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The name of Susan's brand new CD release is, "All I Ever Wanted Was Everything." This is a great CD. I have listened to it and I love it. It is so different and really takes you for a ride. I sat down to talk to Susan the other day about her writing with and for other people, living in Nashville and her CD release. Check it out:
Q Let's start at the beginning. I see you live in Nashville right?
A I do, yes.
Q Okay, but you weren't born here right?
A No, I was born and raised in Seattle.
Q Wow, so you've come a long way?
A Yeah, almost 2000 miles.
Q How long have you been here?
A About 8 years.
Q Okay. I see that you go back and forth a lot? Do you still have family back there?
A Oh yeah, in fact this week I was at my brother's wedding so I try to go back a couple of times a year for sure. I do shows and what not so.
Q Are you there right now?
A I am. I am in Seattle and my brother got married yesterday and I actually officiated the wedding.
Q Seriously?
A Yeah. I have had a few sets of friends ask me to do their weddings so my brother asked me to do it for his wedding.
Q Are you just licensed to do that in Seattle?
A In any state actually.
Q Okay, I see an additional career here for you. This might even be your first promo for it.
Q That's so funny, you have done it 3 times and maybe you will do it again.
A Maybe, so far I am 3 for 3. Everyone is still happy and still married.
Q How special is that to have married your brother? Wow, that sounds weird.
A It does.
A It was great and I love my new sister.
Q I know you have released other CD's in the past so which number CD is this for you?
A This is my 4th. I have been busy writing for other people so this is the first one that I have put out for myself in ten years. I made the record for film and TV and that type of thing but I also wanted an album that is really cohesive and storytelling because that is the kind of music I really like. I love making albums. It is one of my most favorite things to do.
Q How long did it take to make the record?
A It took a year and a half with trying to get the scheduling to align and raising the money.
Q Yeah, it can be difficult.
A Yes it can.
Q Tell me who is the guy who takes off the glasses in that promo video?
A That is my best friend David Myhre. He is also a co-writer on, "Take Me Home," which is the 3rd track I believe. He is great. He is a fabulous guitar player, a great writer and just a hilarious guy. I told him, I am going to make this video and you are going to be in it. He is also an actor and a model so he jumped at the chance. It was just a fun silly video, you know?
Q You can tell he has got those abilities because he is good looking and he took off the glasses and it was like Clark Kent turning into Superman.
A Yeah, absolutely.
Q That is the feel I got. I was like man, he should be the next superman, you know?
A Did you watch the outtakes from that video shoot? They are hilarious.
Q That is another point I want to bring up, you are very innovative and creative in much more than just songwriting. I get that vibe from you. What else are you doing?
A I am a painter and I am working on a screen play. My mind is always going so I am always having to feed that part of me. I believe we as humans are capable of doing many things really well. Why limit yourself? All the things I do feed into one another but there is not just one thing that keeps me creative, it is all of the things.
Q Right, they are all connected.
A Absolutely.
We talked about songwriters, songwriter rounds at the Bluebird for which Susan has done many and her CD release parties. She had one in Seattle when she was there at the time this interview was recorded. She has another CD Release Party scheduled in Nashville on July 23, 2014 at Alegria Tequila Bar, 202 Richard Jones Rd in Green Hills, Tennessee. Ruth's listening party begins at 7:30 p.m. Visit Susan Ruth on the internet. Like her page on Facebook and take a click on over to order the CD on iTunes!


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Brandon Thompson
Position: DT
Height: 6-2 Weight: 314 lbs.
Born: October 19, 1989 in Thomasville, GA
High School: Thomasville
College: Clemson (school history) (Thompson college stats)
Drafted by the Cincinnati Bengals in the 3rd round (93rd overall) of the 2012 NFL Draft.
Weighted Career AV (100-95-...): 7 (8324th overall since 1950)
Other SR Links: College Football at Sports-Reference.com
Our primary support comes from users like you. Sponsor this page for $5. Your message will replace this ad.
Output includes all games from 1920 to 2015.

subset: commoncrawl


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There are several reasons why Boulder County is pursuing improvements to the 95th and Valmont and 95th and Isabelle intersections:
The accident levels at 95th and Valmont and 95th and Isabelle have been high enough over the past five years that they became eligible for state funding for improvements. Here is a timeline of the process Boulder County took to acquire state funding:
In August 2012 Boulder County publicly released a Request for Proposal (RFP) to obtain qualifications, recent relevant project experience, and a proposed scope of work from private consulting firms.
As with all Boulder County projects, the 95th Intersections Project will have an extensive public involvement process.
On Saturday, February 2, 2013 Boulder County held a community meeting at a local residence. Invitations went out to all properties that had topological survey work done on their properties. The purpose of this meeting was to:
Boulder County took minutes from this meeting.
On Saturday, February 23, 2013 Boulder County held a second community meeting at the Pleasant View Grange. Boulder County took minutes at the meeting. Two reports were referenced during the meeting that present the benefits of adding turn lanes to rural unsignalized intersections. The FHWA study and the NCHRP study show a reduction in traffic accidents in the order of 30 percent-50 percent after left turn lanes were installed.
On Saturday, March 30, 2013 Boulder County held the third community meeting at the Pleasant View Grange.
Scott McCarey, PE, AICP
Multimodal Division Manager
720-564-2665 or Email


text: St. Philip's UMC serves Round Rock and the central Texas region as a community of Christ-followers who seek to follow God's call to a ministry of reconciliation- God to humanity, and people to one another. We enjoy each other's company and we enjoy sharing the love of Jesus. We have felt his love warm our hearts, and we've seen Him change our lives. We invite anyone to join us in following God, and discovering the awesome power of God's grace and love in their own lives.


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Certificate of Excellence award 2012, 2013 and 2014 Read the Reviews
It can all be a little overwhelming, the city may not be huge but the culture, activities, events, eateries etc. is vast. So we have taken it upon ourselves to amalgamate our local 12 years experience in the city via our blog. Whether you are planning on coming over for the festivals, want to find out vegan eats or general insider information, we will keep you in the loop.
Next month sees the return of one of the world's largest tradeshows, Cosmobelleza, due to take place on the 2,3 and 4 February. This 2013 edition is expected to be brimming with beauty, hair and other products, seminars, workshops, giveaways and more. Grupo Cosmobelleza is aimed at the professional hair and beauty market, extending it's services to publications such as Tocado, for hairdressing; Vida Estética-Les Nouvelles Esthétiques, for aesthetics; Revista Cosmobelleza. They are at the forefront of industry news, which is why this international event remains ever so popular.
DestinationBCN Apartment Suites in Barcelona: email@example.com / www.destinationbcn.com / +34-935241950 / © 2012 DestinationBCN Apartment Suites in Barcelona


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I had some severe performance problem lately on my dreamhost shared server, and eventually they disabled some of my domains.
At the end of a long discussion with "support" i understood that the problem in not a singel domain, but having too many domains on one user. My bad, i'm still learnig.
So i think i found the solution of the problem, and i ask if i can make some tries asking them to warn me before shutting off my site again. They said that the shutting is automatic and if it happens too often they could force me on a VPS (= expensive) without warn!
I decided to look for a tool to monitor my server and warn me that something bad is happening before DH shut off my site again.
I found zabbix that looked nice, but reading around i saw that it use a lot of memory and it can be installed only on VPSs!!
The question is: is zabbix worth and working on a shared server? or it will suck up all my scarce resouces? Is there any other good alternative for monitoring a shared server?


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If you don't know cartoonist Ralph Steadman's satiric and political art, you should. Luckily, the new documentary, "For No Good Reason," gives you the chance to view many of his fantastic drawings, and discover the backdrop in which they were created. Filmed over the course of fifteen years by acclaimed commercial and music video director Charlie Paul and produced by his wife Lucy Paul, "For No Good Reason," allows Steadman to speak about his work as well as hear present-day testimonies from friends and colleagues such as Johnny Depp, Terry Gilliam, Richard E. Grant, and Rolling Stone co-founder and publisher, Jann Wenner.
Starting to draw in the 1960's, and rising to prominence in the 1970's, British artist Steadman remarks that he really thought he could change the world for the better with his edgy political cartoons. He took a trip to America to do 1000 pictures (photos and drawings) of New York – and found he was particularly drawn to Skid Row, which further fueled his political conscience. Then, Steadman got a call in the middle of the night from Gonzo journalist, Hunter S. Thompson.
Thompson liked Steadman's work and invited him to travel to Kentucky where Thomson was covering (in his own unique way) the Kentucky Derby for Rolling Stone magazine. Thompson's words and Steadman's illustrations presented a picture of the Derby like none other, and soon they were off to cover other notable events, including the Ali – Foreman fight in Zaire, known as "Rumble in the Jungle," the America's Cup sailing race, and the Honolulu Marathon. Steadman also collaborated with Thompson on his book, "Fear and Loathing in Las Vegas."
There are legendary stories of crazy Gonzo antics involving Steadman and Thompson and most were fueled by booze. But, Steadman also worked with other creative folks like Monty Python's Terry Gilliam, actor Richard E. Grant, and even had odd gun fights with William S. Burroughs. Johnny Depp, who acts as the film's conduit for Steadman's tales, met the artist during the filming of "Fear and Loathing in Las Vegas," and the two became mutual admirers.
But what's equally remarkable about the documentary (and believe me Steadman's stories are indeed wild) is how filmmaker Paul chooses to showcase Steadman's artistic work. Naturally there are the Steadman drawings themselves, but at times these drawings take on a life of their own becoming fully animated. We even get to watch Steadman's artistic process. Starting with ink splashes on a blank page, Steadman creates images that come to life with each ink-stroke; it's as if the ink splash drives Steadman's creativity as to what to draw instead of the artist driving the ink.
Per the production notes, Paul used a variety of film formats to compose his documentary including 35mm, 16mm, Super 8, digital HD video, and Steadman's home movies, as well as all stock types, color, black & white and archived footage. Also of note is that a high-res digital camera was positioned above Steadman's worktable for 10 years to capture Steadman's ink spats and strokes. Thus in the film, a Steadman drawing comes into fruition in a matter of minutes.
Ralph Steadman is a unique and extraordinary cartoonist and thankfully filmmaker Charlie Paul was able to hang out with Steadman for these past fifteen years in order to create his own art film in which to share with audiences – "For No Good Reason."
"For No Good Reason" is 88 minutes, Rated R and opens exclusively in Los Angeles at the Nuart Theatre on May 2.


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Chiropractic treatments maintain motion in the spine which is vital to the health of the discs, joints and other tissues. Our treatments also optimize spinal biomechanics to minimize the stresses associated with the degenerative changes that occur with age. Your spine can be viewed much like any other moving structure in that the better you treat and maintain it, the longer it will freely operate problem free; if you abuse it or don't properly maintain it, it will wear out and break down.


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Harry Potter and the Half-Blood Prince
by J.K. Rowling
Harry Potter and the Half-Blood Prince Theme of Identity
During his sixth year at Hogwarts, we watch Harry and his friends struggle with some big aspects of their identity. As they get closer to finishing up their time at Hogwarts, and as a war rages outside and inside of the castle walls, the students are forced to examine themselves carefully: what they believe, who they trust, who they love, and what they want to become after school. We get a privileged look into this very moment in Tom Riddle's career at Hogwarts, and we watch him, too, struggle with his identity and, ultimately, build an identity that will serve his Dark goals. Voldemort shows us to what lengths a person will go to build an identity.
Questions About Identity
- Does Harry's self-identity change over the course of this novel? What about Hermione's? Ron's?
- Has Book 6 changed your understanding of Snape's identity? How would you characterize him?
- Why did Snape create the identity of the Half-Blood Prince for himself?
- What kind of identity has Voldemort made for himself?
- What does it mean to be the Chosen One? Is Harry special? If so, why is he special? What is the prophecy's purpose?
- What makes up a person's identity in the world of this story?


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|Home | Contact Us | Locations
Martin Luther King, Jr. Day of Service
Face of Hope Foundation Ribbon Cutting
Habitat For Humanity South County Women's Build
Do you have a safety net for your finances? It's not too late to save for your future. Liberty is here to help, offering competitive savings products which will help you get on the road to financial success.
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Click here to learn more about Rewards Savings.
Start saving today with a Convenience Savings account.
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Yes, Liberty still offers the traditional Holiday Club Savings. This savings plan is designed specifically to save for holiday purchases.
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Visit these additional pages to learn about other accounts which will help you in achieving your financial goals:


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The Brooklyn trio comprised of DJ Ayres, DJ Eleven and Cosmo Baker (AKA The Rub) threw down on Monday, and this is how we got down.
Join us next on May 18th with Afrika Bambaataa. RSVP here.
Develops and implements integrated marketing strategies, digital, social, event and experiential programs for consumer brands, leveraging music and culture.
The Brooklyn trio comprised of DJ Ayres, DJ Eleven and Cosmo Baker (AKA The Rub) threw down on Monday, and this is how we got down.
Join us next on May 18th with Afrika Bambaataa. RSVP here.
26 year old sultry-voiced singer Chrisette Michelle bestows her sophomore recording Epiphany upon us today. The follow up to her gold-certified, double Grammy-nominated debut I AM, Epiphany marks a transition away from her traditional leanings to a fuller integration of hip-hop soul. Opening with spacey keyboards and girl group backgrounds, Chrisette's bold declaration of fly girl independence ("It's over," she sings) on "Epiphany (I'm Leaving)" featuring Ne-Yo sets the tone of most of the disc.
While angst and heartbreak is part of Chrisette Michele's persona on this project, the power and strength of her material gives it the sound of a future classic. Without a doubt, this is the first great album of 2009.
Stream tracks from the album here.
The Beauty Created: An Interview With Singer Jesse Boykins III
By Mawuse Ziegbe, Photo (c) J. Shotti
No one has more swoon-worthy finesse than Jesse Boykins III. With his breathy intonations, boyish hustle and collaborations with artists like Melo-X and Theophilus London; he's making noise in a soul music scene aching for something classic and new. In an age where vocals course through vocoders and double-clicks rule the DJ booth, Boykin's New School-bred production and arrangement skills are both novel and necessary. His second album The Beauty Created is awash in richly textured instrumentation and driven by Jesse's lyrical adoration of a woman's quirks. Giant Step spoke with the Miami native about '90s boy bands, working out with Bilal and, of course, the fairer sex.
[Read more...]


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There are very few times in life when you state your wishes out loud to the universe and said universe deems fit to grant them.
Some time ago I wrote a feature on Rhapsody Café: Blues, Beer, and Barbecue. I didn't think my earlier review was particularly unflattering – my overall position on the establishment was positive, despite elucidating a few small gripes. Yet afterwards the owner very politely reached out to say that he had changed all of the very things I took issue with and suggested that I give the place another shot.
Since I actually had to think about what I was doing this time instead of interpreting the quavering Sanskrit on the back of a bar napkin, I resolved to take the average of several return visits in order to make sure I got the facts right. And…you know…to drink and stuff.
The first thing that struck me was how much cleaner the visual field had become. Don't get me wrong, Rhapsody is still lovingly dive-chic, but the too-many tables, the bandstand, the loathsome karaoke machine, and the previously mentioned inexplicable video game stations have been cleared out to make room for…nothing. Open space. Which was what Rhapsody really needed.
One of my favorite things about the establishment was the two free pool tables. The cloud to that silver lining was that the space was cramped, but they've solved the issue by playing King Solomon and cutting the offering in half. So now instead of throwing elbows to get around the pool table, you have to throw elbows to get to the pool table first. Honestly, though, there's never too much of a line and the regulars are pretty good about sharing. It is rare that one can make a logistical decision based entirely on faith in human nature, and I'm quite glad it paid off.
One of the biggest and brightest new feathers in Rhapsody's delightful Sunday-a-churchgoin' hat is a new liquor license. Of course a sweating Tom Collins is always going to be a draw in itself (we all know that's a drink, right?), but they wield it in a way that I find particularly gratifying: Rhapsody has expanded its beer offerings to include an eclectic selection of high-gravity beers. The case includes bottled selections that are interesting if not comprehensive, such as Thelonius Monk Ale (9.7% ABV, kids),Yazoo Sue (9.0% ABV) and some Thai beer that must have been invented by accident because I doubt the Thai even know what beer is. (Protip: I tried it; they don't.)
The very best thing about the beer case is that it is stuffed with Miller Lite, Budweiser, and all of the other things that make you yell at your kids' soccer coach. "That seems like an unlikely endorsement from you," you might say with uncharacteristic elocution. Wait for it…I like that it's in the case because they keep that swill off of the taps.
You want a $2.00 bottle of Bud Light, fine, it's your world, squirrel, and all that. But those of us that drink like men instead of smooth-faced frat boys find a lot to say about Rhapsody's small but well-executed lineup of taps. There is always at least one (and sometimes more) very good high-gravity beer, such as Skull Splitter (8.5% ABV), Andy Gator (8.0% ABV), and Hop Czar (7.6% ABV). Lodging one tap over is Highland's popular session beer for grownups, Gaelic Ale, and the remaining real estate sees a rotation of transient Sam Adams and New Belgium seasonals. In short, if you have a favorite beer, they may or may not offer it; but they will have something you'll like, perhaps something that will make you pull out your phone right at the bar and break up with your previous favorite beer via text message although you really should be more classy than that.
There's plenty of reasons to come to Rhapsody to drink, but I will have to stand by my original assertion that the food is not a draw. The menu is so much of an afterthought that there isn't one – you ask for food and the bartender will tell you what they happen to have in the building. Come to think of it, the list is so short that I believe I can rattle it off right now: hamburger, bratwurst, pulled pork sandwich or plate with two sides, wings, and chips and queso.
The bratwurst is pretty darn good and the price you pay is more Freudian than pecuniary (it's cheap, is what I'm saying). I did have to try the barbecue pork since it was part of the tagline and thus ostensibly part of Rhapsody's mystique. The meat was tender, and the sauce was sweet, no smoke, and tomato-based. I thought it was light yet complex enough to please until the audible sizzle in my mouth drowned out my thoughts. There's so much cayenne in it that the finish tastes literally like upturning a bottle of Texas Pete. Pain is not a flavor. I will pass. But I do so with the qualification that if you like hotspicy, then you may very well like the somewhat unique counterbalance; it doesn't remind me of any BBQ I've tried anywhere else, so that's a mark in its favor. To be completely honest, though, I don't think the owners much care any longer about pushing the barbecue angle for any reason beyond alliteration.
Otherwise, I hereby amend my earlier review. Never let anyone tell you that one person can't make a difference by stamping your foot like a little girl until you get your way. The airier space, new plasma screen above the bar, the blues music cranking on the PA, and great beer selection have started to pull in a few more of the chill-uminati that filter in and out of the Tavern next door. But Rhapsody is rarely particularly crowded, which sort of puts me in an awkward spot. I want to tell you that I really like this bar and that you should totally go. However, should Rhapsody ever become as crowded and as difficult to find purchase as is the Tremont, the owners might be happy but I will once again be relegated to the sidewalk, tears streaming down my face before the monster I've created.
Rhapsody Cafe, 1201 Hixson Pike, (423) 266-3093. Open whenever bars are open.


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My friends Facebook page was recently hacked and the hacker is now demanding a ransom to give the page back.
He has taken steps to resolve this issue but without paying the $1,500 there is nothing he can do right now that he has not done already.
Update: My friend got his Facebook page back, but could have avoided the stress altogether with the right precautions.
Avoid the stress of having your page hacked by using the Facebook security tips below to keep your account secure and prevent your Facebook page from being hacked.
Without taking proper Facebook security tips to secure your page you could get hacked. Even Mark Zuckerberg's account has been hacked.
The following tips will help you keep your Facebook account, and your online reputation, secure.
1. Always Log Out
If you don't log out of your account hacking your page is simple.
Don't forget to log out if there is potential for someone else to use the same computer as you.
2. Enable Secure Browsing
Secure browsing (https) is a security feature that will encrypt your activity on Facebook where possible, making it harder for anyone else to access your Facebook information without your permission.
To change your secure browsing (https) setting:
- Go to your Security Settings
- Click on the Secure Browsing section
- Check the box provided and save your changes
3. Enable Login Notifications
Here's the description Facebook gives of login notifications.
Login notifications are an extra security feature. When you turn on login notifications, we'll send you an alert each time someone logs into your account from a new place.
- Go to your Security Settings
- Click on the Login Notifications section
- Check the box next to the type of alerts you'd like to receive and save your changes
4. Remove Your Email Address From Your Profile
Since your email address doubles as your Facebook username you should change your privacy settings to hide your login email address from your public profile.
Here's how to do this.
- Log in to your Facebook account and find the Contact Information section on your About page.
- Click the Edit button.
- Find the email address that you use to log in to Facebook with and click the down arrow beside the "Lock" icon, then place a check mark beside Only Me.
- Next, click the down arrow on the right and place a check mark beside Hidden from Timeline.
5. Create an Unguessable Password
By creating a random password you increase your security by decreasing the chances that a person or a software program will crack your password.
The most unguessable password would be a string of random characters like '$t6gxgku@mn,$L"A% and the longer the password is the better.
Sure, a computer could eventually discover such a password using a brute force attack, but it gets more difficult the longer you make your password.
For example, to crack the above password, if a billion passwords per second, it would take 10,533,833,066,248,927,000 years to look at all the possible combinations.
For a password that is 9 characters long it would take about 26 months to crack.
6. Enable Cell Phone Login Approvals
Login approvals are an extra security feature similar to login notifications, but with an extra security step.
If you turn on login approvals, you'll be asked to enter a special login code each time you try to access your Facebook account from a new computer or mobile phone.
After you log in, you'll have the option to give that device a name and save it to your account. You will only have to do this once per device and then that device will become one of your recognized devices.
To turn on login approvals:
- Go to your Security Settings page
- Click on the Login Approvals section
- Check the box and save your changes
Facebook also lists these few things to note:
- You need to have a mobile phone number listed on your account to turn on login approvals. You can add one to your account when you turn on login approvals.
- If you haven't named the device you're using, you'll be asked to do so when you turn on login approvals. Don't click the Save this device option if you're using a computer that other people use (ex: a library computer).
- After you turn on login approvals, we need to be able to remember your computer and browser info so we can recognize it next time you log in. Some browser features block this. If you've turned on private browsing or set up your browser to clear your history every time it closes, you might have to enter a code every time you log in.
7. Only Access Facebook from Your Computer
If you access Facebook from your computer and phone only then you can rest assured that there is likely not malicious software installed.
One class of malicious software you should be aware of is key-logging software. Key-logging software records every key that is entered and can save and relay this information.
8. Inspect Your Browser for Spyware
First of all I recommend you download and use Google Chrome to give yourself the most secure web browsing experience.
If you have Chrome already or once you implement Chrome you should periodically check your extensions to ensure no malware software is installed.
To check your extensions click the triple line icon in the top right corner and select "Settings." Then click "Extensions" in the top right. Now remove any extensions unless you absolutely need them. The only extension I use is a password manager.
9. Run Anti-Virus Software
Run anti-virus software on your computer.
Facebook recommends these free anti-virus solutions.
10. Build an Email List
If you implement the tips in this post your page should not be hacked, but it's always smart to have a back up plan.
The best back up plan is a strong email list. If your fans are also subscribers of your email list then even if something were to happen to your Facebook page or if you wanted to start a new page all you'd have to do is send an email to your list and let them know about your new page.
11. Don't Use a Predictable Password
Below are the top 25 most used passwords. Don't use any of them, or any other password that could be easily guessed.
- password
- 123456
- 12345678
- abc123
- qwerty
- monkey
- letmein
- dragon
- 111111
- baseball
- iloveyou
- trustno1
- 1234567
- sunshine
- master
- 123123
- welcome
- shadow
- ashley
- football
- jesus
- michael
- ninja
- mustang
- password1
12. Do Not Install Suspicious Applications
There are many Facebook applications which do not respect your wishes and post unwanted material on your friends wall without your knowledge and permission.
Please refrain from those sort of applications.
13. Do Not Enter Your Login Info Into an App Inside Facebook
Some applications on Facebook are malicious and will compromise your account.
Stay clear of any application which asks you to enter your facebook username and password (or your email username and password). These are phishing applications which collect your account information and compromise your account.
14. Do Not Share or Save Your Facebook Password
Do not share your password with anyone, or save it in a document on your computer.
The best way to go is by memorizing a password that only you know.
15. Always Check the URL When You Are Logging In
Phishing scams are often executed with a fake login page that appears identical to the actual Facebook login page.
A clear indication of a fake login page is found within the URL of the page.
Although hackers can create visually exact looking copies of the Facebook login page they are unable to use the same URL.
Bonus Tip: Don't Drink and Facebook
If you're drinking make sure to log out of Facebook.
Several times I have seen statuses from people who have made this mistake and had their drunk friends take full advantage of their Facebook sitting open by posting embarrassing updates on their account.
Spare yourself that type of situation and keep your account secure.
Has your Facebook account ever been hacked? Let us know what you think of this post and Facebook security in the comments below!
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Grab a copy of our FREE Facebook eBook: 50 Powerful Facebook Tips.
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Latest posts by Garin (see all)
- 11 Ways to Get More Likes on Your Facebook Page - May 26, 2016
- 30 of Mark Zuckerberg's Most Powerful Quotes - April 6, 2016
- 50 Great Ways To Get More Facebook Page Likes - April 2, 2016


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Low's Secret Name
The Minnesota-based indie-trio Low, when they are noted at all, are typically noted for two points: 1) for being "that slow, quiet band" that produces minimalist music at a deliberate pace and hushed volume; and 2) that the husband-wife duo at the band's core are practicing Mormons. Point 1 has not been strictly true for about 3 albums now, though their slow embracing of the distortion pedal and amplifier has not apparently harmed their minimalist ethos (nor their critical love or the devotion of their cult following). Point 2 tends to come up only in passing, to explain such oblique lines as "Oh speak to me/Adam and Eve" from the song "Missouri," off their 1999 album "Secret Name." But these discreetly-LDS references are few and scattered across their 18-year, 9-album discography; and though band-leader Alan Sparhawk has said in interviews that he doesn't differentiate between his spirituality and his art, Low is not a proselyting group (no pass-along cards are to be found at their shows). Few if any would classify Low as a "Mormon band."
Nevertheless, I would like to explore how point 2 bears on point 1—that is, I suspect that Low's Minimalism and Mormonism go hand in hand (and not just for the handy alliterative quality). Specifically, I argue that it is Low's minimalism, their fearlessness in embracing the silences between notes, that allows Low to interact with the very things that can't be said, that can't be represented, the "unspeakable" thing outside discourse that is most responsible for Mormon spiritual conversion. Low does not fear the silence, for the silence for them is not nihilistic void, but where the religious experience lies. Low's music doesn't try to speak the unspeakable, but instead creates a space for it that calls attention to it. It is this ethos of silence that I argue is quintessentially LDS, more so than most the LDS-themed art currently extant. Let me explain.
Paul Signac, the neo-impressionist painter, is attributed to have said, "The anarchist artist is not the one who creates anarchist paintings." That is, it's not the painting's content that renders it anarchistic, but rather the manner in which the painting's style violates convention; a Greco-Roman propagandist mural may be radical in its politics, yet utterly conservative in its traditional form. Similarly, a Mormon artist may produce art that is "Mormon" in content yet devoid of a Mormon spiritual ethos in execution; hence we have Michael McClean producing LDS-themed "Forgotten Carols" in the mawkish, sentimental style of Broadway musicals, a style so conventional, so formulaic, that the hacks behind "South Park" were able to ape it to Tony-sweeping effect in their mocking "Book of Mormon" musical. (Seriously, "The Book of Mormon's" show-stopper "I Believe" could, with only a few slightly-less-ironic lyric changes—and not even that many—be featured on an EFY CD. There is nothing inherently LDS about McClean's song-craft). McClean is Signac's faux-anarchist, LDS in content but not form; but Low, I argue, while only rarely LDS in content, is distinctly LDS in a form that Trey and Matt couldn't even conceive of copying.
I'm comfortable exploring religion's influence on musical form because music critics and historians have been doing so all along. The Blues, as I was taught in college, has its roots in old Black Spirituals (which Jack White of the White Stripes has explicitly called attention to in his own retro music); Elvis certainly didn't shy from the bombastic Gospel music that influenced his Rock 'n Roll; even today, music critics speculate on how much Billy Corgan's Irish-Catholic background in Cathedral acoustics influences his multi-layered guitar-reverberations.
But how, then, is Low's minimalist form distinctly LDS? Certainly there are no Mormon groups I'm aware of (admittedly a small list) trying to do anything remotely similar to Low's artistic ethos. The closest act I can think of, tellingly, is the Mormon Tabernacle Choir. Run with me for a second on this one: both strive for religious experiences within the experience of the music itself, not just in the words; both are capable of exploring deep passion and quivering emotion in very low tones; both are masters of the slow build-up; both know how to turn up the volume when necessary without sacrificing their central artistic ethos; neither feels bound to religious-themed music (the Tab choir has a large repertoire of secular music that is nonetheless distinctly Mormon Tabernacle in style); and neither is afraid of the empty spaces between notes.
In the days before CDs, I recall having to hit the Seek button on my car's cassette-tape player to find the next song—the player would find the next empty space devoid of music on the tape, and assume that that was the space between songs. This feature usually worked well, except with my Tab choir cassette. The song "O Divine Redeemer," for example, was so full of silent lulls, that my tape-player kept stopping in the middle of that song.
It is this embracing of the silence, of the spaces between notes, between words, that for me sets apart both Low and the Mormon Tabernacle Choir as distinctly LDS in form.
This is because Mormons, unlike many Christian denominations, are not Biblical literalists; we believe the Bible only insofar "as it is translated correctly," implying that its words often fail to transmit meaning correctly, as do all words. Even our own Book of Mormon is filled with laments of the inadequacy of language— of "our weakness in writing" (Ether 12:23), that words cannot communicate even "a hundredth part" (3 Ne. 26:6; WoM 1:5; 3 Ne. 5:8; Jacob 3:13; Ether 15:33; Hel. 3:14) of intended meaning, of the "imperfections" (Morm. 9:31, 33) inherent in any text, of how "Neither am I mighty in writing, like unto speaking, for when a man speaketh by the power of the Holy Ghost…it carrieth it unto the hearts of the children of men" (2 Nephi 33:1), clearly delineating how Spirit is often communicated in spite of the words, not because of them. The Holy Spirit merely accompanies words, but is not contained in them; and this Spirit is a "still, small voice" (1 Kings 19:12) that often requires complete silence to be detected—though "often times [the Holy Spirit] maketh my bones to quake while it maketh manifest" (D&C 85:6), and grows in amplification to overpower all else, much like the later music of Low.
Mormon missionaries are trained to "preach the gospel; and if necessary, use words" (Elder Holland), implying that words are the least relevant element of Spiritual conversion. The trend in recent Mormon missionary programs has been towards less speaking, fewer discussions, for the Spirit itself does "not multiply many words" (3 Nephi 19:24), since words just get in the way of Spiritual experiences. LDS missionaries proselyte with the word-filled Book of Mormon, but they do so in hopes not that the potential-converts will be convinced by well-worded arguments, but by a manifestation of the Holy Spirit that accompanies these words, the "unspeakable gift" (2 Cor. 9:15; D&C 121:26), that "maketh intercession for us with groanings that cannot be uttered" (Romans 8:26)—in short, in Mormonism, the Spirit is a thing outside discourse, beyond words, beyond utterance, that exists in the silence spaces where words fail to mean. It is not a hot emotional surge, it is not a sudden outburst; though the Spirit may produce these things, it is not these things. The best missionaries understand that their words must get out of the way of the Spirit—as so understands the Mormon Tabernacle Choir—as does Low.
This philosophy of embracing the silences that bypass words is perhaps best enacted in "Words," the first song of Low's first record (1993's "I Could Live In Hope"), which song may very well function as Low's mission statement. Watch the music video before you read on.
As one can see, actual words make up very little of "Words," for words are the least relevant part of experience. The arrangement is simple to the point of austere. The strange verses communicate a mood more than a clear meaning. The most clearly discernible line among these cryptic lyrics is "too many words/too many words," expressing a desire to be free of the cluttering words that impede religious-aesthetic experience of silence; and the chorus line of "And I can hear 'em…" acknowledges the presence of the words without ascribing them meaning, thus keeping the words out of the way of the unspeakable beyond utterance. In the video, the band members stand far apart from each other, in a large room that calls attention to the spaces between them. The song alone fills the empty spaces between the band members, just as the notes fill the unbridgeable gap between word and meaning, just as the silences bridge the gaps between the notes. The silences are as integral to Low's songs as the instrumentation. In fact, the silence is where Low's music actually lies.
As mentioned earlier, Low would go on to embrace the distortion pedal and amplifier (on 2005's "The Great Destroyer" and 2011's "C'mon"), as well as strings and horns (on 2001's "Things We Lost In The Fire"), fuzz bass (on 2002's "Trust") and electronica (on 2007's "Drums and Guns"). But as more competent music reviewers than myself have noted, Low's ultimate increase in volume, while perhaps a surprise, was not necessarily a shock, for there had always been a menacing "violence" lingering beneath the silence. But I'm not even sure violence is the right word, though—"violence" implies a nihilistic threat to the self, and as Low made clear on the first song off their second record, "You can't trust violence." One can feel a nihilistic threat from the all-consuming silence, to be sure, but only if one believes that silence is equivalent to the void. Nothing could be farther from the artistic ethos of Low: for them, silence is not where the threat lies, but the redemption. The words were the threat, what separate us from each other; outside the words is where one becomes reconciled, at-one, with the silence that contains the groanings beyond utterance.
Of course, Low is far from the first artistic act to embrace silence and space; John Cage was doing so musically half-century ago, as was Samuel Becket in his writing. Even in critical theory, Deconstructionism and Post-Structuralism have long cornered the market on analyzing at what a piece of writing doesn't say, on the silences between the words that collapse in meaning. But perhaps an LDS deconstruction can veer away from the predictable nihilism of such theories, and instead treat the silences not as empty but full, even as redemptive, as Low always has.


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College Hockey:RPI Edges Princeton in OT
Seth Klerer Nets Last Second Winner
TROY, NY — The Princeton Tigers by all rights should have beaten or at worst tied the host Rensselaer Engineers in both team's ECACHL opener. Despite tying the game with 40 seconds left, the Tigers couldn't leave Troy with a point as Seth Klerer got his own rebound with 12 seconds left in overtime and the Engineers stole two points with a 4-3 overtime win.
"They completely outplayed us and outexectued us. They were better prepared and as coaches we'll take the blame for it," said Engineer head coach Seth Appert.
"We had a good week of practice and we thought we were prepared, but we slipped there after a good start and as the game wore on. We were lucky to get out of there with a win."
"They found a way to win it. RPI found a way to win it and we didn't," said Tiger head coach Guy Gadowsky. "If we tie that game, I think we're feeling pretty good. Take away those 12 seconds and yes, we're feeling real good about ourselves for coming back."
After the Tigers pressured the Engineers for most of the overtime, getting off five shots, the Engineers had one last push. Oren Eizenman took the puck deep and fed it out front to Klerer. Klerer's first shot was saved by Zane Kalemba, but the rebound came right back to him and he put it past Kalemba for the goal.
The game was put into overtime by Kevin Westgarth. Westgarth scored the goal in a similar fashion to Klerer. With under two minutes to play, Princeton went on the power play and pulled Kalemba for the extra attacker.
Jody Pederson's point shot was saved by Jordan Alford, and the rebound came to Westgarth. His first shot was saved, but the rebound was put past a sliding Alford for the 3-3 tie with just 40 seconds left in the third.
That capped a comeback for the Tigers after being down 3-1. The comeback started when Kyle Hagel scored on the power play in the second period.
Hagel took a rebound shot and put it past a mad scramble.
In the meantime, the comeback of the Tigers in the last 35 minutes of regulation saw the Tigers outshoot the Engineers 29-6, meaning that Alford was forced to see a lot of rubber during the game.
"Jordan was outstanding," said Appert. "He made spectacular saves and he made them earn their goals. He was very important in a game that he made great plays in a game where we didn't play that well."
"He stopped two great breakaways and he made some difficult saves," said Gadowsky. "He seemed very in control and often there was a lot of frantic play and I thought he was excellent."
The Tigers got the first goal of the game on a very odd play. Cam French was directly behind the net and his shot deflected off of an Engineer and bounced towards the back of Alford. As Alford turned to get the puck, he tried to backhand it and it went off of his glove and right into the net.
But the Engineers came back with two goals in the first period to take a 2-1 lead. Andrei Uryadov took a rebound from in front of the net to score the first goal and then Kirk MacDonald tipped a Peter Merth point shot on the power play over the shoulder of Kalemba.
Jake Morissette added Rensselaer's third goal when he found a loose puck to Kalemba's left and tucked it home.
After that the Tigers took over and Jordan Alford, despite allowing two goals, was the difference for the rest of the game.
"The positive is that teams that believe in each other and believe in what we're trying to do find ways to win games where they don't play that well," said Appert.
"Today was one of those games. Tonight we made a few plays at the right time and we got some good goaltending and that's the right cure for the way we played."
"Being down 3-1 and tying it late, that was a positive. I think we're very happy with the performance, but not the result," said Gadowsky.
The Tigers (0-2-1, 0-1-0 ECACHL) will travel to Union on Saturday evening while the Engineers (3-1-2, 1-0-0 ECACHL) will host Quinnipiac.
This was the fourth annual Black Friday at Rensselaer, the traditional ECACHL home opener where the Engineers wear one-time black sweaters. The sweaters are auctioned off during the game and given off the players' backs to the winning bidders or raffle ticket holders right after the game.
The Engineers are now 4-0 in Black Friday games, defeating Quinnipiac, Vermont, Clarkson and now Princeton.
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Web-slinging over a continental span of theaters, Andrew Garfield and Emma Stone join their latest major feature at the box office top. The scaling in "Amazing Spider-Man 2" had the New York skyline hued around $92. million in a domestic aggregate over its debut three-day. The first three-day in May for 2014. Sony Pictures' sequel in this particular superhero franchise found its way to be remarkable and near remarkability in its first first-place.
Marc Webb resumes his directorial helming. Within an interview with the Huffington Post Webb informs how this sophomore sequel was a brighter direction from "Amazing Spider-Man".
Yeah, because I was more aware of the impact and the eventualities of certain decisions. It was like, "Oh, this will look cool at night." But the comic books very rarely take place at night. That vibrant daytime visual component of the film, I didn't realize how important that was. Especially to kids. It makes the 3D look a lot better too.
There are more bright spots.
As for May, out of two-hundred movies that opened in May down the industry years it's the fourteenth spot that ranks "Amazing Spider-Man 2". The list is a many faceted assortment of franchise either live action or animated (two of the top ten spots are the ogrish claims from "Shrek 2" and "Shrek 3"). The brand naming the Marvel sort colludes the May ranking as much as its movies speckle what a New York rife of costumed heroes presents.
Of its own differential franchise studios, "Amazing Spider-Man 2" hits third at all-time.
And for Marvel repletes, its latest superhero adaptations from seperate propriety studios were released within a month's time of the other. Both hold top spots in Marvel licensed filmmaking. Out of Marvel Comics based superhero genre films, "Captain America: The Winter Soldier" holds 8th while "Amazing Spider-Man 2" has the 9th within the overall openings.
Speaking of one of the Millenium's premiere action stars, Chris Evans reprisal in red-white-blue costuming is at its fifth-week's showing. Over May 2 to May 4, it has the number 4 ranking while the wall-crawler took Cap's former lead seat across three weekends. The Steve Rogers' follow-up took in $7.7 mil, its lowest since hitting theater's nationwide.
Over a box office-borne star-spangled shield staunches "The Other Woman". With Cameron Diaz a lead amongst an celeb star ensemble Twentieth Century Fox's romedy twist was replaced from last three-day's first ranking but recedes no further than a $14.2 million second-placing. At third sits TriStar's "Heaven is for Real" with $8.7 million.
All in all, "Amazing Spider-Man 2" has to swing its winning debut towards a next three-day's face-off against May 16 to May 18 openings from Warner Bros. and Legendary's sci-fi reboot "Godzilla". The upcoming comics flick contender arrives May 23 to May 25 with latest mutant hero installment "X-Men: Days of Future Past". The monster fare and X-Men anticipation will have to fare versus a current fan-favorite that at its worldwide first week perches at a 4th placement on the international match-ups. Above Sony's swall-crawling $369. million is $393.3 mil that "Rio 2" trenches worldwide. "The LEGO Movie" by Warner Bros. is 2nd at $452.9 million. "Captain America: The Winter Soldier" leads the way at $679.8 million.


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This is our latest Baseball DVD release which features Jim Schlossnagle and the TCU baseball team. He was the 2010 NCBWA National Coach of the Year and has been MWC Coach of the Year seven times. The title of this new Baseball DVD is:
All Access TCU Baseball Practice
All Access Baseball Practice with Ed Servais
All Access Mississippi State Baseball Practice with John Cohen
All Access Baseball Practice with Nathan Blackwood
New Baseball DVD featuring Nathan Blackwood (Lubbock Christian University Head Coach-2009 NAIA World Series Champions)!
Take a seat in the stands and watch Nathan Blackwood run two complete Lubbock Christian baseball practices. Coach Blackwood shares an all access look at how to develop potential talent into a competitive baseball team through a fall baseball practice!
Over 2 hours of on-field instruction to help design productive practice sessions!
More practice planning sessions includes:
Skills and Drills for Team Practice
Game Situation Drills for Baseball Practice
Organizing & Running Efficient Baseball Practices
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150 Baseball Drills, Games and Activities
About Us | Security & Privacy | Shipping | Affiliates | Advertise With Us | Help | Contact Us | Site Map | Drake University Distance Learning | Gift Certificates | Request a Catalog | Print Order Form
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Never let it be said that this writer/pastor ever claimed to be perfect in any sense of the word; far be it and this article is not in any sense meant to be judgmental of churches, pastors, leaders or the people of which the church is made; although it will probably be seen by many as such.
This article is meant solely as an observation on the (dare I say) "evolution" of the church and nothing more.
In my nearly thirty years as a pastor I saw everything one could and many did call hypocritical "among the brothers and sisters" of the church.
The known practicing alcoholic along with the practicing gossip, mistresses, adulterers as well as child and wife abusers in open worship celebration with South Florida's finest in the illegal drug and money laundering business would be dressed in their Sunday best singing and worshipping as if they were the perfect father, mother, child and family; it was as though none of their weekly "outside the box" activities of life even existed.
It was often like a scene out of a Norman Rockwell painting come true; the men dressed in suits and ties, women and children dressed in their very best.
The scene was surreal.
Although most of those in attendance were well aware of their own social, moral and spiritual status as well as many seated around them, often the pastor was the only one truly aware of the height of the church's hypocrisy and its actual implications.
In thirty years of ministry, things would change through the years including the congregants and even the pastors and staff appearing to be less formal and more "real world" related.
Everything from music, liturgy as well as worship order and style began to change; church services began to become less worship and more celebration and fellowship.
Even the pastor/preacher's dress in most protestant churches started to change with those who had worn robes, shedding them for suits without ties to others going the way of my Southern Baptist Colleague Dr. Rick Warren's Saddle Back Church approach with the dawning of a dress casual look.
In full disclosure, this writer/pastor was right there with them with at least one "contemporary service" in the last three churches I was pastor; contemporary Christian music and yes casual dress.
Of course, as the church leadership "dressed down" so did the congregation; in fact it was even encouraged as "anything to get them in church".
Today the church has gone from casual to down right sloppy.
The church should never exclude or refuse anyone because of their dress; we are after all, the people of "Who so ever will may come" and "Just as I am" but certainly those of us who know better should do better and teach by example the respect God desires of His people.
If restaurants, schools, colleges and most work places can have dress codes, certainly the house of God can at least set an example through outward simple suggestion.
As time progressed, this writer/pastor has realized that all we have done is "openly cover up" the hypocrisy already there; what I like to call, "reverse hypocrisy" or the process of open hypocrisy by the church to help and even accentuate Christian unfaithfulness and disrespect for the things of God.
As a result the question must be asked, "Have we accomplished what we intended"? In this writer/pastor's opinion, absolutely not.
This past weekend found me involved in two services of two different denominations which gave perfect examples of reverse hypocrisy.
One service this writer attended was a wedding which included communion with full and formal liturgy. Although the pastor was dressed formally and appropriately, as were the Bride, groom and their wedding party, the invited guest were dressed from casual to absolutely sloppy and disrespectful for any wedding.
Including the Bridal party there were only two other men in suits and ties and only three women in dresses. There were even people of both genders and all ages dressed in shorts, cargo pants and jeans.
It was absolutely the most flagrant display of disrespect for both a Christian service and the institution of marriage this writer has ever seen at a wedding (and over thirty years as a pastor I performed hundreds of weddings).
The other service I attended was what I thought was going to be a somewhat traditional service at a church I had not attended in some time.
The church like many has battled for years with the blended worship style of some contemporary and some traditional ideas.
My Sunday visit was an absolute shock; apart from the singing of one traditional hymn and one contemporary worship chorus I was familiar with, this writer felt as though I had entered another dimension.
The pastor was out of town; on Father's day no less.
In thirty years of ministry I was never out of the pulpit on holidays. It just wasn't done and if it was, the pastor would probably be looking for a new church come Monday morning.
The young associate supplying was boring, near monotone and until he learns how to speak, project, dress appropriately and have a genuine knowledge of Biblical content, languages and culture, he should not dawn the pulpit again anytime soon.
The young "would be preacher" was wearing a plaid shirt (designed to be worn tucked in) hanging out down past his waist over khaki pants with all of his keys attached to his belt jingling and reflecting light as he moved from one side of the platform to the other; his dress and mannerism distracted from anything he could say.
He had four points which were published in the bulletin handout (as most churches now do). He preached for over one solid hour, never got to his fourth point and frankly never made his case for the three points on which he continued to dwell.
After being at one of the worst Sunday church services ever, I finally did something this writer/pastor has almost never done, I got up and left.
The young man who attempted to preach should remember that the Koine' Greek word "keirugma" used in the Bible in many passages means in its purest sense, "to proclaim with authority".
When a preacher is unprepared, unequipped, unable to speak beyond a near monotone quality and dressed extremely casual, his appearance of authority is diminished and the ability of the Holy Spirit to speak effectively through him or her for the purpose of calling and influencing people to follow the risen savior is near impossible.
In addition, the young preacher should remember that the average person's attention span is around ten minutes. If you can't make your point(s) in that time span, it is time to close the Bible and say "let's pray".
America and her churches and houses of worship are in deep trouble.
What this writer experienced this past weekend is unfortunately not the exception but practically the rule.
Pastors are no longer real genuine theologians and preachers in the tradition of Spurgeon, Moody, the Wesley brothers, Dr. Billy Graham or Dr. Charles Stanley but rather self-proclaimed orators attempting to hype their listeners on the pabulum and religious psycho-babble of what the current trend is among the latest church growth expert or the tel-evangelist.
If America is to experience a real third spiritual awakening (which meaning are talking about these days) and rid herself of increasing hypocrisy in our churches, then Preachers, pastors and spiritual leaders must grow a "spiritual pair" and start to teach respect of both Christ and His church once again.
One more thing to my fellow pastors, put on a robe or decent suit and tie this Sunday; you might find you preach better and I guarantee your message will be shorter and to the point as you seek to get out of those clothes.
© 2014 Dr. Lee W. Outlaw III


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Samsung confirms the existence of the three Galaxy Tab 4 tablets without actually announcing them
Samsung has done an amazing, never before seen thing: it managed to confirm the existence of three upcoming tablets without actually unveiling any of them. We're talking about the Galaxy Tab 4 line, which will consist of three members: a 7-incher, an 8-incher, and a 10.1-incher.
These will be the newest offerings from what is now Samsung's low-end family of tablets, complementing the high-end Tab Pro series. The new devices will obviously serve as successors to the ones in the Galaxy Tab 3 line, with the exception of the newly announced Tab 3 Lite, which will confusingly still be sold alongside the Galaxy Tab 4s.
Confused? Well, Samsung does confusion well. Anyway, on the official website of the Gear Fit fitness tracker slash armband, Samsung has some small print that talks about which of its devices the Gear Fit is compatible with. And in that list we can clearly see the Galaxy Tab 4 tablets listed.
So this means the Galaxy Tab 4 7.0, Galaxy Tab 4 8.0, and Galaxy Tab 4 10.1 are pretty much official. Now all that's left for Samsung to do is finally give them the announcement they deserve. Previously leaked specs said all three would be coming with 1,280×800 resolution and a 1.2 GHz quad-core processor. The smaller two should get 1 GB of RAM and 8 GB of storage, while the 10.1-inch version will have 1.5 GB of RAM and 16 GB of storage. All will come with a microSD card slot, and all will be offered in multiple versions (Wi-Fi-only, 3G, and 4G LTE capable, respectively).


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A TARDIS Trashcan (With Light And Sound Effects!)
This is a $90 (?!?!) TARDIS trashcan from ThinkGeek. It has a foot pedal opener along with light and sound effects whenever it's used. Unfortunately, it's so small (what is that -- a six coffee cup capacity?) that unless it really is bigger on the inside it's probably smarter to just walk your trash to wherever you'd dump this thing when it's full instead of actually using it. Still, it WOULD make a pretty badass cookie jar.
Hit the jump for a couple more shots.
Thanks to Griffin, who just throws his trash over the cubicle wall and let's a coworker deal with it.


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Once again, light from window in background, just blows this one.
Lighting bad, should'nt have behind models videoing into light. Lots of videos here seem to be that way. Messes screws up the viewers clearity.
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