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The Rock and Roll Hall of Fame and Museum is pleased to welcome Alan Parsons for a Legends Series interview on Saturday, September 18 at 7 p.m. in the Rock Hall's Foster Theater.
Alan Parsons will be interviewed by the Rock Hall's Director of Education Jason Hanley. Questions will be taken from the audience at the end of the interview.
Alan Parsons had dabbled with live performance in his late teens as a folk/blues acoustic player and as a lead guitarist with a blues band in the late 60s. When he landed a job at the famous Abbey Road Studios in London at the age of 19, it became clear that the world of sound recording was to dominate his career.
Parsons was assistant engineer on the last two Beatles albums and went on to work with Paul McCartney and the Hollies among others. But it was his contribution as engineer on Pink Floyd's classic Dark Side of the Moon that got him world attention. That led to success as a producer - notably the hugely successful Year of the Cat album with Al Stewart. In 1975 he met Eric Woolfson who became his manager and they joined forces as a songwriting and performing team for The Alan Parsons Project. The APP's debut album, Tales of Mystery and Imagination based on the works of Edgar Allan Poe paved the way for a signing to Clive Davis' newly launched Arista label and a string of hit albums, namely I Robot, Pyramid, The Turn of a Friendly Card, Eye in the Sky, Ammonia Avenue , Vulture Culture , Stereotomy and Gaudi. With his long-standing collaborators, guitarist Ian Bairnson, drummer Stuart Elliott and orchestral arranger Andrew Powell, Alan dropped the "Project" identity for Alan Parsons - Try Anything Once in 1994. The partnership continued for On Air in 1996 and The Time Machine in 1999.
The album A Valid Path, Alan's foray into Electronica was released in 2004 and featured Pink Floyd's David Gilmour, The Crystal Method, Shpongle, Uberzone, PJ Olsson and Alan's son, Jeremy. 2008 saw the reissue of all the Alan Parsons Project albums in expanded form, containing never-before-heard bonus material and a 2-CD compilation called The Essential Collection. One of the most familiar Project tracks is Sirius, perhaps best known as the Chicago Bulls theme and more recently as walk-on music for The New Orleans Saints at their triumphant Superbowl game in 2010. Alan's latest venture is an instructional series about recording called The Art And Science Of Sound Recording. See www.artandscienceofsound.com. All Our Yesterdays, a song written especially for the series, features some of LA's finest musicians and a rare performance by Alan on lead vocals.


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Greener Pastures
THE PARTY Country charm was channeled at this rustic, yet elegant fundraiser, where 1800s farm life took visitors back to a simpler time. The barnyard was abuzz with glasses clinking (the welcome drink was dubbed Honey Boo Boo) in celebration of the farm's upcoming renovation and wildlife revival. Proceeds help create a new Historic Farmer position and obtain animals to create a more authentic and interactive experience for visitors. THE PLAYERS Herb Miller, Sandra Baldwin, Sari Bernstein, Aimee Chubb, Tony Conway, Kim Lape, Dottie Smith, Karen Spiegel THE SCENE The sit-down dinner was at three long farm tables, with The Little Country Giants playing Bluegrass music while locally sourced food was provided by A Legendary Event. A fun melange of farm animals intermingled among Atlanta's A-list diners. Photography by Jim Fitts

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Porcelain sinks and leather couches, family photos and TVs tumbled onto former housing lots where only brick staircases remain in Staten Island's Midland Beach, the neighborhood slammed by the worst of Hurricane Sandy's wrath. With temperatures dropping into the 30s, people burned kitchen chairs for warmth.
"I saw people's lives on their lawns," said Michael Neely, assistant to the director of Catholic Charities Staten Island. He and his boss, Joe Panepinto, director of Catholic Charities Staten Island, used phones, Facebook, family and friends to pull together a small army of more than 100 Catholic Charities staff, CYO coaches and volunteers last weekend to help hundreds of those hurt by the hurricane begin to rebuild their lives.
They began on Saturday with a map of Midland Beach. They split themselves into groups of three, then went lot to lot to learn what storm victims needed most. Mr. Neely manned a cell phone, sent staff, CYO coaches and volunteers to pick up water, clothing, blankets, whatever folks said they needed most, and sent another group to deliver these supplies.
To take the pulse of what else was needed Mr. Panepinto went that night to mass at Holy Rosary Parish, a church in the South Beach section of Staten Island that lost parishioners to the storm. Mr. Neely met with others there the following morning.
One of the volunteers, David Cardinale, president of USATees and a retired New York City firefighter, knocked on the door of an elderly couple who told him that they smelled gas. Mr. Cardinale entered the home, asked for a pair of pliers and turned off four pilot lights on the stove that could have blown up the house at any point.
The group reconvened on Sunday at the expansive parking lot on the corner of Fr. Capodanno Blvd. and Hunter Ave. in Midland Beach where FEMA, the mayor's office and a host of other groups and organizations had set up tents. They helped organize mountains of donations – from hot pizzas, to down coats and disposable diapers – that came streaming in from nearby New Yorkers and donors with license plates from as far away as North Carolina.
The Catholic Charities agencies in conjunction with the entire Archdiocese of New York is working closely with FEMA and other first responders to maximize resources available to those hit hard by the storm, non Catholics and Catholics alike.
"It's like a war zone," Mr. Neely said, "like something I never thought I would live long enough to see."
Do you need help?
- Call Catholic Charities Toll-free Helpline: (888) 744-7900.
- Click here for more resources and information
Would you like to help others recover?
- Click here to make a donation.
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Brandon Weymann
Aug. 15, 2012
GREENVILLE, N.C. - After enjoying its first off-day of camp Tuesday, East Carolina returned to the Cliff Moore Practice Complex Wednesday morning in what head coach Ruffin McNeill termed a "crisp" two-hour workout in shells. The Pirates finished preparations for Thursday's final two-a-day schedule and continued progress toward Saturday's second intra-squad scrimmage of camp.
After going through traditional individual drills at the beginning of the session, the offense spent periods against scouts working on screens, inside releases and one-on-one matchups between receivers and defensive backs. ECU also dedicated 20 minutes to special teams, while the final 28 minutes consisted of a team-on-team segment.
"We came out particularly crisp and ready to go today," McNeil said. "The execution by all three sides of the ball was outstanding. I also thought we did a lot of great work on special teams, the offense moved the ball up and down the field and the defense was very active and flying around the ball. I really liked our focus and approach today."
McNeill addressed his personnel at the receiver positions, a corps that returns two of four starters in senior outside receiver Andrew Bodenheimer and sophomore inside pass-catcher Justin Hardy. East Carolina opened camp with 17 receivers on its 105-man camp roster, but only seven have game experience and four have missed time with recent injuries.
"We are looking to find a top-eight at that position," McNeill explained. "That is normally the rule of thumb, especially in this offense. I am very proud and pleased with what I have seen out of that group during the preseason camp.
"I think Reese Wiggins is doing a great job at X and Jabril Solomon has done well catching the ball and running his routes. At the Z position, Andrew Bodenheimer and the rest of that group have had a strong camp. The Justins (Hardy and Jones) have stood out at the Y as well."
The Pirates will return to a single-practice schedule Friday after Thursday's twin sessions before playing its last scrimmage of camp Saturday morning.
NOTES: RB/TE Zico Pasut (concussion) and ILB Jeremy Grove returned to full-time status Wednesday after initially missing work and then only engaging in limited participation during the last four days ... IWR Donte Sumpter (right ankle) went back to sidelines one day after being cleared to play, while IWR Danny Webster (right leg), IWR Quataye Smyre (left leg) and DE Justin Dixon (left shoulder) also sat out Wednesday's practice ... Walk-on OLB Darian Harris, who had a unit-leading five stops during last Saturday's scrimmage, will miss the remainder of camp with a concussion ... The Pirates' closed-to-the-public scrimmage Saturday precedes the 18th Annual Meet The Pirates Night, ECU's preseason football fan fest, which will begin at 5:00 p.m. ... Thursday's Practice Times: 8:45 a.m. - 11:15 a.m. & 4:15 p.m. - 6:00 p.m.; Season Opener: Sept. 1 vs. Appalachian State in Greenville (12 noon).


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Philadelphia rock band Free Energy will perform for the first time at the Rock and Roll Hall of Fame and Museum on Wednesday, July 21 as part of the free Summer in the City concert series. The band formed in the fall of 2007 and garnered attention with their melodic, hook-laden dance-rock tunes. Their new album 'Stuck on Nothing' has received critical acclaim from fans and the media: Rolling Stone magazine labeled Free Energy as a band to watch this year and have since appeared on the Late Show with David Letterman.
We caught up with Paul Sprangers of the band for some background on Free Energy and thoughts on performing at the Museum for the first time.
How did Free Energy form?
After our band Hockey Night ended, Scott and I signed to DFA with nothing but a collection of demos and a distant dream. A year after writing and recording, we went to NYC to record with James Murphy. After five months of recording, we could no longer stand sleeping in the DFA office, so we moved to Philadelphia where we rented a house and started assembling the band. Now, Free Energy is a wild, ass shaking five-piece band that causes people to involuntarily high five their friends and make out with babes!
What do you like most about performing in front of an audience?
We love performing live because we can connect with our fans and ideally inspire them with the energy we put into our music. We aspire to reach people and connect with open hearts.
How do you feel particularly about performing in Cleveland at the Rock Hall?
We are going to rock the Hall of Fame so hard the ZZ Top car is going to crash into the crazy Quicksilver Messenger Service amp! Our van is kind of a low rent rock n roll museum because it houses the world's first –and growing—library of canonical rock cassette tapes, everything from Peter Gabriel to Dee Lite. Free energy loves rock n roll! See you soon!


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Thursday, November 5, 2009
All Saints Anglican - Part 1
For some time I have known that All Saints Anglican Church in Granville Centre has been scheduled for demolition. I learned of this fate this summer after an unsuccessful attempt was made by the Annapolis Heritage Society to intervene on behalf of the structure. The church itself was consecrated in 1814 making it one of the oldest surviving churches in Nova Scotia. This was also the parish church for Granville. The unofficial word is that the church is on its way to Louisiana where it will become a Baptist church. I can only imagine the reaction of Bishop Charles Inglis, the first Anglican Bishop of Nova Scotia, were he to learn that of one of his churches was being sold off to the "New Lights".
I will try to make a couple of future posts on this topic to document the process of dismantling the church.
All for now,
10 comments:
- AnonymousNovember 8, 2009 at 1:09 PM
This great evil is the work of the Anglican hierarchy. The church deserves the extinction towards which it is rushing.ReplyDelete
I guess that there is no mincing of words in the above comment.ReplyDelete
- Gavin DunbarNovember 11, 2009 at 12:24 AM
This is appalling. For the Anglican Diocese of Nova Scotia to abandon one of its oldest and most venerable churches, and for the province to stand by as this building disappears ...they all deserve to live in vinyl-siding and trailer parks. Shame!ReplyDelete
What's worse is the HTNS is too busy fighting loosing battles over empty urban brown field sites to step up and provide a voice on the loss of a true heritage property.ReplyDelete
- AnonymousNovember 30, 2009 at 9:06 PM
WE WILL WELCOME AND CARE FOR YOUR CHURCH,ReplyDelete
- Lewis CarrollApril 4, 2011 at 4:38 AM
Hello. I am in NC, US. I have ancestors said to be buried at this church. Do you know what they've done with the graves?ReplyDelete
The graves were not touched while the building was being moved. They will be in the same spot as they have always been.ReplyDelete
- Lewis CarrollApril 4, 2011 at 8:21 PM
Thanks for your response. I've checked to see if I can find the cemetery on Find A Grave and do not see it. I'm going to try and add it along with the listings for my ancestors buried there. Would you be able to provide a physical address for the location? Granville Centre isn't an option on Find A Grave as the city the cemetery is located in.ReplyDelete
Please contact me directly at the O'Dell House Museum and we can move your request along. historic@@ns.aliantzinc.ca (only one @ symbol)
What about the records that were kept there? My husband's 4 gr grandfather was married there in 1797.ReplyDelete


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Cave Aged
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Ossau Iraty VieilleSaid to be one of the first cheeses ever produced, this gem from Aquitaine, France has only gotten better with age. The wheels here at Murray's are rumored to descend from those produced by Aristee, Apollo's sheepherding son. Read More
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Neighborhood Profile: Emiliano Zapata
Published Nov 4, 2008 - (Updated Dec 5, 2012)
Featured in Vallarta Lifestyles Magazine, Fall/Winter 2008 issue.
Let's face it: The phrase Emiliano Zapata just doesn't have the same allure as Olas Altas, Romantic Zone, South Side or even Basilio Badillo. These are, in fact, names of well-known streets and areas in one of Puerto Vallarta's most happening colonias, or neighborhoods: Emiliano Zapata. An entire city within a city, Emiliano Zapata comprises a 9 x 9-block grid south of the Rio Cuale, waiting to be explored. It encompasses all the areas and streets mentioned above, along with many others.
Even entering the colonia from points north along I. Vallarta is bound to give you a small thrill if you pay close attention. As the road nears the Isla Rio Cuale bridge, Emiliano Zapata's northern boundary, it turns and rises, revealing one of the colonia's busiest thoroughfares, along with the gorgeous Conchas Chinas hills as a backdrop limiting its southern edge. As you descend from the bridge, the topes, or speed bumps, serve a dual purpose, slowing down both your vehicle and your mindset. Although dynamic and cosmopolitan, enough of Old Vallarta remains in Emiliano Zapata's soul to encourage you to relax your pace. The Cuale river wraps around Emiliano Zapata and, along with the small Libramiento tunnel, serves as its eastern boundary. On the opposite end, it meets Los Muertos, Puerto Vallarta's most popular beach.
While Emiliano Zapata is home to some of Puerto Vallarta's finest gourmet restaurants, many of them listed in our Dining Guide, it also is home to some of our town's most tourist-safe taco stands and legendary eateries, such as Cenaduría Celia, arguably serving some of the finest pozole in town. It is also home to art galleries and mercados, or markets, where you can indulge in fine and folk art, respectively — not to mention a variety of specialty shops and convenience stores. And birds of a feather do flock together in Emiliano Zapata, as most of Puerto Vallarta's gay community congregates there. From elementary schools to universities, 24/7 drugstores to hospitals, humble abodes to regrettable high-rises, Emiliano Zapata is as multifaceted as it gets.
There isn't a single street not worth exploring in Emiliano Zapata, and the best way to do so is on foot. Begin with Los Muertos beach, which now connects with Puerto Vallarta's popular Malecón via a recently constructed pedestrian extension that begins at Lazaro Cardenas plaza, also recently remodeled. Parallel to the ocean, Olas Altas' bustling outdoor cafe scene is the only place in town where you can purchase fine jewelry, find a hot date, sing and dance your heart out, and ride a real donkey, all on the same block. And every New Year's Eve, Olas Altas closes access to vehicular traffic, becoming one of Puerto Vallarta's most popular block parties and a one-of-a-kind spot to greet the New Year.
Heading inland, I. Vallarta and Insurgentes are Emiliano Zapata's main arteries, both featuring a variety of shops, galleries and restaurants for every taste and budget. Gutiérrez Rizo, or "Rizo's" as it's commonly known, is a popular supermarket and gathering point for snowbirds living in the colonia — and one of the few places in town where you can find Triscuits and other north-of-the-border treats. Next to Rizo's, you'll find it hard to resist crossing the hanging bridges that connect Emiliano Zapata to Isla Rio Cuale, a popular diversion for kids of all ages.
Perpendicular to the ocean, Basilio Badillo stands out as a must-explore street, sometimes referred to as "Restaurant Row" due to the number of fine eateries established there. Nearby Lazaro Cardenas, the longest street in Emiliano Zapata, travels east-west, gradually revealing the original small-town nature of the colonia as you walk inland.
As urban development progresses north and south of Puerto Vallarta, Emiliano Zapata's privileged terrain has sheltered it from excessive expansion, for the most part, making this colonia a must-see for anybody visiting Puerto Vallarta for the first time. And for residents and seasoned visitors, a walk through its cobblestoned roads is a perfect way to rejoice and remember the fact that this is, after all, as typical as Mexican neighborhoods get.


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Deep into rehearsals for La Traviata, the German director doesn't want to talk about what she is preparing to unveil at the beginning of December, but would rather talk about the place music and opera occupy in her personal life and career. One thing, however, is clear: in this new production, Andrea Breth wants to distance the story of Violetta from all the clichés and expose the violence and scandal that are at the heart of Verdi's work.
Can you remember your first experiences of watching an opera?
Yes, it was before I even went to school. My maternal grandmother was an opera singer: she lived in Weimar, then in the GDR, and I would go and visit her sometimes. She took me to the Hoftheater, Weimar's state theatre. The curtain went up and there was an enormous ship. I shouted with joy so loudly that she took me out because she was embarrassed. That was my first encounter with opera.
And later on, once you had embarked on your career as a director, did you dream of putting on an opera? Were you hoping that someone would make you an offer?
It was a little more complicated than that. A long time ago, when I was still very young, I directed Strindberg's The Father. So Klaus Zehelein, who was the chief dramatist at the Frankfurt Opera House, offered me the chance to do Madame Butterfly. I refused because I felt I didn't know how to resolve the questions peculiar to opera. I continued to refuse offers for a long time when I was working at the Schaubühne in Berlin, because I had to look out for the theatre and not my ego. That's why it took me so long. When I left the Schaubühne I decided to have a go: as a director I got interested because of the music and what is particularly at stake in opera.
So when exactly did it all begin and how?
In 2000, Leipzig asked me to do Gluck's Orfeo ed Euridice. The story intrigued me, the music was marvellous and I thought the choice of singers interesting. I said to myself a work with only three soloists was not a bad idea for a beginner. But when I started directing it I had very ambivalent feelings. I suffered a lot from the time constraints: in opera you always have to be aware of time passing, which I'm not used to because I work for far longer with actors. But this imposed timescale, which can sometimes be constraining for theatre directors, I actually found exciting in the end. Also with opera half the work is already done: I am no longer responsible for the length, the rhythm whereas in the theatre you have to think about those things constantly, to determine the pauses in the performance etc.
When you are working on an opera do you feel that, in listening to the music, doors are opened to you which could prove useful for your theatre work? Do you find that your imagination is fed by this something rather special that is found in opera and not in the theatre?
Yes, the libretto is important, but it is, above all, the music that prevails because of, principally, the interior spaces that it opens up for the production. And if you can find the form that suits the music that backs up the music, then you approach the staging differently. You end up at different destinations, different emphases which can eventually be very useful in the theatre. One feeds the other and, for me personally, it helps me to move forward in my work.
When you are invited to direct new productions do you need to be interested both in the music and the libretto to accept?
Normally, yes. When Klaus Zehelein asked me to do The Bartered Bride, I remember saying to him on the phone, after I had read the libretto "No, definitely no!" But we all know how persuasive Klaus can be and he asked me to listen to the piece. It was then I realised how wicked and violent the story is, and that it was nothing to do with folklore. The music stands out as truly formidable. Let's say, however, that in general I am very careful in my choices: I wanted to have enough success in my career so that I would be free to choose what I did. I can't do all the operas; for me, Wagner, for example, is out of the question, I couldn't do it.
Why is that?
I've had lengthy discussions with Daniel Barenboim about this. He obviously loves Wagner and I have worked with him on several occasions. It's linked to my upbringing, to my mother's story and to National Socialism – even if Wagner had nothing to do with that. At my parent's, Wagner was virtually taboo. I grew up with Mozart; my father was a great lover of music and Sundays always began with Mozart and then only after that could we have breakfast (a smile). The staging of The Ring by Chéreau really fascinated me but I have a problem with the music. It's loud, it's heavy. It makes me feel physically sick and that does not feed my imagination. Wagner doesn't inspire me.
When you are creating a new production, you have to work with singers that normally you haven't chosen…
It varies enormously. When I work with opera houses where we talk at great length about the characters, I can. I wouldn't accept being told that the singers and orchestra have been hired before the director. I really appreciate opera houses like Brussels where the boss and his deputies understand the director's way of working. I can meet all the singers beforehand and, if necessary, work with them in advance to find out, from my point of view, if they have the acting skills that I consider essential. On the other hand I never intervene concerning the voices, for that I lack the competence. But if in the theatre the only criteria is the voice that won't work for me. I really do see opera as musical theatre. Up until now, save for some unimportant exceptions, I have always been lucky to come across singers who love to act and who, moreover, act well. I am delighted by this development in musical theatre; that there are more and more singers who are also interested in acting, who want to learn, who are curious. When you can really get them to act the part well, and if, as well, they sing beautifully, then the spoken theatre has really got competition.
Do you think, in opera, you will be able to bring out the same nuances and details in the singers' performances as you can in the theatre with actors?
Not entirely. An actor is totally different. I think we are often wrong to even want to make comparisons. However, where there is no difference between musical theatre and spoken theatre is at the level of the sub-text. What thought is behind a sentence or a couple of words? It is completely possible in the musical theatre, providing we are not contented to just say now he or she will sing this aria and it will work one way or the other – no it doesn't work like that. That is asking for a disaster. We can see that sometimes on CDs. When an artist just sings prettily but without any thought behind it, it is boring. And that doesn't help the singers. I have a great deal of respect for them and I listen to them. When a singer who I trust tells me that he/she can't sing in such and such a position, I don't insist on it and I modify my idea. I don't insist that it is essential for me that they do it that way. You have to come up with something else. The support you give a singer is different to that which you give an actor. To have to sing a piece for ten minutes requires a great deal of effort from the singer and we have to give him/her the best conditions possible. Another example: I can't move them twenty metres back on stage because I think the effect would be more beautiful – well you know all that. In my opinion, the staging must serve the story as well as the music. Otherwise, there's no point in doing musical theatre.
In what way has your experience with opera influenced your work with the actors in your theatre?
It has at a certain level. Not in the way I see the actor's performance, but at a more conceptual level where you become more daring. You find other ways of staging something. Practically, I'm not sure, but I notice that sometimes it makes me move away from a certain kind of realism. It's always directly linked to the poetry. I always say that the director is a secondary artist, whether that is in opera or spoken theatre. What is paramount is the text and, on the other side, the music. Not my personal feelings.
Why do you say that?
Because I often notice that directors give themselves too much importance. We are neither authors nor composers; all those difficult tasks are not our responsibility. It is, therefore, a craft that is there to serve a cause. That is our mission.
When you have to decide in which period to set an opera – like La Traviata which was written over 150 years ago – what is it that leads you to take one route rather than another?
The big problem with La Traviata is that the music is so incredibly beautiful and everyone knows it and thinks they can sing along with it that we forget how cruel the story is. Therefore you have to straight away head in another direction in order that the plot has higher visibility and is heard. That's why I would never leave it in the period in which it was composed because there would always be the risk that the set would only be seen as a thing of beauty. It is worth noting that Verdi was not allowed to set it in his own period. In order to stage it he had to set it in the past. The other problem is how to get across to today's audience the scandal that this opera created at the time. It is a scandalous story and conveying that is fundamental. But you have to approach every production differently. When I did Schiller's Mary Stuart I didn't feel the need to present Queen Elizabeth in the guise of the head of the Deutsche Bank. I have a problem with productions that want to fit into the current political situation. That is not what I am trying to do here; the costumes will be a mix of different periods from Degas to the modern day. The importance is to show the wealth of that world and the intellectual and moral emptiness of that society. It is something that I can see clearly today. And that does interest me; we are living in an era where everything comes back to money. There is no third force; we had God, then communism, then socialism and now money.
And love, as Alfredo would say…
Huh! That is so fleeting…
What do you expect in terms of collaboration from the conductor of the orchestra, when you start working on a new opera?
It is quite difficult because conductors spend most of their time in aeroplanes. However if we can't work together you can do whatever staging you like and the absolute opposite will be happening in the orchestra pit. It is has the potential to be a disaster. Personally, I like to work with conductors who are interested in what happens on stage and not just in the music. It is important to understand each other at that level. It can be a battle but even in those cases it has always proved an interesting encounter. Moreover, I wouldn't work with just anyone; I would rather say no.
Do you listen to a lot of music?
Yes, all sorts. It varies. When I am working on a show, it can happen, that on the way to the rehearsals in the car, I find myself always listening to the same thing. That creates a certain feeling in me and I need to listen to it all the time in order not to lose that feeling. After, during rehearsals, no. I listen to a bit of everything even Elvis Presley. On the other hand at home I listen to a lot of classical music. Opera as well, but I know opera a lot less well than I know plays for the theatre. I love going to concerts, I find that more magical than listening to a CD. I don't go to pop concerts, and maybe I'm wrong not to; but what I really love are classical concerts...
When you are working with your actors, do you give them music to listen to, to get them to understand, by a different route, what you are trying to tell them?
Not necessarily what I'm listening to. But I have some amazing sound collaborators and there is always a composer working with us. And when, for example, I want to create a certain atmosphere – or when they are speaking for hours, I insert some music to give them time to breathe. And this music will be underlying the performance, to create an atmosphere or to make us hear a train in the distance. It's a feeling that an actor can capitalise on. And that can also help. You can't just say to someone "Now you are going to be in a very good mood" – it's not that easy. However if you give him some music which provokes that mood the actor will be able to reproduce it (the audience don't hear this music). Yes, I work a lot like this.
You were talking about Mozart, the music that you listened to every Sunday before breakfast. Many directors think that it is an extremely difficult task to translate Mozart's operas for the theatre on account of their subtlety. What do you think?
I totally agree with my colleagues! Mozart's music is extremely difficult. It is obviously never easy to stage and work from his repertoire. Janacek's Katya Kabanova, for example, was not easy to stage but it pales into insignificance beside the complexities of staging Mozart's music. Before I leave this earth I absolutely want to direct Don Giovanni. I know that it is for me. Dark, everything there is dark. Why does it speak to me in this way? No doubt that is part of the analysis…
Recorded by Christian Longchamp
article - 22.11.2012
article - 20.11.2012


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Post Tagged with: "Netanyahu Arab World"
Netanyahu: 'Obama Knows Israelis Determine What Their Interests Are'
Arts and Culture Blogs
North American Studios Look to Israel for Next Animation Hit
JNS.org – In 2008, Yoram Honig was a producer and director living in Jerusalem, fresh off his first international hit, when the Jerusalem Development Authority (JDA) came to him with a challenge: build a film industry from scratch in Israel's capital. "When we started here, was nothing in Jerusalem," he said during an interview in his office in the Talbiya neighborhood. Now, the Jerusalem Film and Television Fund, which Honig heads as an arm of the JDA, pumps 9 million shekels […]Read more →
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Olympic Gold Medalist Gabby Douglas to Wear Leotard With Hebrew Letters in National Competition
Olympic gold medalist Gabby Douglas will wear a leotard bearing Hebrew lettering when she competes at the P&G Gymnastics Championships over the weekend. Douglas' Swarovski-outlined outfit will feature the Hebrew word "Elohim," meaning God, on its left sleeve. The Hebrew detailing honors the athlete's "rich heritage of faith," according to apparel manufacturer GK Elite, which produced the leotard and released a preview of it on Wednesday. The company said Douglas' sister, Joyelle "Joy" Douglas, created the Hebrew design. The outcome of the P&G Championships will help […]Read more →
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British World Heavyweight Champion Should Be Banned From Boxing for Sounding Like Hitler, Says Ukrainian Competitor
Britain's world heavyweight champion, Taylor Fury, should be banned from boxing for making Nazi-like comments, a former world champion from the Ukraine said on Thursday, ahead of their upcoming match. "I was in shock at his statements about women, the gay community, and when he got to the Jewish people, he sounded like Hitler," Wladimir Klitschko told British media, according to Reuters. "We cannot have a champion like that. Either he needs to be shut up or shut down in the ring, or […]Read more →
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Rabbi Shows Cooking Skills and Humor on Chopped
Rabbi Hanoch Hecht just made television history; but, unfortunately, he couldn't have his rugelach and eat it too. Hecht became the first rabbi to compete on the hit show "Chopped," where contestants are forced to use four random ingredients in their recipes, and have 20-30 minutes to create an appetizer, a main course and a dessert. A contestant is eliminated after each round. Hecht, 32, said that while the dishes and utensils were new, the kitchen was not kosher, so he couldn't taste […]Read more →
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Orthodox Entertainer Stars in Pepsi Max Commercial as New Face of Company's Israel Campaign (VIDEO)
Orthodox singer and entertainer Lipa Schmeltzer is starring in a new Pepsi Max commercial for the company's campaign in Israel. The commercial begins with a bunch of Jewish men eating at a restaurant, when Schmeltzer walks in and tries to decide what to order. An employee at the obviously Israeli eatery offers him a variety of foods, but the entertainer in the end decides on a bottle of Pepsi. Everyone in the restaurant then joins him, drinking Pepsi Max and dancing to […]Read more →
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Jewish Author's 'Messy' Draft Transforms Into Rock Star Novel on Amazon
JNS.org – "Writing is a messy process," says author Elizabeth Poliner. "People who don't write fiction would be surprised to see what early drafts could look like." But readers wouldn't know "what a mess it was for the longest time," as the Jewish author puts it, when reading Poliner's critically acclaimed latest book, As Close to Us as Breathing. The volume garnered Amazon's "Best Book" designation in March 2016 as well as rave reviews from the New York Times,W Magazine, NPR, […]Read more →
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Sundance Tour Features Short Film About Elderly Jewish Woman's Decision to Eat Bacon for First Time
The Sundance Film Festival Short Film Tour, which started on Friday in New York City, features a mini-documentary about an elderly Jewish woman whose journey away from Orthodoxy leads her to taste forbidden food for the first time in her life. In Canadian director Sol Friedman's Bacon & God's Wrath, Razie Brownstone talks about ending her lifelong observance of keeping kosher as her 90th birthday approaches. The recently declared atheist said the discovery of the search engine Google spurred a lapse in her Jewish faith and made her decide to […]Read more →
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Chabad Rabbi From New York Competes on Food Network's 'Chopped' Cooking Competition
A Chabad rabbi from Rhinebeck, NY, will face off a priest, a pastor and a nun-in-training in an upcoming episode of the Food Network's reality show, "Chopped," Lubavitch.com reported. Rabbi Hanoch Hecht – who teaches up-and-coming chefs about the intricacies of kosher dietary laws at the Culinary Institute of America (CIA) — was nominated for the show by a professional chef, and went through a rigorous interview process at the Food Network's studios in Chelsea, NY. Months later, he was informed he had been accepted as a contestant in the popular TV cooking competition. "I thought […]Read more →


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Geronimo Stilton Graphic Novels #8: Play It Again, Mozart!
Questions About This Book?
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- The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.
Author Biography
Born in New Mouse City, Mouse Island, Geronimo Stilton is Rattus Emeritus of Mousomorphic Literature and of Neo-Ratonic Comparative Philosophy. He is the director of The Rodent's Gazette, New Mouse City's most widely read daily newspaper.
Stilton was awarded the Ratitzer Prize for his scoops on The Curse of the Cheese Pyramid and The Search for Sunken Treasure. He has also received the Anderson 2001 Prize for Personality of the Year. One of his bestsellers won the 2002 eBook Award for world's best ratling electronic book. In 2006 he won the Nickelodeon Kids Choice Awards and in 2008 he won the Cartoomics prize 'Beyond Comics'. His works have been published all over the globe.
In his spare time, Mr. Stilton collects antique cheese rinds. But what he most enjoys is writing books where he tells his fabmouse adventures!


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The clamor of an army of hammers and power saws echoed through the woods off a dirt road in a rural upstate town of Grafton last week.
The rustic abode of Susan Swart on Banker School Way was getting a makeover thanks to Catholic Charities and Home Depot. Two years ago, Tropical Storm Irene damaged the home where the 60-year-old woman has lived for 36 years.
"The rain here from Irene was horrendous and a downburst wind gust took a bunch of 70-foot-tall trees down right over there," Swart said, pointing out her window to a gap in the woods that surround her home. "The water was just flowing down my walls and we had no electricity for two weeks."
The damage caused wood rot in the roof, damage so bad that two volunteer roofers accidentally put their feet through the roof while walking on it.
Catholic Charities is coordinating repairs. Catholic Charities of Albany is one of the many agencies providing support to disaster survivors of Hurricane Irene, Tropical Storm Lee and Super Storm Sandy through the New York State Disaster Case Management Program. The program is operated by Catholic Charities of the Archdiocese of New York under the auspices of the New York State Division of Homeland Security and Emergency Services, Office of Emergency Management and funded by the Federal Emergency Management Agency (FEMA).
"I thank God for Catholic Charities and these wonderful workers," Swart said standing near her front door that was surrounded by climbing morning glories. "It's a godsend because the roof would not have made it through another winter."
Check out these photos and read the full story published in the Times Union.
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Enter our contest to win Coultrain's new vinyl 7-inch from a limited 500-copy pressing, courtesy of our friends at Record Breakin. The special edition vinyl features "The Wanderer" b/w "Balancing Act." If you're not so lucky as to win and must own this special edition 7″ anyway, you can always opt to pre-order yours here.
Coultrain, a poet and an artist, uses his life experiences and acquired knowledge to inspire his music. This inspiration leads him to write deeply meaningful songs like "Balancing Act," exploring the balancing act of life.
Coultrian – Balancing Act (snippet)
Coultrain – The Wanderer (snippet)


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Extend a vacation with an extra night on the house at Turnberry Isle in Aventura.
The resort is offering a free night with an eligible minimum paid stay of two nights.
The deal includes includes $50 credit to spend on golf, dining or spa and fitness amenities.
The offer is featured on the Florida tourism website is available to December 26 with promo BGS, 888-236-2427


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Price: $22.95
Based on The New York Times best-selling novel, Killing Lincoln is the suspenseful, eye-opening story of the events surrounding the assassination of U.S. President Abraham Lincoln. While some aspects of the plot to slay Lincoln and cripple the newly forming union are widely known, much more of the history unfolds in this insightful thriller. As actor John Wilkes Booth becomes increasingly obsessed with removing Lincoln from office, a secret cabal forms, and ultimately empowers Booth to carry out an event that will change America forever. Narrated by Oscar® Winner Tom Hanks and produced by Tony Scott and Ridley Scott, this historical masterpiece stars Billy Campbell (TV's "The Killing") in a spectacular turn as President Lincoln.
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For Immediate release
Taking a good look into the mirror
Travelling in British Columbia this summer never looked so good
August 07, 2012, Victoria, BC – Accent Inns' easy-to-spot, iconic blue roofs haven't changed, but just about everything beneath them has– from the renovated exteriors, updates to the interiors of all five properties — and a very cool change in the brand image and story.
Now sporting refreshed exteriors in shades of, taupe, grey and green, entrance pillars refinished in natural stone and glass balconies to open up the views, Accent Inns has a warmer, more welcoming West Coast feel and is working harder than ever to live their new "stay local, stay real" tag line.
"As we finished our renovations late last year, we felt it was time to check in and see what our potential customers thought of Accent Inns," says Mandy Farmer, president of Accent Inns. "The focus group results were shocking. Going by our name and look, many people thought we were an American owned run of the mill chain. For a company that is owned and operated by a BC family, we were heart broken. It was time to become better at telling and living our brand story." (more…)


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Published: Sunday, May 12, 2013 at 12:30 a.m.
Last Modified: Friday, May 10, 2013 at 11:19 a.m.
Lena Newkirk Bright of Rocky Point, N.C., has celebrated her 100th birthday on May 11. To commemorate this very special occasion, a party was given at her home in Rocky Point by her daughter.
Lena also has two grandchildren and six great grandchildren.
Reader comments posted to this article may be published in our print edition. All rights reserved. This copyrighted material may not be re-published without permission. Links are encouraged.


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The notification area is located at the far right of the taskbar by default, and it contains program icons that provide status and notifications about things like incoming e‑mail, updates, and network connectivity.
When you install a new program, you can sometimes add an icon for that program to the notification area.
New computers often come with icons already in the notification area, and some programs automatically add an icon to the notification area during installation. You can change which icons and notifications appear in the notification area, and for certain special icons (called system icons), you can choose whether they show up at all.
You can change the order of the icons in the notification area, and the order of hidden icons, by dragging them to the position you want.
Click the icon in the notification area and then drag it toward the desktop.
Click the arrow next to the notification area.
If the arrow isn't there, you don't have any hidden icons.
Click the arrow next to the notification area, and then drag the icon you want to move to the notification area. You can drag as many hidden icons to the notification area as you want.
Right-click an empty area on the taskbar, and then click Properties.
Under Notification area, click Customize.
Select the Always show all icons and notifications on the taskbar check box, and then click OK.
You can customize how icons and their corresponding notifications behave in the taskbar.
For each icon, select one of the following options in the list:
Show icon and notifications. The icon always remains visible on the taskbar in the notification area and any notifications are displayed.
Hide icon and notifications. The icon is hidden and notifications aren't displayed.
Only show notifications. The icon is hidden, but if the program triggers a notification balloon, it's displayed on the taskbar.
Click OK.
System icons, including Clock, Volume, Network, Power, and Action Center, are special icons that are part of Windows. For these icons, you can change how the icons and notifications appear, and also whether they show up at all. You might turn off a system icon if either you or your computer manufacturer have installed a similar program. If you turn a system icon off, you can always turn it back on later.
Click Turn system icons on or off.
For each system icon, click On in the list to show the icon in the notification area, or click Off to completely remove the icon from the notification area.
Click OK, and then click OK again.


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I'd like to use AES-GCM instead of HMAC for authentication and privacy in a token used in a web application, but I'm unsure how to securely tag each token with an IV. Is it safe for me to prepend the IV in front of the AES-GCM data, or do I need to protect it somehow?
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It is indeed safe to send it along with the ciphertext; the attacker can't learn anything from it (other than possibly how many packets has been generated so far, if you use a counter to generate the IVs), and if the attacker modifies the IV, the resulting message will fail to decrypt (with high probability).
Existing protocols that can use GCM (TLS, IPSec) do exactly that: prepend the IV in front of the AES-GCM data.


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Melanoma is the most dangerous type of skin cancer. It is the leading cause of death from skin disease.
Melanoma can also involve the colored part of the eye.
Other common types of skin cancer are:
Alternative Names
Skin cancer - melanoma; Malignant melanoma; Lentigo maligna
Melanoma is caused by changes in skin cells called melanocytes. These cells make a skin color pigment called melanin. Melanin is responsible for skin and hair color.
Melanoma can appear on normal skin. Or, it can begin as a mole or other area that then changes in appearance. Some moles that are present at birth may develop into melanomas.
There are four major types of melanoma:
In rare cases, melanomas appear in the mouth, iris of the eye, or retina at the back of the eye. These may be found during dental or eye exams. In very rare cases, a melanoma develops in the vagina, esophagus, anus, urinary tract or small intestine.
Melanoma is not as common as other types of skin cancer, such as basal cell cancer. But more and more persons are developing melanoma.
The risk of developing melanoma increases with age, though it can also be seen in young people.
You are more likely to develop melanoma if you:
Other risk factors include:
A mole, sore, lump, or growth on the skin can be a sign of melanoma or other skin cancer. A sore or growth that bleeds, or changes in color can also be a sign of skin cancer.
The ABCDE system can help you remember possible symptoms of melanoma:
The key to successfully treating melanoma is recognizing symptoms early. You might not notice a small spot if you do not look carefully. Have yearly skin checks by a dermatologist, and examine your own skin once a month. Use a hand mirror to check hard-to-see places. Call your doctor if you notice anything unusual.
Exams and Tests
Your doctor will check your skin and look at the size, shape, color, and texture of any suspicious areas.
If your doctor thinks you might have skin cancer, a piece of skin from the growth will be removed. This is called a skin biopsy. The sample is sent to a lab for examination under a microscope.
A sentinel lymph node (SLN) biopsy may be done in some people with melanoma to see if the cancer has spread to nearby lymph nodes.
Once melanoma has been diagnosed, CT scans or other types of x-rays may be done to see if the cancer has spread.
Surgery is needed to treat melanoma. The skin cancer and some surrounding area will be removed. How much skin is removed depends on how deep the melanoma has grown.
If the cancer has spread to nearby lymph nodes, these lymph nodes may also be removed. After surgery, you may receive a medicine called interferon.
Treatment is more difficult when the melanoma has spread to other organs. In this case, it usually cannot be cured. Treatment involves shrinking the skin cancer and making you as comfortable as possible. You may receive:
If you have melanoma that is hard to treat, you might consider enrolling in a clinical trial. Ask your doctor for more information. Researchers continue to study new treatments.
Support Groups
You can ease the stress of illness by joining a cancer support group. Sharing with others who have common experiences and problems can help you not feel alone.
Outlook (Prognosis)
How well a patient does depends on many things, including how soon the cancer was diagnosed, and how far it has spread.
If caught early, some melanomas can be cured.
Melanoma that is very deep or has spread to the lymph nodes is more likely to return after treatment. If it is deeper than 4 mm or has spread to the lymph nodes, the cancer is more likely to have spread to other tissues and organs.
Melanoma usually cannot be cured when the cancer has spread beyond the skin and nearby lymph nodes.
If you have had melanoma and recovered, it is very important to examine your body regularly for any unusual changes. Your risk of melanoma increases once you have had this cancer. Melanoma can return years later. Usually, people who have had melanoma are checked by their skin doctor several times a year.
Possible Complications
Melanoma can spread to other parts of the body very quickly.
Melanoma treatment can cause side effects, including pain, nausea, and fatigue.
When to Contact a Medical Professional
Call your health care provider if you notice a new growth or any other changes in your skin. You should also call if an existing spot becomes painful, swollen, or inflamed, or if it starts to bleed or itch.
Some people should see a dermatologist for regular skin exams. These include people with:
A skin doctor can examine you and tell you whether you need regular skin checks. Sometimes, unusual moles are removed to prevent them from turning into melanoma.
You should also examine your own skin once a month, using a mirror to check hard-to-see places. Call your doctor if you notice any changes.
The best way to prevent skin cancer is to reduce your exposure to sunlight. Ultraviolet light is most intense between 10 a.m. and 4 p.m. Try to avoid sun exposure during these hours. Protect your skin by wearing a hat, long-sleeved shirt, long skirt, or pant when you do have to be outside. The following tips can also help:
Other important facts to help you avoid too much sun exposure:
Bichakjian CK, Halpern AC, Johnson TM and the work group of the American Academy of Dermatology. Guidelines of care for the management of primary cutaneous melanoma. J Am Acad Dermatol. 2011;65:1032-47. PMID: 21868127 www.ncbi.nlm.nih.gov/pubmed/21868127.
Gangadhar TC, Fecher LA, Miller CJ, et al. Melanoma. In: Niederhuber JE, Armitage JO, Doroshow JH, et al, eds. Abeloff's Clinical Oncology. 5th ed. Philadelphia, PA: Elsevier Churchill Livingstone; 2013:chap 69.
National Cancer Institute: PDQ Melanoma Treatment. Bethesda, MD: National Cancer Institute. Last modified March 19, 2014. Available at cancer.gov/cancertopics/pdq/treatment/melanoma/HealthProfessional. Accessed May 5, 2014.
National Comprehensive Cancer Network. NCCN Clinical Practice Guidelines in Oncology. (NCCN Guidelines): Melanoma. Version 4.2014. Available at www.nccn.org/professionals/physician_gls/pdf/melanoma.pdf. Accessed May 5, 2014.
Review Date: 5/5/2014
Reviewed By: Richard J. Moskowitz, MD, dermatologist in private practice, Mineola, NY. Review provided by VeriMed Healthcare Network. Also reviewed by David Zieve, MD, MHA, Isla Ogilvie, PhD, and the A.D.A.M. Editorial team.
The information provided herein should not be used during any medical emergency or for the diagnosis or treatment of any medical condition. A licensed medical professional should be consulted for diagnosis and treatment of any and all medical conditions. Links to other sites are provided for information only -- they do not constitute endorsements of those other sites. © 1997- A.D.A.M., Inc. Any duplication or distribution of the information contained herein is strictly prohibited.


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Reginald Joseph Hayward Jr. (twitter: @HayDay97)
Position: DE
Height: 6-5 Weight: 270 lbs.
Born: March 14, 1979 in Dolton, IL
High School: Thornridge
College: Iowa St. (school history)
Drafted by the Denver Broncos in the 3rd round (87th overall) of the 2001 NFL Draft.
Weighted Career AV (100-95-...): 33 (2960th overall since 1950)
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Rose-goldtone has never looked so good. Three sophisticated choices that blend timeless appeal and G-Shock's durability within G-Shock's X-Large analog / digital case designs. Rose-goldtone accents that look great in combination with either black or white. Matte black resin band digital watch with a rose-goldtone / black face.
Department: JewelryStyle: GA110RG-1A


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ASU T&F To Wrap Up Season at NCAA Outdoor Champs
National championships will be on the line in Eugene, Ore., this weekend as the Sun Devil track and field team wraps up the 2012-13 ASU competition calendar.
Sun Devil T&F Welcomes UA, NAU To Tempe for Dual Meet
The Arizona State men and women will look to keep their winning streaks against their in-state rivals alive this weekend.
Arizona State: Returning NCAA Outdoor Champion in the pole vault after winning the outdoor title with a clearance of 4.25m (13-11.25)... earned her first All-America honor with her national title... is the lone Sun Devil female to clear 14-feet in competition... broke her own school record indoors with a clearance of 14-01.25 (4.30m) while becoming just the second Sun Devil to break the 4-meter plateau... that clearance moved her into a tie for the seventh-best mark in Pac-10 history... cleared 13-11.75 (4.26m) outdoors to break her own school record... 2007 Outdoor: Won the NCAA Championship in the pole vault with a clearance of 4.25m (13-11.25)... won the regional meet with a school-record clearance of 4.26m (13-11.75)... runner-up at the Pac-10 Championships (4.10m)... became only the second Sun Devil to break the 4-meter barrier with a clearance of 4.20m (13-09.25) to win the Baldy Castillo Invitational... won the event at the ASU Clif Bar as well... cleared 4-meters in every outdoor meet of the season... ESPN The Magazine Second Team Academic All-District VIII... USTFCCCA All-Academic selection... Second Team Academic All-Pac-10... 2007 Indoor: Won her first league title by claiming the MPSF Championship with a clearance of 4.27m (14-00.00)... tied for 11th at the NCAA Championships... ranked No. 1 in the nation most of the season after clearing 4.30m (14-01.25) at the Mountain `T' Invitational... that clearance was her third school-record vault in as many weeks and also tied her for seventh on the Pac-10's all-time list... her 4.30m clearance in Flagstaff made her the first Sun Devil to clear 14-feet in competition... earned Academic All-MPSF honors... 2006 Outdoor: Competed in nine events on the season... tied the school record of 13-5.25 while winning the Double Dual... also won the Arizona International and placed second three other times... placed 11th at the Pac-10 Championships... finished ninth at the NCAA West Region before placing 22nd at the NCAA Championships... named USTFCCCA Academic All-America... also selected to the Academic All-Pac-10 Second Team... 2006 Indoor: Broke and reset the school record on four occasions... cleared a personal-best 13-7.75 and finished third at the MPSF Championships... placed 12th at the NCAA Championships... won three events, including the Arizona-California Challenge, the Air Force Invitational and the Southwest Invitational... cleared 13 feet or higher in all but one meet... earned Academic All-MPSF honors... 2005 Track: Did not compete after transferring from Arizona.
Arizona: Competed for one season with Arizona before transferring to ASU... cleared 3.81m (12-6.00) during the indoor season for her top mark of the year.
High School: A 2003 graduate of Lake Havasu City High School (Lake Havasu City, Ariz.)... set pole vault records in both the Arizona and National Junior Olympic levels... also earned high school All-America honors in pole vault... won state 4A titles in the pole vault, the 300m hurdles and as a member of the 4x400m relay team... became the first Arizona high school female pole vaulter to clear the 13-foot mark.... team's MVP four years in a row... all-state as a junior and senior... all-region selection all four years of high school... lettered in track and field four times... captained the team as a senior.
Personal: Major is mathematics... parents are Barry and Lora Kubishta... three siblings: brothers Brent and Bryan and sister Lesa... born July 5, 1985, in Lake Havasu City, Ariz.
Personal Bests - Pole Vault: 14-01.25 (indoor) and 13-11.75 (outdoor)
IN NCAA CHAMPIONSHIP MEETS (* = All-America honor earned) Meet
Place 2007 Outdoor T&F
Pole Vault (f)
1st * 2007 Indoor T&F
Pole Vault (f)


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Latest Downloads
Product Info
Specifications Download Energy Guide Download Spec Sheet
- Total Capacity (cu. ft.) 19.7
Cooling System
Twin Cooling System™
Method in which cold air circulates through a refrigerator. A twin system has two separate evaporators.
EZ-Open Handle™
Engineered handle that allows for easy opening and closing of a fully-loaded freezer.
French Door
Type of refrigerator: Side by Side, French Door 4-Door Flex™ or Bottom Freezer.
Full Specifications
Total Capacity (cu. ft.) 19.7Cooling System ?Twin Cooling System™
Method in which cold air circulates through a refrigerator. A twin system has two separate evaporators.Surround Air Flow ?Yes
A fan system that keeps the refrigerator at the optimal temperature by distributing cool air evenly.Power Freeze and Power Cool Options ?Yes
Feature that when selected can fast-freeze or fast-chill food in a short period of time.Humidity Controlled Crispers YesTempered Glass Spill Proof Shelves YesGallon Bins ?Yes
Spacious shelf on door secures extra large containers (like gallons of milk) for easy access.EZ-Open Handle™ Yes2-Minute Door Alarm ?Yes
Audible alert indicating that the refrigerator door has been open for two minutes.Contour Doors w/ Smooth Finish ?Yes
Refrigerator doors are shaped for optimal feel, functionality, and aesthetics.CoolTight Door ?Yes
Refrigerator door that self-closes with a tight seal to conserve energy and to prevent spoilage.Display Color BlueRefrigerant ?R-134a
Chemical cooling agent. R134a does not deplete the ozone layer or contain chlorine.Dimensions
Product Dimensions with Hinges, Handles and Door (W x H x D) 32 1/4" x 69 3/4" x 32 1/2"Product Dimensions without Hinges and Door (W x H x D) 32 1/4" x 68 5/8" x 26 1/4"Product Dimensions with Door without Handles (W x H x D) 32 1/4" x 69 3/4" x 30 1/2"Product Dimensions with Doors Open (W x H x D) 55 7/8" x 69 3/4" x 37"Shipping Dimensions (W x H x D) 34 5/8" x 75" x 33 1/8"Refrigerator Features
Refrigerator Capacity (cu. ft.) 13.3Humidity Control Crispers ?2
Fruit and vegetable drawers have adjustable air moisture levels to keep produce fresher for longer.Tempered Glass Shelves ?3
Shelves made of heat-treated, high strength safety glass.Gallon Bins ?5
Spacious shelf on door secures extra large containers (like gallons of milk) for easy access.Total Bins 6Dairy Compartment ?Yes
Shelf inside a refrigerator door with a liftable lid designed to store dairy products.Interior Light ?LED
Light located in the freezer that is activated when the door is opened.Internal Digital Display ?Yes
LCD display and control panel inside a refrigerator that allows a user to set and view temperatures.Freezer Features
Freezer Capacity (cu. ft.) 6.4EZ-Open Handle™ ?Yes
Engineered handle that allows for easy opening and closing of a fully-loaded freezer.Built-In Automatic Icemaker ?Yes
Internal mechanism that freezes water and divides the resulting ice into cubes for easy access.Interior Light ?LED
Light located in the freezer that is activated when the door is opened.Large 2-Divider Opaque Bins ?Yes
High-capacity container with multiple compartments for frozen food storage and organization.Warranty
5 Years Sealed System Parts and LaborDesign
Color ?White
External color of the refrigerator.Energy
ENERGY STAR® Certified ?Yes
Compliance with ENERGY STAR®, a government program, ensures eco-friendly, energy efficient refrigeration.Power
Energy Consumption 453 kWh/YrRefrigerator Type
Type ?French Door
Type of refrigerator: Side by Side, French Door 4-Door Flex™ or Bottom Freezer.Weight
Product Weight (lb.) ?See More +251 lb.
Weight of the refrigerator in pounds (lb.).Shipping Weight (lb.) ?282 lb.
Weight of the refrigerator and shipping container in pounds (lb.).
This SAMSUNG brand product, as supplied and distributed by SAMSUNG and delivered new, in the original carton to the original consumer purchaser, is warranted by SAMSUNG against manufacturing defects in materials and workmanship for a limited warranty period of:
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Nov 21st 2011
Park City Thanksgivings
Grub Steak Restaurant will be serving Thanksgiving dinner, as well as a full regular menu, from 3-8pm. Thanksgiving menu: Parsnip and Pear Puree Soup, Salad, Roasted Turkey, Cornbread and Herb Stuffing, Traditional Gravy, Creamy Green Beans, Mashed Potatoes, Fresh Citrus Cranberry Relish, Oat & Barley Beer Bread and a choice of Pumpkin Pie or Chocolate Pecan Pie. The prix fixe menu is $24.75 for adults and $13.75 for children under 12. Go to grubsteakrestaurant.com or call 435-649-8060. Read More


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Caramel Chocolate Trifle RecipeRead Reviews Be the first to add a review
5 17 32
A highlight of our annual family reunion is the dessert competition. The judges take their jobs very seriously! Last year's first-place winner was this tempting trifle.—Barb Hausey, Independence, Missouri
- 1 package (9 ounces) devil's food cake mix
- 2 packages (3.9 ounces each) instant chocolate pudding mix
- 1 carton (12 ounces) frozen whipped topping, thawed
- 1 jar (12-1/4 ounces) caramel ice cream topping
- 1 package (7-1/2 or 8 ounces) English toffee bits or almond brickle chips
- Prepare and bake cake according to package directions for an 8-in. square baking pan. Cool on a wire rack. Prepare pudding according to package directions.
- Cut cake into 1-1/2-in. cubes. Place half of the cubes in a 3-qt. trifle bowl or large glass serving bowl; lightly press down to fill in gaps. Top with half of the whipped topping, pudding, caramel topping and toffee bits; repeat layers. Cover and refrigerate until serving. Yield: 16 servings.
Originally published as Caramel Chocolate Trifle in Taste of Home August/September 2006, p17
Reviews for Caramel Chocolate Trifle
Please Log In or Join to add a rating and review.
Click stars to rate
Any changes to your rating or review will appear where you originally posted your review
Reviewed Jul. 18, 2013
"Had at a dinner group and went over well. Better have a REALLY deep bowl - or trifle bowl. It will be very full!"
Reviewed May. 16, 2013
"I made this for a Manager's meeting at work and everyone loved it. I came home with an empty trifle bowl. Thanks for the awesome recipe. ( :"
Reviewed May. 8, 2013
"My family loves this trifle, I have to make it every Mother's Day or Father's Day. Instead of making brownies I buy the Two Bite Brownies from the grocery store and i don't use dessert topping I use real whipped cream. Everybody always has seconds the bowl is always empty!"
Reviewed Apr. 8, 2012
"Made it today and everyone loved it. It's a do over for sure!"
Reviewed Feb. 1, 2012
"I've been making this for years now but instead of using a cake mix I use brownies. Super delicious & everyone loves it-the bowl is always empty!!!!"


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Hip Hop As Cultural Diplomacy
First Step Iraq, a dance troop consisting of young men from the Iraqi cities of Baghdad, Basra, Erbil, and Sulaymaniyah, recently danced their way to American University as part of their "Hiplomacy" tour.
The dancers were selected to travel to the United States on an East Coast tour after a competitive audition process sponsored by the YES Academy in Iraq, which brings American genres of music, dance, and theater to the Middle East and Asia. The YES Academy is organized by American Voices, which conducts cultural diplomacy programs with countries emerging from conflict or isolation on behalf of the Department of State's Bureau of Educational and Cultural Affairs.
The dancers' performances at SIS on October 18 merged elements of classic hip hop B-boy style with elements of modern and contemporary dance, along with gravity-defying stunts. After the show, the group answered questions from the audience and told about their journey to hip hop and the struggles they had to overcome back at home.
They explained that in the Middle East, and especially in Iraq, anything related with Western culture is frowned upon. This makes hip hop, which has American roots, an often dangerous art to practice. Several of the performers had been threatened or blackmailed to prevent them from dancing. One of them, from Baghdad, said that six artists had been murdered recently just for dancing.
When asked what message they wanted the audience to take away from their performance, their answers were humbling. They described themselves as cultural ambassadors who can show the world that Arabs, too, share similar dreams, and believe in peace. They said they were excited to take their experiences, observations, and new dance moves back home with them and hoped, someday, to teach others how to dance, as well.
American Voices Executive Director John Ferguson said, "First Step Iraq…gives U.S. audiences an opportunity to get to know Iraq's new generation of Hip Hop activists: hopeful and dynamic, they have a compelling story to tell of perseverance, determination and the belief that Hip Hop can stimulate dialog and peaceful co-existence among the Iraq's youth."


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- $34.99
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Cast List
Jim Carter
Siobhan Finneran
Phyllis Logan - British Actress
Elizabeth McGovern - American Actress
Maggie Smith - Oscar-winning British actress, THE PRIME OF MISS JEAN BRODIE
Dame Maggie Smith - Oscar-winning British actress, THE PRIME OF MISS JEAN BRODIE
Penelope Wilton - British film & television actress, SHAUN OF THE DEAD
Samantha Bond - Actress/"Goldeneye"
Brendan Coyle
Hugh Bonneville - Actor
Lesley Nicol - Actress
Dan Stevens - Sense&Sensibility
Joanne Froggatt - Actor in MISSING
Michelle Dockery - Actress, HOGFATHER
Rob James-Collier
Rose Leslie
Sophie McShera
Laura Carmichael
Jessica Brown Findlay
Thomas Howes
- Format: DVD
- Run Time: 368
- Color Format: (unknown/unconverted)
- Genre: Television: PBS
- Rating: Not Rated
- Release Date: January 2011
Related Categories:
Movies > Television
Movies > Dramas
Related Keywords:
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A 14K yellow gold pendant set with one semi-round Tahitian Pearl, 9-10mm and blackish in color, and two faceted round Diamonds totaling 0.02 carats, total weight, in the "Kissing Dolphins" design from the "Wyland Collection," without chain. Approximately: 1 1/4" (including bail) x 1"
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Is Dolphins safety Yeremiah Bell in the danger zone?
Not 100 percent certain what kind of scheme Kevin Coyle will bring to the Miami Dolphins when he's named the defensive coordinator in the coming days.
Coyle being added to Philbin's staff is as close to a done deal as it gets because of his relationship with Philbin, who needs to surround himself with people he trusts and believes in.
The Dolphins have the personnel to play both schemes in my opinion, and that's without Paul Soliai, who I'm certain Miami will not be able to afford considering this Pro Bowler will likely land a $50 million contract from another NFL team.
I suspect Coyle will run a hybrid. But no matter what scheme Miami picks its become clear the Dolphins will try to upgrade the safety positions. Notice the plural there.
There's a good chance Yeremiah Bell, who has led the team in tackles every year since 2008, becomes a salary cap casualty.
Bell's cap number is $6.2 million in 2012. It's the fourth highest cap number on the team, trailing Jake Long, Brandon Marshall and Karlos Dansby.
I've given guys the salary cap kiss of death accurately for the past four years, predicting just about everyone (can't think of anyone I've missed on) who would get purged for financial reasons by the Trifecta.
I'm puckering up on Bell.
It would be wise for Bell, a team captain, to restructure his deal if he'd like to stay in South Florida. This is the final season of a four-year deal Bell signed back in 2009, and we all know NFL players usually don't get to the final season, especially when its for $4.3 million, and he's a 34-year-old safety.
I suspect Coyle will have some influence on that decision, especially since the free agent safety class isn't very deep.
See video below from Senior Bowl of Jeff Ireland talking about how the Dolphins need to find more "pressure players" —
However, one of Coyle's players in Cincinnati, free safety Reggie Nelson, is a free agent, and could be easily poached.
Wonder if Nelson, a former Gator standout who was a first-round bust in Jacksonville, would like to return to Florida?
Last season Nelson contributed 85 tackles, picked off four passes and registered two sacks and two forced fumbles for the Bengals.
General Manager Jeff Ireland admitted he needs more playmakers at the free safety position. If the Dolphins added Nelson they could move Reshad Jones to strong safety, which I believe is a better fit for the team's 2011 fifth-round pick, who started 12 games and contributed 67 tackles, one interception and two sacks.
During our talk yesterday Ireland praised Tyrone Culver more than he praised Jones. Culver's under contract after restructuring his deal last season.
I'm not sure Ireland even mentioned Chris Clemons, who has become a forgotten man in Davie because of his limited instincts.
Should be interesting to see how everything plays out back there in the Dolphins secondary, but I expect a decision on Bell to be the first domino to fall.


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Stunning Late Comeback Highlights Wrestling Sweep In Boston
It takes a lot to overshadow a Princeton victory over Harvard in any sport. On Saturday, the Tiger wrestling team did it, and it only needed a few hours to pull it off. Princeton defeated Harvard 19-17, then made the short trip across the city to pull off a comeback that won't be forgotten. Despite trailing 20-3 with only four matches remaining, Princeton stunned Boston University 23-20 to complete a memorable day in Massachusetts.
Saturday's trip through Boston was already assured to be a positive midway through the nightcap against the Terriers. Despite the 17-point deficit to its new EIWA rival, the Tigers had already earned its third straight road win over Harvard for its sixth win of the season.
But then it started to get really interesting. Senior Ryan Callahan completed his perfect day with an 11-2 major decision at 197, which got Princeton within 13 points with three matches remaining. Head coach Chris Ayres, knowing bonus points were mandatory the rest of the way, bumped up his next two starters and inserted freshman Troy Murtha into the lineup at 184.
Murtha didn't show any nerves in his biggest collegiate match, scoring an 11-1 major decision over Aaron Conrad at 184 to get the Tigers within shouting distance with two matches to go. Freshman Brett Harner, who started the season at 174 and is 9-1 since his move to 184, made the move to 197 to face Alex Najjar. Harner was in control throughout, recording three takedowns in the first two periods to open an 8-1 lead. He needed at least a major decision to give Princeton a chance at the team win.
He had bigger plans.
Harner pinned Najjar with 32 seconds remaining in the match to cut the deficit to 20-17 and giving sophomore Abe Ayala the opportunity to play hero. Ayala took on Kevin Innis at 285 and found himself down 2-0 before scoring a pair of escapes and a late takedown in the second period to open a 4-2 lead. A decision would have clinched a tie for the Tigers.
He also had bigger plans.
Ayala locked in a cradle during the final minute and sent his teammates into a frenzy when he pinned Innis with 48 seconds remaining to complete the stunning comeback and earn the Tigers a 23-20 win.
The victory improved Princeton to 7-2 on the season, a mark that included the afternoon 19-17 win over Harvard. The Tigers came back in that match as well, though it would pale in comparison by the end of the day. Following a win for junior Ryan Cash at 125, Princeton dropped the next two matches to trail 8-3.
Junior Adam Krop scored a tech fall at 149 to even the score, and sophomores Kevin Moylan (157) and Judd Ziegler (165) earned back-to-back five-point wins to open a six-point lead. Callahan and Harner clinched the team victory with wins of their own, which helped the Tigers even their Ivy League mark at 1-1 this season.
Princeton will try to go above the .500 mark in the league and cap a memorable weekend when it takes on Brown Sunday at noon. The match will be shown live on the Ivy League Digital Network.
125 - Ryan Cash (P) dec. Max Mejia 11-5
133 - Ryan Osleeb (H) tf. Jake Intrator 16-0
141 - Todd Preston (H) dec. Jordan Laster 3-1 (OT)
149 - Adam Krop (P) tf. Nick Stager 18-2
157 - Kevin Moylan (P) dec. Paul Liguori 6-1
165 - Judd Ziegler (P) dec. Tyler Grimaldi 11-6
174 - Ryan Callahan (P) dec. Ian Roy 11-6
184 - Brett Harner (P) dec. Cameron Croy 5-3
197 - James Fox (H) dec. Abe Ayala 16-13^
285 - Nick Gajdzik (H) pinned Dan Santoro 1:30
^ Princeton lost one team point
125 - Bubba McGinley (BU) major dec. Ryan Cash 12-0
133 - Dane Harlowe (BU) pinned Jake Intrator 1:59
141 - Tyler Scotton (BU) dec. Jordan Laster 9-5
149 - Adam Krop (P) dec. Nick Tourville 10-7
157 - Nestor Taffur (BU) major dec. Kevin Moylan 12-2
165 - Mitchell Wightman (BU) dec. Judd Ziegler 3-1
174 - Ryan Callahan (P) major dec. Colin Saunders 11-2
184 - Troy Murtha (P) major dec. Aaron Conrad 11-1
197 - Brett Harner (P) pinned Alex Najjar 6:28
285 - Abe Ayala (P) pinned Kevin Innis 6:12


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Temporary Structures:Performing Architecture in Contemporary Art
September 18–December 31, 2011.
De Cordova Museum and Sculpture Park, Lincoln
This exhibition features thirteen artists and collaboratives who underscore the changeable and active nature of our built environment. In doing so, they take architecture beyond its obvious function as shelter and design and examine its social, psychological, and cultural resonance in our lives. Video, sculpture, installation, and performance converge to address architecture through three broad themes: intervention, mobility, and participation.
Over the past 50 years, architecture's agency in society has emerged as a growing concern for contemporary artists. Be it the white-cube space of the gallery, the historic walls of a specific site, or the loaded evocations of Modernism embedded in glass and concrete surfaces, artists and theorists agree that there is no such thing as a neutral environment—every space speaks.
Temporary Structures: Performing Architecture in Contemporary Art uses nontraditional spaces of the deCordova Museum's unique building and outdoor spaces to present an
avante-garde exhibition comprised of site-specific, performative, and participatory installations, engaging Museum visitors in a new way throughout the duration of the
show. http://www.decordova.org/visit


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ZF-3107: Use INSERT DELAYED for Zend_Log_Writer_Db
{quote} The DELAYED option for the INSERT statement is a MySQL extension to standard SQL that is very useful if you have clients that cannot or need not wait for the INSERT to complete. This is a common situation when you use MySQL for logging (...) {quote}
Using INSERT DELAYED would improve the speed of Zend_Log_Writer_Db. But you can't check, if the INSERT was successful. So maybe it should be an optional feature.
Yes, No, Maybe..?
We'll consider this for 1.8. For now I am marking it postponed, which indicates that the feature request is sound, but we won't work on it immediately. Have you considered submitting a patch and a corresponding unit test to get it on to trunk sooner? Since it adds a few feature, we will have to wait for the next minor release (1.8).
one has to check for the mysql adapters when this is a mysql only option, which makes it somewhat more compliacated, otherwise it sounds like a good optimization.
Reassigning to component lead
Here is a patch to resolve this issue and #ZF-9484. If you don't like it please write what's wrong with it so I could fix it.
@Kamil, you must first sign the CLA in order to use your patch.
Hello again. I've signed CLA and here is updated patch to ZF 1.11.4 and now it also includes changes to one more similar ticket #ZF-7149.
I'm waiting for comments.
Reassign to the maintener of Zend_Db (Ralph)


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About this Album
Release Date:Tracks: 12115
yo i see why you aint like it but you hadf some good songs on the track i blame atlantic records not you... come over to ATL soon
May u please come to Albany Georgia we dont do lots of things down here but we like your music so please come
p.s. Lupe, u desperately need to come to the STL and rock out with your biggest fans. peace and much love to ya
Lupe is the man. This is real hip hop. Tell it like it is my Brotha, preach.Ur the only rappers whose albums i will buy and support. Fuck all main stream rappers.
I am loving Love Always Shines Everytime Remember To Smile {LASERS} Album. All the way from THe Bahamas!!!!
every one that downloaded his album off of limewire or whatever... pllzzz buy his album he deserves it,, shout out to my man georgie!!
dammmm love this guy... me and my buddie made a promis saying were gonna listen to all of lupes songs until midnight hits... right after school gonna go straight to target and buys his album.... dammmm never get sick of lupe!!!!!!!!! :)
i have to say it. some of the songs are very generic, for example your hits with MDMA are a bit.....black eyed peas....sorry dude. i do love "words i never said" and "till i get there" tho. oh and i just bought "as it was written" from amazon track 5 is awsome btw thats the lupe i love.
i know his album will do nice. because hi fans arnt just fan we're supporters. and we really just want him to do well so that he can preach tru gospel. shyt its like payin tiths
Love this song. Even though it's not what Lupe wanted, he still stayed true to himself (somewhat). No mention of cash, cars or hoes just upliftment that the whole LASERS theme is about. I feel that this is a good way to get people interested in Lupe. You introduce people to this and his other songs with Child Rebel Soldier, as they easy to listen to. Then once they start diggin Lu you can give people a lil history lesson by showing them his older more meaningful tracks.
THE SHOW GOES ON, 2nd verse is my favorite, especially the Oakland shot out. Maybe you can do a collab with a Oakland native... HOLLA!


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Google Deeply Cuts Price for Nik Plug-in Suite
Perhaps making up for the controversy it created when it discontinued the Snapseed Desktop app, Google today announced a significant price cut for the Nik plug-in suite. The Nik plug-ins have long been popular with photographers looking to expand the power of Photoshop, Aperture or Lightroom. Previously these plug-ins were in the $100-200 range with full six plug-in suites running $300 for Aperture/Lightroom and $500 for Photoshop/Elements.
However, today's announcement reduces that price to $130 for the "Nik Collection by Google" and includes the Color Efex Pro 4, Dfine 2, HDR Efex Pro 2, Sharpener Pro 3, Silver Efex Pro 2 and Viveza 2 plugins. Perhaps even more exciting is the fact that, according to the announcement, if you have bought any of the Nik plug-ins in the past, Google will be contacting you and offering you the ability to upgrade to the entire suite for free. If you have never tried the Nik plug-ins, you can visit niksoftware.com for a 15-day free trial of the Collection.
See the Nik Plug-in announcement on Google+ here.
Tags: Aperture, Elements, Google, Lightroom, Nik, Photoshop, Snapseed


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Rated 4.4 out of 5 by 7 reviewers.
Rated 5 out of 5 by Toots Great baker This is the nicest pumpkin baker. I used it for my Halloween party and will use it again for Thansgiving. November 6, 2015
Rated 5 out of 5 by kendallklassic Perfect Pumpkin Presentation I decided to make Pumpkin Lasagna and used a dutch oven, but made a last minute decision to make an additional amount for work using this baker. The Pumpkin Casserole Baker came out great and I received compliments on, not just the dish, but the presentation of the Pumpkin Baker. I love it and will be using it again for future festivities for the holidays. November 18, 2014
Rated 5 out of 5 by Maddie229 It's The Great Pumpkin Charlie Brown This pumpkin baker not only has great quality, it is BIG. I love it. I am going to use it to bake my Thanksgiving stuffing, and since I like stuffing better than turkey, I can make a whole lot of it. October 31, 2014
Rated 5 out of 5 by smccurdy10 Beautiful! Unique! nothing inferior about this item whatsoever! Please don't miss out on this lovely casserole set! I consider it to be one of the best kept secrets out there. I am now on the wait list for ordering more for gifts this holiday season. October 26, 2014
Rated 5 out of 5 by Kathyincali Awesome! This casserole dish is Awesome! It's a great size, heavy, well finished. It's also oven and dishwasher safe.. Cute to leave on the stove or countertop. You could put anything in there from Halloween candy, to fall leaves, apples or a food item like soup or macaroni and cheese. This works for Autumn and Halloween. Doesn't need to be put away until after Thanksgiving.... I have looked all over for a dish like this and there isn't anything even close to this quality for $19.99! I've seen them as high as $169... Maybe different material or Brand, but I would recommend this to anyone I know! Thanks COST PLUS = ) October 22, 2013
Rated 5 out of 5 by frelynne Pumpkin Casserole Baker This is great for church potlucks or any size group if you need to bring a hot dish or you just want a decoration for the fall or halloween on a table at home or church or friend get together Wonderful gift idea for friends and family or co workers October 4, 2013
Rated 1 out of 5 by Pchef512 Painting quality horrible This looks adorable in pic and in store. I was going to buy 2. There were 4 in our store. 3 were painted sloppy .. The stems were either missing color or the paint on the bottom of stem sloppily spotted where the orange was at the base. The only half way decent painted one the lid didnt fit well enough to not feel like it might slide when you carried it. Its adorable , I loved the handles on it, it was the perfect size and oven proof to 450. Perfect for stuffing from oven to table. Just wish the quality of painting was better and lids fit more snug. They lost two sales due to quality. September 21, 2013
1-7 of 7


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Customer Reviews
January 2, 2016
Great Wallet
Been a Coach wallet user for years. Wife bought me this one knowing I like a less bulky wallet. So far love it. For its size it actually holds a lot. Still like Coach, but think the Bosca had replaced it as #1 on my list
December 29, 2015
March 31, 2015
February 28, 2014
Superior Wallet In A Small Package
I have had Coach wallets for years but they stopped making the trifold that was perfect for me and I was not happy with what they currently have to offer. After searching high and low for a suitable replacement, I came across Bosca. The Nappa Vitello Single ID Trifold appeared to be a wallet that would fold nicely and fit in my jean's back pocket yet hold all my important credit cards, ID, and business cards. This wallet is beautifully made and I really like the horizontal card slots vs the vertical ones in most other wallets. The wallet is wearing nicely after three weeks use. I could not be happier. Bosca has a customer for life.
Laura - Customer Service, BOSCA
"The Bosca brand really gets better with age. I hear from customers all the time regarding their love for our products, especially the ones they've owned for decades. "
Crafted with an artist's touch.
Working with leather is a true art. Our team is passionately dedicated to each stitch, leather source, and color scheme that goes into each product. Our leather accessories are proof that art is beautiful and functional.
Designed for rugged function.
Our leather accessories are not only fashionable, but fashioned with performance in mind. Designed to compliment your busy, on-the-go lifestyle, Bosca leather accessories prove to be extremely dependable the more they are used.
Created with inspired vision.
Bosca leather accessories are birthed from our experiences. Our design team passionately designs each product with a unique story or feature in mind, giving our products a character you simply can't find anywhere else.


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Like chinos, but shorter, chino shorts can be worn with a shirt and shoes (yes, actual leather shoes) when it gets hot. Or, if that's a bit of a stretch, put them on with a v-neck T-shirt and some Vans. Easy. This summer, look out for new, brighter colours like burnt orange and deep indigo.
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Three-wide 6-high vandal-resistant lockers have deep drawn stainless steel recessed handles with gravity lift-type latching on 16-ga. steel doors. Efficient latching and continuous strike on both sides of door assure smooth operation. Door louvers provide for ventilation to keep the interior fresher.
Scratch-resistant powder coat finish keeps the lockers looking newer, longer. Deluxe long lasting piano hinges provide a much stronger connection between door and frame than conventional hinges.
Interior dimensions are 12" wide x 15" deep x 12" high. 6" high legs are included, raising the lockers to 78"H overall. Locker kits require assembly while saving you money.
This product has been Greenguard certified to support better indoor air quality for schools, libraries, churches and public spaces.


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NYC singer/songwriter Ro James sounds like a blend of Donell Jones, D'Angelo, and Tyrese on this ultra-smooth "'84″ track featuring none other than sir Snoop Dogg. Straight butter.
Look out for the Cadillacs EP out September 19.
Develops and implements integrated marketing strategies, digital, social, event and experiential programs for consumer brands, leveraging music and culture.