in my blog! That was very nice! A big hug from Argentina, South America.
- 27 August 2008 at 13:58
- .:*:. Ferípula .:*:. said...
I want!!!!!
Please!!!! Unos fideos !!! ñam ñam...:)
Kisses from Argentina ♥
- 27 August 2008 at 17:42
- Tammy said...
The food looks good, but those drinks look yummy! LOL
- 27 August 2008 at 20:25


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D Magazine "Head in the Clouds" Clouds 365 Project Article
The October issue of D Magazine hit the stands today. There is a nice article and layout about myself and the Clouds 365 Project. Here is the link or click to enlarge the image above
Head in the Clouds
One photographer found a way to make shooting the sky his job. He has done it every day for more than 1,100 days.
Clouds 365 Project Nominated for the 16th Annual Webby Awards
I am so excited to announce that my Clouds 365 Project has been nominated for the 16th Annual Webby Awards in the Personal Blog/Website category. This marks the 3rd consecutive year Clouds 365 Project has been a finalist!
Hailed as the "Internet's highest honor" by The New York Times, The Webby Awards, presented by the International Academy of Digital Arts and Sciences (IADAS), is the leading international award honoring excellence on the Internet. The IADAS, which nominates and selects The Webby Award Winners, is comprised of web industry experts, including media mogul Arianna Huffington, Skype CEO Tony Bates, SHFT.com co-founder Adrian Grenier, Instagram co-founder Kevin Systrom, mobile-phone inventor Martin Cooper, and Mikael Hed, CEO of Rovio, creators of the Webby Award-winning game app Angry Birds.
"Nominees like Clouds 365 Project are setting the standard for innovation and creativity on the Internet," said David-Michel Davies, Executive Director of The Webby Awards. "It is an incredible achievement to be selected among the best from the nearly 10,000 entries we received this year."
As a nominee, the Clouds 365 Project is also eligible to win a Webby People's Voice Award, which is voted online by fans across the globe. From now until April 26th, Clouds 365 Project fans can cast their votes at http://pv.webbyawards.com/ballot/3 (Personal Blog/Website category). I will be shamelessly asking for your vote
Winners will be announced on Tuesday, May 1, 2012 and honored at a star-studded ceremony on Monday, May 21, 2012 at The Hammerstein Ballroom in New York City.
Texas based landscape photographer, Kelly DeLay is the creator of the Clouds 365 Project. The project started July 1, 2009 and it represents a commitment to do something creative every day. It is not intended to be separate from everyday life. "I want this practice of observation to be tied into the fabric of my life—the habit of looking up and noticing the patterns and beauty of the clouds that envelop us every single day. Embarking on this project has also caused me to think about the values that I am pursuing" The project is dedicated to art, learning, determination, processes, patterns and obsession.
The Clouds 365 Project enjoys millions of worldwide visitors each year. Acknowledged by the New York Times, ABC News, Le Monde, Wired, SXSW and the Webby Awards.
Hailed as the "Internet's highest honor" by the New York Times, The Webby Awards is the leading international award honoring excellence on the Internet, including Websites, interactive advertising & media, online film & video, and mobile & apps. Established in 1996, the 16th Annual Webby Awards received nearly 10,000 entries from all 50 states and over 60 countries worldwide. The Webby Awards is presented by The International Academy of Digital Arts and Sciences. Sponsors and Partners of The Webby Awards include: Yahoo!, Vitamin T, MLB Advanced Media, Rackspace Hosting, JWT, The Atom Group, Financial Times, PricewaterhouseCoopers, and Guardian News and Media.
Clouds 365 Wins SXSW Interactive Web Award
The Clouds 365 Project won the SXSW Interactive web award in the Personal Portfolio category Sunday night. The trophies are way cool!, called Thingamagoop 2. They were created by Bleep Labs (bleeplabs.com). I was very excited when they called our name, so the walk to the stage was a bit surreal that is for sure. I have a few people to thank for making this possible – Manny (WordPress theme developer / programmer for Project and Community sites), Justin (iPhone App developer and Community website programming), Misty (Brilliant writing when I need it!) my wife Stephanie (Editor, Pro Photographer, Consultation and letting me do this!), the awesome Facebook Fan Page (51,000 and growing) and my friends Nicco and everyone else at EchoDitto (you know who you are) and Laurie (constant advice and encouragement) without them I would not be doing this project.
I have to admit, I was a little disappointed that we did not win the people's choice. The Facebook group voted everyday, the group is amazing, Thank You!!
It was nice to receive validation from my peers. I strive to do better everyday because of them. Thank you so much!
Here is the video from the other night. It was shot with a Flip HD, so it is a little wobbly. I am glad Stephanie got the footage however.
Here are the press links where the Clouds 365 Project is mentioned for winning personal portfolio:


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There are days when I feel that the varied and vibrant landscape of this country
is the whole reason I write and sing anything at all. Whether it's the forests of
the Oak Ridges Moraine that I roamed as a lad or the conifers of Clayoquot that I
finally got to explore this past summer, this land makes me sing. My wife and I take
the train all over Canada. Most of the time I've got my face pinned to the glass,
drinking in every bluff, slough, river, rock and prairie that passes by with some
kind of folk-rock orchestra thrumming through my mind, trying to echo and mirror the
swoop and pulse of the land we're crossing.
All of this geographic wonder has filled me with the belief that singing about the
experience of landscape is important. Just as our lives depend on the health of the
land, our souls and sense of community depend on our singing of that land. The Canadian
countryside draws me to this tradition, not just by its immensity and diversity, but
also by the myriad stories of our interaction with it, and by the fact that these
landscapes largely go unsung. But there are songs to be found. Whether hearing Georges
Dor's musical love-letter about working by the Manicouagan Impact Crater ('La Manic')
or David Francey singing about rolling farms of Peterborough County ('Green Fields'),
my sense of the land is informed more by song than by maps or photos. It seems to
be the most natural of dialogues. And for me, the more landscape I experience on my
travels across Canada the more I want to write and sing about it, which in turn propels
me to go and explore more.