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Georgia Tech NCAA Regional Semifinal Quotes
Georgia Tech pre-NCAA Regional press conference quotes
March 23, 2012
Georgia Tech Women's Basketball
Friday News Conference Quotes
2012 NCAA Tournament Regional Semifinal vs. Baylor
Friday, March 23, 2012
Wells Fargo Arena | Des Moines, Iowa
Georgia Tech head coach MaChelle Joseph:
Opening Statement: "First of all, I want to say how excited we are to be here in Des Moines and have an opportunity to compete with some of the best teams in the country in a Sweet 16. Obviously, it [Sweet 16] is the first one in the history of our program, which makes it very, very special for us. We are playing very good basketball right now. We have had some players step up in the postseason that have had some big games and really pushed us over the edge. Anything can happen in tournament play, and that is why we play in the NCAA tournament. It is an opportunity to compete and beat some of the best teams in the country. We are very excited to be here with the opportunity to go up against No. 1 Baylor, who is undefeated and has one of the best centers to ever play the game. It is an exciting challenge for our team, and we are happy to be back here in Des Moines. It is our third time to be in Iowa for the NCAA tournament in six years. So, we kind of feel like this is our second home when it comes to postseason play."
On the defensive challenge Baylor's Odyssey Sims presents: "Odyssey is obviously a tremendous perimeter player. One of the things that the ACC has done for us is presented us with the opportunity to defend some of the top point guards in the country. In the ACC, we see guards like Odyssey on a regular basis. So, with defending her, and having someone like her defend us, we are very familiar with that style of play and her aggressiveness on the defensive and the offensive ends. So it is not, with Odyssey, a situation we haven't seen before. That is something with Sugar Rogers at Georgetown; we just played against someone who is a prolific scorer and tremendous defender. Therefore, that is not something that is new to us. Miami has tremendous guards. So, it is nothing like we haven't seen and defended before."
On Baylor's use of role players along with stars Brittney Griner and Odyssey Sims: "It is what makes them such a difficult team to beat. No one to this point in the season has figured that out exactly yet. It is one of those things where they have great role players. They have a great point guard [Odyssey Sims] and obviously a great, great center [Brittany Griner]. Plus they have outstanding role players who have accepted their roles and do a tremendous job of being a supporting cast. When you get in a situation where you have a wing and a post scoring consistently, that is when special things happen. Baylor is obviously a team where players have accepted their roles, which is key. Brittney Griner is someone that will get a lot of attention, and it is really important that those other players play their roles and be supportive of her."
On what Georgia Tech will do against Baylor: "We feel like one of the strengths of our team is our depth. You know we play a lot of different defenses. It is not a situation where we will throw one defense at Baylor. We will play several different defenses with five or six types of presses. It is not a situation where we come in here with one game plan and play one defense. We will play several different types of defense and mix up defensive schemes. We will play a lot of different people, a lot of different sizes. We have a post player that is 6-1 but very physical and aggressive. Then we have three post players over 6-3 who are long and athletic, quick, and use their aggressiveness and speed. We have Sasha Goodlett, who is a physical 6-5 post player who can do some things on the block."
Georgia Tech guard Mo Bennett:
On Georgia Tech's full court pressure matching up with Baylor: "They are a great team. The press is what we are known for, so we'll just go out there and see what it's like. We play in a conference where pretty much everybody presses. I'm not really sure if in the Big 12 they really press like that, so it'll be something new for them and us."
Georgia Tech guard Dawnn Maye:
Georgia Tech forward Chelsea Regins:
On how Georgia Tech matches up with Baylor: "I think we match up well against Baylor. I mean, they have a slight height [advantage], but other than that I feel like we match up well. They haven't seen a lot of ball pressure, full court pressure, so we'll see how it goes."
Georgia Tech guard Metra Walthour:
On playing for this team: "It means a lot. We set goals for ourselves all season, and just being able to reach those goals means a lot. We're just looking to go out on top."
On playing top-seeded Baylor: "Just play fearlessly. You know, I think everyone knows who they are and we're just looking to get respect."
On being a senior and playing in the tournament for the last time: "Our mindset is to just go out here and play with as much intensity and tenacity as possible. We know that at any point it could be our last game. We're going to go out and play fearlessly and try to go out with a bang."
On the game plan against No. 1 Baylor: "We didn't come into the game with any special sort of game plan. We just want to pretty much do what we do. We pressure 40 minutes; we get up and down the court. We're looking to throw a lot of different defenses at them, to pretty much show them how we play, which is aggressively."
Georgia Tech center Sasha Goodlett:
On going up against Baylor star Brittney Griner: "[I'm thankful] whenever I get the chance to play another game, because nothing is given. It's always exciting to go up against a great post player like Brittney Griner--someone who has all of the attention on her. It will be a great opportunity for me and my teammates to come out here and play hard and make a name for ourselves."
On being a senior and playing in the tournament for the last time: "We're very excited to be here. We don't really think about it being our last game because if you thought about that you'd be a nervous wreck. We're just out here worrying about playing hard and playing for each other. In the preseason we always, as a team, said, `We're doing this for us.' We're making history; we're taking history to a place it's never been before for us, for each other, for this group of 15, and for the other people that have supported us."
Georgia Tech Guard Tyaunna Marshall:
On the game plan against No. 1 Baylor: "We're going to play our game. We're going to press; we're going to run the floor; everybody's going to play her role. We're not going to try anything special; we're just going to come out and play fearlessly. We're going to have each other's backs like we usually do, just trying to play our game the way we know how."
MORE Women's Basketball HEADLINES

subset: commoncrawl


text:
The Harrison Central boys' soccer team will play its inaugural game today when the Huskies travel to East Liverpool.
First-year head coach Eric Sheets has 15 players out for the 2013 season, including five seniors, half-a-dozen sophomores, and four freshmen. Like the girls' team, they are no juniors on the squad.
"Last year we had a co-ed club team, but most of the boys that I coached have been playing in the youth leagues for several years," Sheets explained. "I am very excited to see how we stack up against other schools in the Ohio Valley.
"I have a great core of five seniors that I am leaning on to lead the team. I believe that we will be very competitive."
Those five seniors are Kyle Dodds, David Forrester, Geoff Pecar, Jonah Rodgers and Parnell Sheldon.
Sophomores include Scott Forrester, Nathaniel Hoyt, Tristan Kulow, Drew Mizer, Evan Ossman and Conner Pecar. Freshmen are James Forrester, Matt Mizer, Logan Starr and Zach Stubblefield.
Starr is the lone goalkeeper listed on the roster.
North can be reached at firstname.lastname@example.com


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Lady Gaga's Leaked Vogue Cover
- A picture of Lady Gaga's forthcoming Vogue cover has hit the Internet. She's wearing Haider Ackermann, and her hair is most decidedly pink. One more interior shot after the jump. [TFS and @ItsShavon]
The season finale of The Bachelorette fulfilled all of my mildest dreams. It had everything I've ever wanted: love, loss, and a surprising amount of bodily fluids — except for one thing: it was mind-numbingly safe.
The Bachelorette is slowly eating my brain. I blame Frank. And Chris. And Roberto and all the other rejected, Disney prince-esque castoffs. Because they have seduced me with their unrealistic, romcom ways.


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Above us on a warm spring day, the early jonquils are blooming and trees are just beginning to bud. But where I'm at, some 500 feet beneath the earth motoring quietly along Myst'ry River in Bluespring Caverns, the only form of life in the high-vaulted limestone passageways are strange albino crayfish said to have lived here for eons and a few bats said to live in the ceilings above.
The river winds through subterranean passageways whose sides are edged with sculpted walls dotted with ledges and dark holes leading into deeper passages. The strangely beautiful and surreal stalactites and stalagmites formed slowly by endlessly dripping water.
Our hourlong boat tour traverses just a few miles of this river, the longest navigable underground river in the U.S. Although it's currently measured at 21 miles with much more still to be explored and mapped, our trip covers just a few miles. When the boat turns around, blocked from going farther by monolithic formations, I glance backward and watch it flow on into the dark.
Underneath the rolling hills of Southern Indiana is a complex system of caves thought to number more than 2,600. Only four are easily accessible and open to the public, and each is unique and wonderful in its own way. I find this out as I explore another: Marengo Cave, a tourist attraction since 1883. That's when 15-year-old Blanche Hiestand convinced her 11-year-old brother, Orris, to scramble down a sinkhole and crawl into the small opening of a cave, their only light coming from the two candles they carried.
Now fortunately an expert in cave lighting has creatively disguised lights, something I don't catch on to until our guide points out that a small dripstone formation is really a light. Easily navigable walking trails take us through large cave rooms with names such as Crystal Palace and the Gothic-looking Music Hall with its twisted, intricately water-carved rocks. Here we sit on stone benches, listening to music while watching lights cast the cave's contours in myriad colors.
The tour takes us past two underground lakes — Looking Glass and my favorite, Mirror Lake, because when you look into its placid waters, the reflection of the cave creates the illusion of another room far below.
BLUESPRING CAVERNS, 1459 Bluespring Caverns Road, Bedford, Ind., 812-279-9471, bluespringcaverns.com; MARENGO CAVE, 400 E. State Road 64, Marengo, Ind., 812-365-2705, marengocave.com; indianacaves.com
Adventure awaits on the Canadian coast of Lake Erie. Set amid 15,000 acres of Carolinian forest, crisscrossed with zipline cables and miles of hiking and mountain biking trails, Long Point Eco-Adventures has quickly become a desirable destination for active outdoor pursuits, whether you come for the day or stay overnight. All-inclusive packages with lodging, activities and meals start at $415.99 per person. Long Point Eco-Adventures, 1730 Front Road, St. Williams, Ontario, 877-743-8687, lpfun.ca
Get your blood pumping with a zipline and canopy tour that lets you soar high above the forest floor for more than two hours. The tour includes eight ziplines, two suspension bridges, 14 treetop platforms and a 40-foot rappel that brings you back to earth. Amp up the adrenaline with nighttime ziplining on Friday and Saturday. Prices start at $95 for adults, $75 youths (ages 8-17)
Brand new wilderness suites give guests the opportunity to spend the night in luxury tents overlooking Turkey Point Marsh and Long Point Bay. Each is equipped with unexpected comforts, such as lots of headroom, indoor plumbing and a choice between of one king-size bed or two doubles. Prices start at $229 per night, including continental breakfast
Spend a day paddling Big Creek, also known as the "Canadian Amazon," which meanders gently toward the marshes of Long Point Inner Bay. The guided adventure includes a kayak or canoe rental, life jackets and dry bags to keep your camera safe. Prices start at $75 for adults and $45 youths (ages 8-17) for a half-day tour, $95 and $65 respectively for a full day.
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Sun Grid Script Generator
By gkrish on Nov 02, 2006
The Sun Grid Script Generator is a tool that will help you enable your application to run on the Sun Grid. The tool generates necessary scripts for the Sun Grid Engine (SGE) and even generates a zip file that can be directly uploaded to the Sun Grid. The Script Writer is a Java based Swing utility with a Graphical User interface to ease the selection of various options available for the Sun Grid.
The tool is available at developer.network.com. More information about the tool and the instructions to use it are availabe in the tool's help tab.
Here is a screenshot of the tool.
Developed by :
Gopala Krishnan S & Jeevan Kumar R


text:
Disagree with the Referee's Decision?
An Appeal
Appeals to the Board of Review
If you do not agree with the decision of the Referee, you can appeal to the three member Board of Review within 15 days of the mailing date of the decision. The appeal must be made in writing and mailed to the Board of Review, 275 Westminster Street, Providence, RI 02903-3434, or faxed to (401)222-3514 or filed online. The Board of Review reserves the right to grant a second hearing, but primarily rules using the evidence and legal argument presented at the Referee level.
|Referee Hearings | Filing an Appeal | Search Past Cases | Contact Us | Board of Review Home | DLT Home
Island Board of Review
Center General Complex, 74 West Road, Hazard Bldg., 1st Floor
Cranston, RI 02920
Phone (401) 462-9400 | Fax (401) 462-9401
email email@example.com


text:
The executive director of America Moving Forward (AMF)—a nonprofit coalition devoted to promoting solutions to the infrastructure crisis currently plaguing the country—believes U.S. infrastructure is in a sorry state, and he believes he has the solution.
In urban waterways, bacteria can come from many sources: storm-water runoff, illicit discharges, wildlife, leaking septic systems, sanitary sewer overflows, stream sediments, wastewater effluent, topsoil, and leaking sanitary sewer systems. Some contribute pollutants during dry weather and some...
Building completely separate pipelines for wastewater and stormwater is an enormously expensive proposition for which federal funds are generally unavailable, and most EPA consent decrees allow just 20 years to pay off the bonds they issue to raise money.
Two recently formed commissons are looking at ways to shore up revenue for the perennially underfunded federal program that states, counties, and cities rely on to pay for road construction and improvements.
Your municipality is in the midst of its first NPDES Phase II permit. What should you expect for the next one?
Sewer utilities can improve performance and reverse the aging process by implementing buried infrastructure management (BIM), a systematic planning process that allows them to leverage resources to maximize the immediate and long-term benefits of every action.
Many public agencies have created effective procedures to curb new encroachments onto rights of way. But there remains a larger issue: What to do about existing encroachments that may have been in violation for years, or even decades?
Two major Clean Water Act settlements recently announced by Baltimore County and the Washington Suburban Sanitary Commission are anticipated to lead to more than $1 billion in sewer system improvements.
Copyright ©
2016 Hanley Wood Media, Inc. All rights reserved.


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I am used to פרעה being pronounced as "Paroh" as it has been for the last few parshot, but I noticed today that in Parshat Bo (Shemot 10:11) it is to be pronounced "Faroh". What causes this change? I assume it is a grammatical rule that I don't know. Is it because of some feature of the previous word: פני?
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The letters בגד כפת have two versions, one with Dagesh and one without. It gets a Dagesh after a closed syllable, or in the beginning of a word.
In this instance, the previous word ends with an open syllable. Therefore the פ does not receive a Dagesh.
What of many instances where we see a word-initial פ receive a Dagesh where the previous word ended with an open syllable? The answer is that the above is a simplification. One also needs to look at trup, the cantillation marks. A trup symbol either is disjunctive and thus divides or is conjunctive and thus joins. The mercha symbol on פני in the preceding word is a conjunctive accent, so the open syllable prevents the Dagesh. Were it a disjunctive trup symbol, then the open syllable in פני would not affect the פ of פרעה.


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Grandparent asks: why can't anything be done about bullying at my granddaughter's school?
"We live in a small town in New Mexico, which is suppose to be 'the pride of the Pecos Valley.' My granddaughter has been bullied since August. Yesterday her friend was jumped by 4 other girls and the principal has known about this for months. All of the girls were suspended. My granddaughter received a text yesterday that said she was next. My daughter talked to the principal and as usual, nothing was done. She was taken out of school for the rest of the year for her saftey. She is a straight A student and I don't understand why nothing can be done. We also have a zero tolerence policy. So where is it?!!! Why do the good kids get punished and the gangsters run the school? It doesn't make any sense to me."In Topics: Working with school administrators, Bullying and teasing
Above question asked by an Education.com visitor after reading the article, "Ten Actions ALL Parents Can Take to Help Eliminate Bullying":
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- How do I get a school and district to acknowedlge that there is a bullying problem on a campus?
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- Grade school bullying


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BARREN COUNTY, Ky (WBKO) -- Thursday's storms took the life of a woman in Barren County.
Around 3 PM on Halloween, The Barren County Sheriff's Department was called to a home on Patterson Road because a tree had fallen on a woman.
Emergency personnel found her unresponsive, and she died at the scene.
Police have not yet released her name pending notification of family.


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Possessional DemonologyPossessional Demonology by techgnotic
Dante Alighieri
by TLishman
By techgnotic
Opening the Darkest Door
I have recently come across a most disturbing phenomenon in my studies of the Diabolic Infestation of the Soul. It seems there is a most frightening psychological conundrum when considering the concept of demonic possession even the most remote possibility of reality upon our earthly plane is the notion that just believing it may be true could very likely be the spark needed for the Demon to discover, seek out, and ultimately inhabit its next vessel of evil: You.
From the Exorcist through Paranormal Activity, generation after generation of "believers" seem to have come to the reali


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Filmworkers is a collection of creative boutiques, each a leader in their field with the ability to function separately or in a group. We are a talent and service based company. Ask anything of us and we will deliver with no tsuris. Welcome to our website.
Collective News
DDB Chicago's Capital One Work Stars Spike Lee, Samuel L. Jackson, Charles Barkley - Screenmag
DDB Chicago's Capital One Work Stars Spike Lee, Samuel L. Jackson, Charles Barkley
DDB Chicago recently partnered with Captial One, the WhiteHouse Post and Filmworkers for a new campaign that follows Samuel L. Jackson, Spike Lee and Charles Barkley on their way to the Final Four.…
The humorous campaign includes TV, online videos, digital activations, social activations, contests and on-site activity in Houston. In "Best Friends," one of four :30 spots, Samuel L. Jackson and Spike Lee anxiously wait in front of Charles Barkley's home, eager to embark on their second Road to the Final Four trip. But when Barkley emerges, wearing a carbon copy of Spike's outfit, the trio knows they're in for another ridiculous journey.
Watch "Best Friends" here.
This year's "March Madness" campaign, a reprise of the CLIO-winning "Road to the Final Four," doesn't stop with one spot but dives deeper into Sam, Spike and Charles's antics in three other spots, "Nicknames," "Escape" and "Change."
Agency: DDB Chicago
Client: Capital One
EVP, Chief Creative Officer: John Maxham
Group Creative Director, AD: Mike Ackerman
Group Creative Director, CW: Travis Parr
Associate Creative Directors, AD: Brant Herzer, Michael Rosenthal
Associate Creative Directors, CW: Tyler Campbell, Carlos Rangel
AD: Brittany Druker
CW: Sean Collander
EVP, Director Integrated Production: Diane Jackson
Executive Producer: Will St.Clair
Associate Producer: Jakub Zajaczkowski
Production Manager: Polly Poulos
Talent/Music Manager: Linda Bres
SVP, Integrated Brand Leader: Chris Pultorak
Account Director: Suzanne Stovall
Account Supervisor: Betsy Leonard
Strategy Director: Josh Drueck
Director: Spike Lee
Production Company: Pony Show
Editing Company: WhiteHouse Post
Editors: Meg Kubicka, Brian Gannon
Executive Producer: Kristin Branstetter
Producer: Dawn Guzowski
Finishing/Visual Effects: Filmworkers/Churchill Studios
Executive Producer: Derek DeBoard
Visual Effects Supervisor: Rob Churchill
Colorist: Fred Keller
Audio Engineer: Nick Papaleo
Music: "Escape" by Rupert Holmes
Filmworkers' Knack for Developing Talent Continues with Colorists Jeff Altman and Matt Harger
Altman grades eSports documentary, "All Work All Play"; Harger to grade indie feature "Who Gets the Dog?" …
CHICAGO—August 17, 2015— Filmworkers has a tradition for developing post-production talent and now it has two new stars in the making. Young colorists Jeff Altman and Matt Harger are producing standout work, and developing strong followings among local agencies and filmmakers for their enthusiasm, knowledge of digital cameras from the Alexa to the iPhone, and their ability to quickly work with clients to reach desired creative goals.
"Jeff and Matt bring fresh eyes and new ideas and our clients are responding," says Filmworkers president Reid Brody. Brody adds that the recent arrival of veteran colorist Craig Leffel has also provided a boost. "We've built the strongest, most diverse color department in the market."
Altman joined Filmworkers earlier this year after two-years coloring at Color Collective in New York. His latest project, All Work All Play, is a documentary about the rising phenomenon of video game competitions or "eSports." It will be the subject of special theater screenings across the United States and internationally later this month. Directed by Patrick Creadon, a two-time nominee for a Grand Jury Prize at the Sundance Film Festival, the doc centers on players participating in the Intel Extreme Masters, a global professional esports tournament, and the growing legion of fans devoted to the sport.
All Work All Play will screen July 21st in theaters across North America and in Europe on July 30th. The event will also include a Q&A with the filmmakers as well as a live-streamed "eSports showdown" featuring top competitors. Other screenings and events are planned throughout the summer.
Creadon was enthusiastic about the results. "I loved working with Jeff and the team at Filmworkers," he says. "Jeff has a terrific eye and he's also really chill. That helps a lot when you hit the 26th mile of the project."
Harger, meanwhile, is a home-grown talent. He joined Filmworkers straight out of school and began his career as a dailies colorist working on feature projects served by the company's film lab. His credits include The Dark Knight and Wanted among others. Over the past few years, he has transitioned to a finishing colorist for commercials and earned high marks from local advertising agencies for his creative flair and discerning eye. His latest efforts include campaigns for Mexico Tourism out of Lapiz, Chicago, (centering on Cabo San Lucas and its recovery from last year's hurricane) and for McDonald's via Burrell. Harger is also set to perform final color for Who Gets the Dog?, the latest feature from Reid Brody's 2DS Productions, starring Alicia Silverstone, directed by Huck Botko and shot by cinematographer Joseph White.
Craig Leffel Joins Filmworkers for Color Projects
Veteran colorist will pursue color work through Filmworkers while continuing as executive producer of his boutique creative studio Big Spoon Industries.…
CHICAGO April 21, 2015 Filmworkers today announces that it has reached an agreement with veteran colorist Craig Leffel to represent him for color correction projects in the Midwest. Leffel will continue to serve as executive producer of Big Spoon Industries, the creative production studio he formed last fall, while handling color correction assignments through Filmworkers.
Leffel has been practicing the craft of color correction in Chicago for more than 20 years. He has worked with all of the citys top advertising agencies for accounts including Coors Lite, American Family Insurance, Kraft, Coca-Cola, the Illinois Board of Tourism, Chicago Blackhawks and many others.
Craig is a longtime friend and a pillar of the Chicago advertising community, said Filmworkers president Reid Brody. Were very excited to provide him with a venue to service his customers through Filmworkers.
Leffels background includes a 15-year run as senior colorist at Optimus and three years as director of production of its production arm, ONE at Optimus. He also was a partner in the company. He left Optimus last fall to launch Big Spoon Industries, a collective of directors, artists and designers focused on producing work directly for brands, digital agencies, marketing firms and others.
Leffel said that his agreement with Filmworkers allows him to continue to pursue his passion for production and storytelling, while meeting demand for his skill as a colorist. Its a great opportunity, he observed. I've had a long relationship with Reid, and we share a similar respect for color correction. I like the people at Filmworkers and the support they give to their artists. They are a perfect ally.
Color correction, for me, is a very iterative process, he said. Its about interpreting the thinking of the creative team and interpreting what was captured on the set, and turning it into something people want to see on screen. In the best scenario, it goes beyond what anyone hoped or imagined.
Leffel complements a well-rounded color correction staff at Filmworkers that includes senior colorists Michael Mazur and Fred Keller, and colorists Matt Harger and Jeff Altman, who recently located to Chicago from New York.
Colorist Jeff Altman Joins Filmworkers
Young post production artist brings experience in commercials, independent features, documentaries, web media and television. …
CHICAGO—March 6, 2015— Filmworkers has boosted its creative staff with the addition of colorist Jeff Altman. A Chicago native, Altman spent the past two years in New York, working on advertising, digital content and feature film projects. On the commercial side, he's done work for Pepsi, Capital One, Verizon, Intel and Mountain Dew, among other brands. His long-form credits include the independent features 6 Years from director Hannah Fidell, slated to premiere at this year's South by Southwest Film Festival, and Nasty Baby from Chilean director Sebastian Silva, which debuted last year at Sundance.
"Jeff is a star," said Filmworkers president Reid Brody. "He's had an opportunity to work on some great projects, and he's really honed his craft. He brings a fresh perspective and energy to color grading that has been lacking in the Chicago post community. We're glad to have him as a part of our team." In his first project with Filmworkers, Altman is grading a web campaign for Four Loko with creative from Onion Labs.
For the past 18 months, Altman has been coloring projects through Color Collective, a boutique service that provides color grading services through New York editorial houses including Spotwelders and Final Cut. He performed final color grading for five feature films, several shorts, and numerous commercials. He also colored segments for Saturday Night Live.
Altman says he looks forward to continuing to work on a mix of projects at Filmworkers. "I want to go deeper into commercials, while continuing to work on features and documentaries," he says. "My goal is to achieve a balance of great projects."
Treehouse Adds Motion Graphic Services; Hires Jeff Vick
DALLAS—February 12, 2015—Treehouse, the Dallas editorial boutique, has expanded its services through the hiring of motion graphics designer Jeff Vick and the addition of a new graphics design and production suite.…
The company will offer graphics both in tandem with editing and finishing, and as a standalone service.
Vick brings ten years of experience as a motion graphics designer for commercials, broadcast media and corporate media, most recently with Fast Cuts Edit, Dallas. His credits include work for H-E-B, Red Lobster and the Dallas Cowboys. He has already contributed to several projects for Treehouse, including a campaign for Home Depot and a spot for H-E-B that debuted during this year's Super Bowl broadcast.
Treehouse founder, editor Peter Tarter, says that in-house graphics capabilities enables the company to provide advertising agencies with a well-rounded package of post production services and fulfill more of their creative needs. "This gives us one more way to deliver work that is better than the clients expect," Tarter says. "Our new graphics capabilities will allow us to add an extra layer to a lot of projects."
Tarter adds that he was impressed by Vick's experience in national and regional advertising, and strong work ethic. "We liked the quality of Jeff's reel," Tarter notes. "He's got a great personality and fits in well with the rest of our team."
Vick will work in a new graphics suite equipped with a host of high-end software packages including Adobe After Effects, Photoshop and Illustrator, and Maxon Cinema 4D, as well as sophisticated monitoring and processing gear.
A Dallas native, Vick received his training in graphic design at NYU, where he earned his Master's Degree. Vick returned to Dallas in 2004 to work with the Dallas Cowboys, serving as creative director and motion graphics designer for its in-house broadcast production department.
In 2008, Vick joined n2o Editorial, Dallas, and moved to Fast Cuts Edit, Dallas, in 2012. At both shops, he served as a motion graphics designer for advertising projects.
Vick says that he's been a fan of Treehouse and is excited to join a company that has established itself as a top supplier of creative post production services. "Treehouse has a great team of editors who do great work," he states. "I see no end to our potential. The sky's the limit."
Editor Jason Payne Joins Treehouse
DALLAS—January 7, 2015— Continuing on a path of steady growth, Treehouse has brought on editor Jason Payne.…
Payne, who is well known in the Dallas advertising community through previous posts with Fast Cuts, N2O and The Richards Group, becomes the boutique editorial house's fourth editor, joining founder Peter Tarter, Jayson Limmer and John McStravick. (The company's key staff also includes Executive Producer Jeremy Besser and finishing editor Bryan Bayley.) Payne brings more than a dozen years of experience as a commercial editor and a reel that includes work for H-E-B, Red Lobster, Georgia Power, Firestone, McDonald's and many other brands.
"Jason is a talented young editor with a great vibe," says Tarter. "We look for editors who are great at what they do, have excellent client skills and are pleasant to work with; Jason fits in perfectly."
Tarter adds that Treehouse had been seeking to add another editor to round out its staff and help it keep pace with demand that rose steadily in 2014. Having four editors will allow the shop to take on multiple, complex projects while maintaining the high level of quality and customer service that have driven its success.
Payne began his career as an in-house editor with The Richards Group in 2001 and cut his teeth on work for H-E-B, Red Lobster and other accounts. Since joining N2O in 2008 and Fast Cuts in 2011, Payne has continued to handle projects for The Richards Group and other local agencies. His recent work includes a series of documentary-style spots for H-E-B focusing on the supermarket's suppliers in Latin America, the Pacific Northwest and elsewhere.
"I love the relationships I have with my clients and the trust we've built over the course of many campaigns," he says.
At Treehouse, Payne looks forward to continuing his established relationships while adding new clients. "I have admired Treehouse and am amazed at what they have accomplished," he says. "Peter is an extremely talented editor and the opportunity to work with him and his team is awesome."
Treehouse is located at 3400 Carlisle St., Ste. 105, Dallas, Texas 75204.
Filmworkers Supplies the Creative Spark for Elegant "Misfit" Campaign
Facility provides turnkey services for new multi-platform lifestyle ads for the stylish fitness tracker.…
CHICAGO-November 21, 2014- In a true, tour de force effort, Filmworkers, in association with 2DS Productions, has produced an elegant and inspired advertising campaign for Misfit, a wearable fitness tracker with a sleek design.
The new internet and in-store ads consist of lifestyle footage of active people using the button-sized device, which can be worn like a piece of jewelry, while engaged in laser tag, rock climbing, diving and other extreme sports. Shot in various locations along the California coast, the imagery is stunning and shows off the features of the device in an organic and unobtrusive manner. Misfit's technical functions are further underscored by distinctive 3D graphics that animate over the live action. The accompanying voiceover speaks directly to people who "set forth to scale mountains, to dive to the darkest depths of the sea" and asks them, "Do you accept the challenge".
Filmworkers produced the campaign from a concept developed by 2DS Productions and director Aram Rappaport. The idea was to make Misfit stand out from other fitness monitoring devices by highlighting its stylishness. "It looks like a fashion accessory," explains 2DS Productions' Bill Ryan. "We're selling a lifestyle as much as a product."
Rappaport's script for an initial 2-minute in-store ad was approved by Misfit's marketing team and the project went into production in California four days later. In the interim, the production team worked to locate more than a dozen real-life extreme athletes. "YouTube was a big help," Rappaport notes. "A producer tracked down a skate crew that I had referenced in a video. They turned out to be Naval Academy guys and skateboarding was their weekend hobby. We found a 20-year-old kid who did loops in his plane. We then traveled from L.A. to San Francisco to Santa Ana to get all the shots. Production spanned four days."
Editorial, graphics design, animation and post production were all completed at Filmworkers' facility in Chicago. Creative Director Daniel Pernikoff led the design team in creating graphics elements that included 3D animations, showing the inner components of the Misfit device, that literally pop out of the live action. "We wanted the graphics to be simple, but beautiful, and integrated seamlessly into the piece," Pernikoff says. Our aim was to draw attention to the functions of the device, without simply calling out "Hey, this is waterproof."
Producer Casey Swircz notes that the project utilized virtually every aspect of Filmworkers' creative services. "It was a very collaborative project," she says. "We were really pleased with how well everyone worked together and our ability to take the project from beginning to end."
Filmworkers is located at 232 E. Ohio St. Penthouse, Chicago, IL 60611. For more information, call (312) 664-9333 or visit www.filmworkers.com.
Client: Misfit. Tim Golnick, Vice President/Product and Design; Julie Golnick, Senior Manager/Visual Design; John Blet; Senior Associate/Marketing.
Production & Post: Filmworkers. Derek de Board, Executive Producer; Casey Swircz, Producer; Aram Rappaport, Director; Daniel Pernikoff, Senior Art Director; Drew Parks, Lead 3D Artist; Rob Churchill - Creative Director; Michael Anderson; Flame Artist; Fred Keller - Colorist
Vitamin Pictures Produces Horrifying Results for Knott's Scary Farm
Hybrid production studio teams with Cramer-Krasselt for creepy broadcast, web and social campaign.…
CHICAGO—October 30, 2014—If the new ad campaign for Knott's Berry Farm is any indication, visitors to the park's annual Knott's Scary Farm event are going to get the bejesus scared out of them. Chicago hybrid production studio Vitamin Pictures produced the multi-platform package for agency Cramer-Krasselt. It consists of a series of gritty, high tension television ads and webisodes populated by sinister clowns, macabre dentists and ravenous zombies. The creep factor is high. Clown follows a young woman through a bleak warehouse scattered with children's toys. Turning a corner, she's confronted by a demented clown with a tortured grin. Just as he's about to pounce, the scene cuts to a title card reading "Whatever you're imagining, it's here." Tooth Fairy reveals an even grimmer encounter between a man and a dentist who's performing oral surgery without the benefit of anesthesia. Vitamin creative director Danny DelPurgatorio notes that all of the spots are structured to end a split second before something nasty happens. "We're playing on the fears viewers bring to the spots themselves," he observes.
Vitamin's creative team worked closely with their counterparts from Cramer-Krasselt in detailing the scenarios and visual style. "From the treatment stage we were in sync, visually and conceptually," DelPurgatorio recalls. "We developed a trust that allowed us to push things in a direction that is pretty cool, and really scary."
Vitamin, which handled everything from live action production through editorial and post, knows something about scary pictures. It produced the short horror film Other¸ which has won numerous awards including Best Short at Elvira's Horror Hunt. "It was great to be hired to make these little horror films for Knott's," DelPurgatorio says. "There were severed heads, body parts, blood and gooey stuff all over the place. It was a dream come true."
Or maybe a nightmare.
Vitamin is located at 232 East Ohio Street, Chicago, Illinois 60611. For more information, call 312.664.6683 or visit www.vitaminpictures.tv
Client: Knott's Berry Farm
Titles: Clown, Tooth Fairy
Agency: Cramer-Krasselt. Will Meyers, producer; Pat Hanna, creative director; David Vaca, art director; Tom Katers, writer.
Production: Vitamin. Danny DelPurgatorio, director; Larissa Berringer, executive producer; Melody Hinkley, line producer; Chris Vinopal, director of photography; David "Big" Krause, production designer; Cirque FX, prosthetic makeup; Rob Foster, art director; Danny DelPurgatorio, compositor; Michael Siegel, concept artist/3D generalist; Francis Vallejo, storyboard artist; Andrew Maggio, editor; Fred Keller, colorist; Lauryn Grimando, associate producer.
Filmworkers Launches Churchill's Studio for Visual Effects and CG Rob Churchill to lead new creative unit, whose first project is an all-CG spot for Cedar Fair.
Rob Churchill to lead new creative unit, whose first project is an all-CG spot for Cedar Fair.…
CHICAGO June 24, 2014 Continuing its expansion mode, Filmworkers has formed a new in-house creative unit, Churchill's Studio, focused on visual effects and animation. Headed by Visual Effects Director Rob Churchill, the new unit will provide services ranging from compositing and visual effects to full CG production.
The new venture will also feature the talents of Art Director Daniel Pernikoff, who joins Filmworkers from Method Studios, as well as a team of compositors and animators. Technical resources include multiple Autodesk Flame and The Foundry Nuke workstations, and a variety of CG, visual effects and animation desktop systems. The group will work out of an artist's studio environment, newly-built within the Filmworkers facility.
Visual effects work at Filmworkers has been growing steadily in response to Churchill's success for such brands as McDonald's, State Farm, La Quinta, Embassy Suites, Capital One and Pizza Hut. The added personnel and technology will enable the company to tackle more and more complex projects, while the studio environment will help it retain a creative focus and one-on-one relationships with clients.
Daniel Pernikoff and Rob Churchill
We now have enough horsepower under the hood to take on the most demanding projects, says Churchill, who has been on staff at Filmworkers since 1997. We can do it all, technically and creatively, from concept through finish.
Churchill's Studio is fully integrated with Filmworkers and all of its post production resources, as well as with hybrid digital production studio Vitamin. We can draw on an incredible pool of artists and resources, notes Churchill. We have the best talent in Chicago. Churchill expects the Studio to expand further before the end of the year.
In its first project, Churchill's Studio has produced a fully-animated spot for amusement park operator Cedar Fair and its new ride, Banshee. Pernikoff served as Art Director on the project. It was great to have the whole team of artists working on the project in the same studio, Churchill says. It made it easy to trade ideas and comments, which is so important to doing great work and it shows in the finished product.
Pernikoff brings diverse experience as a motion graphics designer, animator, compositor and director. A graduate of Rhode Island School of Design, he began his career with Digital Kitchen, Chicago, and later spent six years in New York where he worked through Brand New School, Thornberg & Forester, Imaginary Forces and other shops. He returned to Chicago in 2012 and joined Method Studios as a compositor, designer and animator. His resume includes advertising work for Budweiser, Coors, Cadillac and Lincoln, as well as broadcast work for Comedy Central, Bravo and ESPN.
Pernikoff says he is eager to take on the challenge of helping Filmworkers build its visual effects and animation capabilities. He adds that he is also impressed with the creative ambitions of Churchill and his team. The energy level and passion were just what I was looking for, Pernikoff says.
Filmworkers Appoints Derek de Board to Executive Producer
The 10-year industry veteran will also serve as Executive Producer of Churchill Studio.…
CHICAGO - Filmworkers has promoted Derek de Board to Executive Producer. De Board, who marks his tenth anniversary with the company this month, will oversee production activities, lead a team of producers and schedulers, direct sales and coordinate joint projects with Filmworkers' Dallas and Nashville facilities, as well as other members of the Filmworkers Group (which include Vitamin, Giannini Creative and Tree House Edit). He will also serve as Executive Producer of Churchill Studio, Filmworkers' newly formed, in-house visual effects studio.
DeBoard joined Filmworkers in 2004 and has served the company in many administrative and production capacities. For the past four years, he has been Senior Producer, managing post production work for scores of advertising projects for top agencies and national brands. He also served as Post Production Supervisor on the independent feature Bad Johnson.
"Derek is a homegrown talent who has proven his talent, dedication and competence in many ways over the years," said Filmworkers President Reid Brody. "He has earned this opportunity and we expect him to be a key contributor to our continued success." De Board is currently overseeing projects for State Farm, McDonald's, US Cellular, Embassy Suites, Scottrade and Allstate.
De Board will focus on further streamlining workflows between Filmworkers' various departments, as well as between the Filmworkers facility and the other companies in its group. "The collective Filmworkers has built is unlike any other resource in this market," de Board said. "I'm excited to be the face of the best post-production house in Chicago and honored to represent the artists in every chair in the building."
De Board is a native of Highland Park, Illinois and a graduate of Columbia College. He literally grew up in the business—his step-father was a producer at DDB, Chicago, for many years, and he, himself, worked briefly as a child actor. He got his professional start with Optimus before joining Filmworkers.
Filmworkers Uses Scare Tactics in New Campaign for Cedar Fair
All-CG spot produced by Filmworkers new VFX and animation unit Churchill Studio introduces Banshee, the worlds largest inverted roller coaster.…
CHICAGO Filmworkers new creative unit Churchill Studio encourages viewers to face their worst fears (while enjoying the thrill of their lives) in a new spot for amusement park giant Cedar Fair and Chicago agency Cramer-Krasselt. Everything You Fear is an all-CG spot introducing Banshee, a new roller coaster debuting at Cedar Fairs Kings Island park this summer.
In the spot, the giant ride appears to build itself and then takes park patrons on an adrenalin-pumping trip full of vertical loops, dives and zero-g rolls. The rides ghostly namesake appears out of nowhere and pursues the riders, while emitting a bone-chilling scream. The narration notes that Banshee has everything you fear: your fear of heights of falling of flying of demons.
Led by Visual Effects Director Rob Churchill and Art Director Daniel Pernikoff, the team from Churchill Studio modeled the animation after prototype drawings and animatics of the new ride, recreating its architecture in precise, photo-real detail. The sense of menace is accentuated by setting the scene at dusk. The sunset hour allowed us to play with a lot of cool highlights and shadows, says Pernikoff. Its realistic, but surrealistic at the same time. Our 3D guys did an amazing job in adding the details that sell the effect.
The surreal tone is further enhanced by the appearance of the Banshee. The ghoulish figure forms out of a vapor trail and swoops over the screaming riders before resolving into the rides logo. We broke the logo into its components partsits arms and hands and tattered clothing, and animated each part individually, recalls Churchill. Working with Daniel on this first project was amazing!
Filmworkers provided editorial finishing for an additional 50 spots for Cedar Fair. The entire package will serve as the summer campaign for all of the parks in the group.
Title: Everything You Fear
Client: Cedar Fair Entertainment. Kelley Semmelroth, EVP/Chief Marketing Officer; Lupita Suda, Manager Advertising.
Agency: Cramer-Krasselt, Chicago. Pat Hanna, VP/Creative Director; Larry Liss, Assoc. Creative Director; David Petti; Assoc. Creative Director; Derek Green; Senior VP/Exec. Creative Director; Julie Sheridan, Senior VP/Group Account Director; Tiffany Williams, VP/Account Supervisor; Rich Mules, VP/Management Supervisor; Will Meyers, Producer; Liz Dacko, VP/Campaign Manager; Nancy Bernardin; Business Manager.
Animation & Post: Filmworkers (Churchill Studio). Daniel Pernikoff, Art Director/Lead Compositor; Rob Churchill, Nuke Compositor/Flame Online; Charlie Peterson, CGI Artist; Drew Parks, CGI Artist; Quin Barclay; CGI Artist; Fred Keller; Colorist; Jeff Charatz, Online Finish; Derek de Board, Executive Producer.
Edit: Beast Editorial. Angelo Valencia, Editor; Lauren Scheurer, Post Producer.
Vitamin Adds Tim Sepulveda as Technical Director
Veteran visual effects artist, animator and designer will help the studio grow in 3D and other areas.…
CHICAGO June 23, 2014 Hybrid production studio Vitamin Pictures has added Tim Sepulveda as Technical Director. Sepulveda brings broad experience in visual effects, animation and design through work with Leviathan, Charlex, Daily Planet and elsewhere. At Vitamin, he will act a liaison between clients and the studio's creative team and oversee projects for a technical perspective. He'll also work to improve workflows and implement new technologies.
Technical director is a new position for Vitamin and its addition reflects the studio's growth and the broadening of its creative horizons. We've been growing, taking on more projects and expanding the palette of our work, and it's important that we have top talent to support all those efforts, explains Danny DelPurgatorio, Vitamin's Creative Director. Tim is an extremely well-rounded artist. He has excellent skills in storytelling and design. Plus, he has deep technical knowledge about 3D and effects. It's very exciting to have him on board.
Sepulveda has worked with Vitamin as a freelancer on several occasions over the past few years, most recently on a national commercial campaign for Coors. I really liked the vibe of the studio, he says. It's very well organized, everyone is very disciplined and the work is top notch.
A Chicago native, Sepulveda began his career with Radar Studios. He later served as Senior Designer at Foundation Post before joining Charlex, where he became an Associate Creative Director. He joined Leviathan as VFX Supervisor in 2011 and has worked as a freelancer since 2012. His skills run the gamut from on-set visual effects supervision to designing 3D workflows to illustration and animation.
Vitamin Pictures Executive Producer Larissa Berringer says that one of Sepulveda's chief tasks will be to grow the studio's 3D capabilities. We are doing a lot more 3D both as standalone work and as a component to other work, she says. Tim will help us elevate that.


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PodMed: A Medical News Roundup From Johns Hopkins
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Year after year, The Walking Dead (based on the comic books by Robert Kirkman) has delivered the goods on television for AMC. The zombie-apocalypse show continues to be a horrific showcase of terror and action, but it also retains its incredible character depth and human drama in the worst of scenarios which has propelled to one of the most popular shows on cable television. Behind-the-scenes the show went through a revolving door of showrunners, from Frank Darabont (The Shawshank Redemption) to Glenn Mazarra (Crash) before resting on Scott Gimple for the start of Season 4.
The beginning of the fourth season makes a significant shift change in pace and tempo from Season 3's (read the DVD review here) confrontational roller coaster with The Governor but it's no less raw or thrilling, picking up a few months after the villain's failed attempt to remove Rick (Andrew Lincoln) and the group from the sanctuary of their prison home. Life seems tolerable and a somewhat happy environment after Rick's group begins to work with the survivors of Woodbury to prosper within the walls of the prison that keep the zombie 'walkers' at bay.
But things take a unique and deadly fatal turn, when a lethal flu virus breaks out in the prison and starts dropping inhabitants like flies. What makes this development all the more dangerous is after a stricken person dies from this virus, the zombie virus kicks in and walkers could potentially wreak havoc inside the prison after all. This leads to a number of betrayals and internal threats that the group is not prepared to face.
The show deals with this threat in the opening episodes but then just as the group start to get back on their feet, The Governor returns to their door ready to finish what he started at the season's halfway marker. What follows is a explosion of change as the group is forced to scatter in separate directions and abandon the prison, hoping to find their friends and loved ones on an unknown path to a new location advertised as 'Terminus', a possible new safe-haven.
There are some fans who found The Walking Dead's adjusted tempo a bit of a downer for Season 4, but it's actually quite intelligently thought out and thrilling in unique ways, making an arguable case that it's the most character-driven year of the show yet. While some may prefer to constantly see the horror and gory mayhem the show promises, the show maintains its focus and appeal by timing those moments so that they have incredible impact. For example, a major character falls at the hands of The Governor in the eighth episode and it has long-lasting repercussions on the others in the back-half of the season.
Then there is 'The Grove', the fourteenth episode that became a lightning rod of talk and debate among fans, critics and the general masses long after. The Walking Dead has prided itself as a show that pushes the limits both visually and in content allowed for television, but 'The Grove' represents perhaps the most gut-wrenching, boldest, breathless and shockingly charged episode the show has ever produced and it's almost entirely human-based. The episode has an award-worthy performance by Melissa McBride (who plays Carol) as she deals with an unthinkable situation when caring for two young girls alongside Tyrese and baby Judith. One of the girls; Lizzie, possesses a deranged mental perspective on the walkers, considering them more human and understanding than the people she's with...which makes her more dangerous to their safety than Carol ever realized. The final episode of the season, simply entitled 'A' has its fair share of envelope-pushing as well, especially on the level of violence depicted upon a number of human characters.
The season culminates with sections of the group finally arriving at Terminus, which may not be the safe-haven they were all initially hoping for and potentially puts them in an even greater dire situation than being exposed on the open road, which is to be explored further in the upcoming fifth season, set to bow on October 12, 2014. In the interim, the fourth season is collected in a Blu-ray box set set for release on August 26, 2014 from Anchor Bay Entertainment. Anchor Bay has always treated their Walking Dead season collections with a great sense of care and royalty, with the fourth offering proving to be their absolute best yet (for a review of Season 2 on Blu-ray, read here).
Like previous releases, the high-definition quality of the widescreen picture image (with an aspect ratio of 1.78:1) is very strong, never losing focus on detail, sharpness and contrast. Viewers will notice a certain level of grain and softness applied in some shots, but most of this is aesthetically intentional to match the grimy tone of the content. Season 4 also contains a dynamite Dolby Digital TrueHD 7.1 sound track that is exceptionally balanced, clear and powerful when called for. And if you want a plethora of bonus features then you've picked the right box set.
The first thing to note is that three specific episodes (including 'The Grove') have been extended by a few minutes of additional scenes, mostly unimportant on plot points but great for further character beats within the context of the episode. The box set advertises five episode audio commentaries over the span of the five discs, but once you are under way with the episodes you will by excited to discover that there is more than that! The pivotal game-changing episode eight contains one as well! Of course, the one attached to 'The Grove' is a must-listen with producer/showrunner Scott Gimple (who wrote the episode) and star Andrew Lincoln (who does not appear once on-screen, but chimes in with his reaction over the content).
'Inside The Walking Dead' provides a featurette for every episode of the entire season with cast and creators providing their thoughts to the events and the characters in each, but also giving a whole season perspective thread that runs throughout. Very solid feature for a fan. 'The Making of The Walking Dead' is similar in nature, but focuses more on the behind-the-scenes development of the show. 'Drawing Inspiration' makes a comics versus show comparison and for fans of the show singularly this could be an issue because it contains some potential spoilers, but luckily the show doesn't mirror the comic books down to the bone.
Two featurettes put the spotlight on two very key characters, one being 'Hershel'; the voice of reason within the group and their greatest villain-to-date in 'The Governor Is Back'. 'A Journey Back To Brutality' also squares on Rick and how his character's arc evolves from the beginning of the season to the end. Fans get some more fun stuff with 'Society, Science & Survival' which highlights online courses you can take to brush up on survival and uses the show as a template, plus 'Inside KNB Studios' which is Greg Nicotero's practical special-effects company that does all the zombie make-up and gory moments. A collection of 'Deleted Scenes' are also an option.
The Walking Dead's Season 4 Blu-ray edition is a gruesome and glorious box set offering for fans and consumers. The season itself is a very intimate, intelligent and effectively written outing for the show, dropping the sheer adrenaline entertainment aspect of Season 3 and getting back into character drama among the thrills. The Blu-ray edition comes with an impressive technical presentation and a solid collection of bonus features for fans. The set does more than enough to satiate your appetite before Season 5 makes its presence felt later in the year.
Suggested Links
- Season 2 of 'The Walking Dead' has serious bite on Blu-ray
- 'The Walking Dead' hits incredible highs with Season 3 on DVD
- Scott Gimple addresses 'The Walking Dead' mysteries, Beth's whereabouts
- Andrew Lincoln on 'The Walking Dead' season 4 finale: Did they go too far?
- Andrew Lincoln feared 'The Walking Dead' took disturbing to a new level


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Oak Creek - A 24-year-old Oak Creek man was arrested for a weapons violation after he accidentally shot his girlfriend in the buttocks on Valentine's Day.
According to the Oak Creek police report:
The man called police about 5:45 p.m. to report he had accidentally shot his 21-year-old girlfriend in the buttocks with a 9-millimeter handgun. Dispatchers helped the man tend his girlfriend's wounds until police and paramedics arrived.
The woman was taken to the hospital. The report did not state the severity of her injuries but police confirmed they were not life-threatening.
After the man was questioned at the police station he was arrested on a state charge of endangering safety by use of a dangerous weapon.
He has not yet been charged.
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Clue: Drawing out
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Let $X$ be a random variable that is $X \sim \mathrm{Unif}(0,1) = 1$. Use a transformation method to find the pdf of $U = X(1 - X)$.
I tried solving for $X$ and I got $X = \dfrac{1 \pm \sqrt{1-4U}}{2}$
But the actual pdf is $\dfrac{2}{\sqrt{1-4U}}$, so I can't just take $X'$


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With state Senator Katherine M. Clark favored to become the newest member of Congress, speculation is quickly building in the Melrose Democrat's legislative district about who might bid for her seat if she heads to Washington.
In the aftermath of Clark's win Oct. 15 in the primary to replace Edward M. Markey — who moved to the Senate after John Kerry became secretary of state in February — a host of names are mentioned as potential contenders in a special election to succeed her. Several — including three of Clarks' legislative colleagues — said they are weighing runs for the Fifth Middlesex seat, which encompasses Malden, Melrose, Reading, Stoneham, Wakefield, and portions of Winchester.
The potential candidates include three Democratic state representatives: Paul Brodeur of Melrose; Christopher G. Fallon of Malden; and Jason M. Lewis of Winchester.
"I'm thinking about it very seriously," said Brodeur, who succeeded Clark when she won the Senate seat in 2010. "The focus was on helping Katherine get elected. We got into city government together. I couldn't be happier for my district. Now I've got to decide for myself."
"I think I'd do a good job, but I love the job I have," added Brodeur, who is in his second term. "So I have to balance that and come up with a decision."
Lewis is serving his third term as the state representative for Stoneham and Winchester. "I'm happy representing my House district and I'm looking forward to helping Katherine win the election on Dec. 10," he said. "I have been encouraged to run for her state Senate seat should it open up. I would certainly give that serious consideration at that time."
"I am going to talk to my family and friends . . . and make a decision no later than the end of the month," said Fallon, who has been a state representative since 1997. "I very much enjoy representing the people of Malden right now, so it would be a difficult decision for me. But we are going to talk about it, have some earnest discussions."
Clark, a former state representative and Melrose School Committee member, is strongly favored over the GOP nominee, Frank J. Addivinola Jr. of Boston, in the Dec. 10 special election for the Fifth District congressional seat. But the district has traditionally voted heavily Democratic, strongly backing Barack Obama over Mitt Romney in 2012, for example.
Laura K. Oggeri, a spokeswoman for state Senate President Therese Murray, said that any decisions regarding a special election for Clark's state Senate post would only be made if Murray wins the Dec. 10 contest.
A special election would mark only the third time the seat would be open in 23 years.
The district is viewed as a competitive battleground between the two major parties. Prior to Clark winning the seat in 2010, it was held by Wakefield Republican Richard R.Tisei for 20 years; before that, it was held by Malden Democrat John A. Brennan Jr. from 1974 to 1990.
Craig Spadafora, a Malden Republican and councilor at large who lost to Clark in 2010, said he is giving some thought to running again if the seat becomes open.
"I always thought if there was an opportunity I might consider it, and I'm considering it," said Spadafora, who is in the midst of seeking reelection to his City Council seat.
As was the case last time, he said a factor that interests him in running is that "Malden is a big part of the district," observing that until Tisei, "it was a Malden seat." As a Republican, he said, he could help restore party balance on Beacon Hill.
David D'Arcangelo, another Malden councilor at large and Republican, is also weighing a run. "I'm trying to work with other people who are interested in representing this district to find out who will be able to run during this shortened process," said D'Arcangelo, who was an aide to Tisei when he was a state senator.
Paul John Maisano, a Stoneham Democrat and former selectman who ran unsuccessfully in the congressional primary, said he is mulling a run for the Senate seat.
"Not only on the federal level do we have a lot of chaos, but we need to do work on the state level," he said, citing fiscal issues in particular.
Greg Lucey, a Malden Democrat and councilor at large, said he would not rule out running, noting that the Senate seat does not become open often.
But Lucey noted that he decided not to seek reelection to his council seat this year to spend more time with his family, and that desire also would be a major factor in any decision about running for Senate.
Among others mentioned as possible candidates, Wakefield Democrat and Selectman Tiziano Doto — who lost a bid for Middlesex Register of Deeds in 2012 — said: "I never rule anything out, but I certainly don't anticipate running."
Former state representative Paul C. Casey, a Winchester Democrat, did not rule out a run but said it would be a "difficult mountain to climb" since only part of his town is in the district. He added, though, "Stoneham always treated me like one of its own."
David Lucas, a Melrose Republican who lost a bid for Clark's old House seat in 2010, said: "I'm interested. I wouldn't say we are seriously considering it at this point, but I'm always interested."
Monica Medeiros, a Melrose Republican and Ward 2 alderwoman, said she is focused on her campaign for an alderwoman-at-large seat, but she did not close the door on a run for Senate.
"I will do whatever I can to make Melrose a better and more affordable place to live," said Medeiros, who also ran unsuccessfully in the 2010 House race.
Four prominent Democrats who have been mentioned said they are not running: Malden Mayor Gary Christenson; Melrose Mayor Robert J. Dolan; Winchester town manager and former Malden mayor Richard C. Howard; and former state representative Michael E. Festa of Melrose.
"Although I am humbled by those who have approached me in the last few days to consider the Senate seat, I have not even considered the position and remain focused on continuing to serve the people of Malden as their mayor," Christenson said by e-mail. "It will be interesting to observe who does show an interest in the open seat, but I know my criteria for evaluating any potential candidates will be their support of Malden. Senator Clark has done a great job representing us and her shoes will be hard to fill."
"I will not be a candidate. I love being mayor of Melrose," Dolan said, calling it "the best job I could have in government."
Howard said he is "not even remotely" thinking of running, noting, "I have the job that I want."
Festa, who is currently Massachusetts state director of the AARP, said he is "absolutely not running, because I have a position at AARP and I love the job," noting also that a requirement of his position is that he not engage in partisan activities.John Laidler can be reached at email@example.com.


text:
I know that for any nonzero $x,y\in\mathbf{R}$,
$$ax^2+by^2+cxy > 0,$$
where $a,b,c\in\mathbf{R}$. What can I deduce about $a$, $b$, and $c$?
For example, letting $x=1$ and $y=0$, I know that $\boxed{a>0}$. Letting $x=0$ and $y=1$, I know that $\boxed{b>0}$. Letting $x=y=1$, I know that $\boxed{c>-(a+b)}$.
What else can I deduce about $a$, $b$, and $c$? How will I know when it's time to stop looking? (Is that last question even answerable?)


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|« back Full Timeline Fribbling Reports
Edmund Campion arrives at Dover
The Jesuit missionary Edmund Campion's arrival on the shores of England at this time therefore seems all the more foolhardy or courageous, depending on your point of view.
Campion almost didn't make it further than his entry point at Dover. Spies in Rheims and Rome had already identified Campion as a potential troublemaker and produced an Elizabethan version of a wanted poster of him. Campion was therefore identified and detained on his arrival. Strangely, after a routine interrogation by the local mayor, he was released, and went to ground in London.
Campion's ultimate fate invites the notion that he may have been set up as an unwilling agent provocateur by Walsingham's secret police to make contact with Catholic activists in England and make them break cover. Walsingham's pet psychopaths would have been confident that whatever Campion learned on his mission to England they could have eventually tortured out of him.
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probably the single word most over used, abused and twisted of the past 10 years.
now I too am having fun, trying to put it in a real context, giving a body to a soul, to this virtual word.
derived from the word "economy.
Born in 1964 in Milan, I began taking pictures at the age of 12 with my father's guidance. Together we explored an unusual form of photography - microscopic photographs of minerals, pictures that led to the publication of 2 books along with a mineralogist friend. I've since done a bit of every genre of photography, bar none. My professional work in the field of multimedia production, has kept me in constant contact with the world of photography, even though it didn't actually involve taking pictures. Now, 20 years later, I find the desire to take pictures overwhelming and in the meanwhile my understanding of imagery has changed, matured and evolved.
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The brand new AP poll was released on Monday afternoon, and for the first time in two months, there is a new number one team. After Arizona's heartbreaking buzzer beating loss to California, and Syracuse's overtime win over Duke, the Orange were voted the number one team to start February.
According to CBSsportsline.com, plenty of the votes were submitted prior to Sunday's news of Arizona's Brandon Ashley and his season ending foot injury. The Wildcats lost Ashley, and his double figure scoring average.
The AP voted Syracuse as the unanimous pick for number one this week. They'll put their undefeated ACC record on the line against former Big East foe, Notre Dame, on Monday night.
The only other undefeated team, Wichita State stayed in the top five at number four. However, they still find themselves one spot below the Florida Gators.
San Diego State rounds out the top five. Their only loss was to Arizona earlier in the season.
A newcomer to the top 10 is Cincinnati. The Bearcats have moved all the way to number
The updated "Treat 16+1" power poll has been released.
Kansas, Michigan State, and Michigan round out the top 10, but that's not the only thing that they have in common. Each team lost over the weekend.
Duke starts the second 10, and they are followed by Creighton and St. Louis. Texas rounds out the top 15 after their win over Kansas.
Three new teams jumped in the poll this week. Virginia (20), Connecticut (22), and Gonzaga (23) all replaced a few mainstays from earlier in the season.
Here is the rest of the AP top 25.
1. Syracuse (65)
2. Arizona
3. Florida
4. Wichita State
5. San Diego State
6. Villanova
7. Cincinnati
8. Kansas
9. Michigan State
10. Michigan
11. Duke
12. Creighton
13. Saint Louis
14. Louisville
15. Texas
16. Iowa State
17. Iowa
18. Kentucky
19. Oklahoma State
20. Virginia
21. Oklahoma
22. Connecticut
23. Gonzaga
24. Memphis
25. Pittsburgh
For more sports news, check out Top 10+1 Sports Blog. If you liked this article, click the Subscribe button to receive email updates when a new article is published. Follow William on Facebook and Twitter. Find more by William on his music and sports page. Submit your mailbag questions via Tumblr.
Suggested Links
- College basketball rankings released: Kansas moves into top 10
- College basketball rankings released: Florida shocks Wichita in AP poll
- College basketball rankings released: Arizona takes top spot
- College basketball rankings released: Arizona remains on top, Kentucky drops
- College basketball rankings released: Arizona has stranglehold on top spot