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With beautifully textured charcoal drawings (you can see a gallery on the Guardian website), Weaver introduces us to Big Bear and her new cub as spring arrives and they step out of their den to discover what the year ahead holds for them. Together they make discoveries and learn how to play, how to make friends and how to live life in the world around them. It's a quiet, soothing and reassuring read with expressive illustrations, perfect for snuggling up together with your very own little one at bedtime.
To find out a little bit more about Jo, I asked her to share her eight 'desert island' books, books she especially loves, books which have been pivotal in her path to becoming a published illustrator, and today I'm delighted to share the books and Jo's comments on them with you.
1. Winnie-the-Pooh by AA Milne and EH Shepherd
My father read to me every night throughout my childhood and a particular favourite of ours was the wonderful Winnie-the-Pooh. I learned to draw by copying Shepherd's magical watercolour drawings and was forever adopting certain Pooh-isms in my language which have stayed with me to this day.
2. East of the Sun, West of the Moon, nordic tales illustrated by Kay Neilsen
My grandmother had a round stained glass window in her study where we would sit together and pour over Kay Neilsen's exquisite illustrations in her beautiful old copy of East of the Sun, West of the Moon. Each illustration was a hand printed plate stuck into the book. Behind a leaf of protective paper, silvery long-haired princesses rode through the night on elegant polar bears and languished under willow trees with their Nordic princes. I barely remember the stories but the artwork and how precious it seemed, made a huge impression on me. My grandmother later gave me her copy of the book which I treasure.
3. The Bear that Wasn't by Frank Tashlin
This was another of my father's favourites. It's a 1940s tale about a bear who wakes from hibernation to find a factory has been built over the top of his cave. He gets put to work as a factory worker and told so many times that he is just "a silly man who needs a shave and wears a fur coat" that he starts to question whether he isn't a bear after all. The illustration and text are poetic, funny and poignant in equal measure. My tattered old copy was illustrated with simple black and white line. It has had a huge influence on me to the extent that my original title for my first book, "Little One", was "The Bear That Was"!
4. Calvin and Hobbes by Bill Watterson
I completely fell in love with the comic strip Calvin and Hobbes in my early teens. I used to save up my pocket money to buy the anthology books. I still adore them to this day – they are a true celebration of childhood imagination, laugh out loud funny, often very moving and are the most magnificent philosophical commentary on humanity and the modern world. Watterson's illustrated characters are busting with expression – I learned a great deal about character development from studying his artwork.
5. Augustus and His Smile by Catherine Rayner
This book came to me when I was in my mid twenties, working as a support worker. I was doodling in my spare time and producing the odd illustration but nothing serious. I had always wanted to develop my artwork into something more but I hadn't considered turning my hand to picture-books before. Discovering this book was something of a penny-dropping moment! I love all of Catherine Rayner's artwork and her ability in capturing the character and movement of animals, but Augustus in particular inspired me to retrain as a picture-book illustrator. The simple story celebrates the beauty of the world and the joy we can experience in it if only we can allow ourselves to see it. It's the kind of story that I wanted to write myself and the artwork was what I aspired to. Around this time, my brother picked up a flyer for a local evening class in children's book illustration which is where I took my first steps towards becoming an illustrator.
6. A Monster Calls, by Patrick Ness, illustrated by Jim Kay
Jim Kay was a guest lecturer at the Cambridge School of Art when I was studying for my MA there. His artwork for this book absolutely blew me away and prompted me to start exploring with black and white in my own work (previously I had only been working in colour). I admire his approach to his work enormously – he doesn't concern himself with what book illustration SHOULD be and focuses instead on trusting where his own creativity takes him. Many of the textures in the artwork for A Monster Calls were created through printing found objects such as his old breadboard. The result is spectacular – haunting, beautiful and uniquely atmospheric illustration which compliments Patrick Ness' extraordinary text perfectly.
7. The Arrival by Shaun Tan
A wordless, monochrome, graphic novel featuring an immigrant's life in an imaginary world. Shaun Tan was brought to my attention during my MA and fast became another idol of mine for his exquisite draftsmanship and commitment to his own vision. The Arrival is an example of truly bold and important storytelling and Tan's ability to develop such a rich imaginary world without a single word is breathtaking. It took him years to complete – his vision, commitment and skill bowl me over and always give me something to aspire to.
8. The House Held Up By Trees, By Ted Kooser, illustrated by Jon Klassen
This is a recent discovery for me. A lyrical tale about a house in disrepair gradually being reclaimed by the trees as they grow up around it. Jon Klassen's illustrations are deeply atmospheric, evoking summery days in the woodland. His colour palate is soft and natural and his use of space and perspective feel almost filmic to me. Its extremely effective. I find the book as a whole, with its contemplative mood, and poetic prose, very moving.
Jo Weaver's website: http://www.joweaver.co.uk/
Jo Weaver on Twitter: https://twitter.com/JoWeaver6
Jo Weaver on Facebook: https://www.facebook.com/joweaverillustrations/
Funny, colourful and swaying with musical rhythms that entice you into reading the poems out loud, Dancing in the Rain is full of distilled moments from John Lyon's Trinidadian childhood, drawing on universal experiences whatever the reader's age and wherever in the world they find themselves reading and sharing these poems.
I was very fortunate to recently exchange emails with John, finding out a little more about his poetry, his life, his passions and today it's a treat for me to share our exchange.
Playing by the book: How did poetry find you? (Or did you find poetry?)
John Lyons: A very interesting question! It will take some answering. In retrospect, I have to say that poetry found me. After the death of my mother at the age of nine, I left the urban bustle of Port-of-Spain to live with my grandmother in rural picturesque Tobago. I believe now that I dealt with the loss of my mother by embracing the comforting intimacy of the 'bush', as we called it. The only experience of poetry I had then was my sing-song recitations of poems from Nelson's West Indian Readers at Elementary school in Trinidad. The thought of writing my own poetry never occurred to me till much later.
Later, when I started writing poetry, and began mining the cultural resources of my life in the Caribbean, I discovered how impressionable I had been as a child living in the new environment of rural Tobago. I relived the images and experiences which now find expression in the poetry I write. It seems now that, without knowing it then, I was living one of the fundamentals of good writing: direct experiences of sights, sounds, tastes and the physical touch of nature. These could be recalled in future moments of reflection while I was writing. So I suppose, it reasonable to assume that poetry found me, without my knowing it, in the Tobago 'bush'.
Playing by the book: I've read a little about how you moved to live with your Grandma and the reading you did there, the visiting of the public library, but perhaps you could tell us something about your earliest memories of poetry, of the ingredients for poetry and books which made a special impact as a child.
John Lyons: My earliest memories of poetry: 'The Naughty Boy' by John Keats, and 'Land of the Counterpane' by Robert Louis Stevenson (From, "A Child's Garden of Verses,"). Both these poems are in the Nelson's West Indian Readers Book One. The ingredients for poetry, which appealed to me as a child were the rhyme, rhythm and storytelling aspects of the poems. The books which made a special impact on me as a child were 'Alice in Wonderland' by Lewis Carroll, 'Swallows and Amazons' by Arthur Ransome, and 'Swiss Family Robinson' by Johnn David Wyss.
Playing by the book: What have been the three most informative poetry discoveries so far in your life – whether anthologies by others, individual poems, or perhaps even meetings with other poets?
John Lyons: The three most informative poetry discoveries: 1. 'Do Not Go Gentle into that Good Night' by Dylan Thomas. This poem was my first encounter with the villanelle; and I was struck by the emotions that poetic form can convey. I have since experimented with that form in 'nation language'. 2. Derek Walcott's 'Collected Poems anthology 1948 – 1984', and particularly, his long poem, 'The Schooner Flight' whose Caribbean language, rhythms and storytelling power fills me with nostalgic joy. 3. Discovering in the 1980s to the 90s the craft of editing and refining poems with a Manchester group of poets, Off The Page, of which I was a founder member. We met monthly during a period of 12 years for 'no-holds-barred' critical appraisals.
Playing by the book: I've always believed poetry and music are closely entwined – a sensitivity and love of rhythm, cadence, tone, so I found it very interesting to learn you play the saxophone. Does song feature in your music playing/appreciation? Were you sung to as a child?
John Lyons: Music has always been part of my life. Looking back at my childhood, with poetic licence allowed, it is no exaggeration to say that music was like the rhythm of our beating heart; it was like oxygen in our breathing. Not a day passed without the sound of music in the air. My teacher-aunt frequently played the piano. Chopin was her favourite composer. As children we were always singing; and yes, I was sung to as a child.
I attempted as a child to make my own musical home-made toys: a piece of wood roughly shaped like a guitar with bared strips of fine electric wire stretched over a bridge; a flute was a small length of bamboo and air holes pierced with a hot iron rod. Much later as an art student at Goldsmiths College, I was given my first real guitar. I have another which I play, though I hasten to add, never in public; I merely amuse myself. An alto sax is one of my precious possessions, which I play not as well and as often as I would like, but I enjoy improvising when I play with another sax player. I do believe, as you do, that poetry and music are "entwined", but I also include painting. Often when I paint or write (particularly at the early stages of a poem) I am reminded always of the improvisational fluency and freedom of jazz: going with the flow. Charlie Parker – he can do wrong in my book.
Playing by the book: Even though words excited you from early on, it was visual imagery that seems to have first really caught you in its web – you taught art and design for many years. Are the illustrations in Dancing in the Rain your own? How did you go about choosing which poems to illustrate?
John Lyons: The short answer to the first part of your question is, yes; being an artist it seemed naturally the right thing to do. I chose the poems which gave me the most fun to do, and whose subject matter could be enhanced with an illustration. I also thoroughly enjoyed designing the image for the book cover.
Playing by the book: I read that you described your approach to creating visual art thus: "I enter into a playful dialogue with the work in which line, shape, texture and vibrant colour are brought together to inhabit a theme usually based on Caribbean folklore and mythology." It seems to me this could equally well describe the approach you take (or at least the end result I read and hear) to writing poetry, so my next questions is this: In what ways is working on a piece of visual art different or similar to creating a poem for you?
John Lyons: This is a great question. Painting a picture and writing a poem have the obvious similarity of being creative acts. But more; I think of them as languages of creative expressions in their own right. Painting uses the visual vocabulary of line, shape, colour and texture, while poetry uses the oral and written vocabulary of words and phrases. In painting, linguistically speaking, the syntax is fluid and mutable based on juxtapositions and configurations of its visual vocabulary to create imagery of full impact and meaning. In creating a poem, syntax is important: the right word/vocabulary in the right order -though I break this rule with creative impact when I use 'nation language'.
Equally in the early stages of painting a picture or composing a poem, I aim at the freedom of going with the flow, expressing whatever comes to the mind intuitively or otherwise. It is my way of establishing, without inhibitions, the subject matter in its raw state. Up to this point, in my view, painting and poetry are similar in approaches. But whereas in painting I can continue to enjoy the freedom of creative improvisation, as in jazz, entering what I call a playful dialogue with the subject matter, however with poetry, I become more circumspect during the process of editing, using a vocabulary of established dictionary meanings, and/or conventional vernaculars. It is a process of distillation and refining towards an essence of subject matter, which I am fond of describing as good Caribbean rum.
Playing by the book: I have read your thoughts about process with visual art – about there never really being an end point, just (at best) a resolution. Is this also the case with your poetry? What is your process for creating poetry?
John Lyons: When I write a poem there is an end point – albeit sometimes ambiguous, questioning or deliberately open-ended; and especially when I when I use a standard form or tell a story. Read on the page, or recited, it is always within a time frame which begs some form of an ending; quite unlike a piece of visual art whose initial impact as an image could be instantaneous.
My process for creating poetry begins with the habit of carrying around with me a notebook/sketch book small enough to fit into my bag or pocket. This is because I find my subject matter from the life around me; so I look, listen and scribble. Interestingly, with this habit, I live with an expectation of always finding something. Apart from my memory, the notebooks become my treasure house of ideas.
In my garden there is a summer house which I turned into a writing shed. It has all the facilities for writing: electricity for lights, heating, computer and printer; filing cabinet, bookshelves, a writing desk, radio for background music and an assortment of pencils and pens. Pinned on the wall is a time-table, which, I have to admit, I do not always follow; but it is there to remind me. It schedules writing time and studio time.
With music low in the background, the poem begins at speed in long hand. I write freely without stopping to change anything. Often I let it rest, play some more music, read before I look at it again. When it is picked up again, the bits that I can build on is selected. More drafts follow, before typing out the poem. At this type-written stage I get a feel of how it will look on the page. I read aloud, checking the rhythm and whether if flows to its end point or not. I look at line endings, adjust accordingly. More changes follow. When I get stuck – oh sweet pain of frustration! – it is put away and I do something else: go to the studio, do the lawn, cook. I do sometimes start new poems, or work on editing others that I previously worked on. When eventually I return to the poem, it is seen with really fresh eyes. This is the crafting process which is immensely enjoyable.
Playing by the book: Music, poetry, art… and food! I was delighted to discover you are passionate about great food – and the sound of your cookery book is very enticing. What's the last meal you ate which was poetry in food form?
John Lyons: I do like your penetrative questions. I can see they are based on some research; and I shall do my best to give answers with a fullness that space and modesty allows. I am delighted that you see an aesthetic quality of poetry in food.
A few days ago I invited a few Trini friends for lunch, and, judging by their enthusiasm and repeated praises, I think of it as a success. As with my poetry, I do apply the same principle of love in the process of crafting while remaining open to intuitive experimentation (improvisation, if you like). In my way of thinking, the following menu is like a poem of three stanzas.
The menu
Starter: a deconstructed coocoo & callaloo with crab. One of my friends has a shellfish intolerance, so because of this, I decided to deconstruct the traditional crab and callaloo; I created a seasoned, 'herby-springoniony' crab butter, which was served separately. This allowed guest to add to the hot callaloo if they wished. In this way the traditional flavour of crab in the callaloo was kept. The crab butter had a creamy, salmon colour which harmonized well with the dark green of the callaloo and the pale yellow of the coocoo.
The main: a lamb pelau. The lamb was left to marinate overnight, browned the following day in caramelized brown sugar and cooked with lamb stock till tender, and ready to be added to the rice and vegetables in a second stage of cooking. The vegetables in the pelau were sweet red pepper, cut in small rectangles; yellow-orange butternut squash in approx one inch cubes; green courgettes cut into half-inch pyramidal shapes; roughly chopped red onions; two garlic cloves finely minced, reddish-brown kidney beans. These vegetables were chosen, not only for their flavour, but to give a variety of texture to the rice, slightly yellowed with a little turmeric. Coconut oil was used for frying, and coconut cream added to stock was used as the liquid to cook/steam the rice. Not only did the coconut enhance flavours, it gave a subtle unifying element of taste to the pelau. May I add here, my home-made pepper sauce was served separately for the addicted.
Desert: A cake made with a coarse corn meal/maize flour, almond flour, desiccated coconut, raisins, dried apricots stewed in sugar syrup, caster sugar, eggs, baking powder and a pinch of salt. It was served with a Greek yogurt to which honey was added.
This meal was accompanied with wine.
Playing by the book: My mouth is watering.
But as I can't eat your words, I'll ask something about your ear for them; I speak a couple of different languages, and I'm very aware that when I'm not surrounded by language X, my sensitivity to it gradually wanes. How does this work for you? You've lived in the UK for so long now and yet still passionately write with a strong Caribbean flavour – how do you keep your linguistic sensitivity sharp?
John Lyons: In answer to the first part of your question: for facility with French, I listen regularly to French radio, read the occasional French novel and write from time to time to French friends living in France. I have retained some of my French and Spanish grammar from my school days. That helps enormously, but more importantly, having the experience of listening and making serious efforts to communicate in a language, strictly speaking, not culturally my own is the way I feed and keep a sharp sensitivity to language.
Yes, I have lived in the UK for a long time, but I have kept contact with family and friends from the Caribbean, and especially from Trinidad and Tobago. When we have a 'lime' over food and drink, with calypso often in the background, I am happy in a way that feeds my soul. Music and food, wid a-lot-a ole talk, evoke memories of the life I had in Trinidad and Tobago. On these occasions when we get together, body language, with a variety of expressive gestures, becomes part of our stories and conversations. Reading nation language in print, for me, remains culturally enriching.
Playing by the book: And finally, my blog focusses on creative responses my children and I have to the books we read – the play, the exploration, the adventures books inspire us to have away from their pages. What's the last book (or single poem) you read that made you want to do something, go somewhere or make something?
John Lyons: Every time I read Derek Walcott Collected Poems 1948 – 1984, I experience the overwhelming desire to go off to my writing shed. I particularly love 'Schooner Flight'.
Interestingly, after creating a small sculpture based on collected bones of meals I enjoyed, I had no idea what to call it; then inspiration came from the first stanza of W B Yeats' poem 'Sailing to Byzantium' which I have been reading a few days before completing the sculpture: The salmon falls, the mackerel-crowded seas / Fish, flesh, or fowl, commend all summer long / Whatever is begotten, born, and dies… The bones I collected were: the part of a salmon spine, breast bone of a turkey, wishbones of chickens, a portion of lamb leg bone and a vertebra in an oxtail. This sculpture which was exhibited in an exhibition called Cultural Connections, I called Fish Flesh and Fowl.
John's responses to my questions have been full of generosity and warmth, I think you'll agree. Thank you, John. I hope one day that I might be able to share a plate of poetry and food with you.
Sometimes I think there are an infinite number.
Not least when two books fall into my lap with virtually the same premise and yet both tell such different stories, each with such brilliance and originality I am reminded of how imaginations really can hold no bounds. It happened last year when I read The Imaginary and Confessions of an Imaginary Friend. And this year, indeed this very week, it's happened again with Max and Bird by Ed Vere (@ed_vere) and the book I reviewed on Monday, The Story of the Seagull and the Cat who taught her to fly. Both these books are exceptionally good tales about a cat who promises to teach a bird to fly. A cat determined to be true to his word. A cat who comes to discover real friendship with the most unlikely of companions.
The black cat Zorba from The Story of the Seagull and the Cat who taught her to fly becomes Max in Max and Bird. And Max is a kitten. And kittens chase birds.
It so happens that Max meets a baby bird. Is Max going to chase Bird?
Hmm. A dilemma.
Rather deceptively Max suggests they become friends, and Bird is completely up for it. But Max gives the game away when he announces, "First I'll chase you […] then maybe I'll eat you up.". Bird responds with a seemingly impossible challenge: If Max (and remember, Max is a cat) teaches Bird to fly, then negotiations can open on Max's choice of activities.
But do cats know how to fly?
Well, you know the answers to this one. But Max and Bird don't give up. They persevere together to crack the problem, visiting the library, reading everything they can about flight, talking to experts in the field and…. do they manage to solve the problem?
Working as a great team, rising to a challenge, being brave and determined together, Max and Bird learn quite a few things. Not least, that they actually rather enjoy spending time with each other.
And so when Bird points out it's time for him to to make good on his end of the bargain, does Max take him up on the offer of chasing and all the consequences that might entail?
What an upbeat, funny, beautiful story of friendship this is! Ed Vere's ability to draw out such wonderful characters with seemingly simple brush strokes and very few words is quite remarkable. I don't know if Vere spends hours observing people's faces, but he has an uncanny knack when it comes to distilling the tiniest differences in ears, eyes and body language to convey – with incredible authenticity and wonder – such emotion, humour and personality. He also manages to pack amazing energy into his illustrations. Some of this comes from his use of wonderfully vibrant background colours on each page, but you can also feel it in the bodies of Max and Bird. These really aren't 2-D representations simply on a piece of paper. Rather, they're stored up bundles of vitality just waiting to burst off the page and zoom playfully around your home.
And Vere takes playfulness seriously. Along with enormous amounts of fun, he's written a story with both heart and brains. This is the third outing for Max (though you don't need to have read the earlier two picture books to enjoy this one), and the best yet, which is really saying something given that the first two were, actually, perfect books. The fourth instalment is currently being created… our family can't wait to see where Max goes next.
Using this tutorial written by Ed Vere on how to draw Max, we spent a delightful morning drawing our own Max cats and Birds.
Using brightly coloured card to draw and paint on enabled us to mimic the design of the Max books – sumptuous in their bright rainbow of pages. Here's the gallery we ended up with:
Can you spot the different ways Max is trying to join Bird in flight?
Whilst drawing and painting Max and Bird we listened to:
Other activities which might work well alongside reading Max and Bird include:
If you liked this post you might like these other posts by me:
Disclosure: I was sent a free review copy of this book by the publisher, Penguin.


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June 7, 2013
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Kyocera hires print channel specialist
Michael Curtis joins from industry giant Samsung
Samsung pre-sales technical manager Michael Curtis has moved to Kyocera as field-based channel document solutions specialist. Charlotte Elmer [pictured], channel sales manager at Kyocera, said Curtis...
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Cooking Success with the Big Green Egg
From grilled poultry to crispy thin-crust pizza, smoked turkey to correctly browned rolls, the Big Green Egg provides results you hardly ever thought were conceivable in one outdoor cooker! The EGG was made with the historical Kamado at heart. The Kamado was a domed-shaped food preparation vessel manufactured from clay. Its condition and design bring about "THE BEST Cooking Experience."
A Versatile Cooker
As a grill, the Big Green Egg sears steaks, pork chops, and hamburgers to perfection. Its temperature ranges and changeable dampers let possibly seafood and seafood to stay tender and moist.
The EGG can be utilized as an oven when you chose the indirect cooking method and a specifically engineered plate setter. Breads, pizza, cobblers, pies, and casseroles turn out perfectly browned and tastier than ever before! You may also utilize the EGG to bake meats and vegetables. Its dome-shaped design captures the moisture of the meat's organic juices, so your meats are tastier than ever.
Finally, if you love the flavor of smoked turkey, ham, ribs or chicken, you'll like the smoker options on the EGG. You'll absolutely want to make an effort smoking cigarettes and slow preparing food your meats at least one time, and we ensure you'll carry out it again and again!
Five Different Sizes
With five sizes, you're sure to locate a Big Green Egg that matches perfectly on your own large deck, or in a cubby hole on your own little patio. When choosing a size, consider how often you will be employing the EGG and just how many people you might feed simultaneously.
The excess large EGG is built to make for a group. It has the opportunity to cook two 20-lb turkeys, 24 burgers, 11 complete chickens, 12 steaks, or 14 racks of ribs simultaneously. That's more than enough to feed quite the get together!
On the many other extreme could be the mini EGG which is obviously beautiful for campouts, picnics, or tailgating capabilities! You may take this small 30-lb grill along in the rear of your pick-up or van. It will cook two chicken breasts, two pork chops, or a large juicy steak!
EGGcessory Options
Customize your Big Green Egg to fit your family's outdoor cooking needs when you purchase EGGcessories designed specifically to be used with this ultimate cooker!
The nests and tables allow you to raise the EGG to a easy cooking height, while mates, shelves and tables allow space for dishes or cooked food to sit down during dinner time. A variety of cooking items are available. Cooking grids allow smoky taste to surround your meats since it cooks, poultry roasters enable also cooking of poultry or turkey, and with a tiered rack, you can make several item simultaneously! If you're seeking to utilize the EGG as an more than, you will want to get some good plate setters and baking stones.
The Big Green Egg Provider offers cookbooks and seasonings, so first-time users and EGG connoisseurs can have fun with multiple flavors. You can even purchase size-specific addresses that will secure your EGG from the factors and substitution parts in the event something breaks. You will discover all you need for a exceptional outdoor cooking knowledge!


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Photo SpecialBlake Lively & Ryan Reynolds's A-List Exes
From globetrotting with Leonardo DiCaprio to an engagement to Alanis Morissette, look back at their former flames
Credit: Jamie McCarthy/WireImage
Updated: Sunday Sep 09, 2012 | 06:00 PM EDT By: Alison Schwartz
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Supreme Court Considers Narrow GHG Case
The Supreme Court today begins considering a narrow case that is unlikely to impinge much on the EPA's ability to regulate carbon, according to observers on both sides of the regulatory debate.
At issue: whether the EPA's regulation of vehicle greenhouse gas emissions automatically triggers a requirement that large stationary sources such as power plants also control their emissions, Dorsey & Whitney partner and former Department of Justice official Thomas Lorenzen says.
Jeffrey Holmstead, head of EPA air pollution programs under President George Bush and a critic of the agency's GHG permitting, told NPR that the outcome of today's case is unlikely to affect the agency's larger abilities to regulate GHGs.
The Environmental Defense Fund's Vickie Patton said, "This case is not about EPA's authority to address climate pollution under the nation's clean air laws."
But Lorenzen says industry groups and states are pushing the court to expand its review, by "asking that the court revisit its 2007 holding that EPA may regulate GHGs under the Clean Air Act, question EPA's finding that GHG emissions are putting human health and welfare at risk, and overturn EPA's attempts to 'tailor' its regulations to address only the largest sources of GHGs."
Today's arguments will shine some light on whether the court might accept any of these calls to broaden its review, Lorenzen says.
Takeaway: The scope of today's Supreme Court GHG arguments is narrow – but there is a chance for a broader review of the EPA's carbon regulations.
Tamar Wilner is Senior Editor at Environmental Leader PRO.
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Home > Press > Nanotechnology: Thinking Big About Things Small
New Report Looks Beyond Specific Statutes at Effective Oversight System.
Nanotechnology—the so-called "science of the small"—is raising some really big questions about the adequacy of the current federal oversight system. The Environmental Protection Agency (EPA) is grappling with understanding the jurisdiction and applicability of major laws, like the Toxic Substances Control Act (TSCA) and the Federal Insecticide, Fungicide, and Rodenticide Act (FIFRA), with respect to nanotechnology. The Food and Drug Administration (FDA) is evaluating the effectiveness of the agency's regulatory approaches and authorities to meet the potential unique challenges presented by the use of nanomaterials in FDA-regulated products, and the agency expects to issue its findings in July 2007.
A new report by former EPA official Mark Greenwood, Thinking Big About Things Small: Creating an Effective Oversight System for Nanotechnology, urges policymakers to focus more attention on how core assumptions about risk assessment and risk management that underlie existing health and environmental regulations will translate from the macro world to the nano world. It also emphasizes that how the government ultimately oversees nanotechnology will have major impacts on business strategies, intellectual property, and the evolving structure of the industry. It argues that these issues should be discussed now, in the early stages of commercialization, rather than later.
A panel of speakers including Mr. Greenwood, Stephen Harper of Intel Corporation and Richard Denison of Environmental Defense will examine the report's conclusions at a program organized by the Project on Emerging Nanotechnologies. The event and live webcast will take place on Wednesday, March 14th at 10:00 a.m. in the Board Room on the 6th Floor of the Woodrow Wilson International Center for Scholars ( http://www.wilsoncenter.org/directions ).
Mr. Greenwood, who is currently a partner in the law firm Ropes & Gray, worked for EPA for over 16 years. He held a variety of senior positions in the Office of General Counsel, managing legal issues in areas as diverse as pesticides, toxic chemicals, hazardous waste management, Superfund, and environmental reporting. From 1990-1994, he was director of the Office of Pollution Prevention and Toxics. Mr. Harper is the director of Environment, Health, Safety, and Energy Policy for the Intel Corporation. Dr. Denison is a senior scientist in the Health Program at Environmental Defense.
*** Webcast LIVE at http://www.wilsoncenter.org/nano ***
What: Thinking Big About Things Small: Creating an Effective Oversight System for Nanotechnology
Who: Mark A. Greenwood, Partner, Ropes & Gray
Richard A. Denison, Senior Scientist, Health Program, Environmental Defense
Stephen Harper, Director, Environment, Health and Safety & Energy Policy, Intel Corporation
David Rejeski, Director, Project on Emerging Nanotechnologies, Moderator
When: Wednesday, March 14th, 2007, 10:00 - 11:00 a.m.
Where: Woodrow Wilson International Center for Scholars, Board Room, 6th
Floor, 1300 Pennsylvania Avenue, NW, Washington, DC 20004
About The Project on Emerging Nanotechnologies
This event is being organized by the Project on Emerging Nanotechnologies. The Project was launched in 2005 by the Woodrow Wilson Center and The Pew Charitable Trusts. It is dedicated to helping business, governments, and the public anticipate and manage the possible health and environmental implications of nanotechnology.
For more information, please click here
Sharon McCarter
(202) 691-4016
Copyright © Woodrow Wilson International Center for ScholarsIf you have a comment, please Contact us.
Issuers of news releases, not 7th Wave, Inc. or Nanotechnology Now, are solely responsible for the accuracy of the content.
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Teachers (1984)
Good film, flawed, but good.
I saw this movie again recently and even though it was exaggerated a little, I thought it was pretty good. I went to both public and private schools in the 70s-80s and saw many of the same sort of teachers and administration in both types of school. I had teachers who didn't care, who just couldn't teach, and those who actually did try to engage the students and do a good job, and all of those types, although exaggerated a little, are portrayed here. I've also seen clueless principals who just hid out in their offices all day and were in their car driving away 5 minutes before the final bell rang.
Around the time the movie was released, I read a news story about a girl who was valedictorian of her school, in the National Honors Society, but flunked out of college due to being unable to read because of dyslexia and she ended up suing her school.
This wasn't clearly the case in the film, but should a student who can't perform to a minimum academic standard or doesn't even show up for class and turn in work still pass and get a diploma?
The fact the school was more concerned with with its image than with addressing the issue is something I also saw in school growing up and even now. In my area recently, a local doctor sued his son's former school over unrefunded tuition money. He claimed his son was bullied there for a couple of years and complaints and meetings with school officials didn't help, so he enrolled his son elsewhere. When he unenrolled his son, the school would only refund the unused portion of tuition if the father signed a confidentiality agreement stating he wouldn't discuss what went on there. Sound familiar?
Although a bit over the top, Teachers is an example of what went on, and probably still goes on, in schools and is worth seeing.
Sgt. Pepper's Lonely Hearts Club Band (1978)
A lot of talent went to waste
I hadn't thought about this film for a long time until my wife brought home a special edition Bee Gees DVD which included their "One Night Only" concert and a documentary about the band. In an interview segment, one of them talked about how they were offered the chance to do this film and thought it sounded good but a few weeks into it they wanted out! This made me want to look it up on IMDb.
My older sister went to see this movie in 1978 and owned the soundtrack and for some reason, always raved about how great they were! At the same time, I also remember hearing a radio news story about how some stores had pulled the soundtrack album from the shelves because they weren't selling.
I had a friend who also saw this film and when that friend came by the house to see me, they'd end up hanging out together listening to the Sgt. Pepper soundtrack instead of my music, with both of them often condemning my musical tastes. One day I decided to do something and made some tapes of Beatles albums my brother had, so my friend might prefer hanging out with me and my music instead of her music.
She brought in that album and said something along the lines of "want to listen to some good music now?" with my friend responding "Yes." When I pointed what I had was the Beatles my friend responded "Not your kind of Beatles, her kind of Beatles," which made no sense to me because that soundtrack wasn't even the actual Beatles! A few years later, I saw the movie was coming on TV and thought I'd give it a chance, since it had some very talented people in it. It was to put it mildly, terrible. I couldn't believe my sister and friend thought it was so great. Most of the covers of the Beatles' songs were horrible and I still don't understand why my friend and sister preferred this over the originals. Aerosmith's "Come Together" was pretty good I'll admit, and it still gets played on classic rock stations today. I'm not against singers doing covers of older songs, but at least do good covers of them. I sat through the whole film that one time it was on TV and don't ever plan to do that again. A year or so later, I was switching channels and saw it on TV again. I just moved to the next channel.
It's a shame this movie was so bad because the producers of this film had some great talent at their disposal. In spite of all that talent, all they could turn out was this piece of rubbish.


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Palestinians Work on Israeli Barrier
Palestinian construction workers defy a religious edict forbidding them from working on the Israeli security barrier being built in and around the West Bank. Workers say that a scarcity of jobs in the area have led them to ignore a Palestinian Muslim cleric's decree. NPR's Julie McCarthy reports.
Copyright © 2004 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.
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19th Century French vegetable catalogue paintings reproduced in all their painstaking glory
Imagine a time when vegetables could stop you in your tracks, when the very sight of a weird and wonderful foodstuff could cause you to gawp and gasp. You can't can you – what with your Tesco-infused metropolitanism and your exotic-fruit snack packs.
But there was a time when people weren't as gastronomically savvy as you and so in those days it was important for certain pioneers to catalogue and document things like vegetables. Grain merchant Philippe Victoire de Vilmorin and his father-in-law Pierre Andrieux, botanist to the King, together formed Vilmorin-Andrieux & Cie and produced their first seed catalogue in 1766.
As the business grew they became hugely respected botanical experts and a series of publications followed, culminating in arguably the company's most famous work Album Vilmorin. Les Plantes potagères (The Vegetable Garden, 1850–1895). For this stunning tome of "agro-botanic iconography" 15 painters were hired to render fruits and vegetables and these illustrations have been collated and republished by pharmaceutical historian Werner Dressendörfer.
It's clearly a significant record of botanical history but it's also just ruddy beautiful, with skill and flair poured into this fairly prosaic topic.Album Vilmorin. Les Plantes potagères is out now from Taschen.
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Windows Phone Games
Bug Village Answers for Windows PhoneHome / Windows Phone /
Game Questions & Answers (Q&A) service lets you ask questions about video games for game consoles or PC games. So ask your Bug Village question for Windows Phone and get answers from real gamers or answer questions and share your insights and experience with the rest of the gaming community.
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Mission:help 15 ladybugs
No bugs show up after level 15 and my mission involves helping the bugs.. any answers? glitch?
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I'm having this same problem. I've almost completed level 19 and have yet to see a lady bug.....
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Massa not worried about latest criticism
Felipe Massa insists he is not fazed by the latest round of criticism. The Brazilian was often under fire as a Ferrari driver, but for 2014 he switched to Williams where he relished the chance to be a de-facto 'number 1'. In Spain last weekend, however, Massa qualified ninth while his young teammate Valtteri Bottas made the headlines with his impressive run to fourth. And in the race, the 33-year-old struggled even more, and he was lapped and out of the points as Finn Bottas, 24, finished fifth. Once again, Massa is facing criticism, but he told Brazil's Totalrace: "I'm not the least bit worried. "The focus is on the next race and doing a better job. I'm used to the...
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Alvarez-Golovkin Bout Delayed Until Late '17 Wimbledon Tech Monitoring Fans' Emotions USMNT, Argentina Do Battle In Houston CWS Beer Sales Going Smoothly Thus Far MiLB Aircraft Carrier HR Contest A Success Boost Boston Games T&F Event Gets Mixed Reviews CWS Begins Alcohol Sales Pilot Program U.S.-Ecuador In Jeopardy Of Not Selling Out Heat Could Host Future NBA All-Star Game Free Concerts Supporting MLB All-Star Game
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Is Tiger Woods' Return Due To A New Title Sponsor For His PGA Tour Event?
Published June 23, 2014
MISSING IN ACTION: The WASHINGTON POST's Svrluga wrote as "much as this is Woods's event ... he's not making phone calls and twisting arms to get people to play." Woods last month said, "I haven't traditionally done that because I know what it feels like to be on that side, where people ask you to play. And I don't want to put that on the players. My staff will do that for me." Despite his "presence as a host and Congressional as a top-flight venue, Woods's tournament ... has traditionally had a difficult time drawing a strong field, and encouragement from the 14-time major winner likely wouldn't matter." Woods, Jason Day, Jordan Spieth and Justin Rose "give the event four of the world's top-10 ranked players, but just five of the top 20 will be here -- and for several reasons." The U.S. Open was two weeks ago, and "many top-flight European players ... travel across the Atlantic immediately afterward." The Irish Open was last week, and the BMW Int'l Open in Germany is "next week, overlapping with the Quicken Loans National." Phil Mickelson "traditionally takes time off after the U.S. Open and reappears the week before the British Open." Woods said, "It's just playing schedule. Guys need time" (WASHINGTON POST, 6/22).


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Aquaglide Spitfire 2-Person Towable Tube Package
Two-person towable
EVA pads protect knees and elbows
Rapid inflate valve
12V air pump
Heavy-duty 60 tube rope
New! Wow Yankee Coupe 2-Person Towable Tube
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Heavy-gauge PVC bladder
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Fully covered with 840/420-denier nylon
Durable PVC construction
Can be pulled from the front or rear
Lightning valves for fast inflation
Sportsstuff Poparazzi 3-Person Towable Tube
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Stand, kneel, sit, steer, or lie down!
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Speeds up to 2 mph
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Rechargeable battery with 1 hr. run time
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Two-person towable
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SportsStuff Booster Ball
Keeps the rope from getting caught under the water
Absorbs shock
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Improves planing and directional control
Works great with transom tow points
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Includes 60 tube rope and storage bag


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Tim Layton, a former tSB youth and currently one of our Assistant Snowboard Instructors, stood out as one of the most helpful and dedicated Instructors this weekend at our first…
Phone: (206) 324-7771
Email: email@example.com
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Seattle, WA 98106-1348
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1. Churchill's On ElmMenu
213 S Elm StGreensboro, NC 27401
2. One 17 Sofa Bar & Lounge
117 N Greene StGreensboro, NC 27401
3. Bessemer Billiards
1207 E Bessemer AveGreensboro, NC 27405
4. L's Restaurant & Lounge
2316 Randleman RdGreensboro, NC 27406
5. Kave Adult Lounge
2438 Randleman RdGreensboro, NC 27406
6. Pillow Talk Bar & Lounge
2519 High Point RdGreensboro, NC 27403
7. 1618 Wine Lounge
1724 Battleground Ave Ste 105Greensboro, NC 27408
8. Pillow Talk Bar & Lounge
2519 W Gate City BlvdGreensboro, NC 27403
9. Tea Time Lounge
2240 Patterson StGreensboro, NC 27407
10. Chops Malibu
3604 Burlington RdGreensboro, NC 27405
11. Xhale Hookah Lounge
4511 W Market StGreensboro, NC 27407
12. Rio Sports Restaurant & Lounge Inc
4927 W Market St Ste 3000-BGreensboro, NC 27407
13. Armani's
4312 Big Tree WayGreensboro, NC 27409
14. La Fiesta Restaurante MexicanoMenu
My first time eating here was a few weeks ago. I went during the week for lunch and loved the speedy and pleasant service. Great customer service is…
15. Sky High Hookah Lounge
3793 Samet Dr Ste 135High Point, NC 27265
16. Frank's Lounge
110 Eugene StGibsonville, NC 27249
17. Classy Art Lounge & Bar
Be Too Kool For School, only here, only in High Point! The Classy Art brand has become a staple in the industry. Find out why!
18. Vanity Hair Lounge & Boutique
209 E Main StGibsonville, NC 27249
19. La Fiesta Restaurante MexicanoMenu
the service was very quick and exceptionally good, I would recommend this restaurant.
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The bar owner is rude,stuck up and an a$&@! Just stands there does nothing.The staff members are rude. They don't know how treat the customers. …
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Q Lounge is one of the best bars in Greensboro. All of the bartenders are awesome and the owner is the best. I have manet had anything sorry of a …
22. Little Texas Saloon
3516 Burlington RdGreensboro, NC 27405
23. New Orleans Bar & GrillMenu
4312 Big Tree WayGreensboro, NC 27409
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5711 W Friendly AveGreensboro, NC 27410
Showing1-24 of 24results


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Police identify woman killed by TRAX train
Scott G Winterton, Deseret News
SALT LAKE CITY — Police identified the woman who was hit and killed Monday by a TRAX train.
The woman was identified as Wanda Song, 39. Officials were waiting to contact family who lived out of state, who they finally reached Wednesday, according to Salt Lake City Police detective Veronica Montoya.
Song was hit and killed by a northbound TRAX train at about 4:30 p.m. Monday, just north of the Ballpark station at 180 W. 1300 South.
She had come in contact with UTA officers 30 to 40 minutes before she was hit, UTA spokesman Remi Barron said. Song was intoxicated, so officers took her to a detox center.
"Unfortunately, she did not stick around very long," he said.
Officials were not able to confirm that Song was homeless. Her last recorded residence in the city was in 2011, but she may have been living in another city, Montoya said.
The man hit by a FrontRunner train coming to a stop Tuesday morning remained in extremely critical condition by 4 p.m. Thursday.
This accident happened hours after Song was hit and killed by the TRAX train.
The man, 36, had gotten off the northbound train shortly after 7:45 a.m., walked across the southbound tracks and did not see the train approaching, Roy Police Sgt. Shane Hubbard said.
The man "was not paying attention and then the southbound FrontRunner train conductor was blowing his horn and everything trying to get his attention," Hubbard said. "The pedestrian looked at the last second and couldn't get out of the way in time."
The train was slowing down when it hit the man, Hubbard said.
Medical crews and police responded to treat the man who received "severe head trauma, torso trauma and both legs trauma," Hubbard said.
Police were unable to confirm the man's identity and reported he was listed in extremely critical condition Tuesday night.
Investigators were unsure whether the man was wearing headphones when he was hit.
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Mashups using the same API (83)
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Could This API Help You Keep Your Friends?
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Photo Upload Added to Twitter API
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Congressional Budget Office Forecasts $8 Billion Surplus This Year
Proclaiming that the end of federal budget deficits is at hand, the Congressional Budget Office on Tuesday said the government will run an $8 billion surplus this year, 12 months earlier than President Clinton had estimated when he unveiled his balanced-budget plan in February.
The new CBO estimates mark the first official prediction that the first surplus since 1969 will be achieved for this fiscal year.
The news adds fuel to a lively debate in Congress, both between the parties and within them, over how to use the government surplus. That debate is coming to a head as budget writers in both the House and Senate are drafting spending and tax blueprints for the new fiscal year starting Oct. 1.
"We're now in a position to talk about how do we move into the future," said House Speaker Newt Gingrich, R-Ga.
Clinton has been making headway - even among Republicans - with his idea that the surplus be reserved until Congress decides what to do to shore up Social Security, which needs financial help to handle the wave of baby-boomer retirements early in the 21st century.
But many Republicans are clamoring for a tax cut, and Gingrich and Rep. John Kasich, R-Ohio, House Budget Committee chairman, on Tuesday floated the idea of using the surplus to set up individual retirement accounts for baby boomers.
The transition from red ink to black has been coming more rapidly than policy makers had expected. When Clinton and Congress reached their balanced budget agreement in mid-1997, they expected deficits to linger until 2002. But the booming economy has continued to bring in far more tax revenues than predicted.
By December, Treasury Department reports were showing that the government had run a surplus for a 12-month period ending November 1997. The only question was whether that would be sustained for the full 1998 fiscal year, which runs until Sept. 30. Tuesday's report projects that this will occur.
In January, the CBO had projected the government would continue running small deficits until 2001. The new estimates released Tuesday said that, thanks to greater than anticipated revenues, the budget would run an $8 billion surplus this fiscal year.
According to the CBO, the surplus would remain relatively small until 2002, when it would jump to $67 billion, and eventually rise to $138 billion in 2008.


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Troubleshooting the iPod and iPod mini
MacFixit has compiled a list of all their past iPod and iPod mini troubleshooting articles to help those in need. Some areas covered include iSight interference, batteries, iPod mini audiobook issues, Applecare for iPod, cracked LCD screens and more.
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Jee Le Zara: Saanchi is upset
In the TV show "Kehta Hai Dil Jee Le Zara", Saanchi is upset over being scolded by her nani and Aaji after they came to know about Saanchi's secret love Dhruv. Saanchi is so upset that she is not even picking up Dhruv's phone. Watch the sequence being shot here.
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The International Fund for Animal Welfare's Peter Pueschel gives us an update from the floor of CITES CoP 16.
Voters went to the polls on Sunday March 3rd in a municipal election here in Bangkok, Thailand.
The 16th Conference of the Parties (CoP) of the Convention on International Trade in Endangered Species has begun here in Bangkok, Thailand.
As I hope you've read in our other blog posts the fate of numerous species will be decided over the next two weeks.
The world will watch if we manage to save several hundred polar bears from international trade each year.
Urgent, interactive and as close as your nearest internet link, that's IFAW's Unveiling the Ivory Trade, an online report and iPad app that highlights the escalating illegal ivory trade.
"Right now the quickest way to spread the message that the illegal ivory trade is killing elephants by their thousands is to take it online. That is exactly what IFAW has done with Unveiling the Ivory Trade," says Jason Bell, IFAW Director - Elephant Programme.
IFAW appelle toutes les ONG de protection des animaux à discuter ensemble des solutions permettant de renforcer la coordination sur le terrain alors que débute la 16e Conférence des Parties (CoP) de la Convention sur le commerce international des espèces de faune et de flore sauvages menacées d'extinction (CITES) à Bangkok.
A coalition of groups is applauding a decision by the U.S. Court of Appeals for the District of Columbia to reject a challenge to the U.S. Fish and Wildlife Service's 2008 decision to list polar bears as a threatened species under the Endangered Species Act. The ruling keeps in place the current ban on the import of trophies of sport-hunted polar bears from Canada.
Preview images here:
The International Fund for Animal Welfare (IFAW) was invited to speak at a workshop held by the European Parliament's Environment Committee on wildlife Trafficking.
Today (the moment of writing) is Valentine's Day so it seems appropriate that I use this post to talk about my love of elephants, Certain elephants in particular.
In 2011 an estimated 25,000 to 50,000 elephants were killed to supply the increasing demand for elephant ivory around the world.
Last week I represented the International Fund for Animal Welfare at the World Trade Organization (WTO) in Geneva, Switzerland along with Sheryl Fink and Hannes Schloemann.
International Fund for Animal Welfare | 301 1/2 Bank Street, Unit 2, Ottawa, ON K2P 1X7 | Canada